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In nature, the people that are more dominant win and are good
(because it brings them pleasure)
But Socrates says pleasure and good are not the same thing
(thirsty/coward/itchy examples)
discussion vs speech
the crafts bs knacks
Body
Medicine
gymnastics
pastry
cosmetics
Soul
legislation
Justice
rhetoric
sophistry
Symposium
1. Phaedrus -- aristocrat, teaches shame, army would die because dont want to
show cowardness. Most capable in showing love/kinds
2. Pausanias-- Agathons ex-lover, 2 kinds of Aphrodite (common and heavenly)
a. Common: common love bad because attraction directed to bodies
not mind
b. Heavenly: directed towards males, good with partner
3. Eryximachus: medical training bodily gratification. Love is order and
produces good actions
4. Aristophanes: 3 genders, males from sun, females from earth, Androgynous
from the moon (split and then looking to reunite with their other half) Love is the name
we give to our desire to become whole again
5. Agathon: Feels they should speak more about the God of Love itself. Eros is the
youngest of the Gods, and most beautiful. Love is just because he does not use force
6. Socrates: Love is something we want but dont have. Usually the thing that you
love, is something you dont have.
7. Diotema (Ladder of Love):
a. from one to two Sexual procreation
b. from two to all beautiful bodies -->pederasty (man and a boy)
Essay Question
Prompt:
having expertise in one thing gives you expertise in all things-->Gorgiaonic education
sophistry allows you to reach ends that are pleasurable, but not necessarily good
According to Socratic form of education you must achieve justice, and what is
good
focuses more on elements of reasoning, questioning
With this early (465c) analogy comes a crucial claim concerning one of the dialogue's central
topics: rhetoric. Socrates discusses what he believes are false arts, such as cookery and
beautification. Each of these flawed pursuits chases a more worthy counterpart (medicine and
gymnastics respectively). The key distinction between the true and the false arts lies in the fact
that the latter target the pleasant, ignoring the good and thereby create a false impression of
value within their recipients. (Sparknotes: Gorgias)