Perth artist Andrew Hayim De Vries creates upcycled lamp artworks from found objects like kitchen appliances and medical equipment. Known for transforming houses into art installations using discarded items, his new "Lighting Conditions Do Apply" series combines objects into designer lights. Hayim De Vries sees his practice as resurrecting lost items and giving them new life and value through his art.
Descrição original:
A press release for Perth artist and designer, Andrew Hayim De Vries.
Perth artist Andrew Hayim De Vries creates upcycled lamp artworks from found objects like kitchen appliances and medical equipment. Known for transforming houses into art installations using discarded items, his new "Lighting Conditions Do Apply" series combines objects into designer lights. Hayim De Vries sees his practice as resurrecting lost items and giving them new life and value through his art.
Perth artist Andrew Hayim De Vries creates upcycled lamp artworks from found objects like kitchen appliances and medical equipment. Known for transforming houses into art installations using discarded items, his new "Lighting Conditions Do Apply" series combines objects into designer lights. Hayim De Vries sees his practice as resurrecting lost items and giving them new life and value through his art.
neglected past The latest incarnation of work by Perth artist, Andrew Hayim De Vries, has designs on Melbournes detritus. Hayim De Vries, known for his 100 Hubble and Hubble in a Bubble works, has recently moved to the Victorian capital, where he is shedding light on our collective neglect with his up-cycled lamp art. Lighting Conditions Do Apply is a series of designer lights that juxtapose and combine an eclectic range of found objects: from Sunbeam Mixmasters and bedpans to speed bumps and mannequin arms. The series is the latest instalment of his Home Wheres body of work. It also continues a central narrative of his art: the resurrection of lost and discarded objects deemed valueless by society. I see my practice as art objects in the light, which are steeped in a strong 19th century sensibility that uses cross-cycling to merge industrial and kitsch with urban constructions, says Hayim De Vries. These objects exist as a sculpture during the day where they have their own sense of value and existence, and at night they take on a secondary life force as a light, he says.
Design by Keep It Frank - keepitfrank.com
I see my practice as art objects
in the light, which are steeped in a strong 19th century sensibility. Page 1
These objects exist as
a sculpture during the day, and at night they take on a secondary life force as a light.
Photo by Keep It Frank - keepitfrank.com
Page 3
The genesis of this lighting series was 100 Hubble,
a Fremantle weatherboard house that Hayim De Vries transformed into a moveable feast of art. Over 20 years, the artist created a constantly changing palette of pavilions made from found objects: a telephone box as a shower; a railway carriage as a suite of rooms; a boat prow keeping watch over it all. On the propertys front wall, shelf after shelf of found objects also made his house a destination for tourists, media and art critics alike. His subsequent exhibitions Hubble in a Bubble; Table Where: Form Function; and Bubble into the Continuum were drawn from the Hubble Street residence and a second house, Garage Mahal Home. Andrew has persistently recycled materials in his artworks he built two unique houses as art works, which act as a most grand gesture to this practice juxtaposing and combining found objects to make whimsical and quirky reconstructed artworks, says Dr Julian Goddard, Head of the School of Design and Art, Curtin University. His recent lighting works share his idiosyncratic aesthetic born out of years of making art with a truly strong ecological and environmental knowledge base, which are also delightfully functional.