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5 Ways to Play Like George Duke

BY MATT BECK
August 7, 2013

Trying to reduce George Dukes playing to five


examples is basically impossible. He has done so much
in such a wide variety of styles, that what follows will
only scratch the surface of his musical mastery. That
being said, Ive grouped Georges playing into different
keyboard instruments, as he plays and approaches each
type of keyboard in a different way. Ive also included
how George approaches playing funk to round out the
list. George Duke is quite simply one of the best
keyboardists on the planet and certainly one of the
most eclectic ever.

1. F is for Funk

When playing Funk music, George advocates really digging in more, especially on the 1. That, he claims, is
what gives you the attitude and the grease, and its almost more important than the actual notes you
play. Ex. 1 is a funky piano groove of Georges. Notice the heavy accent on beat 1.

2. Clav Comping

When playing Clav, George takes a nod from Stevie Wonder and Herbie Hancock and keeps things pretty
simple in terms of rhythm. He primarily thinks in terms of a steady sixteenth-note pulse throughout. What
makes things really interesting is how you break up the steady flow of sixteenth-notes between the bass and
treble parts (left hand/right hand). Ex. 2 is a typical Clav comping groove that George might play.

3. Rhodes Lines

When George plays Rhodes, he tends to have a lighter touch than when he plays piano. George attributes this
to the fact that most Rhodes electric pianos have an uneven action across the key range, so by using a lighter
touch you can then choose to emphasize certain parts of the phrases more than others. If you play too hard,
the music wont speak as well.Ex. 3 is a line that is similar to what George might play on the Rhodes.

4. Wurly Bends

George cites the Wurlitzer electric piano as an influence ever since hearing Ray Charles Whatd I Say on
the radio. A very soulful instrument, George claims the Wurly takes him to a place unlike any other. George
tends to bend the notes more when playing Wurly, meaning he uses one or two consecutive notes as gracenotes leading to a stable target note such as the third. Ex. 4 is an example of his Wurly work.

5. Acoustic Piano Parts

George says, Its all about touch with piano. Many piano players play too hard and miss the nuances and
subtlety of the instrument. However, George is quick to point out that if youre playing in a rock context, it
can be useful to play harder. Ex. 5 is something that George might play on piano behind a sax player or
singer.

Link: http://www.keyboardmag.com/funk/1300/5-ways-to-play-like-georgeduke/29361
[NB: audio file on url]

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