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The best projects from a year of Bead&Button magazine Beadin 2 From the publisher of Bead&Button magazine diamond shapes into a peyote pattern to create a textured cuff ring of light ‘enstal stones 10 make a bracelet that flows gracefully around your wrist {flower vine wea bell-shaped wildflower using sculptural peyote al jewels sate the look of jewelry worn by Russian tsarinas iply sophisticated, you'll want to make one in every color Is of light. in! Make a splash with sparkling rivoli ponds surrounded by droplets of circular, and increasing peyote stitch create a flourish of beadwork ag bangle. a craft-store find into a beaded bangle lloped lace. ify right-angle weave so tha it curves gracefully id band... smonicate your style lod and clear th me jorian sparkle nnd a large crystal stone wit layers of seed beads, bicones, and brioetes Diagonal view... Offaetfour-bead clusters to shift the color pattern Cabled bracelet... Adapt herringbone stitch with a cla fiber technique for an undulating bracelet Link to creativity... Clever links connect your favorite Dragon alert! Two dragon beads meet nose to nose in ina fanciful ‘choker What's the buzz? ... Work St. Petersburg chain forward and backivard fra playful or sophisticated ag effect that can be Regal reiteration Make this stately collar of fanning pearl dangl St Peterburg chain inside and out and you'll soon know Web of silver.. Metallic seed beade ids and findings ads in this bodacious bangle Creative networking .... ascot “ Enbelish a flexible base of netting with gemstones nestled in an abundance of seed bead loops Through & through Layers of interlocked scallops create a beautiful collar Row by row Combine stringing b am easy weaving technique for stunning results Fascinating fasteners ...... iceman Make otherwise inconspicuous buttons the focus of your design Treasure box.. Weave together a bounty oferytals Blooming beaded beads..... Stitch a handful of crystals into gorgeous beaded beads Lunar illusion . Create a constellation of crystals dround a solar system of cabochons Vintage blooms. : Initate the look of Miriam Haskell jewelry with bead-embrotdered lace Button fan... Use a button as a cabochon, and stitch bead embroidery to mimi designs om its surface feminine flower with ainle French Rar button: eo . butions make perfect mini canvases for experimenting with color, design, Feexture time : : thre identical beaded-ring components to make « necklace that combines sg with a bit of wirework spiral ae -spiral rope gives a graduated necklace the look of intertwined strands jonal pillow earring: 5 traditional Chinese pillows from a pair of handmade earring ndings lossoms. ourself with this feminine necklace bracelet. embellishments are easy 10 achiev when you combine bead stringing and wg techniques ing fringe. 13 full but delicate garland for your wrist ork. us components create a geometric cuff of the twister. Sovol in the center of an embellished peyote bezel serves double duty as a land focal point us twist ca sangeable flower pendants give you plenty of options jonious array. links, and loops unite for an elegant showpiece necklace orbit wie 2 tubular peyote stitch and tubular herringbone for an opulent adorment ring rowed crystal stone the reyaltrestment herring flower wee 157, accu litle necklace fine translation....... a beaded version of Byzantine chain mail eicrcraaaee te siful romance...... Lup the heat with fire-polishe fan the flames of fantasy Time for teapots ... Set a miniature beaded teapot of Catch a star... Rownds of meting capture sparkling erystale and create Hojas inspiration....... Repeat a stylized leaf motifo make a prety pen Wirework «se. Raining petals. santa su Beaded dangles evoke petals gently dropping from a blossoming tee Dangle delight Crystals and fresbucs r pearls form sparkling spikes around semiprecious briolettes Modest exhibition... 1186 Use a minimalist approach to feature brilliant ger in a graceful wire set Queen's ring .... 188 Seed beads and crystals add a hint of color to. ring of coiled wire Levey lines. .190 Give your lobes some love with these stylish adornments Get in the groove 192 Wire welcomes beads Chained melody . 194 Greate harmonious balance with linked loops and assorte Sew wired r 197 Use tested wire 10 sew five antique shell buttons into a necklace Flight of the buttery... 7 . 200 Combine gemstones, pearls and s wire fora pendant 38 evecatchig as its inspnaion Rosy posy pendant . . 1204 Use around loom to bring a wire lower into bloom Bloomin’ flower ring : 208 Decorate your digits with ayers of colorful beads Grand Victoria Christmas trees sbi Warm up with a par of holiday earings that bearkens back Copper cascade. BIB Interlocking wire-wnappe. 4 stepped waterfall Perfect pairing 1215 Full Persian caine mail sections fr ads Color division. BIZ Make the move from flat to tubular chain mail with one additional step constellations Fings for a galaxy formed by your imagination dangles .. zons dance on easy layered earrings 224 226 r Techniques... twist again crochet techniques to make a casual nécklace 228 medley ..... a crocheted rope with several fringe techniques ing act. 232 KBs showcase intricate art-glass beads purse revival. 235 the bead knitting technique of plated knitting of fun 240 rand at five differemt Chinese-style knots exchange. 1243 Irow easy it isto make an eight-strand braid of beads &lace.. 246 Sraditional tazting for a sparkling necklace that brings together the best of beads 249 relief. ich a glass bead to create a luminous glow ibutors... 255 Stitching PEYOTE STITCH ional Dimens Stitch diamond shapes into a peyote pattern to create a textured cuff designed by Angie Weathers Make a pair of cuffs and Wear one on each wrist. ing different types and sizes of seed beads in a peyote cuff can add interest to a flat band. Carefully placed and decreases help create this geometric design. oystep Row 21: Three cylinders, six 11°s, and three cylinders. even tension as you work Row 22: Two cylinders, seven 11%, “stitches are too tight, your and two cylinders, scetions will pucker, and if Rows 28-28: Work rows 16-21 8 are too loose, the thread in reverse = Work with comfortable [3] Repeat rows 1-28 until you have ‘of Fireline, ending and adding _atoral of nine diamond sections. Basics, p. 12) as needed. Refer [4] To create the cuff, zip up (Basics) wre 1 as you stitch. the first and last row (figure 2), and wp 23 11° Japanese evlinder sew through the beadwork to exit a dng a 10-in (25 em) tail. cylinder along one edge of the cult ‘odd-count peyote stitch (Basics) (figure 3, point a). ‘of 15 rows of cylinders. [5] To make the edge embellishment, Swork a diamond section, pick _pick up four 15 seed beads, and lay ‘bead per stitch, as follows: the beads along the edge of the cuff. Five cylinders, one 11° seed Sew through the cylinder closest to five cylinders. the last 15* picked up (a-b). Sew Five cylinders, wo 11°, through the previous cylinder along cylinders. the edge and the last two 154s (b-C). Four cylinders, three 11°s, Repeat, adding edging around the cuff. evlinders. [Repeat on the other edge, and end the i: Four cylinders, four 11°s, working thread and tal ylinders, five 11°s, eylinders. ae ian aia cana igure materials ‘cuff 8 in, (20 cm) circumference #109 11" Japanese cylinder beads © 5 11? seed beads + 4.9 10° seed beads + Freie 6 Ib. test * beading needles, #12 (Basics) along the same edge to center the diamonds. f W. TUBULAR PEYOTE STITCH Put beading leftovers to use in these delightful rings designed by Cindy Pankopt @ cobra inter tol B11" ener tole 1" ner tol 1 finder G cobs 11° onder splash! ystep JOn 114 yd. (1.2 m) of joned (Basics, p. 12) 1B, C, D, and E, wo 10° ler beads, two 8* seed s, two drop beads, two nwo 10°, four Fs, four four Cs, and four Bs. Tie ‘beads into a ring with a design. FQURE? Bre @ vve1.ne eo" totally tubular peyote stitch to whip up dful of beaded rings. Whether worn ed or side by side, these rings make a square knot (Basics), leaving a lire slack and a 12-in, (30 em) tail. Sew through the first ewo As (figure 1, 2-b). [2] Working in rubalar peyore stitch (Basics), pick up an A, skip an A in the ring, and, sew through the next A (b-6). Dick up an A, skip the next B in the ring, and sew through the next B (¢-¢). To complete the round, continue working ‘change the ring size, increase or decrease the I ring of beads by two cylinders per size. will have to adjust the pettern to maintain the in tubular peyote by picking up one bead per stitch in the following order: BB, Cy C, D,D,E,E, 10%, 8%, drop, 8%, 10:, E,E,D,D, C, C, Band B, Remember to step up through the first A added in the new round (igure 2). [3] Continue working in tubular peyote, following the established pattern, t0 com plete a total of eight rounds. [4] Retrace she last wo rounds, and end the working ehread (Basis). Repeat with the tail. materials ‘one ring (size 874) + 83.4 mm crop beads + 118° Japanese sod bboads +119 10 Jepanese eyinder bboads © 1.9118 Japanese eyinder beads in each of § coors: AB,C.D,E + Fireine 6 ©. test + Tread Heaven * beading needles, #12 or 83 Link crystal stones to make a bracelet that flows gracefully around your wrist designed by Karen Joelson ew al stones set in beaded bezels make a glamorous satement, but if you want a tailored look rather than a lot of ystal fringe, try this bracelet. The repeating circular theme 1 is echoed in the metal links creates a calming effect. poystep On 1 yd. (.9 m) of thread, pick up 11° cylinder beads, and tie them eo a ring with a square knot (Basics, 12), leaving a 6-in. (15 em) tal through the first few beads, and the knot into the beadwork. B] Working in tubular peyote stitch cs), work one round using one finder per stitch, and step up through first cylinder in the new round gure 1, a-b). Work one round using one 15* seed kad per stitch (b-c). Work with firm easion so the edge of the beadwork seins to pull in (photo a). Work one 3 sing one 15° Charlotte per sch (c-d). Snug up the beadwork » it is cup-shaped (photo b}. G4] Sew through the beadwork to exit cylinder on the opposite edge. Place {crystal stone into the beadwork, then repeat step 3 to enclose the stone, [5] Sew ehrough the beadwork to exit ‘cylinder in the middle round of cylinders. Pick up a cylinder, and sew through the next cylinder in the round (photo o). Using one cylinder per stitch, work a round of peyote, sewing through the eylinders in the middle round (photo ). Step up through the first cylinder added in the new round. [6] Work one round using two 15° seed beads per stitch (figure 2, a-b), work ‘one round using one eylinder per stitch {b-c), and then work a round using one 2.5 mm metal bead per stitch (¢-d). [7] Look at the back surface of the rroune2 bezel, Every other column of beads has a stack of three cylinders. Sew through the beadwork to exit the middle cylinder in a stack (photo e). EDITOR'S NOTE: [8] Pick up a 15* sced bead, and sew through the cylinder and the 15° again (photo f). Working in ladder stitch (Basies), work five more stirches to make a ladder that is six 15° seed beads long. Zigzag back through the It may seem unlikely, but square stones work fine in this project. ‘Just be sure to use the one: with rounded corners instead of sharp comers. h ladder to stabilize it, then sew through the next cylinder in the stack, the one nearer the back of the stone (photo g). [9] Slide the ladder through a link or jump ring, and sew through the end bead in the ladder and the bead in the bezel (photo Hy. Retsace che thread path a few times to secure the connection. [10] Repeat steps 1-9, connecting the ladéer of the new bezel to the link or jump ring attached to the previous bezel [14] Sew through the beadwork of the new bezel to exit the middle cylinder in the stack opposite the ladder attached to the link or ring. Repeat steps 8 and 9 to connect second link or jump ring to the bezel. End the working thread and tail (Basic). [12] Make a bezel around and connect the remaining stones as in steps 10 and 11, but on the last stone, end with step 10 and do not add the second Tink or jump sing. Instead, pick up seven 15° seed beads and one half of the clasp. Sew through the next cylinder in the bezel, as you did to connect the ladder (photo ). Reteace the thread path several times to reinforce the connection, and end the chread. Repeat on the other end of the bracelet. © materials bbracolet 7¥¢in. (19:1 em) + 6-78 nm o $839 round orsquare (GRYSTALLIZED™ - Swarovski Elements stones (#1028, 446 or 4471) 72-84 2.5 mm stering ser or (906-fled round beads (12 per crystal stone) + 49 11% Japanese cyindsr beads + 11g 15" Japanese seed beads + 11g 18" Charlottes + 5-79-12 mm outside-ciameter Inks oF soldered jume rings * clasp + nyen beading thread, size B + beading nesdies, #13 DESIGNER'S NOTE: ‘To make a matching pair of earrings, create a bezel around stone. Connect a link or jump ring and an earring finding. Repeat to make the other earring. $e PEYOTE STITCH Wiletete Ville designed by Melissa Grakowsky Create a bell-shaped wildflower using sculptural peyote materials necklace 14% in. (96.8 em) with flower centerpiece 2%-in. (6.7 em) diameter # @mmGRYSTALLIZED™ - Swarovek! Elements dented #56 mm bicone arstals +11 4 mmdicone erystals 1+ 2.8 seed bead, color A + 11 seed beads 3g color 2g colors 1 gcolor #11 oyinder beads 7 gcolor A 2g each of 2coors: 8, © 1 gcolorD 1+ 18 seed beads 2gcolorA ‘Sg each of 2 colors: B, C 1 gcolorD + 119 15° Charotes, color A + 85mm bead caps, or 25 mm beed ‘caps and a 5 mm crystal disk bead + Frelne 6b. test + beading needles, #12 or #13 20 Curling tendrils of vine and delicately shaped petals demonstrate the mastering of a fundamental stitch. Combine seed beads of different shapes, colors, and sizes for dramatic shaping that mimics nature. stepoystep Flower Stem [4] On 2 ya. (1.8 m) of Fireline, pick up an even number of color A cylinder beads until you have 7 in. (18 em) of beads, leaving a 12-in. (figure 1, a-b). [2] Tarn, pick up a color A 11° seed bead, skip the last A cylinder, and sew through the next A cylinder (b-c) Work seven more peyote stitches asics, p. 12}, picking up an A 11° in each stitch (e-d). Continue working in even-count peyote stitch to the end of the row, picking up a color A 15* seed bead per stitch (be. [3] Continue working in even-count peyote stitch as follows, keeping your tension tight: FIGURE’ Row 4: Pick up a color A Charlotte per stitch as you sew through the A 15's Pick up a color A 8" seed bead per stitch as you sew through the A 11's (ef). Row 5: Pick up an A 11 per stitch as you sew through the 8°, Pick up an A 15* per stitch as you sew through * the Charlottes (0). Rows 6 and 7: Pick up an A cylinder per stitch (g-H). Row 8: Pick up an A 11° per stitch as you sew through the cylinders of the long segment. Pick up an A 15° per stitch as you sew through the eylinders of the short segment (0). Row 9: Pick up an A Charlotte per stitch as you sew through the 4 15%s, and an ‘A 8* per stitch as you sew through the AIMS (H). 40: Pick up an A 11® per stitch as through the 8"s, and an A 15° has you sew through the s (-H. ip up (Basies) the edges of the Keeping the tension tight. You'll that the shore section of the stem in one direction, while the longer spirals in the opposite direction, [Exit an edge bead at one end. Pick A114, and sew down through the ‘edge bead on the end and up the following bead (figure 2, ‘Repeat around the end to add five 6, and step up through the first A added (0-2) [Pick up three A 11's, and sew the next A 11° (@-c). Repeat the stem (2+). Do not end ead. Using the til, sew through the cork, and exit che other end of the Pick up a bead cap and three A skip the 11°s, and sew back th the bead cap and into the bead ‘Retrace the thread path several Be scrae: Aleem aeeue crystal disk bead. Sew through Jbead nearest to where your thread the disk. Retrace the thread path al times. End the tal (Basics). ‘Auach a needle to each end of a (.9 m) length of Fireline. With one lle pick up three color C cylinder + five color C 11° seed beads, a jinder, aC 11°, Ceylinden, C 11%, finder, C 11°, C cylinder, three color 15° seed beads, and nine color B 15" beads, and pull them to the center ‘he thread (figure 3, a-b). Faure « FIGURES [2] Using the other needle, work a row of peyote stitch as Follows, picking up fone bead per stitch: eight C cylinders, three C 154s, two B 15", Pick up a B 15# (€-e). Snug up the beads, and sew through the opposite end 15° with each needle (be and ef [3] With che lower needle, work a row ‘of peyote stitch, picking up one bead per stitch, as follows: B 15, seven B cylinder beads, C eylinder, B cylinder, thvee C eylinders (igure 4, 2-6). [4] Wich the upper needle, work a row of peyote stitch as follows: B 152, 10 Beylinders, two C cylinders (e-9. Cross the needles through the two end beads, asin step 2, and step up to start the next rows (o-¢ and 9). [5] With the lower needle, work a row ‘of peyote stitch as follows: € 15%, C cylinder, two B cylinders, € eylindr, six B cylinders, B 15® (g-h). Sew under the thread bridge between the beads in the previous row, and back through the last wo beads to make the turn and step up to stare the next row (hi). [6] With the upper needle, work a row of peyote stitch as follows: C 15% C cylinder, nine B cylinders, B 15°. “Tur, and step up as in step 5 (6-0). [7] With the lower needle, work the remaining rows in peyote as follows, 9 eS FIGURE 10 EDITOR'S NOTE: ‘Stitching tension plays a big role in the outcome of this flower. If you stitch tightly, you may find it difficult to join five petals in a circle. If so, make a sixth petal, and join that. The resulting flower will be more open, so you may wish to omit the 6 mm bicones from the center of the flower. snaking the turn as in step 5 atthe end of each row: Row 1: B 15%, B cylinder, four color B 11° seed beads, two B cylinders, two C oylinders, C 15® (igure 5, a-b). Row 2: C 15%, Cylinder, three B cylin ders, C cylinder, theee B 11°, B 15" (O-<), Row 9: Seven B cylinders, Ceylinder, CIs (e-d) Row 4: Two C 15% six B cylinders (d-e). Row 6: Three B cylinders, Ccylindes, B cylinder, B 13* (et). This row stops ‘one stitch short ofthe end of the row. ow 6: Sew through the next two beads to skip a stitch and step up to start the next row (+g). Four B 15% (6-b). Row 7: Three B 15% (hl). Do not end the thread. [8] With che upper needle, compere the remaining rows in peyore stitch as follows, making the turn asin step 5: Row 1: B 15", cylinder, four B 11's, Belinder three C cylinders, C 15° (figure 6,a-b). Row 2: C 15%, wo C eylinders, Beylinder, C cylinder, B eylinde, three B 11%, B 15* (oc) Row 8: Seven B cylinders, C cylinder, C15 (oa). Row 4: Two C 15%, C eylinder five Beylinders (2). Row 6: Three B cylinders, C cylinder, Boylinder, B 15° (e+. Note that this is a short row. ow 6: Sew through the next ewo beads to skip a stitch and step up. Stitch four BIS's (-9) Row 7: Three B 15% (g-). Do not end the thread. [9] Repeat steps 1-8 to make four more petals. Genter [1] On 1 yd. (.9 m) of Fireline, center 22 color D cylinder beads, and sew through the first D cylinder again {figure 7, a+b. [2] Work a round of tubular peyore stitch (Basics), picking up a D cylinder for each stitch (b-e). Work two rounds of tubular peyore, picking up a color D 15# seed bead for each stitch (¢-d). [3] Place the 8 mm ceystal demtelle face up in the bezel, and, using the tail, work wo rounds of tubular peyote using D 15° to complete the bezel and secure the dentelle 8 Sew through the beadwork to exit D cylinder in the uppermost round. Ek up a4 mm bicone crystal and a 115°, and sew back through the 4 mm. sinue through the next D cylinder in ‘ound (figure 8). Repeat around, and p up to exit a D 15* in the top round. ss, a6 mm bicone Sew back through 6 mm and the next five 15°. tinue through the next 15° in the id, the next 15° in the previous sd, and the next 15? (igure 9) st around to add four more 6 mms. spacing will nor be quite even bly With one of the tails from a petal, down through the edge beads to exit ‘next edge cylinder. Pick up a B and sew through the next edge § 15% on the petal figure 10, a-b). Sew ugh the next edge bead, which sa I. Pick up a C 15°, and sew through ‘next C 15° (b-c). Pull the beads snug. Using the tail from a second petal, step 1, sewing through the beads added to the adjacent petal (@-9. §] Use one thread to sew the remaining beads together, following a square (Basics) thread path (o-d). Once jn is secure, end both threads. [4] Repeat steps 1-3 t0 join two more petals to the first pa [5] Using the tails from the center of the flower, stitch between the color D beads surrounding the dentelle and the color C cylinders at the base of the joined petals. There is no set thread paths Just sew between the beads, keeping the thread hidden as much as possible. [6] Repeat steps 1-3 to attach the remaining petal to the flower. Secure the . backward for a zigzag effect that can be playful or sophisticated Dangling bees add a designed by Hatsumi Oshitani whimsical charm to these patterned bands. 1" igure FiauRe 2 FIGURES ite your own patterns. poystep -band bracelet ‘Ona comfortable length of thread, fra stop bead (Basics, p. 12), 16a Grin. (15 em) tail. Pick up color A and two color B 11° seed , and sew through the last rwo ‘again so that the beads form two ns figure 1). Pick up a 4 mm bead and an A, and back through the 4 mm and the three AS in the first column, Pick |B, and sew through the two Bs in ‘next column (figure 2). Pick up two Bs and two color © 11° ‘beads, and sew through the two Bs again (figure 3, a-b. Pick up a ‘and sew back through the next three fn the column (oo). Pick up a C, sew through the two Cs in the next 2 (6-d). Repeat step 3, changing the seed d colors as desired and adding a ‘mim before the tip beads in every + row, to continue working in Fioune2 sygoing bands edged with gemstones or glass beads look with everyday outfits, while bracelets made with petite sand 3 mm bicone crystals have a bit more elegance. atever materials you use, have fun playing with colors to Se. Petersburg chain unl the row is 4 in. (6 mm) short of the desired length of the bracelet. Figure 4 shows a band that ends with a full column of color D 11° seed beads and a partial column of As. End and add thread (Basics) as needed, [5] Pick up 20 As (enough to fit around the clasp bead), and sew through the last bead added! in step 4, “turn bead” (figure 4, a-b). [6] Pick up three Ds, and sew through the two As nearest the turn bead and the last rwo Ds picked up (b-€) Pick up 1D, and sew back through the three Ds inthe column (¢-d). Pick up a D, and sew through the corresponding turn bead inthe previous row (d-e). [7] Repeat step 6 for the length of che band, changing the seed bead colors to follow the pattern established in the previous row, until you reach the other end of the row, where you'll sew through the first A. [8] Remove the stop bead. With the ‘working thread, pick up an 8 mm bead "OS FIGURE ‘3? sense? @, eo Se FicuRE 6 materials ‘wide-band bracelet 7 in (18 em) +-18mm charm with jump ring oF spit eng + 28m round or rondelle beads +44 4 mm ooads + S-4g 112 seed beads, in each of 4 colors: A, B, ©, O° * nylon beading thread, size D * beading neoctes, #12 crystal-fringe bracelet 7 in. (18 cm) + 108 mm bicone crystals + 3-4 15% seed beads, in each of 4 colors: A,B, 0, O° + S-strand clasp * nylon beading thread, size D * beating needles, #13 * The emount of seed beads you't need depends onthe string patter you select. The amounts given are based (ona repeating pattem of four colors, a ‘seenin the yelow bracelet fo. 74) and the Bue-anc-green bracelet (0. 77 and an A, and sew back through the 8 mm and the next six As (figure 5). End the tail (not the working thread). [9] To make a loop for the charm, pick up 10 As withthe working thread, skip the last five As, and sew back through the first five AS picked up (gure 6). 3 [10] Pick up two Bis, and sew through the two As your thread exited (figure 7, a-b), Sew through the A at che tip of the sorresponding column in the previous ‘ow and back through the first three As in the column (b-c) Pick up a B, and sew through the two Bs in the new column (¢-d, Continue working in St. Petersburg chain, changing colors as needed and sewing through the tip beads of the corresponding columns, Stop one column short of the end, [1.1] To finish the row and begin the next ‘one pick up «wo Ds, and sew through the D at the tip of the corresponding column in the previous row and back through the next four Ds in the column (figure 8, a-b). Pick up five Ds, ship the last D,and sew back through the next four Ds and the turn D inthe previous cove (b-c). [12] Pick up three Cs, and sew through the two Ds nearest the tue bead and the last wo Cs picked up (figure 9, a-b). Pick up a C, sew back through the three sin the column (b-e), pick up a C, and 6 FIGURE 10 sew through the corresponding tum bead (e-c). Repeat to the end of the rows changing colors as needed. [18] With the thread exiting the turn bead at the base of the five-bead charm loop, skip the turn bead, and sew back through the next five As in the column, exiting the tip bead (figure 10, a-b), Pick up five As, an 8 mm, and an A. Skip the last A, and sew back through the 8 mm and the next five As (o-c). . [14] Pick up two Bs, and sew through the two As your thread just exited (figure 11, a-b). Sew through the A at the tip of the corresponding column in the previous row, and sew back through the next three As (b-e). Pick up a B, and sew through the two Bs in the next «column (0-d). Continue stitching the row in St. Petersburg chain, changing colors as needed and sewing through the corresponding tip beads to artach each new column to the previous row. End with a full row of Ds and a partial row of As, asin the first row. FIGURE [1] Repeat steps 5 and 6 to adda loop and begin the final row, but before adding the D at the tip of the column, pick up a 4 mm. [16] Work the inal cow as in step 6, ‘changing the seed bead colors as needed and adding 2 4 mm before the tip bead in every other row so that the final row of the bracelet mirrors the first row. ‘Complete the last column by picking, up an A and sewing through the turn bead, then end the thread. [17] Usea splicing or jump ring (Basics) to attach a charm to the loop of seed beads between the ro 8 mm clasp beads, Crystal-fringe bracelet [1] Work steps 1-4 of “Wideband bracelet,” substituting 15° sced beads for the 11°s and 3 mm bicone erystals for the 4 mans. [2] Pick up five As and a loop of the clasp, and sew through the last A added in the previous step, a “turn bead” (figure 12, ab). Figure 12 FIOURE 13 ‘Pick up three Ds, and sew through ‘wo As nearest the tum bead and last two Ds picked up (b-o). Pick 23 mm and a D, and sew back ough the 3 mm and the three Ds in -column (¢-d). Pick up a D, and sew ough the corresponding turn bead in previous row (+e. H Repeat step 3 to the end of the row, nging seed bead colors and adding 3mm every other row to mirror the Remove the stop bead. With the ing thread, pick up five As and a op of the other half of the clasp, and ex: back through the turn A and the four As figure 13, acb). End the (not the working thread), Pick up DAs and the next loop of the clasp. Ep the last five As, and sew back ough the next five As (0-0). Pick up ewo Bs, and sew through the As nearest the 3 mm figure 14, a-b). through the 3 mm and A and back ough the 3 mm and the next three Ax FIGURE 14 (6-0). Pick up a B, and sew through the ewo Bs in che next column (o-d)- Continue stitching in St. Peersburg chain for the length of the row, changing colors to coordinate with corresponding ‘columns and sewing through the tip beads, or 3 mms and tip beads, o join the new row to the existing band. [7] Repeat steps 2-6, sewing through the existing loop of seed beads in step 5 and ending and adding thread as needed. Repeat steps 2-4 once more to work the final row, and end the thread. @ eee ore a ed See et Cee ee as Pen eS sae ain inside and out ed by Hatsumi Oshitani oystep is necklace is worked from one end to other in alternating rows of reverse Petersburg chain and standard St. shurg chain. The lines of cylinder ids are referred to as columns, segment 4; Reverse St. Petersburg chain ] On a comfortable length of thread, icha stop bead (Basis, p. 12), leaving 10-in, (25 em) tail. Pick up four 11° plinder beads and a color B 11° seed id. Skip the B, and sew back through four eylinders (fgure 1, a-b). Pick up an 8° seed bead and three finders, and sew through the top two linders of the previous column and the ‘wo cylinders just added (b-c). ST. PETERSBURG CHAIN CS ke this stately collar of fanning pearl gles, and you'll soon know St. Petersburg ¢ luster of pearls, shimmer of seed beads, and gleam of -polished facets come together in a gorgeous necklace plays with the possibilities of St. Petersburg chain. fork the stitch regularly and in reverse for a zigzagging ringbone texture that makes the most of the materials. [3] Pick up a color A 11° sced bead, and sew back through the las three cylinders inthe column (o-d). Pick up a cylinder, 4B, and three cylinders. Sew through the top two cylinders in the previous column and the last two cylinders just added (-). [4] Repeat step 3 ewice (of. [5] Pick up an A, and sew back through the last three cylinders in the final col- umn of the row (figure 2, @-b). 16] Pick up two cylinders, a4 mm fice polished bead, and seven cylinders. Skip the last two eylinders, and sew through the previous two cylinders again b-€). [7] Sew through the & added in step 5 and back through the last three eylinders of the firs column inthe new row (ed). al reiteration materials eckiace 15% in. (9.4 em) + 198 mm batten pears, tp dilled * 46 4 mm fre-poishad beads 82 4 mm round glass boads + 98° seed beads © 11° seed beads BgodorA SgoderB + 180 11° oyincer beads * clasp * nylon beading thread, size D + beading nescles, #12 FrouRE 4 Even rows: St. Petersburg chain [1] Pick up a B, and sew through the last two cylinders added (figure 3, a-b). [2] Pick up four cylinders, and sew through the first two cylinders again (b-

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