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50

1961

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TABLE OF CONTENTS

Foreword 1

Bibliography, Collections and Key to Abbreviations 11

The Sequence of Issues 27

Note on the Catalogue 80

The Early Period (196/5-169/8 B.C.)

Catalogue 82

Commentary 107

The Middle Period (168/7-182/1 B.C.)

Catalogue 138

Commentary 807

The Late Period (181/0-88/7 B.C.)

Catalogue 820

Commentary 892

Sullan Issues 425

Imitations 440

Hoards 478

Magistrates 546

Symbols 600

Statistical Survey

A. Amphora Letters 608

B. Control Combinations 618

C. Silver Analyses 622

D. Bronze Analyses 638

E. Weights 642

F. Die Positions 648

G. Annual Distribution of the Coinage 649

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In Conclusion 723

Indexes 728

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FOREWORD

For more than a century the New Style coinage of Athens has been a sub-

ject of serious numismatic study. Its attraction is easily understandable, for

in the field of Greek numismatics there is perhaps no series which presents a

greater challenge and at the same time holds out a more definite promise of

fulfilment. This is an abundant coinage, extensive in time, varied in style, and

rich in factual information. Its reverses provide the names of hundreds of

Athenian magistrates, the month dates of individual pieces, and an elaborate

system of control lettersthe only important omission is the years of striking.

If any undated sequence can be arranged in exact chronological order it would

seem to be this one and many scholars have applied themselves to the task. The

latest of these, Alfred R. Bellinger, has summarized the work of his predecessors

in his article "The Chronology of the Attic New Style Tetradrachms"; much of

what follows in the next few paragraphs is a repetition of his general survey.

E. Beule made the first attempt at a compilation of New Style issues. His

publication, Les monnaies d'Athenes (Paris 1858), includes nearly 2000 silver

and bronze coins, each issue illustrated with an engraving of a typical reverse.

In a few cases obverses are reproduced and also the fractional silver and bronze

which Beule thought related to the tetradrachm strikings. The arrangement is

uncomplicated. Monogram issues are separated from those with the names of

magistrates written out, but the second category has a strictly alphabetical

order. With the monogram emissions Beule indicated his judgment as to se-

quence, often giving specific dates with reference to historical events in the

period immediately succeeding the death of Alexander.1

1 In assigning the beginning of the New Style coinage to the last quarter of the fourth century

Beule was in agreement with earlier numismatic opinion (cited on pp. 93-100 of Les monnaies

d'Athenes). He failed, however, to mention or take into consideration one dissenting judgment

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which time has vindicated. The Numismatic Chronicle in its 1854 volume (pp. 29-37) published

extracts of a letter from Charles T. Newton, British vice consul at Mytilene, which had been read

before the Royal Numismatic Society two years earlier by W. S. W. Vaux. In that letter, dealing

chiefly with a hoard of coins of Alexander the Great, Newton discussed very briefly the spread-

flan coinages of various Greek cities, ending with the observation, "It was about the middle of

this period, that is to say, about B.C. 200, that I should place the commencement of the broad

tetradrachms of Athens, which form the third, or more modern series of that mint." No reasons

were given in support of the date, which no doubt explains why Newton's suggestion was ignored

by later numismatists, but it is interesting to note that as early as 1852, six years before Beule's

volume appeared, an approximately correct date for the inauguration of the New Style series

was on record.

The New Style Silver Coinage of Athens

Beule's alphabetical arrangement of the issues with magistrates' names was

followed by Barclay V. Head in the British Museum Catalogue of 1888, but in

the later Historia Numorum (2nd ed., Oxford 1911) he outlined a chronological

classification of the coins, dividing them into six periods on the basis of style.

The general groupings which he mademonograms, two magistrates with ab-

breviated names, three magistrates, two magistrates with names in full were

accepted and retained by later scholars.

A still more elaborate study of stylistic sequence was presented by Jean

Svoronos. The monumental work on which he was engaged, Les monnaies

d'Athenes, was interrupted by his death but the illustrations he had assembled

were published a few years later by Behrendt Pick (Munich 1923-1926). There

is no accompanying text but the plates certainly represent Svoronos' con-

clusions as to general arrangement. Eight divisions of the coinage are indicated

and Svoronos' keen eye for style is apparent in the association of issues com-

prising the separate sections. However, with some deviation, the order within

each division is still alphabetical.

With the work of M. L. Kambanis the arrangement of the issues was given

a tool of precision which it had hitherto lacked. In a series of "Notes sur le

classement chronologique des monnaies d'Athenes," Kambanis presented his

crucially important discovery that obverse dies were sometimes transferred

from one issue to another and that where such transfer can be established there

is firm proof of chronological sequence. Unfortunately, like Svoronos, Kam-

banis died before the completion of his study, but the six articles he published

between 1928 and 1938 do present most of the links he had found and also

indicate the conclusions he had reached in respect to the arrangement of sec-

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tions of the coinage.

In 1949 Alfred Bellinger gave fresh impetus to the study of the New Style

coins in the article cited above. His publication brings together the research

and conclusions of earlier numismatists, summarizes the present state of the

question, and indicates the direction that future study must take. Bellinger's

arrangement embodies the links published by Kambanis and is guided to a

considerable extent by Svoronos' groupings, but there are important deviations

which are carefully explained.

So much for the chronological order. While this work was going on other

aspects of the New Style coinage were receiving attention. J. Sundwall in

his Untersuchungen iiber die attischen Miinzen des neueren Stiles dealt with

the prosopographical material and drew up a most useful tabulation of third

magistrates, amphora letters and control marks associated with each issue.

The letters which indicate the months of striking were discussed by George

Macdonald in an article on "The Amphora Letters on Coins of Athens." Sund-

Foreword

wall and Svoronos attempted to explain the control markings which appear

below the amphora on all but the earliest New Style issues; a number of brief

articles, notably by Lederer and Svoronos, considered the problems raised by

individual issues. Reference will be made to all these studies in the pertinent

sections of the present publication.

From this research of the past hundred years many theories and assump-

tionsand one facthave emerged. Some of the hypotheses have been short-

lived, demonstrably untrue in the light of further study; others, although

grounded in probability rather than certainty, have been accepted by so many

authorities that they have solidified as basic premises, well-nigh indistinguish-

able from facts.

Before any new approach to the coinage is made, it might be well to differ-

entiate clearly between fact and theory. There is, I believe, only one fact which

has so far been established with regard to the New Style coinage of Athens,

namely that diverse issues made use of the same obverse die or dies, a circum-

stance which indicates chronological contiguity. Even this should perhaps be

qualified. It is conceivable that a die, discarded as worn but not thrown away,

was brought back into service after an interval to help meet an emergency

need for a large amount of money. Dies cut for the drachms, which were minor

issues as compared with the tetradrachm strikings, may have been carried over

several years, so that a link in the fractional silver does not necessarily imply

immediate sequence. However, unless there is conflicting evidence, it seems

safe to regard issues in which the same obverse die appears at the end of one

year and at the beginning of another as consecutive strikings.

All the rest is assumption, some of it firmly based, some of it tenuous. The

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theories which have been most generally accepted are the following:

1. Our material is sufficiently complete so that the record of known issues

will be supplemented only slightly, if at all, by future discoveries.

2. The coinage is a series of annual issues, dated by the months of the civil

calendar, and for the most part continuous, down at least to 86 B.C.

8. Athens began striking this new coinage in 229 B.C. after the withdrawal

of the Macedonian garrisons and stopped sometime after Sulla, either in the

middle of the first century before Christ or in the time of Augustus.

4. Head's basic division of the issuesmonograms, abbreviated names,

three magistrates, two magistratesrepresents a chronological progression of

clearly-defined groups.

5. Certain magistrates are to be identified with historical personalities,

notably Antiochos and Mithradates with Antiochos IV of Syria and Mithra-

dates VI of Pontus.

The New Style Silver Coinage of Athens

6. The Delos material is important in determining what issues were struck

before 88 B.C., the date when the island was devastated by Mithradates' forces.

This means that all issues found on Delos must antedate 88 but it does not,

of course, follow that all issues not found there must be later than Mithradates.

There are three-magistrate issues, which clearly belong in an earlier period,

and a few of the late two-magistrate issues, which for one reason or another

must be dated before 88, missing from the Delos record, but with these ex-

ceptions, the strikings not represented in the Delos burials are assumed to

postdate Sulla.

Not all scholars have held all these assumptions but I think it is a fair

statement of the case to say that they do represent the consensus of numis-

matic opinion, at least prior to 1949. Then Alfred Bellinger published his

startling theory that the coinage began c. 180/79 B.C. and that one of its most

cherished landmarks, Antiochos Epiphanes, must be abandoned. At that time

I was not prepared to revise thus radically my "basic assumptions," but doubt

had been implanted and as I began to work over the coinage it became in-

creasingly clear that not only Antiochos IV and 229 B.C. must be discarded

but that other hallowed assumptions as well were demonstrably false or sus-

ceptible of strong challenge.

It is not easy to break with long-established tradition unless one enjoys

demolition for its own sake. I have tried to reconcile the evidence as I see it

with the basic premises outlined above and have abandoned some of the latter

only reluctantly and with trepidation. If the iconoclasm which emerges in the

following pages seems shocking to the reader, it has seemed no less so to me,

but there is some consolation to be derived from the reflection that truth is

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often served through heresy.

This present study was undertaken in the belief that a new corpus of the

New Style coinage was needed if any firm chronological order were ever to be

established. Beule's listing, although it included all specimens known to him

of both silver and bronze, is a century old and furthermore unillustrated for

all practical purposes. The material gathered by Svoronos is extensive and the

coins are reproduced photographically, but the result is a selection rather than

a corpus. Svoronos seems to have been concerned chiefly with reverse variations

rather than with a complete record of obverse and reverse dies and although his

text might have provided a catalogue of unillustrated specimens, we do not

have it. Kambanis may have planned a corpus but the material which he left

does not indicate this.1

1 In 1951 the American Numismatic Society acquired the casts of 1699 New Style tetra-

drachms which Kambanis had assembled for his studies. Shortly thereafter, his heirs turned over

to us a group of notebooks and folders compiled by Kambanis during the course of his work.

Foreword

Yet it is a corpus which is needed, as Kambanis pointed out, if one is to

make full use of the basic contribution of the coins themselves. Prosopographical

and historical theories can be most persuasive but they remain theories until

they can be tested by the proof of chronology which the die links provide.

Since reference will be made from time to time to this material, it will be well to outline in some

detail just what it includes. There are five items of direct pertinence for the New Style coinage:

1) A summary listing of all specimens from nineteen public and three private collections,

together with a few coins in the hands of a dealer. This was drawn up in 1928-1929 and contains

data on third magistrates, amphora and control letters, and weights. According to Kambanis'

tally, the total is roughly 2100 tetradrachms.

2) A skeleton catalogue by issues, embodying the information from the sources above sup-

plemented with material from other public and private collections, from Svoronos' plates and

from sales catalogues. This is prefaced by what seems to be Kambanis' tentative sequence of

issues and to it is appended an elaborate table of weights. The total number of tetradrachms

here is 5918, and the great increase in the amount of material recorded would indicate that this

compilation, although undated, is later than No. 1 above.

3) A folder with a listing of the AHMHTPIOZ - ArAGITTnOZ coins, paralleling the record

in No. 2, together with mounted photographs of sixty-six specimens.

4) A folder containing similar listings and illustrations for thirteen issues of the three-magis-

trate period.

5) A third folder which is somewhat difficult to interpret. It consists in the main of a pen

and ink manuscript (pages numbered 16-84) which has been revised in pencil, and on the last

page there is the pencilled notation "Mykonos 23 Sept. 1938." This then is later than the last

of Kambanis' published studies. Pages are missing at the beginning but of what we have left

the first section discusses briefly a group of three-magistrate issues. This is followed by general

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commentaries on various aspects of the New Style coinagemagistrates, symbols, weights,

amphora letters and so forth. Toward the end there is a section which recapitulates the evidence

for three die links already published, outlines the proof for one mentioned in print but not illus-

trated, and adds a new one. On the face of it, one might suppose that we have here Kambanis'

summary of his thoughts on the arrangement and significance of the coinage, intended perhaps

as a final "Note" in the series he published, but there are grave objections to this. The listing of

the three-magistrate issues in the early section of the manuscript is alphabetical and does not

even take into account the die links which Kambanis had published; there is a presentation of

the evidence for some die links but it is by no means inclusive; finally almost all of the pages

have been x'd over in pencil as though the material were for some reason outdated or discarded.

In view of the uncertainties concerning the manuscript, its contents must be appraised with

caution. Reference will be made to it but one cannot be sure that it represents Kambanis' final

thoughts on the New Style coinage.

It is in this manuscript that one finds the following observations which would seem to indi-

cate that Kambanis did not plan a corpus of the coinage: "Une derniere ressource pour nous

mettre dans la voie de telles recherches (into the arrangement of the issues) serait le style et la

fabrique des monnaies mais dans la plus grande partie des cas on ne saurait rdussir sans perseverer

dans les recherches laborieuses constitutes par une comparaison des coins. Le succes d6pend de

la quantite de materiaux dont on dispose En somme il n'y a qu'un corpus general qui aiderait

a une solution definitive. En attendant, on donnera ici quelques exemples de ces coincidences

des coins..."

The New Style Silver Coinage of Athens

The catalogue which follows is as complete as I have been able to make it.

Kambanis' collection of casts, reproducing 1699 tetradrachms, was a substantial

body of material on which to build but it required a great deal of supplementa-

tion. Between 1951 and 1960 I have added nearly 4500 tetradrachms and

800 fractions to his compilation for a complete record of all major collections

here and abroad, with one exception. Through the cooperation of Mme. L. N. Be-

lova, photographs of all the early and late coins in the Hermitage Cabinet have

been supplied. A detailed listing of some 300 additional pieces, all from the

three-magistrate period, was made by Henri Seyrig during a visit to Leningrad,

but it was not possible to secure photographs of these coins.1

Over the past century there has naturally been a substantial increase in

the number of known specimens, due in large measure to additional hoard

material. Beul6's compilation of 1858 contained fewer than 2000 tetradrachms.

Svoronos' publication sixty-five years later included reproductions of about

800 representative tetradrachms. Kambanis estimated that there were in 1938

over 10,000 New Style tetradrachms in private and public cabinets and stated

that he had himself recorded 7500 of them (this second figure is excessive; the

accurate count would be closer to 5000).2 The present catalogue contains

6193 tetradrachms, 701 drachms and 94 hemidrachms.

1 At the time this Foreword was written it was feared that the contents of the Berlin Cabinet

would also have to be omitted from the corpus. Most happily the vast amount of material in that

collection became accessible late in 1958 and during the course of the following ten months photo-

graphs and casts of 586 tetradrachms and fractions, of which I had had no previous record, were

secured through the kind offices of Prof. Dr. Arthur Suhle and Herr Eberhard Erxleben. When

news of the availability of this material reached me, work on the catalogue and plates had already

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been completed. The Berlin entries have been inserted in their proper places but the catalogue

as a whole has not been renumbered. Twenty-one new obverse dies (nineteen for tetradrachms

and two for drachms) coming for the most part from the Berlin Cabinet have been given X num-

bers: 31X, 44X and so forth.

With regard to the Leningrad material, it is doubtful that the unrecorded specimens would

make any decisive change in the present record. M. Seyrig's listing adds nothing new in the way

of issues, magistrates, dates or control combinations. One would certainly find a fair number of

new reverse dies and probably some new obverse ones as well. Nearly four hundred and fifty

coins from the three-magistrate period were among the Berlin coins recently recorded and these

supplied seven new obverse dies, no one of them providing a link between issues. One would

expect perhaps four or five more from the 300 odd coins of the Hermitage but the chance of their

changing the well-established sequence for the Middle Period is negligible.

2 None of these totals represents an exact tally on my part. I have, however, added the tetra-

drachms for the first section of the coinage, that with monograms and abbreviated names:

Beule 314

Svoronos 196

Kambanis 726 (but, as explained below, more likely 600)

Thompson 1003

Foreword

How does this increase in material affect the assumption that our record

of issues is virtually complete? Beule knew 101 of the regular issues which

comprised the New Style output of the Athenian mint and also the two atypical

strikings without A 0 E. Fifty years later Head in the Historia Numorum was

able, as a result of the publications of Svoronos, Lobbecke and others, to add

eight late issues (two of them known only from drachms)1 and the O AEMOZ

striking. These were all illustrated by Svoronos, together with a variant of the

R - M and kerchnos coinage of the early period. Despite the tremendous

amount of material that Kambanis had studied, his listing included only one

new issuethat of ft-A without symbolan example of which had been

originally published by Lederer in 1926, and the unique tetradrachm from the

Petsalis Collection which goes with the AIONYCIOC - AHMOCTPATOC drachms

illustrated by Svoronos. In 1949 Bellinger reproduced a single coin of a hitherto

unknown issue, N'-Iwith two palms, bringing the count to 111 regular and

three irregular issues. In the present catalogue this total is decreased by two.

Only 110 regular and two irregular emissions are attributed to the mint of

Athens; the KOINTOZ - XAPMOZTPA and O AEMOZ strikings are classified as

imitations. All additions since Beule have been at the beginning or the end of

the coinage and the number of specimens known for each new issue is so small

(one or two for the late pieces; four for the earliest issue) that it is quite safe

Kambanis' figure of 7500 tetradrachms he had catalogued must be taken as a very rough estimate.

The listing which he compiled from diverse sources (item 2 in the footnote on p. 5) includes exactly

5918 pieces. But this does not mean that Kambanis had seen 5918 different specimens. The same

coin appearing in two sales catalogues is given two entries; coins described but not illustrated in

sales catalogues and published collections are entered although the chances are that most of them

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found their way eventually into the private and public cabinets which Kambanis inspected. Two

issues have been checked with these repetitions in mind: that with monograms and rudder symbol

and that with AHMH - IEPQ and helmet symbol. For the first, Kambanis lists eighteen coins. Two

of these from different sales catalogues are the same piece; two others (Beul6 and Mavrokordatou

Collections) are nowhere illustrated and in all probability duplicate other entries. In any event,

for purposes of a corpus there are fifteen not eighteen rudder coins. With the AHMH - lEPfl issue

there are forty-six entries of which eight have to be subtracted as repetitions or unillustrated

specimens. In both instances the number of specimens whose separate identity can be established

is less by one-sixth than the count in Kambanis' notebook. Assuming that these proportions hold

throughout the series, one must then consider Kambanis' record as closer to 5000 than to 7500

tetradrachms. This is of no great significance except that his figures have led us to believe that

rather more coins have survived than is in all probability the case. Even with the addition of

hoard material uncovered since 1938,1 should be inclined to estimate that there are fewer than

8000 tetradrachms above ground today.

1 AlONYZIOZ-MNAZArOPAZ; 0EOOPAZTOZ - EMIZTO; KAAAIMAXOZ - ETTIK-

PATHZ; MENNEAZ-HPOJAHZ; TTANTAKAHZ- AHMHTPIOZ; TPYOQN - TTOAYXAP-

MOZ; AIONYCIOC -AHMOCTPATOC (dr.); AHMOXAPHC-T7AMMENHC (dr.).

The New Style Silver Coinage of Athens

to assume that all major issues have now been recorded. Hoards of the future

may provide a new striking or two at one extremity or the other of the series

and we may some day have a tetradrachm as a companion piece for the AHMO-

XAPHC -TTAMMENHC drachm, but on the whole the chances are good that we

now know all the issues.

No one would be so rash as to claim that we have a record of all the dies.

The situation with regard to the obverses is, however, more encouraging than

that which concerns the reverses. Prior to the autumn of 1955 when the writer

went abroad to assemble additional material, 1097 obverse dies for tetra-

drachms and over 3000 reverses had been incorporated in the catalogue. During

visits to various European museums 656 tetradrachms were added to the listing.

Of these only sixteen proved to have obverse dies not previously recorded, but

among the 656 coins, 271 new reverse-obverse combinations were discovered.

Many of the reverse dies, to be sure, were already known, but not as coupled

with these particular obverses. From this check it is obvious that our record

of reverse dies and reverse-obverse combinations is far from complete, but at

the same time it seems certain that the 1136 obverses illustrated on the plates

include the vast majority of surviving dies, and it is the obverses which are of

paramount importance for the chronology.

With the material at his disposal, Kambanis found 18 die links involving

24 issues, two of which must be eliminated.1 The present publication establishes

51 links involving 39 issues. One wishes that more strikings could have been

thus incontrovertibly bound together but all additional evidence is precious

and in some cases the individual links have a significance which transcends

that of the exact chronology.

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This study of the New Style coinage of Athens would have been quite im-

possible without the assistance of the many individuals in diverse parts of the

world who have responded with unfailing courtesy and cooperation to my re-

quests for material and information. The listing of public and private collec-

tions, in the bibliographical section which follows, gives the names of those

through whose kind offices I have secured casts, photographs and data, but

that bare outline is a wholly inadequate indication of my profound gratitude

for help received. In numerous instances, museum curators and private col-

lectors not only have made available the coins in their custody and in their

cabinets but have gone out of their way to provide reproductions and in-

formation on other collections of which they had knowledge, thus adding

greatly to the completeness of this survey. My thanks for catalogue material

are also due to the European and American dealers who have brought coins

iKTHZI-EYMA and AHMH - IEPQ; NEXTQP - MNAZEAZ and EYMHAOZ - 0EO-

EENIAHZ. These erroneous connections are discussed fully in the commentaries (pp. 130, 461).

Foreword

in trade to my attention, and in particular to Dr. Herbert A. Cahn, Mr.

W. V. Royle Baldwin, Mr. Edward Gans and the late Mr. L. Forrer.

With his customary helpfulness Professor Henri Seyrig has supplied me

with an extensive record of coins from hoards and collections in Lebanon and

Syria and I am further indebted to him for the preparation of a detailed listing

of the contents of the Hermitage Cabinet, a time-consuming undertaking

which, I fear, was carried out at the expense of his own research projects.

M. Georges Le Rider offered to make casts and to check data with respect to

particular coins during a visit to the Berlin Museum and in so doing com-

pounded my already great obligation for photographs and casts of material

in Cretan and Athenian collections, much of which would otherwise have re-

mained inaccessible. The present study, like any survey of a major coinage,

has imposed a heavy burden on the facilities of the British Museum and I am

warmly grateful to Mr. G. K. Jenkins not only for the complete numismatic

record but also for many additional services in connection with special prob-

lems. Dr. E. S. G. Robinson has placed at my disposal his careful notes on

New Style hoard material which had passed through his hands and has most

generously shared and permitted me to publish his thoughts on the monograms

of the Sullan issues. From the beginning, Mr. Sydney P. Noe has taken a deep

interest in the course of the inquiry and has furthered its progress in every way

possible; the book is the better for his kindness.

Grateful acknowledgement is made of a grant from the Penrose Fund of

the American Philosophical Society which enabled me to spend some months

abroad examining and cataloguing a great deal of new material. That I was

able to complete the work at Athens in the short time available is due to the

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assistance of Miss Eva Brann and Professor William P. Wallace who photo-

graphed at an earlier date large sections of the holdings of that cabinet, thus

providing me with a most useful preliminary record.

The cooperation and contributions of specialists in various fields are ac-

knowledged in relation to the pertinent sections of the study. For help of a

more general nature I am indebted to Professor John V. A. Fine and to Dr.

Homer A. Thompson for aid and guidance in connection with certain historical

and epigraphical problems. Basic research for the chapter on magistrates was

greatly facilitated by Dr. Irwin Merker's generosity in making an "indefinite

loan" of his copy of Prosopographia Attica. Preparation and presentation of

the material owes much to Miss Dorothy H. Cox for her skillful reproduction

of the numerous and often complicated monograms; to Mrs. Annade Lafayette,

Mrs. Beulah Shonnard and Miss Rose Mangini for competent and willing service

in cast-making and other tedious chores; to Mr. Raymond Johnson for the vast

amount of photography required; to Miss Joan Fagerlie for her kindness in

10

The New Style Silver Coinage of Athens

helping with the onerous task of reading proof; and to Mr. Sawyer McA. Mosser

and Mr. J. J. Augustin for the painstaking care with which they have seen the

volume through the editing and printing stages. The Council of the American

Numismatic Society has most generously and without hesitation assumed

the heavy financial burden of publication and I should like to express to its

members my sincere appreciation of their confidence.

Over the course of the years there have been many who could not choose

but hear. To my captive auditorsfamily, friends and colleaguesI tender

apologies and heartfelt thanks for the patience and forbearance with which

they have borne with me and with the coinage of Athens. No one of them has

been more sorely tried than Professor Alfred R. Bellinger and it is difficult to

express the measure of my gratitude for counsel and encouragement far beyond

the call of either duty or friendship.

As I think of the predecessors whose scholarly research laid the foundations

for the present study and of the contemporaries whose help has enabled me to

bring it to completion, I share Pascal's conviction that an author should speak

not of "my book" or "my history" but rather of "our book" or "our history"

since in it there is usually more of other people's than of his own. It is, then,

to all those others who have contributed in so many ways that our book is

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gratefully inscribed.

BIBLIOGRAPHY, COLLECTIONS AND KEY

TO ABBREVIATIONS

(A few public and private collections cited in the catalogue do not appear in the listing

below. In these cases the record is based either on Svoronos' plates in Les monnaies

d'Athenes or on the cast collection which Kambanis had assembled for his studies and

the author does not know how complete it is.)

Aberdeen Collection of the University of Aberdeen. Catalogue of Newnham Davis

coins by E. S. G. Robinson. Material and information provided by E. J. P. Raven

and A. Cameron.

A J A American Journal of Archaeology.

AM Mitteilungen des deutschen archaologischen Instituts, athenische Abteilung.

Amsterdam Collection of the Kon. Akademie van Wetenschapen. Catalogue by U.

Ph. Boissevain. Material and information provided by A. N. Zadoks-Jitta.

Am. Univ. Beirut Collection of the American University, Beirut. Material and infor-

mation provided by D. C. Baramki.

ANA Conv. Cat. Catalogue of sales held in connection with the annual convention of

the American Numismatic Association.

Aug. 25-28, 1951. Phoenix, Arizona.

Aug. 1&-20, 1952. New York, N. Y.

Aug. 17-21, 1954. Cleveland, Ohio.

Andreopoulos Coll. Coins in the collection of Constantine Andreopoulos, Athens.

ANS Collection of the American Numismatic Society.

ANS-ETN American Numismatic Society, formerly the collection of Edward T. Newell.

ANS-Gautier American Numismatic Society, formerly the collection of Maurice Gautier.

ANSCent. Centennial Publication of the American Numismatic Society, New York,

1958.

ANSMN The American Numismatic Society Museum Notes.

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Arch. Archaeometry, The Bulletin of the Research Laboratory for Archaeology and

the History of Art, Oxford.

Arch. Zeit. Archaologische Zeitung.

Ardaillon, E. Les mines du Laurion dans I'antiquiU, Paris, 1897.

Areihuse, Suppl. comm. (see under Florange-Ciani).

Athens Collection of the National Numismatic Museum. Material and information

provided by Irene Varoucha-Christodoulopoulou.

Athens Collector Coins in the collection of an Athenian resident who prefers to remain

anonymous.

Babelon, J. Catalogue de la collection de Luynes, II, Paris, 1925.

12

The New Style Silver Coinage of Athens

Baker Coll. Coins in the collection of De Vere Baker, Brownsville, Texas.

Ball Sales catalogue of R. Ball Nachf., Berlin.

VI: Feb. 9, 1982.

89: Fixed Price List 89, April 1987.

Bartlett Coll. Coins in the collection of F. Lewis Bartlett, Haverford, Pa.

Basel Collection of the Historisches Museum. Material and information provided by

W. Schneewind.

Bauer Coll. Coins at one time comprising the collection of G. Bauer, Rochester, N. Y.

BCH Bulletin de correspondance hellenique.

Beazley, J. D. Attic Black-figure Vase-painters, Oxford, 1956.

Bellinger, A. R. Two Hoards of Attic Bronze Coins, NNM 42, 1930.

Review of Noe, S. P., A Bibliography of Greek Coin Hoards, A J A, 1938, pp. 317-319.

"The Chronology of the Attic New Style Tetradrachms," Hesp., Suppl. VIII, 1949,

pp. 6-80.

The Excavations at Dura-Europos, Final Report VI: The Coins, New Haven, 1949.

"The First Civic Tetradrachms of Ilium," ANSMN VIII, 1958, pp. 11-24.

Benson Coll. Coins in the collection of Ireton Benson, Great Neck, New York.

Berlin Collection of the Staatl. Miinzkabinett. Material and information provided by

A. Suhle and E. Erxleben.

Berry Coll. Coins at one time comprising the collection of Burton Y. Berry, Istanbul.

Now in the cabinet of the American Numismatic Society and recently published: SNG,

The Burton Y. Berry Collection, Part I (Macedonia to Attica), New York, 1961.

Beule, E. Les monnaies d'Athenes, Paris, 1858.

BMC A Catalogue of the Greek Coins in the British Museum.

Boeckh, A. The Public Economy of Athens (Eng. trans.), London, 1828.

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Boissevain, U. Ph. Beschreibung dcr griechischen aulonomen Miinzen im Besitze der

Kon. Akademie der Wissenschaftcn zu Amsterdam, Amsterdam, 1912.

Booth Coll. Coins at one time comprising the collection of H. Booth, Poughkeepsie, N. Y.

Boston MFA Collection of the Museum of Fine Arts, Boston. Catalogue by A. B. Brett.

Material and information provided by Hazel Palmer and Cornelius C. Vermeule.

Bourgey Sales catalogue of E. Bourgey, Paris.

Dec. 14, 1911. Coll. Chabenat.

March 27, 1912.

Dec. 8, 1928. Coll. Dr. V.

Dec. 5, 1932. Coll. G.

May 25, 1950.

Brett, A. B. Catalogue of Greek Coins, Museum of Fine Arts, Boston, 1955.

Broneer, O. "Excavations on the North Slope of the Acropolis in Athens, 1931-1932,"

Hesp., 1983, pp. 329-417.

Brooklyn Mus. Collection of the Brooklyn Museum, Brooklyn, N. Y. Material and in-

formation provided by Bernard Bothmer.

Broughton, T. R. S. The Magistrates of the Roman Republic, II, New York, 1952.

Brunswick Collection of the Stadtisches Museum. Material and information provided

by W. Jesse.

Bibliography

13

Brussels Collection of the Bibliotheque Royale (Cabinet des Medailles). Catalogue

of the de Hirsch coins by P. Naster. Material and information provided by

P. Naster.

Bucharest Collection of the Musee National des Antiquites de l'lnstitut d'Archeologie.

Material and information provided by E. Condurachi and B. Mitrea.

Budapest Collection of the Magyar Nemzeti Muzeum. Material and information provided

by L. Huszar and A. Kerenyi.

Cahn Sales catalogue of A. E. Cahn, Frankfurt am Main.

24: Fixed Price List 24, Nov. 1912.

60: July 2, 1928.

61: Dec. 8, 1928. Coll. Prof. Dr. Karl Hahn.

65: Oct. 15, 1929.

66: May 6, 1930.

68: Nov. 26, 1930. Coll. Moritz Simon et al.

71: Oct. 14, 1981.

75: May 80, 1932.

84: Nov. 29, 1988.

Caley, E. R. The Composition of Ancient Greek Bronze Coins (Memoirs of the American

Philosophical Society XI), Philadelphia, 1939.

Cambridge Collection of the Fitzwilliam Museum. McClean coins published by S. W.

Grose; Leake and other coins by F. Heichelheim who kindly made available his notes

on the New Style material in advance of publication. Material and information provided

by Philip Grierson, Harold Shrubbs and Graham Pollard.

Cambridge, Corpus Christi Lewis Collection of Corpus Christi College, Cambridge.

Material and information provided by C. D. Bicknell.

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Cancio Coll. Coins in the collection of Leopoldo Cancio, Washington, D. C.

Cary, M. "Sources of Silver for the Greek World," Milanges Gustave Glotz, I (Paris,

1932), pp. 133-142.

Cavedoni, C. Osservazioni sopra le anliche monete di Atene, Modena, 1886.

Chiha Coll. Coins in the collection of Michel Chiha, Beirut.

Ciani Sales catalogue of L. Ciani, Paris.

Oct. 25, 1920. Coll. F. M.

Dec. 12, 1921.

Feb. 20, 1935. Coll. General de Grandprey.

Coin Galleries Sales catalogue of Coin Galleries, New York.

Mail Bid Sale, March 9, 1956.

Colin, G. Le culte d'Apollon Pythien d Athenes, Paris, 1905.

Combe, C. Nummorum Veterum Populorum et Urbium, London, 1782.

Condurachi, E. "Les monnaies attiques dans les Balkans," Balcania VI, Bucharest, 1943.

Copenhagen Collection of the Danish National Museum (Kongelige Mont-og Medaille-

samling). Catalogue by W. Schwabacher. Material and information provided by

Georg Galster and Otto Morkholm.

Crosby, M. "The Leases of the Laureion Mines," Hesp., 1950, pp. 189-312.

"More Fragments of Mining Leases from the Athenian Agora," Hesp., 1957, pp. 1-23.

14

The New Style Silver Coinage of Athens

Damascus Collection of the National Syrian Museum.

Damascus Collector Coins in the collection of a Damascus resident who prefers to re-

main anonymous.

Daremberg-Saglio C. Daremberg with E. Saglio and E. Pottier, Dictionnaire des

antiquitis grecques et romaines.

Daux, G. "A propos des monnaies luculliennes," RN, 1935, pp. 1-9.

Chronologie delphique, Paris, 1948.

Davidson, G. R. and Thompson, D. B. Small Objects from the Pnyx: I, Hesp., Suppl.

VII, 1948. Hoard of New Style bronzes catalogued by Sarah Atherton, pp. 24-27.

Day, J. An Economic History of Athens under Roman Domination, New York, 1942.

DC A Dilos colonie athinienne (see under Roussel).

Del Marte Coll. Coins in the collection of Mrs. Del Marte, Salina, Kansas.

Dewing Coll. Coins in the collection of Arthur S. Dewing, Cambridge, Massachusetts.

Dinsmoor, W. B. The Archons of Athens in the Hellenistic Age, Cambridge (Mass.), 1981.

The Athenian Archon List in the Light of Recent Discoveries, New York, 1939.

Dorotheum Sales catalogue of Dorotheum, Vienna.

March 26, 1957. Coll. A. Zeno.

Dow, S. "The List of Archontes, I. G.2 II 1706," Hesp., 1988, pp. 418-446.

Prytaneis, Hesp. Suppl. I, 1987.

"The Egyptian Cults in Athens," Harvard Theological Review, 1987, pp. 183-232.

"Archons of the Period after Sulla," Hesp., Suppl. VIII, 1949, pp. 116-125.

Doyle Coll. Coins in the collection of Edwin Doyle, Palo Alto, California.

Dresse de Lebioles Coll. Coins in the collection of Paul Dresse de Lebioles, Brussels.

Edinburgh Collection of the Royal Scottish Museum. Material and information provided

by R. Kerr and Michael Grant.

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Edwards, G. R. "Panathenaics of Hellenistic and Roman Times," Hesp., 1957, pp.

820-849.

Egger Sales catalogue of Briider Egger, Vienna.

XXXIX: Jan. 15, 1912.

XL: May 2, 1912. Coll. T. Prowe.

XLI: Nov. 18, 1912. Coll. Mme. Ch.

XLVI: May 11, 1914. Coll. T. Prowe et al.

Emeleus, V. M. "The Technique of Neutron Activation Analysis as applied to trace

element determination in pottery and coins," Arch. 1, 1958, pp. 6-15.

Engel, A. "Notes sur les collections numismatiques dAthenes," RN, 1885, pp. 1-27.

Evelpidis Coll. Coins in the collection of Rena Evelpidis, Athens.

Fabretti, A. Regio Museo di Torino: Monete greche, Turin, 1883.

FD Fouilles de Delphes.

Fecht Coll. Coins at one time comprising the collection of Arthur J. Fecht, on deposit

at the American Numismatic Society.

Ferguson Coll. Coins in the collection of J. K. W. Ferguson, Toronto.

Ferguson, W. S. "The Oligarchic Revolution at Athens of the Year 108/2 b. a," Klio,

1904, pp. 1-17.

"Researches in Athenian and Delian Documents. I," Klio, 1907, pp. 218-240.

Bibliography

15

Ferguson, W. S. "Researches in Athenian and Delian Documents. II," Klio, 1908,

pp. 388-855.

Hellenistic Athens, London, 1911.

Feuardent Sales catalogue of Feuardent Freres, Paris (earlier Rollin and Feuardent).

May 22, 1908.

May 9, 1910. Coll. G. Durufle.

June 9, 1918.

June 11, 1913. Coll. G. Burel.

May 26. 1914.

July 8, 1919. Coll. W. T. Ready.

Dec. 17, 1919. Coll. M. Collignon.

Dec. 17, 1921. Coll. Engel-Gros.

Dec. 19, 1921.

June 18, 1924.

Fiorelli, G. Catalogo del Museo Nazionale di Napoli: Collezione Santangelo, Naples, 1866.

Catalogo del Museo Nazionale di Napoli, Naples, 1870.

Florange-Ciani Sales catalogue of J. Florange - L. Ciani, Paris.

Feb. 10, 1928. Coll. Mme. K.

Oct. 16, 1923. Coll. Mr. X.

Fixed Price List 1 (Supplement commercial de la revue Arethuse) 1924.

May 28, 1924. Coll. G. Gallet.

Dec. 18, 1924. Coll. Barrachin.

Feb. 17, 1925. Coll. Col. Allotte de la Fuye.

Feb. 10, 1926. Coll. Caron.

Forbat Coll. Coins in the collection of F. Forbat, Stockholm.

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Forbes, R. J. Metallurgy in Antiquity, Leiden, 1950.

Frankfurt am Main Collection of the Historisches Museum. Material and information

provided by Friedrich Friedmann.

Frankfurter Miinzhandl. Sales catalogue of Frankfurter Miinzhandlung, Frankfurt am

Main.

87: March 81, 1941. Coll. Freiherr v. L. et al.

99: Oct. 2, 1958.

Frey Sales catalogue of H. P. R. Frey, Freiburg im Breisgau.

Sept. 24, 1954.

Froehner, W. Monnaies grecques de la collection Photiades Pacha, Paris, 1890.

Gaebler, H. "Die autonome Miinzpragung der Makedonen, Amphaxier und Botteaten,"

Z/N, 1897, pp. 169-192.

Die antiken Miinzen Nord-Griechenlands, III, 1 (Makedonia und Paionia), Berlin, 1906

Gans Sales catalogue of E. Gans, Berkeley, California.

Mail Bid Sale 15: May 4, 1955.

Mail Bid Sale 16: April 19, 1960.

Geneva Collection of the Muse d'Art et d'Histoire. Material and information provided

by A. Roehrich.

Giamalakis Coll. Coins in the collection of Stylianos Giamalakis, Herakleion, Crete.

i6

The New Style Silver Coinage of Athens

Gilbert, G. The Constitutional Antiquities of Sparta and Athens, London, 1895.

Gillespie Coll. Coins in the collection of J. U. Gillespie, New Smyrna Beach, Florida.

Glasgow Collection of the Hunterian Museum. Catalogue by G. Macdonald. Material

and information provided by Anne S. Robertson.

Glendining Sales catalogue of Glendining and Co., London.

March 9, 1981.

Jan. 81, 1951. Coll. W. Cunningham.

Oct. 10. 1951. Coll. G. H. Abbott.

April 18, 1955.

March 7, 1957.

Oct. 4, 1957.

Gotha Material and information on the coins of the Gotha Cabinet, on deposit at

Munich, provided by Konrad Kraft.

Grabow Sales catalogue of L. Grabow, Rostock-Berlin.

July 9, 1980.

XIV: July 27, 1939.

7: Fixed Price List 7, Dec. 1954.

Griffen Coll. Coins in the collection of James J. Griffen, White Plains, New York.

Grose, S. W. Catalogue of the McClean Collection of Greek Coins (Fitzwilliam Museum),

Vol. II, Cambridge, 1926.

Grotefend, C. L. Chronologische Anordnungder athenischen Silbermiinzen, Hannover, 1872.

HA Hellenistic Athens (see under Ferguson).

The Hague Collection of the Koninklijk Kabinet van Munten, Penningen en Gesneden

Stenen, 's-Gravenhage. Material and information provided by A. N. Zadoks-Jitta.

Hamburg Material and information on coins in private collections in Hamburg provided

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by Walter Havernick and Vera Jammer Hatz.

Hamburger Sales catalogue of L. Hamburger, Frankfurt am Main.

May 27, 1929. Coll. Geheimrat von Kaufmann.

May 29, 1929. Berlin Museum duplicates et al.

June 11, 1930.

98: April 3, 1988.

Hannover Collection of the Kestner-Museum. Material and information provided by

Margildis Schltiter.

Hart Coll. Coins in the collection of H. St. John Hart, Cambridge.

Harvard Univ. Collection of the Fogg Museum of Art, Harvard University, Cambridge,

Mass. Information provided by Miriam S. Balmuth.

Haughton Coll. Coins at one time comprising the collection of H. L. Haughton.

Head, B. V. A Catalogue of the Greek Coins in the British Museum (Attica-Megaris-

Aegina), London, 1888.

Historia Numorum, 2nd ed., Oxford, 1911.

Heichelheim, F. "On Ancient Price Trends from the Early First Millenium b. c. to

Heraclius I," Finanzarchiv XV, 1955, pp. 498-511.

Fitzwilliam Museum: Leake and General Collections, SNG IV, Part IV (Acarnania-

Phliasia), London, 1956.

Bibliography

17

Helbing Sales catalogue of O. Helbing Nachf., Munich.

Oct. 24, 1927. Coll. Hofrat Hermann et al.

Nov. 8, 1928.

70: Dec. 9, 1982.

88: Aug. 19, 1941.

Herakleion Collection of the museum at Herakleion, Crete.

Hesp. Hesperia. Journal of the American School of Classical Studies at Athens.

Hesperia Art Sales catalogue of Hesperia Art, New York-Philadelphia.

Mail Bid Sale, April 28, 1953.

VI: Fixed Price List VI, Nov. 1958.

X: Fixed Price List X, Oct. 1959.

Hess Sales catalogue of A. Hess Nachf., Frankfurt am Main-Lucerne.

March 18, 1918.

194: March 25, 1929. Coll. Vogel.

202: Oct. 28, 1930.

207: Dec. 1, 1931. Coll. Kommerzienrat H. Otto.

208: Dec. 14, 1981.

March 7, 1985.

Hill, G. F. Catalogue of John Ward Coll. (in J. Ward, Greek Coins and Their Parent

Cities, London, 1902).

"The Frequency-Table," NC, 1924, pp. 76-85.

Hirmer Coll. Coins in the collection of Max Hirmer, Munich.

Hirsch Sales catalogue of J. Hirsch, Munich.

VIII: May 18, 1903.

XIII: May 15, 1905. Coll. Rhousopoulos.

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XVIII: May 27, 1907. Coll. Dr. F. Imhoof-Blumer et al.

XIX: Nov. 11, 1907.

XXI: Nov. 16, 1908. Coll. Consul E. F. Weber.

XXIX: Nov. 9, 1910. Coll. J. P. Lambros.

XXXII: Nov. 14, 1912.

HN Historia Numorum (see under Head).

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the British School at Athens, 1958, pp. 200-254.

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Euclidis anno anteriores, ed. F. Hiller von Gaertringen.

IG IP Inscriptiones Graecae, Vols. IIIII (editio minor, Berlin, from 1918). Inscriptiones

Atticae Euclidis anno posteriores, ed. J. Kirchner.

Insc. Dilos Inscriptions de Ddlos, (Champion), from 1926.

Istanbul Collection of the Archaeological Museum. Material and information provided

by Nekriman Olcay.

Jameson Collection R. Jameson: monnaies grecques antiques, Paris, 1918.

JI AN Journal international d'archeologie numismatique.

John Hopkins Univ. Collection of the John Hopkins University, Baltimore, Maryland.

Material and information provided by Sarah Elizabeth Freeman.

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Jongkees, J. H. "Notes on the Coinage of Athens: VII. O AEMOS and Antenor's

Tyrannoktones," Mnemosyne, 1947, pp. 145-160.

Judd Coll. Coins in the collection of J. Hewitt Judd, Omaha, Nebraska.

Kambanis, M. L. "Notes sur le classement chronologique des monnaies d'Athenes,"

Arethuse, fasc. 21, Oct. 1928, pp. 121-185; BCH, 1982, pp. 87-59; BCH, 1984, pp. 101-

137; BCH, 1935, pp. 101-120; BCH, 1986, pp. 101-117; BCH, 1988, pp. 60-84.

Karlsruhe Collection of the Badisches Landesmuseum. Material and information

provided by Friedrich Wielandt.

Kirchner, J. E. "Zur Datirung der athenischen Silbermunzen der beiden letzten vor-

christlichen Jahrhunderte," ZfN, 1898, pp. 74-105.

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Prosopographia Attica, Berlin, 1901-1908.

Imagines Inscriptionum Atticarum, 2nd ed., Berlin, 1948.

Knobloch Coll. Coins in the collection of F. S. Knobloch, New York.

Kohler, U. "Numismatische Beitrage," ZfN, 1885, pp. 103-115.

"Zur Geschichte des athenischen Miinzwesens," Sitzungsberichte der koniglich

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96: June 21, 1954.

Kricheldorf Sales catalogue of H. H. Kricheldorf, Stuttgart.

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Ill: Feb. 25, 1957.

IV: Oct. 7, 1957.

V: Oct. 20. 1958.

VII: Nov. 12, 1959.

Larfeld, W. Handbuch der attischen Inschriflen, Leipzig, 1902.

Lauffer, S. Die Bergwerkssklaven von Laureion. II: Gesellschaftliche Verhaltnisse,

Aufstande (Abhandlungen der Akademie der Wissenschaften und der Literatur Mainz,

Geistes- und sozialwissenschaftliche Klasse, 1956, No. 11).

de Laval Coll. Coins at one time comprising the collection of Georg de Laval, Stockholm.

Sold at auction by Glendining and Co., April 18, 1955.

Natl. Mus. Lebanon Collection of the National Museum of Lebanon at Beirut.

Lederer, P. "Ein unbekanntes athenisches Tetradrachmon," ZfN, 1926, pp. 55-61.

Lee Sales catalogue of M. G. Lee, Cairo.

May 10, 1954. Coll. Comte Max de Zogheb.

Leningrad Collection of the State Hermitage. Material and information provided

by L. N. Belova.

Le Rider, G. "Monnaies a legende grecque et monnaies des rois d'Elymaide," Numis-

matique susienne: monnaies trouvdes d Suse de 1946 d 1956 (Memoires de la Mission

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Locker Lampson E. S. G. Robinson, Catalogue of Ancient Greek Coins Collected by

Godfrey Locker Lampson, London, 1928.

Lockett Coll. Coins at one time comprising the collection of R. Cyril Lockett. Catalogue

by E. S. G. Robinson. Sold by Glendining and Co., 1955-1961.

London Collection of the British Museum (Dept. of Coins and Medals). Catalogue of

Athenian coins by B. V. Head. Material and information provided by G. K. Jenkins.

Lund Univ. Collection of the Historiska Museum, Lund University. Material and in-

formation provided by Brita Maimer.

Macdonald, G. "The Amphora Letters on Coins of Athens," NC, 1899, pp. 288-321.

Catalogue of Greek Coins in the Hunterian Collection, Vol. II, Glasgow, 1901.

Coin Types (Rhind Lectures), Glasgow, 1905.

Magie, D. Roman Rule in Asia Minor, Princeton, 1950.

Mass. Hist. Soc. Coins in the collection of the Massachusetts Historical Society,

Boston.

Mavrokordatou Coll. Coins at one time comprising the collection of E. N. Mavrokor-

datou. Published by Svoronos, JIAN, 1912, pp. 1-44.

Meletopoulos, A. N. "ANEKAOTON A9HNAIKON TETPAAPAXMON," Parnassos, 1883,

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L. Meletopoulos Coll. Coins in the collection of Loris Meletopoulos, Kephissia, Athens.

In the catalogue a few coins are listed merely as Meletopoulos Coll.; these pieces, once

in the collection of A. N. Meletopoulos, are not included in his son's cabinet.

Meritt, B. D. Athenian Financial Documents of the Fifth Century, Ann Arbor, 1932.

"The Inscriptions," Hesp., 1984, pp. 1-128.

"Greek Inscriptions," Hesp., 1942, pp. 275-308.

"Greek Inscriptions," Hesp., 1947, pp. 147-183.

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"Greek Inscriptions," Hesp., 1948, pp. 1-58.

"Greek Inscriptions," Hesp., 1954, pp. 233-283.

"Greek Inscriptions III: Decrees and Other Texts," Hesp., 1957, pp. 51-97.

The Athenian Year (Sather Classical Lectures, Vol. 82), Univ. of California Press,

Berkeley and Los Angeles, 1961.

Merzbacher Sales catalogue of E. Merzbacher Nachf., Munich.

Nov. 2, 1909.

Met. Mus. Art Collection of the Metropolitan Museum of Art, New York. Catalogue

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Christine Alexander.

Milan Collection of the Musei d'Arti del Castello Sforzesco.

Milne, J. G. "The Coinage of Aradus in the Hellenistic Period," Iraq, 1988, pp. 12-21.

Kolofhon and Its Coinage: A Study, NNM 96, 1941.

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Monatsblatt Monatsblatt der numismatischen Gesellschaft in Wien.

A. Morgan Coll. Coins in the collection of Alexander Morgan, New York.

Morgenthau Sales catalogue of J. C. Morgenthau, New York.

405: Oct. 5, 1989.

20

The New Style Silver Coinage of Athens

Moscow Collection of the State Historical Museum. Material and information provided

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Mowat, R. "Trois contremarques inedites sur des tetradrachmes de Side," Corolla

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Munich Coins in the Staatl. Miinzsammlung. Material and information provided by

Konrad Kraft and Peter R. Franke.

Miinster Collections of the Landesmuseum and the University. Material and information

provided by Peter Berghaus.

Miinz. u. Med. Sales catalogue of the firm of Miinzen und Medaillen, Basel.

XIII: June 17, 1954.

Fixed Price List 150, Oct. 1955.

Fixed Price List 154, Feb. 1956.

Fixed Price List 168, May 1957.

Miinzhandl. Basel Sales catalogue of Miinzhandlung Basel.

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de Nanteuil Collection de monnaies grecques H.deNanteuil, Paris (Florange-Ciani), 1925.

Naples Collection of the Museo Nazionale. Catalogues of the Santangelo and general

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Naster, P. La collection Lucien de Hirsch, Brussels, 1959.

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I: April 4, 1921. Coll. Prof. S. Pozzi.

V: June 18, 1928. British Museum duplicates et al.

VII: June 28, 1924. Coll. C. S. Bement.

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XII: Oct. 18, 1926. Coll. E. Bissen, J. Wertheim, Sir Arthur Evans et al.

XIII: June 27, 1928. Coll. R. Allatini, E. G. Spencer-Churchill et al.

XV: July 2, 1980. Coll. W. H. Woodward et al.

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XVII: Oct. 8, 1934. Coll. R. Burrage, Sir Arthur Evans et al.

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Mrs. E .T. Newell Coll.Coins in thecollection of Mrs. Edward T. Newell, Halesite, New York.

NNM Numismatic Notes and Monographs of the American Numismatic Society.

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21

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22

The New Style Silver Coinage of Athens

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Marischal College Aberdeen, SNG I, Part II, London, 1936.

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24

The New Style Silver Coinage of Athens

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Totten Coll. Coins in the collection of Mrs. James Totten, Washington, D. C.

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Velay Coll. Coins in the collection of Maxime A. Velay, New York.

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Wilhelm, A. Beitrge zur griechischen Inschriftenkunde, Vienna, 1909.

26

The New Style Silver Coinage of Athens

Wilkinson Coll. Coins in the collection of J. S. Wilkinson, Toronto.

Winterthur Collection of the Stadtbibliothek. Material and information, including

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Wulff Coll. Coins at one time comprising the collection of Robert Wulff, Hamburg.

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information provided by Alfred R. Bellinger and Theodore Buttrey. The latter also

secured casts of coins in a number of other collections.

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pp. 122-146.

Zara Coll. Coins in the collection of Louis Zara, New York.

Z/N Zeitschrift fur Numismatik.

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Zygman Coll. Coins in the collection of Edmund Zygman, New York.

THE SEQUENCE OF ISSUES

ft-A

No symbol

196/5

P-

82

W or 8 - M

Kerchnos and bakchos

195/4

P-

88

- * or (DANI

No symbol

194/3

P-

35

E-N

No symbol or cornucopiae

193/2

P-

86

Two palms

192/1

P-

38

*-n

Club

P-

40

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191/0

ffp - m or #

Rudder

190/89

P-

41

S - Itl

Nike

189/8

P-

48

n -1

Trophy

188/7

P-

45

K -M

Grain-ear

187/6

P-

47

W> - *

Caps of the Dioscuri

186/5

P-

49

Cicada

185/4

P-

50

*-ft

Serpents

184/3

P-

52

-*

Term of Hermes

183/2

P-

55

AMMO - AIO

28

The New Style Silver Coinage of Athens

9E00PA - ZQTAZ

AIOrE -1TOZEI

AXAIOZ - HAI

AYZAN - rAAYKOZ

EnirENH - ZflZANAPOZ

nOAEMQN - AAKETHZ

MIKIflN - EYPYKAEI

A<DPOAIZI - ATTOAHEI

EYPYKAEI - APIAPA

KAPAIX - EPrOKAE

AQPOAIZI - AIOrE

AIONYZI - AIONYZI

AMMflNIOZ - KAAAIAZ

9EMIZT0 - GEOnOMnOZ

ZQKPATHZ - AIONYZOAQ

MHTPOAQPOZ - MIATIAAHI

AHM0Z9EN

AIOTIMOZ - MArAZ

EYMAPEIAHZ - AAKIAAM

KAEOMEN

XAPINAYTHZ - APIZTEAZ

OANOKAHZ - AnOAAflNIOZ

EYBOYAIAHZ - ArAGOKAH

ZftlAOZ - EYANAPOZ

AAMflN -ZflZIKPATHZ

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EYMHAOZ - KAAAIOflN

HPAKAEIAHZ - EYKAHZ

0EOAOTOZ - KAEOOANHZ

HPAKAEIAHZ - EYKAHZ

ANAPEAZ - XAPINAYTHZ

IKEZIOZ - AZKAHniAAHZ

TIMOZTPATOZ - nOZHZ

AMOIKPATHZ - EniZTPATOZ

AflZIGEOZ - XAPIAZ

ahmhtpioz - ArAeinnoz

NIKHTHZ - AIONYZIOZ

APIZTIftN - QIAQN

APOnOZ - MNAZArO

EENOKAHZ - APMOEENOZ

NIKOfENHZ - KAAAIMAXOZ

Winged fulmen

162/1

P-

160

Dionysos

161/0

P-

163

Cornucopiae with grain

160/59

P-

166

Cicada

159/8

P-

170

Eagle on fulmen

158/7

P-

173

Tripod

157/6

P-

181

Dioscuri

156/5

P-

187

The Sequence of Issues

29

AHMEAZ - EPMOKAHZ

Headdress of Isis

125/4

P-

350

EENOKAHZ - APMOEENOI

Dolphin and trident

124/8

P-

354

EENOKAHZ - APMOEENOI

Roma

123/2

P-

359

KOINTOZ - KAEAZ

Roma and Nike

122/1

P-

362

AnEAAIKflN - TOPriAS

Griffin

121/0

P-

364

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BAZIAE MIGPAAATHZ -

APIZTIflN

Star between crescents

c. 121

P-

368

MNAZEAZ - NEZTQP

Kerchnos

120/19

P-

369

KAEOOANHZ - EniOETHI

Baitulos with fillet

119/8

P-

370

MENTfiP - MOZXION

Harmodios and Aristogeiton

118/7

P-

371

APX1TIMOZ - AHMHTPI

Isis

117/6

P-

372

AYZANAPOZ - OINOOIAOZ

Poppy-head and grain-ears

116/5

P-

374

AMOIAZ - OINOOIAOZ

Demeter

115/4

P-

375

EYMHAOZ - OEOEENIAHZ

Ares(?)

114/3

P-

376

NEZTflP - MNAZEAZ

Stag

NOTE ON THE CATALOGUE

The New Style series has been divided into three general periods: Early,

Middle and Late. Within each of these divisions, the catalogue and brief com-

mentary for component issues is followed by a discussion of the group as a

whole and the evidence upon which its chronological order is based.

An Arabic numeral is used for each obverse die; the different reverses

coupled with it are designated a, b, c and so forth. When the same reverse is

associated with two or more obverses, the relationship is indicated by bracketing.

Since the coinage will be familiar to most readers and since it retains its

basic types from beginning to end, descriptions have been kept to a minimum,

but significant variations in details are recorded in connection with individual

obverse or reverse dies. For the early monogram issues, some of which show

considerable irregularity in the rendering of the magistrates' names, only the

most common form is given in the heading of the issue, but all other versions

are included in the catalogue. After month and control letters1 and later third

magistrates are introduced, the order in the listing is always magistrate, month

letter, control letters. The placement of the last is indicated for all dies of the

early issues; from the striking of HPA-APIZTO<D on, the letters are almost

invariably below the amphora and only deviations from that position are noted.

References to private collections and sales catalogues are condensed. The

bibliographical section which precedes this note will provide more detailed

information.

An asterisk before a catalogue entry indicates that the coin is illustrated.

Every obverse die has been reproduced but for the most part only one of the re-

verses coupled with it has been shown. To have included in the plates all known

reverse dies would have added greatly to the completeness of the corpus but

it would also have entailed a great increase in the cost of publication and would

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have made an already large volume still more unwieldy. Since the reverses are

not of primary importance in establishing the chronology, it was decided to

reproduce only a minimum number of them. A photographic record of all re-

verses listed in the catalogue is on file at the American Numismatic Society

and available to anyone wishing to use the material.

1 The terms "control letters" and "control combination" are used interchangeably to des-

ignate the capitals of the Greek alphabet (varying in number from one to four) which appear in

the left field or below the amphora. Discussion of the significance of these controls is reserved for

a special section following the catalogue.

Note on the Catalogue

3i

Admittedly it would have been most desirable to classify the bronze coinage

in relation to the silver of the New Style period. The writer is keenly aware of

this shortcoming in the present publication but for various reasons it is not

possible at this time to make the bronze strikings part of the record.

The standard types for the three silver denominations are as follows:

Tetradrachms

Obv. Head of Athena Parthenos r., wearing pendent earring, necklace and helmet of

triple-crested Attic type adorned with the protomes of four or more horses above

the visor, a flying Pegasus above the raised earpiece and a curvilinear ornament on

the shell. Border of dots.

Rev. A 0 E Owl r., head facing, wings closed, standing on amphora which lies on its side;

to left and right monograms or names of two or three magistrates. Normally a symbol

in the field, a letter on the amphora and a letter combination below it. All within a

wreath of olive.

Drachms

Types identical with those of the tetradrachms.

Hemidrachms

Types identical with those of the tetradrachms and drachms except that the owl stands

on a club instead of an amphora and month and control letters are normally omitted.

The earliest tetradrachms have the monograms or abbreviated names of two

magistrates, usually accompanied by a symbol. With the twelfth issue month

letters appear on the amphorae and then for a short time the dates are aban-

doned in favor of control letters below the vase or in the field. Toward the end

of the Early Period both month and control letters mark the reverses. During

the Middle Period, the names of three magistrates, a symbol, month and

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control letters are all inscribed on the dies. Finally with the Late Period, the

name of the third magistrate is omitted on many issues but symbol, month and

control letters are retained.

CATALOGUE OF THE EARLY PERIOD

ft-A NO SYMBOL 196/5 B.C.

(Plate 1)

Tetradrachms

1. Nike (?) driving biga r. on neckguard of helmet. No border of dots.

(A) *ANS-ETN (Anthedon Hd., ANSMN V, PI. IX, 8), gr. 17.00f

2. Nike (?) and biga on neckguard. No dots.

*Kambanis Coll. (Anthedon Hd., ANSMN V, PI. IX, 9), gr. 17.80

3. Biga on neckguard, driver not visible.1 No dots.

a. *von Post Coll. (Opusc. Ath, I, 1953, PI. I, 1 and la), gr. 17.19f

b. Paris = Lederer Coll. {BCH, 1938, PI. XVIII, 6) = Mainzer Coll. {Z/N,

1926, PI. VII, 1) = Hirsch (Lambros) 468, gr. 16.12 (oxydized>t

4 tetradrachms: 8 obverse, 4 reverse dies

This issue, unknown to Beule and to Svoronos, was discovered by Lederer

who published in 1926 a single example from the Mainzer Collection.2 The same

coin had been in the possession of Jean Lambros and included in the Hirsch

Sale of 1910 but without illustration and without indication of its uniqueness.

Subsequently several specimens turned up in the Anthedon Hoard of 1935.

These are undoubtedly the first coins of the New Style series. No one of the

three obverse dies has the circle of dots found on all other issues, with the

exception of one die from the next striking. A stylistic peculiarity of this emis-

sion is the minute representation of a biga and driver which appears on the

neckguard of Athena's helmet. On Obverse 2 the charioteer seems to be winged

and the rendering is generally similar to that of the Nike-in-quadriga symbol

of MIKI 0EOOPA. In all probability the tiny figure behind the horses on these

dies is also Nike. Were the victory representation on the obverse confined to

1 W. Schwabacher in publishing the von Post tetradrachm describes the obverse as having

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a single horse (or perhaps a centaur) on the neckguard instead of the biga found on other dies,

and the plate seems to bear out his observation. However, a cast of the coin, examined under a

magnifying glass, shows two horses, the separate necks and heads definitely distinguishable.

There is no clear indication of a charioteer. A few faint markings behind the horses are so involved

with the curves of the helmet ornament as to make any identification inconclusive.

2 P. Lederer, "Ein unbekanntes athenisches Tetradrachmon," Z/N, 1926, pp. 55-61

The Early Period: Catalogue

33

the first issue of the coinage, one might be tempted to invest it with historical

implications, but its recurrence on two later emissions suggests that it is merely

the "signature" of a particular diecutter.

The monogram of the first mint magistrate was read by Lederer1 as ft. This

he thought indicated a name beginning 2N, ftNl, INfl, IflN or NQ. Of these,

IflN is the only combination which seems at all likely. However, the monogram

is actually W and not ft. The ANS coin from the Anthedon Hoard shows very

clearly a separate horizontal line between (a) and N; on the other reverses the

effect is gained by flattening the bottom of the omega across the top of the nu.

Thusn (or possibly r) must be considered as part of the monogram. Even with

this addition the elements present do not allow a wide choice in names. The

one which seems most probable is IT7TTS2N, all letters of which are in the mono-

gram. There is an Athenian of this name, ITTTTQN ANOinnOY KYAA9HNAIEYZ,

known from a funerary inscription of the second century B.C. (PA 7678; IG IP

6579) and the name occurs also in records of the fifth, fourth and third cen-

turies. TNQ [IIAI] is a second possibility.

A0 which, as Lederer pointed out, almost certainly would expand into

A0HN is too common a beginning to warrant any attempt at precise iden-

tification.

W or 8 - M KERCHNOS and BAKCHOS 195/4 B.C.

(Plate 1)

Tetradrachms

4. No border of dots.

(W) a. "London = Sotheby, Dec. 1924, 130, gr. 16.20 /

(IBP) b. "Athens {ANSMN V, PI. IX, A; Sv. 88, 7), gr. 17.05

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5. Border of dots from here on.

(j|) a. "ANS-ETN (Anthedon Hd., ANSMN V, PI. IX, 10), gr. 17.05f

(8) b. Commerce 1953 (ANSMN V, PI. IX, B) =-- Schlessinger (Hermitage 2) 901,

gr. 16.90; Stockholm, gr. 17.07 /

6.

(8) a. "London (BMC 286; ANSMN V, PI. IX, C; Sv. 88, 9), gr. 17.06t

dblst.

(8) b. Schlessinger (Hermitage 2) 900 = Sv. 88, 10, gr. 16.55

(8) c. ANS = Baltatzi Coll. (Sv. 88, 11) = Mavrokordatou Coll. (JIAN, 1912,

1294), gr. 16.87t; Damascus Collector

1 Op. ext., p. 58.

34

The New Style Silver Coinage of Athens

7.

(/?) a. *Seyrig Coll., gr. 16.93f

{&) b. Munz. u. Med. List 154, 29 = Giesecke Coll. {ANSMN V, PI. X, D;

Sv. 33, 8) = Hirsch VIII, 1189, gr. 16.98

11 tetradrachms: 4 obverse, 9 reverse dies

The particular interest of this issue lies in its variations: the addition of a

circle of dots to Obverses 5-7, the change in first magistrates and the appear-

ance on one die of a third monogram. Its earliest coins, those with PP, are

known from only two examples.1 Following is an unique tetradrachm in the

American Numismatic Society which has ^ in place of PP. The obverse of

this coin is also used with a normal 8 - M reverse and die breaks on No. 5b

indicate that it is the later striking (see ANSMN V, PI. IX, 10 and B). From

then on there is no variation in the S - M combination.

It is possible, of course, that we have here the coinage of two separate

years but it is not likely. The only reasons for dividing the issue would be the

difference in first monograms and the fact that one die has no circle of dots.

But there are other instances of a change in magistrates during the course of

a single year and the circle of dots need not have been added at the beginning

of an issue. Against separation is the strong evidence of continuity in symbol

and second monogram.

Apparently the tradition of an Athena head without dots was carried over

from the preceding issue by magistrates PP and M. The style of their one ob-

verse is closely related to Nos. 1-3 save that there is no biga on the helmet

but merely a sweeping horizontal line suggestive of it. Then PP was replaced

by & and a single reverse with a third monogram would seem to indicate that

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for a time two men were associated with M in the minting magistracy.2 With

the change in first magistrates came a change in the design of the obverse. A

circle of dots was placed around the head of the goddess. Otherwise, Obverses 4

and 5 are practically identical, surely the work of the same engraver.

Four monograms appear on reverses of this issue. Like A of the preceding

year, they are unrevealing in their extreme simplicity. There are numerous

1 Kambanis did not know the Sotheby piece, now in the British Museum, but he published

the Athens coin in the BCH for 1938 (page 83). There the monogram is misread as PP which is

not surprising in view of the condition of the tetradrachm. A cast of it reveals that, like the

London specimen, it is definitely inscribed PP. The Athens reverse is later than the London one;

the obverse die coupled with it shows distinct flaws on the neck and nose which are not present

on No. 4a.

2 Bellinger suggests that there may have been from the beginning a third mint magistrate

who in this instance received recognition on the coinage. In this connection it should be noted

that the appearance of Ai on some reverses of XAPI - HPA is clearly a parallel phenomenon.

The Early Period: Catalogue

35

possibilities in names beginning TTAP and AP; MHT is little better though per-

haps in this case MHT[POAQPOI] might be suggested as a likely expansion

since the name occurs elsewhere in the New Style series. There are three donors

of that name recorded in an inscription of 183/2 B.C. [IG IP 2332; PA 10153,

10145, 10150). The third monogram of No. 5a would seem to stand for IIM...

orZMl...

Two symbols are shown on all reverses: a kerchnos with grain through its

handles in the upper right field and a bakchos beneath the amphora. This is

the only instance in the series of two symbols employed on all dies of a single

issue. The emphasis seems significant and when one reflects that both devices

are Eleusinian in connotation and that 195/4 B.C. was a year of the Greater

Eleusinia1, it is highly probable that the choice of the first symbols of the new

coinage was inspired by this important Athenian festival.

X-OANI NO SYMBOL 194/8 B.C.

(Plate 2)

Tetradrachms

8.

M instead of OANI; bakchos beneath amphora.

London (BMC 808; ANSMN V, PI. X, E; Sv. 33, 22), gr. 16.75f

9.

a. *Mrs. E. T. Newell Coll. (Anthedon Hd., ANSMN V, PI. X, 11), gr. 16.80f; Munich,

gr. 15.89 (pierced)

b. Vienna, gr. 16.85

10.

a. *Ro Coll., gr. 17.20f

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b. Kambanis Coll. (Anthedon Hd., ANSMN V, PI. X, 12)

c. Kambanis Coll. (Anthedon Hd., ANSMN V, PI. X, 18)

d. Glasgow (Hunt. 78; Sv. 88, 24), gr. 17.28f

e. Athens (Sv. 38, 23), gr. 16.75

f. Lockett Coll. (SNG 1903), gr. 16.77f

g. Berlin (von Prokesch-Osten Coll., ZfN, 1926, PI. VII, 4), gr. 17.042

11 tetradrachms: 3 obverse, 10 reverse dies

1 For the celebration of the Greater Eleusinia in the second year of an Olympiad, hence in

195/4 B.C., see W. B. Dinsmoor, The Archons of Athens, pp. 209-212.

* From the Zeitschrift article it is impossible to be certain of the identity of the obverse die

but a photograph secured from Berlin confirms the present classification.

36

The New Style Silver Coinage of Athens

Like the first issue, this striking has no symbol in the field, but one reverse

has a bakchos beneath the amphora. This is clearly a survival from the issue

immediately preceding and points to the contiguity of the two emissions as

well as to the position of No. 8 as the first coinage of the new issue.

In one other respect No. 8 differs from the other tetradrachms. The name

of the second magistrate, OANI, is rendered in monogram instead of in letters.

This identity of monogram and abbreviated name was first recognized by Beule"

and confirmed by Kirchner {ZfN, 1898, pp. 267 f.) who further pointed out that

the M monogram occurring on the serpents issue must also be read as Phanias.

It is quite likely that the Phanias of this issue is the same man who shared

office exactly ten years later with his brother Moschos.1

Beule saw in X all the elements of the name Lysimachos. This is possible

but it is noteworthy that on all reverses the most prominent feature of the

monogram is an X of four equal segments. By analogy with other monograms

one would suppose that if lambda were the initial letter it would have been

given greater emphasis, a result easily achieved by curtailing the upper seg-

ments of the X. One does in fact find just such a rendering in the first monogram

of the thyrsos issue and there I think the name does start with lambda. For X

I should suggest a name beginning XAI.

E - N NO SYMBOL or CORNUCOPIAE 198/2 B.C.

(Plate 2)

Tetradrachms

NO SYMBOL

11.

(N) a. *Glasgow (Hunt. 68; Sv. 83, 20), gr. 16.94f

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(N) b. Berlin {ZfN, 1926, PI. VII, 2; Sv. 83, 19), gr. 16.72; Berlin, gr. 16.88

(N) c. Vienna, gr. 15.46 (worn)

12. Biga and driver on neckguard of helmet.

a. *Seyrig Coll. (Kessab Hd.), gr. 16.86f

(N) b. ANS-ETN (Anthedon Hd., ANSMN V, PI. X, 14), gr. 17.09f

13. Possibly biga and driver on neckguard.

a. Berlin (ZfN, 1926, PI. VII, 3), gr. 16.97

b. Cambridge (Leake Coll., SNG 8195), gr. 17.08f

CORNUCOPIAE

c. ANS, gr. 16.93f

d. *Berlin (von Prokesch-Osten Coll., ZfN, 1926, PL VII. 5; Sv. 88, 17),

gr. 16.85

1 The family is discussed in connection with the serpents issue (page 54).

The Early Period: Catalogue

37

14.

Paris (de Luynes 2073; Sv. 83, 18), gr. 17.05f

11 tetradrachms: 4 obverse, 10 reverse dies

It was Lederer in the 1926 Zeitschrift article who supplied two new readings

of the second monogram, N and N, in place of the N of Beule and Head. The

first form he interpreted as NIKH[THI] and the second as HNI[OXIAHI] or

HNI[OXOI].

Actually the variation is even greater than Lederer noticed and more exten-

sive than indicated in the catalogue above. Nos. lib and c show N, Nos. 11a

and 12b have N, and of the other reverses only 18d gives a clear N. Nos. 13a,

b, c and 14 seem to have N while No. 12a is so poorly struck up that only N

appears on the coin.

What we apparently have is a series of carelessly cut monograms of which

N was the most accurate rendering. On some dies the lower diagonal of the

K was omitted and on many more the upper one as well was abandoned. The N

which remained lost its precision on most dies due to a merging of the heavy

strokes and a consequent filling in of the lower right corner of the monogram.

It seems to me that only one magistrate is indicated.1 Niketes is a likely

although not the only feasible expansion. The name occurs elsewhere in the

New Style series and the present magistrate may be a member of the family

of NIKHTHZ NIKHTOY T7EPrAZH0EN (see PA 10759 for stemma). Either the

Niketes who was epimeletes of the Mysteries in 215/4 B.C. (IG II2 847) or his

son is a possibility, the cornucopiae symbol perhaps indicative of the Eleu-

sinian connection.

Lederer believed that the first monogram should be read E0 rather than

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0E. The latter, as he pointed out, would be rendered CE. In this I think he is

undoubtedly right. On all dies the E is strongly and clearly cut while on many

the curve of the 9 is only perfunctorily indicated. Attic names beginning E0

are rare. There is an E0EAANAPOZ AXAPNEYZ, a councilor of Oineis soon after

178/7 B.C. (PA 4637-8; IG II2 919; and for the date Hesp., Suppl. I, 1937,

pp. 125-6, no. 66).

Seven reverse dies have no symbol; three have a cornucopiae in the right

field. The division in the catalogue is primarily one of convenience as there

is no definite evidence for the placement of the no symbol strikings ahead of

those with cornucopiae. It seems possible that the omission of a symbol was

1 According to a footnote in Lederer's article, Regling too thought it possible that the

omission of the K was due to carelessness on the part of the diecutter and not indicative of a

different magistrate. Certainly there are variations in later issues which can scarcely be explained

except as careless workmanship.

38

The New Style Silver Coinage of Athens

carried over from the preceding year on the earliest reverses of the issue and

that the more careful rendering of the second monogram on Nos. 11-12 also

indicates that these dies belong at the beginning of the emission when one might

suppose that the engravers would show greater care in designating the magis-

trate. However, for a time at least, dies with and without symbol were in

simultaneous use. No. 13 has four reverses: a and b without cornucopiae, c and

d with it. The evidence of die breaks and recutting shows that 13d was the

earliest stage of the obverse and 13a next. On the ANS and Cambridge coins

(13c and b) the lower area of the die has broken down so badly that the hair

and neck truncation have been recut. It is clear then that reverses with and

without symbol are to be associated with both early and late stages of this

obverse die. The die flaws of the neckguard which appear on all four coins make

it impossible to be certain that a biga was part of the design as it undoubtedly

was on No. 12.

N-I TWO PALMS 192/1 B.C.

(Plate 2)

Tetradrachm

15.

ANS-ETN (Hesp., Suppl. VIII, 1949, PI. 3, 4), gr. 16.75f

NO MONOGRAMS NO SYMBOL

Drachms

16.

a. *ANS (Attic Hd.), gr. 4.10 /

b. Berlin (Sv. 33, 2), gr. 3.66

c. Stuttgart (Sv. 33, 1)

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17.

Athens (Delos Hd. B, 13; Sv. 33, 3), gr. 3.75 /

Hemidrachm

18.

*Berlin (Sv. 33, 4), gr. 1.72

1 tetradrachm

4 drachms: 2 obverse, 4 reverse dies

1 hemidrachm

The unique specimen published by Bellinger in 1949 is still the only tetra-

drachm representing the fifth New Style issue. In its first monogram one finds

The Early Period: Catalogue

39

all but the last element of at least three names: Nikias, Nikagoras and Nikan-

dros. It may be that the two palms, one in the lower left field and one beside

the second monogram, are intended as a play on the name of the magistrate

or as a reference to agonistic victories.1 The second monogram certainly indi-

cates a name beginning EE.

With this one tetradrachm I would associate the first fractional issues of

the series. On his Plate 33, Svoronos brought together three drachms and three

hemidrachms without monograms and without symbol. These fractions as a

group he apparently regarded as belonging with the first issue of New Style

tetradrachms. Nos. 1-4 are indeed related but Nos. 5-6 must, I think, be sepa-

rated from them for three reasons. They are late in style, their obverses have a

circle of dots not found on Nos. 1-4, and the owl sits on a club as in all later

hemidrachm issues and not on an amphora as in No. 4.

Svoronos' Nos. 1-4 are represented by Nos. 16-18 in the present catalogue.

The first drachm and the hemidrachm (Nos. 16 and 18) are very similar in style;

the near identity of the reverses of Nos. 16c and 17 indicates that this last

fraction of rather different obverse style is to be associated with the other coins.

These drachm and hemidrachm strikings must be the first fractional coinage.

It does not follow that they must belong with the first tetradrachm issue. The

absence of dots on the obverse suggests such a relationship but actually this is

not conclusive evidence. All that it implies is that these fractions without dots

come before the trophy striking which has a drachm with dotted obverse. Once

the tradition of placing the circle of dots on the obverse of the drachm was

established it seems unlikely that it would be abandoned, but there is no reason

to suppose that the appearance of the circle of dots on tetradrachms and frac-

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tions was necessarily a simultaneous phenomenon. It may well be that the

drachms were at first thought to be too small for an outline of dots (certainly

the size of the head on Obverse 16 left no room for such an addition) and that

the earliest dies omitted this feature even though it had become standard

practice for the tetradrachms. The same explanation would account for the

absence of symbols on the first fractions.

In style these fractions have nothing in common with Obverses 1-4, the

only tetradrachm dies without dots. The large head of No. 16 could be asso-

ciated with Nos. 6-7 and a connection with the second issue is possible on the

assumption that two diecutters were at work, the first producing No. 4 and later

No. 5 with dots and the other the drachms and then Nos. 6 and 7 with dots.

However, there are late elementsthe rather large Pegasus, the heavy visor,

the tortuous helmet ornamentwhich seem to bring No. 16 closer to No. 15

than to any obverse of the second issue. No. 17 is poorly preserved for purposes

1 For a possible historical implication see page 113.

40

The New Style Silver Coinage of Athens

of comparison, but it bears a resemblance to No. 14 and has the spread visor

which is a late feature on the tetradrachms.

Two other factors give some weight to an association of Nos. 15-18. The

first is tenuous because there is no certainty that all drachm issues are known.

But on the present evidence the earliest fractional strikings seem to have been

spaced rather than annual. For the period from 196 B.C. down to about 178

when the drachms began to be issued in abundance and with increasing regu-

larity, we have only three fractional issues: the one without symbol under

current discussion, the one with trophy symbol and the one with herm. As-

suming that the small change of the Old Style was sufficiently plentiful to

meet the needs of the years immediately after 196 and that the first striking

of New Style fractions came in 192, we have what seems to be a systematic

program of emissions spaced at four or five year intervalsin 192, in 188, in

183 and about 178.

The other factor concerns the strange decline of coinage in 192/1 B.C. From

the years preceding there are 4, 11, 11 and 11 tetradrachms; from those fol-

lowing we have 12, 25, 16 and 33. There are historical events (see page 113)

which explain a scanty emission but even so the disproportion is striking. It

becomes much less puzzling if the output of 192/1 included drachms and hemi-

drachms as well as tetradrachms.

*-n CLUB 191/0 b.c.

(Plate 8)

Tetradrachms

19. Biga and driver on neckguard of helmet.

a. *ANS, gr. 16.97f

20.

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b. *Mrs. E. T. Newell Coll., gr. 16.96f (only lower part of first monogram visible)

*The Hague (Sv. 83, 14), gr. 16.80

21.

a. ""Cambridge (Grose 5897; Sv. 83, 15), gr. 16.99|

b. *Ro Coll., gr. 17.00f

22.

Winterthur = Hamburger, June 1930, 756, gr. 16.94f

23.

a. *Naples (Santangelo Coll., Fiorelli 10788), gr. 16.78f

b. Paris, gr. 16.82f

The Early Period: Catalogue

4i

24.

*Paris (de Luynes 2077; Sv. 33, 12), gr. 17.05

25.

a. *London (BMC 289; Sv. 33, 16), gr. 16.87f

b. Berlin (Sv. 33, 18), gr. 17.07

c. Athens, gr. 16.35f

12 tetradrachms: 7 obverse, 12 reverse dies

With the present issue the biga and driver design appears for the last time

on the coinage. Obverse 19 shows no trace of a wing on the charioteer but other-

wise the rendering corresponds with that of earlier dies.

The club, which on all other reverses is headed left, points in the opposite

direction on No. 19a. This slight deviation perhaps indicates that this reverse

was the first to be cut; there is no evidence for the relative position of the re-

maining obverse and reverse dies.

Heretofore the monograms have been comparatively simple. Normally there

is no problem as to what letters are present but these are seldom sufficient to

justify a definite identification. For the first magistrate of this club issue we

have a complex monogram which can, I believe, be accurately resolved. Its

constituents are clearly E, which because of its position is almost certainly the

first letter, Y, P, G) and A. Surely this is EYAWPO[S]. The name is not common in

Attic prosopography but a Eudoros of Kydathenaion is listed among the donors

of 183/2 (PA 5452; IG IP 2332). The "generous one" of the coinage of 191/0b.c.

may well be the same man.

R may stand for inTTC0[N] and represent a variation of the first monogram

of the series. It is difficult to see what else it could be except a name starting

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with nw.

SP - m or #

RUDDER

190/89 B.C.

(Plate 4)

Tetradrachms

26.

(Si)

a. m instead of on this one reverse.

London, gr. 16.26 /

b. *ANS, gr. 16.91 /

27.

((h)

a. *Paris, Petit Palais

b. London (BMC 287), gr. 16.67f

c. Berlin (Sv. 34, 3), gr. 16.91

d. Athens (Sv. 34, 1), gr. 17.05

42

The New Style Silver Coinage of Athens

28.

29.

a.

*ANS-Gautier, gr. 16.43f

(AO

b.

Paris, gr. 16.77f

(AO

c.

Paris (de Luynes 2078), gr. 16.55f

(AO

d.

Helbing 83, 328 = Cahn 71, 338 = Ratto (Rogers) 340

(AO

e.

Leningrad, gr. 16.14 (pierced)f

a.

*ANS-ETN, gr. 16.81 /; Empedocles Coll.

b.

China Coll.; Berlin, gr. 16.76f

c.

Brussels (Sv. 34, 2), gr. 16.57; Petsalis Coll., gr. 15.88f

d.

Schlessinger (Hermitage 2) 902, gr. 16.50

e.

f.

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Cambridge (General Coll., SNG 3196), gr. 16.64 /

L. Meletopoulos Coll., gr. 14.25 (badly corroded)

g-

Berry Coll., gr. 16.83f

h.

Leningrad, gr. 16.52 /

29X.

Berlin, gr. 16.32f

30.

(A - A) a. Paris (Sv. 34, 5), gr. 15.50f

(A - A) b. Glasgow (Hunt. 66; Sv. 34, 4), gr. 17.06 /

25 tetradrachms: 6 obverse, 22 reverse dies

There is no means of determining the order of obverse dies except in the

case of No. 26, which is the first of the issue. A die break directly behind the

Pegasus is more pronounced in No. 26b than in 26a. The reverse of No. 26a

is the only one with m as the second magistrate and its position preceding a

reverse with fit would thus indicate that the shift in officials came at the be-

ginning rather than at the end of the year.

Concerning No. 30 I have some reservations. The two coins may be imita-

tions and not products of the Athenian mint. The form of the first monogram

is the most abbreviated known for this issue and the /R version of the second

name is not encountered elsewhere. These deviations are not of great signifi-

cance in an emission marked by monogrammatic diversity, but there are also

some strange stylistic factors, notably the exaggerated eyes of the owl and the

peculiar arrangement of the horse protomes above the heavy visor. The weight

of the Glasgow specimen is 17.06 grams, that of the Paris piece only 15.50 but

it shows no sign of plating. However, if the coins are imitations they are copied

with greater fidelity than is generally the case in this period and their style is

The Early Period: Catalogue

43

not sufficiently abnormal to justify unqualified inclusion in the category of

imitations.

The first monogram is an elaborate one which takes at least four distinct

forms. P is the most common and seemingly the most accurate; the variations

(such as 26b, 27b, 28b) sometimes omit the clearly-defined P or A but the

missing letter can still be made out in what remains. NAYKPAT[HZ] seems to

me the most satisfactory resolution and this interpretation is strengthened by

the rudder which appears on all coins. What we seem to have is a personal

connection between the symbol and the name of the magistrate, such as may

have been the case with NIK... of the fifth striking and is undoubtedly true of

issues from a later period (e.g. HPA - APIITOO with the club and lion's skin of

Herakles). Any certain association of the mint official Naukrates with a known

Athenian of that name is impossible. He may belong to the family which sup-

plied the basileus of 214/8 B.C. [IG II2 1706; Hesp., 1983, PI. XIV, line 152)

conceivably he is the same manbut there are other possibilities.

yff who holds the second magistracy for most of the year is probably

API... but beyond that it is pointless to speculate. His predecessor m has a

more distinctive monogram. The essential elements are 9, X and M. These do

not combine easily; in fact the only name into which I can fit them is 0YMOX

[APHZ]. The name is of frequent occurrence in Athenian epigraphical records

of the fifth-third centuries B.C.

S-lfl NIKE 189/8 B.C.

(Plate 5)

Tetradrachms

31.

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a. *Robinson Coll., gr. 16.97t

b. Dewing Coll., gr. 16.59f

c. Berlin (Sv. 35, 7), gr. 17.01

d. Athens (Sv. 35, 10), gr. 16.57

(f) e. Paris (Sv. 35, 8), gr. 16.42 /; Mrs. E. T. Newell Coll., gr. 16.90 /

31X.

Berlin (Babylon Hd., ZfN, 1928, p. 114, 59), gr. 15.92

32.

London, gr. 13.40 (broken)f

33.

Wilkinson CoU. = Lockett Coll. (SNG 1905), gr. 16.68f

44

The New Style Silver Coinage of Athens

34.

a. *Commerce 1956, gr. 16.88f

(*) b. Cambridge (Grose 5900; Sv. 85, 11), gr. 16.90f; Tubingen, gr. 16.45

35.

a. *London {BMC 298), gr. 16.65f

b. Sophia (Sv. 35, 9), gr. 16.77

36.

a. *ANS, gr. 16.42 /

b. Petsalis Coll., gr. 16.65f

16 tetradrachms: 7 obverse, 14 reverse dies

The obverses of this issue are distinguished by an unusual rendering of the

Pegasus. This is not clearly visible on Nos. 31X-33 but on the other four dies

the winged horse has a long, thin and swirling lion's tail instead of the thick

straight brush which is its customary appendage. One might identify the crea-

ture as a griffin were it not for the distinctly equine legs and head, which seem

to indicate that what we have is merely a strange version of the traditional

Pegasus. This aberrant representation occurs on three other obverses belonging

to later issues.

In the Sylloge publication of the Lockett piece (No. 33) a A ? is recorded as

an amphora letter. From the cast I can see nothing to suggest that the coin was

dated and no other reverse of the issue has an amphora marking.

Beule thought that the bizarre form of the first monogram was due to its

inclusion of a beta and that BYTT[AKOZ] was a possible interpretation. This

seems somewhat farfetched. Certainly one does not get any clear impression

of a B from the monogram and it would have been easy enough to render

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BYTT... in a more intelligible way (& for example). My feeling is that delta is

the dominant and initial letter and that AIOKA[HZ] is the most likely reading.

There are three donors of that name in the inscription of 183/2 B.C. cited before

(IG II2 2332) but there is no way of determining which, if any, of them was the

mint magistrate.

In the second monogram the essential elements would seem to be M and

either O or plus O. It looks like a simple rendering but extensive shifting of

the letters for possible combinations produced only YYIMOZ as an entirely

satisfactory solution. All the letters are present, even the terminal sigma. The

name is not common in Attic prosopography. If the monogram has been cor-

rectly resolved, there is a distinct possibility that the monetary official is

connected in some way with the YYIMOZ EIPEZIAHZ of a second century in-

scription from the North Slope of the Acropolis (Hesp., 1933, p. 412).

The Early Period: Catalogue 45

W- TROPHY 188/7 B.C.

(Plates 5-6)

Tetradrachms

37.

a. *Evelpidis Coll. = Meletopoulos Coll. (Sv. 85, 1), gr. 16.62; Commerce Beirut

1958

b. Empedocles Coll.

c. *Damascus (Tell Ahmar Hd.)

38.

Empedocles Coll.

39.

a. *Berlin gr. 16.881!

b. London (BMC 282), gr. 16.98f

40.

Vienna, gr. 16.74; Moscow

41.

a. Romanos Coll.

b. Romanos Coll.

c. Copenhagen (SNG 111), gr. 16.49f

d. Budapest = Kress 96, 199, gr. 16.40t

42.

ANS-ETN, gr. 16.20f

43.

a. Petsalis Coll., gr. 16.67 /

b. The Hague (Sv. 85, 4), gr. 15.70

44.

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a. *Paris (Sv. 85, 2, Feuardent), gr. 16.55 /

b. London {BMC 288), gr. 16.60f

c. Athens, gr. 16.74

d. Leningrad, gr. 16.23f

44X.

Berlin, gr. 16.20f

45.

Berlin, gr. 16.76f; Leningrad, gr. 15.17 (corroded)f

1 The obverse of this Berlin coin is illustrated by Svoronos (Plate 35, 5).

46

The New Style Silver Coinage of Athens

46.

a. *Berlin, gr. 16.83f; London {BMC 281; Sv. 85, 8), gr.

b. *Commerce Beirut 1958

47.

a. *ANS, gr. 16.26f

b. ANS, gr. 16.42f

c. London (BMC 284), gr. 16.06f

d. Bartlett Coll.

48.

() a. *ANS-ETN, gr. 16.94f

() b. L. Meletopoulos Coll., gr. 15.97

(<) c. Brooklyn Mus.

Drachm

49.

Athens (Sv. 85, 6), gr. 8.90f

88 tetradrachms: 18 obverse, 29 reverse dies

1 drachm

From the evidence of surviving coins and the number of obverse dies, the

trophy striking is the heaviest thus far in the New Style series. It includes

drachms as well as tetradrachms and these are the first regular fractions of the

coinage in that they have monograms and symbol. Letters have not yet ap-

peared on the amphora or in the field although Beule records a Gotha tetra-

drachm, one of two in that cabinet, with FTP near the vase. I have a cast of

only one Gotha coin, a barbaric specimen (Plate 150, 1348). There is no way

of checking Beule's reading but it seems dubious inasmuch as no other piece

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of this issue in my record or in that of Kambanis has lettering. Possibly the TIP

coin was also barbaric; possibly it had surface imperfections resembling letters.

No. 46, alone among the obverses of this issue, has the lion-tailed Pegasus

found on dies of the preceding Nike striking.

The two monograms are rendered with great care and consistency except

in the case of No. 89 which has a blundered and somewhat uncertain version of

the second combination. A distinct variant of this same monogram appears on

Nos. 48a, b and c, but the essential letters remain.

Beule remarks that, among other names, he finds AZKAHniAAHI in the first

monogram. All components are present and the possibility is strengthened by

1 A tetradrachm in Glasgow (Hunt. 64) weighing 15.22 grams is a cast replica of the British

Museum coin.

The Early Period: Catalogue

47

the fact that a magistrate of that name is connected with the coinage at a later

date. A prominent Athenian family of the third and second centuries (PA 11339

for stemma) had a EENGN AIKAHTTIAAOY (DYAAIIOI, donor in 247/6 B.C.

(IG II2 791 and Hesfi., 1942, p. 291), and a grandson of the same name was a

donor in 183/2 B.C. (IG II2 2332). The father of this second Xenon may have

been the mint magistrate of 188/7; conceivably the EE.. of the issue with two

palms is also a member of the family. Another Asklepiades, of Diomeia, is

known to have made a dedication to a sanctuary in 186/5 B.C. (Hesp., 1947,

p. 166).

The second monogram is highly uncertain. Beule suggests a name beginning

AEO but this is not convincing. E would seem to be the initial letter with an

upsilon indicated by the diagonal stroke at the top (on the three dies without

this line the right-hand part of the elongation which forms the middle bar of

the E gives Y when turned sideways). It may be that 0 is part of the name,

although there is no trace of a dot in the circle behind the epsilon, or the cir-

cular addition may be part of a reversed rho.1

TC-M GRAIN-EAR 187/6 B.C.

(Plate 7)

Tetradrachms

50.

(M) a. Lockett Coll. (SNG 1904) = Naville (Pozzi) 1594 (Sv. 84, 9, commerce),

gr. 16.79f; Athens, gr. 16.35f

b. *Vienna, gr. 16.57

c. "London (BMC 290; Sv. 34, 8), gr. 16.78t; Schlessinger (Hermitage 2) 903,

gr. 16.90

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d. Berlin, gr. 16.88f

e. Stockholm, gr. 16.92f

f. Damascus Collector

g. Leningrad, gr. 16.42 \

51.

a. *ANS-ETN, gr. 16.97f

b. Tubingen, gr. 16.18; Athens (Delos Hd. T, 2; Sv. 34, 7), gr. 16.70

c. Athens (Delos Hd. B, 1; Sv. 34, 6), gr. 16.40

((#) d. Berlin, gr. 16.10f

e. Berlin, gr. 16.64f

1 Svoronos (J I AN, 1907, p. 212) reads the monograms on the drachm as MATX and PEY.

H would seem a clumsy way of rendering the first letters, and the suggested order of the last

three surely cannot be right.

48

The New Style Silver Coinage of Athens

a. *Griffen Coll.; Empedocles Coll. = Mavrokordatou Coll. (JIAN, 1912, 1296),

gr. 16.12

b. *Natl. Mus. Lebanon

c. Berry Coll., gr. 16.99f

d. Bucharest, gr. 16.68

Benson Coll., gr. 16.76f

Cambridge (Grose 5898), gr. 16.88f

a. *Empedocles Coll.

b. *Paris, gr. 16.73|

c. Petsalis Coll., gr. 15.76/

d. Herakleion (Sv. 84, 10), gr. 16.80

26 tetradrachms: 6 obverse, 22 reverse dies

Since amphora letters have not yet appeared and there is no evidence of

linking by reverse dies, the order of the obverses is arbitrary. The grain-ear

symbol, found in the lower left field, may have a festival significance in that

187/6 B.C. was a year of the Greater Eleusinia. The same symbol marks an

extensive group of fractions which Svoronos (Plate 34, 11-82) associates with

the -R - M tetradrachms. These grain-ear drachms and hemidrachms are

catalogued and discussed on pages 68-78, 145-147.

As magistrates Beule" suggests TAYK[flN] and MHT[POAQPOS]. The latter

interpretation is very probable and it is to be noted that two reverse dies of

the present catalogue, inscribed M, provide additional letters of the name:

MHTPO. This man may well be identical with MHT, second magistrate of

195/4 B.C. With respect to the first monogram, Beule's reading ignores the

definite N unless one assumes that all letters of TAYKflN were used with the

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exception of the omega. If this is true, it would seem to represent a deviation

from the usual practice of including in the monogram all elements of the name

down to the stopping place. It is significant that omega is clearly indicated in

the monograms of the first and sixth strikings. Certainly the present monogram

gives the impression that r is the initial letter with N an integral part of the

name and O or P, possibly both, as additional constituents. Benjamin Meritt

suggests rOPrOINO[Z] and this seems to me a likely reading. The name is ex-

tremely rare at Athens, known only from a late fifth century inscription (IG I2

824,1. 82; B. D. Meritt, Athenian Financial Documents, pp. 136-148).

52.

53.

54.

55.

The Early Period: Catalogue 49

fcP - * CAPS OF THE DIOSCURI 186/5 B.C.

(Plate 8)

Tetradrachms

56.

a. *Munich (Sv. 87, 1), gr. 16.92

b. The Hague, gr. 16.80

c. ANS-ETN, gr. 16.18 /

d. Athens (Delos Hd. B, 11; Sv. 87, 4), gr. 16.60

57.

r * Berlin (Sv. 87, 2), gr. 16.77; Commerce 1955

58. I

La. Frankfurt am Main, gr. 15.64f

b. *Empedocles Coll.

c. Univ. of Pa. = Sotheby (White-King) 174, gr. 16.46

d. Commerce Beirut 1953

e. Berlin, gr. 16.45

59.

a. *Copenhagen (SNG 115; Sv. 37, 8), gr. 16.74f

b. London (BMC 296), gr. 16.85f

(VI) c. Romanos Coll. (Sv. 37, 5), gr. 16.65

60.

a. *von Post Coll., gr. 16.90f

b. Oxford, gr. 15.86 (pierced)f

c. Johns Hopkins Univ., gr. 16.84; Istanbul, gr. 16.72f

61.

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a. *Giesecke Coll. = Hess, Mar. 1918, 480 = Merzbacher, Nov. 1909, 2984, gr.

16.61; Stack's (Sobernheim) 885 = Stack's (South) 609 (restruck, probably

on an Alexander), gr. 16.68 /

b. Kambanis Coll. = Ciani, Oct. 1920, 59; Berlin, gr. 15.80 (pierced)

c. ANS-ETN, gr. 16.58 /

d. Leningrad, gr. 16.09 /

62.

a. *Empedocles Coll.

b. ANS-ETN, gr. 15.68f; Rhode Is. School of Design = Naville (BM dupl.)

2011, gr. 16.05

63.

ANS = Hirsch (Lambros) 462 = Warren (Regling 855), gr. 16.61f

5o

The New Style Silver Coinage of Athens

64.

a. *Berry Coll., gr. 16.92f

b. Dewing Coll., gr. 16.49f; Athens, gr. 15.95f

81 tetradrachms: 9 obverse, 24 reverse dies

Nos. 57 and 58 are contiguous by reason of the reverse die link, the first

instance of such coupling in the series. Otherwise there is no indication of re-

lative position within the issue.

Both monograms are difficult. Kirchner {ZfN, 1898, pp. 275f.) reads the

first as TTOAYAPATOZ, but TTOAYAPKHZ or TTOAYKPATHI might be considered

preferable in that the monogram seems to have an H, suggested by the other-

wise unnecessary extension of both Y and P above the horizontal cross-bar.

The second monogram apparently has three distinct elementsY, r and

Owith A, P and O as possibilities. Although OPYriAAOp] is by far the most

satisfactory rendering, the name is not found in Attic prosopography. TPYA-

AO[Z], a known Athenian name, is conceivable but less convincing since one

would have to assume that the O form stands only for P and O.

CICADA 185/4 B.C.

(Plate 9)

Tetradrachms

65.

a.

on amphora

*Chiha Coll. (first monogram illegible)

b.

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on amphora

Munich, gr. 16.20; Evelpidis Coll., gr. 16.80

c.

on amphora

Commerce 1955

a.

on amphora

*Aberdeen, gr. 16.10f

b.

on amphora

Commerce 1957 (Zahle Hd.)

c.

on amphora

Lockett Coll. {SNG 1906) = Ratto (Rogers) 848, gr.

16.64f

d.

on amphora

Glasgow (Hunt. 78; Sv. 87,11), gr. 15.99f

e.

on amphora

Vatican (Sv. 37, 7), gr. 16.52; de Laval Coll., gr. 16.88

f.

on amphora

Copenhagen {SNG 116; Sv. 87, 9), gr. 16.59f

g-

on amphora

Amsterdam (Boissevain 47), gr. 15.88

66X.

E on amphora *Bucharest, gr. 16.30

1 In the Ratto catalogue the reading is E. Robinson in the Lockett publication gives it as T

(or E?); Kambanis lists it as f or E. I think it is almost certainly a gamma.

The Early Period: Catalogue

5i

67.

a. 0 on amphora Miinz. u. Med. List 150, 10; *Berlin (Sv. 87, 8), letter

uncertain, gr. 16.99

(E) b. I on amphora Glasgow (Hunt. 75; Sv. 87, 12), gr. 16.26f

c. ? on amphora Berlin, gr. 15.99

68.

69.

70.

71.

72.

73.

1 on amphora Kambanis Coll.; *Oxford (Sv. 37,10), letter uncertain,

gr. 16.20t

a. K on amphora *Munich (Sv. 87, 18), gr. 16.84; Empedocles Coll., letter

uncertain

b. ? on amphora ANS-ETN, gr. 16.62f

a. M on amphora Baltatzi Coll. (Sv. 87, 14) = Mavrokordatou Coll.

{JIAN, 1912, 1303), gr. 16.58

b. M on amphora *Natl. Mus. Lebanon; Berlin, amphora letter uncertain,

gr. 16.02

c. ? on amphora Toronto (Ontario Hd.), gr. 16.87 /

d. ? on amphora Leningrad, gr. 15.87^

(E) a. M1 on amphora Glasgow (Hunt. 74; Sv. 87, 15), gr. 16.47 /; Paris, letter

uncertain, gr. 16.04f

b. ? on amphora *Paris, gr. 16.15f

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? on amphora *Berry Coll., gr. 16.20 /

a. ? on amphora *Damascus (Tell Ahmar Hd.)

b. ? on amphora Uncertain (Sv. 87, 6, incorrectly assigned to Copen-

hagen2), gr. 16.58

38 tetradrachms: 10 obverse, 26 reverse dies

Months: A, B, T, A, E, 9, I, K, M

1 Macdonald gives the letter as H?; Svoronos apparently read it as M or N since the coin is

at the end of his sequence. The date seems to me to be a worn M, definitely not N.

* This is probably an Athens specimen. I was unable to see a small group of coins which had

been on exhibit before the war. One of them, with the same weight as the Svoronos tetradrachm,

belongs to this cicada issue.

52

The New Style Silver Coinage of Athens

The introduction of dates on the amphorae is an innovation of the present

issue. With the exception of Nos. 72-73, the order of obverses is established

by these letters. On the evidence available there seems to have been a short

interval without coinage in the middle of the year, but it may be that illegible

or missing reverses were marked Z and H.

Beul6 lists an unique drachm with monograms and cicada symbol, infor-

mation on it having been communicated to him by M. Isambert. If such a coin

did exist, it has now disappearedat least there is no record of it subsequent

to Beul6's publication. One wonders if it could perhaps have been confused

with one of the common grain-ear drachms with = or Z in the left field.

Interpretation of the first monogram seems to me quite certain. E, the most

prominent element in the combination, is clearly the initial letter. To this

should be added K and O or Q with A and A as further possibilities. On several

of the reverses the upper diagonal of the K is brought in slightly from the end

of the top horizontal of the E while the lower diagonal extends to the tip of the

lowest horizontal of the same letter. This may be simply fortuitous or it may

reflect an effort on the part of careful die engravers to indicate the presence

of both A and A in the monogram. I think the reading is EIKAAIOI, all com-

ponents being present if one assumes a retrograde sigma. The name is rare and

in all probability the mint official of 185/4 B.C. may be identified with EIKAAIOZ

TPINEMEEYZ, donor in 188/2 B.C. (PA 4642; IG IP 2332).

ffl is identical with the second monogram of the Nike striking four years

earlier. Probably the same man Hypsimos ? is serving again as mint

magistrate.

4<-l*l SERPENTS 184/3 B.C.

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(Plate 10)

Tetradrachms

74.

a. A on amphora *Sotheby (Montagu) 389 = Photiades 595, gr. 16.78

b. A on amphora London, gr. 15.78f; Berlin, gr. 16.98

A on amphora *Copenhagen (SNG 112; Sv. 35, 12), gr. 16.82f

B on amphora *Giesecke Coll. (Sv. 35, 13) = Hirsch (Rhousopoulos)

2032, gr. 16.92

a. B on amphora *Vienna = Egger XL (Prowe) 952, gr. 16.83; Berlin,

gr. 16.88

b. B on amphora Leningrad, gr. 16.42f

75.

76.

77.

The Early Period: Catalogue 53

78.

79.

80.

c. T on amphora London (Sv. 35, 14), gr. 16.88f

d. ?on amphora London (Sv. 35, 17), gr. 16.70f

e. ?on amphora Vatican

a. T on amphora *Am. Univ. Beirut, gr. 16.25f

b. ?on amphora Athens

Qft-Ai) a. Z on amphora *ANS, gr.16.50f; Hirsch (Sv. 35, 20), letter un-

certain, gr. 16.90

(1*1 -4*) b. ?on amphora Leningrad, gr. 15.36 (corroded)f

a. H on amphora *Brussels (Sv. 35,15), gr. 16.66; L. Meletopoulos Coll.

= Mavrokordatou Coll. (JIAN, 1912,1302), gr.15.75;

Berry Coll., letter uncertain, gr. 16.20f

b. H on amphora Empedocles Coll. = Weber 3513 (Sv. 85,16), gr. 16.54

c. 0 on amphora ANS-ETN, gr. 16.46f; Romanos Coll.

d. 0 on amphora Minister Landesmuseum, gr. 16.36

e. 0 on amphora Berlin, gr. 16.57

f. ?on amphora Athens, gr. 16.90; Ball VI, 273, gr. 15.90

g. ?on amphora Natl. Mus. Lebanon

h. I on amphora Breslau (Sv. 35, 21); Leningrad, gr. 16.44f

81.

83.

! on amphora

Commerce 1955, gr. 16.60f; The Hague, letter un-

certain, gr. 16.40

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1 on amphora

ANS-ETN, gr.16.40f; Cambridge (Grose 5899),

letter uncertain, gr. 16.00f

a.

M on amphora

Berry Coll., gr. 16.51 /

b.

? on amphora

Seyrig Coll., gr. 16.55f

c.

? on amphora

ANS, gr. 16.00 /; Turin (Mus. Ant., Fabretti 3055),

gr. 16.67

d.

? on amphora

Dewing Coll. = Sotheby (Cumberland Clark) 189,

gr. 16.90 /

e.

? on amphora

Berlin (Sv. 35, 19), gr. 16.54

54

The New Style Silver Coinage of Athens

84.

a. N on amphora

b. N on amphora

c. ?on amphora

d. ?on amphora

Paris, gr. 15.83f

London (BMC 297), gr. 16.02f

Petsalis Coll., gr. 16.53

Kambanis Coll.

85.

a. ?on amphora

b. ?on amphora

c. ?on amphora

Frankfurt am Main, gr. 16.69f

Damascus Collector

Commerce (Sv. 35, 18), gr. 16.77; Commerce Beirut

1953

47 tetradrachms: 12 obverse, 35 reverse dies

Months: A, B, T, Z, H, 9, I, M, N

As was the case with the preceding issue, the month letters give the ap-

proximate order of the obverses, save for No. 85 which has no legible markings.

On Obverses 79 and 82 one finds the peculiar Pegasus with lion's tail which

distinguished dies of the Nike and trophy emissions.

Kirchner {ZfN, 1898, pp. 267f.) was the first to identify the M monogram

of this striking with the & (<DANI) of the third issue of coinage. 1*1 he read as

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Moschos and it was his belief that the two men were brothers: the first, OA-

NIA[Z] MOZXO[Y] KYAA0HN[AIEYZ] of a funerary inscription (IG IP 6599)

dated after 317/6 B.C.1; the second, MOZXOZ MOZX[OY] KYAA0HNAIEYZ,

secretary in a decree of the year of the archonship of Archelaos. Subsequently

in the Prosopographia Attica (10462) the secretary is cited as MOZXOZ MO-

ZX[lNOZ] KY[AA]0HN(AIEYZ) and the mint magistrates, Phanias and Moschos,

are regarded as his sons.

This second inscription is now restored by Dow (Prytaneis, pp. 81 ff., no. 36)

as MOIXOZ MOZ[XIQNOZ AJNKYAH0EN which would, of course, indicate a

different family. The revised reading, however, does not affect Kirchner's basic

premise, which seems to me valid, that the mint magistrates of 184/3 B.C. are

brothers from the family of Kydathenaion in which the two names occur. A

Phanias of Kydathenaion is known from a prytany decree of 155/4, published

by Meritt (Hesp., 1934, pp. 31 ff., no. 21) and by Dow (Prytaneis, pp. 148ff.,

no. 84), and there is the possibility that he is either identical with our mint

magistrate or else a son of one of the brothers of 184/3, the latter association

being perhaps the more likely.

1 For the ambiguity of this kind of dating see George Stamires (Tot 'EAeuo-fvia, 1,1946, p. 85).

As used here, "after 317/6 b.c." is merely a terminus post quern, the stone may have been erected

much later than the year mentioned.

The Early Period: Catalogue

55

The transposition of monograms during the course of the year suggests that

the two magistrates were of equal status. Phanias' name was given precedence

on eighteen reverse dies and that of Moschos on seventeen, covering five and

four months respectively of the coinage of present record. The shift in position

did not, however, coincide with the half year unless the arrangement of the

names on No. 79a represents an error on the part of the diecutter.

This issue, like that with cicada symbol, shows gaps in the month sequence:

A, E, K and A1 are missing in the current listing. The appearance of N on a few

dies provides the first indication on the coinage of an intercalary year.

Tetradrachms

86.

& - # TERM OF HERMES 183/2 B.C.

(Plate 11)

(A) a. T on amphora *Leningrad, gr. 16.85 (pierced) t; Paris, letter un-

certain, gr. 16.88 (pierced) \

(ft) b. ?on amphora Empedocles Coll.

(5\) r c. ?on amphora *Commerce Beirut 1953, gr. 16.67f

j d. ?on amphora Ferguson Coll.

87. |

(A) La. ?on amphora *Berry Coll., gr. 17.10f

b. A on amphora Empedocles Coll.

88.

a. ?on amphora *London (BMC 285), gr. 16.67 \

b. A on amphora *Commerce Beirut 1952

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c. ?on amphora Feuardent (Engel-Gros) 52

d. ?on amphora Berlin, gr. 15.99f

89.

a. A on amphora *Empedocles Coll. = Baltatzi Coll. (Sv. 36, 3) =

Mavrokordatou Coll. {JIAN, 1912, 1293), gr. 16.87;

Oxford, gr. 16.27f; Arethuse, Suppl. comm. 1,330 =

Ciani, Dec. 1921, 58; Bauer Coll. (Gans Mail Bid

16, 308) = Ratto (Rogers) 341, gr. 16.80f

b. A on amphora Gotha, gr. 16.90

c. E on amphora ANS (Cretan Hd. II), gr. 16.93f; Commerce Beirut

1953

1 Beule, however, records A on a Turin coin. If this is our No. 83c the date seems to me quite

illegible.

56

The New Style Silver Coinage of Athens

90.

a. E on amphora ""Berlin (Sv. 36, 2), gr. 16.60

b. S on amphora Paris, gr. 16.17f

91.

a. X on amphora ""Leningrad, gr. 16.76f

b. S on amphora Petsalis Coll.; Berlin, gr. 16.70f

c. S on amphora Glasgow (Hunt. 65; Sv. 86, 1), gr. 16.80|

d. H on amphora Athens (Sv. 86, 4), gr. 17.05

92.

a. 0 on amphora

b. j on amphora

(A) c. ?on amphora

Drachms

Paris (Sv. 36, 5), gr. 16.91 /

ANS-ETN, gr. 16.94|

Athens, gr. 16.79f

93.

a. H (P)1 on amphora ""London, gr. 4.21

b.? on amphora ""The Hague (Sv. 86, 6), gr. 3.49

28 tetradrachms: 7 obverse, 21 reverse dies

2 drachms: 1 obverse, 2 reverse dies

Months: f, A, E, Z, H, 9,!

This third issue with amphora letters shows an apparent concentration of

coinage in the middle of the year, just the reverse of the emphasis of the two

preceding strikings. The letter zeta is retrograde on all known dies.2

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Of the two monograms, the firstAP.. is too common to justify even a

tentative expansion. The second is carefully executed with the horizontal stroke

at the bottom joining the ends of the two outer verticals while the center

vertical is brought down below the horizontal. Two deltas are clearly suggested,

and I believe that the reading is AIOAOTOI, all elements of which are

present. Possibly this is the AIOAO who served for the Apollo issue eight

years later.

1 Possibly M, only the two vertical lines are visible.

s This letter seems to have given the diecutters a great deal of trouble. During the Early

Period it is almost invariably retrograde when the Z form is used. There are other examples of

the engraver's carelessness in failing to reverse a letter form on the die but such occurrences are

remarkably rare considering how easy it would be to make this mistake and how many individual

letters were required for an average die.

The Early Period: Catalogue

57

AMMfl - AIO KERCHNOS 182/1 b.c.

Tetradrachms

(Plate 12)

94.

95.

96.

97.

98.

99.

100.

101.

a.

No lettering visible

Copenhagen (SNG 125; Sv. 39, 10), gr. 16.87f

b.

No lettering visible

Leningrad, gr. 15.44 (corroded)f

No lettering visible

Romanos Coll.; Berlin

a.

No lettering visible

ANS-ETN, gr. 16.46 /

b.

No lettering visible

Aberdeen (Newnham Davis Coll., SNG 199),

c.

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16.47f

No lettering visible

Commerce (Sv. 39, 9, Feuardent), gr. 16.50

a.

No lettering visible

Paris, gr. 16.67f; Athens (Delos Hd. T, 9; Sv. 39:

gr. 16.15

rb.

No lettering visible

Athens, gr. 16.17f

|c.

M below amphora

Commerce Beirut 1952

La.

No lettering visible

London (BMC 311; Sv. 39, 8), gr. 16.83f

b.

No lettering visible

Berlin, gr. 16.66

c.

No lettering visible

Munich, gr. 15.47

d.

A on amphora

Empedocles Coll.

e.

A on amphora

Berlin, gr. 16.76

a.

No lettering visible

Kambanis Coll.

b.

A below amphora

Vienna, gr. 16.62

c.

M below amphora

Athens, gr. 15.50f; Damascus

d.

M below amphora

Berlin, gr. 15.94

58

The New Style Silver Coinage of Athens

The first AMMfl -AIO issue breaks with the pattern of month letters

established by the last three strikings. On most reverses there is no visible

lettering and although it could be pure chance that has left us twelve out

of twenty-one reverses with all trace of letters eliminated by time, it seems

more reasonable to suppose that some at least of these dies were originally

uninscribed.

On the nine remaining reverses we find A, M and AP.1 Conceivably A and M

are dates but if so their juxtaposition in Nos. 97-99 means that there was

coinage for only the first and last months of the year. In view of the number of

surviving coins and individual dies, this seems unlikely. The presence of AP,

undoubtedly a control combination, on one reverse and the occurrence of AP

and ME on dies of the next issue suggest rather that we have here the beginnings

of a new control system, with dates temporarily abandoned in favor of control

combinations: A (AP) and M (ME). Possibly in the early part of the year there

was an attempt to do without controls of any kind. The arrangement of the

reverses of No. 98 is determined by die flaws on the obverseinvisible on a,

faint on b and c, pronounced on d and ewhich place the A reverses after the

three without lettering.

The one reverse die link (Nos. 97b and 98a) helps to establish the sequence

of obverses. No. 94 with both reverses marked Al instead of AIO may represent

the initial phase of the striking. Otherwise the relative position of the entries

is arbitrary.

AMMfl is certainly AMMfl(NIOZ), possibly connected with the Ammonios

of the later AMMQNIOZ - KAAAIAZ striking.2 AIO in itself is not enough for

an identification but one can safely assume a relationship between the two men

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since the names Dionysios and Ammonios occur in a family of Anaphlystos

prominent in Athenian affairs during the second century B.C.

nOAY - Tlffl PALM BEHIND OWL 181 /0 B.C.

(Plate 13)

Tetradrachms

101X.

BA below amphora *Totten Coll.

1 Kambanis records these and adds an Athens entry with T or E on the amphora. I have

examined the coin whose markings seem to be surface imperfections and not an obscured letter.

Sundwall gives N for a Berlin piece but I can see no trace of this letter on any of the Berlin coins.

2 It may be significant that on the two AMMfi - AIO issues and the later AMMBNIOZ -

KAAAIAZ emission the symbols are Eleusinian: kerchnos, coraucopiae and torches.

The Early Period: Catalogue

59

102.

a. BA below amphora

b. BM below amphora

c. M 1. field; B below amphora

d. Probably same

e. M 1. field; T below amphora

f. ?1. field; T below amphora

g. A 1. field; V below amphora

h. E 1. field; f below amphora

Athens, gr. 16.50f

Paris (de Luynes 2076), gr. 16.60f

London, gr. 16.54 /; Glasgow (Hunt. 80;

Sv. 88, 19), gr. 17.24f

London (BMC 806), gr. 16.82f

Commerce Beirut 1958

Commerce Beirut 1958

Petsalis Coll., gr. 16.81f

Turin (Mus. Ant., Fabretti 8056), gr.

16.71

103.

AP A below amphora

Berlin, gr. 16.65

104.

a. Z 1. field; ME on amphora

b. Z 1. field; EP on amphora

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c. S 1. field; ?on amphora

d. ?1. field; ?on amphora

Tubingen (Sv. 88, 12), gr. 16.63

Berlin (Sv. 88, 11), gr. 16.65; Athens,

letters on amphora uncertain, gr. 15.54f

Herakleion (Sv. 38, 18), gr. 16.90 \

Amer. Univ. Beirut, gr. 15.95f

105.

Z11. field; ?on amphora

Athens (Delos Hd. T,

Damascus Collector

6), gr. 16.50f;

106.

(TTOAI)

a. Z 1. field; EP on amphora

b. H 1. field; AP2 on amphora

c. H 1. field; EP on amphora

d. HI. field; ME on amphora

e. HI. field; ?on amphora

f. 9 1. field; EP on amphora

g. 0 1. field; ?on amphora

h. 0 1. field; ?on amphora

London = Ratto (Rogers) 844, gr.

16.73t; London, gr. 16.33f

London (BMC 805; Sv. 88, 14) gr.

16.78f

Oxford, gr. 16.91f

Copenhagen (SNG 119), gr. 16.67f

Munich, gr. 16.70

Leningrad, gr. 16.62f; Berlin, gr. 16.42

Berlin, gr. 16.56

Berlin, gr. 16.19

1 Svoronos reads ^ but it seems to be a zeta.

3 The British Museum Catalogue gives M (?) on the amphora. Pick (editing Svoronos) records

AM. It seems to me that AP is almost certain.

There is a plated coin at Glasgow (Hunt. 79) from the same pair of dies on which the visor

line and protomes of the obverse type have disappeared as the result of doublestriking.

6o

The New Style Silver Coinage of Athens

107.

108.

a. 0 1. field; OD1 on amphora "London (BMC 804), gr. 16.66|

(no- b. 01. field; EP2 on amphora Copenhagen (SNG 118; Sv. 38, 15), gr.

Tl) 16.54f; Paris (de Luynes 2075), gr.

16.80f

c. 01. field; ?on amphora Romanos Coll.

d. 1. field; ?on amphora *ANS (restruck, under type uncertain),

gr. 16.39f

a. I r. field; ?on amphora *von Post Coll., gr. 16.45|

b. No trace of month letter;

ME on amphora Amsterdam (Boissevain 48), gr. 16.33

rc. I r. field; AP on amphora Leningrad, gr.16.61f; Berlin (Sv. 38

j 18), letters uncertain, gr. 16.15

109. |

La. I r. field; AP on amphora * Vienna, gr. 16.45

b. I 1. field; ME (?) on amphora Berlin (Sv. 38, 16), gr. 16.14

c. 11. field; ME on amphora *ANS-ETN, gr. 16.61f; Athens (Sv. 38,

17), gr. 16.65|

110.

a. M 1. field; ME on amphora Paris, gr. 16.71|

b. M 1. field; ?on amphora * Athens (Sv.88, 20), gr. 16.60f

c. Ml. field; ?on amphora Athens (Delos Hd. V, 5), gr. 16.40f

44 tetradrachms: 10 obverse, 85 reverse dies

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Months: B, V, A, Z, H, 0, I, M

Controls: A, AP, E, EP, M, ME, CO

The BM and Mr (or TM) lettering found on reverses b, c, and e of No. 102

can scarcely be explained as control combinations. At least as controls they

would be unparalleled in the entire New Style series and furthermore different

from all other control combinations in not being the initial letters of a Greek

word. Since this TTOAY - T183 issue uses both dates and control combinations

on later reverses, it seems clear that we have at the beginning of the year the

1 Read as B in the left field and OX on the amphora. The date seems definitely 0 and the

amphora letters OD, the straight line behind the D being merely the banding below the neck of

the amphora.

2 In the Sylloge the Copenhagen coin is described as having H in the left field and E<D(?)

on the amphora. A cast, however, shows a clear 0 and the same letter is unmistakable on the

de Luynes piece. The EO( ?) is either EP or EY, more likely the former; no legible amphora letters

are visible on the Paris coin.

3 This retrograde sigma is presumably intended as M.

The Early Period: Catalogue

61

same procedure but with only the first letter of the control combination em-

ployed in conjunction with the date. The occurrence of AP, EP and ME on other

reverses of this issue suggests strongly that B and r are the months with A, E

and M (standing for AP, EP and ME) the controls.

This is the first striking with both dates and control combinations and

there seems to have been considerable uncertainty as to their placement. Orig-

inally the month was below the amphora and the control lettering either below

or in the left field. With Z the month was shifted to the field, usually left but

occasionally right, and the controls, now invariably two letters, cut on the

amphora.

Month dates, supplemented in one instance by a reverse link (Nos. 108c and

109a), determine the order of obverses.

It was Beule who first recognized that TItfl should be interpreted as TIMAP-

XI4HZ].1 nOAY he expanded to nOAY[XAPHI]. Kirchner (ZfN, 1898, pp. 268

to 275) accepted Timarchides but identified his colleague as a brother Polykles,

the two men belonging to a well-known family of artists from Thorikos. Po-

lykles and Timarchides were assumed to have held the minting office about

197 B.C. This is some sixteen years too early but otherwise Kirchner's expo-

sition seems entirely sound.

AMMfl-AlO CORNUCOPIAE 180/79 B.C.

Tetradrachtns

111.

111X.

112.

a.

1. field

b.

1. field

c.

1. field

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EY

Ifl below (MH

erased 1. field)

FTP 1. field

(Plate 14)

Gotha, gr. 16.51

Glymenopoulos Coll. (Sv. 39, 16), gr. 16.69

Schlessinger (Hermitage 2) 909 = Sv. 89, 17, gr. 16.70

*ANS, gr. 16.40f

"Paris, gr. 16.47f

113.

La. nP 1. field Copenhagen (SNG 127; Sv. 89, 20), gr. 16.76 \

b. TIP 1. field Bucharest, gr. 16.52

1 The monogram in its common form, , does not seem to include an alpha. However, on

the earliest reverses, those associated with Obverse 102, the rendering is somewhat different: &

Here it is possible to supply the A from ^.

62

The New Style Silver Coinage of Athens

114.

114X.

115.

116.

117.

c.

ZO1

1. field

Chiha Coll.

d.

1. field

Naples (Santangelo Coll., Fiorelli 10786; Sv. 89, 11),

gr. 16.59f

re.

1. field

Commerce Beirut 1958

La.

1. field

Petsalis Coll. (countermarked)2, gr. 16.56 \; Damascus

Collector

1. field

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b.

Copenhagen (SNG 126), gr. 16.68f

c.

Zfi

1. field

*Berlin (Sv. 39, 14), gr. 16.52

d.

EY

1. field

Munich (Sv. 89, 12), gr. 16.26; Herakleion (Cretan

Hd. II), gr. 16.74f

a.

MH

below

Berlin, gr. 16.24

b.

MH

1. field

Leningrad, gr. 16.45f

c.

12

1. field

Leningrad, gr. 16.21 f

a.

EY3

1. field

Cambridge (Leake Coll., SNG 8199; Sv. 89, 13), gr.

16.87 (Pl.)f

b.

npo

below

Athens (Sv. 89,18), gr. 16.65f

a.

EY

1. field

Paris, gr. 16.48f; Vatican

b.

1. field

London = Glendining, July 15, 1929, 374, gr. 16.54t

c.

Xfl

The Early Period: Catalogue

63

d.

c.

FIP 1. field

MH below

Princeton Univ., gr. 16.66

ANS-ETN, gr. 16.54f

119.

b.

a.

EY

1. field

Vatican

Ferguson Coll.

120.

b.

a.

EY

IQ

below

1. field

Bucharest, gr. 16.56

Geneva

40 tetradrachms: 12 obverse, 84 reverse dies

Controls: E, EY, Zfl, M, MH, T7, nP(O)

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Like the first AMMfl - AIO striking, this issue uses control letters but no

dates. Consequently the order of obverses is arbitrary save for the contiguity

of Nos. 112, 113, 114 as evinced by reverse links. A die break across the right

leg of the owl on No. 114a is proof that this stage of the reverse is later than

that of No. 113e.

Four distinct controls are employed. As was the case for the two preceding

issues, single letters are frequently used, the E presumably standing for EY, the

M for MH and the TT for FIP(O). Noteworthy variation occurs in the Zl control

which is also rendered as Xfl and IQ.

Beul6's list includes no example of a month letter. In Sundwall there is the

H read by Froehner on No. 612 of the Photiades Catalogue. The coin is not

illustrated and Kambanis notes, in entering this as an isolated instance of a

date, that it is Froehner's reading. The Leake Catalogue gives 9 on No. 115a,

but the surface of the amphora is gouged where a letter would have been cut.

I have found no evidence of a date on any coin of this issue.

AMMft-AlO served two years earlier, using then a kerchnos symbol.1

Beute assumes different second magistrates in consequence of his theory that

the symbol was the badge of the second official and that a change in symbols

would therefore denote a shift in magistrates. However, Beule's connection of

symbol and second magistrate is not valid and there is no reason to suppose

that the two AMMfl-AIO emissions involved any change in officials. There

are other instances of a repetition of mint service on the part of the same pair

of magistrates.

1 A third AMMft - AIO listing is given by Beule on the strength of a Copenhagen specimen

which seemed to him to have no symbol. This suppression of the symbol he explains as an economy

measure, a saving of either time or money. However, the Copenhagen coin (No. 94a) does have

a small kerchnos barely visible to the left of the foot of the amphora.

64

The New Style Silver Coinage of Athens

Tetradrachms

AAEI-HAIO TRIDENT 179/8 b.c.

(Plate 15)

121.

122.

123.

124.

125.

126.

127.

a.

EY

1. field

ANS (Attic Hd.), gr. 16.81f; Berlin, gr. 16.21

b.

MH

1. field

Paris, gr. 16.52f

c.

np

1. field

London {BMC 809), gr. 16.62f

a.

npo

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below

Athens (Salamis Hd.), gr. 16.82f

b.

1. field

London (BMC 810), gr. 16.93f; Athens, gr. 15.2

tallized)'f

a.

EY

1. field

Leningrad (Sv. 89, 5), gr. 16.65

b.

npo

1. field

Kricheldorf III, 1186, gr. 16.71

a.

MH

below

Kambanis Coll.

b.

MH

below

Romanos Coll. (Sv. 89, 4), gr. 15.80

c.

below

London, gr. 15.96 \

d.

np

1. field

Berlin, gr. 16.02

a.

MH

below

Milan; Berlin, gr. 16.64

b.

Xft

below

ANS-ETN, gr. 16.52t

c.

1SI

below

Athens, gr. 15.55 (crystallized)f

The Early Period: Catalogue

65

128.

? below *London (BMC 808), gr. 16.52f

29 tetradrachms: 8 obverse, 28 reverse dies

Controls: EY, Zfl, MH, TTP(0)

All reverses associated with Obverse 121 and the first reverse of Obverse 122

have HA instead of the customary HAIO. In the case of No. 122 the two-line

form is the earlier since there are die breaks on No. 122b which do not appear

on No. 122a. Perhaps the name was broken on dies at the beginning of the year

and cut in a single line later. A reverse link relates Nos. 125-126; otherwise

there is no evidence for the arrangement.

Controls for this issue are identical with those of the second AMMfl - AIO

striking immediately preceding. Kambanis notes that neither he nor Beule

found any certain dates on the amphorae; I have found none. H is recorded for

No. 126a in the Hunterian Catalogue and repeated in Sundwall. There is a

banding line across the shoulder of the amphora but nothing else on the coin

except surface flaws.

Adeimantos or Adeistos would seem to be the only possible expansion of

AAEI. The former name is more common in Attic records and our magistrate is

very likely the Adeimantos of Ikaria known from a decree of 178/2 B.C. (see

under AAEI in the section on Magistrates). HAIO must surely stand for HAIO-

AfiPOZ but the name is common and it would be futile to attempt any precise

identification.

XAPI - HPA COCK WITH PALM 178/7 B.C.

129.

130.

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Tetradrachms

HPA-

XAP1 a.

HPA-

XAPI b.

rc.

La.

b.

(Plate 16)

MH below *Berlin (Sv. 43, 1), gr. 15.29

EY 1. field Bucharest, gr. 16.91

nPO 1. field *Romanos Coll. (Sv. 43, 2, commerce), gr. 16.86

TTPO 1. field *Ratto (Rogers) 851, gr. 16.85

MH below 'Cambridge (Grose 5921; Sv. 48, 6), gr. 16.89f

The New Style Silver Coinage of Athens

KTH below

TTP 1. field

KTH below

FTP 1. field

Damascus

*ANS-ETN, gr. 16.89f; Berlin, gr. 16.39

Gotha, gr. 16.51; Berlin (Sv. 43, 3), gr. 16.90

Leningrad, gr. 16.17f

nP 1. field

KT 1. field

Athens, gr. 15.45f

London, gr. 16.69f

KT 1. field *Paris, gr. 16.04|; Leningrad, gr. 16.37f; Berlin,

gr. 16.10

nP 1. field Herakleion (Sv. 48, 4), gr. 16.50

MEN below Giamalakis Coll., gr. 16.30; Athens, gr. 15.15

(crystallized) f

EY 1. field *Athens (Salamis Hd.), gr. 16.85f

EY below Gotha, gr. 16.62

EY 1. field * Athens (Salamis Hd.), gr. 16.15f

ME below London {BMC 512), gr. 16.65f

ME below;

A/ 1. field

MH 1. field;

A/ on amphora

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ME below

MH below

*ANS-ETN, gr.16.69f; Athens (Sv. 43, 5), gr.

15.09f

Commerce Beirut 1958

Oxford, gr. 16.80

Paris, gr. 16.91f

AP below;

A/ on amphora *Commerce 1955, gr. 16.75f

HPA 1. field;

A/ on amphora Glasgow (Hunt. 95), gr. 16.84f

MH 1. field;

A/ on amphora Berlin, gr. 16.19

31 tetradrachms: 9 obverse, 20 reverse dies

Controls: AP, EY, HPA, KT(H), ME(N), MH, nP(O)

The Early Period: Catalogue

67

There is no evidence for the arrangement of obverses save for the reverse

connections of Nos. 129-130, 131-132-183, 186-137. For the first time a single

reverse is used with three obverses (131d, 132a, 133b) and the order of transfer

is fairly certain. No. 131d shows a badly disintegrated obverse die, clearly in

its last stages; on Nos. 132a and b there are die flaws indicating a certain

amount of use; Nos. 133a and b represent an early stage of that obverse, defi-

nitely less worn than 133c. Two reverses (Nos. 129a-b) have HPA-XAPI. Since

the transposition is not repeated, this would seem to be an error on the part of

the engraver occurring possibly at the beginning of the year.

Obverses 132 and 134 are very similar, so much so that the latter may be a

recutting of the former. There are, however, variations, notably the size and

spacing of the dots, which make it difficult to believe that only one die is

involved. On Obverse 137 the protomes above the visor line are missing.

This omission recurs on dies of later issues and a general similarity of style

characterizing all these obverses suggests that they are the work of the same

engraver.

Controls AP, EY, ME, MH and FTP have been employed on earlier issues; HPA

and KT(H) are new. The use of three-letter controls is more common in this

emission than in previous ones.

In Beule there is no record of a month date except that he notes the marking

on the amphora of the Glasgow coin (No. 137b) which he suggests may be H or

M. Sundwall cites Beule as having read N on this piece and adds for his part

another N (J I AN, 1906, p. 311) and an M ? from a Berlin coin. Svoronos, how-

ever, in the JI AN publication reads the lettering correctly as A/ and Macdonald

publishes A/ for the Hunterian tetradrachm. The Berlin coin also has the mono-

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gram. Kambanis lists A? for a Cambridge piece (No. 130b) and A with control

AP for a coin in his own collection. The latter is, I believe, the same specimen

which appeared in trade in 1955 (No. 137a) with the amphora marking A/. It is

impossible to read anything definite on the Cambridge specimen, possibly it

once had the same monogram.

The addition of A/ to certain reverse dies is puzzling. Most plausibly this

monogram represents the brief appearance on the coinage of a third magistrate,

as may have been the case with E on No. 5a of the second New Style issue.

These distinctive reverses have been placed at the end of the sequence but there

is no evidence for their exact position. With respect to No. 136, the two reverses

without A/ are later than those with the monogram as is attested by die breaks

at nape and chin on the obverse.

XAPI and HPA are expanded into XAPIAZ and HPAKAEIAHI by Beule\ There

are other names which are equally possible.

6s

The New Style Silver Coinage of Athens

138.1

(1)

139.

(2)

140.

(3)

141.

(4)

NO MAGISTRATES GRAIN-EAR c. 180-170 B.C.

Drachms

(Plate 17)

a.

rb.

c.

d.

a.

b.

he-

b.

c.

d.

e.

f.

re-

|h.

| a.

|b.

l-c.

d.

e.

rf.

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I i.

*ANS (Attic Hd.), gr. 4.16f; ANS (Attic Hd.), gr. 4.27f

ANS (Attic Hd.), gr. 4.2St

ANS (Attic Hd.), gr. 4.25f

ANS (Attic Hd.), gr. 4.19f

*ANS (Attic Hd.), gr. 4.18f

ANS (Attic Hd.), gr. 4.17f

ANS (Attic Hd.), gr. 4.07|

ANS (Attic Hd.), gr. 4.12f; ANS (Attic Hd.), gr. 4.18f

ANS (Attic Hd.), gr. 4.11f; Commerce (Attic Hd.), gr. 4.12f

ANS (Attic Hd.), gr. 8.86t

ANS (Attic Hd.), gr. 4.19f; ANS (Attic Hd.), gr. 4.23f

Athens (Salamis Hd.), gr. 8.96f

ANS (Attic Hd.), gr. 4.15f; ANS (Attic Hd.), gr. 4.18f; ANS (Attic Hd.),

gr. 4.19t; ANS (Attic Hd.), gr. 4.17f; Berlin (Sv. 84, 11), gr. 4.20

ANS (Attic Hd.), gr. 4.19|

Berlin, gr. 8.69

Berlin, gr. 4.03

*ANS (Attic Hd.), gr. 4.28f; Vienna, gr. 8.95

Baltatzi Coll. (Sv. 84, 12), gr. 8.75

ANS (Attic Hd.), gr. 4.14f

ANS (Attic Hd.), gr. 4.18f; Commerce (Attic Hd.), gr. 4.20f; ANS (Attic

Hd.), gr. 4.03t

ANS (Attic Hd.), gr. 4.21f; L. Meletopoulos Coll., gr. 8.85 (corroded)

ANS (Attic Hd.), gr. 4.13f

1 The parenthetical numbers are those of the catalogue of an earlier publication (M.Thomp-

son, "The Grain-Ear Drachms of Athens," ANSCent., 1958, pp. 651-671). In order to retain a

correspondence between the two listings the five new reverse dies provided by the Berlin material,

which became available only recently, have been inserted at the end of the appropriate

catalogue entries. No. 157X, although it has no letter in the reverse field, resembles Nos.

156-7 in the heaviness of its obverse style and it has accordingly been placed at the end of

Group II.

The Early Period: Catalogue

69

ANS (Attic Hd.), gr. 4.24f

Romanos Coll. (Sv. 34, 13), gr. 3.44

ANS (Attic Hd.), gr. 4.06f; ANS (Attic Hd.), gr. 4.17f; Athens (Salamis

Hd.), gr. 4.13f; Naville (BM dupl.) 2010, gr. 4.13, probably = Ratto,

May 1912, 760, gr. 4.13

Benson Coll. = Helbing (Hermann) 2965, gr. 3.78f; The Hague; Gotha,

gr. 3.42 (pierced)

*ANS (Attic Hd.), gr. 4.15

*ANS (Attic Hd.), gr. 4.21f; L. Meletopoulos Coll., gr. 4.03

46 drachms: 7 obverse, 21 reverse dies

Z 1. field *Cambridge (Grose 5901; Sv. 34, 25), gr. 4.28f

1. field

1. field

1. field

T 1. field;

small r below

amphora

Al. field; A of

ethnic erased

from coin

ANS (Attic Hd.), gr. 4.28f

ANS (Attic Hd.), gr. 4.13/; ANS (Attic Hd.), gr. 4.11f

Wilkinson Coll., gr. 4.01f; Copenhagen (SNG 122), gr.

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4.09f; London (BMC 292), gr. 4.29

ANS (Attic Hd.), gr. 4.10f

ANS (Attic Hd.), gr. 3.29f

No letter

No letter

5 1. field

Z 1. field

*ANS (Attic Hd.), gr. 8.81f

Commerce (Attic Hd.), gr. 4.30f

ANS (Attic Hd.), gr. 4.21f; Commerce (Attic Hd.), gr.

4.31|; Noe Coll., gr. 3.61f; Copenhagen (SNG 121),

gr. 3.87 (pierced)f; Glymenopoulos Coll. (Sv. 84, 17),

gr. 4.10; ANS, gr. 4.00f

ANS (Attic Hd.), gr. 4.04 /

70

The New Style Silver Coinage of Athens

148.

(H)

149.

(12)

H 1. field

b.

fC.

g-

Lh.

k.

1.

1. field

1. field

1. field

1. field

1. field

1. field

2 1. field

T 1. field

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T 1. field

A 1. field

H 1. field

E 1. field

= 1. field

= 1. field

L m. S 1. field

*ANS (Attic Hd.), gr. 4.25f; Commerce (Attic Hd.)( gr.

4.27f; London {BMC 295), broken; Athens (Delos Hd.

B, 8; Sv. 84, 19), gr. 3.56f; Ratto (Rogers) 345, gr. 8.93

ANS (Attic Hd.), gr. 4.22f; ANS (Attic Hd.), gr. 4.16|

ANS (Attic Hd.j, gr. 4.27f

*ANS (Attic Hd.), gr. 4.11f

ANS (Attic Hd.), gr. 4.07f; Commerce (Attic Hd.),

4.31 /; ANS (Attic Hd.), gr. 4.31f; Berlin, gr. 8.94

ANS (Attic Hd.), gr. 4.12f

ANS (Attic Hd.), gr. 4.06f; ANS (Attic Hd.), gr. 4.40f;

ANS (Attic Hd.), gr. 4.12f; London; Athens (Sv. 34,

16), gr. 8.90f

ANS (Attic Hd.), gr. 4.24f

ANS (Attic Hd.), gr. 4.08f; ANS (Attic Hd.), gr. 4.08|;

Athens (Delos Hd. B, 2; Sv. 34, 15), gr. 8.68f

Athens (Salamis Hd.), gr. 4.16f

ANS (Attic Hd.), gr. 4.15f

ANS (Attic Hd.), gr. 4.27f

ANS (Attic Hd.), gr. 4.16f; Commerce (Attic Hd.), gr.

4.19f; Gotha, gr. 8.60; Berlin (Sv. 84, 22), gr. 4.16;

Athens (Sv. 34, 24), gr. 8.90f

ANS (Attic Hd.), gr. 4.26f; ANS (Attic Hd.), gr. 4.24|

ANS (Attic Hd.), gr. 8.60f; ANS (Attic Hd.), gr. 4.20f;

ANS (Attic Hd.), gr. 4.18f

Berlin, gr. 3.73

150.

(13)

A 1. field *ANS (Attic Hd.), gr. 4.18f

151.

(14)

a.

b.

c.

d.

e.

f.

The Early Period: Catalogue

7i

152.

(15)

a.

1. field

Athens (Salamis Hd.), gr. 4.02f

b.

1. field

Feuardent (Sv. 34, 18), gr. 4.18

153.

c.

1. field

*ANS (Attic Hd.), gr. 4.24f; ANS (Attic Hd.), gr. 4.15f

(16)

1. field

*ANS (Attic Hd.), gr. 4.17f; Munich, gr. 2.96; ANS

154.

(Attic Hd.) with grain-ear erased from coin, gr. 3.97f

(17)

1. field

*ANS (Attic Hd.), gr. 4.19f; ANS (Attic Hd.), gr. 3.68f;

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155.

ANS (Attic Hd.), gr. 4.18f

(18)

a.

1. field

*ANS (Attic Hd.), gr. 4.32f

b.

1. field

ANS (Attic Hd.), gr. 4.27f; ANS (Attic Hd.), gr. 4.11f;

ANS (Attic Hd.), gr. 4.23f; Berlin (Sv. 34, 14), gr. 3.96

c.

1. field

ANS (Attic Hd.), gr. 4.14f; ANS (Attic Hd.), gr. 4.14t;

ANS (Attic Hd.), gr. 4.18f; Berlin, gr. 3.81

d.

1. field

ANS (Attic Hd.), gr. 4.11f; London {BMC 291), gr.

4.05; Copenhagen {SNG 120; Sv. 34, 20), gr. 4.04f

156.

e.

1. field

Berlin, gr. 3.92

(19)

1. field

*ANS (Attic Hd.), gr. 4.08f; ANS (Attic Hd.), gr. 4.09f

157.

(20)

a.

1. field

*ANS (Attic Hd.), gr. 4.04f; ANS, gr. 3.40f

b.

M1

1. field

ANS (Attic Hd.), gr. 4.26f; Feuardent (Sv. 34, 21),

gr. 3.55

c.

72

The New Style Silver Coinage of Athens

indication of mint magistrates. The series as a whole divides into two groups,

the components of each being frequently linked by the transfer of reverse dies.

Of these two issues, the first has no lettering other than the ethnic while the

second usually carries a single letter in the left field.1

Of the 148 grain-ear drachms in the catalogue above, 100 come from the

Attic Hoard acquired in large part by the American Numismatic Society in

1955. This find contained 78 other drachms of various periods and nine tetra-

drachms from the emissions of AAEI - HAIO, A - $, AlOcDA - AIOAO, AHMH -

lEPfl, %-fb, and KTHZI - EYMA (pp. 478f. of the section on Hoards). From the

evidence of wear, of proportionate representation and of stylistic parallels, it

is clear that the two groups of grain-ear fractions are close in time and that

both belong to the same decade as the tetradrachm strikings. Any restriction

of the 180-170 B.C. dating is difficult and somewhat tenuous. The twenty-one

obverse dies on Plate 17 show considerable diversity of style and there is no

clear-cut relationship of either the first or second group with a single issue of

the regular coinage. It seems likely that at least some new diecutters were

pressed into service for the special emissions of fractions and that these en-

gravers copied contemporary tetradrachms with varying degrees of fidelity.

Unfortunately, too, there is little regular drachm coinage other than that of

AHMH - lEPfl which belongs to the period under discussion and stylistic com-

parisons between specimens of different denominations are rather less satis-

factory than those provided by coins of like size.2

In general the obverses of Group I seem closest in style to the coins of

^ - AYZIA and & - $ but some show an affinity to later issues. Nos. 141

and 143 resemble the one thyrsos drachm of Plate 20 in profile, visor arrange-

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ment and helmet ornament. To a lesser degree they bear comparison with

tetradrachms of that issue and the one immediately preceding (Nos. 134-137,

146-151 of the accordion plate). No. 144 is in the style of Nos. 139-142, perhaps

even closer to No. 154 of the same plate. There is also a similarity with Ob-

verses 202 and 220 of the eagle and aplustre strikings. The high relief and

compact heads of Nos. 188-139 are comparable in technique and in style as

well to Nos. 220, 224-225 of the drachm coinage of AHMH - lEPfl (Plate 23).

1 Still a third striking of grain-ear drachms is catalogued under the coinage of TIMAPXOY -

NIKAI~0 with which it is die-linked. All three categories of anomalous fractions are discussed in

"The Grain-Ear Drachms of Athens," where the evidence for their dating and the significance

of their distinctive aspects are dealt with in detail.

2 The accordion plate with its reductions will be more useful than the standard plates in

showing the stylistic relationships between drachm and tetradrachm obverses. This folded sheet

(Plate A) is to be found at the end of the volume of plates. In the commentary, the numbers

of the accordion plate are in italics to distinguish them from the catalogue entries.

The Early Period: Catalogue

73

Within Group II the heavy coarse heads of Nos. 156-157 and 157X can be

associated only with the debased workmanship of the AIOQA - AIOAO striking.

This is apparent rather in the generally gross effect than in any exact corre-

lation of details. Some of the other large heads (Nos. 145, 147, 154-155) bear

comparison with Nos. 175-177 of the Apollo issue. Nos. 148 and 152 in the

somewhat pinched features, visor design and helmet ornaments find perhaps

their closest parallel in Nos. 232 and 234 of KTHII - EYMA but they also suggest

the earlier Nos. 134-135 of ^ - AYZIA note particularly the treatment of

the hair. In the case of Nos. 146, 149-150, one can see some resemblance to

Nos. 196 and 212 of the eagle and aplustre issues. No. 149 in particular has

details of profile, visor, hair and ornament comparable with one or the other

of the tetradrachm dies. No. 151 seems to me rather like a drachm of the eagle

striking (No. 245 on Plate 25) in the lank hair, attenuated ornament, visor

arrangement and to some extent the profile. Group II then would seem to have

its closest stylistic parallels in the period from 175 to 170 while Group I be-

longs perhaps a few years earlier.

The absence of magistrates' names from all these grain-ear drachms would

indicate that they were distinct from the general run of the Athenian coinage

and issued for some special purpose. A clue to that purpose is provided by the

grain-ear symbol which appears on all reverses and which strongly suggests

that the drachms are to be associated with grain distributions to the people

of Athens. This connection between the coins and gifts of grain, as elaborated

in the Centennial article cited above, seems to me the most plausible expla-

nation of the abundance of this drachm coinage and its peculiar aspects.

- AYXIA FOREPART OF BRIDLED HORSE 177/6 B.C.

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(Plate 18)

Tetradrachms

158.

159.

a.

EP

below

Chiha Coll.; The Hague (Sv. 38, 1), gr. 16.90;

Leningrad, control letters uncertain, gr. 16.77|

b.

EP

1. field

Vienna, gr. 16.79

c.

XfcAl

below

Glasgow (Hunt. 83; Sv. 38, 8), gr. 16.91f

d.

AP

below

Athens (Delos Hd. V, 7; Sv. 38, 9), gr. 16.85

e.

Vienna, gr. 16.20

a.

AN

1. field

Romanos Coll. (Sv. 38, 5, commerce Crete), gr.

17.00; Athens

b.

EP

1. field

Kambanis Coll.

74

The New Style Silver Coinage of Athens

c.

TIP

below

Glasgow (Hunt. 82; Sv. 38, 4), gr. 17.17/

d.

EP2

below

Athens (Delos Hd. B, 12), broken

160.

EP

1. field

Glasgow (Hunt. 81; Sv. 38, 3), gr. 16.97f

161.

La.

EP

1. field

Berlin, gr. 16.63; Schlessinger (Hermitage 1)

185, gr. 16.70

Tl

below

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rb.

Andreopoulos Coll.

|c.

AN

1. field

ANS, gr. 16.59f

|d.

AP

1. field

Petsalis Coll., gr. 16.47 /

162.

La.

Tl

below

*de Laval Coll. = Ratto, Feb. 1928, 446, gr. 16.73

b.

AP

below

Damascus

163.

E(?)

AN

below

Kambanis Coll.

164.

a.

Z(?)

AN

1. field

Berlin (Sv. 38, 6), gr. 16.63

b.

H(?)

ME

The Early Period: Catalogue

75

rc.

M(?)

EP

below

Petsalis Coll., symbol erased, gr. 16.68 \

jd.

ME

1. field

Commerce Beirut 1953

1 e-

Tl

below

Herakleion \

1 f-

EP

below

ANS, gr. 16.54 \

is-

AN

1. field

Berlin, gr. 16.84

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jh.

Empedocles Coll.

1 *-

Berlin, gr. 16.25

AN

1. field

*Meletopoulos Coll. (Sv. 38, 7)

La.

M(?)

EP(?) below

London, gr. 16.71f; ANS-ETN, gr. 16.05

b.

M(?)

AP

below

ANS-ETN, gr. 16.36 /

c.

Tir

below

*ANS, gr. 15.79f (Plate 19)

43 tetradrachms: 12 obverse, 34 reverse dies

Months: A, I", E, Z(?), H(?), 9, l(?), M(?)

Controls: AN, AP, EP, ME, Z<DAI, Tl(0

Obverses 163, 164, 167 and 169 have the peculiarity mentioned in con-

nection with Obverse 137 of the XAPI - HPA striking. The helmet of Athena is

rendered without the customary row of horse protomes above the visor.

On two reverses (Nos. 167b and c) the symbol has been erased and in at

least the second instance the erasure was from the coin rather than the die.

The reverse in question was used with Obverses 167 (symbol erased) and 169

(symbol present). Since the latter obverse survived into the thyrsos striking,

it would seem to have been the later of the two and the one more likely to have

taken over the reverse die. For this apparently pointless deletion of the symbol

I can offer no explanation.

This issue has a hybridization of the forms of the magistrates' names akin

to that of the earlier striking of TTOAY - Tl. Beule thought the monogram

and letters stood for three officials: ATT, AQ (AflPOQEOZ or AflZI9E0Z) and

AYZI. For the last, due to a failure to note the final A of the name, he offered

76

The New Style Silver Coinage of Athens

A - $ FILLETED THYRSOS 176/5 b.c.

(Plates 19-20)

Tetradrachms

169.

170.

171.

172.

173.

174.

175.

176.

177.

(A)

TIP

1. field

Paris (Sv. 37, 16), gr. 16.47f

a.

A(?)

KE

1. field

Vienna, gr. 16.80

b.

A(?)

EY

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1. field

Copenhagen (SNG 117), gr. 17.00f

c.

EY

below

Feuardent, June 1924, 99

a.

EP

below

ANS, gr. 16.75 /

b.

KE

below

ANS-ETN, gr. 16.68f

c.

H(?)

KE

below

Commerce Beirut 1953

d.

ME

below

Glasgow (Hunt. 67; Sv.37,17), gr.16.84f

e.

ME

below

Santamaria (Signorelli) 472, gr. 16.60

a.

AN

below

Oxford, gr. 16.36f

b.

EP

below

Feuardent (Burel) 181

The Early Period: Catalogue

77

178.

M IQ below *Berry Coll., gr. 16.65|

M ME 1. field Leningrad (Sv. 37, 20), gr. 15.60

179.

La.

b.

c.

d.

ME 1. field *ANS-ETN, gr. 16.72f

KE below ANS.gr. 16.21f

ME below Athens, gr. 16.80f

EY below Berlin, gr. 16.67f

180.

(A)

ME below * Damascus

181.

(A-A)

EP below *Damascus Collector

182.

(A - A) a.

(A - A) b.

d.

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c.

Drachm

Tir below *London (BMC 288), gr. 16.30f

EP below Hirsch (Weber) 1673 = Sv.87, 18, gr. 16.67

EY below Damascus Collector

? Oxford, piece missingf

183.

No lettering visible *ANS (Attic Hd.), gr. 4.20f

86 tetradrachms: 14 obverse, 34 reverse dies

1 drachm

Months: A, A, Z, H, G, K, M1

Controls: AN, EP, EY, KE, ME, ISl, TIP

For the first time on the evidence here assembled, there is a transfer of a

die from one issue to another. Obverse 169, used with at least three reverses

^ Mi ~ ^YZIA, *s carried over into the thyrsos striking. The A on the amphora

of the Paris tetradrachm establishes the order of the contiguous issues.

1 Beute's reading of A from a coin in his collection cannot be verified.

* Kambanis, in one of his notebooks, suggests that KE is a diecutter's mistake for ME. This

would seem more plausible if the "error" were confined to only one or two reverses. As it is, it

occurs on five. Other control combinations appear with even less frequency: MO and OY twice

each in the one issue of AHMH - IEPQ. These might be interpreted as erroneous renderings of MC>

and EY but Tl(l~), which is inscribed on only six reverses, can scarcely be an engraver's mistake

for a more common combination.

78

The New Style Silver Coinage of Athens

Obverses 169, 177, 178 and 175 are variants of the standard type. The first

three have no protomes above the visor, the last has no Pegasus above the

disk of the helmet.

After an interval of six years monograms replace abbreviated names on the

coinage. Beule identifies the first official as AYZIAS, noting that all letters are

present. His rendering of the monogram, however, omits the slanting line at

the lower right, visible on all reverses, which surely indicates that K was part

of the name. AYKIZKOS, which occurs elsewhere on the coinage and of which

all components are present, seems a likely reading. AYZIKA[HX], AYIIKA[EIAHI]

and AYKOM[HAHZ] are other possibilities. is probably AIOKAH[I], in which

case the omission of the top horizontal on three reverses is a major error.

AIOOA - AIOAO APOLLO 175/4 B.C.

(Plates 20-21)

Tetradrachms

184.

a.

B/A(?)

below

Petsalis Coll. = Baltatzi Coll. (Sv. 41, 17) =

Mavrokordatou Coll. (JIAN, 1912, 1319),

gr. 15.48f

b.

16.80t

c.

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ANS-ETN, countermarked for Tralles, gr.

Athens (Salamis Hd.), gr. 16.87f

a.

EY

below

Geneva, gr. 16.47

rb.

MO

below

*ANS (Attic Hd.), gr. 16.82f

r|c.

below

Commerce Beirut 1952

1 Id-

MO

below

Glasgow (Hunt. 89), gr. 16.45 /

He.

npo

below

Berlin, gr. 16.86

Ilf-

ll

Commerce Beirut 1958

II

1 La-

MO

below

ANS-ETN, gr. 16.76f; Berlin, gr. 16.20

L b.

The Early Period: Catalogue

79

187.

188.

189.

190.

191.

192.

193.

194.

195.

a.

EY

below

b.

a.

EM

below

b.

below

c.

ME

below

a.

MO

below

b.

EM

1. field

c.

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ME/MO1 below

d.

ME/MO

below

EY

below

a.

MO

1. field

b.

EY

below

EY

below

MO

below

a.

ME

below

b.

ME

1. field

8o

The New Style Silver Coinage of Athens

below ANS (Cretan Hd. II), gr. 16.18f

below *Berlin, gr. 16.00

Copenhagen {SNG 136), gr. 15.04 (PI. ?)f

below *Romanos Coll. (Sv. 41, 16), gr. 16.65

below *Commerce Beirut 1952

below Cahn 68, 1844, gr. 15.56

below *ANS, gr. 16.27f

below *Berlin, gr. 16.63

below Berlin, gr. 16.11

L. Meletopoulos Coll., gr. 14.85 (badly worn

and corroded)

below *Damascus

49 tetradrachms: 18 obverse, 40 reverse dies

Months: A, B, I", E, Z2, H, 9, I, K, M

Controls: E, EM, EY, EO, M, ME, MO, nPO3

The Apollo figure takes two distinct forms. Thirteen reverses (Nos. 184-187)

show the god side view holding a bow under his left arm and extending his right

hand. On some dies the figure seems to be standing with the left leg straight

and the right forward and bent at the knee; on other reverses the representation

is rather that of a seated Apollo, resting on a straight support, probably a tree

stump, with only the bent right leg visible. A baseline indicates a statuary

prototype. The remaining reverses have a facing Apollo, standing free, with a

large bow in the left hand and the right extended.

On the available evidence the profile Apollo preceded the frontal one but

the demarcation between the two renderings is probably not as sharp as the

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catalogue would indicate since a large number of dies have uncertain or in-

visible lettering on the amphorae.

1 The profile of this obverse has been crudely recut.

2 AI form of zeta is clear on No. 189a. The Z rendering is probable on No. 185d but not certain.

3 The controls of this issue are carelessly executed. E presumably stands for EM or EY, M

for ME. EM is, I believe, a shortened form of the control EMO, which appears in the KTHZ1 -

EYMA issue, while MO and EO are probably misunderstood versions of the same combination.

196.

197.

198.

199.

200.

a.

b.

c.

a.

b.

a.

b.

c.

MO

EM

MO

EM

EO

201.

EM

The Early Period: Catalogue

81

No. 184b was countermarked by the Lydian city of Tralles. The circular

stamp shows the forepart of a humped bull to the left, left leg drawn back,

right extended, head erect. To the left of the animal, TPA; above, AAI; below,

ZQ.1 The humped bull is a common type on the autonomous bronze of Tralles

and one of the symbols on the cistophoric strikings of that city (BMC, 12 and

59-68). Letters and monograms, identifying minting officials, appear on some

of this silver and bronze and it is reasonable to suppose that the Sfl of our

counterstamp was a local magistrate.

As Bellinger points out, countermarking of posthumous Alexander tetra-

drachms and autonomous issues of Side was a common practice at a number

of Anatolian mints, Tralles among them. The usual imprint of Tralles was a

bow in its case with the letters TPA ;2 I know of no other example of the bull

as a countermark of that city although the device would be a most suitable

one. It is noteworthy, too, that countermarking of New Style tetradrachms was

an exceedingly rare phenomenon. With the exception of No. 114a from the

second AMMfl - AlO issue, this is the only instance of which I have record.

There is nothing which enables one to date the countermark with precision.

Bellinger believes that it was applied between 189 and 126 B.C.; the tetra-

drachm gives 174 as a terminus post quern.

AIOOA is most likely the abbreviated form of AIOOANHZ or AIOOANTOI,

possibly the same man as the second magistrate of the later AQPOQE - AlOcD

striking. AIOAO is certainly Diodotos.

AHMH - lEPfl MACEDONIAN HELMET SURMOUNTED BY STAR 174/3 B.C.

(Plates 22-28)

Tetradrachms

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202.

(No star) a. A MO/AN 1. field *ANS-ETN, gr. 16.67f; London (BMC

866; obv. of Sv. 41, 8), gr. 16.65f; The

Hague, letters uncertain. The Hague and

ANS coins show clear evidence of re-

cutting in the left field; the London coin

is not struck up.

1 This is also Newell's reading of the letters. Bellinger's TPAAAQN (Hesperia, Suppl. VIII,

p. 14) omits the I which follows immediately after the second lambda and takes the 2. for an N

placed on its side. Since the ethnic when inscribed in full is invariably TPAAAIANflN it would

seem that only the TPAAAI of the countermark has to do with the ethnic and that the in-

dicates a magistrate.

2 Cf. R. Mowat's study, "Trois contremarques indites sur des t6tradrachmes de SideV' in

Corolla Numismatica, pp. 201 f.

82

The New Style Silver Coinage of Athens

(No star) b.

Cfl

1. field

c.

Sfl

1. field

d.

9Y

below

e.

HP

1. field

203.

a.

HP

1. field

b.

c.

1. field

1. field

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Cfl

MO/?

d.

CO

1. field

(No star) e.

C<D(?)

1. field

204.

below

205.

(No star) a.

IO

1. field

(No star) b.

206.

a.

MH

1. field

b.

n?)

EY

1. field

207.

(No star)

HP

1. field

208.

(No star) a.

CO

1. field

The Early Period: Catalogue

83

209.

a.

1. field

Milan (Sv. 41, 6), gr. 16.84

b.

EM

1. field

Commerce 1959, gr. 16.81f

c.

A/r

EY

1. field

Seyrig Coll.

d.

A/r

EM

1. field

London (BMC 368; rev. of Sv.41, 8), gr.

16.94f

e.

ME

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below

Dewing Coll., gr. 16.59/; Leningrad,

control letters uncertain, gr. 15.58 /

r-

np

1. field

ANS (Attic Hd.), gr. 16.69f

210.

211.

212.

213.

214.

215.

216.

(No star)

La.

np

1. field

Berlin (Sv. 41, 7), gr. 16.40; Commerce

1952

b.

AN

1. field

Leningrad, gr. 16.70 \

c.

AN

1. field

Romanos Coll.

d.

np

1. field

Berlin, gr. 16.89

e.

ANS, gr. 16.08/

a.

84

The New Style Silver Coinage of Athens

217.

217X.

218.

a.?

b.?

c.?

218X.

(No star)?

Drachms

? nP 1. field *ANS-ETN, gr. 16.78/; Bucharest, gr.

16.45

EM 1. field "Turin (Mus. Ant., Fabretti 3061), gr.

16.14

219.

(AH-IEPft)

220.

(No star)

(No helmet)

(No star)

221.

EN

EY

np

1. field *Paris, gr. 16.76f

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below ANS-ETN, gr. 16.85f

below Venice (Sv. 41, 10)

Berlin, gr. 16.77

A below

a. A on amphora

b. A on amphora

c. A on amphora

a. A on amphora

(No helmet) b. A on amphora

c. f on amphora

222.

(No star)

B on amphora

*ANS (Attic Hd.), gr. 4.22f; ANS (Attic

Hd.), gr. 4.08f; Berlin (Sv. 41, 11), gr. 4.27;

Athens (Sv. 41,12), letter uncertain, gr. 3.65

ANS (Attic Hd.), gr. 4.21f

ANS (Attic Hd.), gr. 4.11f; ANS (Attic

Hd.), gr. 4.88f

*ANS (Attic Hd.), gr. 4.18f; Petsalis Coll.,

letter uncertain, gr. 4.18

*ANS, gr. 4.18f; ANS (Attic Hd.), gr. 4.26f;

ANS (Attic Hd.), gr. 8.87f; Schlessinger

(Hermitage 2) 962, gr. 4.00

London, gr. 8.95

ANS (Attic Hd.), gr. 4.22 /; Berlin, gr.4.09;

ANS (Attic Hd.), gr. 4.05/; ANS (Attic

Hd.), gr. 4.30f; ANS (Attic Hd.), gr. 4.24 /;

ANS (Attic Hd.), gr. 4.06f Amphora letter

uncertain on all but first two

*ANS (Attic Hd.), gr. 4.27f; ANS (Attic

Hd.), gr. 8.41f; Commerce (Attic Hd.), gr.

4.24f

The Early Period: Catalogue

85

223. I

(No star) L B on amphora *Athens (Delos Hd. B, 44; Sv. 41, 13), gr.

4.02f; Berlin (Sv. 41, 14), gr. 4.20

224.

(No helmet) r a. ? on amphora * ANS (Attic Hd.), gr. 4.14/; Berlin, gr. 4.17

(No star) | rb. ? on amphora ANS (Attic Hd.), gr. 4.20f

II

225. ||

(No star) | La. 9 on amphora *ANS (Attic Hd.), gr. 4.27/; ANS (Attic

I Hd.), letter uncertain, gr. 4.25f

(No helmet) Lb. 9 on amphora ANS (Attic Hd.), gr. 4.26/; ANS (Attic

Hd.), gr. 4.19 /; ANS (Attic Hd.), gr.4.16f;

ANS (Attic Hd.), gr. 4.20/; ANS (Attic

Hd.), gr. 4.18 / Letter uncertain on last three

NO MAGISTRATES NO SYMBOL

Hemidrachms

226.

Athens, gr. 1.45f

227.

a. *Vienna (Sv. 33, 6), gr. 1.82

b. Saroglou Coll. (Sv. 33, 5), gr. 1.70

62 tetradrachms: 19 obverse, 46 reverse dies

85 drachms: 7 obverse, 10 reverse dies

8 hemidrachms: 2 obverse, 3 reverse dies

Months: A, B, T, A, E, 9, A(?)( M(P)1

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1 The identification of the amphora letters in this issue is rendered very difficult by a pe-

culiar framing device which the engravers frequently adopted. On many of the amphorae one

finds heavy banding lines at the shoulder and above the base between which the letter of the

month was inserted. This presents no great problem when the lines are extended across the entire

body of the vase and when the surface of the amphora is well preserved (cf. Nos. 204 and 206a),

but in many cases the lines are shortened (cf. Nos. 203a and 207) and when this happens the band

at the left on a coin in poor condition looks like an 1 or the beginning of some letter with an initial

vertical. Svoronos had noted this, for Sundwall says that he had been advised by the former that

the I of the IA reading in the Hunterian Catalogue (No. 88) belonged not to the date but to the

amphora. This eccentric technique on the part of the diecutters accounts for some of the readings

given in Beul6, Sundwall and Kambanis which are not otherwise attested. Thus No. 203a, the

Hermitage coin, was thought by Beuld to have A or A preceded by I, by Kambanis to have K on

the amphora. The latter read H on No. 205a; the former reported a piece with what seemed to be

MP on the amphora and another tetradrachm from his collection with a monogram in which one

86

The New Style Silver Coinage of Athens

Controls: A, AN, Al, EM, EN, EY, HP, GY, ME,

MH, MO, TIP, C(Z)<D, C(Z)Q2

The three coins of No. 202a show recutting in the left field, distinct on the

ANS and The Hague specimens, almost invisible on the British Museum ex-

ample which is weakly impressed. Under magnification the ANS coin reveals

clear remains of the profile Apollo figure under the AM of the inscription.

The conoid outline of head and hair appears at the top left of the delta and

the triangular tip of the bow projects from the right center of the same letter.

These features are visible in the illustration on Plate 22 as is the long line of

the body and leg extending down through the A and M. On the coin itself one

can make out the rounded curve of the buttock and the terminal left foot. The

advanced right foot is also clear and there is a broken line up from it which

may be the bent right leg although the erasure here is deeper than elsewhere.

What we have then is roughly fa. In the space below there is MO cut over AN

with evidence of what seems to be other lettering under and just above these

controls, but this section of the surface is so confused that nothing certain can

be deduced from it. There is no trace of recutting in the right field.

It would seem that this isolated die represents a mistake of some kind. A

new reverse may have been started toward the end of the magistracy of AIOOA

- AIOAO and put aside in its unfinished state when it was found to be super-

fluous. It is possible that the abandonment was related to the shift from a

profile to a frontal symbol, that a die with the earlier form had been partially

cut when the decision was taken to vary the rendering of the symbol and that

only in the following year was an attempt made to salvage it. Or it may be

that the engraver of the first AHMH - IEPS2 reverse, accustomed to cutting the

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Apollo figure, placed it on the new coinage, subsequently rectifying his error by

deletion and reworking. Whatever the explanation, this recutting provides

valuable evidence of the contiguity of the Apollo and helmet strikings.

In Svoronos' publication (PI. 88, 1-6) three drachms and three hemidrachms

are grouped together at the very beginning of the New Style coinage, presum-

ably on the basis of the absence of magistrates' names and symbols from the

could distinguish N. All these seem to involve a confusion of letters and amphora bandings. The

coins at Berlin and Athens, listed by Sundwall as having M on the amphora, are almost certainly

the two drachms of No. 223 with a B between heavy amphora lines (Sv. 41,13 and 14). The only

letters of which I feel confident from my own observation are A, B, T, A, E and 0, with A and M

likely but not certain.

2 A probably stands for AN. NE is more likely an inversion of EN than a separate control.

The AM recorded for BMC 366 is due to the recutting of MO over AN, not easily recognizable

on a weakly struck coin. Sundwall's listing of 0E, after Svoronos, would seem to be a misreading

of 6Y.

The Early Period: Catalogue

87

reverses. Kambanis, however, in his notes registers the valid objection that

all of these coins cannot belong to a single issue since the drachms and one

hemidrachm have no circle of dots on the obverse while the two other hemi-

drachms have this added feature. Furthermore, it is noteworthy that the

hemidrachms with dots show the owl standing on a club while the one without

dots has the bird on an amphora. Conceivably the addition of the dotted border

and the shift from amphora to club could have been later developments within

a single emission but the style of Nos. 5-6 on Svoronos' Plate 33 separates

them from Nos. 1-4.

The fractions without dots on the obverse (our Nos. 16-18) have been at-

tributed to the issue with two palms struck by N1 - I. The hemidrachms

with dots I should assign to the AHMH - lEPfl coinage, catalogued above as

Nos. 226 and 227. Svoronos' illustrations include both examples of No. 227;

No. 226 is not reproduced by him but is recorded in the JI AN for 1907

(p. 206, 202).

Throughout the New Style coinage the hemidrachm is a rare denomination.

It appears most commonly in years which produced a fairly heavy output of

drachms and it is confined with few exceptions to a relatively early stage of

the coinage, the period between 170 and 154 B.C. With TAAY- EXE and later

magistrates, the hemidrachms normally have the letters of the magistrates'

names and the pertinent symbol; they are fundamentally, save for the club

beneath the owl, replicas in miniature of the tetradrachms and drachms.

Since the use of magistrates' names and symbol would assuredly have re-

mained constant after the practice had once been adopted, it seems likely that

Nos. 226-227 antedate the magistracy of TAAY - EXE. It also seems likely that

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they belong after the issue with two palms, to which the other fractions with

ethnic alone have been assigned, and that furthermore they should be asso-

ciated with an issue which produced a large drachm coinage.

Prior to TAAY - EXE there are only three heavy emissions of drachms: the

two grain-ear strikings and the coinage of AHMH - IEPQ. Our hemidrachms

could be a part of any one of these emissions but an attribution to AHMH -

lEPfl seems to me the most tenable. The grain-ear drachms apparently served

a special purpose, of which the symbol was the visible indication. Certainly the

restriction of space on the smaller fractions which might at first have deterred

the engravers from placing magistrates' names and symbol on the dies, would

not have prevented them from adding a symbol alone. The last of the grain-ear

strikings, under TIMAPXOY- NIKArO, does have the symbol on hemidrachms

as well as drachms, and it is clear that if the symbol were an integral feature

of the currency, as it undoubtedly was in this case, its use on all denominations

would be mandatory.

88

The New Style Silver Coinage of Athens

In style No. 226 resembles Nos. 220, 224 and 225 of the AHMH-IEPfi

drachms, being perhaps closest to No. 220 in the proportions of the head, the

width of the visor and the cast of the features. It is also very similar to No. 188,

a grain-ear drachm of this same general period. No. 227 is like No. 219 of

AHMH - lEPfl in the shape of the head and the details of the helmet, com-

parable to No. 221 in the small tight twists of hair.

The first magistrate, AHMH, is surely Demetrios. lEPfi may be Hieron or

Hieronymos. No clue to a precise identification of either man can be drawn

from the prosopographical record. A Hieronymos served as secretary in a decree

of 169/8 B.C. (PA 7565; IG IP 910); another Hieronymos and also a Hieron

were listed as donors of the middle of the second century (PA 7567 and 7531;

IG IP 2834). From a much later date we have a [AHMjHTPIOZ lEPflNYMOY

TIOTAMIOI, an ephebe of the late first century B.C. (IG IP 1963) and the asso-

ciation of names is of interest. It is certainly not impossible that the Demetrios -

Hieronymos family from Potamos was active in the second century before

Christ and indeed Kirchner (PA 3440) suggests a link between the above-

mentioned ephebe and a Timokrates son of Demetrios of Potamos whose

flcruit was in the third century B.C. (PA 13783).

A Macedonian connection of some kind for Demetrios is indicated by the

symbol. The same type of helmet with pendent cheek-pieces is a common

device on Macedonian regnal bronze of the third and second centuries. Most

significantly, a bronze issue of Philip V has a type identical with our symbol

even to the star surmounting the helmet (SNG, Copenhagen, 1242) and auton-

omous silver issues of Macedon struck between 185 and 168 B.C.1 show the

same helmet, often with a star beside it.

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EAGLE 173/2 B.C.

(Plates 24-25)

Tetradrachms

228.

a.

AN below

Vienna, gr. 16.52; The Hague, gr. 16.90

b.

AN below

Cancio Coll. = Glendining, Mar. 1957, 163, gr.

16.61f

c.

EY below

London (BMC 300), gr. 16.70|

d.

EY below

Berlin, gr. 16.00

a.

*D(?) below

Milan, gr. 16.28

b.

T7P below

Piatt (Luneau) 514

1 H. Gaebler, Z/N, 1897, pp. 169ft. and Die antiken Miinzen Nord-Griechcnlands, III, 1,

PI. I, 1.

The Early Period: Catalogue

89

230.

231.

232.

233.

234.

235.

236.

ra.

EY

below

"Vienna, gr. 16.52; ANS-ETN, gr. 15.60f

jb.

IO

below

Venice

1c-

AN

below

Berlin, gr. 16.80; Athens, amphora letter un-

certain

La.

below

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EY

Roberts Coll., gr. 16.48 \

b.

np

1. field

Ratto (Rogers) 342, gr. 16.60

c.

10

below

Zygman Coll., gr. 14.42 (Pl.)f; Berlin, gr. 15.17

(damaged)

d.

EY

below

Petsalis Coll., gr. 16.86

e.

np

below

Commerce Beirut 1953; Berlin, amphora letter

uncertain, gr. 16.18

f.

AN

1. field

Athens (Salamis Hd.), gr. 16.48f

AN

below

Leningrad, gr. 15.95 \

a.

EY

below

Glasgow (Hunt. 71), gr. 16.71f

rb.

AN

below

go

The New Style Silver Coinage of Athens

237.

238.

239.

240.

241.

242.

243.

244.

A(?)

AN

below

Romanos Coll. (Sv. 36, 9), gr. 16.60

a.

ZO(?) below

Athens (Salamis Hd.), gr. 16.40 \

b.

TIP

below

Glymenopoulos Coll. (Sv. 86, 7), gr. 16.88

c.

EY

below

EY

below

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Arethuse, Suppl. comm. 1, 831

Hirsch (Rhousopoulos) 2038 = Sv. 36, 11,

St. Petersburg (but see p. 89, note 2), gr. 16.36

a.

AN

below

Sophia, gr. 16.74

b.

ZO

below

Glasgow (Hunt. 69; Sv. 86, 8), gr. 16.54f

a.

EY

below

Miinz. u. Med. List 154, 80

b.

AN

below

Paris, gr. 16.14f

c.

Zd>

below

Copenhagen {SNG 113), gr. 15.97f

a.

AN

below

Petsalis Coll., gr. 16.53 \

b.

Z4>

below

*ANS, gr. 16.43 \

c.

The Early Period: Catalogue

9i

Beule reads the first monogram as AHMHTPIOS, pointing out the similarity

between this rendering and that found on the bronzes of Demetrios II of Ma-

cedon. The second combination he interprets as AlONYpIOI]. Both identifi-

cations seem highly probable, but the names are so common that it would be

impossible to make any firm association between the mint magistrates and

Athenians known from epigraphical sources.

What does seem distinctly possible is that M and AHMH of the issue just

preceding refer to the same man. The helmet used as a symbol by AHMH finds

its closest parallel on the coinage of Philip V; the eagle of M, while not ex-

clusively Macedonian, is nevertheless a common type on the regnal issues of

Philip V and Perseus. The use of a symbol with strong Macedonian connotation

on two issues for which a Demetrios served as first magistrate suggests at least

that only one man is involved.

On most reverses the eagle surmounts the Y of the second monogram.

Nos. 230c, 281d, e, f and 236b, c, d present a variation in that the bird stands

free in the field over the monogram. Obverse 236 is without protomes and with-

out the Pegasus on the helmet.

Tetradrachms

247.

APLUSTRE 172/1 B.C.

(Plates 26-27)

(*-) A 20 below 'Glasgow (Hunt. 76; Sv. 36, 14), gr. 16.79f

248.

(#-) a. A TIP 1. field 'London (Sv. 36, 20, Oman), gr. 16.75 \

(As above) b.? AN below Munich (Sv. 36, 19), gr. 16.25

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249.

(* - ffl) a. B FTP below 'Kambanis Coll.

(As above) b. B EY below Athens, gr. 16.02f

(As above) c. B AN1 below Athens (Delos Hd. V, 4), gr. 16.54f

250.

(#-) r(?) IO below 'Berlin (Sv. 36, 15), gr. 16.96

251.

(* - A) a. T AN below Jameson 2081 = Naville (Pozzi) 1595, gr. 16.84

(As above) b.? TTP below 'Paris, gr. 16.52|

(*-fl) c. A(?) AN 1. field 'Marseilles

1 Svoronos' reading of ZcD for the letters below the amphora is, I think, erroneous.

92

, 5 5

252.

253.1

!\

&.

1.

..*

0.

;.

(191)

( ) |

1>1

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. = \ 3514 (5. 36, 21),

. 16.80;

(5. 36, 16), . 16.98

1952

*, . 16.77

, . 16.2|

* (0 301; 5. 36, 17), . 16.82!

254.

255.

(191)

(*)

256.

257.

(*)

258.

&. 1\

\>.

1.

*.

1.

5.

1.

1.

1\

&.

, : ,

93

259.

260.

261.

262.

263.

()

264.

265.

()

()

",, . 16.18|

( -) .?

( ) \>.?

( ) .?

(* -) .?

( &1>) 5.?

&.?

5.?

.?

&.?

).?

1. *5, . 16.62|

1>1\ 0&1 75, 823, . 16.87

? 1952

1>1\ &, . 16.70; ^, . 16.80

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11\ 51 (& 2) 904, . 16.70

1. *3.35 -; , . 15.90|

1. , . 15.81

1>1\ , . 16.61

1. * ( . , 3), . 16.80

1>1\ *

11 *&, . 16.67

1\ * (&& .), . 16.56|

55 &&: 19 , 45

: , , , (?), , , , 1

: , , , 2

>5 & (. 253 & &,

256 264) (. 255 257).

& 6

; 1 &: , , , & .

, \, 3. ^ &.

%, . 251, & .

$ ^ , \ % 3. *

^. (, 1898, . 275)

% & [] & & -

1 ; 5 &5'

2 > . , , -

& . 2530- 5 .

94

\ , 5

^& . 3.

[] [] .

\ & .

3.1)3.. , 18 ,

, \11 .

266.

- 171/0 ..

( 28-29)

*5, . 16.75!

267. |

1-3.

&.?

1)1\ 5 ( .), 15.70!

1. *5, . 14.92 ()!

268.

5.

6.*

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1>1\ 1952

&1\ .

1. * ( , 2080), . 16.58!;

(5. 42, 18), . 16.21

1. 1, . 16.76!

? (5. 42, 19), . 16.85

269.

1>1\ 01\ (. 90; . 42, 2), . 16.28 \

>1\ *)(1 (^ ., 5 8200; 8. 42, 4),

. 16.45|; ., . 15.77!

1>1\ (5. 41, 4, >.; 5. 42, 5, .), ". 16.51

1. & (. &., 7150; 5.42, 6), .

16.49!

1\ 1955

(5. 42, 5, .), . 16.65

, . 16.78!

1>1\ 5, . 16.27!; . ., . 15.30

? ]&

? 1>1\ *, . 16.30

1 53 35 .

, :

95

270.

271.

*.

5.

1. *5, . 16.55 \

1. * ( . , 165), . 16.55|

01\ (. 92), . 16.68 \; , -

&!\ &, . 16.61 \

272.

273.

274.

275.

1.

>.

0.

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1\

1.

1.

1.

1>1\

11 .

1.

1\

*>

1>1\

- .

1.

96

277.

1.

\>.

0.

1.

(?)

1.

(?)

1. \

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1.

1\

1.

1>1\

-].

1.

1.

1.

278.

1)6\

\>.

0.

, : -

97

- .

281.

282.

283.

;.

\3.

284.

285.

286.

5.

1. *; , &, . 16.42

1. & ( ., 5? 8202), &. 16.26|

&1\ , . 16.16

1>1^ * () 350, . 16.70; ^ (5

132), . 16.05/

*5 ( .), . 16.28|

(5. 42, 16); 1953

(& . II), . 16.57|

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&, . 16.70|

*&5, . 16.53|

, . 16.15|

( 436), . 16.06 \

( . , 121), . 14.65 ()!

102 &: 21 >3, 77

: , , , , , , , , , 2

: , (), , (, ), ()3

&1\

1)1\

1.

1.

1.

^\. 11\

: . 2671);

268; 269, , ]; 270; 271; 281; 282; 283. -

\ 11

^.

3. (. 269, 274, 278, 279)

1 { 5% , .

2 .

. 55 \> : . 276, 27821 & 2693.

5 55 . . 2781, 3. )

5 , 15 \ 55. ,

1& . 015\ , . 269, 5

\ , \ 5 ' .

3 5\1115 . 5

3. 55 .

98

\ , 5

(. 272 286). 51 &^

\ 1& .

[] - [].

3, -, & &

& 3.1.

287.

;.

1.

).

1.

05 170/69 .

(5 80-81)

" 7, 109, . 16.49; ., \ 16.80|

( 352), . 16.65 \

288.

289.

290.

291.

5.

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1.

1.

0.

1.

(1.

1>1\

1.

1.

\>.

1.

0.

1.

1.

1.

[>.

1.

0.

: ,

99

1.

292.

1.

\>.

1.

0.

1\

1.

293.

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1.

294.

1)1\

295.

2%.

297.

298.

\>.

1.

1.

'"?

1.

1.

4>.

>

1.

^.

1.

1.

5.

The New Style Silver Coinage of Athens

Z4>

1. field

Commerce 1955

HP

1. field

ANS = Naville (Bement) 1121 = Sotheby (Guz-

man) 18, gr. 16.72f

10

1. field

Ball VI, 274, gr. 16.20

KT

1. field

Dewing Coll., gr. 16.28|

HP

1. field

Copenhagen (SNG 129), gr. 16.76f

1. field

Berlin, gr. 15.60

K(?)

1. field

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An

Paris (de Luynes 2079; Sv. 40, 9), gr. 16.80t

K(?)

KT

1. field

Athens (Salamis Hd.), gr. 16.98f

An(?) 1. field

London (Salonika Hd.), gr. 15.97f

An

1. field

Miinz. u. Med. XIII, 1131 = Sv. 40, 11, Imhoot,

gr. 16.81 /

A(?)

HP

1. field

Paris, gr. 16.80t

HP

1. field

ANS-Gautier, gr. 16.20f; London (Salonika Hd.),

gr. 16.84f

HP

1. field

Leningrad (Sv. 40, 17), gr. 16.57

SO

1. field

Romanos Coll.

M(?)

ZO

1. field

London (BMC 858; Sv. 40, 12), gr. 16.68f

zo

1. field

Salonika Hd.

N(?)

zo

1. field

The Early Period: Catalogue

ioi

Drachms

307.

a. A

b.?

c.?

*Berry Coll., gr. 4.11f; Petsalis Coll., gr. 8.83;

Petsalis Coll., gr. 3.90f; Athens (Delos Hd. K$,8),

gr. 8.35famphora letter visible only on Berry

coin

The Hague; Ratto (Rogers) 354, gr. 8.48; ANS-

ETN, gr. 4.05|

Glasgow (Hunt. 86; Sv. 40, 21), gr. 4.06

ANS (Attic Hd.), gr. 4.19f

308.

La. B

b.

c.

rd.

309.

310.

b.

Lc.

a.

b.

311.

a. r

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Hemidrachms

312.

*ANS (Attic Hd.), gr. 4.20f; ANS (Attic Hd.),

letter uncertain, gr. 4.19f; Commerce (Attic Hd.),

gr. 4.17f; Berlin, letter uncertain, gr. 4.14

Berlin, broken

Commerce (Attic Hd.), gr. 4.14f; Paris

1. field ANS (Attic Hd.), gr. 4.18f

A 1. field Athens (Sv. 40, 19), prob. = Hirsch (Rhouso-

poulos) 2042, gr. 8.80; Athens (Sv. 40, 20), gr.

4.08; London, gr. 8.95. With H/A: *Commerce

(Attic Hd.), gr. 4.14f; ANS (Attic Hd.), gr. 4.10f

HP 1. field Naville (Woodward) 751, gr. 8.71; Schlessinger

(Hermitage 2) 960 = Sv. 40, 22, gr. 8.85

K 1. field Glymenopoulos Coll. (Sv. 40,18), gr. 8.50

ANS (Attic Hd.), gr. 4.15f; London (BMC 354),

gr. 4.14; Bartlett Coll. = Hesperia Art VI, 19

*ANS (Attic Hd.), gr. 4.12f; Commerce (Attic

Hd.), gr. 4.25f; Budapest, letter uncertain, gr.

8.85 (pierced)f

A 1. field Feuardent (Ready) 861

An 1. field * Vienna, gr. 3.58

a. No lettering

b. No lettering

*ANS-ETN, gr. 2.07\; Athens (Delos Hd. KS, 10;

Sv. 40, 28), gr. 1.65 \

Paris; Athens (Sv. 40, 24), gr. 1.77f

102

The New Style Silver Coinage of Athens

Athens (Delos Hd. B, 41), gr. 1.80f; Paris

Copenhagen (SNG 181), gr. 1.92f

77 tetradrachms: 20 obverse, 64 reverse dies

88 drachms: 5 obverse, 18 reverse dies

7 hemidrachms: 3 obverse, 8 reverse dies

Months: A, B, I", A, E, Z, H, 9, 1, K, A, M(?), N

Controls: A, An, HP, KT, l<t>, Zfl1

This issue divides into two stylistic periods. During the early part of the

year the obverse dies (Nos. 287-298) show a general similarity although there

are individual differences in the rendering of the Athena head like those found

in preceding strikings. Nos. 288, 290 and 291 have the lateral ornament which

appears for the last time under TAAY - EXE. On Nos. 291, 296 and 298 the

horse protomes are missing, an omission which henceforth will recur only spo-

radically and then at a much later period. ,

With Nos. 299-306, the last dies cut in 170/69 B.C., a new and quite dis-

tinctive style is introduced. All obverses are clearly from the hand of the same

engraver: a heavy, rather coarse profile, neatly ordered locks of hair, large

Pegasi and a thick, ornately curvilinear ornament. There is no obvious re-

lationship between this style and anything before or after it.

Beule gives the magistrates as TAAY[KOI] and EXE[KPATHZ]. Head (HN,

p. 881) suggests EXE[AHMOZ] for the second official and regards it as possible

that this is the man mentioned by Polybius (XXI. 4^ 5Loeb) as an emissary

to Scipio in 191/0 B.C. Kirchner (ZfN, 1898, p. 75) further identifies the emis-

sary with EXEAHMOZ MNHIIQEOY KYAAGHNAIEYZ (PA 6168), who was a donor

in 188/2 B.C. and again in 172/1 (IG II2 2332 and 2331).

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Glaukos is the most likely expansion of TAAY although there are other pos-

sibilities. Head (BMC xliii) and Kirchner cite a family connection between

Lysandros and Glaukos, who shared the mint magistracy of 159/8 B.C., and the

former suggests that the Glaukos of the present issue may have been the father

of the later Glaukos. It seems to me probable that the same Glaukos served

in 170/69 and again in 159/8.

1 The coin with AG cited by Sundwall and Svoronos is our No. 288d with the reading ATI

practically certain. Beul6 lists EP but notes that the combination looks more like KP, which

leads one to believe that KT is the correct version. In one of Kambanis' notebooks there is an

entry of EY for a Basel tetradrachm, but this is not found in a second listing of Swiss collections

which Kambanis had made and it seems advisable to omit the combination from the present

record.

313.

A 1. field

314.

LA 1. field

The Early Period: Catalogue

103

MIKI-9E00PA NIKE IN QUADRIGA 169/8 B.C.

(Plate 82)

Tetradrachms

315.

316.

317.

a.

An

below

Athens (Delos Hd. T, 202; Sv. 48, 15), am-

phora letter uncertain, gr. 16.67. With ME/An

below: Naville (Woodward) 756, gr. 16.64

b.

ME

below

London (Salonika Hd.), gr. 15.55 \

c.

MH

below

Berlin (Sv. 48, 10), gr. 16.69

d.

below

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MH

Petsalis Coll., gr. 16.33 \

e.

A(?)

An

below

Hess (Otto) 447, gr. 16.47

f.

ME

below

Leningrad, gr. 16.13f

g-

AP

below

Dresse de Lebioles Coll., gr. 14.791!

h.

London, gr. 16.29 \

a.

AP

below

Vatican (Sv. 48, 8), gr. 16.65

b.

E(?)

AP

below

London (Salonika Hd.), gr. 16.90f

c.

2Q

below

*ANS-Gautier, gr. 16.76 \; Glasgow (Hunt. 93;

Sv. 48, 14), gr. 16.86 \

a.

ME

below

Romanos Coll.; Kambanis Coll. (Salonika Hd.)

104

The New Style Silver Coinage of Athens

319.

320.

321.

322.

323.

1a-

i/E(?)

MH

below

*London (Salonika Hd.), gr. 16.63f

jb.

e/H(?)

MH

below

ANS (Cretan Hd. II), gr. 16.25f

1 c-

ISl

below

Athens (Delos Hd. T, 204), gr. 16.40f

1a-

S/E(?)

ME

below

London (Salonika Hd.), gr. 16.86f; Herakleion

|b.

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(Sv. 43, 12), gr. 16.60

I/E

MH

below

Commerce (Sv. 43, 18), gr. 17.01

1 c-

ME

below

Judd Coll., gr.16.45f; Athens, amphora

letter uncertain, gr. 16.40f

Ld.

AP

below

Florange-Ciani (Allotte de la Fuye) 404, gr.

16.75

e.

e/H(?)

MH

below

London (Salonika Hd.), gr. 15.84f

r-

ME

below

London (Salonika Hd.), gr. 16.23f

|g-

AP

below

Herakleion (Cretan Hd. II), gr. 16.50f

|h.

AP

below

Berlin, gr. 16.25

1a-

e(?)

2Q

below

London (Salonika Hd.), gr. 15.93f; Schulman

The Early Period: Catalogue

105

324.

a. M ME below *Kambanis Coll.; London (BMC 471; Sv.43,

17), gr. 16.04t

b. M MH below *Copenhagen (SNG137), gr. 16.90f (Plate 33);

Athens (Delos Hd. KS, 13), gr. 14.92 (crystal-

lized)!

Drachms

325.

r a. B *ANS (Attic Hd.), gr. 4.21f; London, gr. 4.14

rb. T Istanbul, gr. 4.18f

j c.? Commerce (Attic Hd.), gr. 4.17f

326.

-a. T *ANS (Attic Hd.), gr. 4.22f; Paris; Romanos

Coll. (Sv. 43, 18), gr. 4.07; Glendining, Oct.

1957, 103 (Attic Hd.), gr. 3.76f

L b. A/B ANS-ETN, gr. 4.10f; London (BMC 472),

letter uncertain, gr. 3.89

c. A Commerce (Attic Hd.), gr. 4.30f; Cambridge

(Leake Coll., SNG 3233), letter uncertain,1

gr. 4.13f

d. M Berlin (Sv. 43, 20), gr. 3.79

re.? Munich, gr. 3.76; Berlin, gr. 3.69

327.

La.? *Athens = Hirsch (Rhousopoulos) 2059 =

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Sv. 43, 21, gr. 3.96f; Leningrad, gr. 3.78f;

Berlin, gr. 3.91

b.? Naples (Sv. 43, 19)

NO SYMBOL

Hemidrachms

328.

a. * Athens (Delos Hd. B, 138; Sv. 43, 22), gr. 1.60f; Gotha (Sv. 43, 24),

gr. 1.91; London (BMC 473), gr. 2.08; Petsalis Coll., gr. 1.79f; poss. He-

rakleion; Berlin, gr. 1.95

b. Athens (Delos Hd. KS, 14), gr. 1.60f; ANS-ETN, gr. 1.90f; Leningrad

(Sv. 43, 25), gr. 1.92f; Naville (BM dupl.) 2018, gr. 1.89; probably Naville

(Woodward) 757, gr. 2.08; Berlin, gr. 1.92

1 The Syllogc catalogue records K on the amphora but I can see no clear indication of this;

the Attic Hoard piece from the same pair of dies has an unmistakable A.

106 The New Style Silver Coinage of Athens

329.

a. * Athens, gr. 2.12f; Copenhagen (SNG 138; Sv. 48, 28), gr. 2.07f; Petsalis

Coll., gr. 1.80f; Boston MFA (Brett 1102), gr. 2.00

b. Paris

68 tetradrachms: 10 obverse, 46 reverse dies

19 drachms: 8 obverse, 7 reverse dies

17 hemidrachms: 2 obverse, 4 reverse dies

Months: B, V, A, E, Z, H, G(?), I, K(?), A, M

Controls: An, AP, ME, MH, ISi

Theophrastos is almost certainly the correct expansion of 0EO<t)PA. In all

probability the second magistrate of the present issue is also the third magis-

trate of 167/6 and the first official of the 9E0(DPA - ZflTAI striking a few

years later.

MIKI[fiN], as Head and Kirchner point out, is surely a member of the famous

family prominent throughout the Hellenistic period. Kirchner (PA 10186)

identifies this magistrate with MIKIQN (III) EYPYKAEIAOY (I) KHcDIZIEYZ, a

donor in 183/2 and victor in a chariot race after 191 B.C.

The inscription recording Panathenaic victories (IG IP 2314) presents cer-

tain problems. It consists of two catalogues (A and B) which Ferguson (Klio,

1908, pp. 346, 349-55), followed by Kirchner in the later IG, dates to 182/1

and 178/7 B.C. The name Mikion appears in both lists and Kirchner assumes

two individuals, grandfather (Mikion III) and grandson (Mikion IV). With

Ferguson's dating applied to Kirchner's identifications, the older man would

have been a victor in 178 and the younger a victor in 182. Kirchner, however,

notes in reference to Mikion III, whom he associates with the mint magistracy

of this issue, that he would in 183/2 have been nearly eighty years old. It does

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not seem likely or even possible that a man of that age would have been com-

peting in a chariot race in 178 and holding a minting office nine years later.

Actually the assumption that we are dealing with two individuals in the

inscription cited is an argumentum ex silentio. In Catalogue A the name is fol-

lowed by necoth which led Kirchner to identify the victor of that listing as

Mikion IV; in Catalogue B there is no indication of the adjective after the

name, hence Kirchner's identification of the victor of that listing as Mikion III.

But the inscription is fragmentary at this point; there may once have been a

necote, the same man may have been the victor of both races.

In any case the mint magistrate of 169/8 B.C. must be Kirchner's Mikion IV

(PA 10187). His choice of symbol, Nike in quadriga, is clearly a reference to

his Panathenaic victory or victories. It is this same Mikion who serves again,

with his brother Eurykleides, in the mint magistracy of 156/5 B.C.

COMMENTARY ON THE EARLY PERIOD

Twenty-eight issues with the monograms or the abbreviated names of two

magistrates are included in the first period of the New Style series. If we assume

an uninterrupted coinage, and there is nothing to indicate a break in the se-

quence, this early group would extend over the years between 196/5 and

169/8 B.C.

The evidence of the Anthedon Hoard on which the date for the beginning

of the New Style money is based has been fully presented elsewhere.1 In brief

recapitulation, four New Style tetradrachm issues and four Eretrian tetra-

drachm issues, all in a fine state of preservation, were found in the hoard, to-

gether with one tetradrachm issue of Chalcis and octobols of the two Euboean

cities. The New Style coins are without question the earliest of the entire series;

they are clearly contemporary with the tetradrachm strikings of Eretria whose

spread-flan coinage could have started only after the proclamation of the free-

dom of the Greek cities by Flamininus in 196 B.C. Since it is unlikely that

Eretria would have delayed in striking the large silver denominations symbolic

of her newly-acquired autonomy, numismatists generally have associated the

first of these Eretrian issues with the period immediately following Flamininus'

decree. At Athens it is conceivable that the new coinage started a year earlier,

after Cynoscephalae had demonstrated that Philip's hold on Greece was broken

and that the friends and supporters of Rome had now no cause to fear Mace-

donian power. However, it seems to me more probable that it was the enthu-

siasm engendered by the Isthmian proclamation of June-July 196, with its

explicit definition of Roman policy toward Greece, which brought into being

both the spread-flan coins of Eretria and the New Style series of Athens. It is

1 M. Thompson, "The Beginning of the Athenian New Style Coinage," ANSMN V (1952),

PP- 25-33-

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The Anthedon Hoard is fundamental in the establishment of a date for the beginning of the

New Style series. Another hoard, found near Corinth in 1938 and now being studied by Sydney

P. Noe, provides confirming evidence that the Old Style coinage of Athens did not stop in 229 B.C.

For our purposes this deposit has three significant features: it contains a tetradrachm of Se-

leucus III which dates the burial securely after 226/5 and probably after 220 B.C. if one makes a

reasonable time allowance for the amount of wear which the coin shows and the distance it had

to travel from Seleucia on the Tigris to Corinth; it has an abundance of Old Style tetradrachms

of Athens but no New Style coins; its finest pieces in degree of preservation are four Athenian

drachms with symbols, belonging to the latest Old Style period, whose condition indicates that

they were put into circulation only a short time before the hoard as a whole was buried.

108 The New Style Silver Coinage of Athens

unlikely that the short interval between the proclamation and the beginning

of the new Attic year would have allowed sufficient time for the reorganization

of the mint and the production of even a token emission; hence it is to 196/5 B.C.

that I should assign the first New Style issue.

This early coinage has been the most difficult to arrange. In only two in-

stances are individual issues firmly joined by the use of a common obverse die.

This is probably due in part to the fact that our record for the early strikings,

as provided by surviving specimens, is less complete than for the later periods;1

possibly, too, the practicality of carrying over an obverse die from one year to

the next was not at first realized by the mint officials. In any case we are forced

to rely rather heavily on style at the beginning of the coinage and it is at just

this period that the evidence of style is most elusive. During the Middle Period

and for much of the Late Period, one can establish the chronology with reason-

able certainty even in the absence of die links. Only one or two engravers seem

to have been engaged on the obverse dies of any one year, and each man's style

is distinctive and consistent. So one can trace over a span of five to ten years

the output of a single diecutter, steadily reproducing his own peculiar pattern.

His technique is dominant for a time and then it gradually dies out as a new

engraver comes in, first to work in association with the earlier diecutter and

finally to supersede him. This second man produces for some years until he in

his turn is replaced. Thus one has an interlinking sequence of sharply-contrasted

styles as a guide in the establishment of the chronological order. Unfortunately

the engravers of the Early Period were either more numerous or more prone

to experimentation than their successors. One cannot always distinguish with

precision the work of individual diecutters; diversities of style may indicate

different engravers or simply the varying techniques of a single man. There is

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a great unevenness in craftmanshipsome dies are splendidly executed while

others are atrocious. It is only at the very end of the Early Period that any

real stability in the rendering of the Athena head is achieved.

The experimentation that characterizes the modelling of the obverse dies

is also apparent in the composition of the reverses. Here one must, albeit

reluctantly, abandon any thought of establishing an orderly and logical pro-

gression. As Bellinger points out, there is at the beginning no fixed rule as to

the use of a symbol. The second striking with a kerchnos is interpolated be-

tween issues which have no symbol. There is even inconsistency within a given

year: the fourth issue has seven reverse dies without symbol and three with a

cornucopiae. From then on, however, a symbol appears on all issues of this

first group.

1 The relationship of surviving coins to original output at different periods is discussed in

some detail on pages 709-714.

The Early Period: Commentary

109

Month dates and control combinations were introduced fairly early in the

coinage, and one would assume a reasonable sequence of no letters, then either

dates or control marks alone, and finally a combination of the two. The earliest

coins have no lettering and the latest have the combination but between the

two there is a transitional group of eight issues which reflect experimentation

in the setting up of a workable control system. Amphora letters alone seem

to have been used for a few issues, then abandoned for control combinations

alone, but one intermediate emission tries out both dates and control

markings.

Even a division of issues according to the form of the magistrates' names

monograms, hybrids like ^ - AYZIA and TTOAY - Tlffi, abbreviated names

cannot be maintained. The logical order is the one followed by Head, by Svo-

ronos and by Kambanis in the notebooks which give his tentative arrangement

of the series. Bellinger deviates by listing the nOAY-Tllg issue well within

the monogram group but otherwise he retains the traditional pattern.1 One

must conclude, however, on the available evidence that there was no rigid

formula for inscribing the names of the magistrates, at least until this Early

Period was almost at an end. Each issue must have required a separate decision

on the part of the monetary officials or the mint supervisor as to whether mono-

grams or abbreviated names would be used. An indication of this flexibility is

to be found in the replacement of M by OANI on reverses of the third New

Style issue. Proof of it is supplied by the die link which places ^ - AYZIA

immediately before the striking with two monograms and a thyrsos. As we shall

see when we come to the Late Period of the New Style series, there was no

clear-cut break between issues with three magistrates and those with two, so,

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too, at the beginning of the coinage there was a time of transition when mono-

grams and abbreviated names were used interchangeably.

In the discussion that follows, criteria of style, especially as applied to the

obverses, are frequently basic in explaining the chronological arrangement. It

is not easy to pursue a stylistic pattern, the distinctive quality of an individual

engraver, through a number of plates. Furthermore, in the years which have

month letters the sequence on the regular plates is that of the amphora dates,

which means that the output of any one diecutter may be scattered throughout

the year and consequently difficult to envisage as a whole. In the first accordion

plate at the end of the volume, the tetradrachm obverses for the first twenty-

eight New Style issues are reproduced, with reduction so that the resulting

1 Head is alone in disregarding style completely and associating ^ -OANI with the other

two hybrids.

no

The New Style Silver Coinage of Athens

plate would not be too unwieldy.1 Within each annual issue the dies that ap-

parently come from the same hand have been grouped together, in rough

proximity to related dies from the years preceding and succeeding. This deter-

mination of stylistic affinity is, of course, a highly subjective matter, and the

reader may take exception to some of the suggested groupings. In making

them, I have considered all details of the type which vary in any degree from

year to year and from die to die. The helmet presents many such variables:

crest, visor, ornament on the bowl and the Pegasus representation. Treatment

of the hair is often significant. Finally there is the profile, which seems to me

perhaps the most important single criterion for identifying the work of different

diecutters. The helmet and hair represent little more than a frame for the

artist's concept of the goddess, and one would suppose that in repeating the

type the individual engraver would retain a certain fidelity to his original con-

ception, however much he might vary the decorative features of his compo-

sition. So, in loose analogy, the Madonnas of any of the great Renaissance

artists tend to be similar in facial contours and expression, diverse in costume

and background. The point cannot be labored. There must have been pupils

and copyists in die engraving as in painting. Even apart from conscious imi-

tation, the style of any one diecutter must over a period of time have been

influenced to some extent by the work of his colleagues. All these factors have

been weighed in the arrangement of the composite plate, whose pictorial record

will, it is hoped, serve to clarify the commentary on the introduction and dis-

appearance of individual obverse styles and their chronological relationship.

Eleven issues of the Early Period have no amphora dates and no control

markings. One would expect them to come at the beginning of the new coinage

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and although, in view of the inconsistencies noted above, this cannot be taken

for granted, the evidence of style does confirm their position and help to es-

tablish their sequence.

1 The numbering of the obverses on Plate A does not correspond with that of the standard

plates but there is a concordance at the end of the volume of plates. An exact duplication

of numbers would, because of the diffusion of particular styles mentioned above, have created

difficulties for the reader in the location of individual dies and would have made reference to

groups of related obverses a most cumbersome procedure. It must be kept in mind, then, that

in this commentary on the Early Period, the discussion of tetradrachm obverses refers to the

numbers (in italic font) of the accordion plate, while the discussion of reverses and fractions

refers of necessity to the numbers of the catalogue and standard plates.

All obverses are reproduced with seven exceptions: Nos. 29X, 31X, 44X, 111X, 114X, 217X,

218X. These dies represent material received after the plates had been arranged and it has not

seemed worthwhile to shift the illustrations for their inclusion since they are so similar to other

dies of the same issues as to add nothing to the stylistic argument. Two additional new dies,

Nos. 66X and 101X, differing in style from the other obverses of their respective issues, have

been interpolated, the second as an X entry.

The Early Period: Commentary

hi

Toward the chronological arrangement outlined in the catalogue the re-

verses make only a minor contribution. Their type as it appears in the issues

which must surely come first shows a compact sturdy owl, head small in pro-

portion to the body, wings tightly folded, feathers of the tail and shanks

delineated without exaggeration. Body plumage is indicated by heavy dots as

was the case on the late Old Style silver. The bird stands erect with legs straight

and close together on a small, well-proportioned amphora. An encircling wreath

of oUve has small berries and thin leaves, usually smooth but sometimes lightly

incised. On the one reverse of the first issue which shows the fastening at the

bottom (No. 8a) a simple knot is used; subsequent issues have pendent ties,

either crossed or looped.

Over the eleven issues without controls, this type varies little in represen-

tation. There are changes but few indications of a clear evolutionary pattern.

Individual reverses, particularly those of the Nike issue, enlarge the entire

type. On Nos. 81a and 85a, an ungainly owl rests on an amphora of greatly

increased size within a heavy wreath of clumsy, deeply incised leaves. Such

exaggeration is exceptional; later reverses restore the elements of the type to

more pleasing proportions. One notes that in general there is an increasing

tendency in the trophy, grain-ear and pilei issues to separate the legs of the

owl, extending the left one forward so that it clutches the handle rather than

the body of the amphora, and that the pants of the bird become overheavy and

shaggy in the same issues, but the only development which is quite consistent

and therefore significant is concerned with the treatment of the plumage. In

the beginning this is rendered, as mentioned before, by heavy dots clearly

differentiated and arranged in rows over the surface of the body and the upper

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wing (cf. Nos. 5a, 7a, 11a and 15). On some of the club, rudder and Nike re-

verses the dots have lost their sharpness, becoming elongated and tending to

run together so that the effect is that of strokes (cf. Nos. 19a and 31a). On

practically all the reverses of the trophy, grain-ear and pilei issues the straight

strokes are brought together at the bottom to form a U-shaped or V-shaped

pattern, sometimes with an added vertical so that or v results. These dis-

tinctive designs are perhaps clearest on Nos. 87a, 46a, 51a, 54, 58b and 68.

Fortunately we are not dependent on the reverses alone. The obverses do

reveal certain stylistic developments which, when considered with the other

evidence, indicate the relative chronology.

Examples of four New Style issues were found in the Anthedon Hoard, all

in an excellent state of preservation indicative of contemporaneity. The earliest

of these and the first issue of the entire series is undoubtedly the one controlled

by the magistrates ft - A who used no symbol on their coinage. This is the

only issue which throughout has no circle of dots around the Athena head. All

112

The New Style Silver Coinage of Athens

three of its obverses are superbly executed, No. 1 with its charming youthful

goddess being perhaps the finest individual die in the whole New Style sequence.

Nos. 2 and 3 are almost certainly from the same hand; like the first obverse,

they have the tiny biga on the neckguard of the helmet. Whoever this first

engraver was, he was a master craftsman. One need only compare his work

with the Old Style heads of the late third century to appreciate the degree of

vitality and artistry that he brought to the new coinage.

The second issue has a kerchnos symbol in the field and a bakchos below

the amphora. There is a change of magistrates during the course of the year

and a change in the rendering of the obverses. No. 4, the first die, has no circle

of dots and is, moreover, almost identical in style with Nos. 2 and 3 of the pre-

ceding issue, but on the later obverse the diecutter has omitted the biga, which

is merely suggested by a sweeping horizontal line above the edge of the neck-

guard. Nos. 5-7 develop from No. 4 but on these as on all succeeding obverses,

dots encircle the Athena head.

Magistrates revert to a coinage without symbol except for the

first reverse which has a bakchos beneath the amphora, surely a carry-over

from the kerchnos and bakchos issue immediately precedent. The style of

No. 8 is markedly similar to that of No. 5 in all elements of the type; Nos. 6

and 9 are close.

The fourth issue found in the Anthedon Hoard, E - N with cornucopiae

or without symbol, shows several stylistic developments. Most distinctive of

these is the treatment of the ends of the double crest. On all the early obverses

and on No. 11 of the present striking, the crest drops naturally in lines roughly

paralleling the curve of helmet and neck. On Nos. 12-14 and on all but No. 19

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of the club issue, the inner end crosses the outer and is carried back in a sharp

horizontal line. The ornament on the bowl of the helmet, which in the first three

issues is carefully rendered as a series of rather large volutes branching from a

predominantly vertical stem, becomes on most of the IE - N and club obverses

more elaborate and tortuous with the individual volutes tending to be smaller.

Note the treatment on Nos. 12, IS and 22. On the earliest obverses the hair is

cut in distinct and tightly curled locks. Nos. 6 and 8 have a looser rendering

which characterizes the obverses of the fourth and sixth issues, Nos. 6, 12 and

18 being particularly close in hair style. As rendered on Nos. 12 and 18 the visor

lines are larger and heavier than they were in the beginning. The presence of

the biga and driver on Nos. 12 and 18, and possibly on No. 11, unite these two

series with the first, and it seems to me quite certain that we have the output

of the same diecutter in Obverses 1-5, 8, 12-13 and 18. In all likelihood he cut

other obverses as well but the similarity of style is clearest through the dies

listed. For the rest, No. 14 resembles No. 10 in the treatment of the profile and

The Early Period: Commentary

113

Nos. 19-22 are possibly later developments of the same style. Nos. 16-17 bear

some similarity to No. 11 but not to a striking degree.

No. 15 has been inserted between the E - N and club issues. Admittedly

it is hazardous to fix the position of an issue on the evidence of one die, but I

believe that this does represent the fifth of the New Style strikings. Its com-

bination of early and late elements indicates at least that it must come after

3-<DANI and before the rudder issue. The profile has a suggestion of Nos. 11

to 13 and Nos. 17-18 but is quite unlike later dies. In the relatively loose mod-

elling of the hair it is close again to obverses of both the E - N and club

strikings. So, too, the heavy visor lines are comparable with those of Nos. 12

and 18 and, of course, with those of later dies as well. The treatment of the ends

of the helmet crest and of the ornament ties it to the earlier Nos. 1-11 while the

Pegasus is late, being larger than any other representation before that of No. 25.

All elements of the type considered, No. 15 would seem best suited to its

present position and there is also an element of historical substantiation for its

location. As the fifth issue of the series its date would be 192/1 B.C. This is

precisely the year when Athens and the Athenian mint might be supposed to be

operating under difficulties due to Antiochus Ill's seizure of Chalcis and the

imminent threat of war between the Syrian forces and Rome. Antiochus' ships

were in command of the sea, interrupting the commerce of the Piraeus and

presumably interfering with regular deliveries of bullion from Laurium. The

unsettled conditions prior to Antiochus' forced withdrawal in the spring of

191 B.C. could explain a curtailment of the coinage. If indeed the mint was

unable to operate until after Thermopylae, the symbol of the two palms might

be interpreted as a flattering gesture toward Rome, victor over Philip and over

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Antiochus; it is equally possible that nothing more significant was intended

than the commemoration of two personal triumphs of the magistrate NIKA...

With the rudder issue there are innovations in style, most of them carried

over into succeeding strikings. The base of the visor is, except on No. 23,

heavier than it has been heretoforeon No. 24 it is clearly composed of two

parallel lines. Pegasi are generally larger than on any of the earlier obverses,

save for that of No. 15. A modified upturn at the end of the helmet crest, such

as characterized the E - N and club issues, survives on Nos. 23 and 25; other

obverses show the ends brought down straight, the inner line on Nos. 24 and

26 shorter than the outer. The hair is rendered in tumbled masses, a treatment

which foreshadows the over-elaboration of the Nike obverses. On No. 26 the

attenuated lines and broken stem of the helmet ornament derive from No. 16.

No. 27 on the other hand introduces a new pattern, a terminal design resembling

a fleur-de-lis which appears again on No. 45 and becomes common at a later

period. Placement of this issue depends primarily on Dies 23-25. The first two

Ii4

The New Style Silver Coinage of Athens

are, it seems to me, in the tradition of Nos. 11, 15-17. No. 25, although de-

finitely cruder, carries in profile, crest and hair treatment some suggestion

of No. 18.

A distinctive element on many of the dies of this early section of the coinage

is the aegis serpent which appears on Nos. 1-5, 11-13, 22-23. Schwabacher in

his article on the Parthenos archetype (Opusc. Ath., pp. 107f.) calls attention

to this feature and uses it as a criterion for chronological arrangement.1 Cer-

tainly its presence on dies of Issues 1, 2, 4, 6, 7 and not elsewhere2 is further

indication that the issues enumerated are roughly contemporaneous, but I think

it is unwise to go beyond that and maintain that Issues 3 and 5 which do not

have this element must come at the end of the sequence. Except for the very

first issue, there is no one of the five strikings which has the snake on all of its

dies. Like the biga representation, this seems to have been a recurrent but not

invariable addition to the standard type on dies of the first seven years of

the coinage.

All obverses of the Nike sequence are obviously from the same hand. They

owe something to No. 25 and possibly No. 26 of the rudder issuecompare, for

example, the profiles of Nos. 25 and 29. The whole treatment is heavy: large

features, over-size Pegasi, dominating visors with double baselines, tangled

masses of hair. Ends of the crest hang loose in parallel lines; on Nos. 29 and 31

the under end crosses the upper and depends. Two distinctive features are

present: a marked simplification of the ornament on the helmet and an un-

natural rendering of the tail of Pegasus. On all legible obverses, clearest on

Nos. 29 and 32, the winged horse has a lion's taillong, thin and swirledin-

stead of a straight thick appendage, but it is still Pegasus and not a griffin that

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the artist is reproducing.

1 His suggested order is i) No symbol (ft - A) 2) Kerchnos 3) No symbol or cornucopiae

4) Rudder 5) No symbol (OANI). In a postscript written after the appearance of the Anthedon

Hoard study, Schwabacher limits his rearrangement to a placing of the OANI striking after that

with no symbol or cornucopiae. However, I do not believe that even this minor shift can be

maintained. The club emission has one die with a biga and one with an aegis serpent; the rudder

issue has one with the latter marking. Both are represented by a number of obverse dies indicating

a fairly extensive coinage and the absence of both from the Anthedon Hoard points to their

having been struck after the four issues which are found in the deposit. Since these two issues

with biga and snake elements are later than the OANI emission, which is in the hoard, there is

no reason to upset the clear stylistic pattern by moving the no symbol or cornucopiae striking

ahead of the OANI issue on the ground that the former has biga and snake representations while

the latter does not.

2 On a few dies of the grain-ear, pilei, cicada and serpents issues (as Nos. 51, 57, 70 and 78)

one finds a light line extending upward from the front of the necklace which may be a late sketchy

rendering of the aegis snake. In any event, it is an additional indication of the relationship of

these four issues.

The Early Period: Commentary

"5

The last three issues of this early group without control marks are bound

together and their order determined by the appearance and evolution of an

unusual style which carries over into the issues with letters on the amphorae.

Nos. 34-44 of the trophy striking seem to me to bear so little fundamental

resemblance to earlier issues as to indicate that they are the work of a new die-

cutter (or diecutters). He has borrowed in some respects from the Nike issue:

the various renderings of the helmet crest are similar, the ornament on some

dies is simply delineated, the profile on others suggests a copying of an earlier

model (cf. No. 39 with No. 28). One die, No. 44, has the Pegasus with lion's tail.

In general, however, the technique is quite different. The heads are smaller and

less gross than the Nike ones, the elements of the helmet in better proportion,

the arrangement of the hair more natural. No. 45 marks the first appearance

of a style which becomes predominant in succeeding issues. Although reduced

in scale, this seems rather closely modelled on the Nike obverses, notably in the

cast of the features and in the treatment of the hair.

In the grain-ear issue the stylistic pattern is reversed. The dominant tech-

nique of the trophy striking survives in only one grain-ear die, No. 46 for

comparison with No. 44. The minor style of the earlier issue becomes the major

one of the later, No. 47 being very similar to No. 45 and Nos. 48-51 develop-

ments of the same basic rendering. Note the consistent treatment of the hair

on Nos. 28-33, 45 and 47-51; note, too, the wavy lines terminating the helmet

crest which appear on No. 45 and later on Nos. 47-51. Several variations are

present. The helmet ornament on Nos. 47-51 is brought out from the inner

corner of the neckguard and curved upward and out to end in small neat loops.

Drastic reduction of the horse protomes above the visor rim is visible on

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Nos. 48, 50-51.

All obverses of the pilei issue are consistent in style and closely allied with

Nos. 47-51 of the grain-ear striking. Compare No. 60 with Nos. 50-51. The

only noteworthy development is in the rendering of the visor which on some

dies (Nos. 56, 59-60) opens out in triangular shape. With this issue the sequence

without amphora and control marks comes to an end.

The next eight issues represent a period of transition between the earliest

emissions without supplementary lettering and those with both amphora dates

and control combinations. Some strikings retain the convention of monograms

while others designate both magistrates by the initial three or four letters of

their names. In one instance there is a hybridization of letters and monograms.

Five issues at the beginning of this intermediate group are closely bound

together by two distinct obverse styles, one a survival and the other an inno-

vation. Nos. 6270 of the cicada striking are clearly related to the dies of the

pilei issue. The treatment of the hair in Nos. 62-65 is identical with that of

The New Style Silver Coinage of Athens

Nos. 52-60; Nos. 66, 68-70 show a simplification which carries over into Nos. 71

to 74 of the serpents issue. The fluttering ends of the crest are alike in both pilei

and cicada emissions; the rendering of Pegasi, visors and horse protomes very

similar; the helmet ornaments closely comparable, save for No. 63 with its

heavy tightly-curled volutes. The fleur-de-lis termination used on Nos. 27, 45

and 52 but not elsewhere appears again on four dies of the cicada striking

(Nos. 64, 68-70). In the slightly parted lips, No. 64 repeats the modelling of

Nos. 52-53 and 60 while the profiles of Nos. 6470 are strongly reminiscent of

Nos. 55 and 60. One die of the cicada striking (No. 61) marks the first appear-

ance of a new and unusual style.

The two styles of the cicada emission recur in the serpents issue. Nos. 77 and

78 are very close to Nos. 62-63, No. 79 to Nos. 66-67, No. 80 to No. 64 with

particular reference to the parted lips. Nos. 81-82 are exaggerated versions of

the same style. All these serpents obverses have the fleur-de-lis ornament which

was becoming popular in the preceding year, the elaborate hair of some of the

cicada dies and the same fluttering crest terminals. Nos. 75-76 form a transi-

tional stage between Nos. 77-78 and Nos. 71-74. The hair and helmet ornament

are in the earlier tradition; the heavy pendent necklace finds its nearest parallel

in Nos. 46-47 of the grain-ear and Nos. 54 and 57 of the pilei striking. In the

treatment of the ends of the crest, which now barely quiver, and in the ren-

dering of the profiles there is a strong suggestion of Nos. 71-74. These last dies

are the direct successors of No. 61 of the cicada emission. Note the close resem-

blance of Nos. 61 and 73-74. All five obverses are distinctive in the hard, grim

cast of the features and the curtailment of the helmet ornament (especially

noticeable in No. 74). The hair is comparable with that of Nos. 66, 68-70.

Pegasi are larger than on any of the immediately preceding issues and on

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Nos. 71 and 74 there is the lion-tailed version which characterized the Nike

issue. Indeed the general heaviness of the types and the rough correspondence

of certain details, such as the lion-tailed horses and the attenuated ornaments,

suggest that the engraver of the Nike obverses may have returned after an

absence of three years to resume his work at the mint.

In any event, the style of the diesinker who produced Nos. 71-74 of the

serpents issue is dominant in the herm emission. With regard to all aspects of

the type, Nos. 83-88 are so similar to Nos. 71-74 as to be unmistakably the

output of the same engraver. No. 89, representing a survival of the second style

of the serpents issue, is closely comparable with Nos. 79-82 and even more

clearly related to the earlier No. 67. Through the AMMft - AIO (kerchnos) and

the nOAY - Tl strikings, the style of Nos. 83-88 is carried on in Nos. 90-91

and further in Nos. 98-101; the style of No. 89 persists in Nos. 93 and 103.

We can then, I think, trace these two stylistic patterns over a considerable

The Early Period: Commentary

117

period of time. The earlier begins with the trophy striking (No. 45) and

carries through the next seven years with Nos. 47-60, 62-70, 77-82, 89, 93

and 103. The second style comes in after the first had been established for

several years, introduced on Die 61 of the cicada issue and repeated for

another four years in Nos. 71-74, 83-88, 90-91 and 98-101. Both styles die

out in the same year although both probably influenced later obverses. So

consistent is the progression that I believe one can safely regard the issues

from trophy through TTOAY-TI as a firm sequence. Conceivably AMMQ-

AIO and FTOAY - Tllg might be interchanged but the present arrangement seems

the more likely on the basis of style and, as will develop later, on other

grounds as well.

As for the miscellaneous dies which appear under AMMQ - AIO (kerchnos)

and nOAY - Tl(g|, No. 92, except for the helmet ornament, is quite close to

No. 91 and seems to have been the prototype for No. 102. Nos. 94-97 would

seem to have been executed by at least two new diecutters, unless the first is

the product of the man who worked on Nos. 34-44 and 46. There is a certain

similarity of treatment but one cannot feel confident about the comparison.

No. 104 has some affinity with No. 94 and No. 104X. is quite similar to Nos,

96-97, but Nos. 105-106 are not obviously related to any other dies.

The last three issues of the transitional group are less tightly linked in style

than the first five but they nevertheless do present several clearly-defined lines

of connection. Nos. 107-113 of the AMMQ-AIO (cornucopiae) striking have

little in common with preceding issues and would appear to be the work of a

new engraver. In the small size of his heads and the tight rendering of the hair

on most of his dies, he borrows from the diecutter of Nos. 98-101 (compare

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Nos. 101 and 109), but his profiles are entirely different. Nos. 107-110 have a

distinct pursing of the lips which gives the features an unpleasantly disdainful

cast. No. 117 of AAEI-HAIO and Nos. 125-127 of XAPI - HPA were surely

done by the same man; compare, for example, No. 117 with No. 110 and on the

other hand with No. 125.

No. 114 is very like, particularly in profile, the preceding No. 102 and also

close to Nos. 120 and 129. These dies seem to me clearly the output of a single

engraver.

No. 115 is strikingly close to No. 94 of the earlier AMMQ- AIO emission

and something of the facial expression carries over into Nos. 121-122. The last

die of the cornucopiae issue, No. 116, has no obvious prototype but it is related

to Nos. 123-124 which develop into Nos. 130-133. Nos. 124 and 132 are similar

in profile, visor decoration, helmet ornament and treatment of the crest with

the inner end brought sharply back over the outer. Nos. 118-119 bear a resem-

blance to No. 128.

n8 The New Style Silver Coinage of Athens

With the AAEI - HAIO issue there is a tendency to broaden the flans and to

enlarge the Athena heads, a trend which is followed in Nos. 130-133 of XAPI -

HP A and in later issues. The last of the transitional strikings introduces an un-

usual arrangement of the helmet ornament, which again carries over into later

dies. Instead of starting from the base of the neckguard and spreading straight

or diagonally upward, the ornament (on Nos. 127-128) comes in from the back

of the helmet and expands upward and downward.

The reverses of the eight transitional issues are more revealing than those

of the earliest strikings since they now include amphora letters and control

combinations. Type variations, however, are still fairly negligible. In general

the reverses, like those of the preceding group, are neat with letters, monograms

and symbols small and well cut; this is perhaps truer of the first three issues

than of the last five. From the strikings of AAEI - HAIO and XAPI - HPA one

finds rather more examples of ungainly owls and clumsily rendered letters and

symbols than from the earlier transitional issues but there are individual dies

of nOAY - Tl and the two AMMQ - AIO emissions which are poorly executed.

Certain variations in the treatment of the amphora are discernible during

this period. From the very beginning through the issue with monograms and

herm, the diecutters reproduce a small well-rounded vase, its neck and handles

short in proportion to the body. After the herm striking, there is a tendency

to enlarge the amphora and to make the neck and handles dominant features

of the vase. This rendering is particularly noticeable in Nos. 94a and 97c of

AMMfl - AIO (kerchnos), in many of the AAEI - HAIO reverses and in No. 130b

of XAPI - HPA. No. 122a of the trident striking shows the greatest exaggera-

tionan over-sized amphora with heavy converging lines at the neck, large

handles far apart, body squared off at the shoulder and brought down sharply

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to the foot in triangular shape. Similar representations become increasingly

common at a later period. One notices, too, in the issues after the herm that

the foot of the vase is broader and heavier than before (Nos. 97c, 109a, 122a,

128, 130b and 131c).

There are three issues of the transitional groupcicada, serpents and herm

which have amphora letters and no control combinations. Since they are so

closely bound, stylistically, with each other and with the last issue of the

preceding group (that with pilei symbol), it is clear that when controls were

first applied to the reverses, they took the form of month letters on the

amphorae.1

1 The tabulation on page 609 gives the month letters that we have for these three issues and

for the later TTOAY - Tl{0 striking. It would, however, be unwise to base any definite conclusions

on this listing inasmuch as our record of surviving reverses seems to be less complete for this

period than for any other and the gaps in the sequence of months are likely fortuitous.

The Early Period: Commentary

119

Thus far the evolution of the reverses has been logical: eleven issues without

supplementary lettering of any kind, followed by three with month letters

alone. With the next five issues the pattern breaks down. Of the twenty-one

reverse dies of the AMMfl-AlO (kerchnos) striking, twelve have no visible

lettering, three have A on the amphora, one A below, four M below and one AP

below. The earliest dies of TTOAY - Tl have strange combinations of letters,

always in the field or below the amphora: BM, MT (or TM), Ar (or TA), Er (or TE),

BA. Then there is a die with AP A below the amphora, and following it twenty-

five dies on which we find both month letters (Z, H, 0, I, M) and control com-

binations (AP, EP, ME, C<D), the first invariably in the left field and the second

always on the amphora.

For AMMfi - AIO (cornucopiae), AAEI - HAIO and XAPI - HPA no dies with

certain month letters are recorded. Control combinations (for the tabulation

see page 614) appear throughout these issues but they have been moved from

the amphora to the field. On a few dies of the last striking the monogram A/,

cut on the amphora, apparently reflects the ephemeral appearance of a third

magistrate on the coinage.

What we seem to have on these reverses of the transitional group is a series

of false starts preliminary to the establishment of the dual system of month

letters and control combinations which one encounters on all issues after that

of XAPI - HPA. Experimentation first took the form of month letters. For some

reason this was not deemed satisfactory and was, I think, abandoned under

AMMfl-AlO (kerchnos) in favor of a fumbling attempt at control combina-

tions. It may be that for a time in that year there were no controls at all. As

noted above, twelve of the twenty-one reverses have no visible lettering and

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although it is possible that the original markings have in all instances been

effaced by wear or corrosion, it seems more likely, in view of the large number

of dies involved and the good condition of some reverses which certainly bear

no traces of letters, that there were in fact a number of unmarked reverses in

this issue. If this is true, then the mint officials were reverting for an interval

to the practice of the first eleven issues and trying to get along without month

letters. Later they began to experiment with a new system of controls, of which

A, M and AP are the visible evidence. The first two, of course, may be month

letters but this seems unlikely when one studies the issue of T70AY - Tltfl

which I believe to be next in sequence.

At the beginning of that year there are eight reverses associated with Ob-

verse 102, six of them marked as follows: BM below the amphora, M left and

B below, BA below, M left and r below, A left and r below, E left and r below.

Now it is very difficult to interpret BM, BA, Mr, Er and Ar as control combina-

tionsnot only are they unduplicated elsewhere in the series but, unlike the

120

The New Style Silver Coinage of Athens

regular control combinations, two at least cannot be expanded into any word

that makes sense. One must conclude that one letter is a date and the other

the first letter of a control combination. Since the most common combinations

on later dies of TTOAY - TI are AP, EP and ME and nothing beginning with B

or r is known for this period, it seems evident that the month letters are B and

r, while A, E and M are the initial letters of the controls AP, EP and ME. By

analogy the A and M of AMMQ-AIO (kerchnos) can best be explained as

initial letters of the same control combinations, one of which (AP) is written

out on another die of that striking. In the issue of AMMQ - AIO (cornucopiae)

the control combination is still occasionally indicated by its initial letter. Three

reverses have E (presumably for EY), one has M (for MH) and two have TT (for

TTP). All other dies use two or even three letters, as do those of AAEI - HAIO and

XAPI - HPA.1

This interpolation of one issue with both dates and control combinations

within a group which otherwise uses only dates or control combinations is dis-

concerting. Logically TTOAY - Tl belongs after XAPI - HPA, at the beginning

of the issues with both month and control letters. To place it there would,

however, involve disregarding both the stylistic sequence of which the obverses

of this issue form an integral part and the parallelism between AMMfl - AIO

(kerchnos) and IIOAY - TIG0 in the use of identical single control letters during

what seems to be the earliest stage of the control combinations. Furthermore,

the placing of these combinations on the amphorae on later reverses of TTOAY -

Tl$ is an isolated phenomenon, most plausibly explained as yet another of the

trial-and-error methods attendant on the introduction of control combinations

on the coinage.

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In recapitulation, then, we have the following picture for the transition be-

tween the first and last strikings of this Early Period. Month letters were tried

for three years, after which the mint officials attempted to go back to the old

practice of no controls that had characterized the first eleven issues. Later, with

the realization that some check was needed, came a clumsy introduction of a

new control system. Controls generally were tightened during the tenure of

TTOAY - Tl with the use of both dates and control combinations. Under

AMMQ - AIO (cornucopiae), AAEI - HAIO and XAPI - HPA, the dates were

again abandoned but an increasingly elaborate series of control combinations

came into being, AMMfl-AlO with one, two and three letter combinations

providing the connection between the two earlier and the two later issues.

All control combinations employed during this period are included in the

1 There are a few instances at a later date of the use of a single letter for a control combi-

nation. The AIOQA - AIO AO striking has six examples, AHMH - IEPJ2 one, the monograms

and eagle issue three and TAAY - EXE one.

The Early Period: Commentary

121

listing on page 614. AP and ME appear first, under AMMK - AIO (kerchnos) and

nOAY - Tlta and later under XAPI - HPA. EY, MH and TTP carry through

AMMS2-AIO (cornucopiae), AAEI-HAIO and XAPI-HPA. EP, CO, HPA and

KT are isolated, the first two restricted to TTOAY - TICK and the last two to

XAPI - HPA. All four, however, appear again in later issues. Finally the peculiar

combination of ZQ and variants marks the contiguous strikings of AMMQ - AIO

(cornucopiae) and AAEI - HAIO.

Variant letter forms are found in this section of the coinage. Of greatest

interest are the different representations of zeta, the diversity being particularly

noteworthy in contrast to the orderly procedure which prevails in the three-

magistrate series. With the latter, I is used throughout the first twelve issues

and then Z is established, with one deviation, for the remainder of the coinage.

Prior to the three-magistrate sequence, there are eleven issues in which zeta

definitely appears as a date or as a part of a control combination. The renderings

are as follows:

Monograms and serpents Z

Monograms and herm S

nOAY - Tlffl Z S

AMMQ - AIO (cornucopiae) Z XI

AAEI - HAIO X I

Monograms and thyrsos X I

AIOOA-AIOAO Z I

Monograms and eagle S

KTHZI - EYMA S Z

TAAY - EXE I

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MIKI-OEOOPA S I

According to the epigraphical record, I is the form in use until about

180 B.C. after which date both I and Z appear in inscriptions. On the coins, Z

comes in by 184/8 B.C. at the latest and for the next fifteen years no preference

seems to have been shown as among Z, I and the intermediate form X (not

known from inscriptions), all three occurring in at least one instance within

the course of a single year. After the three-magistrate series begins, however,

there is greater consistency in the coin dies than in the inscriptions.

Two issues of this earliest period, FTOAY -Tlffi and AHMH -lEPfl, use the

lunate sigma in place of the usual four-barred letter on some of their dies. This

form in inscriptions is occasionally found in the fourth century but more com-

monly after c. 200 B.C. Finally, the appearance of the cursive omega in the first

monogram of 196/5 and in both monograms of 191/0 is noteworthy in that in-

122

The New Style Silver Coinage of Athens

scriptions with this rendering are not recorded earlier than the beginning of

Augustus' principate.1

The last nine issues of the Early Period are set apart from those preceding

by their consistent use of month letters on the amphorae and control combi-

nations below or in the left field. Within this group two die links and a recutting

help in establishing the over-all arrangement.

At the very beginning a common obverse die unites the issues with horse

and thyrsos symbols.2 This is significant in itself but perhaps equally important

for the opportunity it gives of testing for the first time the validity of the

general stylistic arrangement. If the pattern of interlocking obverse styles re-

vealed in these die-joined issues parallels that outlined throughout the series

thus far, then the soundness of the stylistic sequence is substantially confirmed.

This is, I believe, the case.

Returning to the accordion plate, Nos. 134-137 and Nos. 146-151 are ex-

tremely similar, both groups clearly deriving from Nos. 125-127 of XAPI - HPA.

Note the somewhat dour expression, the arrangement of the hair in a few heavy

locks drawn back and down in almost identical fashion, the visors consisting

of two thick lines with horse protomes either omitted or faintly indicated, the

crest ends following the outline of helmet and neck, and the reappearance on

some dies (Nos. 135, 150-151) of the lateral ornament which had been intro-

duced on Nos. 127-128 of XAPI - HPA. Nos. 125 and 134, 126 and 148,127 and

150 seem to me particularly close in style.

Nos. 139-142 of JFq - AYZIA may be later developments of No. 129 but the

connection is less clear than is their association with No. 152 of the thyrsos

issue. Nos. 143-145 seem definitely related to Nos. 130-131 and to the later

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Nos. 156-157 as well. The cast of the features is similar, the hair comparable

in Nos. 130-131,145,157 and the sharply turned crest terminal of Nos. 130-131

reflected in Nos. 145 and 156. For the rest, Nos. 153-155 and 158-159 of the

thyrsos striking bear no relation to preceding dies but are to be associated with

some of those which follow.

The two last dies show heavy Athena heads, relatively innocuous prototypes

of the horrors which appear in the ensuing coinage of AlOcDA - AIOAO. Among

the Apollo dies are some of the most degenerate obverses to be found anywhere

in the New Style series. Nos. 169-171, in the tradition of Nos. 139-140 and 152,

1 The dating of the various letter-forms derives from Kirchner's Imagines (2nd ed.) and

Larfeld's Handbuch der attischen Inschriften. For zeta see Larfeld p. 472; for sigma Larfeld

p. 464 and Kirchner p. 30, no. 123; for omega Larfeld pp. 481 and 484 and Kirchner p. 30, no. 123.

2 Although unpublished, this connection had been discovered by Kambanis. It is recorded

in his notes, but the order of issues is reversed. Kambanis had not noticed the A on the amphora

of the Paris coin and, therefore, placed the thyrsos striking before that with the horse symbol.

The Early Period: Commentary

123

are pleasing enough although overlarge, but Nos. 160-168 are in large measure

clumsily fashioned and gross to the point of travesty. Nos. 174-177 seem to

derive from Nos. 158-159. The features are somewhat similar as is the bunched

hair, and the heavy circle of dots on some dies further relates the two groups.

Nos. 172-173 are to be connected with Nos. 153-155, the former closest to

No. 153 and the latter resembling No. 154 in profile and No. 155 in the slightly

parted hps.

Erasure of the Apollo symbol and the cutting of AHMH over it on No. 202a

of Plate 22 ties the emission of AHMH - lEPfl to that of AIO0>A - AIOAO. The

later striking is far better in style. Nos. 178-188 were probably produced by a

single engraver, whose work owes something to Nos. 169-172 but is decidedly

superior to the general standard of the Apollo dies. Nos. 189-194 reflect an

unusual style, peculiar to this issue and to one die of the eagle striking (No. 209).

The coarse dots, slight upturn of the crest terminals and the heavy treatment

of the heads are reminiscent of the workmanship of Nos. 174 and 177. An addi-

tional stylistic link between the helmet and Apollo issues is provided by a

drachm (No. 222 on Plate 23). This bears no similarity to any other die of

AHMH - lEPfl but it is close in style to No. 176 of AIO<DA - AIOAO. Note espe-

cially the stringy hair and the profile.

No. 209 of the eagle issue is unmistakably from the same hand as Nos. 189

to 194; subsequently there is no clear indication of the work of this engraver

unless Nos. 210-211 and later dies of related character are the result of a radical

change in his technique. The highly consistent style of Nos. 178-188 of AHMH -

IEPQ breaks down with the eagle emission into a diversity of styles. Nos. 198

to 207 divide into several groupings, as indicated on the plate, whose relation-

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ship with each other and with the earlier Nos. 178-188 is tenuous although

there is a suggestion of profile resemblance in some cases (Nos. 182-183 and

203,178-180 and 202, 185-186 and 205-206). No. 207 is very similar to No. 172

of AIOOA - AIOAO. Nos. 195-197, 208 and 210-211 are not obviously asso-

ciated with anything immediately preceding but No. 197 does seem to be a

later example of activity on the part of the engraver of Nos. 125-127, 134-137

and 146151. Profiles and fleur-de-lis ornaments are the noteworthy aspects.

With the dies of the aplustre striking there are lines of direct succession

from the eagle issue. Compare Nos. 196 and 212 in profile, hair and fleur-de-lis

ornament. Nos. 198-200 are close to Nos. 217-219 and Nos. 201-202 still closer

to No. 220, the two last strikingly alike even to the details of the hair. Nos. 221

to 225 as a group bears a distinct resemblance to Nos. 205-207 (compare 223

with 207, 222 and 224 with 206). Nos. 226-227 are reminiscent of Nos. 154-155

and 173 in the delicacy of the profile and the slightly parted lips. Nos. 229-230

seem derivatives of Nos. 210-211, more with respect to the heaviness of the

124

The New Style Silver Coinage of Athens

type than to any close correspondence in details although the features of

No. 229 are not unlike those of No. 211. In the aplustre issue the lateral orna-

ment, missing for three years, returns to the helmet with No. 214.

Many of the obverses of KTHZI - EYMA are closely related to those of the

aplustre emission. Nos. 249-251 represent the last appearance of the heavy

Athena heads which have persisted through the preceding five years side by

side with the smaller and more refined renderings, No. 249 close to 230, 250 to

229 and 251 going back to 210-211. No. 245 is in the tradition of Nos. 226-227.

Compare No. 242 with Nos. 222 and 224-225, No. 239 with its prototypes 201

to 202 and 220. For the remainder, Nos. 243-244 can be associated with

Nos. 205-206 and 221-225; Nos. 240-241 may be derivatives of No. 242, and

Nos. 246-248 of No. 245. The significant dies of this issue, however, are Nos. 231

to 238. Of these, the first is very similar to No. 214 with reference to hair, crest

ends, ornament, visor and profile. Nos. 232-234 seem to be derived from

Nos. 215-216 particularly in the small size of the heads and in the visor arrange-

ment. Nos. 235-238 are, I believe, the work of the same diesinker. The style

of this engraver is of considerable import since it provides the strongest evi-

dence for placing the issues of KTHII - EYMA and TAAY - EXE in adjacent

years, and it might be well at this point to see if the extent of his activity can

be defined.

Taking the first twenty-eight strikings as a group, one notes several dis-

tinctive features of the obverse type which are peculiar to this section of the

coinage: the lateral ornament on the helmet, the omission of horse protomes

and Pegasi, and the open triangular form of the visor. This open visor is a

fairly late development. Early dies depict the helmet with one heavy or two

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light lines over Athena's brow, the horse protomes affixed in a straight row to

this base. Such a rendering is predominant throughout the New Style period.

A variant, which appears first in the issue with pilei symbol and is not en-

countered after the striking of TAAY - EXE, shows the visor opened out in

triangular fashion with the top line slanting sharply upward and carrying above

it the series of protomes.

From the issue of AAEI - HAIO on, the triangular visor becomes increasingly

common. The lateral ornament of the helmet, which appears a year later under

XAPI - HPA and continues through TAAY - EXE, is almost always found on ob-

verses with this type of visor and the instances of the omission of protomes

and Pegasi are also generally associated with it. This concentration of stylistic

peculiarities within one group of dies cut during a ten year period suggests that

we may have the work of a single engraver.

Most of the dies in question are to be found in the left-hand section of the

accordion plate, starting with AAEI - HAIO and running through TAAY - EXE

The Early Period: Commentary

125

but without representation in the issues of AlOcDA - AIOAO and AHMH - IEPQ.

The pertinent numbers are 117-120,125-128,134-138,146-151,197, 213-216,

231-238 and 252-261. Of these Nos. 117, 125-127, 134-137, 146-151 and 197

seem to me unmistakably the output of one diesinker. Note that the concen-

tration of his work comes in the issues with forepart of a horse and thyrsos

symbols, strikings which are proved contiguous by a die link. Apparently this

engraver was not with the mint during the years of AlOcDA - AIOAO and

AHMH - lEPfl and perhaps cut only one die for the succeeding eagle issue:

No. 197.

With Nos. 213-216, 231-238 and 252-261 of the next three strikings we

have another group of dies which clearly belong together although these ob-

verses present a more complex stylistic pattern than do those of the earlier

sequence. The peculiarities of technique in rendering the helmet serve to unite

the two groups, but the later heads differ from the earlier ones in facial structure

and expression to such an extent that one cannot feel certain of their common

origin. Either we have the work of two engravers, the second adopting the

mannerisms of his predecessor, or we have two distinct stages in the style of

a single artist.

This second sequence shows less consistency of style than the first. The en-

graver seems to be experimenting with his rendering of the Athena head so

that two versions appear in the aplustre and KTHZI - EYMA issues, the one

represented by Nos. 213-214 and 231, the other by Nos. 215-216 and 232-234.

Finally, however, there is a crystallization of style with Nos. 235-238 and this

carries over into Nos. 252-261 of TAAY - EXE.

These last dies are extremely close in style. Compare No. 235 with No. 255,

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No. 236 with Nos. 257, 259 and 261, Nos. 237-238 with No. 260. Profiles are

almost identical, the bold masculine cast of Nos. 238 and 260 being particularly

striking. The hair in general receives less emphasis than on other dies of the

series. Note the arrangement in two thin horizontal lines on Nos. 234 and 236,

repeated on No. 255 and to a lesser degree on No. 259. The heavier locks of

No. 237 are comparable with those of Nos. 260-261. Both varieties of visor are

represented: the type with well-defined horse protomes above a single heavy

baseline on Nos. 236, 257 and 259; the triangular form on all other dies. On

Nos. 237-238 the horses' heads merge into a straight line above the two visor

bands and on Nos. 254-255 and 260 disappear entirely. Dies 235-238 have an

upright ornament with twisting tendrils and normally a fleur-de-lis terminal

as do Dies 254-259 and 261. The other three TAAY - EXE obverses have the

lateral ornament of Nos. 231, 233-234 in the series preceding.

The association of KTHII - EYMA and TAAY - EXE is of crucial importance,

particularly to the epigraphist, involving as it does contiguous intercalary

126

The New Style Silver Coinage of Athens

years. It is most unfortunate that a die link which would prove the connection

is missing, but it seems to me that the strong evidence of style cannot easily

be dismissed. In the chronological sequence thus far outlined there have been

instances of a distinctive style reappearing after an interval of several years in

an isolated die or two of a later issue. Die 197, for example, is separated by

three years from Nos. 134-135 of the ^ - AYIIA issue with which it has its

closest affiliation. But it is noteworthy that there is no interval between issues

when both have a substantial number of dies sharing a single distinctive style.

The stylistic homogeneity of Dies 134-137 and 146-151 of the horse and thyrsos

strikings attests the contiguity which the die link proves and the same is true

of later issues which are firmly joined by the transfer of obverse dies. Nos. 235

to 238 and 252-261 present the same phenomenon of a highly distinctive style,

found on a substantial number of the obverses of KTHZI - EYMA and TAAY -

EXE and nowhere else in the series. It would seem to me extremely difficult to

maintain that these emissions should be separated in time.1

Of the remaining dies of the TAAY - EXE striking, Nos. 262-263 are related

to earlier obverses. No. 262 closely resembles No. 242 and the preceding 221 to

225 while No. 263 has something of the facial expression of Nos. 220 and 239

with also a suggestion of Nos. 240 and 245 in the way in which the ornament

on the helmet is curved out and swept over toward the Pegasus representation.

Nos. 264-271 are unlike any other New Style obverses and must surely be the

work of a new diecutter, temporarily employed at the mint during the second

half of the year 170/69 B.C.

MIKI - GEOOPA is the last issue of the two-magistrate period, joined by an

obverse die to the three-magistrate striking of HPA - APIZTOO. Here one finds

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a remarkable degree of stylistic coherence. Nos. 272-281 are indubitably the

work of a single engraver. That he was the same man who produced Nos. 262

and 263is possible; certainly he continued to turn out dies for the first issues of

the period which follows.

The nine issues at the end of the Early Period include more coins with ex-

cessively spread flans than any other section of the coinage. Heretofore, there

have been occasional examples of very large tetradrachms; in the first three

strikings of this group they are the rule rather than the exception. In the

emission of AIOOA-AIOAO there is one specimen which measures 39 milli-

meters, a record size for the New Style period. Below is a listing of average

dimensions based upon the measurements of all coins and casts from the nine

issues under discussion:

1 Bellinger (Hesperia, Suppl. VIII, 1949, p. 9) places KTHII - EYMA and TAAY - EXE in

consecutive years but does not comment on the juxtaposition of two N strikings.

The Early Period: Commentary

127

35.18

34.52

35.30

83.85

34.40

33.56

32.53

32.23

31.17

30.51

Thyrsos

AIOOA-AIOAO

AHMH -IEPQ

Eagle

Aplustre

KTHZI - EYMA

TAAY - EXE

MIKI -0EOOPA

HPA-AP1ZTOO

The picture is consistent: the first three issues very spread, the next three

somewhat smaller, then a distinct curtailment with KTHZI - EYMA and TAAY -

EXE, preliminary to the further reduction of M1KI - 0EOOPA which in turn gives

way to the small flans of HPA - APIZTOcD and other early three-magistrate

issues. It is noteworthy that in flan size as in other respects KTHZI - EYMA and

TAAY - EXE belong together.

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Reverse variations follow a pattern roughly parallel to that of flan dimen-

sions. Despite an increase in the size of the coins, the type, lettering and sym-

bols on the issues of ^ - AYZIA and A. - $ are comparable with those of the

AAEI HAIO and XAPI - HPA strikings immediately preceding. There are ex-

amples of clumsy heavy owls on exaggerated amphorae but for the most part

the representation is still relatively restrained. It should be noted, however,

that the monograms of the thyrsos striking are generally more prominent than

any earlier ones. With the issues of A1CXDA - AIOAO, AHMH-IEPQ and the

emissions with eagle and aplustre symbols, the enlargement of the type is pro-

nounced, a small bird on a modest amphora being rare. Nos. 187a, 213, 235b

and 262 have owls which are large and shaggy to the point of caricature and

such renderings are by no means exceptional. Individual reverses of these four

issues show letters and monograms exceeding in size anything else in the series.

Note Nos. 186b, 213, 243a and 258a. The second monogram of the aplustre

issue is the most complicated in the entire sequence and is rendered with the

greatest carelessness, there being six separate versions on the forty-five reverse

dies. Finally, with the reduction of flan in the issues of KTHZI - EYMA, TAAY -

EXE and MIKI - 0EOCDPA comes a reduction and refinement of the type and

lettering. There are still a few oversized owls in the KTHII - EYMA striking but

only a few. There are none of grotesque proportions in the next two emissions.

The lettering, too, is better on these three issues, especially neat in the case of

most KTHZI - EYMA dies.

128

The New Style Silver Coinage of Athens

One peculiar feature distinguishes the last four issues of this group. Through

the eagle striking, the wreath has been carefully rendered with thin natural-

looking leaves, generally neat in arrangement. Incision is sometimes present

but delicately done as in Nos. 159a, 179a and 238a. On a few dies of the aplustre

issue and on many more of KTHZI - EYMA and TAAY - EXE a new technique

appears. The leaves are disproportionately elongated and represented merely

by very heavy outline strokes enclosing an open area which is not raised above

the surface of the flan. The obvious advantage of such a rendering from the

point of view of the engraver readily explains its popularity. The new tech-

nique characterizes a large number of the dies of KTHII - EYMA and TAAY -

EXE, persists into the emission of MIKI - 0EOct>PA but with less exaggeration

and then vanishes with the coinage of HPA - APIZTOO as convenience yields

to artistry. Nos. 258d, 272a, 280a, 290a, 293, 294b, 321b and 322a among other

reverses illustrate this highly individual treatment.

The amphora letters and control combinations which appear on these nine

issues are not particularly revealing. The former show greater variety than those

of earlier issues but again there is a question as to whether any valid deduction

can be drawn from the absence of certain month letters in any given year in

view of the number of reverses on which the letters are invisible or uncertain.

Control combinations are extremely varied. All but Zfi of the preceding

period continue in use and ten new ones are employed, many of them peculiar

to this section of the coinage. The striking of AHMH - IEPQ alone has thirteen

different controls, the greatest number for any single New Style issue. In only

one instance, that of the eagle and aplustre emissions, is there a recurrence of

identical controls in contiguous issues. Otherwise, as the tabulation on page 614

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shows, there seems no clear-cut pattern. EY, ME, TIP and IO have the highest

incidenceof these ME and Z<D continue to be used for the early issues of the

three-magistrate series, FTP reappears later and EY vanishes. AN, ATT, Al and

HP are of less frequent occurrence in this period, but the last three become

quite common at a later date. Other combinations (MO, 6Y, EMO, ENO, TIT and

KE)1 are rare at this time and not repeated afterwards. This erratic picture with

regard to the control combinations is in marked contrast to the consistency

which distinguishes the three-magistrate series.

Recutting of both amphora letters and control combinations occurs for the

first time in this section of the coinage. There is one probable instance in the

issue of ^-AYIIA and certain examples in the strikings of AIOOA - AlOAO,

AHMH - IEPQ, TAAY - EXE and M1K1 - 0ECKDPA.

1 NE, found on No. 216, is apparently a transposition of EN. M<t> and E<D would seem care-

less renderings of EMO. ENO and EMG> are surely expansions of EN and EM. It is possible that

EN<D, a strange combination, is merely a mistaken version of EMcD.

The Early Period: Commentary

129

Considering now the twenty-eight issues of the Early Period as a whole,

the evidence for their chronological arrangement rests basically upon a suc-

cession of interlinking obverse styles which provides a consistent pattern from

beginning to end. At certain points the sequence is verified or supported by

evidence from die links, recutting, hoard data and reverse variations.

Use of the same obverse die places the ^ - AYZIA and thyrsos issues in

consecutive years; a like phenomenon fixes the position of MIKI -0EOOPA at

the end of the Early Period joined to HPA - APIZTO<D of the three-magistrate

series. The cutting of AHMH over the Apollo symbol of AlOOA - AIOAO makes

those strikings contiguous.

Three hoards, discussed in greater detail in the section on Hoards, establish

the chronological relationship of some issues within the general group. The

Anthedon Hoard unites the first four New Style strikings. The Attic Hoard

of drachms, which contained nine tetradrachms in a highly comparable state

of preservation, indicates that the emissions of AAEI-HAIO, AlOcDA -

AIOAO, AHMH-IEPfl, *- and KTHZ1 -EYMA are not far separated in

time. Finally, there is the Salonika Hoard of 19291 with about 800 New Style

tetradrachms, all coins of TAAY-EXE, MIKI - 9EOOPA, HPA - APIZTOcD,

MENEA-ETmTENO, TIMAPXOY - NIKAm and TTOAYXAPM - NIKOr. As Bel-

linger points out in his study, the presence of only six issues in so large a deposit

strongly suggests that they belong together. Four of the strikings are of the

three-magistrate period, one (HPA - APIITOO) connected by obverse dies with

the emission of MIKI - 0EOOPA. The other two-magistrate issue, that of TAAY -

EXE, should then immediately precede MIKI - 0EOOPA, which is exactly where

the stylistic sequence places it.

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Evidence from reverse variations and style is somewhat tenuous but there

are general indications of chronology. The evolution of the owl's plumage over

the first eleven issues of the coinage helps to confirm the validity of the stylistic

evidence provided by the obverses. At a later period the peculiar technique

used in the rendering of the wreath unites KTHZ1 - EYMA with TAAY - EXE and

associates the two issues with the earlier aplustre emission and the later striking

of MIKI -GEOOPA.

In concluding this discussion of the Early Period, mention should be made

of three noteworthy consequences of the present arrangement of the issues. The

first concerns the intercalary years on the coinage and particularly the occur-

rence in successive strikings (171/0 and 170/69 B.C.) of N letters on the am-

phorae. There is among epigraphists a diversity of opinion as to the conjunction

of intercalary years. Dinsmoor states his position categorically in his intro-

1 S. P. Noe, A Bibliography of Greek Coin Hoards, NNM 78, No. 899.

130 The New Style Silver Coinage of Athens

duction to The Athenian Archon List in the Light of Recent Discoveries (pp. 13

to 14) when he proposes as a guiding rule the axiom that "the Athenians never

placed two intercalary (long) years in immediate juxtaposition." Meritt on the

other hand regards 415/4 and 414/3 B.C. as alike intercalary in his publication

of Athenian Financial Documents of the Fifth Century (p. 176) and Pritchett and

Neugebauer (The Calendars of Athens, p. 76) raise the possibility that both

176/5 and 175/4 were intercalary but suggest a suspension of judgment on the

character of the two years pending additional evidence.

Clearly the evidence of the coinage for contiguous intercalary years in 171/0

and 170/69 B.C. is of considerable importance and this evidence is accepted by

Meritt and incorporated in his recent study of the Athenian calendar.1 More

detailed reference to his correlation of numismatic and epigraphical data re-

garding intercalary years in the second century will be made in the section on

Amphora Letters at the end of this volume, but it seems pertinent to emphasize

here that the evidence for contiguous intercalary years is one of the significant

contributions of the early New Style issues.

A second consequence of the present study as it relates to the early coinage

is the elimination of the die link between the issues of KTHII - EYMA and

AHMH - lEPfl, published in the 1928 volume of Arethuse (pp. 182-133). Kam-

banis does not illustrate the connection of the two strikings but his references

to Svoronos' plates identify the tetradrachms upon which it is based: a Cam-

bridge coin on Plate 42, No. 4 and one of uncertain provenance on Plate 41,

No. 4.2 Attempts to associate these issues on the basis of obverse style proved

frustrating. There seemed little stylistic connection between the two emissions

save, of course, for the one mutual die. As between style and die link there is

certainly no ground for argument but nevertheless this did represent an irri-

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tating anomaly in what was otherwise a consistent stylistic pattern. Then, in

going over the notes and folders compiled by Kambanis, I found a reference

to the possibility of an error on Svoronos' plates which would invalidate this

linking of the two issues, and subsequently the photographic record of the

Berlin coins provided decisive proof of the error which Kambanis had suspected.

The fourth coin on Svoronos' Plate 41, not identified as to source and with

no weight given, is reproduced in juxtaposition to a AHMH - lEPfl tetradrachm

from Berlin (Plate 41, 3). If one examines these two coins it is apparent that

the reverses are not only from the same die but are in fact the same coin. The

correspondence in flan placement is too great for one to suppose that different

1 B. D. Meritt, The Athenian Year, pp. 180-184.

a There is an element of slight confusion in Kambanis' equation of the AHMH - lEPft coin

on his Plate XXIII, 6 with Svoronos' Plate 41, 4. Actually Kambanis illustrates Svoronos'

Plate 41, 3.

The Early Period: Commentary

strikings produced such identity. Svoronos' uncertainty as to the provenance

and weight of No. 4 together with the circumstance that there is a Beirut tetra-

drachm (No. 206a) from the same pair of dies as Plate 41, 3 makes it clear that

this obverse-reverse combination is correct while No. 4 represents an erroneous

duplication of the reverse of No. 8 coupled with an alien obverse.1 From the

Berlin record it can be established that the obverse in question belongs with

the reverse of Svoronos' Plate 42, No. 5 and is, therefore, a part of the KTHZl -

EYMA striking.2

Lastly, as has already been pointed out, the sequence of early emissions

disproves the theory of a clear-cut division between monogram issues and those

with abbreviated names. The names of the magistrates of the first fourteen

New Style strikings are inscribed in monogram on the coin dies. Thereafter the

practice is to substitute the initial letters of the official's name for a monogram

but within the abbreviated names series there are three instances of reversion

to monograms, and this inconsistency, although of minor importance, is none-

theless puzzling. Not that inconsistency is remarkable in this period. It occurs

in the use of symbols and in the fumbling attempts to introduce a precise

control system, but the former is an insignificant variation which recurs spo-

radically in other sections of the coinage and the latter presumably reflects an

uncertainty as to the relative merits of diverse control methods. The shifting

back and forth between names and monograms seems a rather different matter.

Once the practice of using abbreviated names had been established one would

expect it to continue since it clearly represented a gain for magistrate and en-

graver alike. Surely the greater prominence and intelligibility of letters as

opposed to a monogram would gratify the mint magistrate, while the relative

simplicity of rendering letters instead of composing and executing a monogram,

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especially one of the complexity found at the end of this period, would find

favor with those concerned with the technical aspects of the coinage. Why then

the interpolation of three monogrammatic issues in the abbreviated names

series?

There is an explanation which does introduce an element of logic into this

erratic procedure, namely that monograms were used to avoid confusion be-

tween the issues of magistrates whose abbreviated names would have been

practically the same or exactly alike. Perhaps there had been some difficulty

involving the two strikings ofAMMQ-AIOat the beginning of the abbreviated

1 Another example of an error on this same plate is Svoronos' No. 8 from the British Museum.

The obverse is that of BMC 366 and the reverse of a different coin, BMC 368. Certainly with the

mass of material involved, it would be astonishing if a few such mistakes had not happened.

* The obverse of No. 5 on Plate 42 is coupled with a reverse not illustrated by Svoronos:

No. 26gf of the present catalogue.

132

The New Style Silver Coinage of Athens

names sequence and it was felt desirable that there be clear differentiation on

later occasions.

It must be borne in mind that the practice in writing the abbreviated names

during this period was to use the first three, four or five letters of the word,

ending always with a vowel. The first interpolated monogram issue is that of

the one name possibly to be interpreted as AYIIK... and the second

almost certainly as AIOKA... In accordance with established procedure the

abbreviations would be AYII -AlO. The second magistrate of the issue just

preceding was AYIIA and a AlO had held office for two strikings earlier in the

series.

Even clearer is the case of M - t>i. Here there can be no doubt but that the

first monogram stands for Demetrios and the second probably should be re-

solved as Dionysios. The abbreviated forms would be AHMH - AlO (or AIONY),

capable of being confused with AHMH of the issue just preceding and with the

AlO of earlier emissions. For the aplustre issue, the second monogram is quite

uncertain but the first definitely seems to start XAPI or XAIPI. If the former

is correct, use of letters would have involved a duplication of one element of

the XAPI - HPA combination.

It is, of course, quite conceivable that nothing more complex than personal

preference was responsible for the determination of the form of the individual

names.1 However, it is noteworthy that after AMM2 - AlO there is no dupli-

cation of abbreviated names and hence no ambiguity as to magistrates or issues

such as might have been the case if the thyrsos, eagle and aplustre strikings

had used letters instead of monograms.

1 It is hard to see what other explanation there could be for the three hybrids. The sub-

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stitution of OANI for fa is seemingly pointless. TTOAY-TIJB and AYZIA, despite their

monogrammatic flourishes, are basically abbreviated names.

CATALOGUE OF THE MIDDLE PERIOD

HPA - APIZTO<D CLUB, LION'S SKIN, BOW IN CASE 168/7 B.C.

(Plates 83-84)

Tetradrachms

324.

(Club alone) nOAYX A *Paris, gr. 16.60f

330.

331.

ra.

nOAYX

Vienna = Egger XL (Prowe) 955, gr. 16.00;

Berlin, amphora letter uncertain, gr. 16.79

|b.

nOAYX

*ANS-ETN (Salonika Hd.), gr. 16.28f; Pet-

salis, gr. 16.40f

1 c-

MENEA

AN

*ANS-Gautier, gr. 16.76 \; Athens, gr. 16.81 \

|d.

MENEA

AN

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Empedocles Coll.

1 e-

MENEA

HP

London (BMC 334), gr. 16.70f

1 f-

AHMH

AN

Cahn 68, 1345, gr. 16.57

La.

nOAYX

Athens

b.

MENEA

HP

Mtinz. u. Med. List 154, 35, gr. 16.53; Athens

(Delos Hd. T, 134), gr. 16.65

c.

MENEA

AN

Ratto (Rogers) 356 = Sv. 45, 2, commerce,

gr. 16.70

d.

MENEA

TA

Copenhagen (SNG 215), gr. 16.65f

e.

MENEA

TA

Cambridge (Grose 5906), gr. 16.19f; Berlin,

gr. 16.25

f.

AHMH

134

\ , 5

333.

334.

-1>. /

. ?

* ., . 16.98; (5.45,1),

. 16.25; ' () 608 = &

XVI, 1222 = VI, 275, . 16.80

, . 16.88 \

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( . $, 20), . 15.60|

(5. 45, 5), . 16.70 \

( . , 136), .16.70|;

, . 16.85

& (5. 45, 6), . 16.80;

., 33. &

. (&, .), . 16.40 \

, . 15.88 \

, . 16.27

) 1120

. 16.69

& 10, 259 = (-

= , . 1909, 2937,

335.

336.

(1.

{.

. [

). ?

* (& 49), . 16.14;

90, 239, 15.90

* (5. 45, 7), . 16.80|

*5- = () 1601, . 16.74 \

1954

, . 16.56|

, . 16.67|; . (

, : ,

135

337.

338.

339.

5.

0.

\>.

4>.

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6.

1.

* (5 217; 5. 45, 8), . 16.74!

( .), . 16.51!

. (& .), . 16.80!

* ( 1103), . 17.01;

(& .), . 16.41!; 5 (

2088; 5. 45,9), . 16.80!; 1954,

. , . 1958, 89; . &

., . 15.63

( . , 98; 5. 45,10), . 15.75

*5-, . 16.07!

*&5 ( 2084; 5. 45,11), . 16.76!

& .; ( .),

. 16.87!

( .), . 16.47!

(5. 45, 12), . 16.65!

*5- ( .), . 16.67!;

. ., . 16.42

*5-, . 16.32!

136

342.

3..

0.

1>\)

343.

344.

&.

( ) .

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( .

01>)

( .

() .

() 6.

( .

( . ?

1\>) (55. )

345.

346.

( .

>)

( 1>\) \).

() .

() .

\).

: 137

0.

(1

()

0.

))

, ( 837), . 2.03

, . 1.91

(5. 45, 20), . 1.78

& (5. 45, 21), . 1.99

84 : 12 , 56

42 : 5 , 21

8 : 1 , 6

: , , , -

, , , , , ,

, ,

: , , , , , , , , , , ,

: , , 1

6 - 3.

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& , .

( .

3. ^ &3.

&& : , & .

3.11 338, !

. .2

\ '

& . 324 & .

\ \ ' 3 . -

, ,

1 & ,

' & . 5 &11

35 & . ^

. 336 (5 26 \ & ?) \

13; (. 33>) 3 1 ^6 -

, 33

2 ( 658-708) ^ 1

- -& .

\ 4 , \ \ &-

3 &

\ &

^ \ \

- 3.1

3. , 3.1. 1>

, , .

138 \ , -

15 , \

, .

-3.3. <1

. & \

\ ^- -

. 1>1\

, , -

. &1 ^

- - 3

, 1) 353. .

&5 53.1 -&3.

53.1)1 " 35 3 ^-

& 3. . 1 &11 ^&,

\ ^, 3.

& .

- 505 167/6 ..

(, 35)

347.

>.

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348.

*&5 .

5-, . 16.21|

, . 16.17; , . 15.80 ()

(5. 49, 1), . 16.78; , &1

, . 16.86^

., . 16.68|

1954

. ( .), . 16.02|

84, 805, . 16.65

., . 16.68|; , . 16.45|

., . 16.75; (50 240),

, . 16.61|

& .

( 2105), . 16.70|

(5. 49, 8), . 17.08

;.

).

, :

139

).

349.

350.

351.

1.

1*>

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<*

1-1).

0.

6.

{.

8-

140

\ - , 5

353.

*.

| 1>.

1-

354.

355.

1.

1.

<1.

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|.

: ,

- .

&5, . 16.58 \

( 450; 5. 49, 18), . 16.67|

5 5

356.

()

\>. ?

357.

(-

1)

).

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-. ?

. ?

. ?

- . ?

6-

*5 ( .), . 4.291"

, . 8.67

&5; . (5. 49, 4)

5-, . 3.791; ( .),

, . 4.11 \; 5&13 ., -

&, . 4.10 \

5 ( .), . 8.95|; ( .),

. 4.16; ( .), . 4.05|;

= \ 8520 (5. 49, 15), . 4.13; , .

1933, 120

( 446), . 4.03; , . 8.92

, 189 ( .), . 4.80|

. (5 1945), &. 8.87

*5 ( .), . 3.94 \; , . 3.59;

& .,

( . , 124; 5. 49, 14) . 8.80

( .) 2017, . 4.28

( . , 127; 5. 49, 16), . 8.55;

, . 4.00

, . 8.99

= () 1180, . 4.15;

(8. 49, 17), , . 8.90;

( 447), &, &. 8.76; &

., , . 8.76

5 ( .), . 4.07; , ;

& (5 241), &,.8.84|1.

\ /: (5 242), -

, . 8.56|

1 {5 1>1\ ( 5% & ) \1

6 &\5 5 3 .

142

\ 5. 5

358.

() .

() >. ?

*5 ( .), . 4.18|; { 449),

&, . 8.92; 1196 (. 49,

18) = (&^) 157, &,

\ 4.09; ( .), ,

. 4.07 \; , , .

8.91; , , . 4.01;

( 1290), &, . 4.19|

(5. 49, 19), &. 4.15

359.

5.

0.

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(5. 49, 5), . 2.00|

(& , 56 3285), . 2.03|;

& (5 248; 5. 49, 20), &. 1.90;

. ., . 2.15

{ 452), . 2.01

1. ., . 1.85; (5. 49,21),

. 1.89; 5-, . 1.95|; , . 1.89

5-, . 1.87!

( . , 129; 5. 49, 22), . 1.90

101 3.: 9 , 63

40 &: 8 , 15 <

11 &: 1 , 6 (

^: , , , -

, , , , ,

, , ,

: , , , , , , , , , , ,

: , , , , , ,

& (3 659), 3. &

^ & &

3 1\ . 51, -, &

. &3 3. 1

. - 3.

& . -

- .

3. 1\

(.. II2 1835 2314) .

143

^. -. 3 ,

3 31 331 3 &

& & . \ 3

& - , \

&'

3 & 3.

- . 11 & -

& , & \11

31 & \ & ,

, .

- 5 166/5 .

( 86-37)

/5

360.

*5-, . 16.62^; &, .

16.05 (); XVI, 1228 = &11

VI, 279, . 16.90; , . 16.10 (1. ?)

\; 63. (5. 50, 1,

361.

5.

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5-, . 16.41 \; , . 15.58

(); 71, 342, . 17.01

*(1 (. .), . 16.77|

., . 16.85 \

. (51 .), . 16.59 \;

(& .), . 15.78 (-

) \; , . 16.61 \

362.

;.

\3.

0.

* (5. 50, 2), . 16.80

71, 841, . 17.88 (- -

); :, . 16.41

& (56 246), . 16.88|

144

\ , - 5

363.

364.

365

4>.

0.

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6-

() ).

() .

, :

145

368.

1>.

() .

6.

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{ 508; 5. 50,10), .16.78|

, . 16.80; 13.6-0 ()

208, . 16.58

., . 16.59|; .

(5 1987), . 16.74|

( . , 229), . 16.55 \

., . 16.55 \

5-, . 16.68|

(5&11& .), . 16.91

.; 5, &13.

, . 16.51|

(&1&& .), . 16.81|

, . 16.82

369.

()1

( -

( 1>.

51)

146

The New Style Silver Coinage of Athens

c. Symbol r.

d. Symbol r.

e. Symbol r.

(TIMA-

NIK)

372.

(23, III)

r f. APXE

rg. APXE

(TIMA-

NIK)

373.

(IV)

(Star)

TIE below

nE below

? below

TIMAP - N1KA

London (BMC 294), gr. 8.62

ANS-ETN, gr. 8.86 (corroded) \; Copen-

hagen (SNG 128), gr. 8.72/

London; Wilkinson Coll. = Lockett Coll.

(SNG 1944) = Naville (Pozzi) 1596, gr.

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3.97f; Baltatzi Coll. (Sv.84, 28), gr.4.12

ANCHOR

ANS (Attic Hd.), gr. 4.24 \; London,

letter uncertain, gr. 8.75

Copenhagen {SNG 247), gr. 8.86I1

lin, gr. 8.68

Ber-

NO MAGISTRATES GRAIN-EAR

a. Symbol r.

MH below

b. Symbol 1.

c. Symbol 1.

ATI below

? below

London {BMC 293), gr. 4.03; Paris; Noe

Coll., gr. 3.76f; ANS (Attic Hd.), gr.

4.18 \; ANS (Attic Hd.), gr. 4.24f; ANS

(Attic Hd.), gr. 4.27f; Athens (Sv.84,27),

gr. 8.48; Athens (Delos Hd. B, 9; Sv. 34,

29), letters uncertain, gr. 8.85

Berlin, gr. 8.88; Athens (Delos Hd. B, 5;

Sv. 84, 81), gr. 8.75f

Berlin (Sv. 84, 80), gr. 8.88

TIMAP - NIKA ANCHOR

1 Ld-

APXE

L e.

APXE

f.

MENA

g-

MENA

h.

KAE

(PANO

Paris (Sv. 50, 18), gr. 4.14; Athens, gr.

8.75f; ANS (Attic Hd.), gr. 4.26f; London

The Middle Period: Catalogue

147

Hemidrachms

374.

(24)

NO MAGISTRATES GRAIN-EAR

Symbol r. *Berlin (Sv. 34, 32), gr. 1.73

TIMAP - NIKA ANCHOR

375.

(V)

a. AQP

b. Iflll

(TIMA-NIK c. APX

No anchor)

* Athens (Delos Hd. B, 160; Sv. 50, 17),

gr. 1.87|; Berlin, gr. 1.90

Naville (Bement) 1131, gr. 2.01

Athens (Delos Hd. B, 159; Sv. 50, 16),

gr. 1.88f; Berlin, gr. 2.01

66 tetradrachms: 9 obverse, 42 reverse dies

46 drachms: 5 obverse, 19 reverse dies

6 hemidrachms: 2 obverse, 4 reverse dies

Magistrates: AQPOO, MNAZIK, AM<DI-

KPATI, ZflZirE, MENAN, AYIIA, APXEZ,

MENAN APOZ, KAEQN, ANTIOXOI,

OANOKAE

Months: A, B, T, A, E, Z, H, 0, I, K, A

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Controls: ME, IO and An, MH, TIE on the

grain-ear drachms

This issue shows no overlapping of third magistrates unless MENANAPOZ (0)

is the same as MENAN (E). Coins were struck from alpha through lambda with a

relatively consistent distribution of obverse dies over that period. Two control

combinations, ME and I<D, appear throughout the year on the tetradrachm re-

verses.

The peculiar interest of the emission derives from the circumstance that

both regular and grain-ear drachms were issued under TIMAPXOY - N1KAI~0.

Use of the same obverse dies for the two types of fractional coinage proves their

contemporaneity; otherwise there are no points of similarity. The regular

drachms are identical with the tetradrachms of Timarchos and Nikagoras in

most respects. The grain-ear fractions have no magisterial names, no month

letters, a different symbol and different control combinations. Obviously they

represent a special currency unrelated to the normal pattern of small change

during the New Style period, the significance of which may, it seems to me,

best be explained in terms of grain distribution. It is quite likely that the Se-

leucid device adopted as the symbol of this issue is indicative of the source of

the grain.

148

The New Style Silver Coinage of Athens

nOAYXAPM - NIKOr WINGED CADUCEUS 165/4 B.C.

Tetradrachms

(Plate 38)

368.

376.

377.

378.

379.

AHMOS0E

B/A

A!

a.

AHMOZ0E

B/A

Al

b.

AHMOI0E

B/A

XD

rc.

AIANT!

XD

|d.

ME

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(DIAOAO

AIANTI

XD

a.

(DIAOAO

ME

b.

AnOAAflNIA

ME

c.

ATTOAAflNIA

Al

d.

AIONYIIOY

Al

e.

AIONYIIOY

I(D

f.

GEMIETOKAH

Al

g-

GEMirrOKAH

Al

h.

EMIZTOKAH

Al

i.

EMIZTOKAH

The Middle Period: Catalogue

149

380.

f.

OEMIZTOKAH

ME

g-

0EMIZTOKAH

ME

(XAP) h.

GEMIZTOKAH

ME

i.

0EMIZTOKAH

ME

GEMIZTOKAH

Al

k.

KAPAIXOY

2<t>

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1.

KAPAIXOY

ME

m.

nPOTIM

ME

n.

nPOTIM

A!

ro.

nPOTIM

ME

1a-

KAPAIXOY

Al

4>.

nPOTIM

ME

c.

nPOTIM

4!

d.

nPOTIM

io

e.

nPOTIM

ME

f.

AQPO0E

Al

Uncertain1

London (Sv. 49, 28), gr. 16.88f; ANS =

Naville (Bement) 1128, gr. 16.67t; Is-

tanbul, gr. 16.77f

i5o

The New Style Silver Coinage of Athens

b. AION E

c. OEM?

(nOAY) d. npo?

*ANS (Attic Hd.), gr. 4.20f; Hamburger

(von Kaufmann) 250, letter uncertain,

gr. 3.90; Copenhagen {SNG 245), letter

uncertain, gr. 3.78f

Athens (Delos Hd. A, 80; Sv. 49, 33),

gr. 4.00; Petsalis Coll., gr. 8.98t

Berlin (Sv. 49, 32), gr. 8.91

T10A-NI NO SYMBOL

Hemidrachms1

382.

a. An

(nOAY) b. 0E

London (BMC 495), gr. 1.91; L. Mele-

topoulos Coll., gr. 1.77; Romanos Coll.

(Sv. 49, 85), gr. 1.94

Athens (Delos Hd. B, 146), gr. 1.90|

49 tetradrachms: 6 obverse, 85 reverse dies

11 drachms: 2 obverse, 6 reverse dies

4 hemidrachms: 1 obverse, 2 reverse dies

Magistrates: OAN(OKAE), AHMOZOE,

AIANTI, (DIAOAO, AnOAAftNIA, AIO-

NYZIOY, GEMirrOKAH, KAPAIXOY,

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nPOTIM, AQP09E

Months: A, B, T, A, E, Z, K, A, M (?)

Controls: Al, ME, ZO

Two obverse dies (Nos. 368 and 373 as illustrated on Plate 87) are carried

over from the preceding year, thus establishing the contiguity of the issues of

TIMAPXOY - NIKArO and nOAYXAPM - NIKOr.

In contrast to earlier three-magistrate strikings, this emission is light and

the distribution of coinage spotty. No reverses are recorded for months H, 0

and I. M is not certain but a Berlin tetradrachm (Sv. 49, 31) with A2P09E

seems to show a later stage of the obverse die than specimens with KAPAIXOY

and nPOTIM reverses, indicating that Dorotheos held office in M or N. In the

present catalogue OAN(OKAE) is known only from drachms dated A in the

Berlin and London Cabinets. Sundwall, however, lists two tetradrachms in-

scribed QANOKAE: from a publication by Engel (RN, 1885, p. 19 with A on the

amphora) and from the von Prokesch-Osten Collection. Neither piece can be

checked but there is no reason to doubt the readings, confirmed as they are

by the drachms.

1 The Athens hemidrachm which Svoronos includes with this issue (Plate 49, 36) belongs

with the coinage of Polemon and Alketes.

The Middle Period: Catalogue

151

On the evidence available, QANOKAE struck briefly in A, AHMOZOE in A

and B, and AIANTI in B. Thereafter, a single third magistrate is associated with

each month. A heavy concentration of coinage occurs under Themistokles with

at least four obverse and sixteen reverse dies in operation during zeta. One of

the two tetradrachms dies used by Themistokles (No. 879) is remarkable for

its durability; some fifteen different reverses are combined with it over a

period of four months.

AQPOOE - AIOO FOREPART OF LION 164/3 B.C.

Tetradrachms

383.

384.

(AflP

AGE

O0E)

385.

386.

a.

b.

c.

d.

e.

b.

c.

AIOKAE

AIOKAE

ME

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(Plate 89)

London (Sv. 46, 15), gr. 16.96 \; Athens,

gr. 16.75 \

*D

London, gr. 16.70f; Copenhagen (SNG

225), amphora letter uncertain, gr. 16.71f

Al

Andreopoulos Coll.

ME

Empedocles Coll. = Weber 8516, gr. 16.59

ME

Berlin, gr. 16.49; Athens, control letters

uncertain, gr. 16.59 \

A Al Zygman Coll. = Schlessinger (Hermitage 2)

981 = Sv. 46, 16, gr. 16.98 \

A Al ANS-ETN (Halmyros Hd.), gr. 16.95f

A(?) Al Glasgow (Hunt. 106), gr. 16.88f

d.

Evelpidis Coll., gr. 16.70; Berlin, gr. 16.70

e.

AIOKAE

Al

Berry Coll., gr. 16.89 \

f.

AIOKAE

Al

Ciani, Dec. 1921, 59

g-

AIOKAE

ME

Berlin (Sv. 46, 17), gr. 16.91

a.

AIOKAE

152 The New Style Silver Coinage of Athens

388.

c.

AHMHOYAI

ZO

"Cambridge (Leake Coll., SNG 3205), gr.

16.73|

d.

AHMHOYA!

Z4>

Berlin, gr. 15.71 (worn)

a.

AHMHOYAI

Paris (Sv. 46, 18), gr. 16.83t

b.

AHMHOYA

ME

Paris, gr. 16.34 (pierced) \

a.

AHMHOYA

zd>

b.

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Romanos Coll. = Weber 3517, gr. 16.90

AHMHOYA

AI/?Z(D

Bucharest, gr. 16.72

c.

AHMHOYA

zo

London (BMC 390), gr. 16.82f

d.

NIKOAQ

Al

Commerce 1956; Athens, amphora letter

uncertain, gr. 16.05 \

,-e.

NIKOAQ

Al

Gotha, gr. 16.41

rU

NIKOAQ

ME

Commerce (Kessab Hd.)

Mg-

AIZXINHZ

ME

Florange-Ciani (Allotte de la Fuye) 407,

ll

II

gr. 16.50

II

1 L*.

NIKOAQ

Al

Paris (de Luynes 2113; Sv. 46, 19), gr.

17.00t

L b.

The Middle Period: Catalogue

153

f. ANTIAOX

g. ANTIAOX

h. ANTIAOX

M ME

? Al

??

Paris, gr. 16.77 \

Ratto (Rogers) 359, gr. 16.88

Berlin, gr. 16.72

Drachms

391.

(AflP) a.

(AQPO0E- b. AIOKAE

AIO(D)

(AGP) f-c. AHMOY

Afl - AIO

392.

a. AHMOY A

(AfiP) Lb. AHMOY?

393.

AHOY

394.

a. NIK

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(AflPO b. All

Lion's

head)

c. AIO

d. XAP

Athens (DelosHd. B, 73; Sv. 46,25), gr. 4.08f

Berlin (Sv. 46, 26), gr. 4.22; London

{BMC 392), gr. 3.71; Berlin, gr. 8.67

Berlin, gr. 3.91

ANS (Attic Hd.), gr. 4.25f; Berlin (Sv.46,

27), gr. 4.21; Athens (Salamis Hd.), letter

uncertain, gr. 3.95 \

*ANS, gr. 4.05f; Cambridge {SNG 8234),

gr. 8.78I1

Paris; Schlessinger (Hermitage 2) 961,

gr. 4.00

Athens (Sv.46, 28), gr.4.00; Totten Coll.

ANS (Attic Hd.), gr. 4.27f; London, gr.

3.89; Paris; Commerce (Attic Hd.), gr.

4.14f; Vienna, letter uncertain, gr. 3.81;

Modena (Sv. 46, 29), letter uncertain, gr.

4.00; Berlin, letter uncertain, gr. 3.89

*Berry Coll., gr. 4.17f; Berlin, gr. 8.88;

Berlin, gr. 4.07; Glasgow (Hunt. 107), gr.

3.97; Commerce 1959, gr. 4.11; Athens

(Sv.46, 80), letter uncertain, gr. 4.17;

Paris, letter uncertain; Budapest = Hirsch

(Weber) 1718, letter uncertain, gr. 8.99f

Berlin (Sv. 46, 81), gr. 3.90; Paris; Com-

merce (Attic Hd.), letter uncertain, gr.

4.14f; L. Meletopoulos Coll., letter un-

certain, gr. 3.95; Petsalis Coll., letter un-

certain, gr. 8.35 \

1 The amphora letter is read as E in the Sylloge. This is possible but I think not entirely

certain.

154 The New Style Silver Coinage of Athens

(AQP) e. ANT M ANS (Attic Hd.), gr. 4.17 \; Athens (Delos

Hd. B, 72; Sv. 46, 82), gr. 3.58

AS - Al NO SYMBOL

Hemidrachms

395.

b. Al

c.

Athens, gr. 1.75 \

*ANS-ETN, gr. 1.70f

XA Athens, gr. 1.751

58 tetradrachms: 8 obverse, 48 reverse dies

36 drachms: 4 obverse, 10 reverse dies

3 hemidrachms: 1 obverse, 8 reverse dies

Magistrates: AIOKAE, AHMHOYAI, NIKOAfi,

AIIXINHZ, AIONY, XAPMI, ANTIAOX

Months: A, B, Y, A, E, Z, H, 6, K, A, M2

Controls: Al, ME, Z<D3

Comparatively few tetradrachms are known for this issue but the output of

drachms is quite extensive. Although all months except I are represented,

coinage seems to have been concentrated at the beginning and the end of

the year.

The sequence of magistrates is highly irregular. All seven reverses for alplia

are uninscribed; apparently there was no third official functioning during the

first month of this emission. AHMHOYAI served for four consecutive months

(r-Z) while AIIXINHZ took over from NIKOAfl in H and continued in office during

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9. In the form AHMHOYAI we have another attempt at precise identification

similar to that of NIKOI~NE three years earlier. The addition of the patronymic

OYAI(AAOY) must surely have been intended as a way of distinguishing this

Demetrius from another man of the same name.

Three control combinations are in use throughout the issue: A I, ME and Z<J>.

These are identical with those employed by nOAYXAPM - NIKOr.

1 This coin is illustrated by Svoronos (Plate 52,17) with the issue of AIONYZI - AIONYZI.

a Sundwall lists a Berlin coin with N on the amphora, our No. 389L The letter is poorly cut

but it is almost certainly M.

3 TIE and ZO appear in Sundwall. Kambanis' notebook queries both readings and it seems

to me likely that the combinations are in reality ME and 2ft>.

The Middle Period: Catalogue

155

ANTIOXOZ-NIKOf ELEPHANT 168/2 B.C.

Tetradrachms

(Plate 40)

396.

397.

a.

ANTIAOX

ME

rb.

ANTIAOX

ZQ

1 c-

NIKQNH

ME

ANTIOXOZ

|d.

ABPQN

ME

1 e-

EIPHNA

1 f-

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ME

EIPHNA

ME

ANTIOXOZ

La.

ANTIAOX

ZQ

b.

ANTIAOX

ZQ

c.

NIKQNH

ZQ

d.

NIKQNH

zo

ANTIOXOZ

e.

ABPQN

zo

f.

EIPHNA

ZQ

g-

EIPHNA

ZQ

h.

ZKYMNOZ

ZO

i.

ZKYMNOZ

ZQ

156

The New Style Silver Coinage of Athens

398.

399.

400.

npQTorE

ZQ

London (BMC828; Sv. 44,19),gr.16.17 \; Athens

(Salamis Hd.), gr. 16.67 \

a.

npTorE

Zfi

Seyrig Coll. (Kessab Hd.), gr. 16.84 \

b.

npnTorE

ME

Lockett Coll. (SNG 3537) from Halmyros Hd.,

gr. 16.48f

c.

ZAPAIH

ZO

Berlin, gr. 16.45

d.

ZO

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MENAN

Seyrig CoU. (Kessab Hd.), gr. 16.85f

re-

MENAN

Z(D

Berlin (Sv. 44, 23), gr. 16.78

1f-

MENAN

ME

Copenhagen {SNG 213), gr. 16.89f

lg-

ArA9A

ZQ

London, gr. 16.47f

1a-

ZAPATTI

Zfl

Miinz. u.Med. List 154, 84, gr. 16.52 \; Paris,

gr. 16.86 \; Berlin (Sv. 44, 20), gr. 16.47; An-

dreopoulos Coll.

|b.

ZAPATU

ZO

Schlessinger (Hermitage 2) 911, gr. 16.20

1 c-

ZAPAni

Z(D

Berry CoU., gr. 16.20 \

d.

EYNOM

l(?)ZQ

Schlessinger (Hermitage 2) 910 = Sv. 44, 21,

gr. 16.85

Le.

MENAN

The Middle Period: Catalogue

157

b. ABP T ANS-ETN, gr. 8.90f; Athens (Salamis Hd.), gr.

8.95f; Berlin (Sv. 44, 8), gr. 4.10; Athens (Delos

Hd. B, 24; Sv. 44, 7), letter uncertain, gr. 8.95;

Berlin, letter uncertain, gr. 8.48

c. EIP A ANS (Attic Hd.), gr. 4.20f

d. ZKY E *ANS (Attic Hd.), gr. 4.10f; London, gr. 3.88;

Athens (Sv. 44, 12), gr. 8.87; Paris, letter un-

certain

e. EYM E Athens (Delos Hd. B, 26; Sv. 44, 17), gr. 8.57;

Copenhagen (SNG 214), letter uncertain, gr. 8.99f

ANTI - KA NO SYMBOL

Hemidrachms

403.

a. IK * Athens (Delos Hd. B, 81; Sv. 44, 14), gr. 1.80;

Leningrad (Sv. 44, 15), gr. 1.24; Baltatzi Coll.

(Sv. 44, 11), gr. 2.00; Berlin, gr. 1.95

b. EY London {BMC 825), gr. 1.88; Athens (Delos

Hd. B, 27; Sv. 44, 18), gr. 2.00; Philipsen Coll.

(Sv. 44, 18), gr. 2.04; Berlin, gr. 2.00

54 tetradrachms: 6 obverse, 86 reverse dies

15 drachms: 1 obverse, 5 reverse dies

8 hemidrachms: 1 obverse, 2 reverse dies

Magistrates: ANTIAOX, N1KQNH, ABPflN, EIPHNA,

IKYMNOI, EYMAXOI, TTPQTOrE, ZAPATTI,

EYNOM, MENAN, ArAGA, HrHMfl, APIZTO

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Months: A, B, T, A, E, Z, H(?), 0, I, K, A

Controls: ME, 2<t>, ISl

Two second magistrates served with ANTIOXOI during 163/2 B.C.: NIKOr

for alpha and beta, KAPAIXOZ for the remainder of the year. Again we have what

seems to be a light coinage with no more than two tetradrachm obverses in

simultaneous operation during any one month. No reverses are known with

Halthough there very likely was coinage in that monthor a date later than A.

Both Skymnos and Eumachos were in office during E and their order is

established by Obverse 397. Die breaks in front of Athena's nose appear only

on coins with the reverses of Eumachos.1 Month I may also have been shared

but the amphora letter on the one die of Eunom... is not certain. The single

1 The A with EYMAXOZ recorded by Sundwall for a Photiades tetradrachm is an instance

of erroneous transcription. The catalogue describes the piece as having a A as a graffito on the

obverse.

158

The New Style Silver Coinage of Athens

reverse inscribed APIZTO has been placed at the end of entry No. 400 since the

amphora letter is illegible. Sundwall reads the date as A? but this is not pos-

sible for the obverse die in its association with APIZTO shows no trace of a die

flaw above the protomes which is visible on some coins with ZAPAT7I and on all

later ones. In all probability APIZTO served in H.

In the monogram H placed immediately after the name of NIKflN we have

still another instance of specific identification. This is presumably a combi-

nation of K and H and may be either a patronymic or a demotic.

As long ago as 1838 the first magistrate of this striking was identified as

Antiochos Epiphanes and the issue dated to 176 B.C. at which time Antiochos

was living in Athens before his accession to the Syrian throne. This theory of

Rathgeber1 was adopted by Beul6 who felt that the symbol was decisive con-

firmation of an association which might otherwise be considered dubious inas-

much as the name Antiochos was common enough in Attic prosopography.

From the time of Rathgeber and Beule the attribution of the elephant emission to

Antiochos IV in 176 B.C. has been one of the few fixed points in the New Style

chronology and has undoubtedly influenced the dating of the series as a whole.

Beule himself would have had difficulty in reconciling this late date with a be-

ginning of the coinage in 323 B.C. had he attempted to place the issues in order

but later numismatists who had abandoned Beul6's thesis that the series began

with the death of Alexander were able to work out a plausible arrangement.

The three-magistrate striking of Antiochos must have been preceded by the

twenty-eight issues with monograms and abbreviated names and probably by

some three-magistrate issues as well, which would push the beginnings of the

coinage back into the late third century. During that period 229 B.C. was an

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eminently suitable date on historical grounds for a reorganization of the

Athenian mint.

When Alfred Bellinger proposed a lowering of this date to c. 180 B.C. he

recognized that Antiochos IV was thereby eliminated but, being reluctant to

abandon the Seleucid connection entirely, he suggested another Antiochos as

a candidate for the mint magistracy. The man who later was to rule as Anti-

ochos VII was in exile at the time, that is c. 148 B.C., and Bellinger thought

that the elephant issue might indicate a hitherto unsuspected connection be-

tween this prince and the city of Athens.

If, however, the New Style coinage begins c. 196 B.C. one must jettison both

Antiochos IV and Antiochos VII. The date of the present issue is 168/2 B.C.

which, to be sure, brings it within the short reign of Antiochos V but I doubt

that anyone would seriously maintain that the child king of Syria served as

mint magistrate of Athens. One could argue, of course, that fixing any striking

1 G. Rathgeber, Annali dell' Inst, di Corrisp., arch., 1838, pp. 32-36.

The Middle Period: Catalogue

159

to a single year is a hazardous procedure and that the coinage might well have

started slightly earlier, say in 197 B.C., which would just barely bring the ele-

phant issue within the lifetime of Antiochos IV. One could further argue that

the mint magistracy was an honor bestowed in absentia on either Antiochos IV

or V and did not imply a personal connection with the mint. Undoubtedly this

was true in the later issue with the name of Mithradates but one must then

explain the omission of the regnal title. Mithradates is BASIAE MI0PAAATHI;

why should Antiochos be merely ANTIOXOS? The form would be permissible

in the case of a prince, lese majesty in the case of a king.

It seems to me that we must break away entirely from the attractive but

perhaps somewhat romantic theory of Rathgeber and consider whether one

really need go beyond the citizen rolls of Athens for the mint magistrate Anti-

ochos. A compilation of the officials whose names appear on the coinage (see

pages 547-584) shows a frequent recurrence of names, rare ones among them,

which strongly indicates that the same man served various terms with the mint,

often holding the third magistracy first and later the first or second post. All

three names of the annual magistrates of the elephant striking are to be found

on earlier issues. A NIKOr is third magistrate in 167/6 (MENEA - ETTirENO) and

second magistrate in 165/4 (FTOAYXAPM - NIKOr) as well as in 163/2 B.C. The

name is not uncommon but the sequence of posts within a period of a few years

is suggestive. Evidence is firmer in the case of KAPAIXOS whose name is rare;

almost certainly the third magistrate of 165/4 (nOAYXAPM - NIKOr) is the

second magistrate of 163/2 and quite likely the first magistrate of KAPA1X -

EPrOKAE about ten years later. An ANTIOXOZ is third magistrate in 166/5

(TIMAPXOY - NIKArO) and I believe that the same man is the first official of

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the issue under discussion.

Who can say why Antiochos of Athens chose a Seleucid elephant for his

coinage? It may have been nothing more than a sportive reference to his name,

just as a commoner in this country, for example, whose name happened to be

Romanoff might conceivably select the double-headed eagle of the tsars as his

personal cachet.1 The choice could have been motivated by loftier considera-

1 It is interesting to note that von Prokesch-Osten in 1852 (Inedita, p. 263) had reached more

or less the same conclusion with respect to the name and symbol of this issue. He comments as

follows: "Ich erlaube mir zu diesen Miinzen nur die Bemerkung beizufiigen, dass mir der Name

Antiochus, Mithradates, Ariarathus u.s.w., die sich auf einigen finden, durchaus keinen Anhalts-

punct zu chronologischen Bestimmungen zu geben scheinen. Nichts ist naturlicher, als dass diese

Namen auch von Magistraten getragen wurden und dass diese selbst die Symbole der Konige

annahmen, deren Namen sie trugen."

Von Prokesch-Osten weakens his case by associating Mithradates whose title is given on the

coinage with Antiochos and Ariarathes who are not thus precisely identified, but otherwise his

point is, it seems to me, valid.

160 The New Style Silver Coinage of Athens

tions. This was the first issue of Athenian coinage after the death of Epiphanes.

In adopting a Seleucid device for his coins Antiochos may have been paying

tribute to the great friend and benefactor of Athens.

9ECKDPA - IflTAI WINGED FULMEN 162/1 B.C.

(Plate 41)

Tetradrachms

401.

406.

a.

HrHMfl

ME

Athens (Delos Hd. T, 162; Sv. 48, 4), gr. 16.45|

b.

HPAKflN

IO

*Yale Univ., gr. 16.67f

HPAKflN

I<D

*Paris, gr. 16.58f; London, gr. 15.07f

ra.

HPAKflN

Ifl

|b.

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Athens

HPAKflN

Ifl

Budapest, gr. 16.85f

He.

HPAKflN

ME

Paris, gr. 15.68f

Hd.

OlAHM

Xt>

Berlin, gr. 16.47

||e.

II

(PIAHM

*D

Copenhagen {SNG 236; Sv. 48, 2), gr. 16.92f

II

||a.

HrHMfl

Ifl

Empedocles Coll.

||b.

HPAKflN

Ifl

Stamires Coll. = Jameson 1195 (Sv. 48,1) =

II

Sotheby (Delbeke) 156, gr. 16.92|

1 Lc-

HPAKflN

Ifl

L. Meletopoulos Coll., gr. 16.70

L d.

HPAKflN

The Middle Period: Catalogue

161

408.

409.

a.

ZQKPA

ME

Cambridge {SNG 8211), gr. 16.65f

b.

nOAYKAH

Z(D

Leningrad (Sv. 48, 6), gr. 15.661

c.

ATTOAAQ

ia

Romanos Coll. (Sv. 48, 7, commerce), gr. 16.64

d.

AT70AAQ

ANS-ETN (Halmyros Hd.), gr. 16.72f

e.

AAIN

la

a.

apift

IO

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Vatican (Sv. 48, 8), gr. 16.80; Berlin, gr. 16.00

Romanos Coll. (Sv. 48, 9), gr. 16.88

b.

AMOIK

ME

ANS = Naville (Bement) 1126, gr. 16.85f

c.

AMQIK

ME

Glasgow (Hunt. Ill), gr. 16.45 \

d.

AMOIK

ME

ANS (Cretan Hd. II), gr. 16.20f

e.

NIKOK

ME

Paris (de Luynes 2098; Sv. 48, 11), gr. 16.90f

f.

NIKOK

zn

Stephens Coll.

g-

OAAAI

ZO

Metaxas Coll. (Sv. 48, 12), gr. 16.97; Vienna,

amphora letter uncertain, gr. 16.56

h.

OAAA1

ME

Berlin, gr. 16.62

a.

AMOIK

162

The New Style Silver Coinage of Athens

? Athens (Sv. 48, 18), gr. 4.18

K Vienna (Sv. 48, 19), gr. 8.72

? Berlin, gr. 4.11

GE-Zfl

Athens (Sv. 48, 20), gr. 1.51f

44 tetradrachms: 8 obverse, 84 reverse dies

15 drachms: 1 obverse, 9 reverse dies

1 hemidrachm

Magistrates: HITIMfl, HPAKflN, <DIAHM, EYKAHZ,

FIEIZflN, ZflKPA, nOAYKAH, ATlOAAfl, AAIN,

APIZT, AMOIK, NIKOK, (DAAAI

Months: A, B, T, A(?), E, Z, H, 9, l(?), K, A, M, N

Controls: ME, ZO(A), Zfl

The transfer of Obverse 401 from the issue of ANTIOXOZ - KAPAIXOZ to

that of 0EOOPA -ZflTAZ establishes the contiguity of the two strikings. It is

noteworthy that the same third magistrate, HTHMfl, served for the last month

of 163/2 and at the very beginning of 162/1 B.C. His service during the latter

year cannot be fixed by the amphora letters, which are indistinct on both

the Athens and Empedocles coins, but die flaws connected with Obverse

406 determine the sequence of magistrates. An imperfection in the clefl

of the chin is faint on No. 406a, small but clear on Nos. 406b-e and pro-

nounced on Nos. 406f-j; a break below the chin is invisible on No. 406a,

noticeable on all specimens struck from the reverse dies of HPAKflN, OIAHM

and EYKAHZ.

HPAKflN, as given by Svoronos, is the correct form of the name. Beule,

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Sundwall and Kambanis record HPAKAflN, but the A is definitely omitted as in

the case of HPAKfl, third magistrate under HPA - APIZTOcD.

Although the amphora letter of No. 407c is uncertain, TTEIZflN is known to

have held office during delta on the evidence of a Halmyros Hoard coin listed by

Kambanis. No. 410b is our only proof that NIKOK served during A as well as M.

Except for this overlapping and the division of responsibility during A, the

correlation of third magistrates and months is regular. Two reverse dies in-

dubitably inscribed N indicate an intercalary year.

g. API

(0EOQ) h. AM

i. Nl

Hemidrachm

412.

AP

The Middle Period: Catalogue

163

Tetradrachtns

413.

AlOrE - TTOZEI DIONYSOS 161 /0 B.C.

(Plate 42)

EZTI[AI]OZ A I(D Petsalis Coll. = Baltatzi Coll. (Sv. 46, 2) =

Mavrokordatou Coll. (JIAN, 1912, 1816), gr.

16.74f

414.

a.

EZTIAIOI A ME Milan (Sv.46, 1), gr. 16.68; Vienna, gr. 16.20

AHMH B ME Berlin, gr. 16.58; Berlin, gr. 16.72; Athens, gr.

16.90

415.

416.

a.

EZTIAIOI

ZO

Moscow

b.

AHMH

ZO

Copenhagen (SNG 223), gr. 16.87f

rc.

Al

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AHMH

London (BMC 872), gr. 16.56 \

jd.

AHMH

Al

Paris, gr. 16.25f

1 e-

AHMH

ME

Paris, gr. 16.89f

1 f-

AIO

ME

Cambridge (Leake Coll., SNG 3204), gr. 16.86f;

Glasgow (Hunt. 108), gr. 16.61f

|g-

AIO

ME

Berlin, gr. 15.92

jh.

AIO

ME

Petsalis Coll., gr. 16.65 \

La.

AHMH

Al

Berlin, gr. 16.88

b.

AHMH

Al

Paris (de Luynes 2095; Sv. 46, 8), gr. 16.85|

c.

AHMH

164

The New Style Silver Coinage of Athens

418.

d.

AflPOQE

IO

Copenhagen (SNG 224), gr. 16.74f

e.

AQPO0E

ME

Schlessinger (Hermitage 2) 927, gr. 17.50 (sic)

f.

AfiPOQE

Paris, gr. 16.42f

g-

QEOAOT

Al

Romanos Coll.; Zygman Coll., gr.16.81f;

Athens, amphora letter uncertain, gr. 16.45f

h.

GEOAOT

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ME

Budapest, gr. 16.67f

i.

EPMOKPA

ME

Stathatou Coll. (Halmyros Hd.); Berlin

(Sv. 46, 9), gr. 16.77; Johns Hopkins Univ.,

gr. 16.66

a.

AQPOQE

Al

Berlin (Sv. 46, 7), gr. 16.19

b.

QEOAOT

ict>

Berlin (Sv. 46, 8), gr. 16.44

c.

EPMOKPA

Al

*The Hague, gr. 16.50

Aior - noi THYRSOS

Drachms

419.

(Fillet-

ed thyrsos)

a.

Em

b.

AH

c.

Al

d.

KA

London, gr. 4.02; Petsalis Coll., gr. 8.78

Vienna, gr. 3.65; Athens (Delos Hd. A, 11;

The Middle Period: Catalogue

165

43 tetradrachms: 7 obverse, 82 reverse dies

13 drachms: 1 obverse, 4 reverse dies

3 hemidrachms: 1 obverse, 1 reverse die

Magistrates: EZTIAIOZ, AHMH, AIO, d>l-

Alfl, HrEMA, AQPO0E, 0EOAOT, EP-

MOKPA, KA(AAKDQN)

Months: A, B, T, E, Z, H, 0

Controls: Al, ME, I4>

The standing figure used as a symbol by AlOrE-nOIEl is described by

Beule as Dionysos, by Sundwall and Kambanis as Demeter and by Head in the

Historia Numorum as either Dionysos with thyrsos or Demeter with sceptre.

On the tetradrachms the long staff held in the raised left hand has a pronounced

bulbous termination indicative of the thyrsos; on the drachms, which have

only the staff as a symbol, the representation is certainly that of a thyrsos.

Some reverses (cf. Nos. 413 and 414a) clearly show a small kantharos in

the outstretched right hand. The rather elaborate corolla might be either

ivy or grain but the other attributes are sufficient to identify the figure as

Dionysos.

nOZEl is found on a number of reverses. On others only FFOIE is used and

on still others the final I is confused with the wreath or off flan so that the

original form of the inscription cannot be determined.

This again is a light coinage judged by surviving dies and specimens. It

seems to have been concentrated in the early months of the year with no

striking in A and nothing after 0. Two magistrates, OlAlft and HrEMA, served

in month E. There is no evidence for their order save that the one obverse

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known to have been used by OIAIR is otherwise associated with months B and

r while one of HTEMA continues in operation during Z, H and 0.

In the present catalogue the magistrate KA is recorded only on the fractional

coinage. Beule, however, lists a Turin tetradrachm with KAAAIOflN.1 Al-

though this is not included among the entries of Svoronos and Kambanis,

there is no reason to reject the precise reading given by Beule. The amphora

letter on the Turin coin is described as "M ecrase"; until this somewhat dubious

reading can be verified it seems advisable to regard the exact month of Kal-

liphon's tenure as uncertain.

1 This coin is not among the holdings of either the Civic or the Archaeological Museum in

Turin. It may be in the collection of the Royal Library which is for the moment inaccessible or

it may, of course, have been in a private collection to which Beule had access.

166 The New Style Silver Coinage of Athens

AXAIOZ - HAI CORNUCOPIAE WITH GRAIN 160/59 B.C.

(Plate 48)

Tetradrachms

421.

422.

424.

a.

EYAHMOZ

AI

Berlin, gr. 16.53

b.

EYAHMOZ

ME

Athens (Delos Hd. B, 88), gr. 15.70f

c.

itttionikoz

ME

Athens (Delos Hd. I", 55; Sv. 45, 28), gr.

16.60

d.

KAEAPX

ME

e.

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Paris, gr. 16.75f

KAEAPX

ME

Marseilles (Sv. 45, 24), gr. 16.80

f.

EYAH

ME

Athens (Delos Hd. AH), gr.16.03t; The

Hague, control letters uncertain, gr. 16.70

g-

EYAH

ME

Athens (Delos Hd. 1", 60), gr. 16.45f

h.

HPAKAEI

ME

Leipzig

a.

EYAHMOZ

ZO

London, gr. 15.68f; Berlin, gr. 16.71

b.

NIKANSP

G(?)

ME

Berlin, gr. 15.77

c.

EPMOKPA

ME

*ANS (Cretan Hd. II), gr.16.47f; Berlin

(Sv. 45, 28), gr. 16.78; Athens (Delos Hd.

AH), gr. 16.56f

d.

EPMOKPA

ZO

The Middle Period: Catalogue

167

426.

1 c'

KAEAPX

ME

|d.

KAEAPX

Al

EPMOKPA

Al

a.

HPAKAEI

ME

b.

rtY0OKAHZ

ME

c.

AnOAAOAQ

Al

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rd.

ATTOAAOAfl

!e-

ATTOAAOA

ZO

1f-

ATTOAAOAQ

jg-

MHTPOAQ

ME

|h.

MHTPOAfl

1 *-

ZQZIBIOZ

ME

1 j-

ZflZIBIOZ

ME

jk.

ZQZIBIOZ

ME

1 l-

ZQZIBIOZ

ME

1 a-

nyeoKAHz

ME

b.

fTYGOKAHZ

i68 The New Style Silver Coinage of Athens

427.

| m.

IflSIBIOZ

SO

Halmyros Hd.

1 a-

TTY0OKAHI

20

Berlin (Sv. 45, 29), gr. 16.88

1 b-

nyeoKAHZ

Chiha Coll.

1 c-

AT70AAOAQ

Al

Athens (Delos Hd. AH), gr. 16.12 \

Ld.

AnOAAOA

Schlessinger (Hermitage 1) 186 = Hess 208,

e.

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449, gr. 16.80

MHTPOAfl

ME

Giesecke Coll., gr. 16.71

f.

MHTPOAfl

ZO

Athens (Delos Hd. T, 59), gr. 16.55 \

g-

IflllBIOI

Al

ANS (Cretan Hd. II), gr. 16.09 \

AXAI - HAI CORNUCOPIAE

Drachms

411.

(AX-HA) a. EY

b. inno

(AXA) c. EPM

Berlin, gr. 4.09; Athens (Sv. 45, 33), gr.4.10

Copenhagen (SNG 222), gr. 8.99f; Gotha,

gr. 3.91; Athens (Delos Hd. B, 37; Sv. 45,

34), gr. 3.85; Berlin, gr. 3.81

*ANS (Attic Hd.), gr. 4.21f; Athens (Delos

Hd. B, 170; Sv. 45, 35), gr. 4.10

AX-HAI

Hemidrachms

428.

NIK * Athens, gr. 1.85t; Herakleion

79 tetradrachms: 8 obverse, 56 reverse dies

8 drachms: 1 obverse, 3 reverse dies

2 hemidrachms: 1 obverse, 1 reverse die

Magistrates: EYAHMOI, NIKANflN, inTTONIKOI,

KAEAPX, EYAH, NIKANflP, EPMOKPA, HPA-

KAEI, FTYeOKAHZ, ATTOAAOAfl, MHTPOAfl,

IflllBIOZ

Months: V, A, E, Z, 9, I, K, A, M

Controls: Al, ME, 10

The Middle Period: Catalogue

169

diecutter's error for NIKANflP. However, the magistrates are seemingly asso-

ciated with different months; neither amphora letter is clear but Berlin reads

r as likely with NIKANflN and 9 as the most probable date for NIKANS2P.

Two dies carry over from earlier issues into the emission of AXAIOZ - HAI.

Both links present certain problems. Obverse 418 was used for tetradrachms of

months Z, H and 0 under A10l"E-nOZEI. The same die was employed for

strikings of month 0 under AXAIOZ - HAI. On Plate 42 coins of the two years

are in juxtaposition and one can see on the AXAIOZ - HAI specimen a die break

at the top extending from the helmet crest through the border of dots which

does not appear on any of the AlOrE -ITOZEI pieces. It is fortunate that we

have this indication of the order for the amphora letters provide no decisive

evidence. The longevity of Obverse 418 is somewhat startling but the span of

months is not so extensive as it seems at first glance. Theta is the last month

during which coinage is recorded for A10I"E -nOZEl and the ensuing emission

of AXAIOZ - HAI is sparsely represented in the early months of the year. No

specimens are known to have been struck in A, B and H. This means that the

life of Obverse 418, if one assumes continuous use for all months of minting

operation, extended over seven or eight months. Certainly this is a long time

for a single die but such durability is not unique. During the magistracy of

HPA - APIZTOO, for example, Obverse 335 is known to have been employed

for at least seven months (E through A). And there is, of course, the possibility,

which is strengthened by the fact that our record shows coinage for only the

one month under AXAIOZ-HAI, that the die was not in continuous use. It

may have been put aside as still serviceable at the end of the one year and then

overlooked during the early months of the next. It is curious that the same

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third magistrate, EPMOKPA, is associated with this die in the final month of

161/0 and again with its re-appearance in 160/59 B.C. One wonders if some

responsibility on the part of the third magistrate for custody of the dies may

be indicated.

The second link, illustrated on Plate 43, is in the fractional coinage. Ob-

verse 411, the one die used for drachms of 0EOOPA -ZflTAZ, is still in service

two years later under AXAIOZ - HAI. For the intervening drachms of AlOrE -

TTOZEI we have a different die, No. 419. It seems likely, however, that our

evidence is incomplete and that Obverse 411 was employed over all three years,

in association with Obverse 419 during 161/0 and alone for the earlier and later

issues. The fractional coinage of the three years is scanty: 36 coins, 2 obverse

and 16 reverse dies in all. Fifteen reverses are recorded in combination with a

single tetradrachm obverse (No. 379 of nOAYXAPM - NIKOI"); it would not be

surprising to find one obverse coupled with an even greater number of reverses

in the relatively light drachm coinage.

170

\ 5

- 159/8 ..

429.

\).

0.

430.

431.

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432.

&. ?

1). ?

. ?

;.

>.

0.

6.

, : ,

171

433.

434.

435.

436.

*.

&

11).

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| .

*.

\3.

0.

(1.

172

5 5

437.

438.

439.

5-, . 16.64|; ( . ,

177), . 16.40|

& .

;1.

\).

0.

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()

\\>.

*.

\>.

, :

173

91 -: 11 &, 65

10 : 2 , 2

&: , , , , ,

, , , ,

: , , , , , , , 1, ,

: , ,

166 3 &1> ^.

\1 & & &

. & & -

3.1. ,

5\&11, 1\ , ( ),

&' & &11 \! &3.

&13..

441.

442.

1).

0.

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|1.

*.

&.

158/7 ..

(, 45-46)

.; & () 860, .

16.45

, . 16.79

, . 16.52; .,

( .), &. 16.69

&, . 16.17 \

, . 16.61; & (&3. .),

. &,

. 16.53 \

&, . 16.24

> ( 5905), . 16.75|

, . 16.60|; & (& .),

. 16.69|; (& .), .

174

\ - 5

443.

444.

).

1.

1.

-&.

1>.

(1.

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*>

6.

- .

*5-, . 16.48|; , . 16.41

( .), . 16.62|;

: ,

175

445.

| .

- 1>.

446.

- 1>.

6.

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| .

{.

176

\ , 8

447.

448.

449.

\>.

0.

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- .

).

5.

0.

6.

*&115 (5. 47, 6), . 16.90; &&

(& .), & ,

. 16.61 V

. . . 154, 86 = ,

. 1955, 850 = , . 1954, 553,

. 16.69; , . 16.88|;

, . 16.88; ,

&

, . 16.25

01 ( ., 5 8209), .

16.451

&, . 16.54 \; .; -

( .; , . 16.57

, : ,

177

450.

451.

| 1.

11-

|.

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*.

).

0.

<*

6-

178

, -

452.

453.

454.

- . ??

1-1).

;.

5.

0.

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8. ?

1). ??

. = () 1607 =

. 47, 14, , . 16.75|

*0 1953; , . 16.15;

(. 47, 12), ^, .

16.88

* (. 47, 15), . 16.60

*- = & () 865, &\

16.64|; , &\ -

&, . 16.00

&, . 16.47; ^ (5 281),

. 16.17|

( 898), . 16.17!

, . 16.60 \

, . 16.46; , . 16.53

( .), . 16.58 \

015\ (. 109), . 16.19 \; -

, . 16.14; ( ) 270,

. 16.60; 1957, &. 16.68 \

, . 16.86]; , &

, . 16.45 \; 5, -

&, . 16.22 \; ,

, . 16.25|

, . 16.59 \

, . 16.05

611., . 15.55 \; .,

^, . 16.45 \; -

3.5 .,

: ,

179

455.

456.

457.

458.

* (- .), &. 16.84

. ?

1>.

. ?

1>.

\3.

, . 16.28

*&8 ( 2094), . 16.90|; ,

, . 16.20; &,

31& , . 16.18|; &-

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(&.), ,

. 16.59|

, . 16.70|

(5. 47, 17), . 16.93; ,

. 16.56

, . 16.52|

(5. 47, 18), . 16.30

1956

^ (5 232; 5. 47, 16), .

16.68; , &1&

, . 16.28 \; ,

& (& .), . 16.65|; ,

. 16.35

*0 (5 233), . 16.611; -

( .), .16.77; , .

16.59

& (56 234; 5. 47, 20), .

16.78-; &, . 1927, 1390,

, . 16.56; (

401), , . 16.51|

(^ .), . 16.78 \

*3. . (8. 47, 19, ), .

17.05

( .), &. 16.771; &,

&; , ..,

118, &

459.

-'

(. 47, 21), . 3.70

The New Style Silver Coinage of Athens

E *ANS-ETN, gr. 8.92f; Copenhagen (SNG

285), letter uncertain, gr. 8.47t; Athens

(Delos Hd. B, 77; Sv. 47, 22), letter un-

certain, gr. 8.85t; Berlin (Sv. 47, 23),

letter uncertain, gr. 8.46

9 London {BMC 899), gr. 4.08

? *Athens (Delos Hd. B, 78; Sv. 47, 24), gr.

8.35|

244 tetradrachms: 18 obverse, 112 reverse dies

7 drachms: 2 obverse, 4 reverse dies

Magistrates: KAAAIKPA, MOZXI, EYMH, AEINOK,

HAIOAfl, MHTPO, MHTPOAI, ANTirONO,

BOYAAP, TTYeONI, AEONTOME, TlAMcD!

Months: A, B, T, A, E, Z, H, 9, I, K, A, M

Controls: AI(O), HP(A), ME, TTP(G), 10(A)

This issue of Epigenes and Sosandros is the most extensive of the Middle

Period thus far on the dual evidence of surviving specimens and known dies.

With so much material available there seems good reason to believe that the

diagrammatic outline in the Statistical Survey section (p. 668) presents an

accurate picture of mint activity during the year 158/7 B.C. The heavy concen-

tration of coinage came in the first four months of the year, during which period

obverse dies (Nos. 441 to 446) were coupled with an astonishing number of

reverses, as many as sixteen in the case of No. 443, and were in use for only a

few months. Toward the end of the year the output was lighter. Two obverses

(Nos. 458-4) lasted for seven months and three reverses is the largest number

recorded for a single month.

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Twelve names appear in what seems to be an exact correlation of third

magistrates and months. Of interest is the form MHTPOAI associated with H.

The Al, most likely an abbreviated demotic, serves to distinguish this Metro-

(doros) from an immediate predecessor of the same name.

As one would expect with so large an issue there are a number of instances

of misreadings in the earlier records. ZflZAPX, listed as a third magistrate by

Beule and Sundwall, does not exist. As the former suggested, this is an erro-

neous version of BOYAAP. Kambanis reads H with ANTITONO on a coin in his

possession; the piece is not available but on all specimens of Antigonos that I

have seen the letter when clear is invariably 0. Three examples of TIE as a

control combination are given by Sundwall and Kambanis. The first, a coin in

the Photiades Collection, cannot be verified or corrected. The second, an Athens

HAI

460.

a. ANTI

b. TTY90

The Middle Period: Catalogue

181

coin (our No. 453h), is inscribed ME while the third in The Hague Cabinet (our

No. 4491) is definitely marked FTP. Tin, listed for one reverse in the present

catalogue, is surely a diesinker's error for UPQ and not a separate control com-

bination. Finally there is the series of strange dates and control letters given

by Beule under TTAMOI with reference to Combe's publication of the Hunter

Collection.1 This is a rather inexplicable error inasmuch as the entries listed

by Combe pertain to the much later issues of EENOKAHI - APMOEENOZ.

FTOAEMQN - AAKETHZ TRIPOD 157/6 B.C.

(Plates 47-48)

Tetradrachms

461.

462.

463.

464.

0EOAOTOI A QZ

9E0A0T0Z

3M

9E0A0T0Z

a.

9E0A0T0Z

ZO

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b.

9E0A0T0Z

zo

c.

9E0A0T0Z

zo

rd.

9E0A0T0Z

zn

1e-

9E0A0T0Z

ME

1f-

TTATPQ

ZO

|g-

TTATPfl

ZO

|h.

nATPfi

ZO

1 *-

rTATPfl

ZO

1h

nATPn

ME

Kambanis Coll.; London (BMC 498), gr.

16.70f; Tubingen, control letters un-

certain, gr. 16.71

Athens (Zarova Hd.), gr. 16.68 \; Paris,

gr. 16.67f; Istanbul (Zarova Hd.), gr.

16.65 \

Bauer Coll., gr. 16.88f

182

The New Style Silver Coinage of Athens

465.

466.

1 Hk-

FIATPQ

ia

III1

ttatpq

11 lm-

AHMH

zo

| | |n.

AHMH

ZO)

| | | 0.

AHMH

zo

1 1 La-

GEOAOTOZ

1 i b.

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ZQ

GEOAOTOZ

ZQ

1 1 c-

GEOAOTOZ

ZQ

1 1 d-

GEOAOTOZ

ME

1 L e.

TTATPQ

ZQ

1 *

TTATPQ

ZQ

1 g-

TTATPQ

ZQ

1 h-

ttatpq

ZQ

1 *

ttatpq

ZQ

1 ri-

ttatpq

ZQ

1 lk-

ttatpq

ZQ

11L

AHMH

The Middle Period: Catalogue 183

(Rogers) 378, gr. 16.59 \; Istanbul (Za-

rova Hd.), gr. 16.66 \; Istanbul (Zarova

Hd.), control letters uncertain, gr. 16.64 \

467.

468.

d.

nATPQ

ME

Cambridge (Lewis Coll., Corpus Christi Col-

lege), gr. 16.72 \; Ratto (Rogers) 872, con-

trol letters uncertain, gr. 16.80

e.

nATPn

ME

Cambridge (Grose 5918), gr. 16.67f; Athens

(Sv. 50, 19), gr. 16.80; Empedocles Coll.

f.

nATPn

ME

London, gr. 16.65 \; Toronto (Ontario

Hd.), gr. 16.66 \

g-

nATPn

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Z<D

Toronto (Ontario Hd.), gr. 16.70 \

h.

AHMH

ME

Istanbul (Zarova Hd.), gr. 16.52f; Istanbul

(Zarova Hd.), gr. 16.54 \

i.

AHMH

ME

Berlin, gr. 16.83

i-

AlONYZOAfl

ME

Toronto (Ontario Hd.), gr. 16.94 \; To-

ronto (Ontario Hd.), gr. 16.76\; Istanbul

(Zarova Hd.), gr. 16.77 \

k.

ATTOAAOAQ

ME

ANS-ETN (Halmyros Hd.), gr. 16.85f;

London, gr. 16.63f; Berlin, gr. 16.41

a.

nATP

Zfi

Schlessinger (Hermitage 2) 951, gr. 16.70

rb.

AlONYZOAft

ZO

*Commerce 1955, gr. 16.86f

-a.

AlONYZOAfl

za>

Ratto (Rogers) 375, gr. 16.90

-b.

The New Style Silver Coinage of Athens

1f-

AYKI

ZO

ANS, gr. 16.48 \; Istanbul (Zarova Hd.),

gr. 16.62 \; Petsalis Coll., gr. 16.79 \;

Ratto (Rogers) 877, gr. 16.65; Commerce

1953

g-

TIMS

zo

London, gr. 16.49 \; Athens, gr. 16.60f;

London, amphora letter uncertain, gr.

16.45 \

jh.

TIMS

ZO

Berlin, gr. 16.46

APIZ

ZO

Romanos Coll.

1 3-

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APIZ

Z<J>

Gotha, gr. 16.48; Berlin, gr. 16.40

|k.

EYAI

ZO

Istanbul (Zarova Hd.), gr. 16.75 \; Istan-

bul, gr. 16.72 \; Istanbul, gr. 16.62 \; Ber-

lin, gr. 16.40; Petsalis Coll., gr. 16.81 \;

Ratto (Rogers) 878, amphora letter un-

certain, gr. 16.65

La.

ATTOAAOAfl

ME

Istanbul (Zarova Hd.), gr. 16.71 \; Paris,

amphora letter uncertain, gr. 16.04f

b.

AYKI

ME

Copenhagen (SNG 258), gr. 15.55 (dam-

aged)!; Berlin (Sv. 50, 23), gr. 16.55;

Karlsruhe; Schlessinger (Hermitage 2)

953, gr. 16.70; Mavrokordatou Coll. (JIAN

1912, 1840), gr. 16.60

c.

AYKI

ZO

Glasgow (Hunt. 118), gr. 16.65 \; von

Reutersward Coll., gr. 16.65f

d.

TIMS

ME

Copenhagen (SNG 254), gr. 16.45f; Vienna,

amphora letter uncertain, gr. 16.47

e.

TIMQN

ME

The Middle Period: Catalogue

185

471.

472.

1 a-

AYKI

za

|b.

TlMfl

in

1 c-

TIMG

Zfi

d.

APIZ

ZQ

1 e-

APIZ

20

1 f-

EYAI

is-

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ME

EYAI

zn

ih.

ASJPO

ZG

1 *

AQPO

1Q

a. EYAI

Lb. AJPO

c. AQPO

Z(t>

K Z(D

K IO

Istanbul (Zarova Hd.), gr. 16.74f; Vienna,

control letters uncertain, gr. 16.54; Istan-

bul, amphora and control letters uncertain,

gr. 16.77f

ANS-ETN (Halmyros Hd.), gr. 16.78 \;

Paris, gr. 16.58 \; Berlin (Sv.50, 24), gr.

16.71; London, gr. 16.82 \; Istanbul (Za-

rova Hd.), gr. 16.80 \; Istanbul (Zarova

Hd.), gr. 16.73 \; Zygman Coll., gr. 16.67 \

Andreopoulos Coll.

Paris, gr.16.63f; Istanbul (Zarova Hd.),

control letters uncertain, gr. 16.74f

Copenhagen (SNG 255), gr. 17.03t

Istanbul (Zarova Hd.), gr. 16.74f

Athens, gr.16.65f; Tubingen, amphora

letter uncertain

Kambanis Coll.; Istanbul (Zarova Hd.),

gr. 16.76 \; Istanbul, amphora letter un-

certain, gr. 16.61 \

Istanbul (Zarova Hd.), gr. 16.63 \; To-

ronto (Ontario Hd.), gr. 16.70 \; Paris, gr.

16.52 \; Copenhagen (SNG 256), gr. 15.95

(pierced)f; Ratto (Rogers) 879, gr. 16.85;

H. Schulman, Apr. 1951, 3029

i86

The New Style Silver Coinage of Athens

c. AY I? Berlin, gr. 4.02; Athens (Delos Hd. K$, 30),

gr. 8.90f; Copenhagen {SNG 257), letter

uncertain, gr. 8.96f

d- API G * Berry Coll., gr. 4.16f; Berlin, gr. 8.98

e. EY ?Zflf?)1 Athens (Delos Hd. B, 145; Sv. 50, 28), gr.

8.60f

nOAE - AAKE NO SYMBOL

Hemidrachms

474.

a. n[

b. AIO

Athens (Delos Hd. B, 144; Sv. 49, 86), gr.

1.57

*Athens (Sv.50, 29), gr.l.82t

182 tetradrachms: 12 obverse, 78 reverse dies

10 drachms: 1 obverse, 5 reverse dies

2 hemidrachms: 1 obverse, 2 reverse dies

Magistrates: 9E0A0T0Z, TTATPQ, AHMH,

AIONYZOAU, ATTOAAOAfl, AYKI, Tl-

MflN, APIZ, EYAI, AQPO

Months: A, B, I", A, E, Z, H, 9, I, K

Controls: ME, Z4>, Zfl

Although somewhat lighter than the issue immediately preceding, this emis-

sion of Polemon and Alketes can still be considered an extensive coinage. Only

the first ten months of the year are represented, with the greatest amount of

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mint activity in A and B. There is precise correspondence of months and third

magistrates. As was the case under Epigenes and Sosandros, one finds an

amazing number of reverse dies coupled with a single obverse, the seventeen

listed under No. 465 being a record thus far.

The amphora and control letters in the present catalogue are identical with

those listed by Kambanis except for one instance of FIE which he had noted.

The coin in question, from the Mavrokordatou Collection, is among the entries

of our No. 470b and shares a reverse die with tetradrachms which Kambanis

himself records as having ME below the amphora. A number of the ZO readings

cited by Sundwall and Beule can be corrected to ZQ; it is almost certain that the

pieces which are no longer available for checking had the same Zft form.

Sundwall, following Macdonald (NC 1899, p. 306), gives N as the amphora

letter on a Paris coin. The piece is catalogued here under No. 471b. On the Paris

1 In publishing this drachm Svoronos gives ZO? below the amphora. There is clearly an

inscription there but from an examination of the coin I am inclined to think it is Zfi rather than Ift>-

The Middle Period: Catalogue

187

tetradrachm the date is somewhat blurred but other specimens from the same

reverse die have an unmistakable H.

One obverse, No. 468, has been included in the catalogue with certain reser-

vations. The other obverses of this issue can be divided into two distinct

stylistic groups: one engraver represented by Nos. 461-463 and a second by

Nos. 464-467 with 469-472. It is difficult to believe that No. 468 is from the

hand of either diecutter; in fact the barbaric quality of its workmanship seems

quite alien to this period. Only three tetradrachms from this obverse are known

and there is an error involving the two Rogers coins. As illustrated in the Ratto

Catalogue the obverses of Nos. 874 and 375 are not only from the same die but

surely the same coin, before and after the cast was trimmed at the bottom.

Furthermore, the gap in dates between delta and kappa on the three reverses

is strange. On the other hand, however, Obverse 468 is linked by the transfer

of reverses to Obverses 467 and 469, and although its style is unlike that of any

other tetradrachm die it is comparable with that of the one drachm die, No. 478.

Until new evidence is forthcoming, I think that No. 468, despite its pecul-

iarities, must be considered an official die.

MIKIQN - EYPYKAEI DIOSCURI 156/5 B.C.

(Plates 48-49)

Tetradrachms

475.

a. APIZTO A Zfl

b. APIZTO A ZQ

476.

r APIZTO A Z(D

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477. I

La. APIZTO ?Zd>

b. APIZTO A ME

Paris (de Luynes 2106), gr. 16.80f; Berlin, gr.

16.82; Paris, gr. 16.85f; Giesecke Coll., gr.

16.88; Toronto (Ontario Hd.), amphora and

control letters uncertain, gr. 16.67f

Istanbul (Zarova Hd.), gr. 16.59f

Oxford, gr.16.73f; London (BMC 459), gr.

16.50f; Petsalis Coll., gr. 16.65f; Istanbul (Za-

rova Hd.), amphora letter uncertain, gr. 16.51f

Naples (Mus. Naz., Fiorelli 7144), gr. 16.88 \

Munich, gr. 16.42; Berlin, gr. 16.47; Copen-

hagen (SNG 265), gr. 15.56t; Oxford, gr. 16.42;

Istanbul (Zarova Hd.), gr. 16.58 \; Toronto

(Ontario Hd.), gr. 16.76 \; Toronto (Ontario

Hd.), gr. 16.64 \; Commerce (Sv. 55,16, Feuar-

dent), gr. 16.80. Amphora letter clear only on

Munich coin

i88

The New Style Silver Coinage of Athens

c.

d.

e.

478.

a.

b.

c.

d.

e.

f.

g-

479.

a.

b.

c.

d.

e.

f.

g-

480.

a.

b.

c.

d.

APIITO A ME Istanbul (Zarova Hd.), gr. 16.70 \; Istanbul

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(Zarova Hd.), gr. 16.54 \; Herakleion (Cretan

Hd. II), amphora letter uncertain, gr. 16.43 \

APIITO ?ME Vienna, gr. 16.54; Istanbul, gr. 16.57f

APirrO ?ME Berlin, gr. 16.66

AIKAH

ME

Paris, gr. 16.78f; Gotha, amphora letter un-

certain, gr. 16.31

AIKAH

ME

London, gr. 16.64f

AIKAH

ME

Giesecke Coll., gr. 16.71; Istanbul (Zarova Hd ),

gr. 16.68f

AIKAH

ME

Vatican; Berlin, gr. 16.58

AIOKAHI

ME

ANS-ETN (HalmyrosHd.),gr. 16.55f; Istanbul

(Zarova Hd.), amphora letter uncertain, gr.

16.67f; Istanbul (Zarova Hd.), amphora letter

uncertain, gr. 16.66f

AIOKAHI

ME

Copenhagen (SNG 267), gr. 16.36f; Paris, gr.

16.69f; Bauer Coll. = Ratto (Rogers) 402, gr.

16.77f

AIOKAHI

Ifl

Tubingen, gr. 16.30

APirro

i<D

Istanbul (Zarova Hd.), gr. 16.52f; Berlin, gr.

The Middle Period: Catalogue 189

AIOKAHZ

za

Istanbul (Zarova Hd.)( gr. 16.64f

g-

BOYKATTHZ

ME

Istanbul (Zarova Hd.), gr. 16.57 \

h.

BOYKATTHZ

ZQ

Sophia, gr. 16.06; Romanos Coll.

i.

BOYKATTHZ

ME

Wulff Coll., gr. 16.72; London, gr. 15.10f

ri-

BOYKATTHZ

Zft

ANS-ETN, gr. 16.88f; Ratto (Rogers) 408, gr.

|k.

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16.70

BOYKATTHZ

Zfl

Berlin, gr. 15.05

La.

BOYKATTHZ

za

Dewing Coll., gr. 16.62f; Commerce 1955

rb.

BOYKATTHZ

zo

Berlin, gr. 16.81

La.

BOYKATTHZ

ZcD

Karlsruhe; Athens = Sv. 55, 19, commerce,

gr. 16.05f

b.

BOYKATTHZ

ME

London (BMC 460), gr. 16.54f

483.

ra.

ZQKPATHZ

ME

|b.

ZQKPATHZ

ME

1 c-

nAPA

190 The New Style Silver Coinage of Athens

1 d-

TTAPA

ZO

Tubingen, gr. 16.63; Berlin, gr. 16.24; Athens

(Sv. 55, 21), gr. 16.50f; Istanbul (Zarova Hd.),

gr. 16.70f; Cahn 68, 1847, amphora letter un-

certain, gr. 16.74

1 e-

T7APA

ZO

Turin (Mus. Ant., Fabretti 8064), gr. 16.70

1 f-

nAPA

ZO

Zygman Coll., gr. 16.77 \; Brunswick, gr.

16.40 \

1 g-

TTAPA

ZO

The Hague, gr. 16.40

L h.

EYAN

ZO

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Copenhagen (SNG 269), gr. 16.74f

i.

EYAN

ZO

Istanbul (Zarova Hd.), gr. 16.65f; Moscow;

London, amphora letter uncertain, gr. 16.09f

j-

EYAN

Zfl

Berlin, gr. 16.48; Istanbul, gr. 16.65f

k.

AHMO

ZO

Cambridge (Lewis Coll., Corpus Christi College),

gr. 16.78f

1.

AHMO

ZO

Copenhagen (SNG 270), gr. 16.56f

m.

AHMO

ZO

Commerce 1955

a.

ZftKPATHZ

Zfl

Berlin (Sv. 55, 20), gr. 16.54; Budapest, gr.

16.82f; Bauer Coll. = Ratto (Rogers) 405, am-

phora letter uncertain, gr. 16.76f

b.

ZQKPATHZ

ZQ

Oxford, gr. 16.27f; Istanbul (Zarova Hd.), gr.

16.63f; Istanbul (Zarova Hd.), gr. 16.77f

The Middle Period: Catalogue

|a.

AHMO

ME

|b.

AHMO

ME

1 c-

AHMO

ZO

jd.

AHMO

zn

c.

AHMO

ME

1f

AHMO

ZO

|g-

AHMO

lh.

ropnn

ME

ropnn

ME

Li-

ropnn

'?

2SI

r*-

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APEZTOZ

ME

l.

APEZTOZ

ME

a.

ropnn

ZO

b.

ropnn

Z<D

c.

ropnn

ZO

d.

APEZTOZ

ZO

0.

APEZTOZ

ZO

f.

192

The New Style Silver Coinage of Athens

490.

a. APEZTOZ

b. APEZTOZ

c. APEZTOZ

d. APEZTOZ

K Zfl

K in

K ZQ

? Z[

Vienna, gr. 15.85; Giesecke Coll., gr. 16.58

Toronto (Ontario Hd.), gr. 16.64 \; Petsalis

Coll., gr. 16.57 \; Berlin, gr. 16.89

Toronto (Ontario Hd.), gr. 16.64 \

Yale Univ., gr. 15.57 (pierced) \

MIKI - EYPYKAE

491.

Drachms

a. ZQKPA

b. EYAN

492.

(EYPY) a. TOP

(EYPY) b. APE

Vienna, gr. 8.96; Athens (Sv. 55, 26), gr. 4.17f

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Naville (Pozzi) 1608, gr. 4.17; Berlin (Sv. 55,

27), letter uncertain, gr. 8.95

* AN S (Attic Hd.), gr. 4.17 \; Athens (Delos Hd. B,

138; Sv. 55, 28), gr. 4.12 \; ANS-ETN, gr. 4.05 \

Athens (Delos Hd. B, 134; Sv. 55, 29), gr. 3.70;

Athens, gr. 3.75f; Copenhagen {SNG 273), gr.

3.89f

MIKI - EYPYK NO SYMBOL

493.

Hemidrachms

a. EY

b. AP

Athensf; Athens (Delos Hd. KS.29), gr.l.62f;

Berlin, gr. 1.89

London (BMC 469; Sv. 55, 80), gr. 1.89

196 tetradrachms: 16 obverse, 86 reverse dies

10 drachms: 2 obverse, 4 reverse dies

4 hemidrachms: 1 obverse, 2 reverse dies

Magistrates: APIZTO, AZKAH, AIOKAHZ, BOYKATTHZ,

ZflKPATHZ, T7APA, EYAN, AHMO, rOPHTT, APEZTOZ

Months: A, B, I", A, E, Z, H, 0, I, K1

Controls: ME, ZO, Zfl2

1 Sundwall lists A but that month is not given in Kambanis' record and I have found no

evidence for it.

2 ZO is included with the other three controls by Bcul6 and Sundwall. Kambanis enters it

in his notebook but queries its accuracy on the ground that it is easily confused with Zfl. On a

number of coins in this and other issues the lower part of the omicron or omega is off flan. Often

a second specimen from the same die establishes the correct reading. Even when this is not the

case there is a difference in the rendering of the two letters which makes it possible to distinguish

between them on fragmentary evidence: the upper curve of the omicron is invariably small and

well rounded while that of the omega is large and spread.

The Middle Period: Catalogue

193

The coinage of MIKIflN -EYPYKAEI is closely comparable with that of TTO-

AEMflN - AAKETHZ. In both years three silver denominations were issued, the

tetradrachms in quantity sufficient to have left a large number of surviving

dies and specimens. Striking in 157/6 and 156/5 alike was confined to the first

ten months of the year and the responsibility was evenly distributed among ten

third magistrates. Control combinationsME, ZO and ZQ are identical.

Eurykleides is usually abbreviated EYPYKAEI but frequently the termination

of the name is off flan or involved in the outline of the wreath. On a few dies

(Nos. 475a, 477d and 478e among them) the form EYPYKAE is definite.

AOPOAIZI - AFTOAHEI NIKE 155/4 B.C.

Tetradrachms

(Plate 50)

494.

495.

496.

496X.

497.

498.

499.

a.

b.

c.

d.

MHTPO A ZO *Athens (Sv. 51, 17), gr. 15.92f

MHTPO A ME *Petsalis Coll., gr. 16.55f

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MHTPO A ME 'London {BMC 842), gr. 16.91f

AHMOZG B 10 *Berlin, gr. 16.34

a. AHM0Z9?

b. MEIAflN T

c. KAAA1 A

d. KAAAI

a. MEIAflN

b. KAAAIA

c.

d.

APIZTAP S

IIMI

MEIAQN

MElAftN

KAAAIA

HPAKAE

Al

Al

Al

ME

ZO

ME

ME

ZO

10

ZO

ME

16.60

Romanos Coll. (Sv. 51, 18), gr.

Paris, gr. 16.88 \

Berlin, gr. 16.47

Athens (Delos Hd. T, 38), gr. 16.70f

Evelpidis Coll., gr. 16.80

London (BMC 348; Sv. 51, 20), gr. 16.48 \

*Empedocles Coll.

i94

The New Style Silver Coinage of Athens

e. ZIMI 6 Id>

500.

502.

a.

KAAAI

ME

b.

AEINO

ME

c.

EYMAPE!

ME

d.

EYMAPEI

ME

e.

HrEMA

ME

f.

HrEMA

ME

g-

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BAKXI

ME

a.

APIZTAP

Al

b.

HPAKAEI

Al

c.

HPAKAE

Al

d.

AEINO

re.

EYMAPEI

Al

f-

HrEMA

Al

La.

EYMAPEI

Al

b.

HrEMA

10

c.

BAKXI

10

a.

The Middle Period: Catalogue

195

505.

(ATTO)

f-a.

lb.

(AOPOAl-

ATTOAHE)

506.

(Ano)

ANS (Attic Hd.), gr. 4.18f; Athens (Delos

Hd. B, 34), gr. 8.40f

Dewing Coll., gr. 8.97f; ANS-ETN, gr. 8.52f;

ANS-ETN, gr. 4.22f; Athens (Delos Hd. B,

82; Sv. 51, 28), gr. 8.90f; Cahn 75,

Ratto (Rogers) 447, gr. 4.04

ANS-ETN, gr. 8.42 (corroded)f

Berlin, gr. 8.74

Athens (Delos Hd. A-2, 8), gr. 8.79f

AOPO - AnO NO SYMBOL

Hemidrachms

507.

(A<DP) a. Athens (Sv. 51, 29) = Hirsch (Rhousopoulos)

2075, gr. 1.85f

b. 21 Hirsch (Weber) 1715 = Sv. 51, 80, gr. 2.07

44 tetradrachms: 11 obverse, 84 reverse dies

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12 drachms: 8 obverse, 4 reverse dies

2 hemidrachms: 1 obverse, 2 reverse dies

Magistrates: MHTPO, AHMOIO, MEIAftN,

KAAAIA, APIZTAP, HPAKAEI, SMI,

AEINO, EYMAPEI, HrEMA, BAKX1

Months: A, B, T, A, Z, H, 0, I, K, A, M

Controls: Al, ME, 2<D2

After the heavy emissions of the three years preceding, the mint seems to

have substantially reduced its output under AOPOAIZI - AnOAHEI. Some

coinage is struck in each month except epsilon and there is an orderly asso-

ciation of months and third magistrates.

The month of Demosthenes' magistracy is not absolutely certain. Beule

reads B on the amphora for two coins with the name of AHM010: one in his

collection and one in Berlin. Kambanis records the Berlin piece as having an

1 Svoronos [J I AN 1911, p. 77, 8) reads [2?] E but I could see no trace of a third magis-

trate's name on the coin.

* Beule\ whose reading is repeated by Sundwall, gives ATT for a Turin coin. The combi-

nation, which is a rather unlikely one for this period, is otherwise unknown.

196

The New Style Silver Coinage of Athens

uncertain date but enters B for the Romanos specimen which is our No. 497a.

The Berlin coin seems to me to have B but I can read no certain letter on the

Romanos tetradrachm.

A proportionately large number of drachms has survived from this issue.

Strangely enough there was apparently no attempt to inscribe their reverses

with the abbreviated names of third magistrates. The only possible exception

is No. 505c on which there may once have been with A on the amphora,

but the condition of the coin makes any reading highly uncertain. In contrast

to the drachms, one hemidrachm reverse is inscribed II.

EYPYKAEI - APIAPA THREE GRACES 154/3 b.c

Tetradrachms

503.

a. AAEEAN

IQKPA

b. IflKPA

c. AIONY/

XflKPA

d. ITTTTO

(Plates 51-52)

ME ""Cambridge (Lewis Coll., Corpus Christi Col-

lege), gr. 16.59f

rb.

IflKPA

Al

1 rc-

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Athens, gr. 15.60f

ZflKPA

ME

Berlin, gr. 15.80

II

AAEEAN

Al

Uncertain1; Modena (Sv. 58, 13)

1 La-

ZflKPA

ME

Empedocles Coll.

1 b-

AIONY

ME

The Hague, gr. 16.20

1 c-

AIONY

Empedocles Coll.

1 d-

inno

ME

Athens (Delos Hd. AH), gr. 15.75f

1 e-

inno

ME

Berlin, gr. 16.25

IQ

r/B iq

? in

Vienna, gr. 16.55; Berry Coll. (Halmyros Hd.),

The Middle Period: Catalogue

197

511.

512.

e. AIOKA/

inrro

513.

514.

515.

516.

517.

E ZQ Tubingen, gr. 16.26

AIONY

4!

*Arethuse, Suppl. comm. 1, 334 bis

L a.

AIONY/

r/?

Ai

London (BMC 409), gr. 16.32f

ZS1KPA

b.

irmoNi

Al

Berlin (Sv. 53, 16), gr. 16.56

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c.

AIOKA/

E/A

Al

Athens (Delos Hd. T, 122; Sv. 53, 17), gr.

innoN!

16.60f

d.

AIOKA

Al

Copenhagen (SNG 140), gr. 16.41f

e.

IATY

Al

Athens (Delos Hd. AH), gr. 16.18f; Istanbul

(Zarova Hd.), gr. 16.57f

a.

ZATY

Al

Berlin (Sv. 53, 18), gr. 16.55

b.

IATY

Al

ANS, gr. 16.27|

ZATY

Zfl

Athens, gr. 16.60f

a.

ZATY/

ME

Empedocles Coll.; London (BMC 412), am-

AIOKA

phora letter uncertain, gr. 17.17f

b.

HPAKAEI

e/H

ME

ig8 The New Style Silver Coinage of Athens

519.

521.

b.

HPAKAEI

e/H

ZQ

Moscow; Athens, gr. 16.45f; London (BMC

410), gr. 16.78f; Grabow XIV, 402 = Schles-

singer (Hermitage 2) 933, gr. 16.80. With OA-

NOKPI/HPAKAEI and 1/9/H: Athens (Delos

Hd. AH), gr.15.95f; Athens (Delos Hd. T,

130), gr. 16.80f

c.

HPAKAEI

1/0

zq

Athens (Delos Hd. T, 127; Sv. 53, 19), gr.

16.45f; Athens, gr. 15.95 \; Berlin, gr. 16.60

d.

OANOKPI

Al

Copenhagen (SNG 141), gr. 16.72f

e.

EENOKPA

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ZQ

Petsalis Coll., gr. 16.57f

f.

EENOKPA

ZQ

Stack's (South) 614

a.

HPAKAEI

9(?)/H?

Brunswick, gr. 15.90f

b.

(DANOKPI/

Al

Paris (de Luynes 2085; Sv. 53, 21), gr. 16.90;

HPAKAEI

Empedocles Coll.

c.

EENOKPA

Al

Berlin (Sv. 53, 22), gr. 16.78; Gotha, amphora

and control letters uncertain, gr. 16.24

d.

EENOKPA

A/(?)K Al

ANS-ETN (Halmyros Hd.), gr. 16.87f; Yale

Univ., gr. 16.89f

e.

APXin

Al

Athens (Delos Hd. T, 129; Sv. 53, 23), gr. 16.65

f.

KAAAI

Al

Athens (Delos Hd. AH), gr. 16.00f; Toronto

(Ontario Hd.), amphora letter uncertain, gr.

15.52f. With N/M: Athens (Delos Hd. T. 124),

gr. 16.55f

a.

The Middle Period: Catalogue

199

522.

KAAAI N ME

Drachms

506.

r in b

523. I

U. Zfl B

b. XATY Z

Empedocles Coll.; ANS-ETN, gr. 16.55f;

Copenhagen (SNG 142), gr. 16.65f; London,

gr. 16.65f; Berlin, amphora letter uncertain,

gr. 16.72; Oxford, amphora letter uncertain,

gr. 16.45; Miinz. u. Med. List 154, 37, am-

phora letter uncertain, gr. 16.72f

London, gr. 4.06; Athens (Delos Hd. B, 93),

gr. 3.67t

Athens (Delos Hd. B, 92; Sv. 53, 25), gr.

3.65/; *ANS, letter uncertain, gr. 4.16f;

Berlin, letter uncertain, gr. 3.92

Berlin (Sv. 53, 27), gr. 3.08; Athens (Delos

Hd. B, 91; Sv. 53, 26), letter uncertain, gr.

3.90 \; Athens (Delos Hd. A-l, 10), letter un-

certain, gr. 8.88f

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EYP - AP NO SYMBOL

Hemidrachm

507.

*Athens (Delos Hd. B, 94; Sv. 53, 28), gr. 1.36f

83 tetradrachms: 16 obverse, 46 reverse dies

8 drachms: 2 obverse, 2 reverse dies

1 hemidrachm

Magistrates: AAEEAN, ISKPA, AIONY,

innONI, AIOKA, IATY, HPAKAEI, (DA-

NOKPI, EENOKPA, APXITT, KAAAI

Months: A, B, T, A, E, Z, H, 9, I, K, A, M, N

Controls: Al, ME, ZQ

Obverse dies of all three denominations (Nos. 503, 506 and 507 as illustrated

on Plates 51-52) are transferred from the striking of AOPOAIZI AFIOAHEi

to that of EYPYKAEI APIAPA, providing one of the most satisfactory instances

of die-joined issues in the New Style series.1

1 Kambanis indicates in his summary of the Zarova Hoard (BCH 1935, p. 117) the link

between the tetradrachms of the two emissions but he does not illustrate the common die. In his

200

The New Style Silver Coinage of Athens

With the coinage of Eurykleides and Ariarathes there is for the first time

extensive recutting of amphora dates and the names of third magistrates.

Numerous as the cited occurrences are, it is quite likely that there are omissions

in the present catalogue inasmuch as it is often difficult to detect a skillful re-

engraving of names, especially on a poorly-preserved reverse. Nos. 503b and

509c, for example, look as though they had been altered but it is impossible

to be certain.

The recutting of names has led to the recording of non-existent magistrates.

APXin KI(fi), given by Sundwall, is merely APXin/EENOKPA; ANAP, listed by

Beule after Sestini and repeated by Sundwall, is almost certainly an error.

Without seeing the coin one cannot trace the misreading but an alteration of

HPAKAEI to QANOKPI (such as on our No. 515e), if carelessly done, might well

produce something resembling ANAP. In any event the name must be regarded

with distinct suspicion.1

Under EYPYKAEI APIAPA the precise correspondence of third magistrates

and months, which had characterized the three preceding issues, breaks down.

The tenure of HPAKAEI extends over H, 0 and a part of I, the last month shared

with QANOKPI; EENOKPA is responsible for K and A; APXin and KAAAI both

serve during M while the latter continues to function during N. The appearance

of the thirteenth month on the coinage establishes 154/3 B.C. as an inter-

calary year.

KAPAIX - EPrOKAE PROW 158/2 B.C.

Tetradrachms

(Plates 53-54)

524.

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a. TIMO A ME

TIMO A ME

Athens, gr. 16.75f; Berlin (Sv. 54, 17), gr.

16.76; Giesecke Coll., gr. 16.80

Copenhagen (SNG 260), gr. 16.02f

manuscript he cites the correspondence of the Berlin and Corpus Christi College obverses (our

Nos. 503b and 503a). This sequence invalidates the earlier association of AOPOA1ZI - ATTOAHEI

and AOPOAIZI - AICTE (Arethuse 1928, p. 134) which was based on an error in Svoronos' plates

(see note 1 on p. 194 with regard to Svoronos PI. 51, 24).

1 Kambanis' listing of magistrates, months and control combinations for this issue is iden-

tical with the present catalogue save for a citation of OAN OKPI with 0. The coin is our No. 517b

(Delos Hd. T, 130) on which Kambanis did not see the superimposed I. It might be mentioned

that although Kambanis gives a few instances of altered amphora letters in his notebook, he does

not, strangely enough, record a single example of the recutting of magistrates' names.

The Middle Period: Catalogue

201

526.

a.

TIMO

b.

TIMO

a.

TIMO

Ico

b.

TIMO

in

c.

TIMO

01

a.

9EMI

ME

rb.

ME

1c-

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MENA

MENA

r|a.

6EMI

ME

1 lb-

6EMI

in

1 1 c-

6EMI

1 Ld-

MENA

ME

1 e-

MENA

in

1 f-

MENA

L a.

6EMI

ME

b.

9EMI

ME

c.

0EMI

IO

d.

202

\ , 5

531.

. / *5, . 16.44!; (5. 54, 20), .

16.40|

. *0 (5. 54, 21), . 16.65; .,

. 16.79!

. (&& .), . 16.21!; *

( .), . 16.72|; 1951,

. 16.69

*5-, . 16.75|; .

, . 16.61

, . 15.61

(& .), . 16.53!;

.,

, . 16.58; , . 16.72

, . 16.58!; , &

, . 15.91 ()

-.

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0.

0.

. ??

532.

" (&& .), . 16.78!

533.

534.

*>

|(1.

, : ,

203

535.

536.

III

| .

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11 '

10

11 -

11 *

11 1.

>

- 0.

The New Style Silver Coinage of Athens

b.

AICXD

IO

ANS-ETN (Halmyros Hd.), gr. 16.65f; Hess

208, 451 = Sv. 54, 25, commerce = Bourgey

(Chabenat) 122, gr. 17.00; Istanbul (Zarova

Hd.), control letters uncertain, gr. 16.54f

c.

AIOO

10

Commerce Beirut 1951

d.

AIOO

so

Commerce 1956; Budapest, gr. 16.43f

e.

OEIAI/

K/l

SQ

Istanbul (Zarova Hd.), gr. 16.59f; Brussels,

AIOO

gr. 16.60 \

f.

io

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OEIAI

Giesecke Coll., gr. 16.70; Istanbul (Zarova

Hd.), gr. 16.71f; London, control letters un-

certain, gr. 16.53f; Commerce 1955, am-

phora letter uncertain

g-

OEIAI

IO

Tubingen, gr. 16.58; Berlin, gr. 16.74

OEIAI

ME

Athens; Istanbul (Zarova Hd.), gr. 16.65f;

Berlin, gr. 16.42

a.

OEIAI

in

Paris, gr. 16.54f; RoS Coll., gr. 16.70f

b.

OEIAI

ME

Petsalis Coll., gr. 16.82f

c.

AIONY

ME

Vienna, gr. 16.51

d.

AIONY

ME

Petsalis Coll., gr. 16.69f; Aberdeen, gr. 15.66

(very worn)f; Commerce 1955, gr. 16.61;

Istanbul (Zarova Hd.), amphora letter un-

certain, gr. 16.73f. With AIOME/AIONY and

M/A: *Bauer Coll. = Ratto (Rogers) 896,

gr. 16.82|; Athens, gr. 16.60f; ANS-ETN =

Sv. 54, 28, commerce, gr. 16.80f; Glendining,

The Middle Period: Catalogue

205

Drachms

542.

Athens (Delos Hd. B, 118; Sv. 54, 16), gr.

S.90t. With MENA/TIMO and T/A?: Paris;

Berlin

ANS-ETN, gr. S.92f

159 tetradrachms: 18 obverse, 71 reverse dies

4 drachms: 1 obverse, 2 reverse dies

Magistrates: TIMO, 9EMI, MENA, EYAH, KAE,

AnOA, XAI, AIOO, OEIAI, AIONY, AIOME

Months: A, B, V, A, E, Z, H, 9, I, K, A, M

Controls: Al, ME, Z<D, Zfl

After two years of somewhat lighter coinage the output of the mint is in-

creased under Karaichos and Ergokles. Production is especially heavy during

the last five months of the year with frequent recutting of dates and names and

considerable shifting of reverse dies.

The symbol for this issuea prowis at the beginning rendered in peculiar

fashion (cf. Nos. 524b, 525a and 542a). On one reverse, No. 525a in its first

stage, the device is quite unrecognizable and the prow on this particular die

was subsequently remodelled. Thereafter the symbol is more skillfully engraved

with clearly defined poop and projecting ram.

Variations from the present catalogue are given in earlier records. Kambanis

reports KAEOMEN on two Berlin tetradrachms and this same form is entered by

Sundwall and Beule for some reverses. I have seen no examples of the longer

version of the name; the Berlin reading is simply KAE although there are traces

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of what may be an underlying name below these letters. XAI, the only magis-

trate whose term runs over a single month, is coupled with I as well as H and 9

by Sundwall. Of the two coins he cites, the Beule specimen cannot be checked;

the other (our No. 534b from Athens) has a date which both Kambanis and I

read as H. Beule's TIE as a control is not to be found on any Berlin coin and

probably represents a poorly cut ME.

On No. 526a the cursive omega, used in a few monograms of the earliest

issues, reappears as part of the control combination.

AOPOAIZI - AlOrE DOUBLE CORNUCOPIAE WITH FILLET 152/1 B.C.

(Plates 55-56)

Tetradrachms

543.

a. ETTINI A Al Romanos Coll.; ANS-ETN, gr. 15.67 (chipped)f

a. TIMO A

b. KAE E

2o6 The New Style Silver Coinage of Athens

546.

b.

EniNI

AI

Berry Coll., gr. 16.62 \; Glasgow (Hunt. 98),

gr. 16.61 \. With EYMA/ET7INI and ?/A: Athens

(Salamis Hd.), gr. 16.28 \

c.

EYMA

AI

Athens (Delos Hd. T, 45; Sv. 51, 2), gr. 16.50 \

EYMA

r/B ai

Berlin, gr. 16.87

1e-

0PAZY

AI

ANS-ETN (Halmyros Hd.), gr. 16.71f; Paris

(Sv. 51, 8), gr. 16.87f

1f-

OIAOE

AI

g-

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Munich, gr. 16.00

OIAOE

AI

Athens (Delos Hd. T, 47; Sv. 51, 4), gr. 16.40;

Berlin, gr. 16.82

|h.

EAIE

10

Paris (de Luynes 2089), gr. 16.85 \

1 *

EAIE

A!

Athens, gr. 16.80f

1 i-

EAIE

ME

Berlin, gr. 16.48

1a<

EniNI

ZO

Paris (de Luynes 2097; Sv. 51, 1), gr. 16.80f

b.

EniNI

ZO

Athens (Delos Hd. T, 58), gr. 16.45f. With

EYMA/ETTINI and B/A: *Brussels, gr. 16.59;

Glasgow (Hunt. 99), gr. 16.69f

1 c-

EniNI

ZO

Berlin, gr. 16.29

r|d.

The Middle Period: Catalogue

207

547.

548.

549.

550.

b.

OIACE

ZO

Naples (Mus. Naz., Fiorelli 7142), gr. 16.50 \

c.

OIAOE

Z4>

Berlin, gr. 16.88

d.

EAE

BD

Athens (Delos Hd. T, 46; Sv. 51, 5), gr. 16.83f;

Johns Hopkins Univ., gr. 16.69

e.

EAE

Z4>

Berlin, gr. 15.88

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f.

EAE

ANS-ETN (Halmyros Hd.), gr. 16.79f

g-

A0H

Athens (Delos Hd. T, 48; Sv. 51, 7), gr. 16. 6Cf

Berlin, gr. 16.57

b.

A9H

Bt>

*ANS-ETN (Halmyros Hd.), gr. 16.85f; Oxford,

gr. 16.41f; Leningrad (Sv. 51, 8), amphora

letter uncertain, gr. 16.58

i.

ZfilTY

ANS-ETN, gr. 16.77f; Athens (Delos Hd. T, 49;

Sv. 51, 9), gr. 16.60f

a.

A0H

A!/

Istanbul (Zarova Hd.), gr. 16.58f

(?)ME

b.

A9H

Al

Budapest, gr. 16.52f; Budapest, gr. 15.98f

re

(DAI N 01

Al

Kambanis Coll. (Halmyros Hd.); Athens (Hal-

myros Hd.); Athens, gr. 16.35f

a.

ZQTTY

A!

208

The New Style Silver Coinage of Athens

1c'

ZflKPA

ME

*Romanos Coll. (Sv. 51, 11), gr. 16.77; ANS-

ETN (Halmyros Hd.), gr. 16.75f; Berlin, gr.

16.15

Id.

AIO

ME

Paris, gr. 16.86f; Andreopoulos Coll.

1 e>

ZATY

ME

Christomanou Coll.

1f-

ZATY

ME

Athens (Delos Hd. AH), gr. 15.70f

g-

ZATY

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ME

Petsalis Coll., gr. 16.67 \; Athens, gr. 16.75 \

jh.

OAINOZ

ME

Athens, gr. 16.30t

1a<

IATY

ZO

*Winterthur = Ratto (Rogers) 883, gr. 16.49\;

Athens (Delos Hd. T, 51; Sv. 51,12), gr. 16.80f

|b.

IATY

ZO

Athens (Delos Hd. AH), gr. 16.12f

1 c-

ZATY

ZO

Berlin, gr. 16.73

d.

ZATY

ZO

Giesecke Coll., gr. 16.60

1 e-

OAINOZ

ZO

Athens (Delos Hd. AH), gr. 16.88f

1 f-

OAINNOZ

ZO

Empedocles Coll.

La.

OAINOZ

Al

London (BMC 847), gr. 16.69f

The Middle Period: Catalogue

209

(AOPO- c.?!? Berlin (Sv. 51, 15), gr. 8.92

AIXI)

(A(PPAIZ) d. 1 K ME * Athens (Delos Hd. B, 86; Sv. 51,16), gr. 8.90f;

ANS-ETN, gr. 4.22|

101 tetradrachms: 12 obverse, 64 reverse dies

6 drachms: 1 obverse, 4 reverse dies

Magistrates: EFTIN!, EYMA, QPAIY, 4>IAO= EAIE,

AGH, ZflTTY, IQKPA, AIO, SATY, OAINNOI

Months: A, B, T, A, E, Z, H, G, I, K, A, M

Controls: Al, ME, 2<t>

This is one of the most erratic issues thus far with respect to the overlapping

of the tenure of the third magistrates. Only at the very beginning of the year

and then from K through M is there exact correlation of magistrates and months.

EYMA is associated with B alone by Kambanis but on our No. 544e there is

ciearly a T cut over the B and one must assume that EYMA as well as QPAIY

served during the third month.

The bulk of the coinage seems to have come at the end of 152/1 B.C. with

six obverse dies used by (DAINNOZ. On the reverses both OAINOZ and OAINNOZ

appear; the recutting of No. 554b indicates that the latter is the correct form.

Beul6 records a drachm in Vienna with IA as third magistrate. The name

does not occur on the tetradrachms and the provenance of this particular coin

is puzzling inasmuch as it is not now in the Vienna Cabinet. Kambanis has no

record of IA as a magistrate and it is likely that the inscription given by Beule

represents a misreading.

No. 544 may include two obverse dies, the division coming between 544f

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and g. There is a difference in the appearance of the mouth but all details of

hair and helmet correspond exactly and it seems almost incredible that an en-

graver could have produced such identity in separate dies. I think that actually

only one obverse is involved, the heavier profile of the later strikings being due

oither to a filling in of the die or to a slight recutting.

AIONYII - AIONYZI HELIOS IN QUADRIGA 151/0 B.C.

(Plates 57-59)

Tetradrachms

552.

r ANTIOA A Al *Lockett Coll. (SNG 1918) = Ratto (Rogers)

j 884 = Sotheby (Benson) 584, gr. 16.78f;

| Athens (Halmyros Hd.)

1 Svoronos reads the vertical stroke to the left of the amphora as a letter but the ANS coin

shows that it is only a part of the wreath. There was no third magistrate associated with this die.

210

\ ,

553.

. *&, . 16.68|

. ( 879), . 16.28

554.

556.

557.

1).

6.

- .

).

558.

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559.

*, { 878), . 16.681- ( 56)

*5- ( .), &. 16.89|

(5. 52, 1), . 16.84. \1/:

1952

? ( . , 70), . 16.701

( 881), . 16.54|; &

(&& .), . 16.621-

( . ), . 16.40!

*01 (5 144), . 16.581

, . 16.171

&

*, . 16.64; , . 16.50|; ,

6. 15.24

, . 16.65; 5, . 16.82|

! & ( .), . 16.551

3(1.,5(3216),6.16.76|

{ 880), . 16.57 \; &

., . 16.56 \; &, . 16.471

( . , 78), ^. 16.651; -

.; .

., . 16.75

& .

5- ( .), . 16.701-;

., . 16.84!

, . 16.68

5 (& .), . 16.50!

, . 16.24!

(5. 52, 18), . 16.81 \; , \

16.40 \

, : ^

211

4>.

560.

561.

562.

563.

0.

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11).

4>.

(?)

212 \ 5. 5

). ( .), .15.80|; ,

. 16.68

. ( ., 81; 5.52, 6), .

16.65|

. / /? ( .), . 16.66!

(?)

565.

566.

567.

\>.

0.

(5. 52, 5), . 16.50!

*, . 16.75|

, . 16.48

0.

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3..

).

0.

, : ,

213

568.

569.

570.

571.

),

1-6.

0.

5.

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*. 1 /

214

572.

573.

574.

575.

576.

577.

/'

1.

1.

3..

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5.

\).

[-

^ (5 148), . 16.98!; ,

. 16.80|

( . , 92), . 16.80!

( 888), . 16.87!

, . 15.55 ( )!

^ ., . 16.60; .;

, , . 16.11

(\)

*5-, . 16.46|

, . 16.80!

*5 = 5<&' () 619, -. 16.57 \;

(& .), . 16.50 \;

( . , 98), . 16.55!; &>

. ( .)

.; ( .),

. 15.82!

, :

215

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! .

- .

578.

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(- 15.

579.

( - 1>.

*5, . 16.88 \

*618 . (, 60)

() 887, . 15.80

( . , 96; 5. 52, 12), .

16.20|

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* ( . , 48; 5. 52, 14), .

3.75!

( . , 50; 5. 52, 15), .

8.97|

*, . 8.87

, . 8.29 (&)

175 &: 25 , 104

4 : 2 , 4 (

: , , , ,

, , , , ,

, ,

: , , , , , , , , , , ,

: , , ,

, 5. 552, 553 554,

- . \ \

515, . 554, \ > (, . 1928, ,

12 , 5; , 56); \

57.

- ,

1.

26

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\1 15 5 & 56 -

- \ 5

577.

() .

() \).

580.

()

581.

582.

583.

).

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150/49 .

(.5 60-61)

* (5. 57, 2), . 16.65; (-

. , 10; 5. 57, 1), . 16.65|

* (& .)

( .), . 16.57|

( . , 11), . 16.42|. \

//: *

., . 16.71; 1955

* ( . , 14), . 16.65|; 5

( .), . 16.19|

., &. 16.62|

*5- = () 1599, .

16.75|; ( .), .15.96|;

, ^

. ( .). \

/ &/: * (

. , 18; 5. 57, 4), . 16.65|;5, .

16.88|

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&

.; , . 15.65

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, . 16.72; ( 314), .

16.67|

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. 15.18^; ( .), -

& ,

: ,

217

584.

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<1.

? ( 812), . 15.94 (:)|;

& . ( .)

/ *06 1953

.; , . 16.72

( .), . 16.16|;

( 813), . 16.59|; , . 16.55

( . , 16), ^. 16.55|

/ / . (5. 57, 6), . 16.61. \*

/: 5 (

.), . 16.21|

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*,. 16.57; , . 16.26; ,

. 16.22. /1: -

., 6. 16.62|; (& .),

. 16.59|; & (& .), .

16.56|; . (5. 57, 8)

5- ( .), . 16.74|

5- ( .), . 16.90|

, . 16.48. /

/: 5- ( .), .

16.48|; . = -

* ( ^) 408, . 16.48

() 411, . 16.75

( . ), . 16.08|

( . ), . 15.60;

( . , 18), -

, . 16.60

3., . 16.61

5- ( .), . 16.55|

, . 16.84

1-6.

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585.

218

586.

587.

588.

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0.

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-.

- / /

(& .); (&

.), . 16.80|; ,

, . 16.48|; & (5

158), 3. , . 16.52|.

\/: (-

.), . 16.08|; , . 16.51

( . ), . 15.44; -

., . 16.56|

( . , 84; 5. 57, 10), .

16.52|; , . 16.671; , .

16.59

, . 16.35

5- ( .), . 16.76|.

\ / /

/: *, . 16.48|

5 ( .), . 16.51|

* ( . , 28), . 16.85|

( .)

( . , 22), . 16.75!

, :

219

589.

590.

591.

592.

-.

. /

1-1).

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/ / ( . , 88; 5. 57, 11), .

16.70|

(6) 412, \ 16.65

. /

&.

1- \>.

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/[

<.

\).

-, . 16.68

( . ), . 15.74|;

( 815), 3.10

, . 16.17

, . 16.58; ., . 16.51.

/1: (

. , 85), . 16.75|

*5-, . 16.46; (

.), . 16.68|

( . , 24), &. 16.70|

( . ; 5. 57, 14), ^.

15.97; ( . , ,

1958, 1. , 1), . 16.90. \ -

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), -. 16.15|; () 1117,

. 16.81

220

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593.

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594.

595.

(?)

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( . ), . 15.36|

( .), . 16.65|

, . 16.25

( . , 27; 5. 57, 15), .

16.45|; 1955;

. \ /1: ( . , 80;

5. 57, 16), . 16.05|. \ /

& //:

( . , 32; 5. 57, 19), .

16.50|

-, . 1923, 19 = &

. (5. 57, 20) = & .

{II, 1912, 1304), . 16.36

*1 ( . , 16; 5. 57, 21), .

3.87|; . ., . 4.03

(5. 57, 22), . 4.02|

0,.\)& ( 5907; 5.57, 23), .

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: , , , , ()

& 577 15 \ - (, 60).

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-, ^ 3.

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3. 1 . \ , - ,

. 3

, ,

. . 585

; . 588 5905

, , .

' .

. .

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; .

(. 577- 580) .

, 1.

( -

577); .

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( 62-68)

596.

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()

597.

(-

5.

0.

* (8. 54, 1), . 16.52

*1, . 16.97 \; 5- (

.), . 16.74 \; (53& .),

. 16.81 \; , . 16.62

., . 16.68; , . 16.63 \

*5- (^ .), . 16.75|;

( . , 157), . 16.50 \

. ., . 16.60

222

\ , -

.; , . 16.51^; -

, . 16.69

&, . 16.62; , . 16.27

598.

(-

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599.

600.

601.

8-

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& () 892, . 16.75

( .), . 16.75|

5- (& .), . 16.44|;

5, . 16.821-; ( . ),

. 15.95|; , . 16.42|

*, . 16.48

( . , 149), . 16.65|; ,

. 16.52|;

/ ., . 16.69

- ( .), . 16.81|

, / /

*\ (5. 54, 2), . 16.55

, . 16.55 \; 01&\ (. 110),

, . 16.74|

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|1.

'-

( ?)

(?)

|1>.

| .

/?

(601?)

4>.

224

The New Style Silver Coinage of Athens

604.

605.

(No

trophy)

606.

607.

ra.

APIITO

TIE

Paris (de Luynes 2087), gr. 16.75f

jb.

APIITO

TIE

Athens (Delos Hd. T, 158; Sv. 54, 9), gr.

16.70|

1 c-

APIITO

ME

Commerce 1952

|d.

APIFTO

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IO

ANS-ETN (Halmyros Hd.), gr. 16.79f;

Kambanis Coll.; Romanos Coll., amphora

letter uncertain

1 e-

apiito

Id)

London, gr. 16.65f

La.

APIITO

nE

ANS-ETN (Halmyros Hd.), gr. 16.70f

b.

APIITO

nE

Athens (Delos Hd. AH), gr. 16.05f

c.

apiito

ANS, gr. 16.56f

d.

APIITO

nE

Schlessinger (Hermitage 2) 938, gr. 16.50

e.

APIITO

nE

Berlin (Sv. 54, 11), gr. 16.42; Paris, am-

phora and control letters uncertain, gr.

16.64f. With AIONYII/APIITO and M/A:

Petsalis, gr. 16.26f

APIITO

nE

Berlin, gr. 16.54

Is-

AIONYII/

M/A

The Middle Period: Catalogue

225

608. I

I a. AIONYII/ M/A Al

1 APirro

Lb. AIONY2I/??

API2TO

609.

AIONYII M 10

Drachms

610.

a. [AJTTOA?

b. GE E

Athens (Delos Hd. AH), gr. 15.95f

*Athens (Delos Hd. T, 156), gr. 16.70f

Giesecke Coll., gr. 16.55; Berlin, gr. 16.48

Gotha (Sv. 54, 18), gr. 8.98; Copenhagen

(SNG 150; Sv. 54, 15), gr. 8.82f

Athens (Delos Hd. K, 27)1, gr. 8.60f;

* Athens (Delos Hd. A, 19; Sv. 54, 14),

letter uncertain, gr. 4.05f

110 tetradrachms: 14 obverse, 67 reverse dies

4 drachms: 1 obverse, 2 reverse dies

Magistrates: OIAGNI, OIAQ, ATTOAAOOA,

MENOI, 6E0AQP, GEOrEN, AYIANI,

AHMHTPI, APIZTO, AIONYZI

Months: A, B, T, A, E, Z, H, 9, I, K, A, M

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Controls: Al, ME, TTE, 10, IQ

Variant control marks are recorded for this issue. The AN or AM reading

for the Photiades coin (No. 688 of Froehner's catalogue) is queried by Kambanis

in his notes and seems highly suspect. Another combination, 10, is given by

Kambanis for three entries in his listing of the Themistokles-Theopompos

coinage. On the two tetradrachms which can be checked, our Nos. 601b and e,

the letters are Zfl. In all probability the other coin bore the same marking but

the occurrence of ZO cannot be categorically rejected inasmuch as it is used as

a control combination at this period.

No. 605c is noteworthy for the omission of the trophy which customarily

stands on the prow. This exceptional representation, confined as it is to a single

die and one cut late in the year, would seem to be nothing more than an en-

graver's error.

As in the issue immediately preceding, there is on the earliest reverses a

difference in the rendering of the name of an annual magistrate. AMMflNIOI is

AMMflNI for a short time; GEOnOMTTOI is QEOnOM. When OlAfl of month B

1 Svoronos publishes the amphora letter as A or A; I think it is almost certainly E.

226

The New Style Silver Coinage of Athens

is cut over (DIAflNI of A, TTOZ is also added to the die for the usual OEOTTOM-

noz form.

The diagrammatic outline of this issue (p. 677) indicates with particular

clarity the erratic and puzzling allocation of responsibility among the third

magistrates which is so frequently encountered at this period. APIZTO serves

for three full months (I, K and A) using at least five obverse and twenty-seven re-

verse dies. In contrast, four magistrates share the duties of the three prior

months (Z through 0) with five obverses and sixteen reverses in operation. This

pronounced imbalance in the tenure and output of the individual magistrates

seems to me a highly significant feature of the coinage; its implications are

discussed at some length in the section on Magistrates.

ZQKPATHZ - AIONYZOASJ

Tetradrachms

611.

r ATTOAACKDA A 14)

612. |

L AFIOAAOOA A 10

613.

a. AflOAAOOA A ZQ

b. ATTOAAOOA A ZQ

c. ZQIAOZ B Zfl

d. ZQIAOZ B ZQ

614.

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a. AnOAAOOA A ME

b. AFIOAAOCDA A ME

c. ATTOAAOOA??

rd. ZfllAOZ B ME

615. |

j a. ATTOAACKDA A ZO

1 A lead piece in Munich is an exact copy

APOLLO DELIOS 148/7 B.C.

(Plates 64-65)

*ANS-ETN (Halmyros Hd.), gr. 16.86|;

Kambanis Coll. (Halmyros Hd.)

ANS-ETN, gr. 16.26f

Vienna, gr. 16.16; Leningrad (Sv. 56, 2),

gr. 16.60

Berlin, gr. 16.75

Oxford, gr. 16.72f; Athens (Delos Hd. AH),

gr.16.46f; Istanbul (Zarova Hd.), gr.

16.59f; Berlin, gr. 16.85

Athens, gr. 15.90f

*Andreopoulos Coll.

Bauer Coll. = Ratto (Rogers) 408, gr.

16.72f

Halmyros Hd.

Istanbul (Zarova Hd.), gr. 16.89|; Berlin,

gr. 16.77; Egger XL (Prowe) 965, gr. 16.84

London {BMC 496; Sv. 56, 1), gr. 16.71 f.1

this British Museum coin.

The Middle Period: Catalogue

227

zniAOi

c. apiztoz

d. apiztoz

e. A9HNI

a. ZfilAOZ

b. ZftlAOZ

ZfllAOZ

MOYZAI

APirroi

With ZfllAOS/AnOAACKDA and B to r. of

A: Zygman Coll., gr. 16.67f

B Id) Athens (DelosHd. AH), gr.16.25t; Athens

(Delos Hd.AH; Sv.56, 4), gr.16.16f;

Athens (Delos Hd.AH), gr.16.05f; London

(BMC 497), gr.16.56f; Romanos Coll.

A ZO Paris, gr. 16.52f; Berlin, gr. 16.74

A Zfl Athens (Delos Hd. T, 210), gr. 16.90f

E ZO London, gr. 16.71f

B 10 *Athens (Delos Hd. T, 207; Sv. 56, 8), gr.

16.75f; Romanos Coll.

B ZO *ANS-ETN (Halmyros Hd.), gr. 16.76f;

Paris, gr.16.57f; Athens (Delos Hd.AH),

gr. 16.28f; Vienna, amphora letter uncer-

tain, gr. 16.76; Gillespie Coll., amphora and

control letters uncertain, gr. 16.87

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B ZO *Empedocles Coll.; Petsalis Coll., gr. 16.84f;

Berlin, gr. 16.41

T ZO ANS (Cretan Hd. II), gr. 16.21f

A ZO ANS-ETN = Ratto (Rogers) 409, gr.

16.75f; Copenhagen (SNG 274), gr. 16.47f;

Athens (Delos Hd.AH), gr.15.84f; Athens

(Delos Hd. AH), gr. 16.00f

1 L*.

zniAOZ

ME

*Paris, gr. 16.72f

1 b-

APIZTOZ

&

ME

Athens (Sv. 56, 6), gr. 16.65; Brussels, am-

phora letter uncertain, gr. 16.67

hc

AGHNI

Z(D

Berlin, gr. 16.72

1 <*

AGHNI

ME

Berlin, gr. 16.65

1 e-

AT10AAQ

ME

Athens (Sv.56, 9), gr. 15.82\; Athens

(Delos Hd. AH), gr. 15.70 \

1 a-

MOYZAI

zn

Athens (Delos Hd. T, 208; Sv. 56, 5), gr.

16.70|

1 b-

APTEM

228

The New Style Silver Coinage of Athens

620.

c.

d.

X/E Zft

ATTOAAflNI/

A0HNI

AZKAAT7QN

AXAIOZ

la

Mrs. E. T. Newell Coll.; Athens (Delos

Hd. T, 212; Sv. 56, 8), gr. 16.55f; Christo-

manou Coll., control letters uncertain

The Hague, gr. 16.60

Athens (Delos Hd. T, 216), gr. 16.67f

f. APTEMflN K ZO Istanbul (Zarova Hd.), gr. 16.60f

L a. A9HNI

b. IlPflTO

c. nPflTOM

ZO Paris, gr. 16.49f; Munich, gr. 16.62; Ist-

anbul (Zarova Hd.), gr. 16.34f

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ZO *ANS-ETN (Halmyros Hd.), gr. 16.68|

IS Paris, gr. 16.22t

621.

a.

AnOAAQNI/

z/

IO

London (BMC 498), gr. 16.70f

(?)A0HNI

(?)E

b.

ATTOAAfiNI

10

Berlin, gr. 16.55

c.

AZKAATTQN

10

Vienna, gr. 16.61; Paris, gr. 16.60|; Athens

(Delos Hd. T, 215), control letters uncer-

tain, gr. 15.45f; Athens, control letters

uncertain, gr. 16.70f

d.

AXAIOI

10

Athens (Salamis Hd.), gr. 16.58f; Berlin,

gr. 16.52; Andreopoulos Coll., amphora

and control letters uncertain

e.

AXAIOI

*Empedocles Coll.; Athens (Delos Hd. T,

218), amphora and control letters un-

certain, gr. 16.70f

f.

APTEM

2[

Leningrad (Sv. 56, 15), gr. 16.68

6-

APTEMflN

The Middle Period: Catalogue 229

c.

AIKAAnOI

Id)

Berlin (Sv. 56, 12), gr. 16.74; Athens (De-

(sic)

los Hd. KS, 88), gr. 16.48 \; Athens (Hal-

myros Hd.)

d.

AXAIOI

2[

ANS-ETN, gr. 16.45f

e.

AXAIOI

IcD

Copenhagen (SNG 276), gr. 16.05f

f.

APTEMGN

10

Copenhagen {SNG 277), gr.16.23f; Pet-

salis Coll. (Piraeus Hd.), gr. 16.60f

g-

A9HN/APTE

IO

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A/K

Athens (Delos Hd. T, 220), gr.16.75f;

Athens (Delos Hd. AH; Sv. 56, 11), gr.

16.80^; Berlin, gr. 16.73

rh.

EPMO

Petsalis Coll., gr. 16.74f

|a.

AXAIOI

1Q

Athens (Delos Hd. T, 217; Sv. 56, 13), gr.

16.60f

|b.

APTEMflN

1Q

Athens (Delos Hd. T, 222; Sv. 56, 17), gr.

16.88|

1 c-

AOHN/

A/

1Q

Athens, gr. 15.90f

(?)APTEM

(?)K

|d.

AOHNAI

in

Athens (Delos Hd. T, 223; Sv. 56, 18), gr.

16.70f; Athens (Delos Hd. T, 224), gr.

16.72f; Athens (Delos Hd. T, 225), gr.

16.60f; Berlin, gr. 16.49

Le.

EPMO

10

Athens, gr. 16.45f

f.

EPMOKPA

230

The New Style Silver Coinage of Athens

c.

AGHNAI

ME

Athens (Delos Hd. T, 226), gr. 16.50t

d.

EPMO

ME

Berry Coll., gr. 16.12|

e.

EPMO

ME

Berlin (Sv. 56, 16), gr. 16.44

ZflKPA - AIONY

Drachms

626.

(SftKPATH- a.

AIONYZO)

(AIONYX) b.

627.

628.

La.

b.

A9H

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zni/Ano

APTE

A0H

EPM

B/A ME

K(?)?

E ME

k in

ME

10

Athens (Sv. 56, 21), gr. 4.05f

Athens (Delos Hd.B, 157; Sv.56, 25), gr.

8.98f

Athens (Delos Hd. B, 152), gr. 8.95f; Athens

(Delos Hd.B, 151; Sv.56, 22), gr.4.00f;

Athens (Delos Hd. B, 158), gr. 8.62f

Athens (Delos Hd. B, 155; Sv. 56, 23), gr.

8.95f

Berlin, gr. 8.94

Copenhagen (SNG 278; Sv. 56, 24), gr.

8.94f

121 tetradrachms: 15 obverse, 62 reverse dies

8 drachms: 3 obverse, 5 reverse dies

Magistrates: ATTOAACXDA, ZfilAOI, MOYIAI. API-

ZTOZ, A9HNI, AnOAAQNI, rfPflTOM, AZKAA-

ITON, AXAIOS, APTEMBN, A6HNAI, EPMOKPA

Months: A, B, T, A, E, Z, H, 0, I, K, A, M

Controls: ME, 10, ZO, ISl

After two years of erratic association of third magistrates and months, the

issue of ZflKPATHI - AIONYIOAQ is, I believe, absolutely regular. The cata-

logue above shows an exact correlation between the twelve officials whose

names appear in third place and the twelve months during which coinage was

struck. If this outline is correct, it casts doubt upon a number of earlier readings

and it might be well to examine the discrepancies in some detail.

In his Hesperia article on the New Style, Bellinger selects the issue of So-

krates and Dionysodoros as an example of a far-reaching breakdown in the

systematic relationship of magistrates and months, and the instances which he

The Middle Period: Catalogue

231

cites from the publications of Beule, Svoronos, Kambanis and Macdonald amply

support his contention. They are as follows:

r with ZftlAOZ. This coin, a Halmyros Hoard piece, is recorded by Kam-

banis as having r/B on the amphora, which would, of course, imply an extension

of Zoilos' tenure into a second month. The tetradrachm cannot be definitely

associated with any entry in the present catalogue but I believe it is another

example of No. 615a on which Zoilos is cut over Apollophanes and B over A. On

a poorly-preserved coin the amphora recutting might well suggest r/B, and

there is reason to suppose that the piece in question was not in good condition.

In the BCH for 1934 (p. 105) Kambanis reads the lettering below the amphora

as Al; in his notebook he again lists Al for this coin but comments that it is

probably a misreading.

E with ZQIAOI. This tetradrachm, a Prokesch coin in Berlin cited by Mac-

donald, is almost certainly one of the four entries under our No. 613c. A photo-

graph of the Berlin coin shows a somewhat obscure amphora letter but on the

Oxford coin illustrated on Plate 64 the date is clearly B.

A with A0HN. The Athens tetradrachm, published by Svoronos, is our

No. 623c. A0HN has been recut, probably over APTEM, and A over another

letter, probably K. It is the recutting which gives the impression of a A instead

of the A which is indubitably there.

H with A0HN1. Beule cites this from the Paris Cabinet. I have examined all

the Paris coins and the only piece with AGHNI is No. 620a. Five specimens from

this reverse die are on record. In the earlier stage of the die (No. 615e), as re-

presented by the London coin, the E is absolutely certain; in the later stage of

the die the letter has filled in and the Paris specimen moreover is in poor con-

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dition but there is no indication on it of an H cut over the E.

T with AXAIOI. A Berlin coin published by Beule with ZO below the am-

phora. The piece is our No. 621d with I not V on the vase.

K with EPMO. Again this is a Berlin coin, illustrated by Svoronos on his

Plate 56, no. 16. His placement makes it clear that he read the letter as K but

it seems to me that it might well be a poorly-cut M. The date in any case is not

definite enough to justify an association of EPMO with the month K.

In this general connection, three other examples of misreading might be

mentioned briefly. Kambanis enters EPMH as a third magistrate of this issue

on the evidence of an Athens coin (Svoronos' Plate 56, 11); the piece is our

No. 622g with A0HN cut over APTE. ATI and MH are recorded as controls in

Kambanis' notebook, each as a single entry. The former is accompanied by

the notation that it is probably an error in reading; the latter refers to one

of the coins under No. 614d struck from a reverse die with ME below the

amphora.

232

The New Style Silver Coinage of Athens

The foregoing will serve to illustrate the difficulty of compiling an accurate

record of the New Style series of Athens. It is not an orderly coinage in its

surface aspects. Few of the issues of the three-magistrate period show an exact

correlation of magistrates and months. The tenure of a single official may ex-

tend over two or even three adjacent months and if the full extent of his service

is not realized the amphora letter on a poorly-preserved coin may be read er-

roneously in terms of the month with which the particular magistrate is

generally associated. On the other hand, as witness the present issue, it some-

times happens that a magistrate is credited with months for which he had no

responsibility, as direct outgrowth of the deplorable practice of recutting to

which the mint resorted with increasing frequency during this period. When

the overcutting of names is skillfully done, it leaves only faint and easily over-

looked traces of the underlying letters. If the same die carries a distinctly-

legible recutting of the amphora dates, the result is a mistaken association

of the later magistrate with two months instead of one. There is also the danger

inherent in recutting that the confused lettering produced by hasty and care-

less workmanship may give rise to non-existent officials such as the EPMH of

Kambanis' record. It is only with a large body of material, providing a number

of coins from the same die which sometimes reveal successive stages in the

recutting process, that one can hope for even reasonable accuracy in compiling

the data on the coinage.

629.

MHTPOAQPOZ - MIATIAAHI

Tetradrachms

r a. ANTIQANHZ A

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b. ANTKDANHZ A

BUNCH OF GRAPES

Id)

ANTKDANHZ B1 ZO

a. ANTIOANHZ A ZO

b. ANTIOANHZ A ZO

147/6 B.C.

(Plates 66-67)

Athens (Delos Hd.AH), gr.15.85j;

Athens (Delos HdT, 183), gr.16.80f

Athens (DelosHd. AH), gr. 15.20 (worn)

f; Kambanis Coll. (Halmyros Hd.);

Athens (Delos Hd.I", 182; Sv.55, 1),

gr. 16.62

Athens (Delos Hd.AH; Sv.55, 2), gr.

16.30f; Berry Coll., gr. 16.71t

Berlin, gr. 16.54; Giesecke Coll., gr.

16.62

Athens, gr. 16.50f

1 Kambanis read this as B/A; I cannot feel sure that there is a letter below the B.

The Middle Period: Catalogue 233

EPMOrENHZ/

B/A UEI

Athens (Delos HdT, 185), gr.16.80f

ANTIOANHZ

zo

EPMOrENHI/

B/AZO

Berlin, gr. 16.54

ANTIOANHZ

ANTIOANHZ

ME

London, gr. 16.69f

ANTIOANHZ

ME

The Hague, gr. 16.55; Ratto (Rogers)

398, amphora letter uncertain, gr.

16.25; Istanbul (Zarova Hd.), am-

phora letter uncertain, gr. 16.64f

EPMOrENHZ/

B/A nE/

Athens (Delos Hd.AH), gr. 16.05f

ANTIOANHI

ZO

EPMOrENHZ

ME

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Giesecke Coll., gr. 16.68

TTYPPOZ

ME

Athens (Salamis Hd.), gr. 16.70f

ANTIOANHZ

ZO

Cambridge (Leake Coll., SNG 8222),

gr. 16.53f; Empedocles Coll.; Schles-

singer (Hermitage 2) 943, gr. 16.70

nYPPOZ

ZO

Berlin, gr. 16.10

ANTIOANHZ

nE

Zygman Coll., gr. 16.50|

ANTIOANHZ

nE

Commerce Beirut 1953

EPMOrENHZ/

B/A nE/

ANS-ETN (Halmyros Hd.), gr. 16.56f;

ANTIOANHZ

20

Berlin (Sv.55, 3), gr. 16.61; Romanos

Coll.; Halmyros Hd.

EPMOrENHZ

nE

Empedocles Coll.

EPMOfENHZ

ZO

Kambanis Coll.

MHTPOAflPOZ-

AHMOZOEN

TTYPPOZ

234

The New Style Silver Coinage of Athens

634.

(AHMOZ0E/

MIATIAAHZ)

635.

MIATIAAHZ)

636.

637.

1 L a.

TTYPPOI

zo

1 b-

TTYPPOZ

zo

1 c-

nYPPOZ

zo

1 d-

KAAAIO

zo

L a.

nYPPOZ

ME

b.

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KAAAIO

ME

c.

KAAAIO

ME

d.

APXIAZ

ME

re.

APIZTOAH

ME

nYPPOZ

ZO

1a-

KAAAIO

ZO

jb.

KAAAIO

ZO

1 c-

APXIAZ

ZO

|d.

APIZTOAH

ZO

e. EYKAHZ

f. KAAAIZ

g. KAAAIZ

H ZO

H ZO

H ZO

Berlin, gr. 16.58

The Middle Period: Catalogue

235

|a.

APXIAZ

nE

Andreopoulos Coll.

Lb.

APIZTOAH

ME

Berlin, gr. 15.36

c.

APIZTOAH

nE

Athens (Delos Hd.AH), gr. 15.92

(worn)f; Berlin, gr. 16.54

d.

KAAAII

nE

Frankfurt am Main; Athens (Delos

Hd. T, 195), gr. 16.75f

639.

640.

641.

a.

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642.

APXIAZ

Z<D

b.

APIZTOAH

ZO

rc.

EYKAHZ

ZO

|d.

EYKAHZ

nE

1 e-

KAAAIZ

ZO

1a-

APIZTOAH

ME

Lb.

EYKAHZ

ZO

c.

KAAAIZ

ME

d.

EYKPA

ME

e.

EYKPA

ME

f.

OEOOI

236

The New Style Silver Coinage of Athens

643.

1 c-

0EOOI

10

Kambanis Coll. (Halmyros Hd.); Yale

Univ. = Hamburger 98, 695, gr. 16.73f

|d.

GEOOI

nE

Athens (Delos Hd.AH), gr. 16.35|

1 e-

4>IAO

zo

Petsalis, gr.16.29f; Athens (Delos

Hd.AH), amphora and control letters

uncertain, gr. 16.28f

1 f-

cDIAO

zo

Istanbul (Zarova Hd.), gr. 16.67|

Lg-

ME

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oiAono

Oxford, gr. 16.58

a.

EYKPA

nE

Gotha, gr. 16.62; Athens (Delos HdT,

197; Sv.55, 11), gr. 16.80f; Athens

(Delos Hd.AH), gr. 15.73f

b.

EYKPA

nE

Athens (Delos HdT, 198), gr.16.60f

c.

GEOOI

zo

Berlin, gr. 16.46

d.

OIAO

nE

Athens (Delos HdT, 200; Sv.55, 13),

gr. 16.70f; Athens (Delos Hd.AH),

gr. 15.85; Athensf

e.

ZMIKY

nE

Berlin

644.

a. ZMIKY9 M ME "London, gr. 16.88f

b. ZMIKY9 M ME Athens (Delos HdT, 201; Sv. 55, 14),

gr. 16.82f

Drachms

645.

MHTPOAJJ - MIATIAA

ANTIOAN

"Copenhagen (SNG 262), gr. 3.63f

646.

The Middle Period: Catalogue

237

115 tetradrachms: 16 obverse, 65 reverse dies

6 drachms: 8 obverse, 2 reverse dies

Magistrates: ANTIOANHZ, EPMOrENHZ, TTYPPOZ,

KAAAIQ, APXIAI, APIZTOAH, EYKAHZ, KAA-

AIZ, EYKPA, OEOcDI, (DIAOnO, ZMIKYO

Months: A, B, I", A, E, Z, H, 9, !, K, A, M

Controls: ME, TIE, 10, ZO

Irregularity is again apparent in this issue. Not only does one find the same

lack of correspondence between third magistrates and months which has char-

acterized so many of the preceding strikings but there is a change in second

magistrates at the beginning of month r. MIATIAAHZ is replaced by AHMOZ-

0EN (shortened to AHMOZ0E on a number of dies).

There are relatively few dubious readings in connection with the coinage of

Metrodoros and his colleagues. Beule's ATT and Zi controls can be corrected

from the coins. Kambanis reads T" with KAAAIO for our No. 633h; I am inclined

to think it is E/A but the preservation of the piece is too poor for any degree

of certainty.

AIOTIMOZ - MAfAZ NO SYMBOL 146/5 b.c

Tetradrachms

(Plates 68-69)

648.

649.

650.

651.

NIKOAHMOZ A ME *Commerce (Sv. 52, 18), gr. 16.70

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NIKOAHMOZ A ME *ANS-ETN (Halmyros Hd.), gr. 16.73f;

Athens (Delos Hd.AH), gr.15.58f;

Copenhagen {SNG 258), gr. 15.70f

NIKOAHMOZ A ZO *Oxford, gr. 16.47; Paris, gr.16.60f;

Commerce 1952

a. NIKOAHMOZ A T7E/Z4> *Berry Coll., gr. 16.70 \

b. NIKOAHMOZ A TIE Athens, gr. 16.10 \

652.

(AIO-

TIMOOZ)

NIKOAHMOZ A ZO *Romanos Coll.

238

The New Style Silver Coinage of Athens

653.

(AlO-

La.

NIKOAHMOZ

ZO

Athens (Delos HdT, 107), gr.16.70f;

TIMOOZ)

Berlin

b.

NIKOAHMOI

ZO

Kambanis Coll. (Halmyros Hd.)

654.

c.

NIKOAHMOZ

zo

ANS (Anatoha Hd.), gr. 15.87f

XAPINAYTHZ/

B/A

zo/nE

Giesecke Coll., gr. 16.74; Commerce

655.

1955

a.

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NIKOAHMOZ

XAPINAYTHZ

zo

Tubingen

b.

EXEZOENHZ

zo/?

Petsalis Coll., gr. 16.50; London (BMC

384), gr. 16.26f

rl

c.

EXEZGENHZ

TTE

Athens (Delos Hd. AH), gr. 16.20t; Zara

|j

Coll., control letters uncertain, gr.16.78f

d.

AIONYZIOZKE

ZO

Athens (Delos HdT, 109), gr. 16.80f;

656. | |

ANS (Anatolia Hd.), gr. 15.90f

11r

a.

XAPINAYTHZ

zo

Athens (Sv. 52, 20), gr. 16.80

b.

XAPINAYTHZ

Z(D

Istanbul (Zarova Hd.), gr. 16.55f

1H

c.

The Middle Period: Catalogue

239

g-

EXEZOENHZ

E/A

zo

Andreopoulos Coll.

b.

AIONYZIOZKE/

ME

Tubingen, gr. 16.77; Athens, gr. 16.70f

EXEZOENHZ

i.

AIONYZIOZKE

ME

Berlin, gr. 16.75

NIKON/

Z/E

nE

L. Meletopoulos Coll., gr. 16.55

AIONYIIOZKE

k.

NIKflN/

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ME

Paris, gr. 16.88f; Athens (Delos HdT,

AIONYZIOZKE

101; Sv. 52, 28), gr. 16.85f

1.

NlKflN/?

ME

Athens (Halmyros Hd.)

m.

KAAAIAAHZ/

O/H

ME

*Athens (Delos Hd. T, 97), gr. 16.70f

ATTOAAflNIAHZ

n.

KAAAIAAHZ

ME

Berlin, gr. 16.50

0.

AAMIOZ

ME

Petsalis Coll., gr. 16.78f

XAPINAYTHZ

A/r

ZO/ZO

London, gr. 16.09 (pierced) f

660.

a.

NIKQN/

AIONYZIOZKE

nE

Vienna, gr. 15.70 (pierced). With Z/E:

Oxford, gr. 16.81

b.

ATTOAAflNIAHZ

zo

*ANS (Cretan Hd. II), gr. 16.45f

c.

240

The New Style Silver Coinage of Athens

662.

663.

664.

1f-

ooinoz

Z<D

Kricheldorf IV, 201, gr. 16.39

g-

HPAKAEOA

nE

Athens (Delos Hd.AH), gr. 15.85|

1a-

ATTOAAQNIAHZ H

zo

Zygman Coll., gr. 16.64f

|b.

AnOAAQNIAHZ H

zo

Sicelianos Coll.

(poss. recut)

1 c-

AnOAARNIAHZ H

zo

Ld.

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Berlin (Sv. 52, 24). gr. 15.85

AAMiOZ

zo/zo

Athens (Delos Hd.AH), gr. 16.02t;

Paris, gr. 16.52f. With 60IN0Z/AA-

MIOZ and K/l: Athens (Delos Hd. KS,

24), gr. 15.87f

e.

AAMIOI

Athens (Delos Hd. AH), gr.l5.20 (worn)f

f.

001NOZ

zo

Kambanis Coll., gr. 16.20

g-

HPAKAEOA

zo

Athens (Delos Hd.AH), gr. 15.50f

a.

90IN0Z/

K/l

nE

Athens (Delos Hd. 1", 105; Sv. 52, 28),

AAMIOZ

gr. 16.85f

b.

60IN0Z

nE

*Evelpidis Coll., gr. 16.20

c.

601 NOZ

zo

Kambanis Coll. (Halmyros Hd.)

d.

HPAKAEOA

The Middle Period: Catalogue

241

666.

a. AIONYZIOIKE?

b. 60IN0I K

Hemidrachms

667.

(AIO-MA) a. XAPI

rb. XAPI

668.

AIONY/XAPI

Petsalis Coll., gr. 8.80 \; London, gr.

3.27

Vienna, gr. 8.96; Athens (Delos Hd.A,

18; Sv. 52, 82), gr. 4.00f; Athens, gr.

3.88t; Petsalis Coll., gr. 8.97f; Copen-

hagen (SNG 259), gr. 8.84f; Berlin,

gr. 3.91

Athens (Delos Hd. B, 57; Sv. 52, 81),

gr. 2.05f; Athens (Delos Hd. KS, 25),

gr. 1.50f

Athens (Delos Hd. B, 56; Sv. 52, 83),

gr. 1.92f; Berlin, gr. 2.02

Sotheby (Delbeke) 159, gr. 1.98. With

601/AIONY/XAPI: *Athens, gr. 1.43f

98 tetradrachms: 17 obverse, 58 reverse dies

10 drachms: 2 obverse, 4 reverse dies

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6 hemidrachms: 2 obverse, 2 reverse dies

Magistrates: NIKOAHMOZ, XAPINAYTHZ, EXEI9E-

NHZ, AIONYIIOIKE, NIKflN, AnOAAflNIAHS,

KAAAIAAHI, AAMIOI, 60IN0I, HPAKAEOA

Months: A, B, T, A, E, Z, H, 0, I, K, A

Controls: ME, FTE, 10, 2<D

The coinage of Diotimos and Magas has two distinctive features. It is the

first issue in the three-magistrate series without a symbol in the field and the

first striking since that of Eurykleides and Ariarathes, eight years earlier, with

the hemidrachm denomination.

Ten third magistrates are found on dies dated from A through A. Their

tenures of office as outlined in the Statistical Survey section show the irre-

gularity which is common in this period. In fact there may be even more varia-

tion than appears in the diagram. Dionysioske would seem to have served for

E as well as Z as indicated by No. 658j with NIKQN/AIONYIIOZKE and Z/E.

No. 660a may connect NIKflN with E; there is no trace of a Z over the E on the

Vienna coin but I rather think this may merely be an omission on the part of

the engraver which was corrected before the Oxford tetradrachm was struck.

242

The New Style Silver Coinage of Athens

Beule's association of EXEZOENHZ with Z can be disproved in the case of the

British Museum coin (our No. 655b and BMC 384 where the accurate reading

of A is given).

Controls for this issue are identical with those of the year preceding. Beule's

isolated ZQ is not recorded by Kambanis and is probably an error for ZO.

AIONYIIOIKE in its entirety can scarcely be regarded as a magistrate's

name. The KE added to Dionysios reminds one of the NE after NIKOr and the

Al after MHTPO on the earlier sinkings of MENEA - EnirENO and ETTirENH-

ZftZANAPOZ and suggests that we have here another instance of careful identi-

fication. Beule thinks the letters may represent a patronymic, an artist's

signature or a fourth magistrate; Sundwall believes they are the beginning of

a demotic. It seems to me that the demotic connection is the most plausible.

EYMAPEIAHZ - AAKIAAM

Tetradrachms

669.

r 001 A 10

670. |

| a. 001 A ZQ

lb. 001 A Zfl

671. |

(AAKIAA) | a. 001 A Zfl

|b. 001 A Ifl

jc. 01 A ZO

|d. AIO B?

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|e. AIO B?

672. |

la. 001 A ME

b. 0OI A ME

c. AION B ME

TRIPTOLEMOS 145/4 B.C.

(Plates 70-71)

Berlin, gr. 16.68

London, gr. 16.31f

Athens (Oreos Hd.); Commerce 1957

(Abruzzi Hd.)

Athens, gr. 16.50f

Athens (Delos Hd.AH), badly corrodedf

Moscow; Athens, gr. 16.70f; Athens (Delos

Hd.AH), control letters uncertain, gr. 16.10*

Athens (Delos Hd.AH), gr. 16.85f; Berlin,

gr. 15.96

Athens (Halmyros Hd.)

Oxford, gr. 16.65; Cambridge (SNG 8218),

gr.16.80f; Glasgow (Hunt. 130), gr.16.56f;

Berry Coll., gr. 16.70f; Stack's (South) 616;

Budapest, gr. 16.63f

Romanos Coll. (Sv. 58, 1), gr. 16.58; Pet-

salis Coll., gr. 16.72f

Athensf; Berlin, gr. 16.18

The Middle Period: Catalogue

243

|a-

eoi

Athens (Salamis Hd.), gr. 15.90f; Com-

merce 1955

Lb.

eoi

Halmyros Hd.; Winterthur Cast

c.

AION

10

Sophia, gr. 16.69

EYMAPEIAHZ - KAEOMEN

(KAEOMEN/ d. APII T ZO

AAKIAAM)

e. AHMO A 10

f.

AHM

20

g-

10

h.

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AHM

MHTP

10

i.

TIMOK

10

*Empedocles Coll. = Baltatzi Coll. (Sv.58,8)

= Mavrokordatou Coll. {JIAN, 1912,

1322), gr. 16.90

Vienna, gr. 16.46; Copenhagen (SNG 155),

gr. 16.13 (pierced) f

Halmyros Hd.

Istanbul (Zarova Hd.), gr. 16.78 \

Athens (Delos Hd.AH); Athens, gr. 16.55f

Parma (Sv. S3, 8)

EYMAPEIAHZ - AAKIAAM

674.

a. AION B ME *Berry Coll. (Halmyros Hd.), gr. 16.82f;

Stockholm, gr. 16.49; London, gr. 16.50f;

Athens (Delos Hd. T, 114; Sv. 58, 2), gr.

16.35; Athens, gr. 16.63f; Athens, gr.

16.65I1

b. AjON B? Athens, fragment

675.

(AAKIAA) a. AION B Zfi *Kambanis Coll. (Halmyros Hd.)

b. AION B Zft Berlin, gr. 16.87

676.

EYMAPEIAHZ - KAEOMEN

APIZ T? *Ratto, Oct. 1934, 167, gr. 16.68

677.

a. APIZ T Zfi Oxford, gr. 16.10f

b. APIZ T ZO>/Zn Empedocles Coll.; Halmyros Hd.; ANS-

ETN, gr. 16.58f; ANS, gr. 16.42f

1 The Stockholm coin served as the prototype for the following cast copies: The Hague

(gr. 14.20), Copenhagen (SNG 154, gr. 14.45) and Tubingen (gr. 15.57). A tetradrachm in the

Cleveland Museum of Art, also cast, is an exact replica of the British Museum piece.

244

The New Style Silver Coinage of Athens

678.

679.

(KAEOME)

(KAEOME)

c.

AHMO

Cambridge (Grose 5911), gr. 16.57f; Berlin,

gr. 16.41

d.

ahm

ia

Athens (Delos Hd. AH)

e.

AIK

in

ANS-ETN (Halmyros Hd.), gr. 16.65f;

Karlsruhe, control letters uncertain, gr. 16.54

f.

ASK

in

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Brussels, gr. 16.18

MHTP

in

*Romanos Coll.

h.

MHTP

Paris (de Luynes 2115), gr. 16.80f; Gotha,

gr. 16.24; Berlin, gr. 16.66

1a-

APII

ME

Romanos Coll.

b.

AHMO/

A/r

ME

Hamburger 98, 698 (Halmyros Hd.), gr.

APII

16.84; Berlin, gr. 16.77

1 c-

AHMO

ME

Athens (Delos Hd.AH), gr.15.61f; Athens,

gr. 15.98; Berlin (Sv. 58, 4), gr. 16.75

|d.

AHMO

ME

Kambanis Coll. (Halmyros Hd.); Commerce

1 e-

AIK

ME

Athens (Delos Hd. AH)

1 f-

AIK

ME

The Middle Period: Catalogue

245

TIMOK/

MHTP

AEflN

AEflN

AEflN

TTYPPI/

(?)AEflN

nYPPI

0/H ME Meletopoulos Coll.

I ME * Vienna, gr. 16.67; ANS (Cretan Hd. II),

gr. 16.15 (broken) f; Bauer Coll. = Ratto

(Rogers) 890, gr.16.74f; Berlin, gr. 16.70

I ME Berlin (Sv. 58, 9), gr. 16.80

I ME/ Piraeus Hd., gr. 16.56. With TTYPPI/AEflN

(?)Z<t> and A/I: London, gr. 16.42f

A/K ME London, gr. 16.50f; Athens (Halmyros Hd.)

M ME ANS-ETN (Halmyros Hd.), gr. 16.54f;

Petsalis Coll., gr. 16.80

AEflN

AEflN

ZO Athens (Delos Hd.AH), gr. 16.05f; Berlin,

gr. 16.45

ZO * Athens, gr. 16.60|

AEflN

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(recut)

nYPPI

K Zfl

? ZO

Paris, gr. 16.06f

Vienna, gr. 16.42

nYPPI

K ZO

Petsalis Coll., gr. 16.57

nYPPI

nYP

A ZO *Halmyros Hd.; Athens (Delos Hd. T, 116;

Sv. 53, 10), gr. 16.60t

M ZO *Berlin (Sv. 58, 11), gr. 16.72

EYMAP - AAKI

001

Zfl Athens (Delos Hd. B, 80; Sv. 53, 12), gr.

4.07f

111 tetradrachms: 16 obverse, 60 reverse dies

1 drachm

Magistrates: GOI, AION, AP1Z, AHMO, AZK,

MHTP, TIMOK, AEflN, nYPPI

Months: A, B, T, A, E, Z, H, 9, I, K, A, M

Controls: ME, ZO, Z0>, Zfl

246

The New Style Silver Coinage of Athens

For this issue there are numerous divergent readings in the earlier publi-

cations, some able to be corrected but others impossible to check. The name of

the third magistrate is often inscribed in very small letters which makes de-

cipherment difficult, and recutting is an added complication. Beule gives AION

with KAEOMEN from his collection and Kambanis has the same combination

with r on the amphora, after a Delos Hoard coin which I think is No. 115 of the

r Hoard. The piece was not accessible when I was in Athens but Svoronos

records the name as APIS. Sundwall lists APIZ with K after Beule; the latter,

however, says the letter is not clear. In Sundwall also there is a AEQN - A

combination after a Paris coin cited by Beule. This is No. 679g with K on the

amphora as read by both Kambanis and myself.

Two third magistrates of whom I can find no record appear in the listings.

The MENE of Beule from the Fox Collection would seem to be the last line of

KAEOMEN, the true third magistrate's name being perhaps illegible or minutely

inscribed and hence easily overlooked. Kambanis in his notebook records

TTPOTIM with 6. Three of the examples he cites (our Nos. 678g in therecut

form, 673i and 679f) can be checked and the correct reading is TIMOK, usually

over MHTP. Beule incidentally gives the magistrate on the same Parma coin

(No. 673i) as AEflN.

To the best of my belief only the nine third magistrates of the present

catalogue are to be associated with Eumareides and his colleagues. Individual

terms of office are generally irregular but the coinage as a whole is fairly evenly

distributed throughout the year.

One tetradrachm is included in the catalogue with some reservation. No. 676

differs considerably in style from the other dies of this issue and this period,

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but without examining the coin itself I am unable to form a definite judgment

on its authenticity.

XAPINAYTHS - APIZTEAI DEMETER (?) WITH TORCHES 144/3 b.c.

(Plates 72-73)

Tetradrachms

686.

ra.

lb.

NIKA

NIKA

ME

ME

Berlin, gr. 16.81

*Athens (Delos Hd. T, 235), gr. 16.801.

With AlONYIOAfi/NlKA and B/A:

Paris, gr. 16.72f

687.

b.

a.

NIKA

NIKA

XD/IQ *Athens (Delos Hd. T, 233), gr. 16.751

I<D Romanos Coll.; Dewing Coll., control

letters uncertain, gr. 16.201

The Middle Period: Catalogue 247

|c.

NIKA

10

Athens (Delos Hd.AH), gr. 15.40f

Ud.

AIONYZOAG/

B/A

ZO/ME

Athens (Delos Hd. V, 238), gr. 16.68f

NIKA

e.

AlONYZOAfl/

B/A

Id)

Copenhagen (SNG 157), gr. 16.78f

NIKA

r*-

IAZAN/

A/r

10

Berlin, gr. 16.67

EYAHMOZ

1a-

NIKA

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ZQ

Athens (Delos Hd. T, 234; Sv. 61, 15),

gr. 16.65f; ANS (Anatolia Hd.), gr.

16.52f; Glendining, Oct. 1957, 102, gr.

16.49

|b.

NIKA

ZQ

The Hague; Hirsch (Weber) 1711, gr.

16.69

1 c-

NIKA

S[

Sophia, gr. 16.65

jd.

NIKA

Athens (Salamis Hd.), gr. 16.68f

1 e-

AlONYOZAfl

Zfl

*ANS-ETN (Halmyros Hd.), gr. 16.67|;

(sic)

Toronto (Ontario Hd.), gr. 16.65f; To-

ronto (Ontario Hd.), gr.16.71f; Hal-

myros Hd.; Herakleion (Cretan Hd. II),

amphora letter uncertain, gr. 16.65f

1 f-

EYAHMOZ

ZQ

ANS (Abruzzi Hd.), gr. 16.23f. With

IAZAN/EYAHMOZ and A/r: Athens

(Delos Hd. T, 240; Sv. 61, 18), gr.

16.70f; Toronto (Ontario Hd.), gr.

16.73f; Athens (Delos Hd.AH), gr.

16.05f; Athens, gr. 16.60f. With HPA-

KAEI /I AZflN/EYAHMOZ and E/A/r:

ANS (Anatolia Hd.), gr. 16.59f

248

The New Style Silver Coinage of Athens

690.

691.

1 L |b.

AlONYZOAfl/

B/A

ZO/ZJ2

Toronto (Ontario Hd.), gr. 16.61f

NIKA

1 1c-

AIONYZOAG

20110

Athens (Salamis Hd.), gr. 16.58f; Pet-

j|

salis CoU., gr. 16.76f

1 |d.

EYAHMOI

ZO

*ANS-ETN (Halmyros Hd.), gr.17.07f;

|j

Athens (Delos Hd.AH), gr. 15.92f

1 e-

EYAHMOZ

ZO

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Athens (Delos Hd. T, 239; Sv. 61, 17),

j|

gr. 16.72f; Athens (Halmyros Hd.)

1 L*-

EYAHMOZ

Z<D

Toronto (Ontario Hd.), gr. 16.68f

1 g-

IAZQN/

A/r

zn

ANS (Anatolia Hd.), gr. 16.02|; Berlin,

EYAHMOZ

gr. 16.71

L h.

HPAKAEI/

E/A/r

in

Paris, gr. 16.79f; Vienna, gr. 16.53;

lAZfiN/

Athens, gr. 16.00f

EYAHMOI

i.

HPAKAEI/

E/A

ZO

Athens (Delos Hd. B, 168; Sv. 61, 19),

IAZAN

gr. 16.57t

r i-

EniTI1

S/E

Istanbul (Zarova Hd.), gr. 16.65t

r| k.

Enm

Z[

Athens (Delos Hd.AH), gr. 15.75f

1 I a-

The Middle Period: Catalogue

249

c.

AYKI/ H/S/E

AIO

AnOAAO/EniTI

pd.

AYKIZ H

Al

1 e-

EmrO (recut?) 1/9

AIO

1f-

Eniro 1

zo

ig-

En 1

Z<D

|h.

GEOEE A

ZO

KHOIZ/OEOEE M/(?)AAI

1a-

AnOAAO/ S/E

AIO

Enm

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|b.

AnOAAOAfi/ S/E

AIO

Enm

1c-

AnOA z

za

Ld.

AIONYZ/AYKIZ 9/H

Al

e.

AIONYZ/AYKIZ 9/H

f.

AIONY 9

ZQ

g-

En 1

Al

h.

En 1

Zfl

phora and control letters uncertain, gr.

16.62f. With AnOAAOAfi/EniTI:

Athens, gr. 16.80f; Berlin, gr. 16.70

Athens (Delos Hd.AH), gr. 16.20f

Berlin, gr. 16.61

London {BMC 514), gr. 16.52f

Giamalakis Coll., gr. 16.45

ANS (Anatolia Hd.), gr.16.59f; Ro-

manos Coll.

Cambridge (Leake Coll., SNG 8226;

Sv. 61, 25), gr. 16.68f. With KHcDIZO/

GEOEE and M/A and ZO/ZO: *Paris,

gr. 16.40f

Athens (Delos Hd. T, 249), gr. 16.25f;

Athens (Delos Hd. T, 248), amphora

letter uncertain, gr. 16.75t

Istanbul (Zarova Hd.), gr. 16.75f

Empedocles Coll. = Weber 8522 (Sv. 61,

20), gr. 16.91. With ZOA/AIO:

Istanbul (Zarova Hd.), gr. 16.62f

Bauer Coll. = Ratto (Rogers) 424, gr.

250

The New Style Silver Coinage of Athens

693.

694.

i. QEOE A ZQ

j. KHOI ?Z2

a. AnOAAOAfl/ S ZO

EniTI

b. AYKIZKO/ H/S ME

ArTOAAOAQ

a. AnOAAOAB/ S ZO

Enui

b. AYK1Z H ZO

L c. AIONY/

AnOA1

d. AIONY

e. En

g. GEOEE

h. KHOIZOA/

GEOEE

Q/H/Z Z

Q ZO

I ZO

f. eEOE/ETTI A/I ZO

A Al

M/A Z[

ANS (Cretan Hd. II), gr. 16.53f

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Athens, gr. 16.15f

Paris, gr. 16.60f; Commerce

Berlin, gr. 16.60

Commerce 1953, gr. 16.62; Commerce

1955

Athens (Delos Hd. T, 245), gr. 16.20f;

Athens (Delos Hd. T, 244; Sv. 61, 22),

control letters uncertain, gr. 16.85f

Athens (Delos Hd. T, 247), gr. 16.77|

Athens (Delos Hd.AH), gr. 15.58t;

Athens, amphora letter uncertain, gr.

16.05f; Berlin, gr. 15.89

Athens (Delos Hd.AH), gr.16.68f;

Paris, gr. 16.65f; London, amphora

letter uncertain, gr. 15.80|; Athens

(Delos Hd. T, 248), amphora letter un-

certain, gr. 16.60f

Ratto (Rogers) 426, gr. 16.65; *ANS-

ETN, amphora and control letters un-

certain, gr. 16.60f

Berlin, gr. 16.29

Commerce; Berlin, gr. 16.82

695.

a. En I ME

b. Em I ME

1 It seems likely that AYKIZ was also on

trace of the lettering remains.

Athens (Delos Hd.AH), gr. 15.84 f;

Toronto (Ontario Hd.), control letters

uncertain, gr. 16.65f. With GEOE/En

and A/I: Herakleion (Cretan Hd. I)

Piatt (Luneau) 517; London (BMC

513), control letters uncertain, gr.

16.52f. With GEOE/Eni and A/I: Ox-

ford, gr. 16.83

die, below AIONY and over AnOA, but no

The Middle Period: Catalogue

251

c. GEOE A ME Athens (Delos Hd. B, 167), brokenf

d. KHCDII M ME Berlin (Sv. 61, 26), gr. 16.76

XAPINAYTH - API2TEAI

Drachm

696.

? ZQ * Athens, gr. 3.69 (Pl.)f

129 tetradrachms: 10 obverse, 56 reverse dies

1 drachm

Magistrates: NIKA, AlONYIOAfl, EYAHMOZ, IAIJ2N,

HPAKAEI, EniTI, ATTOAAOAG, AYKIIKO, AIONYI,

EnirO, GECEE, KHOIZOA

Months: A, B, T, A, E, Z, H, 9, I, A, M

Controls: AI(O), ME, 10, SO(A), ISl

Recutting of names and dates makes this a difficult issue to catalogue. As

many as three third magistrates and months appear on a single die and the

deletion of earlier inscriptions is often carelessly done so that the resulting

jumble of letters is confusing. This has led to the recording of a great many

erroneous readings. Most of those given by Beule are corrected by Sundwall

but the latter has a number of misreadings which should perhaps be cited:

AIONY2TT.A with H/9 (from Svoronos, JI AN, 1906, p. 267). In the JI AN

publication, however, the order of months is correctly given as 9/H and AIONY

is listed as over n. A. The tetradrachm in question is our No. 694c which has

AIONY/ATTOA.

9E0EE with K/A is not confirmed by the Svoronos reference {J I AN, 1906,

p. 260our No. 695c) which lists the date as A.

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9EOEE with N from Beule. The latter, however, reads the month as a poorly-

formed A on tetradrachms in his own and the Paris collections. Our No. 692h

is the Paris coin. 9E0EE is cut over EFT and A over I. In changing the date a

diagonal stroke has been added to the original I which results in the form N.

What seems at first glance to be another vertical to the right is, I believe,

merely a surface flaw.

ANAPIZKOI as a third magistrate can be corrected from the evidence of the

Berlin coin cited by Beule' and Sundwall. The specimen is our No. 693b which

has AYKIXKO/AT70AAOAQ, a combination which looks not unlike ANAPIZKOZ.

Kambanis' listing of magistrates and months corresponds with the present

catalogue except that the amphora letter on No. 695d is given as N. In the

Tresor index the same date is recorded after the reading of Svoronos or Pick.

The letter is certainly not clear but from the illustration it looks to me far more

252

The New Style Silver Coinage of Athens

like an M than an N; I should hesitate to classify 144/3 B.C. as an intercalary

year on the evidence of this one piece.

The symbol on the coinage of Charinautes and Aristeas has been described

by some as Artemis and by others as Demeter.1 Considered in isolation, the

standing female figure with long robe and two torches might be either goddess.

There is, however, the circumstance that on the next two issues the symbol is

definitely Artemis and it seems a little doubtful that the same goddess would

have been selected for three successive strikings. Furthermore there is a re-

lationship between this symbol and that on the issue of ANAPEAZ - XAPI-

NAYTHZ, eight years later, which may provide a clue to the identity of the

figure. The second striking uses as its device a representation of two divinities:

one enthroned with full drapery and a sceptre, the other standing with long

robes and two torches. Recurrence of the name XAPINAYTHZ and the similarity

of the standing figures on the two emissions suggest that the man who served

as first magistrate in 144/8 B.C. is holding office again in 136/5 and that the

symbol which he chose for the earlier striking is repeated as a part of the later

device. The combination of seated and standing figures is usually described as

Dionysos and Demeter; it might, I think, equally well be Demeter and Kore

but there is no decisive evidence one way or the other. In any case whether the

seated deity be Dionysos or Demeter, the associated figure is more likely to be

Demeter or Kore than Artemis.

OANOKAHZ - AFTOAAnNIOZ ARTEMIS WITH TORCH

Tetradrachms

143/2 B.C.

(Plates 74-75)

698.

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697.

TIMOKPATH A Zfl

a. TIMOKPATHI A 10

b. TIMOKPATHZ A ZO

c. TIMOKPATHI A ZO

*ANS, gr. 16.85t; Zygman Coll., gr.

16.00t

Berlin, gr. 15.91

Kambanis Coll. (Halmyros Hd.); *Em-

pedocles Coll.; Moscow

Berlin, gr. 16.57

1 Still another identification is suggested by T. Panofka who makes a connection between

the name of the first magistrate and his chosen device {Annali dell' Inst, di Corrisp. arch., 1840,

pp. 201-203). Pointing out that Charinautes signifies "favorable to navigators", Panofka links

the torch-bearing goddess with Selene whose nocturnal illumination served to guide sailors. This

interpretation is certainly possible but it seems somewhat fanciful. One has the feeling that if a

definite association such as this had been intended the standing figure would have been clearly

identified as the moon goddess by means of a distinctive attribute.

The Middle Period: Catalogue

253

TIMOKPATH A 10

TIMOKPATH??

Athens (Delos Hd. B, 161), gr. 15.80f

Istanbul (Zarova Hd.), gr. 16.84f

TIMOKPATH A Zfl

BAKXIOI

AAE

Zfl

Copenhagen (SNG 159; Sv. 61, 1), gr.

16.89f; Kambanis Coll. (Halmyros

Hd.). With APIZTOAHMOZ/TIMO-

KPATH and B/A: *ANS-ETN = Ratto

(Rogers) 420, gr. 16.76f; Athens (Delos

Hd.AH), amphora and control letters

uncertain, gr.16.88t. With ZflZTPA-

TOZ/APIZTOAHMOZ/TIMOKPATH and

T/B/A: Paris (de Luynes 2112), gr.

16.20f

Athens, gr. 16.50f

Athens (Sv. 61, 7), gr. 16.50f

TIMOKPATHZ A ME

APIZTOAHMOZ/ B/A ME

TIMOKPATHZ

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APIZTOAHMOZ B ME

BAKXIOZ

BAKXIOZ

AAEEAN

ME

A ME

Z ME

Istanbul (Zarova Hd.), gr. 16.54f; Em-

pedocles Coll.; Commerce 1955 (Halmy-

ros Hd.), gr. 16.47f; Berlin, gr. 16.45

Schlessinger (Hermitage 2) 956 =

Sv. 61, 2, Romanos, gr. 16.70

London, gr. 16.61f; Athens, gr. 15.85f.

With ZflZTPATOZ/APIZTOAHMOZ and

T/B: *ANS-ETN (Halmyros Hd.), gr.

16.78|; Athens (Delos Hd.AH), gr.

15.90f; Berlin (Sv. 61, 8), gr. 16.62

Copenhagen (SNG 160), gr.16.16f;

Athens (Delos Hd. T, 280; Sv. 61, 4),

gr. 16.70f; London, gr. 16.25f; Athens,

amphora and control letters uncertain,

gr. 16.60f

Athens (Delos Hd.AH), gr.16.88f;

Athens, badly crystallizedf

ANS-ETN (Halmyros Hd.), gr. 16.62f

TIMOKPATH A ZO

TIMOKPATH??

Oxford, gr. 16.66; Athens (Delos Hd.

AH), brokenf. With APIZTOAHMOZ/

TIMOKPATH and B/A: Berlin, gr. 15.53

Vienna, gr. 16.85

254

The New Style Silver Coinage of Athens

I d-

rl e-

I I f-

I I fi-

ll- h.

rl I

III i-

| | | k.

703. | | |

III a-

I I I b.

704. | | |

IIL

705. | |

lL a.

L b.

ZflZTPATOZ/

r/B

zo

Athens (Delos Hd.AH), gr. 16.08f

APIZTOAHMOZ

BAKXIOZ

zo

Glasgow (Hunt. 185), gr. 16.39f

ZQ

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QEOAfi

Athens (Delos Hd.AH), gr. 16.25f

GEO

ZO

Petsalis Coll., gr. 16.81

QEOAQPOZ/

H/Z

zo/zo

Romanos Coll.

AAEEAN

EIPHNAI/QEO-

G/H/Z ZO/ME

Copenhagen (SNG 161), gr. 16.39|

AQPOZ/AAEEAN

EIPH/GEO

G/H

Leipzig

EIPH

zo

Athens (Delos Hd. T, 281; Sv. 61, 8)

gr. 16.85f

OIAINOZ

zo

Commerce 1958; Athens (Delos Hd

AH), amphora and control letters un-

certain, gr. 15.25|

BAKXIOZ

AAEEAN

ZO *ANS-ETN (Halmyros Hd.), gr. 16.82f;

Athens (Halmyros Hd.); Commerce

1957 (Abruzzi Hd.); Berlin, gr. 16.70

ZO Berlin (Sv. 61, 5), gr. 16.24. With GEO-

AQPOZ/AAEEAN and H/Z: *ANS-

ETN = Ratto (Rogers) 422, gr. 16.81t;

Athens (Delos Hd. T, 282; Sv. 61, 6),

gr. 16.82f

AAEEAN

ME *London (Halmyros Hd.), gr. 16.2S|;

The Middle Period: Catalogue 255

c.

(DIAINOZ

ZQ

Vienna, gr. 16.48; Berry Coll., gr.

16.65f

d.

(CIA!

ZQ

Athens, gr. 15.80f

e.

ZTPA

A/K

ZQ

London {BMC 508; Sv. 61, 10), gr.

(prob. recut)

16.71f; Vienna, control letters un-

certain, gr. 16.85

r f-

ZTPA

zo

London {BMC 509), gr. 16.45f; ANS

(Abruzzi Hd.), gr. 16.22f

rl s-

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ZTPATIOZ

Commerce 1982; Istanbul (ZarovaHd.),

control letters uncertain, gr. 16.88f

! 1 h-

IAT

Zfl

ANS-ETN (Halmyros Hd.), gr.16.67f;

!i

Athens, gr. 16.27f; Petsahs Coll., gr.

16.63. With OIAO0/ZAT and M/A:

j|

Istanbul (Zarova Hd.), gr. 16.45f

1 1 r1-

OlAOOEOZ/

M/A

ZQ/?

Athens (Delos Hd.AH), gr. 16.75f;

ZTPATIOZ

Toronto (Ontario Hd.), gr. 17.00f

| | | a.

IEPJ1N

ME

Athens (Delos Hd.AH), gr. 16.05f. With

111

OlAINOZ/IEPflN and 1/0: *Athens,

11I

(Delos Hd.B, 163; Sv.61, 9), gr.16.48f;

111

Glasgow (Hunt. 186), gr. 16.48f; Athens

111

(Delos Hd.AH), gr. 15.82f; Athens

111

(Delos Hd.AH), gr. 15.62f

1 1 b-

AZKAAFIflN

ME

Commerce 1952, gr. 16.77

| | | c.

256

The New Style Silver Coinage of Athens

e.

f.

(Zarova Hd.), gr. 16.61f; Athens (Delos

Hd.AH), amphora letter uncertain, gr.

15.48f

2TPA M/A ZO Berlin (Sv. 61, 18), gr. 16.72

OIAO0EOZ M ZO MarseiUes; Athens (Delos Hd. B, 165;

Sv. 61, 12), gr. 16.45

708.

ZTPA

zo

b. OIAO0/( ?)ZTPA M/A ZO

Athens (Delos Hd.AH), gr. 16.48f;

Athens (Delos Hd.AH), gr. 15.65f;

Athens (Delos Hd. B, 164), gr. 15.98f;

KambanisColl. (HalmyrosHd.); Stack's

(South) 612. With M/A: Athens (Delos

Hd.AH), gr.15.74f; Athens, gr.l6.22|

Athens (Delos Hd.AH), gr. 15.75f;

Berlin, control letters uncertain, gr.

15.82 (pierced)

709.

OIAO0EOZ/ M/(?)AME/ZO *ANS-ETN = Ratto (Rogers) 423 =

ZTPATIOZ Naville XIII, 759, gr.16.60f; Buda-

pest, gr. 16.50f

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OANOKAHZ - ATTOAAflNI

Drachm

685.

IEP/(?)GEO ? *Athens (Delos Hd. B, 162; Sv. 61, 14),

gr. 8.85f

120 tetradrachms: 18 obverse, 41 reverse dies

1 drachm

Magistrates: TIMOKPATHZ, APIZTOAHMOZ, ZftZTPATOZ.

BAKXIOZ, AAEEAN, 9E0AQP0Z, EIPHNAI, IEPAN, Ol-

AINOZ, AZKAATTQN, ZAT, ZTPATIOZ, OIAO0EOI

Months: A, B. T, A, Z, H, 0, I, K, A, M

Controls: ME, ZO, Z(D, Zfl

A drachm die, No. 685, links the coinage of Phanokles and Apollonios with

that of Eumareides and Kleomenes. For reasons that are outlined in the com-

mentary following this section of the coinage, I do not believe that the two

issues are contiguous. Rather this seems to be a case parallel to that of No. 411,

also a drachm die, which was apparently in service over a period of three years.

The Middle Period: Catalogue

257

In this instance, however, there may have been no fractional coinage under

Charinautes and Aristeas whose term of office immediately precedes that of

Phanokles and Apollonios since the only drachm on record is a plated specimen

which may or may not have been an official issue.

Of the thirteen third magistrates known for the year 143/2 B.C., IEPQN and

ZAT are each represented by a single tetradrachm reverse. The former is not in

SundwaU's record but Kambanis lists his name. Ostensibly his tenure followed

that of EIPHNAI since the name of the next magistrate, QIAINOZ, is found cut

over lEPflN but not over EIPHNAI. ZAT on the other hand seems to have served

briefly in association with ZTPATIOZ during lambda. The latter's term extends

into M but (JMAO0EOZ, his successor, is inscribed over A reverses of both ZAT

and ZTPATIOZ.

I have found no evidence for coinage during month E. Beule gives this date

with BAKXIOZ from a coin in his collection and Sundwall and Kambanis repeat

the entry but all BAKXIOZ pieces that I have seen have delta on the amphora.

EYBOYAIAHZ - ArA0OKAH

Tetradrachms

710.

711.

712.

713.

<DIAO

oiAoe

EOAfi/

OIAO0

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|-a. 0EOAQ/

<DIAO0

EOAQ

zo

ARTEMIS WITH FAWN 142/1 B.C.

(Plates 76-77)

"London {BMC 404; Sv. 59, 17), gr. 16.36f;

Athens (Delos Hd.AH), amphora and control

letters uncertain, gr. 16.08f

AYZin

A ZQ *Giesecke Coll. (Sv. 59, 16), gr. 16.76

A ZQ * Athens (Delos Hd.AH), gr. 16.52f; Istanbul

(Zarova Hd.), gr. 16.70 /; Berlin, gr. 16.02

A Zfl *ANS-ETN (Halmyros Hd.), gr. 16.78f; Ratto

(Rogers) 416, amphora and control letters un-

certain, gr. 16.65; Berlin, gr. 16.47

A Zfl *London {BMC 403), gr. 15.91f; The Hague,

gr. 16.05; Karlsruhe, gr. 16.54

ZfllAOZ - EYANAPOZ BEE

T Zft L. Meletopoulos Coll., gr. 16.40; Kambanis

The New Style Silver Coinage of Athens

Coll. (Halmyros Hd.). With MENNGN/AYZin

and A/H ANS (Cretan Hd. II), gr. 16.25f

MENNQN A ZQ Leningrad (Sv. 60, 18), gr. 16.38; Lockett

Coll. (SNG 1922) = Ratto (Rogers) 418, gr.

16.63f; Istanbul (Zarova Hd.), amphora letter

uncertain, gr. 16.51f

EYBOYAIAHI - AfAOOKAH ARTEMIS

OEOAQ A ME *Paris (de Luynes 2102), gr. 16.57f (Plate 75).

With AYIin/GEOAfl and B/A: Leningrad

(Sv. 59, 20), gr. 16.70

AYZITT/ B/A ME(?)/ *L. Meletopoulos Coll., gr. 16.50

9E0AG/ ZQ

OIAO0

ZfllAOZ - EYANAPOZ BEE

AYZIMEN T ME Athens (Sv. 60, 17), gr. 16.60t

AEINIAZ A ME ANS-ETN (Halmyros Hd.), gr. 16.54t

EYBOYAIAHI - ArABOKAH ARTEMIS

CDIAO0 A 10 * ANS-ETN = Sotheby, Dec. 1924, 127, gr.

16.60f; Copenhagen (SNG 162), gr. 16.78f;

Kricheldorf V, 80 = Schlessinger (Hermit-

age 2) 932, gr. 16.70. With eEOA/cDIAOG:

*Romanos Coll. (Sv. 59, 18), gr. 16.82; Athens

(Delos Hd. =e)|. With AYII/9E0A/(DIA0e

and B/A: *Paris (Sv. 59, 19), gr. 16.83f

0EOA A 10 Berry Coll., gr. 16.64f

AYII/9E0A B/A ZO/ME *ANS-ETN (Halmyros Hd.), gr. 16.67f; Copen-

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hagen {SNG 163), gr. 16.59f; Athens (Sv. 59,

21), gr. 17.00

ZniAOZ - EYANAPOZ BEE

AYZin T ZO * ANS-ETN (Halmyros Hd.), gr. 16.53|; Paris.

gr. 16.21f

The Middle Period: Catalogue

259

e.

MENNO (sic

)A

SO

f.

AEINIAS

SO

g-

AEINIAZ

20

h.

AIKAHni/?

Z/E

SO

i.

nOAYKPA/

H/Z

SO

AIKAHni

ZfllAOS

SO

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a.

AYZin

SQ

b.

AYiin(?)

c.

ANTIIGE

SO

d.

AIKAHI (sic

)S

so

e.

AIKAHn

so

716.

a. ANTISGE Z/E ME

b. ASKAHTTI Z ME

c. ZfllAOS ME

d. GEOEEN/ 0 ME

ZfllAOS

717.

a. ANTISGE Z SQ

b. GEOEEN/? I/Q Sfl

c. SflKPA A Sfl

Berlin, gr. 15.90; Athens (Zarova Hd.), gr.

16.78f

ANS (Anatolia Hd.), gr. 16.60f; Kambanis

Coll. (BCH, 1982, PI. I, 2)

Athens (Delos Hd. T, 181; Sv. 60, 19), gr.

16.80; Athens (Halmyros Hd.); Athens

Berlin, gr. 16.58

ANS-ETN, gr. 16.42f; Athens (Delos Hd.

AH), gr. 16.10f. With ZBIAOS/TTOAYKPA/

ASKAHTTI and G/H/Z: *Copenhagen (SNG

164), gr. 16.89f; Berlin (Sv. 60, 23), gr. 16.58;

London, gr.16.71f; Athens (Delos Hd.AH),

gr. 16.15f

26o

The New Style Silver Coinage of Athens

718.

719.

720.

721.

d.

AAMIOI

e.

KPI

a.

6E0EEN/

Z<D

ZQ1AOZ

b.

ZflKPA

ZO

a.

9E0EEN

ME

b.

ZQKPAT

ME

c.

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KPITQN/

M/?

ME

(?)ZKPAT

a.

ZQKPAT

ME

b.

ZflKPAT

ME

a.

ZQKPAT

ZO

b.

KPITQN/

M/?

ZO

ZQKPAT

Istanbul (Zarova Hd.), gr. 16.65f. With KPI-

TQN/AAMIOZ and M/A: Halmyros Hd.1

ANS-ETN, gr. 16.44f

Copenhagen (SNG 165), gr. 16.30|

* Athens (Delos Hd. T, 183; Sv. 60, 26), gr.

16.70f; L. Meletopoulos Coll., gr. 15.95; Ber-

lin, gr. 16.09

*Romanos Coll. (Sv.60, 24), gr. 16.77; Vatican

Athens (Delos Hd.AH), gr. 15.60f

Empedocles Coll.; Athens, gr. 16.80f; Gie-

secke Coll., amphora and control letters un-

certain, gr. 16.56

Berlin (Sv. 60, 25), gr. 15.89

London (BMC 413), gr. 15.84f

Athensf

Vienna, gr. 16.50. With ZO/ZO: *Empedocles

Coll.; Athens (Delos Hd.AH), gr. 15.90*;

Copenhagen (SNG 166; Sv. 60, 27), gr. 16.34!;

Berlin, gr. 16.88

The Middle Period: Catalogue

261

ZCJIAOX - EYANAP BEE

(EYAN) c. AY T?

d. ANTI??

(EYANA) e. 9E 9 ME

*Athens (Delos Hd. B, 95; Sv. 60, 28), gr. 4.07f

Athens (Delos Hd.A-2, 9), gr. 8.76t

*ANS, gr. 8.98f (Plate 79); Athens (Delos

Hd. B, 97), amphora and control letters un-

certain, gr. 8.75f; Athens (Sv. 60, 29), am-

phora and control letters uncertain, gr. 3.70f

94 tetradrachms: 13 obverse, 40 reverse dies

8 drachms: 1 obverse, 5 reverse dies

Magistrates: <D!A09, 9E0AQ, AYZITT, AYZIMEN,

MENNflN, AEINIAZ, ANTIZ0E, AIKAHni, T70AY-

KPA, ZftlAOZ, 9EOEEN, ZQKPAT, AAMIOZ, KPITON

Months: A, B, T, A, E, Z, H, 9, I, K, A, M

Controls: ME, ZO, ZQ, Zfl

In the BCH for 1932 (pp. 39-46) Kambanis establishes the replacement of

first and second magistrates during the course of this emission. EYBOYAIAHZ

and ArA90KAH function for two months (A and B) and are then succeeded by

ZQIAOZ and EYANAPOZ who serve out the remainder of the year. Coincident

with the shift of officials is a change in symbols: a bee with a spear of grain

in its mouth supersedes the archaic Artemis with fawn of the earlier magistrates.

At least three obverse dies (Nos. 710-712) are used by Euboulides and Aga-

thokles alone; four others (Nos. 713, 709, 714 and 722) are transferred from

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one pair of magistrates to the other.

This striking is firmly linked to the one immediately preceding by Ob-

verse 709 which is in operation briefly at the end of 143/2 under (DANOKAHZ -

ATIOAAQNIOZ and then persists through the first four months of 142/1 B.C.

under both EYBOYAIAHZ -ArA9GKAH and ZfllAOZ - EYANAPOZ. The con-

nection between the two issues is illustrated on Plate 75.

Fourteen third magistrates share the minting responsibility and the dia-

grammatic survey of their terms of office provides one of the most complex

patterns in the series thus far. Only three months of the year (B, K and M) are

associated with a single name. Five officialsAYZIT7, AEINIAZ, ANTIZ9E,1

AZKAHni and 9E0EEN serve for a part of two adjoining months; ZQKPAT is

in office for three. The sequence within each month is established by recuttings

in every case but that of AAMIGZ. A reverses of both ZflKPAT and AAMIOZ are

1 There is no reverse recorded for ANTIZ9E with E alone on the amphora but No. 716a has

Z/E. Since the name shows no evidence of recutting, this die indicates a two months' tenure for

ANTIZ9E.

262

The New Style Silver Coinage of Athens

re-inscribed by KPITflN in M, and there is no way of knowing whether AAMIOI

succeeded Z flKPAT or served with him for a brief period at the end of lambda.

AYZIMEN and AAMIOI are known from a single reverse each. The first name

is listed by Sundwall and Kambanis, the second is new to the record but there

can be no doubt of the reading on the Istanbul coin. Beule and Sundwall give

magistrates, amphora letters and control combinations which do not appear

in the present catalogue. Kambanis in his notebook lists TIMOKPA (H) as a

magistrate and FIE and ATT as controls. However, in the BCH publication, which

can scarcely antedate the notebook record since Kambanis speaks of having

examined the coins in various museum collections, most of the dubious readings

of Beule are corrected1 and Kambanis' own exceptional notebook entries are

missing. The summary of magistrates, dates and control combinations as it

appears in the Bulletin (p. 42) corresponds with the catalogue above.2

AAMflN - ZflZIKPATHZ QUIVER AND BOW 141/0 B.C.

(Plates 78-79)

Tetradrachms

Athens (Delos Hd. AH), gr.16.24f;

Athens (Delos Hd.AH; Sv. 59, 1), gr.

15.80f

*Paris (Sv. 59, 2), gr.16.89f; Athens

(Delos Hd.AH), gr. 16.45f; Athens

(Delos Hd.AH), gr.16.02f; Athens,

gr. 15.80; Stuttgart, gr. 16.57

Istanbul (Zarova Hd.), gr. 16.63f;

Paris, brokenf

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Vienna, gr. 16.60

ANS-ETN (Hahnyros Hd.), gr. 16.63f

1 Kambanis' interpretation of Beule's KAEOMEN as a misreading of OEOEEN is substan-

tiated by Seyrig's record of the Hermitage coins. One tetradrachm has -EO/-EN with an un-

certain amphora letter and the Z<t> control that Beule gives. Apparently the latter was restoring

a plausible if erroneous name on the basis of a poorly-preserved inscription. The amphora letter

which Beule lists as B and Kambanis thinks might be H is more likely I/O.

2 The only exception is AYZIMEM, Kambanis' entry, instead of AYZIMEN. The inscription

does seem to have a terminal M but it is probably a carelessly engraved N confused with the end

of the owl's wing that gives this impression. The AYZirTTT, ANTIZOEN and ZfllAOI of the listing

on page 42 are almost certainly errors in transcription similar toOEOAAand AENNIAZ of page 45.

719.

(Horizontal

quiver alone)

KPI

A ME

r b. KPITflN A ME

c. KPITflN

d. KPITflN

B ME

r ME

723.

(Horizontal

quiver alone)

ra. KPI A TIE

The Middle Period: Catalogue

263

b. KPITftN B An Athens (Delos Hd. T, 62; Sv. 59, 3),

gr. 16.65; Athens (Delos Hd.AH)f.

With T/B: Berlin, gr. 16.66; Toronto

(Ontario Hd.), gr. 16.70 /

721.

(Horizontal

quiver alone)

1 Diagonal

724.

(Horizontal

(ZfiZI-

KPITHZ)

725.

1 1 a-

KPI

10

1 lb-

KPI

1 1 c-

KPI

in

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L|d.

KPITflN

ME

1 e-

KPITflN

10

1 f-

KPITflN

20

rig-

NIKONO

UE

1 |h.

NIKONO

ZO

1 1 i-

IAZGN

20

1 1 J-

APIZTON/

z/?

201

||

GEOAflP

1 lk-

KAEIAAMO

UE

1 La-

KPI

TTE

1 b.

KPI

nE

1 c-

264

The New Style Silver Coinage of Athens

726.

727.

b. NIKONO/ A/? ME

KPITON

c. NIKONO A ME

La. NIKONO/

KPITflN1

L b. NIKONO

c.

d.

e.

f.

A/r/B fie

A/r nE

GEOAflP

apiiton/

GEOAQP/

NIKONO

EnirEN

KAEIAAMO/

EnirEN

KAEIAAMO

a. NIKONO/

KPITflN

b. NIKONO/

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KPITQN

c. GEOAQP/

NIKONO

d. IAZQN

z/? nE

H/Z/?

E/A

Halmyros Hd.; Berlin, gr. 15.59

*Chiha Coll.; Andreopoulos Coll.

Kambanis Coll. (Halmyros Hd.); To-

ronto (Ontario Hd.), gr. 16.55f

Berlin, gr. 16.84. With QEOAflP/NI-

KONO and E/A/r: "Uncertain*. With

APIZTflN/QEOAflP/ NIKONO and Z/E/

A/r: * Athens (Delos Hd. AH), gr.15.45f.

With Em rEN/APIZTON/OEOAflP/NI-

KONO and H/Z/E/A/r: 'Athens (Delos

Hd. T, 66; Sv. 59, 9), gr. 16.80t

Berlin, gr. 16.84

Berlin, gr. 16.66

9 nE Budapest, gr. 16.51f

1/9 nE/ME London (BMC 357), gr. 16.84f

I nE ANS-ETN (Halmyros Hd.), gr. 16.12f;

ANS (Anatolia Hd.), crystallized!

A/ An/IO Athens (Delos Hd. 1", 64; Sv. 59, 5),

r(?)/ gr.16.70f; *Univ. Pa. Mus.; Vienna,

B gr. 16.52; Berlin, gr. 16.28. Amphora

and control letters clear only on first

A/? An/? Cambridge (SNG 3225), gr. 16.25f;Na-

ville (Woodward) 752, gr. 16.72; Com-

merce 1982 (Halmyros Hd.)

E/A An/ME *ANS-ETN, gr.16.76f; Athens (Delos

Hd.AH), gr. 16.20f; Commerce 1932

(Halmyros Hd.); Athens (Delos Hd. T,

65; Sv. 59, 6), control letters uncertain,

gr. 16.60f

E An *Paris (Sv. 59, 7), gr. 16.48f

1 The ZflllKPITHZ of the early stage of the die has been changed to IQIIKPATHZ with

the recutting of the amphora letter and the name of the third magistrate.

2 Kambanis' cast is labelled Tubingen but the coin is not in the collection there. There is

no certainty that this reverse was coupled with Obverse 726 but it seems likely in view of the

three other stages of the reverse associated with that die.

The Middle Period: Catalogue

265

9E0AGP

f. ETTirEN

728.

g. KAEIAAMO!

IAIAN

b. GEOAflP

c. EnifEN

Ld. EnirEN 0

e. EnirEN e

f. KAEIAAMO I

AFT London (Halmyros Hd.), gr. 16.67f.

With APirTGN/eEOAflP: Commerce

1952

An Athens (Delos Hd.AH; Sv. 59, 10), gr.

16.40f; Athens (Delos Hd.AH), gr.

16.20f; L. Meletopoulos Coll., gr. 16.55

An Commerce 1955f. With K/l: Athens,

gr. 16.50f; Berlin, gr. 16.63

ME Athens (Delos Hd.AH), gr.16.08f;

Athens (Delos Hd.AH), gr. 15.98f. With

GEOAflP/lAIflN: 'Kambanis (Halmy-

ros Hd.); London (BMC 855), gr.16.76t;

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Athens (Zarova Hd.), gr. 16.75f; Evel-

pidis Coll. (Oreos Hd.), gr. 16.67

ME Athens (Zarova Hd.), gr. 16.55f

ME Athens (Delos Hd.AH), gr. 16.20f. With

KAEIAAMO/EnirEN and l/G(?)/H and

ME: Vienna, gr. 16.52; Athens, gr.

15.75f; London, gr. 16.42f; Sophia, gr.

16.20; Athens (Delos Hd.AH), gr. 15.90f;

Athens (Delos Hd.AH), gr. 15.15f

An Paris, gr. 15.78 (Pl.)f

ME The Hague, gr. 16.05; Athensf

ME Berlin (Sv. 59, 11), gr. 16.81

729.

a.

AnOAAfiNI

ME

Winterthur, gr. 16.46/; Paris, gr.

16.40f; Berhn (Sv. 59, 12), gr. 16.18

b.

AnOAAfiNI

ME

Berlin (Sv.59,18), gr. 16.18 (Plate 80)

c.

TIMflN

ME

KambanisColl. (Halmyros Hd.);Athens

(Delos Hd.AH), gr. 15.54f; Athens

(Sv. 59,14), gr. 15.50f; BerUn

d.

TIMflN

10

Paris, gr. 16.22f

a.

AnOAAJiNI

An

Athens (Delos Hd. AH), gr. 15.80f

(Plate 80); Athens (Delos Hd.AH),

control letters uncertain, gr. 16.18f

266

The New Style Silver Coinage of Athens

731.

(ZfiZI-

KPITHZ)

732.

a. AnOAAfiNI M

b. TIMfiN M

TIMfiN

TIMC2N

TIMfiN

TIE Glasgow (Hunt. 102), gr. 16.15f

TIE *L. Meletopoulos Coll., gr. 16.70; Lon-

don, gr. 16.44 /

FTE Athens, gr. 15.90f

ZO *Copenhagen (SNG 167), gr. 16.52f; Del

Marte Coll. (Oreos Hd.), gr. 16.68f

ZO Empedocles Coll.

Drachms

722.

NIK/KPI (?)

Petsalis Coll., gr. 3.80

733.

a. NIK

b. KAEI

A1

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Copenhagen (SNG 168), gr. 8.77f

Athens (Delos Hd. B, 42; Sv. 59, 15),

gr. 4.14 \; Paris; Athens, gr. 8.90 \

734.

KAEI A2 ? *London (BMC 858), gr. 8.60

122 tetradrachms: 12 obverse, 44 reverse dies

6 drachms: 8 obverse, 4 reverse dies

Magistrates: KPITQN, NIKONO, IAZAN,

OEOAflP, APIZTQN, ETTirEN, KAEI-

AAMO, AnOAAfiNI, TIMflN

Months: A, B, T, A, E, Z, H, 9, I, K, A, M

Controls: An, ME, nE, ZO, Zfl

Three obverse dies of the ZfllAOZ - EYANAPOZ issue continue in use under

AAMQN - ZQZIKPATHZ: Nos. 719 (see Plate 78 and BCH, 1932, PI. I, 3 and 4),

721 (Plate 77) and 722 (Plate 79). Of these, Nos. 719 and 722 are discarded

fairly early in the year but No. 721 survives at least into month Z.

1 It is hard to be sure of the exact amphora reading. The A is definite on the Athens coin

illustrated but it looks as though there were something under it. This does not seem to be the K

that one would expect but rather an Mperhaps that letter was cut in error and a correction

made before the die was used. On the Paris piece the A has a distinct cross bar but this is merely

part of a flaw which extends horizontally across the body of the amphora.

2 The BMC reading is KAEIA. I wonder if it is not TIM over another name, probably KAEIA.

The Middle Period: Catalogue

267

Responsibility for the coinage of 141/0 B.C. is distributed among nine third

magistrates whose tenures reflect the pattern of irregularity which seems to be

normal for this period. On two occasions a single official controls the output

of two full months and part of a third; in other cases a single month is associated

with two third magistrates.1 Recutting of names and amphora letters reaches

its apogee in this issue with four magistrates and five months inscribed on the

same die. Illustration of the various stages of this reverse is to be found on

Plate 78. No. 721g has NIKONO and r with no evidence of an underlying name

or date. On No. 726b (1) 6EOAJ3P is over NIKONO and E is over A and r (the

A/T with NIKONO appears on a Berlin piece not on the plate, the first entry

under No. 726b). No. 726b (2) carries the alteration of the die a step further:

APIZTflN over the two earlier magistrates and Z over E, A and T; finally in

No. 726b (3) we have EnirEN/APIZTflN/OEOAfiP/NIKONO and H/Z/E/A/r. For-

tunately, recutting to this extent is exceptional.

A certain variation in the rendering of the symbol is noteworthy. Some

early reverses with KPI instead of KPITflN and A on the amphora have only a

quiver in the right field, either on its side or in a diagonal position. Later re-

verses invariably show the sheath upright with the outline of a bow behind it.

EYMHAOZ-KAAAIOflN TYCHE 140/89 B.C.

729.

730.

731.

Tetradrachms

a. AAEE

b. AAEE

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AAEE

a. AAEE

ME

ME

An

10

b. AAEE B 10

(Plates 80-81)

Kambanis Coll.

Yale Univ., gr. 16.53f

Berry Coll., gr. 16.60f; Berlin, gr. 16.24; Athens

(Delos Hd. B, 81; Sv. 60, 1), gr. 16.10f; Vatican

Halmyros Hd.; * Athens (Delos Hd.AH), gr.

16.10f (Plate 79). With B/A: Athens (Delos

Hd. KS, 88), gr. 15.45f

Athens (Delos Hd.AH), gr. 15.65f; Berlin, gr.

16.78

1 MIKO with H, read by von Prokesch-Osten on one of his coins (Inedita, p. 262) and

changed to MIKIO and A (?) by Beule, is most likely NIKONO/KPITflN with A as our No.727a.

A single drachm reverse provides the only evidence in the present catalogue for the asso-

ciation of KAEIAAMO with month lambda. Kambanis in his notebook lists a tetradrachm in the

Berlin Collection with KAEIAAMO, A and ATTO but the piece is No. 727g with, I think, only K/l.

The O of the control is a berry on the wreath.

The New Style Silver Coinage of Athens

AAEE

r/B

ZO

Athens, gr. 16.35f

AAEE

ZO

Commerce 1955f

AAEE

An

Berlin, gr. 15.51 (corroded)

AAEE

B/A

10

"Athens (Delos Hd. T, 118; Sv. 60, 2), gr. 16.65j;

Berlin, gr. 16.62

AAEE

ZO

*Romanos Coll. (Plate 79)

AAEE

An

ANS-ETN (Halmyros Hd.), gr. 16.54f; Athens,

gr. 16.35f

An

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AAEE

Athens (Sv. 60, 8), gr. 16.50f

AAEE

ZO

*ANS, gr.16.46f; Istanbul (Zarova Hd.), gr.

16.52f; Istanbul (Zarova Hd.), gr. 16.51f

AAEE

r/B

ZO

Petsalis Coll., gr. 16.76f; Vienna, gr. 16.30

AIOKA/

A/r

ZO

Paris, gr.16.49t; Athens (Delos Hd. AH), gr.

AAEE

15.40f

AIOKA

ZO

L. Meletopoulos Coll., gr. 16.60

HPA

ZO

Athens (Salamis Hd.), gr. 16.50f; Berlin, gr.

16.35. With Z/E: ANS-ETN (Halmyros Hd.),

gr. 16.55f

AIOKA

An

Berlin, gr. 16.44

AIOKA

An

*Athens (Delos Hd.AH), gr. 15.96f; Athens

(Sv. 60, 4), gr. 16.45|; Athens

AIOKA

An

Athens (Delos Hd.AH), gr.15.80f; Berlin, gr.

16.27

The Middle Period: Catalogue

269

Paris, gr.16.35f; Athens (Halmyros Hd.);

Washington Univ.

Athens (Sv.60, 7), gr. 16.60; Berlin, gr. 16.58

Athens (Delos Hd. B, 84), gr. 15.90f

Athens (Delos Hd. T, 119), gr. 16.75f

Dresse de Lebioles Coll. = Helbing, Nov. 1928,

3983, gr.16.51f; Athens (Delos Hd.AH; Sv.

60, 6), gr. 15.65f; Petsalis Coll., gr. 16.45f

Athens (Delos Hd.AH), gr. 15.45f; Paris, gr.

15.60f; Athensf

Zurich; Athens (Delos Hd.AH), gr. 16.35f;

Athens (Delos Hd. B, 87), gr. 15.60f; Romanos

Coll.; Copenhagen (SNG 169), gr. 16.41f

Romanos Coll.

Athens (Halmyros Hd.); Athens (Delos Hd. B,

88; Sv.60, 10), gr. 15.05 (worn). With A/K:

ANS-ETN (Halmyros Hd.), gr. 16.61f

Athens (Delos Hd. T, 121), gr. 16.65f. With

G/H: * Athens (Delos Hd. B, 86; Sv. 60, 8), gr.

16.85f; Moscow

London (BMC 408), gr. 16.38f

*ANS-ETN (Halmyros Hd.), gr. 16.65f; Athens

(Delos Hd.AH), gr. 16.45f

ANS (Cretan Hd. II), gr. 16.39f; L. Meleto-

poulos Coll., gr. 16.40; Athens, gr. 15.70f

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Leningrad (Sv.60, 12), gr. 16.60; Kambanis

Coll. (Arethuse, 1928, PI. XXII, 8)

*ANS-ETN (Halmyros Hd.), gr. 16.58f; Athens

(Halmyros Hd.); Berlin, gr. 16.51

*Athens (Delos Hd.AH; Sv.60, 9), gr. 16.15f;

Kambanis Coll. (Halmyros Hd.); Athens (Delos

Hd.AH), amphora and control letters uncertain,

gr. 15.82f

1 Almost certainly an I was first cut over the and then the two diagonals added to form

a K for the coinage of the third month. It is likely that other K reverses were originally inscribed

with an iota and later altered. Such recutting is well-nigh impossible to detect if the engraving

i i done with skill.

e.

HPA

ME

HPA

ME

1a-

AIOKA

zq

|b.

AlOKA

10 or Q

1c-

HPA

ZO

|d.

HPA

ZO or fl

1e-

HPA

ZO

1f-

HPA

ZO

270

The New Style Silver Coinage of Athens

743.

744.

745.

HPA

SO

1 b-

HPA

SO

1 c-

HPA

ZO/

(?)ME

1 a-

HPA

A/K

ZO or ft

1 b-

HPA

ZOorft

1 a-

HPA

An

b.

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A/K

HPA

ZO or ft

L c.

HPA

ME

d.

HPA

An

746.

747.

748.

a. HPA

b. HPA

Drachms

a. AAE

b. HPA

Hemidrachms

HP

Aberdeen, gr. 16.21f; Berlin, gr. 16.62

Glasgow (Hunt. 181), Pl.f

Halmyros Hd.

10

ZO

Athens, gr. 16.60f

ANS-ETN (Halmyros Hd.), gr. 16.74f (Plate82)

Kambanis Coll. (Halmyros Hd.)

Athens (Delos Hd. AH)

Berry Coll. = Hamburger 98, 694, gr. 16.72f;

Kambanis Coll. (BCH, 1982, PI. I, 7); Lockett

Coll. {SNG 1920) = Ratto (Rogers) 417, am-

phora letter uncertain, gr. 16.60f

Kambanis Coll. (Halmyros Hd.); ANS-ETN

(Halmyros Hd.), gr. 16.52f; London (Halmyros

The Middle Period: Catalogue

271

No less than four tetradrachm obverses join this issue with that of AAMQN -

IflllKPATHI: Nos. 729 (Plate 80 and BCH, 1932, PI. I, 5 and 6), 780 (Plate 80

and Arethuse, 1928, PI. XXII, 9-11), 731 (Plate 79) and 732 (Plate 79). All

are short-lived. No. 729 is in use for five months, longer than any of the others;

No. 730 is known for only M of 141/0 and A of 140/39 B.C.

The coinage of Eumelos and Kalliphon is noteworthy in two respects. Its

denominations include the hemidrachm, which seems not to have been struck

during the five years between this emission and the earlier one of Diotimos and

Magas, and it is under the control of only three third magistrates, the smallest

number known for any issue thus far. AAEE serves for alpha, beta and gamma;

AIOKA for delta and a part of epsilon; HPA for the remainder of the year. The

MA recorded by Beule after Sestini is probably a misreading of HPA.1

HPAKAEIAHI - EYKAHI(I) WINGED TYCHE WITH AMPHORA

745.

749.

Telradrachms

a. AIO

b. AIKAH

c. AIONYIO

a. AIOK

b. AIKAH

c. AIONYZO

750.

ra. AIKAH

189/8 B.C.

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(Plate 82)

A ATI "Commerce 1958 (Halmyros Hd.)

B An Athens (Delos Hd. AH; Sv. 64, 4), gr. lG.OOf;

Berlin, amphora letter uncertain, gr. 16.53;

Kambanis Coll. {BCH, 1986, PI. VII, 8)

r An Athens (Delos Hd. AH; BCH, 1986, PI.

VII, 4), gr. 16.02|

A ME "Berlin, gr. 16.59

T/(?)B ME London(BMC414),gr.l6.39t;Paris,gr.l6.60t

T ME Athens (DelosHd.T, 144;Sv.64, 5),gr. 16.65;

Istanbul (Zarova Hd.), control letters un-

certain, gr. 16.53f

B 10 Beule Coll.,2 gr. 15.68. With AIONYIO/

1 The only other discrepancy between the present catalogue and the earlier publications of

Beule and Sundwall is the MH control combination listed by the former from a Berlin specimen

and by the latter after Bunbury. The Berlin coin has ME and the Bunbury piece almost certainly

had the same lettering. Ifl is given by Beule, Sundwall and Kambanis. I have seen no tetra-

drachm on which the omega is absolutely clear but it may well have been used on a few reverses

of this issue.

* This and a few other casts in the lot assembled by Kambanis are labelled Beule. There is

no indication as to where Kambanis got them; in his notebook he speaks of Beule's collection

as having gone to the Hermitage.

272

The New Style Silver Coinage of Athens

751.

b.

c.

L b.

AIONYIO

AIONYIO

AIONYIO/

AIKAH

AIONYIO

c. AIONYIO

d. APIITQN

AIKAH and T/B: * Athens (Delos Hd.AH),

gr. 16.45f; Athens (Delos Hd.AH), gr. 15.78|

T 10 ANS-ETN, gr.16.68f; Vienna, gr. 16.13;

Berlin

T 10 Athens

T/B 10 Athens

T 10 *Dewing Coll. = Piatt, May 1921, 82, gr.

15.80f; Paris, gr. 16.45f; Meletopoulos Coll.;

Athens (Delos Hd.AH), gr. 16.20f; Athens

(Delos Hd. T, 145), gr. 16.50f

T 10 ANS-ETN (Halmyros Hd.), gr. 16.90f. With

APIITQN/AIONYIO and A/T: Beule Coll.,

gr. 16.21

E 10 Vienna (Sv. 64, 8), gr. 16.45

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752.

a. AIONYIO T 10 *Commerce; Kambanis Coll.

b. APIITQN A 10 Athens (Delos Hd.AH; BCH, 1986, PI.VII,

8), gr. 15.83f; London, gr. 16.50f

753.

a.

APIITQN

10

Athens (Delos Hd.AH), gr. 15.20t

b.

APIITQN

An

Athens (Delos Hd.AH), gr. 15.68t

r-

APIITQN

An

Istanbul (Zarova Hd.), gr. 16.61f; Copen-

hagen (SNG 172), gr. 16.58I1

|d.

APIITQN(?)

Athens (Delos Hd. AH)f

1e-

nEIGOAA

An

Athens (Delos Hd.AH; Sv. 64, 18), brokenf

1f-

AiorE

An

Istanbul, gr. 16.72|

|g-

AHMOIG/

K/i/e

An

ANS, gr.16.66f; Copenhagen (SNG 174;

AiorE/

Sv.64, 18), gr.16.45f. With A/K/l/0: Kam-

The Middle Period: Catalogue

273

755.

756.

757.

a.

MOZXIGN

An

b.

MOZXIflN

10

c.

MOZXIflN(?)

10

d.

nEIGOAA

ME

e.

AiorE

10

a.

nEIGOAA

ME

b.

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EYBOYAOZ

ME

c.

AiorE

ME

d.

AHMOZQ

ME

a.

EYBOYAOZ/

e/z

20/

APIZTQN1

b.

AiorE

10

c.

AHMOZG

10

d.

AHMOZQ

ZO

ANS-ETN (Halmyros Hd.), gr. 16.69f. With

ZQ/An: Athens (DelosHd. T, 147), gr.16.65f;

Athens (Delos Hd. T, 146; Sv. 64, 10), gr.

16.45f

Moscow

Athens, gr. 15.14f

Cahn 24 (Fx.Pr.) 539, gr. 16.80

Cambridge (Grose 5913; Sv. 64, 22), gr. 16.76f

Empedocles Coll.; Commerce 1956. With

EYBOYAOZ/nElGOAA and G/H: * Athens

(Sv. 64, 15), gr. 15.00f

Athens (Delos Hd.AH), gr.15.35f. With AH-

274

The New Style Silver Coinage of Athens

* Athens (Delos Hd. B, 107; Sv. 64, 29), gr.

2.05; Berlin (Sv. 64, 28), gr. 2.04

69 tetradrachms: 10 obverse, 84 reverse dies

8 drachms: 2 obverse, 2 reverse dies

2 hemidrachms: 1 obverse, 1 reverse die

Magistrates: AIOK, AIKAH, AIONYZO, API-

ZTQN,1 MOZXIflN, TTEI0OAA, EYBOY-

AOI, AlOrE, AHM0Z9

Months: A, B, T, A, E, Z, H, 9, I, K, A M

Controls: ATT, ME, ZO2

In the Bulletin de correspondance hellenique for 1936 (pp. 101-115), Kam-

banis proves that the coinage of Herakleid.es and Eukles must be spread over

two years. The evidence he presents for two distinct sequences of third magis-

trates is extensive and entirely convincing. Additional material in the present

catalogue closes the one gap in Kambanis' series of interlocking dies for the

first issue of Herakleides-Eukles: Obverses 753-4 join the reverses of APIZTflN

with those of his successors in the third magistracy. As the record now stands,

nine third magistrates control the coinage of 139/8 B.C. with all twelve months

of the year represented.3

1 The APIZTAI of Beul6 and Sundwall must, as Kambanis points out, be an erroneous

reading of APIZTflN.

2 Zfl is given by Kambanis for a few coins of this issue but his entries with Zfl share in

some cases a reverse die with pieces which he lists as having ZO. Among the tetradrachms of

No. 751b, for example, Zfl is recorded for the Meletopoulos coin and ZO for the two Athens

pieces. It is often difficult to distinguish between the two combinations but I do not believe that

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any reverse of the first Herakleides-Eukles emission was marked with Zfl.

3 The tabulation of names and months in Kambanis' BCH article (p. 114) requires a few

minor corrections:

AZKAH - A: The die which Kambanis cites is our No. 745b. I can see no trace of an under-

lying A on the Athens tetradrachm which is the only one of the three coins with a clear amphora

letter. Kambanis' own specimen shows up poorly in reproduction and the Berlin piece has an

illegible month marking. AZKAH may have served for part of alpha but this cannot be proved

from the present catalogue entries.

AlONYZOr - I": On the reverses of the second emission of Herakleides and Eukles the name

is definitely AlONYZOr. On the dies of the first issue it is simply AIONYZO; no coin that I

have seen has the terminal gamma.

APIZTflN - [~: I think this must be a mistake in transcription. The combination is not

given in Kambanis' notebook and there is no reference to a specific coin with APIZTflN and f in

HPAK - EY

Hemidrachms

748.

T7EI

The Middle Period: Catalogue

275

The tetradrachm link between Eumelos-Kalliphon and the first issue of

Herakleides-Eukles is published by Kambanis in two BCH articles (1982, PI. I,

7 and 8; 1936, PI. VII, 1 and 2see also Plate 82). In addition, the two emis-

sions are joined by the transfer of one drachm die (No. 747, Plate 81) and

one hemidrachm die (No. 748, Plate 81).

In the right field of the Herakleides-Eukles reverses there is an elaborate

and somewhat puzzling symbol. A draped female figure with wings stands be-

fore an amphora on a low base. Her left hand holds a cornucopiae while her

right is extended over the mouth of the amphora. This symbol has been vari-

ously described: Nike sacrificing with a patera, winged Tyche dropping a vote

into an amphora, Nike crowning an amphora, and Nike holding a cornucopiae

and dropping a voting pebble into a vase on a base.

Uncertainty regarding the object in the right hand is inevitable in view of

the small scale of the drawing and there is, furthermore, a lack of consistency

in the representation. In some cases the woman seems to be holding ears of

grain, as Nos. 751b and 753c (Plate 82) and, even more clearly, No. 783b

(Plate 86). On other dies she has a rounded object which I think must be a

patera (Nos. 756a and 757b of Plate 82).

No. 745a provides the clue to the identification of the symbol. This first

reverse of the issue is unique in showing a figure without wings, comparable in

every respect to the Tyche symbol of Eumelos and Kalliphon, except that here

the goddess stands before a crudely rendered amphora. It seems evident that

Herakleides-Eukles borrowed the Tyche of their predecessors' coinage, giving

her, however, a specific application. She is the goddess of fortune associated

with victory in the games and as such she has the wings of Nike. By some en-

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gravers she is conceived as pouring a libation into the prize vase; by others as

merely holding the grain ears which, like the patera and the cornucopiae, are

an attribute of Tyche.

0EOAOTOS - KAEOQANHZ NO SYMBOL 188/7 B.C.

(Plates 83-84)

Tetradrachms

759.

a. AHMOI A 10 *Berry Coll., gr.16.57f; Paris, gr.16.70f;

Istanbul (Zarova Hd.), gr. 16.67f

the BCH publication. Ariston does, however, serve for part of Z as well as for A and E on the

evidence of a Zarova Hoard tetradrachm from Istanbul (No. 753c).

MOZXI: The name on all reverses is MOZXIQN. Kambanis' earlier publication [BCH,

1932, p. 54) gives the correct reading.

276

The New Style Silver Coinage of Athens

760.

761.

762.

763.

b.

AHMOZ

ZO

Athens (Delos Hd.AH), gr. 15.65f; Ist-

anbul (Zarova Hd.), amphora and con-

trol letters uncertain, gr. 16.681

a.

AHMOZ

ME

Kambanis Coll. (Halmyros Hd.); Berlin

(Sv. 65, 1), gr. 16.68

b.

AHMOZ

ME

Copenhagen (SNG 279), gr. 16.78f.

With B/A: ANS-ETN (Halmyros Hd.),

gr. 16.66f; Commerce 1956

r c-

ME

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AHMOZ

Athens (Zarova Hd.), gr. 16.72f; Ber-

lin, gr. 16.60

1 *

AHMOZ

An

ANS-ETN (Halmyros Hd.), gr. 16.61t;

Naples (Mus. Naz., FioreUi 7147), gr.

16.64f; Munich, control letters un-

certain, gr. 16.16

1 b-

AHMOZ

An

Athens (Delos Hd.AH), gr. 16.47f. With

B/A: Athens (Delos Hd. EG), gr.15.65f

1 c-

AHMOZ

An

Romanos Coll. (Sv. 65, 2), gr. 16.73;

Istanbul (Zarova Hd.), gr. 16.30f. With

ZflTAZ/AHMOZ: London, gr. 16.28f;

Athens (Delos Hd.AH), gr. 15.55f;

Berlin, gr. 16.66

1 d-

ZflTAZ

An

London (BMC 421), gr. 16.10|; Pet-

salis Coll., gr. 16.80f

1 e-

ZQTAZ

An

Athens (Delos Hd.AH), gr. 15.78t

1 a-

AHMOZ

zn

The Middle Period: Catalogue

277

1i

1 b.

AHMOI

10

Athens (Delos Hd.AH), gr. 15.95f

i1

1 c-

AHMOI

10

Commerce 1952. With IfiTAI/AHMOI:

;;

*Sicelianos Coll.

(GEO- | |

\j

IflTAI/

2[

Piraeus Hd.

AflTOI) 1 |

AHMOI

||

1 1e-

IS2TAI

10

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Athens (Delos Hd.AH), gr.16.25f;

!i

]j

Athens (Delos Hd. B, 112), gr. 15.90|;

764. | |

Berlin, gr. 16.52

|j

L|a.

IQTAI/

ME

Tubingen; Athens (Delos Hd.AH), gr.

!I

AHMOI

15.65|; Athens (Delos Hd.AH), gr.

||

15.25f

|b.

IQTAI

ME

*Berlin, gr. 16.47

;1

1c-

IQTAI

ME

Athens (Zarova Hd.), gr. 16.48f; Ist-

ii

anbul (Zarova Hd.), gr. 16.58f

jj

r|d.

IQTAI

ME

Istanbul (Zarova Hd.), gr. 16.73f; ANS

!1

278

The New Style Silver Coinage of Athens

e. AQPOGE A An *ANS-ETN (Halmyros Hd.), gr. 16.76|;

London (BMC 422), gr. 15.44f; Athens

(Halmyros Hd.)

f. nAATQN A? Commerce 19521

767.

a.

ZQTAZ

IQ

* Halmyros Hd.

b.

ZQTAZ

ZQ

Berlin, gr. 16.57; Kambanis Coll.

c.

ZQTAZ

in

Halmyros Hd.

d.

AQP09E

zq

Commerce 1953, gr. 16.65; Berlin, con-

e.

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trol letters uncertain, gr. 16.48

nAATQN

zq

Istanbul, gr. 16.57f

f.

nAATQN

An

Istanbul (Zarova Hd.), gr. 16.59f

768.

a.

ZQTAZ

ME

*Bauer Coll. = Ratto (Rogers) 435, gr

16.79f; Athens, gr. 16.60f

b.

AQPOGE

ME

Athens, gr. 16.72f

c.

nAATQN

ME

Baker Coll.

d.

EniMAXOZ

ME

Athens, gr. 16.25f

e.

EniMAXOZ

ME

Athens (Delos Hd.AH), gr. 15.25f

a.

EniMAXOZ

An

Paris, gr. 15.93f

The Middle Period: Catalogue

279

d. nOTTAl 9 ZO Athensf; Berlin, (Sv. 65, 9), gr. 16.71;

Istanbul (Zarova Hd.), amphora letter

uncertain, gr. 16.67f; prob. Athens

(Carystus Hd. II; BCH, 1958, PI.

XLIX, 8), gr. 15.95

e. TTOTTAI 0 10 Athens, gr. 16.65f. With l/G: Dewing

Coll., gr. 16.48 /

f. nOTTAl I 10 *ANS-ETN (Halmyros Hd.), gr.16.37f;

Athens, gr. 16.75f; Berlin, gr. 15.88

g. AIONY M ZO Athens (Delos Hd.AH), gr.15.40f;

Athens (Sv. 65, 18), gr. 16.50f

772.

773.

774.

a.

AYiinn

An

rb.

MOYIAr

An

|a.

AYiinn/

z/

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Zfl

(?)EniMAXOZ

(?)E

|b.

AYiinn

Zfl

1c-

MOYZAr

Zfl

|d.

nonAi

Zfl

1 e<

AIONY

Zfl

(prob. recut)

1 f-

AIONY

Zfl

La.

nonAi/

H/Z

An

MOYZAr

b.

nonAi

An

c.

nonAi

An

Athens (Delos Hd. V, 160; Sv. 65, 6),

gr. 16.70f; Istanbul (Zarova Hd.), gr.

16.62f

Copenhagen {SNG 280; Sv. 65, 7), gr.

16.65f; L. Meletopoulos Coll., gr. 16.45

*ANS-ETN = Ratto (Rogers) 486, gr.

280

The New Style Silver Coinage of Athens

775.

Drachms

758.

AIONY/

A/Z

An/?

London (BMC 425), gr. 16.62f

MOYIAP

| a.

nonAi

ME

Gotha, gr. 16.58; Petsalis Coll., gr.

16.55f

|b.

nonAi

An

Romanos Coll. (Sv. 65, 10), gr. 16.64

1 c-

AIONY

ME

Athens (DelosHd.AH), gr. 15.50f. With

A/K: Berlin (Sv. 65, 12), gr. 16.45

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Ld.

AIONY/

A/Z

An/?

Tubingen, gr. 16.61

MOYIAr

a.

AH MO

Copenhagen (SNG 282; Sv. 65, 14), gr.

8.68f; probably Berlin (Sv. 65, 17),

gr. 8.95

b.

n]AA

*Athens (Delos Hd. B, 118; Sv. 65, 16),

gr. 4.27

c.

EniM

Copenhagen (SNG 283), gr. 3.67f; Ber-

lin (Sv. 65, 18), gr. 8.48

d.

EniM

London, gr. 3.86

a.

no

Paris (Sv. 65, 15), gr. 4.10; Rosenberg

72, 481, gr. 4.15

b.

Vienna, gr. 8.86

776.

147 tetradrachms: 17 obverse, 71 reverse dies

9 drachms: 2 obverse, 6 reverse dies

The Middle Period: Catalogue

281

This issue has been variously placed in relation to the sequence of closely

linked emissions, twelve in number, which begins with the coinage of XAPI-

NAYTHZ - APIZTEAZ and ends with that of AflZIGEOZ - XAPIAI. Svoronos in-

cludes it in his fourth group, comprising the last six issues of the sequence just

mentioned, but the alphabetical arrangement within his group provides no

indication as to just where Svoronos would have located this one striking. Kam-

banis on the other hand associates it with the beginning of the sequence. In his

notebooks and in his summaries of the Zarova and Halmyros Hoards (BCH,

1934, p. 132; 1935, pp. 106 and 117) he lists the issue of Theodotos and Kleo-

phanes either directly before that of Charinautes-Aristeas or with the issue of

Karaich-Ergokle intervening. In his Hesperia study (Suppl. VIII, 1949, p. 10)

Bellinger appends the emission at the very end of the sequence, after the coinage

of Dositheos-Charias, but suggests the possibility of its coming between the

issues of Hikesios-Asklepiades and Timostratos-Poses.

The more one studies the tetradrachm dies of Theodotos-Kleophanes the

more apparent it becomes that their closest stylistic affinity is with the

middle issues of the sequence. However, the emissions that form this sequence

are die linked with two exceptions: there is no connection between the two

issues of Herakleides-Eukles and there is none between Hikesios-Asklepiades

and Timostratos-Poses. On the basis of style alone the former location had

seemed to me preferable; subsequently the discovery of a drachm die

transferred from the first year of Herakleides-Eukles to the coinage of

Theodotos-Kleophanes (No. 758, Plate 84) confirmed the soundness of the

stylistic criterion.

Nine third magistrates are associated with what is a fairly extensive coinage,

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heavily concentrated at the beginning of 138/7 B.C. Forty-two of the seventy-

one surviving reverses belong to the first four months of the year and of these

thirty-one are inscribed with the names of Demos and Sotas. For the most part

the succession of third magistrates, when two or more are associated with the

same month, can be determined by their relationship with months preceding

or following. This is not true of Dorotheos and Plato whose reverses are con-

fined to delta but Obverse 766 in its later stage shows a die break above the

top of the helmet which is more pronounced in 766f with Plato than it is in

766e with Dorotheos. Lysipp has been placed before Mousag on the evidence

of recutting provided by Nos. 773a and 774a.

The association of Epimachos with month zeta is known only from a single

drachm reverse. Kambanis records one coin from the Halmyros Hoard with

Epimachos and delta and another piece from the same find with Diony and iota,

neither coin being now available for checking. The latter combination is en-

tirely possible although I have seen no example of it; the former seems to me

282 The New Style Silver Coinage of Athens

less likely if only because there are already three third magistrates associated

with delta.

HPAKAEIAHZ - EYKAHZ (II) WINGED TYCHE WITH AMPHORA 187/6 b.c.

(Plates 85-87)

Telradrachms

777.

779.

ra.

TIMAP

ME

Petsalis Coll., gr. 16.45; Vienna, gr. 15.58;

Athensf

lb-

TIMAP

ZO

*Berry Coll., gr. 16.56/; Beule Coll., gr. 16.43

la.

TIMAP

An

London (Halmyros Hd.), gr.16.77f; Athens

(Delos Hd. B, 104; Sv. 64,1), gr. 16.60f. With

AlONYZOr/TIMAP and B/A: *Oxford, gr.

16.22

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|b.

AIONYZOI"

An

London, gr. 16.34f; Herakleion (Cretan Hd. I);

Athens (Carystus Hd. II; BCH, 1958, PI.

XLIX, 2), amphora letter uncertain, gr.

16.82

1 c-

AIONYZOr

An

Kambanis Coll.; Beule Coll., gr. 16.03

|a.

TIMAP

Zfl

*L. Meletopoulos Coll., gr. 16.50

b.

TIMAP

An

Berlin, gr. 16.57

1 c-

AlONYIOr

Zfi

ANS-ETN, gr. 16.74f; Berlin, gr. 16.12; Ber-

lin, gr. 15.58

|d.

AlONYIOr

ZQ

Copenhagen {SNG 170), gr. 15.92 (pierced)f;

Athens (Delos Hd.AH), brokenf

1e-

AIONYZOI"

10

Yale Univ., gr. 16.65f

1 *

XAPMIA

The Middle Period: Catalogue

283

781.

AIONYZOr B

10

782.

783.

784.

785.

786.

lb.

AlONYIOr

10

|c.

AlONYIOr

10

Ld.

AlONYIOr

ME

a.

AlONYIOr

An

b.

An

c.

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XAPMIA

XAPMIA

An

d.

XAPMIA

An

e.

XAPMIA

An

a.

XAPMIA/

r/B

ME

AlONYIOr

rb.

XAPMIA

ME

|a.

XAPMIA

An

|b.

XAPMIA

10

|c.

XAPMIA

10

La.

XAPMIA

284

The New Style Silver Coinage of Athens

789.

b.

XAPMIA

ANS (Anatolia Hd.), gr. 15.76f

c.

ZQZIKP

zo

ANS-ETN = Ratto (Rogers) 432, gr. 16.40f

d.

ZSZIKP

zo

Beule CoU., gr. 16.50

re.

ZJ2ZIKP

zo

ANS (Anatolia Hd.), gr. 16.05f

1a-

XAPMIA

ME

Athensf; Commerce 1956

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jb.

ZQZIKP

ME

London (BMC 416), gr. 16.62f; Berlin, gr. 16.28

1 c-

ZQZIKP

ME

Athens (Delos Hd.AH), gr. 16.49f

1a-

ZQZIKP/

S/E

ATT/ZO

Oxford (Sv. 64,11, Athens), gr. 16.51; Athens,

(?)XAPMIA

gr. 16.40f; Beule CoU., gr. 16.01

|b.

zqzikp

An

Berlin, gr. 16.59

1 c-

ZQZIKP

An

Paris, gr. 16.57f; Athens (Delos Hd. B, 105),

gr. 15.30f; Turin (Mus. Ant., Fabretti 3063),

gr. 16.59

|d.

ZQZIKP

An

Berlin, gr. 16.59; Istanbul (Zarova Hd.), gr.

16.60f

| a.

ZQZIKP

Z'

Berlin, gr. 15.99

|b.

zqzikp

la

The Middle Period: Catalogue

285

792.

|La.

ZftZlKP

ZOA

Athens (Delos Hd.AH), gr. 15.55f

1 b.

ZilZIKP

ZOA

Tubingen

793.

L a.

zazikp

ZOA

Evelpidis Coll., gr. 15.90

b.

BAKXI

An

* Vienna (Sv. 64, 16), gr. 16.52; Beule Coll.

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c.

BAKXI

An

Istanbul, gr. 16.56f

rd.

BAKXI

zn

Evelpidis Coll., gr. 16.24; Athens, gr. 16.30f

794.

1a-

BAKXI

ME

Beule Coll.

r|b.

BAKXI

A/K

ME

Forbat Coll., gr. 18.651

1 1 c-

AIOK

ME

London (Sv. 64, 24), gr.16.38f; ANS-ETN

j!

(Halmyros Hd.), gr. 16.62f

795.

L|a.

BAKXI

ME

Athens (Delos Hd.AH), gr. 16.25f

|b.

BAKXI

IOA

Athens, gr. 16.60f. With A/K: Athens, gr.

286 The New Style Silver Coinage of Athens

manos Coll., control letters uncertain. With

AIOK/BAKXI and M/A: *ANS-ETN (Halmyros

Hd.), gr. 16.77f

AIOK N Z *Commerce 1953 (Plate 88)

798.

L AIOK/BAKXI M/A? *Giesecke Coll.

Drachms

799.

Al

Athens (DelosHd. B, 106; Sv. 64, 27), gr.4.25|

La.

Al

Berlin (Sv. 64, 26), gr. 4.26

b.

Al

L. Meletopoulos Coll., gr. 4.07

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c.

zjo

Athens, gr. 8.57f (Plate 89); Athens, gr.3.48f

d.

ANS-ETN, gr. 8.75f; Athens, broken

145 tetradrachms: 22 obverse, 62 reverse dies

7 drachms: 2 obverse, 4 reverse dies

Magistrates: TIMAP1, AlONYZOr, XAPM1A

ZflZIKP, BAKXI, AIOK

Months: A, B, I", A, E, Z, H, 9, I, K, A, M, N

Controls: An, ME, ZO(A), ZQ

For their second issue of coinage Herakleides and Eukles repeat the symbol

of their first emission. This is the only instance in the New Style series of a

pair of annual magistrates serving a second term without varying the device

on the coins. The symbol in question with its general agonistic connotation

could, of course, be associated with any of the great Athenian festivals and

hence would be as appropriate for one year as for another. Still it seems strange

that there is no attempt to distinguish between the two issues, even to the

extent of adopting a different symbol for the new emission.

The coinage of the second Herakleides-Eukles striking is far more abundant

than that of the first: more than twice as many obverse dies and surviving

specimens are known for 187/6 B.C. as for 139/8. On the other hand fewer third

magistrates control the later coinage, six as against nine.

At least three reverses of the present issue have N on the amphora. On the

evidence of the coinage, 187/6 B.C. is an intercalary year.

1 Kambanis records the name as TIMA but on all dies one can see a P to the left of the

amphora base. Sundwall gives the correct form, TIMAP.

The Middle Period: Catalogue

287

ANAPEAI - XAPINAYTHZ DIONYSOS AND DEMETER (?) 186/5 B.C.

(Plates 88-89)

Tetradrachms

795.

a. KPIT A 10 London (BMC 819), gr. 16.56f; Tubingen,

gr. 15.99

b. KPIT B/A ZO Athens, gr. 15.56f

797.

802.

ra.

b.

798.

801.

KPIT

KPIT

KPIT

KPIT

B/A

b. AMYNOMA V

1 a-

KPIT

B/A

An

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L b.

KPIT

B/A

An

c.

AMYNOMA

An

d.

AMYNOMA

An

e.

AMYNOM

TTE

f.

AMYNOM

An

g-

AMYNOM

An

h.

AHMHTP

An

AHMHTP

An

nE Athens, gr. 15.20t

nE Berlin; Romanos Coll.; ANS-ETN = Ratto

(Rogers) 427, gr. 16.45f. With B/A: Athens

(Delos Hd. K$, 85), gr. 14.92|; Tubingen, gr.

16.24; Kambanis Coll. (Halmyros Hd.);

Vienna, amphora letter somewhat uncertain

but probably B/A, gr. 16.88

An Copenhagen {SNG 177; Sv. 62, 1), gr. 16.62f;

*Kambanis Coll. (Halmyros Hd.) Plate 87

ME/nE *Halmyros Hd.; Paris, gr. 16.80f; Berlin (Sv.

62, 2), gr. 16.78; Istanbul (Zarova Hd.), gr.

16.71f

288

The New Style Silver Coinage of Athens

803.

804.

805.

a.

AMYNOMA

ZO

*ANS (Anatolia Hd.), gr. 16.14f; Berry Coll.,

gr. 16.70f; Berlin (Sv. 62, 3), gr. 16.85; Na-

ville (BM dupl.) 2012, gr. 16.85

b.

AMYNOM

zo

Kambanis Coll. (Halmyros Hd.); Vienna, gr.

16.46; Berlin (Sv. 62, 4), gr. 16.49; Mass. Hist.

Soc, gr. 16.82; Athens (Delos Hd. ir, 23), gr.

14.74|; Fecht Coll. (Halmyros Hd.), gr. 16.60|

c.

AMYNOM

Athens, gr. 14.20f

d.

AMYNOMA

zo

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Berlin (Sv. 62, 5), gr. 16.64

a.

AMYNOMA

ME

Toronto (Ontario Hd.), gr. 15.42 /

b.

AMYNOM

ME

ANS-ETN (Halmyros Hd.), gr. 16.59f

c.

AMYNOM

ME

ANS-ETN, gr. 15.69f; Mavrokordatou Coll.

(J I AN, 1912,1305), gr. 16.28; Berlin, gr. 16.84

d.

AMYNOM

ME

Berlin, gr. 16.95

e.

AMYNOM

ME

Athens (Zarova Hd.), gr. 16.55f

a.

AMYNOMA

nE

Athens (Zarova Hd.), gr. 16.51f

b.

AMYNOM

FTE

Petsalis Coll., gr.16.64f; Berlin (Halmyros

Hd.), gr. 15.72

c.

AMYNOM

The Middle Period: Catalogue

289

809.

a. AHMHTP A TTE/ME *Kambanis Coll. (Halmyros Hd.)

b. AHMHTP M nE Berlin (Sv. 62, 10), gr. 16.24

Drachms

800.

r KPI A ? *Romanos Coll. (Sv. 62, 11), gr. 3.66

810. I

La. KPI A rjE Copenhagen (SNG 179), gr. 8.71f

b. KPI B * Athens (Delos Hd. ir, 24), gr. 3.74f; Athens

(Sv. 62, 12), gr. 8.87f

c. KPI ?? Vienna, gr. 4.18

d. AMY Z? Athens (Delos Hd. B, 22; Sv. 62, 13), gr. S.55f

811.

a. A]H I ? * Athens (Delos Hd. A, 6; Sv. 62, 14), gr. 4.10f

b.? I ? Vienna = Egger XL (Prowe) 970, gr. 3.86;

Munich, letter uncertain, gr. 4.09 (Plate 90);

ANS-ETN, letter uncertain, gr. 3.67t; Berlin,

gr. 8.95

c. AH ?? Munich, gr. 8.59

d.? I 10 Berlin, gr. 8.65; Berlin, gr. 8.84

70 tetradrachms: 12 obverse, 86 reverse dies

14 drachms: 8 obverse, 8 reverse dies

Magistrates: KP1T, AMYNOMA, AHMHTP

Months: A, B, T, A, E, Z, H, I, K, A, M

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Controls: An, ME, nE, SO1

Four obverse dies are transferred from the second issue of Herakleides-

Eukles to that of Andreas-Charinautes: Nos. 795 (Plate 88; also BCH, 1982,

PI. II, 1-2 and BCH, 1936, PI. IX, 6-8), 797 (Plate 88), 798 (Plate 87) and

800 (Plate 89). The two strikings are thus firmly linked by one drachm and

three tetradrachm dies.

The coinage of 186/5 B.C. is concentrated in the first six months of the year.

No reverses with 0 are recorded and I is represented only by three (or possibly

four) drachm dies.

1 Beule, Sundwall and Kambanis cite a few examples of the control combination I have

seen no reverse on which omega appears and am inclined to doubt that Zfl was employed for

this issue.

2Q0 The New Style Silver Coinage of Athens

With the second emission of Herakleides-Eukles one notes a reduction in

the number of third magistrates, and the trend is carried still further in the

issue of Andreas-Charinautes. Just three names appear on the dies: KPIT for

A and B.AMYNOMAforT through Z and AHMHTP for the remainder of the year.

Precise identification of the symbol used on the coins seems impossible. It

may be a seated Dionysos associated with a standing Demeter or a seated

Demeter and standing Kore. As indicated above (p. 252) there is a connection

with the earlier coinage of Charinautes-Aristeas but the significance of the

standing female figure portrayed on both issues remains elusive.

IKEZIOZ - AZKAHTTIAAHZ WREATH 185/4 b.c.

(Plate 90)

Tetradrachms

812.

809.

814.

a.

XPYZ

Berry Coll. (Halmyros Hd.), gr. 16.52f; Athens

(Delos Hd.AH), gr. 15.97f

b.

XPYZ

Istanbul, gr. 16.48t- With TEIZ/XPYZ, amphora

fC.

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letter uncertain, An below: Berlin, gr. 16.61

TEIZ

nE

Berlin, gr. 16.54

XPYZ

ME

ANS-ETN (Halmyros Hd.), gr. 16.75f. With TEIZ/

XPYZ and B/A: Empedocles Coll.; The Hague

(Sv. 68, 15), gr. 16.65; Athens (Delos Hd.AH), gr.

15.65f; Hamburger (Berlin dupl.) 291, gr. 16.72

1a*

XPYZ

nE

Athens (Delos Hd. =0), gr. 16.15f; Berlin, gr. 15.87

b.

XPYZ

Berlin, gr. 15.82 (Plate 89)

La

TEIZ

r/B

nE

Athens (Sv. 68, 16), gr. 16.18f; Athens (Halmyros

Hd.); Berlin, gr. 15.88

d.

TEIZ

nE

ANS-ETN (Halmyros Hd.), gr. 16.48t; Berlin

(Sv. 68, 17), gr. 16.55; London, gr.16.44f; Pet-

salis Coll., gr. 15.88f

a.

XPYZ

zo

Athens (Sv. 63, 14), gr. 16.28f

b.

XPYZ

The Middle Period: Catalogue

d.

TEIZ

10

e.

TEII

10

f.

TE1Z

zo

g-

0EO

10

815.

TEIZ E ME

816.

r GEO Z ME

817. |

La. GEO Z ME

b. 6E0 H ME

pc. GEO K nE

|d. GEO M ME

818. |

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|a.

GECKD

ite

|b.

GEO

nE

Lc.

GEO

nE

r<i.

GEO

An

|e.

GEO

nE

|a.

GEO

An

Lb.

GEO

An

a.

GEO

Q/H

zo

b.

GEO

zo

c.

GEO

zo

Athens (Delos Hd.AH), gr. 16.15f

292

The New Style Silver Coinage of Athens

821.

An

Paris, gr. 15.80I1

Drachms

811.

TEI

Athens (Delos Hd.A, 21; Sv. 63, 23), gr. 4.00f;

Berlin, gr. 3.94

822.

Athens (Delos Hd.A, 22; Sv. 63, 24), gr. 4.12f;

Athens.gr. 8.84f; Petsalis Coll., gr. 8.71f; Munich;

prob. Berlin, gr. 3.05 (very worn)

67 tetradrachms: 11 obverse, 28 reverse dies

7 drachms: 2 obverse, 2 reverse dies

Magistrates: XPYS, TEII, 9E0W

Months: A, B, T, A, E, Z, H, 6, I, K, M

Controls: An, ME, TIE, I03

Obverses 809 and 811 link the coinage of Hikesios-Asklepiades with that

of Andreas-Charinautes. The tetradrachm connection is illustrated on Plate 89

(and by Kambanis, Arethuse, 1928, PI. XXIII, 9-10 and BCH, 1982, PI. 11,3-4);

the hitherto unpublished identity of drachm dies can be seen on Plate 90.

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The two emissions are closely comparable in several respects. Both are

moderate strikings, employing identical control combinations and a limited

number of third magistrates, three in each case. Coinage is known for only

eleven months of the two years: in 186/5 B.C. there is no output during 9, in

185/4 none during A.

TIMOrTPATOI-TTOIHZ DIONYSOS WITH MASK 134/3 b.c.

(Plates 91-9-2)

Tetradrachms

823.

1 As a result of faulty striking the amphora and the third magistrate's name have not been

impressed on this reverse.

2 Kambanis in his notebook gives AH (with M and 20) for a Halmyros Hoard coin. I have

no record of the piece but it seems unlikely that the magistrate's name has been correctly read.

The forms TEIZI and GEOAfl which Kambanis gives (BCH, 1932, p. 56) are not substantiated

by any reverses that I have seen and No. 818a shows a clear 0EO<D as the beginning of the mag-

istrate's name.

3 The MH listed by Beule for a tetradrachm in his collection is surely ME.

a.

AION

ME ANS-ETN (HalmyrosHd.),gr. 16.651;

Athens, gr. 15.54f

The Middle Period: Catalogue

293

824.

825.

b.

EPMA

ME

r a-

AION

IO

|rb.

AION

ZO

1 1 c-

EPMA

10

1 |d.

AAX/

E/A

10

(?)MHT

1 La-

AION

10

1 b-

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AION

nE

1 c-

AION

nE

L d.

AION

e.

EPMA

nE

f.

MHT

nE

Vienna, gr. 16.44; Berlin (Sv. 65, 20),

gr. 16.51; Istanbul (Zarova Hd.), gr.

16.58f

*Paris, gr. 16.28f; Athens (ZarovaHd.),

gr.16.68f; Athens (Delos Hd.AH),

control letters uncertain, gr. 15.60f

London {BMC 505), gr. 16.48f; Ist-

anbul (Zarova Hd.), gr. 16.60f

Athens (Zarova Hd.), gr. 16.60f; Ist-

anbul, gr. 16.66f

Athens, gr. 16.75f; Berlin, gr. 16.69;

Rethymnon; Hamburger (Berlindupl.)

292, gr. 16.53; Romanos Coll., am-

phora and control letters uncertain

*Kambanis Coll. (Halmyros Hd.)

*Berry Coll., gr. 16.71f; Athens (Sala-

mis Hd.), gr. 16.15f

Tubingen (Sv. 65, 19), gr. 16.88;

Schlessinger (Hermitage 2) 955, gr.

16.70

London {BMC 504), gr. 16.48f

294

The New Style Silver Coinage of Athens

827.

828.

829.

(TIMO-

ZTPATHZ)2

830.

1 1 La-

AAX/MHT

E/A

An

1 1 b-

AAXHZ

An

Ih c

AAXH/MHT Z/E/A

ME

1 1 a-

AAX/MHT

E/A

ME

1 L b.

AAXH/MHT Z/E/A

ME

1 c-

ME

1 d.

AAM

ME

L a.

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AEY

AAX/MHT

Z/E/A

nE

rb.

AEYE/AAX

c.

AEY

nE

rl d.

AAM

nE

1 1 e-

AflPO

nE

1 1 f-

AQPO

nE

1 1 g-

APIZ

nE

1 1 h-

APII

nE

1 1 r1-

ATTOA

nE

The Middle Period: Catalogue

295

L |b. AflPO/AAM 1/0 IO/TFE Ratto (Rogers) 437, gr. 16.30

r|c. APIZ/ASPO K/l 10 *Kambanis CoU. (Halmyros Hd.);

i London {BMC 507), gr. 16.52t; Ber-

I lin, gr. 16.02

|d. APIZ A SO Athens (Sv. 65, 26), gr. 15.95f

Le. AnOA M ? Athens (Halmyros Hd.)

831.

(TIMO-

ZTPATHZ)

832.

833.

834.

APIZ

a. APIZ

ATI *Giesecke Coll., gr. 16.55

ME

Commerce 1932 (Halmyros Hd.)

rb. AnOA/APIZ M/A/K ME *Petsalis CoU., gr. 16.60f; Athens

I (Sv. 65, 27), gr. 16.15; Athens (Delos

I Hd.AH), gr. 15.50f

L AnOA/APIZ M/A/K ME *Kambanis CoU. (BCH, 1932, PI. 11, 5)

AnOA/ N/K/l ZO *Empedocles Coll.

APIZ/AQPO

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835.

Drachms

836.

AnOA N An *Paris, gr. 16.42t; BerUn (Sv. 65, 29),

gr. 16.58

AEY/ H/Z? * Athens (Delos Hd. A, 33), gr. 3.95f;

AAX(?) Athens, gr. 3.85; Athens (Sv. 65, 31),

gr.8.45; Copenhagen (SNG 182), gr.

3.98f

837.

(no)

API

* Athens (Delos Hd. KS, 42), gr. 8.58f

838.

A]np M ? *Berlin (Sv. 65, 30), gr. 8.90; Berlin,

gr. 8.89

2g6

The New Style Silver Coinage of Athens

TIMO-nO

Hemidrachm

839.

AP * Athens (Delos Hd. ir, 32), gr. 1.65f

82 tetradrachms: 14 obverse, 33 reverse dies

7 drachms: 3 obverse, 3 reverse dies

1 hemidrachm

Magistrates: AION, EPMA, MHT, AAXHI,

AEYE, AAM, AflPO, APIZ, AITOA

Months: B, T, A, E, Z, H, 9, I, K, A, M, N

Controls: An, ME, FIE, 20

Under Timostratos-Poses the hemidrachm denomination, missing for sev-

eral years, makes its reappearance and there is a substantial increase in the

number of third magistrates. Nine men regulate the monthly strikings with,

in six instances, a strict correlation of name and month. No coinage is known

for alpha but two reverses with nu indicate the intercalary character of

the year.

Earlier publications list officials not included in the present catalogue.

Beule reads NAY as the third magistrate on a coin in his collection and on one

in the British Museum. The latter is our No. 825f with AAX/MHT. Sundwall

queries the NAY on the Beule specimen and says the inscription looks like KNY;

almost certainly it is another case of AAX/MHT. The British Museum piece (our

No. 830c) which Beule describes as having All (the BMC reading is EK ?) is

practically illegible but another specimen from the same reverse die makes it

clear that the magisterial legend is APII/AfiPO. Engravers of this issue were

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exceedingly inept in their recutting of names; often it is only a comparison of

several coins from the same reverse die, and from the die in various stages, that

enables one to decipher the successive inscriptions.

AMOIKPATHS - EniZTPATOI EARS OF GRAIN 133/2 b.c.

(Plates 93-94)

Tetradrachms

833.

a. KAEOMA A ME *Kambanis Coll. (Halmyros Hd.); Athens

(Delos Hd.EG), gr.15.45t- With API-

ZTOK/KAEOMA and B/A: Halmyros

Hd.; Istanbul, gr. 15.78f

b. APIZTOK T ME Athens (Sv. 62, 17), gr. 15.80t

The Middle Period: Catalogue

297

834.

835.

840.

841.

842.

843.

KAEOMA

a.

KAEOMA

An

b.

APIZTOK/

KAEOMA1

KAEOMA

a.

zo

b.

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APIZTOK

HPOAO/

10

APIZTOK

c.

EYAI

10

a.

APIITOK

nE

b.

HPOAO/

rjE

APIZTOK

rc-

EYAI

jd.

EYAI

nE

1e-

EYAI

10

1f-

EYAI

H/Z

g-

EYAI

UE

|h.

EYAI

298

The New Style Silver Coinage of Athens

844.

845.

a.

HPOAO

An/?

Vienna, gr. 16.40

b.

EYAI

An

Istanbul (Zarova Hd.), gr. 16.58t

a.

EYAI

H/Z

ME

Istanbul (Zarova Hd.), gr. 16.55/;

Athensf

rb.

EYAI

K/l

ME

Istanbul (Zarova Hd.), gr. 16.60t

1 a-

EYAI

An

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H1

Brussels (Sv. 62, 23), gr. 16.01

b.

EYAI

An

ANS-ETN (Halmyros Hd.), gr. 16.58|;

Athens, gr. 15.58f; London, amphora

and control letters uncertain, gr. 16.25f

he.

EYAI

ME

Copenhagen {SNG 188; Sv. 62, 22), gr.

16.44f; ANS-ETN (Halmyros Hd.), gr.

16.70f

|d.

EYAI

An

Athens, gr. 16.35f

1 e-

APIZT

Paris, gr. 15.82f; Giesecke Coll., gr. 16.43

EYAI

Kambanis Coll. (Halmyros Hd.)

1a-

EYAI

nE

Athens (Halmyros Hd.)

|b.

APIZT

nE

Athens (Zarova Hd.), gr. 16.45f; Ist-

anbul (Zarova Hd.), gr. 16.84f

1 c-

The Middle Period: Catalogue 299

850.

851.

Drachms

837.

La. APIZT/EYAI A/K/l ME Berlin, gr. 16.36

b. APIZT A ME *Athens (Delos Hd.AH), gr. 15.30f

c. APIZT M ME *Kambanis Coll. (Halmyros Hd.) Plate

95; Berlin (Sv. 62, 25), gr. 16.52

a. APIZT M/A An * Athens (Zarova Hd.), gr. 16.62f; Kam-

banis Coll. (Halmyros Hd.)

b. APIZT M An Berlin {BCH, 1982, PI. II, 7), gr. 16.32

AMOIKPA - EniZT

KAE A * Athens (Delos Hd. A, 5; Sv. 62, 27), gr.

8.95f

852. I

L KAE A "-Copenhagen {SNG 184), gr. 3.69t

853.

API T ? *Athens (Delos Hd. B, 18; Sv. 62, 26),

gr. 8.70f; Gotha, gr. 8.82

71 tetradrachms: 15 obverse, 40 reverse dies

4 drachms: 8 obverse, 2 reverse dies

Magistrates: KAEOMA, APIZTOK, HPOAO,

EYAI, APIZT

Months: A, B, T, A, E, Z, H, 9, I, K, A. M

Controls: An, ME, TTE, ZO

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Three tetradrachm dies and one drachm die prove the issues of Timostratos-

Poses and Amphikrates-Epistratos to be contiguous. The transferred obverses

are Nos. 833 (Plate 93 and BCH, 1932, PI. II, 5-6), 834 (Plate 93), 835

(Plate 92 and Arethuse, 1928, PI. XXIII, 7-8) and 837 (Plate 94).

The names of third magistrates for this issue are carelessly inscribed, in-

dividual letters are sometimes excessively small (cf. No. 851a with the Z and T

of APIZT barely visible to the left and just above the base of the amphora), and

there is a certain amount of recutting to add to the difficulties of decipherment.

It is in no way surprising that various strange readings have crept into the

published record.

300

The New Style Silver Coinage of Athens

Beule's listing of magistrates does not correspond in a single respect with

that of the present catalogue. Sundwall amends to some extent but retains

many of Beule's names and amphora markings. Svoronos' plate is misleading

in one instance: the second coin in his sequence has the magistrate APIZT with

a date which Svoronos sees as A but which is in reality A as is proved by other

coins from this die and by the fact that the same obverse is used with an M

reverse (No. 849b). Even Kambanis, in his notebook, has a number of variant

readings, again taken over for the most part from Beule.

Making a lengthy and detailed correction of the earlier records seems to me

not worth the space and effort it would involve. Coins that can be checked

have been re-examined and the readings of the present catalogue confirmed,

often on the basis of additional specimens from the same die with clearer or

more complete lettering. It is my belief that the five third magistrates listed

above are the only ones who served during the year 133/2 B.C.

Brief mention should, however, be made of two entries, one in Kambanis

and the other in Sundwall. In publishing the link between this issue and that

of Timostratos-Poses (BCH, 1932, p. 57) Kambanis supplies the form KAEONI

for the magistrate of month alpha. I can see no basis for the nu but one die

(No. 833a on Plate 93) does give the impression of a final iota in the name.

This would seem to be merely the result of careless workmanship since Nos. 835a

and 840 show a clear and unmistakable terminal alpha.1 Sundwall reports

N/M from an Athenian tetradrachm cited by Svoronos; the coin is apparently

No. 851a with M/A. There is no evidence from the reverse dies of this issue for

an intercalary year.

AfiZI9E0I - XAPIAI TYCHE 182/1 B.C.

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(Plates 95-97)

Tetradrachms

847.

850.

a.

AION

nE

*Berlin, gr. 16.40; Hamburger 98, 692

(Halmyros Hd.), gr. 16.45

b.

AION

nE

Commerce 1958

c.

AION

Lockett Coll. {SNG 1940), gr. 16.65f;

Berlin, gr. 16.00

AION

ME

Athens (Halmyros Hd.)

1 Among the other names listed by Kambanis on page 58 of the BCH article one finds the

variant forms HPOAfl and EYAH. Both are errors, perhaps of transcription, as is clear from the

reproductions on Plates 93-94 (see No. 844a for HPOAO and No. 845a for EYAI).

The Middle Period: Catalogue

301

851.

AION A An *Athens (Halmyros Hd.); Berlin (Sv.

68, 1), gr. 16.57

AION A An * ANS-ETN (Halmyros Hd.), gr. 16.59|

(Plate 94)

854.

AION

ME *ANS-ETN (Halmyros Hd.), gr. 16.62f

855.

857.

S58.

a.

AION

zo

Athens (Delos Hd.AH), gr. 15.82f; Com-

merce 1955

b.

AION

zo

Vienna, gr. 16.47

c.

AION

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zo

Berlin, gr. 16.68

d.

NIK/AION

zo

Istanbul (Zarova Hd.), gr. 16.50 /

a.

AION

nE

ANS-ETN (Halmyros Hd.), gr. 16.181

b.

AION

I7E

Berlin, gr. 15.66

a.

AION

ME

*Kambanis Coll. (Halmyros Hd.)

b.

AION

ME

Vatican; Commerce 1955

c.

AION

ME

Munich (Sv. 63, 2), gr. 16.68. With

NIK/AION: Istanbul (Zarova Hd.), gr.

16.75|

d.

NIK/AION

ME

Athens (Delos Hd.AH), gr.16.02f;

Athens; Frankfurt am Main

e.

NIK/AION

The New Style Silver Coinage of Athens

NIK/AION

ME

*Kambanis Coll. (Halmyros Hd.). With

An/ME: Romanos Coll. (Sv. 63, 3), gr.

16.45

NIK/AION

10

Berry Coll. (Halmyros Hd.), gr. 16.50f

N1K/(?)AI0N

ANS (Anatolia Hd.), gr. 16.55f

NIK

10

*Berlin, gr. 15.60

NIK

10

Kambanis Coll. (Halmyros Hd.)

ANS (Abruzzi Hd.), gr. 16.25f

An

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NIK

Istanbul (ZarovaHd.), gr. 16.59f; Athens

(Delos Hd. =9)t

NIK

UE

Athens (Delos Hd. IA)|

NIK

TIE

Istanbul (Zarova Hd.), gr. 16.85f

AIO

An

Athens (Delos Hd. B, 76), gr. 15.50f

AION/NIK

A/r

ME

ANS-ETN (Halmyros Hd.), gr. 16.63|;

Athens (Sv. 68, 4), gr. 15.80f

AIO

An

Tubingen, gr. 16.69; Athens (Delos

Hd.AH), gr. 15.65; Athens

AIO

Z/E/A

* Romanos Coll.

ZOA

An

Empedocles Coll.

IOA

nE

Istanbul (Zarova Hd.), gr. 16.66f;

Athens, gr. 16.20f

ZOA

An

The Middle Period: Catalogue 303

AIO

ZO

Athens (Delos Hd. EG), gr. 16.20f

A!Q

ME

London, gr. 16.22f; Athens = Sv. 63, 5,

Feuardent, gr. 15.95f

AION

z/

Petsalis Coll., gr. 16.67f

(?)E

AIO

ME

Andreopoulos Coll.; ANS-ETN = Ratto

(Rogers) 429, gr. 16.12f; Giesecke Coll.

(Sv. 68, 6), gr. 16.70

ZOA

ME

Berlin (Sv. 68, 7), gr. 15.98; Knobloch

CoU., gr. 15.92

IOA

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e/H

TIE/?

ANS-ETN (Halmyros Hd.), gr. 16.27f

ZOA

ZO

Commerce 1955, gr. 15.65; ANS-ETN

(Halmyros Hd.), gr. 16.69|

Z]OA

ME

Berlin, gr. 16.44

ZOA

ZO

Athens (Sv. 63, 8), gr. 16.55f

XAIP/?

K/l/O

ZO

Berlin, gr. 16.61

XAIP

ZO

ANS (Cretan Hd. II), gr. 15.80f; ANS

(Anatolia Hd.), gr. 16.25f

CA

nE

Athens (Halmyros Hd.); Berlin (Sv. 68,

9), gr. 16.58

nE

Harvard Univ., gr. 16.76; Glasgow

(Hunt. 129), Pl.f. With XA|P/? and K/l:

Gotha, gr. 16.28

CA

An

Berlin, gr. 15.45

CA

ME

304

The New Style Silver Coinage of Athens

873.

874.

La.

XAIP/CA

K/l

An

Kambanis Coll. (Halmyros Hd.)

b.

ZOA

An

ANS (Halmyros Hd.), gr. 16.67f

a.

XAIP

An

Lee (de Zogheb) 272, gr. 16.49

b.

XAIP

An

London (BMC 893), gr. 16.48t

c.

IQA1

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An

Berlin, gr. 14.99

ZQA

ME

ANS (Abruzzi Hd.), gr. 15.60 /

a.

XAIP

10

Berlin, gr. 16.25

b.

IfiA

10

Milan (Sv. 68, 10), gr. 16.50

c.

ZflA

10

ANS-ETN = Arethuse, Suppl. comm.I,

883 = Piatt (Luneau) 516, gr. 16.45f

d.

ZOA

10

ANS (Anatolia Hd.), gr. 16.28f

e.

IOA

10

Berlin, gr. 16.11

AQZI6E - XAP

B Copenhagen (SNG 187), gr. S.68f

B Athens (Delos Hd. A, 17; Sv. 63, 18),

gr. 4.00f; Athens (Delos Hd. B, 75),

gr. 3.82f; Athens (Delos Hd. B, 171),

gr. 8.80f; Athens, broken; Gotha, gr.

3.55; Petsalis Coll., gr. 8.71

109 tetradrachms: 29 obverse, 63 reverse dies

7 drachms: 2 obverse, 1 reverse die

Magistrates: AION, NIK, IOA, TA(?), XAIP

Months: A, B, T, A, E, Z, H, 0, I, K, A, M*

The Middle Period: Catalogue

305

Again we find three tetradrachm dies linking successive issues. Amphi-

krates-Epistratos and Dositheos-Charias share Obverses 847, 850 and 851 as

illustrated on Plates 94-95 and, in the case of No. 851, also in the BCH for

1932 (PI. II, 7-8).

Beule regards this striking as one of the last of the New Style series and

remarks that its decadence makes it impossible to regret that the Athenians

stopped coining silver: "Le style de ces tetradrachmes est affreux et les lettres

sont gravees d'une facon si grossiere que je n'ai pu le plus sou vent les distin-

guer." The issue does not belong at the end of the series and in fact its dies

are less debased than Beule implies but he is quite justified in his complaint

that the names of the third magistrates are often practically illegible. In this

respect the emission is the worst of the entire sequence.

As is the case with the coinage of Amphikrates and Epistratos, the careless

technique and poor quality of the overcutting have led to a number of peculiar

readings which need not be commented upon in detail. Beule's record includes

MHKI, API, ZAM and ZQZI. Some of these names are retained by Sundwall and

Kambanis; some are amended or queried. Whenever possible the coins have

been carefully checked and I doubt that any one of the four readings is correct.1

On the other hand I have some reservations about my own readings in two

instances. Tetradrachms of the month E are inscribed with what seems to be

AIO. This is the name that one would expect since the same man is in office

during A and Z, and Kambanis gives the AIO reading as certain. The lettering

is not clear on any die but it may be that the illegibility derives from recutting.

NIK is quite possibly under AIO with A and I~ under the E of the amphora. The

magistrate whose name appears on a few reverses of month I is here recorded

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as TA. On Nos. 870a and 871a, the gamma and lambda seem reasonably clear.

There are, to be sure, traces of a horizontal line across from the bottom of the

gamma and of another letter to the right of the lambda (a small lambda ?), but

these can be explained as remains of an earlier inscription. It is probable that

ZOA of months H and 9 was in office for a part of I and that during that month

his dies were altered by the engraving of TA over the ZOA.

A noteworthy feature of the coinage of Dositheos-Charias is the irregularity

in tenure of the third magistrates. During this Middle Period an individual

magistrate, more often than not, serves over a period of several months but the

1 The ease with which different readings can be derived from the same coin is exemplified

by Beule's API (I) entries. A tetradrachm in the Berlin Cabinet has API according to Beule and

ZAM (?) according to Kambanis while von Prokesch reads EAI on a similar piece in his collection

and Beule notes that another specimen of the same month seems to have TP. Kambanis further

records TA for an I striking at Athens which is actually from the same reverse die as the Berlin

tetradrachm with his ZAM (?) reading.

3o6

The New Style Silver Coinage of Athens

months are without exception consecutive. With the present issue, we have two

magistrates returning to office after an interval. AION controls the coinage of

months A and B, is then replaced by NIK who carries on for a part of B and for

r, after which AION comes back for A, E and Z. Similarly IOA of H and 6

yields to TA and XAIP for I and K but resumes his office for A and M. During

the last two months, however, he seems to have collaborated with XAIP since

both names appear on dies of A and M. There is, of course, the possibility that

different men are involved but it would seem to be stretching coincidence to

assume a dual identity of names within the course of a single year.

With the coinage of Dositheos and Charias we come to the end of the long,

closely-linked sequence which begins with the issue of Phanokles and Apollonios

and extends down through an intervening ten strikings. This seems to be a suit-

able place for the division between Middle and Late Periods. In a sense the

demarcation is arbitrary since there is no abrupt break between the three-

magistrate issues which have just been discussed and those which immediately

follow. Many of the latter, however, have close associations, numismatically

and historically, with the late two-magistrate emissions and it will be useful

to relate the group as a whole within the general framework of the final period

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of the coinage.

COMMENTARY ON THE MIDDLE PERIOD

This section of the coinage comprises thirty-seven issues, extending from

1C8/7 through 132/1 B.C. Unlike the series of the Early Period, the present

sequence is supported by a substantial number of die links. Twenty-five of the

thirty-seven issues are brought into relationship by means of thirty-nine trans-

ferred obverse dies, leaving only twelve issues for which there is no proof of

contiguity. Moreover, the stylistic evidence for this period is stronger than it

is for the period preceding in that there are only a restricted number of obverse

styles, each showing a high degree of coherence within a single issue and a

clearly discernible evolutionary pattern over a series of issues. Some help in

chronological arrangement is to be derived from hoards, control combinations,

die positions and symbol placement.

The Middle Period coinage divides roughly into three groups. Of these, the

earliest is composed of the following twelve issues with tetradrachm and drachm

die links indicated by brackets:

r MIKI-GEOOPA

td) |

Ll. HPA -APIZTOQ

2. MENEA -EnirENO

tm r3. TIMAPXOY - NIKArO

d(1) L4. TIOAYXAPM - NIKOr

5. AflPOQE - AlOO

r6. ANTIOXOI - NIKOr and KAPAIXOZ

U. GEOOPA - ZflTAZ

r8. AiOrE -TTOZE1

L9. AXAIOZ-HAI

10. AYZAN - TAAYKOI

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11. EnirENH -ZftZANAPOZ

12. FIOAEMQN - AAKETHZ

Hera-Aristoph is firmly established as the initial striking of the three-

magistrate period by the die link connecting it with the issue of Miki-Theophra

of the two-magistrate series. Its obverses are absolutely consistent in style with

those of Miki-Theophra and also with those of Mened-Epigeno. Note on

Plates 32-35 the striking similarity in the shape of the heads, the profiles, the

small neat visors and helmet ornaments, the gently curved crest terminals.

3o8

The New Style Silver Coinage of Athens

The issue which has been placed next, that of Timarchou-Nikago, con-

tinues the obverse style of Hera-Aristoph and Mened-Epigeno. This is espe-

cially true of its first dies; later in the year a somewhat different representation

of Athena begins to emerge. A long, rather narrow head set on a thin neck

(Nos. 866-367) presents a distinct contrast to the broad head and thick neck of

earlier obverses such as No. 362. The same dolichocephalic type appears on the

coinage of Polycharm-Nikog (as, for example, No. 376) and succeeding issues.

In the Salonika Hoard, already cited in the commentary on the Early

Period, the 300 component tetradrachms belong exclusively to two two-magis-

trate issues (Glau-Eche and Miki-Theophra) and to four three-magistrate

issues (Hera-Aristoph, Mened-Epigeno, Timarchou-Nikago and Polycharm-

Nikog). In view of the small number of emissions represented in so large a

hoard, it is difficult to believe that they are separated in time. Of the four

three-magistrate issues, that of Hera-Aristoph is joined by die identity to the

two-magistrate series while those of Timarchou-Nikago and Polycharm-Nikog

are contiguous on the evidence of transferred dies. This means that the un-

related striking of Mened-Epigeno should come either between Hera-Aristoph

and Timarchou-Nikago or after Polycharm-Nikog. The strong stylistic af-

finity between its obverses and those of Hera-Aristoph makes it certain that

the earlier placement is correct.

The location of Dorothe-Dioph is primarily determined by stylistic con-

siderations. Its obverses find their closest parallels in the emissions of Poly-

charm-Nikog and Antiochos-Nikog (cf. Nos. 376 and 384; Nos. 388-9 and

396-7). In all three issues there is a tendency toward larger volutes in the

helmet ornament and a straightening of the crest terminals so that they hang

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away from the neck in an almost vertical line. There is, furthermore, a distinc-

tive feature of the ornament which should be noted. Isolated earlier dies

(Nos. 350 of Mened-Epigeno and 367 of Timarchou-Nikago) render this de-

corative design with a sharp twist at its central point and a sweeping pro-

longation to the right. The same treatment appears on a number of the obverses

of Polycharm-Nikog (Nos. 376, 378 and 380) and is characteristic of most of

the dies of Dorothe-Dioph and Antiochos-Nikog.

In addition to the stylistic criteria, there are other factors which strengthen

the case for the contiguity of Dorothe-Dioph and Antiochos-Nikog. For this

Middle Period as a whole, there are five instances of die-joined issues with the

same third magistrate serving at the end of one year and the beginning of the

next (p. 592). The third magistrate of month M in the emission of Dorothe-

Dioph is ANTIAOX, a rather uncommon name in Attic prosopography. The

third magistrate of month A in the emission of Antiochos-Nikog is ANTIAOX.

It would seem almost certain that this is the same man and that his connection

The Middle Period: Commentary

309

with the two issues is another indication that they belong together. Finally

there are two minor considerations that couple the strikings under present

discussion. Ten of the twelve issues of this first group have the symbol in the

left field; Dorothe-Dioph and Antiochos-Nikog have it in the right field. The

only three-magistrate emissions of the Kessab Hoard (p. 475) are those of

Dorothe-Dioph and Antiochos, with one and five coins respectively. Too few

specimens of any issue are included for valid comparisons on the basis of rel-

ative wear. The tetradrachms of Antiochos are the finest in the deposit and

the one piece of Dorothe-Dioph is almost equally well preserved but its con-

dition is not markedly superior to that of a coin of Miki-Theophra. However,

we do again have a combining of the two issues, this time in a hoard which has

no later emissions.

Theophra-Sotas shares an obverse die with Antiochos-Karaichos. Trans-

ferred dies link the subsequent issues of Dioge-Posei and Achaios-Heli with

each other and with the Theophra-Sotas striking. There can, I believe, be no

question of the sequence of these issues.

At the end of Group I in the Middle Period we have three emissions which

reveal no die connections. Their relative order, nevertheless, seems to me fairly

certain. In the sequence thus far discussed, the obverses form a remarkably

consistent stylistic pattern. After the transition noted for the issue of Ti-

marchou-Nikago from a brachycephalic to a dolichocephalic head, the latter

is the standard representation. Only minor and gradual variations are dis-

cernible in the die-linked issues from Antiochos-Nikog through Achaios-Heli.

The emission of Lysan-Glaukos begins in the same stylistic tradition. Its

earlier obverses are very close to those of Achaios-Heli (cf. Nos. 429-432 with

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the dies of Plate 43Nos. 422 and 431 are almost identical); later dies show

a hardening of the features which becomes more pronounced in the obverses of

Epigene-Sosandros and leads finally to the disagreeable pinched faces of

Polemon-Alketes. In the two last strikings there is an attempt to introduce

a new obverse style. This proves abortive in the case of Epigene-Sosandros;

Nos. 450-1 have no real counterparts elsewhere in the coinage. Nos. 461-3 of

Polemon-Alketes, however, are prototypes of a style which is characteristic

of the emissions of Group II. This issue then, with some of its obverses re-

flecting the final stages of the old tradition and others pointing toward a new

stylistic pattern, must surely be the last of Group I.

The Naxos Hoard (p. 477) is the only deposit which bears directly on this

section of the coinage. Of the first ten strikings of the three-magistrate period,

all but three (Timarchou-Nikago, Antiochos-Nikog and Achaios-Heli) are

contained in the hoard. According to Mme. Varoucha's arrangement by relative

wear, which closely parallels the chronological sequence outlined above, the

3io

The New Style Silver Coinage of Athens

latest issues are those of Lysan-Glaukos and Dioge-Posei. Since some earlier

strikings are missing, no emphasis can be laid upon the absence of the issues

of Epigene-Sosandros and Polemon-Alketes, but it is at least worth mention-

ing that they do not appear in the Naxos find whereas the issue of Lysan-

Glaukos, which definitely seems to precede them on the evidence of style, is

represented.

The division between Groups I and II is basically one of obverse style.

There is a distinct break between the technique of the early issues and the

stylistic trends which distinguish the emissions of the second group. There is

also a separation along epigraphical lines. Throughout the first twelve issues

of the Middle Period the letter zeta is invariably rendered as I. Thereafter it is

consistently Z or X except in the case of dies of Karaich-Ergokle on which the

diagonal stroke is set in from the ends of the horizontals to form the strange

hybridization X encountered on some issues of the Early Period (p. 121). Finally,

it may be noted that the transition between Groups I and II is marked by a

shift in the position of the symbol. Save for the issues of Dorothe-Dioph and

Antiochos-Nikog, all strikings of Group I have the device in the left field; all

subsequent issues show it to the right of the owl.

Up to this point the chronological arrangement has not differed greatly

from that outlined by Kambanis in his notebook.1 With the second group of

issues belonging to the Middle Period, there are substantial variations from

Kambanis' order which will need to be discussed in some detail. The issues of

this section are the following:

1. MIKIflN - EYPYKAEI

t(1)r 2. AOPOAIZl - ATTOAHEI

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Mi) L 3. EYPYKAEI - APIAPA

4. KAPAIX - EPI"OKAE

5. AOPOAIZI -AlOrE

6. AIONYZI -AIONYZI

7. AMMflNIOZ _ KAAAIAI

8. 9EMIZT0 -GEOriOMnOZ

9. ZQKPATHZ - AIONYZOAQ

1 The chief divergence is in the order indicated for Antiochos-Nikog, Theophra-Sotas,

Dioge-Posei and Achaios-Heli; there is also a transposition of Epigene-Sosandros and Polemon-

Alketes. From the data left by Kambanis one gets the impression that the sequence of issues in

his notebook, which is almost identical with the arrangement of his cast trays, represents the

latest stage of Kambanis' thinking regarding chronology. Somewhat different arrangements ap-

pear in the summaries of the Zarova and Halmyros Hoards (BCH, 1934, p. 132 and BCH, 1935,

pp. 106 and 117) but there Kambanis has specified that he is not attempting a final order.

t(3>L

t(l) [

The Middle Period: Commentary

din

10. MHTPOAfiPOI - MIATIAAHI and AHMOIGEN

11. AlOTIMOZ-MArAZ

r12. EYMAPEIAHZ-AAKIAAM and KAEOMEN

13. XAPINAYTHI - APIZTEAZ

L14. OANOKAHI - AnOAAflNIOZ

In the preceding pages, mention was made of the appearance in the issue of

Polemon-Alketes of a new obverse style, exemplified by three dies (Nos. 461-3

for comparison with the other obverses of Plate 47). This we shall call Style A.

It is characterized by fluttering crest terminals, sprawling helmet ornament

with large volutes, loose hair in heavy untidy masses and a profile of quite

distinctive cast. Clearly we have in the three dies of Polemon-Alketes the hand

of a new diecutter.

The issue which is closest in style to that of Polemon-Alketes is the emis-

sion of Mikion-Euryklei, all of its obverses being in the tradition of Style A.

Note the similarity of individual dies: Nos.462 and 482, Nos.463 and 487-9.

Style A continues with practically no modification in Obverses 494 and

496X of the Aphrodisi-Apolexi issue but other dies show a development in the

arrangement of the hair which will prevail henceforth. The unkempt tresses of

the first stage of Style A give place to three heavy locks falling straight, as in

Nos. 499 and 502. With this issue we also encounter the first examples of

Style B, as illustrated by Obverses 495-6, 497-8 and 503. Heads are larger,

profiles rather weak, crest ends generally less fluttering, hair in two rows, and

helmet ornament more complicated with an occasional tendency toward a

simple sweeping curve from which the volutes all branch to the right (cf.

No. 503).

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On stylistic grounds there seems to be ample justification for inserting the

issue of Mikion-Euryklei between the strikings of Polemon-Alketes and

Aphrodisi-Apolexi. Confirmation of the placement comes from the Attic

Hoard. This deposit (Plates 162-171) contains ten issues of the early Middle

Period: Hera-Aristoph, Mened-Epigeno, Timarchou-Nikago, Polycharm-

Nikog, Dorothe-Dioph, Antiochos-Karaichos, Theophra-Sotas, Achaios-

Heli, Mikion-Euryklei and Aphrodisi-Apolexi. Of these the drachms of

Mikion-Euryklei and Aphrodisi-Apolexi are in mint condition and clearly the

latest of the hoard. The association of Mikion-Euryklei with so many of the

early issues of the Middle Period and its definite link with Aphrodisi-Apolexi

on evidence of wear support the stylistic argument for its relative position in

the sequence under discussion.1

1 Kambanis places itj much later, after the issue of Metrodoros-Demosthen with which he

evidently thought it should be connected. His association of the two strikings stems, I believe,

312

The New Style Silver Coinage of Athens

The striking of Euryldei-Ariara is firmly bound to that of Aphrodisi-

Apolexi by transferred dies of all three denominations. Its obverses show a

continuation of Styles A and B, together with yet a third style which is best

illustrated by No. 516. Style C shows a delicately modelled profile, simple crest

terminals close to the line of the neck, hair neatly arranged and a small re-

strained helmet ornament.

With the emission of Karaich-Ergokle we have another issue which Kam-

banis places late in the sequence, immediately before the striking of Chari-

nautes-Aristeas. The reason for his arrangement is not apparent and it seems

to me that the prow issue belongs much earlier, finding its closest stylistic

parallels in this section of the coinage. Its obverses are exclusively of Style B

and individual dies closely resemble examples of the preceding strikings: cf.

No. 535 of Karaich-Ergokle with No. 503 of Aphrodisi-Apolexi and Euryklei-

Ariara; No. 524 of Karaich with No. 497 of Aphrodisi. The fact that Style B

in its present development is associated only with these three issues (subse-

quently it dies out to reappear only after a considerable interval and then in

a different form) seems to me to indicate that the coinage of Karaich-Ergokle

must be contemporary with the issues of Aphrodisi-Apolexi and Euryklei-

Ariara. Possibly it belongs at the beginning of this sequence but I feel that its

obverses represent a later rather than an introductory stage of Style B and

that its present position is preferable.

Styles A and C return to the coinage with the issues of Aphrodisi-Dioge

and Dionysi-Dionysi. There is relatively little change in the first but the third

style, which is used exclusively for the subsequent emission of Ammonios-

Kallias, shows a discernible evolution over the course of the three issues, a

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trend toward an older and somewhat coarser Athena head (cf., for example,

Nos. 551, 557 and 589). The strikings are die-linked as indicated in the listing

of issues.

The tetradrachm die transferred from the issue of Dionysi-Dionysi to that

of Ammonios-Kallias refutes two links which Kambanis implies in his manu-

script and in his summaries of the Zarova and Halmyros Hoards. These involve

the issues of Themisto-Theopompos, Ammonios-Kallias and Eumareides-

Alkidam, which are bracketed in that order in the BCH articles of 1934 (p. 132)

and 1935 (pp. 106 and 117). Nowhere is there any published reference to evi-

dence for these associations but among Kambanis' papers there is a sheet on

from a pair of casts in his tray, labelled Romanos. The obverse is our Die 640, used for tetra-

drachms of Metrodoros-Demosthen; the reverse belongs to Mikion-Euryklei. This would, of

course, establish a die link between the two issues. However, an examination of the Romanos

Collection revealed that two separate coins are involved. The obverse cast belongs to our No. fyof.

the reverse to No. 480I1 with a totally different obverse.

The Middle Period: Commentary

3i3

which are pasted photographs of four coins together with notes indicating an

identity of obverse dies. According to this data Kambanis thought Obverse 608

of Themisto-Theopompos the same as Obverse 584 of Ammonios-Kallias and

Obverse 592 of the latter issue identical with Obverse 675 of Eumareides-

Alkidam. In both instances the dies are indeed close but they are not identical

as will be evident from the plates of the present publication, and it is quite

likely that Kambanis, before he presented the evidence for the two links in

print, would have realized that his associations were erroneous.

In general the heads of Style C as represented in the coinage of Themisto-

Theopompos are more delicate than those of Ammonios-Kallias, suggesting an

earlier date. Since die links unite the emission of Ammonios-Kallias and its

two predecessors, the only alternative position for Themisto-Theopompos

would be before Aphrodisi-Dioge. Careful examination of the evolution of

Style C does not seem to support such an arrangement. That particular style

appears first with Obverse 516 of Euryklei-Ariara and its distinctive charac-

teristics carry over into the markedly similar Obverses 543, 544 and 550-551 of

Aphrodisi-Dioge. Although the heads of Themisto-Theopompos are equally

compact and well modelled, there is a noticeable difference, particularly in

facial expression, between them and the heads of Euryklei-Ariara and Aphro-

disi-Dioge; they definitely do not fit between those two issues. On the other

hand they are highly comparable in individual instances with heads of Dionysi-

Dionysi and Ammonios-Kallias. Compare, for example, No. 606 with No. 571,

No. 596 with No. 582, Nos. 608-9 with Nos. 581 and 583.

The issues of Sokrates-Dionysodo and Metrodoros-Miltiades certainly be-

long together. Both have obverses of Styles A and C and particular dies are

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very close, as No. 612 for comparison with Nos. 639 and 641, Nos. 611 and 616

for comparison with Nos. 630 and 633. The two strikings have been placed in

this order because the Sokrates heads of Style A are generally smaller and more

like those of earlier issues whereas those of Metrodoros are rather larger and

more akin to the representations of Eumareides-Alkidam. Individual dies

substantiate this sequence: No. 624 of Sokrates being similar to No. 608 of

Themisto while No. 637 of Metrodoros is very like No. 664 of Diotimos-Magas.

Four issues which must be considered together complete Group II of this

Middle Period. With Diotimos-Magas there is a reappearance of Style B. Note

especially Nos. 652, 655 and 657 which are in the direct tradition of the Style B

obverses of Euryklei-Ariara and Karaich-Ergokle. Side by side with these

dies one finds a variant of Style B, characterized by a hard profile line and by

a peculiar rendering of the helmet ornament. Nos. 649, 650-1 and 654 represent

this variant type and on No. 649 (as contrasted with No. 652) one can see

clearly the way in which the ornament is now separated into two parallel,

314

The New Style Silver Coinage of Athens

almost vertical lines terminating in heavy branching volutes (). Other dies

of Diotimos-Magas belong to Style C.

Only one die of Eumareides-Alkidam (No. 682) shows a similar treatment

of the helmet ornament but in the issue following, that of Charinautes-Aristeas,

practically all obverses are further developments of the variant Style B type.

Among them one notes a particularly striking form of the helmet ornament

with a widely forked division of the volutes at the top (No. 690), a rendering

which is repeated with even greater exaggeration on a die of Phanokles-

Apollonios (No. 705).

The issue of Phanokles-Apollonios is fixed as the last of the four under

present discussion by a die link with the emission of Euboulides-Agathokle at

the beginning of Group III. Immediately preceding comes the coinage of

Charinautes-Aristeas as indicated by the close similarity of variant Style B

obverses in the two issues and the tendency in both toward experimentation

with elaborate versions of the helmet ornament.1

On the evidence of variant Style B, Diotimos-Magas should come just be-

fore Charinautes-Aristeas since it includes more examples of that style than

does Eumareides-Alkidam, but there are considerations against such an ar-

rangement. The reappearance of Style B in its original form occurs in the

coinage of Diotimos which has three obverses highly comparable with those of

the earlier issues of Euryklei-Ariara and Karaich-Ergokle. The obverses of

Style C of Diotimos are in the direct tradition of Sokrates-Dionysodo and

Metrodoros-Miltiades (No. 661 with No. 633, No. 664 with No. 637) while those

of Eumareides are much closer to the style of Phanokles-Apollonios (compare

Nos. 674-5 and 678 with Nos. 698 and 701-4). Finally and conclusively, there

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is a drachm link between the issues of Eumareides-Alkidam and Phanokles-

Apollonios which establishes their proximity.

This fractional die would seem to span three years. Bringing Eumareides-

Alkidam and Phanokles-Apollonios into direct sequence would involve a dis-

placement of the issue of Charinautes-Aristeas which has extremely close

stylistic connections with that of Phanokles-Apollonios. Moreover, we already

have proof from the linked issues of Theophra-Sotas, Dioge-Posei and

Achaios-Heli that a drachm die could be used over more than two years.2

The die link between Eumareides-Alkidam and Phanokles-Apollonios does

1 Bellinger, Kambanis and Svoronos are in agreement on the association of these issues.

Kambanis even brackets them in two BCH listings (1934, p. 132 and 1935, p. 106) but he gives

no proof of the implied identity of dies.

2 Actually in the present instance it is possible that there was no drachm coinage for the

intervening issue of Charinautes-Aristeas since our one example is a plated specimen which may

or may not have been an official issue.

The Middle Period: Commentary

3i5

not prove contiguity but it does indicate strongly that the former issue comes

after rather than before Diotimos-Magas. While a drachm die could, and did,

carry over three years, it is difficult to credit a survival through four emissions.

In the absence of die links for seven of the fourteen issues of this present

group, no one would maintain that its order is absolutely fixed but I do believe

that the arrangement is fairly certain and that any adjustments necessitated

by future discoveries will be minor ones.

The last eleven issues of the Middle Period provide a firm sequence, each

emission linked to at least one other and six of the eleven anchored at both

ends.1 The strikings are as follows:

r OANOKAHZ - ATTOAAQNIOZ

t (i) j

t(2)r 1. EYBOYAIAHZ - ArAGOKAH and ZS2IAOZ - EYANAPOZ

*t 2. AAMflN -ZflZIKPATHZ

t(1)P 3. EYMHAOZ-KAAAIOflN

d(l)

mdL 4. HPAKAEIAHZ - EYKAHZ (I)

d(1)L 5. 0EOAOTOZ-KAEOQANHZ

r 6. HPAKAEIAHZ - EYKAHZ (II)

t(3)[ V'

d,l)L 7. ANAPEAZ -XAPINAYTHZ

t (i) r

d(1)L 8. IKEZIOZ - AZKAHTTIAAHZ

tmr 9. TIMOZTPATOZ-nOZHZ

d<1> rlO. AMOIKPATHZ - ET7IZTPATOZ

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41. AflZIQEOZ -XAPIAZ

There is little that need detain us in this section of the coinage since the

chronological arrangement is fully established by the die links. It might be

pointed out, however, that the stylistic evolution of these contiguous issues

1 All these connections with the exception of the link between Phanokles-Apollonios and

Euboulides-Agathokle and the one between Herakleides-Eukles (I) and Theodotos-Kleophanes

are published by Kambanis in Arethuse and in various BCH articles. In several instances, how-

ever, his listings show erroneous couplings. Andreas-Charinautes, Hikesios-Asklepiades and

Timostratos-Poses are bracketed in that order in Arethuse (p. 12) but on page 14 of the same

publication the sequence is given as Andreas-Charinautes, Timostratos-Poses and Amphikrates-

Epistratos. Later in the BCH for 1934 (p. 132) and 1935 (pp. 106 and 117) Kambanis lists Timos-

tratos-Poses, Hikesios-Asklepiades, Andreas-Charinautes. As Bellinger (Hesperia, Suppl.VIII,

p. 19) points out, these are mistakes, for the Arethuse and BCH (1932) plates show clearly the die

identities between Andreas-Charinautes and Hikesios-Asklepiades and between Timostratos-

Poses and Amphikrates-Epistratos. Of the connection between Hikesios-Asklepiades and Timos-

tratos-Poses, Kambanis writes that it is certain but that he has been unable to find the proof of it.

3i6

The New Style Silver Coinage of Athens

follows a pattern identical with that observed in the earlier issues and thus

affords confirmation of the validity of style as a criterion for arrangement when

die links are lacking. It was, in fact, style alone that originally determined the

placement of the Theodotos-Kleophanes emission; subsequently the dis-

covery of a transferred drachm die proved its insertion between the two He-

rakleides-Eukles strikings to be correct.

Variant Style B survives in one die of Euboulides-Agathokle (No. 714);

Style A in a number of obverses of that same year. With Damon-Sosikrates

there is a single die which should perhaps be considered in the tradition of

Style B. Otherwise all obverses are a development of Style C of the earlier

issues. For the most part the rendering is not unpleasing through the coinage

of Theodotos-Kleophanes. With the second year of Herakleides-Eukles it

begins to deteriorate and becomes progressively worse with succeeding issues.

By the emission of Dositheos-Charias the heavy, rather coarse heads sur-

rounded by exaggerated dots have lost every vestige of charm.

Two hoards are to be associated with the terminal years of the Middle

Period. There is not much information to be derived from the Salamis Hoard

(pp. 518f.) even if its composition is complete. It includes four tetradrachms

of this third group, the latest a piece of Timostratos-Poses. All are worn,

almost as much so as the very early strikings, and this fact combined with the

scanty representation of all issues makes it impossible to derive any help as

to chronological arrangement from the state of preservation of individual

specimens. The second deposit is Delos Hoard r, which Svoronos publishes in

the JI AN for 1906 (pp. 260-267). In this large hoard all issues of the Middle

Period are represented, save for the coinages of Polycharm-Nikog, Mikion-

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Euryklei and Karaich-Ergokle,1 down through the second year of Herakleides-

Eukles. The tetradrachms in the best state of preservation are those of Hera-

kleides-Eukles and Theodotos-Kleophanes, all are fine and some are in mint

condition. This strongly substantiates the position of Theodotos-Kleophanes

if further evidence were needed.

There is a striking difference between the earliest and latest reverses of the

Middle Period. On the dies of Hera-Aristoph a well-proportioned owl with

small head and eyes and with carefully delineated V-shaped feathers sits on a

modest amphora, the whole surrounded by a wreath with long slender leaves

and small berries. In the coinage of Dositheos-Charias a scrawny bird with

large head and protruding eyes and with feathers indicated by heavy blobs is

1 The absence of coins from the two large strikings of Mikion-Euryklei and Karaich-

Ergokle is surprising. Possibly it can be interpreted as another indication of propinquity to the

issues of Epigene-Sosandros and Polemon-Alketes, two other extensive emissions which are

represented in the hoard by only one coin each.

The Middle Period: Commentary

3i7

rendered on a disproportionately large and elongated vase within a sketchily

outlined wreath of shapeless leaves and heavy berries. This degeneration of the

basic type is a gradual process. Its evolution is in complete accord with the

overall chronology and serves to confirm the more precise evidence of obverse

style in placing individual issues within broad groups. It does not help in

establishing an absolute chronology.

In this respect the inscriptions are of somewhat greater assistance. Starting

again with Hera-Aristoph we find letters that are small, rather thin and neatly

cut, adequately spaced and in good relative proportion. A similarity of execu-

tion characterizes the ensuing six strikings. With the coinage of Dioge-Posei

through that of Polemon-Alketes the letters become thicker and heavier,

occasionally out-sized, and there is a tendency to run them together with a

consequent loss in legibility. From Mikion-Euryklei through Aphrodisi-

Dioge, there is a further deterioration in the direction of careless cutting,

crowding together of letters, poor alignment and poor relative proportions.

Note how the reverses of Mikion-Euryklei, Aphrodisi-Apolexi and Karaich-

Ergokle exemplify this technique. With Dionysi-Dionysi one sees a distinct

improvement in the size and execution of individual letters. This continues to

be true of the dies of Ammonios-Kallias, Themisto-Theopompos, Sokrates-

Dionysodo and Metrodoros-Miltiades (cf. Nos. 582a, 606e, 620b and 629c).

The crowding of the flans in these issues is due not to careless workmanship but

to the growing trend toward less abbreviation in magistrates' names.

Some of the reverses of Diotimos-Magas are neat and well cut; others show

a thickening and running together of the letters which leads into the style of

the next issues. The dies of Eumareides-Alkidam, Charinautes-Aristeas,

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Phanokles-Apollonios and Euboulides-Agathokle are highly comparable. On

the whole the letters are still restrained and legible, if at times excessively

crowded, but there are individual dies which are very poorly cut (note Nos. 669,

677e, 688a and 699a). From Damon-Sosikrates on an increasing carelessness

prevails, culminating in the appallingly clumsy reverses of Timostratos-Poses,

Amphikrates-Epistratos and Dositheos-Charias.

These varying inscriptional trends help in the association of individual

issues but they cannot do much more than this. For example, the marked sim-

ilarity of reverse dies in the strikings of Ammonios-Kallias, Themisto-Theo-

pompos, Sokrates-Dionysodo and Metrodoros-Miltiades, as noted above,

indicates a contemporaneity of the four issues. The differences in reverse

technique, however, are too slight to be of any use in determining whether

Sokrates-Dionysodo, for instance, belongs before or after Metrodoros-Miltiades.

During the Middle Period of the coinage the inscriptions as they pertain

to the annual magistrates tend to become increasingly elaborate. There is,

3i8

The New Style Silver Coinage of Athens

however, no distinct break between issues with abbreviated names and those

in which the names are inscribed in full. From the beginning through the

striking of Sokrates-Dionysodo the practice is to abbreviate at least one name,

more commonly both, but there are exceptions: Antiochos and Karaichos,

Polemon and Alketes, Ammonios and Kallias. From Metrodoros-Miltiades on,

the two names are written in full except for Demosthen, who replaced Miltiades

as the colleague of Metrodoros, both second magistrates of the Eumareides

striking, and Agathokle of 142/1 B.C. With regard to third magistrates the

situation is the reverse. The longer, less abbreviated versions occur in the early

and middle stages of the period; the shortest names are to be found in the last

three issues, due no doubt to the clumsy lettering which left little room on the

flans for anything but the names of the annual officials.

Die positions are predominantly regular (If) but there are deviations in

almost every issue. From Hera-Aristoph through Mikion-Euryklei all emis-

sions, except those of Theophra-Sotas and Dioge-Posei, show a high pro-

portion of dies with a slight orientation to the left f \. Beginning with Aphro-

disi-Apolexi and continuing through Eumareides-Alkidam, there are still

some dies in all issues with the same relationship but far fewer than in the

preceding group. Four strikings (Euryklei-Ariara, Karaich-Ergokle, The-

misto-Theopompos and Metrodoros-Miltiades) have a single die each with

deviation to the right t / The emissions of Charinautes-Aristeas, Phanokles-

Apollonios, Eumelos-Kalliphon, Herakleides-Eukles (I) and Timostratos-

Poses are consistently ft; all others of the late sequence show an occasional t /

orientation while four dies belonging to Zoilos-Euandros and Damon-

Sosikrates repeat the f \ relationship of the earlier issues. These divergencies

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are, of course, minor and the evidence for them is incomplete but the pattern

that emerges is interesting in that it divides the coinage into three groups in

line with the chronological arrangement: an initial period of extensive variation

t \, a second period with considerably less variation in the same direction,

followed by a third period with occasional t / orientation.

Control combinations in the Middle Period are more consistent and more

restricted than was the case with the issues of the Early Period (see page 614

for the listing). The first three strikings are exceptional. Their controls include

combinations, such as AN and MH, which survive from the preceding coinage

and which do not appear elsewhere in the Middle Period; combinations, such

as AIT and TIE, which occur only on later issues of this period; and a single

combinationrAwhich is confined to the reverses of Hera-Aristoph and

Mened-Epigeno. The recurrence on these three issues of rare and distinctive

combinations underlines their separation from the other issues of the Middle

Period and their chronological unity.

The Middle Period: Commentary

319

The emissions from Polycharm-Nikog through Dionysi-Dionysi are re-

markably uniform in their use of exactly four control combinations: Al, ME,

I<t>, ZQ. All issues but three are limited to three combinationsalways ME,

almost always Z<t>, and either Al or Zft for the third. Euryklei-Ariara has Al,

ME, Zfi; Karaich-Ergokle and Dionysi-Dionysi employ all four combinations;

Epigene-Sosandros is exceptional in using five and substituting HP and

TTP for ZQ.

Four control combinations is standard practice from Ammonios-Kallias

through the end of the Middle Period, the only deviations being five issues

with five controls and one with three. Seven different combinations are to be

found: AFT, Al, ME, FIE, 10, ZO, ZQ. Of these, ME is invariable, as it has been

from the issue of Mened-Epigeno, and ZO is missing from only one striking.

Z<D drops out with Eumelos-Kalliphon and An comes in a year earlier to persist

from Damon-Sosikrates through Dositheos-Charias. Al is abandoned with the

emission of Charinautes-Aristeas.

Another noteworthy feature of the Middle Period of the coinage is the ex-

tent to which recutting is practiced. The earliest issues resemble those of the

preceding period in having an occasional re-engraving of a date or a control

combination. Only in two or three instances is there an alteration of the name

of the third magistrate. Systematic recutting of names begins in the issue of

Euryklei-Ariara but for a time it is not employed on an extensive scale. Later

it becomes almost routine procedure for keeping reverse dies in operation. Gen-

erally only two names are involved, one cut over the other. Then with the

coinage of Charinautes-Aristeas and subsequent issues one finds numerous

examples of three names and three amphora letters. The reverse belonging to

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Damon-Sosikrates with four names and five dates is fortunately unique.

CATALOGUE OF THE LATE PERIOD

AHMHTPIOI - ArAGinnOS CAPS OF DIOSCURI 131/0 B.C.

(Pxates 98-102)

Telradrachms

879.

880.

881.

882.

883.

884.

885.

An

nE

Athens, gr. 16.40f

01

nE

Kambanis Coll. (Halmyros Hd.)

01

10

Istanbul (Zarova Hd.), gr. 16.47f; Berlin (Sv.

58, 22), amphora letter uncertain, gr. 16.84

01

An

ra.

An

An

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London (Sv. 58, 1), gr. 16.21f

Paris, gr. 16.26f; ANS-ETN, amphora and

control letters uncertain, gr. 16.46f

|b.

OA1

An

Halmyros Hd.

1 c-

ATT

An

ANS (Anatolia Hd.), gr. 15.68f

|d.

An

An

Athens (Delos Hd.AH), gr. 15.60f; Berlin (Sv.

58,5), gr. 16.81; Istanbul (Zarova Hd.), gr. 16.57;

La.

An

ANS-ETN, gr. 16.34f

b.

nA

Berlin, gr. 16.18; Athens (Delos Hd.AH), gr.

15.50f; Commerce 1953, amphora and control

letters uncertain, gr. 15.61

c.

An

Halmyros Hd.

d.

An

The Late Period: Catalogue

321

01

ME

01

nE

An

nE

1 a-

01

ME

1 b-

01

01

An

1 a-

An

nE

1 b-

zo

1 c-

An

10

1 a-

An

zo

1 b-

An

zo

! c-

An

zo

1 a-

01

zo/

1 b-

01

zo

1 a-

An

MH

1 b-

MH

1 c-

MH

MH

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Aii

Berlin, gr. 16.29; Athens (Delos Hd. ir),brokenf;

322 The New Style Silver Coinage of Athens

895.

896.

897.

898.

An

MH

Athens (Zarova Hd.), gr. 16.52f; Berlin, gr. 15.96

An

An

ANS-ETN (Halmyros Hd.), gr. 16.27f; Athens,

magistrate and amphora letter uncertain, gr.

16.65f

L a.

An

An

Athens (Delos Hd.AH), gr. 15.70|

b.

An

An

Leningrad, gr. 15.97f

c.

An

An

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Athens (Sv. 58, 10), gr.16.40f; Athens (Delos

Hd.AH), gr. 15.42 (corroded)f; Berlin, gr. 16.43

d.

[A]TT

An

Athens (Delos Hd. KS, 36), gr. 15.45f

a.

Halmyros Hd.

b.

An

nE

Athens (Delos Hd.AH), gr. 15.45f

c.

TIE

Athens (Delos Hd.AH), gr. 15.42f

rd.

An

nE

Tubingen, gr. 16.26; Oxford, amphora letter un-

899.

900.

901.

902.

903.

certain, gr. 15.94

a. _ T/(?)B MH Athens, gr. 16.25f

rb. AFT A MH Paris (Sv. 58,6), gr. 16.55f; Leningrad.gr. 15.69?

c. E MH Commerce 1955 (Halmyros Hd.)

d. An 1/0/H MH/An ANS-ETN (Halmyros Hd.), gr. 16.74f; Wash-

ington Univ.

a. An A 10 Kambanis Coll. (Halmyros Hd.)

Lb. An E/A IO/MH Halmyros Hd.; Hamburger 98, 691, gr. 16.63

l-c. E MH London {BMC 363), gr. 15.48|

The Late Period: Catalogue

323

906.

907.

908.

L a.

An

nE

Munich, gr. 16.57; Kambanis Coll. (Halmyros

Hd.); Lockett Coll. (SNG 1915), gr. 16.67f;

Berlin, gr. 16.22

b.

MH

Commerce 1955

c.

An

Z/E

nE

ANS-ETN, gr. 16.47t

r d-

An

An

1 e-

An

nE

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Berlin, gr. 15.45

Berne, gr. 16.26

1 a-

01

nE

Berlin (Sv. 58, 11), gr. 16.41; Athens (Delos

Hd. IT), control letters uncertain!

1 b-

01

nE

Lockett Coll. (SNG 1916) = Naville (Pozzi) 1602,

gr.16.46f. With OAY/OI: Athens, gr.16.00f

1 c-

OAY

TTE(?)

Istanbul (Zarova Hd.), gr. 16.42f

1 d-

OAY

nE

Kambanis Coll. (Halmyros Hd.)

1 e-

nE/An

London (Halmyros Hd.), gr. 16.61f; ANS (Ana-

tolia Hd.), amphora and control letters uncertain,

gr. 15.78|

1 f-

nE

324

The New Style Silver Coinage of Athens

909.

910.

911.

912.

913.

914.

915.

916.

917.

i ra-

An

FTE

Uncertain1

1 lb-

An

nE

Paris, gr. 16.22f; Berlin (Sv. 58. 18), gr. 16.17;

j|

Leningrad, gr. 15.98f

1 1c-

nE

1 ld-

An

nE

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Halmyros Hd.

Athens (Halmyros Hd.)

1 La-

An

nE

Bauer Coll.

\- b.

An

An

Cancio Coll.

1 c-

An/MH

London, gr. 15.76 (pierced)f

An

An

London {BMC 865), gr. 16.84t

a.

AN2

Z/E

MH

Kambanis Coll. (Halmyros Hd.); ANS-ETN,

gr. 15.47f

b.

An

MH

Vienna, gr. 16.18

c.

An

MH

Berlin, gr. 16.42

d.

The Late Period: Catalogue

325

920.

922.

b.

An

MH

Athens (Carystus Hd. II; BCH, 1958, Pl.XLIX,

4), gr. 16.65

c.

An

MH

Commerce 1982

a.

An

10

*Copenhagen {SNG 188; Sv. 58, 14), gr. 16.56f;

Glasgow (Hunt. 127), gr. 16.63f

b.

10

Ratto (Rogers) 413, gr. 16.00

c.

ZO

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An

Berlin (Sv. 58, 17), gr. 16.27; Commerce 1955

a.

An

An

ANS (Anatolia Hd.), gr. 15.54f; Leningrad, gr.

16.38f

b.

An

Athens (Delos Hd. B, 43), gr. 15.05 (corroded)f

c.

An

e/H

An

ANS-ETN (Halmyros Hd.), gr. 16.68|; Lenin-

grad

a.

MH

Athens (Delos Hd.AH), gr. 15.42f

b.

MH

Kambanis Coll. (Halmyros Hd.)

a.

An

FTE

Kambanis Coll. (Halmyros Hd.); Athens (Hal-

myros Hd.)

b.

An

nE

Commerce 1932

c.

326

The New Style Silver Coinage of Athens

923.

924.

925.

926.

927.

928.

a.

01

MH

Petsalis CoU. (Halmyros Hd.), gr. 16.75; Berlin,

gr. 15.29

b.

<DI

MH

ANS (Cretan Hd. II), gr. 16.10t

a.

An

An

Berlin, gr. 15.91

b.

An

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An

Athens (Sv. 58, 19), gr. 16.00f; ANS (Anatolia

Hd.), amphora letter uncertain, gr. 16.56f

c.

An

An

Milan (Sv. 58, 21), gr. 16.50

d.

An

TIE

Empedocles Coll.

a.

An

A/K

MH

*Kambanis Coll. (Halmyros Hd.); Kress 90, 236,

amphora letter uncertain, gr. 16.40

b.

An

MH

Berry Coll., gr. 16.76f

c.

An

MH

ANS-ETN (Halmyros Hd.), gr. 16.78f

d.

An

MH

Oxford, gr. 16.18; Istanbul (Zarova Hd.), gr.

rachms

16.64|; Kambanis Coll. (Halmyros Hd.)

Berlin (Sv. 58, 23), gr. 3.97

The Late Period: Catalogue

327

What emerges in the diagrammatical survey of this issue is an unparalleled

change in the system governing the tenure of third magistrates. The abbre-

viated names of three individuals appear on reverse dies but the principle of

rotation has been completely abandoned. ATT is in office throughout the year.

<t>l works with him in A, B, I", E, I and K; OAY serves with ATT and 01 in B and E

and with An in H. Seventeen reverses (of months r, E, Z, H, I and K) are anony-

mous in that there are no letters indicating a third magistrate.

This is all most extraordinary. Not only is there the basic problem of two

or three third magistrates holding office simultaneously during at least seven

months of the year but, and this is perhaps even more puzzling, there seems to

be no real correlation between the size of the coinage in a given month and

the number of third magistrates controlling it. In B and E the relationship of

output and magistrates is reasonable. There are ten obverse dies in operation

during the second month of the year and these are shared by ATT, 01 and OA;

the fourteen obverses of E (the heaviest month of striking) are associated with

ATT, Ol, OAY and anonymous reverses. In Z, however, ATT functions alone, yet

in this month there are twelve obverse dies in operation: eleven used with re-

verses inscribed An and one with a single anonymous reverse. Then toward the

end of the year when the coinage is lighter one finds the nine obverses of I and

the four of K combined with An, Ol and anonymous reverses.

Kambanis expresses in print (BCH, 1932, p. 52) and in unpublished notes

two dies. Beule records three examples of Zfl as a control combination and Sundwall repeats

Beule's citations. One piece cannot be checked; the other two are Paris specimens (our Nos.goya

and 915). No. 907a is definitely inscribed 20, and although the Paris example of No. 915 is not

clearly legible in the exergue, it is from the same reverse die as a Frankfurt coin on which the ZO

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is unmistakable. OAI as a magistrate's name, recorded by Beule for a Berlin coin, is a recutting:

OAY/OI. The KAEAS entry of Svoronos [JIAN, 1906, p. 269) is less easily explicible. I have ex-

amined the coins in the Athens cabinet and there is no tetradrachm of the Demetrios-Agathippos

issue which has KAEAZ as a third magistrate. The record would certainly seem to be an error

but I cannot imagine how it originated.

In the BCH for 1934 (p. 106) Kambanis gives a number of readings from the coins of the

Halmyros Hoard which are not to be found in the present catalogue: Ol with Z; OAY with A/T";

OAY with Z; with 0; with M; with N. The last is a crucial entry since, if correct, it would

establish 131 /o as an intercalary year. Fortunately we have a check on this record in the notebook

which contains Kambanis' detailed listing of all coins known to him. This notebook compilation

is of later date than the published article. Both 01 with Z and OAY with A/r from the Halmyros

Hoard appear in the notebook (the latter with "a verifier" after it) but both have been crossed

through indicating that Kambanis on rechecking had found the readings erroneous or dubious.

In the notebook there is no record of with M or with N and we can, I believe, feel confident

that re-examination had established the incorrectness of those readings. OAY with Z and with

0 are in the notebook as well as in the article and probably represent two reverse dies which I

do not have.

328

The New Style Silver Coinage of Athens

his conviction that the coinage of Demetrios-Agathippos extended over more

than one year and he seems, judging by his arrangement of the material, to have

been considered a division according to the four categories of reverses: those

with AFT, those with 01, those with OAY and those without third magistrate.

One cannot tell whether or not he was thinking in terms of four annual issues.

It was apparently the amount of silver struck under Demetrios and Aga-

thippos and the erratic pattern of third magistrate control which led Kambanis

to believe that the coinage must be spread over several years. He had not at-

tempted to arrange it by obverse and reverse dies. When one does that, it

becomes clear that the four reverse categories are contemporary. There are at

least three reverse dies (Nos. 905b, 906b and 907b) on which OAY is cut over

01. The other reverses associated with these same obverse dies are divided be-

tween 01, OAY and anonymous. Ol and ATT share Obverses 921 and 922; ATT and

OA Obverse 888. Uninscribed reverses are scattered throughout the year,

sharing obverses with ATT, with OI and with OAY, sometimes with both Ol and

OAY. Furthermore in this association of the reverses of different magistrates

with a single obverse it is noteworthy that the reverses are generally from the

middle months of the calendar. There is no instance of, for example, the same

obverse used with an ATT reverse of M and a Ol reverse of A, which would in-

dicate a carry-over of the die from one year to another and hence separate

annual issues. Unless one adopts the unlikely hypothesis that an identical

pattern of third magistrate control characterized successive strikings of Deme-

trios-Agathippos, one must assign their coinage to a single year.

Although the abandonment of the principle of rotation of third magistrates

reaches its culmination in the present issue, there have been a few earlier in-

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dications of a trend in that direction. In 143/2 B.C. under Phanokles and Apol-

lonios two third magistrates, SAT and UP ATI 01 seem to have served together

in month lambda and in the year following ZftKPAT and AAMIOZ were appar-

ently in office at the same time. With the coinage of Dositheos and Charias,

immediately preceding that of Demetrios-Agathippos, we have evidence of a

more violent departure from the system of orderly rotation of third magistrates.

AION starts the year, appearing on reverses of A and B.NIK either succeeds him

in B or serves with him for that month and alone for Y. Then AION returns for

A, E and Z. ZOA takes over in H and 6, yielding to TA in I. XAIP appears on re-

verses of K, A and M but SOA returns to office and is also inscribed on reverses

of A and M. So for at least the last two months of the year there would seem to

have been two third magistrates in charge. This is not yet the all-out chaos of

Demetrios-Agathippos but it definitely foreshadows it.

The year 131/0 witnessed a truly tremendous output of coinage. Forty-

seven obverse dies are known, the largest number for any issue in the series.

The Late Period: Catalogue

329

This is, however, a period of extensive emissions. The issue of Niketes-Dio-

nysios in 130/29 required thirty-three obverse dies, that of Aristion-Philon in

the next year used thirty, and five years later the issue of Xenokles-

Harmoxenos with dolphin and trident symbol employed forty-two. High as the

number of obverse and reverse dies is in the present record, it is almost certain

that many more reverses at least were originally cut for Demetrios and Aga-

thippos. There are numerous examples of an obverse-reverse combination re-

presented by a single coin, many obverses are recorded with a single reverse,

and there are three instances of extensive gaps in the sequence of amphora

letters. Obverses 884, 885 and 894 seem to have lasted for nine months each.

This is surprising durability for an obverse die in a large emission1 and it is

all the more puzzling in that we have no amphora letter between A and I asso-

ciated with Obverse 884, none between A and H with Obverse 885 and none

between B and K with Obverse 894. Either the three dies were put aside for

some reason and brought back into use after a considerable interval2 or there

are a great many reverse dies missing from the record for these three obverses

alone.

NIKHTHZ - AIONYZIOZ GORGON-HEAD 130/29 b.c

(Plates 103-105)

Tetradrachms

929.

r AHMO A 10 *Evelpidis Coll.

930. I

L AHMO A ZO *ANS (Cretan Hd. II), gr. 16.75 /

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931. I

La. AHMO A ZO "Istanbul (Zarova Hd.), gr. 16.80f

rb. AHMO A FIE *Munich, gr. 16.12

1 There are, however, other instances of extreme longevity in individual dies. Obverse 899

of this same issue lasts for seven or eight months, from Y (or possibly B) through I. An obverse of

an earlier issue, No. 802, is in use from B through A which would mean ten months if we could be

sure that coinage continued without interruption throughout the year. The present record shows

no reverses for 0 and only a drachm emission for I so it is possible that tetradrachm coinage was

suspended during those two months.

2 This may well have been the case. There is no significant difference in condition between

the earliest and latest stages of all three obverse dies such as one would expect for a long period

of striking.

330

The New Style Silver Coinage of Athens

932.

1a-

AHMO

MH

|b.

AHMO

B/A

MH

r|c

AHMO

MH

1 1a-

AHMO

TIE

1 Lb-

AHMO

B/A

nE

1 c-

AHMO

10

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1 d-

AHMO

r/B

nE/?

1 e-

AHMO

nE

1 f-

APOMO

An

1 a-

AHMO

An

1 b.

AHMO

B/A

An

1 c-

APOMO

An

1 d-

APOMO

An

1 a-

AHMO

10

1 b.

AHMO

zo

1 c-

APOMO

10

1 d.

APOMO

The Late Period: Catalogue

33i

936. I

939.

940.

941.

a.

AHMO

B/A

10

Athens (Delos Hd. A, 26), gr. 15.98f

b.

AHMO

MH

London (BMC 480), gr.16.70f; ANS

(Abruzzi Hd.), gr. 16.17f

c.

APOMO

MH

Lockett Coll. (SNG 1984) = Schlessinger

(Hermitage 2) 946, gr. 16.80t

a.

MENE

MH

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London, gr. 16.68f. With KAEI/MENE and

E/r: Athens (Halmyros Hd.)1

b.

TAAY

MH

Oxford, gr. 16.12f; Athens, gr. 16.80f;

Athens, gr. 16.45f

c.

TAAY

MH

Commerce 1958, gr. 16.53

d.

KAEI/rAAY

E/A

MH/?

Berlin, gr. 16.52

e.

KAEI

MH

Athens (Halmyros Hd.)

a.

TAAY

An

ANS-ETN (Halmyros Hd.), gr.16.59f;

Commerce 1955; Berlin, gr. 15.97

b.

TAAY

An

Athens (Sv. 66, 7), gr. 16.80f

a.

TAAY

nE

Halmyros Hd., gr. 16.45

b.

TAAY

nE

The New Style Silver Coinage of Athens

KAEI

An

Istanbul (Zarova Hd.), gr. 16.66f; Ist-

anbul, amphora and control letters un-

certain, gr. 16.56f; Andreopoulos Coll.,

amphora and control letters uncertain

KAEI

*ANS-ETN (Halmyros Hd.), gr. 16.55|

0PA

An

Berlin, gr. 16.42

6PA

An

Berlin, gr. 16.10

KAEI

nE

Brussels (de Hirsch 1292), gr. 16.58|

KAEI

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Tubingen (Sv. 66, 8), gr. 16.40

QPA

nE

Athens (Carystus Hd. II; BCH, 1958, PI.

XLIX, 5), gr. 16.77. With H/Z: Istanbul,

gr. 16.86f

6PA

zo

Copenhagen {SNG 195), gr. 16.05f

GPA

10

Athens (Sv. 66, 10), gr. 16.45f

GPA

Vienna, gr. 16.64

QPA

Berlin, gr. 16.41

9PA

An

Athens (Sv. 66, 11), gr. 16.45

EEN

All

Hess, Mar. 1985, 359 = Cahn 75, 327, gr.

16.63; Athens (Halmyros Hd.), control

letters uncertain

GPA

MH/(?)An

ANS-ETN, gr. 15.62f

EE/GPA

H/Z

MH

Weber 8524, gr. 16.59

QPA

The Late Period: Catalogue 333

950.

953.

d.

EE

MH

Munich, gr. 16.421; Schlessinger (Hermi-

tage 2) 944, gr. 16.50; Feuardent (Burel) 188

a.

GPA

MH

ANS (Cretan Hd. II), gr. 16.85t

b.

EENO

MH

Berlin, gr. 15.85

c.

EMBI

MH

Empedocles Coll.; Athens, gr. 16.02f

a.

6PA

H/Z(?)

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Minister Landesmus., gr. 15.76

b.

EEN

TIE

Commerce 1955, gr. 16.87f; Berlin, am-

phora letter uncertain, gr. 16.17

c.

EENO

An

Berlin, gr. 16.69

d.

EMBI

An

Bauer Coll. = Naville (Woodward) 758,

gr.16.57t; ANS (Anatolia Hd.), gr.15.74f

e.

EMBI

An

Romanos Coll. (Sv. 66, 14), gr. 15.80

a.

EEN/(?)6PA H

TIE

Athens, gr. 16.00|

b.

EEN

ne

Munich, gr. 15.80 (PL); Schlessinger (Her-

mitage 2) 945, gr. 16.40

c.

EEN

tie

Romanos Coll.; ANS-ETN (Halmyros

Hd.), control letters uncertain, gr. 16.69f

a.

EENO

334 The New Style Silver Coinage of Athens

956.

957.

958.

959.

960.

a.

EMBI

10

ANS-ETN, gr. 16.40f; Vatican

b.

EMB1

ZO

Athens (Delos Hd. ir)|; Berlin, gr. 15.50

c.

EMBI

10

*Athens (Halmyros Hd.)

a.

EMBI

10

Kambanis Coll. (Halmyros Hd.)

b.

EMBI

MH

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Berlin (Sv. 66, 18), gr. 16.88

ra.

EMBI

MH

Kambanis Coll. (Halmyros Hd.)

jb.

EMBI

ANS (Cretan Hd. II), gr. 16.27t

|a.

EMBI

10

Kambanis Coll. (Halmyros Hd.); Petsalis

Coll.

lb-

EMBI

ZO

Commerce (Sv. 66, 19, Feuardent), gr. 15.84

la.

EMBI

MH/nE

London (Halmyros Hd.), gr. 16.711; Em-

pedocles Coll. = Sv. 66, 20-21 (same coin),

Asteriades Coll., control letters uncertain

|b.

EMBI

FTE

Athens, gr. 16.80f

1 c-

EMBI

riE

Kambanis Coll. (BCH, 1984, PI. I, 5)

d.

EMBI

The Late Period: Catalogue

335

less drastically abbreviated and more carefully inscribed. The contrast be-

tween long and short terms of office remains puzzling, but there is at least no

definite indication of overlapping or broken tenures. Throughout the year the

eight third magistrates seem to have served in orderly succession.

Earlier publications provide readings not found in the present catalogue.

The magistrate Kl recorded for a British Museum coin (our No. 940b) is in

reality KAI, an erroneous rendering of KAEI. This name is associated with A on

the evidence of another tetradrachm but in all probability the amphora letter

represents a recutting (as our No. 989d) with an indistinct E superimposed on

the A. =EN is listed with 0 and ATT for a Copenhagen piece and with G and ME

for a Paris specimen. The former is No. 953a with EMBI and 0/H; the latter is

almost certainly No. 958b with an illegible third name and AFT /TIE, a recutting

which at first glance gives the impression of ME. Svoronos publishes GPA with

E (JIAN, 1900, p. 170) but there is no coin with this combination in the Athens

Collection. Zfi is cited for tetradrachms in the Lambros Collection and in

Berlin; Z<D is given for a Berlin piece. The Lambros coins cannot be checked

but on the only Berlin tetradrachm which definitely has a Z in the control

the combination is ZO.

Bellinger speaks of the appearance of N as an amphora letter in this issue.

I have been unable to find any published record of such a coin or coins but an

ancient imitation of Niketes-Dionysios with N on the amphora (Plate 158)

was in the Halmyros Hoard and this piece was copied by modern counterfeiters

before the remnants of the find were confiscated by the Athens authorities.

There is, to the best of my knowledge, no example of the intercalary letter on

a tetradrachm from the Athenian mint.

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APIZTIflN - OlAflN

PEGASUS

129/8 B.C.

(Plates 106-108)

Tetradrachms

959.

APOMO

10

Kambanis Coll. (Halmyros Hd.); ANS-ETN

(Halmyros Hd.)( gr. 16.50f; Berry Coll.

(Halmyros Hd.), control letters uncertain,

gr. 16.74f

960.

b.

a.

c.

APOMO

APOMO

APOMO

TTE

TIE

fte

Berlin {BCH, 1934, PI. I, 6), gr. 15.64

ANS (Anatolia Hd.), gr. 16.08t

London, gr. 15.98|

The New Style Silver Coinage of Athens

APOMO

MH

*Kambanis Coll. (Halmyros Hd.); Lockett Col

{SNG 1913), gr. 16.36f; Berlin, gr. 15.97

APOMO

MH

ANS-ETN (Halmyros Hd.), gr. 16.56f (Plate

105); London (BMC 830; Sv.68, 2), gr.16.38f

GEO

Petsalis Coll., gr. 16.52f; Cahn 60, 576, gr. 16.30

6EO

MH

ANS-ETN (Halmyros Hd.), gr. 16.56f

9E0

MH

Tubingen, gr. 16.38; London (BMC 332), gr.

16.45f; Athens (Sv. 68, 4), gr. 16.20f; Copen-

hagen (SNG 198), amphora letter uncertain,

gr. 16.42f

APOMO

ZO

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*Copenhagen (SNG 197; Sv. 68, 1), gr. 16.61f

APOMO

10

Ratto, Oct. 1934,168 = Cahn 75, 329, gr. 16.5U

GEO

E/A

ZO

Bourgey, Dec. 1932, 177

APOMO

An

Kambanis Coll. (Halmyros Hd.); Knobloch

Coll., amphora letter uncertain, gr. 16.65

APOMO

An

Athens (Sv. 68, 3), gr. 16.05f

GEO

An

Zara Coll., gr. 16.41t

GEO

An

ANS-ETN, gr. 15.95f; Vienna, gr. 16.30

GEO

An

London (BMC 831), gr. 15.76f

GEO

nE

Kambanis Coll. (Halmyros Hd.); Naville

(Woodward) 748, amphora and control letters

uncertain, gr. 16.11

GEO

MH

Kambanis Coll. (Halmyros Hd.)

GEO

MH

b.

HHAI

MH

c.

HrEAZ

Q/H

MH

HrEAZ

nE

a.

HrEAZ

An

HHAZ

An

La.

HHAZ

An/

b.

HrEAZ

zo

c.

HHAZ

zo

HrEAZ

Q/H

nE

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The Late Period: Catalogue

337

969.

970.

971.2

972.

973.

974.

975.

b.

GEO

ZO

c.

GEO

ZO

a.

GEO

I7E

b.

GEO

a.

GEO

338

The New Style Silver Coinage of Athens

976.

977.

978.

979.

980.

981.

a.

HrEAI

e/H

nE

*Munich (Sv. 68, 7), gr. 15.42

b.

Hri

i/e

nE

ANS-ETN (Halmyros Hd.),gr. 16.50t; Athens

(Delos Hd. ir; Sv. 68, 9), gr.16.98t- With

K/l/9: Piraeus Hd., gr. 16.86

c.

HrEAI

lrd.

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Petsalis Coll., gr. 16.46|; Commerce (Halmy-

HrEAI

nE/An L. Meletopoulos Coll., gr. 16.15

ros Hd.)

-|

e.

HrEAZ

K/l

nE

ANS-ETN (Halmyros Hd.), gr. 15.68f

f.

HriAi

nE

Commerce 1955, gr. 16.85f

rl

g-

HrEAI

nE

ANS (Anatolia Hd.), gr. 15.97f

a.

HrEAI

An

Commerce 1955. With K/l/9: Dewing Coll.,

jj

gr. 16.44f; Berlin, gr. 15.99

j|

Lb.

HrEAI

An

ANS-ETN (Halmyros Hd.), gr. 16.42f

c.

HrEAI

K/l

The Late Period: Catalogue

339

982.

983.

984.

985.

986.

987.

988.

989.

a.

HHAZ

An

Glasgow (Hunt. 125), gr. 16.68f

b.

HrEAZ

An

Berlin, gr. 16.48

HriAX

10

ANS-ETN (Halmyros Hd.), gr. 16.51f; ANS-

ETN (Halmyros Hd.), gr. 16.52f

a.

10

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HHAZ

Athens (Sv. 68, 11), gr. 16.40f; London (Hal-

myros Hd.), gr. 16.74f

b.

HrEAI

zo

Kambanis Coll. (Halmyros Hd.)

c.

HriAi

A/K

10

Leningrad

a.

HHAZ

MH

Berlin, gr. 15.66; Florange-Ciani, Oct. 1923,

20 = Mavrokordatou Coll. (JIAN, 1912,

1808), amphora letter uncertain, gr. 15.97

b.

Hri[

ANS-ETN (Halmyros Hd.), gr. 16.46f

HrEAI

M/A

TIE

Kambanis Coll. (Halmyros Hd.); Petsalis

Coll., gr. 15.05f

a.

HHAI

MH

Coin Galleries Mail Bid, Mar. 1956, 1582

b.

HH[

MH

Athens (Halmyros Hd.); Berlin, gr. 16.11

a.

340

The New Style Silver Coinage of Athens

Both strikings use the same four control combinations. There are fewer

third magistrates for Aristion-Philon than for Niketes-Dionysios, three as

contrasted with eight. Actually HHAZ and HTEAZ may be separate officials but

the fact that the two forms, which are identical in sound and almost identical

in spelling, alternate on reverses of the second half of the year suggests diver-

gent renderings by diecutters to whom the magistrate's name had been trans-

mitted orally. One cannot know which is the correct version but HHAZ is a far

more common name in Attic prosopography than HTEAZ.

AP0T70Z - MNAZArO

Tetradrachms

990.

991.

992.

993.

994.

995.

WINGED AGON 128/7 B.C.

(Plates 109-111)

a.

An

Berlin (Sv. 67, 1), gr. 16.66; Berlin, gr. 16.41

b.

AnOA

An

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Petsalis Coll., gr. 16.40

c.

AnOA

TIE

ANS-ETN (Halmyros Hd.), gr. 16.47f

a.

ATTOA

nE/An *Athens, gr. 16.25f; Berlin, gr. 16.23

b.

AT70A

fie

Romanos Coll.; Istanbul (Zarova Hd.), gr. 16.63*

c.

AnOA

nE

""London, gr. 16.00 \

AnOA

10

Kambanis Coll. (Halmyros Hd.)

La.

AnOA

10

Berlin, gr. 16.32

b.

AT70A

zo

Commerce 1953; ANS-ETN (Halmyros Hd).

gr. 16.56f

rc.

AnOA

The Late Period: Catalogue

34i

996. I

997.

998.

1000.

La.

ATTOA

b.

AnOA

B/

c.

AnOA

r d.

AnOA

1 e-

AnOA

1 a-

AnOA

1 b.

AnOA

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1 c-

AnOA

1 d.

AnOA

1r

i1

AnOA

1!

11

1 La-

AnOA

1 b.

AnOA

1 c-

AnOA

L a.

AnOA

b.

AnOA

c.

AnOA

d.

AnOA

r e-

<DIAI

If*-

llg-

ll

(PIAI

11

(DIAI(?)

342

The New Style Silver Coinage of Athens

1002.

1003.

1004.

1005.

1006.

1007.

1008.

1009.

1 1 a-

AnOA

An

I lb.

AnOA

An

1 1 c-

AnOA

An

1 1 a-

AnOA

1 Lb.

OIAI

zo

1 a-

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AFIOA

TTE

|rb.

II

(PIAI

nE

II

1 La-

OIAI

nE

1 b.

OIAI

1 ra-

OIAI

10

1 |b-

OIAI

10

1 1 a-

OIAI

An

|b.

OIAI

An

1 1 c-

OIAI

An

1 La-

OIAI

The Late Period: Catalogue

343

1010.

1011.

NIKO/ H 10 London (Halmyros Hd.), gr. 16.70f; Berlin, gr.

(?)(DIAI 16.34

NIKO/ l/(?)0 10 *Athens (Delos Hd.A-2, 6), gr. 15.53f; Florange-

AHME Ciani (de la Fuye) 411, gr. 16.03

APMOEE A 20 London (Halmyros Hd.), gr. 16.57f; Commerce

1932 (Halmyros Hd.)

a. AHME 9 An *Berry Coll., gr. 16.82f; Bauer Coll. = Naville

(Woodward) 750, gr. 16.53f; Berlin, gr. 15.94

b. AHMH I Afl(?) ANS-ETN (Halmyros Hd.), gr. 16.71f; London

(sic) (Halmyros Hd.), gr. 16.61f

c. APMOEE K An Copenhagen {SNG 201; Sv. 67, 14), gr. 16.45f;

ANS (Anatolia Hd.), amphora letter uncertain,

gr. 16.02f

1012.

a. AHME I nE

b. NIKO/ I nE/?

AHME

c. APMOEE M nE

Petsalis Coll., gr. 16.51f; Berlin, gr. 15.29

Kambanis Coll. (Halmyros Hd.); Vienna, gr.

16.32; Berlin (Sv. 67, 13), gr. 16.24

Cahn 84, 306, gr. 16.74

1013.

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NIKO/ I

AHME

*ANS (Anatolia Hd.), gr. 16.1 If

1014.

a. APMOEE M An *ANS-ETN (Halmyros Hd.), gr. 16.50f

b. APMOEE M An Istanbul (Zarova Hd.), gr. 16.51t

Drachms

1015.

a. ?

b. ?

112 tetradrachms: 25 obverse, 61 reverse dies

2 drachms: 1 obverse, 2 reverse dies

Magistrates: AnOA, OIAI, NIKO, AHME, AP-

MOEE

Months: A, B, T, A, E, Z, H, 0, I, K, A, M

Controls: An, AH, MH, nE, 20

? *Berlin (Sv. 67, 15), gr. 8.67

? Munich, gr. 8.68

344

The New Style Silver Coinage of Athens

Kambanis' listing of third magistrates, dates and control combinations is

identical with that of the present catalogue except that he has no record of K

and A on the amphorae. A few divergent readings appear in Beule and Sund-

wall. The TTPA cited by the former as a third magistrate with reference to an

Athens University coin is puzzling since it is not easy to suggest an explanation

of the misreading. On the other hand the A coupled with ATTOA is almost cer-

tainly a poorly-preserved A. N1KOI is given by both Beule and Sundwall as the

form of the magistrate's name but this would seem to involve dies on which

NIKO has been cut over AHME. On our No. 1013, for example, the E of the

underlying AHME is clearly visible to the right of the O of NIKO and could be

taken for a terminal Z.

The rotation of magistrates is orderly save for the broken tenure of NIKO

who served in H and again in I. The magistracy of AHME (0 and I) seems to have

intervened between the two terms of NIKO or possibly the two men held office

simultaneously in month iota. There are several reverses with NIKO/AHME and

I alone on the amphora; there is one die (No. 1010b) with NIKO/AHME and I

apparently over O but one cannot tell whether it was NIKO and I cut over AHME

and 0 or whether the I was superimposed on the 0 during AHME's magistracy

and NIKO added to the die at a later period.

EENOKAHZ - APMOEENOI COILED SERPENT 127/6 B.C.

(Plates 112-113)

Tetradrachms

1014.

1016.

1017.

An

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a.

Berlin (Sv. 76, 16), gr. 16.37

b.

An

ANS (Anatolia Hd.), gr. 16.02f

c.

Athens (Delos Hd. IA), gr. 13.75 (very corroded)!

a.

An

Istanbul (ZarovaHd.), gr. 16.70f; Istanbul, gr. 16.41f;ANS

(Anatolia Hd.), gr. 16.51f; Paris (Sv. 76, 17), gr. 16.50f

b.

An

Glasgow (Hunt. 166), gr.16.21f; *Petsalis Coll., control

letters uncertain, gr. 16.00

c.

ANS (Cretan Hd. II), gr. 16.52f

a.

rre

Paris, gr. 16.12f

b.

nE

London, gr. 16.45f; Athens (Sv. 76, 18), gr. 16.70f

c.

nE

Glasgow (Hunt. 167; Sv. 76, 21), gr. 16.69|; London {BMC

483), amphora letter uncertain, gr. 16.80f

d.

z.

nE

Athens, gr. 16.14f

The Late Period: Catalogue

345

1013.

1022.

1023.

a.

AH

Athens (Delos Hd. ir)t

b.

AH

Leningrad, gr. 16.26f; Herakleion (Cretan Hd. II), gr. 16.68f

a.

10

Athens, gr. 16.20f

b.

10

Athens, gr. 15.55f; Leningrad, gr. 16.26f; ANS (Anatolia

Hd.), gr. 15.67f

nE

Athens (Halmyros Hd.); ANS (Cretan Hd. II), gr. 16.631;

Berlin, gr. 16.29

a.

AH

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Berry Coll. (Piraeus Hd.), gr. 16.82f; Amsterdam (Boisse-

vain 58), gr. 16.81; Istanbul (Zarova Hd.), gr. 16.94t

b.

AH

Athens (Delos Hd. II")t

rc.

AH

ANS (Anatolia Hd.), gr.16.30f; Cambridge (Leake Coll.,

SNG 8280; Sv. 76, 19), gr. 15.87f

la-

An

Athens, gr. 16.75f

Lb.

E/A

Munich, gr. 16.21

a.

?Q

Athens (Sv. 76, 20), gr. 16.40f

b.

ZO

Istanbul, gr. 16.51f

a.

AH

Romanos Coll.

b.

AH

ANS (Anatolia Hd.), gr. 15.99f

ZO

346

The New Style Silver Coinage of Athens

1027.

1028.

1029.

1030.

1031.

1031X.

1a-

AN

Athens (Sv. 76, 28), gr. 16.80f; Tubingen, amphora

uncertain

|b.

TIE

London, gr. 15.93t; ANS (Anatolia Hd.), gr. 15.66f

1 c-

nE

ANS (Anatolia Hd.), gr. 16.41f

|d.

ANS (Cretan Hd. II), gr. 16.00f

1a-

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zo

ANS-ETN, gr. 16.86f

Lb.

10

Paris, gr. 15.90t

a.

AN

*ANS (Anatoha Hd.), gr. 16.42f

b.

AN

ANS (Anatolia Hd.), gr. 16.05t

AH

*ANS (Anatolia Hd.), gr. 16.15|

nE/AH

Commerce, gr. 16.15

10

Berlin, gr. 16.29

59 tetradrachms: 19 obverse, 88 reverse dies

Months: A, B, T, A, E, Z, 0, I, K, A, M

Controls: AN, An, AH, nE, ZO1

Two obverse dies (Nos. 1013 and 1014) were transferred from the issue of

APOnOZ - MNAZArO to that of EENOKAHZ - APMOEENOZ with serpent

symbol. Since the latter striking is controlled by only two magistrates, it marks

the first interruption in the series of three-magistrate issues. What happens,

however, is an interruption and not a break; succeeding emissions revert to the

practice of placing three names on the coinage.

This seems to have been a small striking in contrast to the large issues of

the five years preceding. Only in r is there any extensive output of coinage.

No reverses with H are known although this may be simply a gap in our

evidence rather than an indication of a cessation of minting during that month.

In this connection it is noteworthy that two recent hoards (Cretan II and

Anatolia) provide our only record of dies with K and M on the amphorae.

1 Beule- lists Al and Zfi. Neither of these control combinations is among Kambanis' entries

and it is highly probable that they are misreadings of AH and ZO.

The Late Period: Catalogue

347

NIKOrENHI-

Teiradrachms

1032.

1033.

1034.

1035.

1036.

1037.

(Symbol

erased)

1038.

1039.

1040.

1041.

(Symbol I

1)

a.

b.

a.

b.

c.

1042.

(Symbol

trued)

1043.

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(Symbol

erased)

a.

b.

c.

d.

An

An

An

An

An

An

An

An

An

An

An

An

KAAAIMAXOZ HERMES or NO SYMBOL 126/5 B.C.

(Plates 114-115)

HERMES

A ?d) *Paris (Sv. 69, 9), gr. 16.55f

A AH *ANS-ETN (Halmyros Hd.), gr. 16.52f

B ZO *Sophia, gr. 16.31

T/B/A AM/AH *ANS-ETN (Halmyros Hd.), gr. 16.72t

?? * Athens (Sv. 69, 10), gr. 16.22

? nE * Vienna (Sv. 69, 19), gr. 15.98

T 10 *Istanbul, gr. 15.84f

T ZO L. Meletopoulos Coll., gr. 16.20

T EP *Berlin Cast Coll.

A/r TIE *Dresden (Sv. 69, 11)

A/r AN/IIE *Athens, gr. 15.10f

E AN *ANS-ETN (Halmyros Hd.), gr. 16.52f

? AN Petsalis Coll., gr. 16.51f

E/A? *ANS-ETN (Halmyros Hd.), gr. 16.81f

E/(?)A EP *Empedocles Coll.

E/(?)A EP Berlin (Sv. 69, 12), gr. 16.29

E(?) EP *Romanos Coll.

Z EP Berlin (Sv. 69, 13), gr. 16.29

348

The New Style Silver Coinage of Athens

1044.

1045. |

1046.

1047.

b.

c.

d.

e.

a.

1048.

b.

c.

b.

L c.

NO SYMBOL

NIKHTHS

La. NIKHTHS

KAAAIGEOS

KAAAI6E0S

KAAAIGEOS

KAAAI9E0I

NIKHTHI

KAAAIGEOS

KAAAIGEOS

KAAAI9E0I

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ANAPEAS

ANAPEAS

ANAPEAS

SO *Athens (Halmyros Hd.)

I SO *ANS-ETN (Halmyros Hd.), gr. 16.74f;

Leningrad (Sv. 69, 14), gr. 15.58; London

(Halmyros Hd.), gr.17.08f; Athens, gr.

16.00f; Petsalis Coll., gr.16.56f; ANS-

ETN (Halmyros Hd.), amphora letter un-

certain, gr. 16.75f

A/K ST London, gr. 16.62f

A/(?)K SO *Paris, gr. 16.60f; Berlin (Sv. 69, 16), gr.

16.55

SO Commerce (Abruzzi Hd.)

SO *Halmyros Hd.

I ST *Halmyros Hd.

K/?1 ST *Kambanis Coll. (Halmyros Hd.)

K Al *ANS-ETN (Halmyros Hd.), gr. 16.71f;

London (Sv. 69, 15), gr. 16.62f; Berry

CoU., gr. 16.59f

A Al ANA Conv. Cat., Aug. 1951, 501 A

M Al *Paris, gr. 16.80f; Schlessinger (Hermit-

age 2) 947 = Sv. 69, 17 (obv.) and 69, 18

(rev.)2, gr. 16.70

LLa. KAAAI9E0S A/K/? ST

ANS-ETN (Halmyros Hd.), gr. 16.83f;

Paris, gr. 16.82f; Ratto (Rogers) 445, gr.

15.30 (very worn)

ST London (Halmyros Hd.), gr. 16.76f

Al Berlin

1 One would expect K/l but there is no trace of an underlying NIKHTHS and the amphora

lettering looks like K/A. Possibly the A was cut in error and then corrected.

2 This error involves more than a transposition of reverses; the difference in size and shape

makes it impossible to associate the reverse of Svoronos 69,17 and the obverse of 69, 18. Actually

the obverse of No. 18 belongs to another issue, that of NIKHTHS - AIONYSIOS (our No. 957

and cf. Svoronos 66,18).

The Late Period: Catalogue

349

Drachm

1049.

KAAAIGEOZ? ZO *Copenhagen {SNG 205; Sv. 69,20), gr.8.85t

43 tetradrachms: 17 obverse, 27 reverse dies

1 drachm

Magistrates: An, NIKHTHZ, KAAAIGEOZ,

ANAPEAZ

Months: A, B, T, A, E, Z, I, K, A, M

Controls: AN, AH, Al, EP, TTE, 10, ZT, Z4>

The present emission is curious in several respects. For the first months of the

year (A into r) the reverse dies carry only the names of the two annual magis-

trates. During r the letters ATT, indicating a third magistrate, appear on the

dies and the same abbreviated form occurs on reverses of A, E and Z. There

seems to have been no coinage in H and 0. From I through M the name of the

third magistrate is inscribed in full: NIKHTHZ (1), KAAAIGEOZ (K and A) and

ANAPEAE (M).1

The treatment of the symbol is as unorthodox as that of the third magis-

trate. On reverses of months A through Z there is in the right field a standing

figure of Hermes holding a caduceus.2 After the break in the coinage during

H and Q the symbol is omitted; dies of I through M have only the names of the

three magistrates. The suppression of the symbol is comprehensible in con-

junction with the expansion of the name of the third magistrate which occurred

at the same time. For some reason it was decided in the latter months of the

year to render the name in full instead of in abbreviation and the need for

more space for the inscription might well have led to the omission of the symbol.

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It is not, however, easy to understand why the symbol was deleted from at

least four dies or coins of the early months of the coinage. On Nos. 1037, 1041a,

1 Beule has some divergent readings. The Dresden coin which he cites as having ATT with A

is our No. 1040 on which the amphora letter is indubitably A. ANAPEAZ with A and Zd> is con-

ceivably a typographical error, the name printed one line too high in the listing. One of the two

tetradrachms mentioned is a Paris coin but there is no specimen in the cabinet there with AN-

APEAZ and A. The magistrate APIAPAQHZ from a von Prokesch piece (Inedita, p. 263) is an

erroneous reading. The coin is now in Berlin (our No. 1048c) and although the reverse is poorly

preserved and the lettering barely legible the name is definitely ANAPEAZ.

* Beute's description of the figure as Stephanephoros with a wreath is not confirmed by the

coins. On all reverses the standing figure is clearly holding a caduceus and must be identified as

Hermes.

350

The New Style Silver Coinage of Athens

1042 and 1043a the figure of Hermes has been erased.1 This seems a senseless

mutilation on the part of either the mint or an individual. Were the symbol a

controversial one, such as the Roma of a somewhat later issue, it might be

supposed that political considerations prompted its removal but Hermes could

scarcely be regarded as an object of controversy. Or, assuming that all deletions

occurred at the mint, if these erasures were found on dies immediately pre-

ceding those without symbol, one might suggest that they represented a tran-

sitional stage in the shift from symbol to no symbol but the deletions appear

on reverses of A and E and are not consistent for those two months. One other

reverse of A has the symbol, two of E have it and the one known reverse of Z

carries the Hermes device. It seems to me that there is no really plausible

explanation of this strange phenomenon.

AHMEAI - EPMOKAHI HEADDRESS OF ISIS

Tetradrachms

1050.

KAEIAA

1051.

1052.

ra. KAEIAA

b. KAEIAA

KAEIAA

125/4 B.C.

(Plates 116-117)

A AH *Paris, gr. 16.68f; ANS-ETN, gr. 16.72|;

ANS (Anatolia Hd.), gr. 16.08|; Kam-

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banis Coll. (Halmyros Hd.); Romanos

Coll.; Yale Univ. (Halmyros Hd.) =

Hamburger 98, 689, gr. 16.55|

A Al *Kambanis Coll. (Halmyros Hd.)

A Al ""Leningrad; Athens (Carystus Hd. II;

BCH, 1958, PI. XLIX, 8)

ZT *Kambanis Coll. (Halmyros Hd.); Lon-

don (Halmyros Hd.), gr. 16.74f; ANS-

ETN (Halmyros Hd.), gr. 17.51 (sic)t-

With XAPIAI/KAEIAA and B/A: Berlin,

gr. 16.71

1 Since there is no second specimen of any one of these four numbers, it is difficult to say

definitely whether the deletion was made on the die or on the coin. However, the same die was

used for No. 1040 (with symbol) and 1041a (with symbol erased). On the latter piece there is a

raised surface below the ATT which suggests mutilation of the die rather than the coin.

Incidentally the Vienna piece which Beule describes as having the graffito of a bird in the

right field is our No. 1037 > the markings left by the erasure of the symbol do bear some resem-

blance to the outlines of a bird.

The Late Period: Catalogue

351

1053.

1054.

1055.

1056.

lb.

KAHIAA1

rr

1c-

nAElZTIA!/?3

T/B/A ZT

La.

KAEIAA

An/Ai

b.

KAEIAA

TTEP

c.

XAPIAZ

nEP

r*

nAEizriAZ/

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r/B

XAPIAZ

XAPIAZ

An

La.

XAPIAZ

AH

b.

TTAEIZTIAZ

AH

c.

nAEIZTIAZ

An

d.

AnOAAftNIOZ

AH

e.

ZQZIKPA

AH

f.

ZflZIKPA

AH

a.

AnOAAflNIOZ

nE

Copenhagen (SNG 206), gr.16.50t;

Herakleion (Cretan Hd. I); Vienna, gr.

14.812

Paris, gr. 15.60f

Lockett Coll. (SNG 1914) = Schlessinger

(Hermitage 2) 926=Sv.68,13, gr. 16.78f

* Athens, gr. 16.85f

Commerce 1951, gr. 16.65. With nAEI-

ZTIAZ/XAPIAZ and r/B: Kambanis

352

The New Style Silver Coinage of Athens

1057.

1058.

1059.

1060.

1061.

1 b.

ZftZIKPA

TTEP

ANS-ETN (Halmyros Hd.). gr. 16.79f;

Berlin, gr. 16.87

1 a-

AnOAAQNIOZ

An

Brussels (de Hirsch 1298), gr. 16.35f

1 rb-

ZQZIKPA

Bl

London (Halmyros Hd.), gr. 16.54f;

Athens (Halmyros Hd.)

1 1 c-

ZQZIKPA

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Bl

Leningrad (Sv. 68, 17), gr. 16.85

Irl d.

ZQZIKPA

Ano

*The Hague (Sv. 69, 20), gr. 16.55;

ANS-ETN (Halmyros Hd.), gr. 16.89+

111r

ZQZIKPA

An

*Petsalis Coll. (Halmyros Hd.), gr.

MM

16.40f; Athens, gr. 16.00|

MM

MM

M 1 La-

ZQZIKPA

An

*Copenhagen {SNG 207), gr. 15.60f;

111

London, gr. 15.76f; Berlin, gr. 15.21

| | L b.

ZQZIKPA

Berlin, gr. 15.98

H a-

ZQZIKPA

AH

Gotha (Sv. 68, 19), gr. 11.971

L b.

ZQZIKPA

Ano

London (Halmyros Hd.), gr. 16.71t;

Commerce 1982 (Halmyros Hd.)

c.

aigte

The Late Period: Catalogue

353

1062.

1063.

1064.

1065.

1066.

AlOfE

AlOfE

b. AYIIM/

KAEIAA1

Lc. AYIIMAX

rd. AYIIMAX

a. AYIIM/EYTTEI

b. AYIIMAX

c. AYIIMAX

AYIIMAX

AYIIMAX

G AH *Berlin (Sv. 68, 23), gr. 16.87

9 q3n *ANS-ETN (Halmyros Hd.), gr. 16.44f;

Empedocles Coll.

K TTEP *Stack's (South) 618 from Piraeus Hd.;

ANS-ETN (Halmyros Hd.), gr.16.58f;

London (Halmyros Hd.), gr. 16.74f;

London {BMC 860; Sv. 68,26), gr. 16.21;

Cahn 75, 880, gr. 16.75. Amphora letter

uncertain on last two

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A/I TTEP Athens (Halmyros Hd.); ANS (Ana-

or K tolia Hd.), gr. 16.41f

N TTEP Kambanis Coll. (Halmyros Hd.)

K/j AH Kambanis Coll. (Halmyros Hd.)

A An *ANS-ETN (Halmyros Hd.), gr. 16.71f

N An *Kambanis Coll.; Berry Coll., gr. 16.59f

N AH *ANS-ETN (Halmyros Hd.), gr.16.71f;

Florange-Ciani, Oct. 1928, 28

N nEP *London (Halmyros Hd.), gr.16.43f;

Glymenopoulos Coll. (Sv. 68, 27), gr.

16.20; Petsalis Coll., gr. 16.22; Kam-

banis Coll. (BCH, 1984, PI. I, 1)

89 tetradrachms: 17 obverse, 86 reverse dies

Magistrates: KAEIAA, XAPIAI, nAEIITlAI,

AnOAAflNIOI, IQIIKPA, AlOrE, EYnEI,

AYIIMAX

Months: A, B, T, E, Z, H, 0, 1, K, A, N

Controls: An(O), BI(A), AH, Al, nE(P), IT

1 I am almost certain that AYIIM is cut over KAEIAA; the underlying name is quite legible

on the ANS coin. Probably an old die was found to be still serviceable and brought back into

operation. The erasure of the A on the amphora has been done very successfully; no trace of it

remains under the K.

-1

354

The New Style Silver Coinage of Athens

This is a normal three-magistrate issue. Tenures of the third magistrates

show the customary variation in length but the rotation is one of orderly suc-

cession. Coinage is known for all months except A and M and a number of dies

with N on the amphora establish the year as intercalary.

Names of the third magistrates are inscribed in full or with a minimum of

abbreviation. Earlier publications give a longer or shorter version for some of

the names but these are minor variations and the plates will confirm the present

readings. The only strange form is the ATIOAAQNIIIM of the British Museum

Catalogue and the tetradrachm in question is an imitation, not a product of the

Athenian mint (Plate 158).

Kambanis in the BCH for 1934 (p. 120) and in his notebook combines

rTAEim with B, EYTTEI with G and AYIIMAX with M. In the first two instances

(our Nos. 1053c and 1060d) the amphora letter as well as the magistrate's name

has been recut and the overlying r and I have not been detected; the example

of AYIIMAX with M from the Petsalis Collection is from the same reverse die as

several other coins which Kambanis records as having N on the amphora. The

A with AYIIMA of Beule is, at least in the case of the Paris piece, a misreading

of 1/8. Control combinations in Beule and Kambanis correspond with those in

the present catalogue except that Kambanis records BIA. The correct form is

BIA as Beule recognized.

EENOKAHI - APMOEENOI DOLPHIN AND TRIDENT 124/3 B.C.

(Plates 118-121)

Tetradrachms

1066.

a. A TTEP Kambanis Coll. (BCH, 1934, PI. I, 2)

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b. A TTEP Athens, gr. 16.87f

c. T/B/A TTEP *Vienna, gr. 16.22; Commerce 1932 (Halmyros Hd.)

1067.

1068.

ATT * Leningrad, gr. 16.14f

r A ATI *Istanbul, gr. 16.92f

1069. j

LA An *Winterthur, gr. 15.98f

1070.

An *Berlin (Sv. 77, 1), gr. 16.20

The Late Period: Catalogue

355

nEP *ANS-ETN = Ratto (Rogers) 454, gr. 14.81f; Paris, gr.

16.05f; Leningrad, gr. 16.00f

nEP Dewing Coll. = Hess (Vogel) 278, gr. 15.28f

An Leningrad, gr. 16.78f. With T/B: *Cahn 75, 381, gr. 16.68;

Berlin, gr. 16.24

AP London (Halmyros Hd.), gr. 16.48f. With T/B/A: Com-

merce 1953

AP "Oxford, gr. 16.58

AP Halmyros Hd.

nEP *Dewing Coll., gr. 16.31f

? London, gr. 15.35 (pierced)f

? *Munich (Sv. 77, 2), gr. 15.80 (PI.)

AP Athens (Sv. 77, 8), gr. 16.35f

nP Leningrad, gr. 16.20f

FIEP *Athens, gr. 16.40f

TTP Glasgow (Hunt. 168), gr. 16.93f; Istanbul, control letters

uncertain, gr. 16.67f; Athens (Delos Hd. =0), amphora

and control letters uncertain, gr. 14.80f

nP ANS (Abruzzi Hd.), gr. 16.04f

AP Leningrad, gr. 15.77f

? L. Meletopoulos Coll., gr. 16.30

AP/nEP Leningrad, gr. 16.37|

AP *Munich, gr. 16.60

nEP Leningrad, gr. 15.63f; *Amer. Univ. Beirut; ANS (Ana-

tolia Hd.), gr. 15.88f. Amphora letter uncertain on last two

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nEP *Munich (Sv. 77, 4), gr. 16.62; Berlin, gr. 16.82

nEP Leningrad, gr. 16.12f; Commerce (Sv. 77, 5, Feuardent),

gr. 16.48; ANS-ETN, amphora letter uncertain, gr. 16.45t

35^

The New Style Silver Coinage of Athens

1078.

1079.

1080.

1081.

1082.

i a-

T7EP

Berry Coll. (Halmyros Hd.), gr. 16.91f; Oxford, amphora

and control letters uncertain, gr. 15.611

1 b-

TTEP

Petsalis Coll., gr. 16.88f; London {BMC 488), amphora

and control letters uncertain, gr. 16.78f

1 c-

AP

Leningrad, gr. 15.59f

1 d-

T7EP

Andreopoulos Coll.

1 e-

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TTEP

Hess, Mar. 1985, 858, gr. 16.80

L a.

E/P

AP(?)

Dewing Coll., gr. 16.55f

AP

Berlin (Sv. 77, 6), gr. 16.20

rl

An

Leningrad, gr. 15.70f

1 1a-

An

Athens, gr. 16.10f

1 lb-

An

Ratto (Rogers) 458, gr. 16.70; Athens (Delos Hd.EG),

amphora and control letters uncertain, gr. 15.90|

L|a.

An

London (BMC 484), gr. 16.12f

b.

AU

Leningrad, gr. 15.74f; Feuardent (Durufte) 416, am-

phora and control letters uncertain

1*

AI

Romanos Coll.

Lb.

Leningrad, gr. 16.61f

An

Riechmann XXX, 579, gr. 16.82

The Late Period: Catalogue

357

1089.

1090.

1091.

1093.

1094.

c.

AP

Halmyros Hd.

d.

AP

ANS-ETN (Halmyros Hd.),gr. 16.78f; Athens (Sv.77, 9),

gr. 16.60f; London (BMC 486), amphora letter uncertain,

gr. 15.79t

e.

Tubingen, gr. 15.78

a.

AP

L. Meletopoulos Coll., gr. 16.25; *London (BMC 485),

amphora letter uncertain, gr. 16.21f

rb.

np

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Athens, gr. 16.63f

Al

Leningrad,gr. 16.52f; Athens (Delos Hd. ir, 81), gr. 15.82f

a.

TTEP

Glasgow (Hunt. 170), gr. 16.52f; Berhn, gr. 15.51

b.

TTEP

Leningrad (Sv.77, 7), gr. 16.47; L. Meletopoulos Coll.,

gr. 15.80

c.

AP

Berlin, gr. 16.46

Ld.

np

ANS (Abruzzi Hd.), gr. 16.18f

e.

nEP

Athens (Delos Hd.EG), gr. 14.20t; ANS (Anatolia Hd.),

gr. 15.42f

a.

nEP

London (BMC 487; Sv. 77, 8), gr. 16.86f

b.

nEP

Sophia, gr. 16.36; Basel, gr. 16.51f; Leningrad, gr.15.74f

c.

nEP

Athens (Carystus Hd. II; BCH, 1958, PI. XLIX, 9), gr.

16.70

a.

The New Style Silver Coinage of Athens

A TTEP *Glasgow (Hunt. 171), gr. 16.55f

A TTEP Berlin (Sv. 77, 11), gr. 16.89

A TTP *Berlin, gr. 16.40

A T7EP Leningrad, gr. 16.06f

A nP Riechmann XXX, 580, gr. 16.41; Athens (Delos Hd. A,

28), amphora and control letters uncertain, gr. 15.80f

A AI Leningrad, gr.15.67f; * Athens (Delos Hd. A, 27), am-

phora and control letters uncertain, gr. 16.05f

A AI Paris, gr. 16.36f

? nP *Glasgow (Hunt. 172), gr. 16.80f

A AF1 *Berlin, gr. 16.11

A AP *Berlin, gr. 16.51; Lund Univ., amphora and control letters

uncertain, gr. 16.37 /

M/A AP *Paris (de Luynes 2117), gr. 16.10f

M nP Athens, gr. 16.05f; *Petsalis Coll., amphora letter un-

certain, gr. 16.38f

M An * Piraeus Hd.; Berlin, gr. 16.65

M nEP Leningrad (Sv. 77, 12), gr. 16.08; *Petsalis Coll., amphora

and control letters uncertain, gr. 16.09f

? An * Edinburgh

? AP Copenhagen (SNG 208), gr. 15.07f; *The Hague, control

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letters uncertain, gr. 16.40

The Late Period: Catalogue

359

*Boston MFA (Brett 1104), gr. 4.11

Vienna, gr. 3.76; Athens (Sv. 77, 14), gr. 4.18

Athens (Delos Hd. A, 29), gr. 4.10f; ANS-ETN, gr. 3.37f;

Berlin, gr. 8.96

Athens (Delos Hd. A-l; Sv. 77, 18), gr. 4.09f

121 tetradrachms: 42 obverse, 80 reverse dies

7 drachms: 4 obverse, 3 reverse dies

Months: A, B, V, A, E, Z, H, 0, I, K, A, M

Controls: An, AP, Al, T7EP, FTP

Two obverse dies are carried over from the preceding issue of Demeas-

Hermokles: Nos. 1064 and 1066 (Plates 117 and 118; BCH, 1934, PI. I, 1-2).

The two magistrates of the present striking are undoubtedly the same men

who served three years earlier, using then a coiled serpent symbol. On both

coinages the names of Xenokles and Harmoxenos stand alone; there is no

record of third magistrates on the dies.

This is the second largest single issue of the New Style series on the evidence

of the forty-two obverse dies in use during the year. Striking occurred in all

twelve months with the heaviest output in E and 6 and the lightest in H and I.

Controls ATI, Al, TTEP were employed on issues immediately preceding that

of Xenokles-Harmoxenos while AP and FTP are new for this section of the

coinage.1

EENOKAHZ - APMOEENOI ROMA 123/2 b.c

(Plates 122-123)

Tetradrachms

1110.

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a. A An Athens (Carystus Hd. II; BCH, 1958, PI. XLIX, 10),

gr. 15.55; Vienna, amphora letter uncertain, gr. 16.13

b. A(?) FTE ANS (Abruzzi Hd.), gr. 15.95f

c.? ZTE * ANS-ETN, gr. 15.01f

1 In the BCH for 1934 (p. 121) Kambanis lists EP and 7.0 as controls for this emission. The

first, however, is not included in the later tabulation of his notebook and the second has a notation

that it requires verification.

Drachms

1106.

r?

1107. j

L?

1108.

1109.

360

The New Style Silver Coinage of Athens

1111.

1112.

1113.

1114.

1115.

1116.

1117.

1118.

*Paris, gr. 15.82 (pierced)f; Kricheldorf VII, 68 = Cahn65,

160 = Cahn 60, 577, amphora letter uncertain, gr. 16.30

a.

AA

Berlin (Sv. 76, 2), gr. 16.12; Berry Coll. (Piraeus Hd.),

gr. 16.82f

b.

AA

Petsalis Coll. (Piraeus Hd.), gr. 16.88

,-c.

AA

L. Meletopoulos Coll., gr. 16.48; Athens, gr. 16.28f;

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L. Meletopoulos Coll., gr. 16.80

|a.

An

Brussels (de Hirsch 1294; Sv. 76, 8), gr. 16.73t

Lb.

AA

Petsalis Coll.1

c.

AA/?

ANS-ETN, gr. 16.27|

a.

r/B

np

Chiha Coll.

b.

Al

ANS (Anatolia Hd.), gr. 16.68t

c.

Al

Empedocles Coll.

d.

AP

ANS (Anatolia Hd.), gr. 16.25f

e.

AP

Berlin (Sv. 76, 7), gr. 15.50

f.

Athens (Delos Hd. EG), gr. 15.88f

a.

UP

The Late Period: Catalogue

361

STE/TIP "Dresden (Sv. 76, 9)

ZTE Berlin (Sv. 76, 11), gr. 15.67

AA(?) *Leningrad = Schlessinger (Hermitage 2) 949, gr. 16.58I1

Al *Romanos Coll. = Sv. 76, 10, commerce, gr. 16.82

AI/AP *ANS-ETN, gr. 15.41f

ITE/AA *Berlin (Sv. 76, 12), gr. 15.94

* Athens (Delos Hd. A-l, 11; Sv. 76, 18), gr. 4.05f3

Athens (Delos Hd. A-l, 12; Sv. 76, 15), gr. 8.95f

*ANS, gr. 4.05f; Berlin (Sv. 76, 14), gr. 4.80; Lee (de

Zogheb) 281, gr. 3.88

40 tetradrachms: 14 obverse, 80 reverse dies

5 drachms: 1 obverse, 8 reverse dies

Months: A, B. T, A, E, Z, H

Controls: An, AP, AA, Al, FTP, HE

Again we find Xenokles and Harmoxenos serving as annual mint magis-

trates, this time using for their symbol a representation of Roma seated.

Although there is no transfer of obverse dies to establish the contiguity of the

two Xenokles-Harmoxenos issues, it seems almost certain, for reasons given

in the commentary on the Late Period, that this striking with Roma comes

immediately after that with dolphin and trident symbol. As was the case with

the preceding emissions of these two officials, there is no indication that third

magistrates were connected with the coinage.

The output in 128/2 B.C. was apparently moderate. Only fourteen obverse dies

are known and the month dates on the amphorae are limited to A, B, r, A, E,

1 The coin was returned to the Hermitage and is currently in the collection there.

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* The ending of the first magistrate's name has been repeated in error.

* Weights entered for Nos. 1124a and b are those of the hoard publication (JIAN, 1911,

p. 76, 11-12); in Les monnaies d'Athines different weights are given for the same coins.

1119. I I

I La. E

L b. Z/E

1120.

Z/E

1121.

(APMOEE- Z

KAHI)1

1122.

1123.

H/Z

Drachms

1124.

a. B

b. A

c. E

362

The New Style Silver Coinage of Athens

Z and H. All control combinations are carried over from the issues of 125/4 and

124/3 except for AA which is new.1

Two abnormalities connected with the present striking are noteworthy. On

Reverses 1117b and 1118b the representation of Roma is partially effaced. It is

impossible to tell from photographs whether this is due to deliberate mutilation

or to imperfect striking but in the case of No. 1118b I am inclined to think we

have an erasure from die or coin such as we encountered in the issue of Niko-

genes- Kallimachos.

Among the coins commonly included in this emission are four (three tetra-

drachms and a drachm) which differ markedly in fabric and obverse style from

the other specimens of Xenokles-Harmoxenos (Roma). Furthermore, the

seated figure in the right field which elsewhere is represented as facing is on

these four coins shown side view. These pieces are, I believe, to be regarded as

non-Athenian and they are discussed and illustrated in the section on imitations

(pages 461-463 and Plate 159).

KOINTOI-KAEAZ

Tetradrachms

1122.

1123.

1125.

1126.

1127.

ZflZTPA

A EP

ROMA AND NIKE 122/1 B.C.

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Berlin (Sv. 69, 1), gr. 16.49

(Plate 124)

ZflZTPA A AH *Giesecke Coll. (Sv. 69, 2), gr. 16.85

ZQZTPA A nP *Berlin, gr. 16.64

T1AEIZTIAZ B AA *Athens (Delos Hd. EG), gr. 15.66f

a. T1AEIZTIAZ B AH

b. TTAEIZTIAZ B AH

c. AIONYZI T AH

d. AIONYII r AH

Petsalis Coll., gr. 16.15

Paris, gr. 16.05f; Berlin (Sv. 69, 3), gr. 16.58

Copenhagen (SNG 202), gr. 16.81f

Romanos Coll. (Sv. 69, 4), gr. 16.70

1 TIE and Z<t> are given by Beule and ZO is listed by Kambanis. Of the two coins with the

first combination, Beule says that one (our No. 1119a from Dresden) has ZTE or ZTE below the

amphora. Since neither combination is known to him he concludes that ITE was intended. It is

likely that the other piece recorded as having TIE is in reality marked ZT or ZTE, and possibly

the same is true of the one said to have Z<D. The ZO of Kambanis refers to a Paris coin (No. Iin)

on which I can see no clear lettering below the amphora.

The Late Period: Catalogue

363

1128.

a. AIONYZI r nP * London, gr. 15.78f; Herakleion (Cretan Hd. II),

gr. 16.57f; Berlin, gr. 15.72

b. AIONYZI T AIO *ANS (Anatolia Hd.), gr. 16.83f; London {BMC

434), gr. 16.00f; Berlin, gr. 16.82; ANS-ETN,

amphora and control letters uncertain, gr. 16.48f

Athens (Sv. 69, 5), gr. 16.60

ANS (Abruzzi Hd.), gr. 15.63f

ANS (Abruzzi Hd.), gr. 15.94f

Evelpidis Coll.

Athens, gr. 15.90f; Berlin, gr. 16.24

Berlin (Sv. 69, 6), gr. 16.20

Athens (Sv. 69, 7), gr. 4.00f

Romanos Coll. (Sv. 69, 8), gr. 4.27

23 tetradrachms: 7 obverse, 16 reverse dies

2 drachms: 1 obverse, 2 reverse dies

Magistrates: ZQZTPA, TTAEIZTIAZ, AIO-

NYZI, (DIAQTAAH

Months: A, B, T, A

Controls: AP, AA, AH, AIO, EP, TIP

The present issue shares Obverses 1122 and 1123 with the emission of Xe-

nokles-Harmoxenos (Roma) as illustrated on Plates 123 and 124. Other

factors serve to relate the two strikings. Both show a moderate output of

coinage as indicated by surviving dies and both are of limited duration. Four of

the six control combinations of Kointos and Kleas are found on tetradrachms

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of Xenokles and Harmoxenos.1 Furthermore, the symbols on the two issues

are closely connected. The Roma of 123/2 B.C. re-appears in identical represen-

tation on the coinage of 122/1 but the later striking has also a standing Nike

crowning the seated goddess.

With the issue of Kointos-Kleas there is again a reversion to the three-

magistrate pattern which had been abandoned during the two years preceding.

1 AP, AA, AI, FTP. Beuld reads ATT on a coin in his collection but I have seen no instance of

this marking.

c. (DIAflTAAH A TIP

d. OlAflTAAH A TIP

e. (DIAQTAAH A T7P

f.? A AP

1129.

a. OlAflTAAH/ A/r AH

AIONYZI

b. (DIAQTAAH A AH

Drachms

1130.

a. nAEIZTI B

b. OlAflTAAH?

364

The New Style Silver Coinage of Athens

Four third magistrates are recorded and it is noteworthy that an exact cor-

relation between officials and months is established for the first time since the

emission of Sokrates and Dionysodo in 148/7 B.C.

ATlEAAIKflN - rOPHAZ

Tetradrachms

GRIFFIN 121/0 B.C.

1131.

a. AlOrE

b. AlOrE

c. AlOfE

a. AlOrE

b. AlOfE

AIO

AH

B?

AIO

AA

APirroNOYi r aa

a.

AiorE

b.

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AA

AiorE

AP

c.

AiorE

d.

APISTONOYZ

Eni

e. APIITONOYZ ? En

a. APIZTO T AP

b. APIZTONOYZ f AP

(Plates 125-126)

Athens, gr. 16.60

Berlin (Sv. 67, 16), gr. 16.64; Schlessinger

(Hermitage 2) 912, gr. 16.50

*Empedocles Coll.

Commerce (Sv. 67,17, Feuardent), gr. 16.58

*ANS-ETN, gr. 16.50t; Schlessinger (Her-

mitage 2) 918, gr. 17.50; Stack's (South)

610

Ratto (Rogers) 442, gr. 15.70; Berlin, gr.

15.69; ANS, gr.16.50f; ANS (Abruzzi

Hd.), gr. 16.11f; ANS-ETN, amphora and

control letters uncertain, gr. 16.30f

Berlin (Sv. 67, 18), gr. 15.66

*Piraeus Hd.; Petsalis Coll., gr. 16.56f

Paris, gr. 16.68f

Empedocles Coll. = Baltatzi Coll. (Sv. 67

20) = Mavrokordatou Coll. (J I AN, 1912

1307), gr. 16.48; Vienna, gr. 16.02; London

gr.16.24f; Cambridge (Grose 5910), gr

15.75; Paris, gr. 16.52f; Dresden; Copen-

hagen {SNG 203), gr.16.67f; Oxford, am

phora letter uncertain, gr.15.55f; Berlin

gr. 16.72; Berlin, gr. 16.09

Berlin, gr. 16.59

Schlessinger (Hermitage 2) 914, gr. 16.10;

Berlin, gr. 16.32

The Late Period: Catalogue

365

1135.

1136.

1137.

1138.

1 1 1 ha-

AIONYIIOI/

A/T AA

Naville (Pozzi) 1600, gr. 16.75

INI

APIITONOYI

| | | j b.

AEINIAI

A AA

Berlin, gr. 15.88

11

AIONYIIOI/

a/ Ano

Berlin (Sv. 67, 21), gr. 16.69

111

APIZTONOYI/

r/?

111

AiorE

1 1 Lb-

AIONYIIOI/

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A/T AA

Glasgow (Hunt. 128), gr. 16.67f

APIITONOYI

L| a.

AIONYIIOI/

A/ AH/

Tubingen, gr. 16.88

APIITONOYI/

T/A AIO

AiorE

L b.

AEINIAI/

A/ AH/AA *Berlin, gr. 15.09; London, gr. 15.99f

APIITONOYI/

T/A

AIOTE

c.

AEINIAI

a Ano

ANS-ETN = Ratto (Rogers) 448, gr.

16.01f; Gotha, amphora and control letters

uncertain, gr. 16.61

a.

AEINIAI

A ETTI/

*ANS (Abruzzi Hd.), gr. 16.44f

Ano

AEINIAI

H AA

Athens (Delos Hd. EG), gr. 15.67f; Athens

(Sv. 67, 23), gr. 16.50I1

1c-

AEINIAI

H En

Berlin, gr. 15.81

jd.

AEINIAI

? AA

Uncertain2

1139.

a. AEINIAI H AH "Harvard Univ., gr. 16.42; Berlin, gr. 15.86;

Schlessinger (Hermitage 2) 915, gr. 15.50;

The New Style Silver Coinage of Athens

AEINIAI H AA Commerce 1957 (Abruzzi Hd.)

IIMQN I En| London (BMC 826; Sv. 67, 24), gr. 16.67f

HPAKAE/? K AA Ball 39 (Fx.Pr.) 408 = Schlessinger (Her-

mitage 2) 917, gr. 16.80

HPAKAE/? K AP * AN S (Anatolia Hd.), gr. 16.51 f

APrEIOI A AA London (BMC 327; Sv. 67, 25), gr. 16.411;

Lockett Coll. (SNG 1910) = Naville (Be-

ment) 1118, gr.16.35f; Egger XLVI

(Prowe) 488, gr. 16.56; L. Meletopoulos

Coll., amphora and control letters un-

certain, gr. 16.15; Berlin, gr. 16.96

APrEIOI A ATTO/? *Romanos Coll.; ANS (Abruzzi Hd.), am-

phora letter uncertain, gr. 16.52f

XAPEI M AA *ANS = Schlessinger (Hermitage 2) 918, gr.

16.49|; ANS (Abruzzi Hd.), gr.16.22f;

Toronto (Ontario Hd.), amphora letter un-

certain, gr. 16.04f; London {BMC 328),

control letters uncertain, gr. 16.06f; Lon-

don, amphora and control letters un-

certain, gr. 16.98f

APrEIOI A AH *Berlin, gr. 15.84; ANS (Abruzzi Hd.), am-

phora letter uncertain, gr. 15.53f

XAPEI ?AA *Berlin, gr. 16.80

APrEi

AA

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Lockett Coll. {SNG 1911), gr. 16.41f;

Egger XLVI (Prowe) 490 = Sotheby

(Cumberland Clark) 192, control letters un-

certain, gr. 16.76

APrEIOI

Eni

ANS-ETN, gr. 16.l5f

APrEIOI

ETTI

Ball 39 (Fx.Pr.) 402 = Schlessinger (Her-

mitage 2) 916, gr. 16.60

XAPEI

AT70

Commerce 1958; Copenhagen (SNG 204),

gr. 16.39f; Berlin (Sv. 67, 26), gr. 16.50;

Berlin, gr. 16.85; Athens, amphora letter

uncertain, gr. 16.50f

XAPEIIIOI

ETTI

Empedocles Coll. = Florange-Ciani (Al-

lotte de la Fuye) 410, gr. 16.35; Paris, gr.

15.20f; Berlin, gr. 16.85; London, gr. 16.31 f

The Late Period: Catalogue

367

Drachms

* Athens (Sv. 67, 27), gr. 4.17f; Athens, gr.

4.08f; *Vienna, gr. 8.95 (Plate 124); Ro-

manos Coll.; Athens, gr. 8.97f; London,

gr. 8.66

85 tetradrachms: 12 obverse, 32 reverse dies

6 drachms: 1 obverse, 1 reverse die

Magistrates: AICTE, APIZTONOYZ, AIONY-

ZIOZ, AEINIAZ, ZIMflN, HPAKAE, AP-

TEIOI, XAPEIZIOZ

Months: A, B, T, A, H, I, K, A, M

Controls: AFTO, AP, AA, AH, AIO, ETTI

Contiguity of the issues of KOINTOZ - KAEAZ and ATTEAAIKflN - rOPHAZ

is indicated by the transfer of a drachm obverse (No. 1130) as illustrated on

Plate 124. The present striking is the last of the three-magistrate emissions

and apparently one of the last sizable issues put out by the Athenian mint.

From now on the names of only two magistrates appear on the coinage and

annual output shows an irregular decline, terminating in the token emissions

of the early first century B.C.

Eight third magistrates serve for nine months of the year in what seems to

be an orderly succession, with the possible exception of AIONYZIOZ and AEINIAZ

in delta. Both names are found cut over AP1ZTONOYZ of gamma but re-engraving

is practiced extensively under Apellikon and Gorgias and it may be that

No. 1187b with AEINIAZ/APIZTONOYZ/AIOrE also has AIONYZIOZ on the die.1

There are a few readings in earlier publications or records which differ from

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the listing above. AN is given by Beule and Zfl by Kambanis; ZIMflN with H

and with A appears in Sundwall, The two last cannot be checked but the other

two entries seem to refer alike to No. 1140c (the Berlin coin) with a somewhat

obscure AA. The complicated recutting of reverse dies during the present emis-

sion often makes it difficult to determine the exact lettering and it seems

probable that some if not all of the variant readings are due to the confusion

caused by re-engraving. The AIOZIO of Beule's Hunterian coin is definitely

AIONYZIOZ, cut over APIZTONOYZ (No. 1136b on Plate 125). Similarly the

E with AEINIAZ which Beule records for a Berlin tetradrachm and the E/A which

1 It is likely that the record of recut amphora letters is similarly incomplete. Although there

is no trace of B on Reverses 1137a and b, one assumes that the two dies were in fact altered

during the second month of the year.

1130.

ZIMflN ?

368

The New Style Silver Coinage of Athens

Kambanis gives for the same coin and for another example in London refer to

our No. 1137b. I am quite certain that the month letters are A/f/A.

BAZIAE MI0PAAATH2 - APIZTIflN STAR BETWEEN CRESCENTS c. 121 b.c.

(Plate 127)

1143.

1144. |

Tetradrachms

1145.

| a. B

Lb. S/A

a. S/A

b.?

Drachms

AA *London, gr. 15.98|

Eni *London {BMC 458; Sv. 71, 5), gr. 16.28f

Ern/AA Athens (Sv. 71, 6), gr. 16.25; Leningrad = Schles-

singer (Hermitage 2) 958, gr. 16-Olf1

EFJ! *Glasgow (Hunt. 154; Sv. 71, 7), gr. 16.44f

? ANS, gr. 15.87f

1146.

Leningrad = Hirsch (Imhoof) 2876, gr. 4.09|; Athens,

gr. 4.10f; ANS-ETN, gr. 3.55f; Berlin (Sv. 71, 10).

gr. 4.07; Athens (Sv. 71, 11), gr. 4.002

6 tetradrachms: 8 obverse, 4 reverse dies

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5 drachms: 1 obverse, 1 reverse die

Months: A, B, Z

Controls: AA, ETTI

This is a limited coinage. Only a few specimens and dies are known and

emission was apparently restricted to months A, B, and Z. Kambanis in his

notebook lists A and E as amphora letters, the first for our No. 1145a and the

second for No. 1144b. In both cases I am quite sure that the reading is S/A and

Macdonald in publishing the Glasgow piece gives S as the date. It is possible

that B was inscribed over A before S was added but if so there is no clear trace

of the intermediate letter on either die.

1 The coin was returned to the Hermitage and is still in the collection there. In the Schles-

singer catalogue there is the notation "Echtheit fraglich" but I can see nothing wrong with the

piece. Its weight is good and it shares dies with an Athens tetradrachm of indubitable authen-

ticity. Furthermore, according to the dealer's records, Regling was interested in acquiring it, which

would argue for its genuineness.

1 This is almost certainly the same drachm as Svoronos No. 12 (Engel).

The Late Period: Catalogue 369

MNAZEAI - NEZTQP KERCHNOS 120/19 B.C.

(Plate 128)

Tetradrachms

1147.

1148.

1149.

1150.

1151.

1152.

1153.

1154.1

1155.

1156.

EP

Empedocles Coll. = Naville (Pozzi) 1610, gr. 16.59

EP

London (BMC 474), gr. 16.98f

XTE

Berlin (Sv. 75, 2), gr. 16.46

ZTE

Winterthur, gr. 16.85 /

a.

EP

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Glasgow (Hunt. 155; Sv. 75, 1), gr. 16.68f

b.

EP

Oxford, gr. 16.75

a.

A/r(?)

EP

The Hague (Sv. 75, 8)

b.

EP

London (BMC 475; Sv. 75, 4), gr. 16.75f; Commerce

1956

EP

ANS, gr. 15.71f

a.

g(?)

EP

Copenhagen {SNG 289), gr. 16.86f

b.

EP

ANS (Anatolia Hd.), gr. 15.88f

c.

EP

Paris, gr. 17.18t

d.

Leningrad (Sv. 75, 8), gr. 16.88

a.

EP

Glasgow (Hunt. 156; Sv. 75, 5), gr. 16.45f

b.

EP

Istanbul, gr. 16.69f

370

The New Style Silver Coinage of Athens

Drachm

1157.

? *Vienna, gr. 8.78

25 tetradrachms: 10 obverse, 18 reverse dies

1 drachm

Months: A, T, A, Z, 0, K, A, M1

Controls: EP, ZTE

KAECKDANHZ - Eni9ETHI BAITULOS WITH FILLET 119/8 B.C.

(Plate 129)

Tetradrachms

1158.

1159.

1160.

1161.

A Alp Athens (Delos Hd. EG), gr. 15.38f

E Al *Berlin (Sv. 78, 8), gr. 16.51; Romanos Coll. (Sv. 73,4),

gr. 16.87

a. 0 AIO ANS, gr. 16.22t; Athens (Delos Hd.=0), gr. 16.40}

b. K 1X1 *Munich (Sv. 78, 5), gr. 16.26; London {BMC 431),

amphora letter uncertain, gr. 16.70f

Athens, gr. 15.85f

Oxford, gr. I5.79f

The Hague, gr. 16.05

Gotha, gr. 15.82 (pierced)

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Berlin, gr. 16.77

London {BMC 432), gr. 16.50 \2

London, gr. 16.68t

Glasgow (Hunt. 145; Sv. 78, 6), gr. 17.17f

Athens (Delos Hd. =0), gr. 16.55f

Athens (Delos Hd. A, 28; Sv. 78, 8), gr. 16.80; Naples

(Santangelo Coll., Fiorelli 10787), control letters un-

certain, gr. 16.86t

1 Beul6 gives E for coins at The Hague and Copenhagen; the marking on the first piece

seems to me more likely A/r while the second tetradrachm has 0 (?) according to the Sylloge

publication.

2 The weights of BMC 432 and 433 are transposed in Head's publication.

1162.

1163.

c.

a.

HI

b.

!?!

c.

iii

d.

HI

a.

in

b.

N(?)

a.

Al

b.

A!

c.

The Late Period: Catalogue

37i

1164.

N III *London {BMC 438), gr. 15.85f; Glasgow (Hunt. 146;

Sv. 73, 7), gr. 16.74f

20 tetradrachms: 7 obverse, 15 reverse dies

Months: A, E, 0, K, N

Controls: AI(O), III

Like the two preceding issues, this is a small emission. Coinage is known

for only five scattered months with a heavy concentration in the last two, K

and N. M is recorded as the amphora date on tetradrachms in London and

Glasgow (our No. 1164) but the letter of the Hunterian piece is almost certainly

N and that of the British Museum coin from the same reverse die more likely N

than M.1 I doubt that there was any output of silver during mu. The presence

of nu on three to five reverses attests the intercalary nature of the year.

Controls are limited to Al and III, the latter new to the coinage. The EY and

ICl of Beule for two London specimens (Nos. 1160b and 1162a) are both mis-

readings for III; in the British Museum Catalogue the lettering is correctly given.

MENTQP - MOZXIGN

Tetradrachms

HARMODIOS AND ARISTOGEITON

1165.

1166.

1167.

118/7 B.C.

(Plate 130)

a.

EP

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Glasgow (Hunt. 149; Sv. 74, 9), gr. 16.74f

b.

EP

Vienna, gr. 17.07; London (Sv. 74, 21), amphora and

control letters uncertain, gr. 17.09f

a.

r/B

An

Glasgow (Hunt. 150; Sv. 74, 10), gr. 16.79f. With

A/r/B: Berlin (Sv. 74, 11), gr. 16.262

b.

Berlin (Sv. 74, 20), gr. 16.84

ra.

111

Copenhagen (SNG 288; Sv. 74, 18), gr. 16.61f

|b.

ANS-ETN (1984/5 Hd.), gr. 17.48f

|c.

Frankfurt am Main

Id-

Athens (Delos Hd. =0), gr. 16.80t

1 On some dies N may be cut over K but it is impossible to be sure.

* The amphora lettering on the Berlin piece differs from that on the Glasgow coin. It looks

as though another date, most likely A, had been cut over the T/B of the earlier stage of the die.

There may be intervening letters.

4*

372

The New Style Silver Coinage of Athens

1168.

1169.

1170.

1171.

1172.

IZI

a.

Ai

b.

Al

a.

An

b.

M/A

An

c.

An

a.

b.

EP

c.

EP

M/A

Al

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EP

Athens (Delos Hd. EG), gr. 15.22f

Glasgow (Hunt. 151; Sv. 74, 12), gr. 17.59f

Glasgow (Hunt. 152; Sv. 74, 14), gr. 16.89|

Paris (Sv. 74, 19), gr. 16.79f

Berlin, gr. 17.80; Budapest, amphora letter uncertain,

gr. 16.51 (pierced)f

Romanos Coll.

London (Sv. 74, 16), gr. 16.45f

Herakleion (Cretan Hd. II), gr. 16.76f; London {BMC

455; Sv. 74, 15), gr. 16.97f

Cambridge (Grose 5917; Sv. 74, 17), gr. 16.12f

Amsterdam (Boissevain 52), gr. 17.17; Herakleion

(Cretan Hd. II), gr. 16.86f; Glasgow (Hunt. 153;

Sv. 74, 18), gr. 16.60f

24 tetradrachms: 8 obverse, 17 reverse dies

Months: B, T, 9, K, A, M

Controls: An, Al, EP, IZI

Again we have a limited coinage issued during only six months of the year.

Beule gives A, A, E and H as amphora letters but two of the dates, A and E on

coins in the British and Hunterian Museums, are incorrect and the other two

are probably also misreadings. Controls Al and IZI carry over from the preceding

issue and are supplemented by An and EP. The Zfl of Beule is not otherwise

attested and must be regarded as suspect.

APXITIMOZ - AHMHTPI ISIS 117/6 B.C.

(Plate 131)

Tetradrachms

1173.

a. A AIO Glasgow (Hunt. 141; Sv. 70, 15), gr. 16.76f

b. E Al London {BMC 839; Sv. 70, 18), gr. 16.78t

1174.

A EP Naples (Mus. Naz., Fiorelli 7140; Sv. 70, 16), gr. 16.60;

The Late Period: Catalogue

373

Athens (Delos Hd. =9), gr. 16.05f

London, gr. 16.74f

Berlin, gr. 16.66; ANS-ETN = Ratto (Rogers) 449,

gr.16.07f; Commerce (Sv. 70, 17, Hirsch), gr. 16.27

Athens, gr. 15.58f; ANS (Cretan Hd. II), gr. 16.47f;

Leningrad, gr. 17.08f

London (BMC 840), gr. 16.98f

Berlin, gr. 16.17

ANS = Baltatzi Coll. (Sv. 70, 19) = Mavrokordatou

Coll. (JIAN, 1912, 1810), gr. 17.08|

Vienna, gr. 15.95; Romanos Coll.

Berlin, gr. 16.47; Athens (Delos Hd.EG), gr. 16.88f

Copenhagen (SNG 286), gr. 16.55f

19 tetradrachms: 7 obverse, 13 reverse dies

Months: A, A, E, Z, 0, I

Controls: AI(O), EP, 1ZI

Obverse 1169 is transferred from Mentor -Moschion to Architimos-Demetri

(as illustrated on Plate 131). Since the die is used in the last months of both

emissions, the amphora letters are useless in establishing the order of the two

issues but there is a small vertical die break, close to the outer edge of the

neckguard, which is visible on Nos. 1169a, b and c (on c there seems to be

additional deterioration in this area) of Architimos and absent from Nos. 1169a

and b of Mentor. Furthermore, the die as used with reverses of Architimos

seems to have been recut slightly in the region of the upper bowl of the helmet.

These technical indications confirm the evidence of style. The emission of

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Mentor-Moschion belongs to a long sequence of stylistically homogeneous

issues. That of Architimos-Demetri introduces a totally different and highly

distinctive style; it would, therefore, seem to be the later striking.

There is no evidence for the use of Obverse 1169 during the early months

of 117/6 B.C. The die may have been brought back into service only during the

concluding months of emission to finish out the year's coinage. Even if its

span of active life did cover the full nine months of recorded output, this

1175.

1176.

a.

b.

EP

E/A(?) 121

1177.

1178.

b.

c.

EP

EP

Ill

1169.

a.

b.

c.

Al

Al

Al

374

The New Style Silver Coinage of Athens

durability would not be remarkable for what seems to have been in both years

a light coinage.

Control combinations are the same as those for Mentor-Moschion except

that I have no record of ATT. Kambanis in his notebook does give that reading,

taken from a sales catalogue, but he queries it. The AH, EY and 10 of Beule

are in all probability misreadings of Al, EP and 121.

AYIANAPOI - OINOOIAOI

Tetradrachms

1179.

1180.

1181.

1182.

1183.

1184.

1185.

1186.

b. B

b.

c.

a.

b.

c.

B/A

A/K

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A/K

Drachms

EP

EP

EP

1II/EP

Al

Al

EP

Al

Al

Al

POPPY-HEAD AND GRAIN-EARS 116/5 B.C.

(Plate 182)

Glasgow (Hunt. 147), gr. 17.28f. With B/A and 111/

EP: Romanos Coll.

London (BMC 443; Sv. 73, 18), gr. 16.76f; Berlin,

control letters uncertain, gr. 16.88; Leningrad (Sv.73,

24), amphora letter uncertain, gr. 16.08

Paris, gr. 16.02f

Athens (Sv. 73, 19), gr. 16.20

Berlin (Sv. 73, 20), gr. 16.93

London (Sv. 73, 21), gr. 16.88f; Amsterdam (Boisse-

vain 51), amphora letter uncertain, gr. 16.90

Berlin, gr. 16.81

Athens (Delos Hd. =9)\

Glasgow (Hunt. 148; Sv. 73, 23), gr. 16.69f

Paris (Sv. 73, 22), gr. 16.28f

Berry Coll., gr. 16.54f

Athens (Delos Hd. IT", 30), gr. 3.28f

Athens, gr. S.SOj

The Late Period: Catalogue

375

15 tetradrachms: 6 obverse, 10 reverse dies

2 drachms: 2 obverse, 1 reverse die

Months: A, B, E, K, A, M1

Controls: Al, EP, IZI

AMOIAZ - OINOOIAOZ DEMETER 115/4 B.C.

Tetradrachms

(Plate 188)

1187.

1188.

1189.

La.

b.

1190.

1191.

1192.

1192X.

1193.

1194.

ra.

lb.

| a.

Lb.

a.

b.

r/A

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H/E

Al Glasgow (Hunt. 189; Sv. 70, 6), gr. 16.97f

IZI *London (BMC 817; Sv. 70, 5), gr. 17.61f

An 'Athens (Delos Hd. =0), gr. 14.62f

An Athens (Delos Hd.EG), gr.16.25f; Athens (Delos

Hd. EG), gr. 15.02f

An *Vienna, gr. 16.42

Zfl/(?)IZI *Glasgow (Hunt. 140; Sv. 70, 7), gr. 16.22f

IZI

zn/?

EP

Romanos Coll.

Paris (Sv. 70, 8), gr. 16.88f

ANS-ETN, gr. 15.37f

*Athens (Delos Hd. EG), gr. 15.90f

Leningrad, gr. 18.82f3

Berlin, gr. 16.85

Athens (Delos Hd. A, 2; Sv. 70, 9), gr. 16.40

Copenhagen (SNG 284), gr. 15.75f

1 The amphora letter on No. 1183c is read by Beul6 as H and by Kambanis as K. It is cer-

tainly far from clear but I think the marking is probably M, perhaps cut over A or even A/K.

* From a photographic reproduction the Leningrad coin seems to have been trimmed which

could account for its light weight. It may be a cast reproduction of a genuine piece.

376

The New Style Silver Coinage of Athens

1195.

Athens (Delos Hd. A, 8), gr. 16.88f

16 tetradrachms: 10 obverse, 18 reverse dies

Months: A, T, A, E, H

Controls: An, Al, EP, 121, Xfl

EYMHAOZ - 6E0EENIAHZ ARES(?) 114/3 B.C.

Tetradrachms

(Plate 134)

1196.

1197.

1198.

1199.

1200.

1201.

1202.

1203.

1204.

a.

b.

a.

b.

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Drachm

* Paris (Sv. 72, 21), gr. 16.74|

*Romanos Coll. = Naville (BM dupl.) 2013, gr. 15.74

En *London (BMC 406; Sv. 72, 19), gr. 16.80f

Ell *Glasgow (Hunt. 148; Sv. 72, 20), gr. 16.73f

EP *Turin (Mus. Ant., Fabretti 8062), gr. 16.75

? Berlin, gr. 16.75

IZ1 *Glasgow (Hunt. 144; Sv. 72, 22), gr. 16.85|

An 'Cambridge (Leake Coll., SNG 8227), gr. 16.66f

EF! *Paris, gr. 16.82f

? *Herakleion (Cretan Hd. I)

*Copenhagen (SNG 211; Sv. 72, 28), gr. 8.81f

10 tetradrachms: 8 obverse, 9 reverse dies

1 drachm

Months: A, K

Controls: An, En, EP, III1

1 The EP reading, found only on a tetradrachm in Turin, is fairly certain. Both letters are

partially involved with the wreath but the first is almost surely E and the upper part of the

second has a loop which must be part of a P.

The Late Period: Catalogue

377

Nos. 1196a and b show several peculiarities: the style of the obverse head

is somewhat strange, the owl of 1196a is unusually small, the name of the first

magistrate is abbreviated (EYMHA on 1196a and EYMHAO on 1196b), neither

reverse has control letters and No. 1196b omits the E of the ethnic. It is pos-

sible that the two coins are imitations rather than regular issues of the Athenian

mint but I am inclined to consider them the work of an inexperienced diecutter.

Tetradrachms

1205.

NEITHP - MNAIEAI STAG 113/2 B.C.

(Plates 135-186)

1206.

1207.

1208.

1209.

1210.

1211.

1212.

A Al *Athens (Delos Hd. =9), gr. 15.68t

A EP *London {BMC 476; Sv. 75,14), gr. 17.20f; Moscow =

Schlessinger (Hermitage I) 187 = Hess 208, 453, gr.

16.40

A Zfl *Copenhagen (SNG 210), gr. 17.111

a. A ? *Paris, gr. 16.71f

b. E/A IZI/SQ Glasgow (Hunt. 158; Sv. 75, 17), gr. 16.97f

c. Z' IZI/ZQ Glasgow (Hunt. 160), gr. 16.45f

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a. A An *Oxford, gr. 16.54. With E/A1: *Cambridge (Leake

Coll., SNG 8228; Sv. 75, 16), gr. 16.99f

b. Z EP *Romanos Coll.

B An * Athens (Delos Hd. EG), gr. 16.45f; Athensf

B IJ *Glasgow (Hunt. 157; Sv. 75, 15), gr. 16.77f

a. E in London .{BMC 477), gr. 17.10f; Leningrad, gr. 17.63|

b. Z IJ 'London {BMC 478; Sv. 75, 19), gr. 16.72f

c. 0 in Athens (Delos Hd. EG), gr. 15.60t; Commerce 1953

1 In the Sylloge publication the amphora letter is described as E/A but I can see no indi-

cation of anything but the underlying A and the superimposed E.

378 The New Style Silver Coinage of Athens

1213.

1214.

1215.

1216.

1217.

1218.

1219.

1220.

1221.

a.

EP

Glasgow (Hunt. 159), gr. 17.18f

b.

EP

Marseille (Sv. 75, 18), gr. 16.90

a.

EP

Empedocles Coll.

b.

An

*ANS, gr. 16.12 /

rc.

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Petsalis Coll., gr. 16.06 /

Vienna, gr. 16.39

Athens (Delos Hd. =0), gr. 15.82f

a.

EP/?

Glasgow (Hunt. 162), gr. 16.48 /

b.

IZ

Tubingen

a.

An

Uncertain (probably commerce)

b.

An

Glasgow (Hunt. 161; Sv. 75, 20), gr. 16.69t

c.

AI

Glasgow (Hunt. 163), gr. 16.45f

a.

An

Athens (Delos Hd. A, 24), gr. 16.05f; Berlin, am-

phora letter uncertain, gr. 16.99

b.

An

Glasgow (Hunt. 164; Sv. 75, 23), gr. 16.77f

a.

The Late Period: Catalogue

379

PI. XVIII, 3-4). There can, I believe, be little doubt of the contiguity of the

emissions but unfortunately the proof presented by Kambanis is invalid in

that the same obverse die is combined with still a third reverse, one of Demeas-

Hermokles. The three coins belong among the imitations of the New Style

coinage and are discussed in that section of the present corpus (pp. 460f.).

In number of obverse dies and surviving specimens the coinage of Nestor-

Mnaseas is the most extensive striking since that of Apellikon-Gorgias and

the last large issue of the New Style series. Nine months of the year are rec-

orded on the amphorae and at least five reverses have the intercalary N.1

1223.

1224.

IQTAAHZ - eEMIZTOKAHZ BAKCHOS 112/1 B.C.

(Plate 187)

Tetradrachms

1222.

Milan

Athens (Delos Hd. EG), gr. 15.85f

Athens (Delos Hd. A, 81; Sv. 77, 19), gr. 16.90

Naples (Mus. Naz., Fiorelli 7148; Sv. 77, 20), gr. 16.58f

London {BMC 499; Sv. 77, 21), gr. 17.01f

Berlin (Sv. 77, 22), gr. 16.95

Athens (Delos Hd.=6)f; Athens (Delos Hd. EG),

control letters uncertain, gr. 16.62f

Athens (Delos Hd. E9), gr. 16.80f

Glasgow (Hunt. 173), gr.16.72f; Leningrad, gr.

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16.81f2

Cambridge (Grose 5920; Sv. 77, 18), gr. 16.87f; ANS-

ETN, gr. 15.73t

Athens (Delos Hd. E0), gr. 15.20f

Copenhagen (SNG 285), gr. 17.01f

1 M is recorded by both Bevl6 and Kambanis but in all cases the letter is either A or N. I

do not believe that there was any output of coinage during mu.

Similarly the Z<D of Beul and the Hunterian and British Museum publications proves upon

inspection of the coins to be either Zfl or III/Zfl.

1 There are at least three exact replicas of the Leningrad tetradrachm: one in Vienna

(14.28 gr.), one in Gotha (15.22 gr.) and one in the Romanos Collection (weight unknown).

1225.

1226.

a.

b.

B/A

Al

a.

B(?)

Al

b.

Al

c.

Al

d.

A!

a.

Horl

IQ

b.

a.

ZQ

b.

38o

The New Style Silver Coinage of Athens

1226X.

d.?? Athens (Delos Hd. EG), gr. 15.55f; Athens (Delos

Hd. EG)f; Athens (Delos Hd. =9)|

e.?? Athens (Delos Hd. EG), gr. 15.40t

? Al *Berlin, gr. 16.05 (pierced)

20 tetradrachms: 6 obverse, 15 reverse dies

Months: A, B, E, Z, H, l(?)

Controls: Al. Zfl1

AEYKIOZ - ANTIKPATHZ

Tetradrachms

1227.

DEMETER AND ARTEMIS

111/0 B.C.

(Plate 137)

A Al Commerce 1955, gr.16.97f; Leningrad (Sv. 73, 15),

amphora letter uncertain, gr. 16.20

? Al "London {BMC 487; Sv. 73, 14), gr. 16.84|

3 tetradrachms: 1 obverse, 2 reverse dies

Months: A

Controls: Al

T1ANTAKAHZ - AHMHTPIOZ HERAKLES 110/09 b.c.

(Plate 137)

Tetradrachms

Hirsch (Rhousopoulos) 2068 = Sv. 77, 16, gr. 16.56*

Berlin Cast Coll. (Kohler, Sitzungsber. d. Berl. Akad.,

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1896, PL XI, 10), gr. 17.05

2 tetradrachms: 2 obverse, 1 reverse die

Months: H

Controls: Al

1 Kambanis in his notebook records C(0 for our No. 1224b but the Al reading of the British

Museum Catalogue is correct. ATTO is given by Kambanis for both examples of No. 1226a; both

seem to me to have ZQ. The ME of Beule is highly unlikely.

* Found on Crete in 1896 according to the Hirsch Catalogue. No. 1229, published by Kohler

in 1896, is also said to have come from Crete. The probability is that they are from a hoard,

possibly Cretan Hoard I with its extensive representation of late issues.

* There may be a clumsy 0 cut over the H on this coin or the marking may be only a flaw

or a die-break.

1228.

r H Al

1229. j

L H3 Al

The Late Period: Catalogue

38i

The two specimens of this issue are published briefly by Svoronos (Riv.

Num., 1908, p. 315)1 who identifies the standing figure in the right field as

Herakles uuctttis with reference to similar representations on a hydria and

on a cinerary urn where the scenes depicted are connected with the Eleusinian

Mysteries (JIAN, 1901, Pis. IE and 1Z). The Herakles of the coinage, lion's

skin cloak draped over his arm, carries a bakchos and holds in the other hand

a young pig suspended in air by a rear leg.

eECKDPATTOZ - GEMIZTO LOOPED FILLET 109/8 b.c.

(Plate 188)

Tetradrachm

1230.

?? *Herakleion (Cretan Hd. I; Sv. 72, 26), gr. 15.90

1 tetradrachm

Months:?

Controls:?

AIOOANTOI - AIZXINHZ SPHINX 108/7 B.C.

(Plate 188)

Tetradrachtns

1231.

a. A 2SI *Berry Coll., gr. 15.68f; Glasgow (Hunt. 142; Sv. 72,

10), amphora and control letters uncertain, gr. 16.50f

b. M IQ *ANS, gr. 15.58f

c. M Ifl *Athens (Sv. 72, 9), gr. 16.65t; London {BMC 887;

Sv. 72, 8), gr. 16.20fa

5 tetradrachms: 1 obverse, 8 reverse dies

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Months: A, M

Controls: Ift

1 There is some uncertainty as to the whereabouts of the first piece. In the Rivista article

Svoronos says it is in Athens as a 1906 accession of the Numismatic Museum (JIAN, 1906, p. 327,

no. 62) but in the later Monnaies d'Athenes the coin is listed as being in the possession of Dr. Hirsch.

It was not among the tetradrachms I saw in Athens in 1955 but a small number of coins which

had been on exhibit before the war could not be examined and the PantaklesDemetrios piece

may be with this lot.

Svoronos gives the weight of the Hirsch specimen as 16.27 >r- (16 26 in the Rivista citation)

while the Rhousopoulos Catalogue has 16.56.

1 Doublestriking accounts for the misreading of the amphora letter as H on the British

Museum piece.

382

The New Style Silver Coinage of Athens

AHMEAZ - KAAAIKPATIAHS ISIS1 107/6 B.C.

(Plate 138)

Tetradrachms

1232.

1233.

E ZQ *Oxford (Sv. 71, 18), gr. 16.25

a. S(?) 2Q *Herakleion (Cretan Hd. I; Sv. 71, 14), gr. 15.70. With

H/(?)S: Paris, gr. 16.84f

b.?? *Berlin, gr. 15.58

c.? Zfl Berlin, gr. 15.27

5 tetradrachms: 2 obverse, 4 reverse dies

Months: E, Z(?), H2

Controls: Sft

A tetradrachm of this issue was restruck by Aesillas, quaestor of Macedonia

between 98 and 88 B.C. This crucially important overstriking, now in the

Berlin Cabinet, was published by Regling {J I AN, 1908, pp. 241 f.) and is illus-

trated on Plate 138 (also Svoronos, Plate 71, 15). Regling observes that the

date of the Athenian issue must be shortly before the end of Aesillas' term of

office since the bulk of coinage in circulation at any given time consists of the

output of the last decade. There are, however, a great many imponderables

involved in the distribution and life-span of coinage; it seems to me that the

time differential between the emission of the tetradrachm of Demeas-Kalli-

kratides and its re-emission as a Macedonian coin of Aesillas is in no way

excessive.3

AAKETHI - EYAriQN HELMET 106/5 B.C.

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(Plate 138)

Tetradrachms

1234.

a. 0/Z IQ *ANS-ETN = Ratto (Rogers) 448, gr. 16.45f; Gotha

(Sv. 70, 3), amphora letter uncertain, gr. 16.30

1 Dow ("The Egyptian Cults in Athens," pp. 266 f.) queries the identification of the figure

as Isis but I think the distinctive headdress, clearly visible on No. 1233a, makes the association

certain.

2 Beule gives 0 for the date on a tetradrachm in the von Prokesch Collection. The coin

cannot be checked but it should be noted in support of Beul6's reading that the Paris piece which

has H over an earlier date may also have a superimposed 0.

8 The New Style tetradrachm overstamped by Aesillas was struck from the same reverse

die as No. 1233c. The obverse of this Berlin coin is very poorly preserved but the die seems to

be No. 1233.

The Late Period: Catalogue

383

rb.? ZQ Paris (Sv. 70, 2), gr. 16.87f

1235. I

L?? *Athens (Sv. 70, 1) = Hirsch (Rhousopoulos) 2084, gr.

16.65

4 tetradrachms: 2 obverse, 2 reverse dies

Months: Z, 61

Controls: ZQ

AIONYZIOZ - MNAZArOPAZ DIONYSOS 105/4 B.C.

(Plate 188)

Tetradrachm

1236.

A Zft "-London (Sv. 72, 5), gr. 16.28ta

1 tetradrachm

Months: A

Controls: ZQ

EFmTENHZ - EENftN APOLLO LYKEIOS 104/8 B.C.

(Plate 189)

Tetradrachms

1237.

1238.

1239.

a.

ZQ

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London {BMC 402; Sv. 72, 12), gr. 16.69f; Lenin-

grad, amphora letter uncertain, gr. 16.58f

rb.

ZQ

Romanos Coll. (Sv. 72, 15), gr. 16.55

La.

ZQ

Venice (Sv. 72, 18)

b.

ZQ

Paris (Sv. 72,14), gr. 16.47f; Herakleion (Cretan Hd. I)

c.

ZQ

Berlin, gr. 15.61

a.

A/K

ZQ

Empedocles Coll.

b.

ZQ

Romanos Coll.

1 Beule records E as the amphora letter on the Gotha coin; the date seems to me quite

illegible.

* There are four exact replicas of the British Museum coin: Berlin (Sv. 72, 6, gr. 15.93),

Smyrna (Sv. 72, 7, gr. 14.50), Herakleion and ANS (gr. 15.35). The ANS coin is a cast and it is

evident that the other three pieces are also casts of the London tetradrachm. According to the

present record there is only one genuine example of the coinage of Dionysios-Mnasagoras.

384

The New Style Silver Coinage of Athens

1240.

a. A/K? *ANS, gr. 16.90f

b.?? Leningrad, gr. 15.75f

11 tetradrachms: 4 obverse, 8 reverse dies

Months: B, E, K, A

Controls: Zft

MENEAHMOZ - TIMOKPATHZ DEMETER 103/2 B.C.

(Plate 139)

Tetradrachms

1241.

1242.

1243.

1244.

a.

ZU)

*ANS-ETN, gr.16.56f

b.

ZO)

Herakleion (Cretan Hd. I; Sv. 74, 6), gr. 15.50

rc.

ZO)

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London (BMC 453; Sv. 74, 2), gr. 16.82f

Berlin (Sv. 74, 8), gr. 16.25; Paris, gr. 16.52|

a.

Commerce (Sv. 74, 5, Hirsch), gr. 16.50

b.

e/A

ZO)

* Athens (Sv. 74, 1), gr. 16.40t; Leningrad (Sv.

amphora letter uncertain

ZO)

""London (BMC 454; Sv. 74, 4), gr. 16.57|

9 tetradrachms: 4 obverse, 6 reverse dies

Months: A, I", A, 01

Controls: Z6)

Obverses 1248 and 1244 are, I believe, from different dies. They are very

similar nevertheless and one may be a recutting of the other.

With this issue the cursive omega which will recur in the later strikings of

Menneas-Herodes, Diokles-Leonides and Diokles-Diodoros makes an ap-

pearance in the control combination Z63.2

1 In the BMC the amphora letter of No. 1244 is given as M but I think this is far from

certain.

* The ZO and ZO given in earlier publications are misreadings of this unfamiliar form.

The Late Period: Catalogue

385

MENNEAI - HP03AHZ HEKATE 102/1 B.C.

(Plate 189)

Tetradrachm

1245.

S AA * Athens (Sv. 74, 8; JIAN, 1906, p. 299), gr. 15.32

1 tetradrachm

Months: Z

Controls: AA

AIONYIIOZ - AHMOITPATOZ WINGED CADUCEUS 101 /0 B.C.

(Plate 139)

Tetradrachm

1246.

?? *Noe Coll. = Petsalis Coll. {BCH, 1938, PI. XVIII, 1),

gr. 16.25f

AIONYCICC - AHMCCTPATCC

Drachms

1247.

a.?? *Berlin (Sv. 72, 1), gr. 4.14

b.? T7P(?) Commerce (Sv. 72, 2)1

1 tetradrachm

2 drachms: 1 obverse, 2 reverse dies

Months:?

Controls: rfP(?)

Kambanis in the BCH article says that there are traces of A or A on the

amphora of the tetradrachm. One drachm (our No. 1247a) has uncertain let-

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tering on and below the amphora according to Sundwall (ZfN, 1908, p. 273);

the other as published by Svoronos (JIAN, 1904, p. 62) is described as having

A? on the amphora and FTP below. From the illustration in Les monnaies

d'Athenes, the control combination looks more like ATT, but one cannot be sure

of the reading.

It is noteworthy that there is a variation in letter forms within this one

issue. On the drachms the sigmas are square as they are in the striking of Demo-

chares-Pammenes which follows. On the tetradrachm all four letters have been

recut with a four-barred sigma superimposed on the square variety.

1 The gold 8av6xr| of Svoronos' Plate 72, 3 was, I think, made with a drachm having re-

verse die 1247b.

386

The New Style Silver Coinage of Athens

AHMOXAPHC-TTAMMENHC CICADA 100/99 B.C.

(Plate 189)

Drachm

1248.

?? *Berlin (Sv. 71, 16; Z/N, 1908, pp. 273f.), gr. 4.09

1 drachm

Months:?

Controls:?

This is the one New Style issue for which only fractional silver is known.

As noted before, square sigmas terminate the magistrates' names.

AIOKAHI-AEC0NIAHI ASKLEPIOS 99/8 B.C.

(Plate 140)

Tetradrachms

1249.

a. A/r TTEP(?) *Berlin (Sv. 71, 20), gr. 16.78

b. A/r T7EP(?) *Miinz. u.Med. XIII, 1188-= Schlessinger (Hermitage2)

928, gr. 15.79f; Giesecke Coll. (Sv. 71, 19), gr. 16.54

AIOKAHC

HP *Gotha (Sv. 71, 22), gr. 8.20

HP Athens (Sv. 71, 21), gr. 4.08

8 tetradrachms: 1 obverse, 2 reverse dies

2 drachms: 1 obverse, 2 reverse dies

Months: T, A

Controls: HP, FIEP(?)

Considerable variation in amphora and control letters is recorded. Beule

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has M as the date on the Gotha drachm but the amphora letter seems to me

absolutely illegible. Sundwall lists A and ME for a Rhousopoulos tetradrachm

(from the Hirsch Catalogue but not illustrated) and A for a Berlin piece. Kam-

banis gives A/r with HP for our No. 1249b and M with HP for No. 1249a. I can

only say that both reverse dies seem to me to be inscribed A/r on the amphora.

As for the control combinations, the lettering on the tetradrachms is indistinct

but it looks more like T7EP (or TIP) than HP. However, both drachms are appar-

Drachms

1250.

a.?

b.?

The Late Period: Catalogue

387

ently marked HP and it is possible that the minute letters under the amphora

on the tetradrachms are intended as the same combination.

Variation in letter forms is again found in this issue. The cursive omega

replaces the normal uncial version in the name of the second magistrate. Also

on both drachm reverses a lunate sigma is used as the terminal of Diokles and

perhaps of Leonides as wellthe final letter of the second name is not clear

on either die.

(DIAOKPATHZ - HPflAHI

Tetradrachms

DIONYSOS 98/7 B.C.

1251.

a.

HPA

b.

HPA

c.

HPA

Drachm

1252.

HPA

(Plate 140)

Berlin (Sv. 78, 1), gr. 16.80; London (BMC 510;

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Sv. 78, 2), gr. 16.98f; The Hague (Sv. 78, 8)

ANS-ETN, gr. 16.48t

Copenhagen (SNG 290), gr. 16.80t; Romanos Coll.

(Sv. 78, 4), gr. 16.70

Berlin (Sv. 78, 5), gr. 4.07

6 tetradrachms: 1 obverse, 8 reverse dies

1 drachm

Months: A

Controls: HPA

KAAAIMAXOI - ETTIKPATHI TRIPTOLEMOS 97/6 B.C.

Tetradrachms

(Plate 140)

1253.

1254.

A HPA *London (BMC 428; Sv. 78, 1), gr. 16.89f

?? *Berlin (Sv. 78, 2), gr. 15.91 (very worn)

2 tetradrachms: 2 obverse, 2 reverse dies

Months: A

Controls: HPA

388

The New Style Silver Coinage of Athens

APXITIMOI - TTAMMENHI

Tetradrachms

FILLETED THYRSOS

1255.

1256.

1257.

1258.

OI/AI

b.

Z/?

01

c.

01

A/!

Al

|b.

Lc.

01

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96/5 B.C.

(Plate 140)

*Berlin (Sv. 70,21), gr. 16.51; Brussels (de Hirsch 1296),

gr. 17.29|; Berlin Cast (private coll.)1

Commerce (Sv. 70, 28, Hirsch), gr. 16.85

Herakleion (Cretan Hd. I)

Paris (Sv. 70, 24), gr.16.25f; London (BMC 841),

gr. 16.72f; Lockett Coll. (SNG 1989) = Ratto (Rogers)

450, amphora letter uncertain, gr. 17.00f

*Herakleion (Cretan Hd. I); Leningrad (Sv. 70, 22),

gr. 17.01; Vatican, amphora letter uncertain

ANS-ETN, gr. 15.84f

Romanos Coll.

*Tiibingen, gr. 16.92

14 tetradrachms: 4 obverse, 7 reverse dies

Months: A, Z, j, A

Controls: Al, Ol

AIOKAHI TO AEY - MHAEIOI

Tetradrachms

HYGIEIA 95/4 B.C.

1259.

(AEYTE)

1260.

1261.

(Plate 141)

B I *Paris (Sv. 71, 25), gr. 16.70f

a. Z Ift *Romanos Coll.

b. S Ifl Leningrad (Sv. 71, 27), gr. 16.88

? Ifl *London (BMC 875; Sv. 71, 26), gr. 16.89f

1 The Berlin cast has two heavy vertical strokes cut over the initial control letter as though

in obliteration.

2 In Svoronos' illustration the amphora letter looks like A but Seyrig saw A on the coin and

a cast of it confirms his reading. On both the Leningrad and Herakleion specimens there is a

vertical line to the right of the A which may indicate that the date was originally I.

The Late Period: Catalogue 389

Drachms

1262.

AIOKAHI TO - MHAEIOZ

? in 'Copenhagen (SNG 287; Sv. 71, 29), gr. 4.01f; Berlin

(Sv. 71, 28), gr. 3.87

4 tetradrachms: 8 obverse, 4 reverse dies

2 drachms: 1 obverse, 1 reverse die

Months: B, Z

Controls: IQ

AnEAAIKflN-APIITOTEAHZ DEMETER 94/3 b.c.

(Plate 141)

Tetradrachms

1263.

a.

Al

Berlin (Sv. 70, 10), gr. 16.89. With B/A: Oxford (Sv.

70, 11), gr. 17.05

b.

A(?)

A!

Herakleion (Cretan Hd. I; Sv. 70, 12), gr. 15.80

c.

Al

Oxford, gr. 17.19

Al

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d.

ANS-ETN, gr. 16.77f; Vatican, control letters un-

certain

e.

Petsalis Coll.

7 tetradrachms: 1 obverse, 5 reverse dies

Months: A, B, A(?), K

Controls: Al

HPAKAflN1- HPAKAEIAH2 HEAD OF EAGLE 98/2 B.C.

(Plate 141)

Tetradrachms

1264.

a. B Al *Oxford, gr. 16.82f

b. A/? HPA/AI *London {BMC 417; Sv. 72, 24), gr. 16.61f

2 tetradrachms: 1 obverse, 2 reverse dies

Months: B, A

Controls: Al, HPA

1 HPAKAGN is the reading of Beule and Kambanis. Sundwall and Head give HPAKAEflN.

The area where the E would be if it were part of the name is off flan on the Oxford coin and cor-

roded on the London piece. I could see no indication of an E on the latter and Mr. Jenkins con-

firms this from his examination of the coin.

39

The New Style Silver Coinage of Athens

OIAOKPATHI - KAAAKDRN NIKE 92/1 B.C.

(Plate 141)

Tetradrachms

1265.

1266.

1267.

a. Z/E M *ANS, gr. 16.83f; London (BMC 511; Sv. 78, 6), gr.

16.65f

b.? in Wilkinson Coll. = Lockett Coll. (SNG 1941) = Na-

ville (Bement) 1129, gr. IG.SSf1

a.? Ift 'Copenhagen (SNG 291; Sv. 78, 7), gr. 16.42f; Hera-

kleion (Cretan Hd. I; Sv. 78, 8), gr. 16.20; Paris,

gr. 16.48f. Control letters uncertain on last two

b.? in "The Hague (Sv. 78, 9)

? *Romanos Coll.

8 tetradrachms: 8 obverse, 5 reverse dies

Months: E, Z

Controls: in

TPYOHN - nOAYXAPMOI HEKATE 91/0 B.C.

(Plate 142)

Tetradrackm

1268.

?? 'Munich (Sv. 77, 17), gr. 16.89

1 tetradrachm

Months:?

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Controls:?

TO TPI AIOKAHI - AIOACOPOI DIONYSOS 90/89 B.C.

(Plate 142)

Tetradrachms

1269.

r K/? HPA 'Leningrad (Sv. 71, 32), gr. 17.60

1270. j

La. K/? HPA *London (BMC 376; Sv. 71, 81), gr. 16.94|

b.? HPA *Paris (Sv. 71, 80), gr. 16.87f

1 A coin in Leningrad (14 92 gr.) from the same pair of dies would seem to be a cast.

The Late Period: Catalogue 391

8 tetradrachms: 2 obverse, 2 reverse dies

Months: K1

Controls: HPA

Note the use of the cursive omega in the name of Diodoros.

AIOKAHZ MEAI - MHAEIOZ ATHENA PARTHENOS 89/8 B.C.

(Plate 142)

Tetradrachms

1271.

? HP *Paris (Sv. 71, 24), gr.16.87f; London (BMC 877;

Sv. 71, 28), gr. 16.56t

2 tetradrachms: 1 obverse, 1 reverse die

Months:?

Controls: HP

ATTOAHEIZ - AYZANAPOZ ARTEMIS 88/7 b.c.

(Plate 142)

Tetradrachms

1272.

a.? HP *London (BMC 329; Sv. 70, 18), gr. 16.59f

b.? HP *Paris (Sv. 70, 14), gr. 16.78f

2 tetradrachms 1 obverse, 2 reverse dies

Months:?

Controls: HP2

1 Kambanis enters the three coins of the present catalogue with the notation that the dates

of all are uncertain. Beule gives A for a coin in his collection and the BMC describes its piece as

having 0 (?). Our No. 1269, which is probably the Beule tetradrachm, has K on the amphora

according to Seyrig's record of the coins he examined in the Hermitage and this reading seems

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to me to be confirmed by the illustration on Plate 142. The letter, however, looks as though it

might have been recut, possibly over 0.

* Beute gives ME for the Paris coin but the combination is really HP as Kambanis also

recognized.

COMMENTARY ON THE LATE PERIOD

Like earlier sections of the New Style coinage, the late sequence divides into

several parts: first, a fairly homogeneous series of fifteen issues, ending with the

coinage of Mentor-Moschion, and then a succession of issues falling into a

number of diverse stylistic groupings which begins with Architimos-Demetri

in 117/6 B.C. and terminates with the Sullan siege of Athens.

The tightly-linked chain of issues put out in the last decade of the Middle

Period concludes with the emission of Dositheos-Charias in 132/1 B.C. This,

then, is the starting point for the issues of the Late Period. At the other end

the die link between the strikings of Mentor-Moschion and Architimos-De-

metri establishes the former as the final emission of the fifteen issues under

present discussion. Additional die links provide a basic framework for the

arrangement of the coinage between 131/0 and 117/6 B.C.:

r AMQIKPATHZ - ETTIFTPATOI

t<3) L AflZIOEOZ -XAPIAI

l. ahmhtpioz - ArAGinnoz

r 2. NIKHTHZ - AIONYZIOZ

t (3)

L 3. APIZTIflN -QIAGN

t(2) r 4. APOT70Z - MNAZArO

L 5. EENOKAHZ - APMOEENOZ (serpent)

6. NIKOrENHZ -KAAAIMAXOZ

t(2)

r 7. AHMEAZ - EPMOKAHZ

t (2)

L 8. EENOKAHZ - APMOEENOZ (dolphin)

r 9. EENOKAHZ - APMOEENOZ (Roma)

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LlO. KOINTOZ -KAEAZ

d<1) Lll. ATTEAAIKGN - TOPriAZ

12. BAZIAE M10PAAATHZ - APIZTIQN

18. MNAZEAZ - NEZTflP

14. KAEOOANHZ - EniGETHZ

t(1) r15. MENTflP - MOZXIQN

L APXITIMOZ-AHMHTPI

Since five issues are not related to any other striking by transferred dies and

since, of the ten which are, only the issue of Kointos-Kleas is firmly joined at

both beginning and end, one must rely upon style, supplemented by hoard and

The Late Period: Commentary

393

other evidence, for the determination of the exact chronological sequence. A

folding plate (Plate B), similar to that prepared for the issues of the Early

Period, is to be found at the end of the volume of plates and this will, I think,

be useful in enabling the reader to evaluate the stylistic arguments presented

below.1 On this accordion plate all obverses are included but in reduction

and arranged to illustrate the carry-over and development of particular styl-

istic patterns.

The obverse dies of Dositheos-Charias are characterized by heaviness and

careless execution. Heads are generally large and individual representations

show excessively thick eyelids, lips and nostrils (Nos. 1 and 24) and exagger-

atedly sharp profiles (Nos. 3-4). In later issues the Athena head is often ugly

and sometimes grotesque but it rarely achieves a comparable heaviness of

features. Decorative details of the helmet reflect hasty and incompetent work-

manship: protomes are small and ill-defined, the ornament consists of a thick

central stem diagonally slanted with tight volutes that are sometimes little

more than strokes or blobs (Nos. 16, 23, 25), the rear legs of the Pegasus are

often rendered by a single heavy line (Nos. 6, 11, 23, 28). In contrast, the ar-

rangement of the hair is usually neat with a two-tier design of three tiny locks

above and three larger and looser locks below. A noteworthy aspect of many

dies is the circle of very heavy dots surrounding the head (Nos. 1, 3-4, 12-14,

1819, 24). This style which is represented in practically all obverses of Do-

sitheos-Charias will be for convenience referred to hereafter as Style A.

The issue of Demetrios-Agathippos seems to me to come immediately after

that of Dositheos-Charias as the first emission of the Late Period. Eight of its

obverses (Nos. 30-37) are examples of Style A in all its distinctive treatment of

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protomes, ornament, Pegasus and hair. The thickness of the eyelids persists

but otherwise the features are normally less gross. On a few dies, such as

Nos. 33-34, one finds the only recurrence prior to 117/6 of the heavy circle of

dots noted in connection with the heads of Dositheos-Charias. The other ob-

verses of Demetrios-Agathippos (Nos. 38-76) represent an entirely different

stylistic tradition which we may designate as Style B. In general the tendency

is toward larger protomes, a delineation with thinner strokes of both rear legs

of the winged horse and a small ornament of more delicate outline with clearly

indicated volutes. The ear-flap which had been prominent and clearly outlined

on most of the dies of Style A becomes either a solid disc, as on Nos. 38-44, or

is rather sketchily rendered, as on Nos. 48-51, 56-57, 69-70. The hair breaks

1 The conventions of the earlier accordion plate are again observed. Numbering does not

correspond with the catalogue entries but a concordance is provided at the end of the volume of

plates. In the stylistic discussion of the commentary, numbers which refer to the obverses of

Plate B are in italics.

394

The New Style Silver Coinage of Athens

away from the two-tier arrangement and is massed in long loose locks (cf.

Nos. 56 and 75 for extreme versions of this treatment). In profile represen-

tation, Style B divides into two categories: B-l represented by Nos. 3847

with a set and somewhat grim cast to the features and B-2 (Nos. 54-76) with

the firmness intensified in a hardness of lips and jaw that gives the faces a

highly disagreeable expression. Nos. 48-53 seem to me transitional between

the two varieties of Style B. Only in the issue of Niketes-Dionysios is there a

continuation of the two sub-divisions of Style B which are associated with the

majority of the dies of Demetrios-Agathippos.

In the coinage of Niketes and Dionysios the emphasis shifts as Style A in

all its characteristic aspects of hair, ornament, ear-flap and Pegasusbecomes

dominant again (Nos. 77-102). There is, however, a greater refinement of the

profile, at least in Nos. 80 through 93. Nos. 77-79 seem to me to relate most

closely to Nos. 30-33 of the preceding emission, Nos. 80-102 to Nos. 36-37.

Some of the Niketes obverses are also comparable with those of Dositheos-

Charias (No. 94 with No. 21, for example). Nevertheless it is Style B and not

Style A which establishes the connection of the Demetrios-Agathippos and

Niketes-Dionysios emissions. Style B-l, represented by Nos. 38-47 of the

former issue, survives in No. 103 of Niketes (and No. 104 may be considered

a debasement of the same tradition) and then disappears from the coinage. Note

the high degree of similarity in Nos. 47 and 103. Similarly Style B-2, pre-

dominant in the obverses of Demetrios-Agathippos, survives in two Niketes

dies, Nos. 105-106 for comparison especially with Nos. 70-76. This style in its

truly distinctive form then disappears from the coinage but a modification of it

(Style B-3) develops in Nos. 107-109 of Niketes and carries over into the

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coinage of Aristion-Philon.

As has already been noted, the strikings of Niketes-Dionysios and Aristion-

Philon are contiguous on the evidence of three transferred dies. Even without

this proof, one would surely associate the two issues on the basis of style.

Nos. 110-127 represent the continuation of Style A; Nos. 128-139 that of

Style B-3 which emerged first in the Niketes emission in Nos. 107-109. With

regard to these B-3 obverses of Aristion-Philon, two trends are apparent: an

increasingly neat arrangement of the hair and an exaggeration of the nose.

As Bellinger points out (Hesperia, Suppl. VIII, p. 23), the issue of Aropos-

Mnasago is twice bracketed with that of Aristion-Philon by Kambanis (BCH,

1935, pp. 106, 118). In the absence of any established die connection it must be

assumed that the association is on the basis of style and this criterion does

indeed fully support Kambanis' arrangment. Nos. 152-164 are in the B-3 tra-

dition of Nos. 128-139 of Aristion. Note the prominent nose which dominates

the profile and the neat arrangement of the hair. On a number of dies the latter

The Late Period: Commentary

395

has a two-tier rendering reminiscent of Style A except that the upper tier

tends to be heavier than the lower (Nos. 155 and 160 for contrast with Nos. 142

and 143). Individual B-3 obverses of the two issues are closely comparable:

Nos. 133 and 158, 139 and 161. Style A persists in the Aropos striking in

Nos. 140-144. The first may be associated with Nos. 110-112, No. 141 with

Nos. 113-114, Nos. 142-143 with Nos. 115-117 and No. 144 with No. 118. Fi-

nally, in the remaining obverses of Aropos (Nos. 145-151) we have what seems

to be a fused style with elements of A and B. The thin neat ornament with its

vertical position, the rendering of the Pegasus, ear-flap and hair are similar to

B-8 dies; the profile and facial expression are closer to the A dies. Most of the

dies of later issues develop out of this intermediate style, which we may des-

ignate as Style C.

Two tetradrachm dies prove the contiguity of the coinages of Aropos and

Xenokles with serpent symbol. For the rest, Obverses 165-166 are survivals of

Style A while Nos. 178-183 seem to be in the tradition of Style B-8 with less

exaggeration of the features. Style C is represented by Nos. 167-171.

With Nos. 184-186 of Nikogenes-Kallimachos Style A disappears from the

coinage. Nos. 187-190 are abnormal obverses which do not fit clearly into any

of the established stylistic patterns although the two last resemble some of the

Style C dies of Xenokles. Four other obverses of Nikogenes (Nos. 197-200)

seem to derive, particularly in facial expression, from No. 183 of Xenokles.

Nos. 191-196 represent the continuation of Style C, the first three comparable

to Nos. 172-174 and Nos. 194-195 close to No. 177. Actually at this point the

earlier distinction between Style B-3 and Style C becomes blurred. Nos. 191 to

200 are very much alike and their basic relationship is to Style C.

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In the issue of Demeas-Hermokles, Nos. 212-217 seem to me to relate

closely to Nos. 197-200 of Nikogenes (compare No. 199 with No. 212, Nos. 198

and 200 with No. 215). Remaining dies are similar in treatment. Style C is now

crystallizing in the form which will characterize the next eight strikings: heads

generally larger, heavier and more mature in appearance; helmet details small

and neatly executed; hair arranged in two rows of rather heavy locks.

Two dies establish the contiguity of the emissions of Demeas-Hermokles

and Xenokles-Harmoxenos with dolphin and trident symbol. The numerous

obverses of the latter issue show slight stylistic variations but all belong to

Style C.

In the fixing of the sequence thus far, the evidence of die links has, of

course, been basic. Issues only partially or not at all related to other strikings

have been brought into chronological arrangement with the help of various

clearly-defined stylistic trends: Style A which characterizes all obverses of the

last issue of the Middle Period and continues through six issues of the Late

396

The New Style Silver Coinage of Athens

Period, Styles B-l and B-2 which appear only in the coinages of Demetrios-

Agathippos and Niketes-Dionysios, Style B-3 which develops in the latter

issue and persists through that of Xenokles with serpent, Style C coming in

with Aropos and gradually fusing with Style B-3 in the issues of Nikogenes,

Demeas and Xenokles with dolphin symbol.

The next seven issues show no comparable pattern of appearing and dis-

appearing styles. All obverses are of Style C with only slight variations in the

rendering to suggest the order of emission. Taking the group as a whole, the

issues of Xenokles with Roma symbol, Kointos and Apellikon form a die-linked

sequence and the striking of Mentor-Moschion is fixed by a transferred die as

the last striking of the present group. It remains to see how the three linked

and the three unlinked issues relate to the coinage of Xenokles with dolphin

at one end and to that of Mentor-Moschion at the other.

Heretofore, when the same pair of magistrates has served twice in the

annual minting office there has been an interval of one year between their first

and second terms.1 In the case of Xenokles-Harmoxenos their initial tenure

as magistrates was in 127/6; three years later they served again. Precedent

would indicate a gap between the Xenokles issue with dolphin symbol and that

with Roma, but in this instance I believe that precedent was abandoned and

that the Roma coinage, carrying with it that of Kointos and of Apellikon,

comes immediately after the Xenokles issue with dolphin. Individual dies show

so little variation in details of the helmet and the arrangement of the hair that

for purposes of comparison the facial contours and expression are the most

significant aspects. In these respects there is a certain unity of concept which

runs through Nos. 218-230, 260-262 and 281-283; through Nos. 231-248,

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263-269, 274-276 and 284-291; and perhaps even more clearly through Nos.

249-259, 270-273, 277-280 and 292. For the relationship between the two

Xenokles strikings, compare Nos. 223 and 260, 236 and 264, 242 and 267,248

and 269, 258-259 and 272-273.

The next three issues seem to me to fit with definite stylistic parallelism

between Apellikon-Gorgias and Mentor-Moschion. No. 293 bears some re-

semblance to Nos. 281-282 but is far closer to No. 283; No. 294 relates to

Nos. 296-297, the correspondence between Nos. 294 and 296 being striking.

Although No. 295 is partially off flan, it suggests No. 276 in facial expression.

In the distinctive downward turn of the lower line of the visor it is to be asso-

ciated with No. 285 and in the heavy diagonal strokes of the protomes with

Nos. 276, 284-287 and a number of later dies. Nos. 302-303, of which

Nos. 304-305 are variants, may be compared with Nos. 277-280 and to a lesser

degree with Nos. 288-291. Of the remaining Mnaseas dies, Nos. 298-299 seem

1 AMMQ - AIO in 182/1 and 180/79; HPAKAE1AHZ - EYKAHZ in 139/8 and 137/6.

The Late Period: Commentary

397

to derive from Nos. 284-285 and Nos. 300-301 from Nos. 286-287. The heavy

features of these last obverses characterize Nos. 311-312 of Kleophanes and

Nos. 318-319 of Mentor. Finally Nos. 306 and 313 are almost identical while

Nos. 309-310 and Nos. 316-317 are also highly comparable and at the same

time suggestive of No. 297. It is noteworthy that Style C in all its distinctive

aspects vanishes from the coinage with the issue of Mentor and Moschion. In

fact one die of that issue, No. 320, already foreshadows a new style in the ar-

rangement of the hair which is released from its two tight rows and falls in

loose locks as on the dies which follow.

In view of the clear stylistic break between the first fifteen issues of the

Late Period and the remaining issues of the coinage, it would seem logical to

interrupt the discussion of obverse styles at this point and see what other

evidence there is for the chronological arrangement of the coinage between

131/0 and 117/6 B.C.

As has proved to be true for other sections of the New Style series, the re-

verses indicate certain general stylistic trends but they are far less helpful than

the obverses in suggesting a definite position for any one issue. The only ex-

ception for this period concerns the Demetrios-Agathippos striking. Plates 95

to 97 illustrate the reverse style which characterizes the last issues of the Middle

Period: large owls with oversize heads and eyes, their plumage rendered in thick

uneven strokes, sitting on excessively elongate amphorae and surrounded by

lettering which is large and coarse. The impression given by these cluttered

reverses is one of clumsy heaviness. Only on some dies of Demetrios-Aga-

thippos does one find a comparable technique (cf. Nos. 883a and 887 among

others). Other dies of Demetrios, such as Nos. 917a and 923a, present a sharp

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contrast. The owls are much smaller and less heavy in appearance, amphorae

are also smaller though still elongate, and the lettering is more neatly and

hence more legibly inscribed. This is the reverse style of the issues of Niketes-

Dionysios through Xenokles-Harmoxenos with serpent symbol. In the

Nikogenes-Kallimachos striking the amphora begins to get larger while

the letters on dies of the end of the year become smaller and more con-

gested. There is little change apparent in the emissions of Demeas-Hermokles

and Xenokles-Harmoxenos with dolphin, but in the issue of the latter magis-

trates with Roma symbol a larger owl becomes increasingly common, one, how-

ever, of noticeably better style than the large birds of Dositheos-Charias and

Demetrios-Agathippos. Plumage is carefully cut and there is less exaggeration

of head and eyes. No real change is discernible in amphora and inscription. The

six issues which follow Xenokles with Roma show substantially the same kind

of reverses. In connection with this matter of reverse style note how close the

dies of Mithradates-Aristion are to those of Kointos-Kleas and Apellikon-

398 The New Style Silver Coinage of Athens

Gorgias: the same neat owls with tidy plumage on large amphorae and around

the type the names of the magistrates inscribed in small, precisely-cut letters.

Control combinations seem to me to give definite support to the arrange-

ment of the first fifteen issues of the Late Period. The pattern that they present

is as follows:

Issues of

136-132

ME ZO

nE An

Demetrios

ME ZO

nE An

MH

Niketes

10

nE An

MH

Aristion

10

nE An

MH

Aropos

ZO

nE An

MH AH

Xenok. (serp.)

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ZO

nE An

AH

AN

Nikogenes

ZO

nE

AH

AN

Al

EP ZT Z(D

Demeas

nE An

AH

Al

ZT

Bl

Xenok. (doiph.)

nE An

Al

ap np

Xenok. {Roma)

An

Al

ZT

ap np AA

Kointos

AH

Al

EP

ap np AA

ApelUkon

An

AH

Al

AP AA Em

Mithradates

AA Eni

Mnaseas

EP ZT

Kleophanes

Al

HI

The Late Period: Commentary

399

TTP and AA. The first two tie in with the Xenokles and dolphin issue immediately

preceding while the last ties in with the Mithradates striking. ETTI likewise con-

nects the Apellikon and Mithradates emissions. Both AA and ETTI are extremely

rare; the former occurs elsewhere only on the Menneas-Herodes issue of

102/1 B.C. while the latter in an abbreviated ETT form occurs only on the

Eumelos-Theoxenides coinage of 114/8 B.C. At no time do the two controls

appear together except on the issues of Apellikon and Mithradates. Al, EP and

IZI (another rare control peculiar to this period) are found on the last two issues

of our present group and they carry over to the issues immediately following.

Hoards provide additional evidence for the sequence, at least through the

issue of Xenokles-Harmoxenos with Roma. The relevant section of the chart

on pages 534f. is concerned with the listing from Dositheos-Charias through

Xenokles with Roma. Delos Hoard KS includes the coinage of Dositheos which

we know to be the last issue of the Middle Period and a single issue of the Late

Period, that of Demetrios-Agathippos. The next hoards, Delos B and Delos

AH, have the coinage of Dositheos, of Demetrios and of Niketes-Dionysios. At

this point both deposits stop and the composition of these three hoards cer-

tainly indicates that the order of Dositheos, Demetrios and Niketes is correct.

Aristion-Philon is linked with Niketes and Aropos-Mnasago with Xenokles-

Harmoxenos of the serpent symbol. All three of these issues appear in the

Zarova Hoard together with the coinage of Dositheos, Demetrios and Niketes;

thus their place in the sequence would seem assured. The Halmyros Hoard

carries the order three steps further, including as it does all the issues which

have appeared in earlier hoards plus the strikings of Nikogenes-Kallimachos,

Demeas-Hermokles and Xenokles-Harmoxenos with dolphin and trident.

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Finally in Carystus Hoard II the representation runs, with two gaps, from

Dositheos through Xenokles with Roma and the two Xenokles issues found in

the deposit provide not only the most numerous but also the best-preserved

coins.

The chronological arrangement of the Late Period issues thus far would

seem to rest upon a secure foundation combining the evidence of die-links,

hoards, control combinations and style. This arrangement includes one highly

controversial issue which cannot be passed over without further comment.

Clearly it will be necessary to dwell at greater length on the reasons for re-

dating the coinage of Mithradates-Aristion, heretofore assigned by all author-

ities to the year immediately before the fall of Athens in 86 B.C. Since, however,

this drastic revision in chronology derives not only from comparison with the

coinage of c. 121 B.C. but also from comparison with the coinage just before

Sulla, let us for the moment leave this "hot" issue and go on to the order of

the remaining emissions of the Late Period.

400 The New Style Silver Coinage of Athens

No attempt has hitherto been made to establish a precise sequence for the

thirty issues which bring to an end the New Style coinage. Svoronos' listing is

strictly alphabetical and gives no indication of any conclusions he may have

reached on relationships within the group. Kambanis divides the issues into

two sections, one struck before the conquest of Athens and the other after it,

but both sequences are alphabetically ordered. In Bellinger's study, Kambanis'

division is followed and the issues after Sulla are alphabetical but the earlier

emissions are grouped, with the arrangement determined by the number of

control combinations appearing on the reverse dies.

It must be admitted at the start that the problem of exact chronology is

complex and to a degree insoluble. The issues are for the most part small and

the restricted number of obverse and reverse dies provides no broad basis for

stylistic comparisons such as we have had in earlier issues. Furthermore, within

this section of the coinage there is a change in the over-all stylistic pattern,

particularly as it relates to the obverses. Instead of a series of overlapping

styles whose relationship with each other helps considerably in determining the

order of emission, we have a number of disparate styles, each more or less con-

fined to a limited number of issues. In only a few instances is there clear indication

of a connection between these diverse styles. Even after the groups of issues

have been arranged in their probable chronological order, there remains the

problem of sequence within each group. A certain group of say six issues may

show on all dies a homogeneity of obverse style so striking that one feels certain

the six issues are contemporary but there is often no clue as to the exact order

of the emissions. I doubt that it will ever be possible to establish such order in

all cases. Under the circumstances it would perhaps have been better to make

the dates of the issues between 111/0 and 88/7 B.C. more tentative than they

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appear in the catalogue. Since, however, the margin of error involves only a

few years at most and since all instances of uncertainty will be noted in the

commentary that follows, I decided to continue giving each issue a definite date

as an indication of what seems to me the most likely sequence of striking.

Formidable as the difficulties are, it must not be assumed that for the period

after 117 B.C. we are adrift upon a completely uncharted sea. There is evidence

other than style which at certain fixed points helps greatly in the arrangement.

First, we have the die link between the coinage of Mentor -Moschion and that

of Architimos-Demetri, establishing the position of a group of issues which

share the highly individual obverse style of the Architimos dies and giving us

a point of departure in exploring the relationship of our various stylistic groups.

Luckily we have the overstrike mentioned in connection with the coinage of

Demeas-Kallikratides which makes it certain that not only this one striking

but five other issues of almost identical style must come before Sulla. Four

The Late Period: Commentary

401

emissions inscribed Diokles, Diokles for the second time, Diokles for the third

time and Diokles of Melite must be arranged so that the three strikings of the

same Diokles are in the order specifically indicated by the coins. The coinage

of Diokles of Melite may, of course, have been interpolated into the sequence

of the other Diokles but it is more likely that it came after the first Diokles had

finished his three terms, for otherwise there would have been an element of

ambiguity as to which Diokles was serving as mint magistrate for the second

and for the third time. Additional help is given by hoards, by the recurrence of

control combinations, by the appearance on a few issues of abnormal letter

forms and by the political situation in Athens during the early years of the

first century before Christ.

With this lengthy preamble out of the way, let us consider the coinage itself.

Section X of Plate B brings together the obverses of four fairly sizable issues

whose obverse dies for the most part share a distinctive style peculiar to these

four emissions. One die of the first issue, No. 327, is carried over from the

coinage of Mentor-Moschion; the other six of the same year illustrate an en-

tirely different technique. The Athena heads are much larger than those of

preceding emissions and the ornament on the helmet has become greatly

exaggerated. Three long twisting stems start from the edge of the neckguard

to cover the whole of the helmet bowl with their elaborate curves and prominent

volutes. Nothing like this occurs elsewhere on the late issues. Nos. 329-330 of

Lysandros-Oinophilos are close to Nos. 322-324 of Architimos-Demetri.

Nos. 331-332 carry a suggestion of Nos. 325-326 and No. 328 of No. 321. The

last die of Lysandros, No. 333, is markedly better in style than any other of

these four issues. The heads of Amphias-Oinophilos and Eumelos-Theoxenides

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are rather smaller than those of the two preceding issues and there is one small

variation in the rendering of the sprawling ornament. On almost all dies (most

clearly observable on Nos. 336-337, 346 and 348) the stem starts from a point

above the outer edge of the neckguard. No. 341 of Amphias is very like Nos. 331

and 332 of Lysandros and No. 334 resembles No. 328 while Nos. 342-343 are

almost identical with No. 349 of Eumelos and No. 338 is markedly similar to

No. 346. Two other dies of Eumelos (Nos. 350-351) are in the tradition of the

dies of Mentor-Moschion and earlier emissions (note the small ornament of

No. 351 and the profile representation of both dies). This style will carry over

into succeeding issues.

Another obverse peculiarity which links the issues of 117/6-114/8 and the

Nestor-Mnaseas striking of 113/2 is the heavy circle of dots on some dies

(notably Nos. 321, 324, 329-330,339,347 and 357). These five emissions are the

only ones of the Late Period, except for the issue of Demetrios-Agathippos in

131/0, in which one encounters this prominent encirclement of the Athena head.

402

The New Style Silver Coinage of Athens

The control combinations which appear on these four issues bring them into

close relationship with earlier and later strikings:

Kleophanes (119/8)

A!

III

Mentor (118/7)

An

Al

EP

III

Architimos (117/6)

Al

EP

IZI

Lysandros (116/5)

Al

EP

III

Amphias (115/4)

An

Al

EP

III

Eumelos (114/8)

An

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En ep

IZI

Nestor (113/2)

An

Al

EP

IZI

The combination IZI appears only on the seven issues above; before 119/8

it is unknown and after 118/2 it disappears. EP which has been found on three

scattered earlier emissions (those of 126/5,122/1 and 120/19) is used consistently

for all but one of the issues above and then disappears.

On the evidence of obverse style and of recurring distinctive control com-

binations the four issues under present discussion are clearly contemporary.

Their internal sequence is fixed with a high degree of certainty by the die link

at the beginning, by the appearance of a different style on two dies of Eumelos

which brings that issue into relationship with later strikings and finally by the

close stylistic connection between individual dies which seems to establish the

relative position of the Lysandros and Amphias emissions.

Unfortunately the die link between the coinages of Eumelos-Theoxenides

and Nestor -Mnaseas published by Kambanis cannot be used as proof of con-

tiguity since it involves imitative issues (see pp. 460f.). Nevertheless I am sure

that the two strikings do in fact belong together. The strongest indication of

this is to be found in the fact that the letter combinations of Nestor-Mnaseas

parallel those of the group of issues immediately preceding. It is particularly

significant that the two distinctive controlsEP and IZImake their final ap-

pearance in the Nestor emission.

Nos. 357-368 of Nestor are reminiscent of Nos. 345-349 and earlier examples

of the same stylistic group notably in the size of the heads, the general cast of

the features and the occasional use of a border of heavy dotsbut there are

noticeable differences in the rendering of the type. Protomes and ear-flaps are

larger, the body of the Pegasus instead of resting on the earpiece is brought

back from the flap and joined to the rear legs in a sharply angular line (cf.

Nos. 358, 363-364 among other dies), a long loose curl is prominent on the

cheek of the goddess, finally the ornament is a pattern of thin and predomi-

nantly vertical strokes. This distinctive style is reflected in four dies of Sotades-

Themistokles (Nos. 370-373). All details are treated in identical fashion and

even individual profiles are similar, Nos. 365 and 372 for example.

The Late Period: Commentary

403

For the rest, Nos. 354-356 of Nestor seem to represent a variant style with

many of the aspects of Nos. 357-368 and some slight suggestion, particularly

in No. 354, of Nos. 350-351. Nos. 352-353 mark a refinement of this style. In

the succeeding issue of Sotades-Themistokles, No. 369 is to be related to

Nos. 354-356 while No. 374, despite its oversize head, is in the Style C tradition

of Nos. 350-351 and earlier dies.

The high degree of stylistic unity found in Nos. 357-368 and Nos. 370-373

indicates the contemporaneity of the strikings of Nestor and Sotades. Further

evidence that they are contiguous is provided by a Delos Hoard (=9 on p. 518

of the Hoards section). This deposit includes a scattered representation of issues

from 152/1 through 121/0 and then examples of the coinages of Kleophanes,

Mentor, Architimos, Lysandros, Amphias, Nestor and Sotades. It is noteworthy

that all issues between 119/8 and 112/1 appear, with the single exception of the

Eumelos striking, and that the best-preserved and most numerous coins are

those of Nestor (6) and Sotades (9).

Thus far we have been dealing with issues of fair size. Enough dies have been

known to make stylistic comparisons of some value and significant evidence

from control combinations and hoards has supported the stylistic argument. It

seems to me that through 112/1 we have a soundly based sequence of emissions.

From this point on there is greater uncertainty. The two small issues of Leukios-

Antikrates and Pantakles-Demetrios have been placed in 111/0 and 110/09 B.C.

The small, well-proportioned heads of Nos. 375-377 are similar in expression

and in details of hair and helmet ornament. No. 375 moreover is very close to

No. 353 of Nestor-Mnaseas, the two profiles being almost identical, and it is diffi-

cult to believe that they can be separated by any considerable amount of time.

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The next six issues have obverse dies which are homogeneous in style to such

a degree that I think they must be considered as a group. Variations in tech-

nique suggest the internal arrangement. Nos. 378 and 379 are extremely close

in all respects and surely belong together. On both dies the heavy eye is ren-

dered without a pupil, giving the face a lifeless expression. The same treatment

of the eye appears on No. 380 while on Nos. 381-384 and 388 there is clear

indication of the pupil. Nos. 378-382 are rather heavier in facial contours than

Nos. 383-384 and 388. The last die is established at the end of the sequence by

the fact that a totally different style makes its first appearance in the same year.

The obverses of these six issues, particularly the earliest dies, are unmistakably

associated with Nos. 350-351 of Eumelos-Theoxenides. Note the very high

degree of correspondence between Nos. 350 and 378. The ultimate inspiration

for this entire group is the standard Style C coinage of the years before 117/6.

Heads and ornaments are larger in scale but the treatment of the hair and the

helmet details are comparable.

404

The New Style Silver Coinage of Athens

In arranging the issues between Sotades-Themistokles and Epigenes -

Xenon, the striking resemblances between Nos. 353 and 375 on the one hand

and between Nos. 350 and 378 on the other must be taken into account as

suggestive of a degree of contemporaneity. In the present order there is a one

year gap between the first pair of dies and a four year interval between the

second pair. An alternate placement of the Theophrastos-Themisto coinage

immediately after Sotades-Themistokles would bring Nos. 350 and 378 closer

by two years but it would separate Nos. 353 and 375 by at least eight years

instead of two. Hence the sequence of emissions as it now stands seems the

more likely.

Letter combinations found on the issues between 112/1 and 105/4 are helpful

but their evidence is not conclusive. On the Sotades dies we find Al and IfJ.

The former combination occurs on the coinages of Leukios and Pantakles. Then

the Al control seems to have been abandoned temporarily and the second com-

bination of Sotades, IQ, used for the issues of Diophantos, Demeas, Alketesand

Dionysios as well as for the two strikings which follow.1 Both Al and ZQ recur

at a later period: Al on the issues of 96/5, 94/8 and 93/2 and Zfl on those of 95/4

and 92/1 but all of these emissions are of a peculiar and distinctive style which

cannot be related to the coinage under present discussion.

For the issue of 104/3 B.C., that of Epigenes-Xenon, we have a single ob-

verse (No. 388) stylistically related to the dies of the preceding five years. The

other obverses of Epigenes are atrocious, quite the most hideous heads to come

from the Athenian mint in the whole of the New Style period. Apparently this

diecutter was speedily retired for only four dies executed in his miserable tech-

nique are known (Nos. 385-387, 392). Fortunately they span two issues and

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provide a connection between the coinage of Epigenes-Xenon and that of

Menedemos-Timokrates. The continued use of the Zfi control for both issues

also helps to bring them into relationship with the earlier issues of 109/8-105/4

so that this part of the sequence of the Late Period seems to be fixed with a

fair degree of certainty.

With the next four issues we have extremely small emissions. One tetra-

drachm of Menneas-Herodes is known, one tetradrachm and two drachms of

Dionysios-Demostratos, a single drachm of Demochares-Pammenes, three

tetradrachms and two drachms of Diokles-Leonides. Their position in the

sequence rests upon obverse style and a recurrence of abnormal letter forms.

Nos. 389-391 of Menedemos-Timokrates are quite different in style from

the obverse dies of the six issues preceding but they derive from two earlier

stylistic patterns represented by Nos. 357-368 and 370-373 and by Nos. 352-353

and 375-377. Facial expressions are not notably similar but details of technique

1 On the single known coin of Theophrastos-Themisto the control combination is off flan.

The Late Period: Commentary

405

are highly comparable: the rather sketchy helmet ornaments, heavy protomes,

angular Pegasi, stringy hair below the neckguard and the loose lock over the

cheek. Either this is the diecutter of 113/2-112/1 in a later stage of his develop-

ment or an engraver faithfully copying the earlier coinage. The three tetra-

drachm dies of Menneas, Dionysios and Diokles are close to those of Menedemos

in the treatment of hair and helmet details; even in facial contours and ex-

pression there is a distinct resemblance between Nos. 390-391 and 393 and to a

lesser degree between Nos. 389 and 394-395. The three drachms (Nos. 1247a

of Dionysios, 1248 of Demochares and 1250a of Diokles reproduced on Plates

139-140) are also stylistically close.

Letter forms support the present sequence. The control combination on the

coinage of Menedenos-Timokrates isZCO and this represents the first appearance

of the cursive omega in the Late Period. The name of the second magistrate of

102/1 is similarly written with a cursive omega as is the name of the second

magistrate of 99/8 B.C. On the drachms of 101/0 and 100/99 we find a square

sigma while the drachms of 99/8 have a lunate form, both being variants of the

normal four-barred sigma used for all other issues of the Late Period. These

aberrant letter forms taken in conjunction with the stylistic similarities of the

five issues between 103/2 and 99/8 seem to me to indicate the hand of a single

engraver and to provide good reason for considering the coinages contemporary.

In the seven issues which follow we have again a group of emissions whose

distinctive style sets them apart from the other strikings of the Late Period.

Nos. 396-410 surely derive from the earlier Nos. 378-384 and 388 and not from

the dies of the intervening five years. Note on Nos. 396-410 the reappearance

of the characteristic details of the earlier group of obverses: very small ear-

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flaps and protomes, open visors, a curvilinear rather than an angular rendering

of the winged horse and a rounded rather than angular inner line of the neck-

guard, a tight straight lock of hair over the cheek and a tendency to return to

the two-tier arrangement of the tresses on the neck. There are, however, two

unusual features which distinguish Nos. 396-410 from Nos. 378-384 and 388.

On almost all dies of the later group a tripartite earring (^) replaces the simple

single drop and the outer section of the helmet ornament is rendered in a series

of wavy lines which fold into each other {\). Both of these stylistic peculiarities

are most clearly visible on No. 407 but they are common to practically all ob-

verse dies of the group and provide strong evidence for the association of the

issues.

The internal sequence of the seven emissions is far from certain and the

order of the present catalogue as it relates to this section of the coinage must

be regarded as tentative. It seems to me that No. 396 and also No. 398, insofar

as one can discern the details of that battered obverse, are perhaps closer in the

406

The New Style Silver Coinage of Athens

proportions of the head and in facial expression to Nos. 378-384 and 388 than

are any of the other dies of the tripartite earring group. Nos. 397, 401 and 405

are very similar in style while the heavier heads of Nos. 400, 403-404, 406-407

seem to belong together. No. 408 of the Philokrates-Kalliphon emission is the

only obverse die of this group which has no trace of the interfolding arrange-

ment of the helmet ornament and in this respect it seems to provide a connec-

tion with the single obverse die of Tryphon-Polycharmos, which shows a

tripartite earring but a more natural rendering of the ornament.

The issue of Tryphon-Polycharmos is brought into relationship with the

strikings of 98/7-92/1 B.C. primarily by the distinctive treatment of the earring

but also by a similarity in the rendering of the Pegasus and protomes. The

arrangement of the ornament, however, is entirely different and in this regard

it is close to the earlier Nos. 378-384 and 388. It may be indeed that it belongs

at the beginning rather than the end of the tripartite earring sequence but I

am inclined to feel that it fits better in its present position as a link between

that group of dies and those of the last three emissions. While the earring,

Pegasus and protomes tie it to the 98/7-92/1 sequence, the loose lock of hair on

the cheek, the larger ear-flap and particularly the profile connect it with

Nos. 412-415. Nos. 411, 413 and 415 seem to me very similar in their regular

features and stern expressions.

Whoever cut the obverse die for the Tryphon-Polycharmos issue, the en-

graver of the four dies which terminate the coinage was surely the same man

who produced the earlier Nos. 389-391 and 393-395. Facial expressions are

different and the helmet ornament of the later dies is somewhat more elaborate

but otherwise the characteristic aspects of the earlier obverses recur on Nos. 412

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to 415: heavy protomes and ear-flaps, angular Pegasi, stringy locks of hair.

Most significant of all, the cursive form of omega is used in writing Diodoros,

the only magistrate of these last three issues with that letter in his name.

The appearance of the cursive omega on the coinage of 103/2-99/8 and its

reappearance in the 90/89-88/7 period would seem to imply the chronological

proximity of these two stylistically related groups of dies. This is proved im-

possible by the three Diokles issues mentioned earlier. In the present listing,

the first Diokles striking comes in 99/8, the third in 90/89. Both have the cur-

sive omega. The second Diokles emission, however, must come between the two

others on the direct evidence of the inscription on the coins and this second

striking is an integral component of the tripartite earring group, hence that

entire series of issues must be placed between the first and the third Diokles

strikings.

Control combinations and hoards which have proved useful in supporting

the sequence at earlier stages are less helpful in respect to the coinage between

The Late Period: Commentary

407

102/1 and 88/7 B.C. Two depositsCretan Hoard I and the Hierapytna Hoard

(discussed on pages 515-517 of the Hoards section) contain issues of this period

but the incompleteness of our data, the small number of coins involved and the

corroded condition of individual pieces make it difficult to draw any clear con-

clusions as to the sequence of issues. The dominant control combination for the

last fifteen years of the coinage is HP or HPA. It is introduced in 99/8 with the

coinage of Diokles-Leonides and is used for the next two years. An interval

of three years follows, filled by Al, <D1 and Ifl, before HPA reappears, this time

in association with Al. Another intervening year with Ifl and then HPA and HP

for the last three emissions. The pattern is definitely erratic but a more con-

sistent scheme of control combinations for the 102/1-88/7 period could be

achieved only at the expense of the weightier considerations involved in the

present arrangement of issues.

In summary, what we seem to have in the latest stage of the New Style

series are two distinct stylistic traditions, quite probably the output of only

two engravers although this cannot be established with certainty. The one

derives basically from Style C of the period before 117/6 and is represented by

Nos. 350-351, 374, 378-384, 388, 396-410. Characteristic features common to

most dies are small protomes set above a visor composed of two parallel lines,

an inconspicuous earguard surmounted by a Pegasus of curving contours, a

rounding-off of the inner edge of the neckguard, an almond-shaped eye of sleepy

expression, a tight curl over the cheek and a neat arrangement of the hair below

the helmet. Significant variations in the treatment of ornament and earring

occur within this group of dies. The second tradition is composed initially of

two somewhat diverse patterns, represented on the one hand by Nos. 357-368,

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370373 and on the other by the smaller and better-executed heads of Nos. 352,

353, 375-377. In Nos. 389-391, 393-395, 412-415 the two patterns seem to

fuse. Practically all dies of the second tradition have very heavy protomes set,

after 112/1, on a single visor line, a large squared earguard on which a design

of dots is often visible, a sharply angular termination of the inner edge of the

neckguard, a Pegasus set well back on the helmet bowl and with rear legs at

right angles to the body, a triangular eye with clearly denned pupil, a somewhat

amorphous ornament of thin strokes, a large loose curl over the cheek and a

similarly loose arrangement of the hair on the neck.

It is noteworthy that reverses as well as obverses divide along roughly the

same lines, at least from 111/0 B.C. on. The reverses which accompany obverses

of the first tradition, from Theophrastos-Themisto through Epigenes-Xenon

and later from Philokrates-Herodes through Tryphon-Polycharmos, have

heavy bold inscriptions and on most dies the legs of the owl are rendered by

rows of thick dots. By contrast the other reverses, those of the second obverse

408

The New Style Silver Coinage of Athens

style, have much smaller and thinner letters and the legs of the owl are more

naturally outlined. These two reverse styles are markedly different but there

is not enough development within either one to indicate an exact chronological

sequence.

It looks as though two engravers were employed by the mint in irregular

rotation to produce obverse and reverse dies for the limited issues of the last

decades of the Late Period. Variations within the two general stylistic patterns

suggest an interval of time between groups of dies turned out by one or the

other engraver and the three Diokles issues provide specific evidence for an

alternation of styles. While there is uncertainty with regard to the sequence

within particular groups, the order of the groups themselves seems to be fairly

certain.

Substantiation for the chronology after 104/8 B.C. comes from the political

situation at Athens during that period. Between 106/5 and 102/11 an oligarchic

revolution at Athens placed the pro-Roman party in control of the city and the

dominance of this faction lasted until the spring of 88 when Athenion, the envoy

of Mithradates, came to power. A number of the mint magistrates of Athens

were men known to have been leaders in this pro-Roman movement: Medeios of

Piraeus, Diodoros of Halai, Epigenes and Xenon of Melite and Kalliphon. Others

can be associated with archons who served either during the period of oligarchic

control or in the years after Sulla-Herakleides, Menedemos, Pammenesand

it is almost certain that these officials were sympathetic to the Roman cause.

Finally, it is likely that in most if not all cases the colleagues of pro-Roman

magistrates were of the same political persuasion. At a time when feeling ran

high between the oligarchic and democratic factions one would suppose that

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a man's friends and close associates were largely drawn from the circle of those

who shared his political views. Diokles of Melite was related by marriage to

Medeios of Piraeus and was surely pro-Roman. The other Diokles who served

three times as mint magistrate, once with Medeios and once with Diodoros of

Halai, both Roman sympathizers, would in all probability have belonged to the

same faction. This may also be true of the Philokrates who was Kalliphon's

colleague and of the Herodes who served with Philokrates. The family of Kal-

limachos and Epikrates of Leukonoe was prominent in civic affairs during the

period of oligarchic control and hence may be presumed to have been pro-Roman.

1 In "The Oligarchic Revolution at Athens of the Year 103/2 B.C." (Klio, 1904, pp. 1-17)

Ferguson gives a precise date for this movement but in the later Hellenistic Athens (p. 427, note 4)

he assigns it more broadly to the period between 106/5 and 102/1.

The names of a number of known Roman sympathizers are to be found in Ferguson's two

works. Dates of the archons mentioned in the discussion are those of Meritt (The Athenian Year,

P- 238).

The Late Period: Commentary

409

It is of considerable interest to note not only that the mint magistracies of

these men fall without exception in the period between 104/3 and 88/7 B.C. but

that the minting office for those sixteen years is virtually monopolized by them.

There is no evidence for the political affiliations of the officials of 101/0 and

91/0 and those of 94/3 are definitely pro-Mithradatic; otherwise the coinage is

controlled exclusively by magistrates whose Roman leanings are attested or

whose sympathies may plausibly be assumed to lie with Rome. In 91/0, 90/89

and 89/8, Medeios of Piraeus held the archonship for three successive terms. The

four mint magistrates of the two later years were indubitably pro-Roman and

it is further noteworthy that in 89/8 Medeios held both the archonship and the

second minting office. Prior to 104/3 there had been individual magistrates with

strong attachments to either Rome or Pontus but the instances are limited.1

There is nothing like the all-out representation of pro-Romans which one finds

after 104/3 and this seems to me a weighty argument for the validity of the

general chronological arrangement which places the issues associated with

these men in the period of oligarchic control.

The present chronology of the late emissions of the New Style series is at

sharp variance with established tradition in three significant respects: in the

erratic sequence of three-magistrate and two-magistrate strikings between

128/7 and 120/19 B.C., in the termination of the coinage in 88/7 B.C., and in the

dating of the Mithradates-Aristion issue.

Concerning the first, there can be no controversy. Die finks prove that the

three two-magistrate emissions of Xenokles and Harmoxenos were preceded

and followed by three-magistrate issues. On the precise evidence of transferred

dies, the serpent striking comes after the coinage of Aropos and Mnasagoras,

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the dolphin and trident striking after Demeas and Kallimachos and the Roma

striking before that of Kointos and Kleas. There is no way in which the three

issues of Xenokles-Harmoxenos can be brought together as successive emissions

at the beginning of the two-magistrate period. We must accept the fact that they

were interpolated at irregular intervals within the three-magistrate sequence

before the pattern of two-magistrate strikings was firmly established in 120/19 B.C.

In 1888 Barclay V. Head, publishing the British Museum Catalogue of Attic

coins, brought the New Style series proper to an end in 87 B.C. This date was

challenged on various grounds. Kirchner2 identified a number of mint magis-

1 As examples' of the former, one may cite Xenokles of 127/6, 124/3 and 123/2 on the

evidence of the Roma symbol used for the last striking, also Kointos of 122/1 and Leukios of

111/0 on the basis of their Roman names and, in the case of Kointos, of the Roma symbol em-

ployed. Aristion of 129/8 and Apellikon of 121/0 on the other hand were partisans of Pontus.

1 "Zur Datirung der athenischen Silbermunzen der beiden letzten vorchristlichen Jahr-

hunderte," in Z/N, 1898, pp. 74-105.

The New Style Silver Coinage of Athens

trates with men prominent in the middle of the first century B.C., while Sund-

wall1 and others pointed to the use of late letter formsthe cursive omega and

the square sigmaas evidence for the assignment of certain issues to the time

of Augustus and the years shortly before his reign. Some modification of this

late dating was proposed by Kambanis (BCH, 1938, pp. 60-84) who thought

nineteen issues were struck after the conquest of Athens by Sulla and that the

coinage terminated about the middle of the first century. To support his view

he emphasized the poor style of these late emissions, their sparsity which would

be a natural reflection of a time of economic difficulty, and their absence from

the Delos hoards. Bellinger accepted Kambanis' classification of the post-Sullan

issues but suggested the possibility that they extended well over the nineteen

years in question.

Let us see how strong these arguments are. The prosopographical evidence

provided by the New Style issues is indubitably of great importance for their

chronological arrangement but it is also an extremely dangerous tool when used

without reference to other factors. Some of the gravest errors in dating indi-

vidual strikings, such as the wide separation of issues subsequently proved to

be die-joined, have resulted from the employment of recurrent names as a

fundamental criterion for an association of emissions. It stands to reason that

two men named Diogenes are not necessarily the same Diogenes. If independent

evidence exists for connecting the issues thus inscribed, then it probably is the

same man; otherwise one Diogenes may be the father or grandfather of the

other or an entirely different individual.

Many of the mint magistrates of the late emissions can be associated with

officials of the mid and late first century. To take only a few of Kirchner's

examples, the Medeios and Diokles of the coinage may be the sons of the Me-

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deios of the oligarchic movement and his brother-in-law, Diokles of Melite;

Diodoros and Kalliphon may be the mid century archons. They may equally

well be the prominent pro-Romans of the pre-Sullan period: the Medeios of the

revolution and his brother-in-law, the Diodoros of Halai who served in various

civic posts and the Kalliphon who pleaded with Sulla for his fellow-citizens. Is

it not in fact highly likely that these men who played such a dominant role in

the fortunes of Athens at the end of the second and the beginning of the first

century were the holders of the mint magistracies? In one instance only is there

clear justification for the identification of a mint magistrate with an Athenian

whose floruit definitely postdated Sulla. This concerns the Diokles who used

Asklepios and Hygieia symbols on his issues and who would seem to be identical

1 Untersuchungen iiber die attischen Miinzen des neueren Stiles (Ofversigt afFinska Vetenskaps-

SocietetensForhandlingar,'L,igoy-igo8, No.i)pp.22f.; "Ober eine neueattischeSerieAiovuoios-

AT|p6aTpccTos," Z/N, 1908, pp. 273f.

The Late Period: Commentary

411

with the priest of Asklepios and Hygieia of 51/0 B.C.1 However, we know that

priesthoods often ran in families, being held by members of different genera-

tions; it is highly probable that the father or grandfather of the Diokles of 51/0

served in the same priestly office.

The argument from letter forms proves upon inspection to be no more con-

clusive than the prosopographical one. It is perfectly true that both the cursive

omega and the square sigma are late in inscriptions. Kirchner in publishing a

stone of 145/6 a.d. (Imagines, 2nd ed., p. 32, 136) speaks of the C form, which

up to now has only occasionally appeared, as becoming more common. An in-

scription of 36/7 a.d. (p. 30, 128) has both uncial and cursive omegas. Kirchner

regards it as the work of two hands, commenting that the round letter occa-

sionally appears earlier as in an inscription from the first year of the principate

of Augustus. But this is the evidence of the inscriptions. On the coinage the

cursive omega is used in a monogram of the very first issue of the entire New

Style series and again in both monograms of the year 191/0. It makes a brief

appearance in the control combinations of KAPAIX -EPrOKAE, an issue dated

to 153/2 B.C. There is nothing surprising about its presence on the coinage of

103/2-99/8 and 90/89. As for the square sigma, it does not occur on the coinage

before 101/0 and then its use is confined to the drachm reverses of two con-

tiguous issues. On the striking which follows, the drachms show a lunate sigma

and it may well be that in these fractional coins we have merely the attempt of

a particular engraver to fit long legends into a restricted area by the use of

simpler letter forms. That this was not approved mint practice is indicated by

the fact that on one tetradrachm die connected with the drachm strikings

(No. 1246) four-barred sigmas have been cut over square ones. While the testi-

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mony of the sigma is ambiguous, that of the omega provides clear warning of the

danger of trying to date the coinage by reference to the appearance of distinc-

tive letter forms on the inscriptions.

With regard to the arguments based on the style and sparsity of individual

issues, they are somewhat weakened by an element of inconsistency. Some of

the strikings which Kambanis places after Sulla are undeniably of extremely

poor style but not one of them has dies as debased as those of Epigenes-Xenon

and Menedemos-Timokrates (Nos. 385-387 and 392 on Plate B), two emis-

sions which are assigned to the period before 86 B.C. Obverses of Theophrastos-

Themisto and Alketes-Euagion are very close in style and in no sense tech-

nically inferior to the dies of Demeas-Kallikratides and Diophantos-Aischines

(Nos. 378-383 on Plate B); there seems no reason to put the first two after

and the last two before the siege of Athens. On the other hand the heads of the

1 This identification was made at an early date by Ulrich Kohler in "Numismatische Bei-

trage," Z/N, 1885, pp. 106-110.

412

The New Style Silver Coinage of Athens

final four issues of the present catalogue (Nos. 411-415) are well designed and

carefully modelled; from a stylistic point of view they belong before and not

after Sulla. Similarly, one finds no clear-cut division between the two chrono-

logical groups with respect to the size of emissions. Prior to 111/0 B.C. all

strikings are sizable. For succeeding emissions, separated in accordance

with Kambanis' dating, the number of known obverse dies for tetradrachms

is as follows: (pre-Sullan) three issues with 4, one with 2 and two with 1;

(post-Sullan) two with 3, four with 2 and eleven with 1.

Finally we have the hoard material from Delos and Crete. Kambanis' basic

point with regard to the Delos coins is that the large deposits found there must

date from the period before the capture and looting of the island by the forces

of Mithradates since the impoverished condition of the settlement after 88 B.C.

would make it impossible to suppose that substantial amounts of money were

available for hoarding. The Hierapytna Hoard is the only Cretan deposit that

Kambanis discusses and although he treats its evidence with caution, he seems

to feel that the late issues contained in it also antedate Sulla since all are in-

cluded in his list of emissions before 86 B.C.

The actual situation is rather more complicated than the foregoing would

indicate. Concerning Delos, the period of its great prosperity and commercial

importance undoubtedly came to an end with the destructive attack of Ar-

chelaus but the island was not an uninhabited wasteland after that date.

Ferguson1 cites the interest that Sulla took in Delos and the help he provided

toward its restoration. In 84 B.C. the colony was given back to Athens and it

was not until 46 B.C. when the trade of the eastern Mediterranean was diverted

to the new Roman settlement at Corinth that Delos was literally abandoned.

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Prior to that date the island was populated, it had a local government and

presumably it required currency. As Kambanis says, one would certainly ex-

pect to find the large Delos hoards composed exclusively of Athenian coinage

struck before 88 B.C.; at the same time one might also expect to find in the

small hoards, of which a number have been published (pp. 519-521 of the section

on Hoards), and among the stray finds some representation of post-Sullan

money if silver was still being struck at Athens during that period. But the

record of the Delos material as a wholelarge hoards, small hoards and chance

finds is absolutely consistent and somewhat puzzling. While there is a limited

amount of Mithradatic and Sullan silver, there is nothing from the regular

Athenian mint after 112/1 B.C. The only two-magistrate issues, apart from those

of Xenokles and Harmoxenos (which are an integral part of the three-magis-

trate series), recorded as unearthed on Delos are the strikings of Kleophanes-

Epithetes, Mentor-Moschion, Architimos-Demetri, Lysandros-Oinophilos,

1 Hellenistic Athens, pp. 452-454.

The Late Period: Commentary

4i3

Amphias-Oinophilos, Nestor-Mnaseas and Sotades-Themistokles. These

issues belong immediately after the three-magistrate sequence and cover the

years 119/8 through 112/1. Whatever this means, it clearly can have nothing

to do with Archelaus and the devastation of the island. The argument that the

Athenian coinage went on after Sulla gains nothing from the evidence of the

Delos coins.

Even less conclusive is the evidence of the Hierapytna Hoard. In the first

place it is a late deposit containing a large number of Roman denarii of mid

first century date and buried according to Raven between 44 and 42 B.C.1 It

seems to have included fifty to fifty-five New Style coins, many of them un-

identified as to issue, of which at least twelve belong to the late two-magistrate

period with five issues later in date than those found on Delos. There is no

precise evaluation of the condition of the coins: Raven was told that none of

the two-magistrate pieces was at all badly worn and Kambanis describes the

ones he saw as well-preserved and some very fresh. In view of the composition

of the hoard and its burial date, the Athenian issues could have been struck at

any timebefore or after Sullaand it is in fact a little difficult to see why

Kambanis thought they should be included in his pre-Sullan listing. It would

seem more logical to consider the five issues not found on Delos as post-Sullan,

but the hoard itself proves nothing one way or the other.

Fortunately there is another Cretan hoard which is far more informative

and helpful. This was apparently not known to Kambanis but it is briefly re-

ported by Svoronos.2 The coins, now in the Herakleion Museum, are repro-

duced on Plate 202. Together with four worn pieces of the three-magistrate

period, it contains eight issues of the two-magistrate series: Eumelos-Theo-

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xenides, Theophrastos-Themisto, Demeas-Kallikratides, Epigenes-Xenon,

Menedemos-Timokrates, Architimos-Pammenes, Apellikon-Aristoteles and

Philokrates-Kalliphon. Corrosion has affected the surfaces of most coins and

only one issue is represented by more than an isolated specimen so that state

of preservation is no safe guide to the exact sequence of emissions but it seems

to me quite certain that the last seven coins on Plate 202 had seen little cir-

culation before the interment of this small hoard and that they are therefore

to be considered roughly contemporary strikings. Now this is of crucial im-

portance in that one of the coins is a tetradrachm of Demeas-Kallikratides. It

is a piece of rare good fortune that we have in the Berlin Cabinet an example

of a coin of this issue overstruck by the Macedonian quaestor Aesillas, pro-

1 E. J. P. Raven, "The Hierapytna Hoard of Greek and Roman Coins," NC, 1938,

pp. 133-158.

* All available information on the deposit is summarized on pages 515 f. of the Hoards

section. It is there designated as Cretan Hoard I.

414

The New Style Silver Coinage of Athens

viding us with an incontrovertibly fixed point in the late New Style series. The

coinage of Demeas-Kallikratides must come before 92-88 B.C., some years

before to allow the coin in question to have reached Macedonia and circulated

there prior to being called in and restamped by Aesillas. The strong presump-

tion is that the other issues of this Cretan hoard also date before 92-88 and that

in it we have our only certain hoard record of the late pre-Sullan coinage.

The significance of this deposit goes beyond the limited number of issues it

contains. As indicated in the preceding pages, the latest of the New Style

emissions fall into a number of stylistically tight groups. While these groups

may be spaced in time, it is difficult to believe that their component issues can

be separated one from another by any broad interval, hence certain issues of the

Cretan hoard will inevitably bring with them into the pre-Sullan sequence

other strikings of highly comparable style. Let us see with reference to Plate B

how this works out in regard to the issues after 112/1 B.C.

In the coinage between 109/8 and 103/2 we have the first of these distinctive

stylistic groupings, the first six emissions having dies which are markedly sim-

ilar and the last an additional lot of three dies which must be related to a single

obverse of Menedemos-Timokrates. Four of the seven issues are found in the

Cretan hoard; the three other strikings (Diophantos-Aischines, Alketes-

Euagion and Dionysios-Mnasagoras) are so much a part of the group that they

must, I believe, be considered contemporary. The coinage between 98/7 and

92/1 gives us a second grouping with unusual stylistic features, such as the

treatment of ornament and earring. Of its constituents, three emissions are in

the Cretan hoard; the other four issues would again seem to be of the same

period.

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The evidence for the remaining ten issues is less decisive except in one in-

stance. The coinage of Pantakles-Demetrios may have been represented in our

Cretan hoard but there is no proof.1 In the coinage of Diokles-Leonides and To

Tri Diokles-Medeios we have earlier and later emissions related to Diokles To

Deu-Medios, an issue closely connected with the other strikings of the second

stylistic group. Diokles-Leonides must then be pre-Sullan and it seems likely

that the third issue of this Diokles and the emission of Diokles of Melite are also

of the same general period since there would be little point in the careful identi-

fication of the two magistrates if any considerable span of time had elapsed

between the first two and the last two strikings. For Leukios-Antikrates,

Menneas-Herodes, Dionysios-Demostratos, Demochares-Pammenes, Try-

phon-Polycharmos and Apolexis-Lysandros there is no association with the

issues of the Cretan hoard except on grounds of style and this is perhaps a

somewhat weaker argument here than in the case of the two large stylistic

1 See p. 380, note 2.

The Late Period: Commentary

415

groups discussed above. It follows then that of the twenty-four issues which

come after 112/1 and which are assuredly the last strikings of the New Style

series, we have fifteen which are almost certainly pre-Sullan, three others which

may with some degree of probability be assigned to the same period and six for

which there is no evidence if the stylistic relationship is rejected as inconclusive.

This brings us to the point of over-all chronology. Assuming that every

year between 196/5 and 88/7 B.C. saw some output of coinage, there is an exact

correlation between the number of regular issues of the Athenian mint and the

time available for their production.1 To place any of these issues after Sulla,

one must posit a break in the coinage prior to 88/7 and for this there is abso-

lutely no evidence. There are on the other hand weighty arguments, both

numismatic and historical, for associating the end of the autonomous silver of

Athens with the capture of the city by Sulla and assuming that its basic mone-

tary needs after that date were met by the Roman denarii and the Athenian

Imperial bronze.2

1 There would be 109 years in all and the same number of issues if one accepts the premise

(pp. 423 f.) that the Mithradates-Aristion coinage was a supplementary emission put out side

by side with the silver of another issue and if one also accepts the identification (pp. 464-467) of

the Kointos-Charmostra pieces as imitations rather than products of the Athenian mint.

This correlation of years and issues may seem too tight in view of the possibility of new issues

turning up in hoards. There is, however, an element of flexibility at the end of the sequence in

that the minting activity of an entire year may not have been limited to a single small emission.

We have a number of instances of coinage apparently issued in only one month and it is not im-

possible that at a later date in the same year another pair of magistrates put out a second small

striking. This does not at the moment seem to me likely but if new issues do appear the possi-

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bility will have to be considered as an alternative to the assignment of silver coinage to the years

after Sulla.

* In the 1931-1949 excavations of the Athenian Agora twelve Roman denarii of pre-

Augustan date were found, ranging from c. 80 B.C. to the time of Antony (M. Thompson, The

Athenian Agora, Volume II: Coins, p. 9). This is a far more impressive representation than the

numbers indicate when one considers the striking dearth of silver from the Agora. The vast output

of the Athenian mint for the hundred odd years of the New Style period is reflected in exactly

one tetradrachm and two drachms; the Imperial coinage from Augustus to Vespasian is repre-

sented by six denarii. Against this background, the twelve denarii of pre-Imperial date would

seem to indicate an extensive circulation of these coins in Athens and it is surely significant that

their earliest appearance dates from the period just after Sulla.

Josephine Harwood in a preliminary study of the Athenian bronze currency which followed

that of the New Style (J. P. Shear, "Athenian Imperial Coinage," Hesperia, 1936, pp. 285-332)

assigns its earliest issues to the reign of Augustus. This date is tied in with a terminal date of

c. 30 B.C. for the New Style since, as Mrs. Harwood points out, the two varieties of Athenian

bronze are frequently found together in deposits and strata of the Agora and it is unlikely that

any long period of time intervened between the end of one sequence and the beginning of the

other. Hence if the New Style stopped with Sulla, it seems probable that the "Imperial" coins

began to be struck shortly thereafter.

416

The New Style Silver Coinage of Athens

The termination of the New Style silver shortly before Sulla's siege of

Athens is of considerable importance for the chronology of the Mithradates-

Aristion issue. Placing this striking in 87/6 B.C. means that as the last of the

New Style emissions it should logically tie in with the coinage of the early

years of the first century. Its complete failure to do so raises a strong presump-

tion that the traditional dating is in error.

In earlier pages of this commentary on the Late Period some stress has been

laid on the very close relationship between the dies of the Mithradatic coinage

and those of issues belonging to the final years of the 130-120 period. This

stylistic evidence is summarized on Plate 127. There the three tetradrachm

obverses of Mithradates are associated with the dies of other strikings which

provide the closest parallels in the rendering of the Athena head. Compare

Obverse 1143 with 1128 (A) of Kointos-Kleas, Obverse 1144 with 1156 (B) of

Mnaseas-Nestor and Obverse 1145 with 1135 (C) of Apelhkon-Gorgias. A

single drachm obverse of Mithradates has survived and this is strikingly similar

in style to one of Xenokles-Harmoxenos with dolphin and trident symbol

(D = No. 1107). Again a single obverse of the Mithradatic gold is known,1

highly comparable with a tetradrachm die of Kointos (E representing a re-

duction of No. 1127) and with drachm obverses of Xenokles-Harmoxenos with

Roma symbol (F = No. 1124) and of Kointos and Apellikon (G = No. 1130

common to both issues). Not only are the individual dies close in profile repre-

sentation but all show the same distinctive treatment of details such as the

small and neatly-executed helmet ornament and the arrangement of the hair

in two rows of heavy locks in front of a single prominent curl. This particular

obverse style in its fully developed state is characteristic of the coinages of

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Demeas-Hermokles through Mentor-Moschion, 125/4-118/7 B.C. After that

date, as will be seen from Plate B, there is not one die which provides a clear

parallel with those of the earlier period. No. 351 is perhaps closest, at least in

the treatment of the ornament, and Nos. 350, 374 and 378-379 are surely deriv-

ative, but all these obverses give the impression of being the work of a new

engraver copying the technique of the man who produced the earlier dies. The

obverses of Mithradates-Aristion on the other hand are an integral part of the

125/4-118/7 stylistic sequence. Seeing them alone, without reference to the

issue, one would unhesitatingly assign them to that period.

They bear no resemblance to the dies that terminate the coinage. This is so

obvious from the illustrations on Plate B as to require no comment on the

differences in execution and in basic concept. It may, however, be noted that

the evidence of the reverses is consonant with that of the obverses. The owl of

the Mithradates issue is a rather large plump bird with relatively small head

1 The first gold coin of Plate 127 is in the British Museum, the second is in Paris.

The Late Period: Commentary

417

and eyes and carefully delineated plumage. Below the owl is a long thin am-

phora with a tapering neck rendered by a series of converging lines. Letters of

the inscription are of moderate size, well cut and well spaced. Note the simi-

larity in all respects to the reverses of Apellikon-Gorgias and other contem-

porary issues. Note also the different rendering of the type on Plates 134

following. The owl is normally scrawnier with head and eyes disproportionately

large and plumage sketchily rendered. On most dies an amphora with straight

unmarked neck replaces the earlier vase with its tapering lines. Lettering is

alternately over-heavy and over-thin.

Stylistically the obverses and reverses of the Mithradatic issue belong with

the coinage of 125/4-118/7 B.C. On the evidence of hoards and of die transfers,

this represents a body of material which cannot be removed en masse from its

present position in the chronological sequence. Following it come issues which

either must antedate Sulla, on the evidence of the large Delos hoards and of the

Aesillas overstriking, or are almost certainly prior to 86 B.C., on the evidence

of Cretan Hoard I. With these issues the Mithradates striking has nothing in

common. In order to retain the 87/6 dating for its emission, one has no choice

but to assume that the engraver of 125/4-118/7 was recalled by the mint after

an absence of thirty or more years and that for the duration of this single issue

he succeeded in producing obverses and reverses almost identical with those he

had turned out over a quarter of a century earlier. This seems to me a counsel

of desperation.

On stylistic grounds alone the case is strong but there is more evidence than

this. As has already been noted, the known reverses of Mithradates-Aristion

are marked with two extremely rare control marks: AA and ETT1. Each makes

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an isolated appearance in later issues, ETT in 114/3 and AA in 102/1, but the only

strikings in which they are used together are those of Apellikon and Mithradates

while AA is also represented on the coinages of Kointos and of Xenokles with

Roma symbol.

The hoard evidence is somewhat ambiguous. The only deposit which con-

tains the New Style silver of Mithradates is the Dipylon find.1 This covers a

long period of time and is apparently a savings hoard so that proportionate

representation and relative condition cannot be regarded as wholly reliable

criteria for the dating of individual issues. Almost all emissions between 131/0

and 121/0 are included; there is no New Style silver of later date. Kambanis

classifies the majority of these coins as very well preserved. With the other New

Style pieces were four coins of Mithradates-Aristion, also described by Kam-

banis as in very good condition. The record of relative wear suggests that the

1 See pp. 507-509 of the section on Hoards for the record and discussion of this deposit.

4i8

The New Style Silver Coinage of Athens

Mithradates-Aristion specimens are roughly contemporary with the coins of

131/0-121/0 and the fact that this issue and that of Apellikon are the most

extensively represented of these late strikings suggests that they are the final

emissions of the hoard but in view of the character of the accumulation the

evidence is by no means decisive. A complicating factor is the presence in the

same deposit of four tetradrachms of Mithradates Eupator which means that

there is a gap of some thirty-two years between the last of the New Style

strikings and the Pontic pieces. However, the Dipylon Hoard is not unique in

this respect. The Piraeus Hoard shows absolutely the same composition: New

Style issues to 121/0 and then two Pontic tetradrachms of c. 88 b. c. The Abruzzi

Hoard ends as far as the New Style goes in 121/0 but it also contains coins of

the Sullan period. In the Anatolia and Cretan II Hoards the New Style material

stops in 120/19 and 117/6 respectively but in the second deposit certainly and

in the first possibly there is post-Sullan coinage. Delos A with its New Style

strikings runs to 112/1 and then there is nothing except for two Sullan pieces.

Only in Cretan Hoard I and the Hierapytna Hoard is there a representation of

New Style issues postdating 112/1 B.C. The picture is at least consistent in its

inconsistency. Whatever interpretation is to be placed on this strange gap in

practically all hoards, it is clear that one cannot argue from the composition of

a single deposit that the Pontic and Athenian coins of Mithradates belong to-

gether and that the latter must therefore date c. 87/6.

Then we have the contribution of the bronze coinage. In the section on

Hoards1 discussion of a limited number of bronze finds is included, primarily

because of their significance for the dating of the Mithradates coinage; the basic

points may be summarized here. Although any final arrangement of the bronze

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must await the collection and careful study of a great deal of material, some

indication of a general chronological framework is provided by eight hoards,

published and unpublished deposits. It seems clear from the high degree of

uniformity of their contents that the early issues of New Style bronze are those

with the types of Zeus head/Athena Promachos and Athena head in Corinthian

helmet/Zeus holding or hurling a thunderbolt, while the later issues are stamped

with an Athena Parthenos head/Owl on amphora or else with miscellaneous

types such as Gorgon's head/Athena advancing, Athena Parthenos head/Sphinx

and so forth. Six of the hoards contain only examples of the earlier types; two

only examples of the later. In these deposits there is no overlapping of the two

general categories of bronze.

Again on the evidence of the aforementioned hoards, the issues with pilei,

bakchos and thyrsos symbols are among the latest of the fulminating Zeus

1 Pages 525-531.

The Late Period: Commentary

419

strikings. A specimen of each is reproduced at the bottom of Plate 127.1

Attempting to associate any one with a specific silver issue is in some measure

hazardous but it seems to me likely that the pilei symbol is an abbreviated

reference to the standing Dioscuri symbol of the tetradrachms of Mikion-

Euryklei struck in 156/5 B.C. Of the two hoards containing late bronze, only

one has been reported in detail. In it are examples of the sphinx issue which is

probably to be associated with the tetradrachms of Diophantos-Aischines in

108/7, of the cicada issue paralleling the drachm emission of Demochares-

Pammenes in 100/99 and of the Athena with owl reverse which I suggest may

be connected with the Athena symbol on the money of Diokles Meli-Medeios

assigned to 89/8 B.C. A single coin of each of these bronze emissions appears on

Plate 127. It must be stressed that the above connections between silver and

bronze are tentative but we do know that the first three coins at the bottom of

the plate are early and the last three late. With the bronze coinage of Mithra-

dates we are on safer ground in that the attribution rests upon the distinctive

Pontic symbol of star and crescents and upon a marked stylistic similarity in

the Athena heads found on the gold, silver and bronze. The issue has never, to

the best of my knowledge, been found in a hoard context so that its position in

the bronze sequence depends upon other factorstypes, technique and metallic

composition. Its types are identical with those of the earlier strikings, com-

pletely different from those of the later. Its heads are somewhat heavier and

presumably later than the renderings on the early bronze but their workman-

ship is far superior to that of the late emissions.

If the evidence of types and technique points to an association of the Mith-

radatic bronze with the earlier rather than the later issues of the Athenian mint,

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the evidence of metallic composition is even more decisive. A listing of all

available analyses of New Style bronze coins, some already published and some

new, is given on pages 639f. Of the early strikings we have analyses for one

specimen of the Zeus holding fulmen coinage and for two of the fulminating

Zeus with pilei symbol. Of the later emissions we have the results of tests on

four examples of the sphinx coins, one of the cicada, one of Athena with owl,

three of Mithradates, and finally two of the issue with Gorgon's head obverse

and Athena reverse. Other analyses have been made but the issues above are

those which can with greatest safety be assigned to particular strikings of silver

on the grounds of the recurrence of distinctive symbols. The results of the ana-

lyses as given below are in terms of an average when more than one coin was

tested and the listing is in what seems to me to have been the order of emission.

1 All bronzes at the bottom of Plate 127 are in the ANS Collection except for the ful-

minating Zeus pieces with thyrsos and bakchos symbols which belong to Mme. Evelpidis.

-7*

420

The New Style Silver Coinage of Athens

Zeus holding fulmen

Zeus with pilei

Gorgon-head

Mithradates

Sphinx

Cicada

Athena and owl

Cu

88.74

88.86

75.13

78.42

74.99

75.73

73.60

Sn

11.10

9.36

8.25

7.96

6.59

6.02

6.89

Pb

.22

15.31

12.33

17.49

17.72

18.68

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1.03

Ratio Pb to Sn

0.019

0.11

1.86

1.55

2.65

2.94

2.71

Clearly an exact chronological sequence cannot be established on the basis

of these chemical analyses. Too few coins have been tested and even if we had

more data it would be too much to expect an entirely consistent variation in

the composition of the alloy used for the bronze coinage. However, it is to be

noted that in cases where tests were run on up to four coins of a single issue,

the resulting figures were close enough to justify the assumption that the sta-

tistics above give a reasonably accurate picture of the composition of individual

strikings. Furthermore, it is evident that the proportions of tin and lead, par-

ticularly the latter, provide a clue to the general chronological order in that

the earlier coinage has practically no lead while the later is heavily adulterated.

The numismatic and chemical evidence as it concerns the chronology of the

issues under present discussion is in almost complete accord. The Mithradatic

issue fits into the sequence well after the two early strikings but well before the

bronze of the 108-89 period. In composition it is most closely related to the

issue with Gorgon's head obverse and Athena reverse, an emission to be asso-

ciated with the silver of Niketes-Dionysios bearing the same Gorgon's head as

a symbol and assigned to the year 130/29 B.C.

Finally the basic character of the Mithradatic coinage is of some signifi-

cance. As we know it, the emission of gold and silver was extremely limited. All

specimens of the gold come from the same pair of dies;1 three obverse and

four reverse dies are recorded for the tetradrachms,2 a single pair of dies for

the drachms. Striking apparently took place in only three months of the year:

A, B and Z. Along with this light output of gold and silver goes a very heavy

1 Seven pieces have been traced: the four illustrated by Svoronos (PI. 71,1-4) supplemented

by Jameson 2496, Naville (XVI) 1226, and a specimen of uncertain provenance appearing on

Plate CIII of Rostovtzeff (Social and Econ. Hist., II).

* To be sure only a few tetradrachms have survived so that the argument for a small issue

from the number of known dies is not conclusive, but the apparent restriction of the coinage to

three months of the year and the cutting of Z over A (or perhaps Z over B over A) on two of the

The Late Period: Commentary

421

bronze emission.1 Now if this is a war coinage representing Mithradates' con-

tribution to the Athenian struggle against Sulla, then it is singularly inadequate

and strangely unbalanced. In the emergency of 87/6 B.C. one would expect

Aristion and his followers to have concerned themselves primarily with issuing

gold and silver for military needs and not with providing small change for the

local citizenry. The financial demands of the resistance to Sulla could not have

been met in any significant degree by this token output of gold and silver. It

seems far more likely that we have in the Mithradates-Aristion coinage a spe-

cific record of a Pontic gift made at an earlier period and converted by an

Athens at peace into a small commemorative striking of gold and silver and a

large emission of bronze for local use.2

Is it possible to determine the date of the gift and of the coinage? As we

have already seen, the style of the Mithradatic coins and the recurrence of dis-

tinctive control marks, together with the less precise evidence of the Dipylon

Hoard, suggest that the period in question is between 124/3 and 120/19 B.C.

1 These coins were found in quantity in the excavations of the Athenian Agora, a reliable

indication of the original size of the issue.

* It has always been supposed, by analogy with other periods of Athenian history, that the

appearance of gold coins indicated a financial crisis at Athens such as would undoubtedly have

been brought on by the siege of 87/6. However, there are noteworthy differences between the

Mithradatic gold and that of 407/6 and 295/4. Both earlier issues were fairly large strikings. The

four surviving staters of the 407/6 emission were struck from two obverse and three reverse dies

and we have epigraphical evidence for the existence of an additional two anvil dies and nineteen

punch dies. It is difficult to make die comparisons from Svoronos' illustrations of seventeen

staters of the Lachares issue but I believe that at least six obverse and eleven reverse dies are

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represented on his Plate 21. In both 407/6 and 295/4 fractional gold was coined: five smaller

denominations in the first year and two in the second. These early issues then, in their size and

their admixture of unit and fractional currency, are typical emergency or war issues. The Mith-

radates-Aristion striking is markedly different. Only staters are known and all existing speci-

mens come from a single pair of dies.

The fact that on two occasions Athens resorted to a gold coinage as an emergency measure

does not prove that her third issue of gold was also struck in a time of crisis. In view of its small

size and restricted character we are justified in doubting that it was intended to make any serious

contribution to the fiscal needs of the city. It seems far more probable that it merely commem-

orated a gift or subsidy from Pontus, perhaps in the form of gold bullion, which was used in part

for the issuance of a limited number of gold coins. As the earlier gold had carried devices

indicating the source of the metal, namely the gold treasures of the Acropolis, so this issue

testified to its origin, bearing as it did the name and symbol of the Pontic king who had provided

the raw material for the coinage.

The gold coinage of Athens is discussed by Kohler ("Ober die attische Goldpragung," ZfN,

1898, pp. 5-16). Newell later treats the Lachares emission {The Coinages of Demetrius Poliorcetes,

pp. 133-134) and a recent article by Robinson ("Some Problems in the Later Fifth Century

Coinage of Athens," ANSMN IX, i960, pp. 1-15) deals at some length with the issue of 407/6.

422

The New Style Silver Coinage of Athens

Within those five years there was a crisis in Pontus.1 About 121/0 B.C. Mithra-

dates V was assassinated and his queen Laodice, who may have been implicated

in her husband's death, came to power as regent for two minor sons, Mithra-

dates Eupator and Mithradates Chrestos. For some years Laodice was the

actual ruler of the country, Eupator having fled the court and gone into hiding.

Since the boy was eleven years old at the time of his father's death and shortly

afterwards an exile from his future kingdom, it is clear that he can have had no

connection with a subsidy to Athens.2 Laodice might have conceived the idea

of a gift as a means of winning Athenian favor at a period when her position

must have been somewhat precarious, but one doubts that under the circum-

stances a contribution would have been made in the name of her absent son.

Probability then points strongly to a gift from Mithradates V in the years

immediately preceding his assassination. Relationships between Athens and

Pontus had long been friendly and subsidies had helped to cement these ties.3

Sometime before 171 B.C. Pharnaces had contributed annual sums of money

to the Athenian treasury. Ferguson says that his son and grandson were also

phil-Athenians, noting, however, that in the case of Mithradates V this is sup-

position since there happens to be no extant evidence. We do know that Mithra-

dates V had donated generously to the enlargement or endowment of the Delian

gymnasium and it seems highly likely that he was kindly disposed toward

Athens as well. There is certainly nothing improbable in the theory that he

followed his father's example and provided a subsidy for the city. In fact he

may have assisted Athens on more than one occasion. For an issue of coinage

dating from 129/8 B.C. the symbol selected by the first magistrate Aristion is

the distinctive Pontic device of a drinking Pegasus. Almost certainly this

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Aristion is the man whose name is coupled with that of Mithradates on the

later issue of gold and silver and the appearance of his name and a Pontic

symbol on a striking of slightly earlier date is suggestive. Furthermore, the

issue immediately preceding that of Aristion with Pegasus has a symbol which

although less peculiarly Pontic still may be associated with that dynasty,

1 The basic study of Pontic history in the late second and early first centuries is still Rei-

nach's Mithridate Eupator published in 1890. More recent discussion of the period is to be found

in Ferguson's Hellenistic Athens, Rostovtzeff's Social and Economic History of the Hellenistic

World and Magie's Roman Rule in Asia Minor. All make full citation of the ancient sources,

notably Appian, Strabo, Plutarch, Justin and Memnon.

s The romantic story of Eupator's flight and his life in the mountains is possibly exag-

gerated or fictitious but it may be assumed, as Magie points out (p. 1092), that the boy had no

part in ruling the kingdom during the first years after his father's death.

'Ferguson (Hellenistic Athens, pp.437-438) summarizes the record of Pontic benefactions

to Athens and Delos and Rostovtzeff (Social and Econ. Hist., pp. 833-834) similarly stresses the

cordiality of relations between Athens and Delos and Mithradates V and VI.

The Late Period: Commentary

423

namely the head of the Gorgon slain by Perseus the legendary ancestor of the

Pontic kings. At just about this time there is a change in the metallic compo-

sition of the New Style silver which suggests a supplementary supply of bullion

imported from abroad.1 Is it not possible that in her need for more metal

Athens turned to the friendly kingdom to the north and that it was through the

good offices of Mithradates V that the silver was made available. One may even

suppose that Aristion was in some way instrumental in securing the king's co-

operation. The earlier New Style issues would commemorate in their choice of

symbols the assistance given by Mithradates V, the last issue with both the

royal name and symbol would commemorate an outright gift.2

In the catalogue the coinage of Mithradates-Aristion has been dated about

121 B.C. and considered as a supplementary emission rather than a unit in the

1 See pp. 634-637.

* The fact that the symbols on the coins of Aristion-Philon and Mithradates-Aristion are

found on the issues of Mithradates VI would seem to be evidence for an association of the Athenian

coinage with that king rather than with Mithradates V. However, the star and crescent device

is a dynastic and not a personal badge. It appears on tetradrachms of Mithradates III, Phar-

naces and Mithradates IV and signifies the claim of the whole Mithradatic house to Persian

origin. Its connotation is a Pontic king, not Mithradates VI in particular. The Gorgon's head and

drinking Pegasus in their connection with Pontus have reference to the legend that Perseus was the

ancestor of the Persians and hence of their Pontic descendants. Perseus holding the Gorgon's

head is the reverse type on the silver of Mithradates IV; the drinking Pegasus occurs on the

coinage of Eupator's son Ariarathes IX. Neither is exclusively the device of Mithradates VI.

One of the puzzling circumstances in the numismatic history of Pontus is the fact that there

is no record of money struck during the long reign of Mithradates V whom Rostovtzeff describes

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as "certainly the wealthiest and the most powerful king in Asia Minor in the last decades of the

second century B.C." Since there is no coinage we do not know what aspects of the Perseus-

Persian tradition he would have chosen to emphasize had he issued money. It is not impossible

that he would have used the same drinking Pegasus type of his son and grandson but this is mere

conjecture. What is certain is that the device of star and crescent was symbolic of the Pontic

king and not of an individual ruler, as appropriate for Mithradates V as for Mithradates VI or

for any other member of the Mithradatic house. It is more than likely that the Perseus legend in

all its manifestations had the same kind of dynastic connotation in the popular mind.

In connection with the star and crescent symbol, there is also this to be noted. The symbol

on the Athenian coinage is not identical with that on the Pontic: the latter has a single crescent

under the star while the former encloses the star between crescents above and below. This is to

be sure a small deviation but a rather strange one if the New Style issue was put out in 87/6 B.C.

AMhat period the tetradrachms of Mithradates VI were presumably familiar to everyone in the

city. Emissions of 90-88 b. c. are found in Athenian hoards and it seems almost certain that

these coins, probably in large supply, had been brought from Asia by Archelaus and Aristion.

If the engraver of the Mithradates-Aristion dies was working in 87/6, why did he not make an

accurate copy of the device of Mithradates VI? If on the other hand he was working c. 121 B.C.

with no model available, his misconception of the exact rendering of the Pontic symbol is under-

standable.

424

The New Style Silver Coinage of Athens

series of New Style strikings. It seems to me unlikely that in this very limited

issue we have the record of a whole year of mint activity. Certainly the only

presumably annual strikings of similarly restricted size date from a much later

period. Rather it seems probable that the Mithradatic pieces were produced

concomitantly with the coins of a regular New Style issue, some in the first two

months of the year and an additional supply in the sixth month marking per-

haps the receipt of a second installment of the subsidy. The coinage of Kointos-

Kleas in 122/1 is the smallest issue in the entire three-magistrate sequence and

somewhat puzzling in this regard since it follows a number of large issues and

immediately precedes the fairly substantial striking of Apellikon-Gorgias. Its

curtailed size may be due to the circumstance that in the same year the mint

was also employed in putting out the gold, silver and bronze of the Mithra-

dates-Aristion coinage. In every respect 122/1 would be an eminently appro-

priate date for the latter striking but the precise time of its appearance can

probably never be established with certainty. However that may be, the exact

year in which the coinage was struck is of minor significance in comparison

with the importance of this numismatic testimony to a hitherto unknown con-

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nection between Mithradates V and Athens.

SULLAN ISSUES 86-84 b.c.

(Plates 143-149)

I. Obv. Athena head type.

Rev. Owl on amphora type. No ethnic, tfl fB in field to left and right.

A on the amphora.

Tetradrachms

1273.

a. *Munich, gr. 16.16; Hirsch XIX, 400, gr. 16.80; Winterthur Cast (Osman),

gr. 16.70

(rfl) b. Leningrad, gr. 16.24f

c. Ratto (Rogers) 455, gr. 16.85

d. *Basel, amphora letter obscure, gr. 16.84f

e. *Zurich

1274.

1275.

1276.

1277.

1278.

1279.

1280.

1281.

*Gans Mail Bid 15, 62

Florange-Ciani (Allotte de la Fujte) 408, gr. 16.60

Glendining, Apr. 1955, 411B = Hamburger (Berlin dupl.) 294, gr. 15.67

a. *Princeton Univ., gr. 16.561

b. Romanos Coll. (Sv. 78, 11), gr. 16.22

a. *Naples (Mus. Naz., FioreUi 7188), gr. 16.45f

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b. Commerce 1957 (Abruzzi Hd.)

Glasgow (Hunt. 175), gr. 16.50f

a. *Budapest, gr. 16.80f; Oxford, gr. 16.79f

b. Cambridge (Grose 5922), gr. 16.82t

*The Hague

1 The coin is apparently restruck but the undertype is illegible.

426 The New Style Silver Coinage of Athens

1282.

London (BMC 519), gr. 16.76

1283.

*ANS-ETN = Sotheby (Benson) 585, gr. 16.65f

1284.

Leningrad, gr. 16.27 \

1285.

a. *Frankfurt am Main

b. *Bauer Coll. = Locker Lampson 215, gr. 16.72f

1286.

a. *ANS = Weber 8525, gr. 16.33f

b. Winterthur Cast, gr. 16.89

1287.

Berlin (Sv. 78, 12), gr. 16.18; Feuardent, Dec. 1921, 106

1288.

Basel, gr. 16.51f

1289.

Paris (de Luynes 2118), gr. 16.85

1290.

r Brussels (de Hirsch 1295; JI AN, 1915, p. 61, fig. 8), gr. 16.79f

1291. |

L Commerce 1954, gr. 16.80

1292.

a. Paris, gr. 16.05f; Andreopoulos Coll.

b. London, gr. 16.25

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c. London

d. Berlin, gr. 16.18f

1293.

a. Bartlett Coll. (Abruzzi Hd.); Frankfurter Miinzhandl. 99, 50, gr. 16.55;

Hirmer Coll., gr. 16.78

b. Amsterdam (Boissevain 55), amphora letter obscure, gr. 16.92

c. Dewing Coll., gr. 16.68 \

pd. Coin Galleries Mail Bid, Mar. 1956,1581 = Naville (Woodward) 761, gr. 15.94

1294. j

La. Commerce 1954, gr. 16.51; Naples (Santangelo Coll., Fiorelli 10782), gr.

16.47f

Sullan Issues 427

1295.

1296.

1297.

1298.

1299.

1300.

1301.

1302.

1303.

1304.

1305.

1306.

1307.

b. de Nanteuil 927, gr. 16.80f; Naville (Woodward) 762, gr. 16.64

c. Ciani (de Grandprey) 189, gr. 16.30

a. *Naples (Santangelo Coll., Fiorelli 10784), gr. 16.72f

b. Feuardent, June 1913, 221

Commerce 1958

Gotha, gr. 16.36

Petsalis Coll., gr. 16.14f

Vienna, gr. 16.56

Naples (Santangelo Coll., Fiorelli 10785), gr. 16.19f

a. *ANS-ETN, gr. 14.25I1

b. Turin (Mus. Civ.)

Hirsch (Rhousopoulos) 2076, gr. 16.41

a. ANS-ETN, gr. 16.25f

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b. Naples (Santangelo Coll., Fiorelli 10783), gr. 16.19|; Leningrad, gr. 16.51f;

Berlin, gr. 16.S

a. London [BMC 521), gr. 16.15

b. Winterthur Cast (Imhoof), gr. 16.56

Hamburger (von Kaufmann) 251, gr. 16.45

a. Berlin, gr. 16.78f ..

b. Evelpidis Coll., gr. 16.52

ANS, gr. 16.75f2

1 A cast reproduction of a genuine coin.

* This coin served as the prototype for a lead piece in the ANS collection.

428 The New Style Silver Coinage of Athens

1308.

*Gotha, gr. 16.17; Naples (Santangelo Coll., Fiorelli 10781; Sv. 78, 18), gr.

16.61f

1309.

Berry Coll., gr. 16.74 /

1310.

Lockett Coll. {SNG 1948) = Naville (Pozzi) 1618, gr. 16.05t

1311.

London {BMC 520; Sv. 78, 14), gr. 16.58

1312.

Leningrad, amphora letter obscure, gr. 16.01f

74 tetradrachms: 40 obverse, 60 reverse dies

II. Similar to Issue I but without the amphora letter.

Tetradrachms

1313.

Leningrad, gr. 15.81 (pierced) f

1314.

a. Cambridge (Leake Coll., SNG 8281; JIAN, 1915, p. 61, fig. 4), gr. 16.04/

b. London {BMC 516), gr. 16.71

1315.

a. Hamburger 98, 699, gr. 16.84

b. Copenhagen {SNG 292), gr. 15.75

1316.

Lockett Coll. {SNG 1942), gr. 16.17f

1317.

a. Commerce 1957 (Abruzzi Hd.)

1318.

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b. The Hague1

a. ANS, gr. 16.57f; Kricheldorf IV, 202 (Abruzzi Hd.), gr. 16.50

b. Commerce 1954, gr. 16.48; ANS, gr. 16.72f; Hamburger 98, 698, gr. 16.55

1319.

Stockholm, gr. 16.45f

1 Although the tetradrachm is poorly preserved, making die comparisons difficult, it is

almost certainly struck from the same obverse die as No. 1317a.

Sullan Issues 429

1320.

1321.

1322.

1323.

1324.

1325.

1326.

1327.

1328.

Bauer Coll., gr. 16.58f

a. *London (BMC 518; Sv. 78, 16), gr. 16.54; Naville XVII, 477, gr. 16.61

b. Paris, gr. 16.31f

c. *Yale Univ., gr. 16.87f

d. Morgenthau 405, 800

a. *The Hague

b. Florange-Ciani, Feb. 1928, 48

a. *Glasgow (Hunt. 174), gr. 16.80f

b. *Glendining, Oct. 1957, 104, gr. 16.14f

c. London (BMC 517; Sv. 78, 15), gr. 16.60

Mrs. E. T. Newell Coll.

ANS (Abruzzi Hd.), gr. 16.09f

a. Cancio Coll., gr. 16.37f

b. ANS, gr. 15.65f

c. ANS (Abruzzi Hd.), gr. 15.92f

d. ANS (Abruzzi Hd.), gr. 16.27f

r e. ^ANS (Abruzzi Hd.), gr. 15.43f

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rf. Cambridge (Leake Coll., SNG 8282), gr. 16.24 (pierced)f

La. Ball VI, 281, gr. 16.60

b. Ratto, Apr. 1927, 1898, gr. 16.15

L a. Vienna, gr. 16.56

b. Ratto 4 (Fx. Pr.) 1086, gr. 16.14

1329.

ANS (Abruzzi Hd.), gr. 16.78f

Drachms

1330.

Cahn 24 (Fx. Pr.) 548 = Egger XL (Prowe) 976, gr. 4.06

430 The New Style Silver Coinage of Athens

1331.

Paris; London, gr. 8.66 /

1332.

a. *Commerce 1958 prob. = Ball VI, 282 = Ball 39 (Fx.Pr.) 404, gr. 4.10

rb. *Athens

1333. I

|- "Vienna, gr. 8.89

1334. j

| a. *Berlin, gr. 3.95t

Lb. JI AN, 1915, p. 61, fig. 51

1335.

Berry Coll., gr. 4.01f

1336.

1337.

1338.

1339.

1340.

a. *ANS, gr. 8.82f

b. Naples (Mus. Naz., Fiorelli 7139), gr. 3.65t

Athens (Sv. 78, 18), gr. 4.02

ANS, gr. 3.30f

a. *London (BMC 522; Sv. 78, 17), gr. 3.95

b. Gotha, gr. 3.50

c. Copenhagen [SNG 293), gr. S.94f

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Tubingen

88 tetradrachms: 17 obverse, 32 reverse dies

17 drachms: 11 obverse, 14 reverse dies

III. Similar to Issue II but with trophies of Sulla in place of the monograms in

field left and right.

Tetradrachms

1341.

Athens (Sv. 78, 22), gr. 14.91

1342.

Berlin (Sv. 78, 20; JIAN, 1915, p. 67, fig. 7), gr. 17.24

1 No provenance is given for the coin illustrated by Svoronos and I have been unable to

trace it. Its obverse die seems to be No. 1334 and it shares a reverse die with Nos. 1332b and 1333.

Sullan Issues

43i

1343.

Paris (Sv. 78, 21), gr. 16.82f

1344.

London (Sv. 78, 28; JI AN, 1915, p. 67, fig. 8), gr. 17.07f

1345.

Empedocles Coll. = Weber 8526 (Sv. 78, 24), gr. 16.71

5 tetradrachms: 5 obverse, 5 reverse dies

The three issues of the preceding pages might fittingly be described as

pseudo-Athenian. Basically their types are those of the New Style sequence but

the style of the obverse heads is quite unlike anything produced by the Athenian

mint and the reverses bear neither the ethnic nor the diversified marks of

identification normally found on the late Athenian silver. On the first two

issues the monograms tfl and W occupy the field left and right, supplemented

on some coins by the letter A on the amphora; on the third issue two trophies

replace the monograms. Clearly these are not official Athenian issues. At the

same time they are too large to be classified as unofficial in the sense of being

merely another of the imitative currencies emanating from some outlying mint

or clandestine workshop. Since they are found in hoards in conjunction with

late issues of the New Style series, the two coinages would seem to have been

not only roughly contemporary but also equally acceptable within a common

circulation area. If the issues under present discussion cannot be regarded as

the work of the autonomous civic mint, they do at least appear to have some

connection with Athens and the New Style silver.

Beule regarded the strikings with monograms and trophies as units of the

New Style series, assigning them to the opening years of the sequence and ex-

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plaining the absence of ethnic as a result of the mint's having called in a cele-

brated artist rather than a professional engraver to produce the initial dies for

the new coinage. In the association of the issues and their attribution to Athens,

Head {BMC, Attica, lv-lvi) agreed with Beul6 but proposed a much later date,

the years just after Sulla's capture of the city, for their emission. Actually the

Sullan connection with the trophies coinage, based upon the correspondence of

devices on Sulla's gold and on the "New Style" silver, had been earlier estab-

lished by von Sallet (ZfN, 1885, pp. 881-384. See Plate 1491).

Von Sallet's identification was generally accepted but the chronological

link between the issues with trophies and with monograms, as outlined by

Beul6 and Head, was questioned. Head himself had second thoughts about the

1 The gold piece (C) reproduced for comparison with the tetradrachms is a British Museum

coin.

432

The New Style Silver Coinage of Athens

mint and date of the tfl - ffl coins; in the second edition of the Historia Nu-

morum he suggested that they were struck by the Athenian cleruchs on Delos

about the middle of the second century. In an article on the money of the slave

revolt {JIAN, 1915 but published 1922, pp. 60-70), Svoronos put forth an

ingenious theory explaining the coinage as the product of the rebellious slaves

who c. 104-102 B.C. seized Sunium and the mines of Laurium (Poseidonius,

quoted by Athenaeus, VI, 272, e-f). The two monograms Svoronos deciphered

asAAYPIA M[E]TAAAA. Finally the trophies emission, too, was separated from the

Athenian mint and in measure re-dated. Daux (RN, 1935, pp. 1-9), followed

by Raven (NC, 1938, pp. 155-158), identified the coins with the Peloponnesian

money which Plutarch (Lucullus II.2) ascribed to Sulla's mint master and which

would presumably have been issued before and not after the fall of Athens.

Of these theories, the one associating the trophies coinage with Sulla is

entirely convincing. Leaving for the moment the question as to whether the

coins were struck in Athens after Chaeronea and Orchomenus, as von Sallet

believed, or in the Peloponnese in 87 B.C., as Raven maintained, one can safely

assume that this was a Sullan issue and therefore to be dated shortly before or

after the siege of Athens. With respect to the monograms issue we are on less

firm ground. The arguments for assigning it to a non-Athenian mint, either on

Delos or in the Sunium-Laurium area, would be stronger if there were any

evidence for a functioning workshop at either place during the second century.

Head's cleruchy hypothesis is based on Svoronos' attribution of certain bronze

issues to Delos and other cleruchies, but the coins in question were almost cer-

tainly struck at Athens itself.1 There is no valid reason for supposing that an

island mint supplied even small change for the cleruchy's use; it is impossible

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to believe that Delos issued the truly tremendous tfl - ffl coinage. Nor is Su-

nium a more likely place of origin. The supposition that a mint was located

there in the sanctuary of the hero Stephanephoros has been discredited and it

is generally thought that the coinage of Athens was produced not in some out-

lying district but in the city proper.2 If then one assigns the ffl - ftl coins to

1 For the reattribution of some issues to Athens see M. Thompson, "Some Athenian 'Cle-

ruchy' Money," Hesperia, 1941, pp. 199-236. Of the bronzes assigned by Svoronos to a Delos

mint, nearly one thousand examples had been found prior to 1948 in the excavations of the

Athenian Agora. That small coins struck for local use would have travelled in such quantity

from the island to Athens seems to me quite incredible; these bronzes, all of them inscribed AGE,

must have been struck in Athens.

* L. Robert {fctudes de numismatique grecque, pp. 105-135) establishes beyond question that the

expressions Spax^cti aTE<pavr|q>6poi and OTeq>ccvTi<p6pou Spooned used in inscriptions are merely

descriptive of the coinage and have no reference to a shrine of Stephanephoros in Athens, Sunium

or anywhere else. For the probable location of the Athenian mint, see H. A. Thompson, Hesperia,

1954. PP- 45-48 and 1955, p. 59.

Sullan Issues

433

the revolting slaves, one must at the same time assume a makeshift workshop

set up for the issuance of this coinage. Again the extensive size of the striking

makes this a highly unlikely premise. Even less persuasive is the interpretation

of the monograms as "mines of Laurium". If this rather peculiar message is

indeed the one which the coinage is attempting to convey, its formulation would

seem to be incredibly clumsy; the monograms certainly appear to read PAM

(or MAP) -TAM (or MAT). I do not believe that there is any valid ground for

assigning the coins to either Delos or Sunium or in fact any valid ground for

separating them in time or place from the trophies tetradrachms with which

they are ostensibly related.

At first glance the two emissions can scarcely be said to be close in style

but the stylistic argument must be applied with caution to this coinage. In the

present catalogue the tfl - ffi pieces have been divided into two groups: the

first composed exclusively of tetradrachms bearing the letter A on the amphora

and the second of tetradrachms and drachms without the date on the vase.

The division is not primarily one of month date, however, but one of style.

Even the most cursory inspection of Plates 143-146 as compared with

Plates 147-148 shows the marked difference in the rendering of the Athena

head; the two groups of obverses have absolutely nothing in common. Yet the

reverse types are identical and it would be difficult to maintain that Issues I

and II were struck at different mints or widely separated in time. The Athena

heads of the trophies striking bear no resemblance to those of Issue I of the

monograms series. They are on the other hand closer to the obverses of Issue II

than the obverses of Issues I and II are to each other. Note in particular the

arrangement of the hair and the treatment of the helmet ornament. Moreover,

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within the trophies striking there is evident a diversity of obverse rendering

similar to that of the Ifl - ffi coinage. No. 1345 is notably heavier and clumsier

than Nos. 1342-1344 and far removed from the delicate head of No. 1341.

Even the reverses differ: the owls of Nos. 1341-1343 are immeasurably superior

to the grotesque birds of Nos. 1344-1345. Since sharp stylistic variations are

found within as well as between issues, they would surely seem to indicate

merely different engravers and not different mints and it follows that the ab-

sence of clear stylistic rapprochement cannot be used as an argument for

separating these strikings.

A Sullan connection is well-nigh certain in the case of the trophies issue; it

can be postulated with a high degree of probability in the case of the mono-

grams issue. There is, first of all, the evidence of the Abruzzi Hoard.1 This is

a most significant deposit in several respects. To the best of my knowledge, it

is the only hoard found in Italy in which New Style coins are included. Asso-

1 Pp. 504-506.

a8

434

The New Style Silver Coinage of Athens

dated with thirty examples of this coinage is a miscellany of non-Athenian

material: single tetradrachms of Cappadocia and Bithynia of second century

date, two Byzantium Lysimachi of the late second or early first, four tetra-

drachms of Mithradates VI of the year 90/89, nine tetradrachms of the (fl - ffi

issue, and some two hundred Roman denarii described as being "of the time

of Sulla." Concerning the denarii there is no precise record of moneyers or con-

dition. Of the other foreign coins, the Byzantium, Mithradates and ffl-ffi tetra-

drachms are in excellent to FDC state, suggesting relative contemporaneity.

The composition of the hoard and its Italian provenance seem to me ex-

plicable only in terms of Sulla's Greek campaigns. Presumably this was money

taken home by one of Sulla's veterans. All of the coins may have been acquired

legitimately in which case Sulla paid his troops not only in coins specifically

provided for that purpose but also in whatever other currency the fortunes of

war put at his disposal. The soldier may have augmented his pay with the

proceeds of looting. In either case the very substantial representation of Pfl m

tetradrachms in the Abruzzi accumulation indicates that this coinage was in

abundant supply about the time of Sulla's occupation of Athens. Since the

issue, except for two drachms found in Delos Hoard A, is otherwise unreported

in a hoard context, the probability is that the ffl - fH coins constituted a mili-

tary rather than a civilian emission and that they were struck by Sulla to meet

the demands of his payroll.1

Additional indication of a Sullan connection may be deduced from the

monograms which appear on the coinage. E. S. G. Robinson, in publishing two

tfl-ffl coins of the Lockett Collection (SNG 1942-1943), notes that TAMIOY is a

possible interpretation of the form in the right field. More recently in conver-

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sation he has suggested that the first monogram is to be read as MAPKOY,

the Marcus in question being the brother of Lucullus.2 This is a most per-

suasive theory and one which, it seems to me, fits admirably all the circum-

stances, historical and numismatic.

We know that Sulla needed a great deal of money for his war against Mithra-

dates. Plutarch (Sulla XII.3-4) speaks of his requisitioning for that purpose

the sacred treasures of Epidaurus, Olympia and Delphi and in a later passage

(XII.9) decrying the Roman general's lavish expenditures upon his men, he

1 The Santangelo Collection of the Naples Museum may bear witness to another hoard

amassed under circumstances similar to those of the Abruzzi deposit. Among the Santangelo

Greek coins are eight tetradrachms of the New Style period: three of the regular series and five

of the tfl - W issue. Since it is highly likely that most of the coins of the Collection were secured

in Italy, the large number of tfl - ffi pieces is suggestive.

4 All letters of the two words, in either the nominative or genitive form, are to be found in

the monograms.

Sullan Issues

435

writes: "that he might corrupt and win over those whom others commanded,

so that in making traitors of the rest, and profligates of his own soldiers, he had

need of much money and especially for this siege." From the same author

(Lucullus II.2) we have also a record of the man responsible for replenishing

Sulla's war chest:

Bi" ekeivou yap EKOTrn to ttAeiotov ev TTEAoTrovvr|CTCp "rrspl t6v Mi6piSornKdv tt6Aehov, Kal

AoukoOXXeiov cnr' ekeivou TrpoariyopEuOri, Kal BieteAeoev ett! ttAeiotov, utt6 tgov cn-pomco-

tiko5v xp1"v ^u T<p ttoAeuco AanP&vov d^oipf)v TaxEiav.

This last text is related by Daux to a Delphic inscription of the late first

century B.C. which tells of the freeing of three slaves, by sale to the god for the

sum of 105 ttAotti AeukoXAeio. Maintaining that the price involved must have

been reckoned in either aurei or tetradrachms, scarcely in denarii or drachms,

and that the adjective platy is certainly to be understood as the colloquial

designation of a large coin, Daux identifies the spread-flan tetradrachms with

two trophies as the coinage struck under Sulla's orders by Lucullus in the Pelo-

ponnese and notes that the fact that this money was still in common use some

sixty years after the Mithradatic War confirms Plutarch's account of its pro-

longed circulation.

Now this is surely sound with respect to the interpretation of the "Lucullan"

money of Plutarch as Greek tetradrachms. It is far less certain that the coins of

the Delphic inscription are specifically the tetradrachms with two trophies. The

fundamental question, of course, is whether this striking was anywhere near

large enough to have supplied Sulla's military needs and to have continued to

serve as a standard medium of exchange for a long period after the war ended.

Only five examples are known. Since there is no duplication of obverse or re-

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verse dies, the original issue was undoubtedly much more extensive than our

record of surviving specimens indicates but even with all allowance made for

this discrepancy it would not seem to have been a really large emission such as

one would expect under the circumstances.

There are other problems as well. The passage in Plutarch is generally taken

to mean that Lucius Lucullus struck the coins in question in the Peloponnese

during the Mithradatic War. As Raven quite rightly says, this would then date

the coinage to 87 B.C.1 since it was as early as the winter of 87/6 that Sulla

dispatched Lucullus to the East to try to raise a fleet and there is no record of

his having returned to Greece until after the defeat of Mithradates. But what

1 This early date would, of course, rule out an interpretation of the trophies as referring to

Sulla's victories at Chaeronea and Orchomenus which occurred a year or more later. Raven,

realizing this, suggests that the trophies may have been no more than Sulla's personal device,

unrelated to any particular victory, or that they may commemorate triumphs earlier than those

of the Greek campaign.

436

The New Style Silver Coinage of Athens

was Lucullus doing striking money in the Peloponnese in 87 B.C.? Putting to-

gether what information we have on Sulla's route to Athens,1 we find him

landing on the coast of Epirus in the spring of 87, making his way down through

central Greece to Boeotia and ultimately to Attica where he encountered the

first real resistance of the campaign. Failing to take Athens and Piraeus, he

established headquarters at Eleusis and Megara and laid siege to the city and

harbor. The only mention of Lucullus prior to that time places him in Boeotia

dissuading Bruttius Sura from engaging Archelaus' forces before Sulla's arrival.

There seems to have been no campaigning in the Peloponnese. Why then set

up a war mint in a region remote from the main theatre of conflict and appar-

ently ungarrisoned by Roman troops?

Actually it is by no means certain that Plutarch meant the coins were struck

in the Peloponnese. In the Loeb edition of Lucullus tv TTeXottowt'ictcp is related

to t6 ttXeiotov rather than to ^kottti and the translation of the pertinent sentence

reads: "Most of the money used in Peloponnesus during the Mithradatic war

was coined by him, and was called Lucullean after him." This, it seems to me,

is what Plutarch intended to convey: most of the money circulating in the Pelo-

ponnese at the time of the Mithradatic war was struck by Lucullus. He might

better have said circulating in Greece, for we can be sure, on the evidence of

the Delphic inscription, that the coins were widely distributed, but the essential

fact is that the passage does not necessarily imply that the site of the mint was

in the Peloponnese.

Plutarch's account says nothing about the time of minting. A large war issue

may, of course, have been put out in 87 B.C. but if one considers the general

situation apart from the connection of Lucullus with the coinage, it seems more

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likely that it occurred after rather than before the fall of Athens. Sulla appar-

ently left Italy with his war coffers practically empty. Appian (Mith. V.30) re-

cords that he disembarked in Greece and "straightway called for money, re-

inforcements and provisions from Aetolia and Thessaly." Presumably the

supplies were forthcoming as city after city, including Thebes, sent its deputa-

tion to proclaim allegiance to the Roman cause. The great sanctuaries of Greece

were ordered to forward their treasures to Sulla for "safekeeping" and coinage

as well as votive offerings in precious metal must have been among these

treasures. Whether such voluntary and involuntary contributions were suffi-

cient to meet Sulla's needs between the spring of 87 and the spring of 86 can

only be a matter of conjecture. It seems to me that they probably were, that

Sulla was under no serious financial pressure during the first year of his cam-

1 Appian (Mith. V.30) gives some details and Mommsen's summary in The History of Rome

(Book IV, Chap. VIII) is a succinct account of the various stages of the war between Mithradates

and Sulla. Plutarch (Sulla XI.4-5) makes reference to Bruttius Sura and Lucullus.

Sullan Issues

437

paign. Not only was there ready money in generous supply for his soldiers but

by way of a bonus there was the promise of rich plunder once Athens and

Piraeus were taken.

After the first of March in 86 B.C. the situation was different. Sulla was

master of the city and its port; he had undoubtedly augmented his war chest

from the spoils of the sacked metropolis. But the war was far from ended.

Ahead of him lay the destruction of Mithradates' forces and the defeat of the

king himself. There was no choice but to move north into Boeotia and seek an

engagement with the enemy but in so doing Sulla was returning to a region

upon which he had already levied tribute in his march south the year before.

Requisitioning would bring some yield but scarcely enough for a protracted

campaign. At this stage it would have been foolhardy for Sulla to have ad-

vanced against Mithradates* generals without first having made provision for

his financial needs. In a completely subdued Athens he had at his disposal a

mint capable of producing a bulk coinage. The raw materials were at hand in

the sacred offerings from the shrines of Greece supplemented by the proceeds

of local confiscation. Surely it was in Athens in 86 B.C. that the "Lucullan"

coinage was struck. With this coinage Lucius Lucullus could have had no con-

nection since he had left Greece months before.

Plutarch tells us (Lucullus 1.6) that Lucius had a younger brother Marcus to

whom he was devoted, citing in evidence the following story: "Although,

namely, he was older than his brother, he was unwilling to hold office alone,

but waited until his brother was of the proper age, and thus gained the favour

of the people to such an extent that, although in absence from the city, he was

elected aedile along with his brother."1 This same Marcus Lucullus was one

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of Sulla's commanders during the Mithradatic campaign (Sulla XXVI1.7),

presumably he was with Sulla when Athens was captured. From Plutarch again

(Lucullus XXXVII. 1) we know that he served as quaestor under Sulla. The

time and place of his service is not recorded2 but in all probability it was in

1 Broughton (The Magistrates of the Roman Republic, II, p. 83) puts their aedileship in

79 B.C. Lucius' election in absentia would have occurred while he was on his way back from Asia

where he remained for some years after the submission of Mithradates to Sulla.

2 Plutarch simply speaks of the prosecution of Marcus Lucullus c. 66 B.C. for his acts as

quaestor under Sulla. (Incidentally he was acquitted.) Broughton (op.cit., p. 65) gives a tentative

date of 83 B.C. for the quaestorship but there seems no reason why it could not have been held

a few years earlier.

Although of no relevance for the period in question, it is interesting to note a piece of evi-

dence cited by Broughton (p. 646) which establishes a connection between Marcus Lucullus and

Athens at a later date. This is a columnar monument from the Agora (published in Hesp.,

1954, pp. 253 f.) honoring M. Terentius Varro Lucullus as proconsul, presumably during his

service in Macedonia in 72-71 B.C.

438

The New Style Silver Coinage of Athens

Athens in the years after the fall of the city, for to whom is it more likely that

Sulla would have entrusted the responsibility for a large issue of coinage than

to the brother of his absent mint manager. As Robinson suggests, this is the

man whose name and office appear on the tfl - fB emission. The coinage was

indeed struck by Lucullus, but by Marcus and not by Lucius.

It seems to me quite certain that the "Lucullan" currency of Plutarch and

the Delphic inscription was this tfl-fH issue with its tremendous output

of tetradrachms, smaller quantity of drachms and token representation of

bronze.1 In its size, far surpassing even the heaviest of the New Style strikings,

it qualifies as a war coinage to a degree true of no other issue of Greek silver

of the period. The date and place of its emission seem to me equally certain.

Only a large, well-equipped mint could have produced this vast amount of

money; that the mint was Athens is clearly suggested by the coinage itself. In

imitating the familiar Athenian tetradrachms, Sulla undoubtedly had in mind

the advantages of a currency which would be recognized and readily accepted

in the area of his coming campaign. There may also have been an element of

vindictiveness involved which would not have been out of character. This was

essentially Athenian money but the ethnic of the once proud city was sup-

pressed and the names of her monetary magistrates replaced by the name and

title of a Roman official. The workmanship is inexpert. If the engravers had

had previous experience in die-cutting, it had not been acquired in the pre-

Sullan mint of Athens. The dies are far removed in style from anything in the

New Style series and there is furthermore, in the retention of the amphora

letter on some reverses, a misunderstanding of the purpose of the marking. It

is highly unlikely that all coins with A on the vase were issued in a single month.

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1 One hundred and twelve tetradrachms and seventeen drachms of the ffl - ffl issue are

listed in the catalogue. For this striking, however, the number of surviving pieces is no real re-

flection of original output. Far more significant are the totals of known dies: 57 obverse and

92 reverse for the tetradrachms and 11 obverse and 14 reverse for the drachms. In the vast

majority of cases each obverse-reverse combination is represented by a single coin and, in further

indication of the incompleteness of the present data, almost every new coin which has turned up

since the catalogue was first formulated has provided new dies. There can be no question but that

this was an extremely large emission.

A few bronzes with the two monograms are known (A and B on Plate 149 are British Museum

coins, the former BMC 534 and also Svoronos 78, 19 but erroneously described as AR in the

Tresor). These pieces can obviously have had no connection with Sulla's war effort. Rather they

point to a need for local small change and thus provide another link between Athens and the

monograms coinage. The sack of the city must have created a serious shortage of money which

would have had to be remedied if Athens were to resume any kind of normal economic life. It was

to Sulla's interest to keep the city alive if only as a functioning base for his attack on Mithradates'

armies and it was surely with this in view that he authorized a small issue of bronze for the use

of the community at the time the HI - ffi silver was struck.

Sullan Issues

439

The date seems rather to have been copied in the beginning from a New Style

prototype and later abandoned as an unnecessary adjunct.

That the tfl - fB striking began as soon as feasible after the fall of Athens

seems probable. How long it lasted is problematical. The division between

Issues I and II is not necessarily an annual one; the two emissions may repre-

sent a continuous operation of less than or more than a single year. All we can

assume is that sometime between 86 and 84 B.C. Marcus Lucullus, on Sulla's

authority, struck the tfl - ffl coins. Subsequently the trophies issue was put

out, perhaps by Marcus, perhaps by someone else. It would seem to have coin-

cided with Sulla's visit to Athens in 84/8 on his way back to Rome after the

capitulation of Mithradates. On that occasion the islands of Lemnos, Imbros,

Skyros and Delos were restored to Athens and the city, in return for this gen-

erous gesture, instituted a new festival, the Sylleia, in honor of Sulla.1 At the

same time a small striking of coins took place, serving the twofold purpose of

providing some money for the trip back to Italy and of paying flattering tribute

to the conqueror whose great victories at Chaeronea and Orchomenus were re-

called on the coinage. After this emission the mint of Athens struck no more

silver.

1 John Day, An Economic History of Athens under Roman Domination, p. 128. For a dis-

cussion of the Sylleia and the possibility of a later date for their inauguration, see A. E. Rau-

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bitschek, "Sylleia" in Studies in Roman Economic and Social History, pp. 49-57.

IMITATIONS

(Plates 150-159)

1346. Rev. Q-N

*ANS (from Athens), gr. 15.72 (Pl.)f; Athens (Delos Hd. T, 1; Sv. 88, 21),

gr. 17.70 (Pl.)f

No. 1346 derives from the Athenian issue of 193/2 B.C. with E - N and

either no symbol or cornucopiae in the field (Plate 2). The reverse and details

of the obverse, such as hair, helmet crest and ornament, are skilfully copied

from the prototype but the form of the visor and the coarse features of the

goddess are in sharp contrast to the normal style of this early New Style

coinage.1

1347. Rev. W - and trophy

*The Hague (Sv. 118, 17)

1348. Rev. Same type

*Gotha, gr. 14.28

The trophy issue of 188/7 b.c. (Plates 5-6) served as the model for Nos. 1347

and 1348. As in the case of the preceding imitation, the reverses are indistinguish-

able from official dies. The obverse of No. 1347 is distinctly barbaric; that of

No. 1348 bears some resemblance to obverse dies of later issues, such as No. 298

of TAAY-EXE.

1349. Rev. E-tfl

*Petsalis Coll., gr. 16.01

No. 1349 is copied from the New Style issue of 185/4 (Plate 9). The obverse

is a somewhat clumsy imitation of an official die (cf. Nos. 71-72). On the re-

verse, the type and first monogram are carefully and accurately executed but

the second monogram is blundered and the cicada symbol has been omitted.

Crossed lines on the amphora may have been intended as a letter.

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1350. Rev. TTO and cicada

*Berry Coll. (from Anatolia), gr. 16.99f

1 There is a Leningrad coin which may also be an imitation of the E - N issue. Its obverse

is so poorly preserved that I cannot decide whether it belongs with the Athenian coinage or

is a copy.

Imitations

441

This is a most interesting coin in its combination of Old and New Style

prototypes. The obverse is clearly taken from a tetradrachm of the late third

century. Comparison with the Old Style coinage characterized by symbols on

the reverse (as illustrated by Svoronos on Plate 23, nos. 20-24) points up the

close resemblance between original and copy: note the exaggerated ornament

sprawling loosely toward the front of the helmet, the double lines of the visor

terminating in a tightly coiled volute, the pointed olive leaves above the visor,

the stiff short locks of hair, even the profile and expression of the goddess.

The reverse is a hybrid. Its symbol, a cicada placed above the initial letter

of the ethnic, suggests the 6 - Itl issue of 185/4 B.C.1 while the TTO is perhaps

to be associated with the later coinage of TTOAY -Tltfi.

An Anatolian provenance is certain but there is no reliable information as

to the exact find-spot of the coin. It would seem to have been struck at a mint

with experienced diecutters available for the style and workmanship are

excellent.

1351. Rev. 1*1 - M and serpents

ANS-ETN (from Alexandria), gr. 14.81f

The tetradrachm above, No. 1351, imitates the r*l-4i with serpents emis-

sion of 184/3 B.C. (Plate 10). There is no amphora letter visible and the second

monogram is blundered as fa but otherwise the copying is exact.

In style the coin is obviously barbaric. Newell purchased it in Alexandria

and labelled it "Arabian Imitation". His judgment as to its provenance is

probably correct but it is difficult to associate the piece with any known series

of Arabian imitations of Athenian coins. The base silver tetradrachms with Old

Style types, tentatively assigned to Northern Arabia {BMC, Arabia etc.,

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pp. lxxxvf. and PI. XI, 24^26) are so degenerate that one can scarcely believe

the New Style imitation under present discussion emanated from the same

region. Southern Arabia produced imitations of both Old and New Style coins

but the extensive Sabaean and Himyarite issues modelled on Athenian cur-

rency are characterized from the beginning by Sabaean letters and signs, of

which there is no trace on our imitation. Furthermore, as John Walker has

shown in two recent articles,2 the occurrence of the name of the ruler Sahar

Halal in Lihyanite script on coins of both Old and New Style type proves a

1 The emission of AYIAN - TAAYKOZ (159/8 b.c.) also uses the cicada symbol but the

insect of the imitation is more closely comparable with that of the monograms issue. Further-

more, it would seem reasonable to suppose that the inspiration for the abnormal combination of

name and symbol derived from issues fairly close in time.

* "A Mysterious South Arabian Coin-Legend," NC, 1948, pp. 39-42; "The Lihyanite In-

scription on South Arabian Coins," Rivista degli Studi Orientali, XXXIV, 1959, pp. 77-81.

442

The New Style Silver Coinage of Athens

direct transition from one class of imitations to the other. Our imitation cannot

have been a precursor of the Himyarite "New Style" coins. If its origin is

Arabian, it must come from some other section of the peninsula; certainly there

is a distinct possibility that its provenance lies elsewhere.

1352. Rev. AAEI - HA and trident

Bucharest, gr. 16.87

Copied from the New Style issue of 179/8 B.C. (Plate 15) but with AAEI - HA

instead of AAEI - HAIO and without the control combination normal for the

period.

1353. Rev. ZEPIANZKYPEAE in left field. Trident and Nike in right field. K on am-

phora; below

*ANS (from Athens), gr. 13.79f

This coin is an invention. The inscription in the left field is meaningless,

symbols of two non-contiguous Athenian issues (AAEI - HAIO of 179/8 and

KTHII-EYMA of 171/0 B.C.)1 are combined, the obverse bears no stylistic

resemblance to the official dies of either emission.

1354. Rev. KHZI - EYMA and Nike. FlPO below

Gotha, gr. 16.86

No. 1354 is a fairly careful copy of the New Style coinage of 171/0 (Plates 28

and 29). The first magistrate's name is, I believe, blundered but the coin is too

worn for certainty. Below the amphora, the customary FTPO control combina-

tion is rendered as FIPcp.

1355. Rev. TAAY - EXE and bust of Helios. Kl in lower 1.

Romanos Coll. (Sv. 118, 18)

The imitation derives from the issue of 170/69 (Plates 30-31). Magistrates'

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names and symbol are accurately transcribed but the over-size Kl in the lower

left field is a misunderstanding of the KT control combination. The obverse is

stylistically alien to the normal Athenian type of the period.

1356. Rev. TAAY - EKE and bust of Helios. II in lower 1.

Basel (Sv. 113, 19), gr. 16.51/

Another, and less successful, copy of the Athenian coinage of 170/69.

Double-striking obscures the reverse to some extent but the blundered EKE and

the clumsily executed symbol are clear. 21 in the lower left field is probably

1 Possibly the Nike is borrowed from the monogram coinage of 189/8 b.c.

Imitations

443

derived from the control combination ZO. The obverse is non-Athenian in style

and technique.

1357. Rev. MIKI - 6E and caps of the Dioscuri

London, gr. 18.77

1358. Rev. MIKI - 0E and bust of Helios

Athens (Delos Hd. T, 205; Sv. 43, 7), gr. 15.87

No. 1358 from a Delos hoard of 1905 was published by Svoronos as a regular

issue of the Athenian mint and the same coin was later cited by Bellinger

(Hesp., Suppl. VIII, p. 15) as proof of the sequence of the emissions of TAAY -

EXE with Helios bust and MIKI -0EOOPA with Nike and quadriga (Plates 30

to 32). The style of both obverse and reverse is, however, quite different from

that of the official dies of the two Athenian strikings and this suggests that the

abnormal combination of names and symbol is to be interpreted not as an

accidental carrying-over of a symbol from one year to the next at the mint of

Athens but as another instance of hybridization at a non-Athenian workshop.

The case for a "barbaric" origin for No. 1358 is greatly strengthened by a

coin in the British Museum, No. 1357. This piece has the same magistrates as

No. 1358, MIKI - GE, with the caps of the Dioscuri symbol belonging to the New

Style issue of 186/5 B.C. That both coins were struck outside Athens is certain.

It is possible that they are from the same workshop but on the whole this seems

unlikely in view of the great stylistic difference in the obverse heads.

1359. Rev. AIOrE - TTOZ - Afll and Dionysos

London, gr. 14.54f

A clumsy copy of the issue of 161/0 B.C. (Plate 42). The AQI is evidently

an erroneous rendering of AGP(OGE), a third magistrate for the Athenian

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emission.

1360. Rev. MAAKI L; EnirCMH - CnYANApOZ r. Eagle on fulmen. Al below

Oxford, gr. 16.10 (Pl.)\*

1361. Rev. KAIIKPA 1.; ETTEINMD - ZQ = AAqOZ r. Eagle on fulmen. Zl below

Paris, gr. 15.85 \; Glasgow (Hunt. 176), gr. 15.45 \

1362. Rev. MOZXI 1.; ETHrENH - ZflZANAPOZ r. Eagle on fulmen. MH below

Vienna, gr. 11.88

1363. Rev. IKIQN - EY. AKA - ENNI and Dioscuri. ?below

Budapest, gr. 18.97 \

Nos. 1360-1363 are very similar in obverse style and seem to me the prod-

ucts of a single workshop. Coinage of ETTirENH -ZQZANAPOZ in 158/7 B.C.

(Plates 45-46) served as the prototype for the first three coins, that of Ml-

K1QN - EYPYKAEI in 156/5 (Plates 48-49) for the last. On the whole the ob-

444

The New Style Silver Coinage of Athens

verses have been more successfully imitated than the reverses. The heads of

Athena are coarse and heavy but they do bear a superficial likeness to the

originals. No. 1362 is an accurate replica of an official reverse except that MH

as a control combination is not known for this section of the coinage. On the

reverses of Nos. 1860-1 and 1363 there is considerable blundering in the in-

scriptions.

1364. Rev. THNEHIAIEY 1.; KAIA r. Prow

*Athens (from a Russian collectionRiv. Num., XXI, 1908, p. 317;

Sv. 118, 20), gr. 15.72 (PI.)

Svoronos in the Rivista article classifies the coin as a barbaric imitation and

suggests a Danubian origin. Certainly the debased style and senseless jumble

of letters point to a workshop on the periphery of the Greek world. The proto-

type seems to be a tetradrachm of KAPAIX - EPrOKAE (Plates 53-54) but it is

only the prow symbol that enables one to make the connection. With some

effort of the imagination KAIA can be derived from PAIX, which appears in the

right field on the Athenian coins; the inscription to the left is sheer fantasy.1

1365. Rev. O AEMOZ and Perseus (?)

a. *ANS-ETN (from Istanbul), gr. 16.40f; Paris (Carystus Hd. I; Sv. 78, 27),

gr. 16.20f

b. *Munich (Carystus Hd. I; Sv. 78, 26; JIAN, 1915, p. 69, fig. 9) = Hirsch

XXXII, 494 = Hirsch (Weber) 1719, gr. 16.10; Istanbul (from Samsun),

gr. 16.59f

c. *London (from Kambanis), gr. 16.00f; Berlin (Carystus Hd. I; Sv. 78, 25),

gr. 16.24

The most recent treatment of the coinage exemplified by No. 1865 is that

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of J. H. Jongkees {Mnemosyne, XIII, 1947, pp. 145-160). There the author

carefully reviews earlier publications and summarizes the various theories re-

garding this abnormal issue. What emerges from the discussion of the past

seventy-five years is an almost universal agreement on a late date for the coins

and a fairly even division of opinion as to an Athenian or non-Athenian origin.

Proponents of the mint of Athens would attribute the issue to the state imme-

diately after the slave revolt of c. 104 B.C., to the democratic faction after the

overthrow of the oligarchy in 88 B.C., or to the civic authorities responsible for

the resumption of coinage in the years immediately following Sulla's capture

of the city. Those favoring a provenance outside Athens would ascribe the

1 A plated piece in the Kestner Museum at Hannover (10.87 gr) seems to belong to the

same category of imitations as No. 1364. The coin is practically illegible but the head looks

extremely barbaric and there is a meaningless inscription in the left field which may readTlHZIHN.

Imitations

445

issue to the cleruchs on Delos or to the Athenian Emigres of pro-Roman per-

suasion who fled the city before the siege and placed themselves under

Sulla's protection. Kambanis indicates his feeling that the coins are not civic

strikings but advances no hypothesis as to their date or the circumstances

of emission.

Jongkees believes that the coins are non-Athenian. Pointing to the bar-

barous style, the absence of month and control letters on the reverses, and the

very low weight of the four specimens known to him,1 he argues that the

series must be separated from the regular tetradrachms of Athens and that the

abnormality of the reverse type indicates that the coins were put out during a

period of disturbances. The nature of the disturbances is suggested by the in-

scription: "the fact that the coins are emphatically stated to have been issued

by the people of Athens, points to a situation where the people were opposed to

a dominant power which could be regarded as not representing the Athenian

people." This situation Jongkees believes to be the tyranny of Aristion in

87/6 B.C. and he follows Wilamowitz in attributing the coins to fugitives from

Athens who had taken refuge in Sulla's camp. The Harmodios symbol2 would

be an eminently suitable selection under the circumstances.

Before indulging in further speculation as to the raison d'etre of this atypical

issue, let us review briefly the facts as they pertain to the coinage itself. We

have now on record six specimens: three coming from the Carystus Hoard of

1883, one discovered at Laurium,3 one put on the market in Istanbul4 and one

unearthed at or near Samsun. The evidence of provenance is contradictory

but it is to be noted that the ANS and Istanbul specimens invalidate Svoronos'

statement that these coins are invariably found in Laurium and southern

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Euboea.

The Carystus hoard which produced three of the six tetradrachms is a late

1 The danger of this kind of argument from a limited amount of material is illustrated by

the fact that the two new specimens in the present catalogue are not of extraordinarily low

weight: 16.40 for the ANS piece and 16.59 fr tne one a* Istanbul.

* Kohler's original identification of the naked figure with sword and scabbard as Harmodios

(ZfN, 1885, p. 106) has been generally accepted although often with reservations. Svoronos, how-

ever, describes the youth as Theseus (JIAN, 1915, p. 70), arguing that a representation of only

one of the Tyrannicides would be unlikely, and Pick suggests a personification of the Demos

(Les tnonnaies d'Athenes, p. VIII, s.v. Harmodius et AristogiUm). Jongkees believes that the figure

is a copy of the Harmodios of Antenor, of which no replicas exist, a derivation which would explain

the differences in stance and attributes between the symbol on the coinage and the well-known

statue by Kritios.

* As reported by Svoronos in the JIAN article cited above (p. 69). The London specimen

purchased from Kambanis is probably the Laurium coin.

* An Anatolian provenance for this piece cannot be taken for granted but it seems more

likely than not.

446

The New Style Silver Coinage of Athens

deposit (see pp. 502f.). All O AEMOI pieces are in excellent condition.1 This

and their substantial representation in the find indicate that they are among

the latest of the hoard issues.

One obverse and three reverse dies were used for the six known coins, a cir-

cumstance suggestive of a small emission. Several unusual features in con-

nection with these dies are immediately apparent. The obverse with its heavy

"barbaric" style is markedly different from anything produced by Athenian

engravers but it probably represents a clumsy copy of a mid-second century

coin of Athens (cf. Plates 40-45 with special references to the hair, the atten-

uated ornament and even the general impression of the profile). There is, how-

ever, one stylistic idiosyncrasy which is not derivative, namely the termination

of the visor line in an elaborate volute. This peculiar treatment is found on the

last of the Old Style tetradrachms of Athens (Svoronos, PI. 23, 20-24); it is

never found on dies of the New Style period. Outside Athens in the first century

B.C. it is characteristic of some but not all of the Athenian imitations struck on

Crete (e.g. Gortyna as BMC, Crete, PI. XI, 6) and of the coinage of certain

Euxine mints under Mithradates VI (Amisus, Amastris and Comana among

others; cf. BMC, Pontus, Pis. Ill, 8 and V, 5).

On the reverse dies the type is a carefully delineated owl of pleasing pro-

portions perched on a small bulbous amphora. Nothing could be less like the

representation on late Athenian tetradrachms where the owl is a scrawny un-

gainly bird with over-sized head and staring eyes on an unnaturally elongated

vase. It was the excellent workmanship of the reverses of the O AEMOZ coins

which led Head to date them in the first half of the second century B.C. and his

judgment is quite correct. They find their closest parallels among the Athenian

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owls of 165-160 B.C. Only in the omission of month and control letters do the

O AEMOZ reverses differ from the official dies of the period.

One other item of factual information is available. An analysis of the ANS

tetradrachm (p. 637) shows a composition of practically pure silver. Of all the

New Style coins tested only one specimen has a gold content comparably low

and none has so little copper; all tetradrachms of the late second and early first

centuries have a substantially higher proportion of both metals.

What we have then from the evidence of the coins themselves is a small issue

of late date but of early derivation with an ambiguous record of provenance.

The silver is non-Athenian, insofar as a single analysis can establish this point,

and the style of both obverse and reverse dies as well as the absence of magis-

trates' names and of month and control letters are irreconcilable with the

1 As Jongkees says, the reverses are all in an excellent state of preservation as is the Paris

obverse. The worn appearance of the other two obverses would seem to be due rather to the con-

dition of the die than to prolonged circulation of the coins.

Imitations

447

regular Athenian coinage of the late period. Svoronos' theory of inexperienced

workmen brought into the mint after the slave revolt would perhaps explain

some of these anomalies but not all and it seems to me that the weight of

present evidence is strongly in favor of an origin outside Athens.

At the same time it is true, as Svoronos and Jongkees insist, that the in-

scription gives the issue an official character which must be taken into con-

sideration1 and Wilamowitz's hypothesis of Athenian fugitives purporting to

be the real representatives of the people does plausibly explain the puzzling

amalgam of Athenian and non-Athenian elements in the coinage. Need we

assume, however, that the refugees were partisans of Rome? Is it not possible,

and perhaps even more likely, that they were members of the pro-Mithradatic

faction who sought safety with friends and relatives in Amisus when Athens

was threatened by the investing armies of Sulla (Ferguson, Hellenistic Athens,

p. 448 citing Plutarch, Lucullus, XIX). As Ferguson points out, Plutarch's ex-

planation of the flight as an attempt to escape the tyranny of the Pontic agent

Aristion is illogical in that the fugitives migrated to the capital of Pontus.

Rather they must be supposed to have feared the hardships and possibly the

outcome of the siege. Once the city had fallen they might justifiably have con-

sidered themselves the real representatives of the Athenian people, and cer-

tainly Athens, sacked and at the mercy of Sulla, was more truly a captive state

than she ever was under the dictatorship of Aristion. It is entirely conceivable

that Mithradates permitted or even fostered a limited emission of Athenian

type coins at a Euxine mint under his control. One need not read into this any

sentiment or sympathy for the exiles. Basically it would have been a shrewd

political gesture on the king's part, a refusal to acknowledge the status quo in

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Athens and an affirmation of his confidence that his armies would eventually

defeat Sulla and restore the city to his friends and followers.

There is nothing in the circumstances of the O AEMOI coinage which specifi-

cally implies a pro-Roman background. There are several factors which suggest

a Mithradatic connection. First, the barbaric style of the obverse would seem

more likely the work of an engraver in a distant part of the Hellenistic world

rather than of a Roman diecutter and one distinctive characteristic of the ob-

verse head, namely the peculiar rendering of the visor volute, has a counterpart

in Pontic tradition. The diversity of find-spots, too, can be explained on the

assumption that the issue was struck in the Euxine region. Samsun where one

coin was discovered is the ancient Amisus, a royal residence of the Pontic kings

and the city to which the pro-Mithradatic Athenians fled; the coin which came

on the Istanbul market is in all likelihood also of Anatolian provenance. The

1 Unless, of course, the legend is merely the invention of a distant atelier and thus without

political significance in an Athenian context.

448

The New Style Silver Coinage of Athens

presence of the other four coins in Euboea and Attica is not unnatural if one

recalls the events of 86-85 B.C. After the fall of Athens Sulla's armies moved

into Boeotia and for a year or more this district was the scene of bitter fighting

between the Roman and Mithradatic forces. On one occasion ten thousand

Pontic soldiers were obliged to flee to Chalcis and it was at Chalcis that Dory-

laus anchored with reinforcements for Archelaus (Plutarch, Sulla, XIX-XX).

The O AEMOI coins of Carystus and Laurium could have been put into circu-

lation by or captured from Mithradates' men.1

Finally there is the symbol on the coins, variously interpreted as Harmo-

dios, Theseus or the personified Demos. In the absence of distinctive attributes

any definitive identification is impossible but it seems to me that a fourth can-

didate, Perseus, is worth considering. Granting the basic premise of a Pontic

origin for the coinage, it is apparent that no more suitable symbol could have

been selected than a representation of the hero so closely associated both with

Athens and with the Pontic kings who claimed him as an ancestor. Even the

legend lent itself to the political context of 86 B.C. so that one might see in the

armed warrior Mithradates, the modern Perseus, prepared to slay the monster

Sulla on behalf of Athena and the Athenian people.

Admittedly there are difficulties in this conjectural identification: the ab-

sence of the Gorgon's head, the very different representation of Perseus on

Pontic bronzes of Mithradatic date, the arming of the hero with a sword rather

than a harpa which was Perseus' customary weapon in post-Archaic times. One

can only point out that limitations of space might account for the elimination

of details by an inexperienced artisan and that the sword may merely reflect

the earlier version of the Perseus story.2 Certainly the association cannot be

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pressed. The figure on the coins is no more obviously Perseus than it is ob-

1 After this study had gone to press the writer was advised of a new hoard with two

O AEMOZ coins said to have been found atChesme, a mainland site opposite Chios. The pieces

are now in the Boston Museum of Fine Arts and it is through the courtesy of Dr. Cornelius C. Ver-

meule that I am able to make brief mention of them here.

In addition to the O AEMOZ specimens the deposit contains fourteen New Style tetradrachms

ranging from 170/69 to 124/3 B.C., a Nicomedes tetradrachm of 132 B.C., four cistophori of Per-

gamum dating from 94-55 B.C., one posthumous Lysimachus of the late second or early first

century from the mint of Byzantium, one Mithradates tetradrachm of 89/8, and fourteen Chios

drachms. Best preserved of the large coins are some of the cistophori, the Byzantine Lysimachus,

the Mithradates tetradrachm of 89/8 and the two O AEMOZ pieces. The Euxine issuesand

perhaps the cistophori as well since Mithradates had established headquarters at Pergamum in

88 B.C.were surely brought into the Chios region by the Mithradatic armies during the cam-

paigning for Asia. It seems highly likely that the O AEMOZ coins of Chesme, like those of Carystus,

are also to be connected with the presence of Pontic soldiers in the area.

Cf. the pre-Classical representations in Daremberg-Saglio (s.v. Perseus) which prominently

feature both sword and scabbard.

Imitations

449

viously Harmodios or Theseus or the personified Demos. All that can be said

is that it is a warrior and implicitly a champion of the people against tyranny.

Any of the suggested identifications would be consonant with this symbolism.

1366. Rev. MIKI - 0ECXDPA Nike and quadriga. AIT below

Herakleion (Cretan Hd. II)

In an issue characterized by a highly homogeneous style as regards both

obverse and reverse dies (Plate 82), this coin is an anomaly. The obverse head,

except for the facial expression, is a reasonably close approximation of an

official die; the reverse with its squatty owl and clumsy crowding of letters and

symbol is less successful. Awkwardness of technique might be written off as the

result of inexperience on the part of a new diecutter were it not for the further

consideration that this coin constitutes our only record of either obverse or re-

verse die. Normally the dies of the MIKI - 0EOOPA striking are known from a

substantial number of specimens. I believe that No. 1366 should be regarded as an

imitation, probably of Cretan origin in view of its presence in a Cretan hoard.

1367. Rev. HPA - API - OlAfl Club, lion's skin and bow in case. E on amphora

Berlin, gr. 15.87

This coin is classified as an imitation for much the same reason as No. 1366

above. The expression of the goddess is perceptibly different from the normal

and consistent rendering on Athenian coins, the somewhat disagreeable look

due in part to the strange downward stroke of the eyelid. The treatment of the

reverse type is indistinguishable from that of official dies but the second magis-

trate's name is given as API instead of AP1ZTOO. In weight the piece is abnor-

mally light, particularly in view of its fair state of preservation.1

1368.

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a. Rev. TIMAPXOY - NIKATO - ANTIOXOZ Anchor and star. ME below

London, gr. 14.25 (PI.); Berlin, gr. 14.37

b. Rev. AflPOOE - AIOO - NIKOAfl Forepart of lion. ME below

Berlin, gr. 18.40

c. Rev. ANTIOXOZ-NIKOr-ANTIAOX Elephant. A on amphora; ME below

Berlin, gr. 16.12

d. Rev. ANTIOXOZ - NIKOr - NIKflNH Elephant. B on amphora; ZQ below

London, gr. 14.85

There can be no doubt that the five coins of No. 1368 are ancient forgeries.

One is definitely plated and the very low weights of three others suggest a

1 Georges Le Rider, after having studied the coins in the Berlin Collection, writes that

Nos. 1367, 1379 and 1383 are clearly of low grade silver. He feels that all three pieces may be

plated although there is no visible indication of this.

450

The New Style Silver Coinage of Athens

copper core. The obverse is probably taken from an official die of the TIMAP-

XOY - NIKAI"0 issue while the four reverses are accurate copies of dies from

three different issues. This coupling of a single obverse with a number of re-

verses derived from diverse and often non-contiguous issues is a recurring

phenomenon among imitations of the New Style coinage.

1369.

a. Rev. nOAYXAPM - NIKOr - 0EMISTOKAH Winged caduceus

Glasgow (Hunt. 120)

b. Rev. ANTIOXOZ- KAPA1XOI - EYMAXOI Elephant. E on amphora; ME below

Cambridge (Grose 5908), gr. 15.80 (Pl.)f

Another instance of the reverses of non-contiguous issues coupled with a

single obverse. Both coins are plated.

1370. Rev. AAP09E - AIOI - AIOKAE Forepart of lion

*ANS, gr. 14.48 (PI.) \

1371. Rev. AQPO0E - AIO - NIKOAfl Forepart of lion. H on amphora

Paris, gr. 15.55 (PI.)

There is a certain similarity of technique about these plated coins which

suggests that the dies were cut by the same workman. Neither is a notably

successful copy of the prototype.

1372. Rev. 0EO<DPA - SflTA - OIAHM Fulmen. B on amphora; IS below

London {BMC 426), gr. 15.72 (PI. ?)f

1373. Rev. AlOrE - FIOIE - HrEMA Dionysos. SO below

Glasgow (Hunt. 104) PI.

1374. Rev. AXAIOZ - HA1 - KAEAPA Cornucopiae with grain. E on amphora; ME below

London {BMC 849), gr. 16.17f

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The strangeness of the obverse style and the blundered inscription (AXAIOZ

for AXAIOZ and KAEAPA for KAEAPX) indicate an imitation.

1375.

a. Rev. AYZAN - TAAYKOZ - NIKANQP Cicada. A on amphora; ME below

Florange-Ciani (Gallet) 22 = Feuardent (Collignon) 255, gr. 14.G0

b. Rev. EnirENH - IflZANAPOI - EYMH Eagle on fulmen. 10 below

Athens, gr. 14.42 (PI.)

Both obverse and reverse dies are highly unsuccessful copies of the Athenian

coinage of 159/8 and 158/7 B.C. The Athens Museum coin is definitely plated and

the weight of the other specimen implies a copper core. No. 1875 is almost cer-

Imitations

45i

tainJy by the diecutter who produced the earlier No. 1371. Note the close

resemblance of the obverse heads and the peculiar exaggerated sweep of the

tail feathers on all three reverses.

1376. Rev. AYZAN - TAAYKOZ - A0HNOBI Cicada. I on amphora; ZO below

*Vinchon, May 1959, 507 = Feuardent, May 1914, 229 = Hirsch (Rhous-

opoulos) 2056, gr. 15.26; Sophia, gr. 14.90; Miinster Univ., gr. 18.60

This coin is a close imitation of official dies but 10 as a control combination

is not found on Athenian issues of the period. Surely all three pieces are plated.

1377. Rev. EThTENH - IQZANAPOI - EYMH Eagle on fulmen. T on amphora; ME

below

*Ratto (Rogers) 863, gr. 14.60

Another specimen which is almost certainly plated. The reverse is a better

copy than the obverse of an official tetradrachm.

1378. Rev. EThTENH - SflXANAPOZ - KAAA/KPA Eagle on fulmen. A on amphora;

Al below

Berlin, gr. 15.15

The fierce expression of the goddess is reminiscent of No. 1372 and the two

imitations may be from the same hand. On the reverse of No. 1378 the owl is

clumsily rendered and the AI below the amphora is a mistake for Al. Probably

a plated coin.

1379. Rev. ETTirENH - SQZANAPOS - ANTirONO Eagle on fulmen. TIP below

Berlin, gr. 16.26

The dies may be official but the pronounced heaviness of the profile and the

thick ridges of the neck, as compared with the other dies of this issue, seem to

me indicative of an imitation.1 More examples of the Epigenes-Sosandros

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coinage have survived than of any other single striking and almost all obverse

dies are extremely well represented. It is true that there is one instance of a

pair of dies known from only one coin (No. 455) but this is quite abnormal and

the tetradrachm in question fits unmistakably into the stylistic pattern of the

emission.

1380.

a. Rev. AXAIOS - HAI - ITTTTONIKOZ Cornucopiae with grain. A on amphora

Munich, gr. 15.21

b. Rev. T10AEMQN - AAKETHZ - EYAI Tripod. I on amphora; 20 below

Paris, gr. 14.36 /; Vienna, gr. 18.71; ANS, gr. 18.10 (PI.) /

1 See note on page 449 for the poor quality of the silver.

452

The New Style Silver Coinage of Athens

r c. Rev. MIKIflN - EYPYKAE - APEZTOZ Dioscuri. K on amphora; 10 below

| *London {BMC 467), gr. 18.54 (PI.)

I d. Rev. MIKIflN - EYPYKAE - APEZTOZ Dioscuri

I Athens, gr. 16.10 (PI.)

| e. Rev. AOPOAIZI - ATTOAHEI - MHTPO Nike. A on amphora; Id) below

I *Vienna, gr. 18.24 (PI.)

| f. Rev. AOPOAIZI - AFIOAHEI - MHTPO Nike. ?on amphora; Z4> below

| *Berlin, gr. 14.85 (PI.)

| g. Rev. KAPAIX - EPrOKAE - EYAH Prow. A on amphora; ZO below

| *Petsahs Coll., gr. 13.55 (PI.) /

j A single obverse is combined with seven reverses representing five different

j issues. Six of the nine coins show evidence of plating and the other three are

I correspondingly light in weight. All reverses are accurately copied. The obverse

I derives from a die of TTOAEMfiN - AAKETHZ (cf. No. 463), MIKIfiN - EYPYKAEI

I (cf. Nos. 484, 487) or AOPOAIZI - ATTOAHEI (cf. No. 494). Its prototype is de-

| finitely not to be found in the issues of AXAIOZ - HAI and KAPAIX - EPrOKAE.

This suggests that the sequence of reverses bears no relation to the chrono-

logical sequence of emissions and a measure of confirmation is provided by a

I die break (straight up from the terminals of the helmet crest) which seems least

I noticeable on 1880e and most pronounced on the ANS specimen of 1380b and

ion 1380c. Furthermore the reverse of 1380c is found coupled with a different

obverse (No. 1381) and this, taken in conjunction with the evidence of the die

j break, indicates that it was the last reverse cut for Obverse 1380.

L1381. Rev. MIKI AN - EYPYKAE - APEZTOZ Dioscuri. ?on amphora; Z0> below

*de Laval Coll., gr. 14.58 (PI.)

1382.

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As mentioned above, a common reverse die links this striking with No. 1380.

a. Rev. En.TEN. -ZQZA.APO. - MOZXI Eagle on fulmen. ME below

*Petsalis Coll., gr. 18.59 (Pl.)f

b. Rev. ETTirENH - ZflZAAPOZ - ANTTON Eagle on fulmen. H on amphora; ME

below

Paris, gr. 12.48 (PI.)

c. Rev. ETTirENH - ZQZAAPOZ - ANTirONO Eagle on fulmen. 9 on amphora;

ME below

Christomanou Coll.

d. Rev. TlOAMftN - AAKTHZ - APIZ Tripod. ME below

Commerce 1954, gr. 18.45 (PL); The Hague

e. Rev. MIKlflN - EYPYKAE - ZflKPATHZ Dioscuri. E on amphora; ZO below

Johns Hopkins Univ., gr. 14.78; Berlin, gr. 15.87

Imitations

453

f. Rev. KAPAIX - EPTOKAE - ATTOAE Prow. A on amphora; ZQ below

ANS = Sotheby, Dec. 1924, 126, gr. 13.89 (Pl.)f

g. Rev. KAPAIX - EPrOKAE - EYAH Prow. A on amphora; 10 below

Paris, gr. 14.65 (PI.) I London, amphora and control letters uncertain,

fragment (PI.)

Seven reverse dies, representing four different issues, are coupled with a

single obverse. Of the ten coins known, six are definitely plated and one other

with a recorded weight is so light as to be suspect.

The reverses of No. 1382 show a high degree of carelessness in copying.

Letters are frequently omitted, either because they were not seen by the copyist

(often on genuine dies letters are superimposed on the owl or the wreath and

might easily pass unnoticed by a careless workman) or because they did not fit

comfortably into the available space. ATTOAE is not known for the issue of

KAPAIX - EPI"OKAE; ATTOA occurs but with Z not A on the amphora. As in the

case of No. 1380, the sequence of reverse dies is not in accord with the chrono-

logical order of emissions. On the London specimen of 1382g and on 1382a

there is a well-defined die break above the tail of Pegasus which is not found

on the other coins. These then are the two latest reverses.

In style the obverse head is so close to No. 1380 as to suggest that one die

was copied from the other.

1383. Rev. ETTirENH - ZQZAAPOZ - T7AMOI Eagle on fulmen. M on amphora; ZO

below

Berlin, gr. 15.33

The light weight, the blundering of the reverse inscription and the obverse

style all point to an imitation.1 In the Epigenes - Sosandros issue there is no

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die remotely comparable with the obverse of No. 1383. The latter seems to be-

long with this group of copies derived for the most part from dies of later issues.

1384.

a. Rev. ETTirENH -ZflZANAPOZ - MOZXI Eagle on fulmen. B on amphora; MH

below

Sophia, gr. 16.00

b. Rev. TTOAEMflN - AAKETHZ - TTATPfl Tripod. B on amphora; 10 below

Paris, gr. 16.25f

c. Rev. TTOAEMflN - AAKETHZ - TTATPfl Tripod. B on amphora; ZO below

Athens, gr. 16.15

d. Rev. MIKIflN - EYPYKAE - ZflKPATHZ Dioscuri. ZO below

Athens, gr. 16.85 (PI.)

1 See note on page 449 for the poor quality of the silver.

454

The New Style Silver Coinage of Athens

I Four reverses of three separate issues are combined with a single obverse.

I One coin is surely plated. The obverse is probably derived from a die of Mikion-

lEuryklei (cf. No. 478). MH is not known as a control combination for the

striking of Epigenes-Sosandros but the Sophia coin is worn and the reading is

doubtful. A transferred reverse links Nos. 1384 and 1385.

|1385.

L a. Rev. nOAEMfiN - AAKETHZ - FI Tripod. ZO below

Vienna, gr. 18.46

b. Rev. TTOAEMQN - AAKETHI - fTATPQ Tripod. B on amphora; ZO below

ANS, gr. 18.65 (Pl.)f; London (BMC 489), gr. 14.57 (Pl.)f; ANS-ETN,

gr. 16.70 (Pl.)f

c. Rev. TTOAEMflN - AAKETHZ - TTATPfl Tripod. B on amphora; ZO below

Tubingen, gr. 14.85; Winterthur, gr. 12.84 (PL) /; Gotha, gr. 14.88 (PL);

Gotha (PL)

Both obverse and reverse dies of this group of plated coins are fairly ac-

curate copies of official dies of the Polemon-Alketes issue. A die break ex-

tending up from the end of the tail of Pegasus, found on the second ANS

specimen of No. 1385b and on all examples of No. 1385c, establishes the order

of the reverse dies within this striking and also indicates that the reverse shared

with the preceding entry was transferred from Obverse 1384 to Obverse 1885.

1386. Rev. nOAMQN - AAKETHI - T7ATP Tripod. B on amphora; Zfl below

Berlin, gr. 15.56

Weight, style and blundered legend place this coin in the imitation category.

The obverse is somewhat similar to early dies of MIKIflN - EYPYKAEI (cf.

Nos. 475-478).

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r1387. Rev. MIKISJN - EYPYKAE - rOPriTT Dioscuri. ?on amphora; Z<D below

| *L. Meletopoulos Coll., gr. 15.90

I The obverse is likely copied from a tetradrachm of Polemon-Alketes which

j suggests that at least one reverse of that issue was cut for Obverse 1387. Since

I the Mikion reverse of the present record is also coupled with what seems to be

I the early stage of Obverse 1388, it would follow that it was the last reverse die

j employed with Obverse 1387.

|1388.

| a. Rev. ETlirENH - ZflZAAPOZ - EYMH Eagle on fulmen. V on amphora; ME below

| *London (BMC 896), gr. 16.40f

L b. Rev. MIKIBN - EYPYKAE - rOPriTT Dioscuri. I on amphora; Z4> below

Berlin (Sv. 55, 24), gr. 15.82

Imitations

455

In style the obverse die is almost identical with Obverse 1380 and very

similar to Obverse 1882. On 1388a the die break up from the outer crest ter-

minal seems more pronounced than on 1388b, thus the Mikion reverse likely

preceded that of Epigenes.

1389. Rev. FTOAEMflN - AAKETHZ - 0EOATOI Tripod. A on amphora; EM below

London, gr. 14.97 (Pl.)t

No. 462 of Polemon-Alketes was, I believe, the prototype for the dies of

No. 1389. Note the similarity of the two obverses as to ornament, hair, crest

ends and Pegasus. On the reverse, the retrograde 3M of No. 462 has been mis-

understood and corrected to EM.

1390.

a. Rev. nOAMflN - AAKTHZ - APIZ Tripod. ME below

Bucharest, gr. 11.90 (PI.)

r b. Rev. KAPAIX - EPrOKAE - OEIAI Prow. K on amphora; ME below

Athens, gr. 14.15 (PI.)

Again we have an obverse die very close in style to others of this group

|(Nos. 1380, 1382 and 1388). If the stroke directly in front of the Pegasus is a

| die break, 1390b represents the later stage of the obverse die. TheKaraich re-

! verse is also recorded in combination with Obverse 1391.

11391. Rev. KAPAIX - EPRDKAE - <DEIAI Prow. K on amphora; ME below

Zygman Coll. = Sv. 54, 26, Feuardent, gr. 16.25 (Pl.)f

This obverse is probably derived from a coin of Karaich-Ergokle (cf. No. 536

for a similarity in the rendering of the head). The reverse is carried over from

No. 1390b.

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1392.

a. Rev. TTOAEMflN - AAKETHZ - APIZ Tripod. 0 on amphora; ZQ below

Petsalis Coll., gr. 13.43 (PI.) /

b. Rev. MlKlflN - EYPYKAEI - EYAN Dioscuri. H on amphora; Id) below

*Lee (de Zogheb) 264 = Glymenopoulos Coll. (Sv. 55, 22), gr. 16.90

r c. Rev. AOPOAIZI - AlOrE - ZftTTY Cornucopiae. 0 on amphora; ME below

Mavrokordatou Coll. (JIAN, 1912, 1311), gr. 16.00

d. Rev. AIONYZI - AIONYZI - APIZ Helios in quadriga. B on amphora; Z<t> below

London, gr. 16.39 /

11393.

a. Rev. FTOAEMflN - AAKETHZ - APIZ Tripod. 0 on amphora; Zfl below

Empedocles Coll. = Weber 3521, gr. 15.03

456

The New Style Silver Coinage of Athens

L| b. Rev. MIKIflN - EYPYKAEI - EYAN Dioscuri. H on amphora; ZO below

| I * Glasgow (Hunt. 115) PI.

| | c. Rev. MIKIflN - EYPYKAEI - ["OPriTT Dioscuri. I on amphora; ME below

| | *Petsalis Coll., gr. 15.65 (PI.)

| L d. Rev. AOPOAIZI - AlOrE - ZJ2TTY Cornucopiae. ?on amphora; ME below

| *Paris, gr. 14.86 (PI.)

Transfer of two reverse dies establishes a link between Nos. 1392 and 1393.

There is no clue to the order of reverses for No. 1392 but for No. 1393 a die break

between the crest and protomes of the helmet, visible on a and c but not on b

I and d, indicates that the transferred reverses were used first with Obverse 1392

I and later with Obverse 1393 in its early stage. Four of the eight coins of these

| two entries are plated; it is likely that the other pieces also have a copper core.

The obverse of No. 1392 seems to derive from the issue of Dionysi-Dionysi

j (cf. Nos. 556 and 559) while that of No. 1393 is very similar to dies of Mikion -

| Euryklei. Compare it with No. 488, for example, as regards hair, overlapping

I crest ends and facial expression.

L 1394. Rev. MIKIflN - EYPYKAEI - EYAN Dioscuri. ?on amphora; ZO below

Berlin, gr. 14.64 (PI.)

1395. Rev. MIKIflN - EYPYKAI - TOPDn Dioscuri. I on amphora; ZO below

*Berry Coll., gr. 16.28 (Pl.)f

The close similarity between Obverses 1393 and 1395 points to a common

prototype (cf. No. 488 of Mikion-Euryklei) unless, of course, the copyist used

his own work as the model for a second obverse die.

1396. Rev. MIKIflN - EYPYKAE -ZflKPATZ Dioscuri. E on amphora; ZO below

Cambridge (Leake Coll., SNG 8228), gr. 15.75 (PL)f

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Clearly this is another obverse from the same hand as Nos. 1880, 1382,

1388 and 1390. Note the blundered form of the third magistrate's name.

1397. Rev. MIKIflN - EYPYKAE - AIOKAHZ Dioscuri. C on amphora; ME below

von Reutersward Coll., gr. 16.83f

This obverse is markedly different from any in the Mikion-Euryklei issue

and seems to me to belong among the imitations.

1398. Rev. MIKIflN - EYPYKAE - APEZTOZ Dioscuri. ?on amphora; ZO below

de Laval Coll., gr. 15.67 (Pl.)f

1399. Rev. KAPAIX - EPrOKAE - ATTOA Prow. ?on amphora; Zfl below

Munich, gr. 16.05 (PI.)

Imitations

457

There is perhaps a certain similarity between Obverses 1398 and 1399 al-

though the battered condition of the latter makes it impossible to compare

details. Neither die can be said to be an accurate or even a close copy of an

official obverse.

1400. Rev. KAPAIX - EPTOKAHI - XAI Prow. 0 on amphora; 2Q below

*Romanos Coll.

1401. Rev. KAPAIX - EPrOKAE - AlOcD Prow. I on amphora; ME below

Paris, amphora letter uncertain, gr. 14.28 (PL); Berlin, gr. 14.76 (PI.)1

The obverse of No. 1400 is close in style to Nos. 1380 and 1390. That of

No. 1401 is generally similar in treatment. On the first reverse the second mag-

istrate's name appears as EPI"OKAHZ instead of EPrOKAE.

1402. Rev. KAPAIX - EPTOKAE - GENII Prow. ?on amphora; ME below

*ANS, gr. 14.58 (Pl.)f; Empedocles Coll.

In the heaviness of the profile, this obverse seems to me closer to dies of

Aphrodisi-Apolexi and Euryklei-Ariara (such as Nos. 496, 511-12) than to

those of Karaich-Ergokle.

1403. Rev. KAPAIX - EPTOKAE - XAI Prow. Q on amphora; Ifl below

Raymond, Oct. 1945, 8

It is difficult to find a prototype for this coin. Not only is the head totally

unlike any representation in the Karaich-Ergokle series but it also seems to

have no real parallel in any other issue. Extreme attenuation of the helmet

ornament and the excessively thick ridges of the neck point to an imitation

produced by an inept diecutter.

1404. Rev. AMMSJWOS - KAAAIAI - AYIAN Torches. B on amphora; IO below

Istanbul (from Samsun), gr. 16.98 /

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The obverse die is a fairly close copy of a tetradrachm of Ammonios-Kallias

(cf., for example, No. 582 on Plate 60) except for the rendering of the hair.

With the reverse the copyist was less successful. The little owl with its sharply

defined plumage and the thin, heavily-dotted letters are markedly different in

technique from the work of the official diecutters.

1405. Rev. ZOKPATHE - AlONIZOAfl - SfllAO Apollo. E on amphora; MH below

ANS-ETN (Halmyros Hd.), gr. 16.45f; Berlin, gr. 16.88

1 Another plated coin in Berlin (12.25 gr.) is from the same reverse die. Its obverse is com-

pletely obliterated.

458

The New Style Silver Coinage of Athens

This imitation seems to derive from No. 617a. Note that the Y of Dionysodo

looks like an I on the Athenian die and the control letters which are somewhat

carelessly cut might be taken for MH, a combination not recorded for this

period. The blundering of the inscription, the E on the amphora (probably a

worn B on the original coin was thought to be an E) and the abnormal com-

position of the silver (p. 687) all indicate an imitation struck outside Athens.

1406.

a. Rev. MHTPOAflPOZ - AHMOZ0E - APIZTOAH Grapes. Z on amphora; =0

below

London (BMC 456), gr. 15.95 (PI. ?)f

b. Rev. ZJilAOZ - EYANAPOZ - AYZITTTT Bee. T on amphora; ME below

Vienna, gr. 16.88

The obverse is probably copied from a die of the Zoilos-Euandros issue.

Both reverses are accurate reproductions except for the minor deviations of =0

for 10 and AYZITTTl for AYZin. Since the Metrodoros and Zoilos coinages cannot

be contiguous, Nos. 1406a and b represent another example of spurious die

linkage such as has been noted with earlier imitations.

1407. Rev. AAMflN - ZflZIKPATHZ - KPITQN Quiver. B on amphora; An below

Berry Coll., gr. 16.44f

I believe that this is an imitation. The copying is unusually accurate but the

obverse is sufficiently different from official dies of Damon- Sosikrates as to

raise doubt that it was cut at the Athens mint. For this period of the coinage

an obverse-reverse combination represented by a single coin is somewhat sus-

picious and the composition of the silver used for No. 1407 (see p. 637) is ab-

normal.

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1408. Rev. AAMEN - ZflZKPATHZ - KPITflN Quiver. B on amphora; An below

Athens (Halmyros Hd.)

When the final lot of coins from the Halmyros Hoard was confiscated by

the Athens authorities, a number of crude modern counterfeits were found

mingled with the genuine tetradrachms. This is one of the forgeries (p. 494 in

the Hoards section). The prototype cannot be traced but it, like No. 1418 below,

was undoubtedly an ancient imitation of the Athenian coinage as is evident

from a comparison of obverse and reverse with normal dies of the Damon -

Sosikrates issue (Plates 78-79). Note in particular the large volute which

terminates the visor fine and the peculiar form of the first magistrate's name.

1409. Rev. AlAAIflN to left; AO to right. Tyche. A on amphora

(Dr.) Berry Coll., gr. 4.07f

Imitations

459

It is difficult to make out the reading in the left field, apparently a clumsy

attempt to copy KAAAIOiJN. At the upper right the line of the wreath seems to

cross directly above the AO which would indicate an omission of A G E. This is

the only instance of a failure to include the Athenian ethnic on imitations of the

New Style coinage.

1410. Rev. EYMHAOZ - KAAAIQQN - AAEE Tyche. ?on amphora; ME below

London {BMC 407), gr. 15.91 /

The coin may be plated. In any event, the obverse with its weak profile and

abnormal rendering of the helmet ornament cannot be reconciled with the

official dies of Eumelos-Kalliphon (Plates 80-81).

1411.

a. Rev. EYMHAOZ - KAAAIOQN - HPA Tyche. 9 on amphora; Zl below

Athens, gr. 16.22

b. Rev. EYMHAOZ - KAAAIOQN - HPA Tyche. 0 on amphora; Zfl below

Commerce 1951, gr. 17.10

c. Rev. EYMHAOZ - KAAAKDIJN - HPA Tyche. 0 on amphora; ?below

Rollin & Feuardent, May 1908, 296

pd. Rev. 0EOAOTOZ- KA.O<DANTTZ - ZflTAZ No symbol. B on amphora; ME

1 below

| *ANS-ETN, gr. 16.70t

1412. L Rev. 0EOAOTOZ - KA.OOANFTZ - ZflTAZ No symbol. Bon amphora; ?below

Ratto (Rogers) 484 = Naville (Bement) 1125 = Hirsch (Rhousopoulos)

2052, gr. 16.89

1413. Rev. 0EOAOTOZ - KAEOOANHZ - ZQTAZ No symbol. B on amphora; ME

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below

*ANS, gr. 16.98 /

1414. Rev. 0EOAOTOZ - KAEOOANHZ - ZQTAZ No symbol. B on amphora; ME

below

Schlessinger (Hermitage 2) 987, gr. 16.40

These seven coins surely belong together. The four obverse dies are so sim-

ilar in style as to suggest that one was copied from another. It is hard to believe,

however, that a tetradrachm of either Eumelos-Kalliphon or Theodotos-

Kleophanes served as the original model. No. 1414 is the only obverse which

bears any resemblance to an official die of either striking and it shares with

Nos. 1411-13 the strange rendering of the hair by zigzag lines which occurs at

Athens only in the issue of Polemon-Alketes. The reverses fall into two pat-

terns, again excepting No. 1414: on Nos. 1411a-c a thin little owl with legs far

460

The New Style Silver Coinage of Athens

apart and on Nos. 141 Id and 1413 a plumper bird with similar stance. Neither

type is akin to the owls of Plates 80-81, 83-84.

The apparent die linking of non-contiguous issues, the incongruities of style

and the somewhat abnormal composition of the silver of Nos. 1411d and 1413

(p. 637) are indicative of an unofficial issue.

1415. Rev. HPA...AHZ-EYKAHZ-AP Tyche and amphora. M on amphora; ME

below

Athens

1416. Rev. HPAK.. .AHZ- EYKAHZ- . .E... Tyche and amphora. B on amphora;

NE below

Evelpidis Coll., gr. 16.10 (PI.)

1417. Rev. HPAKAE. AHZ - EYKAHZ - AIKAH Tyche and amphora. T on amphora;

ME below

Athens (Sv. 64, 6), gr. 16.10f

No. 1415 is the copper core of a plated coin and No. 1416 is also a plated

specimen. All three imitations of the Herakleides-Eukles coinage are of poor

style and clumsy technique but otherwise they have little in common. No one

of them bears even a superficial resemblance to the obverse dies of the Athens

mint (cf. Plates 82, 85-87). Note, however, that the treatment of the hair on

No. 1415 and to some extent on No. 1416 is comparable with that of Nos. 1411

to 1414.

NE is an error for ME. The name of the third magistrate on No. 1415 is in-

complete; on No. 1416 it is little more than a random arrangement of dots.

1418. Rev. NIKPTHI- AIONYZIOZ-TA Gorgon's head. N on amphora; An below

Berry Coll. (Halmyros Hd.), gr. 16.72f

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This coin from the Halmyros Hoard served as the model for a group of

modern counterfeits (see page 494 of the Hoards section). It is definitely an

ancient imitation of the New Style coinage. The obverse is probably copied

from a tetradrachm of Niketes-Dionysios but the copyist has not reproduced

the prototype with any real skill. On the reverse the first magistrate's name is

blundered and I"A replaces TAAY as third magistrate. The latter is associated

with A on the official coinage while the imitation has N on the amphora, a date

otherwise unrecorded on the dies of Niketes and Dionysios. In composition the

silver used for No. 1418 is distinctly non-Athenian (see pp. 637f.).

1419.

a. Rev. AHMEAZ - EPMOKANZ - ATTOAAnNI ZIM Headdress of Isis. K on the

amphora; AH below

London (BMC 361; Sv. 68, 25), gr. 15.65f

Imitations

461

b. Rev. EYMHAOZ - GECEENIAHE Ares (?). A on the amphora; Al below

Cambridge (Grose 5914), gr. 16.64f

c. Rev. NETTQP - MNAZEAI Stag. K on amphora; ZJ below

ANS-ETN, gr. 16.45f

In 1938 Kambanis published Nos. 1419b and c in proof of the contiguity of

the issues of Eumelos-Theoxenides and Nestor-Mnaseas (BCH, 1988, pp.74f.,

PI. XVIII, 8-4). Unfortunatelysince I believe the two strikings are indeed

contiguousthe existence of No. 1419a destroys the validity of Kambanis'

die link.

What we have in fact is another example of too many reverses sharing a

single obverse and in consequence the three coins must be classified as ancient

imitations of the Athenian series. The obverse bears no resemblance to dies of

Demeas-Hermokles or Nestor-Mnaseas (Plates 116-117, 185-136) but is a

good copy of a die of Eumelos-Theoxenides (compare it with Nos. 1197-1198,

1201-1202 on Plate 184). This then is apparently its first stage, followed by

No. 1419a and finally by 1419c. For the last striking the die has been recut in

the area of the helmet crest and the hair.

The reverse type of No. 1419b also successfully reproduces a die of Eumelos-

Theoxenides, being perhaps most similar to No. 1196a. E instead of I terminates

the second magistrate's name and Al is otherwise unknown for this issue but it

does occur as a control combination on emissions immediately preceding and

may have appeared on Eumelos-Theoxenides dies of which no record survives.

In cutting the reverse of Demeas-Hermokles, the engraver shows a high degree

of carelessness. His tightly bound wreath, for example, is quite different from

that of the official dies and the inscription seems to reflect a peculiar combining

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of two names: ATTOAAflNIOI of month E and AYIIMAX of months I through N.

The K on the amphora would be correct for Lysimachos but wrong for Apol-

lonios.1 Except for the unduly small owl, the third reverse (No. 1419c) is an

accurate copy of a die of Nestor-Mnaseas.

The ANS coin has been analyzed (p. 637). Its metallic composition is en-

tirely consistent with that of official tetradrachms of the period.

1420. Rev. EENOKAHZ - APMOEENOZ Seated figure. A on amphora; AP below

*ANS (Anatolia Hd.), gr. 15.96f; Kricheldorf V, 79, gr. 16.57

1 The ZIM is explained by Sundwall as a patronymic, Apollonios son of Simon (Untersuch.

XLIX, p. 62), but it is to be noted that no official die carries this reading. Perhaps the copying

was done from two models, without any regard for the resulting inaccuracy. On several reverses

of Demeas-Hermokles the form of the third magistrate's name is given as AYZIM and the ar-

rangement of the last three letters (e.g. No. 1063b) parallels that of the imitation.

462

The New Style Silver Coinage of Athens

1421. Rev. EENOKAHZ - APMCEENOZ Seated figure. A on amphora; ATTO below

"Cambridge (Leake Coll., SNG 8229; Sv. 76, 1), gr. 15.79|

1422. Rev. EENOKANI - APMOEENOI Seated figure

(Dr.) *Athens = Sv. 76, 27, Hirsch, gr. S^Of1

Previous publications have included Nos. 1421 and 1422 with the regular

emissions of the Athenian mint.2 On Plate 76 of Les monnaies d'Athenes, Svo-

ronos illustrates both specimens but the tetradrachm is classified with the

seated Roma coinage of Xenokles and Harmoxenos while the drachm is segre-

gated at the bottom of the plate as a separate issue of the two magistrates. In

two earlier articles {JIAN, 1906, p. 827 and Riv. Num., 1908, p. 315) the

symbol on the drachm is described first as unpublished and later as a seated

goddess on a throne; it is clear that Svoronos considered the unit and the

fraction as belonging to different strikings of the New Style coinage. Kambanis

{BCH, 1938, p. 78) makes the same distinction when he speaks of the unique

drachm with a seated woman on a throne as the sole surviving example of a

fourth emission of Xenokles and Harmoxenos. This division seems to me un-

justifiable. The three coins illustrated on Plate 159 have a marked similarity

of obverse style and, to my eye at least, the symbol on all three reverses is the

same: a seated figure seen from the side with a spear or sceptre in the raised

right hand and a sword-like object held diagonally or straight out from the

body in the lowered left hand. Even the way in which the hair is drawn back

in a bun is identical on Nos. 1421 and 1422. It is the line of the spear and the

upraised arm, less clearly defined on the drachm than on the tetradrachms due

to the limitations of space, that suggests a throne and probably explains Svo-

ronos' differentiation of symbols.

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All three coins are, I believe, imitations. The obverse style, notably in the

sprawling ornament on the helmet, the single line of the visor and the straight,

thin locks of hair, has nothing in common with the highly consistent rendering

of the Athena head on dies of Xenokles-Harmoxenos (Plates 122-128) and of

adjoining issues. On the reverse of the official dies the symbol is a seated figure

of Roma, facing front, with a sword transversely across her lap and a spear or

sceptre supported by her raised right hand. On either side of the goddess is a

shield resting on its rim. In turning the symbol sideways, the copyist may

1 There is an element of confusion in the record. The coin listed by Svoronos in the publi-

cations of 1906 and 1908 as an Athens accession (from Hirsch XIII, 2067) is the same drachm

illustrated on Plate 76 of Les monnaies d'Athenes and there ascribed to Dr. Hirsch. The piece is

in the Athens Cabinet.

* No. 1420, a recently discovered coin from the Anatolia Hoard of 1955, is linked to Nos. 1421

and 1422 by style and by the unusual rendering of the symbol.

Imitations

463

simply have considered a profile representation easier to handle than a facing

one; on the other hand he may have misunderstood the symbolism. To an out-

sider the seated figure might well have had an Aetolian rather than a Roman

connotation. There is certainly a striking resemblance between the type of the

Aetolian League tetradrachms (see A, the reverse of an ANS coin, on Plate 159)

and the little symbol on the imitations: the profile representation to the right,

the cushion-like shields on which the figure sits, the upraised hand with its

spear and the projecting sword with prominent rounded hilt. Even the grace-

less dumpiness of the seated symbol carries some suggestion of the sturdy

Aetolia. Although the Aetolian League coins were struck at an earlier date,

there is no reason to suppose that they had disappeared from circulation by the

end of the second century. Consciously or unconsciously the engraver of the

imitations may have been influenced by a familiar type when he set to work

to reproduce the coinage of Xenokles and Harmoxenos.

Analysis of No. 1420 (p. 687) shows a metallic composition which varies to

some extent from that of other coins of the period but the difference is not

great enough to be of real significance. On the drachm there seems to be a slight

blundering of the inscription (A for A in the ethnic: N for H in the first magis-

trate's name) but one cannot be sure of the reading.

1423. Rev. BAZJAE M10PAAATNI - APilTIQN Star and crescents. B on the am-

phora; ET7I below

*Ratto (Rogers) 451, broken

1424. Rev. .. Zl AEYZ MI0PAAA.. HZ - .. IC.. fiN Star and crescents

(Dr.) *Istanbul, gr. 8.17j

The coarse style of the obverse heads on both tetradrachm and drachm (as

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compared with the dies of Plate 127) indicates that the coins are imitations. A

slight blundering of the legend occurs on No. 1428. Greater deviation is found

on No. 1424 with BAIIAEYI in place of BAZIAE and a fragmentary rendering of

Aristion divided between left and right fields. In the case of the drachm, the

light weight and abnormal die axis are further evidence of a non-Athenian

origin.

1425. Rev. MNAZEAZ - NEZTOP Kerchnos

Berlin, gr. 15.01

1426. Rev. Same type

Berlin, gr. 14.19

No. 1426 is the copper core of a plated tetradrachm; No. 1425 to judge by

its weight is also a plated piece. Both obverses are clumsily executed and bear

little resemblance to official dies of the Mnaseas-Nestor issue. The two re-

464

The New Style Silver Coinage of Athens

verses show a similarity in the rendering of owl and lettering which may in-

dicate the work of a single man.

1427. Rev. KOINTOI - XAPMOIT Grain-ears. A on amphora; ATT below

*ANS-ETN, gr. 16.19f; Berlin (Sv. 73, 10), gr. 16.68; Berlin {Sitzungsber.

d. Berl. Akad., 1896, PI. XI, 11; Sv. 78, 9), gr. 16.281

1428.

a. Rev. KOINTOI-XAPMOITPA Grain-ears. ?on amphora; ATT below

*Mykonos

b. Rev. Same but control combination illegible

Berlin, gr. 15.52

Nos. 1427-1428 will undoubtedly seem the most controversial of the imita-

tion entries, involving as they do the subtraction of an entire issue from the

mint of Athens. So radical a proposal is not to be advanced lightly and it will

be necessary to examine in some detail the considerations behind it.

Five coins and one lead forgery or test piece are known, comprising two

obverse and four reverse dies, which would indicate a small emission. The ANS

specimen was purchased from an American dealer while the three Berlin tetra-

drachms came from private collections with no indication of original prove-

nance. No. 1428a was, according to Kambanis, found on Rheneia, the island

near Delos. This last is then the only coin with an attested find-spot. No hoard

evidence is available to provide a clue as to the date of the coinage or the area

in which it circulated. The symbol, two grain-ears, is so common as to be of no

help in fixing the place of minting. One of the magistrates is clearly of Roman

origin, the second name is unknown at Athens but the same is true of other

mint magistrates. Analysis of the ANS tetradrachm (p. 637) gives a composition

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low in copper for the latest New Style period but comparable in both copper

and gold to single coins of 178/7, 124/3 and 120/19 B.C.

The factual information outlined above provides no firm evidence for a non-

Athenian origin; the disturbing aspect of the coins lies rather in their style.

Before any comparisons can be made on such grounds, one must determine

where the issue belongs if it is a component part of the New Style series. In this

respect there has been universal agreement among numismatists that it is one

of the late two-magistrate emissions. The only other place where it could come

is in the period just before 169 B.C. with the issues bearing the abbreviated

names of two magistrates. But the small, neatly-executed flans, the size of the

issue, and the rendering of the Athena head make it well-nigh inconceivable

that the Kointos-Charmostra coins are related to the early two-magistrate

1 There is a lead piece in the ANS Collection, an ancient forgery or test piece, from the same

obverse die and an unrecorded reverse. It seems to have XAPOM2T and possibly A and ATI.

Imitations

465

series. They do, on the other hand, seem at first glance to fit well into the late

period. After 112/1 B.C. the issues of the Athenian mint are often little more

than token strikings, the flans are rather small and the obverse dies show a

considerable degree of variation in style. If the Kointos tetradrachms are

Athenian they must surely form a part of this late coinage.

It is only when one compares them carefully with the final Athenian issues

that one begins to sense that they are not really at home there either. This is

perhaps more obvious with respect to the reverses than to the obverses.

Anyone handling a considerable number of coins of a single series inevitably

acquires a feeling for stylistic differences as they relate to chronology and this

is particularly true in a sequence such as that of the New Style where there is a

clearly discernible pattern of development in the rendering of the types. The

obverses to be sure illustrate the variant interpretations of different diecutters

but these individual styles, as they appear and disappear and as they relate

one to the other, form a definite chronological sequence. With the reverses

there is even greater consistency in the rendering of the type, at least in the

period between 169 and 86 B.C. The owls and amphorae of Mikion-Theophra

are vastly different from those of Menedemos-Timokrates, for example, but

the evolutionary process is gradual, orderly and without deviation as one can

see from the plates. The bird becomes increasingly oversize and ill-proportioned

with exaggerated head and eyes; the vase becomes increasingly prominent and

elongate. Every reverse of the late Athenian series reflects the latest stage in

the development of the owl-on-amphora type, many of the results being so

grotesque as to be veritable caricatures. When the two reverses of Kointos and

Charmostra are compared with those of Plates 131-142, the difference in con-

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ception is immediately apparent. The Kointos reverses are stylistically of a

much earlier period; if one were dating them by type alone, one would unhesi-

tatingly assign them to the years between 169 and 159 B.C. On Plates 32-44

one finds dies with the same kind of owl on the same kind of amphora: Nos. 324a,

367b, 376b, 396c and 413 among others.

It is less easy to define the basic difference between the Kointos-Charmostra

obverses and those of the late issues of Plates 131-142. At this period, specifi-

cally from 117 B.C. on, the Athenian engravers produced dies which fall into a

number of stylistically disparate groupings and it would seem as though an-

other diverse issue could be inserted into the sequence without difficulty. There

is, however, a quality about the obverses of Nos. 1427-1428 which is not found

in any of the late dies of Athens and which can perhaps best be described as

neatness. The general impression is not entirely pleasing, due chiefly to the

staring eyes and set profile, but the execution shows a delicacy in treatment of

details which is utterly at variance with the late Athenian technique. At Athens

466

The New Style Silver Coinage of Athens

the Athena heads are, with few exceptions, large and frequently repulsive in

their coarseness; the protomes and visor lines are heavy; the helmet ornaments

are loose and sprawling; the crest terminals are rendered with thick lines. Note,

in contrast, the small well-proportioned heads of the Kointos dies, the compact

neatness of the protomes and visor, the tidy and symmetrical disposition of the

ornament and the thin crest terminals. Again one is reminded of a much earlier

stage of the Athenian coinage.

In view of the cited anomalies of both obverse and reverse style, one can

keep the Kointos coinage at Athens only by positing a diecutter working at the

Athenian mint for a single year in the late second or early first century who

broke sharply with current tradition and turned out a limited number of ob-

verse and reverse dies strikingly dissimilar to the work of his contemporaries

but highly analogous to the work of Athenian engravers of the second quarter

of the second century.

The alternative is an imitative coinage and this seems to me by far the more

plausible explanation. I should venture to go even further and identify the

Kointos obverses as derivations of the tetradrachms of Timarchos and Nika-

goras whose monetary magistracy fell in 166/5 B.C. With some slight allowance

for the inevitable variation between model and copy, Obverses 1427-1428 are

very close to Obverses 361, 362, 363 and 868 (Plates 86-37): the proportions

and size of the heads, the loose tresses of hair falling softly back, the thinness

of the crest terminals and the angle at which they meet, the compactness of

protomes and visor, the pattern of the helmet ornament (less elaborately ren-

dered on the imitations but identical in general arrangement), the short parallel

locks of hair in front of the ear. Even the profile of No. 1427 is notably similar

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to Nos. 363 and 368. In only one respect do the dies differ sharply and that is

in the substitution on Nos. 1427-1428 of a volute termination of the visor for

the squared ear flap of the Athenian obverses. As has been mentioned before

in connection with No. 1365, this volute design is not found on the coinage of

the New Style series but is a characteristic of certain Pontic and Cretan ren-

derings of the Athena Parthenos head. Its presence on Nos. 1427-1428 makes

it all the more probable that they represent the output of a foreign mint.

Almost all of the imitations recorded on Plates 150-159 are relatively

faithful copies in types, inscriptions and symbols of the New Style coins which

served as their models. Deviations do occur, most notably in the association of

magistrates and symbols, but even in such instances one can still determine the

Athenian issue or issues from which the imitation was derived. There are only

four exceptions: Nos. 1353 and 1864 where the inscriptions are senseless and

apparently the result of a misunderstanding of the meaning of the lettering on

the prototypes, No. 1865 with its unusual O AEMOZ legend, and finally the

Imitations

467

coinage under present discussion. In the last case the departure from common

practice is extensive. Obverse and reverse types are copied with fidelity from

an Athenian coin or coins of 166 B.C. or thereabouts and the Athenian ethnic is

retained, but there the imitating stops. Magistrates' names cannot be related to

any Athenian issue of the period and one assumes that theKointos andCharmostra

of the imitations are local officials although they may, of course, be merely the

product of the engraver's imagination. The diecutter knew the coinage he was

copying and added to his dies the standard elements of symbol, month letter

and control combination but again the selection was original and not derivative.1

This improvising seems remarkable because it is unusual but actually one

wonders why it was so unusual. Most of the copies recorded in the catalogue

are ancient forgeries, plated coins designed to pass as genuine tetradrachms.

Many of them may have been struck and put into circulation in Athens itself

and it was obviously desirable that these be as similar as possible to the official

output of the Athenian mint. In the case of the foreign imitations there would

have been no real necessity for faithful copying. They were designed, one sup-

poses, to circulate in more distant regions, familiar with the traditional types

of Athens but certainly not in a position to judge the validity of subsidiary

details. A coin which resembled an Athenian tetradrachm in general appearance

and carried the ethnic of Athens would pass as legal tender no matter what

names, symbols or letters were inscribed on it. It is, of course, easier to copy

than to create and this undoubtedly accounts for the fact that the foreign

imitations are by and large slavish replicas of their prototypes.

In the coinage of Kointos-Charmostra we seem to have an exceptional in-

stance of originality and it would be interesting to know where the dies were

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cut. The excellence of the technique suggests a mint within the Greek world

proper or at least one thoroughly conversant with its traditions but beyond

that I can hazard no guess. Earlier publications of the issue associate Kointos

with Metellus. If the coinage is imitative, it was probably struck sometime in

the mid-second century B.C. and the connection would, chronologically speaking,

be possible. There is, however, no reason to postulate a prominent Roman as

the Kointos of the coins. Surely many men of Roman origin, active in civic

affairs at this period throughout the Greek-speaking world, bore the same name.

Until we have some clue as to where the tetradrachms originated, it is pointless

to speculate on the magistrates responsible for their emission.

1 This is, of course, not true of the date which may have appeared on the model. The control

combination ATT is known for a slightly earlier and for a later period. A single ear of grain was

used as the symbol on a monogram issue of 187/6 B.C. and two ears bound together was the device

of the Amphikrates-Epistratos coinage of 133/2. Neither Athenian symbol resembles that of the

Kointos tetradrachms.

468

The New Style Silver Coinage of Athens

MODERN FORGERIES

(Plate 159)

1429. Rev. N-A

Christodoulos obverse and reverse dies (JIAN, 1927, PI. J, 816)

1430. Rev. Not reproduced

Christodoulos obverse die (JIAN, PI. J, 317)

1431. Rev. M1KI-6EPA

(Hemidr.) *Christodoulos reverse die (JIAN, PI. J, 818)

1432. Rev. EFIirENH -IftlANAPOI- AEINOK Eagle on fulmen. A on amphora;

TTPfl below

*Egger XL (Prowe) 958, gr. 16.76f

1433. Rev. KNflllflN Labyrinth

London, gr. 15.16

The production in modern times of dies for New Style counterfeits is happily

uncommon. A few examples are on record, notably Nos. 1429-1431 representing

the work of the well-known Christodoulos. It seems to me that No. 1432 is also

a tetradrachm of comparatively recent date.

No. 1483, once in the Seager Collection and now in the British Museum

among its forgeries, is from the hand of an able and ingenious counterfeiter.

Basically the coin is a perfectly genuine Athenian tetradrachm of the Pfl fB

issue struck from Obverse 1306 (Plate 146). Its reverse has been painstakingly

altered, first by the elimination of the monograms and then by the cutting

away of the field in the area of the ethnic and symbol to produce the Cnossus

inscription and device. Resulting unevenness of the surface is visible in photo-

graphic reproduction (Henri Seyrig noted it immediately) and unmistakable

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when one sees the coin itself. In view of the amount of labor involved, partic-

ularly in the cutting out of the labyrinth, the forger's patience, misspent as it

was, deserves a measure of recognition. Since the transformation of a common

Athenian tetradrachm into a rare Cnossus piece would have been profitless in

antiquity, No. 1433 must be considered a modern forgery.1

The broad classification "Imitations" in the present catalogue covers three

general categories of coins: those of distinctly barbaric or non-Athenian st}rle

1 In his article on the money of the slave revolt Svoronos publishes a coin from the Saroglou

Collection which he describes as having the ffl - ffil monograms and a labyrinth symbol in the

lower right field. The piece is illustrated (JIAN, 1915, p. 61, fig. 6) but the poor reproduction of

a badly-preserved coin reveals only the monograms and some additional markings resembling the

outlines of a square. I have been unable to trace the specimen itself; if it does indeed have a

labyrinth symbol, it seems likely that we have in it another example of alteration similar to that

of No. 1433. In fact it is possible that the Saroglou coin represents a trial piece by the same forger.

Imitations

469

(Nos. 1346-1865), those bearing a more or less close resemblance to the official

output of the Athens mint (Nos. 1366-1428), and modern forgeries (Nos. 1429

to 1483). Actually, of course, the subject of imitations is far more complex than

this summary division would indicate and the problems involved are often

irresolvable.

In the field of ancient imitations there are honest and dishonest copies. A

mint at some distance from Athens may put out coins modelled on the Athenian

issues because such a coinage will be commercially acceptable to a degree not

true of other money. Frequently the impetus for this imitative coinage is the

stopping or curtailment of the supply of genuine Athenian coins moving into

that area.1 If the imitations are of good silver and full weight, no real fraud

has been perpetrated; the coins are essentially what they purport to be even

though the indication of origin which they sometimes give is misleading. On

the other hand, coins copying the Athenian tetradrachms and fractions may be

put out by a mint or more commonly, one imagines, by an individual with intent

to deceive and to realize a profit from that deception. Such coins are normally

plated, but since it is not always possible to detect this plating from surface

appearance or weight, these spurious pieces often enough passed unchallenged

in both ancient and modern times.

The division of ancient imitations as presented here is not one of honest and

dishonest copies. Only analysis of all specimens would enable one to make this

fundamental distinction. It is rather one of geography. By and large, the coins

of Plates 150-151 would seem to have originated in workshops outside Athens

and the Greek mainland. The meaningless or badly blundered inscriptions on

some dies, the strange combining of symbols and the barbaric style which dis-

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tinguish many of the specimens cannot easily be reconciled with Greek work-

manship.2 Nos. 1846, 1360 and 1364 are plated; Nos. 1848, 1851, 1858, 1857,

1359, 1362-1363 are of suspiciously low weight and No. 1861 is so similar in

style to No. 1860 as to be also suspect. These coins are probably the output of

private forgers. Concerning the others, with the exception of No. 1365 of which

one example has been analyzed and is not plated, there is no conclusive evidence

1 E. S. G. Robinson (ANSMN IX, i960, p. 8) connects the beginning of the direct imi-

tation of Old Style tetradrachms in the Levant with the greatly reduced output of new money

in Athens after the Syracuse disaster. At a later date, after the New Style tetradrachms had

ceased to be struck, imitative coinages sprang up in Arabia and on Crete. Unlike the earlier

imitations, the Himyarite and Cretan coins, while making use of the Athenian type or types, do

not purport to have been issued by Athens.

* The element of acceptance is also pertinent. One might argue that a particularly inept

forger in Athens could have turned out work as bad as some of the coins which are reproduced,

but could these tetradrachms have been put into circulation in a community familiar with the

genuine coinage?

470

The New Style Silver Coinage of Athens

one way or the other. Some at least may well represent "official" issues from

small provincial ateliers.

Evidence for specific provenance is limited. No. 1350 was acquired in Ana-

tolia, No. 1352 is in the Bucharest Museum, No. 1363 in the Budapest Museum,

No. 1364 came from a Russian collection, No. 1365 has Pontic associations.

No. 1351 was acquired in Alexandria and was thought by Newell to be of

Arabian origin. One example of No. 1346 and No. 1358 were found in Delos

Hoard r, suggesting a place of minting closer than the Euxine or the Middle

East. Crete, a known source of Athenian imitations at a later date, may have

put these pieces into circulation. It is noteworthy that only Athenian issues of

early date served as the prototypes for these barbaric imitations. Nos. 1346 to

1358 reproduce strikings of 193/2-169/8 B.C.; Nos. 1359-1364 the slightly later

emissions of 161/0,158/7,156/5 and 158/2. Hoards and chance finds in Syria and

Lebanon provide clear indication that the New Style coins ceased to move in

quantity into that area during the 60s of the second century.1 It seems likely

that some of our imitations represent licit and illicit attempts to compensate

in that region for a curtailed supply of Athenian money.

The coins of Plates 152-159 are of a different character. Of the 119 speci-

mens catalogued, 89 are either definitely or very probably plated.2 All entries

between Nos. 1367 and 1403 (with the sole exception of No. 1374) belong in

this category. Their workmanship is generally good, many of the dies are very

close indeed to the genuine ones of particular issues, and the conventions of the

official coinage are for the most part carefully observed. Only weights and

certain stylistic deviations indicate counterfeiting. Since the dies are in no in-

stance those used by the Athenian mint, the coins are the output of private

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forgers. That most of them operated in the vicinity of Athens itself is a likely

supposition in view of their excellent craftsmanship and their accurate under-

standing of the formula of the New Style coinage.

The astonishing aspect of this body of material is its size. At certain periods

the counterfeiting is on a scale comparable to that of a small mint. Four re-

verse dies are associated with Obverses 1368, 1384, 1392-1393; seven each with

Obverses 1380 and 1382. As one obverse die wore out, another was cut and

usable reverses were carried over from the old obverse to the new. Note the

transfer of two reverses from Obverse 1392 to Obverse 1393 and the further

1 See p. 544.

2 The copper cores axe visible in the case of many of these pieces. Others are suspect be-

cause of very low weight or because of their association with plated coins. A tetradrachm of

adequate weight and no surface indication of plating if struck from a die used for plated speci-

mens almost certainly has the same composition. Even if the dies are not identical, the style of

an uncertain piece may be so close to that of a plated tetradrachm as to indicate the same engraver.

Imitations

47i

shift of one of them to Obverse 1394. These reverses in their connection with a

single obverse die provide conclusive proof that this counterfeiting is the result

of private and not civic enterprise. No attempt is made to reproduce consist-

ently the dies of a particular New Style emission. Three different issues are

linked with Obverses 1368, 1384 and 1393, four with Obverses 1382 and 1392

and as many as five with Obverse 1380.

It is impossible to tell how many forgers produced this impressive amount

of material or exactly when they worked. The two obverses and six reverses of

Nos. 1368-1369 are similar enough in technique to have been the work of a

single engraver; the three obverses and four reverses of Nos. 1370-1371 and

1375 are, I believe, almost certainly from the same hand. These counterfeiters

took the coinages of 166/5-158/7 for models and presumably operated toward

the end of the 50s of the second century. At a slightly later date another coun-

terfeiter, working alone or with assistance, opened what might be described as

a clandestine mint. Obverses 1880,1882,1388,1890,1396 and 1400 are so close

in style that they can scarcely be anything but the output of the same engraver.

Nos. 1881,1387 and 1391 are connected with them by die linking and Nos. 1397

and 1401 are of somewhat related style. Obverses 1884, 1892-1393 are com-

parable in their general technique, in the issues imitated, and particularly in

the combining of a number of diverse reverses; with these last are to be con-

nected Nos. 1385 and 1394 on the evidence of die links and No. 1395 on that

of style. In all probability the seventeen obverses and forty-two reverses of the

entries under discussion came from a single workshop, imitating coins of the

160/59-151/0 period and hence functioning in the early 40s of the century.

Nothing like this outburst of spurious tetradrachms is recorded for a later

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period. The few plated pieces known (Nos. 1406 probably, 1410 possibly, 1415

and 1416 definitely, 1424 possibly and 1425-1426 definitely) seem to represent

isolated examples of individual counterfeiters working on a small scale. Some

pieces were probably produced in the Athens area; othersNos. 1415-1416

and 1424are more likely the handiwork of foreigners.

Of the remaining coins in this second category of imitations, Nos. 1405 (one

example), 1407, 1411d, 1418, 1418, 1419c, 1420 and 1427 (one example) have

been analyzed and are not plated. Presumably other coins closely associated

with these specimens are similarly unadulterated. That most of them were civic

strikings seems likely but there is scant evidence as to the location of the

ateliers. No. 1404 was found at or near Samsun and may well have been issued

in that region. Its obverse bears some similarity to that of No. 1412, a coin

which is obviously connected with Nos. 1411 and 1413-1414, and it is possible

that all these specimens originated in the Black Sea area. No. 1420 was in the

Anatolia Hoard (pp. 509-511 of the section on Hoards), suggesting that its place

472

The New Style Silver Coinage of Athens

of emission was also Asia Minor. Another hoard, that of Halmyros in southern

Thessaly (pp. 491-500), contained Nos. 1408, 1418 and one example of No. 1405.

In this case a nearby origin is somewhat unlikely; the coins probably reached

the district through commercial channels. They may have been struck any-

where, in Asia Minor again or possibly on Crete. Stylistically Nos. 1408 and

1409 are so similar as to point to a common production center. No. 1419 is one

of the most puzzling of the imitative entries. Its combining of three diverse

reverses is reminiscent of the plated issues put out by private counterfeiters at

an earlier date, but the one coin analyzed is of silver throughout. Either this

is the output of a civic workshop showing greater imagination than usual or

of a private forger content with a vastly smaller margin of profit. In any case

there is no clue as to the location of the enterprise.

In addition to the limited number of modern counterfeits reproduced on

Plate 159, there are numerous examples of coins produced not by striking but

by casting. These recent forgeries have been noted throughout the catalogue

in connection with the genuine tetradrachms from which they are derived.1

1 Such cast pieces are usually regarded as the work of modern counterfeiters but note the

possibility raised by Milne ("The Coinage of Aradus in the Hellenistic Period," pp. 2of.) that

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the ancients also knew how to plate silver on base-metal casts from silver types.

HOARDS

In this section I have tried to bring together whatever information is avail-

able on the large number of hoards containing New Style silver of Athens.

There are at least forty-eight such deposits, varying greatly in size, importance

and documentation. Of these, twenty-four are presented in some detail in the

pages that follow. The others are cited but their contribution to a study of the

coinage is slight, due in some cases to the paucity of Athenian material and in

others to the inadequacy of the existing record. Hoard coins which could be

identified and included in the present corpus are designated by their catalogue

numbers, either in connection with the listing of issues or on the plates if the

deposit is illustrated.

References throughout to Noe and to Roussel pertain to A Bibliography of

Greek Coin Hoards (2nd ed.), NNM 78 and to Delos colonie athenienne, p. 48,

n. 4. Publications dealing with individual hoards are recorded under the

heading of each deposit.

M. Thompson, "The Beginning of the Athenian New Style Coinage," ANSMN V, 1952,

pp.25-83

In this, the earliest of hoards containing New Style silver, tetradrachms of

Athens are associated with tetradrachms and octobols of Chalcis and Eretria.

At least twenty-five coins were in the original find:

ANTHEDON HOARD (Noe 53)

Athens

2 ft-A

2 A>-M

1. 2

5a

196/5

194/3

193/2

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195/4

5 * - OANI

1 E-N

9a, 10b and c

12b

Chalcis

4 tetradrachms

1 octobol

Eretria

6 tetradrachms

4 octobols

474

The New Style Silver Coinage of Athens

The hoard is discussed and illustrated as fully as possible in the article in

Museum Notes. One can, I believe, safely assume from the evidence presented

there that the four Athenian issues are the first of the New Style coinage, that

they are to be dated between 196/5 and 193/2 B.C., and that the coins were laid

away c. 192/1 B.C.

TELL AHMAR (TIL-BARSIB)

(Plate 160)

Not in Noe. Published by F. Thureau-Dangin and M. Dunand, Til-Barsib, pp. 81 f. Cited

by M. Rostovtzeff in Anatolian Studies Presented to William Hepburn Buckler, p. 298 and

by A. R. Bellinger, A J A, 1988, pp. 818f.

A pot hoard of seventy tetradrachms was found two meters below the level

of the surface of the tell. The excavation report summarizes its contents as

follows:

28 Antiochus VII

4 Demetrius II (2nd reign)

18 Antiochus VIII

8 Antiochus IX

10 Athens New Style (Head's 229-187 period)

2 doubtful

Five New Style tetradrachms in the National Syrian Museum at Damascus,

labelled "Tell Ahmar", are from this hoard. Although the other five New Style

pieces cannot be located, the general dating given in Til-Barsib makes it clear

that they also belong to the early series with monograms or abbreviated names.

The five Damascus specimens, reproduced on Plate 160, are:

1 Monograms and trophy 188/7

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1 Monograms and cicada 185/4

2 AHMH - lEPfl 174/8

1 Monograms and eagle 178/2

All show considerable wear but the material is too scanty for any valid eval-

uation of relative condition.

The chief interest of this deposit for our purpose is its similarity to another

Syrian hoard, that of Kessab. Both finds contain New Style coins of compara-

tively early date in association with late Seleucid issues. In the present hoard

the gap between the last New Style coin of which we have record and the ear-

liest Seleucid is thirty-five years while the hoard as a whole must have been

buried early in the first century B.C., about eighty years after the latest New

Style striking. The Tell Ahmar and Kessab deposits, in conjunction with other

evidence (see page 544), indicate strongly that well before the middle of the

Hoards

475

second century B.C. Athenian tetradrachms had ceased to move eastward in

quantity.

SALONIKA HOARD (Noe 899)

Unpublished

This large hoard of some 800 tetradrachms was uncovered in 1929 or there-

abouts and rapidly dispersed. Eighty-one of the coins in the present catalogue

are identifiably from this find: sixty in the British Museum and the remainder

in the American Numismatic Society and private collections.

Only six New Style issues are represented in the hoard:

TAAY-EXE 290b; 291c,e; 292d; 294a; 296a,f; 170/69

802a,d; 808c

MIKI - 9E0<DPA 815b; 816b; 817a,c,d; 318b; 819a; 169/8

320a,e,f; 821a,b; 822a; 828c,d

HPA - APinOO 830b; 881f; 882a,d; 883g; 835g,i; 168/7

887b,c; 838a; 389d,e,i

MENEA - EFTirENO 348b,g,k,l; 849c; 850a,b,d,e,f; 167/6

851a,c,g; 858a,e,f,g,i,j,m; 854a,c,

e,f; 855a,b,d

TIMAPXOY - NIKArO 861b,d(2); 862e,f; 368b,f; 864a(2), 166/5

c; 867b; 368e,g

FIOAYXAPM - NIKOr 376c; 878e; 879d 165/4

In view of the large number of coins and the small number of issues, it

seems evident that the emissions are roughly contemporary. Relative wear

strongly confirms this assumption. The coins recorded above are all well pre-

served, those of the first three strikings somewhat more worn than those of the

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last, many of which are FDC.

KESSAB HOARD

Unpublished (PLATE 161)

About 1952 a large hoard was discovered at Kessab, south of Seleucia Pieria.

Dispersal was rapid and in consequence the record of contents is incomplete.

Henri Seyrig, who most kindly made his information available to me, saw the

following pieces:

12 tetradrachms of Seleucia Pieria

216 tetradrachms of the late Seleucid kings, ranging from Demetrius I

through Antiochus IX, the latest dated specimen an emission of

118/2 b.c.

40 tetradrachms of Athens

476

The New Style Silver Coinage of Athens

Only nine of the New Style coins, most of them in the Seyrig Collection,

could be entered in the present catalogue and reproduced on Plate 161, but

Seyrig's detailed listing of the other thirty-one pieces makes it possible to re-

constitute this section of the hoard.

1 E-N

198/2

2 Monograms and trophy

188/7

2 Monograms and grain-ear

187/6

1 Monograms and pilei

186/5

2 Monograms and serpents

184/8

1 Monograms and herm

188/2

2TTOAY-Tlffi

181/0

2 AMMft - AIO (cornucopiae)

180/79

1 AAEI - HAIO

179/8

8 XAPI - HPA

178/7

3 HAfi - AYZIA

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177/6

2 Monograms and thyrsos

176/5

4 AIOOA - AIOAO

175/4

2 AHMH - lEPfl

174/3

2 Monograms and eagle

178/2

1 Monograms and aplustre

172/1

1 KTHII - EYMA

171/0

1 TAAY - EXE

170/69

1 MIKI - GEOCDPA

169/8

1 AflPOGE - AIOO

164/8

5 ANTIOXOI- NIKOr and KAPAIXOI

168/2

The New Style tetradrachms include a single coin of 193/2 followed by an

almost unbroken sequence of issues from 188/7 through 168/2, and even the

few gaps in that twenty-five year period may be more apparent than real. In

1952 and 1958 a considerable number of New Style coins came on the market

in the hands of several Beirut dealers. For the most part the issues were the

same as those known to have been in the Kessab Hoard and in a number of

cases the amphora and control letters of the dealers' coins were identical with

those provided by Seyrig's listing. In addition to the duplicated issues the

Beirut tetradrachms included examples of the AMMSJ - AIO (kerchnos) striking

of 182/1, of HPA - APIXTCKD of 168/7 and of TTOAYXAPM - NIKOr of 165/4, the

two last coins in the same splendid state of preservation as the ABPO0E - AIOO

and ANTIOXOZ specimens from the Kessab Hoard. It seems to me highly

probable that some at least of the Beirut coins came originally from Kessab

but there is no way of establishing the connection.

Hoards

477

No emission later than that of Antiochos can possibly be associated with

the hoard; the last New Style pieces are the fine to FDC tetradrachms of 163/2

which surely had not been long from the mint before they were withdrawn

from circulation. The Kessab Hoard, like the find at Tell Ahmar, is noteworthy

for its combination of comparatively early Athenian coins and late Seleucid

issues. In both deposits it may be that the Athenian pieces represent a separate

hoard merged at a later date with Seleucid material. On the other hand, it

may be that the Kessab Hoard is a continuing accumulation with the Seleucid

tetradrachms of Demetrius picking up exactly where the New Style issues

stop, but in that case it is difficult to understand the absence of the coinage

of the earlier Seleucid kings who made extensive use of the nearby mint of

Antioch1 and whose silver would presumably have been more common in the

Kessab region than that of Athens.

NAXOS HOARD (Noe 788)

G. P. Oikonomos, Praktika de I'Acadimie d'Athines, III, 1928, pp. 25-88

L. Robert, Etudes de numismatique grecque, 1951, pp. 161 f.

According to Oikonomos the hoard contained seventy silver and two bronze

coins: thirty-one New Style pieces, eighteen drachms of Naxos, twenty-one

trihemiobols of Rhodes and two bronzes, probably of Andros. It is said by

Kambanis to have been found in 1926. A more detailed publication was planned

by Oikonomos and is now being carried to completion by Mme. Irene Varoucha,

who has most generously given me a brief listing of the component New Style

issues arranged in order of condition from most to least worn.

Monograms issues

AHMH - lEPfi (dr.)

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WAfl - AYIIA (tetr.)

KTHI1 - EYMA (tetr.)

TAAY - EXE (tetr. and dr.)

HPA - APIZTOO (dr.)

MIK1-GEOOPA (tetr.)

MENEA - EnirENO (dr.)

AflPOeE-AlOO (dr.)

TTOAYXAPM - NIKOr (dr.)

GEOOPA - ZflTAI (dr.)

AYIAN - TAAYKOI (dr.)

AlOfE-nOZEl (dr.)

174/8

177/6

171/0

170/69

168/7

169/8

167/6

164/8

165/4

162/1

159/8

161/0

1 E. T. Newell, The Seleucid Mint of Antioch, Pis. II-IV.

478

The New Style Silver Coinage of Athens

The arrangement by wear as determined by Mme. Varoucha corresponds

fairly well with the chronological sequence outlined in the present catalogue.

Oikonomos' belief that the hoard was buried in the middle of the second

century is supported by the New Style material, the latest issue being that

of Lysan-Glaukos in 159/8 B.C.

M. Thompson, "The Grain-Ear Drachms of Athens," ANSCent., pp. 651-671

Early in 1955 a large hoard of 178 drachms and nine tetradrachms, said to

have been discovered in Attica, came on the market and was acquired by the

American Numismatic Society. With the exception of a few duplicates, all

coins are in New York.

The anomalous drachms with grain-ear symbol, which form the bulk of the

hoard, and some regular strikings of contemporary date are discussed and

partially illustrated in the publication cited above. On Plates 162-171 the

find is reproduced in its entirety. Its component issues are as follows:

ATTIC HOARD

(Plates 162-171)

1 dr.

1 tetr.

No monograms, no symbol

AAE1 - HAIO

192/1

179/8

100 dr.

Grain-ear symbol

Monograms and thyrsos

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Monograms and thyrsos

c. 180-170

176/5

2 tetr.

1 dr.

2 tetr.

1 tetr.

25 dr.

2 tetr.

1 tetr.

11 dr.

5 dr.

8 dr.

9 dr.

6 dr.

1 dr.

5 dr.

2 dr.

1 dr.

1 dr.

1 dr.

1 dr.

AIOOA - AIOAO

AHMH - lEPfl

AHMH - IEPG

Monograms and aplustre

KTHZI - EYMA

TAAY - EXE

MIKI - 9E0QPA

hpa - APirroo

MENEA - ETTirENO

TIMAPXOY - NIKATO

nOAYXAPM - NIKOr

AflPOQE-AlOO

ANTIOXOZ - KAPAIXOI

QEOOPA - IQTAZ

AXAIOZ - HAI

MIKIflN - EYPYKAEI

A<DPOAIII - AFIOAHEI

175/4

174/8

172/1

171/0

Hoards

479

One hundred and forty-six coins, about three-fourths of the hoard, belong

to the decade between 180 and 170 B.C. Drachms of the next eight years are

present in relatively small quantity and after that there are only isolated

examples of the fractional silver of 160/59, 156/5 and 155/4. Since the really

large issues of drachms at Athens are those with grain-ear symbol and the

fractions of AHMH - lEPfl and TAAY - EXE, it is not surprising that 136 of the

178 small coins in the hoard should be from those emissions. What is extra-

ordinary is that the few tetradrachms of the deposit also belong exclusively

to the same ten-year period. All show signs of wear and it is evident that they

had circulated for some time before being put away. If, as seems likely, this

is a currency hoard, one must assume that even as late as 155 B.C. the tetra-

drachms of 180-170 were common in the Attic market, more common appar-

ently than those of the succeeding fifteen years.

All coins of the 192/1-171/0 strikings show considerable wear, the one early

drachm being very worn and the others in worn to fair condition. Issues of

TAAY-EXE and MIKI -GEOOPA are better; those of HPA - APIITOO through

AOPOAIZ1 - ATTOAHEI are good to extremely fine. The drachms of 0EOOPA -

IflTAI, AXAIOZ-HAI, MIKK2N - EYPYKAEI and AOPOAIZI - ATTOAHEI seem to

me definitely the latest of the hoard coins but in each case we have only a

single example. One can at least say that these four fractions are quite com-

parable in condition and this is of significance for the chronological arrangement,

especially as regards the emission of MIKIflN - EYPYKAEI. No one of these pieces

can have been in circulation for any considerable time and the burial date of the

hoard, if it is a currency deposit, should be close to 155/4 B.C.

DELOS HOARD I" (Noe 806, 8; Roussel 3c)

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J. N. Svoronos, JIAN, 1906, pp. 260-267

The 249 tetradrachms of this deposit are fully described in Svoronos' article

on the three Delos hoards of 1905. Most of the coins are included in the present

catalogue with reference to the numbers of Svoronos' listing. Component issues

in chronological sequence are as follows:

1 Monograms and grain-ear 51b 187/6

1 AMMfl-AlO (kerchnos) 97a 182/1

2TTOAY-TII8 105; 110c 181/0

1 AAEI-HAIO 127c 179/8

1 WAfl-AYZIA 158d 177/6

1 AIOOA-AIOAO 175/4

2 Monograms and aplustre 249c; 263c 172/1

480

The New Style Silver Coinage of Athens

4 KTHZ1 - EYMA

271a; 272h; 276b

171/0

1 TAAY-EXE

298a

170/69

8 MIKI - GEOOPA

315a; 819c; 828h

169/8

8 HPA - APIZTOO

881b; 333e; 386b

168/7

4 MENEA - ETTirENO

849a; 850f; 3581; 354e

167/6

3 TIMAPXOY - NIKATO

868a; 868b

166/5

2 AflPOGE - AIOCD

889g

164/3

2 ANTIOXOZ - NIKOr

897c; 400g

168/2

KAPAIXOZ

401a

162/1

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1 GEOOPA-ZflTAZ

3 AiorE-nozEi

416d,f

161/0

6 AXAIOZ-HAI

421c,g; 425g; 426g,h; 427f

160/59

11 AYZAN - TAAYKOZ

481i; 482b,g; 488c; 484b,e; 485f; 486c;

159/8

488a

1 EnirENH - ZQZANAPOZ

449f

158/7

1 nOAEMQN - AAKETHZ

469a

157/6

7 AOPOAIZI - ATOAHZI

497d; 499c,e; 500d,e; 508a

155/4

9 EYPYKAEI - APIAPA

512c; 515c; 517b,c; 518e,f

154/3

10 AOPOAIZl - AIOrE

543c,g; 544b,j; 546d,g,i; 548f; 551a; 554b

152/1

27 AIONYZI - AIONYZI

554d; 557f; 559a,d,f,h; 560b; 562; 564c;

151/0

566a; 567e; 569c; 570c,f; 571a,c,d,h,j;

578b; 576b; 577e

26 AMMflNIOZ - KAAAIAZ

577a; 581b,d; 582b,e; 588f; 584g; 585a,e;

150/49

586b,d,h; 588b,c,d; 590a,c(2); 598a(2),b

io eEMizTO-eEonoMnoz

597c; 598e; 600d,g,h; 602a; 604b; 606d;

149/8

608b

20 ZflKPATHZ - AIONYZOAQ

615d; 616a; 618a; 619a,c,e; 621c,e,g;

Hoards

7 HPAKAEIAHI - EYKAHZ 781a(4)

1 Barbaric imitation with Q - N 1846

1 Barbaric imitation with 1858

MIKI - 9E and Helios head

187/6

This large hoard includes the emissions of a fifty-year period between 187/6

and 137/6 B.C. From 172/1 to 152/1 there are only three gaps in the sequence:

the minor issue of FTOAYXAPM - NIKOr in 165/4 and the two large issues of

MIKIQN - EYPYKAEI and KAPAIX - EPrOKAE in 156/5 and 158/2. Two other

extensive coinages of contemporary date, those of ETTirENH -ZflZANAPOI and

nOAEMflN - AAKETHZ, are very scantily represented.

All strikings from 152/1 on are in the hoard. The tetradrachms of Theo-

dotos-Kleophanes and Herakleides-Eukles are the best preserved of any in

the deposit and further indication that the series ends with the second issue

of Herakleides is provided by the four coins of month B from the same pair

of dies. In all probability the hoard was buried c. 137 B.C.

DELOS HOARD KS (Noe 308; Roussel 4)

J. N. Svoronos, JIAN, 1907, pp. 192f.

The thirty-nine New Style coins in this hoard, of which twenty-five can be

identified in the present catalogue, are fully published by Svoronos. The listing

below simply arranges the issues in chronological order:

2 dr.

Grain-ear symbol

180-170

1 dr.

AHMH - lEPfl

8 dr.

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174/8

TAAY-EXE

307a

170/69

1 hemidr.

TAAY - EXE

812a

1 tetr.

MIKI - 9E00PA

324b

169/8

1 hemidr.

MIKI - 6EOOPA

328b

2 tetr.

HPA - API2TOO

383c; 836a

168/7

8 dr.

HPA-APIXTOO

1 hemidr.

MENEA - EnirENO

167/6

1 tetr.

T1MAPXOY - NIKArO

362e

166/5

1 tetr.

FTOAYXAPM - NIKOr

379j

165/4

1 dr.

AfiPOGE - AIOO

164/8

1 hemidr.

AfiPOQE - AIO0>

1 tetr.

ANTIOXOZ-KAPA1XOI

897g

168/2

1 dr.

TTOAEMflN - AAKETHI

482

The New Style Silver Coinage of Athens

2 tetr.

AMMQNIOZ - KAAAIAZ

591a

150/49

1 dr.

GEMirro - eEonoMnoi

610b

149/8

1 tetr.

ZQKPATHZ - AlONYZOAfl

622c

148/7

1 tetr.

AIOTIMOZ - MArAZ

662d

146/5

1 hemidr.

AIOTIMOZ-MArAZ

667a

1 tetr.

EYMHAOZ - KAAAIOflN

781a

140/89

1 tetr.

0EOAOTOZ - KAEOOANHZ

138/7

1 tetr.

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762b

HPAKAEIAHZ - EYKAHZ

790b

137/6

1 tetr.

ANAPEAZ - XAPINAYTHI

797b

186/5

1 tetr.

IKEZIOZ - AZKAHTTIAAHZ

816

185/4

1 tetr.

TIMOZTPATOZ - TTOZHZ

828b

134/8

1 dr.

TIMOZTPATOZ - nOZHZ

837

1 tetr.

AflZIGEOZ - XAP1AZ

132/1

1 tetr.

AHMHTPIOZ - ArAQinnoz

897d

131/0

Delos Hoard K S also contained a cistophorus of Pergamum which Svoronos

describes as in good condition. Sydney P. Noe, who is now engaged in a study

of the cistophoric coinage, tells me that this piece is roughly contemporary

with the latest of the New Style coins.

The individual hoard pieces are badly corroded as is evident from the

weights in Svoronos' publication and furthermore the slight representation of

coinage for all issues makes it impossible to base any firm conclusions on

relative wear. All specimens have circulated; the one tetradrachm of Demetrios-

Agathippos seems to be the least worn.

DELOS HOARD B (Noe 306, 2; Roussel 3b)

J. N. Svoronos, JIAN, 1906, pp. 255-260

Fifty-two tetradrachms, ninety-eight drachms and twenty-three hemi-

drachms were found in this excavation hoard of 1905. Full details are given in

Svoronos' publication.

1 dr.

Hoards

483

1 dr. TAAY - EXE

1 hemidr. TAAY - EXE

8 dr. MIKI - OEOOPA

6 hemidr. MIKI - GEOOPA

1 tetr. HPA - APIZTOO

8 dr. HPA - APIZTOO

2 hemidr. HPA - APIZTOd)

5 dr. MENEA - EnirENO

1 hemidr. MENEA - EnirENO

1 tetr. TIMAPXOY - NIKATO

4 dr. TIMAPXOY - NIKArO

2 hemidr. Tl MAPXOY - NIKATO

1 tetr. nOAYXAPM - NIKOr

2 dr. nOAYXAPM - NIKOr

1 hemidr. nOAYXAPM - NIKOr

1 tetr. AflPOOE - AIOO

18 dr. AflPOOE - AIOO

4 dr. ANTIOXOZ - KAPAIXOZ

4 hemidr. ANTIOX OZ - KAPAIXOZ

4 dr. GEOOPA - ZflTAZ

3 dr. AlOrE - nOZEl

2 tetr. AXAIOZ - HAI

2 dr. AXAIOZ - HAI

1 dr. AYZAN - TAAYKOZ

2 dr. ETTirENH - ZflZANAPOZ

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1 dr. nOAEMflN - AAKETHZ

1 hemidr. TTOAEMflN - AAKETHZ

2 dr. MIKIflN - EYPYKAEI

8 dr. AOPOAIZI - AnOAHEl

8 dr. EYPYKAEI - APIAPA

1 hemidr. EYPYKAEI - APIAPA

1 dr. KAPAIX - EPrOKAE

2 dr. AOPOAiZI - AlOrE

6 tetr. AIONYZI - AIONYZI

2 dr. AIONYZI - AIONYZI

1 tetr. AMMflNIOZ - KAAAIAZ

2 dr. AMMflNIOZ - KAAAIAZ

3 tetr. OEMIZTO - OEOTTOMnOZ

3 tetr. ZflKPATHZ - AlONYZOAfl

5 dr. ZflKPATHZ - AlONYZOAfl

2 tetr. MHTPOAftPOZ - AHM0Z9EN

1 dr. MHTPOAflPOZ - AHMOZ0EN

1 tetr. AIOTIMOZ - MAfAZ

318

828a

889a

345d

846b

857c,e

859f

371b; 872a,b

375a,c

868

378b

882b

890a

891a; 894e

402b,e

408a,b

411c,f

419c,d

421b; 426c

411b,c

440b

459b; 460b

473e

474a

492a,b

44

The New Style Silver Coinage of Athens

1 dr.

AIOTIMOZ-MAI"AZ

665a

2 hemidr.

AIOTIMOZ - MArAI

667a,b

1 dr.

EYMAPEIAHI - AAKIAAM

685

145/4

8 tetr.

XAPINAYTHZ - APIZTEAZ

689i; 692h; 695c

144/3

5 tetr.

OANOKAHZ - ATTOAAflNIOZ

699a; 706a; 707f; 708a

143/2

1 dr.

OANOKAHZ - AnOAAQNIOZ

685

1 dr.

EYBOYAlAHI - ArAGOKA H

722a

142/1

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1 tetr.

ZSIAOI - EYANAPOZ

714j

142/1

2 dr.

ZQIAOZ - EYANAPOI

722c,e

1 dr.

AAMflN - ZftZIKPATHZ

783b

141/0

6 tetr.

EYMHAOZ - KAAAIOflN

730; 740a,e,g; 741a

140/89

8 dr.

EYMHAOZ - KAAAKDQN

747a(2),b

1 hemidr.

EYMHAOI - KAAAIOfiN

748

1 hemidr.

HPAKAEIAHI - EYKAHZ

748

139/8

2 tetr.

0EOAOTOI - KAEOOANHZ

763e; 765d

188/7

1 dr.

0EOAOTOZ - KAEOQANHZ

758b

2 tetr.

HPAKAEIAHZ - EYKAHZ

778a; 788c

137/6

1 dr.

HPAKAEIAHZ - EYKAHZ

799

5 dr.

ANAPEAZ - XAPINAYTHZ

810d

186/5

Hoards

485

1 TAAY-EXE 298a 170/69

1 MIKI - 0EO<DPA 822c 169/8

1 T1MAPXOY - NIKArO 862g 166/5

3 AXAIOZ-HAI 421f; 422c; 427c 160/59

3 AYIAN - TAAYKOZ 429c; 435e; 436a 159/8

4 EYPYKAEI - APIAPA 509d; 512e; 517b; 518f 154/3

5 AOPOAIZI - AlOfE 544g; 550b,f; 551b,e 152/1

12 AiONYZI - AIONYZI 554f; 563b,d; 564b; 566b(2); 567b; 568a; 151/0

570g; 574a; 575b; 577a

17 AMMflNIOZ - KAAAIAZ 582a; 583a(2),e; 584f,g; 585b,c,d; 586h; 150/49

588b(2); 589b; 590b(2),c; 592b

8 0EMIZTO-GEOnOMTTOZ 598c; 601a,d,l; 603h; 605b; 606e; 608a 149/8

10 ZflKPATHZ- AlONYZOAfl 613c; 615b(3); 616b,e(2); 617e; 622g; 625a 148/7

12 MHTPOAflPOZ - MIATIAAHZ 629a,b,c; 681c; 633f; 637d; 688c; 641a; 147/6

AHM0Z9EN 642d,e; 648a,d

10 AIOTIMOZ - MArAZ 649; 655c; 658a; 661b,g; 662d,e,g; 664b,c 146/5

9 EYMAPEIAHZ-AAKIAAM 671b,c,d; 673h; 677d; 678c,e; 679i; 681a 145/4

KAEOMEN

11 XAPINAYTHZ - APIZTEAZ 687c; 688f; 689d,k; 691b,c; 692f,h; 694d,e; 144/8

695a

20 OANOKAHZ- AnOAA2NIOZ 700a; 701c,e; 702a,c,e,k; 705a,i; 706a(3); 148/2

707b,d(3); 708a(8),b

10 EYBOYAIAHZ- ArA60KAH and 710; 712; 714i(2),j; 715b,c; 716b; 719b; 142/1

ZfllAOZ - EYANAPOZ 721b

19 AAMflN-ZnZIKPATHZ 719a(2),b(2); 728b; 721h,j; 726b; 727c, 141/0

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f(2); 728a(2),c(8); 729c; 730a(2)

14 EYMHAOZ - KAAAIOflN 731a,b; 786c; 738a,b,d; 740c,d,e; 741c; 140/39

742b(2); 744a; 745c

11 HPAKAEIAHZ - EYKAHZ 745b,c; 750a(2); 751b; 752b; 758a,b,d,e; 139/8

756b

23 GEOAOTOZ-KAEOOANHZ1 759b; 761b,c,e; 762a; 768b,e; 764a(2); 138/7

765b; 766d; 768e; 770b(2),c; 771b,g;

778b,c(2); 775c

13 HPAKAEIAHZ - EYKAHZ 779d; 780a; 781a; 784a; 785a; 786a; 787c; 187/6

790b; 791c; 792a; 795a,d; 797a

6 IKEZIOZ-AZKAHTTIAAHZ 812a; 818; 814d; 816(2); 820a 185/4

4 TIMOZTPATOZ - nOZHZ 824a; 825e; 828b; 882b 184/8

4 AMOIKPATHZ - ETTIZTPATOZ 841a,b; 842b; 850b 133/2

Agathokles and Zoilos-Euandros separately and did not divide the two years of Herakleides-

Eukles. There is no way of tracing the error, if there is one, but I do not believe that it is of any

real importance.

1 Two badly corroded coins whose obverse dies cannot be identified are included in the

summary but not in the catalogue.

486

The New Style Silver Coinage of Athens

4 AQII9E0Z - XAPIAI 855a; 857d; 863a; 866a 132/1

12 AHMHTPIOI- ArAGinnOI 883d; 884b; 892a,c; 894c; 897a,c; 898b,c; 131/0

912d; 920a; 921i

1 NIKHTHZ-AIONYIIOZ 961a 130/29

This is one of the largest of the Delos hoards. Representation of the earlier

three-magistrate series is somewhat surprising in that the large issues of

Epigene-Sosandros, Polemon-Alketes, Mikion-Euryklei and Karaich-Er-

gokle are missing. From the striking of Aphrodisi-Dioge (152/1) through that

of Niketes-Dionysios all emissions are present with the exception of Andreas-

Charinautes (186/5). There is, however, a decline in the number of coins per

issue after the second year of Herakleides-Eukles and the absence of coinage

from the Andreas-Charinautes striking would not seem to be particularly

significant. What is more puzzling is the single coin of Niketes-Dionysios

which terminates the hoard. Twelve coins of Demetrios-Agathippos appear in

the deposit and then only one of the issue immediately following. One would

assume that the hoard was buried early in 130/29 before many tetradrachms

of Niketes had reached Delos were it not that the amphora letter on the coin

in question is M.

It is tempting to connect the interment of both Delos B and AH with the

serious insurrection of slaves that occurred on Delos at about this time. The

date of the servile revolt cannot be determined with precision.1 In a recent

work, Siegfried Lauffer assigns it to 133 B.C. Ferguson believes that it probably

started in the early summer of 180 B.C. but adds a note of caution to the effect

that "the trouble in Delos must be dated by local evidence alone." The numis-

matic evidence suggests that it took place a year later than Ferguson supposes

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and that it was the reason for the simultaneous burial of the two large Delos

hoards whose issues stop abruptly with H and M coins of Niketes-Dionysios.

The AH Hoard suffered considerable damage, probably from fire as well as

from the action of the soil, and it is difficult to estimate the relative wear of

its issues. Most of the coins from the last eight strikings are reproduced on

Plates 172-175. From the illustrations it is apparent that the coins of De-

metrios and the single specimen of Niketes are the least worn and the latest

tetradrachms of what seems to have been a currency hoard.

1 It was roughly contemporary with the insurrections which broke out in Sicily, Italy,

Attica and Asia Minor in the period between 136 and 130 B.C. The uprising on Delos is dealt

with most fully by Ferguson {Klio, 1907, p. 238 and Hellenistic Athens, pp. 3791.). That at

Laurium is treated extensively by Lauffer (Die Bergwerkssklaven von Laureion. II: GeseUschaft-

liche Verhallnisse, Aufstande, pp. 995-1000). Two other recent studies of slavery in the ancient

world, Westermann's The Slave Systems of Greek and Roman Antiquity and Vogt's Struktur der

antiken Sklavenkriege, add nothing new to the chronological outlines of Ferguson and Lauffer.

Hoards

487

ZAROVA HOARD (Noe 1184)

J. Scholz, Monatsblatt, No. 282, Nov. 1902, pp. 857-359

J. N. Svoronos, JIAN, 1908, pp. 286-240

M. L. Kambanis, BCH, 1984, pp. 181-185; BCH, 1985, pp. 108-120

In 1898 a large hoard of tetradrachms, said to have contained over a

thousand pieces, was uncovered at Zarova in Macedonia. A small section of the

find, some one hundred coins which came into the hands of Egger Bros, in

Vienna, was summarized by Scholz in the Monatsblatt of 1902. Another section,

consisting of 228 coins in the possession of M. Asteriades, secretary at the

Greek Consulate in Salonika, was recorded by Svoronos in the JIAN of 1908.

Subsequently Kambanis combined, in his two BCH publications, the data

for the Vienna and Asteriades lots and also information given him by Regling

on 218 additional hoard pieces which had gone to Istanbul.1 Nothing is known

of the disposition of the remainder of the deposit. If it did originally include

over a thousand tetradrachms, nearly half of its contents has disappeared

without record.

The issues represented in the Zarova Hoard as we know it are arranged

below in chronological sequence. Plus signs in the last column indicate that

one or more examples of that particular striking were included in the Vienna

lot concerning which Scholz gave no details other than a listing of emissions.2

1 Two hundred and thirty-eight coins which can definitely be associated with the Zarova

Hoard are included in the present corpus and listed below by catalogue numbers. Of the forty-

five entries connected with the Asteriades lot, No. 932b is in the Empedocles Collection, recorded

in Kambanis' notebook as having come from the Zarova find; the other Asteriades coins are in

the Athens Cabinet.

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According to Kambanis, Regling saw 218 tetradrachms in Istanbul. Actually the listing in

the BCH for 1935 totals 217 pieces but this is apparently due to the omission of one example of

the Eumelos-Kalliphon striking, of which there are two specimens labelled "Zarova" in the

Istanbul trays. My record, made in Istanbul in 1955, totals 193 coins. The additional twenty-five

items in Regling's list can be identified with tetradrachms in the Istanbul Cabinet but the tickets

with those coins give no indication of a Zarova provenance. The discrepancy is of no great im-

portance since it involves only additional examples of issues already recorded for the hoard (six

more for Epigene-Sosandros, seven more for Polemon-Alketes, six more for Mikion-Euryklei,

one more for Euryklei-Ariara, four more for Karaich-Ergokle and one more for Theodotos-

Kleophanes) but it should be noted that the analysis of the Istanbul section of the hoard is based

on the 1955 record.

With reference to discrepancies it might also be mentioned in passing that the statistics

given for the Asteriades coins in the BCH for 1934 are in several instances incorrect. However,

the summary in the BCH article of the following year is in accord with Svoronos' JIAN publi-

cation.

* He did remark that the coins from the issues of Polemon-Alketes and Karaich-Ergokle

were very numerous.

488

The New Style Silver Coinage of Athens

TIMAPXOY-NIKArO

TTOAYXAPM - NIKOr

AlOrE - TTOZEI

AXAIOZ-HAI

AYZAN - TAAYKOZ

EnifENH - ZQZANAPOZ

Asteriades Istanbul Total

166/5 2 864c 2

165/4 +

161/0 1 416h 1

160/59 1 428d 1 +

159/8 4 1 481e 5+

158/7 50 446i,j; 450d; 28 441d,f,i(2); 442d,e; 78+

458f; 454d; 448e,h; 445b,c,g;

455; 457e;

458b

nOAEMflN - AAKETHZ 157/6 88 462; 469d

MIKIflN - EYPYKAEI

AOPOAIZI - AnOAHEl

EYPYKAEI - APIAPA

KAPAIX - EPrOKAE

AOPOAIZI - AlOrE

AIONYZI - AIONYZI

AMMflNIOZ - KAAAIAZ

6EMIZT0-

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eEonoMnoz

ZflKPATHZ -

AIONYZOAQ

MHTPOAflPOZ-

MIATIAAHZ and

AHMOZOEN

AlOTIMOZ-MArAZ

EYMAPEIAHZ - AAK-

IAAM and KAEOMEN

156/5 88 483c

155/4 1 498d

154/3 1

158/2 19 580d(2);

582; 535m

152/1 4 544h; 548c

151/0 1

150/49 8 589d

149/8 4 598b; 601g

148/7

147/6

146/5

145/4

2 678g

446e,j(2); 447a;

448b; 449f,j,k(n;

450h;451a;454e,g,h;

456b; 457b,c

22 462; 464j,n; 465n,q; 55+

466c(2),h(2),j;469a>f,k;

470a,k; 471a, b(2),d,f,

h,i

81 475b; 476; 477b,c(2); 64+

478c,e(2); 479a,d;

480c,d,f,g;483d,g(2);

484a,d,i; 485b(2),c,e;

486a; 487a,k,l; 488c,

d.g

2 512e;515e 8

18 526c; 528a,f; 531d; 87+

588a; 585f(2),j,l;

Hoards

489

Asteriades Istanbul Total

XAPINAYTHZ-

144/8

688h; 689j; 692a,b,c

8+

APirTEAX

OANOKAHZ-

143/2

699b; 701a; 705b(2),

9+

ATTOAAflNIOZ

g,h; 707d

EYBOYAIAHZ-

142/1

714e

712; 718d; 717d

6+

ArAGOKAH and

ZfllAOZ - EYANAPOZ

141/0

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AAMflN - ZflZIKPATHZ

728a,b

719c

9+

EYMHAOZ-KAAAI<DiN

140/89

736a(2)

3+

HPAKAEIAHZ-

189/8

749c; 758c; 788d

6+

EYKAHZ1

187/6

GEOAOTOZ-

138/7

760c; 764c

15

759a,b; 761c; 762a;

22

KAEOOANHZ

764c,d; 765c,i; 767f;

769b; 770b; 771d;

772a; 773d,f

ANAPEAZ-

136/5

802e,h; 804e;

801a

8+

XAPINAYTHZ

805a; 808d

IKEZIOZ -

185/4

490

The New Style Silver Coinage of Athens

if we accept Kointos-Kleas, there is a gap of four emissions, all extensive and

one (Xenokles-Harmoxenos with dolphin and trident) among the largest of

all strikings on record, before we come to the minor issue of Kointos-Kleas.

The absence of any tetradrachms from those intervening years is strange in-

deed. Furthermore, in Scholz's summary, which unfortunately is by BMC

serial numbers rather than by magistrates' names, there is one obvious error:

Series 50 is listed twice, once after 49 and once after 59. In the latter case it is

undoubtedly a mistake for 60, the issue of Dositheos-Charias. It seems to me

distinctly possible that Series 66, that of Kointos-Kleas, involves another

error but one which cannot be so easily corrected. The issue just preceding,

Series 65 in the BMC, is that of Hikesios-Asklepiades found in both the

Athens and Istanbul lots but missing from the Vienna section of the hoard.

One wonders if the 66 of Scholz's listing should not have been 65.

The Zarova deposit gives indication of being a currency hoard. Its size

suggests that it represents not the accumulated savings of an individual but

rather the funds of an official or an organization, which would tend to be a

cross-section of money in use at the time.1 Moreover, the comparative con-

dition of the hoard coins in Athens and Istanbul points to their having been

withdrawn from current circulation.

In 1955 I had the opportunity of examining both lots, here treated as a unit

since their component issues show the same pattern of relative wear. Consider-

able differences in preservation were immediately apparent as outlined in the

four broad categories below:

Most worn: Timarchou - Nikago, Dioge - Posei, Achaios - Heli, Lysan - Glaukos, Epi-

gene - Sosandros, Polemon - Alketes, Mikion - Euryklei, Aphrodisi - Apolexi, Euryklei -

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Ariara, Karaich - Ergokle, Dionysi - Dionysi, Themisto - Theopompos

Less worn: Aphrodisi - Dioge,2 Ammonios - Kallias, Sokrates - Dionysodo, Metrodoros -

Miltiades, Diotimos - Magas, Eumareides - Alkidam

Still less worn: Charinautes - Aristeas, Phanokles - Apollonios, Euboulides - Agathokle

and Zoilos - Euandros, Damon - Sosikrates, Eumelos - Kalliphon, Herakleides - Eukles,

Theodotos - Kleophanes, Andreas - Charinautes, Hikesios - Asklepiades, Timostrates -

Poses, Amphikrates - Epistratos

Best preserved: Dositheos - Charias, Demetrios - Agathippos, Niketes - Dionysios, Ari-

stion - Philon, Aropos - Mnasago, Xenokles - Harmoxenos

1 It is true that one would expect a preponderance of coinage from late issues in a currency

hoard but it must be remembered that we are concerned here not with the Athens area but with

an outlying district. The appearance of so many tetradrachms of 158-152 B.C. may simply reflect

large-scale movement of Athenian coins to the north during those years and their continued use

over a long period. Later strikings may have travelled to Macedonia in smaller quantity.

2 The two Athens coins are comparable to the other pieces in this second category; of the

two at Istanbul, one is in better and one in poorer condition.

Hoards

491

Regling's memorandum on the Istanbul coins (see BCH, 1935, pp. 109-115)

includes an evaluation of wear for every tetradrachm in his listing.1 For the

most part his observations correspond closely with the divisions above; where

divergencies exist they are generally the result of the additional material from

Athens. In summary of the section of the coinage which is of greatest concern,

it is to be noted that Regling considered the best-preserved pieces to be those

of Andreas-Charinautes, Amphikrates-Epistratos, Demetrios-Agathippos

(almost all I but only one example of the first issue was in the Istanbul lot),

Timostratos-Poses (I and TBC), Niketes-Dionysios, Aropos-Mnasago, and

Xenokles-Harmoxenos (all TBC).

Kambanis in his general discussion of the Zarova Hoard remarks on the

absence of the issues of Nikogenes-Kallimachos, Demeas-Hermokles and

Apellikon-Gorgias, all strikings which, according to his sharp division between

three-magistrate and two-magistrate issues, would necessarily come ahead of

the Xenokles-Harmoxenos coinage represented in the find. The only explana-

tion he offers is that those emissions, coming shortly before the burial date of

the hoard, had not had time to reach districts distant from Athens.

Actually no explanation is necessary. The Zarova Hoard is a completely

consistent body of material which confirms in most gratifying fashion the new

chronological arrangement established by die links and stylistic criteria. The

issues of Nikogenes-Kallimachos, Demeas-Hermokles, Apellikon-Gorgias

and, I believe, Kointos-Kleas as well are not included in the deposit because

they are later than its interment. The strikings which are found in it comprise

all issues without exception from 161/0 to 127/6. In that last year the sequence

is abruptly broken with coins of months B and r, suggesting that the treasure

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was put away in the same year or very soon thereafter.

HALMYROS HOARD (Noe 478)

M. L. Kambanis, BCH, 1984, pp. 101-128; BCH, 1985, pp. 101-107, 118-120

The Halmyros Hoard is one of the largest, if not the largest, of all known

finds of New Style tetradrachms. It has been extremely difficult to reconstitute

it due to the variety of names under which it has made its way into public and

private collections, the number of dealers who marketed its contents, and the

span of years over which its dispersion took place.

Kambanis in the BCH for 1934 gives the reported circumstances of its dis-

covery. In 1929, according to the accounts he had heard, two shepherds noticed

in the flood-eroded bank of a stream two vases at some distance from each

1 Classified as usi, II, I/II, I and TBC for Iris bien conserve.

492

The New Style Silver Coinage of Athens

other. One, of bronze, contained gold jewelry and bars; the other, of terra-cotta,

held 969 Athenian New Style tetradrachms. It was not until February of 1931

that Kambanis learned of the hoard and endeavored to establish its exact

find-spot. This he finally concluded to have been Halmyros, a village not far

from the ancient Larissa Cremaste.1

The 969 tetradrachms of the hoard are divided by Kambanis into three lots:

1) 239 pieces sold to jewelers at Lamia, chiefly worn specimens of which many

were melted down and some passed unnoticed into commercial channels

2) 640 pieces sold to two dealers 3) 90 pieces sold at Chalcis. By good fortune

Kambanis was able to examine and record 730 of the hoard coins, presumably

those of Lots 2 and 3, and his detailed report on them is given in the BCH for

1934. Subsequently an additional lot of the Halmyros tetradrachms was con-

fiscated at Lamia and these coins, under the designation "Lamia Hoard," were

deposited in the Athens Museum where Kambanis had an opportunity of

studying them. In the BCH for 1935 he describes the Athens section of the find

and also outlines the composition of the hoard as he was able to determine it

from the 828 coins he had seen.2

Kambanis' information on the hoard can be supplemented to some extent.

In 1931 a group of 357 tetradrachms was offered to the British Museum by a

Greek dealer. This was said to be about half of a hoard found near Levadia, "in

the same place as and possibly in conjunction with the find of Hellenistic

jewelry." The coins brought to London were examined by Dr. E. S. G. Robin-

son who took detailed notes on the individual pieces and on relative condition

of the issues. Twenty tetradrachms were purchased for the British Museum.

This section of the Halmyros Hoard, the 337 coins seen but not purchased by

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Robinson plus the equivalent amount in the hands of an associate of the Greek

dealer, would seem to be Kambanis' Lot 2. It is fairly certain that most, if not

all, of the coins that returned from London in 1931 were subsequently seen

and catalogued by Kambanis; a number of unusual varieties appear in both

his and Robinson's listings.

1 At first Kambanis associated the find with Levadia. Many of his casts are labelled "Levadia

Hoard" but this is often corrected to Halmyros on the casts themselves or in his notebook.

* It is impossible to reconcile completely Kambanis' figures as given in the two BCH publi-

cations. In his earlier article the recapitulation by issues on pages 113-114 is often at variance

with the record on pages 103-113. To take only a few examples, the two coins of Theophra-Sotas

described in his listing are not included in the summary; only ten coins of Zoilos-Euandros

appear in the recapitulation while fifteen are described. In the second article the recapitulation

on page 106 includes the 730 tetradrachms published in 1934, the 78 Athens coins and 20 other

pieces known to Kambanis by rubbings. The totals by issue differ widely in the summaries of

1934 and 1935; of the two, the later and more comprehensive record, which tallies fairly well with

the detailed listing of coins, would seem to be the more accurate.

Hoards

493

The acquisitions of Edward T. Newell from the same hoard present a far

more complex picture. In the ANS trays there are 189 tetradrachms which

can with reasonable assurance be associated with the Halmyros find. A small

number, twenty-one coins, are definitely labelled "Halmyros" on Newell's

tickets but these represent late accessions, all dating from 1987 and 1938 at

which time the circumstances of the hoard were well known. The other tetra-

drachms were obtained between the years 1929 and 1933 and their tickets

carry a variety of identifications:

January 1929 34 coins from an American dealer

August 1930 17 coins from the same dealer

July 1981, January

87 coins from the same dealer

4 coins from the same dealer

6 coins from the same dealer

20 coins from a Greek dealer but

not the one of the British

Museum negotiations

and April 1932

June 1932

October 1983

March 1933

"Euboea Hoard"

"Euboea Hoard"

"Hoard of 1930"

"Chalcis Find"

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"Hoard"

''Chalcis-Euboea

Hoard"

There can, I believe, be no doubt but that the Hoard of 1930, the Chalcis

Find and the Chalcis-Euboea Hoard are all in reality Halmyros. Individual

specimens of Newell's accessions from the Hoard of 1930 and the Chalcis Find

are represented among Kambanis' casts and those casts are labelled either

Levadia or Halmyros. Furthermore, a number of Newell's coins show a dis-

tinctive blue-green encrustation. This is present on tetradrachms associated by

their tickets with the Halmyros Hoard, the Hoard of 1930 and the Chalcis-

Euboea Hoard. As for the other three lotsthe six Hoard coins of October 1938

and the fifty-one pieces of Euboea Hoard 1929 and 1930there is no way of

firmly establishing their Halmyros origin. They fit into the hoard series in con-

dition and in surface appearance; they come from the same dealer who supplied

Newell with most of his Halmyros acquisitions; their reported provenance is

similar to that of other pieces which are definitely Halmyros. It is difficult to

believe that a substantial number of hoard coins in commerce at the time the

Halmyros Hoard was being dispersed and said to have come from the same

general region as that find could belong to a separate deposit, hence I am in-

clined to ascribe without qualification all 189 of the ANS coins to the Hal-

myros Hoard.

Of these coins, Kambanis had seen and catalogued some, if not all, of the

Hoard of 1980 and Chalcis Find lots. He had probably seen most of the twenty-

six coins secured by Newell in 1933. He could not have recorded the earlier lots

of 1929 and 1980 which were on the market before he knew about the hoard.

494

The New Style Silver Coinage of Athens

The Athens section of the Halmyros Hoard, as I saw it in 1955, consists of

sixty-seven genuine tetradrachms and thirty-four forgeries.1 These latter are

crude modern reproductions of ancient coins in the hoard, and, as Kambanis

points out, they were clearly intended to supplement the stock of authentic

tetradrachms held by an unscrupulous vendor. In the BCH for 1935, Kambanis

gives a list of the issues which had been copied; it is now possible in most cases

to connect these forgeries with the original coins. The counterfeits are dis-

tributed as follows:

2 of IflKPATHI - AIONYIOAQ

4 of EYMAPEIAHI - AAKIAAM

4 of AAMQN - IflllKPATHI

4 of AflllGEOI - XAPIAI

4 of NIKHTHI - AIONYTIOI

5 of NIKHTHI - AlONYIIOI

5 of AHMEAI - EPMOKAHI

1 of AHMEAZ - EPMOKAHI

1 of EENOKAHI - APMOEENOI

with dolphin

4 of EENOKAHI - APMOEENOI

with dolphin

(from No. 622a in the Berry Collection)

(from No. 674a in the Berry Collection)

(from an imitation of the Athenian series, present

whereabouts unknown. One of the modern counter-

feits, No. 1408, is reproduced on Plate 157)

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(from No. 859b in the Berry Collection)

(from No. 932a in the Berry Collection)

(from No. 1418, an imitation of the Athenian series in

the Berry Collection)

(from No. 1056a in the Berry Collection)

(from No. 1058 in the Petsalis Collection)

(obverse and reverse dies of No. 1064 but

whereabouts of exact prototype unknown)

(from No. 1078a in the Berry Collection)

It is interesting to note that the forger included two imitations of the

Athenian series among the coins he selected for reproduction. The Niketes-

Dionysios piece in the Berry Collection is in FDC condition and must be con-

temporary with the latest of the regular issues represented in the hoard. The

Damon-Sosikrates imitation has disappeared but it would seem, to judge from

the modern counterfeits of it, to have been more worn and therefore an earlier

striking from a non-Athenian mint.

The present catalogue contains 443 entries which can definitely be attributed

to the Halmyros Hoard, over half of the total of 828 coins which Kambanis

reported having seen. The discrepancy is probably not as great as it appears

1 My record of the Athens coins does not correspond exactly with Kambanis' listing (BCH,

1935, pp. 102-105). Among the genuine pieces, I saw one coin of Sokrates-Dionysodo (K2), two

of Timostratos-Poses (K3) and five of Dositheos-Charias (K4). These discrepancies account for

the difference in our totals.

Kambanis itemizes thirty-two forgeries in his summary but mentions thirty-four in his text.

The latter figure is correct. Five counterfeits of the Xenokles-Harmoxenos issue with dolphin

are in the Athens trays.

Hoards

495

for many of the missing coins are undoubtedly in the catalogue as specimens

of unrecorded provenance in private collections. On page 106 of the BCH for

1935 Kambanis summarizes the coins he had examined. To his totals can be

added the twenty pieces purchased by the British Museum in 1931, fifty-two

Newell coins which Kambanis had almost certainly not seen,1 and the three

imitations at the end of the listing below. The distribution of these 903 tetra-

drachms by issues is as follows :2

N-

BM

Total

1. TAAY - EXE

170/69

2. hpa - APirrocD

168/7

839g(N)

3. MENEA - ETTirENO

167/6

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4. T1MAPXOY - NIKArO

166/5

864e(N)

5. nOAYXAPM - NIKOr

165/4

6. AflPOGE - AIOO

164/8

884b(N); 885b(N)

7. ANTIOXOZ - NIKOr

168/2

396a(N); 899b

KAPAIXOI

8. 0EOOPA - IftTAI

162/1

406d(N); 408d(N)

9. AiorE - noiEi

161/0

417i

10. AXAIOZ - HAI

160/59

496 The New Style Silver Coinage of Athens

18. AIONYZI - AlONYII

151/0

28

33

552(A); 554b(N); 557i(N);

566a(N); 569f (N); 570b(N);

573b; 576a(N)

19. AMMBNIOZ - KAAAIAZ

150/49 80

31

580(A); 582b,d; 583b;

584b(N),c(N),d(N),i(N); 585c

(A),g(N); 586c(A); 587(A);

588a(N),b(A); 592a(N)

20. 6EMIZT0 - eEOrTOMTTOZ

149/8

16

597a(N),c(N); 598c(N),g(N);

602a(N); 603d(N),f; 604d(N);

605a(N); 606e(N)

21. ZQKPATHZ - AlONYZOAfl

148/7

88

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80

611(2-N1); 614c; 616b(N);

618b(N); 620b(N); 621j(N);

622a,c(A)

22. MHTPOAQPOZ - MIATIAAHZ

147/6

21

24

629b; 683c(2-Nl),h; 685a(N),

AHM0I9EN

b(N); 687c(N),f(N); 642c

23. AIOTIMOZ - MArAI

146/5

10

12

649(N); 658b; 656c(N); 658c,

d(N),l(A); 661a(N); 663c

24. EYMAPEIAHZ - AAKIAAM

145/4

28

28

671e(A); 673b,f; 674a; 675a;

KAEOMEN

677b,e(N); 678b,d; 679a(N),

b; 680e(A),f(N); 684a

25. XAPiNAYTHZ - APIZTEAZ

144/8

21

21

688e(2-Nl),i(A); 689a(A),

d(N),e(A); 690g(N)

26. (DANOKAHI - ATTOAAflNlOZ

148/2

22

24

698b; 700a; 701a,c(N),f(N);

Hoards

497

36. AAZI9E0Z - XAPIAZ

38. NIKHTHZ- AIONYZIOZ

39. APIZTIflN - OIAQN

129/8 60

N-

BM

Total

32. ANAPEAZ-XAPINAYTHZ 186/5 18 - 18

33. IKEZIOZ - AZKAHT71AAHZ 185/4 15 - 15

34. TIMOZTPATOZ - TTOZHZ 184/3 18 - 18

35. AMOIKPATHZ - EniZTPATOZ 133/2 22 - 22

182/1 44 - 44

37. AH MHTPIOZ - ArAGinnOZ 181/0 63 1 64

180/29 48 1 49

61

d(N); 765d(N); 766a(A),b

(2-Nl),e(Al-Nl); 767a,c; 771f

(N); 774a(A),c(N)

797b; 798; 801a,b(N); 802a,

e(N); 803b(2); 804b(N); 805b;

808a; 809a

812a; 818(N); 809c(A),d(N);

814b; 817d(8-Al); 818c(N),

e(N); 820a(A)

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823a(N); 825a,f(N); 826b(N);

827a(N); 828b(2-Nl),c; 829i

(A); 880c,e(A); 832a

888a(2); 841c(A); 842a,d(N)

848c(A); 846b(N),c(N); 847

848a(A); 849a(A); 850c; 851a

847a; 850(A); 851a(A),b(N)

854(N); 856a(N); 857a; 858c

(N); 859a,b; 860a; 862(N)

864(A2); 867f (N); 868(N)

870a(A); 873a,b(N)

880; 888b; 884c; 889a; 891c

894b(N); 896(N); 898a; 899c

d(N); 900a,b; 901(A); 904a

905d,e(L); 906c; 907b,e

908a(A); 909c,d(A); 912a

913(N); 914; 916a(N); 919c

(N); 920b; 921a(2-Al),c,g(N)

922a,b; 923a; 925a,c(N),d

982a,c; 933a(A); 934a(N)

c(N); 985b; 987a(A),e(A)

988a(N); 939a; 940b(N); 941c

(N); 944d(A); 951c(N); 955b

956c(A); 957a; 958a; 959a

960a(L); 961b

959(3-Nl); 961a,b(N),d(N)

964a; 965; 966; 967c(N); 968b

(A),c(A); 970a(N),c(N); 975a

(N); 976b(N),c,e(N); 977b(N);

979e(A); 981b,c(N),e; 988

(N2); 984a(L),b; 985b(N);

986; 987b(A); 988b

498

The New Style Silver Coinage of Athens

40. APOnOI - MNAZArO

128/7 55 4 59

41. EENOKAHZ - APMCEENOZ

(serpent)

42. NIKOrENHI - KAAAIMAXOZ

43. AHMEAZ - EPMOKAHI

127/6

1-

126/5 21 2 28

125/4 47 6 53

44. =EN OKAHZ - APM OEEN OZ

(dolphin)

Imitations

124/8 18

19

990c(N); 992; 998b(N); 995a

(A); 996a,b,c(N),d,e(A); 998

(N); 1000d(A); 1005a(N);

1007b(N),c(L); 1009c(N),d(A);

1010a(L),c(2-Ll); 1011b (Ll-

Nl); 1012b; 1014a(N)

1019(A)

1088(N); 1035(N); 1041b(N);

1042(N); 1044(A); 1045a(N2-

Ll),e; 1046a,b; 1047a(N);

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1048a(N),b(L)

1050(2); 1051a; 1052a(3-Ll.

Nl); 1053c; 1054; 1055b(N).

e(N),f(L); 1056a(2),b(N);

1057b(Ll-Al),d(N); 1058;

1060b(2-Ll),c(N),d(N); 1061d

(A); 1068a(N),b(Ll-Nl),c(A),

d; 1064a,b(N); 1065(N);

1066(L)

1066c; 1072a(L),c; 1078a;

1087a(A),c,d(N)

1405; 1408; 1418

An arrangement of the issues according to relative condition is published

by Kambanis on pages 118-114 of the BCH for 1934. His four categories,

ranging from most to least worn, may be summarized as follows:

Lot A: Issues 1 through 11 of the listing above1

Lot B: Issues 14 through 24

Lot C: Issues 25 through 36

Lot D: Issues 37 through 44 with the last striking, that of Xenokles -

Harmoxenos with dolphin, said to be the best preserved

Kambanis' sequence by wear is in complete accord with the chronological

sequence of emissions as determined in the present study assuming that the

order of issues within his categories is not intended to reflect comparative

condition. Such an assumption seems valid in that the arrangement of his

1 Not all issues were represented in this earlier group of 730 tetradrachms examined by

Kambanis. He has no record of Issues 4,12,13 and 41; furthermore, he omits from his recapitu-

lation the two coins of Theophra-Sotas which he had seen. Allowance must be made for similar

gaps in the material examined by Robinson and by the author.

Hoards

499

summary is clearly a carry-over from the preceding record of individual coins

and that record, as Kambanis notes, follows the order of Svoronos* plates.

My record of the coins in the Athens Museum and in the ANS Collection

corresponds almost exactly with Kambanis' evaluation. Both lots of material

may be divided into three broad classifications:

Most wear: Issues 1 through 25

Less wear: Issues 26 through 35

Best preserved: Issues 36 through 39 (comparable in condition) followed by

Issues 40 through 44 (also comparable in condition)

With regard to the Athens pieces, I had starred the Xenokles-Harmoxenos

emission (No. 44) as definitely the best preserved but had noted that there was

no great difference in wear within this last grouping.

Robinson's analysis of the coins he had seen is more elaborate in its divisions

and some liberties have been taken in merging his classifications of the earlier

strikings to bring them in line with the other records:

Group 1 (worn, worn to good): Issues 1 through 24 (except for Issues 14 and 20

which are rated better but on the evidence of one and of two coins)

Group 2 (good, good to fine, fine, fine to very fine): Issues 25 through 35 (except

for six coins of Zoilos - Euandros which are rated very fine) and Issue 37

Group 8 (very fine): Issues 36 (in part), 38 and 39

Group 4 (fine to FDC): Issues 36 (in part) and 40

Group 5 (very fine to FDC): Issues 42 and 44

Group 6 (FDC): Issue 43

The three independent evaluations give substantially the same picture: the

latest coins are undoubtedly those of Nikogenes-Kallimachos, Demeas-Her-

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mokles and Xenokles-Harmoxenos with dolphin. These are the same strikings

which the evidence of die links and style places at the end of the series of issues

represented in the Halmyros Hoard.

As Kambanis points out, the Zarova and Halmyros finds are highly com-

parable in contents and in date; their correspondence, however, is not as

absolute as he indicates. Both deposits include an unbroken sequence of issues

from the early years of the three-magistrate period but the Zarova series stops

in 127/6 with the striking of Xenokles-Harmoxenos using the serpent symbol.

The Halmyros Hoard contains the three issues which immediately follow the

serpent emission, hence its burial date would be about 124/8 B.C. Kointos-

Kleas and Apellikon-Gorgias, upon whose absence Kambanis comments, are

5oo

The New Style Silver Coinage of Athens

missing from the Halmyros Hoard for the same reason that they are not found

in the Zarova Hoard: their emission is subsequent to the interment of the

hoard.1

CARYSTUS HOARD II

1. Varoucha, BCH, 1958, pp. 651 f. and PI. XLIX

Forty-one tetradrachms, the major part of a hoard discovered at Carystus,

were acquired by the Athens Museum in 1957. The coins are listed by Mme.

Varoucha and partially classified by wear. Ten pieces are illustrated.

TIMAPXOY-NIKArO

166/5

worn

AMMflNIOZ - KAAAIAZ

150/49

worn, good

590b

IflKPATHZ - AlONYIOAfl

148/7

worn, good

0EOAOTOZ - KAE04>ANHI

138/7

worn, good

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(prob. 771d)

HPAKAEIAKE - EYKAHI

137/6

worn,

778b

IKEIIOZ - AIKAHTHAAHZ

135/4

good

AQI10EOI - XAPIAI

132/1

good

ahmhtpioi - ArAeinnoz

131/0

very good,

917b

NIKHTHZ - AIONYZIOZ

130/29

942c

APIZTIQN - (DIAflN

129/8

970c

APOnOI-MNAIArO

128/7

good (2), very good

999a

AHMEAI - EPMOKAHZ

125/4

very good

1051b

10

EENOKAHZ - APMOEENOI

124/8

all good or very good

Hoards

5oi

This deposit is of great importance. Nearly half of the coins in it are of the

two Xenokles strikings, one with dolphin symbol and the other with seated

Roma. Evidence of proportionate representation and of relative wear estab-

lishes these as the latest emissions in the hoard and condition further indicates

that the Roma striking follows that of the dolphin.

Interesting parallels with the large hoard from Halmyros are to be found.

The late issues (Dositheos-Charias through Aropos-Mnasago and Demeas-

Hermokles) which are heavily represented in the Halmyros Hoard are also

present in the Carystus one; the strikings of Xenokles with serpent and Niko-

genes-Kallimachos which are less abundant at Halmyros are lacking at

Carystus. The composition of the two hoards is highly comparable down to

124/3, the date of the Xenokles with dolphin emission. In the Carystus Hoard

one additional issue, that of Xenokles with Roma, appears in quantity and its

presence strongly substantiates the chronological sequence which places the

two strikings in contiguous years.

This unpublished hoard is in the Royal Ontario Museum at Toronto. No

record exists of the date and circumstances of accession and nothing is known

of the provenance of the coins. All forty-eight tetradrachms of the find are

reproduced on the plates with the numbers of the catalogue entries. The com-

position of the hoard is as follows:

ONTARIO HOARD

(Plates 176-179)

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Monograms and cicada

185/4

160/59

157/6

156/5

154/8

158/2

151/0

150/49

148/7

147/6

146/5

144/8

148/2

141/0

187/6

186/5

121/0

AXAIOZ - HAI

nOAEMJlN - AAKETHZ

MIKIflN - EYPYKAEI

EYPYKAEI - APIAPA

KAPAIX - EPrOKAE

AIONYZI - AIONYZI

AMMflNIOZ-KAAAIAZ

IflKPATHI - AlONYSOAfi

MHTPOAflPOI - AMHOI0EN

AIOTIMOZ - MArAZ

XAPINAYTHI - APIZTEAI

502

The New Style Silver Coinage of Athens

It is highly unlikely that the forty-eight coins in Toronto constitute a

complete hoard. Certainly one finds it hard to believe that in either a savings

or a currency deposit there would be the fourteen-year gap between Andreas-

Charinautes at the end of a long and fairly close chronological sequence and

Apellikon-Gorgias. The single tetradrachm of Apellikon may, of course, be an

intrusion but one must then explain the degree of wear shown by the coins of

Herakleides-Eukles and Andreas-Charinautes which would close the deposit.

The Ontario lot seems rather to be a section of a larger hoard. In the ab-

sence of information as to its provenance and the date of its acquisition,

speculation is perhaps useless. Carystus Hoard I, which was dispersed at the

end of the last century, covers a similar period of time from monogram emis-

sions through Apellikon-Gorgias but many of the issues at Toronto are not

mentioned in the fragmentary accounts of the Carystus find. All that one can

do for the time being is to place the material on record in the hope that addi-

tional information may some day be available.

A. N. Meletopoulos, Parnassos, 1883, pp. 774-776

U. Kohler, ZfN, 1885, pp. 108-106

From the two publications it is possible to reconstitute the hoard in general

terms: some seventy New Style tetradrachms with monograms and names of

magistrates, twenty to thirty Carystus drachms with magistrates' names, two

or three Athenian drachms, three tetradrachms with A9E O AEMOZ. Of indi-

vidual New Style issues the following are known to have been in the find, but

there is no record of the number of coins of any one striking:

CARYSTUS HOARD I (Noe 212)

Monograms and pilei

179/8

178/7

178/2

172/1

171/0

152/1

149/8

146/5

148/2

142/1

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186/5

140/39

AAEI - HAIO

XAPI - HPA

Monograms and eagle

Monograms and aplustre

KTHZI - EYMA

AOPOAIZI - AlOrE

GEMIZTO - GEOnOMnOI

AlOTIMOZ-MArAZ

(DANOKAHZ - ATTOAA}NIOZ

ZfllAOI - EYANAPOZ

EYMHAOZ-KAAAKDflN

HPAKAEIAHZ - EYKAHZ

139/8 or 187/6

Hoards

503

0EOAOTOZ - KAEOOANHZ

IKEZIOZ - AZKAHniAAHI

ahmhtpioi - ArAeinnoz

NIKHTHZ - AIONYZIOZ

APIZTIflN - OIAQN

EENOKAHZ - APMCEENOZ (serpent)

EENOKAHZ - APMCEENOZ (dolphin)

EENOKAHZ - APMCEENOZ (Roma)

AFIEAAIKflN - TOPriAZ

138/7

135/4

131/0

130/29

129/8

127/6

124/3

123/2

121/0

Kohler states specifically that the issues of Kointos-Kleas and Mithra-

dates-Aristion are not included and remarks that all coins of the three series

of Xenokles-Harmoxenos are in good condition. Since the hoard was dispersed

long ago, there is little prospect of obtaining any more information on it and

the fragmentary nature of the present record makes it almost valueless as

evidence. The most interesting feature of the deposit is the appearance in it of

three examples of the rare O AEMOZ emission.

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W. Schwabacher, "A Find from the Piraeus," NC, 1939, pp. 162-166

Schwabacher's account gives a listing of the coins, arranged in order of

wear, but illustrates none of the Athenian pieces and only one of the Mithra-

datic tetradrachms. Through the courtesy of G. K. Jenkins I have been able

to reproduce the contents of the hoard from the casts on deposit at the British

Museum.1 Component issues are:

PIRAEUS HOARD (Noe 818)

(Plate 180)

1 EfTirENH - ZflZANAPOZ 158/7

1 ZQKPATHZ - AIONYZOAQ 148/7

1 EYMAPEIAHZ - KAEOMEN 145/4

1 9E0A0T0Z - KAEOOANHZ 138/7

1 APIZTIflN - (DIAflN 129/8

1 EENOKAHZ - APMCEENOZ (serpent) 127/6

1 AHMEAZ-EPMOKAHZ 125/4

1 EENOKAHZ-APMCEENOZ (dolphin) 124/3

2 EENOKAHZ - APMCEENOZ (Roma) 123/2

2 ATTEAAIKflN - rOPflAZ 121 /0

1 In Schwabacher's publication a coin of AHMH - lEPfl is reported to have been included

in the hoard. The casts of the British Museum provide no record of this tetradrachm.

54

The New Style Silver Coinage of Athens

In addition to the New Style coins there are two tetradrachms of Mithradates

Eupator,both with the era date A but with different month dates: A and A.1

A considerable period of time separates the earliest and latest coins of the

hoard and there is a corresponding variation in their condition. The first four

issues are well worn; those from Aristion-Philon on are better preserved. Coins

of the Xenokles-Harmoxenos emissions with dolphin and Roma and those of

Apellikon-Gorgias show the least wear of the Athenian sequence,2 and the

inclusion of two specimens each of the Xenokles (Roma) and Apellikon strikings

is additional indication that they are the latest of the tetradrachms of Athens.

The two Mithradatic pieces are, as Schwabacher points out, in mint condition,

distinctly better preserved than any of the Athenian coins.

ABRUZZI HOARD

(Plates 181-184)

An unpublished deposit discovered in the Abruzzi in 1954 or somewhat

earlier. Its original composition, like that of so many other hoards, cannot be

accurately ascertained due to rapid dispersal through several dealers. One report

stated that two finds had been made in this region during 1954 but this seems

most unlikely in view of significant duplication in the records of the two lots

of coins. Rather one imagines that the deposit was divided and that a sub-

stantial part of it reached different commercial channels. The balance was

1 The gold and silver of Mithradates VI falls into three general categories (Waddington,

Recueil, pp. 12-19): issues without dates, issues with years of the Bithynian-Pontic era and

issues with years A - A of another era. Some of these last bear a monogram which is identical

with that of Pergamum on the cistophoric coinage and it has been thought that the coins were

struck at that mint between 88 and 85 B.C. while Mithradates used the city as his headquarters.

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It is noteworthy that both the Piraeus and Dipylon Hoards contain tetradrachms of this

last type, all of the first year (A) and all with month dates. Schwabacher in the Chronicle article

cited above divides the A-A era coinage into two emissions (year A with month dates and years

A - A without month dates) and suggests that the former may have been put out at Athens and

the latter at Pergamum. It is distinctly possible, however, that the presence or absence of month

dates is not an indication of separate mints but simply reflects an initial adoption of the Pontic

system of dating by months and a subsequent abandonment of the practice by one and the

same workshop. That any of the coins were struck at Athens seems to me doubtful. When Mithra-

dates dispatched Archelaus and Aristion to Greece in the autumn of 88 B.C. it is highly likely

that he provided them with funds to strengthen the pro-Mithradatic faction in Athens and to

build up the resources of the city against the inevitable clash with Rome. Some of this money,

including the tetradrachms of the Piraeus and Dipylon Hoards, may well have come from the

mint of Pergamum.

a The present evaluation of wear does not tally with that given by Schwabacher but it is,

I think, borne out by the illustrations on Plate 180.

Hoards

505

confiscated by the authorities. Twenty-eight Athenian tetradrachms were

secured by the American Numismatic Society from a dealer who said that he

had also had from the same hoard about two hundred Roman Republican

denarii of the time of Sulla. These Roman coins cannot be traced or more

precisely identified. A second section of the hoard came into the hands of an-

other dealer who most kindly made available rubbings of his material. There

is no definite information concerning the expropriated pieces.

All of the ANS coins and most of those in the hands of the second dealer

are reproduced on Plates 181-184.1 The hoard contains the following:

Athens:

AOPOAIZI - AlOrE

152/1

EYMAPEIAHZ - AAKIAAM

145/4

XAPINAYTHZ - APIZTEAZ

144/8

OANOKAHZ - ATTOAAflNIOZ

143/2

EYMHAOZ - KAAAIOflN

140/39

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9E0A0T0Z- KAEOOANHZ

138/7

HPAKAEIAHZ-EYKAHZ

187/6

AMOIKPATHZ - ETTIZTPATOZ

188/2

ABZIGEOZ-XAPIAZ

182/1

ahmhtpioz - ArAeinnoz

131/0

NIKHTHZ - AIONYZIOZ

130/29

APOflOZ - MNAZArO

128/7

NIKOrENHZ - KAAAIMAXOZ

126/5

EENOKAHZ - APMOEENOZ (dolphin)

124/8

EENOKAHZ - APMOEENOZ (Roma)

128/2

KOINTOZ-KAEAZ

122/1

ArTEAAIKflN - TOPriAZ

121/0

m-m

c. 86/5

Others:

1 Ariarathes V of Cappadocia (B in exergue) 168-180 A on Plate 184

1 Nicomedes III of Bithynia (dated HP) 105/4 B

2 Byzantium issues with Lysimachus types late 2nd- C-D

506

The New Style Silver Coinage of Athens

There is considerable variation in condition among the hoard coins. Of the

Athenian issues, those from Aphrodisi-Dioge through Demetrios-Agathippos

show the greatest wear. The strikings of Niketes-Dionysios and Aropos-

Mnasago are fair to good, those of Nikogenes-Kallimachos and Xenokles-

Harmoxenos are fine, those of Kointos-Kleas and Apellikon-Gorgias are very

fine to FDC. Comparable with these last in their excellent state of preservation

are the tetradrachms with tfl - fR and the non-Athenian issues of Mithradates

and Byzantium.

Of all the hoards containing New Style silver, the Abruzzi find is perhaps

the most significant. It is, I believe, the first deposit of New Style coins to be

uncovered in Italy and the presence in it of so many of the tetradrachms

without ethnic associated with dated issues from outside Athens enables us to

draw from it several important conclusions. The quantity and condition of the

coins without ethnic clearly indicate that they are among the latest pieces in

the hoard. Their association with Republican denarii, of which some at least

may be assumed to date c. 86 B.C., and their extensive representation in a

hoard found in Italy are most reasonably explained in connection with Sulla's

Mithradatic campaign. It would seem to me that we have in the Abruzzi Hoard

the wealth brought back by a veteran of the Greek war who settled down in

the Abruzzi and prudently conserved the emolument or spoils of his military

service.

The composition of the hoard is revealing. Tetradrachms of Mithradates,

dated 90/89 B.C., and the other contemporary or earlier money of neighboring

regions with which the Pontic king had close connections must surely bear

witness to financial aid from Mithradates to Athens. It seems highly likely that

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Aristion and Archelaus when they were sent to Greece in 88 B.C. took with

them substantial help for the threatened city and that it was coinage such as

this, and not the scanty New Style gold and silver hitherto attributed to

86 B.C., which represented Mithradates' contribution to Athens' struggle

against Rome.

One can only surmise the circumstances of the accumulation of the hoard.

The tetradrachms without ethnic are, I believe, Sullan issues struck at Athens

for military needs. Denarii of Roman origin were probably imported for the

same purpose. Furthermore, the capitulation and sack of Athens must have

brought into Roman hands large quantities of New Style coinage as well as

other money circulating in the city. Our soldier may have been paid in part in

such currency or he may have helped himself to what he could find in the

stricken community. The excellent state of preservation of the New Style

silver of 122/1 and 121/0 suggests that the regular Athenian issues formed a

small hoard which the soldier had come upon and pocketed.

Hoards

507

DIPYLON HOARD (Noe 95)

S. A. Kumanudes, Athenaion, 1874, p. 691

R. Weil, Arch. Zeit., 1876, pp. 163-166

A. von Sallet, ZfN, 1877, pp. 227 f.

R. Weil, AM, 1881, pp. 824-837

According to the references cited, this hoard was discovered in 1875. Full

details of its contents are given by Weil in his earlier article and there is also

in the files of the American Numismatic Society a detailed memorandum on

the component issues prepared by Kambanis in 1986. The two records do not

tally exactly and a further complication is introduced by von Sallet's brief

report in the Zeitschrift where he says that Weil's listing includes all the speci-

mens in the Athens Museum but that there were other coins in the hoard as he

(von Sallet) knows for certain.

The summary which follows is based on Weil's compilation with notation

of divergent information in Kambanis' report

1 tetr. AMMfl - AIO (cornucopiae) 180/79

1 tetr. Monograms and eagle 178/2

4 tetr. Monograms and aplustre 172/1

ltetr. KTHXI-EYMA 171/0

ldr. TAAY-EXE 170/69

ltetr. MIKI - 0EOOPA 169/8

1 dr. MIKI - 0EOOPA

1 dr. HPA - APirrOO 168/7

2 dr. MENEA - EnirENO 167/6

1 tetr. TIMAPXOY - NIKArO 166/5

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1 dr. TIMAPXOY - NIKATO

1 dr. AflPOGE - AIO<D 164/3

ltetr. AXAIOZ-HAI 160/59

ldr. AOPOAIII - ATTOAHEI 155/4

4 tetr. EYPYKAEI - APIAPA 154/8

ltetr. AIONYZI - AIONYII 151/0

1 dr. ZflKPATHZ - AlONYIOAfl 148/7

ltetr. XAPINAYTHZ-APIZTEAZ 144/8

1 It seems most unlikely that there were two drachms of the thyrsos issue in the hoard.

Although it has not been possible to identify individual catalogue entries as Dipylon pieces, the

coins are in the Athens Museum and there is no thyrsos drachm in the trays. The only example

I know of this fractional emission is the coin of the Attic Hoard.

(K. has 2 tetr.)

(K. has 1 tetr. with monograms

and aplustre, 8 tetr. with mono-

grams and trophy, 1 tetr. and 2 dr.

with monograms and thyrsos)1

(K. has 1 tetr.)

5o8

The New Style Silver Coinage of Athens

1 tetr. OANOKAHZ-ATTOAAflNIOZ 143/2

1 dr. AAMflN - ZfiZIKPATHZ 141/0

ldr. EYMHAOZ-KAAAKMiN 140/39

1 tetr. HPAKAEIAHZ - EYKAHZ 189/8 or 137/6

1 dr. HPAKAEIAHZ - EYKAHZ

ltetr. TIMOZTPATOZ-nOZHZ 134/3

1 tetr. AS1ZI0EOZ-XAPIAZ 132/1

1 tetr. AHMHTPIOZ - ArAeiTTTTOZ 181 /0 (K. recordWeil has none)

ltetr. NIKHTHZ-AIONYZIOZ 130/29

8 tetr. APIZTIfiN - OlAflN 129/8

2 tetr. APOTOZ - MNAZArO 128/7

ltetr. AHMEAZ - EPMOKAHZ 125/4

2 tetr. EENOKAHZ - APMOEENOI 124/8

(dolphin)

ldr. KOINTOZ-KAEAZ 122/1

2 tetr. AnEAAlKfiN - rOPHAZ 121/0 (K. has 1 tetr.)

4 dr. ATTEAAIKflN - TOPriAZ (K. has 8 dr.)

1 tetr. BAZIAE MI9PAAATHZ - c. 121

APIZTIflN

8 dr. BAZIAE MI6PAAATHZ -

APIZTIfiN

2 dr. Illegible (K. not)

In addition to the thirty-two tetradrachms and twenty-two drachms of the

New Style series, as recorded by Weil, the hoard contained four tetradrachms

of Mithradates Eupator: all with A for the year and B, r and A for the months.

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Weil notes that the coins of Ammo-Dio and Glau-Eche are very worn and

that the latest pieces, "durch ihre theilweise fast stempelfrische Erhaltung,"

belong to the issues of Euryklei-Ariara, Aristion-Philon, Apellikon-Gorgias

and Mithradates-Aristion. Kambanis' memorandum on the hoard gives his

estimates of relative wear in four categories: very good, good, mediocre and

very mediocre. Ammo-Dio, Ktesi-Euma and Damon-Sosikrates are de-

scribed as very mediocre; all the rest as good except for the following which

are classified as very good: Demetrios-Agathippos, Niketes-Dionysios,

Aristion-Philon (2 of 8), Aropos-Mnasago (1 of 2), Demeas-Hermokles,

Kointos-Kleas, Apellikon-Gorgias and Mithradates-Aristion.

Having Kambanis' record of condition throws some light on what has long

been a puzzling feature in Weil's publication, namely his inclusion of the

relatively early emission of Euryklei-Ariara among the best-preserved issues.

If one accepts Kambanis' evaluations, according to which coins as early as

Miki-Theophra and as late as Xenokles-Harmoxenos are alike in good con-

dition, it becomes clear that the Dipylon treasure is a savings hoard accu-

Hoards

509

mulated over a long period of time and not a currency hoard representing

pieces withdrawn at one time from circulation. In a deposit of this kind

"stempelfrisch" is not necessarily indicative of a late dating.

Similarly the interval between the latest New Style coinage, struck about

120 B.C. and the Mithradatic tetradrachms, associated with the crisis of

87/6 B.C. (see pp. 504,506), need not be over-emphasized. The owner of the

treasure may have been unable for personal reasons to put aside silver after 120.

Perhaps his additions after that date consisted of earlier tetradrachms still in

circulation.1 From the evidence of surviving specimens and number of obverse

and reverse dies, it seems clear that the coinage of Apellikon-Gorgias was one

of the last really large issues of New Style silver. The extensive emissions of the

preceding decade must have formed the bulk of the city's coinage for a con-

siderable time, perhaps even down to the time of Sulla. What new money was

issued may well have been earmarked for export. Only in the period immedi-

ately preceding Sulla's arrival was there a substantial supplement to the civic

currency in the form of the Mithradatic tetradrachms, of which a few found

their way into the Dipylon Hoard shortly before it was interred during the

siege of Athens.

Sixty-seven New Style tetradrachms found in Anatolia in 1955 or early 1956

were acquired by the American Numismatic Society. There is some reason to

believe that the coins were unearthed in the neighborhood of Kayseri (anc.

Caesarea) in central Turkey. Five or more pieces had been sold before the

hoard was offered in the United States and of these no record exists. The com-

position of the lot in New York is as follows:

1 It is to be noted that there are late coins (1 of Aristion-Philon, 1 of Aropos-Mnasago,

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2 of Xenokles-Harmoxenos) which Kambanis describes as good rather than very good. There

are a number of late issues which Weil omits from his "fast stempelfrisch" category and his com-

ment on those he does include indicates that not every coin of each issue is in almost mint con-

dition. Tetradrachms struck between 130 and 120 B.C. could have been added to the Dipylon

Hoard after some years of circulation.

ANATOLIA HOARD

(Plates 185-190)

1 AXAIOZ-HAi

1 AcDPOAIZI - ATTOAHEI

3 AIONYZI - AIONYI1

8 AMMfiNIOZ-KAAAlAI

1 9EM15TO - GEOnOMnOZ

2 MHTPOAfiPOZ - AHM0I6EN

160/59

155/4

151/0

150/49

149/8

147/6

5io

The New Style Silver Coinage of Athens

3 AI0TIM0Z - MArAZ

146/5

5 XAPINAYTHZ-APIZTEAZ

144/3

1 ZfilAOI - EYANAPOZ

142/1

1 AAMflN - ZflZIKPATHZ1

141/0

5 HPAKAEIAHZ-EYKAHZ2

137/6

2 ANAPEAZ-XAPINAYTHZ

186/5

4 AflZIOEOZ - XAPIAZ

132/1

6 ahmhtpioz - ArAeinnoz

131/0

2 NIKHTHZ - AIONYZIOZ

180/29

8 APIZTIflN - OlAflN

129/8

2 APOTTOZ - MNAZArO

128/7

11 EENOKAHZ - APMOEENOZ (serpent)

127/6

8 AHMEAZ - EPMOKAHZ

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125/4

2 EENOKAHZ-APMOEENOZ (dolphin)

124/8

2 EENOKAHZ - APMOEENOZ (Roma)

123/2

1 KOINTOZ - KAEAZ

122/1

1 ATTEAAlKflN - rOPHAZ

121/0

1 MNAZEAZ - NEZTflP

120/19

1 Imitation EEN OKAHZ - APM OEEN OZ (Roma) pl. 159, 1420

After the Athenian coins had been purchased, the dealer informed us that

his contact abroad had forwarded twenty Cappadocian drachms said to have

been found with the New Style tetradrachms. These coins were bought by the

Society and are illustrated on Plate 190. They include:

7 Ariarathes IV (A-G)3 220-168 B.C.

1 Ariarathes V (H) 163-130

8 Ariarathes VII (I-K) 111-99

8 Ariarathes IX (L-S) 99-87

1 Ariobarzanes I (T) 95-62

It is far from certain that the two lots belong together. Early reports on

the find of tetradrachms made no mention of other material. Furthermore, the

variation in wear of the Athenian coins suggests a currency deposit while that

of the drachms would seem explicable only if they were put aside at different

times. For example, the condition of the one fraction of Ariobarzanes is more

worn than that of Ariarathes V, struck almost a century earlier. One would

1 No. 726g of the catalogue but not reproduced on the plate due to its badly corroded

condition.

2 Four of the coins are illustrated, the fifth is very poorly preserved. Its dies are illegible

and it may, therefore, belong to either Year I or Year II.

3 These drachms of Ariarathes IV include none of the issues recently reattributed to Aria-

rathes V by B. Simonetta ("Sull' attribuzione delle dramme di Ariarathes IV e di AriarathesV,"

Riv. Num., igs&, pp. n-20).

Hoards

5ii

expect, too, to find in a currency hoard rather less representation for Aria-

rathes IV and at least some coins of Ariarathes VI. It is possible that two

separate hoards were brought together in ancient or modern times. The matter

is of little importance for our study of the New Style material, which can be

treated as a unit.

Of the Athenian coins, the early strikings through Herakleides-Eukles

show considerable wear while succeeding issues are better preserved. The

chronological arrangement of the coinage of this period seems amply confirmed

by the evidence of relative condition: the three coins struck under Kointos-

Kleas, Apellikon-Gorgias and Mnaseas-Nestor are the finest of the group and

those of Demeas-Hermokles and the three Xenokles-Harmoxenos strikings

only a little more worn.

All emissions between 182/1 and 120/19 are represented except for Niko-

genes-Kallimachos and the light coinage of Mithradates-Aristion. The heavy

proportion of Xenokles with serpent symbol, not an unduly large issue, must

be the result of special circumstances. Accumulation of the Athenian coins

seems to have come to an end soon after 119 B.C.

CRETAN HOARD II

(Plates 191-196)

In 1942 during the German occupation of Crete a pot containing nearly one

hundred tetradrachms was uncovered near Chersonesus. Twenty-three coins

were deposited in the Herakleion Museum; the remainder passed into trade

and of these the American Numismatic Society secured seventy pieces. Roughly

two-thirds of the find consists of New Style tetradrachms, sixty-three in all:

1 Monograms and herm

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183/2

1 AMMfi - AIO (cornucopiae)

180/79

1 Monograms and thyrsos

176/5

2 AIOOA - AIOAO

175/4

2 AHMH - lEPfl

174/3

1 Monograms and aplustre

172/1

2 KTHZI - EYMA

171/0

1 TAAY-EXE

170/69

2 MIKI - GEOOPA

169/8

1 HPA-APIZTOO

168/7

1 MENEA - ETTirENO

167/6

1 9ECXDPA - IflTAI

162/1

4 AXAIOI-HAI

160/59

2 AYZAN - TAAYKOZ

159/8

1 MIKIflN - EYPYKAEI

156/5

512

The New Style Silver Coinage of Athens

1 ZflKPATHZ-AIONYZOAfl 148/7

3 AlOTIMOZ-MArAZ 146/5

1 EYMAPEIAHZ - KAEOMEN 145/4

2 XAPINAYTHZ - APIZTEAZ 144/3

1 (DANOKAHZ - AFIOAAQNIOZ 148/2

1 ZQIAOZ-EYANAPOZ 142/1

1 AAMflN - ZQZIKPATHZ 141/0

1 EYMHAOZ - KAAAIOQN 140/39

1 GEOAOTOZ-KAEOQANHZ 188/7

1 HPAKAEIAHZ - EYKAHZ 187/6

1 ANAPEAZ-XAPINAYTHZ 136/5

2 AMOIKPATHZ - EFTIZTPATOZ 133/2

2 AQZI9E0Z - XAPIAZ 182/1

2 AHMHTPIOZ - ArAOirTTTOZ 181 /0

4 N1KHTHZ-AIONYZIOZ 130/29

1 APIZTIfiN - OIAQN 129/8

2 APOnOZ - MNAZArO 128/7

5 EENOKAHZ - APMOEENOZ (serpent) 127/6

2 EENOKAHZ - APMOEENOZ (dolphin) 124/8

1 KOINTOZ - KAEAZ 122/1

1 MNAZEAZ - NEZTQP 120/19

2 MENTflP - MOZXlflN 118/7

1 APXIT1MOZ - AHMHTPI 117/6

1 imitation of MIKI - 0EOOPA

Issues of Cretan and other mints make up the balance of the hoard. Among

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the coins are three dated pieces: two of Nicomedes IV, years 92/1 (A on

Plate 196) and 90/89, and one of Mithradates Eupator, year 76/5 B.C.

The Chersonesus Hoard will be published by Georges Le Rider, who has

most generously made his information on various sections of the find available

to me, and in view of his forthcoming work only the New Style material will be

discussed here. These sixty-three coins of Athens cover about as many years

of minting activity, from 188/2 to 117/6 B.C., and the condition of most bears

witness to a long period of circulation. All issues through Andreas-Charinautes

are distinctly worn. From Amphikrates-Epistratos on, the tetradrachms are

definitely better preserved and the degree of wear seems to correlate closely

with the chronological sequence of emission, at least for strikings represented

by several coins. Le Rider describes the coin of Kointos-Kleas and one of

Mentor-Moschion as the freshest of the Herakleion lot but says that even

these are not very fine. From the plates one can see that their condition is

inferior to that of the single Architimos-Demetri piece which is clearly the

best-preserved New Style coin in the hoard as a whole.

Hoards

5i3

The three dated coins, of which the two ANS specimens are illustrated on

Plate 196, are extremely fine, particularly the Mithradates striking. However,

the difference in condition between these non-Athenian issues and the latest

of the New Style coins is not great enough to justify the assumption that all

were withdrawn from circulation at the same time. By 75 B.C. the Architimos

piece would have been in use for forty-two years and the relatively good

Xenokles-Harmoxenos coins for fifty or more. Such longevity cannot be re-

conciled with their state of preservation. One must, I think, assume that the

New Style tetradrachms were put aside at an earlier date.

There is another factor which suggests that special circumstances were

involved in the composition of this Cretan hoard. While it is true that the

Athenian coinage is beginning to decline in quantity by 117/6, there are

five issues of some size immediately following that of Architimos-Demetri,

of which three appear in Cretan Hoard I and in the Hierapytna Hoard. The

absence of all five issues from the Chersonesus Hoard raises the possibility

that there was an uneven distribution of Athenian money throughout Crete

during the last decades of the New Style period.

DELOS HOARD EG (Noe 816? Roussel 7)

(Plates 197-200)

According to the tickets in the Athens trays, the fifty-two tetradrachms

fisted below comprise a hoard found on Delos during the excavations of

1911-1912.

1 AOPOAIZI - AlOrE

152/1

548b

145/4

679d

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1 EYMAPEIAHI - KAEOMEN

1 EYBOYAIAHZ - ArAGOKAH

142/1

714a

1 GEOAOTOZ - KAEOOANHZ

188/7

761b

2 HPAKAEIAHZ - EYKAHI

187/6

782d; second obverse die

illegible

1 ANAPEAZ - XAPINAYTHZ

186/5

802h

2 IKEZIOZ-AZKAHniAAHZ

185/4

809a; 817b

2 AMOIKPATHZ-ETTIZTPATOZ

138/2

833a; 848d

8 AflZIQEOZ - XAPIAZ

182/1

857g; 861a; 867a

2 ahmhtpioz - ArAQinnoz

181/0

903a; 908b

1 AHMEAZ-EPMOKAHZ

125/4

1061d

5 EENOKAHZ - APMOEENOZ (dolphin)

124/8

1075b; 1081b; 1085;

1090e; 1094b

1 EENOKAHZ - APMOEENOZ (Roma)

128/2

1114f

1 The date of discovery is 1911-1912 and not 1910 as given in Noe.

The New Style Silver Coinage of Athens

1 KOINTOZ - KAEAZ

122/1

1126

1 ATTEAAIKflN - rOPHAZ

121/0

1188b

8 KAEOOANHZ - EniGETHZ

119/8

1158; 1160a;1163b

2 MENTfiP - MOZXIflN

118/7

1167d;1168

2 APXIT1MOZ - AHMHTPI

117/6

1175a;1169b

1 AYZANAPOZ-OINOOIAOZ

116/5

1188a

4 AMOIAZ - OINOcDIAOZ

115/4

1188b; 1189a(2); 1192a

6 NEZTflP - MNAZEAZ

118/2

1205; 1210; 1212c;

1216; 1220a; 1221c

9 ZftTAAHZ - GEMIZTOKAHZ

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112/1

1222b; 1224d(2); 1225a;

1226b,d(8),e

As can readily be seen from the plates, the issues through Demetrios-

Agathippos show the greatest wear. Coins of Xenokles, Kointos, Apellikon,

Kleophanes and Mentor are in good condition; those of Architimos, Amphias,

Nestor and Sotades are the best-preserved tetradrachms in the hoard. Over

one-third of the find consists of the emissions of Amphias-Oinophilos, Nestor -

Mnaseas and Sotades-Themistokles (with a number of coins from the same

pair of dies) and this, taken in conjunction with their excellent state of preser-

vation, indicates that they are the latest of the hoard issues. Clearly they had

not circulated for many years before the deposit was interred.

DELOS HOARD A (Noe 806, 1; Roussel 8a)

(Plates 200-201)

J. N. Svoronos, JI AN, 1906, pp. 254 f.

According to Svoronos' publication the hoard consists of thirteen tetra-

drachms and twenty-two drachms from the following issues:

1 dr.

HPA - APIZTOO

168/7

1 dr.

TIMAPXOY-NlKArO

166/5

1 dr.

nOAYXAPM - NIKOr

165/4

881c

2 dr.

AflP06E - AIOO

164/8

1 dr.

ANTIOXOZ - NIKOr

168/2

402a

1 dr.

0EOCDPA - ZQTAZ

162/1

1 dr.

AIOrE - TTOZEI

161/0

419b

1 tetr.

AMMQNIOZ - KAAAIAZ

Hoards

5i5

2 dr.

AMOIKPATHZ - EniZTPATOZ

183/2

887

1 tetr.

AiZI6E0Z - XAPIAZ

132/1

857f

1 dr.

AQZIGEOZ - XAPIAS

878

2 tetr.

NIKHTHZ - AIONYZIOZ

130/29

984b;936a

1 tetr.

APOTTOI - MNAIArO

128/7

995b

1 tetr.

AHMEAI - EPMOKAHZ

125/4

1060d

2 tetr.

EENOKAHZ-APMOEENOZ (dolphin)

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124/3

1097a,b

1 dr.

EENOKAHZ - APMOEENOZ (dolphin)

1108

1 tetr.

KAEOCPANHZ - ETH9ETHZ

119/8

1163c

2 tetr.

AMOIAZ - OINOOIAOZ

115/4

1193; 1195

1 tetr.

NEZTftP - MNAZEAZ

118/2

1219a

1 tetr.

ZflTAAHZ - 0EMIZTOKAHZ

112/1

1223

2 dr.

86/5

This would seem to be a currency hoard. Nearly half of the fractions and

all but one of the tetradrachms belong to the period 136-111 B.C., with the two

Sullan drachms representing later additions.

The over-all chronological sequence is confirmed by evidence of relative

wear. Early strikings through the drachms of Diotimos are very worn (note the

tetradrachm of Ammonios illustrated on Plate 200). Succeeding issues through

Niketes also show a fair degree of wear. The coins of Aropos, Demeas, Xenokles

and Kleophanes are in good condition. Those of Amphias and Nestor are very

fine while the one tetradrachm of Sotades is FDC.

CRETAN HOARD I (Noe 282)

(Plate 202)

J. N. Svoronos, Riv. Num., 1908, p. 816

Svoronos' brief statement on the hoard, upon which the information in

Noe's Bibliography is based, is corrected by E. J. P. Raven in a letter of 1988.

He had taken notes on the New Style coins in the Herakleion Museum and

according to his record the hoard consists of only thirteen coins. In giving the

total of twenty tetradrachms, Svoronos had apparently combined this hoard

group with seven other New Style pieces, possibly a second hoard according

to Raven.

5i6

The New Style Silver Coinage of Athens

1 AHMEAZ - EPMOKAHZ 125/4

1 EYMHAOZ-0EOEENIAHZ 114/8

1 GEOQPAZTOZ - 0EMIZTO 109/8

1 AHMEAZ-KAAAIKPATIAHZ 107/6

1 EnirENHI-EENQN 104/8

1 MENEAHMOZ-TIMOKPATHZ 103/2

2 APXITIMOI-nAMMENHZ 96/5

1 AITEAAIKflN - APIZTOTEAHZ 94/3

1 OIAOKPATHZ - KAAAIOflN 92/1

1052b

1203

1280

1288a

1238b

1241b

1268b

1266a

1255c; 1257a

Corrosion has impaired the surfaces of all coins, making it difficult to

determine relative wear with any degree of precision. The first three issues

listed above are distinctly worn; the last eight strikings are much fresher.

There is, however, not a great deal of difference in preservation among these

later coins, certainly not enough to indicate an exact chronological sequence.

The hoard is of importance in providing the only specimen of the issue of

Theophrastos-Themisto and also highly significant in its association of late

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issues, helping to establish the terminal date for the New Style coinage (see

pages 413-415). It is worth noting that only in this hoard and in another Cretan

deposit, that of Hierapytna, do Athenian strikings of the first century make

their appearance.

E. J. P. Raven, "The Hierapytna Hoard of Greek and Roman Coins," NC, 1938, pp. 133-158

M. L. Kambanis, BCH, 1988, pp.75f.

This hoard, part of which appeared on the market early in 1934, contained

between fifty and fifty-five New Style coins. Raven lists twenty-seven tetra-

drachms and one drachm belonging to seventeen or more issues; Kambanis

adds four issues to those given by Raven but does not specify the number

of coins.

HIERAPYTNA HOARD (Noe 433)

8 Monograms issues (illegible)

Dr.

1 KTHZI-EYMA

2 0EMIZTO - QEOnOMTIOI

1 MHTPOAQPOZ - AHMOZ0EN

2 HPAKAEIAHZ-EYKAHZ

139/8 or

171/0

149/8

147/6

647

8 0EOAOTOZ - KAEOQANHZ

4 IKEZIOZ - AZKAHT1IAAHZ

1 APIZTIflN - OlAflN

187/6

188/7

135/4

129/8

Hoards

5i7

2 AHMEAI - EPMOKAHI

EENOKAHZ - APMOEENOZ

125/4

127/6 or later

(issue not specified)

MNAZEAZ - NEZTCiP

1 KAEOOANHZ-ETTieETHI

1 MENTflP - MOZXlfJN

AYZANAPOZ - OINOOIAOZ

1 EYMHAOZ - 9ECEENIAHZ

1 NEZTflP - MNAZEAZ

2 AICKDANTOZ- AIZXINHZ

1 EnirENHZ-EENflN

1 MENEAHMOZ-TIMOKPATHZ

APXITIMOZ - nAMMENHZ

1 ATTEAAIKflN - APIZTOTEAHZ

120/19

119/8

118/7

116/5

114/8

118/2

108/7

104/8

108/2

94/3

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96/5

There is no way of knowing how many other issues were included in the find

or even how many coins of any one of the recorded emissions. Raven says that

most of the remaining specimens of Athens are reported to have belonged to

the late two-magistrate series but that no details are available.

A few of the earlier pieces are classified as to condition in Raven's article:

the Monograms issues and the coins of Themisto-Theopompos as worn; those

of Metrodoros-Demosthen, Heraldeides-Eukles, Hikesios-Asklepiades and

Aristion-Philon as fair to worn; those of Demeas-Hermokles as good to fair.

Of the two-magistrate issues he says, "we are told that none of this series were

at all badly worn,"1 and this is confirmed by Kambanis who describes the

ones he saw as well preserved, some very fresh.

Mixed with the New Style coinage was: autonomous silver of six Cretan

cities, including a few of the strikings modelled on Athenian types; a large

number of cistophori, of which two at least date from the middle of the first

century; and some two hundred Roman Republican denarii ranging from the

mid second century to the mid first. Raven believes that the hoard was interred

between 44 and 42 B.C.

oreos hoard. Discovered prior to 1950 and quickly dispersed. Said to

have included several hundred tetradrachms of which only eighteen can be

traced: fourteen in the Athens Museum (as published in the BCH, 1950, p. 292

1 Raven speaks of seven of the late issues as being in a private collection in Athens. Of these,

the coins of Kleophanes-Epithetes and Eumelos-Theoxenides are the best preserved. This evalu-

ation is at variance with the order of emission but only single coins were available for comparison.

OTHER HOARDS

5i8

The New Style Silver Coinage of Athens

and 1955, p. 210) and four in private collections. Not all of these are in the

present catalogue. The issues on record are:

EYPYKAEI - APIAPA

154/3

AIONYII - AIONYZI

151/0

563b

AMMflNIOZ-KAAAIAZ

150/49

MHTPOAflPOZ - MIATIAAHZ

147/6

EYMAPEIAHZ - AAKIAAM

145/4

670b

OANOKAHZ - ATTOAAflNIOZ

148/2

AAMfiN - ZflZIKPATHZ

141/0

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728a

HPAKAEIAHI - EYKAHZ

189/8 or

187/6

AMCDIKPATHZ - ET7IZTPATOZ

188/2

849a

AGZI0EOZ - XAPIAZ

182/1

872

ahmhtpioz - ArAeinnoz

131/0

921h

NIKHTHZ-AIONYZIOZ

130/29

For what this exceedingly scanty evidence is worth, the hoard seems to

parallel the two Delos finds, B and AH, in ending with the issue of Niketes-

Dionysios.

salamis hoard (Noe 890). Discovered in 1936 on the island of Salamis, the

find includes at least twenty-nine tetradrachms and seven drachms:

1 AAEI-HAIO

179/8

122a

2 XAPI - HPA

178/7

134a; 135a

Dr.

4 Grain-ear symbol

180-170

140e; 142c; 149g; 152a

1 Monograms and thyrsos

176/5

177d

1 AIOOA-AIOAO

175/4

184c

2 Monograms and eagle

173/2

Hoards

5i9

1 EYMAPEIAHZ - AAKIAAM

2 XAPINAYTHZ-APIZTEAZ

1 EYMHAOZ - KAAAIOflN

1 HPAKAEIAHZ-EYKAHZ

1 ANAPEAZ-XAPINAYTHZ

1 TIMOZTPATOZ - nOZHZ

145/4

144/8

140/39

137/6

136/5

134/3

673a

688d; 689c

736e

786a

808c

825b

The hoard is in the Athens Museum and will be published by Mme. Irene

Varoucha.

DEWS HOARDS

In addition to the six Delos hoards discussed individually there are a

number of others listed by Noe and Roussel, some published by Svoronos and

some unpublished, which should be cited briefly for the record. Their evidence

is of slight value. In many cases the data on contents are incomplete and even

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indications of earliest and latest issues are somewhat unreliable.1 Other

hoards contain so few coins that their association means little or nothing.

Furthermore, as can clearly be seen from the weights given in Svoronos'

various publications, the Delos coins are usually in such poor condition that

it is difficult or impossible to draw any conclusions from relative wear.

These miscellaneous hoards, roughly in order of burial, are as follows:

Noe 819. Eighteen tetradrachms and two drachms found in 1931. A note from

Kambanis says that the earliest issue is that with monograms and serpents and

the latest that of EYPYKAEI - APIAPA.

Noe 309; JI AN, 1907, p. 193. Two drachms and twelve bronzes found in 1906.

The silver issues are those of HPA - APIZTCXD and AMOIKPATHZ - ETTIZTPATOZ,

associated with bronzes of the types attributed by Svoronos to a Delian mint.

Noe 303; Roussel 1. Forty-three tetradrachms found in 1881. Component issues

range from the early strikings with monograms to APIZTIflN - OIAQN and

EENOKAHZ - APMOEENOZ.

Noe 304; Roussel 2. Some thirty tetradrachms in three separate hoards found

in 1894. The latest coins are those of EENOKAHZ - APMOEENOZ.

Noe 315(2); Roussel 5. Described in the Athens trays and in the present cata-

logue as Hoard IT. Ninety-two tetradrachms found in 1910. Only the issues

after AflZIGEOZ - XAPIAZ have been recorded:

1 This is particularly true of the late issues since the die connections of the present catalogue

have invalidated the old theory of a sharp break between the three-magistrate and two-magis-

trate strikings. A hoard said to end with the coins of Xenokles and Harmoxenos may in reality

include three-magistrate issues of later date.

520

The New Style Silver Coinage of Athens

3 AHMHTPIOZ - ArAeiTTTTOZ 181 /0 887; 905a; 921 j

2 NIKHTHZ - AIONYZIOZ 130/29 940c; 956b

2 APIZTIflN - OlAflN 129/8 976b; 981b

1 APOTTOZ - MNAZATO 128/7 Dies illegible

4 EENOKAHZ - APMOEENOZ 127/6 1013a; 1020b; 1026b;

(serpent) one illegible

2 EENOKAHZ - APMOEENOZ 124/8 Both illegible

(dolphin)

The hoard runs through 124/3 B.C. but issues of the two years immediately

preceding are not represented. It is impossible to judge the relative condition

of the coins due to the effect of the fire which destroyed the building in which

they were buried.

Noe not; JIAN, 1911, p. 76. Described in the catalogue as Hoard A1. Thir-

teen drachms found in 1907, published and evaluated as to condition by Svoronos.

9 Grain-ear symbol fair to good

1 EYPYKAEI - APIAPA 154/8 fair 523b

1 EENOKAHZ - APMOEENOZ 124/8 good 1109

(dolphin)

1 EENOKAHZ - APMOEENOZ 128/2 excellent 1124a,b

(Roma)

Noe 312; JIAN, 1911, p. 57. Described in the Athens trays and in the present

catalogue as Hoard IA. Thirteen tetradrachms found in 1908.

1 GEMIZTO - OEOnOMnOZ 149/8

1 MHTPOAflPOZ - AHM0Z9EN 147/6

1 ANAPEAZ-XAPINAYTHZ 186/5

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1 AflZIOEOZ - XAP1AZ 182/1 861b

1 APOTTOZ-MNAZArO 128/7 997a

1 EENOKAHZ-APMOEENOZ 127/6 1014c

(serpent)

7 Mithradates VI of Pontus (dated 98/2 B.C.). Three in good condition and

the others badly corroded. Svoronos thinks all are from the same dies.

This is another hoard with coins in a very poor state of preservation as is

indicated by the extremely low weights recorded by Svoronos.

Noe 311; JIAN, 1911, p. 77. Described in the catalogue as Hoard A-2. Twelve

coins found in 1907.

ldr. A<DPOAIZI - ATTOAHEI 155/4 506b

ldr. ZniAOZ - EYANAPOZ 142/1 722d

1 tetr. IKEZIOZ - AZKAHT7IAAHZ 135/4 814g

Hoards

521

1 tetr. APIZTIfiN - OlAflN 129/8 970b

1 tetr. APOTTOZ - MNAZAI~0 128/7 1010b

2 tetr. ffl - fH 86/5 (one with A on the amphora)

8 dr. tfl - Ifl

2 cistophori: Ephesus dated 89 B.C. and Tralles undated.

Svoronos says the tft - fR tetradrachm with A is in good condition.

Noe 313; JIAN, 1913, p. 40. Described in the Athens trays as Hoard IT; dis-

tinguished in the present catalogue from the other IT hoard by the numbers of

Svoronos' publication. Eleven coins found in 1909, with Svoronos' evaluation

of condition.

dr.

ETTirENH - ZQZANAPOZ

158/7

fair

hemidr.

MIKIflN - EYPYKAEI

156/5

fair

dr.

HPAKAEIAHZ - EYKAHZ

139/8 or

fair

137/6

tetr.

ANAPEAZ - XAP1NAYTHZ

good

803b

dr.

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186/5

ANAPEAZ - XAPINAYTHZ

good

810b

hemidr.

TIMOZTPATOZ - TTOZHZ

184/8

fair

839

tetr.1

ASZIGEOZ - XAPIAZ

182/1

fair

tetr.1

AHMEAZ - EPMOKAHZ

125/4

fair

tetr.

EENOKAHZ - APMOEENOZ

124/8

good

1089

(dolphin)

dr.

AYZANAPOZ - OINOOIAOZ

116/5

fair

1185

dr.

86/5

fair

Again the weights, especially of the tetradrachms, are indicative of poor

condition.

Noe 305. Stray finds of a two-year period, not a hoard.

There are a number of other deposits on record containing New Style silver.

For the most part they are of minor significance due to the lack of precise in-

formation or to the small proportion of Athenian coins.2

aecatarini (Noe 18). This was undoubtedly an important hoard containing,

as it did, some six hundred New Style tetradrachms. Kambanis reports that

1 Listed as a drachm by Svoronos but the weight indicates a tetradrachm.

522

The New Style Silver Coinage of Athens

he had seen eighty-seven pieces of which the latest were emissions of

AHMEAZ - EPMOKAHZ. This implies an absence of late two-magistrate coins

but provides no useful data on the find as a whole.

serres (Noe 960) and marsian (Noe 709). The first had sixty New Style

tetradrachms, the second 106 silver coins of Athens and Thasos. Both hoards

were dispersed and no record of their contents is available.

CRETE (Noe 282). Two groups of coins are combined in this entry. The first

consists of the thirteen tetradrachms discussed on pp. 515f. as Cretan Hoard I.

In the Herakleion Museum there is a second lot of Athenian coins seven tetra-

drachms, two hemidrachms and two bronzeswith consecutive catalogue

numbers. Raven, who provided information on the Herakleion coins, thought

that the second group might be a hoard although he noted that the museum

listing gives no proof of this and no clear indication that the hemidrachms and

bronzes should be associated with the tetradrachms. In the case of the bronzes,

one pre-New Style and one Imperial, a connection is rather unlikely; the frac-

tional silver may belong with the tetradrachms if the coins do come from a

hoard.

1 tetr.

Monograms and grain-ear

187/6

55d

1 tetr.

nOAY - Tl

181/0

104c

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1 tetr.

XAPI - HPA

178/7

133b

1 tetr.

WAQ - AYZIA

177/6

167e

2 tetr.

KTHZI - EYMA

171/0

277b,i

1 tetr.

MIKI - 0EOOPA

169/8

320a

1 hemidr.

MIKI - 6E0CDPA

328a

1 hemidr.

AXAIOZ - HAI

160/59

428

simitlii (Noe not). An unpublished hoard of uncertain composition and

date. Gerassimov reports that the Sophia Museum acquired five New Style

tetradrachms of the issues of 0EOQPA - ZflTAZ, ETTirENH -ZOZANAPOZ,

EYMAPEIAHI - KAEOMEN and NIKHTHZ - AIONYZIOZ.

beliza (Noe not). Also an unpublished hoard of indefinite composition and

date from which the Sophia Museum acquired the following:

1 dr. 0ECKDPA - ZQTAZ 162/1

7 tetr. ErhTENH-ZflZANAPOZ 158/7

5 tetr. TTOAEMftN - AAKETHZ 157/6

2 tetr. MIKMN - EYPYKAEI 156/5

1 tetr. KAPAIX - EPRDKAE 153/2

ltetr. KOINTOZ-KAEAZ 122/1

ltetr. APXITIMOZ - AHMHTPI 117/6

ltetr. m- 86/5

Hoards

523

Greece ? (Noe 462). Kambanis reports that this hoard was seen by him in March of

1921 and shortly thereafter dispersed. His summary of its contents is as follows:

14 tetr. ranging from AYIAN - TAAYKOZ (159/8) to

EENOKAHI - APMCEENOZ (127/6 or later)

20 tetr. withfft-ra

50 Roman denarii - Fibia, Calpurnia, Fituria

The moneyers listed by Kambanis would seem to be L. Calpurnius Piso

(90/89), C. Vibius Pansa (89/8) and L. Titurius Sabinus (88). If these identi-

fications are correct, there is a close chronological connection between the

denarii and the Sullan coinage of Athenian type, and the find is similar in

composition to the Abruzzi Hoard.

There are six hoards which contain a single New Style coin associated with

the money of other mints:

zahle. Henri Seyrig reports this Lebanese find of 1957. It contains Ptolemaic

and Seleucid coins, autonomous issues of various Asia Minor cities and a New

Style tetradrachm with monograms and cicada symbol (66b of 185/4 B.C.).

The latest dated piece is a Demetrius II striking of 142 B.C.

babylon (Noe 116). A large hoard of mid-second century burial date with

one New Style tetradrachm of 189/8 B.C.: monograms with Nike symbol.

Catalogue No. 81X.

teheran (Noe 1081). Another large find with many Seleucid and Parthian

pieces and one New Style tetradrachm of 179/8 B.C.: AAEI - HAIO. The deposit

was put away in the early years of the first century.

benkovski (Noe 145). A tetradrachm of MIKIflN - EYPYKAEI (156/5) interred

with silver of Maroneia and Thasos.

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marmara (Noe 655). A tetradrachm of ANAPEAZ - XAPINAYTHZ (136/5) with

posthumous Lysimachi and Bithynian regnal issues of which the latest dated

piece is of 116 B.C.

1934/5 (Noe not). Newell records a small tetradrachm hoard of uncertain

provenance in the hands of a dealer in the United States:

7 Mithradates VI

4 Nicomedes III and IV

1 Lysimachus

1 Athens New Style of MENTflP - MOIXIfiN

(118/7 B.C.) Catalogue No. 1167b.

The latest dated coins are three Mithradatic tetradrachms of 75/4 B.C.

524

The New Style Silver Coinage of Athens

Finally there are two groups of coins which may represent hoard material.

The collection of the Hunterian Museum has a surprisingly high proportion of

late two-magistrate issues. Of its 110 New Style coins, twenty-eight tetra-

drachms, roughly one-fourth of the total, date c. 121 B.C. and latera repre-

sentation of late strikings which is unparalleled in any other large collection.

The issues are as follows:

Excepting the single Diophantos-Aischines piece, the coins form a tight chron-

ological sequence. Of the consecutive emissions, the first four show greater

wear than the last six, the tetradrachms of Architimos through Sotades being

extremely well preserved. It seems to me likely that most, if not all, of these

twenty-seven specimens are from a hoard, comparable in composition to

Delos =6 and Delos A, but there is unfortunately no way of establishing the

association of the Glasgow coins.

The second group was deposited in the Istanbul Museum prior to 1955 and

consists of eighteen tetradrachms found at or near Samsun:

1 BAZIAE MI0PAAATHI - APIZTIflN

2 MNAZEAZ - NEZTOP

2 KAEOOANHZ - ET7IGETHZ

5 MENTOP - MOZXIflN

1 APXITIMOZ-AHMHTPI

2 AYZANAPOZ - OINOOIAOZ

2 AMOIAZ-OINOOIAOZ

2 EYMHAOZ - QEOEENIAHZ

9 NEITOP - MNAIEAZ

1 ZflTAAHZ-GEMIZTOKAHZ

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1 AIOOANTOZ-AIZXINHZ

c. 121 B.C.

120/19

119/8

118/7

117/6

116/5

115/4

114/8

118/2

112/1

108/7

1 riOAYXAPM - NIKOr

1 EnirENH - ZnZANAPOZ

1 AMMQNIOZ - KAAAIAZ

1 ZfiKPATHZ - AlONYZOAfl

1 MHTPOAflPOZ-AHMOZQEN

1 AAMflN - ZQZIKPATHZ

2 HPAKAEIAHZ-EYKAHZ

2 IKEZIOZ - AZKAHTTIAAHZ

1 ahmhtpioz - ArAeinnoz

2 APOTTOZ - MNAZArO

1 EENOKAHZ - APMOEENOZ (serpent)

2 EENOKAHZ - APMOEENOZ (dolphin)

1 MNAZEAZ - NEZTOP

1 OAEMOZ

165/4

158/7

150/49

148/7

147/6

141/0

187/6

185/4

181/0

128/7

127/6

124/8

120/19

Hoards

525

According to the record this is not a hoard, but New Style coins are not com-

monly found in Anatolia and the fact that the pieces came as a lot to the

museum from a single provenance suggests an association. The composition

of the group, apart from the O AEMOI striking, is very similar to that of the

Anatolia Hoard.

BRONZE HOARDS

Consideration of the bronze coinage of the New Style series has been de-

liberately omitted from this volume. Before its arrangement and attribution

can be undertaken a very great deal of material will have to be assembled.

Possibly a die study will be required; at the least there will be need for a careful

analysis of obverse styles. Even cursory inspection of Svoronos' plates reveals

marked variation in the Athena heads appearing on the coinage, and it is

evident that this stylistic criterion must be used in any attempt to bring the

bronze issues into chronological relationship with each other and with indi-

vidual silver issues.

Reliance solely on types and symbols for an association of silver and bronze

is impossible. In the first place we have no assurance that the system governing

the emission of bronze was identical with, or even similar to, that set up for the

silver. The mint magistrates whose names and symbols appear on the tetra-

drachms, drachms and hemidrachms may have had no connection with the

bronze. In fact, the absence of names and monograms, such as are commonly

found on bronze coins of other mints, suggests that this was the case.1 If there

was no single authority concerned with the issuance of both silver and bronze,

then there is no need to posit an exact correlation of symbols. It is highly likely

that ordinarily there was a duplication of devices for contemporary issues in

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the two metals if for no other reason than convenience in identifying the bronze

striking as the output of a particular year, but such relationship need not have

been obligatory. The appearance of some bronze types and symbols which

cannot be associated easily, if at all, with silver emissions and the retention

1 Newell interprets the lack of correspondence between the control marks on the gold and

silver and those on the bronze of Demetrius Poliorcetes (Dent. Pol., p. 120) as indication either

of different magistrates supervising the two coinages or of a farming out of the bronze to private

individuals.

Furthermore, with respect to Athens, if the emission of the silver involved a form of monetary

liturgy (pp. 584-599) it seems unlikely that its magistrates would have had any responsibility for

the bronze.

526

The New Style Silver Coinage of Athens

on the fractional bronze of identical types over a considerable period of time1

point to a flexibility in the relation of silver and bronze.

Furthermore, the bronze, to an even greater degree than the fractional

silver, would seem to have made use of abbreviated representations. Its symbols

are in large measure simple objects: grain-ear, bakchos, thyrsos, caduceus and

so forth. If these are to be connected with silver symbols, they must in many

cases be interpreted as references to and not as replicas of the devices on the

tetradrachms.2 This adds to the difficulty of precise identification. For ex-

ample, a bronze with pilei symbol may be linked with either the early or the

late silver which bears the same marking or it may be connected with the issue

of Mikion-Eurykleides on which the standing Dioscuri appear. Similarly, the

thyrsos of the bronze may relate to a silver issue with thyrsos symbol or to any

one of the numerous strikings on which one finds a seated or standing Dionysos.

There are a large number of hoards, most of them unpublished, which will

be of decisive importance for the arrangement of the New Style bronze. Eight

of these3 are considered here because their evidence bears directly on the

chronology of the New Style silver and particularly of the controversial Mith-

radates issue. They may for convenience be designated as follows:

1. Attic Hoard I (Noe 105; NNM 42, pp. 1-9)

2. K9 Hoard (Noe 99; JI AN, 1906, pp. 298 f.)

3. Athens Hoard {BCH, 1956, pp. 227f.)

4. Pnyx Hoard (Hesp., Suppl. VII, 1943, pp. 24-27)

5.4 Keratea Hoard (unpublished)

6. Plaka Hoard (unpublished)

7. Attic Hoard II (Noe 106; NNM 42, pp. 9-14)

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8. North Slope Hoard (Noe 102; unpublished)

1 Variation in wear on the fractional issues with two owls on the reverse and differences in

style of the obverse heads alike point to their emission over a long period of time. This was noted

by Bellinger in connection with Attic Hoard I (NNM 42, p. 4) and Ins observation is confirmed

by the Keratea and Plaka Hoards.

2 A number of the fractional silver strikings show the same abbreviation of devices as the

bronzes. The standing Dionysos on the tetradrachms of Dioge-Posei is represented on the drachms

by a thyrsos; the elephant of the large silver of Antiochos-Nikog and Karaichos becomes on the

fractions an elephant's head. Some of the hemidrachms, such as those of Dorothe-Dioph, omit

the symbol.

3 Selected because of their availability. Any final study of the New Style bronze will re-

quire access to the bronze hoards of the Athens Museum of which there are a great many (I. Va-

roucha in The Swedish Excavations at Asea in Arcadia, p. 167, note 2).

* This hoard, in the possession of the American Numismatic Society, and the Plaka find,

in private possession, will be published in a future issue of Museum Notes at which time more

detailed analysis of Hoards 1-4 will be undertaken.

Hoards

527

These hoards divide into two groups according to their contents. Group I

consists of the first six entries above for a total of over 800 coins. In com-

position these deposits are notably consistent. All New Style units are of two

basic types:

Athena head in Corinthian helmet/Zeus hurling fulmen with various

symbols (Svoronos, PI. 81, 17-44 and 49-52; BMC 548)1

Zeus head/Athena Promachos (Sv. PI. 22, 53-58)

In all six finds there is a sizable representation of the fractional bronze with

Athena head in Attic helmet and two owls on a thunderbolt (Sv. PI. 24, 60-68).

Included in several hoards is a limited amount of pre-New Style material and

a greater quantity of the fractional coinage illustrated by Svoronos on Plate 107

and assigned by him to Delos but almost certainly of Athenian origin and of the

New Style period.2

Hoards 7-8 (Group II) are entirely different in composition. They contain

only 84 coins in all and their evidence is thus much less impressive than that

of Hoards 1-6 but the two deposits are homogeneous to a marked degree:

Hd.7

Hd.

Athena head in Attic helmet /Owl on amphora and

various symbols (Sv. 79, 8-21,25-28, S8-42)3

26

Athena head in Attic helmet/Miscellaneous types

a. Zeus and fulmen (Sv. 80, 25-28)

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b. Tripod (Sv. 80, 1-7)

c. Artemis and torches (Sv. 25,14)*

d. Sphinx (Sv. 80, 18-21)

e. Apollo (Sv. 80, 8-14)

f. Nike (Sv. 80, 15-17)

g. Athena advancing with owl (Sv. 80, 29-82)

18

h. Owl on prow (Sv. 80, 87-48)

Gorgon's head/Athena advancing (Sv. 25, 22-28)

Zeus head/Dionysos head (Sv. 25, 86-42)

Dolphin and trident/Kerchnos (Sv. 107, 1-8)

1 Not all hoards include all issues but there is sufficient overlapping to indicate that all the

issues enumerated do fall within the period covered by Hoards 1-6.

* See note 1 on page 432.

3 These are the varieties in Attic Hoard II; no breakdown of symbols is given in the report

on the North Slope Hoard.

4 See Hesperia, 1941, pp. 199-236 for reassignment of the "cleruchy" issues of Svoronos'

Plate 25 to the mint of Athens.

528

The New Style Silver Coinage of Athens

Five noteworthy considerations emerge from the combined evidence of

Groups I and II: 1) the issues with the reverse type of Zeus holding the fulmen

in lowered right hand (Sv. 81, 1-16) are absent from all hoards 2) the issue

with Zeus hurling the fulmen and star and crescents symbol is absent from all

hoards 3) the unit obverses of Hoards 1-6 invariably depict Athena in a

Corinthian helmet while those of Hoards 7-8 always show the goddess in an

Attic helmet; there is no overlapping of the two helmet types 4) the reverse

type of Zeus hurling the fulmen (combined with a Corinthian helmet obverse) is

found only in Hoards 1-6 while that with owl on amphora appears only in

Hoard 7-8; again there is no overlapping 5) other obverse and reverse types

are present in both lots of material but in no instance does the same issue

occur in Hoards 1-6 and in Hoards 7-8.

It is clear that in Groups I and II we have material belonging to two distinct

chronological periods, presumably separated by an interval sufficient to account

for the clear-cut division in types. Let us see if these periods can be even roughly

defined.

Hoards 1-6 are undoubtedly earlier than Hoards 7-8. This is obvious not

only from the better style and better alloy1 of the coinage but also from the

inclusion of a small representation of pre-New Style material in several deposits

of Group I. The issues represented in Hoards 1-6 are not, however, the earliest

of the New Style sequence. They must be preceded by the emissions showing

Zeus standing with a fulmen in his lowered right hand,2 strikings which

apparently are not present in the hoards of Group I because they are of earlier

date. The transition from the one Zeus type to the other may be connected

with the change in the silver from the two-magistrate to the three-magistrate

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series. It may well have come earlier; I do not believe it can be placed any later.

If the Zeus hurling fulmen type can with reasonable certainty be assumed

to postdate 169/8 B.C. at the latest it can also, with reference to the hoards, be

assumed to have been discontinued as a standard reverse type before 130 B.C.

Perhaps its terminus can be fixed even more closely. Among the coins of

Hoards 1-6, the issues in the best state of preservation are those with pilei,

thyrsos and bakchos symbols. Of these, the pilei striking seems to be somewhat

earlier than the other two but not removed from them by any wide margin of time.

Its device is the most distinctive of the three and the only one which can with

some degree of probability be associated with the silver coinage. A monograms

issue of 186/5 carries the pilei symbol as does the Demetrios-Agathippos

striking of 131/0. The first is surely too early and the second seemingly too late

1 See pp. 639 f. for chemical analyses.

2 This seems evident from comparison of a group of heads showing Athena in Attic helmet

(Sv. 81, 1-3) with those found on third century bronze of Athens (Sv. 24, 10-17, 33).

Hoards

529

since it falls within the chronological span of Hoards 7-8 (see below) and was

presumably the inspiration for the owl on amphora bronze with pilei symbol.

There is, however, another emissionthat of Mikion and Eurykleides in 156/5

which has a representation of the standing Dioscuri and it seems to me that it

is with this silver emission that the bronze with Zeus and pilei must be con-

nected. Allowing a somewhat later date for the thyrsos and bakchos issues, the

latest of the Zeus hurling fulmen types would appear to belong to the forties

of the second century.

Among the issues represented in Hoards 7-8 are a number with types or

symbols so unusual as to warrant almost certain identification with particular

silver strikings.1 The dolphin and trident type, found on a single fraction of

Attic Hoard II, is identical with the symbol on the second silver issue of

Xenokles-Harmoxenos (124/8); the sphinx reverse surely goes with the coinage

of Diophantos-Aischines (108/7); the Gorgon's head obverse with that of

Niketes-Dionysios (180/29). An elaborate rendering of a poppy-head between

ears of grain is used as a symbol on a bronze issue and on the tetradrachms and

drachms of Lysandros-Oinophilos (116/5).2 These representations occur only

once on the silver and only once on the bronze and the case for their association

is further strengthened in two instances by the close similarity of the Athena

heads on the silver and bronze of the sphinx and poppy-head emissions. The

logical assumption is that the other bronze issues of Hoards 7-8 are also of this

general epoch and that we have in these deposits a cross-section of Athenian

bronze currency struck during the Late Period of the New Style series. The

two hoards were probably interred during Sulla's siege of Athens in 86 B.C.,

a terminus ante quern for their issues. With regard to a terminus post quern for

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either the hoard coins or the late bronze as a whole, any conclusion would be

premature. My feeling is that the owl on amphora and related types probably

did not come into use before the early thirties but a precise date can only be

established in the light of more hoard material and a comprehensive study of

the coinage. What is clear from the hoard evidence available is the well-defined

and highly-significant chronological division between the types of Hoards 1-6

and those of Hoards 7-8.

In proof of the rule, we have the exception. There is one issue with Athena

head in Corinthian helmet and fulminating Zeus which cannot be associated

with the other emissions of that series. Its distinctive symbol, a star between

crescents, links it with the gold and silver of Mithradates-Aristion and the

1 Judging by the recurrence of distinctive symbols, there seems to have been a closer cor-

relation between silver and bronze in the later period than in the earlier.

2 These connections have also been made by A. R. Bellinger (NNM 42, pp. 12 f.) and by

J. P. Shear {Hesp., 1933, Plate VII).

The New Style Silver Coinage of Athens

connection is underlined by a marked resemblance in profile between the

Athena heads of the bronze and those of the staters, tetradrachms and drachms.

Apart from the inherent improbability of a mid second century date for this

coinage, the fact that not one specimen turned up among the more than

800 coins of Hoards 1-6 proves conclusively that it was not contemporary with

the other fulminating Zeus strikings.

Obviously it is later, but how much later? Fitting it into the gap between

the issues of Hoards 1-6 and 7-8 would explain its absence from all hoards and

also its types, but I doubt that the solution would commend itself to anyone.

Placing it in 87/6 B.C., which is where it has hitherto been put, might explain

its exclusion from all hoards in the somewhat unlikely event that it had not

gained wide circulation before Hoards 7-8 were secreted but so late a date

raises questions which are extremely difficult to answer.

Not only are its types those of the early coinage but its style is good. The

Athena heads are rather heavier than those of the other Corinthian helmet

issues but infinitely superior to the Attic helmeted goddesses of the late second

and early first centuries. The reverses, too, are carefully executed, far better in

workmanship than the average of the owl on amphora and related represen-

tations.1 In alloy the star and crescent bronzes are closely related to the

1 On Plate 127 an example of the Mithradatic bronze is reproduced in association with

other bronzes of early and late issues.

Tell Ahmar

Anthedon

Salonika

Kessab

Naxos

X.

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Delos T

Delos B

Attic

to

196/5

PP or A> - M

195/4

X-M or OANI

194/8

E-N

198/2

N--I

192/1

-H

191/0

&P - ffl or

190/89

S-lfl

189/8

W-E

188/7

K-M

187/6

W>-#

186/5

g-ltl

Hoards

53i

bronzes of 130/29, markedly different from those of a later period (page 640

for analyses). If the Mithradates bronze belongs in 87/6 B.C., it is part of an

emergency issue put out in a time of critical danger. Is it probable that the

mint would, under the circumstances, have concerned itself with an improve-

ment in the quality and workmanship of the bronze coinage, taking pains to

produce good dies and to raise the standard of its alloy, and reverting for this

isolated striking to types which had been abandoned perhaps half a century earlier.

Reasons for assigning the Mithradatic issue to c. 121 B.C. are given in the

commentary on the Late Period of the coinage (pp. 416-424). Such a date accords

with the style and composition of the bronze; a return to earlier types for a

special issue is less puzzling when the interval between is closer to twenty

years than to fifty. Finally, although the absence of these coins from Hoards 7-8

is strange, it is not inexplicable. Other issues of the Late Period, large issues

on the evidence of the finds made in the excavation of the Athenian Agora,

are missing from one or both deposits. The fact is that we have in these two

small hoards only a sampling and not a complete record of the bronze struck

at Athens after c. 130 B.C. Is it not more likely that specimens of an issue put

out in 121 or thereabouts should be absent than that not a single coin of a large

contemporary striking should have found its way into the hands of the two

frightened citizens who buried their small accumulations in the days before

Athens fell to Sulla's troops.

Delos AH

Zarova

Halmyros

Carystus II

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Ontario

Carystus I

Piraeus

Abruzzi

Dipylon

Anatolia

Cretan II

Delos EG

Delos A

Cretan I

Hierapytna

532

of Athens

The New Style Silver

Coinage

don

rt

.a

CD

nthe

essal

axos

elos

elos

+J

<

C/J

<

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AMMfl - AIO (kerchnos)

182/1

nOAY-TI

181/0

AMMfl - AIO (cornucopiae)

180/79

AAEI - HAIO

179/8

XAPI - HPA

178/7

Grain-ear drachms

180-170

100

WAi - AYZIA

177/6

i-i

176/5

AIOOA - AIOAO

175/4

AHMH - IEPJ

174/8

1+

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Hoards

533

Delos AH

Zarova

Halmyros

Carystus II

Ontario

Carystus I

Piraeus

Abruzzi

Dipylon

Anatolia

Cretan II

Delos EG

Delos A

Cretan I

Hierapytna

534

The New Style Silver Coinage of Athens

AlOTIMOZ-MArAZ

EYMAPEIAHZ - AAKIAAM

KAEOMEN

XAPINAYTHZ - APIZTEAZ

OANOKAHZ - ATTOAAflNIOZ

fEYBOYAIAHZ - ArAOOKAH

IZQIAOZ-EYANAPOZ

AAMflN - ZflZIKPATHZ

EYMHAOZ - KAAAI(D2N

HPAKAEIAHZ - EYKAHZ1

GEOAOTOZ- KAEOOANHZ

HPAKAEIAHZ - EYKAHZ

ANAPEAZ - XAPINAYTHZ

IKEZIOZ - AZKAHTTIAAHZ

TIMOZTPATOZ - TTOZHZ

AMOIKPATHZ - EniZTPATOZ

AGZI9E0Z - XAPIAZ

ahmhtpioz - ArAeinnoz

NIKHTHZ-AIONYZIOZ

APIZTIflN - OlAfiN

APOFIOZ - MNAZArO

EENOKAHZ - APMOEENOZ1

(serpent)

NIKOrENHZ - KAAAIMAXOZ

AHMEAZ-EPMOKAHZ

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EENOKAHZ - APMOEENOZ

(dolphin)

EENOKAHZ - APMOEENOZ

(Roma)

KOINTOZ-KAEAZ

ATTEAAIKRN - TOPriAZ

MI9PAAATHZ - APIZTIftN

MNAZEAZ - NEZTQP

KAEOOANHZ - EniOETHZ

MENTflP - MOZXIflN

1 Coins of the Herakleides

definitely assigned to a particular

those were the heaviest emissions

146/5

145/4

144/8

148/2

142/1

141/0

140/89

189/8

188/7

137/6

186/5

185/4

184/8

188/2

182/1

181/0

130/29

129/8

128/7

127/6

126/5

125/4

124/3

128/2

<V

XI

03

01

+8

Zl

2Z

II

+8

IZ

05

+6

fZ

01

+9

IZ

61

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SQHVOH

elos AH

irova

almyros

arystus II

ntario

arystus I

iraeus

bruzzi

ipylon

natolia

retan II

'elos =9

'elos A

retan I

[ierapytna

>

>

536

The New Style Silver Coinage of Athens

Tell Ahmar

Anthedon

Salonika

Kessab

Naxos

i_

Delos B

Attic

tn

_o

APXITIMOZ - AHMHTPI

AYZANAPOZ - OINOOIAOZ

AMCDIAZ-OINOOIAOZ

EYMHAOZ - 0EOEENIAHZ

NEZTfiP - MNAZEAZ

ZflTAAHZ - GEMIZTOKAHZ

AEYKIOZ - ANTIKPATHZ

nANTAKAHZ - AHMHTPIOZ

GEOCDPATTOZ - QEMIZTO

AIOQANTOZ - AlZXINHZ

AHMEAZ - KAAAIKPATIAHZ

AAKETHZ-EYAHflN

AlONYZIOZ - MNAZArOPAZ

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EnirENHZ-EENQN

MENEAHMOZ - TIMOKPATHZ

MENNEAZ - HPflAHZ

AlONYZIOZ - AHMOZTPATOZ

AHMOXAPHZ - nAMMENHZ

AlOKAHZ -AEQNIAHZ

(DIAOKPATHZ - HPflAHZ

KAAAIMAXOZ - EniKPATHZ

APXITIMOZ - nAMMENHZ

AlOKAHZ TO AEY - MHAEIOZ

AnEAAIKQN - APIZTOTEAHZ

HPAKAJ2N - HPAKAEIAHZ

(DIAOKPATHZ - KAAAKDQN

TPY(DflN - nOAYXAPMOZ

TO TPI AlOKAHZ - AIOAQPOZ

AlOKAHZ MEAI - MHAEIOZ

AnOAHElZ - AYZANAPOZ

117/6

116/5

115/4

114/8

113/2

1 112/1

111/0

110/09

109/8

108/7

107/6

106/5

105/4

104/8

103/2

102/1

101/0

100/99

99/8

98/7

97/6

96/5

95/4

94/8

98/2

92/1

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Carystus II

Hierapytna

Delos AH

Zarova

Halmyros

Ontario

Carystus I

Piraeus

Abruzzi

Dipylon

Anatolia

Cretan II

Delos EG

Delos A

Cretan I

to

*.

IU

1-1

|(S O) ^ to

1-1 tO

t-i t-i t-i H -f-

CD

to

538

The New Style Silver Coinage of Athens

This large body of hoard material considered in its entirety is of importance

not only for the chronology of the New Style coinage but also for its contribu-

tion to our knowledge of commercial and political relationships between

Athens and other sections of the Hellenistic world. The evidence is to some

extent fragmentary and unbalanced. Systematic excavations on Delos have

provided us with what would seem to be a fairly complete record of Athenian

and other coinages circulating on that island. Similarly, the substantial number

of coins from hoards of Northern and Central Greece gives one a measure of

confidence in the comparative accuracy of the data from those areas. On the

other hand, the material from Crete and the other islands, from Anatolia,

Syria and Italy is scanty. New deposits from those regions may well alter the

present picture. However, it is worth noting that extensive excavation has

been carried on in Italy and in the Levant. The fact that more New Style

coinage has not been found is in itself significant.

Our primary concern is with the bearing of the hoards, individually and as

a group, on the over-all chronology of the New Style silver. The commentaries

on the Early, Middle and Late Periods include analyses of the hoard evidence

as it relates to particular sections of the coinage and there is no need to repeat

in extenso those evaluations, but it may be useful in connection with the hoard

tabulation of the preceding pages to recall briefly the more important finds

and the essential contribution of each to the general chronological picture.

Of the early hoards, the Anthedon deposit with its limited number of early

issues establishes a beginning date for the New Style series as a whole. The

large Salonika Hoard, restricted to six issues of coins in excellent state of

preservation, helps to fix the sequence of the strikings between 170 and 165 B.C.

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In the Kessab Hoard all tetradrachm emissions between 181/0 and 163/2 B.C.

are represented except for four strikings whose position is attested by die links

and by the evidence of the Salonika Hoard. The two finds then substantiate the

assignment of certain issues to the 181-163 period although they do not, of

course, prove the absolute chronology. From the Attic Hoard we have data for

the dating of the anomalous drachms with grain-ear symbol and also clear

indication from condition that the issue of Mikion-Euryklei is close to that of

Aphrodisi-Apolexi, welcome corroboration of the stylistic criteria for the

placement of the former emission which is not die linked.

Only one major hoardDelos Tends in the Middle Period. Its unbroken

sequence of issues from 152/1 through the FDC coins of Theodotos-Kleophanes

and Herakleides-Eukles (188/7 and 137/6) is in accord with the numerous die

links and supplementary stylistic criteria upon which the arrangement rests.

The Late Period provides a group of hoards whose evidence is of vital im-

portance for the chronology. Between 143/2 and 132/1 B.C. we have twelve

Hoards

539

issues whose relative position is so firmly established by die links as to be un-

questionable. For the period between 131/0 and 120/19 there are some die links

but not the chain of the period just preceding. Here the evidence of style is

powerfully supported by that of the hoards. Delos KS ends in 131/0; Delos B,

AH and possibly the Oreos Hoard end in 130/29; Zarova in 127/6; Halmyros in

124/3; Carystus II in 123/2; Carystus I in 121/0. The New Style material of the

Piraeus, Abruzzi and Dipylon finds also stops in 121/0; that of the Anatolia

Hoard one year later. Inclusions and omissions in these hoards and the relative

wear of their component issues combine with the die links and the stylistic

criteria to establish for the period between 131/0 and 120/19 a sequence as

soundly based as that of 143/2-132/1. Less assistance is given by the few hoards

of later date but Cretan II, Delos =0 and Delos A do offer support for the order

of emissions between 120 and 111 B.C. Cretan I provides evidence for the assign-

ment of the last of the New Style issues to the period before Sulla.

There are several striking aspects of these deposits. The first is most vividly

illustrated by the two large hoards of Macedonia and Thessaly. Zarova and

Halmyros are almost identical in size, both come from an outlying district to

the north of Athens, and both, in view of the variation in wear that their

contents show, may with probability be regarded as currency hoards. In

general composition the two finds are highly comparable. The Zarova Hoard

includes every New Style issue between 161/0 and 127/6; Halmyros every issue

between 168/7 and 124/3 except for the Epigene-Sosandros striking of 158/7.

However, when one examines the number of coins for the individual issues in

the two deposits one is struck by a rather remarkable disparity. It must, of

course, be remembered that surviving specimens identifiably from Halmyros

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are twice as numerous as those from Zarova but the three lots of Zarova coins

correspond closely enough in distribution by issues and in proportionate

representation of coins to warrant the assumption that the original composition

of the find would not violently contradict the picture we now have.

Over one-half of the surviving specimens from Zarovathat means at least

one-quarter of the contents of the original hoardbelong to the four relatively

early issues of Epigene-Sosandros (158/7), Polemon-Alketes (157/6), Mikion-

Euryklei (156/5) and Karaich-Ergokle (153/2). All other issues are represented

but in substantially smaller quantity. The number of coins for the last ten

strikings in the Zarova Hoard totals less than the number for Epigene-Sosan-

dros alone. This same issue is absent from the Halmyros Hoard and the other

three major Zarova emissions are represented by four or five tetradrachms

apiece. The bulk of the coinage from Halmyros is concentrated in its final

issues, which is, of course, what one would expect. However, there is one

anomaly even here. The count by years runs as follows: 132/1(44), 131/0(64),

540

The New Style Silver Coinage of Athens

130/29(49), 129/8(61), 128/7(59), 127/6(1), 126/5(23), 125/4(53) and 124/3(19).

Although the Xenokles-Harmoxenos striking of 127/6 is light in comparison

with other emissions of the same period it is not sufficiently minor to account

for its almost complete absence from the Halmyros Hoard.

These two deposits seem to point up what is an entirely reasonable premise

but one that is perhaps sometimes forgotten, namely that coinage did not flow

in and out of any given region in a steady stream but rather in irregular waves

as dictated by the exigencies of commerce, politics, military operations and

other circumstances and that the hoards inevitably reflect this erratic monetary

pattern. Evidently a tremendous amount of Athenian money was shipped into

Macedonia during the fifties of the second century, enough so that it was still

the chief currency in circulation twenty-five years later.1 The issues which

went in such quantity into the Zarova region travelled to the Halmyros district

in substantially lesser supply, whereas the later issues came in more abundantly

than they did into the more northern area. Even so there were yearly fluctua-

tions, as witness the single example of the late emission of Xenokles-Har-

moxenos in what is otherwise a consistent body of hoard material.2

Another noteworthy feature of the hoard evidence concerns five late de-

posits: Piraeus, Abruzzi, Dipylon, Cretan II and Delos A. Three of these come

from the Athens area, for the Abruzzi Hoard must be considered, in part at

least, as an Athenian accumulation; two come from the islands. All have a

considerable amount of regular New Style coinage mixed with other material.

Taking the three Athenian hoards first, the small Piraeus find contains

middle and late New Style coinage, two-thirds of it from the decade between

130 and 120 B.C. The latest issue is that of Apellikon-Gorgias in 121/0. Two

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Mithradatic tetradrachms of 88 B.C. are also in the hoard. The larger Dipylon

deposit is almost identical in composition although its range of New Style

strikings is wider, including early as well as middle and late emissions. Nearly

half of these are from the years between 130 and 120 with the latest issues

those of Mithradates-Aristion and Apellikon-Gorgias. Four Mithradatic

tetradrachms of 88 B.C. appear in this find. Finally, the Abruzzi Hoard, at least

that section of it which can be classified as an Athenian collection, has middle

and late New Style material, two-thirds of it from 130-120 B.C. with the latest

striking that of Apellikon-Gorgias. Four Pontic tetradrachms of 90/89, four

other tetradrachms from the same general region and nine tetradrachms of

Sulla's tfl - ffi issues are in the hoard.

1 It is of interest that the Bulgarian hoard of Beliza, judging by the accessions of the Sophia

Museum, also had a high proportion of Epigene and Polemon coins.

2 The extensive representation of the Xenokles with serpent issue in the Anatolia Hoard

suggests the direction in which that emission moved.

Hoards

54i

These three hoards are basically homogeneous. In each case the deposit

ends with New Style coins of 121/0 B.C. in good or excellent state of preserva-

tion. Combined with them are Mithradatic and Sullan emissions of 90-85 B.C.

in splendid condition. There is in some instances a variation in wear between

the latest New Style tetradrachms and the Mithradatic and other specimens

which suggests that the former had seen rather more circulation but the differ-

ence is not great.

The evidence of the two island hoards is similar. In Delos A the New Style

material runs down to 112/1 B.C. with about one-third distributed fairly evenly,

considering the small size of the hoard, over the years between 130 and 111.

The latest strikings are in excellent to FDC condition. With these coins were

found two drachms of the Sullan coinage of c. 86 B.C. The composition of

Cretan Hoard II is more complex. Its New Style currency represents only

two-thirds of the total contents and of this only one-third can be dated between

130 and 116 B.C. Additional material in this find consists of Cretan and other

coinages, the latest dated piece being a Mithradates tetradrachm of 76/5.

In all five deposits a considerable number of years, ranging from twenty-five

in the case of Delos A to forty in the case of Cretan II, intervenes between the

latest of the New Style issues and the latest coinage in the hoard as a whole.

In view of the condition of the last of the New Style coins, it is impossible to

suppose that they were circulating up to the time the hoards were buried. One

must assume in each case that accumulation of the Athenian pieces stopped

some years before interment of the deposit. It should be noted in this connec-

tion that the answer does not lie in bringing these late Athenian coins down into

the period immediately preceding Sulla and attributing issues not found in the

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hoards to the post-Sullan era. Even if one were willing to abandon all indications

of an earlier date for the issues in question, the solution provided would still

be only a partial one. Cretan Hoard II and the small 1934/5 Hoard recorded

by Newell (p. 523) contain Mithradatic issues of 76/5 and 75/4 B.C. Both show

exactly the same composition with respect to the Athenian issues as do the

hoards buried c. 86 B.C.the latest New Style coin in one instance dates from

117/6 and in the other from 118/7, and they are alike in excellent state of

preservation.1

1 Extensive chronological gaps within hoards are by no means uncommon. In Susa Hoard 3,

recently published by Georges Le Rider ("Monnaies a legende grecque et monnaies des rois

d'Elymaide," pp. 29-34), there is an interval of at least fifty years between the last and the next

to last issues. However, the earlier coins are well worn and it seems evident that they continued

to be the standard medium of exchange in the Susa region long after the date of their emission.

Dura Hoard 5 (E. T. Newell, NNM 58 and A. R. Bellinger, Dura-Europos, pp. i6gf.) consists

of several lots of material, widely-spaced in time, with a lacuna of over sixty years between the

last and next to last issues. Here the state of preservation of the second century denarii rules out

542

The New Style Silver Coinage of Athens

The circumstances surrounding the assembly and burial of the various

hoards undoubtedly differed but there is, I believe, one factor which serves to

explain the basic composition of all of them. This is the growing shortage of

Athenian coinage after 121/0 B.C. For the size of the individual issues the

number of known obverse dies is perhaps our safest guide since the number of

surviving specimens is dependent in large measure on the extent of the hoard

material. Between 132/1 and 121/0, the obverse dies (for tetradrachms) record-

ed per year are: 29, 47, 38, 80, 25, 19, 17, 17, 42, 14, 7,1 12; between 120/19

and 112/1: 10, 7, 8, 7, 6, 10, 8, 17, 6; between 111/0 and 88/7: 1, 2,1, 1, 2, 2, 1,

4, 4, 1, 1, 1, 1, 2, 4, 8, 1, 1, 3, 1, 2, 1, 1. Clearly there was a decline in the

amount of money issued after 121/0 and little more than a token coinage after

112/1. What new currency was put out during those years may well have been

reserved for export; the average Athenian citizen may have been compelled

to make do with the old but extremely abundant money of the preceding

decade.2 Even in the matter of export there were curtailments. The Anatolia

Hoard and the Samsun accumulation (p. 524) suggest that new coinage did not

travel in that direction after 120/19. Delos continued to receive shipments down

to 112/1. After that date only sections of Crete, as witness the contents of

Cretan Hoard I and the Hierapytna Hoard, seem to have been supplied.

This new money cannot have moved in quantity even to Crete for the simple

reason that it did not exist in quantity. Evidently it was not available to the

owner of Cretan Hoard II. What Athenian tetradrachms of earlier periods he

could get his hands on he collected; after the supply dwindled he could put

aside only Cretan issues and the foreign coinage circulating on the island.

the possibility of long circulation and one must assume that the hoard represents successive

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accumulations. A similar explanation probably holds for our Tell Ahmar and Kessab Hoards

with their admixture of early New Style and late Seleucid strikings.

All of these deposits, it will be noted, involve compilations of foreign currency, not the

output of a local mint. They are thus more easily explicable than Susa Hoard 4 (Le Rider, loc. cit.,

pp. 34-37) in which there is an interval of many years between well-preserved early and late

issues of Phraates IV struck at Susa itself.

The New Style hoards under present discussion are comparable with Dura 5 and Susa 4 in

the combination of early and late issues in excellent state of preservation; two of them, the

Piraeus and Dipylon finds, bear a further resemblance to Susa 4 in that it is issues of the local

mint which are so strangely missing from each hoard.

1 The three obverse dies of the Mithradates-Aristion striking may belong in the same

year (see pp. 423 f.).

2 It is in fact possible that some of this old money was put into circulation at a later period

than its date of emission would indicate. The very large issues struck between 132/1 and 123/2,

which seem to have been far in excess of the city's normal financial requirements, may represent

an attempt to build up a silver reserve in the form of coinage rather than bullion (see p. 714)-

Hoards

543

The New Style composition of Delos Hoard A is in complete accord with the

general body of excavation material from that site. Apparently very little, if

any, of the coinage struck in Athens after 112/1 went to Delos, for nothing

later than that date has been unearthed either in a hoard context or in chance

finds. In Delos Hoards A and =0 we have two highly comparable deposits, both

terminating with New Style coins of 112/1 in excellent or FDC condition. Hoard

EG may have been buried almost immediately since it contains no later material;

Hoard A cannot have been finally interred until after 86/5 B.C. It seems likely,

however, that its New Style coins were withdrawn from circulation shortly

after 112/1. Whether the Sullan drachms were added at a later date by the

original owner or by someone who had come into possession of the hoard during

the intervening years can never be known for certain.

With respect to the three Athenian finds, the circumstances attendant upon

the formation of the Abruzzi Hoard are highly uncertain. Its New Style issues

may simply represent an accumulation put aside in the years after 120 B.C.

which was found and absorbed by a Roman soldier during the sack of

Athens. Such an explanation clearly will not suffice for the Piraeus and

Dipylon deposits which must have been buried by Athenian owners shortly

before the conquest of the city. In both cases, the only answer seems to be

that there was little or no new money available in the Athens area after

121/0 B.C.1 It was not until 88 B.C. that there was a marked improvement

in the situation, thanks no doubt to extensive financial help from Mithradates,

and it was then that the tetradrachms of the Pontic king were added to

both hoards.

Before leaving this section on Hoards, it will be of interest to note the

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geographical distribution of the deposits here recorded. The tabulation below

summarizes for six regions the number of hoards found, the amount of identifi-

able New Style coinage included and the chronological span of the pertinent

hoard material.

Central Greece: 10 hoards2 1859 coins All periods of New Style to 121/0 B.C.

Mithradatic tetradrachms of 90-88 B.C.

tfl - coins of 86-85.

Delos: 17 hoards 1015 coins All periods of New Style to 112/1. Mith-

radatic tetradrachms of 98/2. Ml - fB of

86-85.

1 If the O AEMOX material of Carystus I is to be associated with the Mithradatic War

(pp. 444-449), that hoard parallels in composition the three Athenian deposits and testifies to a

dearth in Southern Euboea as well as in Attica of the New Style issues struck after 121/o B.C.

2 Including the Abruzzi Hoard as basically an Athenian accumulation.

544

The New Style Silver Coinage of Athens

Crete: 4 hoards1 184 coins All periods of New Style to 92/1. Pre- and

post-Sullan material from other mints.

Macedonia, Balkans: 6 hoards 746 coins New Style from 170/69 to 117/6. One

tfl - of 86-85.

Anatolia: 2 hoards* 88 coins New Style from 165/4 to 120/19.

Syria and East: 5 hoards 58 coins New Style to 168/2.

This evidence, fragmentary as it is for certain areas, does give definite in-

dication of the direction in which Athenian currency moved during the second

and early first centuries. In the Early Period it circulated freely in Central

Greece, as one would expect, and travelled out to Crete, Delos, Syria and as

far east as Babylon and Teheran. The picture as it concerns Syria and the

East is particularly striking. Almost without exception the New Style coins

from that area antedate 162/1 B.C.; virtually nothing of a later period is

known.3 The decline of Athenian association with the Levant coincides with

the growing importance of Delos as a trading center and undoubtedly reflects

a reorientation of Athenian commercial interests in favor of her cleruchy.4

As the flow of Athenian money toward the East tapered off, it found a new

outlet to the north. The earliest New Style coins from hoards in Northern

Greece, the Balkans and Anatolia date from 170/69 B.C. Apparently Athens

took immediate advantage of the opportunity presented by the Roman defeat

of Macedon and the ensuing suppression of the great mines in that region. That

she was able to retain her position even after the northern workings had been

reopened is indicated by the contents of the Zarova Hoard. From 168 to 120,

owls were common in the north as they were in Central Greece, on Delos and

on Crete.

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By 120 B.C. the stream had begun to dry at its source. No coinage after that

date has been found in Central Greece or in Anatolia, nothing later than 117/6 in

Macedonia and the Balkans, nothing after 112/1 on Delos. Only Crete continued

to be supplied until the very end of the New Style period.

1 Including the seven coins in the Herakleion Museum which Raven thought might be a

hoard.

2 Including the Samsun group. Even if this is not a hoard, its issues are representative of the

coinage circulating in that area.

* This is true not only of the few hoards on record but also of the material in general: coins

in trade and the contents of public and private collections in Syria and Lebanon.

4 Rostovtzeff (Anatolian Studies, p. 298) cites the inclusion of Athenian owls in Syrian and

Eastern hoards as proof of close commercial relations between Delos and Syria in the late second

and early first centuries B.C. While the hoards that he mentions (Til-Barsib and Teheran) were

buried within that period, the latest identifiable New Style coin in the two deposits dates from

173/2 B.C. Numismatic data provide no evidence for commercial ties between Athens and Syria,

either direct or through Delos, after the sixties of the second century.

Hoards

545

Italy and Sicily provide no hoard evidence of connections between Athens

and the West.1 Seemingly Athenian coinage during the New Style years did

not move in that direction at all. Nor did it travel toward Egypt.

Regnal issues of Pontus and Bithynia of pre-Sullan date are mixed with

Athenian material in Central Greece, on Delos and on Crete, testifying to the

activity of Mithradates and his generals in those regions before the outbreak

of war with Rome. Sullan issues of 86-85 appear in Athens in the Abruzzi

Hoard and in isolated finds on Delos and in Bulgaria.

1 Again assuming that the Abruzzi Hoard is an "import".

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35

MAGISTRATES

The 110 issues of the New Style are inscribed with 634 names. Of these, 629

are listed in the pages that follow. For the early years of the coinage the magis-

trates are designated by monograms and there is, of course, a strong element

of uncertainty involved in their decipherment. When the initial letters at least

of the monogram seem clear it has been included; in five cases1 not even that

much can be determined and those magistrates are of necessity omitted from

the record.

The 634 names on the coinage do not by any means indicate 634 different

men. There is certainly a great deal of repetition of minting service, much more

in all probability than can ever be established. In the listing below cases of

what seem to me definite or highly probable identity are marked by solid

bracketing, cases of possible identity by broken bracketing. To some the extent

of linking will seem rash and to others over-cautious. I can only offer it as my

judgment based on the criteria of rarity of names, proximity of terms of office

and recurrent patterns of family relationship.

Discussion of individual magistrates makes frequent reference to the two

comprehensive studies of Athenian mint magistrates: J. Kirchner's Prosopo-

graphia Attica (1901-1903), which is based primarily on Beule's record of the

coinage but includes citations of other early sources, and J. Sundwall's articles

in the Finska Vetenskaps-Societetens Forhandlingar (XLIX, 1906-1907, No. 9;

L, 1907-1908, No. l).a Sundwall's work, postdating Kirchner's by a few

years, corrects some of the earlier readings on the basis of personal examination

of the coins in the Berlin Cabinet. A number of the entries in both Kirchner

and Sundwall are erroneous, due chiefly to the confusion of lettering consequent

on the recutting of names on reverse dies; some of the entries in the present

compilation represent new material, magistrates unknown to either epi-

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graphist.

Many of the monograms and abbreviated names of the early coinage are

dealt with in the commentaries following the individual issues. In such cases

the reader is referred back to the pertinent pages of the catalogue for the

explanation of the monogram and in some instances for the identification of the

1 E of 195/4, of 188/7, $ of 186/5, a(j of 177/6 and ft of 172/1.

2 Unless otherwise indicated, references throughout to Sundwall are to be understood in

terms of these articles: Untersuchungen iiber die attischen Miinzen des neueren Stiles.

Magistrates

547

magistrate. Only exceptionally is there cross-reference to earlier discussion of

the officials of the three-magistrate and late two-magistrate periods since in

almost all cases relevant information regarding them is presented here for the

first time.

The listing which follows gives the name of the official, his position (first,

second or third magistrate), the issue with which he is associated identified by

the names of the annual moneyers, the date of that issue, and finally the number

of the Prosopographia Attica entry in the case of names appearing in Kirchner.

Archon dates are those of Meritt in The Athenian Year (pp. 231-238) and for the

later period between 62/1 and 53/2 B.C. those of Dow (Hesp., Suppl. VIII,

1949, pp. 116-125).1

ABPflN (8) ANTIOXOZ - KAPAIXOZ 168/2 PA 6

Our mint magistrate is surely the Habron son of Kallias of Bate who was prytany

treasurer in 162/1 B.C. {IG II2 2864) and hieropoios in 156/5 {IG IP 1987). In con-

nection with the earlier inscription Kirchner notes that the stemma of the family

{PA 11) must be changed and that this Habron seems to be the brother of Kal-

lias III. This, however, is impossible since he is designated as Habron son of Kallias

while Kallias III is the son of Habron. The two men must be cousins rather than

brothers. Ophelas, third mint magistrate of 167/6, would also be a cousin of Habron.

ArAGA (8) ANTIOXOZ - KAPAIXOZ 168/2

ArAGinnoz (2) ahmhtpioz - ArAQirrnoz isi/o pa 38

ArAQOKAH (2) EYBOYAIAHZ - ArAQOKAH 142/1 PA 75

The annual magistrates of 142/1 are members of a family from Trikorynthos.

Kirchner {PA 75 and 5838) regards them as brothers. Euboulides son of Agathokles

is known from a listing of sacerdotal officials {IG II2 1939, dated 130-120 B.C.) and

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also as hieropoios of the Romaia in 127/6 {Insc. Ddlos 2596).

AAEI (1) AAEI - HAIO 179/8 PA 193

AAEI may, as Kirchner points out, stand for either Adeimantos or Adeistos. The

former name, however, is more common in Attic records and furthermore there

seems to be a strong probability that the first magistrate of 179/8 is Adeimantos

of Ikaria, priest of the eponymos in a decree of 178/2 B.C. {Hesp., 1957, p. 40).

Stamires in discussing the inscription suggests that the priest is the same Adei-

mantos who as genarch contributed for himself and his sons Mnesagoras and Adei-

mantos c. 188/2-176/5. The association of the mint magistrate with the priest and

genarch of Ikaria is the more likely in that several mint magistrates of the late

second century come from this same Ikarian family (see under AIONYZIOZ and

MNAZArOPAZ).

1 This section on Magistrates has been read by Professor Benjamin D. Meritt and by Mr.

George Stamires, and the writer is immeasurably grateful for the help which they have given in

checking, amending and supplementing the prosopographical data.

548

The New Style Silver Coinage of Athens

A0

AGH

AGHNAI

A9HNI

A9HN0BI

(2)

(8)

(3)

(8)

(8)

AOPOA1ZI - AlOrE

ZSJKPATHZ - AlONYZOAfl

ZflKPATHZ - AIONYZOAQ

AYZAN - fAAYKOZ

196/5

152/1

148/7

148/7

159/8

PA 245

This is undoubtedly Athenobios of Eupyridai. Sundwall publishes stemmata of the

family, first in his Untersuchungen (p. 27) and later in the Nachtrage (p. 7), which

are markedly different. The revision is based upon a Delphic inscription relating to

the Pythais of Dionysios in 128/7 B.C. (FD III 2, 12). This inscription and its inter-

pretation are of particular importance for our study since it contains the following

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names: Dionysios and Niketes sons of Athenobios, Timostratos son of Ariston and

Ariarathes son of Attalos. Identification of the category of these Pythaists is con-

jectural in that the heading of the stone is not completely preserved. Originally

Colin (Culte d'Afollon 47) considered them Pythaists KAnpcoToi; the later Fouilles

de Delpkes publication restores tt [u]0ccio-[Tcci TralSss] citing the circumstance that

the names of two Pythaists (other than those mentioned above) are found in a

listing of ephebes of the Pythais of Demetrios a few years later. The grounds for

assuming that the Pythaists of 128/7 are boys seem sound enough but there is this

to be considered. A Dionysios and a Niketes served together as mint magistrates in

132/1 and 180/29 and an Athenobios was mint magistrate in 159/8. The association

of these three names, two of them uncommon, with the mint and the dates of their

activity strongly suggest that we are dealing with two generations of the Eupyridai

family. A Timostratos and a Poses were annual mint magistrates in 184/8; again the

two names point to the Phaleron family of which Timostratos son of Ariston was

a member. Concerning Ariarathes the evidence is less clear but the name is rare at

Athens and a connection between the second mint magistrate of 154/3 and the

Pythaist of 128/7 is likely.

Timostratos and Ariarathes will be discussed under their respective entries. Our

immediate concern is with the Eupyridai family in which the names Athenobios,

Dionysios and Niketes occur. If all the Pythaists of FD III 2, 12 are boys, then the

Dionysios and Niketes of the Pythais of 128/7 cannot be the mint magistrates of

132 and 130 nor can their father Athenobios, who in Sundwall's revised stemma is

identified with a boy victor in the Theseia of 154/3, be the mint magistrate of 159/8.

Clearly Sundwall's later stemma will have to be amended to include these three new

members of the family. On the other hand if, as was originally assumed, the Py-

thaists of this particular listing are not exclusively boys but are of all ages, there is

no problem. Along the lines of Sundwall's earlier stemma, the three mint magistrates

are the Pythaists and their father, while the Athenobios who was a boy in 154/3 is

the cousin of Dionysios and Niketes.

AGHNOAfl

AIANTI

rAIZXINHZ

^AIZXI

(8)

(8)

(3)

(3)

AIONYZI - AIONYZI

AYZAN - TAAYKOZ

nOAYXAPM - NIKCT

ASJP09E - AlOd)

159/8

165/4

Magistrates 549

AIZXINHZ

(2)

AIOOANTOZ - AUXIN HZ

108/7

PA 886

AAE=

(8)

EYMHAOZ - KAAAIOflN

140/89

AAEEA

(8)

MENEA-ETTirENO

167/6

AAEEAN

(3)

EYPYKAEI - APIAPA

154/8

PA 485

AAEEAN

(8)

CDANOKAHI - ATTOAAflNIOZ

143/2

PA 488

Of the four entries immediately above, the first may be expanded in various ways.

The other forms are almost certainly abbreviations of Alexander and it is quite pos-

sible that the same man served in 167, 154, and 148 b.c. Sundwall's identification

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of all four magistrates with the archon of 174/8 seems somewhat tenuous in that

the name is not uncommon.

AAKETHZ (2) FIOAEMflN - AAKETHZ 157/6 PA 581

AAKETHZ (1) AAKETHZ-EYAriQN 106/5 PA 585

The annual magistrates of 106/5 and the second official of 157/6 are members of a

Kothokidai family (stemma under IG IIa 4082). Kirchner identifies Alketes I,

Euagion III and Alketes III as the magistrates of the coinage. On the evidence

of the inscriptions cited, it seems to me that the floruit dates of the various genera-

tions are too high by a decade and that the annual magistrates of 106/5 are the

brothers Euagion II and Alketes II, grandsons and not great-grandsons of Alketes I,

mint magistrate of 157/6 B.C.

AAKIAAM (2) EYMAPEIAHZ - AAKIAAM 145/4 PA 606

Alkidamos and Eumareides are brothers, sons of Euphanes of Euonymon, according

to Kirchner. The two names appear in a listing of knights of 128/71 (FD III 2, 27),

while the former is also commended in another Delphic inscription of the same

year and the latter is named as an ephebe in an inscription dated by Kirchner to

the beginning of the second century (IG II2 2980). Sundwall (p. 58) redates this

last inscription on the evidence of a listing of 188/7, thought to be of ephebes

(FD III 2, 28), which includes Eumareides son of Euphanes.

I believe that the mint magistrates of the mid second century are the knights of

128/7. In the two listings of ephebes we seem to have a record of two boys named

Eumareides, of whom the older may be our mint magistrate if the stone is somewhat

later than Kirchner suggests. The younger Eumareides may be his cousin.

If the magistrate Alkidamos is indeed the knight of 128/7, it follows that his re-

placement as second magistrate early in 145/4 was due not to death but to some

other circumstance.

AAKITinOZ (8) AMMnNIOZ-KAAAIAZ 150/49 PA 684

rAMMfl (1) AMMfl - AIO 182/1 PA 718

LAMMfl (1) AMMJ-AIO 180/79 PA 718

AMMSJNIOZ (1) AMMflNIOZ-KAAAIAZ 150/49 PA 719

1 Of the name appearing just above that of Alkidamos only E [ ]AHZ remains but

this is surely to be restored as E [YMAPEI]AHZ.

550

The New Style Silver Coinage of Athens

The first magistrates of 182/1 and 180/79 are surely the same Ammonios and it is

likely that the first magistrate of 150/49 is a relative, possibly a son. A relationship

between the annual magistrates of the two earlier issues is almost certain in view

of the occurrence of the names Ammonios and Dionysios in a well-known family

of Anaphlystos (for stemma see Roussel, Ddlos, p. 104).

AMYNOMA (8) ANAPEAZ-XAPINAYTHZ 136/5 PA 738

AMOIAZ (1) AMOIAZ - OINOOIAOZ 115/4 PA 754

These magistrates of 115/4 B.C. are father and son, Amphias I and Oinophilos I of

Aphidna (PA 11864 for stemma) and not the brothers Amphias II and Oinophilos II,

as Kirchner supposes. Actually the only reason for assuming a second Amphias

seems to have been that the coinage on which the name appears was formerly dated

to the middle of the first century B.C. See also Wilhelm (Beitrage, p. 85) for a some-

what different stemma of this family and its relationship to that of Eukles of Trine-

meia who was associated with the mint in the middle of the second century.

I-AMOIKPATI (8) TIMAPXOY - NIKArO 166/5 PA 770

LAMQIK (3) 0EOOPA - ZffTAZ 162/1 PA 770

AMOIKPATHZ (1) AMOIKPATHZ - ETTIZTPATOZ 183/2 PA 774

Amphikrates and Epistratos of 133/2 B.C. are identified by Kirchner as the brothers

of the deme Perithoidai whose floruit was c. 100 B.C. (PA 774 and 4951). I should

suggest rather that the coinage on which these uncommon names recur gives us a

record of two earlier generations. The mint officials of 183/2 would be either brothers

or cousins, the second magistrate the father of Amphikrates and Epistratos of

100 B.C. A still earlier generation would be represented on the coins of 168/7, 166/5

and 162/1 (see under ETTIZTPATOZ as well as above).

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c. 166 ETTIZTPATOZ (I) AMOIKPATHZ (I)

(Mint Mag. 168/7) (Mint Mag. 166/5, 162/1)

I'1

c. 138 AMOIKPATHZ (II) ETTIZTPATOZ (II)

(Mint Mag. 138/2) (Mint Mag. 133/2)

c. 100 AMOIKPATHZ (III) ETTIZTPATOZ (III)

AN (8) XAPI - HPA 178/7

rANAPEAZ (1) ANAPEAZ- XAPINAYTHZ 186/5 PA 832

:^ANAPEAZ (3) NIKOfENHZ - KAAAIMAXOZ 126/5 PA 832

Magistrates

55i

The name is rare and Kirchner's association of the magistrates Andreas with the

archon of c. 144 b.c. seems plausible. Whether this man is, as Sundwall believes,

the Andreas son of Andreas of Piraeus who was herald of the Boule and epimeletes

of Delos at the beginning of the first century (PA 888) is problematical.

ANTITONO (8) ETTirENH - ZflZANAPOZ 158/7 PA 1007

ANTIKPATHZ (2) AEYKIOZ - ANTIKPATHZ 111/0 PA 1077

There seems to me a strong probability that this is the Antikrates of Epikephisia

who was priest of Apollo on Delos in the archonship of Medeios and polemarch a

few years later (PA 1082).

rANTIAOX (8) AflPOGE - AlOfl) 164/8 PA 1095

l-ANTIAOX (3) ANTIOXOZ - NIKOr 168/2 PA 1094

The name of Antilochos appears on the coinage during the last month of 164/8 and

the first month of 168/2. Similar instances of identical names at the end and at the

beginning of contiguous issues are too frequent for one to suppose that the corre-

spondence of names is coincidental. There can, I believe, be no question but

that the tenure of the third magistrate ran over on occasion from one year to

the next.

rANTIOXOI (8) TIMAPXOY - NIKATO 166/5 PA 1155

i-ANTIOXOZ (1) ANTIOXOZ - NIKOr and KAPAIXOZ 168/2 PA 1160

This Antiochos is not a Seleucid prince but an Athenian citizen serving as third

magistrate in 166/5 and as first magistrate a few years later. Reasons for rejecting

the traditional Seleucid identification are given on pp. 158-160.

ANT1Z9E (3)

rANTlOA (3)

-ANTIOANHZ (8)

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An (3)

An (8)

Possibly the same man

are close in time.

rAnEAAIKlN (1)

L-AnEAAlKQN (1)

ZS2IAOZ - EYANAPOZ

AlONYZI - AlONYZI

MHTPOAfiPOZ - MIAT1AAHZ

ahmhtpioz - ArAeinnoz

NIKOfENHZ - KAAAIMAXOZ

AnEAAIKflN - TOPriAZ

AnEAAIKflN - APIZTOTEAHZ

142/1 PA 1187

151/0 PA 1217

147/6 PA 1217

181/0

126/5

for these two issues which

121/0 PA 1343

94/8 PA 1343

(Ap..) served as third magistrate

The griffin symbol appearing on the coinage of 121/0 B.C. definitely identifies the

magistrate Apellikon with the bibliophile and Peripatetic philosopher from Teos

who was adopted into the family of Apolexis and Aristoteles of Oion (PA 1361 for

slemma). The Aristoteles serving with Apellikon in 94/8 is quite certainly his brother

by adoption. Concerning further details of Apellikon's life we know little except

that he was in exile for a time but back in Athens by 88 B.C. In the spring of that

year he was placed in charge of Athenian forces sent out in an unsuccessful attempt

to gain control of Delos. His death apparently occurred about 84 B.C.

552

The New Style Silver Coinage of Athens

ATTOA

(3)

KAPAIX - EPrOKAE

rAFTOA

(8)

timoztpatoz - ftozhz

i-AFTOA

(3)

APOTIOZ - MNAIArO

ATTOAHEI

(2)

AOPOAIZI - ATTOAHEI

AT70AHEII

(1)

AnOAHEII - AYIANAPOI

158/2

184/8

128/7

155/4 PA 1354

88/7 PA 1863

The magistrates of 88/7 are brothers of a family from Piraeus (stemma under

PA 1363). In view of the comparative rarity of the name it is likely that the earlier

Apolexis is their grandfather, the Apolexis son of Lysander who was agonothetes

c. 140 B.C. (IG IF 961).

rATTOAAOAQ (8) AXAIOZ - HAI 160/59 PA 1386

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j-AnOAAOAfl (8) TTOAEMflN - AAKETHZ 157/6 PA 1386

i-ATTOAAOAn (3) XAPINAYTHZ - APIZTEAZ 144/8 PA 1887

Kirchner considers the magistrates of 160/59 and 157/6 to be the same man and

there is no reason, chronologically speaking, why all three should not be identical.

PA 1464

PA 1464

rAnOAAOOA

LAnOAAOOA

(3)

9EMIZT0 - 9E0TT0MTT0Z

149/8

(3)

ZflKPATHZ-

AIONYZOAfl

148/7

ATTOAAQ

(3)

9E00PA-ZQTAZ

162/1

ATTOAAftN

(3)

AMMQNIOZ

-KAAAIAZ

150/49

rAnOAAflNI

(8)

ZQKPATHZ-

AIONYZOAQ

148/7

LATTOAAQNI

(3)

AAMSJN - ZQZIKPATHZ

141/0

AFIOAAfiNIA

(3)

nOAYXAPM

- NIKOr

165/4

AnflAAJJNIAHI

(8)

AIOTIMOZ -

MArAZ

146/5

Magistrates

553

the royal title. As for Ariarathes' son and successor, Ariarathes VI, he was still a

boy when his father died in 180 B.C., hence any connection with the coinage is out

of the question. Whoever our Ariarathes may have been, he was not one of the

Cappadocian kings of that name.

In Attic records there is an Ariarathes son of Attalos who was a Pythaist in 128/7

(FD III 2, 12) and an epimeletes at the end of the second century or the beginning

of the first (Insc. Dilos 1827-1829). From a somewhat later period there is an

Ariarathes son of Polemaios of Sypalettos, councillor and treasurer of Kekropis in

95/4 (Hesp., 1948, p. 26). Our mint magistrate may belong to one or the other of

these families; it seems to me that he may well be identical with the Pythaist and

epimeletes. The date of Ariarathes' epimeleia was originally put c. 132 B.C. (BCH,

1905, pp. 226 f.) but later brought down to the end of the century, presumably in

line with the re-interpretation of the inscription of 128/7 as a listing of boy

Pythaists (see under A0H N O BI f or a discussion of this stone). If the Ariarathes of 128 /7

was an Athenian of mature years, an earlier date for his epimeleia is likely and

an association with the mint in 154/8 entirely possible.

APIZ (8) TTOAEMflN - AAKETHZ 157/6

APIZ (8) AIONYZI - AIONYZI 151/0

APIS (8) EYMAPEIAHZ-KAEOMEN 145/4

APIZ (8) TIMOZTPATOZ-nOZHZ 184/8

APIZT (8) 0ECKDPA - ZflTAZ 162/1

APIZT (3) AMCDIKPATHZ - ETTIZTPATOZ 188/2 PA 1673

APIZTAI (8) AIONYZI - AIONYZI 151/0

The name is expanded by Sundwall as Aristaichmos and the magistrate identified

as the archon of 159/8 B.C. Sundwall's stemtna (p. 38) of a family from Phyle in which

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the name occurs further relates Aristaichmos, mint magistrate of 151/0, and Philo-

tades, mint magistrate of 122/1, as grandfather and grandson. The connection in

view of the rarity of both names seems plausible.

PA 1654

PA 1672

PA 1787

PA 1787

Identification of the Aristion of the coinage with the Athenian dictator and zealous

partisan of Mithradates VI and the attribution of the two issues on which his name

appears to the years 88/7 and 87/6 have long been regarded by numismatists and

historians alike as beyond controversy.1 Certainly the case is convincing. The

1 It is to be noted, however, that the two most recent studies of the New Style coinage as

a whole, those of Kambanis and Bellinger, modify the traditional chronology by separating the

two issues of Aristion. Both leave the Mithradates-Aristion striking in 87/6 but Kambanis (BCH,

1938, p. 78) assigns that of Aristion-Philon to 114/3 and Bellinger (Hesp. Suppl. VIII, 1949,

p. 10) puts it one year later.

APIZTAP

(8)

AOPOAIZI - AnOAHEl

155/4

APIZTE

(8)

MENEA - EnirENO

167/6

APIZTEAZ

(2)

XAPINAYTHZ - APIZTEAZ

144/8

rAPIZTIflN

LAPIZTIflN

(1)

APIZTIflN - OlAflN

129/8

(2)

BAZIAE MIGPAAATHZ-APIZTlflN

c. 121

554

The New Style Silver Coinage of Athens

Pegasus symbol of Aristion's earlier coinage corresponds so closely to the standard

type on tetradrachms struck by Mithradates VI as to make its Pontic significance

unmistakable. The appearance on the later issue of the name King Mithradates

combined with that of Aristion and the use of the star and crescent device of the

Pontic house as a symbol provide proof positive that the mint magistrate Aristion

was intimately associated with the Mithradatic dynasty. A connection with the

Aristion who was Mithradates' agent and dictator of Athens between 88 and 86 b.c.

is obvious and logical.

If, however, the New Style coins with the name of Aristion were, as I believe, issued

during the lifetime of Mithradates V (see pp. 416-424), the shift in chronology neces-

sarily entails a re-appraisal of the identification of the mint magistrate. Is the

Aristion of the coinage of the second century the same Aristion who was tyrant of

Athens in 88 B.C.? Chronologically it is not impossible assuming that Aristion was

in his twenties in 129/8 and in his sixties when he became dictator. Concerning his

career after he appeared in Athens as the representative of Mithradates VI we are

well informed from a variety of sources; concerning his earlier life we know prac-

tically nothing except for the testimony of Appian (Mithr. 28) that he was an

Athenian citizen and had studied Epicurean philosophy. His close association with

Pontus may have been a life-long affair, an allegiance first to Mithradates V and

later to Mithradates VI. Or in the coinage we may have evidence of a family affil-

iation with the Pontic house. The mint magistrate Aristion may have been the

father of the dictator of 88 B.C. A third possibility, of course, is that there is no

connection between mint magistrate and tyrant. The name is not uncommon and

there are several prominent Aristions of the late second century, anyone of whom

might have served in the minting office. On the whole it seems unlikely that two

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unrelated men of the same name would have close ties with successive kings of

Pontus but our knowledge of the history of the period in question is scanty and the

possibility cannot be summarily rejected.

apizto

(8)

ANTIOXOZ - KAPAIXOZ

163/2

APirro

(3)

M1KIQN - EYPYKAEI

156/5

APIZTO

(3)

0EMIZTO - OEonoMnoz

149/8

rAPIZTOAH

(3)

MHTPOAQPOZ - AHMOZ0EN

147/6

PA

1801

^APIZTOAHMOZ

(3)

OANOKAHZ - ATTOAAflNIOZ

143/2

PA

1801

apiztok

(3)

HPA-APIZTOO

168/7

APIZTOK

(3)

AMOIKPATHZ - ETTIZTPATOZ

133/2

APIZTONOYZ

(3)

ATTEAAIKflN - TOPriAZ

121/0

PA

2037

APIZTOZ

(8)

Magistrates

555

rAPMOEE (3) APOTIOZ - MNAZARD 128/7

|-APMOEENOZ (2) EENOKAHZ - APMOEENOZ 127/6 PA 2287

l-APMOEENOZ (2) EENOKAHI - APMOEENOI 124/3 PA 2237

LAPMOEENOZ (2) EENOKAHZ - APMOEENOZ 128/2 PA 2287

Our mint magistrate is conceivably related to Harmoxenos son of Harmoxenos of

Kekropis who was a victor in the games of the Theseia of 157/6 b.c. The rarity of

the name makes it practically certain that a single individual served as third mag-

istrate in 128/7 and as second magistrate in 127/6, 124/8 and 123/2.

APOTTOZ (1) APOTTOZ-MNAZARD 128/7 PA 2243

Sundwall and others have associated the magistrate Aropos with Aropos son of

Leon (PA 2244) who was epimeletes of Delos and agonothetes during the first

decade of the first century B.C. The connection is especially persuasive in that the

symbol on the coinage of Aropos and Mnasagoras is a winged Agon. However, the

mint magistrate Aropos used the Agon representation on his coins some thirty-five

years before Aropos son of Leon served as agonothetes and unless one assumes that

the latter also held a much earlier agonothesia, for which there is no evidence, it is

impossible to establish a firm identification between our Aropos and the epimeletes

and agonothetes of the early first century. The symbol does no more than suggest

that the first magistrate of 128/7 had recently served or was then serving as agon-

othetes, an office which practically every prominent Athenian would have held at

some time during his public career.

It seems to me that the Aropos of the coinage may well be the Aropos son of

Aphrodisios of Azenia in a list of noblemen of the last quarter of the second century

(IG II2 2452 and stemma under PA 2246) and that his father is possibly the first

mint magistrate of the issues of 155/4 and 152/1 b.c.

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APTEMQN (8) ZQKPATHZ - AIONYZOAS2 148/7

-APXE (8) HPA-APIZTOQ 168/7

^APXEZ (8) TIMAPXOY - NiKArO 166/5 PA 2410

APX1AZ (8) MHTPOAGPOZ - AHMOZOEN 147/6 PA 2450

APXITT (8) EYPYKAEI - APIAPA 154/8 PA 2547

rAPXITIMOZ (1) APXTTIMOZ-AHMHTPI 117/6 PA 2567

LAPXITIMOZ (1) APXITIMOZ - TTAMMENHZ 96/5 PA 2567

The first mint magistrate of 117/6 and 96/5 is identified by Kirchner with the

archon of the late first century. This is quite impossible but the name is very rare

and the Architimos of the coinage is likely the archon's grandfather. An Architimos

son of Architimos of Sphettos was thesmothetes in 56/5 (IG II2 1717). Kirchner

suggests that he is the archon's father; he is also, in all probability, the mint

magistrate's son.

-AZKAA (8) AIONYZI - AIONYZI 151/0 PA 2582

j-AIKAAnflN (8) ZflKPATHZ - AIONYZOAG 148/7 PA 2582

i-AZK (8) EYMAPEIAHZ - KAEOMEN 145/4

-AZKAATTflN (8) (DANOKAHZ-ATTOAAGNIOZ 143/2 PA 2588

556

The New Style Silver Coinage of Athens

Two Delphic inscriptions are of significance for the identification of this magistrate.

Concerning the first, a listing of ephebes in the Pythais of Argeios (FD III 2, 26),

there is no element of uncertainty. The stone carries the name of EPMOKPATHI

A[ZKA]A[TTJIQNOZ, an ephebe in 98/7. The second inscription has to do with the

Pythais of Agathokles in 106/5 and gives a listing of Pythaists of uncertain category

(FD III 2,15). This stone is broken at two crucial spots so that of the name which

concerns us only JMOKPATHZ AZKAA[ remains. However, another fragment

thought to join at this point has NOZ and the Fouilles de Delphes restoration, by

analogy with the inscription of 98/7, is [EPjMOKPATHZ AZKAA[TTIfl]NOZ. Kirchner

had earlier (PA 18756) restored the name in the inscription of 106/5 as TIMO-

KPATHI AIKAA[TTQNOZ] and identified the mint magistrates Timokrates and

Asklapon as this Pythaist and his brother.

Without question the argument for EPMOKPATHI AZKAATTinNOZ on the frag-

mentary stone is a strong one but the numismatic evidence suggests that in actuality

Kirchner was right and that we have indeed two individuals: Hermokrates son of

Asklapion and Timokrates son of Asklapon. On the coinage the name Asklapon in

full or in abbreviation1 appears four times between 151/0 and 148/2; a Timokrates

is associated with Asklapon in 145/4 and 143/2, and the name recurs at the end of

the century. This pattern of mint activity, so similar to that found in other Athenian

families, in conjunction with the epigraphical data, seems to me strongly indicative

of blood relationship. It is unlikely that Kirchner's Pythaist of 106/5 is the magis-

trate of the mid second century but he may well be the mint official of 108/2.

AZKAATTQN

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(Mint Mag. 151/0, 148/7

and with his brother

145/4, 148/2)

TIMOKPATHZ (II)

(Mint Mag. 108/2;

Pythaist 106/5)

AIKAH (8) MIKIflN - EYPYKAEI

AIKAH (8) HPAKAEIAHZ-EYKAHZ

AZKAHTTI (8) ZQIAOZ - EYANAPOZ

AZKAHniAAHZ(?) (1) W-E

For the monogram see pp. 46 f.

TIMOKPATHZ (I)

(Mint Mag. with his

brother 145/4, 143/2)

156/5

139/8

142/1

188/7

1 On the coinage of 145/4 the form of the name is AZK which, of course, is not necessarily

an abbreviation of AZKAATTBN. Two years later the dies are inscribed with the full names of

AZKAATfflN and TIMOKPATHZ. This certain association of the two names with the coinage of

143/2 strongly suggests that the AZK and TIMOK of the coinage of 145/4 refer to the same men.

Magistrates

557

AZKAHTIIAAHZ (2) IKEIIOX - AZKAHT71AAHZ 135/4 PA 2586

The magistrates of 185/4 are identified by a Delphic inscription referring to Askle-

piades son of Hikesios, hieromnemon c. 125? (IG II2 1134 and for the date Daux,

Chronologie, p. 59, L 68) and also a tragic poet (PA add. 2589b). Kirchner makes

the mint magistrates his sons but Sundwall more accurately considers our Askle-

piades as the hieromnemon himself and Hikesios as either his father or son. The

former is more likely in view of the date of the coinage and the sequence of names.

[-AOPOAIII (1) AOPOAIZI - ATTOAHEI 155/4 PA 2778

LAOPOAIZI (1) AOPOAIZI - AlOrE 152/1 PA 2778

Possibly Aphrodisios I of Azenia (see under APOT70Z and stemma under PA 2246).

rAXAIOZ (1) AXAIOZ-HAI 160/59 PA 2790

^-AXAIOZ (3) ZflKPATHZ-AIONYZOAQ 148/7 PA 2790

The name is uncommon which makes it likely that the same man served in 160/59

and again in 148/7. It is probable that he is the archon of 166/5 b.c.

BAKXI (8) AOPOAIZI - ATTOAHEI 155/4 PA 2822

BAKXIOZ (8) (DANOKAHZ-AnOAAflNIOZ 148/2 PA 2828

^BAKXI (8) HPAKAEIAHZ-EYKAHZ 137/6 PA 2823

BAZIAEI (8) HPA - APIZTOO 168/7 PA 2841

The rarity of the name supports Kirchner's identification of the mint magistrate

as the Basileides of Piraeus who was councillor of Hippothontis c. 160 B.C. (Hesp.,

1940, pp. 128f.) and hieropoios of the Ptolemaia in 152/1 (IG 11* 1988).

BOYKATTHZ (8) MIKIflN - EYPYKAEI 156/5 PA 2905

To the best of my knowledge the only other occurrence of this name in Attic

records concerns aBoukattes of Leontis, a knight in an inscription of 128/7 (Sund-

wall, Nachtrage, p. 42). Our mint magistrate may be the same man.

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BOYAAP (8) ETTirENH-ZQZANAPOZ 158/7 PA 2909

This is another uncommon name. The mint magistrate is likely the Boularchos of

Eiresidai who was a Panathenaic victor c. 166/5 B.C. (IG II2 2816 and PA 2910).

Boularchos' deme is established by another inscription (IG II2 5995/6).

BYTTAKOZ (8) AMMflNIOZ - KAAAIAZ 150/49 PA 2988

As Kirchner points out, the mint magistrate is the Byttakos of Lamptrai who was

an envoy in a decree of 144/8 (Insc. Ddlos 1507). In all probability thePyrrhos who

served as third magistrate in 147/6 was his brother (stemma given by Roussel,

Ddlos, p. 102).

rrAAY (1) TAAY-EXE 170/69

TAAYKOZ (2) AYZAN - TAAYKOZ 159/8 PA 8006

Kirchner considers the magistrates of 159/8 to be brothers, members of a well-

known family of Piraeus, whose floruit is put c. 169 B.C. (stemma under PA 10100).

It seems probable that the first magistrate of 170/69 is the same Glaukos. This

family was still providing mint magistrates at the beginning of the next century

(see under MHAEIOZ and AIOKAHZ MEAI, his brother-in-law).

558

The New Style Silver Coinage of Athens

rrA(?)

(8)

AflZIOEOZ - XAP1AZ

132/1

^AAY

(8)

NIKHTHZ-AIONYZIOZ

130/29

ropriAi

(2)

ATTEAAIKfiN - rOPriAZ

121/0

PA 8066

ropnn

(8)

MIKIflN - EYPYKAE1

156/5

PA 8079

roproiNO (?)

(1)

K-M

187/6

For the monogram

see p. 48.

AAM

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(8)

TIMOZTPATOZ - T70ZHZ

134/3

rAAMfiN

(8)

AYZAN - TAAYKOZ

159/8

PA 3135

^AAMftN

(1)

AAMflN - ZQZIKPATHZ

141/0

PA 3135

AEINIAI

(3)

ZfllAOZ - EYANAPOZ

142/1

AEINIAZ

(8)

AFIEAAIKflN - TOPriAZ

121/0

PA 3155

rAEINOK

(8)

EnirENH - ZQZANAPOZ

158/7

PA 3182

^-AEINO

(8)

AOPOAIZI - AnOAHEl

155/4

PA 3182

,-AHME

(8)

APOTTOZ-MNAZArO

128/7

PA 3808

l-AHMEAI

(1)

AHMEAZ - EPMOKAHZ

125/4

PA 3309

LAHMEAZ

Magistrates 559

grandfather, the Demetrios of Alopeke who was councillor of Antiochis in 169/8

(Prytaneis, pp. 129ff., no. 71). Certainly the unusual addition of the patronymic

must have been intended to distinguish this man from another Demetrios active in

mint affairs at about the same time. Some or all of the magistracies of 174/3, 178/2

and 168/7 (and possibly those of 161/0 and 157/6) were in all probability held

by this other Demetrios.

It is only the proximity of their terms of office that underlies the tentative

bracketing of the third magistrate of 136/5 and the first magistrate of 181/0.

Finally, it seems likely that the Demetrios of 117/6 is identical with the Demetrios

of 110/09 since an individual frequently served repeatedly in the mint magistracy

during the Late Period of the coinage.

AHMO

(8)

MIKIQN - EYPYKAEI

156/5

AHMO

(8)

EYMAPEIAHZ - KAEOMEN

145/4

AHMO

(8)

NIKHTHI - AIONYZIOZ

130/29

AHMOZ

(8)

AIONYZI - AIONYZI

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151/0

AHMOZ

(3)

9E0A0T0Z - KAEOOANHZ

188/7

AHMOI0E

(3)

nOAYXAPM - NIKOr

165/4

PA 3579

AHMOZ

(3)

ACPPOAIZI - AT70AHEI

155/4

PA 8579

AHMOI0EN

(2)

MHTPOAftPOZ - AHMOZGEN

147/6

PA 3579

AHM0I9

(3)

HPAKAEIAHZ - EYKAHZ

189/8

PA 8580

Undoubtedly there are fewer than nine individuals represented in the nine entries

above but AHMO and AHMOZ are not necessarily abbreviations of Demosthenes

and it is difficult to discern any clear pattern of association.

AHMOZTPATOZ (2) AIONYZIOZ - AHMOZTPATOZ 101/0

AHMOXAPHZ (1) AHMOXAPHZ-T7AMMENHZ 100/99

This magistrate is probably the archon of 108/7 B.C. (PA 3707) and very likely the

son of Dositheos, first mint magistrate of 182/1 (see under AQZI0EOZ).

rAIO (2) AMMfl-AlO 182/1

LAIO (2) AMMQ-AIO 180/79

Almost certainly the same pair of magistrates served in 182/1 and 180/79. For a

family connection see under AMMfl.

rAIO

(3)

AiorE - nozEi

161/0

AIO

(3)

AOPOAIZI - AlOrE

56o

The New Style Silver Coinage of Athens

That the Dioge of 125/4 is identical with the third magistrate of 121/0 is likely in

view of the frequency with which mint magistracies are repeated during the Late

Period of the coinage.

A possible clue to the identification of the earliest Dioge is provided by the issue

of 161/0 with the names AIOrE - TTOZEI. In a fourth century family from Alopeke

one finds the names Diogenes and Poseidonios. The coinage may well be evidence

of a later generation in this same family.

rAIOAO (2) AIO<DA - AIOAO 175/4 PA 8887

i-AIOAO (8) MENEA - ETTirENO 167/6 PA 8888

AIOAOTOZ(?) (2) A>-tf 183/2

For the monogram see p. 56. If the interpretation is correct, it seems to me possible

that this Diodotos is identical with the magistrates of 175/4 and 167/6.

AlOAflPOZ (2) TO TPI AlOKAHZ - AIOAQPOZ 90/89 PA 3923

Kirchner identifies our magistrate with the archon of 58/2 B.C. I should suggest

rather that he is Diodoros son of Theophilos of Halai {PA 3935), a prominent Athenian

of Roman sympathies who was active in civic affairs in the years before Sulla.

rAIOK (8) HPAKAEIAHZ - EYKAHZ 189/8

LAIOK (8) HPAKAEIAHZ - EYKAHZ 187/6

rAIOKA(?) (1) 8-|fl 189/8

^-AIOKA(?) (2) 176/5

For the two monograms above see pp. 44 and 78.

AIOKA (8) EYPYKAE1 - APIAPA 154/3

AIOKA (8) EYMHAOZ-KAAAIOflN 140/89

AIOKAE (8) AflPOGE - AIOd> 164/8 PA 3974

The abbreviation AIOKAE clearly stands for Diokleides. The other entries above

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may represent the same name or they may be short for Diokles. It is possible,

perhaps even probable, that the AIOKA of 140/39 is identical with the AIOK of

139/8 and 187/6.

AlOKAHZ (8) MIKIflN - EYPYKAEI 156/5 PA 8994

rAIOKAHZ (1) AlOKAHZ - AEflNIAHZ 99/8 PA 4033

[-AlOKAHZ (1) AlOKAHZ TO AEYTE - MHAEIOZ 95/4 PA 4033

LAIOKAHZ (1) TO TPI AlOKAHZ - AIOASPOZ 90/89 PA 4033

In this single instance the coinage gives precise testimony to the fact that the same

Diokles held the first mint magistracy for three terms. The man in question selected

representations of Asklepios, Hygieia and Dionysos for his three issues and this

ostensibly points to Diokles son of Diokles of Kephisia who held the priesthood of

Asklepios and Hygieia in 51/0 b.c. One must assume, however, that an earlier

member of this Kephisia family, probably the Diokles I of PA 4081, held the same

priesthood and that he was the Diokles of the coinage. Another interesting numis-

matic indication of a priesthood held by different generations is provided by the

coins of EYPYKAEI - APIAPA (see p. 604 of the section on Symbols).

Magistrates

56i

AIOKAHZ MEAI (1) AIOKAHZ MEAI - MHAEIOZ 89/8 PA 4040

After the three terms of Diokles of Kephisia it was obviously necessary to indicate

in some distinctive fashion the magistracy of a different Diokles and this was done

by means of the abbreviated demotic following his name. The first mint magistrate

of 89/8 B.C. is not, as Kirchner suggests, Diokles II of Melite but his father Diokles I,

brother-in-law of Medeios of Piraeus with whom he shared the mint magistracy

[PA 4089 and stemma under PA 10100).

AIOME

(3)

KAPAIX - EPrOKAE

158/2

AION

(8)

EYMAPEIAHZ - AAKIAAM

145/4

rAION

(8)

TIMOZTPATOZ - TTOZHZ

184/8

^AION

(8)

AfiZIOEOZ - XAPIAZ

182/1

AIONY

(2)

178/2

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l$l-li

For the monogram

see p. 91.

AIONY

(8)

AAP09E - AIOO

164/3

rAIONY

(8)

EYPYKAEI - APIAPA

154/8

^AIONY

(8)

KAPAIX - EPrOKAE

158/2

AIONY

(8)

GEOAOTOZ- KAEOOANHZ

188/7

AIONYZ

(8)

XAPINAYTHZ - APIZTEAZ

144/8

AIONYIIOY

(3)

TTOAYXAPM - NIKOr

165/4

PA 4105

AIONYZI

(1)

AIONYZI - AIONYZI

151/0

AIONYZI

(2)

AIONYZI - AIONYZI

151/0

rAIONYZI

(3)

AMMflNIOZ - KAAAIAZ

150/49

LAIONYII

(3)

5^2

The New Style Silver Coinage of Athens

the Ke is not of much help to us. The letters probably stand for a demoticKe-

phale ?but an abbreviated patronymic is possible.

Bracketing is on the basis of chronological proximity and must be regarded in most

cases as highly tentative. It does seem to me likely that the AION of 184/8 and 132/1

is the same man as the AIONYZIOZ of 180/29. In 132/1 both NIK and AION appear

as third magistrates while the annual magistrates two years later are Niketes and

Dionysios. In the case of other magistrates of the same period (e.g. Harmoxenos and

Demeas) one finds a similar situation involving third magistracies shortly before

service in the first or second office. (For the probable relationship of Niketes and

Dionysios see above under A0HNOBI and below under NIKHTHZ.)

Dionysios and Mnasagoras of 105/4 are related (see under MNAZAI~OPAZ) and it

is almost certain that the same Dionysios served with Demostratos four years later.

[-AIONYZO (8) HPAKAEIAHZ-EYKAHZ 189/8

LAIONYZOr (8) HPAKAEIAHZ - EYKAHZ 187/6 PA 4271

In all likelihood the same man despite the omission of the gamma in

139/8.

rAIONYZOAfl

(3)

TTOAEMfiN - AAKETHZ

157/6

PA 42S0

FAIONYZOAQ

(2)

ZflKPATHZ - AlONYZOAfl

148/7

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PA 42S0

^AIONYZOAG

(3)

XAPINAYTHZ - APIZTEAZ

144/3

PA 4281

Kirchner associates the first and second AlONYZOAfl; all three may well be the

same man.

AlOTIMOZ

(1)

AlOTIMOZ - MArAZ

146/5

PA 4374

AIOO

(2)

AflPOGE - AIOO

164/8

This may be the AIOOA of 175/4 (below).

AIOO

(3)

KAPAIX - EPrOKAE

158/2

AIOOA

(1)

AlOcDA - AIOAO

175/4

AIOCDANTOZ

(1)

AIOOANTOZ - AIZXINHZ

108/7

PA 4423

rAPOMO

(3)

NIKHTHZ - AIONYZIOZ

130/29

LAPOMO

(3)

APIZTIfiN - OIAQN

129/8

AS2PO

(3)

TTOAEMQN - AAKETHZ

157/6

Magistrates

563

AflPOGE (8) 0EOAOTOZ - KAEOQANHZ 138/7 PA 4594

AQZI6E0Z (1) AflZIGEOZ - XAPIAZ 182/1 PA 4682

Dositheos and Charias are thought by Kirchner to be brothers of the deme Chol-

leidai. Raubitschek in the American Journal of Archaeology for 1945 (pp. 484f.)

changes the deme of the family to Aithalidai and makes certain additions to

Roussel's stemma (BCH, 1908, p. 867, no. 577). The mint magistrate Charias is

probably the pompostolos of a mid second century inscription (Insc. Dilos 2609). His

colleague Dositheos is undoubtedly a relative and very likely the father of Demo-

chares, agoranomos in a dedication dated about the beginning of the first century

{Insc. Dilos 2381).1 This Demochares may be identified with the first mint magis-

trate of 100/99 B.C.

E9E (1) ff-N 198/2

For the monogram see p. 87.

EIKAAIOZ (1) 6-ltl 185/4

For the monogram see p. 52. The name is extremely rare and it seems certain that

our magistrate is the Eikadios of Trinemeia who was a donor in 188/2 B.C. (PA 4642).

EiPHNA (8) ANTiOXOZ - KAPAIXOZ 168/2 PA 4643

EIPHNA! (3) OANOKAHZ-AnOAAflNIOZ 148/2

The earlier Eirenaios is identified by Kirchner with a man from Piraeus who was

a donor in 183/2 (PA 4645).

EAI= (3) AOPOAIZI - AlOrE 152/1 PA 4665

EMBI (8) NIKHTHZ-AIONYZIOZ 180/29

As the name is very rare, our Embios is surely the father of the Embios son of

Embios of Prospalta known from an inscription of the late second century (IG II2

1944).

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-ETTirENO (2) MENEA-ETTirENO 167/6 PA 4785

i-EnirENH (1) EnirENH - ZftZANAPOZ 158/7 PA 4785

ETTirEN (8) AAMfiN-ZnZIKPATHZ 141/0

ETTirENHZ (1) ETTirENHZ-EENQN 104/3 PA 4812

Kirchner considers the annual magistrates of 104/8 to be brothers from Melite

(PA 4812 for stemma) whose floruit is put c. 100 B.C. A tentative revised stemma is

published by Roussel (Dilos, p. 105) but his association of the mint magistrates

with the ephebes of the early first century is impossible. Our Epigenes is the epi-

meletes of an inscription dated prior to 126/5 (Insc. Dilos 1648), his choice of an

Apollo symbol for his coinage apparently a reference to his connection with Delos.

Xenon is probably a brother.

1 Raubitschek restores the name of the father of Demochares as either A[flZI0E]OY or

A[IOAJP]OY; the coinage suggests that the first reading is the correct one.

564 , 0 5

188/7

4980

152/1

4939

168/7

4948

188/2

4951

(8) - 167/6 4824

(8) - 144/8 4825

(2) - 119/8 4836

&3. 119/8 -

1\ 1

( II2 2452 & 4887).

(2) - 97/6 4903

^ :

& 100/99 ( 2 2886) & 3.1 & 3.1>

(8) 6000 -

(8) -

1 (8) -

(2) -

(8) - 144/8

& ( ^ $6-$,

. 119). & , , 1\ .

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(8) - 150/49 4968

&^ , 35 ^ (. 9.), 3.

& - ^ . 1>

II ' 5, 3. -

109/8 . { 2 1014).

(2) - 158/2

& , & \11 &

182/1 . { 5058).

(8) - 134/8

(3) - 147/6 5122

& 3. & 188/2 -

\ & .

(2) - 125/4

& 3.

125/4 & &

& . & &-

& & & ( (1 ).

(8) - 161/0 5151

- (8) - 160/59 5151

^ (3) - 148/7

(8) - 161/0 5196

85 5^5

13 1)6 35 & 50 51315 130

\ 133. 152/1 ( 5199). ,

> 188/2, 33 167/6 (

). 3 .

(2)

106/5

5234

3.

106/5 ( ).

(3)

156/5

(2)

142/1

5269

(3)

150/49

5285

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(1)

142/1

5338

3.3.5 142/1 &6 &

( ).

(3)

150/49

5345

(3)

189/8

(3)

160/59

(3)

158/2

(3)

160/59

5889

(3)

144/3

5890

& & 160/59

(8) - 157/6

(8) - 188/2

(1) - 191/0

. 41. 33 -

& ( 5452).

(8) - 162/1 5707

^ (8) - 147/6 5707

566 \ , 5

- &

3.65 145/4 3. (

^ ). -

3.3. 155/4 & 152/1.

(8) - 168/2 5814

, &5 5\11 , 171/0 .

(8)

(2)

(3)

(3)

(1)

147/6

5746

171/0

155/4

5808

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152/1

5808

145/4

5809

(3)

158/7

5833

(1)

140/39

5833

(1)

114/3

5834

(3)

168/2

5862

(8)

125/4

5917

(3)

150/49

5921

5\31

15 185/4 . \>

(8)

167/6

- (2) - 156/5 5965

- (1) - 154/8 5967

55 5^7

( )

(8) - 161/0 6281

- (8) - 155/4 6281

- 3. , .

183/2 .. ^ & 1> 3.3.

>1 . 154/8 152/1

\ \ 3-3.5

& \ 160 & 150 188/2. 1>

& {$., 1942, . 308.).

(8) - 163/2 6284

(8) - 162/1

& 3. 3.3. \

163/2 162/1.

() (8) - 129/8 6862

&^ ; &.

3.3. & (' & \ .

(2) - 179/8 6404

(2) - 160/59 6405

(8) - 158/7 6405

11 , & 5>&11 ^, & 3.

3.1 .

(2) - 178/7

- (1) - 168/7

&^& 178/7 \ &

- &, & 3.

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\35 , & &3.

189/8 187/6 & \ &11

53. &. &

& &

3. .

(3)

(3)

(3)

(3)

(3)

(3)

(3)

(1)

(1)

140/39

150/49

6445

121/0

6451

160/59

6445

155/4

6445

154/8

6445

568

, ^ 5

\ 3.

3. . , 3. \1 ,

656 \ 3. \1 331 &.

(2) - 98/2 6446

3.&. 3. 93/2 .. ^ 3. 104/8.

\ 60/59 . 1> & .

& 33. ( 6544)

\ & . 80/79 . ( 2 1089). &5

(3)

(1)

(3)

(3)

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(8)

(2)

(2)

146/5

6506

98/2

65091

168/7

6509

162/1

6509

188/2

6524

102/1

98/7

6538

[-

6651

(8) - 1 165/4

(8) - 158/2

(8) - 150/49 6651

(1) - 149/8 6651

, 3. 31 33.

149/8 .

^ 1> .

(2) - 112/1 6652

3 (2) - 109/8

33. 109/8 3 , & : 3

( 6654 3510 $). ,

83 .

(3)

129/8

(3)

149/8

55 5^9

133 109/8 ( ).

86615 )030 !3 333 169/8, 167/6 162/1 \

1> 81 , 3 3 \ 83

3 38 - 3.

(8) - 146/5 7245

- (8) - 145/4 7245

3 3 338 3 83

33 &. 3 , 38

, 33 \ 3 ' 181/0 ..

(3)

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(3)

(3)

(3)

(3)

(3)

(2)

(2)

(3)

(3)

(2)

(3)

(1)

(1)

149/8

6834

143/2

6835

142/1

6834

141/0

6884

144/8

142/1

114/8

6979

149/8

7020

185/4

147/6

7110

169/8

57 \ ,

(3)

(8)

(3)

(2)

(1) - 135/4 7573 <1

. 25895

133 3.6 1 311 3110 ( ).

(8) - 160/59 7655

^ (3) - 154/3 7655

, & ^-

154/3 , 3 \11-1\

- ( 7883 ).

(?) (1) - 196/5

(?) (2) - 191/0

. 88 3. 41.

- 146/5 7779

- 1 155/4 7820

- 154/8 7820

- 150/49 7820

1> & & .

, 11 !3 335 150/49

155/4 & 154/8. &

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, .

(8) - 126/5 7909

3 &, 35 5(1\31 &, 1) -

.3. &\

(, . 54).

(8) - 158/7 7948

(2) - 107/6 7989

\1 & 53, 3.

(107/6 ..) \

03.1 ^. 31 -

( ) 109/8 (16 II2 1014).

(2) - 126/5 8000

(1) - 97/6 8021

126/5 & \ 97/6 3 3.

31 , ( ). 331 & 1>

(8) - 151/0

^ (3) - 147/6

531 (. 48 .) 3.1>1)3 & 3

33.5 3 (156/5 .). 3 &

33

]3.

53 571

() (8) - 161/0 8229

(8) - 147/6 8229

(2) - 140/39 8229

83 . 3-

. \

(2) - 92/1 8281

\ 58/7 . 1> 3. .

^ , 3.3.

\ -

(. 811 14 8280).

(8) - 165/4 8252

1- (2) - 168/2 8252

- (1) - 158/2 8252

& 3.3..

, 3.8 5, 183/2,

, 31 3. .

(8) - 144/8

(8) - 158/2

(8) - 160/59 8477

(2) - 122/1

(8) - 141/0 8489

1 (8) - 180/29

(3) - 125/4 8490

1>5 & 3. 35

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3 (119/8 .)

& 125/4 & 141/0 35

. (. 86) 3.3. 180/29 125/4

141/0 3. 125/4.

& 3. 1 3.3.3

125/4 3

119/8.

3 3.3. 188/7 119/8 3.5 \ -

33.1 159/8 3. 138/7. & 3. 1

(8)

(2)

(3)

(2)

(1)

188/2

145/4

8592

159/8

8629

188/7

8630

119/8

8680

572 81 5

(8) - 166/5

(1) - 122/1 8688

& 122/1 !. \>

56/5 .. \}\1 1 .

(8) - 142/1 8818

- (8) - 141/0 8818

<- (8) - 186/5

142/1 141/0 3 3.

1&5 - .

II & 3.

, , - .

(1) - 171/0

(3) - 162/1

1 . & 5\&11 . &

3.8, 53. ^ 1)6 - &.

186/5 ( II2 2828 & 2325) ' 188/2

( 2 2882).

(8) - 146/5 8984

^- (8) - 142/1

(8) 1 - 184/8

(8) - 158/7 9039

\ \&

178/7 {$, . 120\, . 64).

(8) - 184/8

(1) - 111/0 9053

53. 111/0 \ 59/8

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3. & \ & ^.

(8) - 145/4 9102

(2) - 99/8 9123

3.3.6

& ., & II '

( 217).

(1) -$ 176/5

^ . 78.

9290

(8)

157/6

(3)

144/8

(8)

167/6

(1)

159/8

573

(2)

(3)

(3)

(3)

(3)

(3)

(2)

5\3.

(&,

& &.

(3)

(8)

(3)

(3)

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(3)

3.3. 159/8 & (

10100). ^ & 167/6 5 3.1\

159/8.

(8) - 150/49

(1) - 116/5 9293

(2) - 88/7 9294

& , , & & . \ '

& ( 1863), & 116/5

1> 3.( &&1 3. 88/7 \1 1>

& II, 117/6 ( II2 1009).

(8) - 149/8 9301

& & 150/49 ..

^ - 177/6

- 166/5

- 125/4

- 142/1

- 142/1

- 138/7

- 146/5 9650

. 128) & 3.&5 &3. -

- 1 155/4 9785

- 158/2 9860

- 166/5 9860

- 168/2 9860

- 166/5 9860

& 5& & 3. &3. 166/5

168/2. &

1& \ \ \ &

& &.

(8) - 180/29

,- (8) - 168/7

- (1) - 167/6 9889

- (8) - 159/8

3& 168/7

11\ & 159/8.

(1) - 108/2 9891

& 92/1 .

574

(1) - 102/1

(8) - 142/1

3. 11 ' .

(8) - 149/8 10057

(1) - 118/7 10060

. . II5 1 & , ,

118/7 $ -

99/8 .. ( II2 1084).

(2) - 95/4 10099

1- (2) - 89/8 10099

- --1, II

& ( 10100 $1) . 108 .. &

3 95/4.

(2) >-

- (2) - -

\ 5 . 85 48.

- 1

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1><;

. , \,

3. 1 : 158/7 .

1>

, .

(1) - . 121

1 .

\ (. 416-424),

1 V VI.

- (1) - 169/8 10186

- (1) - 156/5 10187

156/5

IV III ' $1 ( 5966)

(3)

(^)

(8)

(3)

(3)

(3)

(3)

(1)

195/4

187/6

184/3

145/4

158/7

10138

155/4

10138

151/0

158/7

10138

160/59

55

575

164 .. ^ 169/8 & &&, III,

&. 3., IV, 1> &&.

. 106.

(2) - 147/6 10208

& ) & & ( 10215),

& . &

. . &

& 13.' 13.11

^&.

(2) - 128/7 10227

(2) - 105/4 10227

\11 (. 63 .) 3 && & ^& -

1& ( 2 2452) &

, 98/7 .. ( III 2, 17).

& . &8 128/7

\ 105/4 ^

& \ & & \ 1>

& &. && 128/7 3.3.

105/4 &3. 179/8 ( ).

(1) - 120/19 10228

- (2) - 118/2 10228

& ^ 120/19 & 118/2.

&

&&

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(3)

166/5

10285

(3)

151/0

(3)

158/7

10488

(3)

189/8

10484

(2)

118/7

10484

(2,1)

-1*1 1*1-^1

184/8

184/3 . 54

(.

(8) - 138/7

& .

(8) - 148/7

(1) -1$| / 190/89

. 48.

(2) - 120/19 10657

^ (1) - 118/2 10657

576 \ 5, , 3

(1) - 192/1

56 . 39.

(8) - 144/8

(2) - 166/5 10672

5 13.0 - & - & . 3

1> (. 50 & &, . 10) & \> ( 11978).

3.553.5 53.1 \1 ^ \!056 15 . 148 ..

II 36613 & . 3. & &1 .-

35 & & & 166/5.

(8) - 160/59

1\ > .

(8) - 160/59 10696

- (8) - 159/8 10696

(2) - 198/2

3. . 37.

(8) - 182/1

[- (1) - 130/29 10754

^ (8) - 126/5 10754

& & 35

( 10759 ).

1\ 3. 180/29 35 1>

& & \!

1 . 3.11 >)1

184/3, 182/1 3 126/5 3 1>15

. 3.1 1>5 \ 33 159/8. (,

, 3. 3 .)

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(3)

167/6

10850

(2)

165/4

10850

(2)

163/2

10850

(3)

167/6

(3)

128/7

(1)

126/5

10849

^ 53 \1 -

^ 31 ( 10850 $1).

\1 \3

167/6, 128/7

159/8 146/5.

11\ ' , 33 167/6 , 3-

161/0, 157/6 3

1\ (,& & ) &\> & . \1

55 577

15 II, 3 & 33 & , -

31 3.5 353 167/6. 353

165/4 168/2 \1 & 33 1. 3 & 3 3

^ III, 3 161/0,

128/7 3(1 126/5.

3.3.5, 1&1 159/8 146/5

( ) \ ^ III, 1 ^ III.

(8) - 146/5 10857

(8) - 164/8 10880

1- (8) - 159/8 10879

3 & 351 &)5 1535

( 10881) & 3 3333 3

160 ..

(3)

162/1

(3)

141/0

10979

(3)

159/8

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11096

(8)

146/5

11096

003>1 III 1 ( 11121).

& 331 3 3~35 ( ).

(8) - 168/2 11128

33 168/2 \> 33 3. 1

, &3 53 3. & .

^ '5 3 3 \1 -

35 3. 3

\3 &1 5 . 5\31 555

3 .

. 3 3

--

& \

33, 3 3

. 333 1&1, \ 3

3 109/8. ' (3 \35

3' , ( II2 8510).

(8) - 154/8 11288

(2) - 104/8 11888

33 104/8 , >3 ( ).

(2)

(8)

[-

(1)

(1)

(1)

192/1

180/29

127/6

578 The New Style Silver Coinage of Athens

INCKDIAOZ (2) AYZANAPOZ - OINCXDIAOZ 116/5 PA 11363

INCKDIAOZ (2) AM<DIAZ-OINO<DIAOZ 115/4 PA 11363

The Oinophilos who served as mint magistrate in 116/5 and 115/4 is the basileus of

a listing of archons c. 90 B.C. His colleague in 115/4 is his father (see under AMQIAZ).

oay (8) ahmhtpioi - ArAeirrnoz 181/0

OAYMniOZ (3) AMMfiNIOZ - KAAA1AZ 150/49

OCDEAOY (3) MENEA - EnirENO 167/6

Almost certainly the Ophelas son of Habron of Bate who was hipparch in 157/6

and a donor at about the same time (PA 11501). He would be a cousin of the third

mint magistrate of 168/2 (see under ABPQN).

-TTAMMENHI (2) AHMOXAPHZ - TTAMMENHZ 100/99

TTAMMENHZ (2) APXITIMOZ - TTAMMENHZ 96/5 PA 11520

Dow (Hesp. Suppl. VIII, 1949, pp. 128f.) discusses the archon Pammenes and

suggests that he may be the man who served as mint magistrate with Architimos.

This is possible only if the archon is someone other than the Pammenes son of Zeno

of Marathon who was a boy Pythaist in 106/5 and again in 97/6. As Dow points

out, if Pammenes of Marathon is the archon he would have been at most twenty-

nine years old in 88/2, the date of his archonship. Under no circumstances could

he have been the mint magistrate of 100/99 and 96/5.

TTAMOI (8) ETTirENH - ZQZANAPOZ 158/7 PA 11528

T7ANTAKAHZ (1) TTANTAKAHZ - AHMHTPIOZ 110/09 PA 11596

Citing an earlier study by Kohler, Kirchner connects the first magistrate of 110/09

with the deme Plotheia. The name Pantakles son of Pantainetos of Plotheia is

recorded on a fourth century gravestone (IG IP 7239). On the coinage of our Pan-

takles the symbol seems to be a standing figure of Herakles whose cult is known to

have flourished in Plotheia. These indications of demotic affiliation may well be

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valid but any precise identification of the magistrate in

question is impossible.

TTAP

(1)

FP-M

195/4

TTAPA

(3)

MIKIfiN - EYPYKAEI

156/5

TTATPft

(8)

TTOAEMflN - AAKETHZ

157/6

PA 11702

Probably the brother of Polemon, first mint magistrate of the same

year (see below

under TTOAEMflN for the family).

TTEI0OAA

(8)

HPAKAEIAHZ - EYKAHZ

139/8

TTEIZflN

(8)

0EOOPA - ZQTAZ

162/1

TTAATQN

(8)

6E0A0T0Z- KAEOOANHZ

138/7

PA 11847

rnAEIZTIAZ

(3)

AHMEAZ - EPMOKAHZ

125/4

PA 11865

LT7AEIZT1AZ

(3)

KOINTOZ - KAEAZ

122/1

PA 11865

nOAEMQN

(1)

Magistrates

579

nOAY(?) (1) W-# 186/5

For the monogram see p. 50.

nOAY (1) nOAY-TI(|l 181/0

The magistrates are brothers, Polykles and Timarchides of Thorikos (see p. 61).

nOAYKAH (8) OEOQPA - ZflTAZ 162/1

This third magistrate is probably the sculptor Polykles III of Kirchner's stemma

(PA 11992), son and nephew of the mint magistrates of 181/0 immediately above.

TTOAYKPA (8) ZfllAOZ - EYANAPOZ 142/1 PA 12010

TTOAYM (3) HPA - APIZTOO 168/7

rnOAYX (3) HPA - APIZTOO 168/7

LnOAYXAPM (1) nOAYXAPM - NIKOr 165/4 PA 12109

The first magistrate of 165/4 is identified by Kirchner with a donor of about this

period, Polycharmos of Phaleron. Almost certainly the third magistrate of 168/7

is the same man.

nOAYXAPMOZ (2) TPYOflN - TTOAYXAPMOZ 91/0

nOTTAI (8) 0EOAOTOZ-KAEOQANHZ 188/7

ttozei (2) AiorE-nozEi i6i/o

Poseidonios and Diogenes are names which occur in a fourth century family from

Alopeke (PA 12188 and 8813). The annual magistrates of 161/0 may be second

century members of the same family.

nOZHZ (2) TIMOZTPATOZ - TTOZHZ 134/8 PA 12149

Timostratos and Poses, annual magistrates of 184/8, are without question members

of a well-known Phaleron family (PA 18824). The date of their magistracy neces-

sitates certain changes in Kirchner's stemma as follows:

TIMOZTPATOZ (I)

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(Comic Poet. Donor 188/2)

APIZTflN (I)

(Poet II cent.)

TIMOZTPATOZ (II) APIZTftN (II) nOZHZ (I)

(Mint Mag. 184/3.

Nobleman late II cent.

? Pythaist 128/7)

(Mint Mag. 184/8)

(TIMOZTPATOZ III) FIOZHZ (II)

(? Boy Pythaist 128/7) (Thesmothetes c. 90 B.C.)

APIZTON (III)

(Prytanis c. 50 B.C.)

.7'

58o

The New Style Silver Coinage of Athens

The uncertainty with regard to Timostratos II and Timostratos III concerns the

Pythaist listing of 128/7, fully discussed under AGHNOBI.

TTPOTIM

(8)

nOAYXAPM - NIKOr

165/4

PA 12280

npflTorE

(8)

ANTIOXOZ - KAPAIXOZ

168/2

PA 12306

nPftTOM

(8)

ZftKPATHZ - AlONYZOAft

148/7

TTY90KAHZ

(3)

AXAIOZ - HAI

160/59

PA 12489

rfYGONI

(8)

ETTirENH-ZfiZANAPOZ

158/7

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PA 12459

T7YPPI

(8)

EYMAPEIAHZ - KAEOMEN

145/4

TTYPPOZ

(8)

MHTPOAfiPOZ - AHMOZQEN

147/6

PA 12509

Pyrrhos of 147/6 and Byttakos of 150/49 (see under BYTTAKOZ) are brothers of a

prominent Lamptrai family (Roussel, Ddlos, p. 102 for stemma) and not father and

son as Sundwall suggests.

ZAPAni

(3)

ANTIOXOZ - KAPAIXOZ

168/2

PA 12557

ZAT

(3)

OANOKAHZ - AnOAASJNIOZ

148/2

rZATY

(8)

EYPYKAEI - APIAPA

154/8

LZATY

(3)

AOPOAIZI - AlOfE

152/1

Satyros and

Hegemachos, whose names appear on the coinage of the

mid second

century, are

members of a family from Leukonoe (see under HTENIA).

ZIMI

(8)

AOPOAIZI - ATTOAHE1

155/4

PA 12667

ZIMflN

(3)

AFIEAAIKflN - TOPriAZ

Magistrates 581

years, were held by a single man or possibly by a father and son.1 It is interesting

to note certain associations which repeat themselves. Thus the Sokrates of 156/5

served with Mikion and Eurykleides and the Sokrates of 154/8 with the same

Eurykleides. Sokrates of 162/1 was third magistrate under Theophrastos and Sotas

and the same Theophrastos was almost certainly co-magistrate with Mikion in

169/8 B.C.

ZflZANAPOZ

(2)

ETTirENH - ZflZANAPOZ

158/7

PA 18160

ZfiZIBIOZ

(3)

AXAIOZ - HAI

160/59

PA 18184

znzirE

(8)

TIMAPXOY - NIKArO

166/5

PA 18199

ZflZIKPATHZ

(2)

AAMflN - ZflZIKPATHZ

141/0

PA 18245

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ZQZIKP

(8)

HPAKAEIAHZ-EYKAHZ

187/6

PA 18246

ZflZIKPA

(8)

AHMEAZ-EPMOKAHZ

125/4

PA 18247

ZOZTPA

(3)

KOINTOZ-KAEAZ

122/1

zoztpatoz

(8)

CDANOKAHI - ATTOAAflNIOZ

148/2

PA 18388

IfiTAAHI

(1)

ZQTAAHZ - 0EMIZTOKAHZ

112/1

PA 18876

IflTAI

(2)

9E00PA - ZffTAZ

162/1

PA 18382

ZftTAZ

(8)

GEOAOTOZ - KAEO<DANHZ

188/7

PA 13383

IiOA

(8)

MENEA - EnifENO

167/6

In all probability the Sophanes son of Dionysios of Themakos who was a donor in

188/2 (see under EZTIAIOZ).

TEIZ

(8)

IKEZIOZ-AZKAHFTIAAHZ

582

The New Style Silver Coinage of Athens

For the monogram see pp. 44 and 52. Whether or not the interpretation is correct, the

magistracies of 189/8 and 185/4 were certainly held by the same man.

OAINNOS (8) AOPOAIII - AlOrE 152/1

The name is otherwise unknown from Attic records.

OAAAI (8) 0EOOPA - IfiTAZ 162/1

rOANlA (2) X-M or OANI 194/8

LOANIA (1,2) M -1*1 and 1*1 - M 184/8 PA 14021

Phanias and Moschos of Kydathenaion, the annual magistrates of 184/3, are

brothers (see page 54 for the monograms and discussion). It is highly probable

that the same Phanias served the mint ten years earlier.

rOANOKAE (8) TIMAPXOY - NIKAI"0 166/5 PA 14043

LcDANOKAE (3) TTOAYXAPM - NIKOr 165/4

This is another instance of a magistracy running over from the last month of one

year to the first month of the next. The rarity of the name makes it certain that

only one man is involved.

PA 14046

PA 14061

OANOKAHZ

(1)

OANOKAHZ - AnOAAQNIOX

143/2

OANOKPI

(8)

EYPYKAEI - AP1APA

154/3

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OEIAI

(3)

KAPAIX - EPTOKAE

153/2

01

(3)

ahmhtpios - ArAeinnoi

131/0

<t>IAAN

(3)

HPA - APIITOO

168/7

OIAHM

(3)

9E00PA - ZGTAS

162/1

OIAI

(3)

APOTTOI - MNAXAfO

128/7

In view of the closeness of the two issues this magistrate and the 01 of 131/0 may

well be the same man.

OIAINOZ (3) OANOKAHI - ATTOAAQNIOI 143/2 PA 14309

The third magistrate immediately preceding Philinos in 143/2 is Hieron. It seems

very likely that the men are members of a Paiania family in which the two names

occur (see under IEPJ2N).

OIAIQ (8) AlOrE-TTOZEl 161/0

OIAOAO (8) TTOAYXAPM - NIKOr 165/4

The name is otherwise represented in Attic records only by the Philodoxos of a

stone of Roman date (JG II2 8808).

0IA09 (8) MENEA - EnirENO 167/6

rOiAoeEOZ (8) oanokahi- AnoAAnNioi 143/2

LOIAO0 (3) EYBOYAIAHZ - ArAGOKAH 142/1

Philotheos of mu in 143/2 and Philoth of alpha in 142/1 are surely the same man.

It seems to me probable that he and Stratios, another mint magistrate of 143/2,

belong to a Lamptrai family in which the two names occur (see under ZTPATIOZ).

Magistrates

583

<t>IAOKPA

(3)

AYIAN - TAAYKOZ

159/8

PA 14581

r<t>IAOKPATHZ

(1)

OIAOKPATHZ - HPflAHZ

98/7

PA 14583

UDIAOKPATHI

(1)

CDIAOKPATHI - KAAAKK2N

92/1

PA 14583

OIAOE

(8)

AOPOA1ZI - AlOrE

152/1

(DIAOnO

(8)

MHTPOAfiPOZ - AHMOZ0EN

147/6

OlAfl

(8)

168/7

OlAft

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HPA - APIZTOO

(8)

0EMIZTO - GEOnOMnOZ

149/8

OIAQN

(2)

APIZTIflN - QIAflN

129/8

PA 14812

OlAflNI

(8)

eEMIZTO-GEOnOMnOI

149/8

PA 14886

On the coinage of 149/8 the third magistrate (D1AQNI is

succeeded by OlAfl. The

difference in abbreviations suggests a distinction between Philonides and Philon.

<t>IAflTAAH

(8)

KOINTOZ - KAEAZ

122/1

Possibly the Pythaist from Phyle - Philotades II of Sundwall's stemma (p. 38)

or conceivably his uncle. Sundwall associates Aristaichmos of 151/0 and Philotades

as grandfather and grandson (see under APIZTAI).

XAI (?)

(1)

*-<DANI

194/8

For the monogram see p. 86.

XAI

(8)

KAPAIX - EPrOKAE

153/2

XAIP

(8)

AQZI0EOZ - XAPIAZ

182/1

XAPEIZIOZ

(8)

ATlEAAIKflN - ropriAz

121/0

54

The New Style Silver Coinage of Athens

XAPMI (8) AflPOGE-AIOO 164/3 PA 15509

It seems very probably that this magistrate is the father of the Dorotheos son of

Charmides (PA 4595) who was victor in a contest for boys in the Theseia of 161/0.

The first magistrate of 164/3 is Dorotheos and the combination of the two names

suggests a family connection (see under AftPOQE).

XAPMIA (3) HPAKAEIAHZ - EYKAH2 137/6 PA 15509

XPYI (8) IKEZIOZ-AZKAHTTIAAHZ 185/4

Numerous and diverse theories have been advanced regarding the men

whose names appear on the New Style coinage of Athens. The annual magis-

trates, those whose names are found in first and second place on all dies of a

year's emission, have been identified as ex-archons, fiscal officers corresponding

to the Roman Triumviri Monetales, generals, treasurers of the military funds.

Traditionally the rotation of the third magistrates has been associated with the

month dates on the coins as indication of a connection with the prytanies.

These theories are summarized by Sundwall who published at the beginning

of the present century the first comprehensive study of the Athenian mint

magistrates. In two articles in the Finska Vetenskaps-Societetens Forhand-

lingar1 he correlated in tabular format the data provided by Beule, Svoronos,

the Berlin Cabinet and other sources with respect to the names and months on

the silver of the New Style. Testing existing hypotheses against his compilation

of numismatic evidence and finding most of them untenable, he came to the

conclusion that the annual magistracies involved an epimeleia of a liturgical

nature, at least in the second century. As Sundwall pointed out, the possibility

of such a liturgy, performed by one or both annual magistrates, had already

been suggested by Beule, Kohler and Hill; Kirchner's subsequent discovery

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that the first and second magistrates were often related greatly strengthened

the case for a liturgical epimeleia.

As for the third magistrates, Sundwall, like others, found the irregularity

of their respective terms of office irreconcilable with any orderly system of

rotation such as would be implicit in an appointment from the prytanizing

tribes. Moreover, he discovered what seemed to be instances of men from the

same phyle serving in the course of a single year, which, if true, would definitely

rule out any connection with the prytanies. Again Sundwall concluded that an

epimeleia was the only reasonable answer, that the third magistrates were

drawn from a control commission set up by the Areopagus and charged with

direct fiscal responsibility. The norm would have been a college of twelve, each

member subject to call for a month's service. Fluctuation in the amount of

1 XLIX, 1906-1907, No. 9; L, 1907-1908, No. 1. References to earlier publications on the

magistrates are given there and will not be repeated.

Magistrates

585

coinage issued would explain the variation from year to year in the number of

third magistrates and also to some extent the irregularities of their tenure

although it seemed possible to Sundwall, as it had earlier to Macdonald, that

the latter were chiefly due to a double dating system: the months on the am-

phorae being lunar while the magistrates operated on a solar calendar.

Since Sundwall's publication there has been little added to the discussion

of the magistrates. Kambanis1 considered the third magistrate to be the

official who supervised the workshops and was directly responsible for the

weight and good alloy of the coinage. His term was normally a month but there

were times when the mandate was extended for administrative reasons beyond

the month for which he had originally been appointed. One magistrate may

have been unable to finish out his term and his successor was then in office for

more than a month to compensate or alternatively there may have been so

much coinage in a particular month that two third magistrates were needed.

It was Kambanis' opinion that the third magistrate existed from the beginning

of the series but that his name only appeared on the silver when the correlation

between months and terms of office became so irregular that the date alone

was no longer sufficient to fix the responsibility.

More recently Pink, citing parallel features of the New Style money and

the denarius coinage, has argued for a direct connection between the Athenian

and Roman systems of fiscal control.2 His commentary on the appointment

of the mint officials at Athens is merely a summary of Sundwall's thesis, but

his theory that the Athenian monetary formula served as the model for the

Roman requires careful examination since it implies a basic similarity between

the Athenian magistrates and the Triumviri Monetales. According to Pink, a

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trifold parallelism links the two coinages:

1) Administration is vested in three annual moneyers who change yearly,

one being the leading moneyer.

2) Signatures of the moneyers appear first in monogram, later in abbre-

viation, and finally in full.

8) Coins are not issued every year.

The argument for Athenian influence rests, of course, on the assumption

that the New Style currency antedated the denarius, and this is by no means

certain.3 For our purposes, however, the essential problem is not relative

1 Arethuse, 1928, pp. 123-127; BCH, 1938, pp. 68-70.

* The Triumviri Monetales and the Structure of the Coinage of the Roman Republic, pp. 51 f.

* Pink uses the traditional date of 229 B.C. for the former and 210 B.C. as a terminus a quo

for the latter. With a beginning date of 196/5 B.C. for the New Style silver, the proposition that

Athens influenced Rome can be maintained only on the premise that the denarius was introduced

586

The New Style Silver Coinage of Athens

chronology but whether the two coinages are indeed so analogous as to imply

similar or identical patterns of monetary administration. I cannot agree with

Pink that the correspondence is close. With respect to his third parallel, there

is no evidence for a break in the sequence of strikings at Athens; even if this

were the case it would scarcely provide a strong parallel since irregularity of

emission was characteristic of many Greek coinages. Nor can it be said that

the New Style issues resemble the denarius strikings in being controlled by

three annual moneyers. Athens consistently employs two annual magistrates.

Although a third name appears on the coins at certain periods, the tenure of

this official is less than a full year, often only a matter of weeks or a month.

The number of men associated with a single year's coinage ranges widely from

two to eighteen but no emission has more than two annual moneyers. Finally

in the matter of signatures, it is true that the general progression at both

mints is from monograms to abbreviated names to names in full, but this is

after all a perfectly natural and logical evolutionary process which need not

imply direct copying. Other Greek coinages of roughly contemporary date

such as those of Ambracia, the Epirote Republic, Sicyon and the Thessalian

Leagueshow the same admixture of signature forms. When the issues in

question are ultimately arranged in chronological sequence, it is more than

likely that some at least will reveal the same pattern of development that we

find at Athens and at Rome.

Of Pink's three parallels, then, only the second has even a surface validity.

If Rome borrowed from Athens or Athens from Rome, there is little in the

coinage itself to indicate copying and nothing to suggest that the systems of

fiscal control which produced the two currencies were in any way similar. The

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administration at Rome during the New Style period, is in the hands of three

men whose terms of service are of equal length and who rarely if ever hold

office twice. Each magistrate puts out his own distinctive coinage marked with

his name alone; only occasionally are the signatures of two or three moneyers

found together on the same coin. The Triumviri Monetales not only stamp their

names and symbols on the denarii but often select the types as well, with

reference to family achievements. At Athens the number of moneyers and their

terms of office vary, and recurrent service is commonplace. A single issue is

spread over the year, each unit dated by the month of emission and each

carrying the names of all magistrates functioning at that particular time. The

at a later period. Into this controversial question the writer has no intention of entering, but

Rudi Thomsen's admirable summary of scholarly research over the past 160 years (Early Roman

Coinage, I, pp. 210-248) makes it abundantly clear that no unanimity of opinion has as yet been

achieved.

Magistrates

587

magistrates place their names on the coinage and choose the symbols but they

have no control over the types which are uniform and civic in character. These

fundamental differences surely point to totally disparate concepts of the

minting office, its organization and its administration.

Before any attempt is made to interpret the Athenian magistrates in the

light of the more extensive numismatic material now available, it will be well

to recapitulate the data which the coinage provides. In what follows reference

will be made to the Statistical Survey of the distribution of coinage throughout

the issues of the three-magistrate period (pp. 658-708) and of the year by year

record of surviving specimens and dies (pp. 650-654) as well as to the prosopo-

graphical information presented above. The existing numismatic material is

clearly incomplete but one may, I believe, safely assume that it represents in

relative terms a comparatively accurate reflection of the original output of the

Athenian mint. There is, however, inherent in both numismatic and prosopo-

graphical data the possibility of factual and interpretative error which should

be borne in mind. Without further preamble, let us turn to the coinage itself.

The mint magistrates were members of the prominent, influential and

wealthy families of Athens. Of this there can be little doubt; the number of

men from well-known families who served in the minting office provides ir-

refutable testimony. There is nothing surprising about this. It would indeed be

strange if it were otherwise since the mint magistracies must surely have been

comparable with other posts of civic service whose holders were drawn from

the upper ranks of the Athenian community. Furthermore, it is interesting to

note that age seems to have been of no importance with respect to this office.

Twenty-seven years separate the two terms of Apellikon of Teos. If Kambanis'

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date for his birth, 142 B.C., is correct, he would have been only twenty-one

when he held the office of first magistrate in 121/0, forty-eight when he served

for a second time. If the Aristion of the coinage is the dictator of 88/7, he must

have been a very young man when he acted as first magistrate in 129/8. On

the other hand Nikogenes III of Philaidai would seem to have been in his

forties as third magistrate in 128/7 and Polykles and Timarchides of 181/0

would have been even older if Kirchner's date for their floruit is accurate.

Seemingly the difference in the three categories of magistrates was in no

way related to civic status or maturity of years. In 184/8 the two monograms

of the coinage are interchanged during the course of the year. In 120/19 Mnaseas

and Nestor serve as first and second magistrates; seven years later the annual

officials are Nestor and Mnaseas in that order. These instances imply an

equality of first and second magistrates. Even more significant is the situation

as regards the third magistrates. Frequently a man moved from the third post

to the second and finally to the first, suggesting that the third magistracy went

588

The New Style Silver Coinage of Athens

to younger and inexperienced men while the greater dignity of the second or

first magistracy was reserved for older men of civic prominence. This logical

progression, however, is by no means the rule. Take, for example, NIK (3) of

132/1, N1KHTHZ (1) of 130/29 and NIKHTHZ (3) of 126/5; AQP06 (3) of 166/5

and 165/4, AflPOGE (1) of 164/3 and AfiP09E (3) of 161/0; EXE (2) of 170/69 and

EXE (3) of 168/7; XAPINAYTHI (3) of 146/5, XAPINAYTH2 (1) of 144/3 and

XAPINAYTHZ (2) of 136/5. It is stretching coincidence too far to assume that

in all instances these are different men of the same name. One must, I believe,

conclude that holding a third magistracy did not imply any inferiority with

respect to age, status or experience. It was not invariably a preliminary to

service in the second or first post but was at times held after annual service

had been rendered. This would seem to invalidate Kambanis' hypothesis of a

distinction between the annual magistrates whose position was honorary and

the monthly magistrates who performed regular duties in the workshops of the

mint. There is no evidence from the coinage to support any distinction in the

three categories of magistracies other than that of length of tenure.

There is no demonstrable relationship between any Athenian civic office and

the mint magistracy. The names on the coinage can be associated with men

who served as archon but this is true in comparatively few instances. Meritt's

listing of archons between 210/09 and 87/6 (The Athenian Year, pp. 235-238)

gives the names of 108 men. A connection between archon and mint magistrate

might be postulated in thirty cases but this would be an absolute maximum

arrived at by including such common names as Demetrios and Dionysios, by

considering very short and ambiguous abbreviations on the coinage (such as

APII and MHT) as identical with names like Aristophantos and Metrophanes in

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the inscriptions and by allowing up to thirty years as an interval between

archonship and mint magistracy. There are not more than seven cases at most

of mint magistrates who can surely or with high degree of probability be iden-

tified as ex-archons. Of these, as many served in the third post on the coinage

as in first or second office. Certainly the available evidence does not warrant the

assumption that there was a fixed relationship between archonship and mint

magistracy. For other civic offices our records are extremely fragmentary.

Sundwall, in testing the strategos theory of Reinach, found no significant

degree of correspondence between the names of mint magistrates and those of

known generals but it is true that his tabulation is largely restricted to the

twenty years preceding Sulla's capture of Athens. The compilation of the

present publication shows clearly that the mint magistrates who can be iden-

tified with reasonable certainty prove to be known for a variety of other civic

undertakings. They are the men who served the state and the gods as archon,

strategos, epimeletes, agonothetes, envoy or priest, often in several capacities.

Magistrates

589

They are poets, sculptors, orators, victors in the festival contests, donors to

public projects. In short they are typical public-spirited Athenians. Their

service as mint magistrates may be regarded not as a corollary of any other

official post, past or present, but rather as an independent manifestation of

their commitment to civic service.

The one common denominator which does with a surprisingly high degree

of frequency emerge from a study of the mint magistrates is that of consan-

guinity. For the 110 issues of coinage there are twenty-one practically certain

and three possible instances of family relationship between first and second

magistrates. Since our record of family ties is certainly incomplete, this means

that at a minimum roughly one in five of the annual magistracies was a family

affair. The usual connection is that of two blood brothers but there are cases

of fathers and sons, of cousins, and of brothers by marriage or adoption. Nor

does family relationship stop with the first and second magistrates. There are

examples of two brothers serving as third magistrates during the same year

and also of one brother in a third magistracy and another in the first or second

post, again for a single issue of coinage. A record of mint service often runs

through two generations. In at least two instances, the Adeimantos-Mnasa-

goras-Dionysios family of Ikaria and the Nikon-Nikogenes family of Philaidai,

we find three generations represented.1

Normally the first and second magistrates served for a single calendar year.

There are, however, exceptions to this general rule. During 184/8, as has been

pointed out, the monograms on the coinage are transposed so that the name

of each magistrate is given first place on roughly half of the known reverse dies

of that year. There is a replacement of the first magistrate in 195/4 and a re-

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placement of the second magistrate in 190/89, 163/2, 147/6 and again in 145/4.

In 142/1 a complete shift occurs, both first and second magistrates are replaced:

Euboulides and Agathokles by Zoilos and Euandros. For the two monogram

issues which precede the addition of month dates to the coinage, we have no

way of telling when the transfer took place. In all other cases, including that

of Euboulides-Agathokles and Zoilos-Euandros, the substitution was made

at or very close to the beginning of the third month of the year. If this is sheer

coincidence, it is certainly an extraordinary instance of it. Finally, there is clear

evidence that the annual mint magistracy, unlike the archonship, was not

limited to a single term. Although in point of fact the majority of first and

second officials did serve only once, instances of the same man holding either

the first or second post twice or first one and then the other post are common.

1 It is interesting to note that these families are related by marriage. Apollonia, daughter

of the Nikogenes who was a mint magistrate in 167/6, 165/4 an<i J^3l2> was trie wife of Adei-

mantos, son of the Adeimantos who served as mint magistrate in 179/8 B.C. (IG II* 7646).

59

The New Style Silver Coinage of Athens

On three occasions the same pair of officials served twice: Ammo-Dio in 182/1

and 180/79, Herakleides - Eukles in 139/8 and 137/6 and Mnaseas - Nestor

in 120/19 and 113/2. Three men served three times: Diokles of Kephisia as first

magistrate in 99/8, 95/4 and 90/89 and Xenokles-Harmoxenos together in

127/6, 124/3 and 123/2. The second and third terms of Xenokles-Harmoxenos

and the two terms of Oinophilos, second magistrate in 116/5 and 115/4 are

contiguous;1 otherwise there is always an interval of at least a year between

a man's terms in office. On the whole it seems likely that the annual magistracy

was regarded as at most a two-term post and that service was not requested in

consecutive years. Only very exceptionally in 123/2, 115/4 and 90/89 was there

deviation from the normal practice and it is noteworthy that these deviations

are limited to the late years of the coinage.

As for the third magistrates, there is no apparent norm with respect to the

number of men per year, their length of tenure or the frequency with which

they held office. The summary on pages 650-654 gives the number of third magis-

trates known for each issue of coinage and also what evidence we have, in the

form of surviving coins and recorded dies, for the size of the individual strikings.

The only pattern which emerges is a tendency toward curtailment of the

number of magistrates. Between 168/7 and 142/1 ten to fourteen men normally

function as third officials; between 141/0 and 121/0 there are three to nine each

year. Contrary to general belief, no correlation exists between the number of

third magistrates and the abundance or paucity of coinage. The issues of 142/1

and 140/39, for example, are highly comparable in surviving coins and in known

obverse and reverse dies. The first issue had fourteen third magistrates, the

second three. Again on the evidence of dies, the coinage of Demetrios-Aga-

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thippos in 131/0 was the heaviest single emission of the New Style series and

it was put out with the help of three third magistrates while nine years later

the coinage of Kointos-Kleas, one of the smallest issues on record, required

four third magistrates. Under Euboulides-Agathokles and Zoilos-Euandros

there are fourteen third magistrates; under Antiochos-Nikog and Karaichos,

Theophra-Sotas and Phanokles-Apollonios there are thirteen. These are the

highest numbers recorded and it may be significant that in two instances the

large number of third magistrates coincides with a replacement of one or both

annual officials during the course of the year.

The tenure of the individual magistrates follows a similarly erratic pattern.

Of the forty-five issues with three magistrates there are exactly nine which

present a "normal" relationship of magistrates and months, each third magis-

trate serving for a single calendar month. These "normal" years are scattered

1 If the first officials of 174/3 and 173/2 are the same Demetrios, this would represent an-

other instance of contiguous terms on the part of an annual magistrate.

Magistrates

59i

throughout the coinage. They do not represent a standard established with the

first three-magistrate issue in 168/7 and abandoned nine years later. Neither

do they coincide with years of abundant or scant coinage. The listing below

makes these two points quite clear:

1G6/5

TIMAPXOY-NIKArO

66 coins

9 obv. dies (tetr.)

42 rev.

159/8

AYIAN - TAAYKOZ

91

11

65

158/7

ETTirENH-IflZANAPOI

244

18

112

157/6

nOAEMQN - AAKETHI

182

12

78

156/5

196

16

86

155/4

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MIKIflN - EYPYKAEI

AOPOAIII - AfTOAHEl

44

11

84

151/0

AIONYII - AIONYII

175

25

104

148/7

IfiKPATHZ - AIONYIOAQ

121

15

62

122/1

KOINTOI-KAEAZ

28

16

. dies (tetr.)

For the remaining issues, the pattern ranges from minor irregularities, such

as the division of a month between two magistrates or the continuation of a

single magistrate's tenure over two or three months, to what seems complete

chaos. In 140/39 one finds three third magistrates serving as follows:

AAEE: A, B, T

AIOK: A, E

HPA: E, Z, H, 9, I, K, A, M

By 132/1 it is far worse:

AION: A, B, A, E, Z

NIK: B, T

IOA: H, 9, A, M

TA: I

XAIP: K, A, M

The broken tenures of AION and IOA and the concurrent service of IOA and

XAIP at the end of the year are alike inexplicable in terms of a normal rotation

of magistrates.

For the next issue, that of Demetrios and Agathippos, we have one third

magistrate in office throughout the year and two others associated with him

592

The New Style Silver Coinage of Athens

These three issues of great irregularity come well within, not at the end, of the

three-magistrate period; the striking of Demetrios-Agathippos is a very heavy

one but the emissions of 140/39 and 132/1 are no more extensive than others

which present a far more orderly pattern of rotating magistrates.

It is difficult to draw any firm conclusions as to the number of times a

third magistracy was held by the same man for when a name recurs after a

lapse of some years one cannot feel certain in many cases that it is the same

man. There seems, however, to have been no restriction on the repetition of

third magistracies and we may have, in Herakleides and Sokrates, instances of

officials serving as many as four and five terms. Service in consecutive years

was apparently a fairly common practice, which in itself is not particularly

noteworthy. What is remarkable is the fact that on occasion the term of service

ran continuously from the end of one year into the beginning of the next. This

happens in 166/5-165/4 with OANOKAE, in 164/3-163/2 with ANTIAOX, in

163/2-162/1 with HrHMS, in 143/2-142/1 with OIAO0EOZ, in 142/1-141/0 with

KP1TON and possibly in 139/8-138/7 if AHM0I6 and AHMOI are the same man.

With the exception of the coinage of 164/3-163/2 all the issues are die-joined

so that there can be no doubt as to their contiguity. In the case of OANOKAE

the carry-over into the second year is limited to a drachm die of alpha and in

the case of ANTIAOX, HrHMft and OIAO0EOI to a few tetradrachm dies of alpha

but KPITflN's coinage continues through alpha, beta and gamma and AHMOI'

through alpha and beta. A coincidence of names or a diecutter's error might

serve to explain one or two examples of apparent carry-over but not five or six.

Of all the irregularities connected with the tenure of the third magistrates this

continuous service from one year into the next is perhaps the strangest.

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The coinage as a whole falls into three general categories with respect to

magistrates: from 196/5 through 169/8 there are two annual magistrates, from

168/7 through 121/0 two annual magistrates and a varying number of third

magistrates, from 120/19 through 87/6 again two annual magistrates. These

divisions are not rigid. Two early issues1 carry the monograms of third magis-

trates, or so it seems, on a limited number of reverse dies. During the three-

magistrate period there are times when no name of a third official is inscribed

on the coinage. This occurs in 164/3 for a few dies at the beginning of the year

and for one die of Dionysi - Dionysi (151/0). In 131/0 under Demetrios and

Agathippos, as the tabulation above shows, there are six months for which

dies with and without a third magistrate's name are known. Reverses into

gamma of the coinage of Nikogenes and Kallimachos in 126/5 have no third

name while the dies of the remainder of the year are carefully inscribed, often

with the names in full. Moreover, there are three issues falling within the three-

1 Those of 195/4 and 178/7 B.C.

Magistrates

593

magistrate period which carry on all reverses only the names of the two annual

officials and it is of interest that all three were put out by the same pair of

magistrates: Xenokles and Harmoxenos in 127/6, 124/3 and 128/2. A degree of

correlation exists between the size of the coinage at different periods and the

presence of two names or three on the reverse dies. The late issues with two

names are very small for the most part, often only token strikings, and it would

seem evident that two officials sufficed for their production. However, it is

equally clear that this explanation does not hold good for all two-magistrate

issues. Many of the early emissions are also relatively small but those of 188/7,

175/4, 174/8, 171/0 and 170/69 are heavy issues, as large or larger than some

of the three-magistrate strikings. The first and third issues of Xenokles-Har-

moxenos are not unduly heavy but their second emission is one of the most

extensive of the entire coinage.

From the data provided by the coinage one thing at least seems entirely

certain and that is that there was no systematic procedure involved in the

selection and rotation of the mint magistrates. The lack of significant corre-

spondence between the names of the minting officials and the holders of other

civic posts and the recurrent instances of consanguinity among the mint magis-

trates make it impossible to suppose that they were regularly appointed from

any specific body of Athenian citizens whether the membership of the Areo-

pagus, the priesthoods or the military. Again the family connections and the

frequent instances of repeated service over a short period of time cast grave

doubt upon an interpretation of the annual magistrates as members of a duly

constituted fiscal college in the sense of the Roman Triumviri Monetales or of

Sundwall's control commission of the Areopagus. As for the third magistrates,

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the association of brothers in a single year and the instances of service con-

tinuing from one year to the next rule out any connection with the prytanizing

tribes, while the notable variation in number of terms and length of tenure is

hardly reconcilable with any orderly system of appointment from the ranks of

a fiscal commission established by the state.

It remains then to consider the suggestion, advanced tentatively by Beul6,

Kohler, Hill and Sundwall, that the annual mint magistracies involved a liturgy

in some form or other. This seems to me the only explanation which in every

respect provides an answer to the anomalous pattern of the coinage. I should,

however, go further than any of my predecessors and postulate a group liturgy

embracing all three categories of magistrates.

Any definition of the operation of such a monetary liturgy, of which no

historical or epigraphical record exists, is of necessity highly hypothetical.

From the coinage one gets the impression that it would have been a very

flexible arrangement and at the same time one calculated with precision in

3S

594 The New Style Silver Coinage of Athens

terms of service rendered and recognition received. Clearly it could not have

covered all expenses of the coinage, such a burden would have been beyond the

capacity of any individual or small group. Like other liturgies of which we have

record, it must have entailed defraying only a proportion of the costs.1 Pos-

sibly certain expenses, such as the cutting of dies, the labor of the mint work-

men, the smelting and refining of the ore were a charge against the liturgy;

possibly, and this seems to me more likely, the holders of the liturgy were

expected to provide a specified amount of money toward the over-all expenses

of the minting operation, a contribution which may have been fixed or which

may have varied from year to year in relation to the amount of coinage

scheduled.

The active role of the state may well have been limited to selecting a man

willing to undertake the responsibility for the liturgy of a given year. His

primary task would have been that of raising the requisite funds and in this

he would have had freedom to associate with himself in the liturgical service

as many or as few men as necessary.2 Let us suppose that during the middle

years of the coinage an annual liturgy cost one talent or 1500 tetradrachms.

The first magistrate, presumably the man tapped by the state and responsible

for raising the money, would surely be expected to contribute the largest

single sum, perhaps 500 tetradrachms. A lesser amount, 400 tetradrachms,

might be the share of the second magistrate, leaving 600 tetradrachms to be

made up by a group of third magistrates whose number would depend upon

how much each was willing to provide toward the required total. In return for

their gifts the men associated in the liturgy would receive the honor of having

their names inscribed on the coinage, the amount of recognition in each case

being in direct proportion to the amount of money given. All dies of the year

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would carry the names of the two substantial donors, in first or second place,

while each contributor of a lesser sum would be entitled to his name in third

place on a certain number of coins. A man giving fifty tetradrachms, for ex-

ample, might be credited with twenty bars of bullion to be stamped with dies

1 As the trierarchyj involved the equipping and managing of a ship but not providing the

ship itself. The ordinary and extraordinary liturgies at Athens with citation of ancient sources

are fully discussed in Boeckh, The Public Economy of Athens, and in Gilbert, The Constitutional

Antiquities of Sparta and Athens.

2 At an earlier date a liturgy could be shared. After the Sicilian War it was decreed that

two men could perform the choregia together (Boeckh, op. cit., II, p. 205 with reference to Schol

Aristoph. Ran. 406). A syntrierarchy was fairly common practice if enough wealthy men could

not be found to bear it singly and with the establishment of the symmories a number of members,

often five or six, combined for the equipping of a ship. Those not rich enough for the complete

trierarchy had to help others in performing the liturgy in proportion to each individual's wealth

(Boeckh, pp. 328-345; Gilbert, op. cit., pp. 373f.).

Magistrates

595

bearing his name; a man giving one hundred tetradrachms would be entitled

to twice as much.

It remains to see how a liturgy along these lines works out in terms of the

coinage and how successfully it explains the anomalies we have noted. During

the Early Period the monograms or names of only the two annual magistrates

appear on the coins and it would seem that in the beginning either the cost of

the liturgy was less or the state was fortunate in finding men willing and able

to contribute generously in this public service. Perhaps the novelty of the

liturgy, which rewarded its holders with the unusual and signal honor of com-

memoration on the coinage, had something to do with it. In two instances,

however, the brief appearance of the third monogram would indicate recogni-

tion of a supplementary contribution and it may be significant that in one case

this coincides with a replacement of the first magistrate inasmuch as such re-

placements are probably to be explained on economic grounds (see below).

Another irregularity of the early coinage, the shift in position of the monograms

on the issue of 184/3, suggests that the annual magistrates had contributed

equal sums toward the liturgy and were, therefore, entitled to first place on an

equal number of tetradrachms. Finally it seems likely that the elaboration of

monograms and the gradual replacement of monograms by abbreviated names

are evidence of a growing desire or demand on the part of the donors for more

precise and unequivocal recognition of their services.

In 168/7 a far more elaborate system of magistrates is introduced. The

names of three to fourteen third magistrates are added to the dies of each issue

and their terms of office are highly irregular. This change, it should be em-

phasized, does not coincide with an increase in coinage. The trophy striking of

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early date (188/7) employs more obverse dies than any of the first ten issues

of the three-magistrate period while the emissions of 171/0 and 170/69 use two

to three times as many as the issues of the same early three-magistrate group.

Either the burden of the annual liturgy was proving too onerous for two men

and it was becoming increasingly difficult to find prospects or the state, real-

izing a good thing when it saw one, decided to raise the cost of the annual

service with the understanding that additional men could be brought into the

liturgy and their names, too, would be given a place on the coinage. During the

Early Period the first magistrate had at times, and probably more often than

our present information indicates, associated a brother with himself in the

annual office. In the three-magistrate period family magistracies become in-

creasingly common. One finds fathers and sons, brothers or cousins serving

together in first and second posts, brothers holding third offices in the same

year, sometimes a brother in the first or second magistracy and another brother

in the third. Apparently the man primarily responsible for the liturgy turned

596 The New Style Silver Coinage of Athens

first, as would be natural, to his own kin and then to friends and acquaintances1

for help in raising the necessary funds.

The number of times that a man served in the mint office would depend on

his willingness to make repeated contributions, the post in which he served

would depend on the amount he was willing or able to give. Thus we have

magistrates appearing only once and others returning again and again to the

minting posts. It is to be noted that prior to 123/2 there is no evidence for a

man serving in either the first or second magistracy more than twice and no

certain evidence for his holding those annual posts in contiguous years. In 123/2

and twice thereafter we have exceptional instances of men serving annually for

a third time and serving in consecutive years. These deviations from general

practice were probably due to a shortage of candidates for during this same

period the number of annual magistrates serving two terms is higher than at

any other time.

The theory of a group of men expending varying sums of money in the per-

formance of a common liturgy would explain all irregularities in third magis-

tracies for the middle years of the coinage. If we try to imagine the system in

its ideal form, the man responsible for the liturgy would have first secured a

colleague to serve with him throughout the year. He would then presumably

have obtained from the treasury officials information on how much bullion

was earmarked for the year's coinage and possibly the period of time over which

it was to be issued. Normally this would have been twelve or thirteen months

but there are years in which coining seems to have started late or ended early

and it may be that the state at times deliberately scheduled production for less

than a full year. Clearly from the point of view of minting operations, particu-

larly the cutting of dies, it was desirable to have the output evenly distributed

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with a single third magistrate associated with a single month during which a

fixed number of tetradrachms would be stamped from dies bearing his name.

If the first magistrate could get twelve or thirteen men, depending on the

nature of the year, to contribute equal sums of money and if all went smoothly

at the mint, the result would be an absolute correlation of months and magis-

trates' names. This ideal was apparently achieved nine times in the course of

the forty-five years of the three-magistrate series. Difficulties in maintaining

an even schedule of production and the impossibility of always eliciting equal

1 This is, of course, something which is difficult to establish but note EYMA and EYMAPEI

in the two years for which Aphrodisios was first magistrate, AIONY20 and AlONYZOr as well

as AlOK and AIOK during both terms of Herakleides and Eukles, ZflKPA and IftKPATHX under

Mikion-Euryklei and Euryklei-Ariara. Almost certainly the same Sokrates was third magis-

trate a few years earlier under Theophra- Sotas, the former associated with Mikion in the magis-

tracy of 169/8.

Magistrates

597

gifts from the group of third magistrates would account for the erratic pattern

of the remaining issues. Let us suppose that one man's donation entitled him

to his name on the tetradrachms from twenty bars of bullion. Under normal

conditions these would all have been struck during epsilon but unforeseen delays

developed and a few bars had to be carried over into zeta. Another man,

contributing the worth of sixty bars, was entitled to his name on an equivalent

number of tetradrachms regardless of how many months it took for their

production. On five and possibly six occasions the amount of bullion to the

credit of the last third magistrate was not fully used by the end of the year and

it was necessary to continue stamping his name on coins of the next year until

the worth of his contribution was expended. On other occasions it proved im-

possible to secure from the third magistrates their full share of the levy, hence

silver appeared without any third name.

The abnormalities connected with the first and second magistracies are also

explicable in terms of a liturgy. During the 109 years of the New Style series

seven men holding first or second office are replaced before the end of the year,

two of them simultaneously in 142/1 B.C. Concerning the first two cases which

involve monogram issues of early date we can say little since we have no way of

knowing when the substitutions occurred. The names of the five others con-

sistently disappear from the coinage at the end of the second or early in the

third month of the year. Now it is manifestly absurd to suppose that five men,

including both annual officials of one issue, chose exactly the same time of year

to die or commit some disgraceful action which would disqualify them from

holding public office. Most if not all of these replacements must simply mean

that the magistrate in question originally undertook less than a full year's

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service. It is noteworthy that the brief appearance of a third monogram on

one of the early issues coincides with the replacement of an annual official and

that three of the later changes take place in years for which an unusually large

number of third magistrates is known. Surely all of this reflects a difficulty in

finding men to perform the liturgies of those years. By way of contrast we have

a pair of magistrates not only willing to undertake the liturgy three times but

wealthy enough to defray its full cost on each occasion. The three sizable issues

of Xenokles and Harmoxenos within the three-magistrate period carry no

third names and this would seem to indicate that the annual magistrates were

bearing the entire expense. Against this background, their service for a third

time and in contiguous years is understandable if one supposes that the state,

unable to fill the liturgy of 123/2, had no choice but to appeal again to men

obviously able to bear the burden of further service.

After 120 B.C. all issues have the names of only the two annual magistrates.

At this late period there is clearly a connection with the size of the coinage.

59

The New Style Silver Coinage of Athens

Less and less money was being put out. Since this would involve a consequent

reduction in the amount of recognition a man's service received, it seems likely

that the state was forced to reduce the cost of the liturgy to the point where two

men could underwrite it without difficulty.

Basically the problem of the mint magistrates is bound up with the inter-

pretation of their role in relationship to the coinage. The common belief, at

least with respect to the third officials, has been that they were held account-

able for the quality of the money, that their names on the dies served to fix the

responsibility for any fraudulent practices uncovered in connection with the

silver issued during their terms of office. Alfred Bellinger has gone into this

question at some length in a publication of the tetradrachms of Ilium1 and he

argues persuasively that this concept of the function of the magistrates is

faulty. Obviously there were ways in which the coinage could be falsified to the

profit of a dishonest individual or group of men: adulteration of the silver

during the various stages of the refining process, substitution of copper cores

for pure silver in the manufacture of flans, production of illegally light blanks

and diversion of silver in the form of bullion or coined money before delivery

was made to the treasury. No one of these methods, however, could have been

employed without grave risk of detection. The only one in which the mint

magistrate himself could have indulged with any hope of success would have

been the last, the misappropriation of bullion or coins; the other types of fraud

would have involved the connivance or cooperation of workmen and in conse-

quence almost certain discovery. But, as Bellinger points out, the moneyer's

name on the coinage could in no way protect the state against his stealing

bullion or coins or convict him of the theft once it had taken place. The obvious

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safeguard against this form of fraud would have been a careful and periodic

balancing of the books to make sure that the tetradrachms received by the

treasury tallied with the amount of bullion issued for their production.

If on the other hand the responsibility of the mint magistrate is conceived

primarily as an accountability for the fraudulent practices of others, it follows

that his function was that of an inspector. To fulfil his duty he would have had

to supervise all stages of the minting operation from the refining of the ore to

the stamping of the silver. It is doubtful that this could have been done by a

single man or even by three if one supposes that the two annual magistrates

and their third colleague were similarly employed. Even if it were possible, can

one imagine the leading citizens of Athensmen like Mikion and Eurykleides,

Medeios of Piraeus and Diokles of Kephisiaperforming this kind of service?

If the names of the magistrates were not placed on the coinage as a control

measure, one must then assume that they were placed there as a form of rec-

1 "The First Civic Tetradrachms of Ilium," ANSMN VIII, 1958, pp. 15-18.

Magistrates

599

ognition. To merit this distinction a man must surely have made some outstand-

ing contribution and it is difficult to see what else this could have been except

a contribution toward the expenses of the coinage on which his name appeared.

Such a monetary liturgy would be in complete accord with what we know of

Athenian fiscal policy. From early times individuals had been expected to

undertake public service at their own expense and these ordinary and extra-

ordinary liturgies provided an important source of indirect revenue for the

treasury. A state which relied on private citizens for the equipping of its

triremes would certainly have found nothing strange in the idea of calling upon

individuals to underwrite in part the cost of its coinage.

In its essential character the monetary liturgy conforms to the general

practice of other liturgies for which we have literary and epigraphical evidence.

It involved contributing toward the expense of an important and necessary

civic program, it was performed by a group of prominent and wealthy citizens,

it was normally limited with respect to its annual holders to terms of service

in non-consecutive years, its rewards were honorary.1 The form which the

honor took in this instance may serve to explain the otherwise puzzling circum-

stance that ancient sources make no mention of a liturgy in relation to the

coinage. The service of a man who performed a trierarchy, for example, was

commemorated in an inscription set up in a public place so that his fellow-

citizens might know of his benefaction. The service of a man who performed

a monetary liturgy was commemorated at home and abroad on the coins them-

selves. There would have been no need of any further recognition.

Whether a monetary liturgy was peculiar to Athens or whether it was

common practice throughout the Greek world is not germane to the present

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inquiry.2 One would expect so eminently practical and profitable a procedure

to have spread rapidly once its potentialities were appreciated, and the prev-

alence of magistrates' names on Hellenistic coinages may bear witness to its

popularity. If Athens did not originate the idea, she can at least be credited

with perfecting it, for no other coinage gives evidence of so elaborate a system

of monetary magistracies.

1 A basic difference between it and the liturgies of an earlier period would seem to have

consisted in the contributing of cash rather than service and the degree to which the contribution

was voluntary. In this respect the monetary liturgy suggests the voluntary gift in cash or kind

(rrriSoois) solicited by the state for special purposes. On occasion maximum and minimum

amounts to be accepted were specified (Gilbert, op. cit., pp. 363^).

1 The suggestion of a liturgy has been made in connection with certain issues of Kolophon,

Eretria and Ilium. Cf. J. G. Milne, Kolophon and Its Coinage: A Study (NNM 96, pp. 26-29) '

W. Wallace, "Some Eretrian Mint Magistrates" (The Phoenix, 1950, pp. 21-26); A. R. Bellinger,

"The First Civic Tetradrachms of Ilium" (ANSMN VIII, 1958, pp. 23L). See also T. Gerassimov

"Alexandrine Tetradrachms of Cabyle in Thrace," ANSCent., p. 276.

SYMBOLS

The symbols placed on the New

appear are as follows:1

Agon (128/7)

Anchor with star (166/5)

Aplustre (172/1)

Apollo (175/4, 148/7, 104/8)

Ares? (114/8)

Artemis (143/2, 142/1, 88/7)

Artemis and Demeter (111/0)

Asklepios (167/6, 99/8)

Athena (89/8)

Baitulos (119/8)

Bakchos (112/1)

Bakchos and kerchnos (195/4)

Bee (142/1)

Caduceus, winged (165/4, 101/0)

Cicada (185/4, 159/8, 100/99)

Club (191/0)

Club with lion's skin and bow (168/7)

Cock with palm (178/7)

Cornucopiae (198/2 in part, 180/79)

Cornucopiae with grain-ears (160/59)

Cornucopiae, double with fillet (152/1)

Style coins and the years in which they

Demeter (115/4, 108/2, 94/8)

Demeter and Artemis (111/0)

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Demeter? (144/3)

Demeter? and Dionysos (136/5)

Dionysos (161/0,134/8,105/4, 98/7,90/89)

Dionysos and Demeter? (136/5)

Dioscuri (156/5)

Dioscuri, caps (186/5, 181/0)

Dolphin with trident (124/8)

Eagle (173/2, 158/7)

Eagle's head (98/2)

Elephant (163/2)

Elephant's head (163/2)

Fillet (109/8)

Fulmen, winged (162/1)

Gorgon's head (130/29)

Graces (154/3)

Grain-ear (s) (187/6,180-170, 166/5, 133/2)

Grapes (147/6)

Griffin (121/0)

Harmodios and Aristogeiton (118/7)

Hekate (102/1, 91/0)

1 Some repetition occurs in the listing. If the symbol consists of two distinct elements (such

as Demeter and Artemis) there is a double entry. If on the other hand the symbol in its component

parts presents a basic unity (as in the case of the star and crescents, anchor and star) there is only

one entry. No attempt has been made to differentiate the renderings of the various gods and

goddesses.

For the sequence of symbols the reader is referred to the chronological outline of issues on

pages 27-29.

Symbols

601

Helios, bust (170/69)

Helios in quadriga (151/0)

Helmet (174/3, 106/5)

Herakles (110/09)

Herm (188/2)

Hermes (126/5 in part)

Horse, forepart (177/6)

Hygieia (95/4)

Isis (117/6, 107/6)

Isis headdress (125/4)

Kerchnos (182/1, 120/19)

Kerchnos and bakchos (195/4)

Lion, forepart (164/3)

Nike (189/8, 171/0, 155/4, 92/1)

Nike in quadriga (169/8)

Nike and Roma (122/1)

Palm branch (es) (192/1, 181/0)

Pegasus (129/8)

Poppy head with grain (116/5)

Prow (153/2)

Prow with trophy (149/8)

Quiver and bow (141/0)

Roma (128/2)

Roma and Nike (122/1)

Rudder (190/89)

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Serpent (s) (184/3, 127/6)

Serpent staff (167/6)

Sphinx (108/7)

Stag (113/2)

Star with crescents (c. 121)

Term of Hermes (see Herm)

Thyrsos (176/5, 161/0, 96/5)

Torches (150/49)

Trident (179/8)

Trident with dolphin (124/3)

Tripod (157/6)

Triptolemos (145/4, 97/6)

Trophy (188/7)

Trophy on prow (149/8)

Tyche (140/89, 132/1)

Tyche with amphora (189/8, 137/6)

Wreath (185/4)

These devices have been explained and associated in a variety of ways. In

a very early publication Cavedoni1 dealt with some of them and came to the

conclusion that they were selected by the first magistrates of the coinage in

allusion chiefly to their own names. Shortly thereafter, Rathgeber2 interpreted

the symbols as nothing more than the personal seals of the individual mint

officials. Beule in his compilation of Athenian coins3 gave the subject its first

detailed treatment. Poking fun at Cavedoni's associationswhich are often

enough highly amusing*and regarding Rathgeber's theory as unsound,

1 Osservazioni sopra le antiche tnonete di Atene, Modena 1836.

2 Neunundneunzig silberne Miinzen der Athcnaicr, Weissensee 1858.

* Les monnaies d'Athenes, Paris 1858.

* For example, the magistrate Nestor (113/2) chose the stag as his emblem because the

Homeric Nestor was renowned for length of years and the stag was proverbially a symbol of

longevity.

602

The New Style Silver Coinage of Athens

Beule found the key to the symbols in the religious and political events of the

time. Furthermore, he presented at length his belief that the connection of the

devices was almost invariably with the second magistrate. Subsequently

Grotefend and Kohler1 opposed this view, the latter arguing not only that

the symbols indubitably were linked with the first officials but that they were

freely-chosen devices. Early in the present century Macdonald (Coin Types,

pp. 54-60) summarized the situation in a judicious presentation of the evidence,

concluding that there could be no reasonable doubt but that the first official

chose the symbol and that the selection was motivated by a variety of con-

siderations. This, however, did not end the discussion. In 1926 Lederer2 ex-

pressed the opinion that the symbol, in the beginning at least, was probably an

independent control, unrelated to either magistrate. A few years later Kam-

banis in the initial publication of his studies of the New Style coinage (Arethuse,

1928, p. 125) spoke of the symbol "which, in a majority of cases, seems to

belong with the name of the second magistrate," but it is clear from his notes

that he later changed his mind. In the BCH for 1932 (pp. 46, 53) he belittled

the significance of the devices, regarding them as primarily accessory controls

added to the money because they would be clearer and more intelligible than

names to people who could not read. Finally, the writer in a discussion of the

bronze coinage with Eleusinian types suggested that most of the symbols might

be connected with the civic festivals.3

As Macdonald said in 1905, there can be no doubt but that the first monetary

official selected the device which appeared on the coinage. In cases where a

relationship between symbol and magistrate can be firmly established, the con-

nection is with the first name.4 The fact, upon which Beule laid so much stress,

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that the symbol does not normally carry over when the same man serves as first

magistrate for two or more terms means nothing unless one argues that the

device was the personal seal of the individual, an argument which Beule him-

self rejected. There is, however, one instance of a recurrent symbol associated

with a particular magistrate which has not been noted before and which is

highly significant. On the coinage of 144/3 for which Charinautes served as first

magistrate the device is a standing figure (Demeter or Kore) in long robes and

1 C. L. Grotefend, Chronologische Anordnung der athenischen Silbermiinzen, Hannover 1872;

U. Kohler, "Numismatische Beitrage" (Z/2V, 1885).

2 "Ein unbekanntes athenisches Tetradrachmon," ZfN, 1926, p. 59, note 1 with reference

to the transposition of the monograms in 184/3.

3 Hesperia, 1942, pp. 215 f. This theory, like others regarding various aspects of the New

Style silver which the writer advanced rashly before the material had been organized and studied,

is proved invalid by the coinage.

4 This was Macdonald's basic argument and many of the examples discussed in the pages

that follow were cited in his earlier exposition.

Symbols

603

holding two torches. A few years later in 186/5 the same Charinautes, and this

seems practically certain in view of the rarity of the name, served as second

magistrate. For this issue the symbol consists of a seated divinity, probably

Dionysos, and beside him a standing figure in long robes with two torches,

almost identical with the representation on the earlier striking. The conclusion

is inescapable that this standing goddess was the device chosen by Charinautes

for the coinage of 144/3 when he was first mint official and repeated on the

coinage of 136/5 when he was second magistrate, this time in combination with

the Dionysos symbol of the first magistrate Andreas. This is the only issue for

which an association of the symbol with both magistrates can be posited1 but

the standing goddess of 144/3 and 136/5 does not invalidate the basic premise

that it was the first official's prerogative to select the device for the coinage.

If he chose to permit his colleague to share the representation, that was his

decision.

Symbols which can be interpreted with some degree of certainty fall into

several general categories:

Canting Badges

There seem to be a few instances of devices which consist primarily of a play on

the name of the magistrate. The first, occurring early in the series with the issue

of 190/89, involves an initial monogram which can most plausibly be resolved as

NAYKPAT[HZ] and an accompanying rudder symbolic of dominion of the sea.

On the issue of 168/7 the club, lion's skin and bow of Herakles surely derive

from the name of the first magistrate: HPA. Similarly the elephant on the coins

of 163/2 was in all likelihood chosen by ANTIOXOZ as a Seleucid badge appro-

priate for his Seleucid name. The two palm branches of NIK.... in 192/1 may

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refer to specific victories or simply to his name.

Allusions to Antecedents

These divide into several classes. First are references to the magistrate's per-

sonal achievements or career. The Nike in quadriga which Mikion of 169/8

placed on his coins recalls a victory or victories in the Panathenaic games. At

1 A dual device is extremely rare on the New Style silver. The only other true instance of

it occurs at a later period with the Demeter and Artemis of Leukios-Antikrates in 111/0 B.C.

This may be a second case of annual magistrates combining their choice of divinities. The Dioscuri

of Mikion -Eurykleides was probably selected because the brothers wanted an emblem which

would stand for both of them, and similarly the Harmodios and Aristogeiton of 118/7 may express

some bond, some mutual devotion to the cause of freedom, on the part of Mentor and Moschion.

604

The New Style Silver Coinage of Athens

least one such triumph is recorded and others are highly likely. The Tyche and

amphora symbolizing agonistic victory used twice on the coinage of Herakleides

(139/8 and 187/6) would also seem to imply achievement in the contests. The

winged Agon of Aropos (128/7) may have the same significance or it may refer

to service as agonothetes. In 148/7 and in 104/8 an Apollo symbol appears and

it is noteworthy that in the case of both first magistrates, Sokrates and Epi-

genes, a prior connection with Delos is probable. Diokles of Kephisia chose as

his devices in 99/8 and 95/4 representations of Asklepios and Hygieia. The

priesthood of Asklepios and Hygieia was held by a Diokles of Kephisia in the

mid-first century B.C.; the Diokles of earlier date is surely his father or grand-

father serving in the same priesthood. Another priestly allusion is provided by

the coinage of Eurykleides (154/3). This man's great-grandfather, Eurykleides I

(of Kirchner's stemma, PA 5966) may have been a priest of the sanctuary of

Demos and the Graces, his grandfather (Mikion III) is known to have served

in that capacity. Almost certainly the coinage with its symbol of the Three

Graces bears witness to an association of our Eurykleides (III) with the same

priestly office.1 In a rather special category is the device chosen by Diokles

of Melite. His wife Philippe was a priestess of Athena and the Athena Parthenos

of Diokles' coinage is clearly a graceful tribute to her.

1} Other allusions to antecedents concern the family or place of origin of the

magistrate. It is possible that the trophy on a galley selected by Themistokles

in 149/8 was more than a reference to his name, that the mint official of the

second century was actually a descendant of the famous Themistokles. In 156/5

a representation of the Dioscuri, associated with Mikion and Eurykleides,

points to the relationship of the magistrates and perhaps as well to their pride

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in belonging to an illustrious family. The griffin of Apelhkon (121/0) derives

from the Teian birthplace of the philosopher and bibliophile. A Macedonian

origin or family connection is suggested by the Macedonian helmet used by

Demetrios of 174/3 and possibly by the eagle of the succeeding issue if a single

Demetrios is involved in the two magistracies. The unusual device of a sphinx

is found on the coins of Diophantos and Aischines in 108/7 and this is conceiv-

ably indicative of a connection between the two men and the island of Chios.*

In two cases the symbol on the coinage seems to have a demotic significance.

1 For the connection of this family with the sanctuary and the general Agora area in which

it was located, cf. G. R. Edwards, Hesperia, 1957, p. 343.

2 The emblem is, of course, peculiarly Chian and there is the further circumstance that a

man named Aischines served as mint magistrate of Chios after 84 B.C. {BMC, Ionia, p. 337, 85).

This may well mean nothing; it may on the other hand point to Chian antecedents for the two

Athenian magistrates and the return of at least one to his homeland shortly before or after the

sack of Athens.

Symbols

605

A distinctive rendering of a youthful Dionysos in short chiton on the issue of

105/4 was likely inspired by the Ikarian origin of the magistrate Dionysios

since it was there that the god was traditionally supposed to have made his

first appearance in Attica and his cult was celebrated with great splendor in

that deme.1 Similarly the figure of Herakles on the coins of Pantakles in

110/09 is thought to be related to the cult of Herakles in Plotheia which was

presumably Pantakles' deme.

Allusions to Festivals

Evidence for a connection between a symbol and one or another of the major

Athenian festivals2 is comparatively slight. Any of the numerous represen-

tations of Dionysos may pertain to the Dionysia but in only one instance is

there definite indication of this, namely in the Dionysos holding a mask which

appears in 184/3 under Timostratos. The combining of Eleusinian symbols

kerchnos and bakchoson the issue of 195/4 seems to me very likely linked

with the celebration of the Eleusinia in that year. Some at least of the other

Eleusinian devices (Demeter, Triptolemos and ears of grain) may be associated

with the Eleusinia of 187/6, 145/4, 133/2, 115/4, 111/0, 103/2 and 97/6. With

the Ptolemaia there is only one connection but that a highly gratifying one.

Initial arrangement of the coinage along strictly numismatic lines brought the

issue of Aphrodisi-Dioge with its distinctive symbol of a double cornucopiae

with fillet to the year 152/1 B.C. This symbol is unquestionably of Egyptian

derivation, the cornucopiae markedly different from any found on other New

Style issues but practically identical with the reverse type of the Ptolemaic

gold and silver.3 Later reference to Ferguson's discussion of the Ptolemaia in

Athens revealed the significance of the coin device. During the archonship of

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1 Cf. M. Thompson, Hesperia, 1941, pp. 2231. with reference to representations of the

Ikarian Dionysos. The date there suggested for the coinage of Dionysios-Mnasagoras is erroneous

but the relationship between magistrate and symbol still seems valid.

2 These were the Dionysia, held annually but more elaborately every third year; the Great

Panathenaia, falling in the third year of the Olympic cycle; the biennial and quadrennial cele-

brations of the Eleusinia in the second and fourth Olympic years; and the Ptolemaia in the initial

year of the Olympic sequence.

Ferguson (Klio, 1908, p. 340 and HA, p. 291) puts the lesser Eleusinia in the second year and

the greater in the fourth; Dinsmoor (Archons of Athens, pp. 210-212) argues that the order should

be transposed. With respect to the Ptolemaia there is also a difference of opinion, Dinsmoor

(p. 262) placing the festival in the second rather than the first Olympic year, but in this case the

coinage seems to substantiate Ferguson's dating.

8 Compare Plates 55-56 with the illustrations throughout Svoronos' Td Noulo-ucrra toO

KpcVrous tcov TTToXepiaioov.

6o6

The New Style Silver Coinage of Athens

Lysiades, which Ferguson places in 152/1, the Ptolemaia were celebrated with

special brilliance, over sixty-one hieropoioi having had charge of the games.1

It was undoubtedly this gala event which inspired the Egyptian symbolism on

Aphrodisios' coinage, providing us with a most satisfactory coalescing of

numismatic and epigraphical evidence with respect to the date of both archon

and mint magistrate.

Allusions to Politics

Most of these are found in the period between 180 and 120 B.C. and it is inter-

esting to have this early numismatic record of links between Athens and the

two foreign powers whose conflict would ultimately destroy the Athenian state.

The Roma of Xenokles in 128/2 and the Roma crowned by Nike of Kointos in

the following year are probably to be interpreted merely as indicative of

Roman origin or sympathies on the part of the individual magistrates. In the

case of the Pontic symbols, the situation is more complex. The star and cres-

cents of c. 121 combined with the name of Mithradates is the state's official

recognition of a Pontic subsidy. The Pegasus of 129/8 and the Gorgon's head

of 130/29, if the latter is of Pontic inspiration, may have a similar connotation,

testifying to assistance from Mithradates V in respect to supplementary sources

of bullion (pp. 422f.) or they may simply reflect the Pontic partisanship of

Aristion and Niketes. In all likelihood the only other example of a symbol

which seems to have been politically motivated, that of the Seleucid anchor

and star in 166/5, also pays tribute to the benefactions of a foreign ruler, in

this case Antiochos IV.

It must be emphasized that relatively few of the symbols discussed are

explicable solely in terms of the categories in which they have been grouped.

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In the present state of our knowledge we have no way of knowing for the most

part whether an agonistic device reflects a man's personal triumph or his

service as agonothetes, whether an Eleusinian symbol is merely the record of

a contemporary festival or indication of a personal connection with the Eleu-

sinian cult and its ceremonies, whether it was family pride or a coincidence of

names that inspired Themistokles' trophy on galley. One may assume that

often enough a combination of factors dictated the choice of the individual

magistrate. Thus his own name plus his Ikarian origin plus perhaps a personal

devotion to the god may have produced the Dionysos of Ikarian type found on

1 Klio, 1908, p. 341 dealing with IGII21938. Dinsmoor (op. cit., pp. 261 f.) rejects Ferguson's

dating of Lysiades, ascribing his archonship to 159/8 B.C. Meritt in his archon list of 1957 (Hes-

peria, p. 95) assigns Lysiades to 148/7 but in a more recent study (The Athenian Year, pp. 187 f.)

he accepts the coin evidence for a return to Ferguson's date.

Symbols

607

the coins of Dionysios. Finally, there is always the possibility that a man of

little or no imagination chose the first device that came to mind, that the

symbol has no real significance in its association with his name, for there are

issues without device and these imply that the officials in question either had

no desire to personalize their coinage or were unable to think up suitable

emblems.

A majority of the symbols found on the coinage cannot be explained at all

with reference to particular events or individuals. With additional prosopo-

graphical data we may in time be able to relate some of them. In two instances

the coins supply a clue at least. On the silver of 182/1, 180/79 and 150/49 the

devices are Eleusinian: kerchnos, cornucopiae and torches. For all three issues

the first magistrate is Ammonios, presumably two related men, which suggests

a strong tie between this family and the Eleusinian sanctuary. Similarly the

Demeas who served in 125/4 and again in 107/6 would seem to have had some

close connection with the cult of Isis since his devices are first the Isis headdress

and later the standing goddess.

Fragmentary though the evidence is, it does clearly indicate, as Macdonald

pointed out, that a variety of considerations governed the selection of emblems.

There was no system involved, no regulation imposed by the state or tradition

controlling the choice. The individual magistrate was at liberty to place on the

coinage whatever device suited him and the selection tells us something of the

men themselves: their pride in athletic prowess, in family, in civic service

performed. Few indeed seem to have glimpsed broader horizons.

For the most part the symbols which can be associated with particular

Athenians add little to what we already knew about the individuals in question,

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but in several cases they do provide important data. Among those holding the

priesthood of Demos and the Graces we can now include Eurykleides of 154/8;

among the priests of Asklepios and Hygieia, the Diokles of Kephisia who was

active in the early years of the first century. The symbol placed by Aphrodisios

on the coinage of 152/1 is welcome confirmation of the date of the archon

Lysiades and the chronological outline of the New Style sequence.

STATISTICAL SURVEY

A. Amphora Letters

These are the months of the Athenian civil or festival calendar1 dating the

coinage by the twelve or thirteen divisions of the ordinary or intercalary year.

With minor deviation, as noted below, they occur on all tetradrachms from

185/4 through 88/7 B.C.2 The coins of the present catalogue provide the record

of monthly emission which appears on the next few pages.

For the Early Period the evidence is without question incomplete and no

firm conclusions can be drawn as to the distribution of coinage over any given

year. The future will undoubtedly provide new reverse dies to fill in at least

some of the gaps in the month record. It may be assumed that, if we had the

complete picture, the pattern of the early emissions would correspond to that

of the issues of the Middle Period, with production normally scheduled for all

months of the year but interrupted on occasion. Amphora letters appear in the

twelfth year following the introduction of the New Style series and continue

to be employed throughout the remaining years of the coinage with the ex-

ception of a short interval between 182/1 and 177/6 when the practice was

abandoned, resumed briefly and again abandoned. This period coincides with

the first use of control combinations and presumably indicates an initial un-

certainty as to whether both dates and controls were needed.

With respect to the Middle Period we can feel reasonably sure of the com-

parative accuracy of the data, thanks to the large hoards containing numerous

examples of the issues of this three-magistrate section.3 Of the thirty-seven

1 I know of no disagreement with this interpretation. The elaborate arguments of Macdonald

(NC, 1899, pp. 288-321) followed by Sundwall (Untersuchungen, 1st part, pp. 72-92) for a

double dating system according to which a lunar calendar regulated the dates on the amphorae

while a solar calendar, coinciding with the prytany year, governed the rotation of the third magis-

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trates are of no relevance since it has been established that the terms of the third magistrates can

have borne no relationship to any Athenian calendar, real or hypothetical.

2 Month dates are not found on the hemidrachms and they are sometimes omitted from the

drachms. In the case of both fractional issues, emission was sporadic. Not every year saw an

output of drachms and hemidrachms and even during periods of production there was never, so

far as we know, a continuous striking of fractions throughout the year.

3 That the breaks in the month sequence for this period are not accidental is strongly

indicated by the emissions of Polemon-Alketes in 157/6 and Mikion-Euryklei in 156/5. These

represent two issues from which an unusually large number of coins have survived (182 and

196 tetradrachms respectively). In both cases reverse dies for A and M are missing. It is highly

unlikely that chance would have produced this hiatus in the extensive record of these two striking

Amphora Letters 609

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^ ^ ^ ^ ^ ^: ^

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^ co_ oj_ ^.SL^-^S.1'5 2 22. S_ 2_ -

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6l2

The New Style Silver Coinage of Athens

years involved, only nineteen or twenty are full,1 coinage having been struck

in every month. There are ten instances of a single unrecorded month, four of

two, two of three, and one of five. As one would expect, the pattern usually

reflects curtailed production at the end of the year, lambda and mu being the

months most frequently missing from the list. This is, however, not the whole

story, for at some time or another an interruption in the coinage occurs in

connection with every month except gamma. It would seem evident that when

a year's allotment of currency had been put out ahead of schedule, emission would

stop. Cases of temporary interruption apparently stem from difficulties which

the mint experienced in the matter of bullion supply, equipment or personnel.

In its first decade the Late Period resembles the Middle except for the

strange breaking off of coinage early in 123/2 and again in 122/1. From 120/19

to 112/1 there is increasing evidence of sporadic production. Nine months of

mint activity is the highest recorded, five to six represents the average. For

114/3 we have coins from alpha and kappa alone. After 112/1 there is only a

token coinage in comparison with earlier years,2 and in this period the con-

tinued use of month dates would seem to be little more than a concession to

tradition. For a number of issues, striking seemingly was limited to a single

month. Curiously enough this does not always, or even often, coincide with the

beginning of the year. In 98/7 and again in 97/6, lambda was the month during

which coins were issued, in 90/89 it was kappa. One can only suppose that the

irregularity of emission during the final years of the New Style series reflects

a hand-to-mouth existence on the part of the mint as regards bullion supply.

When silver was available it was struck but there was never enough to spread

over an entire year in an orderly production schedule.

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It should be noted that in one respect the gaps in the coinage record are

actually more extensive than the outline above indicates. Only eleven of the

issues between 185/4 and 88/7 have dies with a nu date, attesting an intercalary

year, while the most recent epigraphical publication on the subject lists twelve

additional intercalary years in this same period for which there is evidence

from the inscriptions.3

Although the contribution of the New Style series to the problem of the

intercalary years is limited, it is nonetheless highly important. Issues with nu

lettering appear in 184/3, 171/0, 170/69, 167/6, 162/1, 154/3, 137/6, 134/3,

1 For the issue of Theophra- Sotas months A and I are uncertain.

2 That the scanty record provided by the late coinage is not merely due to insufficient

material is clearly indicated by the large proportion of coins from the same die or dies within

individual issues. After 112/1 very little money was struck at Athens.

3 B. D. Meritt, The Athenian Year, pp. 236-238. The years other than those on the coinage

are: 181/0, 177/6, 175/4, 173/2, 160/59, 157/6, 135/4, 127/6. 116/5. 108/7, 105/4 and 102/1.

Amphora Letters

613

125/4, 119/8 and 113/2. Of the accuracy of the first nine dates I am quite con-

fident. The two last depend upon the interpretation of the Mithradates-

Aristion issue as a special emission put out in a year during which other coinage

was struck. This seems to me very likely but if it is not true then the intercalary

issues following the Mithradates striking would be of later date.

The numismatic evidence for intercalary years was discussed at length with

Benjamin D. Meritt and it has subsequently been published by him as a part

of his recent study The Athenian Year (pp. 180-191). The writer has nothing to

add to his careful presentation of the combined numismatic and epigraphical

material but it might be pointed out here that there is no conflict of evidence

and that in one instance the numismatic record throws fight upon what had

hitherto been a puzzling sequence of ordinary and intercalary years. Finally,

with respect to the controversial question of consecutive intercalary years, it

will be noted that the coinage establishes one such sequence in 171/0 and 170/69

and still another derives from the numismatic evidence for 184/3 and the epi-

graphical data for 135/4.1

B. Control Combinations

The term "control combination" has been used to designate the letters,

two to four in number, which appear below the amphora or in the left field2

from 182/1 until the end of the New Style coinage. Twenty-nine such combina-

tions are known:

AN AH Zfl ME, MEN, MENE IT, ZTE

An, AnO Ai, AIO HP, HPA MH ZO, Z<DA, Z0>AI

AP EM, EM4>3 GY MO Si

Bl, BIA En, ET7I IZ, IZI TIE, FFEP Tl, Tir

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TA EP KE FTP, T7PO, TTPfl4 (Dl

AA EY KT, KTH ZO, ZOA

1 When I first discovered what seemed to be a certain case of contiguous intercalary years,

otherwise unattested for the second century, and feared that I might become involved in the

intricacies of the Athenian calendar, I discussed some of the problems with Prof. W. Kendrick

Pritchett during a visit to Athens in 1955, and I am most grateful for the information and biblio-

graphical material which he helpfully supplied.

2 On some dies of the first issue employing both dates and control combinations, that of

nOAY-TI in 181/o, the controls appear on the amphora. A few tetradrachm reverses omit

the controls but this is exceptional. They are invariably missing from the hemidrachms and fre-

quently from the drachms as well.

8 EO and Md> which occur in 175/4 are almost certainly errors for EM<t>; EN and EN<D prob-

ably also represent a misunderstanding of the same combination.

* FTPft which appears only once is likely a mistake for TTPO which is common.

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np zd> zfl

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ME

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EY HP 9Y

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Middle Period

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Control Combinations

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88

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The New Style Silver Coinage of Athens

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Control Combinations 617

Q.

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6i8

The New Style Silver Coinage of Athens

Several points of interest emerge from the tables above. The span of indi-

vidual control combinations is in many instances impressive: ME from 181/0

to 181/0 and uninterruptedly from 167/6 to 131/0; Z<D from 181/0 to 126/5 and

continuously with only two breaks between 167/6 and 140/89; Ifi irregularly

from 176/5 to 92/1. Other controls like KE, 6Y, MO occur in only a single issue;

a number are limited to two strikings. For the Middle Period of the coinage

the range of control combinations and their use within an issue are alike re-

stricted. Between 165/4 and 132/1 no emission has more than five separate

combinations, most have four and some three. Apart from two different controls

employed by Epigene-Sosandros in 158/7, only ATT, AI, ME, T7E, 10, IO and EG

make their appearance. The Early and Late Periods present a far more diver-

sified picture in the variety of control letters and in the number used by

individual issues. There are at least twelve in 174/8, only four the next year,

yet the two issues are not disparate in size. The two largest strikings of the

series (181/0 and 124/8) employ five, a very small emission a few years later

uses six.

Against the background of extreme longevity in the case of some controls,

it is clear that the letters are not the abbreviated names of individuals. They

must be the initial letters of words pertaining to something of a permanent

character. Earlier studies have explained them in terms of either mint work-

shops or the mines supplying the bullion for the coinage and some years ago

the writer analyzed these theories in relation to the numismatic material then

available. What follows is in essence a summary of that earlier article.1

First, it is quite certain that the control combinations do not indicate

ateliers of the Athenian mint. The tables showing the distribution of coinage

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(pp. 658-708) prove this. In a large number of cases an obverse die is associated

for all or most of its life with one particular control combination. Sixteen of the

seventeen reverses connected over a period of six months with Obverse 465 of

Polemon-Alketes are stamped ZJ, and there are many other examples of

similar consistency involving fewer reverses. On the other hand an obverse die

within a single month may be, and often is, linked with three different control

combinations and in 158/7 Obverse 450 is associated with four. Customarily all

or most of the controls of a given year are in simultaneous use month by month

but there are months scattered through the coinage during which all or a

majority of the reverses bear a single control combination. This is undoubtedly

the result in part of insufficient material but disproportion is manifest too often

for this to be the whole story. Recutting of control combinations is common

1 "Workshops or Mines," ANSMN V, 1952, pp. 35-48. Additional data and further study-

alter in some cases the details cited in connection with the illustrative material of 1952 but the

basic import of the earlier evidence is unaffected.

Control Combinations

619

practice through the middle section of the coinage. The overcut control does

not then disappear; it is found on reverses of the same or succeeding months

within that year.

On the workshop theory most of these abnormalities would have to be

interpreted as instances of dies transferred from one atelier to another. But

surely this is very strange. Why shift some obverse dies back and forth between

three and four workshops within a single month and leave others in the same

atelier for six months? Why transfer reverses from one shop to a second, with

all the labor and expense of recutting the control combinations, when the first

shop in each case continues to operate? Why concentrate the coinage for

certain months in one or two workshops and leave others standing idle?

To these instances of erratic procedure involving individual dies can be

added two general considerations which make the theory of workshops wholly

untenable. There is, as has been pointed out, no correlation between the size

of the coinage in any given year and the number of control combinations em-

ployed nor is there at certain periods any sensible relationship between the

controls of one year and those of the next. No mint would operate twelve

ateliers in one year and shut down eight of them in the year following, the

amount of money to be put out being roughly the same. If five ateliers were

sufficient to produce the tremendous emissions of 181/0 and 124/3, would six

be required for the inconsiderable coinage of 122/1? The die-linked issues of

Miki-Theophra and Hera-Aristoph present a peculiar picture in terms of

workshops. The former would have five in use and the latter three, but the

three of the second year are entirely different; five ateliers would have gone

out of business at the end of 169/8 and been replaced at the beginning of 168/7

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by three new onesonly temporarily in three instances for in 167/6 three of

the 169/8 controls again appear. The pattern of the combinations between

131/0 and 121/0 reveals a picture of almost complete chaos under the work-

shop premise.

If the letter combinations cannot be workshops, is there any valid reason

for supposing that they are connected with the mines supplying the silver for

the Athenian mint ? This theory was advanced by Sundwall and by Svoronos1

and it still seems to me, as it did in 1952, that the answer lies in this general

direction although I am now less inclined to think that the abbreviations stand

specifically for the names of mines. New material has brought no additions to

the eleven instances of correspondence between control combinations and mine

names, as cited in Museum Notes V. As between twenty-nine controls and some

forty mines the association is not strong but it must be remembered that the

1 Untersuchungen, 2nd part, p. 18, note 2; JI AN, 1917, p. 119.

620

The New Style Silver Coinage of Athens

leases which name the mines1 are of fourth and early third century datewe

have no information as to how many, if any, of the earlier workings were still

active under the same names in the second century. Similarly inconclusive is

the picture as it relates to control combinations and the spectrometric analysis

of individual coins (see pp. 622ff.). The two control combinations for which

we have the greatest amount of evidence show the following relationship:

ME:

(C)

(Au)

in-.

(Cu)

(Au)

178/7

1.02

0.82

157/6

0.72

0.19

176/5

2.8

0.152

156/5

0.008

0.086

171/0

0.054

156/5

0.034

0.13

164/8

0.092

0.12

148/7

0.067

0.11

159/8

0.675

0.32

145/4

0.161

0.18

158/7

0.157

0.098

138/7

0.036

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4.3

0.0005 -

156/5

0.24

0.68

108/7

2.7

0.44

156/5

0.032

0.18

107/6

5.9

0.40

154/8

0.74

0.18

103/2

5.2

0.39

152/1

0.047

Control Combinations

621

silver composition; at the same time a great many control combinations make

their appearance, some for only a single year and others for much longer inter-

vals. During the Middle Period analysis indicates a supply of bullion from a

smaller number of comparatively rich workings, producing silver of homo-

geneous quality; the control combinations of this section of the coinage are

few and all are employed for very considerable stretches of time. Concerning

the Late Period the evidence is, I believe, complicated by the importation of

silver from abroad (pp. 635f.) but the decrease in coinage which sets in about

123 B.C. surely points to a decline in silver supply from all sources. What ore

was still being extracted from Laurium must have been obtained with difficulty

from again scattered and small workings; in this period new control combi-

nations appear and old ones long abandoned reappear.

It will be apparent that an interpretation of the control combinations in

terms of bullion supply provides a reasonable explanation of the peculiarities

noted in connection with their use. If the controls guaranteed the purity of the

metal, each ingot delivered to the mint must have been stamped with letters

indicating a particular lot of metal and the same lettering would in turn be

reproduced on the reverse die used to strike coins from that ingot. The con-

sistent association of an obverse die with a single control combination and the

linking of another with several controls would simply mean that, as one would

expect, silver from the various sources of a given year was not always supplied

in uniform proportion or used up at the same rate. If the supply of ingots with

a particular stamp was temporarily exhausted before the reverse die bearing

the same stamp wore out, production did not stop until a new supply came in;

the reverse in question was recut to indicate that it was now being used with

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a different lot of silver. The shifting pattern of ephemeral and long-lived con-

trols and the complete or partial substitution of one set of controls for another

within a few years would be alike explicable in relation to changing sources

of bullion.

The question is, of course, how the system functioned and here I can only

hazard a guess. One assumes that the ore as it came from the mine was subject

to a rough smelting in the field, perhaps in small installations servicing a group

of neighboring workings, and that it was subsequently shipped to a central

point where more elaborate refining was undertaken. The ingots would have

been stored in the Laurium region preliminary to mass shipment to Athens and

later in some Athenian center for delivery to the mint in scheduled lots.1

1 These storage centers in Laurium and Athens may be tentatively identified. In an article

on a series of tower-like structures located in the Sunium region, John H. Young ("Studies in

South Attica," Hesp., 1956, pp. 122-146) describes one building, the Red Tower, as situated in

the very center of the mining district and equipped with an unusually intricate system of bolts

622

The New Style Silver Coinage of Athens

Either in Laurium or in Athens the control combinations would have been

applied to the ingots but the original identification of the batch of metal must

have been made before that if the guarantee of purity was to be worth anything

for it is evident that adulteration could have occurred in the early stages of the

refining process. It seems to me probable that the lot of metal was somehow

tagged as to source from the time it left the field establishments and that the

designation given it was in relation to those installations. As to how this was

done or what principle governed the choice of letters, I have no idea.

Although a guarantee of purity was probably the primary purpose of the

control combinations, it is likely that they were also useful as a practical

accounting device. A balancing of the treasury's books at stated intervals

would have been imperative as a check on the honesty of the mint workmen

and officials. Such an auditing of the accounts could have been performed

quickly and accurately in terms of so many ingots from a certain source supplied

the mint against so many tetradrachms by weight with the same stamp re-

turned to the treasury.1

C. Silver Analyses

Early in 1959 eighty-six New Style tetradrachms were analyzed by the

neutron activation method to determine the amounts of gold and copper

and bars. He suggests that it may have been used as a combined workshop and storage place,

related to the weighing and stamping of bullion and the stocking of ingots or coins. The actual

production of the New Style silver undoubtedly took place in Athens but this tower in Laurium

may very well be the center where ingots were accumulated prior to shipment to Athens. It is

even possible that the final processing of the ore was carried out in or near this establishment.

Sherds of fourth to second century date were found around the Red Tower which would bring

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its period of use into the New Style years.

Among the structures excavated in the Agora is one designated as the Hellenistic Building,

erected in the latter part of the third century and destroyed by Sulla in 86 B.C. In a study of

"Panathenaics of Hellenistic and Roman Times" (Hesp., 1957, pp. 333-336) G. R. Edwards

suggests that the building may have served as headquarters of the military treasurer, one of

whose responsibilities was the control of silver bullion (IG II2 1443). This large structure, close

to the Hephaisteion, would have been conveniently located in relation to the mint which in all

probability was also situated in the Agora area (H. A. Thompson, Hesp., 1954, pp. 45-48 and

1955, p. 59) and it seems very likely that it was the place where the ingots for the coinage were

stored.

1 For what seems to have been a somewhat similar accounting system at Corinth, see Ravel.

Les "Poulains" de Corinthe, II, pp. 46-57. E. J. Seltman [JIAN, 1913, pp. 1-10) cites a stamped

bar of silver found in the Tarentum Hoard as evidence of a control system based on a correlation

of the markings on ingots and coins.

Silver Analyses

623

present.1 This process involves the irradiation of the coins with neutrons in

an atomic pile and examination of the ensuing radioactivity by means of a

gamma-ray spectrometer. The presence or absence of a particular element is

revealed by the presence or absence of the gamma-rays characteristic of that

element and the amount of the element present is ascertained by measuring

the intensity of its gamma-rays. Since the method is entirely non-destructive

and is furthermore capable of accurate measurement of minute concentrations

of trace elements, it is admirably suited for the analyzing of ancient coinage.2

Of the specimens tested, the vast majority was supplied by the Heberden

Coin Room of the Ashmolean Museum through the courtesy of Dr. Colin

M. Kraay. In addition to the Oxford coins a relatively small group of teta-

drachms from the collections of the American Numismatic Society, of E. S. G.

Robinson and of Burton Y. Berry was examined. Irradiation was done at

Harwell and the coins were subsequently examined by Miss Vera M. Emeleus

of the Oxford Research Laboratory for Archaeology and the History of Art.

To all those who cooperated in making material available and in conducting

the scientific tests the writer is deeply grateful.

The purpose of the tests was fourfold:

1) to see if variations in gold and copper content had any chronological

significance. Earlier chemical analysis of a limited number of New Style bronze

coins (see pp. 638-642) had revealed a striking correlation between metallic com-

position and the date of the specimens tested and it was thought that some

similar pattern might emerge with respect to the composition of the silver coins.

2) to determine whether or not the readings of fourteen coins considered "sus-

pect" because of their abnormal style were notably different from other readings.

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3) to explore the possibility of a relationship between metallic composition

and a series of control combinations which appear on the reverses of the coins.

It seems highly likely that the latter are associated in some way with the source

of the bullion, hence it was thought that coins marked with a particular control

combination might show a distinctive pattern of gold and copper content.3

4) to provide data from a late period of Athenian coinage for comparison

with the analyses of sixth and fifth century coins from the same mint already

published by Kraay (Archaeometry 1, 1958, pp. 1-5; 2, 1959, pp. 1-16).

1 A preliminary report on these analyses and their implications has appeared in Archae-

ometry 3, i960, pp. 10-15.

2 For technical details of the process, cf. V. M. Emeleus, "The Technique of Neutron Ac-

tivation Analysis as applied to trace element determination in pottery and coins," Archaeometry 1,

1958, pp. 6-15.

3 A tabulation of the relationship between metallic composition and two control combi-

nations is to be found on page 620.

624

5-

"" , & &

-. ^ , -

& .1

& 3.&1; 1-4 ^

3. .2

1.

2.

3.

.-*

4.

-1*1

5.

>-6

6.

7.

8.

9.

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10.

11.

*-

12.

13.

14.

15.

16.

&%

193/2

0.37

0.19

189/8

0.97

0.88

186/5

3.2

0.058

185/4

5.8

0.11

183/2

0.035

15%)

0.052

181/0

2.87

0.0076 ( 15%)

.55

625

, %

25.

0.085

( 30%)

0.10

26.

0.041

( 25%)

0.094

27.

- 1

156/5

0.047

( 15%)

0.052

28.

1 -

0.24

0.68

29.

0.28

30.

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0.86

0.008

( 40%)

0.086

31.

0.084

( 30%)

0.18

82.

0.082

( 30%)

0.13

88.

154/3

0.74

0.18

34.

152/1

0.086

( 20%)

0.10

35.

0.047

( 20%)

0.94

30.

151/0

0.084

( 25%)

0.16

37.

150/49

0.18

0.12

626

\ , .

5 \ 5

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(196-169 ..)

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16

0.01 0.05 0.1

0.5

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. 1

- 155

627

0.001

0.005

87 &

5 \ 5

(168-182 .)

10

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" *

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17

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-,

-,

1.0

8 .55

629

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1.0

10

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>

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/' /

..

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64.

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119/8

4.9

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67.

108/7

2.7

0.44

(18.

107/6

5.9

0.40

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69.

108/2

5.2

0.39

70.

94/3

4.6

0.47

71.

1 -

11.8

0.42

72.

93/2

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' (8, 1950, . 189-312 1957,

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555 196-150 ..

3.5

632

The New Style Silver Coinage of Athens

gives the results of neutron activation analyses of sixteen "Wappenmiinzen''

of sixth century date and thirty-nine "owls" of the fifth century. The latter

were undoubtedly coined from Laurium ore and their composition shows uni-

formly low percentages of gold and copper, the average gold percentage for the

first twenty-three specimens tested being 0.026 and the average copper per-

centage 0.14. On the other hand the "Wappenmiinzen" are far more diverse

in composition with higher percentages of both trace elements: 0.12 average

for gold and 0.84 for copper. Although Laurium seems the most likely source

of "Wappenmiinzen" silver, it must be admitted that there is no certainty on

this point. Kraay suggests that "the more variable composition of the earlier

issues might be due either to the exploitation of the less homogeneous surface

deposits at Laurium or to the presence of silver from some other source."

For purposes of comparison five samples of Laurium silver were obtained

through the good offices of M. Nikos Kyriazopoulos who is connected with the

Compagnie Francaise des Mines du Laurion now working in the area. These

were analyzed by the neutron activation method at Brookhaven National

Laboratory through the cooperation of Dr. Edward V. Sayre.1

Copper %2 Gold %

(From a gallery in the Plaka region 85-95 m. above sea level, at a depth of

100-120 m. below the surface)

1. 0.012 0.0021

2. 0.009 0.0035

3. 0.015 (less) 0.0050

4. 0.024 0.0062

(From a gallery in the Plaka region 120-140 m. above sea level, at a depth of

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70-120 m. below the surface)

5. 0.14 (less) 0.10

1 When a temporary suspension of activity at the Oxford Laboratory made it impossible

to have the samples of modern ore tested there as a supplement to the coin tests run earlier.

Dr. Marie Farnsworth, who has been of great assistance in technical matters, suggested that I

get in touch with Dr. Sayre at Brookhaven. For his ready and helpful response I am indeed

deeply grateful.

2 Dr. Sayre reports that the copper concentrations of the first four pieces were so low that

the gamma ray peaks due to copper following neutron activation were just discernible and the

results were, therefore, only approximate. Accordingly the specimens were dissolved and the

copper determination redone by a sensitive colorimetric procedure which gave the results shown

here, these being of the same order of magnitude as the concentration estimates from neutron

activation. In the case of Nos. 3 and 5 the specimens were so small that the total amount of

copper was below the limits of quantitative determination but the neutron activation results

would indicate that the concentrations do not lie far below these limits.

Silver Analyses

633

The first four samples show concentrations of gold and copper markedly

lower than the averages for the fifth century "owls" while the fifth has con-

siderably less copper but about the same amount of gold as the "Wappen-

miinzen" average. Since it is likely that these variations reflect in some measure

the difference between ancient and modern mining techniques, the contem-

porary percentages are less significant for the readings themselves than for the

proof that they afford of disparity in the composition of Laurium silver. All

samples from the first gallery indicate an ore of extreme purity while the specimen

from a different gallery in the same region has substantially higher quantities

of both copper and gold, suggesting that silver from widely-separated mines

might reveal even greater diversity.

Data on the mines and analyses were then submitted to a mining engineer in

order to obtain technical advice on the extent of variation in metallic compo-

sition that would be considered normal in ore coming from a field as sizable

and diversified as that of Laurium. Mr. Sanford R. Knapp and several of his

associates in the mining firm of Taylor-Knapp Company most kindly prepared

a helpful memorandum giving their judgment on specific points at issue. In

essence, assuming a generally high grade silver ore, a wide variation in copper

and gold is to be expected from "pocket to pocket, between different veins or

seams in the same mine, from the surface to a 200-meter depth, and certainly

from different mines in a fifteen kilometer area." An additional factor to be

considered in relation to the copper content is variability in temperature con-

trol during the smelting and refining process. Certain pockets of ore might well

have contained as much or more copper as the amount found in some coins

and if the smelting pot were heated above the melting point of copper, which

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is 1088 C. as against 960.5 C. for silver, some portion of the copper would

mix and probably alloy with the silver.

With this background material in mind, let us turn to the analyses them-

selves. It is immediately apparent from the tabulation and graphs that there

is no consistent change, downward or upward, in gold or copper percentages.

What do emerge are three distinct patterns of gold and copper traces strikingly

paralleling the three chronological divisions of the coinage.1 For the Early

Period there is a great diversity of metallic composition, gold ranging from

1 The dividing line between Middle and Late Periods is seemingly identical with respect both

to the character of the coinage and its metallic composition, but there is an element of uncer-

tainty involving the striking of 132/1, for which we have no analyses. In some respects, notably

the size of the issue, it relates to the early Late Period emissions rather than to those of the

Middle Period. The division is less exact between Early and Middle Periods in that the three

analyses of 170/69, in copper percentages at least, are related to the Middle rather than the

Early Period. Actually it is also true that the coins, except that they still carry the names of

only two magistrates, have the basic characteristics of Middle Period issues.

634

The New Style Silver Coinage of Athens

0.0076 to 0.83 and copper from 0.035 to 5.3, with a notable lack of concen-

tration points. It is interesting that this diversity of composition is in keeping

with the character of the early coinage. The issues are uneven in size, some very

small and others extensive; the quality of the workmanship varies from ex-

cellent to mediocre or worse; the bullion supply seems to have been drawn from

a large number of relatively unproductive sources on the evidence of the control

combinations. It may be assumed that the range of copper and gold shown in

the analyses of the early coins is due, in part at least, to this circumstance that

ore was being obtained from small workings scattered over a wide area rather

than from a few rich lodes. Furthermore, the variation in copper content prob-

ably also reflects a carelessness in temperature control during the refining

process, which would be in accord with other indications of a generally un-

stable situation with regard to minting activity during the period in question.

It is perhaps significant that the earliest coins of Athens, the "Wappen-

miinzen" of the sixth century, show a lack of uniformity in composition very

similar to that of the coins of the early New Style series and it is likely that

the determining factors in both cases were roughly the same.1

By contrast the Middle Period shows a marked degree of consistency in

metallic composition, with gold concentrating at 0.09-0.25 and copper at

0.05-0.4. The coinage of this period is also far more homogeneous than that of

the Early Period. Its style is good to fair, its dies are in general carefully cut

and its production is relatively stable from year to year with bullion apparently

supplied from the yield of a few highly productive sources. Careful supervision

of the refining process and a uniform overall supply of metal from a limited

number of homogeneous deposits would seem to be the explanation of the con-

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sistent pattern of gold and copper content in the Middle Period. Again one

finds a parallel situation prevailing in early Athens. The "owls" of the fifth

century, minted from rich, deep veins of Laurium silver, show substantially

less gold and somewhat less copper than the New Style coins of the Middle

Period but they do resemble the latter in their uniformity of composition.2

For the Late Period the relationship between metallic composition and

other aspects of the coinage breaks down. Percentages are uniformly high,

concentrated between 0.25-0.5 gold and 1.5-5.5 copper, but there is no corre-

1 The distribution patterns of the two coinages are highly comparable and their average

gold percentages are identical: 0.12. For copper, the early New Style shows an average of 2.01

as against 0.84 in the case of the "Wappenmunzen" but this seems to me of no real significance

in view of the fact that copper content may depend largely on the competence and carefulness

of the workmen refining the ore.

a Average gold percentage for the New Style of the Middle Period is 0.17, for the fifth

century 0.026; average copper for the New Style is 0.20, for the fifth century 0.14.

Silver Analyses

635

sponding stability in mint operations. Style is uneven and generally poor,

emissions range from very large to very small, sources of silver for much of the

period are apparently both diversified and scanty. The high copper content in

all coins may well be the result of deliberate "adulteration" for the purpose

of strengthening the alloy or stretching the silver. Certainly carelessness in

temperature control, the explanation which best fits the fluctuating percent-

ages of the Early Period, is less likely to be the reason for the consistently high

readings of the Late Period.1 Increased gold content, however, is another

matter since this is something which could not have been altered in the refining

process. The puzzling aspect of the picture as it relates to the gold is not the

individual readingsisolated examples of even higher percentages are found

in the Middle Periodbut the fact that all readings are high. There is no wide

range of percentages such as one finds in both Early and Middle Periods.2

This distinctive pattern of gold content suggests at least that the answer lies

outside Laurium, in the importation of silver from abroad.

Even before any analyses had been made, the decline of coinage after

120 B.C., and especially the token strikings characteristic of the period be-

tween 111 and 88, had implied a growing scarcity of silver during the last

thirty-two years of the New Style period. From the new evidence of metallic

composition it would appear that at an even earlier date the Laurium mines

were being worked out and that supplementary sources were being tapped

throughout the Late Period. In this connection several factors may be of

significance. With the last issue of the Middle period, that of Dositheos and

Charias in 132/1, there is a marked increase in the amount of coinage. The first

1 Ardaillon (Les Mines du Laurion dans I'Antiquiti, pp. ii3f.) cites a few analyses of Athen-

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ian coins and comments on the higher percentages of copper found in the late issues. Rejecting

the theory that this was added deliberately, he suggests that after centuries of exploitation the

purer veins in the mines may have been worked out leaving only ore of inferior quality available

or that a general decadence in the mining industry resulted in less careful metallurgical processing.

It seem to me, however, that the element of deliberation is implicit in the high copper readings

of all coins of the Late Period. Adulteration is perhaps not the best word to describe the procedure

for copper was probably added outright to the silver only exceptionally, as in the case of Nos. 56

and 71 with their extremely high readings of over eleven per cent. A consistent heating of the

smelting pots above the melting point of copper would have produced a bullion of high copper

content and ultimately a coinage which, by comparison with that of the Middle Period, was to

all intents and purposes "adulterated".

* Mr. Knapp and his associates felt that the relatively uniform gold percentages might be

the result of increased overall production of silver from a greater variety of sources which would

tend to blend the gold content of the different ores closer to an average. This theory would serve

well enough for the first decade of the Late Period with its very heavy issues of coinage calling

for large supplies of silver but it would not explain the same high gold readings in later emissions

of very small size.

636

The New Style Silver Coinage of Athens

issue of the Late Period, that of Demetrios and Agathippos, is the largest

single emission of the entire New Style series. Forty-seven obverse dies are

employed in 131/0, three times as many as the average for the 142-132 decade.

The next two issues are also heavy and that of 124/3 with forty-two obverse

dies is the second largest striking of the coinage. This unusually extensive

production at the beginning of the Late Period, in sharp contrast to the lighter

emissions of the Middle Period, implies a great increase in bullion supply,

which is more likely to have come from abroad than from the long-worked

Laurium deposits. A contributing cause in the decline of Laurium is probably

to be found in the slave revolt of about this time.1 We know little of the

circumstances or extent of the insurrection but it must at the very least have

disrupted production. It may well have had more lasting effects in the destruc-

tion or crippling of mining properties.2 In any event the evidence of the coins

suggests that c. 132 B.C. Athens, for the first time in her history, was confronted

with the problem of finding a supplementary supply of silver adequate for her

monetary needs.

The source of this silver can be only a matter of conjecture but a Pontic

origin is a possibility, one might even say a strong possibility.3 The coinage

itself, in the Aristion-Philon issue of 129/8 with its drinking Pegasus symbol

1 Lauffer (Die Bergwerkssklaven von Laureion, pp. 999 f.) dates the beginning of the Laurium

rising to 134 B.C. and its suppression to 133. This would bring it some years earlier than the Delos

insurrection, which Lauffer assigns to 133 and Ferguson to 130 but which on the evidence of

two Delos hoards (p. 486) is conceivably as late as 129 B.C. The Attic and Delian revolts are

usually considered simultaneous outbreaks but, as Lauffer indicates, there are insufficient

grounds for this assumption. Diodorus mentions both in the same sentence but he also associates

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with them other uprisings in various places, all of which can scarcely have been contemporary.

2 In an article on Attic mines of the fourth century (Ann. Br. Sch. Athens, 1953, p. 247),

R. J. Hopper points out that silver-mining as a means of putting capital to profitable use was in

competition with other types of investment such as agriculture, other industry and mercantile

loans. When the margin of profit from mining operations was low in relation to the cost and risk

of developing the properties, one may be certain that potential investors would be reluctant

to engage in this form of speculative enterprise. If, as seems likely, the Laurium deposits were

already showing signs of exhaustion before the slave revolt, any damage resulting from the

uprising would have had serious consequences since the repair or replacement of the installations

would require a substantial outlay of capital without any prospect of adequate compensation

from the profits of the re-opened mines.

3 In very early times the mountains of Pontus, notably the Paryadres, were a rich source

of metal, including iron, copper and silver. Strabo (XII. 3. 19) describes the silver mines as no

longer productive in his day but Forbes (Metallurgy in Antiquity, pp. igof.) enumerates seven

important deposits of Pontic silver and makes special reference to the mines mentioned by Strabo.

saying that the latter's information must have been wrong since "the mines still contain enormous

amounts of galena." With regard to the richness of the Pontic deposits Forbes comments that

Pompey took 6000 talents from them and that even today they are by no means exhausted

Silver Analyses

637

and the Mithradates-Aristion issue of c. 121 with its regnal inscription and

symbol, bears witness to the fact that the close friendly ties which had long

existed between Athens and Pontus were still firm in the twenties of the

second century. It would surely have been natural for Athens in her financial

emergency to have turned to Mithradates V for help in securing foreign silver,

and it seems likely that the Pegasus of 129/8 and possibly the Gorgon's head

of 130/29 make grateful acknowledgement of this assistance. Is it only coin-

cidence that a reduction in the Athenian coinage is roughly contemporary

with Mithradates' death and that a further decline comes at about the time

his son Mithradates VI was beginning his military campaigns and presumably

initiating a coinage to finance them.1

As mentioned earlier, fourteen "suspect" coins were examined, with the

following results:

Copper %

Gold %

Catalogue No.

1. E-N

198/2

82.

0.089

1846

2. ETTirENH - ZflZANAPOZ

158/7

72.

0.17

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1362

3. MIKIftN - EYPYKAEI

156/5

92.

0.038

1895

4. KAPAIX - EPrOKAE

153/2

80.

0.12

1382f

5. ZflKPATHZ-AIONYZOAfl

148/7

8.2

0.26

1405

6. AAMflN - ZOZIKPATHZ

141/0

8.6

0.40

1407

7. GEOAOTOZ-KAEOOANHZ

188/7

1.9

0.47

1411d

8. 9EOAOTOZ-KAEOOANHZ

1.2

0.47

1413

9. NIKHTHZ-AIONYZIOZ

130/29

2.78

1418

10. EENOKAHI - APMCGENOZ

123/2

8.8

0.33

1420

11. AFTEAAIKflN - TOPriAZ

121/0

43.

638

The New Style Silver Coinage of Athens

plotted since the phenomenally high gold reading of 2.73 made it in some way

impossible to determine its copper content. The three remaining coins of the

"suspect" group (Nos. 10, 12-13) have readings not unlike those of genuine

Athenian coins of the Late Period. They are still "suspect" on the basis of

style but the case for separating them from the output of the Athenian mint

is not strengthened by the evidence of metallic composition.

In addition to the eighty-six coins already discussed, six tetradrachms

falling outside the New Style coinage proper were analyzed.

Nothing conclusive emerged from these analyses, which is not surprising.

The first three tetradrachms are examples of the coinage put out by Sulla

after his capture of Athens and almost certainly struck at the Athenian mint.

The silver, however, may be assumed to have come from a variety of sources

including coins in current circulation and temple treasure from Athens, Delphi

and Delos.

Analysis of the few Cretan pieces was undertaken to see whether their com-

position was in any respect distinctive since it is probable that some of the

earlier imitations of the New Style are of Cretan origin. Nothing can be proved

one way or the other. Crete must have imported her silver; she may well have

obtained some at least from Laurium. Her cities may have melted down old

coins of foreign issue for these scanty Cretan strikings.

D. Bronze Analyses

A number of Athenian bronze coins have been chemically analyzed. The

evidence of metallic composition which they provide, taken in conjunction

with the evidence of the bronze hoards discussed in an earlier section of this

study, is of considerable significance for the chronology of the New Style

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coinage and particularly for the dating of the Mithradates issue.

Most of the analyses below were originally published by Earle R. Caley

in The Composition of Ancient Greek Bronze Coins (pp. 24-59). This material,

supplemented by the results of tests on three other coins, was later tabulated

by the writer in connection with a discussion of the "cleruchy" issues of Athens

4. Hierapytna (Palm tree type of BMC, p. 48, 2)

5. Cydonia with Athenian types

6. Gortyna with Athenian types

1. tfl-

2. tfl-ffl

8. -

Copper % Gold %

0.90 0.58

4.0 0.41

1.2 0.47

0.88 0.42

4.1 0.84

1.4 0.43

Bronze Analyses

639

(Hesp., 1941, pp. 229f.). Eight additional analyses are in the present tabu-

lation.1

The pre-New Style and Imperial specimens included for purposes of com-

parison are identified only by reference to Les monnaies d'Athenes and their

order is that of Svoronos' plates. Brief type descriptions are associated with

the New Style pieces and their arrangement is roughly chronological.

Each result represents an average of two closely agreeing determinations.

In the case of analyses of more than one coin of the same type, the tabulation

gives an average for the three elements and for the ratio of lead to tin.2

Cm

Sn

Pb

Ratio

Pre-New Style

{Pb to Sn)

5 PI. 22, 85-45

89.49

8.69

1.71

.19

2 PL 22, 64-70

88.78

9.72

6.04

.62

85.75

11.10

2.79

.25

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4 PI. 22, 72-79

1 PI. 22, 80-84

82.38

8.41

9.22

1.09

2 PI. 22, 85-88

81.98

12.62

4.77

.87

2 PI. 24, 10-16

86.88

8.79

3.91

.44

1 PI. 24, 42-50

87.49

10.67

1.29

.12

2 PI. 24, 51-57

87.89

10.58

1.71

.16

New Style

1 Athena hd. Corinthian helmet/Zeus lowered

arm, prow symbol. PI. 81, 9-16

88.74

11.10

.22

.02

1 Athena hd. Cor. helmet /Zeus hurling ful-

men, eagle and cornucopiae. BMC 548

86.88

10.56

2.73

.26

640

The New Style Silver Coinage of Athens

Cu Sn Pb Ratio

(Pb to Sn)

New Style

Athena hd. Cor. helmet/Zeus hurling ful-

men, pilei symbol. PI. 81, 83-89

88.86

9.36

1.03

.11

Athena hd. Attic helmet/Owl on amphora,

no symbol. PI. 79, 1-7

84.96

9.89

5.15

.59

Athena hd. Attic helmet /Tripod. PI. 80, 1-7

81.25

8.54

9.93

1.16

Gorgon's hd./Athena advancing. PI. 25,

75.13

8.25

15.31

1.86

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22-28

Athena hd. Cor. helmet/Zeus hurling ful-

men, star and crescents. PI. 81, 45-48

78.42

7.96

12.33

1.55

Athena hd. Attic helmet/Sphinx. PI. 80,

18-21

74.99

6.59

17.49

2.65

Dionysos hd./Athena advancing. PI. 25,

29-82

78.16

7.54

18.82

2.49

Athena hd. Attic helmet/Owl on amphora,

cicada. PI. 79, 88-42

75.73

6.02

17.72

2.94

Athena hd. Attic helmet/Athena advancing,

owl at feet. PI. 80, 29-82

78.60

6.89

18.68

2.71

Zeus hd. /Dionysos hd. PI. 25, 86-42

70.25

Bronze Analyses

641

of the next three issues is suggested by the relative wear of coins in the first

Attic Hoard recorded by Bellinger (NNM 42, pp. 1-9). That these four strikings

came before all or most of the nine emissions which conclude the New Style

listing is established by the composition of the eight bronze hoards mentioned.

Some of the last nine issues can be associated with particular silver strikings

and given a definite place in the chronological sequence: the Gorgon's head/

Athena advancing bronze is linked with the Niketes-Dionysios silver of

180/29; the Athena head/Sphinx with Diophantos-Aischines of 108/7; the

Athena head/Owl and cicada with Demochares-Pammenes of 100/99 and pos-

sibly the Athena head/Athena advancing with Diokles Meli-Medeios of 89/8.

Other issues owe their placement chiefly to the relationship between their

metallic composition and that of the dated issues.

The significant factors in these analyses are the amount of lead present and

the proportion of lead to tin. Caley (op. cit., pp. 186-149) suggests that the

high percentage of tin in early bronzes may have been due to inexperience on

the part of mint officials undertaking production of a new currency, a tend-

ency to use the same kind of alloy that had proved successful for other purposes,

such as statues, without realizing that its hardness and brittleness made it

unsuitable for coinage. Gradually correction was made in the interests of malle-

ability. However, since the advantages of leading cease when the proportion

exceeds a certain limit, about 5% or a little more, after which the alloy be-

comes too soft and weak, it is apparent that the over-leading which charac-

terizes much of the New Style coinage was the result of other considerations.

These probably involved the higher cost of tin and its increasing scarcity after

the destruction of Carthage and the consequent disappearance of the Cartha-

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ginian trade in tin. Certainly for Athens it would have been far cheaper and

easier to use the lead of Laurium than to import tin from abroad.

From the tabulation it seems quite clear that lead percentages and the

lead-tin ratios correlate closely with the dates of the coinage. In the third

century bronze the proportion of lead is consistently below 10% and generally

below 5%, the ratio less than 1% in all cases but one. The earliest New Style

strikings show a similar pattern with very little lead, even less on the whole

than is found in the pre-New Style coins.1 Later New Style pieces have con-

siderably more lead and it is noteworthy that for issues which can be dated

with precision there is a direct relationship between the amount of lead and

the lateness of the emission. With the Imperial coinage, excessive proportions

of lead make their appearance in all specimens except the last three entries.

1 Caley notes (p. 43) that there is frequently a "tendency of the earliest coins of an entirely

new series to contain a greater proportion of tin and a smaller proportion of lead than the coins

at the end of an immediately preceding long series."

41

642

The New Style Silver Coinage of Athens

These would seem on the basis of style to belong early in the Imperial sequence,

which would explain their comparatively low lead percentages, the first issues

of a new series being better in composition than the last of the series imme-

diately preceding.

It cannot, of course, be supposed that analysis alone will provide a tight

chronological sequence. As will be noted, the individual results from several

coins of the same issue show variations in lead percentages and in lead-tin

ratios. Even greater variation might reasonably be expected from bronzes of

different years no matter how closely associated in time. Furthermore an

absolutely consistent progression cannot be assumed. The alloy of one year

will not inevitably be poorer than that of the year or years previous; it may

for one reason or another be slightly better. Still the overall pattern is un-

mistakable: a substantial difference in lead percentages and lead-tin ratios

may safely be taken as indication of a chronological disparity while a notable

correspondence implies relative proximity of emission. The last five issues of

the New Style section of the tabulation presumably belong to the final years

of the coinage, roughly between 110 and 87 B.C.; the Mithradates bronze

should be closer in time to the Gorgon's head striking of 130/29; the entries

just preceding are seemingly even earlier.

E. Weights

In determining average weights for the listing below and in drawing up the

six frequency tables which follow, coins of less than 16 grams and mutilated

or badly corroded pieces have been omitted. The weights that have been used

are, I fear, not invariably above suspicion1 so that the results of the tabula-

tions must be interpreted with a degree of caution.

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Year Number of tetradrachms Average weight Individual weights

of 17 gr. or more

196/5 8 17.16 17.00, 17.19, 17.30

195/4 10 16.82 17.05(2), 17.06, 17.07

194/3 8 16.93 17.04, 17.20, 17.28

193/2 10 16.94 17.05, 17.08, 17.09

192/1 1 16.75

1 Many are derived from sales catalogues and it is often true that different weights for the

same coin are given in the different listings. Usually the variation is not great but there is one

instance of an early reading of 17.40 and a later record of 15.79 grams.

Some of the weights in excess of 17 grams are for coins in trade but others relate to museum

pieces, a number of which have been checked and found accurate. Individual tetradrachms

weighing over 17.50 grams do exist.

Weights

643

Year

Number of tetradrachms

Average weight

Individual weights

of 17 gr. or more

191/0

12

16.88

17.00, 17.05, 17.07

190/89

17

16.68

17.05, 17.06

189/8

14

16.71

17.01

188/7

20

16.57

187/6

21

16.60

186/5

20

185/4

21

16.44

184/8

34

16.56

183/2

19

16.75

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16.58

17.05, 17.10

182/1

15

16.52

181/0

87

16.59

17.24

180/79

31

16.57

179/8

20

16.52

178/7

24

16.54

177/6

25

16.65

17.00, 17.17

176/5

24

16.56

17.00

175/4

30

16.46

174/3

48

16.55

173/2

33

644 The New Style Silver Coinage of Athens

Year Number of tetradrachms Average weight Individual weights

of 17 gr. or more

150/49

102

16.54

149/8

84

16.57

148/7

94

16.57

17.05

147/6

86

16.52

146/5

67

16.52

145/4

78

16.55

144/8

108

16.59

17.07

148/2

16.51

17.00

142/1

70

16.52

17.00

141/0

77

16.49

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78

140/89

59

16.50

189/8

87

16.48

188/7

99

16.55

187/6

84

16.45

136/5

48

16.45

17.04

185/4

44

16.47

184/8

52

16.48

188/2

87

16.87

132/1

67

16.44

181/0

94

16.42

180/29

101

Weights

645

Year

Number of tetradrachms

A verage weight

Individual weights

of 17 gr. or more

112/1

10

16.77

17.01(2)

111/0

16.67

110/09

16.80

17.05

108/7

16.45

107/6

16.54

106/5

16.57

16.23

104/8

16.64

108/2

16.56

101/0

16.25

99/8

16.68

98/7

16.72

97/6

16.39

96/5

16.76

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105/4

17.00, 17.01, 17.29

95/4

16.82

94/8

16.97

17.05, 17.19

98/2

16.71

92/1

16.48

91/0

16.89

90/89

646

The New Style Silver Coinage of Athens

196/5-187/6 (116 coins)

17.30

17.20

17.10

17.00

16.90

16.80

16.70

16.60

16.50

16.40

16.30

16.20

16.10

16.00

17.30

17.20

17.10

17.00

16.90

16.80

16.70

16.60

16.50

16.40

16.20

16.10

lG.no

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16.30

171/0-170/69 . ,

168/7-167/6 (265 C0U,S'

Any more precise calculation than this would be of dubious value in view

of the uncertainty as to the accuracy of much of the data. One can feel reason-

ably certain of only the overall pattern: tetradrachms of good weight in the

initial years of the series, somewhat lighter coins during most of the middle

years, a further reduction c. 132-130 coinciding with the period when the

Laurium mines were seemingly showing signs of exhaustion, and finally after

120/19 a return to the higher standard of the first issues.1

1 It is conceivable that this higher standard toward the end of the second century is in some

way related to the decree on weights and measures (IG II2 1013) which prescribes a general

tightening up of the standards and fixes the value of the commercial mina in terms of the coinage.

But if the rather confusing equations outlined in the decree do imply any improvement in the

standard of the coinage, I confess that I am unable to comprehend the connection. Ferguson

(Klio, 1904, pp. 8-9) assigns the inscription to 103/2 B.C. but Roussel (DCA, p. 120, n. 3) believes

that its date is entirely uncertain. If it belongs to the last years of the century, it is unlikely that

any adjustment of the weight standard of the coinage is involved for there is no evidence of a

change in the standard at that time.

Weights

647

!5S.'7-157/6 (348 coins)

149/8-148/7 (178 coins)

Wide variation in weight of well-preserved tetradrachms of all periods

suggests that the mint did not attempt to strike individual coins in absolute

or even close conformity to the prevailing standard. Rather one assumes that

the treasury supplied a certain weight of silver from which it expected a

certain number of tetradrachms to be struck and that weight correspondence

of individual pieces was largely dependent on the skill of the workman de-

tailed to prepare the flans. A yield of 1550 tetradrachms per talent for the

early and late years, 1560 for the middle years and 1570 for the period of greatest

decline would be in rough accord with the readings of the frequency tables.

That the mint's basic concern was with the number of coins from a given

weight of metal rather than with the weight of each piece is further suggested

by the results of adding the weights of two large lots of coins. Five hundred

tetradrachms representing all specimens of the listing above for the years 164/3

through 158/7 gave a grand total of 8289.07 grams; five hundred tetradrachms

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of the years 157/6, 156/5, 154/3 and 153/2 (with the omission of five coins)

648

The New Style Silver Coinage of Athens

182/1-180/89 (262 coins)

17.80

17.20

17.10

17.00

16.90

16.80

16.70

16.60

16.50

16.40

16.30

16.20

16.10

16.00

17.30

17.20

17.10

17.00

16.90

16.80

16.70

16.60

16.50

16.40

16.20

16.10

16.00

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16.80

120/19-87/6 (203 coins)

gave a total of 8302.54 grams. Despite individual variations of as much as a

gram or more in both groups of coins, the total for the first lot of tetradrachms

was lighter than that of the slightly later lot by less than the weight of a single

tetradrachm: 18.47 grams.

F. Die Positions

Die axes are adjusted vertically in the vast majority of cases but in all

except five issues of the Early Period and in all but five of the Middle Period

there are examples of minor deviation. Seven strikings between 131/0 and

112/1 also show some irregularity. With the exception of one grain-ear drachm

which is related f ->, the inclination is always very slightly to the left or right

of the vertical position. Through 184/3 the tilt is usually right, between 183/2

and 174/3 about equally divided left and right, from 173/2 through 141/0

Die Positions

649

almost invariably left and after that date almost invariably right as in the

initial phase of the coinage. The period of greatest deviation occurs between

174/3 and 150/49; before and after those years there are only a few examples

per issue of aberrant position.

The inclination may be the result of carelessness or, more likely, of an

adjustment made by means of a line through the front or nape of the neck

rather than through the center.1 It would seem to have no significance except

as a record of the varying techniques or work habits of individual mint em-

ployees.

195/4 /

171/0

150/49 \

192/1 /

170/69 / \

149/8 /\

190/80 /

169/8

148/7 \

189/8 /

168/7

147/6 /\

188/7 /

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167/6

146/5 \

187/6 /\

166/5

145/4 \

186/5 /

165/4

142/1 /\

185/4 /

164/8

141/0 /\

184/8 /

168/2

188/7 /

183/2 /\

162/1

187/6 /

182/1 /

161/0

136/5 /

181/0 /\

160/59

185/4 /

180/79 \

159/8

138/2 /

179/8 \

158/7

132/1 /

180-170 (drs.) /->

157/6

180/29 /

The New Style Silver Coinage of Athens

I I I I H I I I I I I I I I I I I I I I I I I 00 I I

I I I I i-H I I I I I I I I I I I I I I I I I I <?J ! I

I I I I <-H I I I I I I I I I I I I I I I I I I <3 I!

I I I 1^1 I I ti I I I I CM I I I I I <S I ~h I 3 I

I I I <M I I I i' I I I lrH| | | | | ^ I ( I fc- J I

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o 1 7 1 x1 1 1

Annual Distribution

651

I OS

I OS t-

I US OS

I CO OS

t- co

t- O

CM <N t-h

M N 00

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(C * M M H i-l H I I 91 SI IN H I I I I I

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10 <o so ^ 9)M33<eHt>(Ba^[-teo<o

Oh (N Ol fll !D 00 COt-00HCOlfiH(O00(S>O5^

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652

The New Style Silver Coinage of Athens

J3

rt

rt

tn

t9

4-1

rt

i-

-9

. > <u

$3

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OQ

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66

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Ll

Zf

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961

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69

68

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851

f6

OL

19

86

LZ

96

08

06

91

56

81

91

LI

61

OT

61

16

91

17

25

No. of

Coins

28

66

94

Rev.

Dies

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No. of Tetradrachm totals Drachm totals Hemidrachm totals

Rev.

Dies

11

88

49

Obv.

Dies

Annual Distribution

655

For one section of the coinage, namely that struck between 168/7 and 121/0,

it may be assumed that the large number of surviving specimens and dies pro-

vides a reasonably accurate reflection of the month by month operations of

the mint. The production schedule of each year, the obverse and reverse dies

in use and their longevity, the rotating third magistrates, the distribution of

the control combinations, and the extent to which recutting and transferal of

dies was practiced are all a matter of record. The pattern as it emerges, both

in detail and in broad outline, is of considerable interest and since this is the

only Greek coinage for which we have data on so comprehensive a scale, it has

seemed worthwhile to present the picture in full. This has been done on the

pages that follow by means of a series of diagrammatical outlines embodying

the information available for each issue.

The arrangement is by months and third magistrates. Under the name of

each official are recorded the obverse dies, numbered to correspond with the

catalogue entries, in operation during the tenure of that particular magistrate.

Long vertical lines down from the names indicate tetradrachm dies, shorter

lines drachm and hemidrachm obverses. Below the number of the obverse die

is a listing of the control combinations found on reverses employed with that

obverse during the month in question. Every control combination then repre-

sents a reverse die but the order of entry is in most cases arbitrary.1 Transfer

of a reverse from one obverse to another or from one magistrate to another

is denoted by broken lines. When the shift is within a single month under a

single magistrate, there will be no recutting involved unless it be of one control

combination over another. In such instances the sequence of controls is rec-

orded by an arrow indicating the direction in which the die has moved.

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When a reverse is transferred from month to month or from magistrate to

magistrate, recutting of the amphora letter or magistrate's name or both has

taken place.

The conventions described may be more easily understood in relation to a

definite issue. In 167/6, for example, coinage under the annual magistrates

MENEA and ETlirENO is struck in every month of an intercalary year except M,

the space between A and N signifying the interruption. A single third magis-

trate is associated with each month's coinage except in Z which is shared by

and 25 for hemidrachmsa grand total of 1293. The running inventory numbers of the cata-

logue bring the figure to 1272. This discrepancy of 21 is due to the designation by X

numbers of 19 tetradrachm obverses and 2 drachm obverses, added after the catalogue had

been completed.

1 The sequence of reverse dies within a given month can be determined only in relation to

an obverse which develops flaws. Occasionally the transfer of a reverse from one month to the

next establishes that die as the last or first of a series.

656

The New Style Silver Coinage of Athens

IQQA and EniTO either in rotation or concurrently.1 Two to three tetradrachm

obverses are in operation every month, with the exception of E and I for which

we have evidence of only one,2 with from one to six reverses associated with

a single obverse. The life of these obverses ranges from one month (No. 352)

to five (Nos. 353-354).3 In 167/6 drachms and hemidrachms are also struck:

Nos. 356-358 representing the former and No. 359 the latter. Six instances of

transfer of reverse dies are recorded but only one involves recutting. A reverse

stamped with the HP control combination is used by NIKOr in month H; it

continues in use under his son and successor, NIKOr NE, in month 0 with NE

added to NIKOr in the field and 0 cut over H on the amphora.

For the diagrams as a whole, certain shortcuts have been taken in the in-

terests of clarity and space conservation. Only the first two letters of a control

combination are given although up to four letters may be inscribed on the dies.

Control combinations which are entered in the catalogue as in some degree

uncertain are here given without qualification, the question mark, standing

alone, being reserved for wholly illegible readings. Only obverse die numbers

are recorded in connection with the fractions. This is usually all the information

that we have since control letters rarely appear on the smaller coins. To have

added them when they do occur and to have marked out the comparatively

few instances of transferred reverses would, it seems to me, have confused the

charts without commensurate gain since the fractions represent a minor part

of the silver emission during the New Style period.

There are other omissions which are of greater importance but unfortu-

nately unavoidable. If a tetradrachm reverse has an illegible amphora letter

and the third magistrate associated with it is known to have served for more

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than a single month, one cannot tell with which month the die belongs and it

must be omitted from the diagram. In the case of a recut name, there is no

way of connecting the earlier form of the reverse with a particular obverse die

unless we have examples of the reverse in both stages. Omissions in these two

categories are fairly numerous and, of course, affect the completeness of the

record. With respect to the fractions, dies on which the date is uncertain and

1 In the case of two or more magistrates linked with a single month, the sequence of the

diagram is usually based on the evidence of recut names, progressive deterioration of an obverse

die or association of an official with another month. Since Z24>A of 167/6 had been connected

with epsilon, coins with his name probably belong at the beginning of zeta. It is possible, of course,

that those with ETTirO's name are contemporary rather than subsequent.

2 With regard to iota it is evident that there is a gap in the record. Obverse 354 is used in

theta and again in kappa and was almost certainly also employed in iota. Lacunas such as this

will be discussed in more detail in connection with the interpretation of the diagrams.

3 As indicated in the note immediately preceding, No. 354 was surely used in iota as well

as in theta, kappa, lambda and mm.

Annual Distribution

657

the third magistrate's name ambiguous1 have of necessity been omitted. In

a very few instances, however, a hemidrachm striking which could be linked

with either of two magistrates has been assigned to the one under whom

drachms were struck since hemidrachms normally appear in months during

which the larger fractions were issued.

The information in the diagrams is then fragmentary to an even greater

degree than in the catalogue. Some of the gaps can be filled in with relative

certainty, others are beyond repair in the present state of our evidence. What

we have in essence is a skeleton, from which the anatomy of the coinage if not

its fully rounded form can be deduced. Nevertheless even this is remark-

ably helpful.

1 For example, TTOA on a hemidrachm of HPA - APIZTOO (No. 346) may be an abbre-

viation for TTOAYX of alpha or TTOAYM of delta and epsilon. Since dates are not inscribed on the

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hemidrachms a definite association cannot be made.

658

The New Style Silver Coinage of Athens

hpa - apiztoo

(168/7)

TOAYX (A)

324 330 331

HPAKfl (9)

I 344

837

HP

MENEA (B)

In

I 341

380 331

AN ANTA

AN HP TA

HP

<DIAAN (I)

335 337

AN TA

AN TA

HP

HP

TA

AHMH (O

I 341 342

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330 331 332

AN HP HP

HP HP

nOAYM (A)

I1III

342 343 344

332 333

HP AN

IIOAYM (E) <DlAn (E)

332 333

TAfA

APXE (Z)

"346

344

333 334 335

AN TA TA

AN

APXE (E)

333 33G

AN TA

TA

BAZIAE (K)

II

345

AN TA

ETTI5TP (A)

lis

I 345

335 339

HP AN TA TA

AN AN--AN TA

API2TOK (M)

339 340

TAHP AN

TAHP AN

TA

336

HP

EXE(H)

IP

I 344

335 336

AN TA

Annual Distribution

659

GEOOP (A)

350

347 348

TA TA AN HP

TA HP AN in

MENEA - EnirENO

(167/6)

NIKOr(H)

851

HP-

356 357

353

HP

ME

:-HP

AIOAO (B)

I I I 356

347 348 349

FA in TA HP TA

in HP HP HI

NIKOr NE (9)

3511 353 354

KD' HPME HP

HP ME I<J>

oiAoe (O

356

348

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359

in HP

in

849

TA

350

OOEAOY (A)

348 350

in in TA

HPHP TA

m TA

inOA (E)

351

AYIAN (I)

I 359

357

853

HP IO

HP ME

AAEEA (K)

357 358

353

HP

354 355

HP HP

Z<|>.I<p

ME

EYPYK(A)

358

354 355

ME IO

? ME

ma>A (Z) Eniro (Z) apiite (N)

356 I I 356 357 | |

351 352 353 354 355

AI HP ME ME ME-ME

10 HP ME-ME IO

66o

The New Style Silver Coinage of Athens

A0P09 (A)

"375

309

360 361

Z4> 2<t>

20>

Z4>

362

ME

ME

ME

TIMAPXOY - NIKArO

(166/5)

APXE2(H)

I I 375

371 372

864

ME

ME

MNA2IK(B)

361 362 363

2<t> ME 2<t>

AMcDIKPATI (Q

369

362 363

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ME 2<t>

ZO-20>

2<D

2021 fE (A)

"375

369

362 363 364

ME ME2<D 24>

MEXD

MENAN (E)

f 369

364

MENANAP02 (9)

372

364 365

ME 2<D

KAEQN (I)

372

366 367 368

20> 2<t> ME

ME

20

ANT10X02 (K)

367 368

ME ME

ME

2<D

OANOKAE (A)

373

367 368

ME ME

20) 2<I>

AY2IA (Z)

364 365

2<D ME

ME 20

Annual Distribution

OANO (A)

~~r

878

nOAYXAPM - NIKOr

(165/4)

AHM0I6E (B)

373

868 876

Al Al

2<J>

AIANTI (B)

376 877

Z<D io

(DIAOAO (O

376 378

ME ME

ATTOAAnNIA (A)

-i

382

381

378

ME

Al

AIONYIIOY (E)

381

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378 379

Al ME

2tt

0EMIITOKAH (Z)

378 379

..Al ME

Al _. XJ> .

I<t> ME

Al ME

EME

662

The New Style Silver Coinage of Athens

AfiPOGE - AIO<D

(164/3)

-(A)

| 39

391

383 384

ME. A! Al

ZO Al10

NIKOAQ (H)

394

388 389

Al ME

Al-Al

ME-ME

AUXINHI (H)

| 394

389

Al

AIOKAE (B)

AIZXINHZ (9)

391

383 384 385 386 I

ME AIM_ Al ZO .?

ME AIME AI

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AHMH OYAI (Q

385 386

AI Al

ME

AIONY(K)

AHMH OYAI (A) j""^

r~] 390

392 ME

387 Al

Z<D

AHMH OYA (E)

387

ME

XAPMI (A)

| 895

394

389 390

ME Al

Z<t> ZO

Al

AHMH OYA (Z) ANTIAOX (M)

~T FT"1

388 889 390

ZO Al ME

Al ZO V Al'

Annual Distribution

ANTIAOX (A)

ANTI0X02 - NIKOr and KAPAIXOI

(168/2)

AP!ITO(H?)

896 897

ME in

HI-in

400

in

NIKnN (B)

402

396 397

ME in

10

IAPATTI (0)

399 400

10) IO

10

in

ABPnN (Q

402

396 897

ME 10

EYNOM (I?)

400

in

402

896

897

ME

ME

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EIPHNA (A)

AfAGA (K)

399 400 401

m~*io-io

in-in

IKYMNOI(E)

| 403

402

897

iom

in ME

EYMAXOI (E)

403

402

897

ME

ME

HfHMn (A)

401

ME

in

npmorE (Z)

398 899

m in

ME

664

The New Style Silver Coinage of Athens

9E00PA - lOTAI

(162/1)

HrHMn (A) HPAKX2N (A)

401 406

me in

OIAHM (B)

in

411

405 406

10IO in

10 znm

EYKAHI(0

406 407

ZQ---Zfl

Z<t>

TTEIZfiN (A)

401

Z<t>

"1

411

404

20

405 406

m---m

in in

ZO

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MEME

AA1N (6)

I 411

408

in

APIZT (I)

411

409

za>

AMOIK (K)

I 411

409 410

ME IO

MEME

NIKOK(A)

407

ZO

410

ZQ

inKPA (E)

407 408

in ME

nOAYKAH (Z)

( 411

408

ATOAAn (H)

[~411

408

in

HP

NIKOK (M)

409

ME

in

OAAAI (N)

409 410

io m

ME

Annual Distribution

665

ETTIAI02(A)

419

413 414 415

ED ME SD

AIOrE - TTOIEI

(161/0)

6E0A0T (H)

417 418

Al SD

ME

AHMH (B)

414

ME

415

SD AI-

MEAI

419

416

"A,SD

aP

EPMOKPA (0)

417 418

ME Al

419

415

ME

ME

ME

416

SD

Al

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AIO (O

(DIAIQ (E) HfEMA (E)

416 416X 417

ME SD Al M_

Al MEME

AflPOGE (Z)

417 418

a>MC ai

? ME

666

The New Style Silver Coinage of Athens

axaioz - HAI

(160/59)

EPMOKPA (6)

411

422 423 418

ME AlAl Al

2<t>

HPAKAEI (0)

421

ME

423 425

AIXD ME

Al?

NIKANnP(9?)

422

ME

EYAHMOS (O

| 411

11 422 423

Al Xt> *t>

ME Al

irrnoNiKos (A)

411

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421 423 424

ME 10 Al

NIKANQN (f?)

423

nY60KAHI (!)

425 426 427

ME MEXD 10

Al??

ATTOAAOAn (K)

425 426 427

Al ?-MEZO Al

SD? MEZO?

MHTPOAQ (A)

KAEAPX (E)

421 424

ME?

ME

KAEAPX (Z)

424

ME

EYAH (Z)

421 423

ME Al

ME

425 426 427

ME *D ME

? Al Z<D

Al

SnilBIOZ (M)

425 426 427

ME ME Z4> Al

ME ME SD

Annual Distribution

667

AYZAN - TAAYKOZ

(159/8)

lEPn (A)

429

MEZO

ME ME

430

ZO

431

ZO

NIKflN (B)

429 431 432

Zn ME ME

ME ZO

AAMftN (H)

433 434 435

Zn ZO ME

01A0KPA (9)

433

20

440 440X

434 435 436

ZO ZO ME

zn Z<J>

ME ME

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AGHNOAn(0

430 432

Z<t> ME

? zn

KAEOOAN (A)

430 431

ZO ME

ZO

432

ZO

ME

MENEA (E)

431 432 433 434

>zo

20 ME za> ME ZH^ ME

AGHNOBI (I)

435 436

ME zn

ME

NIKOAn (K)

434 435 436 437

Z<t> ME ZO ME

Z<t> ME Zn ME

NIKANnP (A)

437 438 439

ZO ZnME ME

zoa zn? ME

zo zn? zo

ZO ? ME ME Zn

668

The New Style Silver Coinage of Athens

KAAAIKPA (A)

ETTirENH - ZQZANAPOZ

(158/7)

441

Al ME--

Al ME -

Al?

AIME-

442

MEzo-

MEZO

ME

459

443

.ZO

MOZXI (B)

ZO

ME

ME

Al

441 442 443 444 445

Al ME'Yo^e'aTaT'mE

ZOZOHPHPAI ME

ME 20 HP- HP^

j HP HPZ?

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EYMH (O

443 _ 445 446: 447 449

10 ME" ZOZO"mEZO Al 20 Al

20 ME 20ME-ME20 Al ZO

ZOZO ME ME HPHP

h,p np i

AEINOK(A)

445 446 448 449

ZO-ZO ME MEZO

TTP-nP MEAI

ME HP AI-,

HAIOAn (E)

449 450

zo np.-np hp

20AIAl HP

ZOAI ? ME

20 ME

MHTPO(Z)

449

Ar

450

ME

461

20

452 453 454

? ME Al

MHTPO Al (H)

454

451 452

TTP-TIP

20

ANTirONO (9)

460

452 453 454 455 456

TTP ME Al nP 20

ME Al

BOYAAP (I)

453 454 456 457

ME Al 20 nP

TTYGONI (K)

Annual Distribution

669

nOAEMON - AAKETHZ

(157/6)

6E0A0T0Z (A)

461 462 463 464 465 466

HI ME ?ZOZO 2X12X1 ME

20 5X1--2Q ME

ME

TIMQN (H)

469 470

ZO ME

ZO ME

471

zn

zn

nATPn (B)

474

473

464 465 466 467

zozo znzn-zn zn

zozn-znzn zo

zo ? znzn me

m zn m,e

AHMH (0

473

464 465 466

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ZO zn ME

zo zn ME

AlONYZOAn (A)

~474

465 466 467 468 469

zn ME ZOZO ZO

zn 20-

APIZ (0)

473

469 470 471

zo me zn

ZO ZOzo

ME

EYAI (I)

468

zn

473

469 470 471 472

ZO ME--ME ZO

i zn i

AnPO (K)

470 471 472

me zn zo

me zn zo

zo i

AITOAAOAn (E)

465 466 469 470

Zn ME ZOZO<--ME

ZOZO

AYKI(Z)

473

465 469 470 471

zn zo-zo zn

ME

670

The New Style Silver Coinage of Athens

MIKIQN - EYPYKAEI

(156/5)

apizto (A)

475 476 477 479 480

Zfi IOIO ME 10 Z-

Zn ME ME

ME

EYAN (H)

"493

491

483

ME

484

SO.

ME<--ZO'

in

485

ZO

AZKAH (B)

478 479 480

ME ME Z0

MEMEIO^Zn2"

AHMO (G)

484

ZO.

ZO

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10'

485 486

in zn

zn

487

ME HI

MEZO

MEZO

AIOKAHI (O

478 479 480

ML zo zn

me"2 zo z-

BOYKATTHZ(A)

479 480 481 482

zo znzn zo-zo

MEZnm me

ME J

ropnn (i)

492

486 487 488

m MEmtZOZW

APEZTOZ (K)

I 493

492

487 488 489 490

ME ZOZO ME ME ZflZQ

ME 10Zn ME ME 2X21-

ZnKPATHZ (E)

491

483 484 485

MEME^ Zn

ZO

me zo zn

nAPA (Z)

rn

483 484 485

zn me zo zo zn

ME ME 20 ZO

Annual Distribution

671

MHTPO (A)

494 495 496

ZO ME ME

AOPOAII1 - AnOAHSI

(155/4)

ZIMI (G)

[ 5^7

498 499

ME ZO

AHM0Z9(B?)

496X 497

ZO Al

AEINO (I)

500 501

ME?

MEIAfiN (O

497 498 499

? ME ZO

ZO

EYMAPEI (K)

500 501 502

ME Al Al

ME

KAAAIA (A) HfEMA (A)

Al

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497 498 499 500 500 501 502

Al ZO Z<t> ME

ME Al Zd>

ME

BAKXI (M)

500 502 503

ME ZO ME

ME

APIZTAP (Z)

501

498

ME Al

HPAKAEI (H)

672

The New Style Silver Coinage of Athens

EYPYKAEI - APIAPA

(154/3)

AAESAN (A)

503 508

ME AI

2HKPA (B)

503 509

ME-ME

rAI

506 523

510

-in

AIONY(r>

509

ME

1;

510 ; 1511

in-J; ai Ai-

m-

in

.1

innoNi (A)

509 510 512

ME

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ME in AI

AIOKA (E)

510 512

m AI

AI

IATY (Z)

512

512 513 514 515

AI AI m ME

AI

HPAKAEI (H)

HPAKAEI (0)

515 517 518

ME in?

ME pin

HPAKAEI (I)

515 !517

ME !in

i -m-

(DANOKPI (I)

515 517 518

ME A! AI

-IIQ

EENOKPA (K)

518

AI

HENOKPA (A)

517 618 519 520

in AI ME in-

in ME

APXin (M)

518 J 520 521

ai --inin

AI

ME

KAAAI (M)

518 520

AI-- in

KAAAI (N)

518 522

-AI ME

Annual Distribution

673

KAPAIX - EPTOKAE

(153/2)

TIMO (A)

~1

542

524 525 526

me 10

ME

in

XAI (H)

538 534 535

ME in?

Z<D

10

GEM I (B)

MENA(0

527

528

529

ME

ME--

-ME

2<t>

ME

in

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I<t>

527 528 529

MEML Xt>

? in

EYAH (A)

529 530 531

*t> ME in.

ME<-in'

I<D

XAI (0)

5:S:5

ME

534 585

xt>- m

536

ME

-ME

AIO<t> (I)

534 535 536 537

let) in*-, in 7-AI-

ME-|i--in ! ME

-? ii in-, i me

r'i-ME

11

Lr-rf

4...:.:

538

-AI

KD

xt>

10

OEIfcl (Kji

535 ;536! 538 539

m-J MEi-in ME

in 10

540

ME

in

KAE (E)

542

530 531 532

ME in I<D

674

The New Style Silver Coinage of Athens

ErriNi (A)

543 544

Al Zd>.

r-AI -Zd>

3D

EY^IA (B)

EYMA (0

543 544

Al-Al

543 J 544 545

Al i-ZO ME

Al Zd)

AOPOAIII - AlOrE

(152/1)

ePAZY(r)

543 545 546

Al ME Zd>-

A9H (H)

546 547

Z<D Al

ZflTTY (9)

550

ME

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ZQKPA (I)

znnY(H)

nn

548

Al

Al

549

Zd>

AIO (K)

546 548

Zd> Al

ZQKPA (G)

549. 550

Zd> ME

550

ME

0IAO2 (A)

EAIS (A)

543 544 546

Al ZO Zd)

Al ME ZO

EAIS (E)

543 544 546

Al ME ME Z<D

MEME ME ?.

XD J

A0H (Z)

544 546

ME Z

546

Zd>

548 549 550

Al Z<D ME

Al

ZATY (A)

548 550

Al ME

551

Zd>Z

ME

Al ME Z<DZ<D

Annual Distribution

675

ANTIOA (A)

578

AIONYII - AIONYII

(151/0)

MHTPO (H)

552 553 554 556 557

-AI ME Id) in ME ME Al

: ai in in -inAi-

566 567 568 569

m IOIO ME Al-

m IOIO ME

m 1$

671

-Al

APII (B)

554 556 557 558

m ME AIAI-Al

10

m --Al ME--, MEr-ME-

: m-;imi,--m

: iifEilLAi

-in-

559 660 661

IO ME IQ

550

10

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APIITAI (0

560 561 563

2<t> IO-IO

578

Al

559 560 561 562 563

IH ME Al IO Al Al

m mio ai

AHMOI(A)

APIITO (6)

569 570 571 572

IO m Al ME

ME m ME-ME

AIIXI (K)

569 570

io m

IO

571

Al

Al

573

ME

579

566 567 568 569 570 571

m IO ME IO m Al

Al IO Al

TIMfiN (I)

KAAAII (E)

564

Al

Al

505

ME

5G6

111

567

IO

MNHIAP (A)

569 570 571

676

The New Style Silver Coinage of Athens

AIONYZI (A)

AYIAN (Bj

581

nE

nE

nE-

582 !583 584

ME--! ZO AI--

ME :-nE-nE

-' 10-

HPAKAE(O

581 582 583

nE>ME zo

ME

HPAKAE (A)

582

ME

583

ZO

Al

AI-

584

Al-

AMMnNlOZ-KAAAIAZ

(150/49)

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577 580 581 582 583 584

ZO SO nE ME ZO Al-

AI .nE .-ME ZO

EYBOYAOZ (A)

83 584

583

ZO

ZO

EYBIOZ (H)

~r

588

ME<

AAKirmOZ (H)

585

ZO--. ZO

AAKinnoz (9)

586 588 589 590

ZO ME ZO M.E

OAYMniOZ (9)

585 590

>nE ME

BYTTAKOZ (I)

586 590 591

ZO MEKJItT ZO

i MEME i

BYTTAKOZ (K)

59^ 593

ZO nE

EYnOAE (A)

ZO

592 593

ZO nE-;

ZO

595

590 591 592 593

ME ZO ZO nE

nE

EYBOYAOZ (E)

84 58

51

Annual Distribution

677

6EMIZT0 - GEOnOMnOZ

(149/8)

OIAONI (A) AYZANI (H)

596 597 598 602 603

Al ME Al ME Al<-

AI ME

OlAfi (B)

599

ZO

AnOAAOOA (B)

AYZANI (9) AHMHTPI (6)

;<J7

5!

ME

ME

598 599

Al ZO

Al

010

601

ZO.

600 603

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ZO Al

600 602 603

ZO nE Al

MENOI (O

597

ME

Al

598 600 601

Al ZO ZQ

IP.

ZQ

APIZTO (I)

603 604 605 606

Al nE-nE ME

Al nE ME

nE

MENOI (A)

COO

, -Z<D

APIZTO (K)

603

604

G05

606

A!AI

Z4>

nE

ME

za>

ME

MENOI (E) OEOAflP (E)

600

-Z0>

610

597

ME

600

20

601

Al

GEOAfiP (Z) OEOrEN (Z)

cot

nE

678

The New Style Silver Coinage of Athens

A1TOAAOOA (A)

611 612 613 614 615

SO- SO

SO ME r-Z0

HI ME

SOKPATHS - AIONYSOAO

(148/7)

rTPOTOM (H)

620 622

SO 10

so

ZOIAOS (B)

ASKAATTON (9)

613 614

Hi ME

Hi

615

SO-

61G

SO.

SO SO'

so

626

617

ME

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619

621 622

SO SO

SO

MOYSAI (0

616 618

SO SO

AXAIOS (I)

SO

621

622

SO

SO

SO

APISTOS (A)

615 616 617 619

SO SO ME SO

SO

APTEMON (K)

618

ME

619

SO

621

SO

622

SO

627

623

SO

624

ME

625

ME

AGHNI (E)

I I I 627 628

615 617 619 620

SO ME SO SO

L..-...7 J

Annual Distribution

679

ANTIOANHZ (A)

MHTPOAfiPOZ - MIATIAAHZ and AHMOZ0EN

(147/6)

EYKAHZ(H)

629 630 631

ZO 20 ME

ZO ZO ME

632

ZO

633

TTE

TTE

637 639 640

ZO ZOZO

KAAAIZ (H)

In~n

I 646 647

637 638

ZO TIE

ZO

ANTIOANHZ (B)

629

ZO

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EPMOfENHZ (B)

630 631 633

E-nE TIE

ZO ME TIE

KAAAIZ (0)

639 640

ZO ME

TTYPPOZ (0

631

ME

632 633 634 635 C36

ZO E ZO_^ ME ZO

. zo

KAAAIO (A)

633 635

E ME

637

ZO

EYKPA (I)

640 641 642 643

ME ZO ZO nE

ME ZO ZO nE

0EOOI (K)

640 642 643

ME ZO ZO

nE

OlAOnO (K)

640

ME

KAAAIO (E)

APXIAZ (E)

633 635 637 638 639

nE ME ZO nE ZO

OlAOnO (A)

640 642 643

MEME^n nE

ZO u

APIZTOAH (Z) ZMIKY0 (M)

Js &4

635 637 638 639 640 643

ME ZO nE ZO ME nE ME

i ME ME

68o

The New Style Silver Coinage of Athens

AIOTIMOZ - MArAI

(146/5)

NIKOAHMOZ (A)

648 649

ME---ME

650

zo

661

TIE

TIE

665

652 653

ZOZO.

ZO'

ZO

ATTOAAflNlAHZ (H)

GGO

ZO

661 662

Z<t> ZO,

ZO'

zo

XAPINAYTHZ (B)

065

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654 655

Z<D 4--ZO

XAPINAYTHZ (f)

! 656 657 658

Z<D nE-nE

2<t>-. r-TTE ME

XAP.INAYTHZ (A)

<656

-ZO

658

>ME

Go!)

EXEZ9ENHZ(A)

655 657 658

nE-nE M

ZO

MEZ,

ME

:o

EXEZOENHZ (E)

657 658

nE ZO

KAAAIAAHZ (0)

658 660

ME-MTE

ME nE

AAMI0Z(9)

658 660

ME nE

AAMIOZ (I)

661 662

ZO>ZO-

ZO

goinoz

22

661 662

ZO ZO--

~668

GGG

663 664

!nE MEM_

ZO ZO n?MEME

HPAKAEOA(A)

Annual Distribution

681

eoi (A)

zn zn

ME

AION (B).

671 672

? ME

EYMAPEIAHZ - AAKlAAM and KAEOMEN

(145/4)

"1

685

669 670 671 672 673

ZO zn Zn^ ME?

673 674 675

10 ME 2X2

? zn

MHTP (H)

673

ZO

677 678

Zn r"ME

-ZQ i

G79

ZO

TIM^OK (95

ZO

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C73

678 ; 679

ME ! ZO

ME..L

680

ME

APIZ (O

676

673

ZO

677 678

ZQ ME

ZO

AET1N (I)

680

681

ME

ZO

ME

ZO

r-ME

AHMO (A)

673 677 678 679

ZO?

ZO

MEME 10

ME ZO

AHM (E)

673 677 679

zo zn zo--j

AZK(Z)

677 678 679 |

zn ME ZO~

zn ME

AEnN (K)

679 682

zo zn

nyppi (A)

TTYPPI (K)

683

682

The New Style Silver Coinage of Athens

NIKA (A)

686 687 688 689

r--ME ZOc-ZQZQ-;;Z0

!r-ME 10??

SO

AlONYIOAn (B)

686 687

ME ZO

: >zo>

088

Zn "-SO

ZO

689 690

ME

ME

XAPINAYTHZ - APIZTEAZ

(144/3)

AYKIZKO (H)

691 693 694

-Al ME ZO

-Al

AIONYZ (0)

692

694

-Al

zo

zn

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in-

EYAHMOZ (T)

688 689 690

Zn-jZOZO ME

! ZO-;

687 j 688 689

ZO! Al zn

izn

HPftKAEI (E)

688 ! 689 690

*AI | ZO ME

zn-i--zn ME

EniTI (Z)

688 689

ZQ r--?

9-.

690

ME

690

ME

691

ZO-

ZO

AnOAAOAn (Z)

691 092 693 694

-ZO r--Al I--ZO-ZO

!r-AI:

Emro (i)

691 692 694 693

ZO ME-

ME'

Alzo Al

ZO !~ZQ

GEOHE (A)

691

692

694

695 !i

-ZO

-zn

Annual Distribution

683

TIMOKPATHZ (A)

OANOKAHZ - AnOAAQNIOZ

(143/2)

AAE(H)

697 698 699

zn ZOZO zo

ZO ?--

700

zn-

701 702

ME ?-2<D-i

APIZTOAHMOZ (B)

700 701 702

h-zn ME ZO-

ME-

ZnZTPATDZ (O

700 701 J 702

-zn ME- ZO

eEOAflPOZ(H)

700

zn

EIPHNAI (6)

702 703! 705

zo<zo-I .zn

Z<D

Generated for anonymous on 2015-02-15 20:32 GMT / http://hdl.handle.net/2027/mdp.39015010306465


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zn 1

! zn...

jI

IEPDN ()

685

706

702 705

ZQZXJ 1 ME--v

->ZO

Z<D

OIAINOZ (I)

702 705 706 707

ZO zn ME?

zn 1 v

BAKXIOZ (A)

700 701

ZO ME

ME

li ToC

ZO

703

ZO

AAEEAN (Z)

701

ME

703

ZO-

704

ME

AZKAAnnN (K)

706 707

ME ZO

ZAT(A)

ZTPATIOZ (A)

705

zn

ZTPA (M)

707 !708

zo i--zo

705__.7P6__707( 708

ZCH

ZO.ME

684

The New Style Silver Coinage of Athens

EYBOYAIAHZ - ArAGOKAH

ZQIAOZ - EYANAPOZ

(142/1)

0IA09 (A)

710 711 714

ZO ZO ZO-

0EOA (A)

i-

712 713 709

i--zn-^n--, ME-

722

AYIin (B)

722

709

1>ME

ME

714

20-.

ZO

714

zo

.-10-,

ayzitt (o

713 714 715

i^

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-in --. ZO?

AYZIMEN (Q

709

ME

AZKAHTTl (H)

nOAYKPA (H)

715

ZO

ZOIAOZ (9)

714 715

-ZO ZO

-ZO i~

716

ME

eEOSEN (I)

714

i-ZO

717

719

ME

714 715 716!

-ZO I--IO-, ME-J

Ii

6EOEN (8)

I 722

716

ME

ZOKPAT (0

719 720

ME ME

ME

MENNON (A) AEINIAZ (A) ZOKPAT 09

713 714 709 714

-ZO ZO ME ZO

in

718

Z4>

AEINIAZ (E)

714

ZO

ZOKPAT (A)

Annual Distribution

685

KPITON (A)

AAMflN - 2H2IKPATH2

(141/0) ,

719 723 721 724

ME TTE 20? TTE

ME4--MEZO nE

ETTirEN (H)

726 728

1-nE ME

KPITON (B)

719 723 721 724

ME rAn 20 nE

.--20 .-nE

KPfrON (Q

719 ; 723

ME !An

724

nE

725

ME

NIKONO <JA)

721

r-20

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725 ! 726

ME !nE

NIKONO (0

i733

727

Artf

--me .-nE An

721

-nE

lAIfiN (E)

OEOAHP (E)

721

20

727

An

7i2S

ME-

721

.--SO

.: zp

724 726

nE .nE-

727

.-An<

728

ME

ME

eEOAHP (Z)

APIZTON (Z)

726 727 728

nE .-An ME

l.j

721 J 726 |727

20 --? !An

- ...nE1!

EnirEN (6)

726 727 728

nE An-An

.--ME

686

The New Style Silver Coinage of Athens

AAE5 (A)

747

729 780 781

ME An .-10

EYMHAOI - KAAAKDQN

(140/89)

HPA (H)

739 740 741

ME ZO J--ME-

ME!

I AAES (B)

ir. . .

>731 732 735 736

i-XO 20 An ZO

ZO--t

AAES (O

729 731 735 786

ME ZO._ An ZO-

AIOKA (A)

736 737 738

ZO An An-

AIOKA (E)

736 788 739

ZO

HPA (E)

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An MEfcJ

MEME

HPA (Z)

736

'10

738 740

An ZO

An

HPA (0)

740 741

ZO ME--

HPA (I)

742 743

An ZO

HPA (K)

742 743

An-. 10

740

786

789

! 740

744

745

ZO

ZO--;

ME

!-zn

ZO

ATI

ZO

ZO

ZO

740 741

ZO ME<

-HI ME

HPA (A)

747

743

ZO

HPA (M)

741 745 746

ME ME ZO

ME An ZO

Annual Distribution

687

HPAKAEIAH2 - EYKAH2

(139/8)

AIOK(A)

747

745 749

An ME

A2KAH (B)

745 750

An 20-

A2KAH (T)

749

ME

AIONYIO (0

745 749 750 751 762

An ME 202020 10

1010

20-.

APIZTON (A)

|751

2-20

752 753

20 20

An

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APIZTON (E)

nEieOAAKH)

753 755 ! 756

An ME ! ME--i

EYB0YA02(9)

756 757!

ME 20*2

ME

748

AlOfE (I)

753 755 756 757

An 20 ME 20

AlOfE? (K) AHM029 (K)

758

753

-An

AHM0I9 (A)

753 756

!-An ME

751 754

20 ME

API2TON (Z)

753

An-

M02XIQN(Z)

754 755

ME An 20

20

AHM029 (M)

757

20

20

688

The New Style Silver Coinage of Athens

AHMOZ (A)

; ahMoz (B)

759 760' 761 762

ZO ME An ZQ-

ZO .--ME ,-ATT

*I

I 760 ;761 762 768

S-ME i-ATT in ZOZO

6E0A0T0I - KAEOOANHZ

(138/7)

rME An

S!

zo-

ZnijAZ (B)

761 '762 763 764 765

An i-zn zo me zo

An-i zn .--zo ME~i!

-An! i zo ---

! 1!

ZQTAZ(O

762

764

765

766 j

767

ME-

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ZO

->ZO

An--:

zri

ME

ZO

An

zn

ME

An

zo

ZTAZ(A)

765 766 768

ZO An ME

AflPOeE (A)

765 766

ZO An

An

767

zn

768

ME

nAATON (A)

765

ZO

zo

766

75S

767 768

zn ME

An

EniMAXOZ (E)

I 758

765 768 769 770 771

ZO ME An ME ZO

ME An

EniMAXOZ (Z)

758

AYZinn (z)

Annual Distribution

EOAOTOI - KAEOOANHZ

(138/7)

nOTTAI (H)

774 775

An ME

TOnAI (G)

770 771 773 J774

ME 10 mXQ-!ATT

zo za--; An

nonAi (i)

71 775

:o An

AIONY (K)

773 775

ZD ME

AIONY (A)

774 775

AnAn

ME

AIONY (M)

771

ZO

773

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Creative Commons Attribution-NonCommercial-ShareAlike / http://www.hathitrust.org/access_use#cc-by-nc-sa-4.0

ZQ

6go

The New Style Silver Coinage of Athens

TIMAP (A)

HPAKAEIAHZ - EYKAHZ

(137/6)

ZQZIKP (H)

777 778 779

.-ME An

ZO

j TIMAP (B)

780

An

AIONYZOr (B)

T~1

799 800

778 779 780 781

-ME-j iAn ZO MEME--MEZO

An ZOrMEME-;ZOZO

ZQ| :1

AIONYZOr (0 XAPMIA (Q

800

778 782

An An

779 782 783

784

An

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r-ZO An ME-

XAPMIA (A)

779 782 783 784 785 786

'S.O An ME ZO ME ZQ--:

An i 1 i

. ...

XAPMIA (E)

782 784 785 786 I 787

An ZO ME ZQ- ME

JEQ

zqzikp (Z)

800

786 787 788 789 790

ZO

ZO

ZO

ME An

An

ZO

787

ME

788 789 790 791 792 793

An ZO ZO-T ME ZO zp

An

ZO [ ME

ZQZIKP (0)

789 791

ZO ME

ZQZIKP (I)

BAKX1 (I)

792

ZO

BAKXI (K)

789 793

in An

789 794 795

ZO ME r-ME

BAKXI (A)

793 794

Annual Distribution

691

ANAPEAZ - XAPINAYTHZ

(136/5)

KPIT (A)

795 797 798

zo ,riE An

! TIE-

T~l

800 810

KPIT (B)

1! 1

795

797

ZO t-TTE

801

>ME

"I

810

802

An

An

AMYNOMA(O

801 802 803 804

ME An ZO ME

An

AMYNOMA (A)

Generated for anonymous on 2015-02-15 20:33 GMT / http://hdl.handle.net/2027/mdp.39015010306465


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804 805

ZO ME nE

AHMHTP (H)

802 807 808

An ZO ME

AHMHTP (I)

r~

811

AHMHTP (K)

805

nE

AHMHTP (A)

802 808 809

v.An me nE

An zo

AMYNOMA (E) AHMHTP (M)

802?" 808 J9

n 10 ME nE

An

AMYNOMA (Z)

I I I I 810

802 804 805 806

An ME ME nE ZO

ME nE

692

The New Style Silver Coinage of Athens

XPYZ(A)

812 813

? -ME

?:

IKEZIOZ - AZKAHniAAHZ

(135/4)

809

814

TTE

ZO

10

6EOO (0)

820

20

TEIE (B)

rtf 11

i 811

812 i 813 814

TIE L-ME ZO

TEIZ (O

809 814

!-nE ZO

GEOO (I)

820

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ZO

6E0O (K)

817 818 819

TTE -TTE An

An:

TEIZ (A)

l 822

814

ZO

TEIZ (E)

809 814 815

TTE ZO ME

GEO (M)

817 818

ME TTE

820

ZO

9E0<D (Z)

814 816 817 818

ZO MEME TTE

6EOO (H)

817 .818 819

ME TTE An

Annual Distribution

693

TIMOZTPATOZ - TOZHZ

(134/3)

AION (B)

823 824 825 826

ME ZOZOnE ATT

ZO-? TTE

AAM (9)

828 829

ME r-TTE

AOPO (I)

829 ! 830

ITE ->ZO

TTE

EPMA (O

823 824 825 826

ME ZO TIE An

An

MHT(A)

825

-TTE

AAXHZ (E)

824 826 826X 827 828

ZO ?r-ME An ME

:~4 An

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AAXHZ (Z)

827 828 829

J-nE'/'-MEME-- n(E

AEY (H)

836

828 829 830

ME ?nE

ME nE

APIZ(K)

829 830 831 832

nE ZO-; An ME

APIZ(A);

829 830!

Tl

J837

rnE

zo!

ATOA (M)

838

829

-nE

nE

830j 832

?J

833

ME-ME

AnOA (N)

834!

ZO-!

835

AIT

6q4

The New Style Silver Coinage of Athens

AMOIKPATH2 - EniZTPATOI

(133/2)

KAEOMA (A) EYAI (H)

T~l

837 852

833 834 835 840 842 844 845 846

,-me ? An i nE r-An me An

?--; i

apittok(b) EYAI(e)

833 841 842 846

i-ME ZO so An

nE

APirroK (o

in

I 853

833 842

ME nE

EYAI (I)

846

rME

APIZTOK(A)

848

?--

EYAI (E)

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842 843

?-ME

HPOAO (A)

841 842 843 844

-20 nE ME An

EYAI (K)

842! 845 846

me!ME- An

EYAI (A)

842 847 848

nE ? nE

APIZT (A)

846 848 849 850

? nE ZO ME-

ME

EYAI (Z)

841

842

nE

ZO

apizt (M)

848 849 850 851

nE An zo me An

nEzo An

Annual Distribution

695

AQZI0EOZ - XAP1AZ

(132/1)

AION (A) ZOA (H)

847 850 851 854 855 863 867 868

TTE ME An ME ZO An ME ZO

TIE i An j TTE

AION (B)

877 878

NIK (B)

ZOA (9)

847 855 856 857 858

? ZO TTE ME TTE

ZO-

TTE-j ME-

! ME

NIK(0

ME

An

nE

TTE

TTE

AION (A)

861 862 863

An ME An

AION (E)

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864 865 866 867

nE ME-? ME

ZOZO

855 857 859

ZO -20 ATO-ME

ME ME?

TTE ZO-

863 867 868X 869

An nE ME ZO

S TA?(I)

11

870 870X

871

11

nE An-

ME

859X 860

861

ZO ZO

An

nE

XAIP (K)

nE

l1

869 870 j 872 .873

zo nE i-An-An

ZO

XAIP (A)

ZOA (A)

874 876

An ZO

An

ZOA(M)

874 875 876

An ME ZO

XAIP (M)

AION (Z)

873 876

871

An ZO ME

6g6

The New Style Silver Coinage of Athens

ahmhtpioz - ArAeinnoz

(181/0)

An (A) 01(A)

rm m

879 883 884 885 880 881 882

nE An ? 20 TIE zo An

ATT(B)

883 888 891 892 894

AH TTE nE ZO MH

ZO

<W(B.

>

86 8

(9 890 89

ME HE ME An--. ZO

OAY (B)

An

An(Q

883 891 892 895 896 897

An zo zo mh An An

890

An-

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01(0 i

- (D

899

MH

An (A)

892 897

zo An

AH(E)

898 899 900

nE ,MH ZO

ii

897 898 900 !904 909

An nE zo*nE nE

An S J

OI(E)

893 905 906 907 908

ZO nE- MH ZO MH

nE MH

OAY(E)

903 905 906 907

An nE MH ZO,

An :-nE MH ZO-

.10

(E)

899 900 901 902 904

MH MH--MH MH MH

An(Z)

904 909 910 911 912 914 915 916 917 918 919

nE nE AnAn mhmh zo zo zo mh zo An

An MHnE MH

-)

913

An

Annual Distribution

ATT(H)

909 917 918 921

TTE MH SO TIE

ahmhtpioz - ArAeinnos

(131/0)

OAY(H) -(H)

905

TTE

885 905 906 907 920

20 TTE MH ZO MH

TIE MH

An (9)

919 921

AU HE

TTE ,C

An (i)

885 899 921 924

ZO MH nE An

<w 0)

908 921 922 923

ME nE ZO MH

ZO

-0)

884 920

An MH

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An(K)

921 924

nE An

01 (K)

923

MH

-(K)

894

MH

MH

An (A)

921 925

TTE,IC MH

An<M)

922 924 925

zo An MH

Z0 TTE MH

698

The New Style Silver Coinage of Athens

NIKHTHI - A10NYZI0Z

(130/29)

AHMO (A)

932 933 j 934 936

MH TTE-* An 10

MH IO

MH

929 930 931 932 933 934 935

Z0~ -ZO~ -ZO MH TIE ATT ZO

r-TTE

AHMO (B)

AHMO (I")

APOMO (0

MENE(f)

933 935

TIE ZO

TIE

TAAY (A)

937 938 939 940

MH An ZO

MH An nEl,b

KAEI (E)

933 934 935 936

ZO

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An An ZO MH

935 937

? MH-

937 939 940 941 942

mh nE zo_n An nE

MHMH zoZO An??

gpa(Z)

941 942 943 944 945

An ,--nE

An

ZO

ZO

MH

Annual Distribution

ePA'(H)

942 !944 946 947

TTE-'An 10 An

N1KHTH2-AI0NYII0Z

(130/29)

SENO (H)

948 949

MH MH

MH

950

944 945 948 949 950 951 952

An MH MH MH nE nE^ nE

MH

An nE

EMBI (9)

949 952 953

MH nE An

An

954 955

10 nE

956

20

EMBI (K)

955 956

nE 20

958

An

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EMBI (A)

EMBI (M)

950 952 953 956 957 958 959 960 961

An 20 An 20 20 MH 20 MHnE MH

An MH | 20 nE? MH

700

The New Style Silver Coinage of Athens

APIZTIflN - OlAfiN

(129/8)

APOMO (A)

HriAI (H)

959 960- 961 963 964 970 971 972 973

20 ITE MH ZO An MH nE An-An_n

An 20

APOMO (B)

96^0 961

nE MH

APOMO (T)

960 963 964

nE 20 An

GEO (A)

961 965

? nE

GEO (E)

961 963 964 966 967

MH 20 An MH .--An

MH-i An J An

! An -1

HHA2 (9)

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970 974 975 976 977

mh nE-nE nE ,-An-

ATT!

HHA2 (I)

976 977 978 979 980

nEnE<"An 20 mhmh-mh

nE-: MHMH MH

Hf}A2 (K)

975 j 97C 977 j 978 979 981 982 983 984 985

An--nEnE-.An-j 20 mh nE ah 20 20 mh

nErnE j An mh i An 20

HflAS (A)

981 1984

nE !20

nE!

eEjD(Z)

967! 968 969 970

An l->20 nE MH

An 20?

20

HHA2 (M)

981 985 986 987

nE ? nE MH

MH

20

20

An

701

(128/7)

()

()

()

990 991 992 993 994 995 996

- -

^ -

1007

1008

1009

1010

()

()

996 997 998 999

.,, -

()

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1008 1009 1011

()

()

996 1000 1001

1011 1012

()

1010 1012 1013

()

996 999 1000

()

1011

()

1000 1002

()

1010

()

1012 1014

()

1000 1001 1002 1003 1004

1000 1003 1004 1005 1006 1007 1008 1009

- -

??

-_1

SN3HXV &0 30VNI03 H3A1IS 31A1S M3]tf 3HX

NV

HV NV

0801 6501

(W)

311

HV 311

8501 LTOI

(Z)

oz

oi an

mi izox

OZ

9501

(V)

OZ

9g()T

(X)

OZ i"\

550T I50T|

H7--J

0501

(V)

NV HV OZ

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JZ.0I 8501 5501

(I)

HV OZ

iiv hv an oz hv an iiv

1501 0501 6101 8101 8T0I MOT 9101

Q)

oz-oz-oz

9501 Sr-OX t50I

(e)

311 uv

JMOI 9I0T

(a)

(V)

(9/i5l)

(quadras) Z0N320WdV - IHVXON3S

73

-()

1032 1033

--

-()

1034

-(

1035

<

1038 1039

(126/5)

(1)

1044 1045 1046

()

1040 1041

7--- *

()

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1041 1042 1043

? ,

()

1046 1047

--,

()

1045 1047 1048

. -

()

1043

()

1047 1048

704

The New Style Silver Coinage of Athens

AHMEAZ - EPMOKAHZ

(125/4)

KAEIAA (A)

1050 1051 1052 1053

AH Al rr TTE

ai :--rr An

!! *

XAPIAZ (B)

1052 1053 1054 1055

-rr .-'nE An ah-.

nAEirriAs (Q

1052- 1053 1055

rr f-nE ah

An

AlOrE (0)

1060 1061 1062 1063

AH An AH nE

EY7TEI (I)

AYZIMAX (I)

1060 1060 1061

AH AH>BI

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AYZIMAX (K)

1063 1064

nE AH

AYIIMAX (A)

1061 1063 1064

Bl nE An

AnOAAfiNIOZ (E) ZfillKPA (E)

057 1058 10

1055 1056 1057 1055 1056 1057 1058 1059

ah nE An ah nE bi An-An

AH BI?

SnZIKPA (Z)

1055 1060

AH-AH

AYZIMAX (N)

1061 1063 1064 1065 1066

bi nE An ah nE

ZnilKPA(H)

1057 1060

An-An

Annual Distribution 705

HENOKAHI - APMOEENOS (Dolphin)

(124/3)

(A) (H)

1066 1067 1068 1069 1070 1071 1087 1088

tie An An-An An nE ap ap

nE

nE r-An r-AP nE

1066

nE

(A)

1064 1072

-An i.-AP

AP

1074

AP

1075 10T,

UE

1076

r-AP

1076 1077 1078

? nE nE

,--TTE nE

()

P)

1082

1086

1087

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1071 1064 1072 1073 1074

An

An

AP

np ai

1075! 1076 1077 1078 1079 1080 1081 1082

np :-->ap nE ap ap-! An An An

np ap j An

AP

nE nE

nEAP

(0

1087

AP

09

1091 1092 1093 1094

nE An._? np

AnATT ai

(A)

1095 1096 1097 1098 1098X 1099

nE nE ai ai An ap

nE np np

<Z)

1079 1083 1084 1085 1086

ap i An nE An

CM)

1100 1101 1102 1103

ap np An tie

AI

706

\ 5

()

1110

- ()

(123/2)

()

1123

()

1124

1111 1112 1113

1112 1113 1114 1115

()

1124

1113 1114 1115 1116

()

..

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1124

1114 1117 1118 1119

(*

1119

1120 .1121 1122

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707

()

1122 1123 1125

(122/1)

()

1130

1126 1127

101 ()

1127 1128

()

110

1128 1129

SN3HXV JO 30VKIOO HHAHS 31AXS 3HX

uv

113 WW

mi wit mi

(W) 20!2l3dVX

W33 uv

ia hv vv

eHI Tfll WII

(V) IOI3JdV

dV

vv

Of II

() 3V>IVdH

113

6811

TJ

<D NUWK

dVHV m

vvw

68IT 8SII

(H) ZV1NI3V

UV

113 |">HV W

8811; 2,811 S8.II

(57) ZV1NI3V

(o/ist)

11V

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SVIJdOJ ~ NUHIW311V

>HV w-VV-;

1,811 98IT S8II

(V) IOIIANOIV

dV 113

dV 113 VV-

nil 88TI 5811

!(J) ZAONOlZIdV

VV 6

88IT 1811

(a) 3Joiv

VV HV

IV IV

sen mi

(V) 3JOIV

Annual Distribution

709

How much New Style silver did Athens issue and how was it distributed

over the production period? Even a tentative answer to these questions must

be based upon the coinage itself. There is no literary or epigraphical record of

the amount of money which the Athenian mint put into circulation during

any part of the second or early first centuries. All that we have are some seven

thousand surviving coins, a substantial mass of material but clearly only a

small proportion of the tetradrachms, drachms and hemidrachms which once

sustained the commercial and political life of the city.

Figures on surviving specimens in themselves mean very little for there is

no such thing as a general survival rate which can be applied indiscriminately

to the various issues of Greek coinage. In a most interesting study devoted to

the Amphictionic coinage of Delphi,1 E. J. P. Raven uses the fragmentary

accounts of the amount of old silver re-issued as Amphictionic staters, drachms

and triobols to arrive at an overall survival rate ranging (in round numbers)

between 1 in 12,000 and 1 in 20,000. A breakdown by denominations gives a

rate between 1 in 7000 and 1 in 12,000 for staters, between 1 in 73,000 and 1 in

120,000 for drachms and between 1 in 146,000 and 1 in 240,000 for triobols.

More recently E. S. G. Robinson has published an article on the later fifth

century coinage of Athens2 in which he discusses the money struck in 407/6

from the golden Nikai. Our information on this coinage is of particular signifi-

cance in that it includes not only the source of the bullion but also the number

of punch and anvil dies employed in striking the staters. Assuming that the

gold obtained from seven Nikai, weighing two talents each, was supplemented

by a lesser amount secured from other gold objects, Robinson calculates that

a total of gold roughly equivalent to 100,000 drachms by weight was available.

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This was used to put out coins in six denominations: staters, drachms, triobols,

diobols, obols and hemiobols. Twenty-six of these coins have survived, in-

cluding four staters, and their aggregate weight is twenty-five drachms, giving

a survival rate for the gold of about one part in 4000.

Robinson makes no estimate as to how many coins of each denomination

were struck but this we must attempt to do with respect to the staters if we

are to profit from the fortunate chance which has left us a record of the anvil

and punch dies used for their emission. In Raven's calculations it was supposed

that an equal number of each of the three Amphictionic denominations was

struck and a division of the Athenian gold along these fines would result in

25,000 coins of each denomination from the 100,000 drachms of gold. This,

however, is almost certainly too high a figure for the staters. As Raven quite

rightly points out, fractions would surely survive in smaller quantity than

1 NC, 1950, pp. 1-22.

2 ANSMN IX, i960, pp. 1-15.

710

The New Style Silver Coinage of Athens

units; in the case of the Amphictionic issues the list of specimens known in

1950 includes twenty staters, two drachms and one triobol. The fractions of

Athens have survived in considerably higher proportion. Of the twenty-six

recorded pieces, twenty-two are denominations below the stater. Only the

hemiobol has failed to come down to us; all other fractions are well repre-

sented. On Plate 15 of Les monnaies d'Athenes, Svoronos reproduces three

drachms, three triobols, two diobols and three obols; Robinson's total is just

double that of Svoronos. If minute pieces, smaller than the triobols of Delphi,

have survived in such quantity, it is evident that they must once have far

outnumbered the staters. Hence it would seem to me that, as a maximum

figure, one might reckon forty per cent of the original gold40,000 drachms

by weightas the allotment for the production of staters. This would result

in 20,000 staters for a survival rate of 1 to 5000. Four anvil and twenty-two

punch dies were used for their striking. Assuming that the anvil dies were

equally durable and that the last was worn out when minting stopped, we get

a total of 5000 coins per obverse. For the first time we have at least an ap-

proximate figure for the amount of coinage produced by a single obverse die.

There are, of course, various factors which must be considered in relating

these calculations to the New Style issues. Were the dies for the later silver

made of iron, as was the case with the dies for the gold, or of bronze? Would a

die for a special currency be discarded when it first began to show signs of

wear and thus have a shorter life than one used for a standard issue of silver?

Were the gold dies perhaps used in rotation rather than seriatim with the

possibility that no one was completely worn out at the time the coinage stopped?

Such questions cannot be answered with certainty. All that we can do is to

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take them into account in weighing the probabilities. My feeling is that a

reasonable estimate for the amount of New Style silver struck from an obverse

giving full service would be in the neighborhood of 6000 coins.1

1 At first impression one would suppose that dies used for the gold, which is a softer metal

than silver, would produce more coins but there are other considerations. Surely the mint would

have taken greater pains with the special gold issue and retired the dies when they first began

to show signs of wear whereas the dies for the silver were kept in operation until they really

broke down. There is a further possibility which must be taken into account. The dies for the

silver were used until they wore out, being carried over from one year to the next if necessary;

the dies for the gold were used only until minting stopped, until the supply of bullion ran out.

The practice of the mint in the Hellenistic period was to put between two to five obverses into

simultaneous operation; if a similar procedure was followed with the earlier gold, then some or

even all of its dies may have been only partially worn when coining stopped and they were

retired from service. There are, of course, a great many imponderables but I believe that the

figure of 6ooo coins per die provides at least a working basis for calculating relative productivity

if not absolute output.

Annual Distribution

711

Before applying this estimate to the individual issues, we shall need some

indication of the comparative completeness of our data with regard to the

obverse dies. Unless we know most or all of the dies originally in operation any

calculation may be more misleading than helpful. Here we enter the shadowy

realm of statistics where I have no competence and would not venture to

express an opinion. I can, however, due to the kindness of Mr. Raven, give the

results of a study undertaken by Dr. Francis Marriott, a statistician of his

acquaintance, who made computations on the basis of the average number of

coins known from an obverse die.1 It seems that if six to eight coins have

survived from a single die, very few dies are likely to be missing. When

the figure drops to three or two, the chances are in favor of a larger

proportion being unknown. My own experience with two large lots of new

material suggests that this is a reliable index to the accuracy of the record

for new obverses practically never turn up in issues with six or more coins

per die.

With relation to these findings, it is clear that our information on the Early

Period is very fragmentary. Only one regular issue, that of Miki-Theophra in

169/8, and one special striking, that of the grain-ear drachms of 180-170, have

a proportion of more than six coins to a die. All other emissions give an average

of three to five. Obviously it would be useless to try to estimate the extent of

the early coinage except in the most general terms since only two of its issues

provide a safe basis for precise calculation. With the Middle Period we are on

far firmer ground. Of the thirty-seven issues, only five show a ratio of less than

six coins per obverse die. The overall average is eight and seven strikings have

ten or better: 167/6 with eleven, 160/59 with ten, 158/7 with thirteen to four-

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teen, 157/6 with fifteen, 156/5 with twelve, 144/3 with thirteen and 141/0 with

ten. Certainly few, if any, obverse dies are missing from these seven emissions.

With the Late Period the proportion drops sharply. Between 181/0 and 112/1

the average is again three to four, with the single exception of the coinage of

Apellikon-Gorgias in 121/0 which shows a ratio of seven to one. After 112/1

there is no real basis for calculation. If only one or two coins have survived

from an issue, the fact that a single obverse die is known means nothing. How-

ever, in a few instances the proportions suggest that our information is rela-

tively complete. For 108/7 five tetradrachms have survived, all from the same

obverse die, for 98/7 six from a single obverse and for 94/8 seven. Had a number

of obverse dies been in use during those years, it seems highly unlikely that

chance would have given us so many coins from a single example. The scanty

1 Dr. Marriott's calculation, as he stresses, is based on the assumptions that each die

originally struck roughly the same number of coins and that the coins found constitute a random

selection from those originally struck.

712 The New Style Silver Coinage of Athens

record of surviving specimens in the last stages of the Late Period is probably

a valid indication of the size of the original output.

During the Middle Period, between 168/7 and 132/1 B.C., 473 obverse dies

produced a coinage from which 3866 tetradrachms have survived. Assuming

that the record is comparatively complete and that missing dies would be

balanced out by known dies providing less than their full quota of 6000 coins,

we get an output of nearly 3,000,000 tetradrachms, the equivalent of roughly

2000 talents of silver. The overall survival rate for this section of the coinage

is 1: 734. With regard to the fractions, a wider margin of error exists in that

the proportion of coins to dies is generally lower than in the case of the tetra-

drachms. A minimum output of 402,000 drachms from 67 talents of silver and

102,000 hemidrachms from just under 9 talents may be estimated, with re-

spective survival rates of 1: 980 and 1: 1545.

For the seven years with the highest proportion of coins to dies the figures

per issue are much higher:

167/6

54,000 tetradrachms struck

101 survivals

1:534

160/59

48,000

79

1:608

158/7

108,000

244

157/6

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1:442

72,000

182

1:395

156/5

96,000

196

1:489

144/3

60,000

129

1:465

141/0

72,000

122

1:590

All these issues fall within the period of the large hoards which explains their

extremely high survival rates1 and the same is true of the grain-ear drachm

series of the Early Period. Before the Attic Hoard was found only 48 examples

were known as contrasted with 148 now on record. With 21 known dies giving

an approximate output of 126,000 coins, the present survival rate is 1: 867

while that of the pre-hoard period was 1: 2625.

In the Late Period only the issue of Apellikon-Gorgias with a ratio of

seven coins to one obverse die can be considered representative. Twelve

obverse dies give an original output of 72,000 tetradrachms, of which 85

have survived. This striking is not included in quantity in the hoards and its

survival rate is accordingly lower than those of the Middle Period issues:

1 to 847.

1 Actually the figures would be still higher if one took into account dies giving less than

full service. As will be evident from later discussion, there are in each issue a number of dies

providing less than the maximum quota of coins, hence the output figures given here are some-

what high and the survival rates somewhat low.

Annual Distribution

7i3

Although it is impossible to calculate with any degree of accuracy the

amount of coinage issued in the Early and Late Periods, we can derive some

idea of its extent in relation to that of the Middle Period and the results are

startling. During the Middle Period the number of obverse dies per issue ranges

from 6 to 25, excluding the final striking of 132/1 which clearly belongs in out-

put with the issues immediately following and which, moreover, provides in-

sufficient data in its proportion of coins to dies. The overall average of obverse

dies is 13 per year. This is the period for which our information may be assumed

to be relatively complete. But from 191/0 through 170/69, years for which our

information is fragmentary, there is almost the same range of number of ob-

verse dies per issue6 to 21and almost the same average12 in this case.

Only two strikings of the Middle Period have more dies per year than the four

Early Period issues of 174/8, 172/1, 171/0 and 170/69. There can be no doubt

but that this was originally a far more abundant coinage than that of the

Middle Period. In thinking it smaller, we have been misled by the greater

number of surviving specimens from Middle Period issues and by the change

from two magistrates to three, implying a larger coinage requiring greater

regulation. This is certainly not the case. It seems likely that the trophy issue

of 188/7 with 13 obverse dies and 38 surviving coins was a more substantial

emission than that of Epigenes-Sosandros, one of the largest Middle Period

strikings, with its 18 dies and 244 surviving coins.

The situation in the Late Period is less surprising except in degree. A great

many coins of the initial issues have survived, thanks to the large hoards, and

from this we could have surmised an extensive coinage. Its full size, however,

cannot be apprehended from surviving specimens alone. Between 182/1 and

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124/8 the number of obverse dies per issue is as follows: 29, 47, 83, 30, 25, 19,

17, 17, 42. Again it must be remembered that this is a period when our in-

formation is incomplete as contrasted with the Middle Period, yet even on the

data available the single issues of 181/0 and 124/3 used three to four times as

many dies as the Middle Period average. This is the peak of the entire New

Style coinage. After that there is a decline which cannot be accurately measured

but which probably brings output down to the levels of the Middle Period.

From 111/0 on there is a further drop. Exactly 41 obverse dies for tetradrachms

are known for the last quarter century of the coinage. Since it is unlikely that

we have a record of all dies, the number might be raised to 50 for an output

of some 800,000 coins or even doubled for what is surely too high an output,

492,000 tetradrachms. But 50 dies must have been used in 181/0 alone, well

over 82 in 181/0 and 124/3 combined.

This evidence for an extensive coinage in the Early Period, only a moderate

output in the Middle Period, a tremendous emission between 182/1 and 124/3

7i4

The New Style Silver Coinage of Athens

and a gradual decline to a mere token coinage in the decades before Sulla

is one of the most interesting results of the New Style study. It was not the

years during which Athens held Delos and the other cleruchies that witnessed

her great outpouring of silver currency; it was in the periods before and after

she controlled the islands that production reached its highest levels. The his-

torical significance of this is by no means clear to me but the fact is established

by the coinage.1

Particular aspects of the diagrammatical outlines have been discussed in

earlier parts of this publication. The uneven distribution of the tenures of the

1 A possible explanation for the large issues between 175 and 170 may lie in a vast building

program in the Agora involving the remodelling of the square by the construction of a group of

Stoas. Of these, the earliest unit is the Middle Stoa and the latest the Stoa of Attalos, which is

to be dated to the very middle of the second century. In a preliminary report on the Middle Stoa

(Hesp., 1952, pp. 86-90) Homer A. Thompson tentatively assigns it to the late 6o's and suggests

that Ariarathes V may have been responsible for its erection, but he tells me there is now reason

to believe that the Stoa was a civic enterprise rather than the gift of a foreign ruler and that

work on it may have started in the 70's. Construction of this large and elaborate building would

have required a considerable sum of money and it may well be that the extensive coinage of the

late 70's was put out to meet this need.

The tremendous emissions of 132-123 B.C. present a greater problem. They cannot be ex-

plained in terms of a building program in Athens, nor can they be justified in the fight of military

or unusual commercial activity. Yet if the annual issues between 169 and 132 are indicative, as

they must be, of the routine financial requirements of the demos, one must assume that special

circumstances dictated the vast increase of coinage in the period immediately following.

There are two factors which singly or in combination may provide a partial answer. The first

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concerns an inflationary trend in price levels throughout the Mediterranean world. In a recent

article (Finanzarchiv, 1955, pp. 498-511) F. M. Heichelheim records a rise in grain prices in

138 B.C. or slightly earlier to 500 per cent of the low of 140 B.C., a second sharp rise c. 127 to

nearly 1200 per cent of the 140 level, followed by a recession c. 121/0 B.C. The extensive issues of

132-123 B.C. may be related to these inflationary prices although it will be noted that the chrono-

logical correlation is not exact and it is further noteworthy that an earlier period of catastrophic

prices, prior to 160 B.C., finds no reflection in the coinage.

A second factor is the decline or exhaustion of the Laurium mines on which Athens had long

depended for a constant and seemingly unlimited supply of bullion. This was undoubtedly a

severe blow which may have had profound psychological repercussions. To be sure, an adequate

supply of foreign silver was secured but there was no certainty that this would continue to be

available, no certainty that access to it would always be possible. The city may have felt it wise

to lay in a sizable surplus while circumstances were favorable so that these reserves could be

used if necessary as a cushion against any future interruption of supplies. A stockpiling of coins

rather than bullion seems somewhat surprising but minted silver would, of course, be more

readily usable than ingots. In connection with this second hypothesis it might be noted that it

not only would serve to explain the strange imbalance of minting activity during the Late Period

but would also make more comprehensible the composition of a group of late hoards (pp. 540-543)

under the assumption that some of the coins originally minted between 132 and 123 B.C. were

actually put into circulation at a later date.

Annual Distribution

7i5

third magistrates begins with the first issue of the Middle Period: FTOAYM

associated with delta and epsilon and APXE with epsilon and zeta. Still a third

official, OIAQ, is linked with epsilon, making three magistrates for that one

month. Two years later in 166/5 the sequence is perfectly regular. This has all

been presented in connection with the section on Magistrates and needs no

repetition here. The transfer of reverse dies and the recutting of control com-

binations has also been treated but something might be added with reference

to transfers with no recutting involved. To a great extent this merely reflects

the wearing out of an obverse and the shifting of its still usable reverse to an

obverse which continues in operation. Yet this can scarcely be the full ex-

planation. In the first month of 168/7 a reverse moves from Obverse 830 to

Obverse 381 (or vice versa) but neither anvil die is worn out, for both appear

with reverses of beta and gamma. Evidently one anvil has stopped work for

some reasona shortage of flans or bullion or perhaps personnel troublesand

its reverse die has been given to a second anvil, still functioning but in need

of a new reverse. The picture is far more complicated at other periods. Under

Epigenes-Sosandros and Polemon-Alketes in 158/7 and 157/6 there is an

unusually high incidence of mobile reverses. One might suppose that this

offered support for the theory that the assignment of dies to an anvil was on

a day to day basis, but the evidence as a whole is against such an interpretation.

If there was no systematic procedure regarding the association of obverse and

reverse dies, examples of multiple connections would surely be more numerous

than they are. For the most part the two dies seem to have been used in con-

stant conjunction, irregularity is the exception and not the rule.

Instances of seemingly pointless shifting about of reverse dies may be

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explicable in terms of an uneven supply of bullion marked with the particular

control combinations of the year in question. In the second month of 157/6,

for example, three reverses are moved about among Obverses 464, 465 and

466. No one of the anvil dies is discarded, all continue to function the next

month. No. 464 is normally allotted bullion with the control combination Id),

No. 465 bars with Ifi, and No. 466 bars with ME.1 At the beginning of beta,

however, the only bullion on hand is marked Zfi. Most of this is allocated to

No. 465 with smaller amounts to the other anvils in order to keep them in

operation. Somewhat later a supply of IO metal comes in and is assigned to

No. 464 with a lesser quantity to No. 466, still deprived of its normal ME quota.

1 It is interesting to note the extent to which an obverse die is associated with a particular

control combination. Assuming that these controls served as a checking device for tallying the

amount of bullion issued against the number of tetradrachms produced, it may be supposed that

bookkeeping operations would be simplified if each lot of bullion could be routed through one

or two anvils rather than distributed at random.

716

The New Style Silver Coinage of Athens

The ISi reverses which the two anvils have been using, together with what

bullion remains to them, are turned over to No. 465 for future use. Nos. 464

and 466 begin to strike with the Z<t> silver. At a still later date the ME bullion

finally arrives and is allotted to No. 466 with a little given to No. 464 which is

running out of IO bars. It is only when a new supply of IO bullion comes in

that No. 464 is able to turn over its ME reverse to No. 466 and resume opera-

tions along normal lines. During gamma a more even distribution of bullion

is effected. All reverses of No. 464 have the IO control, all of No. 465 the SI

lettering and all of No. 466 the ME combination.

During the initial stages of the Middle Period the recutting of names and

amphora letters occurs in isolated instances. The case of NIKOr and NIKOrNE

with 0 over H, from the coinage of 167/6, has already been mentioned. In 158/7

there is a reverse with HAIOAQ cut over AE1NOK, E over A, and ZC> over Al.

A few years later re-engraving becomes more or less standard procedure with

a number of examples recorded for most issues through the remainder of the

three-magistrate period. A maximum degree of alteration is associated with a

reverse of 141/0 which has been inscribed with four names and five month

letters. Although the results of all this recutting leave much to be desired from

the point of view of legibility and general appearance, the practice must have

represented a considerable saving in the cost of engraving and for our purposes

it has an added advantage. Only in this period of extensive recutting can we

feel certain that reverse dies remained in service until they were worn out. In

the earlier years of the coinage it probably often happened that a serviceable

die was discarded with a change in magistrates and months.

As to the longevity of obverse and reverse dies and the number of reverses

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coupled with a single obverse, the diagrams provide maximum figures: nine

months for Obverse 714 in 142/1, five months for a reverse in the next year,

seventeen reverses associated with Obverse 465 in 157/6 B.C. These records,

however, are meaningless except in relation to the picture as a whole and

particularly the production schedule of the individual issues.

One of the most important contributions of the diagrammatic outline is

the light it throws on the internal organization of the mint. During the Middle

Period and the earlier years of the Late Period, two to five anvils were in

simultaneous operation. Between 168/7 and 159/8, two to three was the norm;

the strikings of 158/7, 157/6 and 156/5 employed four; those of 155/4-152/1

seemingly only three. Most of the remaining issues of the Middle Period put

four into operation while a few emissions of the Late Period used five or more.1

1 It is impossible to tell what was happening in 131/0 and 124/3, the two years of greatest

production. This is probably due to the fact that only a small proportion of the original number

of reverses has come down to us.

Annual Distribution

717

Undoubtedly there were times when an anvil was closed down within the

course of the year or an additional one set to work but the general pattern is

so consistent as to suggest that normally a fixed number of anvils went into

production at the beginning of the year and that the same number continued

to function throughout the months of coinage. This may not be immediately

apparent from the charts but it becomes evident when one studies individual

issues.

The striking of Antiochos - Nikog and Karaichos in 163/2 is a good ex-

ample of a two-anvil emission. Chances are very good that we have most of

the material, certainly with respect to obverse dies, since the ratio of surviving

coins to dies is nine to one. In the diagram the distribution of tetradrachm

obverses is as follows:

AEI

896 897 897 400 899

BZK

396 897 898 399 400 399 401

THA

896 897 400 401

A0

396 897 400 899

Some changes in the diagram can be made with reasonable certainty. Ob-

verse 399 appears in zeta and in theta and can surely be restored for eta; there

would be no point in temporarily retiring a good obverse and cutting a new

die (No. 400) to take its place. In kappa there seem to be three obverses in

operation but it is unlikely that they functioned concurrently. Obverse 399

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was by then in its fifth month of service, almost certainly it wore out during

the course of the month and was replaced by Obverse 401. Two months seem

to have employed a single obverse. With regard to lambda, it is entirely pos-

sible that in this final month of coinage the remaining supply of bullion was

used up with one die. In the case of epsilon it seems probable that our record

is faulty. The orderly pattern of two obverses in months preceding and suc-

ceeding implies that another obverse was coupled with No. 397 either No. 396

for a fifth month or No. 398, otherwise known only for zeta. An amended

diagram then would give the following distribution:

7i8

The New Style Silver Coinage of Athens

AE1

896 897 (898) 897 400 399

BZK

896 397 898 899 400 899

401

rha

396 897 400 (399) 401

Ae

896 897 400 899

This was a small coinage for which two tetradrachm anvils sufficed. Six

obverse dies are recorded but full service cannot be assumed for all six. No.401

carries over into the next year and No. 398 seems to have been a poor die which

yielded less than its quota of coins. Probably the equivalent of five full dies

produced the large silver of 163/2: 30,000 tetradrachms from 20 talents of

bullion. In addition drachms and hemidrachms were struck. An obverse die

apiece gives 12,000 fractions from another talent and a half of silver.

It should be possible to estimate very approximately what the production

rate was during 163/2. Each anvil would have turned out 15,000 tetradrachms.

Coinage was spread over eleven months but the last month is apparently a

period of scanty output with only one anvil working and hence a calculation

on the basis of ten and a half months might be more accurate. This would give

1428 coins per month per anvil or 357 per week. Assuming that the week

averaged six days due to time out for festivals and other celebrations and that

the mint employees worked ten hours a day, we arrive at a basic output of

about one tetradrachm every ten minutes. If the 12,000 fractions were pro-

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duced on the same anvils the rate would go up to about a coin every seven

minutes. Even this second figure seems rather low but we have no information

on the division of labor at the mint in the late Hellenistic period. If the pre-

paring of flans was done by the same men who struck the money, the complete

process from ingot to coin might well have taken seven to ten minutes as an

overall average. Certainly the work in all its phases was onerous and could

scarcely have been maintained for long stretches at high speed. Under pressure,

as we shall see, the mint did better but in general it may be assumed that there

was no attempt to achieve anything like our mass production tempos.1

A representative three-anvil issue is that of Lysan and Glaukos in 159/8.

Parenthetical addition of obverses which must have been in operation during

1 There is no thought of offering these calculations as anything more than the roughest

approximations. Their value lies not in the definite figures for any issue but in their interrelation-

ship as a gauge of productivity at different periods.

Annual Distribution 719

certain months even though we have no precise evidence results in an amended

diagram along these lines:

AA0

429 430 431 432 430 431 434 433 435

436

BEI

429 (480) 481 482 433 481 (484) 486 485

432 434

THK

482 480 (481) 484 488 485 484 486 485

487

489 488 487

Die transfers substantiate the replacement of 482 by 484 in epsilon and of

435 by 487 in kappa. There is no similar evidence for the coupling of 429 and

482 in beta and of 488 and 486 in theta but I feel certain that the dies did

operate seriatim and that we have again a perfectly ordered distribution of

the year's coinage over a set number of anvils, in this case three. Eleven ob-

verse dies are recorded for 159/8. All except the last two are in use for several

months so that presumably the equivalent of ten full dies produced the coinage,

giving a total output of 60,000 tetradrachms. With an additional 12,000drachms

the amount of silver consumed would have been 42 talents. Three anvils pro-

ducing for ten months give a rate of one tetradrachm every seven minutes or

one coin every sixa better record than that of 168/2.

Of the four-anvil issues, that of Polemon-Alketes in 157/6 may be assumed to

provide the most complete data since it shows the very high proportion of fifteen

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surviving coins per obverse die. Amending the original diagram gives this picture:

AAH

461 462 463 464 465 466 467 469 471 470 (468) 469

465 466 468

BEG

465 466 467 464 465 466 (468) 469 471 470 (468) 469

470

rzi

465 466 (467) 464 465 470 (468) 469 471 470 (468) 469

471 472

471 470 468 472

720 The New Style Silver Coinage of Athens

Reverse transfers support the replacement of 467 by 468 in delta and that

of 469 by 472 in iota. There can be little doubt but that 465 was worn out by

zeta and succeeded by 471 and similarly that 466 was ready to be retired in

epsilon and replaced by 470. Three dies of the first month (461-463) have a

single reverse apiece, suggesting that they had been taken over from the

coinage of the preceding year and functioned for only a short time at the be-

ginning of 157/6. The Ifl control found on reverses of 461 and 465 and the ME

lettering on those of 462 and 466 have determined the coupling of obverses.

If three of the twelve dies of 157/6 were already well worn when put into

operation and 472, in use briefly at the end of the year, is another example of

a die of limited service, we are perhaps justified in regarding these four dies

as the equivalent of one full one and calculating on the basis of nine dies. This

gives a coinage of 54,000 tetradrachms to which should be added 6000 drachms

and 6000 hemidrachms. The rate would be a tetradrachm every ten to eleven

minutes or a coin about every eight.

Calculations with respect to any five-anvil issue involve more than the

usual number of pitfalls. The coinage of Niketes-Dionysios in 130/29 has the

highest ratio of surviving coins and dies but even this is only four to five speci-

mens per die. What we seem to have is the following arrangement:

AEK

929 930 981 982 933 939 940 941 937 942 955 (950) 956 (952) (953)

934 935

BZA

984 (935) 936 982 988 944 945 941 948 942 [955] (950) (956) (952) 953

rhm

984 985 936 987 933 944 945 946 947 942 958 950 956 952 953

Ae

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949 950 951 952 948 959 957 960 961

939 940 [936] 987 988 949 (950) 954 952 953

955 956

The pattern of five anvils seems definite for B, r, E, Z, and K. It is also

highly likely for A since successive transfers of a single reverse suggest that 929

and 930 gave very short service due perhaps to their having been carried over

from the coinage of 131/0. For A and A we have a record of less than five anvils

but it may, I think, be supposed that this is a result of incomplete data and

that in both months a fifth die was in operation, although there is no assurance

that the bracketed restoration is in either case correct. By M, Nos. 950, 952,

953 and 956 had been in use for a considerable time and it is not unreasonable

Annual Distribution

721

to surmise the replacement of all four in the final month of the year. The

situation in H and 0 is more confused. Many dies are in service for only a brief

period and at least ten are associated with the former month. It seems to me

doubtful that five additional anvils were brought into operation for this one

month and then all closed down two months later. Rather I should assume a

short term of intensive production during H and part of 9 with dies wearing

out rapidly and being replaced with greater frequency but with striking still

confined to the original five anvils.

To some extent dies missing from the record may be offset by dies giving

less than full service, of which there seem to be a number. Only the most

tentative kind of estimate is possible. With 30 dies, as a probable minimum,

output would be 180,000 tetradrachms; with 40, as a probable maximum, it

would be 240,000. Between 120 and 160 talents of silver would have been

needed. Even though coinage was spread over eleven months and five anvils

were in operation, the mint's resources must have been strained to put out

this vast amount of money. The production rate rises to a tetradrachm every

three to four minutes and one imagines that periods of peak activity required

additional personnel.

The life span of a representative obverse die is, as one would expect, in

inverse relationship to the production rate of the issue. When the mint operates

at low speed, as in 163/2 and 157/6, a die giving full service lasts on the average

for four to five months; when production is at a higher tempo, as in 159/8, it

survives for three to four months. Under Niketes-Dionysios in 180/29, seven

obverses of the middle months of the year are associated with a single month.

Most others last about two full months but two (Nos. 950 and 952) survive

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for three full months and a part of two additional months. For this year our

evidence is probably too fragmentary for any definite conclusion except that

longevity is in general substantially reduced.

A fair number of reverse dies are inscribed with two or three amphora

letters and in one case five are recorded. Even with a low production rate for

the issue in question and under the assumption that the die was engraved at

the end of the first month and retired at the beginning of the fifth, its durability

is remarkable and must have been quite exceptional. Certainly the average

reverse die is expended in the course of a single month.

A final point of interest concerns the numerical relationship of obverse and

reverse dies. If all dies of the gold of 407/6 were used to capacity, each anvil

die employed 5.5 punches. The ratio for the New Style silver is definitely

higher than this and probably considerably higher. For the seven issues giving

us presumably our most complete record, the number of reverses associated

with a single obverse averages out at 7, 7, 6.2, 6, 5.4, 5.6, and 8.6. However,

722

The New Style Silver Coinage of Athens

in no one of these issues are all obverses used to capacity nor can we assume,

even for these years, that we have full information on reverse dies and obverse-

reverse combinations. Our best years, judging by the proportion of surviving

coins and obverse dies, are 158/7 and 157/6. One-half of the obverses of the

first striking are coupled with eight or more reverses; two have sixteen each.

One-half of the obverses of 157/6 are used with nine or more reverses; one is

combined with seventeen. Since adjustments must be made with respect to

these maximum figures in that reverses were transferred and some undoubtedly

discarded prematurely due to a change in magistrates and months, it may be

safer to consider a group of obverses rather than isolated examples. Under

Polemon-Alketes, Obverses 464, 465 and 466 are associated respectively with

fifteen, seventeen and eleven reverses. In four instances, the same reverse is

connected with two obverses so that only thirty-nine separate reverses are

employed by the three anvil dies. Since this is the period when recutting of

reverses is not common practice, a certain number of dies will have been retired

at an early stage. At most, this could have happened with eleven reverses but

it is highly unlikely that in all eleven cases the dies were cut at the very end

of a month. Subtracting six from the total would seem to be a generous de-

duction. We have then thirty-three reverses associated with three obverses

or an average of eleven apiece. No allowance is made for gaps in our infor-

mation; if more reverses were originally employed by these three obverses the

ratio would, of course, be even higher. Without doubt there were many ob-

verses with shorter life spans using fewer reverses, but it may, I think, be

assumed that an average die giving full service under normal conditions would

have employed between eight and twelve reverses. This is a somewhat dis-

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heartening conclusion since it indicates more clearly than anything else how

low a proportion of material has survived even in a substantial body of coinage

such as this.

IN CONCLUSION

Our primary concern in the preceding pages has been with the individual

tesserae, some large and some small, which combine to form a fragmentary

mosaic of the silver currency of Athens in the New Style period. Since the

attrition of the past twenty centuries has left us a scant 7000 coins from what

must once have been millions of tetradrachms and hundreds of thousands of

fractions, restoration has been neither easy nor uniformly conclusive. In some

areas the pattern is unmistakable, the pieces fit together in smooth joins to

reproduce the original design; in other sections the reconstruction is fairly ex-

tensive, its rough outlines often clearly defined by the overall composition

but the precise arrangement of component units deriving from probability

rather than certainty. All of the tesserae have been described and their com-

bination in various parts of the mosaic discussed in some detail. It remains

to take a look at the picture as a whole.

One hundred and ten separate issues were put out by the Athenian mint

during the New Style period. With the probable exception of the Mithradates-

Aristion coinage, which seems to be a special emission rather than the exclusive

output of a year's minting, these represent annual strikings. The size of the

individual emissions, their consistent distribution over most months of the

calendar year, their interlocking stylistic trends and the frequent transfer of

obverse dies are all indicative of uninterrupted production, at least through

112/1 B.C. After that date there may have been isolated years in which no

money was struck and others in which two very small issues were combined

but this is merely a remote possibility. There is nothing in the data now avail-

able which suggests any break in the sequence of New Style issues.

Inception of the series in 196/5 B.C. rests upon the solid evidence of the

Anthedon Hoard. Its termination in the summer of 87 B.C. with the arrival of

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Sulla derives from the numerical correlation of issues and years, from the

composition of Cretan Hoard I in relation to the Aesillas overstriking of pre-

Sullan date, and from the identification of many mint magistrates of the latest

emissions with men who played a dominant role in Athenian affairs during the

years immediately preceding the sack of the city. The exact sequence of issues

between 171/0 and 123/2 is in large measure fixed by the incontrovertible

evidence of die transfers and dovetailing hoards; very little re-arrangement

would be possible within this period. For the order of emission before 171/0

+6

724 The New Style Silver Coinage of Athens

and after 123/2 the criterion is largely stylistic, supported in a few instances

by die transfers and by hoard composition. Although less weighty than the

evidence of die links, the stylistic argument has considerable validity with

respect to much of the New Style coinage since its initial indication of conti-

guity has frequently been corroborated by the subsequent discovery of a die

transfer. At certain points the specific chronology is substantiated by epi-

graphical and historical data. The distinctive Egyptian device of the coinage

of 152/1 is surely to be connected with the elaborate celebration of the Ptole-

maia in the archonship of Lysiades, dated by Ferguson and Meritt to 152/1;

the change in the character of the coinage c. 132 B.C. and the abrupt termi-

nation of two Delos hoards with tetradrachms of 130/29 coincide with the

general period of the slave revolts and suggest a connection with the insur-

rections at Laurium and Delos.

Between 86 and 84 B.C. a very large coinage was produced at the Athenian

mint to supply Sulla's war needs. That this was regulated by Sulla's quaestor,

Marcus Lucullus, and inscribed with his name and office is practically certain.

These are the tfl - ftl issues, identical in character with the regular New Style

strikings except that the Athenian ethnic is omitted. They were followed by

a small emission of similar format but with the two trophies of Sulla replacing

the monograms, which is undoubtedly to be associated with the return of the

Roman general to Athens, after the capitulation of Mithradates, and the intro-

duction of the Sylleia in his honor. After that, the mint of Athens struck no

more silver; its output consisted solely of the bronze of the "Imperial" series.

Six hundred and thirty-four namesin monogram, in abbreviation or in

fullare found on the coinage. In general the progression is from two mono-

grams to two abbreviated names to three names in full or with some abbre-

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viation and finally to two names in full or with slight abbreviation, but there

are two periods of deviation. Monograms and abbreviated names are used

interchangeably between 177/6 and 171/0; two-magistrate issues are inter-

polated in the three-magistrate sequence between 128/7 and 122/1. The men

whose names appear on the coinage are not magistrates in the usual sense of

the word. Numerous irregularities and abnormalities characterizing their

respective tenures are irreconcilable with any systematic rotation of duly

constituted officials and seemingly explicable only in terms of a monetary

liturgy whereby an individual's contribution toward the expense of the minting

operation was rewarded by the inscription of his name on a certain number of

coins. These donors are wealthy and prominent Athenians, many of them

known to us for service in other capacities. In only one instance is a foreign

dignitary associated with the coinage. Ariarathes and Antiochos are ordinary

citizens of Athens, not princes of Cappadocia and Syria, but Mithradates is,

In Conclusion

725

as the title and symbol of his emission indicate, a king of Pontus. It is, how-

ever, Mithradates V and not Mithradates VI who is thus honored for his gifts

to the state.

Unquestionably it was the prerogative of the first magistrate to choose the

symbol placed on the coins of any given years. One official at least seems to

have shared this privilege with his annual colleague, the dual representation

of 136/5 embodying the emblems of the two men. The selection was apparently

unrestricted and the devices for the most part have purely personal import,

chiefly with reference to the antecedents of the individual magistrates. A few

may be interpreted in terms of contemporary religious or political events. In

two cases the symbols provide new information on the careers of particular

Athenians: Eurykleides, mint magistrate of 154/3, almost certainly held the

priesthood of Demos and the Graces, and Diokles of Kephisia, mint magistrate

of 99/8, 95/4 and 90/89, that of Asklepios and Hygieia.

Amphora letters provide evidence for eleven intercalary years. Twice in

the course of the second century consecutive intercalary years are attested:

171/0 and 170/69 by the coins and 135/4 and 134/3 by the inscriptions and

coins. The precise significance of the control combinations remains uncertain,

but we can safely rule out any connection with workshops of the mint. Rather

the clearly-defined relationship of metallic composition, the character of the

coinage at various periods, and the number and distribution of the control

combinations strongly suggests that the last are in some way indicative of the

sources of bullion and intended as a check on the quality of the silver. The same

combination of evidence points to unsettled conditions during the Early

Period with silver coming from numerous but relatively unproductive deposits

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and processed in the field and in the mint itself by workmen of varying capa-

bility. In the Middle Period the situation is far more stable with a steady flow

of silver from a few rich yields and a superior standard of technical achieve-

ment. Late in the 80's the Laurium mines seem to have reached a low level of

production, their output perhaps further impaired as a result of the servile

insurrection. The tremendous increase in coinage between 132/1 and 124/3 and

the marked change in the metallic composition of the silver surely reflect a

supplementary supply of bullion from foreign sources, and it is possible that

Mithradates V was instrumental in making this new ore available.

For the production of the coinage the mint kept two to five anvils in

simultaneous operation, the number employed in any one year dependent upon

the size of the individual emission. A fairly consistent level of activity seems

to have been maintained throughout the period of striking. A year of light

coinage required six to ten obverse dies, one of average output about twice

that number, while a few extremely heavy strikings used between forty and

726

The New Style Silver Coinage of Athens

fifty. As many as eight to twelve reverses were normally coupled with a single

obverse. The life span of individual dies varied greatly, in inverse relationship

to the production tempo of the coinage. Nine months for an obverse and five

months for a reverse are the recorded maximums but these figures are excep-

tional. The average reverse lasted for less than a month and the average

obverse associated with an issue of median size survived for three to four

months. During periods of intensive production longevity was considerably

reduced. Recutting of amphora letters and third magistrates' names was

practiced extensively, especially during the Middle Period. One reverse is in-

scribed with four names and five dates; dies with three names and three or

four month letters are by no means uncommon.

The output of the mint for the whole of the New Style period may be very

roughly estimated at between eight and twelve million coins of all denomi-

nations. Large silver was struck every year except in 100/99, a single drachm

being our only record of that issue. Drachms were produced in eight years of

the Early Period, in all years of the Middle Period and in seventeen years of

the Late Period. In addition a large striking of drachms with grain-ear symbol

was put out between 180 and 170 B.C. Hemidrachms were issued only four

times during the Early Period and seventeen times during the Middle Period.

Judging by the number of surviving obverse dies, peak production of drachms

came between 180 and 164 B.C. and of hemidrachms between 170 and 162 B.C.

On the basis of the ratio of surviving coins per die, we are warranted in

assuming that we have a complete or practically complete record of the obverse

dies in use between 169/8 and 134/3 and fairly comprehensive data on those

employed after 112/1 B.C. For the remainder of the coinage our information is

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clearly fragmentary. We cannot estimate with any accuracy the amount of

money that was issued but we can gauge its extent in relation to the emissions

of the Middle Period by comparing the number of known obverse dies. From

the available evidence, output seems to show the following variations: very

light to fight between 196/5 and 192/1, heavy to very heavy between 191/0

and 170/69, light between 169/8 and 160/59, moderate to fairly heavy between

159/8 and 133/2, exceedingly heavy between 182/1 and 124/3, moderate to

fairly heavy between 123/2 and 112/1, very light to light between 111/0 and

88/7. Contrary to expectation, the three-magistrate period in general proves

to be a time of only moderate mint activity; the really extensive coinage is put

out before 169/8 and after 133/2 B.C.

That the New Style owls traveled widely is evident from their inclusion in

hoards found as far north as Bulgaria and as far east as Teheran. The shifting

pattern of their movement provides an interesting commentary on Athenian

trade relations at various periods: between 196 and 162 to the Levant and

In Conclusion

727

further east, then abruptly cut off in that direction and channeled north into

the Balkans and Anatolia to take advantage of the closing of the Macedonian

mines and at the same time moved in greater quantity to Delos and Crete.

After the initial years of the Late Period the coinage is in short supply every-

where. No issue later than that of 117/6 has been found in a hoard context

from the Balkans, Anatolia, northern or central Greece; nothing after 112/1

has been unearthed on Delos. Apparently only parts of Crete continued to

receive silver until the very end of the New Style period. There is no indication

that the New Style coins circulated in Italy, Sicily or Egypt.

As would be inevitable with any large coinage such as this, imitations were

plentiful in ancient times. The drying up of the flow of genuine pieces inspired

copies of early issues in the East and at a somewhat later period replicas

emanated from the northern fringes of the Greek world. Other imitations were

produced closer to home on a surprisingly vast scale. One of the most inter-

esting of the imitative issues is that inscribed AGE O AEMOZ which is likely

connected with the colony of Athenian exiles taking refuge in Pontus at the

time of Sulla's siege. The KOINTOX - XAPM02TPA striking, usually regarded

as a part of the regular New Style series, seems also to have been of foreign

origin.

Our tesserae then, scanty as they are, have made a not inconsiderable con-

tribution in several fields. For the numismatist their chief value will lie in the

chronology of the series and its component issues and in the light thrown on

the operating routine and productive capacity of the mint; for the epigraphist

in the prosopographical data and in the dating of the intercalary emissions;

for the historian in the fluctuating pattern of output and distribution abroad,

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in the indication of a relatively precise date for the working out of the Laurium

mines, in the evidence for a monetary liturgy and in the record of a hitherto

unsuspected bond between Mithradates V and Athens. On all these matters

the coinage has something to say, unequivocally or tentatively, and in so

doing it brings into clearer focus that century late in Athenian history which

opened in the bright promise of Flamininus' proclamation of freedom and

closed in the shadows of political dissension and approaching catastrophe.

INDEXES

ISSUES

(Boldface numbers refer in each case to the catalogue and associated commentary.

Further discussion of individual issues is to be found in the general commentaries on

the Early, Middle and Late Periods.)

& - $ with term of Hermes (188/2): 40,

55f, 58; analysis, 624; in hoards, 476, 511

W - E with trophy (188/7): 40, 45-47, 54;

in hoards, 474, 476, 507(?); imitations,

440

K - M with grain-ear (187/6): 47f; in

hoards, 476, 479, 482, 522(?)

M - tj with eagle (173/2): 72f, 88-91, 98;

in hoards, 474, 476, 502, 507, 518

S - Itl with Nike (189/8): 43f, 54; ana-

lysis, 624; in hoards, 528

S- tf| with cicada (185/4): 50-52, 55f, 58;

analysis, 624; in hoards, 474, 501, 528;

imitations, 440, 441(?)

E - N with cornucopiae or without symbol

(198/2): 36-38; analysis, 624; in hoards,

473, 476; imitation, 440; analysis of imi-

tation, 687

-Rwith club (191/0) :40f

ft - A without symbol (196/5): 7,32f, 34, 36;

in hoards, 478; modern forgery, 468

k - $ with thyrsos (176/5): 72, 76-78;

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analyses, 624; in hoards, 476, 478,

507(?), 511, 518

ffP - m or/R with rudder (190/89): 7n, 41-43

N- -1 with two palms (192/1): 7,38-40, 48,

87; in hoards (fractions), 478, 482

PP or S - M with kerchnos and bakchos

(195/4): 7, 33-35, 36; in hoards, 473

RAfl - AYSIA with forepart of horse

(177/6): 72 f, 73-75, 77; in hoards, 476 f,

479, 482, 522(?)

W - # with caps of Dioscuri (186/5): 49f;

analysis, 624; in hoards, 476, 482, 502

M - 1*1 with serpents (184/8): 52-^55, 56,

58; in hoards, 476, 519; imitation, 441

X - & or OANI without symbol (194/3):

35f, 54; in hoards, 478

* - ft with aplustre (172/1): 72f, 91-94;

analysis, 624; in hoards, 476, 478 f, 502,

507, 511, 518

AAEI - HAIO with trident (179/8): 64 f, 72;

in hoards, 476, 478 f, 502, 518, 528;

imitation, 442

AAKETHZ - EYATON with helmet (106/5):

382 f

AMMfi-AlO with cornucopiae (180/79):

58n, 61-63, 65, 81; in hoards, 476,507,511

AMMQ - AIO with kerchnos (182/1): 57f,

63; in hoards, 476(?), 479

AMMfiNIOZ - KAAAIAI with two torches

(150/49): 58, 216-21, 225; analyses, 625;

in hoards, 480, 482 f, 485, 488, 496, 500 f,

509, 514, 518, 524(?); imitation, 457

AMOIAZ - OINOOIAOZ with Demeter

(115/4): 375f; in hoards, 514f, 524( ?)

AMOIKPATHI - EniZTPATOI with grainears

(188/2): 296-300, 805; analysis, 625; in

hoards, 484f, 489, 497,505, 512f, 515, 518f

ANAPEAI - XAPINAYTHZ with Dionysos

and Demeter? (136/5): 252, 287-90,

292; in hoards, 482, 484, 489, 497, 500(?),

501, 510, 512-14, 519-21, 523

Indexes

729

ANTIOXOZ - NIKOr and KAPAIXOI with

elephant (163/2): 155-60, 162; in hoards,

476, 478, 480f, 488, 495, 514, 518; imi-

tations, 449 f

ATTEAAIKflN - APIZTOTEAHZwithDemeter

(94/8): 389; analyses, 681; in hoards, 516 f

ATTEAAIKflN - rOPriAZ with griffin (121/0):

364-68, 379; analysis, 625; in hoards,

501, 508, 505, 508, 510, 514, 540; analysis

of imitation, 637

ATTOAHEIZ - AYZANAPOZ with Artemis

(88/7): 391

APlZTIflN - (DIAQN with Pegasus (129/8):

329, 335-40, 558; in hoards, 489, 497,

500, 508, 508, 510, 512, 516, 519-21

APOfFOI - MNAIArO with Agon (128/7):

340-44, 846; in hoards, 489, 498, 500, 505,

508, 510, 512, 515, 520f, 524(?)

APXITIMOZ - AHMHTPI with Isis (117/6):

372-74; in hoards, 512, 514, 522, 524(?)

APXITIMOZ - TTAMMENHZ with thyrsos

(96/5): 388; in hoards, 516f

AOPOAIZI - ATTOAHEI with Nike (155/4):

193-96; in hoards, 478, 480, 483, 488,

495, 507, 509, 520, 588; imitations, 452

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AOPOAIZI - AlOrE with double cornuco-

piae (152/1): 205-09, 215, 220; analyses,

625; in hoards, 480 f, 483, 485, 488, 495,

502, 505, 513, 518; imitations, 455f

AXAIOI - HAI with cornucopiae (160/59):

166-69; in hoards, 478, 480, 488, 485,

488, 495, 501, 507, 509, 511, 522(?); imi-

tations, 450 f

TAAY - EXE with Helios bust (170/69): 87,

98-102; analyses, 624; in hoards, 475-78,

480f, 488, 485, 495, 507, 511, 518; imi-

tations, 442 f

AAMQN - ZflZIKPATHZ with quiver and

bow (141/0): 262-67, 271; in hoards, 480,

484f, 489, 496, 501, 508, 510, 512, 518,

524(?); imitations, 458; analysis of imi-

tation, 687

AHMEAZ - EPMOKAHZ with Isis headdress

(125/4): 350-54, 359; in hoards, 498, 500,

508, 508, 510, 518, 515-17, 521 f; imi-

tation, 854, 379, 460 f

AHMEAZ - KAAAIKPATIAHZ with Isis

(107/6): 382; analysis, 681; in hoards,

516; overstruck by Aesillas, see Aesillas

in General Index

AHMH - IEPfl with helmet (174/3): 7n, 8n,

72, 77 n, 81-88; in hoards, 474, 476-78,

481 f, 508(?), 511; cut over die of Diopha

- Diodo, 86

AHMHTPIOZ - ArAGinnOZ with caps of

Dioscuri (181/0): 5n, 320-29, 834; ana-

lyses, 625; in hoards, 482, 484, 486, 489,

497, 500, 508, 505, 508, 510, 512f, 518,

520, 524( ?)

AHMOXAPHZ - TTAMMENHZ with cicada

(100/99): 7n, 8,386; bronze, 419f, 641;

analysis of bronze, 640

AlOrE-TTOZEl with Dionysos (161/0):

163-65, 169; in hoards, 477, 480-88, 488,

495, 514; imitations, 443, 450

AIOKAHZ - AEQNIAHZ with Asklepios

(99/8): 884, 386 f

AIOKAHZ TO AEY - MHAEIOZ with Hy-

730

Indexes

AlOOA - AIOAO with Apollo (175/4): 56,

72f, 78-81, 86; in hoards, 476, 478f, 511,

518; recut by Deme - Hiero, 86

AIOQANTOI - AIZX1NHI with sphinx

(108/7): 381; analysis, 631; in hoards,

517, 524( ?); bronze, 419f, 529, 641; ana-

lyses of bronze, 640

ABP06E-AIOO with forepart of lion(164/S):

151-54; analysis, 624; in hoards, 476-78,

480f, 483, 495, 507, 514, 518; imitations,

449 f

AGZ10EOZ - XAPIAZ with Tyche (182/1):

281, 300-06, 828, 884; in hoards, 482,

484, 486, 489, 497, 500, 505, 508, 510,

512f, 515, 518, 520f

ETTirENH - ZflZANAPOI with eagle on ful-

men (158/7): 188, 173-81, 186, 242; ana-

lyses, 624; in hoards, 480, 483, 488, 503,

521f, 524(?), 539, 540n; imitations, 443,

450-54, 468; analysis of imitation, 637

EnirENHZ - EENQN with Apollo (104/3):

383f; in hoards, 516f

EYBOYAIAHZ - ArAGOKAH with Artemis

(142/1): 257-62; in hoards, 484f, 489,496,

513

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EYMAPEIAHI - AAKIAAM and KAEOMEN

with Triptolemos (145/4): 242^46, 256;

analyses, 625; in hoards, 480, 484 f, 488,

496, 508, 505, 512f, 518f, 522

EYMHAOZ - QEOEENIAHI with Ares?

(114/8): 8n, 376f; in hoards, 516f, 524( ?);

imitation, 878 f, 461

EYMHAOI - KAAAKDflN with Tyche

(140/89): 267-71, 275; in hoards, 480,

482, 484f, 489, 496, 500( ?), 502, 505, 508,

512, 519; imitations, 458f

EYPYKAEI - APIAPA with Graces (154/3):

196-200, 241; analysis, 625; in hoards,

480, 483, 485, 488, 495, 501, 507, 518-20

ZfllAOZ - EYANAPOZ with bee (142/1):

257-62, 266; in hoards, 480, 484 f, 489,

496, 502, 510, 512, 520; imitation, 458

HPA - APIZTOO with club, lion's skin and

bow (168/7): 48, 133-38, 169; in hoards,

475, 476( ?), 477f, 480f, 483, 495, 507, 511,

514, 519; imitation, 449

HPAKAEIAHI - EYKAHZ (I) with Tyche

and amphora (139/8): 271-75, 281, 285n,

286; in hoards, 480, 484f, 489,496, 502( ?),

508(?), 516(?), 518(?), 521(?), 538;

imitations, 460

HPAKAEIAHI - EYKAHI (II) with Tyche

and amphora (187/6): 281, 282-86, 289;

analyses, 625; in hoards, 481 f, 484f, 489,

496, 500f, 502(?), 505, 508(?), 510, 512f,

515, 516(?), 518(?), 519, 521(?), 524(?).

538; imitations, 460

HPAKABN - HPAKAEIAHZ with head of

eagle (93/2): 389; analysis, 681

QEMISTO - eEOTTOMTTOI with trophy on

prow (149/8): 221-26; analysis, 625; in

hoards, 480, 482 f, 485, 488, 496, 502, 509,

514, 516, 518, 520

9E0A0T0Z - KAEOOANHZ without sym-

bol (188/7): 275-82; analysis, 625; in

hoards, 480, 482, 484 f, 489, 496, 500, 503,

505, 512f, 516, 588; imitations, 459; ana-

lyses of imitations, 637

Indexes

73i

KAEOOANHZ - ETTieETHI with baitulos

(119/8): 370f; analysis, 681; in hoards,

514f, 517, 524(?)

KOINTOZ - KAEAZ with Roma and Nike

(122/1): 362-64, 867; in hoards, 489f(?),

505, 508, 510, 512, 514, 522

KTHZI - EYMA with Nike (171/0): 8n, 72f,

80n, 94-98; analyses, 624; in hoards,

476-78, 480, 482, 502, 507, 511, 516, 518,

522(?); imitation, 442

AEYKIOZ - ANTIKPATHZ with Demeter and

Artemis (111/0): 380

AYZAN - TAAYKOZ with cicada (159/8):

170-73; analysis, 624; in hoards, 477,

480, 483, 485, 488, 495, 511, 528; imi-

tations, 450 f

AYIANAPOZ - 01NOOIAOZ with poppy-

head and grain (116/5): 374f; in hoards,

514, 517, 521, 524(?); bronze, 529

MENEA - EnirENO with Asklepios (167/6):

138-43, 242; analysis, 624; in hoards,

475, 477f, 480f, 488, 495, 507, 511, 518

MENEAHMOX - TIMOKPATHZ with Deme-

ter (108/2): 384; analysis, 681; in hoards,

516f

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MENNEAZ - HPQAHZ with Hekate (102/1):

7n, 884, 385

MENTflP - MOZXIflN with Harmodios and

Aristogeiton (118/7): 371 f, 378f; in

hoards, 512, 514, 517, 528, 524(?)

MHTPOAflPOZ - MIATIAAHZ and AHMO-

Z9EN with grapes (147/6): 232-37; ana-

lyses, 625; in hoards, 480, 488, 485, 488,

496, 501, 509, 516, 518, 520, 524(?);

imitation, 458

MI9PAAATHZ - APIZTIflN with star be-

tween crescents (c. 121): 368, 529 f, 542 n,

558f, 606, 618; analysis, 625; in hoards,

508, 524(?), 540; imitations, 468; gold,

416, 420f; bronze, 419-21, 529-81, 642;

analyses of bronze, 640; evidence for dat-

ing, 416-24

MIK1 - 0EOOPA with Nike in quadriga

(169/8): 82, 103-06; in hoards, 475-78,

480f, 488, 485, 507, 511, 522(?); imi-

tions, 443, 449, 468

MIKIflN - EYPYKAEI with Dioscuri (156/5):

187-93; analyses, 625; in hoards, 478,

481, 488, 488,495,501, 511, 521-28, 538f;

imitations, 448, 452-56; analysis of imi-

tation, 637; bronze, 419f, 529; analyses

of bronze, 640

MNAZEAZ - NEZTflP with kerchnos (120/

19): 369 f; analyses, 625, 681; in hoards,

510, 512, 517, 524(?); imitations, 468

NEZTGP - MNAZEAZ with stag (118/2):

8n, 377-79; analysis, 681; in hoards,

514f, 517, 524(?); imitation, 879, 461;

analysis of imitation, 687

NIKHTHZ- AIONYZIOZ with Gorgon's head

(180/29): 829,329-35, 889f, 848n; analy-

sis, 625; in hoards, 484, 486, 489, 497,

500, 503, 505, 508, 510, 512, 515, 518,

520, 522; imitation, 385, 460; analysis of

imitation, 637; bronze, 419f, 529, 641 f;

analyses of bronze, 640

NIKGTENHZ - KAAAIMAXOZ with Hermes

or without symbol (126/5): 347-50, 862;

732

Indexes

TTANTAKAHZ - AHMHTPIOZ with Hera-

kles (110/09): 7n, 380f; in hoards, 515(?)

TTOAEMflN - AAKETHZwith tripod (157/6):

150n, 181-87, 198; analyses, 624f; in

hoards, 480f, 488, 488, 495, 501, 522, 589,

540n; imitations, 451-55

nOAY - TldS with palm behind owl (181/0):

58-61, 75; analysis, 624; in hoards, 476,

479, 522(?); imitation, 441(?)

nOAYXAPM - NIKOr with caduceus

(165/4): 148-51, 154, 169; analysis, 624;

in hoards, 475, 476(?), 477f, 481, 488,

488, 495, 514, 524( ?); imitation, 450

ZQKPATHZ - AlONYZOAfl with Apollo

(148/7): 226-32, 364; analysis, 625; in

hoards, 480, 482f, 485, 488, 496, 500f,

508, 507, 512, 518, 524(?); imitation,

457; analysis of imitation, 687

ZQTAAHZ - 9EMIZT0KAHZ with bakchos

(112/1): 379f; in hoards, 514f, 524(?)

TIMAPXOY - NIKArO with anchor and star

(166/5): 72n, 87, 143-47, 150; in hoards,

475, 478, 480-83, 485, 488, 495, 500. 507,

514, 518; imitation, 449; grain-ear

drachms and hemidrachm, 145-47

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TIMOZTPATOZ - TTOZHZ with Dionysos

(184/8): 281, 292-96, 299f; in hoards,

482, 485, 489, 497, 508, 514, 519, 521

TPY<DflN - nOAYXAPMOZ with Hekate

(91/0): 7n, 390

OANOKAHZ - ATTOAAflNIOZ with Artemis

(143/2): 252-57, 261; analysis, 625; in

hoards, 480, 484 f, 489, 496, 501 f, 505,

508, 512, 518

OIAOKPATHZ - HPflAHZ with Dionysos

(98/7): 387

OIAOKPATHZ - KAAAIOflN with Nike

(92/1): 390; in hoards, 516

XAPI - HPA with cock (178/7): 84n, 65-67,

75; analysis, 624; in hoards, 476, 502,

518, 522(?)

XAPINAYTHZ - AP1ZTEAZ with Demeter?

(144/3): 246-52, 257, 281, 290; analysis,

625; in hoards, 480, 484f, 489, 496, 501,

505, 507, 510, 512, 515, 519

Irregular issues

Grain-ear fractions without names of ma-

gistrates (c. 180-170 and 166/5): 48, 52,

68-73, 87 f, 145-47; in hoards, 478, 481 f,

518, 520, 538

tfl-ffl, Sullan coinage (86/5 and 85/4):

425-39; analyses, 688; in hoards, 484,

505, 515, 521-28, 540f, 543-45; recut as

coin of Cnossus, 468; bronze, 438 n

Two trophies, Sullan coinage (84/8):

430-39

O AEMOZ, imitations: 7, 444 49; analysis,

446,687; in hoards, 448 n, 502 f, 524(?), 543

KOINTOZ - XAPMOZTPA, imitations: 7.

415 n, 464-67; analysis, 637

SYMBOLS

(Boldface numbers refer to the catalogue pages of the issues with which the symbols

are associated.)

Aetolia(?): on imitations, 461-68 Apollo: 78-81, 123, 226-30, 383f, 568, 580,

Agon: 340-43, 555, 604, 604; on imitation, 457

anchor with star: 14347, 606; on imitation, Ares( ?): 376; on imitation, 461

449 Artemis: 252-56, 257-61, 391; and Deme-

aplustre: 91-94 ter, see Demeter

Indexes

733

Artemis(?): 252

Asklepios: 138-41, 386, 410, 560, 604

Athena: 391, 419, 604

baitulos: 370 f

bakchos: 33-36, 379 f, 605; on bronze, 418,

419n, 526, 528f

bee: 257-61; on imitation, 458

bow and quiver, see quiver

bow in case with lion's skin and club, see

club

caduceus: 148-50, 385; on imitation, 450;

on bronze, 526

cicada: 50-52, 170-72, 386; on imitations,

440 f, 450; on bronze, 419 f

club: 40f; with lion's skin and bow in case,

48, 133-38, 608; on imitation, 449

cock with palm: 65-67

comucopiae: 36-38, 58 n, 61-63, 108, 607;

double with fillet, 205-09, 605; on imi-

tations, 455 f; with grain-ears, 166-68;

on imitations, 450 f

crescents and star, see star

Demeter: 375 f, 384, 389, 605; and Artemis,

380, 608n

Demeter(?): 246-52, 583, 602; and Dion-

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ysos, see Dionysos

Demos(?): on imitations, 445n, 448f

Dionysos: 163-65, 292-96, 383, 387, 390,

526, 560, 605 f; on imitations, 443, 450;

and Demeter(?), 252, 287-90, 603

Dioscuri: 187-92, 419, 526, 529, 608n, 604;

on imitations, 443, 452-56; caps of

(pilei), 49 f, 320-26, 528; on imitation,

443; on bronze, 418-20, 526, 528 f

dolphin and trident: 354-59, 529

eagle: 88-91, 604; on fulmen, 173-80; on

imitations, 448, 450-54, 468; head of,

389

elephant: 155f, 158-60, 526n, 603; on

imitations, 449 f; head of, 156 f, 526 n

fillet: 381

fulmen: 160-62; on imitation, 450

Gorgon's head: 329-34, 420, 422f, 529, 606,

687; on imitation, 460

Graces, three: 196-99, 604

grain-ear: 47f, 68-73, 145^47, 605; on

bronze, 526; grain-ears, 296-99, 605; on

imitations, 464. See also cornucopiae,

poppy-head

grapes: 232-36; on imitation, 458

griffin: 364-67, 551, 604

Harmodios( ?): on imitations, 445, 448 f

Harmodios and Aristogeiton: 371 f, 603 n

Hekate: 385, 390

Helios: bust of, 98-102; on imitations,

442 f; in quadriga, 209-15; on imita-

tion, 455

helmet: 81-88, 91, 382f, 604

Herakles: 380 f, 578, 605

Hermes: 347, 849f; term of, 55f

horse, forepart of: 73-75

Hygieia: 388 f, 410, 560, 604

Isis: 372 f, 382, 558, 607; headdress of,

350-53, 558, 607; on imitation, 460

kerchnos: 33-35, 57f, 68, 108, 369f, 605,

607; on imitations, 468

Kore(?): 252, 602

labyrinth: on forgery, 468

734

Indexes

Perseus(?): on imitations, 444, 448

poppy-head with grain-ears: 374, 529; on

bronze, 529

prow: 200-05; on imitations, 444, 452f,

455-57; with trophy, 221-25, 568, 604,

606

quiver and bow: 262-67; on imitations, 458

Roma: 850, 359-62, 863, 409n, 606; and

Nike, 362 f, 409 n, 606

rudder: 41-43, 608

Selene(?): 252n

serpent: 344-46; serpents, 52-55; on

imitation, 441

serpent staff: 141 f

sphinx: 381, 529, 604

stag: 377f; on imitation, 461

star between crescents: 368, 428, 554, 606,

637; on imitations, 468; on bronze, 419,

528 f

term, see Hermes

Theseus(?): on imitations, 445n, 448f

thunderbolt, see fulmen

thyrsos: 76-78, 164f, 388; on bronze, 418.

526, 528f

torches, two: 58n, 216-21, 607; on imi-

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tation, 457

trident: 64f; on imitations, 442; and dol-

phin, see dolphin

tripod: 181-86; on imitations, 451-55

Triptolemos: 242^15, 387, 605

trophy: 45-47; on imitations, 440; on prow,

see prow; trophies on Sullan issue, 480f

Tyche: 267-70, 300-04; on imitations,

458f; with amphora, 271-75, 282-86,

568, 604; on imitations, 460

wreath: 290-92

MAGISTRATES

(An alphabetical listing of mint magistrates is given on pages 547-584. Names of Athenians

mentioned in connection with these magistrates are included in the General Index.)

HOARDS

(Boldface numbers refer to the section on Hoards where the individual deposits are

discussed at length. An asterisk preceding an entry indicates that there is no New

Style material in the hoard.)

Abruzzi: 418, 488f, 504-06, 523, 539-43,

545

Aecatarini: 521 f

Anatolia: 846, 418, 471, 509-11, 525, 589,

540n, 542

Anthedon: 82f, 107, lllf, 114n, 129,473f,

588

Athens (AE): 526-30

Attic: 72, 129, 811, 478f, 507n, 588, 712

Attic I (AE): 526-30, 641

Attic II (AE): 526-31

Babylon: 523

Beliza: 522, 540n

Benkovski: 523

Carystus I: 445f, 502f, 589, 548n

Carystus II: 899, 500 f, 589

"Chalcis Find" (Halmyros): 498

"Chalcis-Euboea Hoard" (Halmyros): 498

Chersonesus: see Cretan II

Chesm: 448 n

Corinth: 107 n

Indexes

735

Cretan I: 880n, 407, 413-15, 417f, 518,

515 f, 522, 589, 542

Cretan II: 846, 418, 511-13, 589-42

Crete (hoard ?): 522, 544n

Delos A: 418, 484, 514f, 524, 589-43

Delos B: 899, 482-84, 486, 518, 589

Delos T: 816, 470, 479-81, 538

Delos ir (1909): 521

Delos ir (1910): 519f

Delos IA: 520

Delos K$: 899, 481 f, 589

Delos A-l: 520

Delos A-2: 520 f

Delos AH: 899, 484-86, 518, 589

Delos =6: 403, 513 f, 524, 589, 543

Delos, miscellaneous: 519

Dipylon: 417f, 421, 504n, 507-09, 589-48

Dragomir: 521 n

Dura 5: 541 n

"Euboea Hoard" (Halmyros): 493, 495n

Greece?: 523

Halmyros: 810n, 812, 885, 899, 472, 491-

500, 501, 539 f

Hierapytna: 407, 412 f, 418, 518, 516 f, 542

"Hoard of 1980" (Halmyros): 498

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Hunterian Museum (hoard ?): 524

KG (AE): 526-30

Keratea (AE): 526-30

Kessab: 809, 474, 475-77, 588, 542n

Lamia (Halmyros): 492

Levadia (Halmyros): 492

Marmara: 523

Marsian: 522

Naxos: 809 f, 477f

*Nevrokopsko: 521 n

Newell 1984/5: 523, 541

North Slope (AE): 526-31

Ontario: 501 f

Oreos: 517 f, 589

Piraeus: 418, 503f, 589-43

Plaka (AE): 526-30

Pleven: 521 n

Pnyx (AE): 526-30

Salamis: 816, 518 f

Salonika: 129, 808, 475, 538

Samsun (hoard?): 524f, 542, 544n

Serres: 522

Simitlii: 522

*Susa 8: 541 n

Susa 4: 542 n

Tarentum: 622 n

Teheran: 523, 544n

Tell Ahmar: 474f, 477, 542n, 544n

Til-Barsib: see Tell Ahmar

Zahle: 523

Zarova: 810n, 812, 899, 487-91, 499f,

589 f, 544

INSCRIPTIONS CITED

IGl* 824 48 IG1V 961 552

IG II2 791 47 1009 578

847 87 1018 646n

910 88 1014 564, 570

919 87 1084 574

736

Indexes

/Gil2 1089

568

1184

557

1835

142

1706

48

1717

555

1937

547

1938

557

1989

547

1944

563

1968

88

2314

106, 142

2816

557

2823

2825

572

2381

102

2332

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572

85,41,44,47;

2334

88

2886

564

2452

555, 564, 575

2864

547

2980

549

3510

568, 577

3864

75

4082

549

5995/6

557

6579

38

6599

54

7239

578

7646

589 n

8808

582

FD III 2,12 548, 553

15 556

17 575

23 549

26 556

27 549

Insc. Ddlos 1507 557

1643 563

Indexes

737

Alexander III, coins of: countermarked,

81; overstruck by Athens (?), 49

Alketes (I) of Kothokidai: 549

Alketes (II) son of Euagion (I) of Kotho-

kidai: 549

Alketes (III) son of Euagion (II) of Kotho-

kidai: 549

Alkidamos son of Euphanes of Euonymon:

549, 566

Amastris, coins of: 446

Ambracia, coins of: 586

Amisus: 447; coins of, 446

Ammonios of Anaphlystos: 58, 549 f

amount of coinage, see quantity of coinage

Amphias (I) of Aphidna: 550, 565

Amphias (II) son of Oinophilos (I) of

Aphidna: 550

Amphikrates (I) of Perithoidai: 550

Amphikrates (II) son of Epistratos (I) of

Perithoidai: 550

Amphikrates (III) son of Epistratos (II)

of Perithoidai: 550

amphora handles found at Laurium: 681 n

amphora letters: combined with control

combinations, 60 f, 119 f; in field, 61;

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introduction of, 52, 118f, 608; lacunas in

sequence of, 608-12; omitted on drachms,

68-71, 77, 90, 145f, 194f (normally

omitted on hemidrachms); recutting of,

267 319, and passim through catalogue;

tabulation of, 609-11; temporary ab-

andonment of, 58, 68, 65, 67, 109, 119f,

608; errors in earlier readings of, passim

through commentaries on individual

issues. See also intercalary years

analyses: of Athenian bronze, 419f, 628,

638-42; of Wappenmiinzen and Old

Style silver, 628, 682-84; of New Style

silver, 620f, 624-29, 631, 633-85; of

Sullan issues, 638; of Cretan coins, 638;

of New Style imitations, 637 f; of Lau-

rium silver, 681-88; neutron activation

method, 622 f

Anatolia: circulation New Style coins in,

525, 538, 540n, 542, 544, see also Index of

Hoards; New Style imitations from,

470-72; civic coinages in hoards, 528;

slave revolt in, 486 n

anchor (?) countermark: 62n

Andreas, archon (c. 144): 550 f

Andreas son of Andreas of Piraeus: 551

Andros, coins in hoards: 477

Antenor, sculptor: 445n

Antikrates of Epikephisia: 551

Antioch, mint of: 477

Antiochos III, at Chalcis: 118

Antiochos IV (Epiphanes): benefactor of

Athens, 160, 606; "mint magistrate" of

Athens, 8f, 158-60

Antiochos V: 158 f

Antiochos VII: 158; coins in hoards, 474

Antiochos VIII, coins in hoards: 474

Antiochos IX, coins in hoards: 474-75

Apellikon of Teos: 409n, 551, 587, 604

Aphrodisios of Azenia: 555, 557

Apolexis of Oion: 551

Apolexis son of Lysander of Piraeus (c. 140):

552

738

Indexes

Ariarathes VI of Cappadocia: 558

Ariarathes VII of Cappadocia: coins in

hoards, 510

Ariarathes IX of Cappadocia: 428n; coins

in hoards, 510

Ariobarzanes I, coins in hoards: 510

Aristaichmos of Phyle: 558, 588

Aristion: dictator, 421, 423n, 445, 447,

504n, 506, 553f, 587; mint magistrate,

409 n, 422 f, 587

Ariston (I) son of Timostratos (I) of

Phaleron: 579

Ariston (II) son of Ariston (I) of Phaleron:

579

Ariston (III) son of Poses (II) of Pha-

leron: 579

Aristoteles of Oion: 551

Aropos son of Leon: 555

Aropos son of Aphrodisios of Azenia: 555

Asia Minor, see Anatolia

Asklapon (in Pythaist listing): 556

Asklepiades of Diomeia: 47

Asklepiades son of Hikesios: 557

Asklepios and Hygieia, priesthood of, see

priesthood

89

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Asteriades coins from Zarova Hoard: 487-

Athena, priestess of: 604

Athenaeus: 482

Athenion: 408

Athenobios of Eupyridai: 548, 576

Athens: coinage other than New Style

silver, see bronze, gold, Old Style,

Wappenmtinzen; commercial and po-

litical relations, see Anatolia, Balkans,

Crete, Delos, Macedonia, Pontus, Rome;

emigres from, 445, 447; financial crises

at, 421 n; monetary system compared

with Roman, 585-87; oligarchic regime

at, 408, 444; storage center for ingots in,

621; subsidies to, see Mithradates V and

VI, Pontus, Seleucid kings. See also

Agora, Antiochos IV, Areopagus, Ari-

stion, calendar, cleruchies, festivals, mint,

Mithradates VI, Sicily, spoils of war,

Sulla, Index of Hoards

Attalos, Stoa of, in Agora: 714n

Babylon: 544. See also Index of Hoards

Balkans: circulation of New Style silver in,

521 n, 544 and see Index of Hoards

Basileides of Piraeus: 557

Berlin Cabinet: additions from, 6n, 68n

Beule" collection: 271 n

biga and driver on helmet of Athena: 32f,

36, 40f, 112, 114

Bithynia: coins in hoards, 434, 448 n, 505,

512, 528, 545; era of, 504n

Boeotia: 436 f, 448

booty, see spoils of war

Boukattes of Leontis: 557

Boularchos of Eiresidai: 557

bow in case countermark: on New Style

coin (?), 62n; of Tralles, 81

bronze coinage of Athens

pre-New Style: 522, 527f, 639, 641.

See also analyses

New Style: in Agora, 415n, 421 n, 531;

attributed to cleruchs, 432, 519, 527;

Indexes

739

Byttakos of Lamptrai: 557, 580

Byzantium Lysimachi found in hoards:

484, 448 n, 505

Caesarea: 509

calendar of Athens: 180, 585, 608, 618n

Cappadocia: coins in hoards, 484, 505, 510.

See also Ariarathes V, VI and IX

Carthage: 641

Carystus: 448; coins in hoards, 502, see

also Index of Hoards

cast coins: 472n and passim through

catalogue

Chaeronea, battle of: 482, 485n, 489

Chalcis: 118, 448, 492; coins in hoards,

107, 473

Charias of Aithalidai: 568, 583

Charmides brother of Dorotheos: 562

Charmostra, magistrate on New Style

imitations: 467

Chersonesus, Crete: 511. See also Index of

Hoards

Chios: 604; coins in hoards, 448n

choregia: 594 n

Christodoulos, forger: 468

chronology: earlier studies, 1-4; evidence

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for, in Early Period, 107-29; in Middle

Period, 807-18; in Late Period, 892-424

circulation of New Style silver: 588, 540,

542-45. See also Anatolia, Crete, Delos,

Levant, Macedonia

cistophori: 81; in hoards, 448n, 482, 517,

521

cleruchies, Athenian: 489, 714; coins attri-

buted to, 482, 527. See also Delos

Comana, coins of: 446

Cnossus imitation of New Style, modern

forgery: 468

control combinations: on amphora, 61;

combined with amphora letters, 60 f,

119f; introduction of, 58, 119f; of Early

Period, 119-21, 128; of Middle Period,

818f; of Late Period, 898 f, 402, 404, 407,

417; omitted on tetradrachms, 188, 877;

on drachms, 68-71, 77, 84f, 90, 101, 105,

185f, 141 f, 145 f, 149f, 158f, 156f, 161 f,

164, 168, 172, 179f, 185f, 192, 194f, 199,

205, 220, 225, 240f, 256, 266, 270, 278,

280, 286, 289, 292, 295, 299, 804, 826, 884,

859, 861, 868, 867f, 870, 876 (normally

omitted on hemidrachms); recutting of,

819, 618f and passim through catalogue;

related to bullion, 619-23, 634, 715f;

tabulation of, 613-17; errors in earlier

readings of, passim through commen-

taries on individual issues

Corinth: 107n, 412, 622n

countermarks: 62, 81

Crete

coins of: analyses of, 638; bullion for,

688; imitations of New Style, 446, 468,

469n, 470, 472, 517, 688

coins found on: Cretan, 512, 517, 541;

New Style, 880n, 518, 588, 542, 544 and

see Index of Hoards; other, 512, 517,

522, 545; chronological significance of,

412-14, 417

Cydonia, analysis of coin of: 688

Cynoscephalae, battle of: 107

740

Indexes

Demetrios son of Hieronymos of Potamos:

88

Demetrios son of Ouliades of Alopeke:

558f

Demetrios I of Syria, coins in hoards: 475

Demetrios II of Syria, coins in hoards; 474,

523

Demetrios Poliorketes, coins of: 525n

Demetrios II of Macedon, monogram of: 91

Demochares son of Dositheos of Aithalidai:

559,563

Demos and Graces: priesthood of, 604, 607;

sanctuary of, in Agora, 604

demotic on coins: 158, 180, 242, 891, 561 f,

574, 577

denarii: beginning of, 585; compared with

New Style coinage, 585-87; found in

Agora, 415n; in hoards, 413, 484, 505f,

517, 523, 541n

die positions: 318, 648f

die transfers

obverse: 77, 109, 122, 126, 129,147,

150, 162, 169, 199, 215, 220, 256f, 261,

266, 271, 275, 281, 289, 292, 299, 805,

314f, 839, 346, 859, 863, 867, 373, 894-96,

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400-02 and see also imitations; erroneous

record of, 8, 130f, 200n, 811-13, 815n,

378 f; indicative of contiguity, 2 f; number

known, 8; tabulation of, 307, 810f, 815,

892

reverse: 715 f and passim through cata-

logue

dies: added from Berlin material, 6n, 68n;

completeness of record of, 8, 71118,

717, 719f; longevity of, 151, 169, 180,

186, 829, 878f, 716, 721; number cata-

logued, 654; numerical ratio of obverse

and reverse, 710, 721 f; recutting of,

passim through catalogue. See also die

transfers

Diodora daughter of Mentor: 574

Diodoros, archon (58/2): 410, 560

Diodoros son of Theophilos of Halai: 408,

410, 560

Diodorus Siculus: 686 n

Diogenes of Alopeke: 560, 579

Diokles (I) of Kephisia: 408, 410f, 560f,

574, 590, 598, 604, 607

Diokles (III) son of Diokles (II) of Kephisia:

560, 604

Diokles (I) of Melite: 408, 410, 561, 574, 604

Diokles (II) son of Diokles (I) of Melite: 561

Dionysia: 605

Dionysios of Anaphlystos: 58, 550

Dionysios son of Athenobios of Eupyridai:

548, 562, 576

Dionysios son of Herodes of Sphettos: 568

Dionysios son of Mnasagoras of Ikaria:

562, 575

distribution of coinage, annual: diagrams

of, in three-magistrate period, 655-708:

tabulation of, 650-54

Dorotheos brother of Charmides: 562

Dorotheos son of Charmides: 562f, 584

Dorylaus: 448

Dositheos of Aithalidai: 563, 588

Spccxiiotl OTE<pavri<p6poi: 432 n

drachms, see fractions

Indexes

74i

Epistratos (II) son of Epistratos (I) of

Perithoidai: 550

Epistratos (III) son of Epistratos (II) of

Perithoidai: 550

Epithetes son of Aphroditos of Aithalidai:

564

Epitimos, potter: 564

era: Bithynian-Pontic, 504n; of Pergamum

on Mithradatic coinage, 504n

erasures, see ethnic, symbols

Eretria, coins of: 599n; in hoards, 107, 473

Ergokles, archon (132/1): 564

errors, see amphora letters, control com-

binations, die transfers, mint magistrates

Ethelandros of Acharnai: 87

ethnic: erased, 69; omitted on imitation, 459

Euagion (II) son of Euagion (I) of Kotho-

kidai: 549

Euagion (III) son of Alketes (II) of Kotho-

kidai: 549

Euboea: 548n; coins found in, 445, 448;

League coinage of, 649 n. See also Carystus,

Chalcis, Eretria

Euboulides son of Agathokles of Triko-

rynthos: 547

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Eudoros of Kydathenaion: 41, 565

Eukles of Trinemeia: 550, 565

Eumareides son of Euphanes of Euonymon:

549, 566

Eupolemos, archon (185/4): 566

Eurykleides (I) of Kephisia: 604

Eurykleides (III) son of Mikion (III) of

Kephisia: 106, 566, 574f, 598, 604, 607

festivals, see Dionysia, Eleusinia, Pana-

thenaia, Ptolemaia, Romaia, Sylleia,

Theseia. See also symbols

Flamininus, proclamation of: 107

flans, comparative size of: 78n, 126f

forgeries, modern: 468, 472; in Halmyros

Hoard, 494

fractions: emission of, 40, 87, 608n and

see tabulation, 650-54; with ethnic alone,

88-40, 85-87; grain-ear, see Index of

Issues; omissions on dies of, see amphora

letters, control combinations, mint magi-

strates, symbols

frequency tables: 646-48

Glaukos of Piraeus: 102, 557, 572f

gold: coinage of Athens, 421, 709f, 721

and see Mithradates-Aristion in Index of

Issues; of Mithradates VI, 504n; of

Ptolemies, 605; of Sulla, 431; Nikai of

Acropolis, 709; objects in Halmyros

Hoard, 492

Gortyna imitations of New Style: 446, 638

graffiti: 151, 157n, 324n, 850n

grain distributions: 78, 147

Habron son of Kallias of Bate: 547

Harmodios, statue of: 445n

Harmoxenos son of Harmoxenos of Ke-

kropis: 555

Hegemachos son of Satyros of Leukonoe:

567, 580

Hellenistic Building in Agora: 622n

hemidrachms, see fractions

Hephaisteion in Agora: 622n

Herakleides, archon (104/8): 408, 568

Hermitage Cabinet: Beul6 coins in, 271 n;

742

Indexes

chronological significance of, 588 f; com-

bined, 477, 511; geographical distribution

New Style coins in, 539 f, 548-45; lacunas

in, 418, 474, 476 f, 540 f; tabulation of,

530-37. See also Indexes of Hoards and

Issues

of bronze: 525-81

Hygieia and Asklepios, priesthood of, see

priesthood

Hypsimos of Eiresidai: 44

Ikaria, deme: 605

Ilium, coins of: 598, 599n

Imbros, cleruchy of Athens: 439

imitations: analyses of, 637f; categories of,

468-70; ethnic omitted on, 459; in hoards,

440, 448f, 449, 458, 460f, 462n, 470-72,

481, 498, 510, 512; plated, 440, 443f,

449-60, 468, 469-71; possible, included

in catalogue, 42 f, 187, 246, 377; pro-

venance of, 470-72; transfer of obverse

dies of, 449-56, 458-61, 470 f. See also

Arabia, cast coins, Crete, forgeries,

Levant, plated coins, Index of Issues

inflation in grain prices: 714n

intercalary years: record of, from coinage,

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55, 96 f, 100, 142, 162, 200, 286, 296, 854,

371, 879, 612f; from inscriptions, 612f;

contiguous, 125f, 129f, 613

Isis, cult of: 558, 607

issues, annual: chronological sequence of,

27-29; die-linked, see die transfers;

evidence for arrangement of, see chro-

nology; with monograms interpolated in

abbreviated names series, 109, 131 f;

with two magistrates interpolated in

three-magistrate series, 846, 863, 409;

number recorded, 7f. See also Index of

Issues

Italy: 436, 538, 545; hoards found in,

488 f; slave revolt in, 486 n

Jason, orator: 569

Justin: 422n

Kallias son of Habron of Bate: 547

Kallikratides son of Kallikrates of Steiria:

570

Kallikratides son of Syndromos of Steiria:

570

Kallimachos of Leukonoe: 408, 564, 570

Kalliphon: 408, 410, 571

Kallistratos, archon (156/5): 570

Kallitheos son of Lysiades of Berenikidai:

570

Kambanis, M. L.: casts and notes of, 4n;

erroneous die links recorded by, see die

transfers; record of Halmyros Hoard,

491-99

Karaichos of Halai: 571

Kayseri: 509

Kleidamos of tribe Antiochis: 564, 571

Kleon, graffito: 151

Kointos, archon (56/5): 572

Kointos, magistrate on imitations: 467

Kolophon, coins of: 599n

Kritios, sculptor: 445n

Lachares: 421 n

Laines of Dekeleia: 572

Lamia: 492

Laodice, wife of Mithradates V: 422

Indexes

743

411; square sigma, 885f, 405, 410f;

cursive omega, 82 f, 40 f, 121 f, 205, 884 f,

887, 891, 405f, 410f

Leukios, archon (59/8): 572

AeukoAAeicc: 485-88

Levant: circulation New Style coins in,

470, 474 f, 538, 544 and see also Index of

Hoards; commercial relations with Delos,

544n; imitations of Old Style coins in,

469 n

Lihyanite script: 441

liturgies: monetary, at Athens, 525n, 584,

593-99; elsewhere, 599 n; other, at Athens,

594 n, 599

Lucullus, Lucius (L. Licinius Lucullus):

432, 434-38

Lucullus, Marcus (M. Terentius Varro Lu-

cullus): 484, 487-39

Lyandros son of Nikogenes of Philaidai: 576

Lysander of Piraeus (family of Medeios):

102, 557, 578

Lysander (I) of Piraeus (c. 121): 578

Lysander (II) son of Lysander (I) of Pi-

raeus: 552, 573

Lysiades, archon (152/1): 606

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Lysimachi in hoards: 484, 448n, 505, 523

Macedonia: coinage of, 88; circulation New

Style coins in, 490 n, 540, 544 and see

also Index of Hoards; mines, 544; war

with Rome, 107, 118, 544; withdrawal

of garrisons from Athens, 8, 681 n. See

also Aesillas, symbols and individual

Macedonian kings

Magas of Marathon: 578

magistrates, see mint magistrates

Maroneia, coins in hoards: 528

Medeios of Piraeus: 408-10, 561, 578f, 598

Megara: 436

Memnon: 422 n

Menedemos, archon (92/1): 408, 578

Mentor father of Diodora: 574

metallic composition of coinage, see ana-

lyses

Metellus: 467

Middle Stoa in Agora: 714n

Mikion (III) son of Eurykleides (I) of

Kephisia: 106, 575, 604

Mikion (IV) son of Mikion (III) of Kephisia:

106, 566, 574f, 598, 604

Miltiades son of Zoilos of Marathon: 575

mint

of Athens: location of, 482n, 622n;

Mithradatic coinage struck at, 504 n;

Sullan coinage struck at, 431 f, 487-89;

operating routine of, 710n, 716-21; out-

put of, see quantity of coinage; pro-

duction rate of, 718-21

on Delos: 482 f

of Pergamum: used by Mithradates

VI, 504n

in Peloponnese: used for Sullan issues,

482, 485f

at Sunium: 482 f

mint magistrates: alphabetical list of,

547-84; compared with Triumviri Mone-

tales, 584-87; consanguinity of, 584, 589,

598, 595f and passim through listing;

earlier theories regarding, 584 f, 588, 598;

744

Indexes

earlier readings of names, passim through

commentaries on individual issues

Mithradates III: 423n

Mithradates IV: 428 n

Mithradates V: 554, 574; benefactor of

Athens, 422-24, 606, 637; of Delos, 422

Mithradates VI: 447 f, 545, 574; Athenian

partisans of, 409, 447, 504n, 553f; early

years, 422; early military campaigns,

637; financial aid to Athens, 504 n, 506,

509, 548; "mint magistrate" of Athens,

8; at Pergamum, 448 n, 504 n; war with

Rome, see Mithradatic War

coinage of: with era dates, 504n, 637n;

circulating in Athens, 423 n; found on

Delos, 412, 548, 545; found in hoards,

418, 484, 448n, 504-06, 508, 512, 520,

523, 548, 545; struck at Athens, 504 n;

struck at Pergamum, 504 n; types and

symbols of, 428n, 554

Mithradates Chrestos: 422

Mithradatic War: 484-87, 448, 543n, 545

Mnasagoras son of Adeimantos of Ikaria:

547, 575

Mnasagoras son of Mnasagoras of Ikaria: 575

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monograms: formation of, 48; variant

forms of, passim through catalogue of

Early Period

month dates, see amphora letters

Moschos of Kydathenaion: 86, 54, 582

Moschos son of Moschion of Ankyle: 54

Naukrates of Hamaxanteia: 43

Naxos, coins in hoards: 477. See also Index

of Hoards

Necote: on coins, 142, 576 f; on inscriptions,

106, 142

Nestor (Homeric): 601 n

neutron activation method of analysis: 662f

Newton, C. T., British vice consul: In

Nicomedes II, coins in hoards: 448n

Nicomedes III, coins in hoards: 505, 528

Nicomedes IV, coins in hoards: 512, 528

Nikagoras of Phlya: 576

Nikai, golden, of Acropolis: 709

Niketes son of Athenobios of Eupyridai:

548, 562, 576

Niketes son of Niketes of Pergase: 87, 576

Nikodoros son of Nikesias of Leontis: 577

Nikogenes (I) of Philaidai: 576 f, 589 n

Nikogenes (II) son of Nikogenes (I) of

Philaidai: 576f

Nikogenes (III) son of Nikon (III) of

Philaidai: 577, 587

Nikon of Kephisia: 577

Nikon (III) son of Nikogenes (I) of Philai-

dai: 577

Oinophilos (I) son of Amphias (I) of Aphid-

na: 550, 578

Oinophilos (II) son of Oinophilos (I) of

Aphidna: 550

Old Style silver of Athens: 40, lllf, 441,

446; in hoards, 107n, 521 n; imitations

of, 469 n. See also analyses

oligarchic revolution at Athens: 408

Olympia, spoils of war from: 484

omissions, see accordion plates, amphora

letters, control combinations, ethnic,

mint magistrates, symbols

Indexes

745

Peloponnesian mint of Sulla: 432, 485f

Pergamum: cistophori in hoards, 448 n,

482; era of, 504n; headquarters for

Mithradates VI, 448 n, 504 n; monogram

of, 504 n

Perseus: 428, 448. See also Index of Symbols

Perseus of Macedon, coins of: 91

Phanias of Kydathenaion: 86, 54, 582

Phanias son of Moschos of Kydathenaion:

54

Pharnaces: 422, 428 n

Philinos of Paiania: 569, 582

Philip V of Macedon: 107, 118; coins of, 88,

91

Philippe wife of Diokles of Melite: 604

Philodoxos (on inscription of Roman date):

582

Philotades of Phyle: 553, 588

Philotheos of Lamptrai: 580, 582

Phraates IV, coins of: 542n

Piraeus: 118, 486f. See also Index of Hoards

Piso, L. Calpurnius: coins in hoards, 528

Plaka: district of Laurium, 682; district of

Athens, see Index of Hoards

plated coins: 687 and passim through cata-

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logue. See also imitations

Plotheia, deme: 578, 605

Plutarch: 422n, 482, 484-88, 447f, 571

Polemon of Perithoidai: 578

Polybius: 102

Polycharmos of Phaleron: 579

Polykles (II) of Thorikos: 61, 579, 581, 587

Polykles (III) son of Timarchides (I) of

Thorikos: 579

Pompey: 686 n

Pontus: Athenian partisans of, 409, 447,

504n, 553f, 606; coins of, 446, 448; era

of, 504 n; mines of, 686 n; political situ-

ation c. 120, 422; subsidies to Athens,

421-23, 606, 636 f; symbols on New

Style coins, 419, 422 f, 554, 606, 686 f.

See also Mithradatic War and individual

Pontic kings

Poseidonios of Alopeke: 560, 579

Poses (I) son of Ariston (I) of Phaleron:

548, 579, 581

Poses (II) son of Ariston (II) of Phaleron:

579

priesthood: Asklepios and Hygieia, 411,

560, 604, 607; Athena, 604; Demos and

Graces, 604, 607; in family, 411, 560, 604

prytanies: 584, 598

Ptolemaia: 552, 557, 565, 605f

Ptolemies, coins of: 605; found in hoards,

528

Pyrrhos of Lamptrai: 557, 580

Pythais: of Agathokles (106/5), 556; of

Argeios (98/7), 556, 575; of Demetrios

(128/2?), 548; of Dionysios (128/7), 548,

558, 580

quantity of coinage: at different periods,

712-14, 718-21; decline in Early Period,

40; in Late Period, 518, 542 f, 598, 597f,

612, 635, 687; increase c. 181, 685f, 718,

714n; original output of mint, 726; survi-

ing specimens, 654

Raven, E. J. P.: notes on Cretan hoards,

515, 522

746

Indexes

war with Macedon, 107; war with Pontus,

see Mithradatic War, Sulla; war with

Syria, 118. See also symbols

Sabaean coins and legends: 441

Sabinus, L. Titurius: coins in hoards, 528

Saher Halal: 441

Samsun: 445, 447, 471, 524. See also Index

of Hoards

Santangelo collection in Naples Museum:

434 n

Saroglou collection, coin from: 468n

Satyros son of Hegemachos of Leukonoe:

567, 580

Schol. Aristoph.: 594n

Scipio: 102

Seager collection, coin from: 468

Seleucia Pieria, coins in hoards: 475

Seleucia on Tigris: 107n

Seleucid kings: benefactors of Athens, 147,

160, 606; coins of, in hoards, 107 n, 474 f,

477, 528, 542n. See also symbols and indi-

vidual rulers

Seleucus III, coins in hoards: 107n

Seyrig, H.: record of Hermitage coins, 6,

262n; of Kessab Hoard, 475 f; of Zahle

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Hoard, 528

Sicily: 545; Athenian expedition to, 469n,

594 n; slave revolt on, 486 n

Sicyon, coins of: 586

Side, coins of: 81

silver: for coinage, see bullion, mines; re-

serve, see stockpile of coins

Skyros, cleruchy of Athens: 489

slave revolts, see Anatolia, Delos, Italy,

Laurium, Sicily

Sokrates son of Sokrates of Kephisia: 580

Sophanes of Themakos: 565

Sophanes son of Dionysios of Themakos:

581

spoils of war: from Athens, 434, 487, 506,

543, 638; from Greek sanctuaries, 484,

486 f, 638

Stephanephoros: 849 n, 432

CT<pavri<p6pou Spccxnoci: 432 n

Stoa of Attalos in Agora: 714n

stockpile of coins: 542n, 714n

Strabo: 422n, 686n

Stratios of Lamptrai: 580, 582

style as guide to chronology: Early Period

obverses, 108-18, 122-26; reverses. 111,

118, 127-29; Middle Period obverses,

807-16; reverses, 816-18; Late Period

obverses, 893-97, 400-07; reverses, 397 f,

407 f. See also aegis serpent, biga, Pegasus

and commentaries on individual issues

subsidies: to Athens, see Mithradates VI,

Pontus, Seleucid kings; to Delos, 412,

422

Sulla: aid to Delos, 412; Greek campaigns,

484-89, 448; levies in Greece, 434, 486f;

military payments, 434-87, 506; route

to Athens, 436; siege and sack of Athens,

415, 421, 486f, 488n, 445, 447, 506, 509,

622 n; visit to Athens in 84/3, 439

coinage of: found on Delos, 515, 521,

545; found in hoards, see Index of Issues;

gold, 431; struck at Athens, 425-89, 506;

struck in Peloponnese, 482, 485 f

Indexes

747

sonal, 39, 43, 137, 159, 252n, 603-05;

Pontic, 419, 422f, 554, 606, 636f; Roman,

113, 606; Seleucid, 147, 159f, 603, 606

symmories: 594 n

syntrierarchy: 594 n

Syria: war with Rome, 113. See also An-

tioch, Levant, Seleucid kings and indi-

vidual Seleucid rulers

Teheran: 544. See also Index of Hoards

Teos, see Apellikon of Teos

Thasos, coins in hoards: 522f

Thebes: 436

Themistokles: 568, 604

Themistokles son of Theophrastos of Hag-

nous: 568 f, 577

Theophrastos of Hagnous: 568 f, 577

Thermopylae, battle of: 118

Theseia: 548, 555, 562, 575-77, 584

Thessaly: 436; coins of League, 586

Thoinos, orator: 569

Timarchides (I) of Thorikos: 61, 579, 581,

587

Timokrates (I) of Pythaist listing: 556

Timokrates (III) son of Asklapon: 556

Timokrates son of Demetrios of Potamos:

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88

Timostratos (I) of Phaleron: 579

Timostratos (II) son of Ariston (I) of Pha-

leron: 548, 579 f, 581

Timostratos (III) son of Ariston (II) of

Phaleron: 579f

Tralles: coins of, 81; in hoards, 521; counter-

mark of, 81

trierarchy: 594n, 599

Triumviri Monetales: 584-86, 598

types: of New Style silver, 31; of New Style

bronze, 418 f, 527-29

Wappenmunzen: 632-84

weights: frequency tables, 646-48; tabu-

lation of averages, 642-45; weight stan-

dards, 645-48

Xenokles son of Sophokles of Acharnai: 577

Xenon of Melite: 408, 568

Xenon son of Asklepiades of Phyle: 47

Zoilos son of Zoilos of Sphettos: 566

Zopyros, archon (186/5): 566

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