photo: Marc Hoppe

3
1

www.photodays-rovinj.com

PHOTODAYS
CONTEST FOR THE BEST PHOTOS FROM 2008.

For the second year in a row, the big competition for the best photos
taken in the previous year (2008) is open as part of the Photodays,
Croatian photo festival.

All finalists are entitled to participate at the closing event. The

winner of each category will receive the official award of the festival
Kadar and prize money in the amount of 15,000 kunas.

The competition is open for all photographers from Croatia in 12

competition categories: advertising, architecture, fashion, publishing,
nature, people, open theme, generated, erotic; newspaper, photoillustrated monograph; portfolio (The Photographer of the Year).

Prominent and successful foreign photographers will determine

the winners of the 2009 categories: Andrea Klarin, Michael Muller,
photographer and art director Enrico Bossan, curator Reiner Opoku,
the Croatian marketing agency Bruketa & ini, and art historian,
archaeologist, art critic, conservationist and publicist Berislav
Valuek as Jury President.

For the second year in a row, there is the great competition for the
best photographs made in the previous year (2008).

You can find contest rules, entry forms and other details on the
official website www.photodays-rovinj.com

THE DEADLINE FOR THE APPLICATION IS 5TH APRIL!

Generalni pokrovitelj:

Supokrovitelj:

Pokrovitelj:

BULB MAGAZINE 13

editorial

EDITORIAL COLUMN

Robert Gojevic
founder, editor in chief, design
gsm: +385915157885
e-mail: robert.gojevic@bulb-magazine.com
http://robert.gojevic.bulb-magazine.com

Kresimir Zadravec
founder, editor
gsm: +38598224417
e-mail: kresimir.zadravec@bulb-magazine.com
http://kresimir.zadravec.bulb-magazine.com

Ivan Pekarik
translation
Martina Velenik
translation
Anamarija Kovac
translation
Vedran Korusic
proofreading
Davor Juricic
proofreading
Martina Salov
dtp
Sanja Vuletic
dtp

hey say that it is the time of big economic crisis; they say recession is here. Like
some disease, it is spreading all over our
planet. Selling plans are not fulfilled, working places are reduced. Prognoses do not
leave any space for optimism, dark days will
last longer than few months, they say....
It seems that our little redaction was not
looking at that kind of news for some time
now. Like everything bad and ugly is happening somewhere far away...our vision is
in tomorrow. We are still planning and working with full strength!
In addition, there for we have great pleasure to announce fusion of PHOTOSHOCK
project and BULB, where PHOTOSHOCK organizers Martina Skrobot and Marina Paulenka will work under BULB photographic
association. With this act, all needed terms
are fulfilled where this project gain needed
support, and our association gain deservingly members and new activity.

Result of this fusion is that next PHOTOSHOCK exhibit is going to take place in
one of the most frequent places in Zagreb.
It will be open in the middle of June with
casual theme for who will be announcing
competition in next Bulb issue. For now...
we have to keep it all in secrecy, and you
keep tracking us so you would find what its
all about.
Bulb Plus is something new. In one place
we will compile all actual info related to all
photo clubs in Croatia and their activities,
information about photo exhibitions and
all other information related to Croatian
photography all together.
Moreover, for the end, after one issue
break, Mare Milin column is back with her
one-breath-read column.
Bulb in its thirteen issue is all over your
monitors, so...enjoy while reading it.

Robert Gojevic and Kresimir Zadravec

Ana Sesto
news editor
Zlatko Drusko
illustration
publisher:
Photography association BULB
Sestinski dol 99a
10000 zagreb
z.r. 2360000-1102073906
MB: 2494369
BULB MAGAZINE 13

CONTENTS

GALLERY

24

74
The web site homepage title speaks for itself: if you want
your wedding to be recorded as a truly special day, then you
want the camera filming your big I do to be held by Jeff Ascough

GLOBULB

INTERVIEW

Marc Hoppe

31

I dont want to do images with an erotic aspect. I want

to show the human body reduced to basic facts and forms,
made by the light, shadows and the pose.

PROJECT

Tomislav Moze

Jeff Ascough

56

The other reason is that this is how I could tell more

about the people I photographed. This is why I chose a
wide lens, to show a small piece of the place they live in
with their animals.

COLUMN

Mare Milin

68

These photos are lurking from every corner of the apartment I live in. The occupied it all. Some people keep cats, I
keep boxes of photographs.

GALLERY 24

BULB MAGAZINE 13

GALLERY 24

Fotografija mjeseca

www.fotke.hr

Photo of the Month

www.fotke.hr

Pionirska besmislica | Vedran | http://wekster.bloger.hr | Hrvatska

BULB MAGAZINE 13

GALLERY 24

La normandie02 | Martina Woll | http://www.martinawoll.de | Germany

BULB MAGAZINE 13

GALLERY 24

Pick up dreams | Alexandra Jitariuc | http://crushedsilence.deviantart.com | Romania

BULB MAGAZINE 13

GALLERY 24

Late autumn | Uwe Baeuchle | http://www.bicolored.eu | Germany

BULB MAGAZINE 13

GALLERY 24

Kelly watch the stars resignation | Sara Perovic | http://saraperovic.carbonmade.com | Hrvatska/italija

BULB MAGAZINE 13

GALLERY 24

Flip-flop | Adam Huszka | Hungary

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GALLERY 24

Ghost of the Past | Sophie Cagnac | http://sidh09.deviantart.com | France

BULB MAGAZINE 13

GALLERY 24

Poulnabrone Dolmen | Pedro Kin | http://duchovny.deviantart.com/gallery | Ireland

BULB MAGAZINE 13

GALLERY 24

3B | Vikas Dutt | http://www.vikasdutt.com | India

BULB MAGAZINE 13

GALLERY 24

Listopad in Prague | Raina Vlaskovska | http://www.obscurography.com | Bulgaria

BULB MAGAZINE 13

GALLERY 24

Nest | Jenna Black | http://www.jennablackphotography.com | USA

BULB MAGAZINE 13

GALLERY 24

Monster #1 | Julie Badin | http://www.juliebadin.book.fr | France

BULB MAGAZINE 13

GALLERY 24

Reign of Insomnia | Nacho Romero Naves | http://www.nachoromero.net | Spain

BULB MAGAZINE 13

GALLERY 24

Dreams are not easy to achieve | Alexandra Jitariuc | http://crushedsilence.deviantart.com | Romania

BULB MAGAZINE 13

GALLERY 24

A Fairy In My Kitchen | Murat Sayginer | http://www.muratsayginer.com | Turkey

BULB MAGAZINE 13

GALLERY 24

Holga Time-Fragment2 | Dario Mati | http://www.fotozine.org/index.php?omen=Double | Croatia

BULB MAGAZINE 13

GALLERY 24

5 | Antonio Pozojevic | Hrvatska

BULB MAGAZINE 13

GALLERY 24

Tiny Dancer | LeAnn Cannon | USA

BULB MAGAZINE 13

GALLERY 24

A Winters Dream | David Severn | http://www.davidsevern.com | UK

BULB MAGAZINE 13

GALLERY 24

Restricted Area | Syaefullah Kamal | http://kamalphotography.deviantart.com | Indonesia

BULB MAGAZINE 13

GALLERY 24

Rotation | Joerg Siegwarth | http://www.joergsiegwarth.de | Germany

BULB MAGAZINE 13

GALLERY 24

Christmas Doll | Mikael Kapanaga | http://sirinada.ru | Russia

BULB MAGAZINE 13

GALLERY 24

Explorer of the Roofs | Tomasz Kaluzny | http://www.drkshp.deviantart.com | Poland

BULB MAGAZINE 11

GALLERY 24

Child | Kalin Petrov | http://kalinpetrov.viewbook.com/portfolio/kalin_petrov | Bulgaria

BULB MAGAZINE 13

GALLERY 24

BULB MAGAZINE 13

INTERVIEW

http://www.bstereo.de/

Marc Hoppe

dont want to do images with an erotic aspect. I want to

show the human body reduced to basic facts and forms,
made by the light, shadows and the pose.

selected and questions: Robert Gojevic | proofreading: Davor Juricic

BULB MAGAZINE 13

INTERVIEW

Tell us about yourself and your first

steps in photography.
Im a 31 year old photographer from Braunschweig/Germany, a city between Hannover
and Berlin.
In 2004, I started doing photography with my
first camera, a Casio Exilim. At this time I didnt
know anything about photographic techniques
so I walked around my city and shot buildings
or landscapes during holidays, and of course
took shots of my friends and family.
2007 was the time for a new camera and I
bought a Nikon D40x. That was the start point
for what I shoot today.
In early 2008 I met Thorsten Jankowski during
a nude workshop. The workshop was a birthday
present from my friends.
After the workshop I was so enthusiastic
about the images I have made and it was fantastic to see what one can do when he can control the light in the studio. It was the first time
ever that I was inside a studio.

BULB MAGAZINE 13

INTERVIEW

How did you specialize in nudes?

After the workshop I knew that nude photography is what I wanted to do because I could
connect my interests between architecture and
photography there. I dont want to do images
with an erotic aspect. I want to show the human
body reduced to basic facts and forms, made by
the light, shadows and the pose. I also like portraits and sometimes I shoot fashion things but
sculptural nudes or transforming bodies is
the main thing for me.

What do your male friends say about

your photos? Did you inspire any friends
to try to do something similar?
My male friends are not that interested in
photography but they like my works.

BULB MAGAZINE 13

INTERVIEW

What do women from the circle of your

relatives say about your photographs?
Do they condemn you? How do your female friends respond? Have any of them
offered to pose for you?
They like my works too and they dont condemn me because there is nothing to condemn.
There are no misogynic things in my images.
My wife poses for me but I dont photograph
other woman from my circle of relatives.

Where do you find your models? Do

you have a hard time searching or do you
find them easily?
I find my models on internet forums like Model Mayhem, Deviant Art, Fotopatracka or the
German Model-Kartei.
Its hard searching for models in this kind of
photography and its better to work with a model who is also interested in sculptural nudes. I
need models with an open mind for this. If you
work with a model like Kat Love (I worked with
her last month) its absolutely fantastic because
she knows what you want when you give her
directions. But I also work with newcomers and
any kind of models small ones, big ones, with
long or short hair. In every model you can find a
special form. I want to find these forms.

BULB MAGAZINE 13

INTERVIEW

You mostly take studio nudes. Do you

have your own studio and what equipment do you use?
I like the laboratory atmosphere in a studio
where I can control everything. I have a studio with my photography friends Thorsten
Jankowski and Michael Papendieck, who are
also from Braunschweig/Germany, and they
make also absolutely fantastic images. In 2009,
we will open our new studio which has an area
of 200 square meters and its possible to drive
cars inside.
We cooperate with Bronimaging so we get
flashes from them.
I personally use Canon 5d, 50mm 1.4 and
85mm 1.8 lenses.

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INTERVIEW

How much time do you usually dedicate

to one model? How many pictures do you
usually do with one model to get the one
picture you are satisfied with?
It takes 3-5 hours for one model and between
300 and 600 images. In the end, Im satisfied
with 10-15 images.

Can you give some useful advice to our

readers and the future photographers of
nudes?
The most important thing is to learn to see!
Watch images from other photographers.
You can learn so much when you look through
an image. For example, where the light comes
from, whether it is hard or soft light, camera positions etc., and then try it yourself. Thats they
way I have done it.
Okay, I also got help from my friends Thorsten
and Michael. They showed me the basics.
To visit a workshop is also a good way to learn.
Visit our workshops.

BULB MAGAZINE 13

INTERVIEW

How do you choose your models and

how do you choose the pictures?
The look and the aura are important for me.
When I search for a model (for example at
Model Mayhem) I look at the details of her look,
body structure, skin, of course the aura in her
face, form and body expression.
The same way I choose my images.

How does your relationship and experience with women in the studio reflect
on the relationship with women you are
surrounded with every day, the women
you just meet or talk to for the first time,
women that havent applied to be potential models?
No answer for that because nothing has
changed from the time before I started shooting women in the studio.

BULB MAGAZINE 13

INTERVIEW

Can you list top 5 photographers of

nudes?
My personal top 5 are:
-Andre Brito
-Andreas H. Bitesnich
-Tomas Rucker
-Howard Schatz
-Karel Vojkovsky

How much do you enjoy taking nude

male pictures? Is it hard to find male
models?
I also like taking nude male images but I shot
only one nude male so far. Yes, its harder to
find male models who can do sculptural nude
things.
But I hope I will find more male models. If
there is any male model out there who wants to
work with me, contact me!

BULB MAGAZINE 13

INTERVIEW

Can you share an interesting episode

from a shooting?
Every single shooting and every workshop I
have made has had interesting episodes.
I meet people from all over the world and
they all have their own story. Thats very interesting for me.

Is there something in your photography work that you are particularly proud
of and would like to share with us?
Hm... Im proud of my models who do a fantastic job and Im proud of my wife who always
stands behind me and who helped me to get
there where I am now. I hope that this is just the
beginning of my photography career and Im
looking forward to future plans that I have.

BULB MAGAZINE 13

INTERVIEW

What are your plans and wishes for the

future?
In 2008, we found partners like Calumet and
BronImaging for our workshops where we do
fine art printing and the lighting part. 2009
will be the year when we (Thorsten Jankowski,
Michael Papendieck and me) expand the business.
We will offer various topics on photography,
ranging from people to nature, table top, and
from macro to architecture photography. Plus
we will offer theory workshops for digital workflow and fine art printing.
Additionally, we will organize photography
events like exhibitions and in-house fairs. But
the most interesting thing will be the so called
star-workshops, which will be based on our
photography network. We want to cooperate
with Andr Brito, Sylvie Blum and others, to
work with them in our workshops!
But we also need sponsors for our plans; it
will be a challenging year, this 2009!

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COVER

E-BOOK READERI: VELIKI PREGLED ITAA ELEKTRONIKIH KNJIGA DOSTUPNIH U SVIJETU I REGIJI - MOGU LI ZAMIJENITI KNJIGE?
FEDORA CORE 10: DETALJNA RECENZIJA NOVE INAICE NAJPOPULARNIJE LINUX DISTRIBUCIJE + CIJELA DISTRIBUCIJA NA DVD-U!

Slovenija: )!*%7>=/76B&&BV`ZYdc^_V/B@9(*%HgW^_V!8gcV<dgV/8H9&.%

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35,00 kn
br. 157
Travanj - April 2009.
Informatiki
asopis

2008

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BULB MAGAZINE
13

PROJECT

he other reason is that this is how I could tell more

about the people I photographed. This is why I chose
a wide lens, to show a small piece of the place they live in
with their animals.

Usual - Unusual

Tomislav Moze
http://www.tomislavmoze.blogspot.com

selected: Kresimir Zadravec | translation: Anamarija Kovac | proofreading: Davor Juricic

BULB MAGAZINE 13

PROJECT

y name is Tomislav Moze. I was born in Zagreb, where I also live today. I
finished elementary school and high school for carpenters there but after
I graduated I didnt want to work as a carpenter. At the time I practiced extreme
cycling so I started working in shops that specialise in extreme sports. I first came
in touch with photography on Deviantart, where I registered mainly because of
my interest in comics and illustrations - my hobbies since childhood. I did my
first photos at the close of 2006 or thereabouts, for my club. Soon afterwards, I
got injured and could no longer ride a bike and this is when everything begun. In
November 2006, I bought a Canon 350d, which was very ambitious for a person
who didnt even know what an slr was :) I was a perfect amateur for the initial two
or three months, shooting everything that walked and drew my attention. In February 2007, my whole world collapsed when my brother Ivan was kidnapped in
the Bulgarian town of Slivnica and since then nothing has been the same. From
that moment on photography has become a sort of an outlet. I spent hours contemplating and creating pictures. I could say that everything Ive done and every
point Ive reached in photography until now was done for my brother.
On September 3rd 2007, I got the biggest possible recognition as a photographer and an author. I was accepted in the ADU in Zagreb (Academy for Drama Arts),
Department of Photography. Im currently enrolled in my second year. Among
other things, Id like to mention the collaboration with Redbull thanks to which
my pictures taken on the island of Brac (Croatia) were published in several world
kitesurf magazines and in almost every Croatian daily and weekly newspaper. I am
presently the first candidate for Redbull photofiles photographer for Croatia and
the Balkans and if everything goes well by spring next year I should be elected and
be in the same league with the worlds best extreme sports photographers.
Next, Id like to mention my publishing twice in Bulb magazine :), two photos
published in French PHOTO (one as an example of good portrait in the section
Advice and the second as a finalist for the theme of Fashion in the big compe-

tition for amateurs that PHOTO organizes once a year). Digitalphotographer yearbook for 2008 published two pictures and I was second in the competition Digital
photographer of the year 2008 in the section Wedding photography.
But, enough about me, lets say something about this project: The idea for this
project came from an assignment that I had on my second year of Academy in the
subject Art of photography. The assignment was to make a series of 8 portraits
that were somehow connected. I chose this theme for 2 reasons: the first is that I
love animals and this was a chance to get closer to them, to find out more about
them and to get in touch with some animals I always wanted to own. The other
reason is that this is howI could tell more about the people I photographed. This
is why I chose a wide lens, to show a small piece of the place they live in with their
animals.
I have to admit this was supposed to be a small series, made just to pass my
exam, but then this project intrigued me so much that I decided to develop and
expand it until I would have enough pictures, perhaps for an exhibition or something bigger:)
I was aware that I would not be able to use the same angle for each portrait because of the size of some pets. Therefore I chose a closer angle for smaller pets and
a wider angle for bigger ones - which their owners could not hold in their hands
(for ex. the picture of Ana and Flo).
Id like to dedicate this to my dearest brother Ivan. God bless you wherever you
are!Id like to thank every person and pet that stood in front of my camera to help
me realize this project - You are truly great! And thanx to Bulb staff, who waited
patiently my first set of photos
Tomislav Moze

BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

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BULB MAGAZINE 13

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BULB MAGAZINE 13

PROJECT

BULB MAGAZINE 13

Davor Jurii
Translation and publishing
obrt@davor-juricic.hr
http://www.davor-juricic.hr/

Davor Jurii is a freelance translator/interpreter based in Zagreb, Croatia. He is a professional and opts
for the hit and run tactics business-wise, but a character or two related to his vocation do occasionally
slip in his life, and unfortunately out of as well. Funny thing is he actually has something to say, and therefore writes, mostly short poetry and prose pieces. He is also a postgrad student something he is bad at:
even though his passed exams betray straight As, someone once remarked all exams were silly passed
the age of 24. Most recently, he exhibits amateur liking for graphic design, doing his own annual versions
of basic html code, out of reasons philosophical: he claims ideas will take you only that far.

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COLUMN

humaniac

Mare Milin

ne more, for the road:

Mare, your task is to
indulge the bad taste of
masses. (It sounded terrible in Croatian, I dont
know if my translation is
that horrifying.)
I am sure my editor was
joking.

text, proofreading, photos: Mare Milin

BULB MAGAZINE 13

COLUMN

BULB MAGAZINE 13

COLUMN
THE TRIGGER
She is a dancer who doesnt dance, and he is a
painter who doesnt paint. It reminds me of the Island
of Misfit Toys, right?
End of quotation.
It is morning. I barely got up. Another one of those
mornings. TV is on, cable, Iggby goes down is showing at the moment. I am kind of aroused by the
sentence the boy from the film just said. I am thinking of it. Am I the photographer who doesnt take
photographs?In my computer there are, wait, I have to
check, 23 446 photos. And more on slides, waiting to
be scanned, digitalized, to become another number
in the lightroom catalogue count. Not all of those are
good, still waiting for the judgment day, the acceptable stay, and the others go to some black hole.
Still, there are many. Since April 1st (gosh, anniversary time!) the counter started to count and it is still
counting. It is not about productivity, no way I am
bragging about something, this is pure statistics.
The problem is in that quotation at the beginning of
the text and how it applies to me.
And, how much more should the counter count until those 10 photos pop in, those thatll shout: Yes, she
truly is the Photographer!
All those words: should, could, want, must... they go
great with verbs. My pick is word want, in its purest form.
To want something from the bottom of your heart, sincerely.
I work too much, the production line is moving like
crazy. Do you like serial products?
Do you like all those made ins? Made in Taiwan, made
in China, etc ? When I was just a little girl, I loved those.
I used to suck on those smelly pink and yellow erasures
from China, although they couldnt erase a thing without
smudging everything.
I used to love everything that had made in somewhere
on it, those were the presents form the capitalist world:
t-shirts, polyester dresses, dolls, toys, felt pens, pencils...

They bursted with colors. They were opposite from

boring, grayish stuff we used to have: made in Yugoslavia. My reality were stiff little school shoes (black)
made in Borovo, Jugoplastika school bags (mine had
some imitation of Dumbo on it), the toys were just
so... un-attractive. Capitalistic items were colorful,
they tasted and smelled differently, like those Chinese
erasures, I loved those. I craved for them. The more,
the merrier.
The sacred moment of the opening of the suitcases
of my relatives living in US and Australia (faux leather,
usually bright blue or brown, huge in size) was the
high peak of every summer.
Nowadays I despite those products because I kind
of know where and how they are produced. It is one
immense production line, no stopping at all.
Today, I appreciate the touch of ones hand, authentic mark, a piece of ones soul on (in) the product. Or
maybe I am just sick and tired because the ingredients
of those suitcases are all around us, screaming from
every shelf in every supermarket. Far East has never
been so close.
This is a tough subject, today I am in the same bowl,
too. Hyperproduction. No time to stop and think how
to encrypt a little of my soul to the things I am doing
to survive.
I have great reviews, usually: she is so individual,
her stuff is so atmospheric, she has her particular sign,
blah blah... thank you. Still, I am not happy. I know I
can do more, better. Ive been there, I tasted it. The
taste is slowly melting away, soon I wont remember it
at all. It looks more and more like someone elses life
and mine was always like this.
Am I at the point of no return? Or, is everything
reversible? The history repeats itself?
I know, all the gurus say, live for the moment. Now is
all you have. I sure do live now.
I am never bored. The others are not bored when
with me. Slow down, they say. How? I ma not the only
one with such tempo, some have it tougher. The more
I write this, the more I am aware of the fact that I am

a photographer that takes photos without doing it

for real. Let me make myself clear. I do come, prepare,
aim, point and shoot. I pull the trigger. To trigger, I am
sad to say, that is not the same thing as taking photographs. So many times I come home from the shoot
all beat. Those are usually instant, low budget shoots
and I am the Trigger. I am trying very hard to be the
Photographer in those situations, no way. A big part
of those 23 446 photos are the work of Trigger. F..., it
sounds like Jack the Ripper, Boston Strangler etc..
I just want to be me. It is apparently very hard. I am
deeply aware that I am always me, no matter, Trigger
or the Photographer. Photography was once my way,
my life, my way of life. Where did it go? Does everything has to be so pastelle colored and sell something,
no statement at all? My brain has to be on standby all
the time? Am I supposed to have a bad day? Must I always be happy with zero budget, not mention it (very
dangerous)? Must I always invent hot water at Antarctic, because my publisher thinks it ads the atmosphere
to the picture? I have to live and earn money, I am an
independent girl, no help around the corner. All I earn
is all I have.
My getaway to the world of black and white is sometimes a subconscious mutiny. Because, the capitalists
of today hate black and white. It doesnt sell.
Just few days ago I found out that a whole bunch of
my photos are hanging in one huge mall. I found out,
came across the information, somebody saw and told
me.
The Trigger theory is back. Nobody asks the author,
nobody tells the author, nobody invites the author
for the opening. The author doesnt exist. Now you
see how miraculous money is. Some coins the call the
authors fee and: Swooshhhhh!
The Author vanishes. Let me make myself clear in
the matter of this, maybe some of you wonder if such
things actually happen or I am just teasing everyone:

BULB MAGAZINE 13

COLUMN
Phase 1: I am the Author, the need me, someone has to fill
up the pages.
They call me, we discuss the shoot, briefly. I come up with
everything: atmosphere, approach, technological moments...
in my head I combine all sorts of locations and scenery that
come for FREE (most important), however, esthetic, inspirational, beautiful and all. After all those compromises, we
make the shoot, publish the photos and everybody is very
happy, because we created a little miracle with little or no
help at all. The peak of it all is my huge fee and the moment
it emerges on my bank account. The moment that happens I
stop to ever have anything to do with those photos. I become some kind of box that spits the photos out. The Trigger.
In this particular case I reacted, I sure was mad and sad.
There is no excuse for such a thing, such a principal. They
took MY word without me knowing anything about it and
used it. Nobody apologized, they dont think it is necessary.
Besides being a Trigger, I am a hard to handle one, spoiled
and demanding one, so they say. I am supposed to be flattering, two-faced, nice and easy and above all- mute at all times.
The secret recepy.
One more, for the road: Mare, your task is to indulge the
bad taste of masses. (It sounded terrible in Croatian, I dont
know if my translation is that horrifying.)
I am sure my editor was joking.
Sorry, I have to stop writing now and go to bed in the middle of the day, Ill just cover my head with the pillow and be
more depressed tan I actually am.
Next column is on its way once I have one positive thing to
write about.
PS just in case somebody remembers my last column: I
sold 1 out of 16 photos. Way to go!

BULB MAGAZINE 13

XXX

BE CREATIVE,
AL BE IMAGINATIVE
BE YOURSELF!
ART LIMITED COMMUNITY

www.artlimited.net

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and original creative works that are well recognized and appreciated. If you wish to only comment on the art and take
advantage of the message center and forums to engage in dialog with the artists (art dealer, gallery director, curator,
artist agent, publisher, gallery representative, image researcher, collector, press, communication),you can do so
through an "observer" account. If the quality of your work is recognized and original, join us now.

BULB MAGAZINE 13

GLOBULB

From a digital magazine to digital media

GloBULB is a monthly recognition to the best web
pages in the domain of photography.
Galleries, photography
blogs and personal web
pages of successful photographers are often works
of art on their own merit
but, sadly, often unnoticed
by the general public. The
GloBULB Award aims to
spread the awareness of
the importance of interactive and modern Internet
promotion of the art of
photography, which is unjustly ignored by many excellent photographers.

GloBULB
Best Photography
Web Site Award

Aware of the fact that

an excellent photographer
might not be an excellent web designer, we will
base the GloBULB Award
primarily on the criteria
of the quality of exhibited
photography on the web
site. Of course, an advantage will be given to those
web sites that add to the
authors originality with an
equally original web presentation,
implemented
technical solutions and
quality of web design.
selected: Robert Gojevic | text and translation: Ivan Pekarik | proofreading: Davor Juricic
BULB MAGAZINE 13

GLOBULB

Join in!

http://www.manipulator.com/
Jill Greenberg

And nominate

your favorites!

hat do David Bowey, Alanis Morrisette, Cameron Diaz, Clint Eastwood, Eddie Van Halen, Elijah
Wood, Will Smith, Tom Cruise, Shakira and Missy Eliot have in common? A photographer! (Although one might think we just depicted a crazily put together Hollywood musical casting crew,
one would be wrong.) Jill Greenberg is a famous American photographer, born in Canada, whose
commercial photographs graced campaigns for Microsoft, Philip Morris, Compaq, Polaroid, Disney,
Warner Bros, MTV Her photographs appeared on the covers of Time Magazine, Newsweek, Wired
and others, and her exhibits were held in numerous world galleries. If this descriptions resembles
a biography, it is only because Jills online portfolio is as every bit as biographical in describing her
huge opus.

f you are aware of an innovative, imaginative

and original Web site of a
good photographer, please dont hesitate to
send us your suggestions! Simply send us
the link, followed with a short explanation
of your proposal, to globulb@bulb-magazine.
com. Our staff will take note of your suggestions and add them to our ever growing
lists of web pages that qualify for the GloBULB plaque!

A somewhat strange navigational menu, which demands some getting used to, actually keeps this
website very well organized considering the vast amount of photographs it contains. Hundreds of
photographs in dozens of categories, from silly portraits of people to glamour portraits of apes, from
cover pages for famous world magazines to an emotive collection of crying children from Jills famous End Times collection. Made entirely in Flash, as is the custom in the world of online photography,
the menu is usually minimalistic in design, dynamically loading appropriate thumbnails in regard to
the category the mouse is currently hovering over. When you choose a photo, it stretches across the
entire screen, collapsing the menu into three navigational buttons (forward, backward and back to
menu) and a fourth one, a small button with the letter I in the lower right corner. This button brings
up the title of the photo when hovered over by the mouse pointer. The title of the photo is not normally visible the software forces the viewer to note the photo emotionally from his own perspective, rather than implying the artists viewpoint by the title, even by accident.
Still, no interface can display such a vast amount of material without getting a bit irritating in times,
especially after you find yourself, after only 15 minutes of surfing through the site, still waiting for the
thumbnails in the galleries load one by one, or for a certain image to stretch to full size a second or
two longer than usual (depending on your Internet connection). But, thats just a normal side effect
of such a vast portfolio Jill has managed to display on her site. And given the quality of her work, the
entire wait is well worth it, and our minor nagging about the interface can only be dismissed as hairsplitting. The Manipulator receives our wholehearted recommendations.

BULB MAGAZINE 13

http://www.bulb-magazine.com