CJB Fakebook 2 - C Treble

Fake Book Version 2.
C treble
This Fake Book has been assembled with tunes that have been written prior to 1923 which makes
them out of copyright in the USA. This Fakebook has been produced in the following versions:
C Treble
Bb Treble
Eb Treble
Bass Clef
F Horn
If you want versions in other keys or want more tunes added, feel free to contact me.
kyeates@yahoo.com
Kevin Yeates
The Creole Jazz Band
The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madelines patience
with us, her incredibly thorough analysis of our needs, her research, and of course her creativity,
she was able to develop this outstanding logo. Madeline can be contacted through her website at:
www.madelinekoeberling.ca
12th Street Rag ................................................. 1

A Good Man Is Hard To Find ............................. 146
Aint We Got Fun ................................................... 280
Afghanistan ............................................................. 8
After The Ball Is Over ........................................ 248
After Youve Gone ................................................. 270
Aggravatin Papa ..................................................... 210
Alabama Jubilee ..................................................... 174
Alcoholic Blues ........................................................ 90
Alexanders Ragtime Band ............................... 92
Alice Blue Gown ....................................................... 43
All The Girls Go Crazy ........................ 252
Amazing Grace ......................................................... 154
American Patrol ............................... 217
And They Called It Dixieland ............................... 262
Any Time ........................... 261
April Showers .......................... 228
At a Georgia Camp Meeting ................................ 25
At The Devils Ball ................................................... 220
At The Jazz Band Ball ............................................ 222
Aunt Hagars Blues .......................... 152
Avalon ................................. 154
Baby Wont You Please Come Home ..................... 277
Ballin The Jack ............................ 256
Barnyard Blues .. 230
Beale Street Blues .......................... 234
Bill Bailey .. 40
Blue and Broken Hearted ............................... 33
Blues My Naughty Sweetie Gives to Me .. 200
Bluin The Blues ................................... 258
By The Light of the Silvery Moon .................. 254
Careless Love ...... 182
Chicago .................... 276
China Boy ..... 42
Chinatown, My Chinatown .......................... 149
Cleopatra Had a Jazz Band .................................... 150
Creole Belles ........ 62
Curse of An Aching Heart ..................................... 202
Dangerous Blues .... 76
Dardanella .............. 272
Darktown Strutters Ball ....................................... 224
Dear Old Southland ................................................ 207
Dixieland Jazz Band One Step ............................ 168
Down Among The Sheltering Palms ..................... 34
Down By the Riverside ........................................... 99
Down Home Rag ....................................................... 165
Down In Borneo Isle ...... 192
Down In Honky Tonk Town .................................... 54
Down in Jungle Town ............................................... 56
Down Yonder ............................................................. 274
Easy Riders Gone .................................................... 132
Eccentric ..................................................................... 10
Eh La Bas ..................................................................... 133
Fidgety Feet .............................................................. 134
Flee As A Bird ............................................................ 31
Floatin Down That Old Green River ..................... 126
Floatin Down To Cotton Town ................................ 128
Foolish Questions ..................................................... 208
Frankie And Johnnie ................................................ 42
Get Out Of Here .. 148
Grizzly Bear Rag ....................................................... 70
He May Be Your Man ............................................... 72
Hesitating Blues ........................................................ 68
High Society ............................................................... 214
Hindustan ..................................................................... 2
Hot Lips ....................................................................... 178
I Aint Gonna Give None of My Jelly Roll . 32
I Cant Let Em Suffer ............................................. 96
I Never Knew I Could Love Anybody .................... 201
I Want To Do The Bear Cat Dance ...................... 268
I Wish I Could Shimmy Like My Sister Kate ..... 186
Ida, Sweet As Apple Cider ................................... 242
If You Were The Only Girl In The World . 282
In The Sweet By and By ... 260
Indiana ........................................................................ 4
Ja Da ........................................................................... 110
Japanese Sandman ................................................... 226
Jazz Baby ................................................................... 44
Jazz Me Blues ........................................................... 194
Jelly Roll Blues .......................................................... 196
Joe Averys Piece 37
Just A Closer Walk With Thee . 247
Just a Little While to Stay Here ......................... 30
King Chanticleer......................................................... 104
Lasses Candy .............................................................. 102
Lassus Trombone ..................................................... 284
Lazy Daddy .................................................................. 112
Limehouse Blues ......................................................... 114
Livery Stable Blues (Vocal) ..................................... 116
Livery Stable Blues .................................................. 228
Long Gone ................................................................... 142
Love Nest ................................................................... 188
Lovin Sam ................................................................... 158
Ma, Hes Making Eyes At Me .................................. 160
Maitland 89
Mama Dont Allow ...................................................... 13
Mandy ........................................................................... 14
Margie .......................................................................... 12
Memphis Blues ............................................................ 80
Midnight in Moscow ................................................... 81
Missouri Waltz .......................................................... 266
My Bucket's Got a Hole In It ................................ 95
My Daddy Rocks Me ................................................. 58

My Honeys Lovin Arms .......................................... 162
Oh ................................................................................. 15
Oh By Jingo ................................................................ 98
Oh Didnt He Ramble ............................................... 120
Old Rugged Cross .................................................... 206
Ole Miss ..................................................................... 198
On The Alamo ........................................................... 238
Orys Creole Trombone .......................................... 108
Ostrich Walk ........................................................... 264
Over in The Glory Land . 286
Over The Waves ..................................................... 140
Panama ....................................................................... 16
Pearls .......................................................................... 18
Poor Butterfly .......................................................... 103
Pretty Baby ............................................................... 38
Riverside Blues......................................................... 94
Rock A Bye Your Baby ............................................ 26
Rose of Washington Square ................................. 204
Rose Room ................................................................ 212
Royal Garden Blues ................................................ 141
Rufe Johnsons Harmony Band ............................ 170
Runnin' Wild ............................................................. 172
Sailing Down Chesapeake Bay .............................. 130
San .............................................................................. 22
Satanic Blues ............................................................ 74
Second Hand Rose ................................................. 156
Second Line ... 38
Sensation .................................................................. 24
Shake It and Break It .......................................... 166
Sheik of Araby ........................................................ 184
Shoot Em 283
Singin' The Blues .................................................... 155
Sister Kate ............................................................... 186
Skeleton Jangle ....................................................... 64
Sobbin' Blues ............................................................ 66
Some of These Days ............................................... 203
Some Sweet Day ...................................................... 240
Somebody Stole My Gal ......................................... 232
Someday Sweetheart ............................................. 244
St. James Infirmary .............................................. 164
St. Louis Blues .......................................................... 180
Stockyard Strut ...................................................... 236
Storyville Blues ........................................................ 82
Strut Miss Lizzie ..................................................... 84
Stumbling ................................................................... 21
Suez ............................................................................ 6
Swanee ........................................................................ 20
Taint Nothin Else But Jazz .................................. 88
T'aint Nobody's Business If I Do ....................... 86
Take Me To The Land Of Jazz ............................ 190
Take My Hand, Precious Lord ... 89

That Da Da Strain ............................................... 111
That Dixie Jazz .................................................... 120
Thats A Plenty ...................................................... 28
There'll Be Some Changes Made ...................... 60
This Little Light of Mine . 175
Tiger Rag ................................................................. 218
Til we Meet Again ................................................ 246
Tishomingo Blues .................................................. 78
Toot, Toot, Tootsie ............................................. 263
Tuck me to Sleep................................................... 183
Under The Bamboo Tree ..................................... 223
Wabash Blues ......................................................... 100
Waitin For The Robert E Lee ............................ 136
Walkin' the Dog ..................................................... 138
Washington and Lee Swing .................................. 36
Way Down Yonder in New Orleans .................... 122
When Ragtime Rosie Ragged The Rosary......... 124
When The Midnight Choo Choo Leaves ............. 250
When The Saints .................................................... 239
When You Wore A Tulip ....................................... 278
When Youre A Million Miles From Nowhere .... 161
Where Did Robinson Crusoe Go ............................ 118
WhiffenPoof Song ................................................... 229
Whispering ................................................................. 9
Wild Cherries Rag .................................................... 106
Willie The Weeper .. 46
World Is Waiting For The Sunrise ...................... 48
Yama Yama Man ......................................................... 49
Yellow Dog Blues ........................................................ 50
Youve Got To See Your Mama Evry Night ......... 52
12th Street Rag
Euday L. Bowman - 1914
B7
B7
B7
B7
A E

B7
B7
B7

F7
B7
Standard Doo Wack-a-doo chorus
B7
E
E7

E
A7
E

A B7 E F7 B7
B E
B7
B7
B7
Back to top with Intro
B7 Etc
C E
Hindustan
Oliver Wallace & Harold Weeks 1918
q = 185
Cam - el trap pings
jin -
gle,
ring
Un der neaththe stars.
ing,
mem - o riesare bring -
ing,
Sing -
D7
D7
tin -

call ing me
gle,
With a sweet voice mingle,
Harp strings sweet ly
G&7
ing,
G7
a - far.
D7

Tem ple bells are
C

B
Hin
rest
paint - ed
pea - cock
C

Hin
C7

pur - ple
sun - bird
D7

met
D9
du
G7
her
and
the
world
a - cross
the
be
where
the
G7
where
the
Fm
stan
sand,
Fm
stan,
fan
flahsed
C7
we
G7
stan,
G+
D9
Hin
du
- van,
G+7

car - a
proud - ly spreads his
G7
G7
du
where
G7
stan,
G7
Gdim
tir - ed
G7
Hin
du
our
G7
G7

stopped to
G+
gan.
where
Indiana
q = 200
A F
Bb
Bb
Bbm6
C7
gain
seem
gain
seems
C7
that
in
in - di
can
see
shin - ing bright
D7
thru the syc - a - mores
a spell o'er
see
C7
Back home a -
G7
na
the gleam - ing
Bb
G7
sea
Gm
be,
F7
fair
G7
and
G7
to
ion
G7
Gm7
Casts
F#
E7 Eb7 D7
C7
vis
O - ver land
Bbm
Gm
me
Bb
a moon - beam on the wa - ter
C7
Yet
B F
F7
have al ways been a wand - 'rer
G7
for
And
it
Bb
can - dle light
C7
C7
me.
still
The new - mown
C F
E7 Eb7 D7
hay
A7

fields
A7
sends
all
its
Dm
to
roam.
D7
Wa - bash,
then I
fra
grance
A7
used
G7
Dm
Dm7
G7
long
From
the
When I dream a- bout the moon - light on the
C7

for my
In - di - an - a
home.
(C7)
Suez
Ferdie Grofe/Peter DeRose - 1922
E
D7
D7
G
Rhythm Vamp 4 bars
D7
D7
B G
D7
D7
D7
D7
D7
D7
Rhythm Vamp
D7
Rhythm Vamp:
G
D7

F7
C
B
B7
Solos Here
A&
D7
G7
D B7
C7
C7
G7
F7
C7

G7
G7
F7

F7
C7
A&
A&
Afghanistan
William Wilander & Harry Donelly - 1920
A F
B/F
In the land of Af-ghan-is-
tan,
In

by
E7
Af-
ghan- is-
the
E7
'Cross
the
fair
o-
E7

des -ert
a-
stole his Hin-du maid-en
C7
tan,
sis,
C7/E
There's
Wait- ing
E7
sand,
for you,
we
will
a-
way.
his dreams he's call- ing
E7
In
B7 E7

one to love her.
B/F
Hin-du man is lone- ly and blue.
that he was the
day,
F7
B
man.
C7 Break
her
But therecame an-oth-er one
E7
F Break
She sworeby thestars up a - bove
There's a Hin-du maidand a
F7
B
E7
to
her.
A/C A/C
car- a-
van
Break - Unison 1 bar
And for you on-
G7/B
find a
B C7/E
F
B7
E7

There will be
a bri- dal
day for you, my
i-
dol,
in
ly.
Af- ghan- is-
tem- ple,
tan.
Whispering
A E
B7
Hon - ey I have some thing
B7
you
to
C7
der,
So that
whis - per
G7
F7
can
D7
C&7
C7
F7
me,
Each
hear
B7
me,
C E
whis-
per- ing
why you'll nev- er

B7
lieve
me,
D7
know it's
to
lit-
grieve
me,
F7
Whis- per- ing that
one
dear, but
B7
F7
Whis-
cheer
B&7
you,
leave
so no one can
whis- per seems to
true, there'sno
C7
Whis -per- ing
B7
B7
tle
shoul
you.
my
me,
why you'll nev- er
head on
B7 F7
D7
C&7
Whis- per-ing while you cud-dle near
And it'sworth while list en ing
Put your lit - tle
B E
tell
B7
to.
G7
Schonberger - Coburn,
9
V. Rose - 1920
You're
me,
Whis-
per and
love
you.
per- ing
say that you
be-
Eccentric
10
F
F

A B
G7
C7
C7

C7

J. Russell Robinson - 1921
F7
F7
F7
F7

3
B
B
B7
B F7
F7
B E B7 E

F7
E
B7 E B7 E
B7
G7
C

B7 E
B7
Solos:
F7
11
Solos Begin Here first time
C B
C7

C7

B F7
D B
F7
F7

F7
B
D7
B
B
B
B
C7
F7

C7
F7
B
pp
D7

Tag
After last solo play "C" as

written then on to "D"
B C7 F7
F7
C7
F7
B
12
Margie
q = 160
Con Conrad & J. Russel Robinson
AF
You
talk
Here's
one
Gm
All
must
He holds her
tell
to
you;
sit
up -
close and starts to
on the
coo:
Eb7
C7
Gm
love af - fairs,
C7
Gm7
a - bout your
long they
night
C7
D7
Bb
can
G7
Bb
D7
stairs,
C7
My
lit - tle
13
Mar
Bb
Don't
for
G7
gie,
E7
get
have
bought
Mar
Bb
G7
Days
C7
A7
nev
er
blue.
all
is
said
and
done,
There
is
Gm7
Mar
C7
-
gie,
You've been
are
Mar - gie
it's
you."
world
to
ring
and
of
you
love
you,
ev - 'ry - thing, For
F7
me,
F+7
in - spir - a - tion,
my
Af - ter
F7
real - ly
break
home and
gie,
the
prom - ise
your
D7
tell
F+7
think - ing
E7
al - ways
I'll
I'm
gie,
Mar
F7
E7
Eb7
D7
on - ly
C7
"My
one,
Oh!
lit - tle
Mandy
14
A B
I was stroll - ing out one even
B
E
B

hear some bo - dy
F7
- ing
'neath the silv'-ry
C7
a fa mil - iar
ser - e
C7
- na - ding
there's a min is-ter
dy,
F7
han - dy,
han -
If we'd let him make a

here's the ring for your
fing
F7
B
- er
fee.
F7
this.
dy,
Oh
now
and it sure would be
So don't you
ling - er

is - n't it
G7
G7
It was just some-bod - y
B7
I could
So Istopped a while to
- thing like
moon.
miss.
some
want ed to
Man -
F7
tune.

word
F7
Not a
C7
sing - ing
lis - ten,
Irving Berlin - 1918
C7
a hum - ding -
er?
C7
F7
B
Come a long and let the wed ding chimes bring hap py times far Man dy
and me.
Oh!
B
15
Byron Gay/Arnold Johnson - 1919
F7

F7
B

E
F7
C7
C7
Break: 2 Bars
3
3
B B
F7
B

3
3
F7

B7
B B& B6 B&
1.
2.
F7
B
Panama
16
E
B7
B7
B7
F7
B A
1.

E7
C7
B7
E E7

F7
E7
A&7
2.
C7
E
F7
B7
B7
E7
B7

C7
B7

B7
William H Tyres - 1913
E7
E7

E7
G7
17
E7
D A
E7
E7
E7
pp
ff
E7
A
E A
E7
E7
A7
1.
E7 A
E7
A
A
A7
D

E7
2.E7
E7
E7
The Pearls
18
Jelly Roll Morton - 1919
D7
A E7 A
D7
A7
E7
A E7 A
E7
G7
B7
E7
G7
C7
A7
A7
D7

D7
C7
Break - 2 bars
G
D7
G

G
G7
G7
C Tuba Only
All
D7
G7
C7
19
D7
G7

E7
A7
D Tuba only
All
D7
G7
E7
G B7 E D
C D
G7

C7
A7
G7
A7
D7
G7
G7
G7

Tuba Only
C9
20
Swanee
A F
Swan
Swan ee.

folks
ee
D -i -x - i
see me no
more,
C7
Swan -ee,
G7
C7
by
B7
Swan ee.
C7
love the
Wait in' for me
C7
old
folks
C7
C7
will
am com ing back
G7
shore.
Swan -ee,
F&
The folks up north
Swan -ee,
C7
a mong
the
- my's
When I get to that Swan- ee
the
Swan - ee.
old
C7
- e - ven know my Mam
dear
be
in
C7
My
to
G7
C9
F
F C7

Pray - in' for me Down
C7
I'd give the world
F&
How I love you How I love you
C7
F&
Gorge Gershwin - 1919
to
Swan -ee,
at home.
D7C7 F
Stumbling
21
Zez Confrey - 1922
A
G

G7
E7
Stum-bling all a- round, Stum- bling all a- round, Stum- bling all a-round so
A7

Stumb-ling here and there, Stum- bling
A7
ev- 'ry- where, And
D7
A7
fell and when I rose,
B G

D7
felt
a- shamed.
And told her:
G7
E7
That's the la-test step, That's the la-test step, That's the la-teststep, My
A7

No-tice all the pep, No-tice all the pep, No-tice all the pep.
C6
bling,
hon-
ey,
tho' you are stum-
bling,
lit- tle bit, quite a lit-tle
bit.
She said: Stop mum-
D7
G
A7

just a lit-tle bit, just a
ny,
And when she bumped my nose,
fun-
on her toes,
I must de- clare:
I stepped right
like
it
San
22
Bass Intro
A7
King
San of Sen-
e-
One
day the queen came home,
sad
at
may,
A7
gal
Bu- la-
ness on
shore
McPhail/Michels - 1920
Sat
on
the
Saw
San
in
A7
B7
A7
Bu-
the shore,
la-
On
may,
the shore.
B
D
Sing
Told
queen
San
A7
ing
sad
who'd gone ashe would a
re- frain
him she'd no more
A7
To
roam.
way.
dore.
On
A7
his
dear
ly
her
DB7 A7
This was his
lay:
Then came his
lore:
C7
23
D7
B7
C7
loved
loved
me
me,
F7
had
done would be
Why did you

act
I knew you'd come
D F
If

You said you
G7
the
F7
thing
to
way?day.
to
you
true
What you have
D7
But my heart aches,
do.
But now you're mine
D7
And it will break dear,

For all the time dear.
G7

If
C7
you don'tcome back
And you're for - giv - en
ato
But if you
I knew you
C7
this
some
me,
D7
D7
G7 C7
Why have you gone

Have you comeback
loved
D7
ev- er been un-
My dar-ling Lo - na,
na,
way?
stay?
D7
D7
Oh, sweet-heart Lo-
B7
home a - gain
dear,
dear,
C7
to San.
by your lov - ing San.
24
Sensation
q = 180
A Bb
1917
Gm
Cm
F7
Bb
G7

1. C7
F7
2.
F7
Bb
Cm

B Eb
C7
F7
Bb
Bb7
Eb
B7
Fm7
Bb7
Eb

F7
Bb7
C7
Eb
Eb7

Ab Db
Ab Db
Bb7
Eb7
Ab
Db
Ab Db
Bb7
Eb7
Ab

Ab
Ab
Fdim
Eb
Db
Ab
Db
Bb7
Eb7

Back to B
1. Ab
Eb7
2.
Ab
Eb7
At a Georgia Camp Meeting

Bb
2 bars unison w/ Clarinet trill
F7
25
Bb
A Bb
Bb7
Eb

C7
F7
Bb F7
Bb
Bb
Bb7
Eb
Bb
2 bars unison
Bb
F7
Bb

B F7
Bb
Gdim
Bb
Eb
Edim
F7
Bb
Bb
Bb
G7
C7
F7
Fine
F7
Bb7
Bb
Back to "B" for solos, after last solo play "A" once
Rock a Bye Your Baby
26
Jean Schwartz - 1918
A C
Mam-my
sign.
Mam- my
mine,
B7
a-
When I'm in your fond em- brace,
way,
B7
Your roll- in' stone is
Just to see your smil- in' face,
B7
E
G7/D
G7

there to stay.
D7
Smile a wel-come
Lis-ten Mam-my
roll - in'
home to- day,
G7
way.
Your lit- tle roll- in'stone that rolled
G&7

strolled a-
G7
mine,
G7
G7/D
G7
mine:
27
Rock- A - Bye Your Ba-by With
G7

croon a tune
from the heart
from Vir-
gin-
C C
Weep no more my
Dix-
G7
ia,
dy,
when you croon,
G7
ie.
Just hang my cra- dle,
A7
D7
Right on that Mas- on-
Dix-on Line,
And swing it
To Ten- nes- see with all the love that's in
la- dy, sing
G7 F7 E7
G7
that song a- gain for
just as though you had
me on yourknee.
D7

by with
D7
And Old Black Joe,
A million ba-by kiss-es I'll de-liv-
Swan-ee
A7
G7
The minute that you sing the
me,
ya'
A7
rock- a- bye ba-
of
Dix- ie Mel- o-
Mam-my mine,
G7
G7
D7
G7
D7
G7
Riv-
Dix-
ie
er,
G7
mel- o-
Rock-
dy.
a-
bye
er,
your
That's A 'Plenty
28
Lew Pollack / Ray Gilbert 1914
A Dm
A7
Dm

Dm
A7
A7
B C7
2 bar break
C7

Dm
F# C7
C7
F

F
F7
Bb
F D7 G7
C7
F
A7
B

C Dm

A7
Dm
Bass
A7
Bass
Dm
bass
A7
Bass

Dm
F7
D Bb
A7 Ab7 G7
Bb
Bb
Cmi7 F7
Bb

C7
F7
E D
trombone, bass
F Bb
C7
F7
29
Bb
cornet,clarinet
A7 Ab7
G7

F7

G7

C7
F7
Bb
Bb
Cmi F7
Bb

G B
A7 Ab7
G7
C7
F7
Bb Eb7
Bb
F7
solo here
continue after last solo
A7 Ab7
FINE

F7

G7
Bb

C7
F7
Bb
Cmi7 F7
Just a Little While to Stay Here
30
A Ab
q = 160
Ab

Just
lit - tle while
Soon this life will
Ab
all
Ab7
Db
Ab
to
stay
here,
be
will
Db
Dbm
Ab
to
la
ly
jour
wait
Just
lit - tle
while
end.
Soon we'll take our
hev'n
bor,
in
the path that's
ney,
Be
at home
B Ab
Just
Ab
lit - tle more hard
Ab
Ab7
Then
state.
Bb7
we'll
Eb7
thru
the
Pearl
the beaut - ies
there
march - ing
Ab
Db Ab Eb7
In
this low and sin - ful
Wait - ing for our
pen,
all
straight,
ble
Dbm
go march - ing
Some sweet day we'll
there.
All
friends.
trou
Db
and
Eb+7
with
Ab
Eb7
nar - row
a - gain
Db
Heav - en's gates are stand - ing
And our trav - els here
Bb7
to
Fm7
Eb7
lit - tle while
Just a
Db Ab
ver,
Db
Ab
all
Ab
Gate.
to
share.
go
Ab
en - trance
F7
ver
ver,
Flee As A Bird
31
Mary S.B. Dana - 1857
A D
A7

Flee as
a bird to your moun-
er,
Wipe ev- 'ry fall- ing
A7
to the clear flow-ing foun-
He will for-sake thee oh nev-
B F
tain,
C D
fly-
er.
Ceasefromyour sor- row and cry-
A7
G6
thee,
Call and the Sav- iour will hear
thee.
ing,
Spendnot the mo- ment in sigh-
ing.
thee,
Thou who art wea- ry of sin.
ing,
A7
A7
The Sav-iour will wipe ev- 'ry tear,
A7
thou who art wea- ry-of sin.

Sav-iour will wipe-ev-'ry tear.
A7
A7
on his bos- om will bear
Shel-tered so ten- der- ly there.

He
Where you may wash and be clean.
C7
Hastethen,Thehours are
A7
tear.

Fly for the aven -ger is near
Thou who art wea- ry of sin.

Go
A7
tain,
He will pro-tect thee for- ev-
G7 B7
Oh
The
A7 D

I Ain't Gonna Give Nobody

None of My Jelly Roll
32
Clarence Williams & Spencer Williams - 1919

Lit
A B
F7
tle
His sister
Green from New Or leans, a greed y
boy was he.
Til ly
Green was real ly mean, and ver - y
stin
He al - ways
She al - ways
want ed lots of
F7

Toot
jel ly
roll,
be
lit
bod y
ain't gon na' give no
bod y
F7
none
can - dy that was made.

hide it
she would try.
F7
you'd hear Til ly cry:
ly
F7
C7(b5)/F
C7
jel
to you.
of my Toot sie
none of my
One
tle Wil ly said:
gan to hang a round,
G7
ain't gon na' give no
to
F C7/G
When the kids would ask her for a bite,
B B
the best
sie Roll,
When the kids
just to keep him com pan - y.
When her mom bought her a
kids
his mom bought him a
C7
gy, too.
want ed some of what you had but gave she noth - ing
Wil ly
day
F7
Roll,
roll.
would - n't give you a piece of my sweet, not to save your soul!
(Toot sic
(jel
ly
Rol!)
roll)
(save your soul!)
G7
33
C7
Dad dy told me to
day,
Just be fore he went a
way,
Mom ma told me to
day,
Just be fore she went a
way;
C7

be a
good boy, He'd
If I'd
be
bring me
toy;
good lit tle
in curls!
If I'd
Two Bar Break
And I'm my Dad - dy's
girl,
She
G7
You know there ain't no need
and joy!
F7
might
put
my
pride
hair
C7
in your just hang- in' a- round,
You
F7
(hang- -in'- a- round)
D7
know you want it, but I'm- a gonna' turn you down.
E
E
B
G7
My Toot sic Roll is sweet!

jel
And youknow it can't be beat!
ly roll is sweet!
B/F
G7
Interlude to Second Verse

B
D
C7
F7
C7
F7
know you want it, but you can't have it! I
ain't a gon -na' give you none!
Back To "A"
C7
F7
34
Down Among The Sheltering Palms

C
I'm way
down
You're way
out
east,
down
east,
west,
out
takes
G7
love
six
you
be
G7
And my soul is crav - ing, crav - ing for you,
west,
G9
Just
days
to
you
know,
It
go there with
a train, Just
one
with
you
G7
And my heart is pin - ing, pin - ing for you,
so,
G7
Abe Olman - 1914
gain.
week more
C7
long
to
be,
and I'll
35
B F
Down
wait
Out
C F7
How
G7
for me;
C7
where
my love
is
me
the
sun
goes
down
a-
Oh hon- ey
to
G9
wait
bout eight.
How
C7
C7
burn- ing, burn- ing, burn- ing,
Oh hon- ey
old Gold- en Gate,
D7
D7
Shel- ter- ing Palms,
G9
yearn- ing, yearn- ing, yearn- ing
down by the
Oh hon- ey wait for me;
Meet
G7
a- mong the shel- ter- ing palms,
G7
D7

my heart
is
be
Down
C9
for
me.
A - mong
the
Washington and Lee Swing
36
T. Allen and M. Sheafe - 1910
q = 240

Bb

B Bb
Bb
Eb
F7
C7
A Bb
Bb7

Eb
F7
Bb
G7
F7
Bb
Bb
Joe Avery Blues
A B
B
F7
All Play Everytime

B
37
Joe Avery
B7

1. F7
2. F7

E7 Solos start here
B
F7

C B
F7
B7
E7
B
F7

Tag
B
F7
Solos start at "B"
Pretty Baby
38
B7
A E
Egbert Van Alstyne & Gus Kahn - 1916
E7

You ask me why I'm al -ways teas - ing
Pret - ty
just
ba - by
F7
B7
Ba - by;
you,

for you're
E7
ba - by
me.
Your
cun -ning lit - tle dim -ples and your
stare,
I real - ly thought that I was pleas - ing
F7
You hate to have me call you
you,
B7
to
B7
B7

Your ba - by talk and ba - by walk and
C7
cur - ly
F7
ba - by smile makes life worth - while, You're just as sweet as you can
hair,
B B7
Your
be.
Ev' ry
39
B B7
bod y loves a ba by that's why I'm in love with you,Pret ty Ba by,
B7
like
be
your
sis
to
Ba
B7
by,
ter, broth er,
dad
Pret ty
Ba
D7
C7
by.
might as well be you,
too,
F7
And I'd

Pret
ty
Won't you come and let rne rock you in
F7
B7
B7
cra dle of love, And we'll cud dle all the time.
Pret ty Ba by.
E7
and moth - er
B&
B7
Ba
my
Oh! I want a lov in' ba by and it

Pret ty
by
of
mine.
40
Hughie Cannon, 1902
A Dm
On
Bill Bailey
one
sum - mer
morn - ing

la - dy
ya
Dm
married a
&O
like an old
Dm
C0
round.
And to that
the
sun
was
that
prune - fed
cro
- wd
shin - ing
fine.
The
A7
Dm
hung clothes on
the
line
in
her back
A7
ha
rd.
calf and with a
big
gang
She cried out
lou
Bell -
down.
She
took and throwed her
C0
C7
weep - in'
brake - man
and
er - in'
rd,
old Bill Bail - ey she
C7
ho - ney of
A7
hang - in'
d,
C7
B F
Won't
She
you
come
moans
C7
I'll
do
cook - ing
the
C7
know
I've
'Mem - ber
that
no - thing
but
Bb
know
I'm
to
G7
wr
Bail - ley
won't
you
fine
tooth
C7
well
please
come
the
rent.
- ong
drove
you
D7
Bb
out,
with
Gm
comb.
pay
you
blame,
G7
I'll
Bbm
home?
- ng
- y eve that
rain
come
lo
C+
F7
ho - ney,
done
day
you
C7
whole
won't
C0
the
Bill Bail - ley,
home
41
ain't
that
D7
shame!
Bill
home
Frankie And Johnnie
42
C7
C7
to the
B7
swore to be true
to each
said to the fat
bar-
G7
"Has my
lov-
He was my
man,
But he's done me
wrong".
na
boy
go
sleep,
B Ab
Eb7
Sand - man soon
will come,
Ab

Bud - dha smiles
on
theirwatch
they keep,
as the stars
a- bove.
Ab
Eb7
Ab
soft - ly
hum.
don't peep,
D7
Moon - man loves
While
Close your eyes
F F E7 Eb7
Bbm
you,
G9
Winfree/Boutelje - 1922
She
China Boy
They
of beer.
F B7
in- est man been here?
wrong.
while
ten- der,
But he done her
true
man,
Just as
He was her
A F
G7
oth- er,
q = 160
Chi
Just for a bucket
C7
F F7
Oh, Lord- y how they could love!
corner,
C7
Frank- ie and John- nie were lov- ers.

Frank- ie went down
Traditional
C7
Chi - na
boy
you too.
go
C7
So,
sleep.
43
Alice Blue Gown

A
In
my
D7

sweet
G7

in
to
town,
As
win - dow
I'd
man - ner
of
fash - ion
G7
to
smile
all
A7
Dm
wilt - ed
world seemed
Dm

sweet
A7
lit -
wore
it,
D7
G7
tle
I'd
I'll
Fm
- lice
ev - 'ry
G+
primp, pass - ing
when I
A7
E7
al - ways
G7
Blue
Gown.
A7
- dore
was
in
Then in
'Til
it
And the
round,
But
G7
by;
eye,
frown,
felt
G7

Dm

Gown,
down
Blue
shy,
A - lice
and
shop
proud
ev - 'ry
lit - tle
D7

B
wan - dered
first
both
Harry Tierney & Joseph McCarthy

1919
it,
My
Jazz Baby
44
M.K. Jerome & Blanche Merrill - 1918
A C
C
G7

My dad-dy was a ragtime trom-bone play-er,
G7
cab-
a-
ret- er.
They met one day at

D7
syn- co- pa- ted wed-ding
G7
and then came
My mam-my was a rag-time
E7E
A

tan- go
C7
me.
tea,
Folks think
Therewas

the way
F7 D7
G7
walk is
BC
Jazz
a fad,
But it's a birth-day pres-ent frommy mam-my and dad.
C
G7
C
Ba-by,
I want to be jazz- ing all the time.
I'm a
There's some-thing
C
D7
G7
G&
G7
in thetone of a sax- o-phone,
thatmakes me do a lit- tle wig-gle all my own. CauseI'm a
C7
F
F
C C
Jazz
Ba-by,
Full of jazz-bo har- mo- ny.
That"Walk the Dog"and"Ball the Jack"that
D7
C
C
C
G7
G&

causedall the talk,
is
just a cop- y
of the way I
nat-'ral- ly walk! 'Cause I'm a
Jazz
D F
Ba- by,
Rocked to
cra- dle went to
A7
D7
kle Toe".
Ev-
er
since
To
G7
45
me!
and
fro
to the
started
D7
and fro,
by that's
sleep while the
tune of the "Tic-
G7
Lit- tle Jazz Ba-
D7
in
to grow,I'd
love to hear the mu- sic play- in', See my dear old mam-my swayin'. Jazz, jazz, jazz,that's
all
All
ev-
er knew,
D7
day
long
G7
Jazz, jazz,jazz,That's all
I want
to do,
nev-
A7
er would
C G7
G7
Play me
get thru.
a lit-tle jazz!
G&

'Cause I'm a
after last solo play C to end
Jazz
Ba- by,
C7
Full of jazz-bo har- mo-
ny.
That
D7
C
C
"Walkthe Dog"and"Ball theJack" thatcausedall the talk,
is
just a
cop-y of theway I
D7
G7
C Solos at D
G7 G&
nat-'ral- ly walk!'Cause I'm a Jazz
Ba-by,
Lit-tle Jazz Ba- by that's me!
Willie The Weeper
46
A Fm
C7
Fm
Cm

Have you heard thesto- ry folks of Will- ie the weep
C7
chim - ney
Bbm6
C7
light
dream - in'
ha - bit
C7
some one shout- ed Will - ie
that knocked him
sil - ly.
Bbm6
Fm
and
he

G7
Right
be
C7
a - round saw a
C7
had.
Cm
turned
Fm
Fm
C7
C7
List- en let me tell you'bout the dream he
At the north pole
bad,
B Fm
er? Will ie's oc cu pa tion was a
Fm
had
Fm

had it
He
er
sweep
Fm
G7
fore
him

in the ze - ro breeze,
cut - ie lit - tle ho ney in her
B - V - D's
C Eb7
Ab
want it good
and
Eb
bis
cuits
Eb7
tell
Bb
strong
eight een inch- es
me
what would you do?

you'd
Eb
lock
weep
er
the
Eb7
Bbm
you could have
Bb7
door
and
like
cry for
more.
Ab
all
F7
Bb
there's some thing tells me
now
if
your dreams come true?
F7
want to have
Bbm Bb7
Ab
long.

Ab
ee
Ab
Eb7
says I want my coff -
Ab
F7
son
some one said, hey cut - ie
Bbm Bb7
zin',
Ab
Bet ter list- en to rea -
Bbm Bb7 Eb7
He walked a - round his feet were free-
47
that

will - ie
the
48
The World Is Waiting For the Sunrise

Eugene Lockhart & Ernest Seity - 1919
F&
A B
Dear
one,
D7
F&
thrush
And
on
my
high,
rose
His
heart
sleep - y
E6
is
call
F&
dew.
B F G7
with
mate
F7
-
ing
the
'ry
F&
for
F7
heav-
ing
Ev
is
wait-
is
C7
B B
world
rise,
G7
the
sun-
is
The
D7
call-
ing,
you.
The Yama Yama Man
49
Collin Davis & Karl Hoschna - 1908
A B A/C
B/D
F7
F7
Ev
'ry
lit tle tot at night is a fraid of the dark,you know.
Great
big
sca ry eyes you see so you cov er up
A/C
B/D

Some
big
But
that
Ya rna man they see,
up your head,
C7
F7

when
off to bed they go.
Ya ma man is there, stand ing right be side your bed!
B B
F7
F7
B7

Ya- ma, Ya- ma,the
If
May-be-he's hid-
Ter- ri-ble eyes
a doubt, If
he
F7
F7
F7
can!
B7
in' be-hind the chair,
Read - y to spring
B G7 C7
Run to your Ma-
and a long bo-ney hand.
C7
G7
you don't wateh out he'll get you with-out-
Ya- ma man,
ma cuz' herecomes the Ya-
ma
Ya-
out at you un- a-ware!
F7
ma
man!
F7
50
Yellow Dog Blues

E'er since Miss
A C

be;
F7
Ev - 'ry cross tie

Way down where
the
B C
Ca - ble grams come of
Mon- ey don't 'xact - ly
F7
G7

Has
e - ven a
Down where the
ba - you, burg
and
bog.
Ri -
Dog.
der's gone?
the
C7
Te - le grams go
grow on
cot ton stalks it growns with ease,
trees, On
F7
"Bam"
no grand - stand
Is
like Old Back
ru - ral
South - ern
of
de - lie - ver
cross the
y.
Dog.
an'
in qui - ry
No
ev - 'ry where that
And
G7
sym- pa - thy
Let - ters come from down in
race horse, race track
morn.
South ern cross
and
Ea - sy
my
night
Won der where
F7
You can hear her moan ing
G7
Ri der took.
Su - san John son lost her Jock ey Lee,There has beenmuch ex cite ment,
Yel low Dog
Dis trict like a book, In- deed I know theroute that
C7
more to
W.C Handy 1914
Un - cle
Sam
Buck shot
land.
G7
All day the

Ev - e - ry
C C

phone
rings
D7
our
far - mers
play.
mes sage comes,

Yel - low
Dog
Blues
D F
Bdim
F7
Bb
sy
Ri - der
Ea - sy
Ri - der's
but the hike
C7
cross the
Seen him here,
south bound'ratt - ler
and he was on the
F7
hog.
Bb7
a - way,
got a stay
so he
C7
C7
Yel - low
Bb7
far.
ain't
On a
C7
G7 C7
This
This
Dear Sue your
to - day,
C7
Ab7 Bb Bdim
F7
struck this burg
side door Pull man car.

C7
B7
from Ten - nes - see.

day.
the live - long
Ea -
good ti - dings,
Down where the boll wev'l works
glee,
last
hearts with
the
At
a - ret,
While
a cab
is
But it's not for me,
kit chen there
Fill
C7
51
Dog.
He's
had to vamp it
gone where the South ern
C7
Solos at "D"
You've Got To See Your Mamma Ev'ry Night
52
A Bb
Bbdim
Billy Rose & Con Conrad - 1923
Bb
Bbdim

Dadd - y
Dadd - y
dear
dear
list - en here
when you're near
Bb
your mam ma's feel- in' blue.

well ev' - ry thing's o - kay
F7
Bbdim
Bb
Bb

I don't see much of you,
but when you stay a - way
Bbdim
Bb
Ma ma's cheek
where you
go,

you
share
and that will ne

ver do.
I mope a - round all day.
the door
my love
Bbdim
Bb
Needs a
kiss or two.
and what makes you gay.
Bb
C7
B7 C7
I'm not show

I don't want
but I must lay down the law.

with a - noth - er
tur - tle dove
Once a week
I must know,
in'
to
You've got to
B Bb
F7
53
Bb

see your ma - ma
ev- er - y night
or youcan't see your ma ma at all
Bb
F7

Kiss your ma - ma and treat her right
or she won't be
Bb
Eb7

Bb
ev- er - y night
C Bb
F#
or you can't see your ma ma at all
F7
sat a - lone.
Cm7
F#m7 F7
Bb
Bb
did not call
F#
Tues day night
Bb
F7
you dodged my path
F#m7F7
F7
you
did notphone
F7
Bb
and Thurs day night it was the same old stall

Cm7
F#
Wednes day night you
Bb
Bb
see your ma ma
Fri day night
F7
Now
Now
can'tfif- ty
com pan - y
well you
fif - ty me you've gotto
kind of man who gives his love on the in - stal ment plan,
if youwant my
I don't want the
Bb
at home when you call
Eb
Mon day night
You've go to
Bb
Bb
F#
F7
Sat- ur - day
you took yourbath
F7
Bb
Sun daynight youcalled on me but you broughtthreegirls forsome com pan y you'vegotto
54
Down in Honky-Tonk Town

Chris Smith & Charles McCarron - 1915
D7
E
D7
E
To his E - li- za May,
Bill John- son said one day,
"We've been to
E D7
E D7
G A
G7
near-ly ev'-
ry place in
G7
B E
If you sug-gest to me,
A G7
A G7
nov- el- ty,
town.
We both will
go and do
D7
E D7
brown!"
there is this place I hear,
straight from Mose, whobrings the clothes.
the thing up
some oth-er
D7
E
D7
E
His sweet- tie said, "My Dear,
down where the gals
D7
I got it
C

It's Hon- ky Ton-
D7(b5)
G7
are brown. That's where the mu- sic
grows.
ky Town,
C C
Come, Hon- ey,
D7
let's go
down
to Hon- ky
G7
D7
There'l! be
sing-
danc -cin'
ing
to
pi-
a-
no

D C
He plays pi-
D7

stay a year,
G7

danc-ing with a
wait- ers,
a- no queer,
where
sing-
played
by
all the
ing
syn-
Ton- ky Town,
it's under- neath the ground,
fun is found.
co-

Mis-
55
pa-
ters,
G7
ter
Brown.
D7
He only plays by ear,
You want to
G7

The mu- sic that you hear, would even start a
don- key,
D7
G7
Down in Hon - key Ton - ky
Town.
mon- key,
Down in Jungle Town
56
Edward Madden and

Theodore Morse - 1908
Verse
A Gm

in Jun - gle
Down
A7
D7
Soon
F9
spoon
wagged his
noo - dle,
when he chat

room for two
he
was Jun - gle
teredYou're a pret - ty
with - out a
came out to
Mon - key Doo - dle
moon;
shy bab - oon
Bb
the moon shines down
be neath the
frown;
Town,
King,
Big Bam - boo
thing
So prom - ise you'll
She felt flat tered
be
F7
true!"
57
Chorus
B
Bb
C7
Down
F7
moon
F7
jun - gle
in
Bb
To
C Bb
When
Sings that mel - o -
mon - key
Bb
ser - en -
Bb B
F7
maid,
D7
up
I'll
mon key doo - dle - doo way Down In
C7
Jun

in
the
tree,
Bb
dy.
F7
that chim - pan - zee
Cm7
hon - ey -
C7
F7
pret - ty
Then you'll hear
town,
is com - ing soon.
ade,
F7
Bb
gle
Town.
be
true
to
my
58
My Daddy Rocks Me
J. Berni Barbour - 1922
q = 100
Fm
Bbm
I've got
Ab
He makes
me
Bb7

got
a great big
C7

on his
knee,while
Fm
Sweet - ie,
G7
hap -
Ab
chair, and
Cm/Ab
Bb7
he's al ways gay. I've
me
G7/D
to a
Eb
ev - 'ry night you'll find us
Bbm/Db
he rocks
Cm/G
I'm glad to say
Eb
Fm
so sweet to me.
py.
Fm/c
no one could be
Cm
rock ing
Db6
rock - y
mel - o - dy.
there.
I'm
Fm/C
My baby
59
B Fm Fm/Eb Fm/Db
Fm
with one stead - y
rocks me
Db7
C7
with all his heart and soul.
Fm Bbm
C7 Fm/c
C7 Fm
roll.
Fm/C
Bbm
Fm
Fm Fm7/Eb
My baby rocks me
We'll al ways spoon while the

Wrap'd in
a blank
et
of
Most ev' - ry eve - ning at

Talk
Gm7
C7

lights are low.
Fm
Fm7/Eb D Bbm/Db
birch can - oes,
Fm/Db
C7
He hates to
leave me when it's time to
We get to geth
You need a

with one stead - y
Gm7/D C7/E Fm Fm/Eb
love and charns, I'm sit ting pret

half past nine,
C7
a - bout row - boats and
Fm
roll.
go.
My baby rocks me
ty when I'm in his arms.

er and theworld is mine.
chair to rock a - way your blues.
G C7
Fm
roll.
C7
Fm
60
There'll Be Some Changes Made

Higgins/Overstreet - 1921
A B
C7
F7
nev - er
C7
for the
new,
When you grow old
do.
you
F7
years gone
C7
He
on
I'm
B7
made some chang - es
F7 F&
I loved a man for ma ny
B&
C13
go - in'g
to
that would
C7
make
A7
F7
some
long;
I thought his love for me would nev - er
by,
don't last
You're jere to- day and thento - mor- row you're gone.
C7
ButI've found out that this will
D7
They say don't change the old
C7
F7 B
nev - er
E6
changes
do,
die.
D9
D7
from now
F7
too.
For there's
B G7
61
change in
the
C7
weath
er there's a
G7
C7
and my name,
strut my stuff,
'cause
D7
the
sea,
My walk will be dif 'rent, my talk
me,
F7
change my way of livin', if that ain't e- nough,
C7
D7
Noth in' a bout me is goin'to
G7
change in
sofrom now on there'll be a change in
C7
be the
same, I'm goin'to
Then I'll change the way that I
G7

no- bod- y wants
you when you're old and gray,
B
C7 F7
G7 C7
There'll Be Some Chan- ges Made to- day,
F7 B
There'll Be Some Chan- ges Made.
62
Creole Belles
Bb

C7
Bb

G7
Bb
C7
C7
F7

1.
C7
F7
Bb
Bb

G7
C7
D7
E7

C#7

F7
F7

C7
1900
Bb
F7
Bb

Bb
Bb

G7
C.

2.
C7
F7
Bb
Interlude
F7
Eb
ba
dar
by
lin'
I love her
I'll call her

my
my
D Bb
C7

F7

Bb
Bb
My cre - ole belle

When stars shine
F7
F7
Bb7
Cre - ole
Cre - ole
Bb

Bb
G7
C.

Bb

my Cre ole Belle
my Cre -ole Belle.
Bb
my dar - lin'
my lit - tle
well
mine,
Belle.
Belle.
F7
C7
My Cre - ole
When stars
Bb
NC
My lit - tle dar - lin'

my dar - lin' ba - by
I love her well

I'll call her mine,
Belle
shine
F7
Bb
Eb
63
Bb
F7

C7
F7

Solos at "C"; Out Chorus use Melody from "A."
F7

Bb
64
q = 182
Skeleton Jangle
Ab
Bass
A Ab

F7
Eb7
Eb7

Bbm

Ab
Eb7
Bb7
Eb

B C7
Eb7
Eb7
Ab
Eb7
Bb7
Eb7
Db F7
F7
Eb7
Eb7
Bb7
Eb

Bb7
C7
Bbm
Ab7

Ab
F7
Eb7
Nick LaRocca - 1918
Ab
F7

Eb7
Ab
Break
65
C C7
F7
Bb7
Eb7
Ab

Unison for 2 bars
Bb7
C7
F7
Eb7
Ab

D C7
Unison 2 Bars
F7
Bb7

Eb7
Ab
Eb7/Bb
C7

F7

Eb7
Ab
Eb7
Bb7

Ab
Eb7
Ab
66
Kassel and Berton - 1922
Sobbin' Blues
q = 164
C+
C+
C+
C+

mf
pp
mf
AF
mf
Bbm F
Bb7
Cm6
D7
pp
F7
Bb
G7
C7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
C7
B F

Bb
C7
Bb7 A7 Ab7
Swing
G7
C7
F7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
C7
F
Bb

C F
C7
Bb7 A7 Ab7 G7
C+

Swing
C7
C+
Repeat only for Solos
F7
67
C+
C+

D F
mf
pp
mf
Bb7
pp
C7
Bb7
Bb7
C7
Bb7
Bb7
C7
Solos on "B" & "C" Section:

After last solo play to bottom.
Hesitating Blues
68
W.C. Handy - 1915
A F
Hel - lo Cen tral what's the mat- ter with this line? I want to
Sun -day night my beau pro posed
to
me. Said she'd be
talk to that
hap py if his
C#
was whis - key, and you were a
Dm
Bb
C7
cup I`d
dive
to thebot - tom
will
will
do
long
long
long
G7
I have
I have
I have
C7
What you say can't

I
de - clined him
I
had wo - man,
F/C C#
Dm
Bb
talk to my Brown?
just for a
stall,
She
was tall.
Bb
to wait?
to wait?
to wait?
F Bb7
Bb
wires all down. Tell me how long

Can - non Ball. Hon -ey how long
par - a - sol.
Oh, How long
F7

A storm
He left
She
make
Why do you hes - i - tate?

Why do you hes - i - tate?
do I have to hes
i - tate?
and
Please give me 2 - 9 - 8
Come be my wife my Kate,
Can I
get it now, or
B Bb
High Brown
mine. Tell me how
wif - ie I'd be
Said he, "How
nev - er come up,
Oh, How
If
F/C

will
will
do
I have to wait?
I have to wait?
I have to wait?
last night
that night
me think
blowed the
on the
'bout my

Oh,won't you
Will he
Can I
69
C7

tell me now,
come back now,
get it now,
C Bb

na - tion is

I'd
be his,
left
me
Pro - cras - ti -
Bb7
So all the wise owls say,
To- mor row's not to -
He'd be mine,
Eb
togrieve and pine,
F7
Why do you hes i - tate?

or will he hes - i - tate?
i - tate?
do I have to hes -
Some- bod - y's bound to

F7
"one stitch in time
Bb
day.
And if you
off,
D Bb
Bb7
Bb
put
the thief of time,
may save nine",
C7

F7
G7
My best friend's gone a
The Hes - i - ta ting
Bb
Blues.
a lone
Eb7
Left
Bb7
-
Eb
And I'd be feel ing gay.
lose.
Bb7
F7
way,
He's gone and
Bb
Grizzly Bear Rag
70
George Botsford - 1910
D7
G7
C7

Bass
AF
C7
D7
G7
C7
Break
C7
G7
B C7
C7
D7
C7
C7

CF
C7
C7
D7
G7
C7
71
Fine
F

C7
G7
C7
D B
B7
G7
F7
C7

F7
B7 G7

F7
Break
C7
C7
D7
G7
1. B
Stop time as Marked

F7
2.
Break
B

Back to "B" - Play to Fine
He May Be Your Man
72
(But He Comes To See Me Sometimes)

Lemuel Fowler - 1922
Eb
F7
Bb7
Eb Ab7

A Eb
Eb
B7
Eb
Bb7
Miss
Miss
Eb
Eb7
Ab
Min - nie Lee
from Ten - nes - see
was known to be
Eb
C7
F7
She would al - ways strut her
out at
They would al - ways dis - a - gree.

had
night
B7
she loved him night
and
day.
Moon - shine Hall,
where ev - 'ry - bod-
y'd
go,
Bb7
F7
Bb7
but Min - nie on Min - nie said "I
ly sighed,
will tell
then
you
at

Un - til Min - nie
Was Miss Min - nie,
Bb7
Poor Sa - die near - ly dies,
drink - in'plen - ty and hug - gin' Lu - dy's beau.
Bb7
she
F7
shook a shim - my and stole his heart a - way.
Snow,
Down at the ball,
beau
Now Sa - die
Eb7
stuff.
Eb
When her man went
Eb
an - y - where
Eb
could be.
Bb7
An - y - time and
quiterough.
Lu - dy Green was some l'il queen, and jeal - ous as
Eb
Lu - dy was mad
I
heard her
now
so you'll
Bb7
say:
know"
as well,
He
Eb
F7
Bb7

may
Ab7
Bb7
G7
vam - pire
thatis
Bb7
al - ways got me on
ture,
But
I can cert' nly take you
man from you.
Eb
My wick - ed walk,I've got the kind of eyes that seem to talk, It's
F7
Bb7
G7

gon - na take him for my
Eb
Eb7
own,
I
I'm
just
just
want,
right
my own.
F7
be your man but he comes to see me
Ab
I love you man and I'm
C7
I don't mean,
Ain't no need
Bb7
to
to

may
Bb7
no need of cry - in'and it's no use to weep andmourn.
Eb
Eb
C Eb
but
'cause
Eb
his mind.
My wick - ed smile,
F7
Ab7
Cm

ain't no
Eb

And when he's with you he's
Eb7
some - times.
be your man but he comes to see me
Ab
Eb
73
to be so bold,
of get - tin' rough,
get
do
you
my
told,
stuff
Eb
some - times.
Ab7
Eb
Bb+
He
Bb7
74
Satanic Blues
Bb
Bb7
Eb
Ebm
Bb
A Bb
Fdim
Cm7
Bb
Bb
Bb7
Eb
Eb
Bb
Dm
Bb
F9

C7

B Bb Eb
F7
Bb
Eb
Bb
Bb
Bb
Eb
C7
1.
F7
Eb
Bb
Bb
2.
F7
Bb
Bb F
75
C Eb
Eb
C7
F7
F7

Bb
Eb
G7
C7
Bb7
Eb
Eb
C7
F7
F7

Ab
Ebdim
Eb
Bbm C7
F7
Bb7
Eb E F
Back to "A"
Dangerous Blues
76
1921
A F
Ta
de dadade dum
ta
C7
de
da
da
B F F6F& F
C7
I meanthosedang -'rous
soft and
D7
sweet
blues.
C/G
me and see just
C7
just what it means.
blues,
sosweetandpret ty
C7
look at
F F7 F E7
I'vegotthosedang -'rous
Oh,
de dadade dum
means,
take a
de dum me
da da de dum
Ta
C7
what that ta
it seems.
ta
mel -o-dy is inthe air,you
hearthemplayit ev -'ry -whereyou go
de dadade dum
D7
F6F&
Lord
D7
Can'tyouhearthe mu-sic play-ing
C/G
It's the kind thatmakesyou wan - na shakeyour feet.
G7
C7/G
C7/BC7

I thinkI'mslip - pin'
I knowI'mslip - pin'
ta da da, ta da da,
ta dade dum.
77
C F F6 F& F
C7
justhearthosewear-y
Oh,

thekindI'dhate to
G C

ev - en sleep a wink,
C7

Oh,
A7
lose,
those
They're
G C
dang-er -ous blues.
F6 F&
so we -ary ho - ney,
blues,
I can'tev -en think, can't
G G7
Ev' ry time I hearthose dang' rous blues I want to sink,

I've got those dang' rous
blues.
F B7 F
Tishomingo Blues
78
q = 132
Ab
Eb7
Spencer Williams - 1917
Eb7
Bb7
A Ab
Eb7
Ab7

Oh Mis - si - sip - pi,
To - night I'm Pray - in'
Oh Mis - si - sip - pi,

To - night I'm say - in'
Db
you
in
sad - ness
train that takes me,
Eb7
moon swings
al - ways
Ab
low,
gay,
That's
That's
Ab7
goin' to Tish - o - min - go
Bb7
where
why
I
you
Db
Ab
the win - try winds don't blow.

way down old Dix - ie
way,
South - ern
folks
are
Down where
the
Where South - ern
I want to be where,
To Tish - o - min - go
My heart cries out for

Oh Lord please bless the
Dbm
Ab
Eb7
want to
hear me
be - cause I'm sad to -
go.
say,
I'm
I'm
Ab
Ab7
day.
Db7
E7
I wish to lin - ger,
Eb7
way down old Dix - ie
Ab
in
Ab7
down in Mis - si - sip - pi,
Db
They get you dip - py,

sist
C7
temp - ta - tion,
Eb7
I wish to
Oh how I wish that I was back a - gain,
Bb7
Eb7
a place, where they make you wel - come all the time.
Ab
way.
Opt. Break on Solos

Eb7
Bb7
with a race,
Oh my wea - ry heart cries out in pain,
Ab

Eb7
Ab
79
lin - ger,
Db
A - mong the cy - press
Ab
Ab7
trees.
C7
E7
I just can't re - fuse
Bb7
Eb7
Where they play the wea - ry
with their stange mel - o - dies.
Fm
Way
To re
Ab

In Tish - o - min - go
Ab
blues.
Memphis Blues
80
A B7
F7
E E7 A7 A6
B7
W.C Handy - 1912
B7
B7
E

B7
E
E7 D7 D7

C7
F7
B7
F7
B7
E E7

A7
D7
B A
A
E7

B7
E7
A A7 D7 D A

Midnight in Moscow
q = 160
A Cm
Fm G7

Eb
Cm

G7
Cm
Cm
G7
Ab Bb7
Fm
Cm
Eb
Dm7 G7
Fm
Cm
Dm7 G7
Cm
Cm G7
81
Cm
Cm
Stop time- first beat of bar only
B Cm
Fm6
Cm
Cm
Eb
Ab
Eb

Fm

Cm
Fm
Cm
Time
G7
Cm

G7
Cm
Fm
Cm
G7
Cm

Dm7 G7

Cm
The Storyville Blues
82
Trad.
q = 132
Ab
Eb7
A Ab
Ab Ab7 Db Dbm
Ab7
Db
Ab
Bb7
Eb7
Db
Ab
Db
F7
Ab7
Db
Bb7
Eb7

Ab
Eb7
Ab
Ab7
Eb7
Eb7
Ab
Dbm
Ab
Bb7

B Ab
Ab
Eb7
Ab
Ab
Ab

Eb7
Ab7
Db
Dbm
Ab Ab7 Db Dbm
Ab
Eb7
83
Time
C Ab
Ab7
DBm
Ab
Db
Drum Roll - Piano Roll - Sustained Bass
Bb7
Eb7

Ab Eb7
Ab
Ab
Ab
Ab7
Eb7
Ab Ab7 Db Dbm
Tag
Ab
rit.
Db
F7
Dbm
Ab
Back to "B" for Solos
Db
Ab
Ab7 Db Dbm
Ab
Strut Miss Lizzie
84
Turner Layton & Henry Creamer - 1921
A Gm
Bb
B Eb
D7
Ebm
C7
F7
Get bu - sy
move so pret - ty,
Gm
men
C7
D7
Gm
you
meet
F7
Eb7
Bb
Bb7
G7
Bb
for the
Bb
Bb7
Is the whole town talk.
D7
Gm
F7
When you
D7
The oth - er girl - ies frown.
Gm
Won't you
It's a pi - ty,
Bb
F+
Bb

Cm
Bb
folks all state the way you syn - co - pate
Gm
I want to see you walk,

Ebm
D7
F7
Eb
Gm
Bb
strut Miss Liz - zie
Cm
C7
Gm
But the
Bb
like the way you shake your feet,
Oh, youknock 'em diz - zy,
Bb
Bb
Bb7
Eb
Ebm
Vocal to "C"
Strut Miss Liz - zie Brown.( I'll bet you've got the cut - est lit - tle strut in town!) Go
85
Bb
C Bb
Bb
Bb
Bb
C7
street,
By the
school,
Pat your feet you
Bb
Bb
F7
down the
Bb
Bb
Strut your stuff,
Bb
Bb
Bb
Thru the al - ley,
Bb7/Ab
Bb
Eb/G
Bb
Dodge the cans,
Gb7
Cool your dogs we're com - in' thru, Get
G7
step - pin' fool.
C7 F7 Bb
Trot your toot - sies
use your "Kerch",

Bb
Bb
by the church.
C7
F7
Shake Miss Sal - ly's
pots and pans.
Bb
C7
set for Len - ox
Av - en - ue. Won't you
F7 Bb Bb7
Back to "B: for Solos
86
Tain't Nobody's Biz-ness If I Do

Porter Grainger & Everett Robbins - 1922
A B
D7 G D7
G7
There ain't nothin'

Aft-
I can do, nor nothin' I can say,

all, the way to do is
do just as you please,
er
D7
cize
me
But I'm gonna'
their
talk-
in'.
Of- ten times the
critof
G7
C
C
want to
C7
an- y- way,
B B

If
If
'Tain't
No- bod- y's
just
if they all
as
ones that talk will
F7
de- spise
me.
in'.
G B7 E E
should take
a no- tion
like
do
And beg your pardon for their squawk-
D7
dis-
Re- gard- less
G7

And don't care
get down on theirknees,
That folks don't
G7 G7
G7
To jump
my lov -er
F7
And leave him
F&7
Biz- ness
If
in
D7
Do.
G7
F&7
the o- cean,
to
for an -oth-
Rath- er
If
I go
er,
than
to
87

D7
per-
on
Sun -day,
F7
Tain't no - bod - y's
C B B

If
'Tain't
D7
B7
choose
that
you
Then
cab-
a-
ret
F&7
biz - ness
if
No- bod -y's
F&7
Biz- ness
If
would shoot me,

on
D7 G7
C7
Do.
Drive
me
right
in-
to
my
last
nick- el
And
it
leaves
me
in
'Tain't
No- bod -y's
F7
Biz- ness
F&7
If
ceil- in',
Do.
B B
pan- ion
the
F&7
B7
B/D
say "Take all mine, Hon -ey",
com-
best
Mon- day,
do.
And
mon- ey
F7
To dance upon
should get the feel- in'

no
C7
D7 G B7
If my friend ain't got
se- cute me,
church
If
let
my
If
I give
him
the can -yon,

a
pick -le,
C7
F&7
T'aint Nothin Else But Jazz
88
Maceo Pinkard - 1921
E A7 E A7 E
I'm blue,
G7
Thru and thru,
'Cause they're gonna take jazz a- way.
EE
B F7 B
On my knees, I'm ask- ing you please,
A7 C7 F7
B&7

B7

Just to pay at- ten- tion to mewhile I say:
D7 B7 B&7
Can't you see it's wrong to con- demn a song.Jazz has sim- ply got to stay, Now!

High- brow mu- sic real- ly
B7
F7
is a treat,
In an op-'ra house it can't be beat.
But what makes you wan- nashake yo' feet?
E7
In so- ci- e- ty of style and grace,
B&7
E/B
lit- tle bit of wob- blin',
E/G
F7
'Tain't
is
de- vine.
Ev-'ry lit- tle move- ment
jazz,
Still what makes you shiv- er
F7
B7 E C7

nothin' else but
nothin' else but jazz, Babe!
B&7

F E/G
sure- ly
'Tain't
B7/F F7
B&7
A

has
just a
Lit-tle bit of tod- dlin'. Waltz-in'- round is might-y fine,

Gli-din'
Babe!
'Tain't
an- y
B7
nothin' else but
C7
time?
jazz.
Maitland
89
Same Melody as "Take My Hand, Precious Lord"

Ab

Ab
Ab
Ab7
Ab
Ab7
Db
Eb7
Eb7
Ab
Db
Db Dbm Ab
Alcoholic Blues
90
Albert Von Tilzer 1919
A F
Bbm
F7
C7
C7
B
F
C F

Db7 C7

C7
Pro - hi - bi- tion, that's the name,
Gm
Vamp
Bb
pro - a - bi - tion
G7
G7
C7
drives me in - sane.
C7
I'm so thirs - ty
soon I'll die,
I'm sim- ply gon - na 'vap - o- rate or just run dry. When
91
C7
Mis - ter Hoo - ver said to cut my din - ner down,
G7
G7
cut
my
but
D F
C7
blues,
I've got the Blues,
blues,
I've got the
in - side
I've got
cut
my
coal,
my
soul.
I've
my heart to cheer,
the

got
the
F7
al - co - hol - ic
since they am - pu - ta - ted
Blues,
Bars are closed and night clubs too,
Bbm
deep
no more beer
sug - ar
now they've cut
Bb
I did - n't hes - i- tate I did - n't frown.
C7
blues.
There's
booze.
good - byewhis - key
used to make me fris - ky.
lord - y lord - y
what
to
do,
Solos at "D"
C7
Db7 C7
So long hi ball, good - bye gin,
tell me when you're com - in'
back a - gain.
So long hi ball, good - bye gin,
tell me when you're com - in'
back a - gain.
92
Alexander's Ragtime Band

Irving Berlin, 1911
VERSE
AC
C7
G7

Oh, ma hon - ey,
Oh, ma hon - ey,
Oh, ma hon - ey,
Oh, ma hon - ey,
Bet - ter hur - ry and let's me - an - der,
There's a fid- dle with notes that screech - es,
D7
G7

Ain't you go - in'
To thelead - er man,
rag - gedme - terman?
Like a chick - en,
Like a chick - en,
And the clar i - net
is a col - ored pet,
Ain't you go - in',
G7

Oh, ma hon - ey,
Come and lis - ten,
Oh, ma
Come and lis - ten,
C7
grand - stand,
brass
band,
come
some - how,
now,
hon - ey,
C0

Ain't
Let me take you to
Al - ex - an - der's
To a class - i - cal band what's peach - es,
G7
you com - in'a - long?
Bet - ter hur - ry a - long.
C7

Come on and
93
B F
hear,
Bb
hear,

Come on and

Bb
Come on and hear!
It'sthe best band in
ne - ver heard be fore.
G7
take you by
Bb
band.

hear,
the hand.
the
land. Theycanplay a bugle calllikeyou
Up to theman.
F7
Come on a
Come on and
hear,
long.
the

Let me
Who'sthelea - der of the
And if youcare to hear the Swa nee Ri- verplayed in
just
Bb
Up to the man!
war. That's

Bb
Bb
F7
ho ney lamb. Come on a long.
Come on and
Bb
best - est band what am,
C7
Bb
der's Rag time Band.
So na - tur - al that youwant to go to
Al ex an
-
hear,
Bb
C7
C7
Al - ex an der's Rag time
Fdim
rag time. Come on and
Band,
Riverside Blues
94
Thomas A. Dorsey & Richard M. Jones

A E

G7
B&7
A7
E
E A7

C F
E A 1. E
E E7

B&7
break
E 2 bar unison
F7

G7
B7

B7
2.
B7
everybody plays this figure behind clarinet lead
B E
B7
E
G7

B7
F7
E 2 bar clarinet break
B7
E7
E A E
B7
C E
A
E
A
E7

F7
Play 2 bar unison on out-chorus
B7
E E7 E A
Solos at "C"
My Bucket's Got a Hole In It
q = 174
F7
C7
Bb7
F7
Bb7

C7
95
Bb
F7
CHORUS
Yeah! My Bucket's Got A Hole In It
I can't buy no beer.
Well I'm standin' on a corner - With a bucket in my hand
I'm waitin' for a woman - That ain't got no man.
CHORUS
Well, I went upon the mountain - I looked down in the sea
I seen the crabs and the fishes - Doin' the be-bop- bee.
CHORUS
Well, there ain't no use - of me workin' so hard
When I got a woman - in the boss man's yard.
CHORUS
Well, me and my baby - we just bought a Ford
And now we sit together - on the running board.
CHORUS
96
I Can't Let 'Em Suffer

Henry Creamer & Turner Layton - 1918
A E
love
to
F7
see
the
F
B7
Love to
B7
fel lows
love
to
hap- py
see them smile.
B&

all
the
while.
B7/F
Thatshowsthey're jol- ly and ev-
F7
see
the
B7
fel lows
hap- py
B&

all
the
E
G D7 G
B/F
It's cru- el,
So
cru- el,
To
let them
plead.
'ry- thing.
while.
B7

Oh, I
97
B7
can't
plead.
let 'em suf-fer
E
B7
for the
B7
want of
love.
It's a shame to let 'em
E
B7

No I shan't let'em suf-fer
for thewant of love,
When I know justwhat they
E E7
E7 A
need. Nowthere's no use tryin'to stall,
I just can'tsavethem all!
F7
cry:
B7
just got to take'em
in my lovin' arms,
C D
just got to make'em
I'll
F/C D7 B7/D

F7
can't let 'em suf-fer,
fall.
ThenI've
Got to keep'em out of harm.
G/B
B7/A
Un-
B7
ThenI've
My hon-ey love.
Lov- in' kiss-es
E/G
til they're
For thewant of
be my tur-tle dove,
pro- vide,
I'mbound to
E
B7
E

E7
B7
"Oh, Comeand kiss me, Sweet- ie",
Butwhen they
love!
sat- is-
C7/G
C7
fied.

'Cause I
98
Oh By Jingo
q = 180
AF
C+7
C+7

Oh, by Gee! by Gosh, by
G7
Gum By
Juv,
We will build for you
Oh, by Jin go said, by Gosh,
A7 Bm A7/C#
me."
Juv, by Jin - go,

So they
by
Dm
You will be
Then we'll putthem
in the Fol
Bb
lies,
"By Jim in - y, Please don'tboth er
Gee.
our fav'rite nut,
F7
D7
C7
We'll have a lot of lit tle Oh! by Gol lies,
C+7
Gdim
hut.
G7
Oh! by Jin go, won't you hear our
G7
C+7
Gdim
love?
G7
C7
BF
Albert von Tizler

1919
all went a way sing ing Oh! By Gee, By Gosh by Gum, by
F#dim
By Gee,you're the
C7/G
C7
on - ly
girl for
me.
Bb7
Down By The Riverside

q = 180
AF
Gon - na
lay down
C7
lay down
my
C7
down
B Bb
by
the

stu - dy
C7
war no
C7

stu - dy
Bb

that war
C7
stu
ain't
dy
Down by
sword and shield
C7
riv
Bb
er
the riv - er

side.
more I ain't gon - na
no

gon - na
C7
war
stu - dy
stu - dy
no

more
Bb
I ain't gon - na
more
war no
gon - na
Ain't
Gon - na
the riv - er side
side.
down by
the riv - er side,
the riv - er - side,
down by
my sword and shield
C7
down by
99
ain't gon - na stu - dy war no more
war
no
more
more.
you know
I'll
100
Wabash Blues
q = 120
Bb
Bb
Gm

Near - ly
C7
Wa
bro - ken heart - ed since the
F7
Bb
bask
home,
Gm
Bb
C7
Now ev
- 'ry
I had a
Bb7
day I'm so lone -
D7
In - di - an - na's sweet and it's
F7
roam,
I now can see,
once start - ed from my
Eb
Bb
to
Bb
placethat'shard tobeat but thenI longed
Bb7
day that
girl was

some it's
Bb
My old home stead
F#7
as
sweet as could be,
F7
mis
- er
Bb
y.
101
Solos
at B
B Bb7
Bb7
Eb
Oh,
F#dim Eb7 Ab
B7
lone
Bb7
Eb
some soul am
I,
that I could die.
Haunts
Eb
Eb
Bb7
Eb
me in my dreams,
Eb
shoes
To
Bb
Eb
Eb
Bb7
lose
those Wa bash
Gm
Bb
dle lightthat gleams.
F#dim Eb7 Ab
feel
Eb Gm Ab A
my walkin'
I'll pack
B7
dues.
Eb
Can
Bb7
I got my
Bb7
Eb
Bb7
Bb7
know
Bb7

Bb7
Ab
Bb7
those Wa bash Blues
Eb
Eb Gm Ab A
Eb
Eb
Blues.
F#
Db7
Thru the syc a more the can dlelight is shin ing bright, Mem-'ry brings thescent of new mown
F#
Db7
C7
Bb
I'll
be
C7
hay to me each night,
I amstart ing for thatspot no need to ask me when,
Bb7
leav - ing hoof printst'ward the
Eb
old home road
Bb
a - gain.
Back to B
102
Lasses Candy
Nick LaRocca - 1919
A E7

E7

F7
F7
B7
B B
E7 E7
A
E7
F7

B B
B7
E7

E7
B7 E7
G7 G7
103
Poor Butterfly
q = 120
Golden/Hubbel - 1916
Ab E7 Bbm7 A Eb9
Poor But -ter - fly
C+7
pass
Bb7
C+7
come
know that he
be
The
me
by
C7
F9
and
by.
Then I nev - er
sigh or
But - ter - fly.
ful,
I'm sure
cry,
he
But
she
E7 Bbm7
Ab
Ab
Ab
as
The moon and
faith
Ab
low,
mo - ments
And
Eb9
Abmaj7
Fm
in - to years,
Dbm6
Poor
Eb9
die.
so.
he don't come back
him
She mur - murs
to
Bbm7
The hours pass
Poor But -ter -
Ab
smiles thru her tears,
B Eb9
in - to hours,
F7
Eb8
F9
for she loved
Bb7
Ab
'neath the blos- soms wait - ing
fly
Abmaj7
if
Bdim
just must
104
King Chanticleer
Nat D Ayer & Seymour Brown, 1910
A C
Ab7/Gb
B+
C/G
D7

D7
Ab7/Gb
D7
C/Bb
D75
C/A
G7
D7
B+
C/G
C/G
Play cues 1x for Repeat:
G7
Ab
D7
C/A
D7
C/Bb
G7
Ab
D7
G7
C/G
D F
Trombone Solo - 16 Bars

Eb
Eb

Ab
D7
D75

G7
Bb7
CHORUS:
Eb
F7

F Eb
105
Eb
Bb
F7
Bb7
Eb
F7
Bb7
F7
Bb7

Bb7
Eb7
Eb Ab7
Eb
Solos at "E":
Wild Cherries Rag
106
Ted Snyder - 1909
A C
E7
G7
A7
A7
C C

G7
E7
A7
D
G7

A7
G7
C
A7
D

A7

G7
107
@C
D
D7
C7
C/E
C7
D7 C7
D D
A7
A7
A7
C7
A7
G7
C7
D7
D7(b5)
D7
C7
C/E
D D7
C7
Bass Solo - Stop Time
C7
G7
C7
G7
C7
D.S Back to "C" al Coda
Coda
Ory's Creole Trombone
108
Edward "Kid" Ory - 1921
Trombone solo
C7
C7
D7
G7
C7
C7
C7
G7
F C7 F
C7
G7
B G7

C7
G7
D7
C7
D7 2.
G7
C7
1.
109
C7
F7
C B
C7
F7
F7
D D7
Trombone Solo
Solos
B
C7
Trombone solo
C7
C7
F7
F7
B
C
C F7
B
C7
F7
TAG Trombone
After last solo play "D" to end and then tag
C7
F7
Ja Da
110
Bob Carlton - 1918
q = 132
E7 Eb7 D7

Ja - da
G7
Ja - da
Ja - da Ja - da Jing, Jing,
Ja da
C7

That's a fun - ny lit - tle bit of
C7
Jing,
Oh

yeah!
G7
Jing.
C7
Jing.
so sooth - ing and ap -
G7
C7
Ja - da Ja - da Jing, Jing,
Ja da
Ja - da
It's
E7 Eb7 D7
It goes Ja da
D7
mel - o - dy,
peal - ling to me,
G7
Ja da
Ja - da Ja - da Jing, Jing
E7 Eb7 D7
C7
Ja - da Jing, Jing,
Jing!
That Da Da Strain
q = 152
D7
A Gm
D7
111
Smith and Medina - 1922
Gm
C7
F7

B Bb
D7
G7
C7
F7

Bb

C7
D7
Bb
Cm7
F7

G7
Bb
Eb7
Bb
Solos on B
Lazy Daddy
112
Bb
Bb7

Bb7
Eb
C7
Bb
Bb7
Eb
Bb
Eb
B Bb
Bb
G7
F7
F7
Bb/F
C7
C7
C7
F7

F7
Clarinet Break - 2 Bars:
Eb
Clarinet Break - 2 Bars
Bb
Bb
Bb
Eb
ODJB, 1918
G7
F7
Bb
C7
F7/C
F7
Bb
Bb
Bb
F7
Bb
G7
C7
F7
Eb
Bb Ebm6

Eb
Eb
113
Bb7
Eb
Eb
Bb
Bb
fine
Bb7
Trombone Break
Eb
Eb
Trombone Break
Eb
Eb
Bb7
Trombone Break
Eb
F7
Bb7
Eb
Eb/Bb
Eb
Eb

C+
F7
Trombone Break
Ab
Bb7
Eb
Eb
F7
Back to "B" al fine
114
Limehouse Blues
q = 184
AF
Eb
Am
Oh
Dear
Am
I'm
wear
And
And
they
Those
'Cause no one seems to
seem all a - round,

weird Chi - na blues,
land,
Am
Eb
C7
day,
un - der - stand.

Like a
Nev - er
play,
A7
E7
Where you can hear those blues all
Bb
Eb
to
or - ange blos- som
Lime - house,
Right here in
Am
Where yellow Chin - kies love
Dear,
E7
Eb
Lime - house
In
B F7
In
Oh
Dm
Db
long, long sigh.

go
a - way.
Bbm7 Eb7 Ab7
Queer
sob
sound,
Oh, Hon - ey lamb they seem to say:
Sad,
mad
blues,
For all the while they seem to say:
115
Db7
Oh! Lime - house
kid
Bb7
Go - ing the way
C7
Db7
Fm7
Oh! Lime - house
Bb7
Oh!
Oh!
Bb7
Oh! Lime - house
That the rest of them did
no - bod-y's child,
Db7
kid.
Ab
blues
Eb7
I've
the
those sad Chin - a blues,
blues,
Oh! Oh!
C7 B7
Ab
and
Ab7
Db7
real Lime - house
Learned from the chink - ies
Poor bro ken blos - som
Haunt- ing and taunt - ing you'rejust kind o' wild.
C7 B7
F7
Rings on your fin-
gers and
Ab9 for repeat

Bbm
F7

tearsfor your crown,
Bbm
Bbm7(b5)
Eb7
That is the sto
- ry
Ab

of
old

Chin - a town.
116
Livery Stable Blues (Vocal)
A E E
Way down in
Al-

a- bam,
It was in
E7
B7
stable brush
he
play,
to
B7
F7

on one string,
Bir- ming- ham,
There was
In-stead of work-ing all day,
B&7
lazy color-ed- fel-low named Lee,-
F7
upon the
C7

the
hor- ses he'd sing,
E A7
this sad and lone-some- mel- o-
dy,
and play up-
117
B E
Oh hon - ey lis - ten here
Oh hon-ey,-lis-ten- here,
E7

stable
blues.
hon- ey you know why
I've got those liv- 'ry
Al- a- bam- a baby,
stable
she'll drive a-way
B7
A7
F7
baby
blues.
mine,
I'se g'wine back to my

C7
she prom - ised that she'd mar-ry-
B7 B7
I was - n't born for this,
I've lost my pep com- plete,
B7 B7
E E7
A
AA E
Oh, law-dy- me,
I have got those blues,
B7

C E7
Oh how I miss your kiss,
I've got those mean old liv-'ry
C7
B7
me some-day,
Those liv -'ry sta - ble blues they're the blu - est kinfd of blues!
118
Where Did Robinson Crusoe Go?
Verse
Young/Lewis/ Meyer - 1916
A F
Thous - ands of years
south - ern
C7
C7
a - go or may - be
more,
D7
Rob - in - son
shore,
no rent
to
pay
and
C7
His good man Fri - day was his
on - ly
lend,
D7
day, but
They built
F7
day,
o - bey,
D7
lit
on fine
they didn -'t
tle
G7
hut,
bor - row or
lived there 'til
Fri -
C7
Sat - ur - day
to
friend,
wife
soe land - ed
no
C7
B F
G7
Cru
- land on a
out on an is
G7
night

it
was
shut.
And
C F
Where did
- in - son
Rob
G7
Cru - soe
C7
Ev -'ry
would start in
G7
morn - ing they'd come
stag - ger - ing

G7
must be wild wom
With
in
men,
so Where
G7
Fri - day on

On
Sat
did
C7
ur - day
Rob
night?
in - son
this
can - ni - bal trim - min' andwhere there are wild
C7
men
roam,
home.
G7
night?
C7
D D7
is - land lived wild
to
ur day
they
Sun - day
With Fri - day on Sat -
go
Sat - ur - day night
G7
Then on
D7
119
men there
D7
Cru - soe
go
Solos at "B"
Oh, Didn't He Ramble
120
Traditional
A B
B

B F7 B F7
B F7

Drums

B B
head was
in
the
by
ble?
said:
ble, Didn't he
B F7
All
mar- ket,
F7
Well his
girls came running
ram
To Dixieland 2-beat swing feel
a- round the
town.
ram-
Didn't he
his
feet were
F7

in
"Look at that mar- ket
ble?
ram-
street.
All
the
F7
F7

He ram-bled all
ble,
wo - men cut him down.
meat!" Oh didn't he
B
F7 B

He ram bled
- 'til the
the
a- round,

Didn't he
ram-
F7
Didn't he
Mama Don't Allow

B

Ma-ma- don't 'low
no
B7

Ma-ma- don't 'low
no
cornet play'n'round here!
F7
No
cornet play'n'round here!
B
B7

We don'tcare
121
No
She
Ma ma don't'low
no
Don't
She Don't
what Ma-ma- don't'low,he's gon-na'- playthat cornet
B
F7
cor net play'n'round here!
No
an- y how.
She
Don't
That Dixie Jazz
122
James P. Maguire & Warren DeWitt - 1919
A E
B7
Have youheardthe la-teststrain?
B7
It will lin-ger
in your brain.
For it's a
B7
E
C7
F7
B7

rag-gy new mel-
o- dy,
So fullof har- mo-ny, You'll want to hear
E
B7
It's

B7
Oh,
a brand new South-ern drag,
B&
babe,
C7
What do you say?
It's a
F7
Dix- ie
Come let us hear
gain.
B7
dan- dy
it a-
theband
rag.
B7
play.
123

That Dix-ie
C7
jazz!
That Dix-ie
B7
E

Dix-ie jazz!
C7
right,
Hold to me
F7
tick- le
C E7
Lis-

F7
Lis-
jazz!
toe.
tight.
Oh, Hon- ey!

Dix- ie
jazz!
ing.
B7
let's
coax a
moan
B7

ten to that syn-co- pa tion
Fromleft to
It makesme want to do the shuf-fle andthe
Come,
ten can'tyou hearthatman just
C7
F7

That
My how I love to hearthat
G7
Oh, just see'em sway-ing whenthey'replay-
F7
F7
It's the
C7
best
go!
fromhis trombone.
I've ev- er known.
That
Dix- ie
jazz!
124
Way Down Yonder in New Orleans

Henry Creamer & J. Turner Layton - 1922
B7
E
F7

My how I love to hear that dear old Dix-
A F
ie
B7
jazz.
That Dix-ie Jazz!
C7
Guess!
Where do youthink I'm go
Guess!
What do youthink I'm think in'when you think I'm think in' wrong?

Guess!
Where do youthink I'm go
Guess!
What do youthink I'm think in'when I'mthink
in'when thewinds start blow in' strong?
A7
in'when thenights start grow in' long?
in'
I
I
all night long?
G7(b5)
C7

ain't go
in' East,
ain't think in' this,
I ain't go
in' West, I ain't go in' o ver the cuck oo's nest.
I ain't think in' that,
that
D7 D7(b5) G7
heart does not start
to
I love best,
pit a
pat
My
can not be think in' a bout your hat.
bound for the town
I'm
Where life
un
less
C7
is
one sweet song;
hear this
song;
125
B C7
G7

Way down you
C7
C7
there's a gar - den of
E - den,
that's what I
flash - ing eyes,
B6 F&7
give your la - dy fair,
a lit - tlesmile.
lit - tle while.
D7

wear - ing
ti - ful queens,
lit - tle blue
F7
Stop!
Oh won't you
There
Stop!
jeans,
you bet your life you'll lin - ger there,
is
They've got
with those beau
F7(4)
B A7A7 G7
C7
Cre - ole ba bies with
mean.
soft - ly whis - per with ten - der sighs,
scenes,
F F7 C7
F&7
C7(4)
C&7
of dream - y
in the land
G7

C7
New Or - leans,
der in
G7
F&7
hea
ven right here on earth,
an
gels right here on earth,
F7
G7 C7
way down yon der in
New
F6
Or - leans.
126
When Ragtime Rosie Ragged The Rosary

Lewis Muir & Edgar Leslie - 1911
F7
A7
A7
F7
A7 C A7
F7
F7
Verse:
A B
Par-son Lee in
but our
F7
up and
B B
or- gan man ain't here.
vol- un-
teer
Now I'd
to help us
gal named Rag-time Ro-sie stood up andsaid that she could play,
light- ed
said"Folks I'm aw- ful
F7
like some-one
out".
and
F7
sat
he
said"Just step this
down to
pray,
way",
And the
F7
Then
came a
to stand
When a
B7
E

ac-cents loud and clear,
Ten- nes-see in
sor- ry
B7
The par-son seemed de-
F7
con- gre- ga- tion all
shout!
When
F&
F7
B
Rag-time Ro- sie ragged the Ros- a- ry,
Then he turned a- round only

C7
so sweet,
Break for Spoken Vocal
It was such
It charmed their feet and set'em
D B
That instead of prayin' Rosie got the folks to swayin'
B7
To that tune
to see:
Break for Spoken Vocal
Deacon Alexander Started in to reprimand her
F7
127
a treat,
F7
danc-
in'
and
pran- cin'
to the
F7 Break for Spoken Vocal

Rag-time two-step 'til that Par-son Lee, Why, he forgot the sermon and began to speak in German
List- nin'
to
want you folks
Rag- time
Ro-
that
B7

low- down mel-
sie
C7
o- dy.
B7
to know
that this ain't
ragged the
F7
ros-
a- ry.
F7
Then
no
he
said
"I
show"
When
min- strel
E7
F&
128
Floatin' Down That Old Green River

Cooper - 1915
A F
F F7 E7Eb7 D7
I've been float - in'
down that
C7
a - lone,
get
that
C7
back
I was
whole
Green
home
to
you!
the
C7
one thing I could do;
F7 E7 Eb7
drink
G7
G7
on - ly
And there was
to
a bar
The ship gotwrecked with
cap - tain and crew,
D7
had
I got stuck on
Wish - in' that I was home.
Bb

F7
old Green Riv - er on the good ship "Rock and Rye,"
there all
wad - ed too far,
But I
G7
D7
Riv - er
dry
to
No Repeat First Time - On To Vocal
Solos at "A"
129
Verse Interlude:
F#
C7
F#
C7
Verse - Vocal:
F#
Half past
C7
F#
C7
four,
Dan
C7
F F7 E7 Eb7 D7
G7
ve
D7
And
For Dan
F#
C7
like
C7
ry wild!
C7

this
is
what
Dan - ny
been
all
re - plied:
But then his wife's eyes grew
to comehome and go to
child,
"Where have you
G7
G7
half the night
smiled,
He came a' creep - in' to his wif - ey's door.
F#
Dan - ny
bed.
G7
Mc - Graw,
She had beenwaitin' up
C7
C7
night?"
she cried,
Back to "A"
I've been
Back to "A" for Vocal and Solos
130
Floatin' Down To Cotton Town

F. Henri Klickman - 1919
A B
D F7
I just dropped in to see you all and

on
my
way.
I'm goin'
C7

C7/G
that
be
fine?
Mis- ter
F C7 C7/G
hurry and sail
me,
leave to- day,
back to
To
by
No
more I'll
C7
Cap- tain, don't fail
C7/G
that
gal of
F7
mine:
hand.
F7
Dix- ie-
Line,
sun- ny
the
I'm
came to shake you
The min-ute when I cross that Dix-ie
F&
F7
F7
D F7
say,
B B
That's why
land,
F&
F&
pine,
me,
won't
just
131
Float- in'
F7
Float- in'
whis-
C7
dark-
down,
on
the
my
riv-
er down to
tle
toot!
toot!
C7
ies
sing-
in',
D B
Hon- ey
my
you and
Al-
a-
wel-come me
a-
toot-
in'
down,
Cot- ton
ban- jos
bam;
floatin'
lit- tle
C7/G F7/A
B
ey,
Town.
a-
way,
C7
hon- ey
B7
While
G7
C7
gain,
Float- in'Down To
day.
I'll come back to
G7
Cot-ton
those
F7
lamb,
G7 F7
And
ring-in''til the break of
fields of
G7
Just hear that
F7 Break 2 bars
lamb,
G7
hon-
C7
C7/G
F7/A
G7
sug- ar
Town.
cane

seem to
Sailing Down Chesapeake Bay
132
Verse
Havez - Batsford - 1913
B7
Come on
B7
Nan-
Come on
is
love-
Bal-
Cap-
ly
on
the
Ban- jos
Ches-
moon,
B7
Ches- a- peake,
a- peake Bay,

all
be sore.
'Cause we can't swim,
a good old tune,
Mis- ter,
Sail- in' down Ches-
Set-tle down close
Up on deck
Sail- in' down Ches-
B7
If we're late we'll
to spoon.
ring- in'

B7
E
B7

dress on,
ti- more,
boat's gone.
steam-
'n let us catch that boat,
there's a place
best
we can't float.
B7
put your
a- board for
Come on
cy 'fore the

B B7
cy
Nan-
Ev- 'ry- thing
All
'neath the
a- peake,
a- peake
Bay.
All
sil-
v'ry
a- board for
No Repeat 1st time
133
C E
B7
B7
to this
pier.
It's the
And
F7
Old
B7
we can make it
if
Dom-
in- ion
Line.
Bal-
F7
ti- more.
F7
yearn- in',She's the Queen of
F7
the Ches- a- peake Bay!
Nev- er
B7
fear,
G7
Head- in'
B7
Just hear the pad-dles turn- in',
C7
we hurry,
Say, don't she look pret-ty as she hugs the shore,
D B7
Head- in' here,
'Round the bend I think I see a steam- er, Dear,
for
Hear my heart a'
Solos on Verse
Easy Rider's Gone
134
Shelton Brooks
q = 120
Bb7
won - der where my
E7
Bb
Ea - sy Ri - der's gone to - day
He
If
he was here he'd win the race
C7
Cash
in our tick ets for a
jol - ly joy ride right a - way
Bb7

los - ing all
my
E7

knows just what to
mon - ey that is why I'm
Bb
blue.
do.
I'd
an - y horse that Jock - ey's
1. Bb
C7
F7
Ea - sy
Ri - der's gone.
on,
F7
I'm

Gmin
If notfirst he'd get a
Eb7
D7
ne - ver told me
D7
he was goin'a - way.
place.
F7

Gm
Eb7
To
F7
put all my junk in
pawn
C7

Oh
win a race he
2. Bb
gone
where
my
won - der
to bet on
Eh Las Bas
135
Traditional
A Ab

Eh la
(band sings echo)
bas,
E7
Ab
Eh la
Eb7
Eh la
Sis Boom Bah
Ab
Eh la bas
Well I
Ca - jun
in
a pinch
so
I can say
I don't know what it means.
But it
Cre ole way,
Ab
but the
is Lais - sez les bon temps rou - lez!.
So
let the good times roll my
E7
like down in New Or - leans,
would,
love to hear that clari - net burn
Eb7
like
la
sounds real good, like I knew it
sang that Ca - jun French in a fine ol'
on - ly
bas,
Solos here after Vocal
Or - y
Ab
Eh la
bas,
can't speak French, not
E7
Tra la
B Ab
Eh la bas,
Bas,
Eb7
Eb7
and hear them trom bone gliss - es
friends, and let the
mus - ic
play,
Ab
nev - er
To
to sing French when Itake my turn but thatain't the kinda band that this is
mor - row may
I'd
come to be,
so let's love
it
up
to - day
Eh la
Eh la
Vocal Back to Top
Fidgety Feet
136
The Original Dixieland Jazz Band - 1918

F7
A B
E
B F7 B
B7 E
C7
F7
B

2Bar break
B
B7
E
E
B
1.
C7
F7
B
B E
Stop time - 4 bars

G7
A
F7
E
B7
B7
C7
2.
B
B7

3
B7
E
C7

G7
B7
E
E7

F7
137
C
A E7 A
F7
E7
A
F7
A7
B7
B7
E7
D7
1.
E7
C7
A7
E7
2.
138
Waitin' For The Robert E Lee

Lewis F. Muir & L. Wolfe Gilbert - 1912

Way
down on the levwhis- tles are blow-
The
G&
ee
in',
C7
in
old
Al- a- bamthe smoke-stacks are show-
y,
in',
C&
F
C
Dad- dy and Mamropes they are throw-

night
all
D7
you
is
can
har-
find
mo-
in'
er,
the
He
G7
banis
jos
arc
the
syndance-
hum- min'and sway-
that's come to
by
car- ry
the
on the good old
C7
in', it's the good

there, Why,
dog-
G7
cotton
light
where
they
en
are
the
waitpreach-
coing
pateach-
tin'.
er.
What's that they're sayWere you

a- round
there you'll al- ways be found
While
Ev-
in'?
there?
D7
all,
ous,

in',
D7
E7
my, On a moon
in' to the place
them
ni-
What's that they're sayHave you been down
C&
G&
and Eph-riam and Samex- cuse me, I'm go-
in',

B C
my,
There's
The
a- way.
Rob- ert E. Lee.
in'?
While they keep playthere? If you ev- er go
E7
ship
gone,
F7
Rob- ert
Lee
Here comes my ba-
G7/D C7/E
139
Watch them shuf-
C7
Go
take your
best
gal
real
pal,
Go

the
Wait - in'
C&
ee,
for
the
said
Rob - ert
E.
Lee.
lev-
ee, And
Hear that mus-
mate,
the
to
C7
great,
C7
C7
flin' throng.
It's sim- ply
lev-
join that shuf-
long.
C7
flin' a-
C7
DF
See them shuf-
down to
C7
long.
flin' a-
C7
Wait- in'
ic and
on
the
song.
lev- ee,
For Repeat:
G7
F7
140
Walkin' the Dog
q = 164
Shelton Brooks - 1917
A Bb
Bb
F7
Bb

Now lis ten hon- ey'bout a
F7
F# C7

bout ten days, It'sthese, It's a
"Tan - go bug!" But now,
Bb
Been'rig - i - na ted for a -
Most ev 'ry bod - y was a
Hug",
F#
C7
F7
bear!,
and some how,
Bb
new dance craze,
You all were craz - y 'bout the "Bunn - ny
And it's a new step
a fun- ny two step.
The fun- ny Dog walk
is all the town talk.
F7
Bb

hall,
In ev 'ry pri vate home this dance is
known.
F7
D7

one and all,
If you'll just give me
on the phone, Hear ing
a chance,
Bb
In ev 'ry cab - a - ret and danc ing
F7
Bb
You see them do - ing it, yes,

I called a friend of mine up
G7

I'll
C7
F7
in - tro duce this dance:
on his Gram- o phone: This "Dog - gone" rag - gy tone:
141
B Bb
Eb
Get'way back,
Bb

Grab your gal,
and snap your fin gers,
Eb
and don't you lin ger
Bb
the"Tex - as Tom my",
slow,
Bb7
F7
Get o ver Sal- ly,
one and all,
F7
Eb
Bb
Bb
C7
Bb
Eb
that will show,
Do that slow drag

'round the hall.
Drop!
the
Do that step,
F7
Like you're sit ting on
Bb
Bb
F7
dance called"Walk - in' the Dog".
Bb
log, Rise
142
q = 120
Over The Waves
A Bb

When
you are in
twin - kle a - bove
B Eb
Waltz - ing
an - y
My
Eb

So
a - long
Bb7

the
Words
near.
When
Bb
Bb

sweet
won - der - ful
beat
blue
like
Thrilled be
touch of your
heart starts to
C7
Eb
breeze drift - ing
won - der
the
F7
of
hand,
and
Eb
like a child when a birth - day
F7
F7
the sand
kiss me my
Stars
Eb
time you are hold - ing me
in
and the
C Bb
you
It's the love - li - est time of the year.
Bb
love,
o - ver
Bb
year.
al - most can touch them from here.
And you
you are in
ryhme
It's the love - li - est night of the
love

fall in - to
F7
is
Bb
It's the lov - li - est night of the year.
near.
Royal Garden Blues
143
Clarence & Spencer Williams - 1919
A C7
A
B
F&7
F7
F
B
C7
D7C7
F B7 F C7
F&7
F&7
Stop time - Play downbeats 4 bars

F7 Clarinet
B F7 Cornet
F7
C7
C F7
Trombone
Tuba
F7
D7 C7

F B7
F C7
F7

D B
B7
E7

F7
G7
C7
E7
E7
E7
Back to "D" for Solos
Long Gone
144
W.C. Handy & Chris Smith - 1920
A A7/C
D
E7/D
A
E7
A
Did you
A A
E7
ev-er
hear the sto- ry
of
Long John Dean?
Long
John stood on
the
rail- road
by.
Late
last
Ought'a
seen
B A

Long
Long
Was sent
Bowl ing Green,

to come
A7/C
gone,
night
he
made
his
B7
get-
from Ken- tuck- y,
D E7/D
Long
train
E7/D
yes- ter- day,
came just
John grabbin'
and what I mean,
to the jail-house
bold bank rob-ber from
F7
Waitin' for freight
A7/C
E7
F7 B7

Gone
tie,
Freight train
Long
puffin' and flyin',
E7
a-
way.
that
blind.
He
was
E7
F7 B7

Gone,
ain't he luck- y?
A
E7
Long Gone John from Bowl-ing Green.
Interlude
A F7
B7
E7
A F7
B7
E7

They
They
145
C A
E7
A

of-fered a re-ward
to bring him back,
E-ven put blood-hounds
caught him in Fris- co,and to seal his fate, San Quen-tin
Dog-
Now
lost
his
o- cean
John
es- caped,
the
F7
no-
bod-
knows
where
got
to
close
the
guard for-
D A
blood-hounds
on
F7

B7
E7
B7
Gol-
den
went.
gate.
F7

from Ken- tuck- y,
Long Gone,
Long Gone
from San Quen-tin,
Long Gone and
A7/C
D E7/D
But
scent,
Long Gone
E7
Long- John
E7/D
gone
jailed one ev-'ning late.
out
A7/C
on his track.
The
He
was
John's
B7
E7
Ain't he luck- y.
still
a' sprint- in'.
E7
A

Long gone,
and what I mean,
Long Gone John from Bowl- ing Green.
Long Gone
I'm tell-ing you,
Shut your mouth and
shut mine too.
146
A Good Man is Hard to Find

Eddie Green 1917
q = 100
A Bb
C9
Bbm
my man
Bdim
C7
the day that

my hap- pi ness is less to day,
mean.
and
that man I ev - er seen
me
BbBdim F7
was born,
treats
C7

I re - gret
all a - lone
My heart's sad and I am
Bb
F7
oh
F7
my heart is broke and that is why I
say.
Lord a
147
B G7
G7
C7
you al ways get
F7
he's your pal,
G7
you
G7

rave
look to find him fool - in''round with some oth - er gal then you
C7
C7
F7
Bb
Bbm
and you all crave you wan - na see
Bb F#7 F7
the oth - er kind just when you think that
Bb
F7
good man is hard to find
C7
Bb
him in hisgrave
so if your man is nice take
Bb
Bb
my ad - vice and hug him in the morn - in' kiss him ev' ry night
F#7
F7
Bb
C7
F7
treat him right cuz a good man now - a - days is hard to find,
give him plen - ty lov - in'
Bb F7
Bb F7

so hard to find.
Get Out Of Here

(And Go On Home)
148
q = 180

B B
B7
F7
F7
F7
1.
B7
B7
E7
B7
F7
B7
F7
2.
F7 B7
F7
F7
F7
149
Chinatown, My Chinatown
Jean Schwartz & William Jerome - 1906
A C
When the
town is fast a- sleep,
That's the
time the fes-tiveChink,
Starts to wink his dream-y
Chi- na
G7
Hearts that
G&7
town, my
know
G&7
E7
no
And it's
Chi-na town,
oth-er land
wink his oth-er eye.
D7
G7
La-
zi-
Where the
D7
G7 G&7
G7
lights are
low,
G7
Drift- ing
ly you'll hear him sigh:
Starts to
G7
G7
mid-night in the sky,
D7 A
eye,
to
and
C7 C&7
G&7
fro.
eyes
of
brown,
A7/E D
D7 G7
F6
C G6/B A7 D7 G7 C C
Dream- y,
dream- y,
Hearts seem light and
Chi- na- town,
life seems bright,
Al- mond
In dream- y
Chi- na- town.
Cleopatra Had A Jazz Band
150
Jack Coogan & Jimmy Morgan - 1917
A
G E7 A7
His- to-
ry
re-
In
E7
a dream it
So the wise men
A7

A7
prove that
heard pe- cu-liar mus-ic
takes me back
A7
E6
E6

only goes to
peats it- self,
lieve they're right be- cause last night
B A
D7
A7
two
E6
D7
thou- sand years
A7

E-
gyp-tians were not
D7
a-
say.
I be -
D7 D D7 D&
play.
go.
Which
slow. Cle- o- pa-tra had a
B A7
D7
jazz band,
D7
G/B
She won Marc
An- to-
ny,
And while they played,
D7
She
She knew she had him all the while. In the sha-dow of the
D7
C A7

pyr- a- mids,
G7

E6 E7
B/F E7 D7
A7
swayed.
A7
With her syn- co- pa-ted har- mo- ny.
E7
A7/E
Ev-'ry night she gave a jazz dance,
E&
In her queer E -gyp-tian style.
A7
In her cas-tle on the Nile.
G7
D7

151
'Neath the old E gyp-tian

-
F7(b5)
said:"There'll be a wed - ding soon".
moon,
B B7
A7
D7
A Sphinx was look-ing on
C7 B7 E7
and
A7

But the real his- tor- ic
scan- dal,
was
G B B A6
D7
A6
D7
G
D7

Cle- o lost her san-dal as shedanced to the strains of the E- gyp-tian jazz band tune.
152
Aunt Hagar's Blues

A Eb
Bb+ Eb
W.C. HANDY 1921
Bb+ Eb
Eb7
Old dea - con Spliv - in,
His flock was giv - in'
Ab7
Fm
Bb7
Said he "No swing - in',
Fm7
Ab7
Oh my, just lis - ten!"
EbEb7AbAbm Eb
Eb7
My boys have just come home,
Bb7
Eb
They play it on the sax - o phone".
Bb7
a- bout the jazz - in'?
Bb7
and shout - ed out with all her might:
With la test mu - sic,
B Eb
Ab7
Bb7
Up jumped Aunt Ha - gar
Eb
No rag - time sing - in' to - night".
"Why all this razz - in',
the way of liv - in' right.
Eb Ab7
the dea - con shout - ed with a moan.
Eb
C Eb Eb7 Ab
Eb
Eb
B7
Bb7
Bb7
Eb
Hear Aunt Ha - gar's chil - dren har - mo - niz - ing. Hear thatsweet mel - o - dy,
Eb7
Ebm

B7
Bb7
like a choir
Bb7

good Lawd
Ebm
sent
Eb Eb7 Ab
it
Eb
down
to
Bb7

Oh,
Eb
me.
Eb B7
blues,
F7
When I
Aunt
Eb
Bb7
Eb
Ha - gar's
Child - ren
When my feet say dance, I
Bb7
that mel - o - dy they call the
Eb
G7
hear
Bb7
Let the
'tain't no use o' teach - in'
Oh,
such mod u - la- tion,
just can't re - fuse,
Such jazz a - pa - tion
Eb
Eb7
'taint no use you preach - in',
Ab7
It's
while I sing those lov - in' Aunt Ha - gar's Blues.
join
C7

con- gre - ga - tion
If the dev - il brought it, the
right
Eb7
from on high broke loose.
B7
153
Blues.
Avalon
154
A C7
found my
B D7
love
in
A - va lon,
left my
love in
Be -
her and
A - va lon
trav - el on,
think I'll
va
And
E7 Eb7
dawn.
C7
way.
'til
bay,
Bbm6

Gm7
to
a -
dusk
D7
sailed
Gm
from
and
E7Eb7 D7
the
C+7
1920
Side
A - va lon,
C7
C+7
so
dream of
C7
Al Jolson
lon.
Amazing Grace
F7
Bb
C7
Bb
Dm
Singin' The Blues

q = 120
Ab
Ebmaj7

A Fm7
Bb7
F7
Cm7

Fm
C7
Bb7
Eb
Eb
Bb7
Eb
Eb
C Fm7
Fm

B G7
Gm
155
Con Conrod 1920

F7

Bb7
Bb7
Eb

F7
C7
Fm7 Cdim
2 - Bar Break
Ebdim
C7
Gbdim
Eb
Bb7
Eb
Second Hand Rose
156
James F. Hanley & Grant Clarke - 1921
A F
C7
C7
Fath- er has a bus-'ness,Strict- ly second hand,
G7

To
C7
baby grand.
G7
bused,
F F C7
D7
nev-er-
G7
pardon
Sec- ond hand
hose,
Sec- ond Hand

their
C7
Rose.
sec -ond hand beauxs.
I'm wear- ing
C7
That's why they call

the girls hand
E -ven our piE -ven my pa-
Fath- er bought for ten cents on the

Have some- bod- y else's
'ni- tials
lor,
'em,
C&7
All
C7
C7
It's no won- der that I feel a-
Sec- ond hand clothes,
me
D7
G7
me
have a thing that ain't been used:
hats,
Sec-ond hand shoes,
C7
G7
Sec-ond hand
Ev- 'ry- thing from tooth- picks,
E-ven things I'm wear-ing, Some- one wore be- fore.
Stuff in our a- part- ment, came from fath- er's store,
C7
C7 C&7
dolon
an- o
in the
ja- mas when I
lar.
'em.
157
C F F C7
G7
Sec-ond hand pearls,
I'm wear- ing second hand curls,
Sec-ond hand
I'm sick
rings,
F&7
oth- er
ies
F&
a- dore,
C&7
nev- er get
nev- er get what
He had
the nerve
-ven Jake the plumb- er, he's the
Once while stroll- ing
girl got my goat,

man I
do.
second hand things
sin- gle thing that's new.

girl-
of
F7
to tell me he's
thru the Ritz
G7
been
mar-ried be- fore!
Shenudged her friend and said "Oh look! There's my old fur coat!"
F C7
G7
Ev- 'ry-
one knows,
that I'm just
Sec- ond Hand Rose,
Ev- 'ry-
one knows,
that I'm just
Sec- ond Hand Rose,
G7
C7
From
Sec-
ond
Av-
e-
nue.
From
Sec-
ond
Av-
e-
nue.
C7
I'm wear- ing
Lovin' Sam
(The Sheik of Alabam')
158
A C

Lis ten sis
Ev -'ry hus
ters and bro - thers

band and lov - er,
C7
But let me tell you

Then here's my warn- in'

He's the great
Keep your gal
est of
un der
a bout a man I
and you can pass it
lov - ers
cov - er,
C7
There ain't a high brown gal in town

If Lov- in'Sam gives her the grin,
D7

To be the bride of
And in the morn- in'
G7
There ain't a wo man he can't vamp,

But if your gal you aim to keep,
G7
They say that he's the lovin' champ,

Of course they say ad - vice is cheap,
D7
C7
I sup pose you've heard of the Sheik.

Bet ter take a
bit of ad - vice.
1922
know:
on:
C7
Ev - er kissed a girl on the cheek.

Sure as there's a deuce on the dice,
Who would n't throw her daddy down

Then you is out and Sam is in!
this col ored Ro - me - o.

your lov - in' ma ma's gone!
C7
Peo ple
Peo ple
C F
call
C7
him
G7
gals
go
Lov- in'
Sam,
by,
DF
love like Lov- in'
C7
down in Al - a -
Bb
ba - bies
D7
Boy! He
C7
The
And when the
A7
Gm7
Sheik of
wick- ed
eye!
You couldhave your eggs and
bam'.
That's what he does n't do nothin'else but!Could you
C7
ham,
In the fin est kit chens
F7
You'd make the high brown ba
Bbm
ia!
They
C7

Al
bies cry
for Cas - tor
rolls
He's a
Sam,
cry
man!
bam'.
G7
2 bar break
Does he strut?
Am
Does he step?
Al - a
a heart break- in'
stroll- in'
He's the Sheik of
G7
mean love mak- in'
159
a -
all
love
bam'.
for
you like
Lov - in'
Sam,
Peo - ple
Ma He's Making Eyes At Me
160
Con Conrad - 1921
A E
B7
Lit- tle Lil- ly was
B7
oh! So sil- ly and
She would-n't bill and coo.
B E
"Ma,
B7 B B7
But she would cry:
F7
B7
B&7
at me!
C B7
fel-lows knew,
Ev 'ry sin-gle-nightsome smart fel-low would
up to her,
he's mak-ing eyes
B7
to cud dle
And all the
F7
try,
shy,
B7
C F7 B7
Ma,
he's aw-ful nice
B7
to me!
B7
I'm be- side him, Mer- cy! Let his con scienceguidehim
If you peek in, Can'tyouseeI'm goin' to weak en?
Mahe's al mostbreak-ingmyheart,
C E
Ma,
F7

B7
F7

he wants to
B7
mar-
Ev- 'ry minute

Me, I'm meeting
Ma,
on my should-er,for as - sis- tance!
B7
ry me,
F7
Be
my
B7
hon-
ey
G7
C7
bee.
he gets bold- er, Now he's lean- ing

with re - sis tance
I shall hol- ler
B7
E A7 E

he's kiss - ing
me!"
When You're A Million Miles From Nowhere
161
Walter Donaldson - 1919
A G7
You're a
C7
mile
leave
That keeps ring-
ing
the gates
of heav- en,
tle
D7
mil-
lion
C7/G
mile
miles
C7
from
You just
E7
A7 C
B7
from
home.
er's tears,
When you leave Moth-er's arms
G7
ears.
lit- tle
C7
moth-
your
when you're one
of
in
lit-
F7
You're a
one
A/C
C7
It's the song
C7
G7
C7/G
from nowhere,
B/F
F7
from home.
lion miles
A7/C
F/A
mil-
C7
B G7
C7
G7
nowhere,
B7
to roam.
When you're
162
My Honey's Lovin' Arms

Herman Ruby/Joseph Meyer - 1922
A F
B7
You've heard lov-ers,
C7
C7
pet;
I'm
They
so
simp-ly
G7
love your
place
com- fy
G7

One ca- ress,
get
ro-
man- tic,
to
bout their
C&7
A7
While I'm in
G9
G
C&7
and
whis-per low
to
Hon- ey
B7

They hold
C6
when
C7
G7
co- zy chair,
Hap- pi- ness,
now;
lovin' arms,
nes- tle
Drive you fran-tic.
so diff-'rent-
go
G7
fret
Oh,
al- ways
diff-'rent,
love I know
B7
lov- ers
C&7
Love- sick
am
world of charms,
D7
lone-
Oh, what
Ba- by:
Seems to bless my
ly.
hap- py
pair!
C7
lit- tle hon-
ey.
163
C F
love you

G9
You'll find
'Cause
B7
my
when
the
C6
C7
to you
D7
on-
ly;
F7
world seems wrong,
Right in
my
When years have passed a- way
love be- longs
more each day,

I be- long
G7
C7
Hon-ey's
Lov- in'
know
that
B7
St. James Infirmary
164
A Dm
Bb7
A7 Dm
A7
Dm
Bb7 A7 Dm
Gm
When will I ev -er stop moan - in'?
When will I ev -er smile?
Gm
Dm
Bb7
A7
Bb7
A7

left me,She'll be gone a long longwhile.
Gm
for?
Gm Dm
My ba -by went and left me
B Dm
A7
My ba -by went and
Dm A7 Dm
Bb7
A7
Ne -ver to come back no more.
Dm
Dm
Bb7
Dm
let her
A7
go
God bless her
Dm
F7
- Wher ev - er she may be.
Bb7
A7
I went
A7
down to the Saint James In -firm -'ry

- My ba - by there she lay,
- by's chan - ces" - I asked old Doc - torSharp,
"What is my
ba
go,
Bb7 A7
I feel so blue and heart -bro -ken What am I liv -ing
Dm
D7
La - id
She can
Dm

out on a cold mar - ble ta - ble - Well, I looked and I turned
a - way.
"Boy, by six o' clock this eve'-nin, -She'll be play - in' her gol den harp. Let her
hunt this - wide - world o - ver
But she'll ne - ver find a man like me.
165
Wilbur C. Sweatman - 1911
Down Home Rag
B7
F7
A6/F
E C7 F7 B7
A E F7
E/G

E F7
A6/F
E/G
E C7 F7 B7
E
E6
E6

E7
F7 B7
E F7 B7
E
G7
G7
E7 D6 F G7 E7
E7
D D A
A
B7
E7
C A A7
A7
D D A
A A7 D A B7 E7 A
D A
B7
E7
B7 E7 A
Play "A" Once and end
166
Shake It & Break It

A F
C7

C F
C7
C7
F7
B F
Artie Matthews - 1915
Clarinet Break: 2 bars

F F7 B B
Break: 2 bars
B7
F F7 B B F
B7

F7
C7
F7
C7
C7
F7
167
Play "D" As AWritten - Repeat for Solos
D B
F7
B
B
F7

F7
B
B
G7
G7
After Last Solo

play "D" once as written then go on
B
F7

EF
Break: 2 bars
C7
B7
F F7 B B F
Fine
Dixieland Jazz Band One Step
168
q = 200
A Bb
Bb

F7
F7
C7
F7
Bb
Bb7
F
Bb
Bb
Bb

F7
F7
C7
F7
Bb
Bb7
F
Bb
Bb
Eb
Cm7

Fm7
Bb

Eb
Eb
Bb
Eb
Cm
C7
Fm F#dim Eb
Bb7
Eb7

169
Ab
Ab
C7
C7
F7
F7
Bb
Bb7
Cm
Eb
Eb
G7
Ab
Eb7

Cm
F7
Ab
C7
C7
F7
D Ab
F7
Bb
Bb7
Db
Ddim
Ab
F7
3
Bb7
Eb
Ab
Ab
170
Rufe Johnson's Harmony Band

Shleton Brooks & Maurice Abraham - 1914
A E F7 E B7
Rufe John-son leads a
band,
G
F6
Down in
Sa-
They all keep
nah,
Down
sway-
ing,
While Rufe
van-
nah-
'Man-
ci-
B7
hol-
i-
act
like
F7

G.
pa- tion
day,
fools,
in
You
is
play-
ing.
F7

Down in Sa-
but he will get your goat,
C C B/D
The
Day.
You'll
nah.
Plays rag-time mu--sic- sweet,
they par-
When
B7
van-
C7
A.
horse and
hear
man,
Sa-
Old Rufe can't read a note,
C7
G F6
van-
He real- ly can't be beat,
The peo- ple shake their feet,
B7
B F
C7
He's one grand lead- er
When he comes down the street,
F7 E B7
the
al - most
B7
peo-
ple
say:
hear
them
say:
When he plays
each
mules
they
ade
171
G7
C E
Here they come,
Just lis- ten
G7

F7
Say
Hon,
C7
played
that
by
ten
to
that
rump, rump.
lead-
B7
F7
hear
it
B7
groan- ing,
er
old cornet,
C7
that
rump,
trombone moan- ing,
F7
ain't
Lis
Root -te-toot, toot- te-toot,toot-te-toot toot-te-toot.
G7
C7
E7
rump,
Lis-ten to that dog-gone flute,
Boy ain't he
He's going
D A
to that drum,
beat- in' some,
It's
C7
man.
He's
F A
A
E
C7

got
F7

a world
wide
rep-
B7
Old Ruf- us
u-
ta- tion
John-son's Har-
mon -y
For play- ing
E
Band
syn- co-
pa- tion;
Solos at "C"
Runnin' Wild
172
Bdim
Db7
Gm7
C7
F7

My
When
Verse
A Bb
Bb7

gal and
I first
met
we
had a
that
gal of
Bb
Eb
fight
mine
D7
and
I'm
it
C7
thinks
now
that she's gone
I'll
when she
thought
she
had
she
Bb
Bb7
gon - na
show
her
she's all
Ma - ry
led
her
lit - tle
Bdim
won't sit home

til
the worm
right
by
my - self.
start - ed
shelf.
I'm
act - in'
mean.
Like
no
lone - some stuff for
lamb
she
led
Gm7
all
Db7
all
a - lone
She'll soon find that
I'm
had
to turn,
that's the rea - son
I'm
C7
F7
But
the
wrong
me
dream.
lay right on
Eb
guess she
me
all
seemed just like
Gm
Bb
the
Bb
me
time,
I
Un -
F7

Runn - in'
Runn - in'
wild,
wild
173
Chorus
B Bb
Bb7
lost con - trol,
Bb
Cm6 D7
Feel - in' gay,
all the
C Bb
nev - er
time,
Reck - less
C7
D7
Bb
while,

All a - lone
Care - free mind,

Al - ways
blue.
goin',
Eb
Al - ways showin'
G7
C7
Don't love no - bo - dy
F7
too,
I don't care,
Bbm6
Bb7
might - y bold.
Gm
don't know where,
Run - nin' wild,
F7
Eb
Run - nin'
Bb
Wild.
F7
It's not worth -
q = 160
174
Alabama Jubilee
A Bb
Gb7

Man - do
Bb
Com ethis way,
Bb
Mu - sic sweet,
C7
C7
F7
Goes right to you head and trick- les to your feet.
F7
C7
F7
mem - o- ry find - er ofnights down in old Al - a
B G7
C7
F7
'round like a clown,
Bb
bam: You ought to
C7
rat tles them bones,
Old Par- son Brown danc - in'
F7

Aunt Jem - i - ma who is past eight - y three
G7
G7

see Dea - con Jones when he
F7
Bb

It's a re mind - er a
gins,
Bet - ter hur - ry hon - ey dear, or you'll be miss - in'
Bb
rag - time treat,
F7
lay,
Gb7
Bb
Ev -'ry - bod - y tun - in' up, the fun be
Gm
don't de
F7
vi - o- lins,
lins,
Bb
George Cobb - 1915
Bb
Shout - in'"I'm full o' pep!
G7
Wtach yo' step, watch yo' step!" One leg - ged Joe danced a - round on his toe,
Cmin
Cmin
Threw a - way his cane and hol lered,"Let her
Eb
Bb
gang's all
here
for an
C7
C7

go!"
F7
Al - a - bam - a Jub - i -
Oh Hon - ey
lee.
Bb
Bb
D7
Hail,
Hail,
the
This Little Light of Mine

A B
B7
This lit - tle light of mine
I'm gon - na let it shine.
175
This lit - tle light of

mine

shine.
B B
I'm gon - na let it shine.
This lit - tle light of mine
Ev'- ry day
Ev'- ry day
shine,
Let it shine,
I'm gon - na let

I'm gon - na let
it
it
I'm gon - na let

I'm gon - na let
it
it
shine.
shine.

it
it
shine.
shine.
Let it
F7
let my
lit - tle light shine.
I'm gon - na let

I'm gon - na let
shine.
shine.
I'm gon - na
B7
Won't let
a - ny - one blow it out
I'll take this light all a - round the world,
I'm gon - na let my lit - tle light shine.
Won't let
a - ny - one blow it
out,
F7
Won't let
a - ny - one blow it
out
I'm gon - na let it
176
Sister Kate
q = 164
Ab
Eb
C7
A.J. PIRON - 1919
Fm
Bb7
Eb C7
A Bb7
Bb7
Eb
Went to a dance with my sis - ter Kate,
Eb

I re - a - lized a
Bb7
Bb7
Bb7
C7
trance,
F7
go - ing wild just
Eb
Eb
Cb7
Eb
Eb
and then I knew it was in her dance.

all the boys are
and I got wise to some - thing new,
two
I looked at Kate, she was in a
ev -'ry one there said she danced so great.
Fm7
thing or
Bb7
o - ver Ka - tie's danc - ing style.
Eb
177
Chorus
F7
Eb
Eb7
B Bb7

wish I could shim my like my sis - ter Kate, she shi - vers like the jel - ly
Bb7
Bb7

Eb

Eb
know last
nice.
ev' ry
Eb7
be
up
to
date
Eb
Kate
in our
C7
mean
when
Cb7
neigh - bor - hood
un - der - stood
I know I'm late
Fm
Ab
C7
Bb7
Eb7
boy
why all the boys treat sis - ter
night,
knows that she can shim - my and it's
Eb
Bb7
Kate so
Eb
my ma - ma want - ed to
on a plate.
can
shim - my
Bb7
Shim - my like my
sis - ter
like
my
Kate.
Eb
but I'll
Bb7
sis - ter
178
Hot Lips
q = 180
1922
Db7

There's a
C7
boy that's
Fin - est since you're
Db7

They all
G7
call him

ev' - ry
bo - dy
in our
born,
band,
And
Hot lips
for
on the floor just
He
how he blows that
When he starts you're
blows real red hot
floats that's what they
horn,
gone.
Eb7
notes,
Eb+7
say: He's got hot
And
B Ab
lips,
when he plays
Eb+7
Bb7
goes,
and shakes your
Bb+7
He draws out
toes
When he plays
Ab
Eb7
crowd,
proud,
like no one
Eb Bb+
Eb7
has.
Eb
shoes,
Boy how he
Eb+7
Blues .
I watch the
Eb7
through,
Eb+7
steps,
un - til he's
Eb7
Ab
Solo Break
Eb+7

Abm6
You're on your
Eb7
jazz,
Ab
Eb7
179
He
Ab7
They're cu- ckoo
can be
Eb+7
too.
his
mus - ic's
Stop Time
D Ab
Ab
C7
rare
you
must
C7
Fm
Fm
Time:
de - clare
you know the
Solos at "B"
Eb7
boy
is there,
with two hot
Ab
lips.
Eb+7
St. Louis Blues
180
W.C. Handy 1914
q = 100
A Em B7
Am

St.Lou- is
Wo- man
B7
Em D
Cb B7
hair.
You know the man I love,
B E7
the eve - nin' sun

like I
feel
Cb7
he done left
make my get
go down.
to - day.
B7
down.
-day.
E7
this town.
a - way.
Em
and for store bought
B7
see
I hate to
feel to - mor - row,
A7
B7
Be - 'cause my ba - by
I'll pack my trunk
would not have gone no where, no - where. O - h,
the eve - nin'sun go

like
I feel to
Am
Em F7
I hate to see,
to
mor - row
B7
Pulls that man a - round,
Ex -cept for pow - der
Em
Am Cb7
by her a -pron strings.
B7
F7F7b5 B7
There with her dia - mond rings,
B7
Feel
Got the
181
C E

St. Lou - is Blues,just as blue as
Fm
A7
Fm
can
E A E A
E A E7
be.
A7
rock cast
in
That
E A E A E A E7

man got a heart like a
the sea,
Or
B7
else
1.
he
wouldn't have
gone
so
far
2.
Got the
me.
from
me.
182
Careless Love
A
C7
Love,
oh
love
D7
oh
gal,
and you
B F
If
C7
D7
to
Bbm
G7
air

Now
wear my
Bb
D7
pron high,
a - pron
G7
a - pron high,
Bbm
I'd build
my
high,
and he
nev
right
Bb
ma - ny
C7
fly
from
Bb
nest
way
up
Now
- er, nev - er pass - es
in
the
C7
C7
me.
F7
I'd
C7
fly
bird,
mine.
wear my
boys could not both - er
C7
C7
bad
where the
tree.
of
the heart
broke this heart of
C7
ly
lit - tle
were

tree
near
F7
C7
You
You've broke
love.
C7
thru my head like wine.
Bbm
care - less
G7
by.
Now
F7
wear
my
C7
Tuck Me To Sleep in My Old 'Tucky Home
183
George Meyer - 1921
A F
Tuck
F7
me
to
sleep
in
C7
cov - er

Just
let
the
sun
kiss
kiss - in'
I've been miss - in'
ain't had
G7
can

Tuck
C7
F/C
bit of
G7
rest,
since I
rest the
best
F7
me
to
sleep
in
my
left my
lay there stay there
nev - er no
more
in
like the
C7

nest.
C7
lov - in' arms.
her
F/C
'Tuck - y home,
let
G7
to roam.
gone.
mam - my's
C7
lone.
G7
old
ev - 'ry dawn,
from my mam - my since I'm
al - ways
home,
C7
leave me there a
cheeks
F7
my
'Tuck - y
F7
and
F/C
G7
F7
G7
skies
old
Dix - ie
me with
my

me
C7
184
The Sheik of Araby
q = 180
A Bbm
Bbm
Gb7
ver
the
bold
Sheik
of
Ebm
low
Bbm
Un

He
der
the
sings
to
wild
and
F7
Bbm
Ar - a
band
At
his
Bbm
Cm7
Cm7
Bbm
Cm7
by
Cm7
free
Ebm
com - mand
car - a - van.
love's
Gb7
Ebm
his
Bbm
Ebm
Bbm
F7
ar - ab
His
Fol
C7
des - ert
the
Rides
Gb7
C7
C7
F7
C7
call
of

her
shad - ow
to
Bbm
the
his
Cm7
Bbm
Cm7
palms,
F7
arms.
F7
I'm the
185
Bb

Sheik
F7

love
Dm

to
Cm

night
Bb

stars
F7
of
be -
your
when
that
Bb
Bdim
ar
F7
longs
to
Dbdim
tent
I'll
F7
F&
you're
Bb
Bdim
shine
F7
light
our
way
to
rule
F7
this
Sheik
of
land
Ar
Cm
F7
by
Bb
Cm
F7
creep
Gm
C7
F7
sleep
Cm
F7
bove
D7
D&
D7
you'll
C7
me
Bb
by
will
love
C7
The
D&
At
Cm
-
In -
me
Bb
Your
F7
Bb
with
F7
Cm
the
Bb
186
Sister Kate
A.J. PIRON - 1919
q = 164
Ab
Eb
C7
Fm
Bb7
Eb C7

A Bb7
Bb7
Eb
Went to a dance with my sis - ter Kate,
Eb

I re - a - lized a
Bb7
Bb7
Bb7

C7
trance,
F7
go - ing wild just
danced so great.
Eb
Cb7
Eb
Eb
and then I knew it was in her dance.

all the boys are
Eb
and I got wise to some - thing new,
two
I looked at Kate, she was in a
ev -'ry one there said she
Fm7
thing or
Bb7
o - ver Ka - tie's danc - ing style.
Eb
187
Chorus
F7
Bb7
Eb
Eb7
wish I could shim my like my sis - ter Kate, she shi - vers like the jel - ly
Bb7
Bb7

Eb

Eb
know last
nice.
ev' ry
Eb7
be
up
to
date
Eb
Kate
in our
C7
mean
when
Cb7
neigh - bor - hood
un - der - stood
I know I'm late
Fm
Ab
C7
Bb7
Eb7
boy
why all the boys treat sis - ter
night,
knows that she can shim - my and it's
Eb
Bb7
Kate so
Eb
my ma - ma want - ed to
on a plate.
can
shim - my
Bb7
Shim - my like my
sis - ter
like
my
Kate.
Eb
but I'll
Bb7
sis - ter
188
The Love Nest

Louis A. Hirsch & Otto Harbach - 1920
A E
B7
Man - y
F7(b5)
by - gone
D7
Long
or
wide
or
low.
B9
Jack built long
C7
days,
Yet
a -
F7
mill- ions sing
its
man.
of them all
They have built for
B7
some were tall
D7
man- sion, Inn,
F7
in
the best one
built
D7
But
B7
Since the world be - gan.
Some were small, and
there have been
B7
build - ers
Pal - ace, cot - tage
go.
`Twas
B7
praise.
Just
189
B E
B7
E7
co-zy and warm.
C E
F7
B7
B7
E7
Best of
Bet- ter
C7
F

is
vine,
love nest,
than
B7
pal- ace
You can call home.
E7
dream room for

with
Then a
all room,
B7

G7/D
tea set of blue.
two.
kit-chen where some ram-bler ros- es twine.
small room,
down on a
an- da with some sort of cling- ing
ver-
C7
F
C

Then a
Like a dove nest,
B7

farm.
E7
love nest,
gild- ed
G7 G7(b5)
dome,
190
Take Me To the Land of Jazz

Bert Kalmer, Edgar Leslie, Pete Wendling - 1919
A C7
There's
F7
mu- sic
in
the breeze,
and
F7
grow
on trees.
trom- bones
C7
G7
C7
G7(b5)
F7

You hear moan- in'

C7
ev-'ry
F7
ca- bar- et,
and groan- in'
it's the
G7
to hear it,
and tune- ful har- mo- nies.
C7
F7

long
C7
must be near it,
only
C7
thing they play!
G7(b5)
In
Well, I
F7
and that's why
I say:
191
Chorus:
B
B
C7
Take me to the land of jazz,
Play the
Take me to the land of Jazz,
Let me hear the music New Or- leans has,
F7
wan' na step,
like it
C7

to
hot,
kind-a' blues like Mem- phis has,
a tune that's full
of
and you know that's what that
Pickin' 'em up and
layin' 'em down,
Come and take the
lat- est dare,
C7
F7
gen -u- ine pep!

ci-
ty's got!
D7
Learn
to
do the "Griz-zly-
Teach them how all
o- ver
town,
Bear".
C7
G7
F7

I'll give you fair warn- in',
love that syn- co-
I won't be home- 'til morn-
pa- tion,
At
F7
my
des-
tin-
a-
dan - cin' 'til the
sun comes up,
In the lov - in' land of jazz.
run - nin' wild and
livin'
In the lov - in' land of jazz.
it
up,
I'll be
tion!
in'.
Just
192
Down In Borneo Isle

Herny Creamer & J. Turner Layton - 1917
A C
Far
G7
a- way
in
Jun- gle land,
Tuba-
B7
Tuba- Toms- etc
B7

In the
eve-
does the Boo-
ning
Jun- gle,
Where they play
Jun- gle,
Tuba- Toms- etc.
up-
on the sand,
Toms
Jun- gle,
Jun- gle land,
Jun- gle,
F7
B7
Jun- gle sand.
B&
E

when the day
la Boo- la.
And
is cool- er
they say
ev- 'ry-
that

bod-
mon- key band,
B
F7
B7
Tum- bles,
Stum- bles,
As they bun- gle thru the jungle.
193
B7
Down
in Bor- ne- o,
And
those
Down in Bor- ne- o,
Oh, Oh, Oh,
B7
To
see
D7
real
wild
Oh,
the music slow,
Oh,
Oh, Oh, Oh!
F7
Down
in
danc- ing
a- round,
swim- min'!
C7 C

All theywear is a smile,
lights are low,
B7
How
B7
in
Bor- ne- o Isle.
eve- ning when the
wo- men
Where I want to go,
And ev-'ry
men
in
B7/F
wild
those
Down
Bor- ne- o,
B7/F B7/D
love to
D B7
Down in
B7
C7
Bor- ne- o
Oh,
Oh,
they toad- al-
E A7 E
Isle.
o,
194
The Jazz Me Blues

Tom Delaney
1921
A Eb
Down in Louis - i - an - a in that sun - ny
clime - They play a class of mu - sic that is
F7
Bb7
Eb

su - per
fine - And it makes no dif - fer - ence if
break
Eb

hear that jazz band
mu - sic
Eb
fill
the
air
play - ing
all
shine - You can
rain or
the
Eb
time
it
break
Eb

Then
to
Eb

be in
its
Bb7
sounds so pe - cu - liar 'cause the mu - sic's queer
F7
Bb
How its sweet vi - bra - tion seems to
you
the whole world seems to
Bb7
Eb
rhyme You want noth - ing else but jazz - band mu - sic
all the
time
195
Bb7

Bb
Bb7
Bb
Bb7

Ev -'ry one that's nigh nev - er seems to sigh Hear them loud - ly
C7

Jazz
F7

Don't stop the mu - sic it's
man
Jazz
man
G7

cry:
Oh!
(Jazz man!) You
break
Bb7
Eb

know I want to hear it
both
day and
night and if you don't blow it hot then I
Eb7 D7 Db7 C7
don't feel right Now if it's rag - time

(Jazz
Eb

Time)
Cmin
Take your time don't rush
F7
F7

Please Sir will you play it in jazz - time
G7

Don't want it fast
dog - gone real - gone
Bb7
Don't want it slow,
C7

it
play
it
sweet and
jazz - band "Jazz
low
Eb Ab7
Me" blues.
I've got those
Eb
D7 Db7

Solos at "C"
Jelly Roll Blues
196
Jelly Roll Morton - 1905
F7
Ensemble
Stop Time Banjo Solo - 7 beats
A B
Trombone Solo
3 Beats
Cornet solo 3 beats
F7
Ensemble
B
B7 E
F7
C7
F7
B B7
F7
Stop time 3 bars - ad lib breaks
B B
D7
C7
F7
D7
B7

B B7
F7
F7
197
Stop time 3 bars - ad lib breaks
B7
F7
C7
F7
B B7 E E B
F7
4 bar interlude - clarinet trill, drum roll
B7
B7
B7
B7
B7
D E
G7
E
E7
A
E
A
B7
F7
B7
B7
198
Ole Miss
A C7
C7

C7
C7

B B
A7
C7
W.C. Handy - 1916
F
F7

F
E7
F7
D7
B6
C7

C7
C7
C7

F7
B
D F
G7

A7
C7
199
C7
C7
F7
G7
C7

D7
D7

Then Play "C" and "D out.
200
Blues My Naughty Sweetie Gives To Me

1919
h = 100

D7

Gm
Ebdim
There are
C
Abdim Cm

that you get from
that will give you
to an -oth- er

Gm
Blues
Blues
Blues
Eb7
pain,
pain,
guy,
your one and on your one and on all of your mon -
G7 Cm
that you get from wor - ry

that you get when sin - gle
that you get fromsweet - ie
Blues
Blues
Blues
Gm
Gm
There are
There are
When she
D7
And there are Blues when you're lone

And there are Blues when you're lone
And there are Blues when your hon
A7
ly, The Blues you can nev - er ex - plain;

ly, The Blues you can nev - er ex - plain;
ey, And Blues when she tells
you a
lie;
Ebdim
Gm
that you get from long - ing

that you get from long - ing
that you get when mar - ried
G7 Cm
D7
G7
But the
To hold
Wish ing
blu
some that
Are the sort of Blues that's on my

But the kind of Blues that
al - way
But the kind of Blues that's good and
mind,
stabs,
blue,
C7
F7
C7
F9
Bb

mean est kind, The Blues my naught - y sweet - ie gives to
tax - i cabs, The Blues my naught - y sweet - ie gives to
wine for two, The kind of Blues my sweet - ie gives to
me.
me.
me.
- ly
- ly
- ey
For
For
spends
D7
Blues
Blues
phones
There are
There are
There are
D7

est Blues that be

one on your knee,
you could be free,
C7
They're the ve - ry
Come from hi - ring
Comes from hav - ing
(D7)

There are
There are
There are
I Never Knew I Could Love Anybody
201
h = 84
A G
G+
C6/G
I nev er knew
I could - n't
you;
E7
A7
eyes
And
G6
sin -
C G
A7
smile
Cm
gle
could
could
Hon - ey
be
so
G+
nev - er
like
knew
could
I'm
lov
ing
D7
Hon - ey, like I'm lov - ing
pair
of
ize
what a
D7
D7
do;
can't
eat,

nev - er knew
D7
sweet,
C6/G
D7
could
G7
can't sleep,
A7
ba - by
re - al
A7
bod - y,
love an - y
I could
E7
F6
1920
love
F6
an - y -
you.
E7
bod
y,
The Curse of An Aching Heart
202
Al Piantadosi - 1913
made
me
is-

G7
you,
soul
That's the
D7/F
curse
me
F7
me
'ry

of
an
dream,
you're not
F7
un-
You fooled
true
ach-
ing
heart.
A7
You
me from
and down
died.
you're
F7
hope
down
B7
And though
C7
in
ev-
day,
You dragged
F7
and
to-
with-
tered each
You
B7
am
C7
the
B B
start.
what
fied.
til
D7
F7
sat-
shat-
the
B/F
D7
still
love
Some of These Days

A G7

Some of these days
F7
so
F7
kiss - in'
E7
lone - ly
Cm
just for me
you al - ways got your way,
C7
grieve me
F7
hon - ey
Fm
Some of these days
C7
hug - gin'
you'll miss my
Fm
lone - ly,
C7
your gon - na miss me hon - ey.
F7
G7
you'll miss me
B E7
Cm
Cm
you'll feel
G7
203
you'll miss my
B7
B7
when you're a - way.
on -
ly,
Fm
C7
And when you leave
B7
me
hon - ey
cuz you know
F7
You'll be so
Adim
I know you'll

you know
you'll miss your ba - by
oh some of these days.
204
Rose of Washington Square

James F. Halnley - 1919
A A
D
E7
A
A gar-denthat nev-er knows sun-shine
A7
Onceshel-tered a beau- ti - ful rose.
B7
E7
sha-dows it grew with-out sun-light- or dew, as a child of the cit-
In the
y grows.
D
E7
A
C
C
but- ter-fly flew to the garden, from out of the blue sky a- bove,
flut-ter,-
G7
bees,
E7

with a
D7
won-der-ful tale
of
love,

of
D7
D7
of the brooks and
the heart of the rose set a-
mea-dows and
He
G7
trees.
told her of birds and of
He
whis- pered,
205
G7
C
Rose,
where
of Wash- ing-tonSquare
the
sun
shines,
Rose,
Rose,
C G7
I'll nev-er de- part,
D7
I'll bring the

spar-kle with dew
for
my
D7
Rose
should blos-som
Na- ture
G7
but be the queen
of
G7
did not mean
some fair garden,
but dwell in yourheart,
your love to care,
F6 C
sun-beams from the Hea-vens to you,
A7
E7
D7
G&7
a flow-er so Fair
that you should blush un-seen
C C
G7

G7
and give you
of Wash- ing-ton Square.
kis-ses that
206
The Old Rugged Cross

George Bernard - 1913
G7
C&
F F
A
F
F
F
C C C C7
D7
B G7
G7
Ritard
G7

G7

C7
C F7 C

B7
A7
F&
F6 G7
F F C
Dear Old Southland
207
Henry Creamer & Turner Layton - 1921
A F
E& A/E
C7/E
F
E&
A/E
C7/E

Iwant to stray
B
D
to the town I was born, Myhometown,
B7
C7
I want toplay
E&
A/E
A/E
A7
want to hear
I used to steal it.
dear old Moth-er
C7/E
in thecot-ton and corn, To feel it,
F
E&
My lit-tle home town.
each
morn,
Tuba
B7
C7
F
A

say-ing "Go long, golong,
B F
F&
Dear,
Dear,
G7
Dear Old South-land,
F&
I hear
you
call-
for you
my
heart
Dear Old South land,
C7
golong, go long to school".
C7
F D7
ing
to
me.
is yearn- ing.
And
long,
how
long
to
roam
back
And
long
just
to
see
once
more
the
to
my
old
land
love
C7/G
C7
home.
that Swan- ee
shore.
Ken- tuck-
B7
208
Foolish Questions
q = 152
1915
G7
C7
F
F D7
Now you've
Now
A F
all heardfool - ish
then
ques tions
there'sthat
and you no
per - son
say the ele vator per - son
ask you
won - der
doubt
why
who's al ways hanging 'around the place
And
should for - get
And
to
close the door,
C7
fool - ish
ques tion but ex pect a sen si ble re - ply
he watch - es you take your shav - ing brush andstart to lath er up your face.
you should hap
pen
to tumble
let's say for - ty
down
Say
give your
ra - zor
its
you hit
the bot tom and
you
when
firstthing she'll do
know that
is
fool will
fool will stick his stick
when you take your girl some can - dy

as
just
wrin kle up her nose and
his
ven floors.
af - ter
to you and
down theshaft and
G7
C7
ask "Is
it
for
"Are you
And
And
tea
The
wave
You
me?"
ask "Are you gonna shave?

ask,
Like
you're lying there in - ert
D7
up
se
prelim - in - ar - y

come
Some
one will
Now let's
hurt?"
Some
B F
Foo
lish ques tion
209
no
doubt
you re - ply
No it's for
your
your
reply
is
No I'm not
pre -
I hope
I hope that
you re - ply
You utter your dy ing moan

Ma
or your Pa
or
it's for
pared for shav- ing
just love
aw
some oth er guy
the taste of
gi - nal he would have want- ed it that

com - ing
of time
1.2.
G7
C7
down this

hear them ev'ry day.

way,
just
Ned
And he
And as you're
just want ed you to
like to take my shav
Ned was al ways so ori -
la - ter on.
It usual- ly saves a
slow.
lot
D7

A - no ther fool ish ques tion
way.
way.
You'll
way.
way.
C E
Then there'sthis fel - low
asks you why you're all dressed up and
re - turn- ing from the
soap.
And now I'll take it a and paint my - self up this
see it
ing brush
ful hurry and this ele vator'sjust too
No, he just though

No, I was
in
C7
he'd have the fu ne - ral - now and then die

an
fu -
ne - ral
of
ring ing out your hank- ie he'll ask
who meets you on your
B7
this is what you say. You're
dear
B7
"Is
old
bro - ther
Ned dead?"
210
Aggravatin' Papa
Roy Turk & Russell Robinson - 1922
A E

I know a trif-
lin' man,
B7
Helives in Birm- ing- ham,

oth- er night,
lin' Sam".
E
E

B7
They call him"Trif-
'Way down in Al-
a- bam'.
B
C7
F7

He had a
fight
with a
gal named Man-dy
F7
C7
F7
plain- ly sta-
B E
ted she was ag- gra- va-
C7
F7
ted,An she shout-ed out to
B7
"Ag-gra-va-tin'pa-pa, Don't you try to two-time me,
C7
F7
B7
E

Ag- gra- va-tin' pa- pa,
Treat me kind or let me
be,
Now the
F7
Brymm,
And she
B7
him:
I saiddon'ttwo-time me.
E7
I meanjust letme be.
211
A
E E7
B7
List- en while I
E
C7

get you told,
Stop mess-in''round, sweet jelly
F7
you step out with a highbrown ba-by,
C E
C7

Ag-gra-va-tin'pa-pa,
F7
I'll smackyoudown and I don'tmean may-be!
E7
I'll do an- y-thing you
say,
yes, an- y- thing you say.
But when you go strut- tin',
If
Break 2 bars
B7
roll.
Doyour strut-tin'round my
D7
B7
way.
So pa- pa,
Now pa- pa,
Now pa- pa,
Stop Time - Play beats 1 & 4 as marked
A
A
E7 E7
E7 A
A
Justtreatme pretty,
Beniceand sweet,'Cause I pos-sess a fort y four thatdon't re-peat!
You best becare-ful,-
As yon can be, 'Cause I can beat you doin'whatyou'redoin to me,
Once youwerestead-y
C7

Ag- gra- va-tin' pa- pa,
Once youwere true, But pa-pa, nowsweetma-macan't de-pend on you,
F7
B7
E E7 A A
Don't you try to two-time me!
-2-
B7
Rose Room
212
Harry Williams and Art Hickman - 1917
A A
I want to take you to a
ros - es
lit - tle
A lit - tle room where all the
room,
I want to lead you in - to
bloom.
in the trees,
A7

sing us a song
A7
E7
Na - ture's
Hall,
Where ev' ry year the ros - es give a
They have an or - ches - tra up
ball.
For their mu - si- cians are the bird s and bees.
E7
And the will
A A7 A7B7(b5) A
As we are stroll - ing a - long.
E5 E
In sun - ny
B Bb7
Eb7
Rose - land,
Ab7
Dbm
Where sum - mer breez - es
all the ros - es
Bb7
Danc - ing
shin
Bb7
'tis
Bb7
Rose - land,
ing".
Ab
F7
Eb7
is more than ev - er
ev - er then
ing,
Ab
de - sign
Db
am
pin
Ab
Ab
Be - side a beau - ti - ful rose.
ing,
ing
F7
to be sweet - ly re - clin
Eb7
The moon when
ing,
May
sway
Pin - ing
"A
For
Eb7
- ing,
Db
while the mead - ow brook flows.
Ab7
Dbm
are
are play
There
the hon - ey bees are
Where
Ab
213
ing, Some - where in
214
Bb
High Society
F7
1901
A F7
Bb
D7 Gm

Gm
B F7
D7
Gm
Bb
Gm
C7
D7
C7
F7
Bb
Bb7
Eb
Edim
Bb
C7
Bb7
Bb
F7
3
Eb
Ab
Eb
C
Solos Here

Bb7
D7

Ab
Eb
Adim
Eb

Bb7
C7
F7
Bb7
Ab
Bb7
Eb
F7
F7
Bb
Eb
Eb
Bb+7
Eb7
F7
Eb
D Cm
G7
G7
Cm
G7
G7
Bb7
Ab
Eb
Eb
Bb+7
Eb
Eb7
C7
F7

Bb7
Ab
Bb7
F7
Eb
Ab
Adim
Eb
Eb
D7
Cm
Fm
Bb7
Fm
E Cm
Eb
Tuba
215
Alphonse Picou Clarinet Solo
216
Eb
C Eb3
3
Eb
Ab
Eb
Bb7
Eb
F7
Eb
Bb7
E
Eb

Ab
Ab

Eb
Eb
Eb
Adim
3
Eb
3
F7
Bb7
Eb
American Patrol
217
F.W. Meacham - 1891
G7
C7
C7
F
F7
B
G7
C7
B C7
F7
C7
F
F
C7
Tiger Rag
218
The Original Dixieland Jazz Band - 1917
A B
1.
C7
2.

F7

Cues are Trombone/Tuba
B
C7
F7
B

C7 F
F
C7

B7 Solo Break

F7
B7
F7
B
Solo Break
B7
E
Solo Break
219
C7
E A

E7
E7
B7
E7
E7
Solo Break
F A
E7
A7
Solos at "E"

F7
B7
E7
At The Devil's Ball
220
I had a dreamlast night, Thatfilledmefull
G7

Dev - il
be - low.
In

Dev- il was giv-

gaz- ing
ing
at
his great
must con- fess
you,
to
big
fier-
E7
Ball.
the mer-ry crowd
D7
of fright: Idreamtthat I
I checkedmy
thatcame to
Wherethe
coat and
hat and
wit-ness the show.

ny there
hall,
G7
Therewere ma-
waswith the
knew.
start-ed-
And I
At
the
221
B C

D7

Dev-il's Ball,
At the Dev-il's Ball,

pret-ty-
G7
I saw thecute Mrs. Dev- il,so
G7
and fat,
Dressed in
lit-
Eph-re-ham,thelead-er man,wha led the band last

Dev-il's Ball,
In
G7

fun-ni-est dev-
il that
E7
I ev-er saw,
D7
G7

Oh! the lit - tle Dev - il,
Fall,
He playedthe mu-sic at the

D7
in- law,
Danc-ing-
I saw the
C7
Tak-ing the tick- etsfrom folks at the door,
D7
G7
of my moth-er
man's hat.
G7
the Dev-il's- Hall.

I caught aglimpse
fire-
D7

tle red
D7
C C
D7
G7
Danc-ing with the
G7
at the Dev-il's-
Ball.
At
Dev-il,
the
At The Jazz Band Ball
222
q = 180
Original Dixieland Jazz band - 1918
A Gm

F7
Bb
G7
C7
F7

Gm

C7
F7
B G7
C7

G7
Eb
Bb
Bb
C7
F7
Edim
Bb
F7
Eb
C7
Bb
G7
C7
G7
C7

C7
G7
G7
Edim
F7

Bb
F7
Bb
Under The Bamboo Tree
223
Bob Cole - 1902
q = 164
A Ab
Bbm
Eb7
Ab
Down in the jun- gles lived a maid,
C7
Fm
And ev ry morn - ing
he would be

you like - a me
like
Eb7
I like - a say,
I love - a you and
Eb7

One live
as two,
up - on a Zu - lu
Ab
we like - a both the
I like - a change your
you true and
as one,
Eb7
and thento her he'd sing:
I like - a you and
two live
bam - boo tree,
Eb7 Db
Bb7
love to see.
Bbm
love - a
from Ma -ta boo- loo
down un -der neath a
this ve - ry day,
Ab
Eb7
Fm
a- waiting there his
B Ab
Eb7
C7
Bb7
a marked im -pres sion once she made ,
Bbm
Eb7 Db
of royal blood though dusk - y shade.

Ab
Bbm
a love
un -der the bam - boo
If
same,
Ab
Eb7

name.
if you
Ab
tree.
'Cause
me,
Darktown Strutter's Ball
224
Sheldon Brooks - 1917
A B
I've
C7

Dark town
"ba - by
"high
And each
C7
ver - y
swell
one
do
F7
there.
will
fair,
their
All the
best,
Just to
F7
I'll wear my high silk hat and a frock tail
coat,
You
And there'llbe danc ersfrom ev 'ry for eign
land,
The
and your new silk
F7
There
ain't
no
clog.
We'll
win
that
bout it
babe,
We'll be the
best dressed in
dol - lar
prize
When we step
out
and
shawl,
clas - sic, buck and wing, and the wood - en
all the rest.
F7 E7 D7
af -
D7
An ex - hi - bi - tion of the
Dolls",
wear your Par - is gown
in - vi - ta- tion to the
An
F7
It's
high toned neigh bors,
Ball.
browns" will be
out - class
good news hon - ey,
got some
We'll meet our
F7
F7
C7

the
"Walk the
hall.
F&7
doubt
a -
fif - ty
F7
Dog".
I'll be
225
G7
C7
B Bb

down to get you in a tax - i hon ey, You'd bet ter be read
F7

Now dear ie
Bb
Bb/D
late
G7
mem- ber when we
Bb
don'tbe
Iwant to
y a bouthalf past eight.
Cm7
be there when the bandstartsplay ing, Re -
C7
get therehon ey, The two stepsI'm goin'to have'em
Eb
Bb
A7

When they play the"Jel -
dance out both my shoes,
C7
F7
night at the Dar townStrutter's Ball.
all.
Goin'to
G7
To -
ly Roll Blues"
Bb Bdim Cm7
mor row
F7
F7
I'll be
Japanese Sandman
226
Raymond Egan & Richard Whiting - 1920
A F
D7
D9
B9 C7
Won't you strecth im ag i- na- tion for the mo ment and come with me.
D7 E
B6 B7 G/C

hast en to a na tion ly ing
o verthewest
C7
sea.
please
Hide be
A6
C&7
your
eyes.
F F7 B
There's a
sightthat will
Let us
C7
B7
hind the cher ry blos somshere's a
ern
F7
ba by with a la dy ofJa pan sing ing lu - la - bies.
Night winds breathe her sighs.

Here'sthe Jap- an-ese
B F
Sand
D7
man,
Sneak-
ing in with the
C7
dew.

E7
through,
And he'll give you to-
C C7
Then you'll be a bit old-
bold-

G7
hand
er
mor
Inthe dawn when you wake,
Trade him
man,
sil- ver

Here'sthe Jap- an-ese Sand
for
C7
trad ing new days for
new.
And you'll be a bit
C7
with the new day you make.
er
Justtostartlife a
F7
old.
B7
man,

Just an
man,
ofthe day thatis
row
He will take ev-'ry sor- row
Justan old sec-ond hand
He'll buy your old day from you.
G7
227
old
C7
second
April Showers
228
A D7

Tho' A - pril

that bloom in

Theybring the
E7

So if its
D7
maycome your way,
May.
flo - wers
Am
rain - ing
have no re - grets,
D7

is - n't rain ing rain you know,it's rain ing vi - o - lets. Andwhere you
Be cause it
A7
Show - ers
D7
Louis Silvers & Bud DeSylva

1921
D7
see
Am
dils,
when
hills,
you soon will see
look- ing for
A7
D7
ev - er
A - pril
So keep on
E7
song,
up - on the
clouds
E7
Cm
blue - bird,
Sho wers come a - long.
of daf- fo -
crowds
and
list -'ning for his
229
The Whiffenpoof Song
Tod B. Galloway - 1909
We're
B7
B7
A E
poor
ter-
F7
such
we,
B7
E7
Off
B7
Baa!
have
Baa!
who have
B&7

Doomed from here
Lord
sheep
Baa.
on a spree,
D7 D7C7
Baa!
Baa!
tle black
Baa!
ty.
as
F7
way.
E B7

ni-
our
We're lit-
Gen - tle-men song - sters
F7
a- stray,
who have lost
B7
B7
Baa!
B C
lit-tle lambs
Baa!
gone
to e-
mer-
Baa!
cy
A6 E
on
B7
Livery Stable Blues,
230
a la Muggsy Spanier
(Barnyard Blues)
Eb Eb7 Ab Ab Eb
B7
Bb7
Bb&7 Eb
A Eb
Bb7
Lopez & Nues, 1917
Eb
Eb7
Break - 1 Bar
Ab
Bass Drum
C7
F7

Eb
Eb
Bb7
Eb
1st time Only

Bass, Trombone, & Bass Drum
Eb7
B Eb
Ab
Eb
C7

Last Time: To Coda
F7
Bb7
Eb
Eb Bb7

Coda:
Eb
Eb
Trombone Gliss to "C"
Bb+7
Eb Fine
Bass Drum
C Eb
Harmonize
Clarinet Break
F7
Trombone
Eb
231
Ab
Cornet "Horse Whinny"
Bb7
Eb
Eb Bb7
Eb
1 X Only - Trombone
Eb
Solos
Eb7
Ab7
Eb
C7
F7
Bb7
Eb
Eb Bb Eb

Break: 3 Bars:
E Eb
Harmonize
Bb7
Clarinet Break

Ab
Cornet "Horse Whinny"
Trombone
Eb
C7
F7

Eb
Eb
Bb7
Eb
Back to "B" - Take CODA:
232
Somebody Stole My Gal

A E
E/F
B7
Gee but I'm lone - some,lone - some and blue,
C7
Leo Wood 1918
E/F B7
I've found out some - thing I nev - er knew.
F7
B7

I know now what it means to be sad,
C7

She on - ly left yes - ter
B E
C7
day,
B7/F
B7
F7
I ev - er had.
B7
Some - bo - dy stole her a - way.
B&7 E
Some- bod-y stole my
For I've lost the best gal
gal.
B7
Some- bod-y stole my
F7
Some- bod-y came and took her a- way.
Bass Pickups
D7 D7
pal.
bar break
B7

F7
She did-n't even,
say she was leav- in'.
C E
G B7/F B7
B7
A7 G7
B7
The kis-ses I Iove
1. E
gal!
I know that she,

bro-
He's get- tin'now
E7
Gee!
so,
would come to
F7
ken hearted,
C7
B7
know.
me,
if she could see,
F7
B7
lone- some pal.
F7
Some bod- y stole
gal!
A7
But
her
my
Somebody Stole My Gal

(Foxtrot Version)
Bass Pickups
Some- bod- y stole my
F7

She did- n't
The kis- ses
B7
But
F7
love
ev-
en,
so,
Gee!
her
B7
Some bod- y
stole
bro-
my
would come to
ken
heart-
C7
took her
a- way.
leav-
in'.
He's get- tin' now
B7
and
B7
B&7 E

B&7 1. E
came
say she was
E7
I know that she,
see,
F7
B7
B E
E B7/F B7
B7
Some- bod- y stole my
Some- bod- y
F7
gal.
C7
Leo Wood - 1918
B&7
E7 D7 D7
pal.
E B7/F B7
233
F7
E
ed,
B7
me,
F7
lone-
know.
if she could
some pal.
E A7 E
gal!
F7
Beale St. Blues
234
Bb
F7
Bb
F7

Bb
F7
Bb

You'll
A Bb
see
pret - ty
see
Hog - Nose rest-'rants
Browns
Beale Street Could
Eb

Bb
tail
that
men_would
tell
of
have_to pack their
Eb
skilled,
Now
sham,
F7

bod - y
hets
beau - ti - ful
and
Chit - lin
If
Beale Street could
New Je - ru - sa - lem.
gowns,
You'll see
Ca - fe's,
You'll see
Mar - ried
talk,
Bb
Bb7

by - gone days.
And plac - es, once plac

Ex -cept one or
bags and walk.
Bb

You'll find that bus' ness nev - er
And
two,
es,
Who
clos - es
You'll see Gold - en balls e - nough
to
'til
some-
pave
the
And theblind man on the corner who sings these
Bb

killed.
You'll meet hon - est men,
nev - er drink booze,
1.
hand - me - downs.
Ebm

pick - pock - ets

just
Cm
Bb F C7 F7

or - mades and
Jugs
in
talk,
You'll
If
2.
Beale
F7
Bb Bb7

Street Blues..
Well I'd
235
Eb
Bb7

rath - er
be
goin' to
the river,
rath - er
be
Eb7
May - be bye
Than an - y place
there,
Ab

Abm

know.
and
bye.
know
Eb
an - y place I know.
Than
I said I'm goin' to the river,
And there's a rea - son why:
I said I'd rath - er be there,
Than
Be - cause
to
make

me
go.
Beale Street's done gone dry.

Beale Street's paved with gold.
an - y place I know
Bb7
the
ser
er's
wet
and
may
be
all right,but
Eb Eb7 Ab Abm Eb
E7 F7
f going back to "A"
gon - na
It's
For
Than an - y place
here,
I'd rath - er be here,
Eb
take
the
riv
New
York
geant
Well I'm
I'd
Stock Yard Strut
236
q = 195
Ab
Ab
Bb7
Bb7
Eb7

Eb7
Ab7
G7
Ab
Eb7
Ab
Ab7
Eb7

Ab
Eb7
Bb7
Ab
Ab
Ab
Ab
Bb7
Eb7
Ab
Ab
Eb7
Eb7
Ab
Eb7

Eb7
Eb7
Ab
Ab Break
Eb7
Eb7
Ab
Ab
Ab
Ab7
Ab7
Db
Db
Ddim
Ddim
Ab
Bb7
Eb7
Ab
Ab
Ab
Ab
Fm
Eb7
Eb7
Eb7
Eb7
Eb7
Ab
F7
Ab
Ab
Ab
Adim
Eb7

Eb7
237
Eb7
Ab
Ab
Ab
Ab
Ab7

Ab7

Ab
Db
Db
Ddim
Ddim
F7
Bb7
Eb7
Rhythm section plays charleston rhythm
Ab7 Abdim
Dbm7 Ab
Ab7 Abdim
Dbm7
Ab
On The Alamo
238
Isham Jones & Gus Kahn - 1922
A C7 D7 C
low
Where the moon swings
D7

C7
where
D7
ros-
es
wan-
der
E7
wait
D7
said
"I
dreams
it
D7
low,
by the gar-
G7
love
seems
D7
On
E7
G7
the
go
D7
I'll
On the night
E7
in

And
all
my
Where the moon swings
Al-
her
D7
so".
can hear
E7
you
A7
gate,
For she said
den
der
Break
fro.
the ten-
A7
G7
D7
night,
B C7 D7 C
G7
A7
and
In a gar-den
In
D7
D7
mo,
A7 F
D7
E7
of the sum- mer
to
grow,
E7
B7
light
D7
On the Al- a-
G7
fair
D7
a-
mo.
F7
When The Saints

A F
I am
Well I
Want to

land
help
ang
F#dim
march - ing
in
in
Oh lord

When
the saints
go
march - ing
march - ing
march - ing
C7
y
in
the
in.
in.
in.
for
that
that
pro
trum - pets
Oh when the
saints
go
F7
want
to
march - ing
in.
Oh when the
this
to
the
C7
F7
go march - ing
Bbm7
C7
Plod - ding thru

For thestrength
Want to play in
Gett - ing read

I want to be
Want to
hear
Gm7
saints
num - ber
C7
B dim
pil - grim
heav - en,
band,
When the saints come

G7
B F
Bb
a
wea - ry
each day
to
the heav'nly-
Bdim
ci - ty,
cess - ion,
blow ing,
sin;
win,
band,
of
me
- el
Bb
just
pray
join
Bb
F7
239
be
in
that
240
Some Sweet Day

Tony Jackson - Ed Rose - Abe Olman - 1917
q = 146
C/E
Al -
Eb
Cm
C/E
first
time
Eb

win-ter
G/D
you
E7
Dm
G7 G&
my poor
G7/D
C#
Dm
E7
Am
by
D7
my
D7
But
I'll
be
far
a -
to - day.
G7
way.
C G7
It's
G&

In
side,
But when
pear, Don't ev - en say good bye.
G7
me some - day,
G7 G&
For - ev - er
kind,
D7
has been in pain this
dis ap
me
heart
Am
Cm Eb G/D
sum mer's near
long for
time you're good and
D7
C#
though it's spring the birds don't sing You're leav ing

not the
G7/D
G7
way.
You're goin'to
'Cause when the
241
cold
G7
C7
wind does blow
soon will

friends
G7
melt
C7
turn a -
way,
I'll have
mine
C7/Bb
D7/A
D7
with its
ice
and its
snow,
Eb
G7/D
for each sor -
C7/Bb
row
D7/A
time will prove
Some Sweet Day.
I have
Then your heart
G7
felt.
And when your
D7
what I
C C7
say.
G7
(Yes, Some Sweet
Now's your
Day.)
time,
242
Ida, Sweet As Apple Cider

Eddie Munson & Eddie Leonard - 1903
A E
G B7

In the re-gion where the ros- es
B7
E
F7
on the air their sweet per- fume,
B7

call my own,
B E

When the sun is
Breath-ing out up-
Lives a dus- ky
maid I long to
For I know my love forher will nev-er die;
G B7
sink- in' in that golden West,
F7 B B7
love the best,
al- ways bloom,
B7
C7
Red Breast gone to seek their nests.
B7
B7
F7
B7
B7
Lit- tle Rob- in
Then I sneak down to that place I
C7
F7 B7
Ev-'ry ev'n-ing there a- lone I
sigh:
B&7
243

I-
B7

da,
Sweet as ap-ple
G7
Seems tho',
love
Come
F7
out,
per,
can't live with-out
C7
I-
da,
Sweet- er
than all I
in the silv- 'ry
B7
so soft and
B7
F7
you,
B7

G7
der,
of love we'll whis-
ci-
C7
know.
B7
i- dol-
F7
B7
you
I-
da,
'deed
do.
low.
moon-
light,
Lis- ten
ize
F7
Oh, Hon-ey
do!
ya,
B7
Solos at "C"
244
Someday Sweetheart
Spike Brothers & Carter - 1919
A F
told me that you loved me true,
D7
C7
me you'll sigh
believed
in you.
it seems I'm al- ways blue.
You
a- way.

and the
Butthere'll come a day
F6
When you'refar
G7
and now some-how-
and
broke your vow
E7
You
D7
You'll sit
G7
days that have gone
by.
a-lone
C7
and cry
for
Some- day Sweet-
245
B F

C&7
heart,
G7
C7
done
C&7
gret
E7

did
C F9
G9
blues
C&7
sow

weep
be
sor-
to
my
the
poor

made
us
drift
and
can't
see
so shall you
some - day,
reap,
B7
sweet - heart.
E7 E7 D7
ry
for
heart.
bro-
ken,
a-
what you've
You
may
re-
The
C7
C7/G
vows you've
will ev- er come to
C7
may
that
now,
you
things you
part,
You're hap-
B6
how,
C7
the
wear-
you.
E7 E7 D7
dear, and what you
py
But
as
you
G7
reap will make you
C7
Some - day
Sweet -
'Til We Meet Again
246
1918
A Fm
C7
There's a
song in the land
Tho' good - bye means thebirth
Ab
falls
trace
C7
Eb

As a
When we
sol - dier
meet
in
boy
the
Smile the while you kiss me sad a - dieu
Then
C Ab
Dbm
the skies
Wed - ding bells
Ab7
ry.
Db
So wait
Ab
F7
will seem more blue,
Eb7
sweet e - cho
tear blight - ing
This
The
Eb7
Eb7+
Ab7
When the clouds roll
by
I'll come to you.
Bb7
Eb7
down
so mer - ri - ly,
Dbm Ab
Ab
Eb7

will ring
Fm
whis - pers good - bye

af - ter - a - while
Eb7

Eachsweet heart has heard with a

Hel - lo means the birth of a
Bb7
Eb7
O - ver high gar - den

walls
And the smile will
e - rase
B Ab
Db
Eb7 Ab
of the li - ly
of a tear drop
sigh.
smile
Fm
F7
and pray each night for me,

in
Eb7
lov - ers land
Ev - 'ry
Bb7
'Til
tear
Eb7
Eb+7
my dear - ie
Ab
will
be
Ab
we meet
a - gain.
a mem - o -
247
Just A Closer Walk

Bb

F7

Bb
F7
Bb7
F7
F7
Bb
Bb
Bb
Eb
F7
Bb

C7
Bb
248
After The Ball

q = 100
A Ab
E7
Begged
B A
Why
Charles K Harris - 1891
lit - tle maid
for
are
you

Db
Ddim7
Have
you
no
C Fm
had
Db
Ddim
Where
she
is
sto
sin
Ab
ba
C7
sweet -
Ab
now
en
ry
climbed an
old
Fm
live
a-
lone?
E7
bies,
have
you
heart,
pet,
Db
E7
years,
tears
B7
you
le please"
B7
F7
Ab
C7
why
man's knee,
unc -
gle,
"Do
E7
Ab
no home?
a -
will
soon
Ab
go;
E7
know.
249
D Ab
List
to
D
I
the
so
ry,
Af - ter the ball
E7

is
E7
A- ter the dan - cers leav -
F A
Ma - ny
a heart
E7

I'll
tell
it
all.
less,
af
ter
the
ball.
E7
of
ing
morn,
B7
F7
af - ter the stars are
ing,
Ma - ny the hopes that have van -
Af - ter thebreak
E7
ver
is break -
E7
C7
B7
F7
believed her faith -
gone.
if you could read them all
ished
B7
Af
E7
-
ter
the ball.
When The Midnight Choo-Choo

Leaves For Alabam'
250
I've
A E B&
E B& E
had a
might-y bu-sy-
The minute
that I reach the place,
up my drear-y-
kiss my
Pa and
The ver- y
day
key,
That opened
I went a- way.
I'm
goin' to
flat,Where ma- ny wear- y nights I
sat, Think- ing
of the folks down
Ma,
star, Shin- ing
o- ver Al-
a doz-entimes for ev-'ry
ba- ma's new mown
key,
B&
E E
F7
B7

me.
That is
hay.
I'll be
home who think of
F7
rust- y
Now I'H
I'm goin' to over- feed my face, 'Cause I
good meal since the
E
B&
E
I've had to pack my things a- way.
give the land- lord back his

have n't had
day,
B7
sing-
ing
mer-
ri-
ly;
throw
my-
self
a-
way.
B7
a-
why you'll hear me

glad
e- nough to
When
that
251
mid-night choo- chooleaves for Al- a-
fare.
by the col-lar
C E7
stopthis train,
bam',
I'll be right there,
I'vegot my
E
B7
When I

F7
B7
B7 E
seethat dust-y haired con- duc- tor- man,
B7

And I'll hol - ler,
"Al- a- bam! Al- a-bam!"-
That's takin'me home a- gain.
Where my hon- ey- lamb
B7
I'llgrab him
That'swhere you
C7
Back home where I'll re- main,
G7
am.
I will be righttherewith bells,
When that old con-
C

B7
E B7
duc-tor yells, "All a-board!
All a-board!
All a-board for Al- a- bam'.When that
252
All The Girls Go Crazy

Stop Time-2 Bars:................................
Eb Eb
Eb
Bb
Eb

A
Kid Ory
1916
F7

Stop Time-2 Bars:.........................................
Bb
Bb7
Eb Eb Eb Eb
Bb

F7
Bb
Solos Begin Here
B Eb
Bb

girls
on
go
their
Bb

Hon ey'bout the way I
Craz - y 'bout the way I
Bb7
walk
walk.
Bb

craz
knees
y 'bout the way that
plead-in'
"Ba - by,"
Hon - ey 'bout the way I
walk
Craz - y 'bout the way I
walk
walk,
Bb
All the
F7
craz - y 'bout the way that I walk

knees say - in'
"Ba - by,"
Bb7

The way thatI walk

Sayin' "Ba by," -
Yes, all the

Yes, they fall
F7

Eb

girls
on
go
their
'Bout the way that I walk,

Say - in' "Ba - by,"
Bb7
They fall
On to "C" after last solo:
253
Chorus: 1st Time Soft:
C Eb
Bb
F7
Bb
Bb7
Bb

Eb

F7
Bb
Bb7
Climax Chorus: ad lib:
Eb

Bb

Bb7
Bb

Eb
F7
F7
Bb

Bb Eb7
Bb

254
By the Light of the Silvery Moon

Gus Edwards & Edward Madden
1909
AC
Cdim
G7
Cdim
Place
park
scene
dark,
Sil - v'ry
moon
Act
two,
scene
new,
Ros - es
bloom - ing all
A7
Dm
Dm
E7
G7

me,
you,
Sound
Cast
three,
you,
me
Preach - er with
Cdim
G7
Act
one,
be
Choir
sings,
bell
D7
Di
- a -
Preach - er,
rings
G7
Em
Am
spoon?"
My
cue,
with
you,
more."
Act
two,
all
through,
on
G7
the breeze.
look - ing
face.
Cm6
logue,
"where
woud
you like to
are
wed
for
"You
Am7 D7
Un - der - neath the

Ev - r'y
the trees,
Dm7
sol - emn
gun
thru
of kiss - es float - ing
two,
a - round the place.
Cast
is shin - ing
Dm7
Dm
sil - v'ry
night the same en -
e - ver
G7
moon.
core.
By the
255
B C
D7

Light
of
G7
the
to my ho - ney I'll
spoon,

moon,
Keep
Moon,
croon
C#0
G7
love's
C7
D7
Fm
Am
beams
will
bring
love's
dreams,
we'll
E7
soon,
A7
D7
G7
By
the sil - ve - ry
Moon.
want
A7
be
cud
Dm
Your
to
Ho - ney
Dm
June,
tune;
A7
- in' in
a shin
sil - ve - ry
E7
sil - v'ry
dl - ing
256
Ballin' The Jack

Chris Smith - 1913
A G
Folks
in
It's
A7
being done
C7
'bout to
at
all
F7
G7
down in Geor- gia came;
I'm
the
on-
ly
now has got the craze,
It's
the
the
par-
ty
in-
That
is
why
rave
Give
me
cre-
dit
Play some good
Rag
C7
A7
E7
try
to
do
to know
F7
done in
it
there,
it
so!
thing or
two,
you prance;
G7
will show this
the dance, Join right
in
now
do you'll
say
that
it's
bear!
steps
to
you
I'll
show:
When
Once
a - gain
the
new dance
cie
- ty
mod- ern days,
D7
that will make
so-
per- son who's to blame,
D7
for spring- ing some- thing new;

all
bout
tro- duced
a-
All
best dance
Since that
ca- bar- ets,
I'm
the
in- sane
go
E7
E7
Geor- gia's
D7
so!
E7
Give
me
cre-
dit
Old
folks, young folks,

lit- tle dance to
you,
while you got the chance,
F7
257
C G7
C7
First you put your two knees close up tight,
C7
F7
sway'em to the right,
Twist
a- round and twist
Stretch

le
and grace
that's
a- round with
G7
lov - in'armsstraight out in space,
G7
Swing your foot
what
Step a-round thefloor kind of
D7
D G7
Then you sway 'em to the left then you
call
E7
all
nice and light,
D7
Then you
your might,
C7
Then you
do the Ea- gle Rock with sty-
D7
way 'round then
bring it
F7
"Ball-
in
the
Jack".
back,
G7
Now
Solos at "C"
Bluin' The Blues
258
q = 120
Bb
Bb7
Henry Ragas 1918
Eb
F7

pp
Bb
Bb7

Eb7
Gb7
Bb
A7

C7

B Bb
F7
Ab7
G7
Bb
Bb

Gb7
Bb
Bb7

pp
Eb7

C7
Gb7

F7
Bb
Bb
A7 Ab7
F7
G7

Bb
C Bb
Gb7
Bb
259
Bb7

pp
Solos
Eb7

C7

D Bb
Bb
Bb7
A7 Ab7
Bb
Gb7
Bb
F7

Bb
Bb
F7
Bb7
A7 Ab7 G7
C7

F7

F7
G7
F7
Eb7
Gb7
pp
In the Sweet By and By
260
Joseph Philbrick Webster
A F
see
it
1. Theres
land that is fair - er than day,
And
2. We
shall
sing on that beau - ti - ful shore
The me - lo - di - ous songs of the
3. To
our
bount - i - ful
Fa ther a - bove,
C7
will
We
by
faith we
of - fer
can
ourtrib - ute of
far;
For
the
Fa - ther waits o - ver the
way
To
pre
blessed;
And
our
praise
For
the
spir - its shall sor - row no

glor - i - ous gift
of His
more,
love
Not
And
a
the
C7
pare
us
sigh
bless
for
ings
B F

sweet

sweet
dwell
the
that
C7
and

by
bless hal
-

by
by,
and by,
ing
place
there.
ing
low
of
our
rest.
days.
In
the
We shall meet on that beau - ti - ful shore;
C7
We shall meet on that beau - ti - ful shore.

In
the
261
Any Time
D7
G7
An - y
Bb
An - y
G7

prove
your love for me is
'bout
A7
An - y
true.
you,
want
1.

you.
me
back
F#0
That's the
So
an
- y
a -
gain,
C7
D7

that's the

An - y
That will
D7
me,
you'refeel ing
time
C7
time
you feel down heart -ed,
time
C7
G7
G7
An y
Bbm
blue,
you'refeel ing lon - ly,
time
C7
Herbert Lawson 1921
you're think ing
3
I'll be think ing
time
D7
time
you
C7
time
2.

you.
I'll
Bb
say
you
come back home
of
to
262
And They Called It Dixieland

Raymond Egan & Richard Whiting - 1916

They built a
F7
sum-mer breezeto
C7
lit-tle gar-den
D7 G7
for the rose, And they called it Dix- ie- land. They built a
keep the snows far a- way from Dix- ie-
G7
G7
C7
land.
They built the
C7
fin-est place I'veknown, When theybuiltmy home sweethome, Noth-ing was for-got- teninthe

land

of cot-
B
B

took an
an- gel

F7
bit
of heav- en
ton,from the
C7

clo- ver to the hon- ey
F7
comb,
And
D7
G7
C7

from the skies,
And they gave her heart to
D7
in her eyes,
Just as blue as blue can
C7
G7
me.
be.
then they

She had a
They put some
fine spring chick ens in the land, And taught my Mam myhow to use a fry-ing pan.They made it
F7
twice as nice as
D7
C7
F7
G7
Par- a- dise,
And theycalled it
Dix- ie-
land.
263
Toot, Toot, Tootsie
Gus Kahn, Ted Fiorito - 1922
A E

B7
Toot, Toot,
F7
B7
takes
me,
Kiss me,
A7
the
B7
Tut,
Toot-
B7
o- ver

nev-
er
know I'm
sie
don't
cry.
Toot - sie,
B&7
Good - bye.
a- gain.
fail,
in
If
jail,
F7
that
F7
E9
let- ter then you
Tut,
words can tell how sad it makes me
I'll
Toot, toot,
Do it
The choo choo train
no
and then,
mail,
you don't get

F7
Toot sie
F7 B&7
Watch for
don't cry,
Good- Bye!
a- way from you
B E
F7
Toot- sie,
Toot- sie,
B7
Toot, Toot,
B7

B7
Ostrich Walk
264
Original Dixieland Jazz Band - 1918
C7
G7
C7
G7
C7
D7
G7
C7
D7

F7
Cornet
D7

B F
C7
G7
G7
C7
C7
G7

Stop Time 4 bars
Trombone
Clarinet

C7
Trombone
1.F
2.
F B F

C7
Break
Break
Break
F
F
F Break
C7 Break
C7
F
Break
C7
265
G7
C7

C F
G7
F7
Cornet

D7

D F
G7
D7
C7
Clarinet
B Trombone
G7
C7
F
C7

C7
C7
C&7
C7
F

Stop Time 4 bars

F Trombone
G7 C7
sfz

Unison
F C&7
Missouri Waltz
266
AF
C7
your head
my breast while mom
Rest
Bb
sand - man
sigh
C7
ba
up - on
G7
my
by, slum - ber
C7
in
days
When
F0
by.

Strum,

Hum,
strum,
hum,
tune;
The
G7
fall - in' while the soft bree - zes
Way
down in Miss - our - i where I
I was a tin - y child up - on
Cm
my mom - my's knee; The
G7
old folks were hum - min',their ban - jos werestrum - min'so - o sweet
B Dm
C7
soon;
heard this mel - o - dy.
Bb
are
long gone
- my hums
com - in'
is
as
time
call - in' where shad - ows
is
Hush
a - bye,
John Eppel & J.R. Shannon

1914
C7
and
low.
A7
Dm
strum, strum,strum, seems I hear those ban - jo's play - in'once a - gain.
Dm
A7
hum, hum, hum, Tha - t same
Dm
old plaint - ive strain.
Dm
A7

Hear
that mourn - ful
Bb
Dm

A7
mel - o
song.

Bb
same

by,
Bb
Dix
ie - land
a - gain with
in dreams
me;
G7
Dm
C7
Way
down in Miss - our
time
C7
It
- i, where I learned this lull - a -
the stars were blink - in' and the moon
hear Mom - my Chloe, as
and the old folks were strum - min. that

when
C7
old re - frain.
G7
long,
Dix-ie it seems when you hear that old
seems like your mom - my was there once a - gain,
It just haunts you the wh - ole day

C7
Dm
Hush - a - bye my ba - by, go to sleep on mom - my'sknee.
C7
to
A7
Jour - ney back
dy,
and you wan - der in dreams back to
Dm
Dm
A7
267
G7
in days long a - go, sing - in'

"Hush
was climb - in' high,
C7
bye."
and I
268
I Want To Do the Bear Cat Dance

Shelton Brooks (1913)
q = 164

Miss
A D7
Sa die hall
went
to a
ball
tered
in the hall
they
Dm
the
Db
F/C
Sa - die watched them
G7
walked out
schol-ars
on
how
while
the
floor,
do the Bear
then
she

They were
G7
be - gan
Cat Dance.
C7
then thought she'd take a
Dm
G7
for
Just
G7
to
D7
June.
rag - time tune.
played a

all
in
D7
teach ing
night

as she en
balm - y
one
C7
G7
Miss
chance.
So she
C7
to
roar,
269
B F
C7
C7
I want to do it
D7
I want to do it
G7
bear, its' a bear, but
I don't care
I want to do it
F7
G7
now!
It's a
C7

want to do it an - y
how.
C7 F
C7 F
C7 F7
That tune is snap- py
D7
It makes you hap- py
G7

fess or keep it up,keep it
You feel you want to
C7
up, keep it up, 'cause I want to dothe Bear Cat
dance! Oh pro
dance.
270
After You've Gone

q = 110 - 120
1916
Bb
F7
Bb
Now won't you list - en hon - ey while I say
F7
D7

goin' a - way?
Cm7
F7
ba
Dm
by's heart.
Loved you
Cm
see
my
tears?
must part,
F7
G7
Bb7

Don't you break your
F7
You know that I've loved you for these ma - ny years,
F7
we
Bb
G7
both night
Don't say that
How could you tell me that you're
Gm7
and
Eb7
Bb7
Oh hon - ey
Day
Cm7
List - en
Gm7
F7

while
Bb
say.
ba - by can't you
271
B Eb
Ebm6
Af - ter you've gone,
de - ny - in'

Bb
Ebm6
When you grow lone - ly
G7
Af - ter you've gone
Eb
sad
There'll come a
G9
Cm7
when you'll re - gret it.
D7
Gm7
F7
Bb6
Af - ter you've gone A - way.
Some day

want me on - ly
you'll
G7
Bdim
time
Your heart will break like mine and
Cm7
had.
Bb

You'll feel
now don't for - get it, There'll come a time,
Cm7
F9
blue
you'll miss the dear - est pal you've ev - er
Af - ter you've gone,
You'll feel
Bb7
Ebm6
and left me cry - in'
G7
there's no
Bb
Bb7
Solos at "B"
Dardanella
272
Felix Bernard & Johnny Black - 1919
A C
Down
sighs,
Soon
will

re-
E7
shall re turn to Turk- e-
A7(b5)
D7

ask for her heart
By
She looks a - cross the seas and
eyes,
ni- an.
B7(b5)
And weaves her love spell so si-
ni - an
the Dar- da-nelles with glow-ing-
G7
Where Or- i- en-tal breez-es play,
There lives a lone-some maid Ar- me-
be-side the Dar-da- nel-la Bay,
G7
B A
G7
and
stan.
hand.
G7 Break
Bass
273
C
G7

Oh,
sweet Dar-da- nel- la,
I'm
knows my love for you,
D7
nel-
la,
D C

tent
Oh,
C
A7

To cap-ture-such a prize.
girl
Dar-da-
sigh,
My Or- i- en- tal,
C
G7
in my
ha-
just
to be true,
hear my
Oh Al-lah
Break 1 bar
G7
sweet Dar- da- nel- la,
A7
oh
Oh,
one
And he tells you
a luck- y fel-low
I love your ha-rem eyes.
G7
like
Pre-parethe wed-ding wine,
E7
the chil-dren-
of
the
E7/G
We'll build
Or- i-
be
ent.
C
G7

sweet Dar- da- nel- la,
There'll
F7 G
rem when you're mine.
D7
My star of love di- vine.
274
Down Yonder
L. Wolfe Gilbert - 1921
F7
Rail- road train,
F7

Put
Hus-
F7
lit-
tle
on,
Broth-
F7
Rail- road train,
tle
steam on
F7
Bus-
just
tle
on,
for
my
Swan-
ee
er
if
you
Yearn- ing
You'd want
to
B7
hur-

ry
Hur-
ry
like
nev-
B7
on-
ly
up
er
I've
got
shore,
some more.
B7
be- fore.
the blues.
B7
knew,
B7
too.
275
Down
yon-der some-one beck- ons to me,
E7
I seem to
F7
more and more,
B7
Down
Yon- der when the folks getthe news,
There's daddy
C7

my,
and mam-
F7
Wait- in' down yon-
B7
der or
ry,
I miss you
Break 2 Bars

sim-
E7
ply grand.
Don't
won- der at the Hul- la- ba- loos.
my,
my land, You're
C E B7
E
E7
B7/F
Swan- ee shore
Ev- 'ry day, my mam-
mem- o-
F7
see a race in
Be-tween theNatch-ez and the Rob-ert E. Lee.
yon-der some-one
B7
Down
B7
reck-ons on me.
E7
There's Eph- raim and Sam-
me.
Chicago
276
A E
B7
Fred Fisher - 1922
F7
B7
F7
B7
G

- ca - go,
Chi
F7
ca-
go,
Chi-
Chi- ca-
go,
That tod- dl'-in'town,
tod dl' in' town,
ca-
go,
I'll
B7
show you a- round,
Chi-
love it,
F7
E
F7
Bet your bot-tom dol-lar you lose the blues
F7
F7
B7

town that
B E
B7

Bil- ly
in Chi- ca-
Sun- day could not
E/G
put
just want to say,
C7
they don't do
of their life,
F7

ca
B7
go
E/G
go,
The
B7
F7
down!
D7(b5)
G7
C
Chi- ca-
On
F7
B7
F7
B7
G

StateStreet, that great street,
do things
go,
on Broad- way,
I saw
F7
Say,
a man,
B7
Chi - ca - go
my
home
he danced
E E
town!
just want to say,
They
They have the time the time

with his
F7
wife,
In Chi-
B7
Baby Won't You Please Come Home
277
Clarence Williams and
Charles Warfield - 1919
A Bb
Db
C7
I've got the blues,
C7
F7
feel so
Bb
D7 D7b5
F7
lone
C7
Db
ly,
F7
C7
Gm7
C7
when you're gone
Bb
F#
all for - lorn,
D7

F7
lone.
Bb
D7
When you left you broke my
Eb
wor - ry
all day
C7
in
Gm
grand.
Eb
C7
Gb9
Bb Ab7b5 G7
long.
Gm7
a -
F7
Cm7
D7
Eb
F7
nev -er no more to call your name.
vain,
heart,
"Cause
G7
hour in the day, you will hear me say,
"cause your mam - ma's all
home,
F#
I have tried
C7
G7
Ba - by won't you please come
C7
Gm7
I'm
by, As you won't you please come home,
F7
if
F7
Itsure ly would be
Bb7
I'm goin'to tel - e - graph you ba
I'd give the world
make you un -der - stand.
Db
Bb
Gm D+ Gm7
I could on - ly
Bb
Be - causeI nev -er thought we'd part.
Ev -'ry
C7
F7
Bb
Ba - by won't you please come home.
When You Wore A Tulip
278
Percy Wenrich & Jack Mahoney - 1914
A B
F7
sun
met you
was
in
kissed you
as
F7
down,
you
on
my
coat
you
pinned
C7
love
not changed your
you

yet
wore
ging han
tu - lip
rose
so
can't for - get
the
town,
The
Up -
hair,
gown.
rare.
lov - li - ness,you're just
your
in
F7
yel - low
placed a
has
old Ken tuck y
C7
an
in
gar - den
shin - ing
C7
Time
as sweet to
days that used
to
G7
me,
F7
be.
When
279
B B
you wore
C7
tul-
ip,
ca - ressed me,
bless - ing
C B
You made
down where
G7
sweet- er
F7
wore
life
the
'twas
no
one
when
blue
grass
than
jul-
ep,
when
big
tul-
ip,
and
B7
rose,
then Heav
G7
en
blessed me, what
you called
red
you wore
rose.
dear- ie,
grows,
me
C7
B7
D7
knows.
low
cheer- y,
B7
F7
red
big
sweet yel-
wore
When you
Your
lips
that
tul-
ip
'twas
were
and
280
Ain't We Got Fun
q = 185
A E
E7
Bill col - lec - tors gath - er
B7
hap - py
B D G7 B
be
B7
'Round an
D7
rath - er
C G7
bride of
on - ly
C C7 F7
so cheer - ful
Here's an ear - ful
Men who call for the rent.
chap - py And his
cot - tage next
Haunt the
D7
Men the gro - cer and butch - er sent
door.
in
Kahn & Egan Whiting

1921
Of the chat - ter you
C9/G
year,

But with
G7
Seem to
B E7 F B&
hear.
B7

Ev -'ry morn - ing,
Ev -'ry eve - ning,
Ain't we got
E
E7

Oh, but hon - ey
Ain't we got
We have'nt a
E - ven
B7
Tax
if
we
owe
the
col - lec - tor's
Ab
dear.
B7

get - ting
G7
There's noth - ing
sur

In the mean - time
We'll stay as we
Don't
clos - er
Still
dear,
Gm B7

gro - cer
Not much mon - ey,
fun!
way,
The rent's un - paid,
fun!
But an - y
car,
B7
Ab

Gm
D7

281
are,
we
have
fun?
E7
we
fun!
have
Cm
Fm
D7
E
Ab B7

er,
the rich get rich and the poor get poor - er
C7

in be - tween time
B7

Ain't We Got
Fun!
If You Were The Only

Girl In The World
282
Clifford & Nat Ayer - 1916
AC
you were the on-
ly
If
A7
D7 G7
A7
C D
you
F&/C
would
were
D7
were
D7
on
lov-ing
in
in the same
G7
would
G7/D

be
the
the
on-
G7
on-
say
such
won-
such
won-
ly
ly
old
der-ful
der -ful
A7
to-
day.
G7
way.
C E
our joy.
things to do,
girl
in
the
boy.
things to you,
ly
the world
on-
D7
G6
were the
With noth- ing to mar
G&7/E C/E
- den just made for two,
There
And
G&7
C
D7 G7
in the world,
G7
garden of
We could go
girl
G7
Noth- ing else would mat- ter
boy,
B C
D7
A&
world,
If
A7
and
283
Shoot 'Em
C
C7
F/C
D7
B

F/C
D7
B

F6
F6
284
Lassus Trombone
F
@

C7 F
C7
D7
G7
14
To Coda
D7
C7
1. F
2. F
21
26
G7
C7
G7
C7
G7
C7
285
32
G7
C7
1.
2.
D.S. al Coda ending
F7
B

TRIO
B7
F7
G7
C7
1. F
F7
1. B
C7
2. B
2. F
G7
Over in the Glory Land
286
James Acuff and Emmett Dean
q = 200
A Bb

I've a
What a
Now if
home
joy you
O - ver
Bb
long
kin
tell
O - ver
B Bb
Ov
Glor - y
Bb
pre ful
get
in
that
Glor
F7
Land,
be
saved
all
F7
in
that
Glor
Land.
Bb
Land,
Glor - y
Land,
Eb
Yes,
Land.
Land
F7
Eb
Yes,
O - ver in that Glor - y
Land.
sing - in'
ver in that
Glor - y hal le lu - ia
Bb
I
with
just
F7
Bb7
ver in that Glor - y
Bb
side,
be,
too,
I'm
O - ver in that Glor - y
Bb7
Land,
And
And
You
- vior's
ver
in'
bide,
see,
do,
Sa
e
com
Bb
er in that Glor - y
a I'll
I
by
my
there for
that I'm
where the saints

that my Lord
be
- fore
pared
thought
there
to
dred
them
ver in that

CJB Fakebook 2 - C Treble

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CJB Fakebook 2 - C Treble

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Fake Book Version 2.

12th Street Rag ................................................. 1

My Daddy Rocks Me ................................................. 58

Take My Hand, Precious Lord ... 89

12th Street Rag

Euday L. Bowman - 1914

Standard Doo Wack-a-doo chorus

Back to top with Intro

Oliver Wallace & Harold Weeks 1918

Cam - el trap pings

Un der neaththe stars.

mem - o riesare bring -

With a sweet voice mingle,

Harp strings sweet ly

proud - ly spreads his

shin - ing bright

thru the syc - a - mores

the gleam - ing

a moon - beam on the wa - ter

have al ways been a wand - 'rer

can - dle light

The new - mown

When I dream a- bout the moon - light on the

Ferdie Grofe/Peter DeRose - 1922

Rhythm Vamp 4 bars

William Wilander & Harry Donelly - 1920

In the land of Af-ghan-is-

stole his Hin-du maid-en

his dreams he's call- ing

Hin-du man is lone- ly and blue.

that he was the

But therecame an-oth-er one

She sworeby thestars up a - bove

There's a Hin-du maidand a

Break - Unison 1 bar

And for you on-

day for you, my

Af- ghan- is-

Hon - ey I have some thing

why you'll nev- er

Whis- per- ing that

whis- per seems to

Whis -per- ing

why you'll nev- er

Whis- per-ing while you cud-dle near

And it'sworth while list en ing

Put your lit - tle

say that you

J. Russell Robinson - 1921

Solos Begin Here first time

After last solo play "C" as

Con Conrad & J. Russel Robinson

close and starts to

ev - 'ry - thing, For

I was stroll - ing out one even

'neath the silv'-ry

there's a min is-ter

If we'd let him make a

and it sure would be

It was just some-bod - y

Irving Berlin - 1918

William H Tyres - 1913

Jelly Roll Morton - 1919