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self-critical attitude that one must view one's own hypotheses as always
provisional, perhaps in general approximating the truth more closely
over time, but always subject to correction or even falsification through
disconfirming evidence. Xenophanes's student Parmenides (about
whose specific indebtedness to his teacher Popper advances a conjecture) comes, through the enlightening effect of his discovery that the
moon, in all of its phases, derives its illumination from the sun, to the
view that 'dark' matter, embodying the primary qualities, alone is cosmologically real, and that the play of light on surfaces is illusion, Doxa
(for an argument against this view, see below). The Atomists attempt to
refute Parmenides's idea by arguing for the reality of a void separating
plural material entities, and so are responsible, not only for the first
scientific 'refutation', but also for the perdurance even up through parts
of the twentieth century of the important atomic theory, a genuinely
scientific attitude. Meanwhile Parmenides's own invention of the axiomatic method passes to Plato, a tyrant in politics but not in epistemology; it is only Aristotle's mistaken emphasis on an intuitive,
non-self-critical, apprehension of essential definitions which both makes
questionable the foundation of his own metaphysics and brings to a
temporary close the genuine, Xenophanean attitude of in-principle-correctible critical inquiry, an attitude not to be revived until Galileo.
Indeed, this conjecture appears to have certain advantages: it redeems
the Presocratics from overly romantic or historicist interpretations by
giving them what in Popper's terms is genuine intellectual respectability
and the decisive role, not only in the discovery of Western rational
method, but also in the establishment of particular cosmological views
which have been crucial in science. The central historical claim in this
group of essays, however, is a claim about Parmenides: it is essential to
attempt to refute it.
For Popper (who, in this regard, is too heavily indebted to Burner2),
Parmenides is a materialist who holds that light is an illusion. (The
conjecture that Parmenides himself may have been color-blind or had a
blind sister, as important as a goddess in the childhood evolution of his
sense of justice in explanation, cannot be verified or refuted.) The stimulus, indeed the shocking vision, behind this materialism is in Popper's
mind one of Parmenides' most important cosmological discoveries: the
2 John Bumet, Early Greek Philosophy (4th edition London: A. & C. Black, 1930)
moon shines only with reflected light; consequently the changes of phase
are not real but only illusions produced by the movement of light across
her surface; taken just by itself, the moon is a dark sphere without any
illumination at all. Thus, by analogy but also by argument, the cosmos
as a whole, surrounded by the impenetrable vault of heaven, is a dark,
unchanging, spherical body, and the deluded, double-headed mortals
are mistaken in thinking it to be a group of moving objects each of which
goes through different conditions of illumination. Thus an imaginative
picture, occasioned by a single cosmological discovery, gets generalized
and argued for as it becomes a whole cosmology/ontology. Popper
writes beautifully in Essays 3-6 as he puts forward this account of the
psychology of Parmenides here and of discovery in general.
Against Popper's conjecture it must be said, first, that no Parmenidean
being could essentially be either light or dark, occupied by either member of a pair of contraries; second, that Parmenidean being cannot be a
material body; third, that the discovery that the morning star and the
evening star are one may have played a more decisive role than the
discovery about the moon; fourth, that the major Parmenidean demon
is non-identity (if this is so, then the Atomists, rather than correcting
Parmenides in a demonstrable way, simply misunderstood him). I must
point out that the first and second of these claims are more generally
accepted than the last two.
First, even on Popper's own thought-experiment, the moon could not
be 'really' either light or dark; if darkness is the contrary opposite of light,
then neither contrary can be an essential feature of any body. It would
be more correct to say that the moon (or its generalization, Being) has no
color, indeed is not characterized by either member of any pair of
contraries. (See, however, 207 n. 21, where Popper does seem to say this.)
Parmenides, when describing Truth, always rejects both members of
such pairs (B8.3-5, 17-18, 22-27, 32-33, 42), though he wiU argue for
being's possession of one member of a pair of contradictories (but see
Popper's criticism of Lloyd, 209 n. 42). Light and darkness are both
Presocratic positive opposite terms, like Ahura-Mazda and Ahriman in
Zoroastrianism, and not, as in Aristotle, a positive and a privative within
a single genus. It is only in Parmenides's 'Opinion' section, which
describes the false mortal cosmology, that any contraries are accepted
(B8.51-61, B9-19).
Second, Parmenidean being is eternal (or, at least, atemporal): 'earlier'
and 'later' do not apply to it (B8.10); it is not 'divisible' (B8.22), not
because it is a solid body (no solid body, however tightly packed, is in
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3 Scott Austin, Parmenides: Being, Bounds, and Logic (New Haven and London: Yale
University Press, 1986)
4 Alexander P.D. Mourelatos, The Route of Parmenides (New Haven: Yale University
Press, 1970)
5 Patricia Curd, The Legacy of Parmenides: Eleatic Monism and Later Presocratic Thought
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way. Yet (or, perhaps, consequently) one attempts to refute it: what
might be arguments for and against a view of truth which, as Popper
points out, dates from the Eleatic revolution? Why does argumentative
or experiential evidence play a role in the determination of such truth,
and how would one show, using rational argument, that truth is best
approached by means of such argument? These are, one thinks, not
naively relativistic questions, but instead serious metasystematic ones.
And yet the volume does not face them. Instead, the picture is drawn:
there is Eleatic truth, but we, as 'mortals', approach it only through a
series of conjectural experiments; we cannot determine it or know for
certain what it is like. Yet (contra Popper) Parmenides, at least, and Zeno
(arguing negatively for the same conclusion), not to mention Plato, offer
reasons for why the truth has to be this way and use a method (essentially, dialectic in some sense, though not in the Hegelian sense) for
determining its basic features. But for Popper these, too, would have to
be conjectures, not to mention his own view? How could conjectures
about truth be checked against truth if the nature and existence of truth
are themselves open to conjecture? Yet Popper in this volume seems only
to assume the truth of a fairly simple ontology, an assumption which,
however, underlies his entire picture of the Presocratic invention of
rational inquiry generally. How does one know that one does not know?
Without something like a Platonic dialectic in which the answers to even
such questions could be ascertained, Popper's overall view looks like a
fairly naive empiricism paradoxically based on a firm, traditionalist
ontology. Yet it is precisely this combination of narrowness and hidden
dogmatism which invites the Romantic reaction against whose ultimate
political consequences Popper rightly fights with all his claws.
Finally, a word on the procedure of the editors. The volume contains
an introduction by Popper himself apologizing for repetitiveness, presumably especially in the Parmenides essays: Essay 3 is an 'improved
and expanded' version of a paper in Classical Quarterly;6 Essay 4, however, is an earlier draft (1989) and Essay 5 is still earlier (1988), while
Essay 6 is a public lecture delivered in 1973. It seems to have been
Popper's own intention to print these essays in reverse chronological
order (?). But what is not clear from the introduction, which seems to
give Popper's blessing to the volume as printed, is that a portion was in
fact reconstructed from Nachlass, even using tables of contents which are
themselves part of Nachlass (which is the case in Essay 2; the editorial
acknowledgement is on pp. 65-7). The addendum to Essay 6 is leased
on' correspondence to the editor, i.e., is at least not positively declared
by the latter to have been part of a Popperian plan for revising the lecture.
The section headings in Essay 7 are not Popper's own (146) and there
seems to have been 'stylistic improvement throughout the collection'
(146) (where, exactly?). The compilation of Essay 9 is Popper's (251). But
Section VIII in Essay 10 (this essay was originally a printed article) is
itself from a printed speech (271), while the appendix is made up of
Nachlass which the editors say was not 'complete and final' (280; was the
other Nachlass material considered 'complete and final'? If so, why?).
Here, in an appendix containing material presented as real fragments,
not material sewn into an essay, is where all the relevant Nachlass really
belong. The editors are open about these procedures in the appropriate
places, but one could have wished for more information about reasons,
as well as for some indication at the beginning that some of the compiling
(especially in Essay 2) was done after Popper's death (was it, or was it
not, at his direction?). This suggestion is not meant to impugn the
honesty or candor of the editors, nor their obvious careful and friendly
attention to Popper and his work.
Department of Philosophy
Texas A&M University
College Station, TX
77843-4237
U.S.A.
s-austin@philosophy.tamu.edu