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ARCHITECTURE
How Textile Architecture has revolutionized
the World of Architecture across the globe
Textile forms of habitation have a long history going back to palaeolithic times and
represent an archetypal form of building which has endured to the present day. Textiles
are light, easy to convert or dismantle, and they provide protection against wind, ultraviolet rays and rain. Modern architecture has rediscovered the principle of the tent as an
architectural form and taken its development further not just for temporary structures
but also for permanent buildings. Advanced and durable fabrics enable large areas to be
spanned, which has turned their use into a highly specialised sector within the
construction industry.
'Tubaloon' by
Snohetta
'Tubaloon' is the name given by the architects Snohetta to the 20 m x 40 m pneumatic
membrane sculpture which was created for the Kongsberg jazz festival in Norway. The
combination of a stretched membrane with a pneumatic design is the special feature of the
Tubaloon: stretched membrane
structures have exterior structural
parts but in the case of the Tubaloon the static structure is located like a skeleton inside the
pneumatic shell. This gives the structure a body-like, organic look. Every year the Tubaloon is
set up and dismantled once more and so a white, PVC-coated PVC-PES polyester membrane
by Ferrari was selected because of its hardwearing properties and its suitability for projection
and acoustic purposes.
Energy efficient
and eco-friendly buildings like these stadiums are surely becoming the norm. Additionally,
these structures haven taken cues from nature and bio mimicry. The Watercubes design is
based on water bubbles in foam, and while it may seem random, this structure is derived
from principles of geometry and crystaline systems. The buildings structure is framed in
steel, while the bubbles themselves are made from ETFE (Ethylene tetrafluoroethylene)
pillows
measuring
0.2 mm
thick. The
membrane
lets in
more light
and heat
than
traditional
glass does,
which
keeps all 5
pools warmer, thus reducing energy costs
by 30%.
Rainwater from the roof is collected and
recycled
with efficient filtration and backwash systems,
and an incredible LED lighting system turns the Watercube into a beautiful kaleidoscope at
night.
Loro Parque in Tenerife. The rolls of steel netting can be manufactured to any required length
and the individual sections can also be joined crosswise to an unlimited extent without
detracting from the strength of the netting.
As famous now as the Sky tower or the Waitemata Harbour bridge, the Cloud is characterised
by a pureness and aesthetic delicacy only possible through the lightness of Serge Ferrari
composite materials.
The 180 m long structure is covered by a Prcontraint 1002 Fluotop T2 flexible composite.
During the day, the composite membrane reflects heat and its translucence optimizes natural
light diffusion. At
night, the material
reveals the play and
movements of light,
transforming the
building into a
distinctive luminous
landmark.
The buildings
southern end is lined
with Prcontraint 502
composite material, which conceals the reinforcement and steel frames and gives the final
touch to the cloud shape created by the roof.
Inside, Soltis 92 micro-aerated membrane clads the 500 m2 ceiling of the mezzanine reserved
for the media and VIPs during the Rugby World Cup. Flexible, light and robust, Soltis 92
allowed many HVAC technical components to be safely incorporated: the material conserved
all its strength and aesthetic qualities.
An additional advantage was its sound absorption performance characteristics, which
contributed to enhancing the structures acoustic environment.
temperature. Soltis is UV-resistant and is available not just with perforations of varying sizes
and the corresponding variable transmittance but also in a range of different colors.
Mumbai Airport
Tallinn, Estonia
Designed by Allianss Arhitektid, Tallinn, Estonia,
that wraps the building with colorful patterns and
designs inspired by traditional national womens
costumes from different parishes throughout the
country. As the pavilion was erected only for six
months, says Priit Hamer, architect and member of
the Estonian Expo design team, we used sections of printed textile put on very simple metal
shapes. The design for the enclosure of the pavilion is surprisingly simple: irregularly
shaped vertical panels formed from steel channels are fitted against a plain, box of a building
to make a faade somewhat like overlapping vertical siding. Bends in the vertical edges and
bulges outward from the faade add 3-D interest. Color and pattern are printed by dye
sublimation on the PVC-coated polyester Soltis 86 mesh fabric (Serge Ferrari) and stretched
taut over the frames and fastened simply with flathead screws. The mesh provides microventilation and allows outward visibility to visitors inside.