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Ernest Hemingway's economical short story "Old Man at the Bridge" first appeared in Ken
Magazine (Volume 1, Number 4, May 19, 1938) prior to its later publication in the book The
Fifth Column and the First Forty-Nine Stories, also published in 1938. The Fifth Column is
Hemingway's only full-length play and also includes all of his previously published short stories.
At just two pages in length, "The Old Man at the Bridge" is one of Hemingway's shortest tales. It
is based upon an Easter Sunday stopover at the Ebro River during his coverage of the Spanish
Civil War in April 1938. Although employed by the North American Newspaper Association
(NANA), Hemingway apparently decided to submit it to Ken Magazine as a short story instead
of using it as a news article.
As Hemingway observes the movement of vehicles and civilians fleeing across the pontoon
bridge from an anticipated enemy attack, he notices a solitary old man sitting at the edge of the
structure. Upon questioning him, Hemingway determines that the old man has just walked
the twelve kilometers from his home village of San Carlos, but fatigue forces him to halt at the
bridge, for he can go no further. The last man to leave the village, the old man's duty is to take
care of the animals left behind. It is obvious that he takes his obligation seriously, for he worries
more about the cat, two goats, and eight pigeons that were under his care than for his own safety.
Sadly, he explains, he was forced to leave them behind. The cat will be able to take care of itself,
he adds, but the goats and pigeons will have to fend for themselves. The correspondent suggests
that the displaced man cross the bridge to the next crossroads, where he can catch a truck toward
Barcelona, but the man explains that "I know no one in that direction." Although the
correspondent is curious, he is not particularly helpful, and when the old man is unable to
proceed, the journalist decides that "there was nothing to do about him." The enemy would cross
the bridge soon, and death appears imminent for the old man.
The irony of the situation is not lost upon the correspondent, who realizes that the animals for
which the old man is so concerned have a greater chance of survival than their caretaker during
the next crucial twenty-four hours. Unable to walk and barely able to stand, the old man's luck
has run out, and he, too, seems resigned to his fate at the bridge.
"Old Man at the Bridge," which Ernest Hemingway "cabled from Barcelona" to his
publisher in April of 1938, most likely grew out of the author's experiences as a journalist
during the Spanish Civil War (1936-1939). In this brief and spare story, Hemingway
unleashes a multitude of contrasts: young and old, war and peace, the man-made and
the natural.
The story details a chance encounter between a young soldier and an old Spaniard at a
pontoon bridge. The old man's hometown of San Carlos is being evacuated because of
artillery fire, and he sits at the roadside before the bridge crossing, too tired to walk. The
soldier, while anticipating contact with the enemy, expresses concern about the man's
safety and encourages him to continue moving. The old man, on the other hand, is not
concerned about himself but worries about the animals he left behind. The old man's
view of himself as a guardian of animals contrasts ironically with the soldier's identity as
a killer of people.
The old man tells the soldier that he was forced to leave behind two goats, one cat, and
four pairs of doves. The old man admits that "there is no need to be unquiet" about the
welfare of a clever cat, and also confirms that he left the dove cage unlockedthe birds
will certainly fly to safety. It is the fate of "the others"the two goatsthat he laments.
The old man is very much like the goats he left in harm's way, since they have nowhere
to go and cannot take care of themselves. Unlike the goats, however, this man is
completely alone. Ultimately, both the goats and the old man are left to their fates
because the soldier admits that "there was nothing to do" but leave the old man behind.
Finally, and almost parenthetically, the young soldier mentions that this encounter took
place on Easter Sunday. The image of the risen Christ is not unlike the image of the old
man's doves being released from their cageboth are symbols of hope and peace. The
soldier, however, is not hopeful about the old man's fatehe bitterly remarks that "all the
good luck that old man would ever have" was the fact that artillery planes were not flying
that day and "the fact that cats know how to look after themselves." In this tale of
contrasts, Hemingway portrays the natural world as morally and spiritually superior to
the manufactured world of human beings because it does not destroy itself in war. As a
keeper of animals, the old man, though he has no family and no political affiliations, is
also morally and spiritually superior to the young soldier who leaves him behind.
"Old Man at the Bridge"
The setting is a spot in the countryside during the Spanish Civil War. An old man with
spectacles sits exhausted by the side of the road near a pontoon bridge that crosses a river.
Peasant refugees and Republican soldiers laden with munitions and supplies flee the
advancing Fascist army.
The narrator, who says that his mission is to cross the bridge and find out how far the
enemy has advanced, does so and finds the old man who was sitting by the bridge when he
crossed toward the enemy still sitting there when he crosses back. He begins talking to the
old man and elicits the information that his hometown is San Carlos; he was the last person
to leave the town, as he was anxious on behalf of some animals he had charge of.
The narrator, nervously awaiting the advent of the Fascist army and the ensuing battle
between the armies, asks the old man about the animals. The old man says he had charge
of two goats, a cat, and four pairs of pigeons. He says a major told him to leave the town
and the animals because of artillery fire. He says he has no family.
He then begins to express concern about what will happen to the animals. He says the cat
will be all right because cats can look after themselves, but he doesnt know what will
happen to the other animals.
The narrator, more concerned for the old mans safety than that of the animals, inquires
what the old mans politics are, and the old man replies he has none. He is 76, has come 12
kilometers and is too tired to go any further. The narrator tells him to walk up the road and
catch a ride on a truck to Barcelona.
The old man thanks him, but continues to express concern over the fate of the animals he
left behind. The narrator reassures him, saying the animals will be fine. The doves will fly
away, the narrator says, but the old man continues to worry about the goats. The narrator
tells him it is better not to think about it, and that he should get up and walk to the trucks.
The old man tries to get up and walk, but he is too tired and sinks back down. The narrator
thinks, in closing, that the old mans only luck is that cats can look after themselves and
that the day is overcast so the Fascists arent able to launch their planes.
ANALYSIS
Old Man at the Bridge was inspired by Hemingways travels as a war correspondent during
the Spanish Civil War in the 1930s. In fact, the story was originally composed as a news
dispatch from the Amposta Bridge over the Ebro River on Easter Sunday in 1938 as the
Fascists were set to overrun the region. Hemingway was writing for the North American
Newspaper Association but decided to submit this snippet of writing as a short story to a
magazine instead of as a journalistic article, which accounts, to a certain extent, for its short
length.
For all of its unorthodox origins, the story deals with familiar Hemingway themes of
depression, resignation, and impending death. The old man is the heroic fatalist or fatalistic
hero of the story, resigned to his fate as a casualty of the war. He is too old and tired to
move, he says, and demonstrates, to the narrator, and the narrator reflects that he is sure
to be killed once the Fascists advance to the bridge across the Ebro. His life is prolonged by
the fact that the day is overcast and the Fascists cannot launch their planes, and his mind is
eased by the fact that cats can look after themselves, but aside from that, the narrator says
nothing can be done for him and his death seems certain.
As occurs elsewhere in Hemingways writings, specifically in The Killers, the narrator of the
story seems more affected by the inevitability of the mans probable fate than by the old
man. Just as the old man worries about the goats he left behind, and the narrator tells him
its best not to think about them, the narrator worries about the old man he will have to
leave behind, but is obviously not able to stop thinking about him.
Nevertheless, one lingering question occurs to the reader as the story closes and the
narrator bemoans the old mans impending death. Why doesnt the narrator help the old
man at least part of the way to the trucks bound for Barcelona? Surely everyone, including
the narrator and the old man, is going in the same direction. Surely it would not be a great
imposition for the narrator to help a 76-year-old man who had already walked 12 kilometers
along at least part of the way to safety. Are the old mans fatalism and the narrators
despair justified? Since this story began as a news dispatch recounting an encounter
Hemingway actually had, this question takes on more than academic significance.
There is one symbol of hope in the story. At the beginning of the narrators conversation
with the old man, the birds the old man was looking after were referred to as pigeons, but
by the end of the story, they become doves, symbols of peace in wartime. The narrator
makes this switch as he asks, Did you leave the dove cage unlocked? It is unclear whether
this is a slip of the tongue, because the narrator is clearly distracted by the impending
arrival of the enemy, or if Hemingway is attempting to give the image of the birds flying
away an even more positive tint by referring to them as symbols of peace.
This is a wonderful short story which clearly depicts the true destruction caused
by war. What is marvellous about the story is it uses an old man & some animals
to make us realize where the true destruction of war lies.
Normally in literary compositions regarding war, the stories revolve
around young people. Very often its a young soldier corresponding with his
lover or family, or a young wife mourning the loss of her lover who was a soldier,
or its a retired soldier returning home only to find that his parents and loved
ones have already died. But in this short story Ernest Hemingway has used an
old man & his pets to convey the destruction caused by war in a deeper context.
Use of an old man in the context of war is truly unique and universal as it may
happen anywhere in the world. On the other hand this short story brings us the
experience of an individual and how war has affected him. It also makes us
realize that old people too have similar needs & requirements as any other &
that they too are significant.
This story revolves around an old man who was forced to leave his hometown
due to war. He didnt have anyone to consider as family in the form of humans,
but few pets whom he considered as his family. He was so attached to them
where he gave individual attention to each one of them. His whole world
centered on them and his whole existence purely depended on them. In simple
terms he lived because of those animals.
But then came the war and he was asked to leave his
hometown because of heavy artillery. The most difficult thing for him was
leaving his animals. He was not that worried about his cat because he believed
that cats could look after themselves. But he was constantly worried about the
other animals. Since he was forced to leave and the other people were
evacuating the city, he too had to leave the city. He walked twelve Kilometers
and stopped just before the bridge which carried them to the other side of the
river which was considered as the safe area. But the old man refused to cross
the bridge claiming to be tired. Crossing the bridge promised a physically
unharmed life . But it failed to give psychological happiness to everyone. Those
who were with their families crossed because they had hope to keep their
families safe and to live with them. But the old man was deprived of any hope.
He lost his hope at the very moment he left his animals. Therefore we can say
that he psychologically and symbolically died at the moment he left his animals.
That is because he lost his hope and his whole reason for existence. In this
respect Hemingway defines life as living with your loved ones and implies that a
man can be considered as living only if he carries hope. The old man constantly
mentions the symbolic death when he says that hes tired.
situation with the old man. It also shows that even an old man can lose hope
due to war.
By investigating The Old Man At The Bridge, we can understand that that the author Ernest
Hemingway is potraying the short story as an example of the relationship that he previousily
shared with his father. Hemingway uses devices such as the plot and characters to suggest
that Hemingway and his father were not close. He also emphasizes his fathers death in this
story; how he was watching through a window of consciencenous.
This short story describes Hemingway and his fathers interconnection. In the story The Old
Man and the Soldier do not know eachother. The soldier sees The Old Man as a stranger in
his eyes. The soldier is just there doing his job, and happens to see an old man that he'd
never seen before, sitting on the bridge. "An old man with steel rimmed spectacles and very
dusty clothes sat by the side of the road." (Hemingway1) What makes this a bit interesting is
that during his real life, Hemingway was distant from his father. They did not have a good
father to son connection that the Dad's are always braging about. "Growing to disdain his
father and despise his mother, Hemingway left Oak Park, Illinois, at 18 to begin his career
as a journalist at The Kansas City Star." (Broad,2,1) After his father had committed suicide
he felt somewhat more degrated and left behind. Therefore, The Old Man and Soldier
symbolize his father and how Hemingway saw their relations.
To continue with, The Old Man At The Bridge is a brief description of Hemingway's real life
relationship between him and his father. In the story the bridge is the door to death and The
Old Man is waiting behind it, in the reality of the story he at his last breathe, he's old and he
doesn't want to go on. While this happens, the soldier is standing by watching and knowing
that he is going to die if he doesn't move along. The Soldier tries but he makes no
difference to The Old Man; "If you are rested I would go," I urged. "Get up and try to walk
now." "Thank you," he said and got to his...