Escolar Documentos
Profissional Documentos
Cultura Documentos
1949) pred teoria arhitecturii i conduce lucrri de doctorat la Universitatea de Arhitectur i Urbanism "Ion Mincu"
din Bucureti, puternic implicat n modernizarea nvmntului de arhitectur dup 1989. Cercetri teoretice, prin resurse individuale i cu ajutorul diverselor burse de cercetare naionale i internaionale obinute (Getty, Getty-NEC, CNCSIS, UAR), n direcii variate: modernismul romnesc i central european,
arhitectura romneasc sub comunism i dup, locuire i reabilitarea marilor ansambluri, precum i registrul estetic n teoria arhitecturii. Participri la multe
evenimente tiinifice n ar i n strintate. Membru n variate jurii, comitete, echipe curatoriale etc. Publicaii: numeroase articole n reviste de arhitectur
i volume colective n Romnia i n strintate; volume de autor, n coautorat i n calitate de coordonator. Ultimul titlu: Simptome de tranziie (bilingv, dou
volume, Arhitext Design, 2009, 2010). A primit dou premii naionale pentru publicaii i activitate curatorial (UAR, 1998; Margareta Sterian, 1999) i Premiul
Herder (2003, Alfred Toepfer Foundation i Universitatea din Viena) pentru activitate teoretic i activism cultural.
Prof.dr.arch. Ana Maria Zahariade (b. 1949) teaches theory of architecture and conducts doctoral theses in the "Ion Mincu" University of Architecture
and Urbanism. She was deeply involved in the post-1989 modernisation of the Romanian architectural education. Independently and through various
national and international grants (Getty, Getty-NEC, CNCSIS, UAR), she pursued theoretical researches in many directions: Romanian and East European
modernism, Romanian architecture under and after Communism, housing and housing rehabilitation, and on the aesthetic concepts in the theory of
architecture. She contributed to various national and international scientific events, and participated in juries, committees, curatorial teams, etc. She has
published numerous articles in architectural magazines and collective volumes in Romania and abroad. She has authored, co-authored and coordinated a
number of architectural books. The latest title she has published: Symptoms of Transition (bilingual, two volumes, Arhitext Design, 2009, 2010). She is the
recipient of two national awards for publications and curatorial activity (UAR, 1998; Margareta Sterian, 1999) and of the 2003 Herder Prize (Alfred Toepfer
Foundation and the University of Vienna) for her theoretical work and cultural activism.
Fotografiile din acest volum au doar rolul de a da o imagine foarte general a peisajului arhitectural al perioadei; marea majoritate sunt scanate din revista
Arhitectura i au explicaii minime. Nu sunt menionate n text dect excepiile, fotografiile inedite care provin din arhivele personale ale prietenilor care au
avut bunvoina s m ajute de-a lungul timpului cu material documentar i crora le mulumesc cu recunotin pe aceast cale: Alexandru Beldiman,
tefan Lungu, Romeo Simira, Mariana Cel ac, precum i muli studeni pe care subiectul i-a pasionat i mi-au trimis materiale fotografice.
The photographs in this volume are only meant to give a very general visual contour of the architecturallandscape
of the period; in a large majority, they are
photocopied from the Arhitectura magazine and have minimal references. Only the exceptions to this rule are mentioned: the photographs that belong to the
personal archives of the friends who so graciously helped me aII along my researches. I gratefully thank them in this way: Alexandru Beldiman, tefan Lungu,
Romeo Simira, Mariana Celac, along with many students who showed interest in this topic and provided me with photographic material.
Editor: Mirela Duculescu
Traducere:
Englez / English version: Ana Maria Zahariade, Diana Lupu
Romn / Romanian version: Mariana Celac, Miruna Stroe, Cristian a erbnescu
Redactor limba englez / English-Ianguage editor: Alistair lan Blyth
Redactor limba romn / Romanian-Ianguage editor: Eugenia Petre
Graphic design: MB STUDIO srl. - arh. Octavian Carabela
AII rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted
cal, photocopying, recording or otherwise, without prior permission from the copyright owner.
Cartea a aprut cu sprijinul Ordinului Arhitecilor din Romnia, din Timbrul Arhitecturii.
This book has been published with the financial support of the Chamber of Romanian Architects,
using Architecture
Stamp funds.
RINS / CONTENTS
_nainte: SCHIE PENTRU O ISTORIE CARE TREBUIE SCRIS /
~~~-v-Id: SKETCHES FOR A HISTORY IN NEED OF WRITING
,...........
- RI, VISUL COMUNIST I DACIA 1300: Fragmente de peisaj arhitectural sub comunism /
3OOKS, THE COMMUNIST DREAM AND DACIA 1300: Fragments of architectural
.cr.::::scape under Communism
r- TCERE I CUVINTE /
- =-.E CE AND WORDS
--
13
89
97
111
133
CUVNT NAINTE
FOREWORD
~-=s:==-'
cuvNT1NAINTE
Diana Lupu)
T1S artist was following the pattern 01 a previous proiect, Archive of Pain
Cos. tefan Constantinescu, Cristi Puiu and Arina Stoenescu), where a video
wark abaut the beginnings 01 Romanian communism was accompanied by a
substantial book which historically documented that period (Lucian BOIA, Adrian
CIOROIANU, Tom SANDOUIST, Archive of Pain, KONSTNRSNMNDEN,
The
Arts Grants Committee, Stockholm, 2000; bilingual volume).
=. :;:-'-
secolului XX n
FOREWORD
4
A aprut n SANDQUIST, Tom, ZAHAR/ADE, Ana Maria, Dacia 1300 My
Generation, Simetria 2003, nsoind opera video cu acelai nume (Stockholm
2003, Bucureti 2004). Varianta din acest volum este revizuit i adugit.
4
/t was pub/ished in Tom SANDQU/ST and Ana Maria ZAHAR/ADE, Dacia
1300 My Generation, Simetria, 2003, to accompany the video art work of the
same name (Stockholm, 2003, Bucharest, 2004). The present version has been
revised and updated.
CUVNT lNA/NTE
Since these articles were written for various occasions, independent of the
-= _
-:=
=-=-
caste:
-:=~_astzi.
---=
~
::.--2. -
la care au plecat,
volum, am ncercat
- -2s...-.;3 n care am cutat
:rsd c ar fi ngreunat
_ 3e --- _e, articolele se pot
==
FOREWORD
Text care n-ar fi fost niciodat gata fr sprijinul buni lor mei
prieteni Kazrner Kovcs i Horia Marinescu, care, cu largheea
elegant care i definete, i-au consumat timpul ajutndum s definitivez i ilustrez prima variant a aceluiai studiu;
le mulumesc acum cu att mai mult cu ct, impardonabil, nu
le-am mulumit n acea publicaie.
And I also thank Miruna Stroe and Cristiana erbnescu for the
Romanian translation of Reading the Silence: "The Happy Architect" and About Silence and Words.
Last but not least, I thank my husband Ion, whose help, understanding and intelligence made this volume possible (the same
as everything I have ever written), and who is always the first,
careful critic of what I write.
10
CUVNT1NAINTE
produs
la uzinele Mioveni (Colibai) dup licena Renault 12.
Prima Dacia 1300, rmas n amintirea colectiv ca
"maina naional", iese de pe linia de asamblare pe
23 August 1969. Producia ei n continu cretere de-a
lungul perioadei comuniste (144.000 de autoturisme n
1989, fa de 24.000 n 1970) continu ntr-un ritm mai
sczut pn n iulie 2004, cnd ultima Dacia 1310, cea
de a 1.979.730-a main, iese pe poarta uzinei, cu o lun
naintea celei de a 35-a aniversri.
14
DouA
I DACIA 1300
--
-=-=-~
a:: ~rgescu,
- -::;astre)1
-:-C 'as
---= ae o anumit
::C::-",ESCU,
.2::::::.r:: - .znannas, Bucureti, 1992, p. 274 (ediia prim: Jon Dumitru Verlag,
"984).
=.r=
- -'= _
15
SI CUVINT~
AND WORD
NAi Publishers,
Rotterdam 2004, volum colectiv, coordonat de Cor
Wagenaar & Mieke Dings
NAi Publish
Rotterdam 2004, collective volume, edited by Cor
Wagenaar & Mieke Dings
ntr-o fascinant
aprut
recent,
90
Paralela 45,
the
professional
architectural
associations,
was "nationalised",
profession
investment,
which
(design
practice,
is to say incorporated
partialliberalisation
"emasculated",
into the
drastically
perlod."
extreme
to
subversion"
as possible,
but in a Bucharest
expectations
things eventually
kept as hidden
of whispers
and specious
concerning
published,
certain
the common
The architects'
architectural
perception
episodes
remained
were
unchanged.
it. It is a
to be able
2
The first result of this research: "Two Books, the Communist Dream and
Dacia 1300", in SANDQUIST, Tom and ZAHARIADE, Ana Maria, Dacia 1300 My
Generation, Simetria, 2003, pp. 51-91.
3
In spite of its intricacies and Iluctuations, the political context - without which
it is impossible to understand the architectural evolution - remained permanently
inscribed in a severe Stalinist ideology, often more powerful in Romania than in
the other Communist countries (the Soviet Union included).
4
For the moment, there is no thorough research conceming the architects'
dialogue with the political authorities. We rely on the "oral history" and on the
articles published in the Arhitectura magazine, but most 01 them are neutrally
descriptive; a very reduce number are critlcal, However, a very peculiar case (to
be studied) is that of the last decade 01 the magazine Arhitectura, which acquired
the unusual character of a literary circle. It was some sort of "subversion", nonprogrammatic, not really effective, yet present. Otherwise, the architects were not
present in other publications and in the daily newspapers.
91
the
professional
architectural
associations,
was "nationalised",
profession
investment,
which
(design
practice,
is to say incorporated
partialliberalisation
"emasculated",
into the
drastically
perlod."
extreme
to
subversion"
as possible,
but in a Bucharest
expectations
things eventually
kept as hidden
of whispers
and specious
concerning
published,
certain
the common
The architects'
architectural
perception
episodes
remained
were
unchanged.
it. It is a
to be able
2
The first result of this research: "Two Books, the Communist Dream and
Dacia 1300", in SANDQUIST, Tom and ZAHARIADE, Ana Maria, Dacia 1300 My
Generation, Simetria, 2003, pp. 51-91.
3
In spite of its intricacies and Iluctuations, the political context - without which
it is impossible to understand the architectural evolution - remained permanently
inscribed in a severe Stalinist ideology, often more powerful in Romania than in
the other Communist countries (the Soviet Union included).
4
For the moment, there is no thorough research conceming the architects'
dialogue with the political authorities. We rely on the "oral history" and on the
articles published in the Arhitectura magazine, but most 01 them are neutrally
descriptive; a very reduce number are critlcal, However, a very peculiar case (to
be studied) is that of the last decade 01 the magazine Arhitectura, which acquired
the unusual character of a literary circle. It was some sort of "subversion", nonprogrammatic, not really effective, yet present. Otherwise, the architects were not
present in other publications and in the daily newspapers.
91
***
98
1
Expoziia a cuprins, ntr-un sobru i deosebit de_artistic design de ansamblu,
"momente" semnificative din marile orae din Est. In afara acestora, o serie de
planuri-machet ncercau s sistematizeze dezvoltarea lor general n urma
rspunsurilor schematice pe care corespondenii din rile respective le-au dat la
ntrebri privitoare la: mari magistrale i cldiri simbolice construite sub comunism,
marile ansambluri, zone industriale dezvoltate n aceast perioad, transportul n
comun etc. Dup tiina mea, dei cam schematic ca problematizare (i prin
aceasta prea simplificatoare), o astfel de abordare este prima de acest fel i foarte
necesar pentru nelegerea fenomenului. De atunci s-au mai organizat i alte
asemenea analize.
With a minimalist and highly artistic overall design, the exhibition encapsulateo
significant "moments" experienced by large East European cities. In additi
to these, several plans/scale models attempted to summarise the geneca
development thereof, based on the concise answers provided by corresponderts
from the countries in question to questions regarding: main roads or syrnbo;
buildings constructed during the communist era, large complexes, indus"
areas developed during the period, public transportation vehicles etc. To
knowledge, although too generic in its identification of the set of relevant topics
(and thereby too reductive), such an approach is the first of its kind and higll!J
necessary in order to understand the phenomenon. Since then, other sirn
comparisons have been made.
2000.
2000.
3
Acest studiu, reprezentativ pentru evoluia paralel a celor dou lumi, este
nc n desfurare. Am consultat numai rapoartele aflate la ndemn n arhivele
Uniunii Internaionale a Arhitecilor din Paris.
3
This research, significant for paraliel evolution in the two "worlds", is
in progress. I have consulted only the reports available in the archives of
International Union of Architects in Paris.
4
CHATELET, Anne-Marie, .L'architecte dans l'Europe liberale", in CALLEBAT,
Louis, Histoire de I'architecte, 1998.
4
CHATELET, Anne-Marie, "L'architecte dans l'Europe liberale", in
CALLEBAT, Histoire de I'architecte, Flamarion, 1998.
organizat
la Rotterdam n
EUROPA,
***
98
L-
1
Expoziia a cuprins, ntr-un sobru i deosebit de_artistic design de ansamblu,
"momente" semnificative din marile orae din Est. In afara acestora, o serie de
planuri-machet ncercau s sistematizeze dezvoltarea lor general n urma
rspunsurilor schematice pe care corespondenii din rile respective le-au dat la
ntrebri privitoare la: mari magistrale i cldiri simbolice construite sub comunism,
marile ansambluri, zone industriale dezvoltate n aceast perioad, transportul n
comun etc. Dup tiina mea, dei cam schematic ca problematizare (i prin
aceasta prea simplificatoare), o astfel de abordare este prima de acest fel i foarte
necesar pentru nelegerea fenomenului. De atunci s-au mai organizat i alte
asemenea analize.
With a minimalist and highly artistic overall design, the exhibition encapsulalad
significant "moments" experienced by large East European cities. In additi
to these, several plans/scale models attempted to summarise the genem
development thereof, based on the concise answers provided by correspondoois
from the countries in question to questions regarding: main roads or symboli::
buildings constructed during the communist era, large complexes, indus"
areas developed during the period, public transportation vehicles etc. To
knowledge, although too generic in its identification of the set of relevant topics
(and thereby too reductive), such an approach is the first of its kind and highIJ
necessary in order to understand the phenomenon. Since then, other sim
comparisons have been made.
2000.
2000.
3
Acest studiu, reprezentativ pentru evoluia paralel a celor dou lumi, este
nc n desfurare. Am consultat numai rapoartele aflate la ndemn n arhivele
Uniunii Internaionale a Arhitecilor din Paris.
3
This research, significant for parallel evolution in the two "worlds", is
in progress. I have consulted only the reports available in the archives of
International Union of Architects in Paris.
4
CHATELET, Anne-Marie, .L'architecte dans l'Europe liberale", in CALLEBAT,
Louis, Histoire de I'architecte, 1998.
4
CHATELET, Anne-Marie, "L'architecte dans l'Europe liberale", in
CALLEBAT, Histoire de I'architecte, Flamarion, 1998.
.~
organizat de
WurttembergischerKunstvereindin Stuttgart n 21 May 2005.
*** Publishedin Romanianin Secolul 21 , Nos. 6-9, 2005 as "Dreapta-stnga. Explorareaconceptelor (Right-Left. Explorationof Concepts)".
Explorareaconceptelor".
*** Peaceastcale, in s mulumesccu toat gratitudineadoamnei
1
A fi putut s o numesc "arhitectur paralel", termen care descrie destul
de exact subiectul. Am ales atributul "ocult", mai degrab, pentru fora sa
metaforic.
2
112
==
N CHIP DE CONCLUZIE
IN PLACE OF A CONCLUSION
28 Vezi Arhiteci n timpul dictaturii. Amintiri, cit. i ENESCU, Ion Mircea, Arhitect
, sub comunism, Ed. Paideia, 2006.
29 Despre actele de opoziie ale profesorilor Mircea A1ifanti, Ascanio Damian.
Grigore Ionescu, Aurelian Tricu i Peter Derer, vezi ZAHARlADE. A.M. Doua
visul comunist i Dacia 1300. n acest vo1u-,.
30
BOlA. L.c2,.-:. ~
~!-::
=2= s:o,,-:-"'=.= z :~"':~ _-;;-= :;;
=-_
-----.CE:"
3:- ..!~~
~,7UCr;E~e
_-L:.E
=- ~,-.