Escolar Documentos
Profissional Documentos
Cultura Documentos
GETAWAY CAR Albert Small (Engr 46) has presented the Library with a
collection of more than 3,000 American trade catalogs. Now being prepared
for researchers in the Albert and Shirley Small Special Collections Library,
this amazingly well-preserved set of commercial publications reveals fascinating details of daily life and business practices of the late 19th and early 20th
centuries. This image of a happy family visiting Niagara Falls (presumably in
a legally purchased vehicle) is from the Willys-Overland Motor Company.
CHAPTER 1
P
10
CURIOSITY
CHAPTER 2
P
26
observation
CHAPTER 3
P
42
Experimentation
CHAPTER 4
P
58
Expansion
Our theme this year, Intrepid, is one Im sure you will enjoy and that I hope
will ignite your thoughts. It was inspired by U.Va. professor and poet Lisa
Russ Spaar. Lisa wrote in a higher education blog that the U.Va. Library is
one of the most intrepid library systems in the country.
Intrepid is a powerful, exciting word: Fearless! Ambitious! Risk taking!
But on second thought, it can also mean nave, overconfident, even foolhardy.
We have been all of those things, mostly with successful results, occasionally
with failures. I believe its necessary to embrace both sides of intrepid
to thrive as a research library in the 21st century.
So what comes with being intrepid? Weve divided this years report
into four parts: curiosity, observation, experimentation, and expansion.
First, curiosityasking what if we went here or did it this way? Whats the
next Big Thing? What would happen if we ?
Curiosity leads to observation, and there is plenty to observe in the Library.
The digital world is driving wrenching change in scholarly publishing,
with dense thickets of copyright and preservation matters, not to mention
access and cost issues. Technical progress is creating enormous opportunities
and enormous challenges. Helping faculty and students with data-intensive
research requires increasingly specialized technical ability. And there will never,
ever be enough power outlets in our popular study spaces.
Diving into these challenges means intrepid experimentation with no
guarantee of success. This year we cut our website from more than 14,000
pages to just under 100, hoping a smaller, simpler site would suit faculty and
students (it did). We tried programs encouraging students to request more
research tutorials in person (they didnt). We experimented with streaming
e-reserves from within course management systems and videos from within
the online catalog, and launched an effort to eliminate layers of hierarchy
to see if staff could work better in teams. We had plenty of hope but no
assurances of how things would turn out.
And mostly things did turn out for the better. The final category of this
report, Expansion, may be the most important because it directly involves
you. With your continued support, we can uphold the Librarys best
traditions, yet still be intrepid. The U.Va. community is like this every day.
Its a fascinating journey, and Im glad you are joining us on it.
Karin Wittenborg
University Librarian
CHAPTER 1
FLOWERDEW REDUX The medallion shown on the facing page is just one
of the more than 300,000 artifacts from what was once Mary and David
Harrisons family farm on the James River. These finds are featured in a major
new archaeological exhibition about the farm, whose 17th-century name was
Flowerdew HundredFlowerdew being the maiden name of Temperance
Flowerdew, the wife of Sir George Yeardley (the first owner of the estate and a
colonial governor of Virginia). The rare medallion, minted in 1615, suggests
a connection between Yeardley and Maurice of Nassau, Prince of Orange.
16
Headphones, smartphones, and sushi? Maybe not. But anything that helps
fuel the bold pursuit of knowledge is welcome in the Library.
19
Grad 1884, Law 1886) and his wife, Lillian Gary Taylor. The Taylors made
generous donations to the University, including Mrs. Taylors gift to the
Library of her 1,900 volume collection of American fiction, which was
featured in the Harrison Institute exhibition, Bestsellers. Their descendants
have carried on this philanthropic tradition by creating the Lillian Gary Taylor
Library Scholars Fund, which supports visiting fellows in American literature.
THE
SELECTION
HERE IS OFF
THE HOOK
SPECIAL
COLLECTIONS
GOT SOME
MAD RARE
BOOKS
OPEN UP THE PAGE
AND
KICK THE
PARTY UP
20
GETTIN CRUNK
WITH THE
CHRONICLES
OF NARNIA
YOU KNOW
YOU WANT TO
READ A BOOK
Once
upon
a
midnight
dreary
while
I
pondered
weak
and
weary
22
23
25
CHAPTER 2
was one of the first African-American poets and the first African-American
woman to publish a book. Despite being sold into slavery, Wheatley was
celebrated on both sides of the Atlantic. Shown here is a detail from the
frontispiece of Wheatleys 1773 Poems on Various Subjects, Religious and
Moral, from the Clifton Waller Barrett Library of American Literature in
the Albert and Shirley Small Special Collections Library. This portrait is
itself the work of an enslaved African-American artist, Scipio Moorhead,
to whom Wheatley dedicated a poem in the book.
26
FACES OF THE CITY The Albert and Shirley Small Special Collections
Library collaborated with the Universitys Community Relations Office
on an exhibition of rare materials to celebrate the citys 250th anniversary.
Charlottesville: 250 Years of History (1762-2012) included a 1931
photograph of the Charlottesville Fire Department and Municipal Band,
images of businesses such as Rock the Boot Black in the former AfricanAmerican neighborhood of Vinegar Hill, and a striking 1909 portrait of
Bill Hurley. Hurley was an employee and confidant of three-time Charlottesville mayor J. Samuel McCue and a central figure in the sensational trial
of McCue for the murder of his wife Fanniea crime for which the former
mayor was hanged in February, 1905.
31
2012
1969
32
READ ANY GOOD SIGNS LATELY? During the tumultuous days this
past June, between U.Va. President Teresa Sullivans resignation and later
reinstatement, the Librarys digital archivists and special collections staff
started collecting the signs, tweets, articles, videos, and other materials
generated by these unprecedented events. Within two weeks the archive held
more than 80,000 tweets, 260 news articles, 120 blog posts, and 56 videos.
Meanwhile, the Librarys preservation staff was restoring film footage from
another U.Va. protest, the 1969 coat-and-tie demonstration for social
justice and racial equality.
33
of excavation are well established, standards for the description of the finds
of archaeological digs are largely nonexistent. The ArchaeoCore Project,
developed by the Image Management team at the Fiske Kimball Fine Arts
Library, proposes a solution to this problem by creating a platform that standardizes the input of metadata from digs, creating an archive with a common
language that can be easily accessed by archaeologists, professors, and art
historians from around the globe. The potsherds to the right are ceramic fragments photographed by librarian Lucie Stylianopoulos in Thebes, Greece.
36
Elwood Civil Rights Lawyers Project, marking the first time the Library
made streaming video available directly from the online catalog. The project
involved preserving and digitizing video of 86 oral interviews that Elwood,
a former U.Va. faculty member and administrator, conducted with participants in ground-breaking civil rights cases. Among the interviewees was
William Evans, who took part in a 1939 sit-in in Alexandria, Virginiaa
peaceful protest organized with the aim of obtaining library cards.
40
CHAPTER 3
UP, UP, AND AWAY Staff from the Scholars Lab hoisted a tethered
weather balloon carrying a digital camera hundreds of feet above Clark
Hall to demonstrate do-it-yourself aerial photography techniques.
The idea was to show how researchers can use inexpensive aerial photography
and geographic information systems technology, or GIS, to quickly gather
aerial images and data, then stitch it into a map. The cameras image here
shows the rooftops of Alderman, Clemons, and the Harrison Institute/Small
Special Collections Library.
42
45
46
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ALL THAT MESSY SCHOLARLY STUFF The Music Librarys Perry
o><re></re>=mi:fa<so><la></la><ti:do><do></do><re></re>=mi:fa<so><la></la><ti:do><do></do><re></re>=mi:fa<so><la></la><ti:do><do></
Roland continued work on the Music Encoding Initiative, an international
effort to develop a common framework for software that lets scholars
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visualize and explore the variations of a piece of music in digital form.
o><re></re>=mi:fa<so><la></la><ti:do><do></do><re></re>=mi:fa<so><la></la><ti:do><do></do><re></re>=mi:fa<so><la></la><ti:do><do></
The project allows customizable, collaborative exploration of a scores
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written and performed versions.
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49
o><re></re>=mi:fa<so><la></la><ti:do><do></do><re></re>=mi:fa<so><la></la><ti:do><do></do><re></re>=mi:fa<so><la></la><ti:do><do></
There is no Rule 2.
WITH A TWIST, NO DOUBT Detail of a cowboy drawn by William Sydney
Porter, known by the pen name O. Henry and famous for his short
stories with clever endings. The drawing was one of many in Beyond
Words: The Writers Art, an exhibition in the Albert and Shirley
Small Special Collections Library of doodles, sketches, and paintings
by famous writers. The quote is from an interview with O. Henry that
appeared in the New York Times in April of 1909.
51
53
56
CHAPTER 4
THE FAR ENDS OF THE EARTH Illustration from the Albert and Shirley
DONORS
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Altria Group, Inc.
Ameriprise Financial, Inc.
AT&T Corporation
Bank of America
Bank of America Foundation
BASF Corporation
Coca-Cola Company
Constellation Energy Group
Covidien Employee Matching
Gift Program
Janus Foundation
KeyBank
Kimberly-Clark Foundation, Inc.
MassMutual Financial Group
Microsoft Matching Gifts
Program
Pfizer Foundation Matching Gifts
Program
PricewaterhouseCoopers LLP
Qualcomm Inc.
Quest Diagnostics, Inc.
Raytheon Matching Gifts Program
Rockwell Automation
Shell Oil Company Foundation
State Farm Companies Foundation
SunTrust Banks, Inc.
SunTrust Foundation Matching
Gift Program
T. Rowe Price Foundation, Inc.
july 1, 2011june 30, 2012 | + 5 years consecutive giving | @ 10 years consecutive giving | * deceased
CORNER
STONE
SOCIETY
The University Library thanks
these donors who have included
the Library in their estate plans.
Anonymous (2)
Mildred K. Abraham
Gilbert S. Bahn
Ruthe R. Battestin &
Martin C. Battestin
D. Foster Beigler &
Myron A. Beigler
Warren F. Chauncey
Mary Lou Clifford &
Stephen Patrick Clifford
William M. Cochran, Jr.
The Honorable Jack M. Coe
Jean L. Cooper
Timothy N. Diggs
William R. Easton
Betty L. Fall & L. Frazier Fall
Sandra R. Favro &
Kerry D. Favro
july 1, 2011june 30, 2012 | + 5 years consecutive giving | @ 10 years consecutive giving | * deceased
Gifts
In Kind
Listed below are donors of
materials given by deed-of-gift
from July 1, 2011 through
June 30, 2012.
Henry J. Abraham &
Mildred K. Abraham +
Albemarle Garden Club
Katherine Benaroch
Donald Black &
Roberta Senechal de la Roche,
Ph.D.
George H. Blood
Ann-Marie Bolton
Julian Bond
Caroline Y. Brandt +
John T. Casteen III &
Betsy F. Casteen
Barry Nelson Chodak
Lynn Coffey
Arthur Cravan
Joshua P. Darden, Jr.
Murray Dewart
Edward G. Foss
Elisabeth Frey
Jennifer S. Gaden
Robert H. Garbee
Joel B. Gardner
Susan P. Garrett +
E. Nicholson Gault, Jr.
Joseph J. Gazzoli &
Louise Weller Gazzoli
Garrett German
David M. Goodrich
Nancy Martin Graham +
Vivian Gray
Patricia Gunning
Mary Eleanor Fitzhugh
Hitselberger
Charlton G. Holland III
Elizabeth Meade Howard &
John Winship Howard
Margaret D. Hrabe
Elizabeth A. Hunt, USAF (Ret.)
& Waller S. Hunt III
Alan N. A. Ipekian
Hardee Johnston
Charles Brian Kelly &
Ingrid Smyer-Kelly
Joel S. Kovarsky
K. Edward Lay
Angelika R. Levien
Maurice Levy *
Robert Chambliss Light, Jr. &
Edith M. Light
Calder Conrad Loth
David T. MacMillan &
Susan B. MacMillan
Bernard D. Mayes
Sandra F. McDonald
Jerome J. McGann +
Murray Milner, Jr.
John Hampton Moore
Margaret J. Morton *
J. James Murray, Jr.
Gregory Arthur Myers
Jean C. Newsom
Donald E. Nuechterlein
Gerard OBrien
Jane Paden
James D. Parrish, Jr.
John R. Pflug, Jr. &
Carolyn R. Pflug
Ephraim Henry Philippe III
Powell L. Perkins Trust
Linda Gottfried, M.D. &
Mark E. Gottfried
Edward Perkins
Nancy P. Speer &
Edward D. Speer
Patricia Shear Pylypec
Louis Joseph Richman, Jr.
Bruce Rodenberg
Ronald Rubin
Peter F. Sahajian
Ann Vaughan Sahlman
Arthur I. Schulman &
Gayle M. Schulman +
Seymour I. Schwartz
Shelah Keith Kane Scott @
july 1, 2011june 30, 2012 | + 5 years consecutive giving | @ 10 years consecutive giving | * deceased
LIBRARY
VOLUNTEERS
The following individuals contributed to the Librarys services and
resources during the 2012 fiscal
year by generously giving of their
time and expertise. According to
Independent Sector, a leadership
forum for charities, foundations,
and corporate giving programs, the
1,754 hours of time that these volunteers contributed is the equivalent of $39,644.92. We thank them
for their generosity.
Mildred K. Abraham
Kathleen K. Ansell, Ph.D.
Joe Arton
Celia Munro Belton
Daniel Cavanaugh
Emily Cone-Miller
Kelly Durkin
Mary Roy Dawson Edwards
Nancy Faulkner
Brendan Ferreri-Hanberry
Gayle Foster
R. Bruce Hunter
Kendra Hurt
Anne L. Knasel
Tony Liu
Patricia Price
Jane W. Rotch
Joan R. Seif
Catherine Zucker
THANK
YOU
Every effort has been made to create an accurate list of donors. If you
notice any errors or omissions, or would like further information,
please contact:
Hoke Perkins
University of Virginia
Post Office Box 400114
Charlottesville, VA 22904-4114
hoke.perkins@virginia.edu
434. 982.2865
NUMBERS
Budget: $28.9 million Books: 5.1 million Gate count: 3 million+
Uses of e-journals: 2.3 million Digital scans made from special collections
this year: 100,000+ Items shelved per month at Ivy Stacks: 82,644 Participants in
instruction sessions: 16,530 Videos available by streaming: 7,000+ Cups of coffee
served per day in Alderman Caf: 500+ Student assistants: 300+ Staff: 231 Volunteers: 19
National Endowment for the Humanities: $162,175 for the Digital Music
Notation Data Model and Prototype Delivery System (MEI); $254,600 to preserve
and digitize films from the civil rights era.
Dog in a
Library
name
spouse
$500
$250
The University Library fiscal year begins July 1 and ends June 30.
Your annual gift to the Library enrolls you as a Library Associate for the fiscal year
in which the gift is made.
Please accept my pledge of $
to be paid by June 30.
Enclosed is a check payable to University of Virginia Library
or charge to: VISA
MasterCard
American Express
account number
e x p i r at i o n d at e
s i g n at u r e
You may be able to increase your gift. Gifts to the University through employer matching
programs are credited to the donor for eligibility in gift clubs.
I enclose my employers matching gift form.
c i t y/ s tat e / z i p
home phone
cell phone
email address
c o m pa n y
job title
business address
c i t y/ s tat e / z i p
business phone
fa x
Thank You!
Your gift of any amount is important and is tax-deductible to the fullest extent of the law.
Please visit us on the web at: library.virginia.edu
Please remove me from all U.Va. Library communications.
FALDC
CREDITS
2012 by the Rector and Visitors of the University of Virginia
Produced with private funds by
Creative by
Design Army
Special thanks to