Escolar Documentos
Profissional Documentos
Cultura Documentos
Creative
Writing Contest
Art in Community at St. Martin’s
The Cathedral Close; Creating Possibility
Publisher:
The Rt. Rev. Geralyn Wolf, Bishop of RI
Editor in Chief:
Ruth Meteer, Communications Officer
Copy Editors:
Liz Crawley, Executive Assistant to the Bishop
Gloria Williams, Administration/Reception
July 4-9, For 7th-9th graders Island. If you would like to be added to our mailing
list, send an e-mail with your name and address to:
risen@episcopalri.org.
Older Girls Camp poetry, art and photographs. Submissions should per-
tain in some way to the Episcopal Church in Rhode
July 18th-23rd, For 5th and 6th graders Island. It is advisable to check with the editor prior to
submitting, to ensure your materials will fit with the
themes of an issue, and that there is sufficient space.
graders
The Editor reserves the right to edit all material, for
length, clarity, and accuracy. Some material may be
published online instead of or in addition to RISEN.
At this time RISEN cannot provide compensation for
Younger Children Camp materials submitted.
August 8th-13th, For 7th-12th graders approximate readership of 27,000. For more infor-
mation or to receive a copy of our rate card E-mail
risen@episcopalri.org
For more info: Note: Display ads for parish or diocesan organiza-
tions and programs will be accepted without charge,
email us at registrar@ECCRI.org
color specifications.
COLUMNS 12 19
Openings 4
From the Bishop
Body Building
Living the Journey Together
Scenes
NewsBriefs 10 10 20
The Cathedral Close Project
Bishop Zawo’s Visit
Episcopal Life 28
Ads & Events 34
Volunteers and donors from parishes around the state did just that. Episcopal Charities
was able to give grants to 111 social service agencies who serve people in dire need.
Episcopal Charities You have “Opened he Skies” for people who face difficulties they never imagined. You
Honors Volunteers have put food on the table where, otherwise, there would be none. You have made
health services available for the elderly. You have gotten our youth off the streets
National Philanthropy Day (NPD) with after-school and summer programs. Safe havens have been given to the home-
was held on November 24, 2009 at less, abused women, and children. Counseling and intervention services have been
the Rhode Island Convention Cen- provided.
ter. NPD is a special day set aside
to recognize the great contributions Episcopal Charities has been fortunate to be able to keep its commitments to social
of philanthropy -- and those people service agencies for many, many years. Because this year’s campaign fell a little short of
active in the philanthropic com- the goal, we were forced to cut back grants to 93% of what agencies were anticipating.
munity -- for the enrichment of our This was necessary despite year-end special campaigns to past donors, a second appeal
world. This event enables non- to current donors, and a first-ever Deacons campaign. We came closer to reaching our
profits to honor special donors and $500,000 goal because of these efforts.
volunteers. 600 people attended to
Our work is never done. As 2009 draws to an end, many Rhode Islanders face difficul-
honor over 100 volunteers.
ties that they never imagined and there are still clouds of uncertainty hanging over the
Episcopal Charities was in atten- agencies that help individuals, children, families and the elderly. Gifts to this year’s
dance to honor two of our special campaign are still coming in. At the same, time we’re gearing up for our 2010 fund-
volunteers and friends. Congratual- raising campaign, and the Board of Trustees is in the process of redefining our grant
tions to Ricky Brightman and Ted review and grant making process.
Hallenbeck for being chosen as
If you would like to make a donation, please contact the Charities Office, 275 North
“Partners in Philanthropy “. They
Main Street, Providence, RI 02903, 274-4500, ext. 234 for Peggy and 233 for Jack.
have been long-time thoughtful and
compassionate friends to Episco- We asked for your help and you were there, despite these difficult times.
pal Charities in all of their efforts.
Their particular interest and exper- Thank You!
tise is their guidance for visiting
and evaluating agencies requesting
funds from Episcopal Charities.
YouCan Open
Their commitment is led by their
strong vision to the Episcopal
Charities mission, their church and
their community. Thank you Ricky
the Skies to
and Ted for al you do!
a Better
8 RISEN / WINTER 2010
Tomorrow!
NewsBriefs
Scenes 1
2
AROUND THE DIOCESE
1 Bishop John Zawo of the Diocese of Ezo in
the Sudan, speaking about his country to Brown
& RISD students at S. Stephen’s on 11/17. 2
Learning Stewardship young, at our Advent
Confirmations. 12/5 3 Haitian handicrafts
for sale at our earthquake relief benefit.
1/25 4 Blowing out the 89th Birthday Candle
4 at the Clergy & Spouse Dinner Theater 1/23 3
6
AND MORE
5 Flirt, an ECC Llama gives Bish-
op Wolf a kiss when they real-
ize they share a Birthday. 11/4
6 Former Presiding Bishop Frank
Griswold ordains Michael Tuck
to the Priesthood, at S. Stephen’s
on 1/24 7 Bishop Wolf and
Confirmands at our annual Ad-
vent Confirmations, held at the
5 7 Cathedral of St. John on 12/5.
I
n 1929 Saint John’s Church took an ambitious project to restore the little maintenance had taken place over
in Providence became the Cathedral and collect constituencies such the intervening years, and that Febru-
Cathedral of Saint John, and as Hallworth House and the Edwards ary the Cathedral hired a firm to find out
since that time its fortunes Homes into one entire city block of Dioc- what it would take to restore the Cathe-
have been various. Bishop esan property. Bishop Higgins also exca- dral church. To their dismay, they found
Perry’s dream of a Cathedral Close vated beneath the Cathedral to create the that there was not sufficient interest in the
which would take up several blocks meeting space of Synod Hall, and over- diocese, or even the parish itself, to realize
along North Main Street was never saw the building of the present Diocesan a plan as financially ambitious as would be
realized. House and Parish needed.
Offices. He left us Could there be a way
In Rhode Island Episcopalians by The project was shelved
the Cathedral close to save the Cathedral,
Dr. Dudley Tyng we read that by until two years ago,
1953 the fabric of North Main
as we now know it, and also to be when the Cathedral of
Street changed, leaving the Cathe-
a multi-use property better stewards St. John was added to
covering 3.5 acres, or of the resources
dral “located in a relatively blighted more than an entire the endangered list on
neighborhood. Its horse and carriage our predecessors the National Registry of
city block in one of
constituency of the last century has the most desirable
have so generously Historic places. Bishop
virtually disappeared”. At 231 years sections of down-
left us with? Wolf and Dean Krauss
old the Cathedral had seen better town Providence. then began to wonder
days. anew. Could there be a way to generate
Unfortunately, by 2003 the state of the the millions of dollars necessary to save the
Then, in 1967 Bishop Higgins Cathedral and the parish office had again Cathedral, and also to be better stewards
turned things around. He under- deteriorated. While it is not clear why, of the resources our predecessors have so
10 RISEN / WINTER 2010
generously left us with?
T
this?” The question was he rather sheepish query stones, and to weave and embroider
marked a point of transition yarn and linen. The result: a structure
and adornments through which their
posed to me by a de- in an ambitious creative en-
deavor undertaken by members of St.
sign team member as Martin’s Church in Providence, a 27
square foot mosaic designed and built
in community. During a visit to St.
she surveyed the scene Luke’s in East Greenwich in the fall of
2008, I was struck by the large mosaic
in front of us – a work that adorns the wall of their main
lobby. As it happened, I was both
surface surrounded by a student in a Master’s program at
Andover Newton Theological School
buckets containing col- studying the intersection of theology
and the arts, and the studio manager
orful glass tiles. Over at a local glass-casting facility in East
Providence. This combination, along
with the support of our clergy, staff,
10,000 handmade tiles vestry, and congregation, would prove
to be a rich environment in which
had been fired. Now it the ideas and tasks associated with the
mosaic project could germinate and
was time to put them grow.
L iterature has always occupied a special place in my By the November 30th Entry Deadline, RISEN had received
thoughts on faith and art. Yes, humankind has been made hundreds of submissions from all across the country. The submis-
in the image of a Creator God, and in that image we too sions were judged blind, by well established writers, and both of
have the ability to create. We can make art of all sorts, invent this year’s judges marveled at the difficulty of their decision.
impossible gadgets, and imagine the world as it should be, but I
I am also pleased to announce that despite the many wonderful
believe it is the specific picture of God’s Word made flesh dwelling
entries from far off places, and our anonymous judging process,
among us that sets apart our own use of words.
Rhode Island Episcopalians still managed to steal the prize in
If Jesus Christ is the Living Word, then what better reflection of both categories! How lucky we are to have so many fine writers
God’s creativity could there be than an earthly author’s own small here in our very small state.
words coming to life in the minds of readers, and dwelling there
If you would like to make a donation to help fund next year’s cre-
for a time.
ative writing contest prizes, please email risen@episcopalri.org or call
It is in this spirit then, that I am proud to present the first RISEN (401)-274-4500
Magazine Creative Writing Contest. The aim of the contest is -Ruth Meteer, Editor in Chief
to offer some support to writers who are called to bring words to
20 RISEN / WINTER 2010
The Winners
Poetry Prize Fiction Prize
Raechel Doughty Marlies Parent
“Between Here and the Monastery” “The Windows”
How do you see your faith and your How do you see your faith
writing intersect? and your writing intersect?
“When People ask me to explain my religious beliefs or
my spirituality, I tend to reply “give me a few days”. I I think that my faith gives me the courage to
could tell them I’m an Episcopalian, but that might not write, and also a frame of reference -an angle-
mean much to them, and it is still not a complete answer. from which to approach the “raw material” that
In poetry, though, I’m not explaining my beliefs so much life presents.
as I’m voicing my experiences. I’m giving the reader the
same glimpses of light, the tiny pieces, through which Marlies Parent is a Member of Christ Church in
I’ve come to understand my own faith. It is as honest as I Westerly Rhode Island. She and her husband are
know how to be.” very involved in the community there. A few years
ago they helped to found the friends of Nava-
Raechel is currently living in North Adams MA, but grew joland mission organization, and have involved
up here in Rhode Island at Calvary Church Pascoag. She Christ Church in the wonderful ministry through
has been very involved with ECC, Happening and the that program.
Taize ministry here in the Diocese of RI
The Judges
Phoebe Pettingell Steven Hobbs
Poetry Fiction
Phoebe is a literary critic specializ- Steven recently received his M.F.A. de-
ing in poetry. She is the author and/ gree in creative writing from The New
or editor of eight books on literature, School in New York City. His thesis
poetry and liturgy as well as numerous was a novel about failed faith healers,
reviews. Since 1976, she has written family, false hope, and Food Lion gro-
the column “On Poetry” for The New cery stores converted into churches.
Leader. She wrote the introduction for While at The New School, he worked
the Eerdmans edition of The Poems of as the Mentor Coordinator for the
Rowan Williams. She has also worked Prison Writing Program at PEN Amer-
for The Standing Committee on Liturgy and Music of the Epis- ican Center. At present, Steven is a graduate student of religion
copal Church since 1995. She currently lives in Providence and and literature at Yale University. Along with working on his own
worships at S. Stephen’s. novels and short stories, he intends to explore the ways in which
What Phoebe looks for in a good poem: "What makes a good religious faith influences and informs the writing of fiction. Prior
poem? Samuel Taylor Coleridge called poetry "the best words in to attending The New School, he taught high school literature
their best order." An effective poem has a distinctive voice. It may and composition and published articles for an alternative music
be rhymed or unrhymed and should have a distinct beat, whether magazine.
formal or casual. It should embody its meaning rather than talk- What Steven Looks for in a good Short Story: "A fresh voice, a
ing about it. It should reflect the imagination rather than trying to singular vision, poetic prose. The author must possess the ability
harness it to a message. It should be its own creation." to make new ideas feel established and established ideas feel
new."
WINTER 2010/ RISEN 21
Winner of the 2010 RISEN Magazine Creative Writing Contest Fiction Prize
THE WINDOWS
“Well then…” He bows his head for “Oh it’s not what worries me now. Fr Roberts still doesn’t see but he’s
the opening prayers. To be honest, I wouldn’t have wanted to intrigued. “What did happen, then?”
miss that part.” She casts a furtive glance
“You see I have to figure out what to at him. “Although at the time it was very, “When I met Daniel, he was already
tell him when I meet up with him.” very… difficult. I loved my husband. It’s in bad shape. He drank, for one thing.
hard to commit adultery when you care His Visa had expired. He’d come to the
“Tell whom?” Does she mean God? about how it affects your spouse, your USA on a work permit, during the build-
children. They were young then, no doubt ing boom in the Fifties, with excellent
She looks around once more, lowers
they suffered. I wouldn’t recommend it credentials. After art school in London, he
her eyes and whispers: “The man who
as a lifestyle. Yet he lured me… Daniel. apprenticed in one of those old European
designed these windows.”
That wasn’t his real name. I called him studios that supplied the cathedrals. He
Fr Roberts feels a shiver run down ‘Daniel’ for a joke when I first met him; combined the ancient techniques with his
his spine. This was getting worse by the he worked on a unique vision.
minute. “Didn’t he die a long time ago?” window with the He’d made a
he mumbles. “I heard from the previous theme of Daniel- He knew a lot about these name for him-
rector that he was found… that he died and-the-Lions. Old Testament stories. self here. Not
under… adverse circumstances.” Fool- The name stuck. that he cared
He identified
Seemed like a prophet himself, much about
ish remark-- who dies under favorable
circumstances? He just doesn’t want to with the char- at least to me. money—but
tell the poor woman about those suicide acter. He knew he thrived on
rumors. Suddenly he realizes the obvious. a lot about these Old Testament stories. people’s response to his work. It was his
Seemed like a prophet himself, at least to life, his gift to the world. Then the build-
“You knew him, perhaps?” me. I was fascinated, haunted even, by the ings stopped booming, there were no
way he lived— what he stood for. There more contracts, no business. He wanted
was much I needed to learn about myself, to go back to England but didn’t seem
to which I thought he had answers. And to ever find the extra cash. He feared,
in a way he did. He showed me who I maybe hoped, the Government would
was. He saw me…” send him back. His self-esteem eroded; he
became depressed. As he worked alone a
Fr Roberts doesn’t respond right great deal, his mind always wrestled with
away, noticing the woman is out of the big questions: where’s God; what’s
breath. It must have taken courage to morality—that sort of thing. Oh, and like
share all that. But he feels stuck on the Daniel of the Bible, he had visions.”
adultery part; the fact that it’s not what
she wanted to confess. “What kind of visions?” Fr Roberts
raises his eyebrows.
“So you were married,” he ventures
at last. “Did your husband know about “Gloomy ones, I’d say. He dreamed,
your… hmm… affair?” or hallucinated—sometimes he couldn’t
say which—about fires a lot. He saw all
“Yes and no. I made him believe that these churches go up in flames. Only the
Daniel and I were close friends, which windows would remain, stand on their
was true. He coped by developing a sense own in a desolate landscape.”
of humor. He’d say things like, ‘I wish
you’d stay away from that Lion’s Den’, “An image of the Apocalypse...”
meaning Daniel’s studio, a drafty con-
verted barn. But he knew that he couldn’t “Perhaps. Towards the end, Daniel
stop me, and he didn’t want to break up was desperate. The job in this parish,” she
our family. We had awful struggles. Yet we turns to look straight at him, “was the last
ended up better off in our marriage, with one he had. And they didn’t pay him soon
the grace of God and a lot of therapy.” enough to save him…” She chokes on her
24 RISEN / WINTER 2010
words as if going to cry, but instead suc- “You certainly supported him.”
cumbs to a coughing fit.
“I loved to be involved with his
“Why didn’t they pay him?” work. He consulted me on colors and de-
signs, valued my opinion. We researched
“You see I was on the Arts Commit- themes together. I modeled, for Eve and
tee here; that’s how we met. The windows Mary.”
needed to be designed; we commissioned
him. We drew up a contract to pay him “Ah—now I see! Well, God bless you
in three installments. From the first one for that.”
he bought materials. That meant a trip
to a glass factory in West Virginia, travel “But I just don’t know if God can
expenses and all. He was so excited to bless what I did-- and if Daniel will for-
be working again! The second payment give me. He died and I lived, forty years
came late. His rent was overdue, and the more of a comfortable life. Would he have
heating bill… it was winter, very cold. He died if I hadn’t left him?”
didn’t eat right; he became anxious about
“So you left him. Why did you?”
everything.” She adds, more to herself,
“I think it’s because people in the parish “My husband got transferred to the
were well off that they… just forgot.” East-coast. He worked for a life insurance
company. I don’t know if he actually put
“Forgot?”
in for the transfer-- couldn’t blame him
“They didn’t realize how crucial mon- if he did. But I had to make a choice, the
ey, money-on-time, can be to survival. hardest one I ever made. It didn’t feel like
They didn’t mean not to pay him…” a choice at all…”
“He did. He called the church secre- “I didn’t tell Daniel until a week
him again?”
tary several times. But he had his pride… before the move. He’d sensed for a while
didn’t want to that something was “Yes I will. Got my diagnosis a week
show how dire wrong. He only said, ago; lung cancer-- too late to fix.” She taps
the situation was. ‘Of course you must go. her chest, her face a mixture of fear and
I tried to remind he thrived What would I have to anticipation. “I could go anytime…”
the finance board, on people’s response offer you?’
casually… didn’t to his work. “So when did you
As Fr Roberts bows again to finish
the confessional prayers, he feels—why
want to push the It was his life, his gift find out about his he can’t quite identify—a need to be
issue. I imagined to the world death?” forgiven.
people talking
behind my back— “The rector, your “Let’s go to the office,” he suggests,
surely some did— predecessor here, called me. He knew that taking her arm. “We’ll re-register you. It’s
about my excessive interest in Daniel.” we were, you know, friends. Somebody all computerized now, our system. Feel
from the Arts Committee had gone to free to call your children from here. And
“So what did you do?”
Daniel’s place to pay the third install- I do know a place for rent…with a doctor
“Well I tried to keep him going, in ment. They found him dead on the floor, nearby.” Words keep tumbling from his
the way women in love do. Brought him the pipes frozen. Not clear whether or not mouth. “The sanctuary is open whenever
food, sweaters—spent a lot of time there. it was suicide. It could have been any- Ms Page plays the organ. Of course there’s
Even took money from my husband’s thing: heart attack, the alcohol, malnutri- always Sunday. And-- thank you for com-
account once, to help pay Daniel’s rent. tion… I’d say that the Lions finally got ing back.”
I didn’t have an income of my own then. him. Since he had no relatives here, they
used the money to bury him. A crowd Photos are of Marc Chagall’s Stained Glass
Nowadays they’d call such a relationship Windows in the Cathédrale Saint-Étienne,
co-dependent, and rightly so. But he attended his funeral, admirers of his art.
I didn’t. This is the first time I’ve been Metz, France. Photos are used under the cre-
didn’t drink while I was around, and he ative commons licesnse and can be found at
did work. I don’t think these windows back.”
http://www.flickr.com/photos/__olga__ and
would be here if…” she raises herself up, http://www.flickr.com/photos/martinlang
“Why now?” Fr Roberts asks, after a
smiles, “if I didn’t help.”
long silence. “You mentioned… seeing
WINTER 2010/ RISEN 25
Raechel Doughty
Winner of the 2010 RISEN Magazine Creative Writing Contest Poetry Prize
M
y involvement with Ministry out of my comfort zone and grown as a arts. The passionate connection of the
of the Arts at Trinity Church performer. Who would have thought I liturgy and the arts is shining through. To
began in the fall of 2007. would be impersonating Bobby Darin? have passion one has to be on a spiritual
Paul Koumrian and Al Destin were put- (My daughters said I was better than they journey, and that journey will be acted
ting together the first of the Songbook thought I was going to be!) out, re-told and preserved with a hand
series called the “American Songbook that performs an artistic act” said Artistic
Some may ask what the connection be- Director Tom C. Erb.
Goes to War”. Auditions were being tween the Arts and our faith is. I believe
held open to the church community and that theater showcases the human condi- MoA is expanding its reach to the diocese
general public. I had an interest in being tion and we may walk away with new with a tour of the “American Songbooks”
a part of it but I had not been involved insight as to how God works in our lives. to help with the Episcopal Charities fund-
in theater since high school- which was As for singing and dancing, it is pure fun raising efforts in the spring. Father Paul
35 years ago! I eventually worked up my and that is never a bad thing in this stress- Koumrian is excited to announce that his
courage and called Paul, but expressed ful world! My personal mantra is now wish to bring the arts to the people will
my misgivings about not having a good LSD- laughing, singing and dancing! I’m be a reality. Under the direction of Tom
enough voice. Paul’s response was “I don’t sure Bobby Darin would be in agreement C. Erb and Al Deston there will be three
care if you can’t sing, just show up!” with that! stops around the state for three weekends
That was the beginning of what has for all to experience the Trinity American
The Trinity Ministry of the Arts has been Songbook and the spirit of the Ministry
become an enjoyable and fulfilling aspect producing arts events since 2007 and just
of my life. I have learned that my voice of the Arts. Stay tuned for dates, time and
in the past year has produced a season of locations.
is not the worst and I have experienced 6 events that included performances of
tremendous fellowship with my fellow “ART” by Yasmina Reza, “Love Letters” PHOTO: Taken by Ruth Meteer on
performers. We presented our third show by A. R. Gurney, several Youth Troupe 5/14/2009 at Trinity Ministry of the Arts’
in the Songbook series this past fall called performances, a performing arts summer performance of American Songbook
“The Rydell High and Bandstand Re- camp and two “American Songbook”
union”. What a lot of fun we all had! We shows.
WINTER 2010/ RISEN 27
Best of
Ecumenism provides
trickle-up effect
Rhode Island’s
closerlook “Why start a Lutheran
church on one corner and
an Episcopal church on the
with creation of numerous
church councils and expe-
rienced its “glory days” in
this month’s in-depth report
Source for other when you can join the 1960s, post-Vatican II.
By Pat McCaughan forces and cooperate? We General Convention’s
Episcopal News have perspectives that are step in July toward full
WITH CHURCH BUDGETS very similar on the mis- communion with the Mora-
shrinking and issues of sion of the church, and we vian Church will become
inside justice, poverty and peace
looming, mission, in many
should be doing more and official after approval by
Taizé
2009) details the three
shifts that church leaders
must make to engage
the missional movement
and offers suggestions for
a different scorecard to
reflect missional ministry. Monthly Services:
The Cathedral of St.. John,
Reggie received his M.Div. and Ph.D. degrees both from The Second Sunday
Southwestern Baptist Theological Seminary. He has over a de- Of every month At 4PM
cade of experience as a Church leadership development coach,
has himself served in congregational leadership for more than
twenty years, and has lectured or taught as adjunct faculty for Pilgrimage
For Young Adults:
multiple seminaries, including Fuller Theological Seminary.
May 30th - June 8th
Register online
Visit www.episcopalri.org to register. Print your ticket to
bring with you, and mail your $20 registration fee to:
The Episcopal Diocese of Rhode Island
275 North Main Street
Providence, RI, 02903
Contact:
Tylan Creason at (401) 274-
4500 ty@episcopalri.org
34 RISEN / WINTER 2010
2010 Eastertide
Confirmations Episcopal Charities Fund
Saturday, May 1 of Rhode Island
10:00AM - Narragansett and West Bay 401-274-4500 x234 www.episcopalri.org
2:00PM East Bay and Aquidneck
Saturday, May 8
10:00 am - Central and Blackstone
2:00 PM - If needed, for anyone who
cannot make the other times.
Your
Advertisement
Could Be
Right
Here
email
Risen@episcopalri.org
To Find Out More WINTER 2010/ RISEN 35
EPISCOPAL CAMP AND CONFERENCE CENTER
Music and Arts Camp
June 27-July 3, For 8th-12th graders
Teen Camp
July 4-9, For 7th-9th graders
Older Boys Camp
July 11th-16th, For 5th and 6th graders
Older Girls Camp
July 18th-23rd, For 5th and 6th graders
Camper’s Choice Week
July 25th-August 30th, For 8th-12th graders
For more info:
visit www.ECCRI.org Younger Children Camp
August 2nd-6th, For 2nd-4th graders
email us at registrar@ECCRI.org
or call ECC at 401-568-4055 Summer’s End Camp
August 8th-13th, For 7th-12th graders