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Movements
Kim Taylor for 180 degree imaging
180 degree imaging, 2005. All Rights Reserved.
The following is a simple chronology of art movements which were directly associated
with, or would have influenced artistic photography.
The early period of photography, from about 1840 to 1860 tended to favour sharp
images as the technology developed rapidly and the pioneers strove to create better
and better tools. We may call this "Straight" photography. It's strictly representational,
taken directly from nature and not manipulated. The idea is to strive toward the most
faithful rendition of what's in front of the lens.
Barbizon School (1840-70) was an association of French landscape painters around
the village of Barbizon who painted directly from nature. Their style would have
appealed to the early art photographers with their need for long exposures, bright light
and immobile subjects.
Naturalism or "straight photography" By the late 1800s photographers were doing
much more with the photographic negative and it's print than was ever possible with
the deguarrotype and Peter Henry Emerson, as an exponent of naturalism in
photography felt it necessary to define the "proper" photograph as the production of
faithfully accurate and unaltered images of nature. Emerson had a years-long debate
with Henry Peach Robinson about the uses of photography, with his "straight"
photography in direct opposition to Robinson's more carefully planned, orchestrated
and often multiple-negative images.
In 1891 Emerson seemed to despair of the limitations of photographic development
and decided that photography would forever remain a minor art because it could not be
manipulated at will.
With his Pictorial Effect in Photography (1869), Henry Peach Robinson urged
photographic artists to render the subject a little out of focus (as did Emerson), to
study the great works of art and to apply them to their photographs. In this way the
photographer would become less a chemical and optical technician and more an artist.
These works were likely influenced by such art movements as Romanticism (early to
mid 1800s), the pre-Raphealites (England 1848) and the Symbolists (France188090). Julia Margret Cameron was especially noted for depicting soft focus themes from
the bible, with mysterious lighting.
The photographers of this era were using multiple printing techniques to create
montage images to achieve their painterly effects. In return, the pre-Raphealite
Cubism (Europe c1910) arose just before WWI and is characterised by a reduction of
the image to geometrical forms and multiple viewpoints.
Dada (Germany 1915-23) was a movement that followed the great war and set about
to dismantle tradition. One of the most important features was a desire for the
influence of chance, of accident. Photo-collage was used to create intellectually
challenging absurd non-images. Photograms were also created by placing objects
directly on photographic paper and exposing them directly.
Constructivism (Russia 1915) and the Bauhaus (Germany) celebrated the machine in
abstract photographs, creating art for the industrial age, a utilitarian art. The paintings
were created using strict mathematical and technical principles.
Surrealism (France c1920) aimed to explore the unconscious, using unexpected
juxtapositions of objects and spontaneous technique. Andre Breton published the
Manifesto in 1924 that established the basis of the movement. Man Ray was a painter
and photographer at the centre of this movement.
Art Deco (1920-30) can be considered a successor to Art Nouveau, a highly
commercial art movement that influenced all aspects of art and design.
F.64 (1932, USA) Edward Weston eventually rejected all forms of manipulation in
photography, moving toward a more natural style. This group was formed in 1932 by,
among others, Weston, Ansel Adams, Imogene Cunningham, and Willard Van Dyke.
Photojournalism (1920s) With more portable cameras came more "street
photography" with Henri Cartier-Bresson ("the decisive moment") advocating a
snapshot style, Berenice Abbot and Helen Levitt documented New York City. Of
course photojournalism had been carried on since the 1840s but the widespread use of
the style had to wait for more portable cameras.
Social Documentary (1930s USA) With the great depression came the documentation
of the FSA with Dorathea Lang and Walker Evans. Of course these themes had been
explored before and continue.
Abstract Art Was said to be originated by the Expressionist painter Wassily
Kandinsky just before the Second World War. Many of the European Abstract artists
moved to the USA after the war, these included Max Ernst, Marcel Duchamp and
Marc Chagall.
Abstract Expressionism (USA c1940) emphasized personal expression and
spontaneous creation. Jackson Pollock is probably the best known artist of this
movement. In the 1950s Colour Field Painting arose whereby large areas of colour
are combined to produce an effect in the viewer.
Minimalism (USA 1950s) advocates pure, reduced forms and strict systematic