a INTRODUCTION-AT THE BALLET | as cum (| Ree fe Se — i ‘a Cust SHEILA: | [wat * Tranted to fF ve | Witt aitometeeua, tay ee Van) - T @resempre) (id ont apt r vaue wm i (Cont, at ove) sorta! aa is |* Fees eatutonyonr lap? 0) nee ieee) » anf Sane ». Aon all we aout your prone, (ass) 2 SHEILA/My parents? ZACH: Your father. SHEILA: My mother was raised Like a little a # —| ach48 Bot.cut to 5) i (CUE: SHEILA: You don't like it, z fa (re, t90et) (opt. svabanea) PP suet: Better? 2 st Eact' Deut ce ‘And then I eaw The Red Shoes. iizi—J— Slightly Quicker Loy Fj os Fade on Cue: Twas only six. a ee ‘Almost SEGUENo.9 1 Rock-strong four 1 When AT THE BALLET ‘CUE: ZAGH; Sure, you're strong enough. Begin Vamp) SHEILA Well las face It. My family acene was not go0d. 0 Dad-dy are toh hat ho married be nat im ‘That's whathe said, that's what he poy ees Rfere ALL FENDER (Volume 6) hhe pro-posed he in- formed my moth - er he was ‘And though shewas twen-ty two, though she was twen-ty-two,— (Tone) 49Life with my Dad was-n't ev-er a ple~ nic. ‘More like a "Come as you are. (Rass) When Iwas five I re-mem-ber my moth-er dug ear- rings out of the ear, 1 knew that they were. some-thing you'd want to dis~ cuss, He wasn't cvwe,) ui laceWell,not to hen, A(Ch. sp. Vibes) ov = 'ry-thing (¥15.,0b. Bra ev = ‘ry-thing. atthe ‘bat - tet. loco (ip. Vibes) eu)p..cte wasn't par = Up a steepuand ver-y nar-row stair - way. Spoken ‘That's when 1 started class... (ow. Bellg > (rons. Hoo) SHEILA & BEBE: To thevoice— like a metro. Up a steep—and ver-y nar- row stair - way. BEBE: SHEILA & BEBE: was-n't par = a-dise,— It was- n't par - (Plane, Hp.) FOF | rons.)é é a 5° pepe. i Moth-er al-ways sald I'd be when T grew up, when grew up, i a A (orona.) ‘ "Dit- front," she said, very, ver-y per-son-al (wwe ‘though I was eight oF nine,though I was eight or fine; (obch) (Gte., Tons.) oneal” z = spi= trent” is nice, but it sure is-n't pretty. pret - ty" is what it's a-bout.— 1 nev-er met an-y-one who was "dif-f'rent" who couldn't fig-ure that out,——— Butstwas clear, Mnotto her, well, then to (wwe. Tb a &nm nn nam wu “tit Uw "Th + HAO tA . 55 MAGGIE & BEBE: Ene) ev = 'ry-one. (no ataceato) #8 ri cont ruber 8 r honSHEILA: — Tepe = + Mee ea Mins ee (rons, (cL. Belly) (Change Fender Volume to6)] 2° £5 *QUAGGHE + BEBE on tap voloe when only two parts) ! ‘TRIO MAGGIE, BEBE, SHEILA: to the volce— like a met=ro- Up a steep_and ver-y nar- row stair ~ | f Up ‘a steep—and ver-y nar - rowwas=n't par - 8 rite std) T don't know what they were for or against really... . « we ee a ! gut) /MscorE: ... Fantasy Ife MAGGIE: .., Indian Chief, and he'd say es a(Tpts, -cup, Vibes BEBE: SHEILA: MAGGIE: But tt was clear... =e : help their mar- rlageand when.. ses That's what he said.... wu 59 jue SHEILA: Macon: sel used to dance a - round the Iiv-tng room... sesHe was-a't warm... euectiay » NEES cr Tes MAGGIE: te was an In-dian chief and he'd SHEILA & BEBE: "Mag-gle, do— you wan ~ na Anat say, “Dad-dy, 1 would love nt (Bells, Hp Gte.) ES Po yy (Hoy127 MAGGIE: beau ti ful ret, ww. nent some-one's al | there, —_—__________—_— (ww. Betts) J 2 {tip cont. stmlle) beau ti = ful ee (Timp. roy b+on62 an ri ° MAGGIE SHEILA: MAGGIE: Hey! (FENDER) (Tons. tP)