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Kinesthetic phantasy,

memory and empathy

in dance

Kinesthetic phantasy, memory and empathy in dance Dr. Gediminas Karoblis March 5, 2014, Oslo

Dr. Gediminas Karoblis March 5, 2014, Oslo

Kinesthetic phantasy, memory and empathy in dance Dr. Gediminas Karoblis March 5, 2014, Oslo

Phantasy, Memory, Empathy

Remembering

Phantasy

Phantasms

Re-production

Performing

consciousness

Body

Corporeal

Flow

Image

consciousness

Things

Persistence

Empathy

Other

Minds

Pairing

Perception

Sensations

Body Corporeal Flow Image consciousness Things Persistence Empathy Other Minds Pairing Perception Sensations

Primacy of perception

Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception
Primacy of perception Perception

Perception

Primacy of perception Perception
Primacy of perception Perception

Primacy of perception

Exteroception/interoception/proprioception

Five traditional senses

Visual perception

Sound perception

Touch perception

Taste perception

Smell perception

Other/Mixed perceptions (temperature,

equilibrium, kinesthesis)

– Taste perception – Smell perception • Other/Mixed perceptions (temperature, equilibrium, kinesthesis)

Centrality of the Body

Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow

Body

Corporeal

Flow

Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow
Centrality of the Body Body Corporeal Flow

The Bodies

Intersubjective body

the world of culture extended bodies/persons

the surrounding world shared by bodies/persons

my body seen by others

Voluntary body („I can“)

not just kinesthesis (sense of ownership of the body), but also

the will to move (sense of agency)

Aestesiological body (phenomenal features)

Roaming rays/sounds/odours

How depth is perceived in vision? Perspective

Colour and contour perception; shades

Seeing/touching profiles (sides)

Material body

Biomechanics, biochemistry…

Physical features

shades – Seeing/touching profiles (sides) • Material body – Biomechanics, biochemistry… – Physical features

Euclid vs. Riemann geometry

Euclid vs. Riemann geometry
Euclid vs. Riemann geometry
Euclid vs. Riemann geometry

Dance

Surrounding Dance (atmosphere, bodies

Vienna Opera Ball 2011 Blue Danube Waltz

https://www.youtube.com/watch?v=icME9133EvM

Attended Dance (especially in learning)

Shall We dance (2004)

https://www.youtube.com/watch?v=d7V9liYn-IA

Exhibited dance

British Pathé (Betty And Fred Roberts Exhibition Waltz)

http://www.britishpathe.com/video/betty-and-fred-

roberts/query/exhibition+waltz

Fred Roberts – Exhibition Waltz) – http://www.britishpathe.com/video/betty-and-fred- roberts/query/exhibition+waltz

Immanent objects in the Stream of

Consciousness

Remembering

Phantasy

Phantasms

Re-production

Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y
Immanent objects in the Stream of Consciousness Remembering P h a n t a s y

Consciousness of Internal Time

Consciousness of Internal Time The Stream of Consciousness Retention/Impression/Prote ntion [Past/Present/Future] An
Consciousness of Internal Time The Stream of Consciousness Retention/Impression/Prote ntion [Past/Present/Future] An

The Stream of Consciousness

Retention/Impression/Prote

ntion [Past/Present/Future]

An imanent object (a tune,

a kinetic melody,

A transcendent object (a

dance on stage, a video recording of a dance,…)

)

Retention and Remembering

Remembering (an act of a subject…)

of an immanent Object (e.g. a musical tune; a

kinetic melody a remembered sequence of dance movements)

reconstruction on the basis of remembering

Retention

pre-reflective/habitual re-enactment

inscription metaphor (the problem of storage base the body? The DNA? the brain?)

Relation between the stream of consciousness and the body flow

of storage base – the body? The DNA? the brain?) – Relation between the stream of

Persisting Image-Things

Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence

Image

consciousness

Things

Persistence

Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence
Persisting Image-Things Image consciousness Things Persistence

Image-consciousness

Image-thing

a physical object (a hard

disc, a screen,

)

Image-subject (le sujet)

a topic/a reference

Image-object

an image perceived/

contemplated

• Image-object – an image perceived/ contemplated Walter Baldwin Spencer and Francis J Gillen (Photographers)

Walter Baldwin Spencer and Francis J Gillen

(Photographers) Arrernte welcoming dance by Aranda people, entrance of the strangers, Alice Springs, Central Australia, 9 May 1901

„Dance“ by Ivar Arosenius

(1878-1909)

Central Australia, 9 May 1901 „Dance“ by Ivar Arosenius (1878-1909) https://www.youtube.com/watch?v=bjgFH01k0gU
Central Australia, 9 May 1901 „Dance“ by Ivar Arosenius (1878-1909) https://www.youtube.com/watch?v=bjgFH01k0gU

https://www.youtube.com/watch?v=bjgFH01k0gU

Kinesthetic phantasy,

memory and empathy

in dance

Kinesthetic phantasy, memory and empathy in dance Dr. Gediminas Karoblis March 5, 2014, Oslo

Dr. Gediminas Karoblis March 5, 2014, Oslo

Kinesthetic phantasy, memory and empathy in dance Dr. Gediminas Karoblis March 5, 2014, Oslo

Empathy

Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing

Empathy

Other

Minds

Pairing

Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing
Empathy Empathy Other Minds Pairing

Comparative table

Body-mind

Dance - music

Leader - Follower

Identity

Dance is music

Leader is follower

(Spinoza)

Music is dance

Follower is leader

Interaction

Diachronic

Improvised

(Descartes)

choreomusical

diakinetic

negotiation

negotiation

Pre-established

Music visualisation

Prescribed

harmony

choreographic

(Leibniz)

synchrony

Pre-established Music visualisation Prescribed harmony choreographic (Leibniz) synchrony

Space structures: forms of congruence

Translation

Rotation

Reflection

Complementarity

In geometry, two figures or objects are congruent if they have the same shape and size, or if one has

the same shape and size as the

mirror image of the other.

More formally, two sets of points are called congruent if, and only if, one can

be transformed into the other by an

isometry, i.e., a combination of translations, rotations and reflections.

can be transformed into the other by an isometry, i.e., a combination of translations , rotations

Menuett Wassermusik Händel

Barockfest Ludwigslust 2010

Goldener Saal (Youtube)

Menuett Wassermusik Händel Barockfest Ludwigslust 2010 Goldener Saal (Youtube)
Menuett Wassermusik Händel Barockfest Ludwigslust 2010 Goldener Saal (Youtube)

Folk dance - Oravais menuett Pellinge,

Borgå, Finland 2007 (Youtube)

Folk dance - Oravais menuett Pellinge, Borgå , Finland 2007 (Youtube)
Folk dance - Oravais menuett Pellinge, Borgå , Finland 2007 (Youtube)

John Playford (16231686/7)

John Playford (1623 – 1686/7)
John Playford (1623 – 1686/7)

Kellom Tomlinson (ca 1690-1753)

Kellom Tomlinson (ca 1690-1753)
Kellom Tomlinson (ca 1690-1753)

Thomas Wilson (17901849)

Thomas Wilson (1790 — 1849)
Thomas Wilson (1790 — 1849)

Raul Bravo (Youtube)

Raul Bravo (Youtube)
Raul Bravo (Youtube)