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Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 1 of 74

IN THE UNITED STATES DISTRICT COURT


FOR THE SOUTHERN DISTRICT OF NEW YORK

AULISTAR MARK, et al., etc.,


Plaintiffs,
Case No.: 13-CV-04347 (AJN)

v.

GAWKER MEDIA LLC and NICK DENTON,


Defendants.

AFFIDAVIT OF MARK BATTEN

I, Mark Batten, hereby depose and state:


1.

I am a partner at the law firm ofProskauer Rose LLP. I make this declaration on

personal knowledge.
2.

True and correct excerpts from the deposition of Aulistar Mark are attached

hereto at Tab 1.
3.

True and correct excerpts from the deposition of Stephen Totilo are attached

hereto at Tab 2.
4.

True and correct excerpts from the deposition of Andrew Hudson are attached

hereto at Tab 3.
5.

A true and correct copy of an e-mail from Aulistar Mark to Stephen Totilo with

the subject: "Re: Offer of Kotaku Internship," which was Exhibit 3 at Mark's deposition, is
attached hereto at Tab 4.
6.

A true and correct copy of an e-mail from Stephen Totilo to Aulistar Mark with

the subject: "Re: Internship Guidelines," which was Exhibit 13 at Mark's deposition, is
attached hereto at Tab 5.

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 2 of 74

7.

A true and correct copy of an e-mail from Aulistar Mark with the subject:

"Learning Agreement Form and Acceptance letter" with related attachments, which was Exhibit
14 at Mark's deposition, is attached hereto at Tab 6.
8.

A true and correct copy of an e-mail from Rebecca Schall to Aulistar Mark with

the subject: "Journall" with related attachments, which was Exhibit 16 at Mark's deposition, is
attached hereto at Tab 7.
9.

A true and correct copy of an e-mail from Aulistar Mark to Stephen Totilo with

the subject: "July TimeSheet and Supervisor Evaluation" with related attachments, which was
Exhibit 19 at Mark's deposition, is attached hereto at Tab 8.
10.

A true and correct copy of an e-mail from Aulistar Mark to Stephen Totilo with

the subject: "Aulistar Mark- Intern of the Past" with related attachments, which was Exhibit 22
at Mark's deposition, is attached hereto at Tab 9.
I declare under the penalty of perjury that the foregoing is true and conect.

Dated: August 14, 2015

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 3 of 74

Tab 1

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 4 of 74

Page 1
1

A. Mark

UNITED STATES DISTRICT COURT

SOUTHERN DISTRICT OF NEW YORK

4
5

-------------------------------x
AULISTAR MARK, et al.,

Plaintiffs,
7

Civil Action
vs.

No. 13-cv-04347

8
9

(AIN)
GAWKER MEDIA

10
11

Defendants.
-------------------------------x

12
13
14
15

DEPOSITION OF AULISTAR MARK

16

New York, New York

17

Tuesday, April 8, 2014

18
19
20
21
22
23

Reported by:

24

THOMAS A. FERNICOLA, RPR

25

JOB NO. 71500


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Page 17
1
2

A. Mark
A.

Yes.

Before interning at Gawker, I

was a, of course, a journalism student at The

New School.

Q.

Uh-huh.

A.

Besides that I was also a writer for

the Hartford -- the University of Hartford

newspaper, as well as The New School

newspaper, essentially as reporter; two years

10

of reporting experience before moving on to

11

Gawker internship.

12

Q.

13
14
15
16
17
18

Uh-huh.
Anything else, any other journalism

experience?
A.

No.

No.

No, other journalism

experience.
Q.

What documents do you have that

relate to your internship at Gawker?

19

A.

With me, like say now or --

20

Q.

No.

21

Just in your possession in

general?

22

A.

In my possession in general.

23

Q.

Yes.

24

A.

I actually don't have any physical

25

documents; however, I do have all of the


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1

A. Mark

Do you see that?

A.

Uh-huh.

Q.

Did you get college credit for this

internship?

A.

I did, yes.

Q.

Would you say you got additional

real world experience?

A.

Yes.

10

Q.

And did you get a foot into the door

11

of the world of video game journalism?

12

A.

No.

13

Q.

Why not?

14

A.

Huh.

So, no.

Because video game journalism

15

is a very difficult world to get into, with a

16

very limited amount of slots available for

17

actual journalists who would actually like to

18

do it, as with the journalism industry in

19

general.

20
21
22

Q.

There just aren't that many jobs; is

that what you're saying?


A.

There really aren't that many jobs.

23

So, essentially, I might have had an easier

24

time getting -- putting my foot into the door

25

of the world of video game journalism just by


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1
2

A. Mark
A.

Essentially by attempting to be a

freelance video game journalist, by putting

stories to -- putting stories to websites,

websites and magazines, based around

technology and video games.

financially -- financially stable.

MS. PAPARELLA:

MR. BATTEN:

10
11

Can we take a break?

Sure.

(Recess taken from 2:35 p.m. to


2:44 p.m.)

12
13

It was not

(Mark's Exhibit 3, Series of


EMails, was marked for identification.)

14

BY MR. BATTEN:

15

Q.

Do you recognize Exhibit 3?

16

A.

One moment.

17

Q.

Sure.

18

A.

(Document Review.)

Take your time.

19

Okay.

20

Could you repeat the question.

21

Q.

Do you recognize these emails?

22

A.

Yes.

23

Q.

In the bottom one on the first page

24

from Stephen Totilo, he offers you the

25

opportunity to intern and says, "an unpaid for


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2

A. Mark
credit editorial internship"; right?

A.

Correct.

Q.

So you knew before you started that

it was unpaid; correct?

A.

Correct.

Q.

Did you have a problem with that at

8
9

the time?
A.

Actually, I essentially made the

10

decision, I weighed the pros and cons.

11

course, I had a mother who says, why are you

12

working for free.

13

that working for free was worth the benefit of

14

having Gawker on my resume.

15

Q.

16
17
18

Of

But I made the decision

Okay.
And you were going to get college

credit also?
A.

I was going to get college credit

19

for it.

20

particularly interested in, although that was

21

an advantage.

22
23
24
25

Q.

That wasn't so much something I was

Why were you not particularly

interested in it?
A.

Because I didn't necessarily need

college credits and because it does complicate


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1
2

A. Mark
Q.

3
4

I see.
And what tier did you selected?

A.

I selected the tier of six credits,

because I needed to get financial aid in order

to pay for the credits.

7
8

Q.

So six credits, is that what you

said?

A.

Yes.

10

Q.

And so how many hours a week did you

11

need to intern to get six credits?

12

A.

You needed to intern for 220 hours.

13

Q.

Total?

14

A.

The whole entire total, yes.

15

Q.

So it didn't matter how many in any

16

given week, as long as you hit the total at

17

the end?

18
19

A.

So, I needed to have a

total of 220 hours logged on my time sheets.

20
21

Essentially.

(Mark's Exhibit 4, EMail setting


Schedule, was marked for identification.)

22

BY MR. BATTEN:

23

Q.

Is Exhibit 4 the email you were

24

referring to where you set the start and end

25

date?
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A. Mark

(Mark's Exhibit 7, Internship

Proposal for The New School, was marked

for identification.)

BY MR. BATTEN:

A.

Okay.

Q.

Do you recognize this document?

A.

I don't.

Q.

Did you have to prepare an

10

internship proposal for The New School?

11

A.

I did.

12

Q.

Was that what this is?

13

A.

It looks like this is it.

14

Q.

Did you have to submit anything else

15

to The New School to get the internship

16

approved or was this enough?

17

A.

In order to qualify for credits at

18

The New School, it was required that you take

19

an internship class.

20

meet with an internship advisor who

21

essentially taught a class which had

22

additional things, like employment training

23

and resume writing, cover letter writing, on

24

top of discussing the -- our particular

25

internships and our internship experiences

So, once a week I had to

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A. Mark

with other students who were doing internships

through The New School or rather through

various employers throughout New York, but

still being required to take this internship

class once a week.

There was, of course, other

documents required as part of this internship

program, including time sheets and evaluations

10

from intern supervisors or the supervisors

11

chosen by, I guess the internship and the

12

particular intern or student.

13

it was Stephen Totilo.

14

Q.

15

In this case,

Uh-huh.
But to get the internship approved

16

in the first instance, was it just this piece

17

of paper?

18
19

A.

Can you rephrase the question?

Do

you mean -- get it approved by who?

20

Q.

By the school.

21

A.

To get the internship approved by

22
23

the school was just this piece of paper.


Now was this a question, did I have

24

to do internship evaluation in order to get an

25

internship?
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A. Mark

period of time where the internship, The New

School career services internship class, and,

therefore, like the period of time where this

occurred happened.

So, basically, my time sheets had to

reflect -- my time sheets had to reflect that

I worked this many hours in this particular

time; however, I can't tell you for sure about

10

the fact that I worked -- I was working

11

basically a month before and a couple weeks

12

after the internship.

13

And I believe I might have actually

14

asked if I could just then place those hours

15

and put it on a time sheet so it reflects on

16

the time sheet for official newspaper -- New

17

School paperwork that I worked 220 hours in

18

the time frame that The New School requires

19

this 220 hours to happen.

20

And it goes along with how I said

21

where interns would start for the internship

22

period and after the internship period or even

23

carry over their internship that they had in

24

the previous internship semester on to this

25

internship semester.
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A. Mark

(Mark's Exhibit 14, The New School

Learning Agreement, was marked for

identification.)

THE WITNESS:

Okay.

BY MR. BATTEN:

Q.

What is this document?

A.

This is The New School College

learning agreement that's given to students

10

and they have to submit this as part of their

11

internship course.

12
13

Q.

Was your supervisor required to sign

off on this in some way?

14

A.

I believe he actually was.

Wherever

15

it says above his signature, that's

16

essentially where my supervisor had to sign

17

off and it had to be submitted to my

18

internship course supervisor,

19

counselor/supervisor.

20

Q.

21

Okay.
And this one isn't signed.

Do you

22

know whether Stephen signed it and returned

23

it?

24

A.

I don't know.

25

Q.

Okay.

I don't know.

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Page 84
1

A. Mark

2
3

If you start with the second page,


which looks like a cover letter form.

A.

Uh-huh.

Q.

It's dated June 24, 2010.

Do you see that?

A.

Yes.

Q.

So you were about a month into the

internship at this point; is that right?

10

A.

Uh-huh.

11

Q.

And you described Kotaku in the body

12

of the letter as one of the epicenters of

13

video game journalism.

14
15
16
17

Is that how you felt at the time?


A.

Yes.

It still is.

That's how I

feel right now.


Q.

18

Uh-huh.
"And to be given an opportunity to

19

work for Kotaku is an experience that many

20

covet and few would think to pass up."

21

Is that how you felt at the time?

22

A.

Yes.

23

Q.

Okay.

24
25

If you turn two pages on to the page


that starts Learning Goals/Objective No. 1.
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A. Mark

Do you see that?

A.

Uh-huh.

Q.

And I gather you wrote, "Learn to

write/investigate in a fast-paced

environment"; correct?

A.

Yes.

Q.

Did you write that or did Stephen

write that?

10

A.

I don't know for sure.

11

Q.

Okay.

12
13

Well, it's described as the learning


goal or objective; right?

14

A.

Yes.

15

Q.

Okay.

16

So I believe I wrote it.

And do you feel like you achieved

17

that goal?

18

A.

I mean, the truth is that when I did

19

a lot of this paperwork, I essentially did it

20

just to get it done because I didn't care.

21

As an internship, they required that

22

I have a learning goal and objective, and I

23

needed to have a learning agreement to do an

24

internship.

25

Q.

Understood.
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2

A. Mark
A.

And so essentially I wrote that I'm

going to learn to write and investigate.

was the truth and that's essentially what I

wrote here on this piece of paper.

Q.

And so I'm asking, according to that

document, did you learn to write and

investigate in a fast-paced environment?

That

A.

If anything, I built on my previous

10

experience and I actually had the opportunity

11

to work in a fast-paced news environment or a

12

faster pace news environment like Gawker under

13

tight deadlines and with working with other

14

editorial staff.

15
16
17

So, in that case, yes, I gained


experience.
Q.

I did learn some things.

18

Uh-huh.
Learning Goal/Objective No. 2,

19

half-way down the page, says, "Fine tune my

20

writing style to the progressive world of

21

blogging."

22
23

Would you say you achieved that?


A.

Yes, I'd say I achieved that.

24
25

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A. Mark
first paragraph.

Q.

End of the first paragraph.

A.

Yes, that's accurate.

Q.

Uh-huh.

Then at the bottom of that same

page, you say, "Overall, I look forward to the

next two months with optimism"; right?

A.

Yes.

10

Q.

"It's been a slow and gradual start,

11

but I feel I can say I've been learning more

12

about my craft, as well as what I'm capable of

13

than I've ever learned in a classroom."

14
15

Is that how you felt?


A.

I felt, going into Kotaku, that it

16

was really more of like a work experience

17

than, say -- I guess I would basically -- yes,

18

it was more a work experience than a learning

19

experience.

20

I felt like I benefited from being

21

dropped into what was essentially a work

22

experience.

23
24
25

Q.

Okay.
And did you learn more about your

craft as well as what you're capable of than


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2
3

A. Mark
you had ever learned in a classroom?
A.

I did, because I've never been

required to write as many articles as quickly

as I had to have written them as I was at

Kotaku.

know, draft and write several posts a day,

have them published and do it again the next

day or the next time I was in the office.

10

Q.

Never before have I had to both, you

Okay.

11

"I've had internships in the past,

12

both good and bad, but not as truly hands-on

13

as Kotaku."

14
15

Is that true?
A.

Yes.

Because my previous

16

internships, I didn't really get to -- like

17

being able to just write something and see it

18

on the Internet, like here's I show you within

19

an hour is not something that -- when I was at

20

the West Hartford Community Television, I was

21

essentially with a mentor and he walked me

22

through ever every single step of, you know,

23

initially video editing.

24

learned how to video edit on something called

25

Video Toaster.

That's where I first

No one uses.

It's from the

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A. Mark

'80s and '90s.

of a mentor teaching me how to do what he

already knows how to do.

But there it was really sort

At Blue Magazine it was really sort

of -- it was really -- that's really some of

the ones of those terrible internships where,

okay, you're in the office, yes, you're

writing a newsletter.

But I felt like I

10

didn't really accomplish as much as I

11

accomplished at Kotaku.

12

At Kotaku I appreciated the fact I

13

was basically treated as a writer.

And so I

14

obviously worked as a blog writer.

I was -- I

15

had high expectations on me, and I feel like I

16

then produced, you know, I produced stuff and

17

I kind of proven to myself that I was capable

18

of doing these multiple stories and working at

19

the speed and working in a work environment

20

like Kotaku, and I appreciated the fact that I

21

had that experience, I learned that about

22

myself.

23
24
25

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A. Mark

A.

Second column -- sorry.

Q.

Down here at the bottom.

A.

Oh, yes, sorry.

Q.

Uh-huh.

What?

Last comment.

"Have you been able to talk to your

supervisor about ways in which he feels you

can grow in tools of the trade."

Do you see that?

10

A.

I do.

11

Q.

Did you talk to Stephen about that?

12

A.

I don't remember, so I don't know.

13

Q.

All right.

14

If you turn to the next page, which

15

is stamped 190 at the bottom.

16

the second comment, which is it says C6,

17

Ms. Schmall writes, "It sounds as though you

18

are learning to work within the ebbs and flows

19

of the media industry and its inconsistent

20

schedules."

21
22

If you look at

Do you agree with that?


A.

Yes, I agree with that.

I agree

23

that doing an internship at Kotaku made me, as

24

she said, I learned the ebbs and flows and the

25

schedule that is working in the media


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A. Mark

industry, and I continued, you know, to do

that even though.

Q.

Uh-huh.
And the next comment she says, "You

are gaining very valuable experience and

increasing your skill set."

8
9

Do you agree with that?


A.

I believe I did.

I did some -- I

10

tried some initial things at Kotaku.

11

did photo editing where I edited a picture of

12

the president of Nintendo on top of a pirate

13

ship.

14

to do before.

15

Like I

That is not something that I knew how

I just said, okay, do I know how to

16

use Photoshop, I guess I do, let me do it.

17

I did get to try some things that might have

18

not have tried if I hadn't had to like

19

essentially prove myself at Kotaku.

20
21

Q.

So

Okay.
And at the bottom it says, the last

22

comment on that same page, she writes, "It

23

sounds as though you are building confidence

24

and learning deeply about yourself."

25

Do you think she was right about


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A. Mark

to Stephen Totilo on April 2nd, 2011, you say,

"Once again, thank you for giving me the

opportunity to work under you at Kotaku.

learned a lot and have moved forward since

then."

Is that true?

A.

That's true.

Q.

And you ask him if he'd write a

10

general recommendation letter as a previous

11

boss and mentor; right?

12

A.

I did.

13

Q.

Do you consider him a mentor?

14

A.

I do.

15

Q.

And he says he'd be happy to write a

16

letter of recommendation in the next email.

17
18
19
20
21
22
23
24
25

That's true.

Did he -- did he do that?


A.

I never received a letter of

recommendation, unfortunately.
MR. BATTEN:

All right.

Let's take

a moment.
(Recess taken from 4:25 p.m. to
4:28 p.m.)
MR. BATTEN:

I have nothing further.

Thank you.
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Tab 2

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 24 of 74

Page 1
1
2

UNITED STATES DISTRICT COURT

SOUTHERN DISTRICT OF NEW YORK

--------------------------------------X

AULISTAR MARK, et al.,

Plaintiffs,

7
8

- against-

Civil Action No.


13-cv-04347-AJN

10
11

GAWKER MEDIA LLC, and NICK DENTON,

12
13

Defendants.
--------------------------------------X

14
15

October 14, 2014

16

10:18 a.m.

17
18

Deposition of Defendant Gawker Media

19

LLC by STEPHEN TOTILO, held at the offices

20

of Liddle & Robinson, L.L.P., 800 Third

21

Avenue, New York, New York, pursuant to

22

Notice, before NANCY SORENSEN, a Notary

23

Public of the State of New York.

24
25

212-279-9424

VERITEXT REPORTING COMPANY


www.veritext.com

212-490-3430

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 25 of 74

Page 26
1

S. Totilo

A.

No.

Q.

If you didn't assign an intern work,

4
5

who would assign an intern their work?


A.

The interns, when we would have them,

would come in and have some expectations and

understanding of what their opportunities were.

8
9
10

And at times, if a writer thought


that the intern could help them out, might ask
for help.

11

At times, the intern might show the

12

initiative to volunteer to do something.

13

times, the interns were occupied without, I

14

would say, anybody assigning them.

15

So at

It was very much the way we operated.

16

If you have ideas and you show initiative and

17

you do things.

18

when I would encourage an intern to, say, pitch

19

articles.

20

And there are also instances

I don't know if we would consider

21

that assigning or not.

22

must do this or else.

23

saying it would be great if you could write

24

something.

25

article.

212-279-9424

It's not me saying you


It's me encouraging and

You should go, maybe write an


Things like that.
VERITEXT REPORTING COMPANY
www.veritext.com

212-490-3430

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1
2
3
4
5

S. Totilo
of the piece by the time it was published.
Q.

How much time did you spend with him

on this?
A.

I don't recall specifically.

But

like I said, this was wasn't a, let's talking

about it on a Monday and it gets published on a

Tuesday.

This was a series of weeks of him

10

forming the idea going out, reporting.

11

giving feedback on drafts.

12

Me

It was much longer than is the

13

typical period of time that a writer would be

14

working on an article at Kotaku.

15

Q.

So how long did he work on it for?

16

A.

I don't recall specifically.

17

Q.

So how do you know it was longer than

18

a typical writer would spend on an article at

19

Kotaku?

20

A.

Kotaku writers write 2, 3, 4, 5, 6,

21

some 10 posts a day.

22

short.

23

Some of them are quite

But even the larger reporting pieces,

24

a writer can do that and turn that around in a

25

day or two, if need be.

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2
3
4

S. Totilo
interesting articles on the site.
Q.

So it was helpful to have interns

looking for these republishes; right?

A.

Sure.

Q.

If you look at the paragraph before

that starts, "Start your intern day," do you see

where I'm referring to?

A.

Yup.

10

Q.

It goes on to say that they should go

11

back through the past 24 hours worth of posts

12

and copy editing.

13

"This means reading through the posts

14

and then alerting us in camp with any mistakes

15

you find.

16

to fix them."

We'll then give you the green light

17

A.

Um-hmm.

18

Q.

Can you tell by this what

19
20
21

Mr. Crecente is asking interns to do?


A.

He's asking the interns to help copy

edit articles on the site.

22

Q.

For what purpose?

23

A.

To help improve the articles and,

24
25

obviously, give them more experience with this.


Q.

212-279-9424

Is this something you've ever asked


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S. Totilo

-- that anybody at Kotaku has asked full-time

employees to do, to go back and look over the

past 24 hours at posts to copy edit them?

A.

Not that I recall.

Q.

It says, "Each of you will be tapped

to help out with reporting and writing."

A.

Um-hmm.

Q.

When it says, "help out," who is it

10
11

referring to, as best as you can tell?


A.

He's asking or he's advising the

12

interns that they'd be tapped to help others on

13

the Kotaku staff, or himself, with reporting and

14

writing.

15

Q.

Does Gawker still have interns?

16

A.

I don't think so.

But, again, I'm

17

more capable of speaking to Kotaku than Gawker

18

as a whole.

19

Q.

Does Kotaku have any interns?

20

A.

No.

21

Q.

Why not?

22

A.

It's not -- in my judgment as

23

editor-in-chief, it's not really -- it takes a

24

lot of time to mentor and work with interns, and

25

you don't get a huge amount of work out of them.

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2

S. Totilo
couldn't do the research project.

3
4

The copy editing, unfortunately,


probably just wouldn't have gotten done.

5
6

Q.

When was the last time Kotaku had

interns?

A.

We had interns in the early part of

2012, right after I took over as

editor-in-chief.

10

interns that I can recall.

11
12

And those were the last

Q.

So did you make the decision to stop

having interns?

13

A.

Yeah.

14

Q.

Was it in consultation with anyone

A.

No, we had one editorial fellow after

15
16
17
18

else?

that, but I just decided it wasn't worth it.


Q.

So the editorial fellow sort of took

19

on the role that interns typically were

20

assigned?

21

A.

Yeah, more or less, yes.

22

Q.

And they were paid; right?

23

A.

Yes.

24

Q.

Why were they paid?

25

A.

I remember being told that we were

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S. Totilo

A.

For an intern in New York like

Aulistar, it was when he would be in the office,

you know, showing up and leaving.

Or for remote interns, it would

similarly be when they'd check in or check out

of Campfire, the chat room that we use to all

talk.

I mean, of course, it's, these are

10

media jobs, so the hours aren't quite fixed for

11

those who actually work them.

12

They're not quite fixed even if

13

you're an intern kind of learning the

14

experience, so there's a fluidity there.

15

you, you know, sort of use those guidelines.

16

Q.

But

So if you wanted to look back at

17

these chat room logs, assuming they still

18

existed, you could see when an intern, I guess,

19

got to work and left work; is that right?

20

A.

Well, you wouldn't really see that

21

for an intern based in the New York office

22

because you wouldn't know when they walked in

23

the door or when they left, necessarily.

24
25

Although they might say hey, I'm here


or I'm not.

212-279-9424

And similar, if you're remote, you


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S. Totilo
might see them saying that, you might not.
Q.

So there's no requirement that they

let people know that they were there or when

they were leaving, as far as you remember?

A.

There was a custom to say hi and

good-bye.

clock or punching or anything like that, no.

9
10
11

Q.

But, no, I mean there's no like time

Did interns receive any training

other than hands-on training?


A.

The only training, if you want to

12

call it that, is the continued exposure to

13

working with full-time Kotaku writers and

14

reporters, while they're doing their internship,

15

as far as I can recall.

16

Q.

So if you're a full-time writer or

17

editor of Kotaku, you're presumably getting that

18

same training that an intern would be getting,

19

right, because you're, like you just described,

20

working with other editors and writers at

21

Kotaku; is that fair?

22

A.

No.

23

Q.

Why is it not fair?

24

A.

Because in your question you're

25

implying that the skill set of an intern is

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S. Totilo

2
3

Q.

Are you saying that the sites don't

all have the same positions?

A.

Every site has the editor-in-chief,

as far as I am aware.

really checked.

Although I have not

Sites have deputy editors or managing

editors.

Sites have reporters, but it's like we

have video editors on our team.

A lot of the

10

other sites don't have video editors.

11

it differs from site to site.

12

Q.

So, yeah,

Do you know of any intern ever being

13

disciplined in any way by Gawker or their weblog

14

or anything like that?

15
16

21

Q.

If you ever had a problem with an

intern, what would you do about it?

19
20

I don't remember anything like that,

no.

17
18

A.

A.

I guess it depends what the problem

Q.

That's fair.

was.
Is it something that

22

you would handle by yourself or would there be a

23

situation where you'd be compelled to speak to

24

somebody from the parent company Gawker?

25

A.

212-279-9424

You're dealing in hypotheticals.


VERITEXT REPORTING COMPANY
www.veritext.com

If

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S. Totilo

by "problem," we mean the type of things that

you expect from an extremely junior and green

person who's learning, the problem may be they

missed a deadline or something or their story

pitches are bad or it's entirely appropriate

that you'd work internally within the editorial

team.

If you mean something beyond that, I

10

guess I would have reached out to others in the

11

company for, you know, advice about what should

12

I do.

13

But we're in hypotheticals.

I don't

14

recall ever having a problem with any of our

15

interns that required anything beyond the

16

editorial team's involvement.

17
18

MR. ADLER:

Let's take another very

short break.

19

(Brief recess taken.)

20

FURTHER EXAMINATION

21

BY MR. ADLER:

22

Q.

Do you know who Gaby Darbyshire is?

23

A.

Yes.

24

Q.

Who is she?

25

A.

She's one of the early employees of

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A. Hudson

UNITED STATES DISTRICT COURT

SOUTHERN DISTRICT OF NEW YORK

4
5

-------------------------------x
AULISTAR MARK, et al.,

Plaintiffs,
7

Civil Action
vs.

No. 13-cv-04347

8
9

(AIN)
GAWKER MEDIA

10
11

Defendants.
-------------------------------x

12
13
14
15

DEPOSITION OF ANDREW HUDSON

16

New York, New York

17

Tuesday, April 8, 2014

18
19
20
21
22
23

Reported by:

24

THOMAS A. FERNICOLA, RPR

25

JOB NO. 71500


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A. Hudson

Q.

When was that?

A.

I went to college here; so, four

4
5

years, from 2005 through 2009.


Q.

Okay.
What college did you attend?

A.

Fordham College at Lincoln Center.

Q.

Did you get a degree?

A.

Yes.

10

Q.

What was that?

11

A.

BA in political science.

12

Q.

Where did you go to high school?

13

A.

Webster Groves High School in

14
15
16

Webster Groves, Missouri.


Q.

Did you have any other educational

degrees other than the BA from Fordham?

17

A.

No.

18

Q.

Have you attended any other classes?

19

A.

No.

20

Q.

Okay.

21
22

Other than political science, what


did you study at Fordham?

23

A.

I had a minor in creative writing.

24

Q.

And what did that involve in terms

25

of the work?
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2

A. Hudson
A.

I mean, a number of classes and, you

know, English classes and journalism classes

that together construed the creative writing

program.

Q.

7
8
9

Okay.
So there was a journalism component

to it; is that right?


A.

Yes.

That was one of the ways that

10

you could get the minor, I believe; and, so, I

11

took a journalism workshop and some journalism

12

classes and those turned into a communication

13

major with a creative writing minor.

14
15
16
17
18
19
20

Q.

So creative writing didn't

necessarily mean fiction; is that right?


A.

Not necessarily, but there were some

other classes.
Q.

So which journalism classes did you

take?
A.

I took the journalism workshop twice

21

or three times.

22

involved working on the student newspaper at

23

Fordham, Lincoln Center.

24

writing, online journalism.

25

Twice.

Which basically

I took magazine

That's all I can remember.


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A. Hudson

at -- I applied broadly to a number of

different schools.

Q.

What Ph.D. program is that?

A.

Depending on the school, it was

6
7
8
9
10

either political science or sociology.


Q.

Have you been accepted in any of

those programs?
A.

No.

I got accepted to me one, but

it was a lot of money to go, so...

11

Q.

Where was that?

12

A.

That was at The New School.

13

Q.

Are there places that you're waiting

14

to hear from still?

15

A.

16

back, yes.

17

Q.

18

No.

This was -- this was a while

Was The New School the only school

from which you received an acceptance?

19

A.

Yes.

20

Q.

What have you been doing since you

21
22

left Fordham, since you graduated?


A.

I've been working as a journalist,

23

editor, consultant, writer, communications

24

consultant.

25

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A. Hudson

certainly a business like Gawker is based on

producing a constant stream of new content

throughout the day.

Q.

How many posts on average appeared

on io9 per day during the time you were

interning there?

A.

I don't recall.

Q.

Can you give me a ballpark?

10

A.

Probably dozens may -- a dozen or

11

maybe several dozen.

12

it was something like, you know, multiple

13

posts every hour for the workday.

14
15

THE WITNESS:

I don't recall.

I think

I'm going to run to

the restroom, if that's okay.

16

MR. BATTEN:

17

(Recess taken from 11:00 a.m. to

18

11:05 a.m.)

19

BY MR. BATTEN:

20

Q.

21
22

Sure.

How did you first hear about

internships at io9?
A.

My roommate at the time, Fred Tann

23

(phonetic), had been a regular reader of io9,

24

and he saw a posting on the blog mentioning

25

that they were looking for summer interns and


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A. Hudson

discovery?

A.

I had seen it.

I had seen it around

since it launched.

first launched because Cory Doctorow posted

about it and I read, you know, his work on

BoingBoing.net, and so I visited them when it

came out and occasionally when things got sent

to me.

10

Q.

11

I think I saw it when it

Did you apply for interns other than

at io9, either at Gawker blogs or elsewhere?

12

A.

At that -- at that time?

13

Q.

At this time, yes.

14

A.

I don't believe so.

15

Q.

Did the posting that you reviewed

16

and were responding to here in Exhibit 2, did

17

it say that the internship was unpaid?

18

A.

I don't recall.

19

Q.

Do you remember when you found out

20
21

the internship was unpaid?


A.

It was either in that posting, if

22

they mentioned it, or if it was when I first

23

spoke with an editor from io9, I think

24

probably Charlie.

25

Q.

In addition to the email from


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A. Hudson

experience, my skills, my interests, those

sort of things.

Q.

So, in any case, you knew before you

started the internship that it was going to be

unpaid; correct?

A.

Yes.

Q.

Did that trouble you at the time?

A.

I certainly would have preferred a

10

paid internship, but it was a -- it didn't

11

seem like the -- it didn't seem like the

12

biggest deal, but I thought it was going to

13

get a good experience out of it.

14
15
16

Q.

So it didn't seem exploitive to you

at the time?
A.

At the time I was not as conscious

17

of the problematic nature of unpaid

18

internships and the effects they have on the

19

workforce and the people that take them and

20

sort of society in general.

21

And I guess I thought I was going to

22

get a good training experience out of it.

23

I just -- I wasn't as aware of, you know, some

24

of the basic ideas of people should be paid

25

for their labor.


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A. Hudson

I mean, I think I probably believed

that, but it wasn't something that was at the

forefront of my mind.

Q.

Was academic credit discussed in

these conversations before your internship

began?

A.

I don't recall.

It may have.

But

if it was, it was brief, because it didn't

10

seem like something that -- like we were going

11

to be able to arrange academic credit and,

12

anyways, I didn't need any more credits to

13

graduate.

14

And I wasn't sure how taking

15

academic credit would -- for an internship

16

would play into my scholarship at Fordham,

17

so...

18
19
20

Q.

Did Fordham offer credit for

internships as a general matter?


A.

I think they definitely did offer

21

credit for internships, but I think that the

22

broad spectrum of universities, they were more

23

stringent about what qualified for credit and

24

the requirements you had to -- the hoops you

25

had to jump through to get credit for them.


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2
3

A. Hudson
Q.

In any case, I take it you never

pursued credit from Fordham; is that right?

A.

Correct.

Q.

Did you speak to anybody at Fordham

about the possibility of credit for this

internship.

A.

Not that I recall.

Q.

Did you read about Fordham's

10

internship practices?

11

A.

Yes.

12

Q.

Was the possibility of employment, a

13

paying job at io9 or elsewhere within Gawker,

14

ever discussed before you started your

15

internship?

16

A.

I think it was mentioned that they

17

had hired or might hire interns, but it wasn't

18

promised, if that's what you're asking.

19
20

But, yes, I think it was sort of


discussed as a possibility.

21

Q.

You didn't take it as a promise?

22

A.

No.

23

Q.

When did you first talk about a

24
25

schedule with anyone?


A.

After they offered me the internship


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2
3

A. Hudson
Q.

In any case, I take it you never

pursued credit from Fordham; is that right?

A.

Correct.

Q.

Did you speak to anybody at Fordham

about the possibility of credit for this

internship.

A.

Not that I recall.

Q.

Did you read about Fordham's

10

internship practices?

11

A.

Yes.

12

Q.

Was the possibility of employment, a

13

paying job at io9 or elsewhere within Gawker,

14

ever discussed before you started your

15

internship?

16

A.

I think it was mentioned that they

17

had hired or might hire interns, but it wasn't

18

promised, if that's what you're asking.

19
20

But, yes, I think it was sort of


discussed as a possibility.

21

Q.

You didn't take it as a promise?

22

A.

No.

23

Q.

When did you first talk about a

24
25

schedule with anyone?


A.

After they offered me the internship


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1
2

A. Hudson
Q.

The email from Charlie Jane Anders

that appears at the beginning of Exhibit 2

says that you "would be working with our news

reporter, Meredith."

That's Meredith Woerner; is that

right?

A.

Correct.

Q.

"On gathering info for news stories

10

and features that she is working on."

11
12

Is that something that you did


during your internship?

13

A.

Yes.

14

Q.

"Plus promoting her stories to other

15

sites and social networks."

16

Did you do that?

17

A.

Yes.

18

Q.

And that description sounded

19

appealing to you, obviously, at the time;

20

right?

21

A.

22

internship.

23
24
25

Appealing enough that I took the


I wasn't dissuaded, yes.

It's not a very detailed description


but, you know.
Q.

Were you pleased to be offered the


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A. Hudson

And if I found any, I would send

those on to Meredith.

interesting things that would be relevant, I

would -- it's not exactly like pitching, but

it's assisting in finding stories that became

posts.

Q.

Or any other weird,

All right.
So maybe I understood.

I thought

10

you had said before that you sent ideas to

11

Meredith saying here's something that someone

12

else could --

13

A.

No.

No.

I helped Meredith with her

14

job as a reporter finding stories to write

15

about.

16
17

Does that make sense?


Q.

18
19
20

Yes.

Thank you.

Did you learn anything from your


internship?
A.

I learned not to take an unpaid

21

internship.

22

lesson.

23

from managing people.

That's maybe the biggest life

And I learned some what not to do's

24

Q.

For example?

25

A.

For example, in working with Graeme


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Tab 6

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Tab 8

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Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 69 of 74

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 70 of 74

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 71 of 74

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 72 of 74

Tab 9

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 73 of 74

Case 1:13-cv-04347-AJN Document 149 Filed 08/14/15 Page 74 of 74

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