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the editor of a liberal paper 'The Examiner, Leigh Hunt, who became a
great friend of Keats. Keats' first published poem was called 'Ode to
Solitude' which was published in The Examiner'. It is said that Keats
wanted his poetry published for financial reasons. The poem was received
as being acceptable and a good attempt, but it wasn't till later in the year
when his poem 'On First Looking on Chapman's Homer,' that his potential
and talent as a poet was known and it gave him the reputation as the poet
to watch.
His first book of poetry appeared 3rd March 1817, although the book
didn't actually sell very well. John was depressed by this but kept writing.
Percy Shelley (his friend) then challenged Keats to an epic poetry
competition over the summer. For the competition Keats wrote Endymion,
although Keats didn't finish the poem within the time limit so technically
Shelley won the competition. Keats was now the sought after poet in
London and his life became a whirl of parties and dances, even though
Keats didn't like crowds very much.
1818 Endymion published by Taylor & Hessey . John tours the Lake District with
Charles Brown. July - 8 August, walking tour of Scotland with Brown; August December, nurses Tom at Hampstead and meets Fanny Brawne for the first time.
1819
January, writes The Eve of St Agnes
Stays in Sussex and Hampshire
13-17 February, writes The Eve of St Mark
March-April, John experiences a bout of depression and gives up writing
Hyperion
The Brawnes move into part of Wentworth Place
21 April-May, writes La Belle Dame Sans Merci
Writes his famous Odes
John becomes unofficially engaged to Fanny Brawne
July-August, John experiences the first signs of tuberculosis
At Shanklin, Isle of Wight, writing Lamia Part I and Otho the Great
August-October, moves to Winchester, writes Lamia Part II
Writes To Autumn
Begins and abandons The Fall of Hyperion
October-December, John returns to Hampstead
Becomes officially engaged to Fanny Brawne
John suffers another bout of depression; he is ill and unhappy
1820
January, George Keats returns to England to raise money
John comes to a financial settlement with the executor of his
grandmother's estate; the settlement leaves him penniless (he
gives most of his money to George) 3 February, John has his first lung
haemorrhage and is confined to his house May, Charles Brown rents out
the house and John moves to Kentish Town, near Leigh Hunt; 22 June, John
has a severe second haemorrhage and moves to Leigh Hunt's home July,
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Lamia, Isabella, The Eve of St Agnes and other poems is published and
well-reviewed;
August, John leaves the Hunt home and is nursed by Fanny Brawne at
Wentworth Place; 17 September, John sails for Italy with Joseph Severn
November, John reaches Rome 30 November, John writes his last known
letter.
1821
23 February, John dies at 26 Piazza di Spagna, Rome
26 February, John is buried in the Protestant Cemetery in Rome
Keats often associated love and pain both in his life and in his poetry. He
wrote of a young woman he found attactive, "When she comes into a room
she makes an impression the same as the Beauty of a Leopardess.... I
should like her to ruin me..." Love and death are intertwined in "Isabella;
or, the Pot of Basil," "Bright Star," "The Eve of St. Agnes," and "La Belle
Dame sans Merci." The Fatal Woman (the woman whom it is destructive to
love, like Salome, Lilith, and Cleopatra) appears in "La Belle Dame sans
Merci" and "Lamia."
In "Ode to a Nightingale" and "Ode on a Grecian Urn," Keats tries
to free himself from the world of change by identifying with the
nightingale, representing nature, or the urn, representing art.
My heart aches, and a drowsy numbness
pains
My sense, as though of hemlock I had
drunk,
Or emptied some dull opiate to the
drains
One minute past, and Lethe-wards had
sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine
happiness,
That thou, light-wingd Dryad of the
trees,
In some melodious plot
Of beechen green, and shadows
numberless,
Singest of summer in full-throated
ease.
(Ode to a Nightingale)
These odes, as well as "The Ode to Psyche" and the "Ode to Melancholy,"
present the poet as dreamer; the question in these odes, as well as in "La
Belle Dame Sans Merci" and "The Eve of St. Agnes," is how Keats
characterizes the dream or vision. Is it a positive experience which
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1000 from Keats' grandmother's estate, although this did not come out
until about a year after Keats' death.
Keats was now dependent on his friends, people like Leigh Hunt (who had
got married and settled down) and Charles Brown. In early 1820 Keats
was showing signs that he had developed consumption, coughing
up blood. It was around this time that Charles began arrangements for
sending Keats to Italy without Keats' knowledge or consent. The reason
Charles wanted to send his friend to Italy, was because of the warm
climate which at the time was considered a cure for consumption. John did
not want to go as he could not bear the thought of being parted from
Fanny, but felt incapable of arguing with his friend. Keats left for Italy in
September 1820 accompanied by his friend Joseph Severn (an
artist). The journey to Rome was unbearable and no doubt affected Keats
and made the illness worse. They were also, on arriving in Italy,
quarantined for 12 days; they were unable to dock and were forced to stay
on the ship and continue living in the damp, cramped environment of the
cabin. Once in Rome the two men lodged in a small apartment just above
the Spanish steps. John was forbidden from writing poetry and was only
allowed to read the dullest of books as they thought too much excitement
would aggravate the illness. Keats became depressed again and
refused to open any letters from Fanny as it only reminded him of
how much he missed her and how he was unable to be with her. In
December of that year Keats attempted to commit suicide by taking
laudanum (a poison) but Severn was able to stop him.
On the 23rd of February 1821, Keats died. He was only 25 years
old.
Fanny on hearing the news for a few weeks, appeared fine, but then
suddenly fell ill. Later, after recovering from her illness she began to wear
widow's weeds. Keats requested that on his tombstone all that would be
written was "Here Lies one whose name was writ in water". However
Charles Brown felt that this was too short and had this carved into the
tombstone:
"This Grave contains all that was Mortal of a YOUNG ENGLISH POET Who
on his Death Bed, in the Malicious Power of his Enemies, Desired these
Words to be engraved on his Tomb Stone 'Here lies One Whose Name
was writ in Water"
Keats' genius was not generally perceived during his lifetime or
immediately after his death. Keats, dying, expected his poetry to be
forgotten, as the epitaph he wrote for his tombstone indicates: "Here lies
one whose name was writ in water." But nineteenth century critics and
readers did come to appreciate him, though, for the most part, they had
only a partial understanding of his work. They saw Keats as a sensual poet;
they focused on his vivid, concrete imagery; on his portrayal of the
physical and the passionate; and on his immersion in the here and now.
John Keats (along with Percy Shelley and Lord Byron) is referred to as
a second generation Romantic poet. (Blake, Wordsworth, and Coleridge
make up the so-called first generation.)
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..but I have loved the principle of Beauty in all things, and if I had had
time I would have made myself remembered.
To Fanny Browne some months before he was taken ill:
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