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Almond and Sidney Verba (eds.), The Civic Culture Revisited (Boston: Little, Brown, 1988).
For a recent empirical study of political change using the concept of political study, see Robert
Putnam, Making Democracy Work: Civic Traditions in Modern Italy (Princeton: Princeton
University Press, 1993).
7. Theodore Adorno, The Authoritarian Personality (New York: Harper, 1950).
8. David Horton Smith, Alex Inkles, "The OM scale: a comparative socio-psychological
individual modernity," Sociometry, Vol. 29, No. 4 (December 1966), pp. 353-377.
9. Karl R. Popper, The Poverty of Historicism (Boston: Beacon Press, 1957), p. 147. The
best known (and most entertaining) systematic application of the concept to political science
is probably Anthony Downs, An Economic Theory of Democracy (New York: Harper, 1957).
For examples of recent influential studies of democratization which take a rational choice
approach and which basicially ignore considerations of culture, civic or otherwise, see
Guillermo O'Donnell, Philippe C. Schmitter and LaurenceWhitehead (eds.), Transitionsfrom
Authoritarian Rule: Comparative Perspectives (Baltimore: The Johns Hopkins University
Press, 1986). For a rational choice interpretationof Chinese politics partlycritical of a central
emphasis on culture, see Avery Goldstein, From Bandwagon to Balance-of-Power Politics:
Structural Constraints and Politics in China, 1949-1978 (Stanford: Stanford University
Press, 1991).
10. Compare Aaron Wildavsky, "Choosing preferences by constructing institutions: a
cultural theory of preference formation," American Political Science Review, Vol. 81, No. I
(March 1987), pp. 3-23.
11. Lucian Pye, The Spirit of Chinese Politics: A Psychological Study of the Authority
Crisis in Political Development (Boston: MIT Press, 1968); The Dynamics of Chinese Politics
(Cambridge, MA: Oelgeschlager, Gunn & Hain, 1981); Richard Solomon, Mao's Revolution
and the Chinese Political Culture (Berkeley: University of California Press, 1971).
12. See, however, Andrew Nathan and Tianjian Shi, "Culturalrequisites for democracy
in China: findings from a survey," Daedalus, No. 122 (Spring 1992), pp. 95-124. This is also
discussed below.
13. LucianPye, TheMandarinand the Cadre: China's Political Cultures(Ann Arbor:Center
for Chinese Studies, 1988); something like this theme is pursuedwith intimidatingeruditionby
Wolfgang Bauer, China and the Search for Happiness (New York: Seabury, 1976).
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helps shape Chinese social structure and state-society relationships, without reference to
individual psychological traits.
21. J. Bruce Jacobs, "A preliminary model of particularistic ties in Chinese political
alliances," The China Quarterly, No. 78 (June 1979), pp. 237-273.
22. Andrew G. Walder, CommunistNeo-Traditionalism: Workand Authority in Chinese
Industry (Berkeley: University of California Press, 1986), pp. 187, 251.
23. Peter R. Moody, Jr., Political Opposition in Post-Confucian Society (New York:
Praeger, 1988). Pye, "China: erratic state, frustratedsociety" takes a somewhat similar line.
24. William T. Rowe, Hankow: Commerce and Society in a Chinese City, 1796-1889
(Stanford: Stanford University Press, 1984); Hankow: Conflict and Communityin a Chinese
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Cultural Politics
Culture includes ideas as well as social structures. The nature of the
traditional culture and its problematic compatibility with modernity have
been guiding themes in Chinese politics for more than a century. An
academic focus on the theme is relevant both for the general problem of
tradition and modernity and for the substance of Chinese politics itself.
The ideas should be treated as rational constructs, not as mental quirks.
Here the work of Joseph Levenson, perhaps now somewhat dated,
remains exemplary.27To oversimplify, Confucian China could not modernize, since Confucianism defined a structureof power and privilege and
also defined the moral universe of those with power and privilege; and
Confucianism was rationally and politically incompatible with the
changes required for modernization.28By the same reasoning, the modernization of China meant the end of Confucianism. To use (or parody)
a Levensonian locution, moder China grew out of traditionalChina, but
also grew out of it; understandingChinese politics requires an investigation of cultural change. This approach addresses structures of ideas and
institutions, which define structures of interest and action.
Levenson finished his major work on the eve of the Cultural Revolution, and took the Communist regime as the epitome of Chinese
modernity. That regime's easy appropriationof the Great Tradition in the
early 1960s served as evidence that tradition no longer had any relevance
to ordinary life, and so was no longer a subversive political threat (just as
the Vatican museum can display statues of Apollo).29 But in the Cultural
Revolution the tradition was attacked again: perhaps it was not as dead as
it seemed. It continued to feature in polemics in the 1970s and 1980s.
footnote continued
City, 1796-1895 (Stanford: Stanford University Press, 1989). Modern China, Vol. 19, No.
2 (April 1993) is devoted to the question of civil society. For the contemporary period, see
BarrettL. McCormick, Su Shaozhi and Xiao Xiaoming, "The 1989 Democracy Movement:
a review of the prospects for civil society in China," Pacific Affairs, Vol. 65, No. 2 (Summer
1992), pp. 182-202.
25. Mark Elvin, The Pattern of the Chinese Past (Stanford: Stanford University Press,
1973); Ray Huang, 1587, A Year of No Significance: The Ming Dynasty in Decline (New
Haven: Yale University Press, 1981).
26. Prasenjit Duara, Culture, Power, and the State: Rural North China, 1900-1942
(Stanford: Stanford University Press, 1988).
27. Joseph R. Levenson, Confucian China and Its Modem Fate: A Trilogy (Berkeley:
University of California Press, 1967).
28. The earlier statement of this theme is Max Weber, The Religion of China;
Confucianism and Taoism (New York: Free Press, 1951).
29. Levenson, Confucian China, Vol. 3, pp. 78-82.
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Political Culture
This brief overview can only suggest lines of argument and raise
questions for discussion without developing them, and leaves much that
needs to be expanded, clarified, qualified and probably even repudiated.
The root banality is that Chinese politics cannot be understood separately
from culture. Culture provides the setting for politics. In China particularly, cultural change and continuity are substantive themes of politics
and perennial topics of political debate. Explicit use of political culture in
mainstream American political science studies of China has largely kept
to the psychocultural approach to modernization defining the concept as
a sort of sum of the individual attitudes about politics held by members
of a society. The approach raises logical, theoretical and empirical
questions which should probably be discussed more explicitly than they
have been. I have the impression that while this scholarship is certainly
used for its insights, it remains peripheral to analyses using other
approaches. A broader, more traditional concept of culture may allow a
more systematic incorporation of culture into political analysis.
I think culture is most usefully understood as an impersonal structure
or pattern of relationships among actions, ideas and interactions. A focus
on ideas or attitudes is too narrow (and gains nothing by using culture as
a synonym for attitudes). Political cultural analysis should also encompass institutions and customary ways of acting. When ideas are
incorporated into the analysis, as they certainly must be, there should be
an attempt to show their logic or rationale, not simply present them as a
list or set of opinions or values.
Cultural analysis may sometimes generate specific hypotheses. References to political culture are not a substitute for substantive empirical
research. Nor are cultural generalizations a substitute for institutional or
other kinds of political analysis. Culture refers, perhaps, to the context in
which the various political, economic and social forces operate. To be
complete, any particular theoretical approach must take culture into
account, as culture provides the parametersof the theory, an indication of
the range and scope within which it might be valid and the ways in
which, if it is valid, it might show itself. Conversely, institutions, social
relations or historical events condition the ways in which culture manifests itself.