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PAPER ADVISER:
TUNYOGI ANDREA
different perspective? Couldnt it be that the old woman in the picture is in fact the young
princess?1
In order to illustrate these issues, Ive chosen one of the most suitable novels. Without too much
knowledge about the novel, the title immediately raises a question: If oranges are not the only
fruit, then which are the other fruit? Somebody must claim that the oranges are in fact the only
fruit and somebody contradicts this affirmation, claiming that they are not the only one. This
suggests two things: to the voice who claims that oranges are the only fruit, the other fruits are
forbidden, therefore do not exist, whereas the other voice acknowledges the existence of those
fruit therefore they do exist. Starting from this idea, the central theme of the paper is going to be
the illustration of five forbidden fruits in Jeanette Wintersons novel. I will focus on five issues
that are considered to be forbidden, the attitude of the writer towards these issues and finally the
attitude of the reader. I try to symbolize each one with a fruit to continue the idea of the main
title.
THE FIRST FORBIDDEN FRUIT: GOLDEN APPLE
I have noticed that when women writers put themselves into their fiction, its called
autobiography. When men do it, such as Paul Auster or Milan Kundera its called meta-fiction.
(Winterson 2013, online interview)
The first forbidden fruit that is going to be analysed is fiction. When we read the novel,
we ask ourselves is it an autobiography or a fiction. Can we draw a line between these two
extremities and decide where the autobiographical character stops and the fictional one starts? It
is very simple to consider it autobiographical because there are some clues that lead us to this
conclusion: first person narrative2, the name of the main character is the same with that of the
author. But is this enough to consider it an autobiography? When the author is asked whether it is
an autobiography or not, she answers yes and no (Winterson 2013, online interview). But the
next part of the quotation which is the one mentioned above cannot be interpreted without
referring to gender roles. In other words, is it fiction a forbidden fruit to women writers? Cant
1 I refer here to those images where the same form reveals two different illustrations, depending
on the perspective from which we analyze them.
2 Except for the chapter entitled Deutheronomy where we have a third person narrative.
3
we consider this novel a meta-fiction if the woman writer puts herself into it? This is the barrier
which Jeanette wants to demolish with her novel. She is deliberately and constantly blurring the
lines between realism and fantasy (Mndez:13). This technique is also demonstrated by the
inclusion of the short fairy-tales in her novel. She deliberately constructs her fiction which
clearly indicates that the novel is a meta-fiction.
Consequently, the reader cannot separate the real events from fantasy, nor to approximate the
proportion in which they are present. So besides oranges, the golden apple really exists.
THE SECOND FORBIDDEN FRUIT: POMEGRANATE
A well-read woman is a dangerous creature. (Lisa Kleypas, online quotation)
A general concept about women is that of a housewife, who has nothing to do with such
concepts as intellectual development or open mindedness. Moreover, if this woman is born is a
strict religious community, the chance of such developments is minimal. Therefore the second
forbidden fruit is going to be the open mindedness.
In the novel, the seven year old main character, Jeanette, experiences these issues. She is
raised in a very strict religious community and her mother has a single destiny for her: to become
a missionary and spread the words of God. She had a strict and directed reading (Oranges 11)
from the Bible, moreover the books she was allowed to be read were often manipulated. 3
Therefore, she was meant to do whatever she was told, and never to question anything. But after
children grow up, they usually start to question the reality in which they live in. They start to
realize that things have other meanings too. The story mustnt necessarily have one ending. It
may have several ones.
Jeanettes mother considered these things bad and wanted to protect her daughter from
them. She even educated her at home and didnt send her to school to protect her from bad
external influences (Oranges 16). But can we protect somebody from the world? Isnt it the
world complex enough to reveal itself sooner or later? Many perspectives, many possibilities,
many options, solutions, problems, choices, ideas, orientations. This is what the open mind sees.
Why should be forbidden?
3 The sequence when she finds out that her mother had changed the ending of Jane Eyre saying
that Jane got married to St John and not to Mr. Rochester. (Oranges 73)
4
The novel highlights that these possibilities make one to accept oneself, to find ones
place in the world, by having a variety of options and chances. We are all different, so we need
all these possibilities to find the most suitable for us. So besides oranges, the golden apple and
the pomegranate really exist.
4 Jeanettes mother.
5
and started to live her own life, which was not her mothers but her own. Ones personal identity,
ones self, cannot be a unified one, as nothing in this world is unified or straight. The novel
therefore, tries to deconstruct this unified self (Calvo Pascual 2000: 21), and demonstrate that it
has so many components, so many directions. It is fluid rather than stable. So besides oranges,
the golden apple, the pomegranate, the kiwano, the passion fruit and the banana really exist.
CONCLUSION
Oranges are not the only fruit (Winterson: 1996). We can now draw this final conclusion. The
purpose of this paper was to highlight five issues from the novel that worth to be discussed.
Naturally the novel is full of such debatable topics. These were just a few examples to illustrate
its complexity.
The image is given to us. It is our decision what do we
want to see in it: the old woman, the young lady or both
at the same time.
WORKS CITED
Calvo Pascual, Mnika. A Feminine Subject in Postmodernist Chaos: Janette Winterson's
Political Manifest in Oranges are not the only Fruit. Revista Alicantina de Estudios Ingleses
13 (2000): 21-34. 24. Jan. 2015.
http://rua.ua.es/dspace/bitstream/10045/5328/1/RAEI_13_02.pdf
Mndez, Francesca Castano. The Limitless Self: Desire and Transgression in Jeanette
Wintersons Oranges Are Not the Only Fruit and Written on the Body. 24. Jan. 2015.
http://diposit.ub.edu/dspace/bitstream/2445/11225/1/The_Limitless_Self_THESIS
%20%281%29.pdf
Kleypas, Lisa quotation. 2015 Goodreads Inc. 24. Jan. 2015.
http://www.goodreads.com/quotes/226681-a-well-read-woman-is-a-dangerous-creature
Winterson, Jeanette official website. Jeanette Winterson 2013. 24. Jan. 2015.
http://www.jeanettewinterson.com/book/oranges-are-not-the-only-fruit/
Winterson, Jeanette. Oranges are not the only fruit. London: Vintage Edition, 1996.
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