Medals and Plaquettes From The Molinari Collection at Bowdoin College / by Andrea S. Norris & Ingrid Weber With An Introd. To The Medals Catalogue by Graham Pollard

MEDALS AND PLAQUETTES
FROM THE MOLINARI COLLECTION

AT BOWDOIN COLLEGE
ANDREA
S.
NORRIS & INGRID WEBER
THE MOLINARI COLLECTION
Medals and Plaquettes

FROM THE
Molinari Collection at
Bowdoin College
By
ANDREA
With an
S.
NORRIS & INGRID WEBER
Introduction to the Medals Catalogue
by
Graham Pollard
BRUNSWICK, MAINE
1976
COPYRIGHT
1976 THE PRESIDENT AND TRUSTEES OF BOWDOIN COLLEGE
LIBRARY OF CONGRESS CATALOG CARD NUMBER: 75-4469

ISBN:
This Catalogue
was made
0-916606-00-7
possible by a
matching grant from the Ford Foundation
All medals and plaquettes in the Catalogue are the gift of
Amanda Marchesa
Molinari except for
which was given

the Misses Harriet Sarah
in 1895
Number 25,
by
and Mary Sophia Walker
TYPOGRAPHIC COMPOSITION AND LETTERPRESS PRINTING BY THE ANTHOENSEN
PRESS,
PORTLAND, MAINE
OFFSET PRINTING BY THE MERIDEN GRAVURE COMPANY, MERIDEN, CONNECTICUT
BINDING BY CRAFTSMEN BOOKBINDERS SERVICE, PORTLAND, MAINE

DESIGN BY
EDWARD BORN AND HARRY MILLIKEN
CONTENTS
FOREWORD
vii
HISTORICAL NOTE
ix
ACKNOWLEDGMENTS
xi
CATALOGUE OF THE EXHIBITION OF MEDALS

By Andrea
S.
Norris;
Graham
Pollard, collaborator
Introduction
Bibliography
Catalogue
i i
CATALOGUE OF THE EXHIBITION OF PLAQUETTES

By Ingrid Weber; David
P. Becher, editorial assistant
Introduction
97
Bibliography
102
Catalogue
103
ILLUSTRATIONS
131
INDEXES TO THE CATALOGUES
277
FOREWORD
i8i
IN
James Bowdoin
III
master drawings to Bowdoin College.

collection includes the
by Pisanello, Antico, Soldani, Dupre, Flotner, and
gave 142 European
View
of
The
many
Waltersburg
For the scholar and student the
Molinari collection can reveal directly the histori-
by Pieter Brueghel and works by Beccafumi, Zuccaro, Maratta,
others.
cal currents
Moeyaert and Koninck and forms
and
developments in Europe
artistic
1450 to 1850.
This catalogue has been ten years in the making.
the oldest college art collection in America. In the
ensuing years, important collections have been
During the decade three
given by George Boyd, the Misses Walker, Ed-
part in
ward Perry Warren, Susan Dwight
of final administration.
Ross,
lin,
William Tudor Gardiner, George Otis
Ham-
Samuel H. Kress, the Halfords, Walter Gut-
man and
others.
These
encompass An-
collections
cient art, Oriental porcelain,

arts
Bliss, Sylvia
seums. Great art of these periods
found in
is
found only in large
New
The Molinari
and
art are rare in college art
Works by Raphael, Da
of the
museum and
inaugurate our
new
series of
the help of the
Ford Foundation, the

its
place
on the
Kevin Herbert's Ancient Art
in
Bowdoin College and Marvin Sadik's Colonial and

Federal Portraits at Bowdoin College. In the fu-
Collections of important Renaissance
usually
am pleased that the proj-
been completed in time for the rededication
shelf along side
Bowdoin's holdings.
is
has fallen the task
Molinari collection catalogue takes
prints
medals and plaquettes was added to
European works of
To me
ect has
With
and drawings. In 1966 the distinguished Molinari

collection of
development.
have played a
exhibition galleries.
European decorative
and painting, and American painting,
its
directors
mu-
Bowdoin drawings, American
it
is
on the
art of the nine-
teenth and twentieth centuries. Oriental porcelain
it
museums.
and the decorative
Vinci, Michelangelo are
arts will
be added to that shelf
of publications.
York, Washington and Boston.
collection brings to
that similar catalogues
ture,
so costly that
city
hoped
later
R. Peter
Bowdoin works
Director
by their friends and companions, boasting works
vii
Mooz
HISTORICAL NOTE
ATE
in July of 1966, several large, heavy
Bowdoin Col-
trunks were delivered to the
lege
extensive
Museum
of Art.
They contained an
of medals,
collection
and
plaquettes
coming
to
Bowdoin was
first
discussed.
The Mar-
chesa believed that the collection she and her hus-
band had brought together during
would be
their lifetimes
a useful study collection.
Such a
books about medals given to the College by
sighted
Amanda Marchesa
dent at Bowdoin. Earlier in the century
Molinari in
memory
of her
husband, Cesare Molinari d'Incisa. In breadth and
exceeded
quality, the collection
and
its
arrival established the
all
expectations,
Bowdoin Museum
as
one of the major centers in the Americas for the

study of this art form.
Once
assiduously collected
from the
for a variety of reasons ranging

to the aesthetic,
adays
less
historical
medals and plaquettes are now-
often the objects of attention, with major
hands few and
collections in private
That Bowdoin had become the

the handsomest
far between.
recipient of one of
and possibly least-known of such
and generous gesture
Warren presented
Perry
collection
of
Greek
vases
filled
by the publication of this catalogue.
account,
begun
medias
in
res, is
now
ful-
My short
an attempt to
Maine
acquaintance with the beauties of
gift
firsthand
classical antiq-
Precedent or not, however, the Marchesa's
uity.
was one of the most generous in recent
years,
not only because of the medallic objects themselves
but also because the

taining practically
works
many
gift
included a library con-
the important reference
all
exceedingly rare
of this century.
teresting pieces in the collection, a desire
and Graeco-Roman
dents in the then isolated wilds of
document properly the most
in-
Edward
sculpture with the express purpose of giving stu-
from the seventeenth century
and
not without prece-
the College with a choice
private collections gave impetus to the desire to

significant
is
far-
on
the subject
to the fourth
decade
The inventory, packing and
shipping of the col-
a saga unto
Richard Wadleigh,
lection
is
itself.
former Bowdoin curator and friend of the Moli-
The burden
chronicle something of the history of the collection
naris,
and
correspondence and arrangements was largely
to
acknowledge the great debt owed
people whose assistance
made
the gift
and
to the
sub-
its
sequent documentation possible.

Fittingly enough, the story begins with the exquisite medallic collection of
Salton. In 1965,
the
Marvin
museum, mounted
Salton collection.
logue
since
It
S.
Mr. and Mrs. Mark
Sadik, then director of
a stunning exhibition of the
was accompanied by a
become
standard reference
signed by Leonard Baskin. This catalogue

the
attention
the
of
through the good
de-
came
to
Marchesa Molinari and
offices of Bartlett
Hanns Swarzenski
cata-
Hayes,
Jr.
and
the possibility of the collection
gave advice and assistance.
Anne
borne by the Marchesa's niece
and
it
tion
was negotiated through the
was through her
cratic hurdles entailed
tion
came
to
of
Donnelly,
persistence that the collec-
by the
legal
gift.
Bowdoin whole and
and bureau-
That the
intact
is
collec-
a tribute
to her efforts.
The
inventory accompanying the gift was by
necessity incomplete.
documentation, a
As
first step
toward proper
full-scale appraisal
taken by Michael Hall of
was under-
New York, and as piece
followed piece in examination,
it
soon became ap-
parent that the collection contained a
number
of
HISTORICAL NOTE
X
unexpected
felicities as
well as a full quota of fas-
cinating, problematic pieces. Unfortunately, the
Molinaris
left
no journal or record of the prove-
nance of the works in the

dealers they visited
and
Miinzsammlung was asked
lich
to prepare the
Europe which
and that
existed in the
their tastes
all-inclusive.
As
were
a result, cer-
many
collec-
Bowdoin ensued
visit to
to
It
visits
because in
making judgments
plaquettes, the state
and very
of medals
Bowdoin
in 1967,
was
for-
and the problems of doing research
in Cambridge,
possible editor for the proposed catalogue of the
the
tain the services of
matching
since has
its possibilities.
made
it
possible
implement our plans and begin the photo-
graphic documentation of the collection.

Pollard,
Keeper of Coins and Medals
william
Museum, Cambridge,
am
work on
I felt
ever}'
Graham
at the Fitz-
graciously agreed
proposed catalogue, and a
visit to
the
was arranged.
not sure
the medals while he
recalls his intense
was
at
Bowdoin, but
seaHng him in with the medals
morning and only
worked
letting
him
out for a
breath of fresh air and an occasional meal.
It
was
Andrea
who then and

and
David
refine the
P. Becker
over a long haul, and even after leaving
Houghton Library
for the
at
Bowdoin
Harvard has con-
tinued to shepherd the manuscript through

stages
and permutations of
commitment and
gave continuity and
its
would
also like to
whom
aegis, the catalogue
Florence, to view the medals and consult with Mr.
gether,
give
to the perforce
and photography.
thank Frederick den Broeder
number
for the Papal medals.
the baton
the
development. His
momentum
for his assistance in preparing a

tial entries
all
passion for accuracy
episodic nature of the research
rector emeritus of the Kunsthistorisches Institut in
warm encouragement were deeply appreciated. As
Norris
coordinated the catalogue production and research
to
and
S.
to prepare
We were able to ob-
intenselv to shape
also possible to invite Dr. Ulrich Middeldorf, di-
Pollard. Dr. Middeldorf's genuine interest
Bowdoin.
entries for the selected medals.
personal
how Graham
like a jailer,
entries at
collection
grant from the Ford Foundation
collection
medal
was bedazzled bv the
and impressed with
to edit the
gauge
alone.
Mimich, and Brunswick, we decided
to
and
piece are
difficult to
tunate to get Michael Hall's counsel concerning a
too,
these
Because of Mr. Pollard's other commitments
arrived at
I,
and a
I stress
and condition of the
of critical importance
from photographs
so,
permit firsthand eval-
uation and selection of the plaquettes.
tions appear here.
collection.
was again
our good fortune that she agreed to do
show
to di-
of the Staat-
copies
tain areas not often represented in
Weber
vide the research. Dr. Ingrid
and the many marked
and generally
When
was decided
plaquette portion of the catalogue.
early twentieth centurv,

eclectic
it
of the
were familiar with most of the dealers
collections in
discussions,
list
collection.
of auction catalogues included in the library

that they
many
a result of
To
of the ini-
Peter
Mooz,
was passed and under whose

and exhibition has come
to-
my congratulations.
Richard Vincent West
ACKNOWLEDGMENTS
THE
administration and supervision of this large
project has been carried
The
interest of
Marvin
of
entries.
We
wish to
also
ac-
Friedrich Kobler of Munich.
The
Sadik played a major
S.
medal
knowledge the valuable iconographical help of Dr.
Bowdoin College Museum
three directors of the

of Art.
on during the tenures
in researching the
major
task of producing a catalogue of a
part in securing the gift of the collection. Richard V.
tion of medals
West began the work of publishing the catalogue while
the participation of a large
and plaquettes
is
collec-
monumental, involving
number of people, both

museum. For this catalogue,
initial
Ford
Foundation grant and selecting the authors, he did
much
the efforts of these people have been coordinated ad-
also translated the
mirably by David P. Becker, formerly the registrar of
he was director. Besides arranging for the
of the preliminary cataloguing.
He
within and outside of the
Bowdoin Museum and now on the staff of the

Houghton Library at Harvard. Aside from maintaining
contact among the authors, Mr. Becker worked to create
many of the
given many use-
introduction to the plaquette section and

entries. Since
leaving Bowdoin, he has
ful suggestions,
tion in the
The
and
work
his
the
continued interest and coopera-
of publication has been very helpful.
administrative experience of R. Peter
consistency
Mooz, the
among
the various sections of the catalogue,
directed a major portion of the photography, attended to
present director, has been instrumental in bringing the
the problems of conservation
catalogue through the final stages of organization and
fully tackled research
The photography
production.
We
are enormously indebted to
the Fitzwilliam
terest in
Graham
Abelardo Morell,
Pollard of
numerous helpful sug-
and
finally his careful
tions to the final
us in
deldorf,
who
assistance of Dr. Ulrich
visited the collection
ideas, attributions,
Yanok and Brenda
Pelletier of the
Bourne, also on the
staff at
and supplied many
the ecclesiastical medals. Stephen A. Cerf of the
doin College Department of

tries for
38%
plaquette
numbers
German
stages of preparing the
on
Bow-
tails
Finally, the college editor,

sistant
362, 371, 373, 374, 378-384,
Arnette
J.
design and production.
of the
facturers of the catalogue.
resources
425.
The
Service,
and personnel of the American Numismatic
Society Library in
New York
Diana
Edward Born, and
his as-
To them and
The Anthoensen
the
manu-
Press, Meri-
den Gravure Company, and Craftsmen Bookbinders
translated the plaquette artists' biog-
and
staff.
Nelson oversaw and accomplished the
Magurn
418, 420, 422,
museum
the time, assisted in the final
related to the medals catalogue.
final
numbers
Lynn
medals manuscript and carried
412B-
raphies and entry
News
assistance.
much work in preparing the bibliography. Linda

Horvitz did much valuable research, especially for the
artists' biographies, and carefully attended to many de-
390, 394-396, 398, 400, 401, 404, 405, 410, 411,
Fogg Art Museum
W.
out
translated the en-
412E, 414, 416, 421, 423, and 426. Ruth
some last-minute
joins
his research
was done by
William Pooley, and Michael
Mid-
and references during the course of
thank Frederick den Broeder for
for the illustrations
Preliminary cataloguing was greatly assisted by
the project.
We
success-
editorial problems.
Services cheerfully provided
reading of and addi-
medals manuscript. Mr. Pollard
acknowledging the
and
pher David B. Price of the College's Office of
gestions along the way, the stimulating introduction to
the medals,
storage,
Mahan, with valuable advice from John McKee of the

Bowdoin College Department of Art. Writer-Photogra-
Museum, Cambridge, for his initial invisit to Bowdoin in 1971, the
the collection, his
selection of items to be published,
Jr.,
and
and
go our thanks.
A.
S.
L W.
were of inestimable value
xi
N.
CATALOGUE OF THE
EXHIBITION OF MEDALS
INTRODUCTION
North America, there
IN
zagni and Frangi for the Papal Court.
are only three sizable public
collections of medals, the Kress at the National Gal-
Art in Washington, D. C, the Morgenroth
lery of
style
at the Bowdoin College Museum

The Molinari collection offers a conspectus of the
of Art.
Italian Renaissance to the
of the nineteenth century,
and
is
represented by the highly skilled
a reproduction of
an ancient
of Antinous
is
Roman
end
portraits of
popes in the
personal portrait medal
The
class.
imaginary
by Paladino. The more
series
is
coin.
same
of the
similar, but coarser historicism appears in the
publication should
its
and
anonymous medal
and the Molinari
European medal from the
century
antiquarian
medals of Cavino: two personal portraits in antique
University Art Gallery in Santa Barbara, Califor-
at the
nia,
taste of the
The
superbly represented by the
admirably supplement the resources of the Kress and
Sansovino medal and the exquisite Emilian medal by
Morgenroth
Ruspagiari.
collections (both fully published) because
Molinari contains substantial groups of Italian and
French medals dating
after 1600
most unrepresented in the other

publication of the three
marked
laudable and in
rope,
classes of
two
American
medals
collections
some 230
Italian,
more than
and two-thirds are dated
There are only twenty-four
1600.
which
making
European medal
to the present day.
after
physiognomic likeness
Enzola
The
to
absence of one major medalist, Pastorino da
Italian
at the courts of
Florence and Rome. Florence
thusiasm which began with a pioneer publication by

Detroit and Florence.
of the
There are humanist-
It is
was fashionable. In
a revival,
of
II.
and the
Rome
formed before the material
the cast
dominated
medal
also enjoyed
collection has a fine series of the
Cormano, Lucenti and members
that
at
pleasing to find such a group
of the medals in a collection
The development of the

can be seen from the work of
Pope Paul
tradi-
Kalus Lankheit and was reinforced by an exhibition
manist medals in the work of Caradosso, and the porof
same
The collection has nine of his medals and a representative group of the work of his rivals
and followers. The taste for these medals is a recent en-
antiquarian medals by Antico and Camelio, papal hu-
trait pieces
the
school led by Soldani.
century
form and content
as reverse type. In
artist in
enjoyed a revival of the practice of casting medals in a
1,500
There are Pisanello and Matteo de
establish the
impresa
For the seventeenth and eighteenth century
but they represent the full range of
Italian medals,
types for that series.

Pasti pieces
fifteenth
da Trezzo's portrait of Ippolita
typical
medal, the collection represents the polarization of medal
here
medals and plaquettes. Of the Italian materials, onethird are Renaissance
like
pattern for sophistication in
Siena, should be noted.
80 French, and 40 other med-
All told, the collection contains
The
tion.
fully published.
The portion of the Molinari collection catalogued

contains
medals
set a
Florence Galeotti was an original
contrast with practice in Eu-
med-
imperial court at Milan, in the
Gonzaga, with a
most
is
The
by Leone Leoni,
semiofficial
al-
catalogues. Full
where publication has been only fragmentary and
no major collection has ever been
als.
als
of the
Roman medal making,
two
work
dynasties
the Travani and
Hamerani. The papal medals connected with the work
culminate in the medals of Niccolo Fiorentino.
tive of the artists at the principal schools in Florence,
and 97) are of particular interest.

The struck medal was produced continuously at the
Rome and
papal court from the fifteenth century as propaganda
artist
sixteenth century Italian medals are representa-
and
of Bernini (nos. 96
Milan. At Florence, the self-portrait of the
his wife
by Sangallo continues the sculptural
material,
realism of Niccolo Fiorentino, but with Sangallo the

cast
medal
dies
and the struck medal appears
as
an
rico
medal
in-
strument of dynastic propaganda. There are characteristic
works by Domenico
di Polo,
and there
is
Mazzafirri for the Florentine court, and by Cesati, Bon-
the
work
works by Moro, Sanqui-
in the collection.
at other Italian centers
of Bolognese
Domenico Poggini and
are typical
and Morone-Mola
and Neapolitan
is
The
pieces.
The most
of the Neapolitan Gennaro,
pleasing
which portrays
the celebrated Florentine scholar Magliabecchi.
struck
represented by a group
THE MOLINARI COLLECTION AT BOWDOIN COLLEGE
The nineteenth century is represented by characteristic work by Torinese, Milanese and Roman medaHsts.
Even in a European context, the work of Mercandetti,
Lavy and SantarelH
Girometti,
neoclassical
manner
is
worthy group in the
The work
of the day.
gravers was frequently founded
of Italian en-
on training
gem
in
point to the international character of medal

til
the end of the eighteenth century.
The court of Louis XIV was the principal center of the

most
not the most interesting, European medal
lavish, if
making. The King was a serious

the Histoire Metallique,
of further study.
was published. The work
The French medals form
the other major portion of
of the history of the
sixteenth
typical
medal in France. There are
century
few
medals by
struck
pieces,
and pedestrian
French Renaissance medalists, Guillaume
Dupre. The most typical medal of the seventeenth century in France
was the formal propaganda
Histoire Metallique of Louis
XIV
by
piece in the
artists
such as
Bernard and Mauger. In the eighteenth century
this
tradition of formal medals of the events of the reign
produced, in the
vier,
The
medals of
work
of such court medalists as Duvi-
uncommon
of the Paris
Mint from the
late sixteenth
century until
the present. Artists like Gatteaux, Tiolier,
Andrieu typify the work of the
and the Napoleonic
ment gave way to

d'Angers,
who
the effigy has
era.
work
Droz and
collections
markable
revived the casting of medals in which
more romantic vigor than
verisimilitude.
of these
Vienna.
circles.
A re-
events between 1679
medalists contributing to
it,
and the events recorded cover the spectrum of European

history without national prejudice. Hautsch,
and Vestner worked for the
Roman
an aid
modern
and
history.
The
personalities,
collector
and the
Greek and
and medals
was
as
interested
activity of
medal
the medalists themselves pan-European
end of the eighteenth century. Hed-
figures until the
linger
the literate as an adjunct
study. Collections contained
coins as an aid to ancient history

to
Werner
series.
The medal was regarded by

to historical
making made
David
German
berg, with several
neoclassical refine-
of
commemorating
series
Rococo or
work
as at
some
and 1742 was issued by Kleinert and Lauffer, and a catalogue was published. The work was based in Nurem-
in events
in the
was widely
in execution, but the type
have also survived,
eighteenth century
form
grandiloquent in conception
Medals were collected well beyond court
late
a dramatic
is
the Cabinet des Medailles at Versailles, and
elegance and refinement.
has patronized the medal through the
state
was produced, and a catalogue
imitated, as for instance in Russia. Other courts imitated
Bechot and Delaune, and there are four medals by the

greatest of all
numismatic
collector of
A series of medals on the history of the reign,
materials.
engraving and in sculpture. These medalists are worthy
the Molinari collection and are equally representative
making un-
was the most celebrated medalist of
employed in Sweden and much sought
his day, long
after
by other
European school of medalists developed, working in
The papal court attracted many foreign medalists.

This is reflected in the Molinari collection by the work
both cast and struck forms and having Ponscarme as
of St. Urbain of
Toward
master.
the end of the century the finest contemporary
The Molinari collection has
a fine
group of these
works by Roty, Chaplain, Dupre and Yencesse. The

school
still
awaits
an adequate study and
reassess-
courts.
Italian,
The medals
other than Italian and French total only
about forty and are miscellaneous in character. They are
as Swiss
and whose
medals portray Savoyard, Austrian and English
The
celebrated
sitters.
medal of Voltaire (no. 347) was preGerman medalist, G. C.
Waechter, and struck in Munich. Waechter and his

brother also worked in Russia.
The
from the Netherlands, England, Switzerland, Germany,

Scandinavia and Spain.
the remarkable
Witt.
A. Dassier, classed
J.
as
pared in Switzerland by a
ment.
De
and of
Nancy, which has been classed
The
teenth and
The Netherlands
pieces include
medal on the murder of the brothers
other national groups are
from the seven-
eighteenth century. In terms of the history
of the medal, they illustrate the
French absolutism
as a
dominance
of Paris
and
European model. Further, they
study of the medal as a source for portraiture, as
minor
historical
own right retains

begin
document and
interest.
this study, the
as a
work
For the student
of art in
its
who wishes to
only general bibliography
is
P.
Grierson, Bibliographie Numismatique, Brussels, 1966,

pp. 159-169.
The only works
with the medal
are
J.
Babelon,
dealing in general terms
La
medaille et les medail-
INTRODUCTION
leurs, Paris, 1927;
M.
Bernhart, Medaillen
und Plaketten,
Numismatic
New
Society,
publications on
York, has a section which
may
(2nd edition) Berlin, 1920, (3rd edition) ed. T. Kroha,
reports
Brunswick, 1966 (the bibliographical references in the
plemented by using the appropriate portions of Art In-
second edition are more useful)
G. F.
Hill,
Medals
of
historical medals. It
dex, Repertoire d'Art et d'Archeologie,
be sup-
and the annual
the Renaissance, Oxford, 1920; G. F. Hill, Guide to the
bibliographical fascicule of Zeitschrift fur Kunstges-
Exhibition of Medals of the Renaissance in the British
chichte.
Museum, London,
"The Medal: Its

the British Academy, vol.
1923; G. F.
Place in Art," Proceedings of
Hill,
principal periodicals concerned with medals are
Archiv fur Medaille?!- und PlaJêttenJûnde, 5 vols.,

1913-1914, 1920-1926; Gazette numismatique frangaise,
1897-1914; and Medaglia, Milan, 1971
Numismatic
Literature, published
of finding illustrations of Italian
Institute,
is
London, which
being solved by the Warburg

is
compiling a photographic
survey of that class of medal.
27 (i94i),pp. 225-245.
The
The problem
sixteenth century medals
ff.
The
periodical
by the American
May
one hope that the publication of the Molinari
collection will be a real stimulus to the serious study
and
collecting of the
medal in North America.
Graham Pollard
BIBLIOGRAPHY
Arm.
Alfred Armand, Les Medailleurs
Assandria
G. Assandria, "Una famiglia torinese

tese di
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La Medaglia Annuale
dei
Romani
Pontijici
da Paolo
a Paolo VI,
1967.
M. Beaupre, "Catalogue
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1883-87.
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E. Bartolotti,
Bartolotti
Italiens, three vols., Paris
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de Claude-Augustin de Saint-Urbain," Societe d' Archeologie lorraine. Memoires

(1867), pp. 1-98.
M.
Bernhart
Bernhart, "Nachtrage zu
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Medaillen-und Pla\eUen\unde
jiir
5 (1925-26), pp. 69-90.

Bertolotti
Bertolotti, Artisti subalpini in
Bianchi
Nicomede
Bianchi,
Roma
Le medaglie
nei Secoli
XV
XVI,
XVII, Mantua 1884.
del Terzo Risorgimento Italiano:
12^8-1848,
Bologna 1881.
Bonnani
F. Bonnani,
Numismata Pontificum Romanorum, Rome
1699.
Bonnani-Tem pio Vaticano Bonnani, Philippo, Numismata Summorum Pontificum Templi Vaticani Fabricam
Indicantia, Romae, 1696 & iterum Anno Magni Jubilaei, 1700.
Bramsen
L. Bramsen, Les medailles de Napoleon le Grand, Consulat et Empire, 3

Copenhagen 1904-07.
Brescia
P. Rizzini, Illustrazione dei civici
musei di Brescia: Parte
II
vols.,
Medaglie, 2 parts,
Brescia 1892, 1893.
E. Holzmair, Katalog der
Brettauer
Sammlung Dr.
Josef Brettauer,
Medicina in Nummis,
Vienna 1937.
C. G. Bulgari, Argentieri, gemmari e orafi
Bulgari
Rome
Calabi
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Charpentier
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Parte Prima-Roma, 2
vols.,
1958-59.
A. Calabi & G. Cornaggia, Matteo de'
Pasti, 1926.
Francois Charpentier, Medailles sur les Principaux ^.tenements du Regne Entier de
Louis Le Grande avec des Explications Historiques, Paris 1723.
G. Chesneau
G. Chesneau and C. Metzger, Les oeuvres de David d'Angers, Angers (Musee des
Beaux-Arts), 1934.
Emmanuele Cicogna,
Cicogna
G. F.
Corpus
Hill,
London
Corpus
Biografie de
of
Dogi
di Venezia, Venice 1847.
the Italian Medals of the Renaissance before Cellini, 2
Crespellani
A. Crespellani, Medaglie Estensi ed Austro-Estensi, Modena 1893.
d'Angers
Les Medaillons de David d'Angers reunis
DBdl
Dizionario Biografico degli
De
Le Baron De
Bildt
De Caro
Balbi
S.
De Caro
anno
De Haye
P.
4,
Bildt,
Balbi,
numero
la
et publics
par son
fils,
"Gian Lorenzo Bernini
e la
Rome
1908.
medaglia barocca romana," Medaglia,
7 (1974), pp. 6-26.
d'Acier et la Medaille de
1'
Antiquite a nos Jours, Paris,
Monnaie, 1971.
Detroit Institute of Art, The Twilight of the Medici: Late Baroque Art in Florence,
i6yo-iy4s, 1974.
Durand
Paris 1867.
Italiani, vol. i-, i960-.
Les Medailles Romaines de Christine de Suede,
De Haye, Les Graveurs
Musee de
Detroit
vols.,
1930.
A. Durand, Medailles
et jetons
des Numismates, Geneva 1865.
MEDALS BIBLIOGRAPHY
Dworschak
7
Bernini," ]ahrbuch der Preus-
"Der Medailleur Gianlorenzo

Kunstsammlungen 55 (1934), pp. 27-41.
Fritz Dworschak,
sischen
London
Fabriczy
C. Fabriczy, Italian Medals,
Forrer
L. Forrer,
Foville
Jean de Foville, "Cristoforo Geremia," Revue de
1904.
Biographical Dictionary
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I'
London
Art ancien
et
1904-30.
Modern,
vol.
30
(1911).
Freeman
E. Freeman, Medals relating to medicine
S.
collections of
and
allied sciences in the
numismatic
Johns Hop\ins University, Baltimore 1964.
Gruyer
G. Gruyer, L'art Ferrarais a I'Epoque des Princes
Habich
G. Habich, Die Medaillen der Italienischen Renaissance, Berlin 1924.
Heiss
Aloiss Heiss, Les Medailleurs de la Renaissance, 9 vols., Paris 1881-92.
Heraeus
C. G. Heraeus, Bildnisse der regierenden Fiirsten
d'Este, Paris 1897.
und beriihmter Manner, Vienna
1828.
Medals
HiW-Artists
G. F.
Hill, Portrait
Hill-Chrisi
G. F.
Hill, Medallic Portraits of Christ,
HiW-Hisiorical
G. F.
Hill,
London
Hill,
Guide
of Italian Artists of the Renaissance,
to the Exhibition of Historical
N.
G. F. Hill, "Not in Armand," Archiv
A.
Medals
in the British
Museum,
1924.
G. F.
I.
19 12.
Oxford 1920.
Med. Ren.
Hill,
London
Hill,
Medals
of the Renaissance,
Oxford 1920.
fiir
Medaillen
und
Pla\etten\unde 2
(1920-21), pp. 10-28; 45-54.

Hill-Notes
G. F.
Hill,
"Notes on Italian Medals XX," Burlington Magazine 27 (1915),
p. 241,
IIR.
pi.
Hill-Paul II
G. F.
Houston
J.
Hill,
"The Medals
of Paul II,"
Fischer, Sculpture in Miniature:
Gilt
and Gold Medals and
Numismatic Chronicle 10 (1910), pp. 340-69.

The Andrew
Plaquettes,
S. Ciechanowiec1{i Collection of
The Museum
of Fine Arts, Houston, Texas,
1970.
La Medaille au Temps de Louis XIV
Jacquiot
J.
Jacquiot,
Jacquiot Medailles
J.
Jacquiot, Medailles et jetons de Louis
vol. in four, Paris
XIV
Paris,
Musee de
la
Monnaie, 1970.
d'apres le manuscrit de Londres, one
1968 (1970).
Kress
G. F. Hill and Graham Pollard, Renaissance Medals from the Samuel H. Kress
Lankheit
K. Lankheit, Florentinische Baroc\
Lanna
O.
Collection at the National Gallery of Art,
v.
Falke (sale catalogue),
London
Plasti\,
Sammlung
1967.
Munich
1962.
des Freiherrn Adalbert von Lanna, Berlin,
Lepke 1909-11.
Lawrence
Richard
Hoe Lawrence, Medals
by Giovanni Cavino, The "Paduan,"
New
York
1883.
Lepage
H. Lepage, "Ferdinand de
Nancy 1866.
Saint Urbain," Societe d'Archeologie lorraine
Mem-
oirs,
Lobbecke
Louis
XIV
Arthur Lobbecke Collection, Sale Catalogues, Munich 1908; Halle 1925.

Medailles sur les principaux evenements du Regne de Louis
le
Grand avec
des
explications historiques, Paris 1702.
Louis
XV
N. Godonnesche, Medailles du Regne de Louis XV,
n.p., n.d., Paris i736(.'').
Madrid
Francisco Alvarez-Ossorio, Catdlogo de las medallas de los siglos xv y xvi conservadas en el Museo Arqueologico Nacional, Madrid 1950.
Magnaguti
Conte Alessandro Magnaguti, Ex
Rome
1965.
Nummis Historia IX, Le
Medaglie dei Gonzaga,
8
Magnaguti-M^z/
Conte Alessandro Magnaguti, Le Medaglie Mantovane, Mantova 1921.
Martinori
E. Martinori, Annali della Zecca di
Mazerolle
F. Mazerolle, Les Medailleurs Franâis du
Roma, 24 jasc, Rome

iême au
1917-22.
millieu de
lyeme
siecle,
vols.,
Paris 1902-04.
Mazeiolle-Varin
F. Mazerolle, Jean Varin, Paris 1932.
Mazio
F. Mazio, Serie de' Conj di Medaglie Pontificie da Martino
a Pio Vll,
Rome
1824.
Mazio (1885)
Mazio, Supplemento
Martino
Med.
E.
III.
V a Pio
Hawkins
(ed. A.
Coni di Medaglie Pontificie di

Leone XII a Pio IX, Roma 1885.
al Catalogo della Serie dei
Vll che comprende
W.
Pontijicati di
Franks and H. A. Greuber), Medallic Illustrations of the

of George II, London, British
History of Great Britain and Ireland to the Death
Museum,
MM.
Medailles Frangaises
1885; Plates, 19 fascicules, 1904-11.
P. A. Gaetani,
Museum Mazzuchellianum
Praestantium, 2
vols.,
Numismata Virorum Doctrina
seu
Venice 1761-63.
Medailles Frangaises dont
les coins
sont conserves au
Musee Monetaire,
Paris, Paris
Medailles,
Paris 1691.
1892.
du Roy Louis
Grand par
Menestrier
C. F. Menestrier, Histoire
Michel
Andre Michel, Histoire de V Art,
Migeon
G. Migeon, Catalogue des Bronzes

des Temps Modernes, Paris 1904.
Molinier
E. Molinier, Les Plaquettes: Catalogue Raisonne, 2
Morgenroth
Ulrich Middeldorf and Oswald Goetz, Medals and Plaquettes
le
les
etc.,
8 vols., Paris 1905-29.
Cuivres du
et
Moyen Age, de
la
Renaissance et
vols., Paris 1886.
from
the
Sigmund
Morgenroth Collection, Chicago 1944.

Naples
A.
De
Rinaldis,
Medaglie dei Secoli
XV
XVI
nel
Museo Nazionale
di Napoli,
Napoli 1913.
Nocq
H. Nocq, Les Duvivier,
Patrigiani
A. Patrigiani, Le Medaglie Pontifice da Clemente XII a Pio VI, Bologna 1939.
Patrigiani-P/o Vll
A. Patrigiani, Le Medaglie di Pio Vll (1800-23), Pescara 1930.
Pollard,
Udine
Paris 191 1.
G. Pollard, "La medaglia con ritratto di epoca barocca in Italia," La Medaglia

d' Arte. Atti del primo convegno internazionale di studio, TJdine igyo, Udine 1973,
pp. 139-61.
Pyke
Rasmusson
E.
J.
Pyke,
Biographical Dictionary
of
Wax
Modellers, Oxford 1973.
N. L. Rasmusson, "Medaillen auf Christina," Analecta Reginensia. Queen Christina

Sweden, Documents and Studies, ed. M. v. Platen, i, Stockholm 1966, pp. 296-
of
321.
Rinaldi
Alfio Rinaldi, Catalogo delle Medaglie Papali Annuali da Pio VII a Paolo VI,
Verona 1967.
Robert
P. Charles Robert, t,venements Militaires accomplis sous le regne de
Henri
II
de
i^î a 7555 et leurs medailles commemoratives Paris 1876.

,
Rondot
Natalis Rondot, Les Medailleurs et les Graveurs de Monnaies, Paris 1904.
Rosati
F. Panvini-Rosati, Medaglie e Placchette italiane dal Rinascimento al
Rome
Saltan
XVIll
secolo,
1968.
Collection, Renaissance and Baroque Medals and Plaquettes (second
Bowdoin College Museum of Art, Brunswick, Maine, 1969.
The Salton
edition),
Siciliano
Tommaso
Supino
Siciliano,
B. Supino,
1899.
//
Memorie MetalUche
delle
Due
Sicilie,
i6oo-iy^^, Naples 1957.
Medagliere Mediceo nel R. Museo Nazionale di Firenze, Florence
MEDALS BIBLIOGRAPHY
Guy
de Tervarent, Awibuts et Symboles dans I'Art Profane, 14^0-1600, Geneva
1958.
Supplement
Geneva
et index,
1964.
U. Thieme, F. Becker, F. C. Wills, H. Vollmer (editors), Allgemeines Lexicon der

bildenden Kunstler, 37
Tresor de
Numismatique
Lenormant,
Part
1,
vols.,
de Glyptique, ed. P. Delaroche, H. Dupont and C.
Paris. Medailles Coulees et Ciselees
1834; Part
2,
Franâis depuis la
1836; Part
et
Leipzig 1907-50.
3,
en
Italie
au
XVe
XVIe
et
Siecles,
1836; Choix Historique des Medailles des Papes, 1839. Medailles
Regne de Charles VII
a celui de Louis
XVI, Part
i,
1834; Part
2,
1837; Medailles de la Revolution Frangaise, 1836.
G. van Loon, Histoire metallique des XVII Provinces des Pays Bas depuis I' Abdicade Bade en MDCCXVI 5 vols.. The Hague
tion de Charle-Quint jusqu'a la Paix
1732-37-
Van
Mieris, Histori de Nederlandsche Vorsten, 3 vols.,
R. Venuti,
Benedictum
Numismata Romanorum Pontijicum

XIV Romae 1744.
la casa
y de la Republica espanola,
Venezia
G. A.
Zanetti,
praestantiora a Martino
de Borbon, de D.Amadeo
Madrid
Un Umanista
Roma:
1775-79.
1732-35.
ad
A. Vives, Medallas de
Roberto Weiss,
The Hague
I,
del Gobierno provisional
1916.
Veneziano, Papa Paolo
II,
Civilta Veneziana, Saggi 4,
Istituto per la Collaborazione Culturale, 1957.
Nuova
Raccolta delle Monete e Zecche
d'ltalia, 5 vols.,
Bologna
CATALOGUE
ITALY
Besides those noted in Kress, other lead specimens are
W.
T.
To
the Sixteenth Century
Coll.
Greene
sale, 31
Michael Hall, Esq.,
October 1932, Sotheby, no. i;

New York (2 specimens) The
.
Molinari Collection also contains a bronze
medal, with reverse (1966.106.24).
this
PISANELLO
Bibl.: Corpus, no. 19;
(1395-1455)
Antonio
Kress, no.
di Puccio Pisano, considered the
founder of the
lost
medal by Pisanello," Pantheon
M.
8 (1931),
Numismatica 4
di
"Un theme
Renaissance.
(1957), pp. 13-
de
I'art,
the drawings by Pisanello
is
G. F.
nello, Paris/Brussels 1929
JOHN
VIII
M.
Hill,
Emperor
Brussels, 20-29
him appear
See Forrer
of Constan-
11;
tall
crown and
QANNHC BACIAEVC
September
1930, pp. 544-52.
to date
3,
from
his first sojourn in France.
pp. 339-43; Corpus, pp. 16-18; Kress, p.
W. Rolfs, Francesco Laurana,
JEAN D'ANJOU
(1427-70),
1907.
Duke
of Calabria
and
Lorraine
AVTO KPA[TWP] PQMAIQN O

nAAAIGAOrOC + John, King and Emperor of the
KAI
XW congres international d'histoire
primarily a marble sculptor; the medals attributed to
tinople, 1425-48
Obv. Bust to right, wearing hat with

upturned brim. Around, I
et
la
Ponce
From Dalmatia, Laurana is first noted at work on the

Triumphal Arch at Naples in 1458. He was in France
from about 146066 and again from 1477 to his death.
From 146676 he was in Sicily and Naples. Laurana was
(reissued
PALAEOLOGUS,
peinture de
(1420/5-ca. 1502)
Drawings by PisaNew York 1965),

contains seventy-one drawings of which only thirty-five
are accepted by Fossi Todorow.
cerchia, Florence 1966.
la
FRANCESCO LAURANA
disegni del Pisanello e della sua
1,1;
Disegni del Pisanello e della sua
L'empereur Jean Paleologue
Paccagnini, Pisanello alia corte dei Gonzaga, Venice
The monograph on
iconographique dans
Actes du
Pilate," in
369^5. Monographs on the artist are by Hill, London

1905; B. Degenhart, Turin 1945; E. Sindona, Milan
1961; G. Paccagnini, London/New York 1973; and G.
Todorow,
pi.
DBdl 3 (1961), pp. 571-74; idem

"Pisanello," Encyclopedia of World Art 11 (1966), cols.
1972.
Habich,
of the
Todorow,
Fossi
Ion,
23; B. Degenhart,
Fossi
2;
Cerchia, Florence, 1966, nos. 57r, 58r, 33 (drawings by

Pisanello relating to the reverse of this medal) J. Babe-
pp. 487-88; Hill in Thieme-Becker 27, pp. 92-93; M.

Salmi, "Appunti su Pisanello medaglista," Annali
dell'lstitiito Italiano
i,
^"S^ 3 (1965)5 pp- 36-47 (suggesting that the medal was

made at Florence between 6 July and 26 August 1439)
See Corpus, pp. 6-13; Hill, "On some dates in the career
of Pisanello," Numismatic Chronicle (1931), pp. 181
"A
p. 7,20; Rosati, no. 3;
don, British
Palaeologus, in 1438.
96; Hill,
i,
Emperor John VIII Palaeologus, LonMuseum, 1966; J. A. Fasanelli, "Some Notes

on Pisanello and the Council of Florence," Master Draw-
Medallion
medal, that of John
first
Arm.
Morgenroth, nos.
i;
Supino, no. 14; Brescia i, p. 3, no. 16; Tresor Ital. i, pi.

5,1; Fabriczy, p. 31 (dated 1438); R. Weiss, Pisanello's
modern medal, was born in Pisa and trained in Verona.

He worked in most of the major courts of Italy and had
become famous as a painter of frescoes, portraits and
animals by the time he cast his
late cast of
1464
Obv. Bust
to right,
lOHANES
wearing tall cap. Around,
DVX CALABER ET LOTHORINGVS
Romans, Palaeologus
SICVLI
REGIS PRIMOGENITVS
Without reverse
Rev. Figure of Saint Michael atop a circular temple. In
Lead, 105
mm.
at Ferrara,
January 1439,
Bronze, 86
between 29 February 1438 and 10
at the
Council of the
Two
Churches.
1966.106.23
II
1966.103
Made
around,
MARTE
CCCC LXIIII
FEROX RECTICVLTOR GALLVSQ REGALIS
field,
mm.

The medal should have
Laurana's signature below the
Malatesta on the architecture and sculpture of Alberti's
medal was made when

of the negotiations of Rene with Louis
reverse design. Heiss says the
Tempio Malatestiano and on
Jean, as a result
mondo and
XI and Pope
Pius
II,
Matteo had a reputation
awaited auxiliaries at Ischia. Rolfs
more likely that the King had the medal made,

and Laurana modeled it, when Jean returned from
says
a series of
Isotta degli Atti. Besides
as
an
medals of
Sigis-
being a medalist,
architect, sculptor, painter
and illuminator.
it is
See Forrer
Ischia in 1464.
4,
Thieme-
pp. 402-08; Corpus, pp. 3743;
p. 42,6; 3, p. 7a; Kress,
287-88; Kress, pp. 15-17; P. Pasini, "Note

su Matteo de'Pasti e la medaglistica maltestiana," La
no. 26 (also unsigned); Habich, pi. 12,3; Fabriczy, p. 41
Medaglia d'Arte. Atti del primo convegno internazio-
Becker
(identifies reverse as
ltd.
I, pi.
W.
17,3;
Arm.
Temple
i,
of Vesta at Tivoli)
nale di studio, Udine igjo, Udine 1973, pp. 4175 (an important account of the excavated specimens of the
Tresor
Rolfs, Francesco Laurana, 1907, p.
Francesco Laurana, 1882,
251, pi. 23,2; Heiss,
26, pp.
medals)
p. 25.
JACOPO LIXIGNOLO
SIGISMONDO PANDOLFO MALATESTA

68),
1446
(active ca. 1460)
Obv. Bust
All that
known
is
on two
that of Borso d'Este below and one
of this artist
is
his signature
450; Corpus, p. 26; Kress, p. 13.
BORSO D'ESTE
Reggio
(1413-71),
Duke
Obv. Bust
wearing cap with
fluted
crown and
BORSIVS DVX MVTINE

ET REGII MARCHIO ESTENSIS RODIGII
Around,
COMES ET C
Elephant-head
aftercast,
mm.
40
initials of
Sigismondo and
OPVS lACOBIS
Tempio
sale catalog,
at top
According
to legend, the unicorn purified streams
dipping
horn in the water.
by
Arm.
23536 (Unicorn as purifier), col. 240, ix (Unicorn

device of Borso) Heraeus, pi. 52,5; Gruyer i, p. 608;
cols.
initials are
Malatestiano.
p. 21,16; Rosati, no. 25;
Schulman, 24 November
1936, no. 11.
1446
SIGISMONDVS
PANDVLFVS DE MALATESTIS S RO
ECLESIE CAPITANEVS G
Bust
to
Around,
left.
Corpus, no. 94; Arm. i, p. 33; Kress, no. 35;

Brescia i, p. 8, no. 59; Tresor Ital. 2, pi. 55,2; Tervarent,
The

Obv.
Bibl.:
i,
Isotta.
Calabi and Cornaggia, no. 6bis, p. 31; Naples, p. 15;

Brescia i, p. 5, no. 39; Tresor Ital. 2, pi. 3,2; de Jonghe
1966.107.5
as
with monoand mantling. Below,
tilting shield
crest
used extensively in the
mm. Hole
its
M CCCC XLVI
be the
LIXIGNOLO MCCCCLX
Lead, 81
sun above. Around,
stream,
Calabi and Cornaggia say the SI emblem stands for

Sigismundus Imperator but it is generally thought to
Rev. Unicorn in mountainous landscape, dipping horn

into
SIGISMONDVS P D
R ECL C GENERALIS
Around,
1966.104.2
to right,
SI
Bronze, old
Modena and
of
1460
rich dress.
Rev. Casque with coronet on a
gram
3, p.
to left.
MALATESTIS
medals dated 1460,

of Beata Maria Anna of Siena.
See Forrer
(1417-
Lord of Rimini and Fano, inherited Rimini, 1432
CASTELLVM
SISMONDVM ARIMINENSE M CCCC XLVI
Rev.
The
Castle at Rimini. Around,
Heiss, Niccolo
Bronze, old
etc., p. 32, pi. 4,1.
aftercast, 81
mm.
Traces of green patina
1966.106.7
MATTEO
(active
DE' PASTI
Hill called the reverse of this medal "perhaps the finest

architectural design to be
1441-1467/8)
Born
Verona, Matteo
(rev.);
1441. After
working in Verona and Ferrara he moved

Rimini in 1446 where he worked for Sigismondo
93, pi.
to
no. 17, pi. 3; Brescia
is
first
Arm.
i,
a medal."
p. 19,7 (obv.),
i,
p. 19,8
Morgenroth, no. 23; Calabi and Cornaggia, p.

I (as Anonymous Riminese, 145156); Lanna,
recorded in Venice in
in
found on
i,
p. 4, no. 33.
CATALOGUE NOS. 3-8

6

Obv. Bust to
laureate.
left,
Around,
Rev.
View
Around,
as Health,
medal
ness in 1484.
celebrates Francesco's recovery
mm.
figure as Pandora);
Arm.
Kress, no. 69; Brescia
i,
no. 19;
Specimens of
this,
the foundation
medal of the Tempio

is
J.
from
a serious
ill-
i,
1481, identifies rev.
Rosati, no. 40;
p. 80,4;
p. 17, no. 117;
Magnaguti-Ma?,
de Foville, Gazette des Beaux-Arts 39 (1908),

I
C. D'Arco, Delle Arti e degli Artefici di
p. 392, no.
Malatestiano, have been excavated in the walls of the
Rimini. Hill says this medal
medal
Bibl.: Corpus, no. 196 (dates
1966.104.1
castle at
Panofsky identify the reverse figure
later,
holding a basket of medicines. Thus the
Bronze, 40
1966.104.5
D'Arco and,
PRAECL
ARIMINI TEMPLVM AN GRATIAE V F
M CCCC L
mm.
of facade of San Francesco, Rimini, based on
Alberti's proposed reconstruction.
Bronze, black patina, 71
1450
SIGISMVNDVS
PANDVLFVS MALATESTA PAN F
13
Mantova i
(1857), p. 75 (unsigned) ; D. and E. Panofsky,

Pandora's Box, London 1956, pp. 2223, ^- ô-
after Pasti's
model, but that he was not responsible for the casting.
The church was
Corpus, no. 183 (as after Matteo de' Pasti);
Bibl.:
I,
dedicated in 1450 but never finished.
Arm.
ANTICO
naggia, no.
15, p. 44 (as
pi. 14, 2; Calabi and Coranonymous Riminese artist);
Antico
Naples, pp. 16-17; Supino, no. 33; Brescia i, p. 5, nos.

40-41 MM. I, p. 81, pi. 14,1 Tresor ltd. 2, pi. 3,4; Miin;
zen und Medaillen, Basel (auction catalog),
17,
celebrated as a classicizing sculptor, particu-
He
always worked for the Gon-
zaga family, at Mantua, Bozzolo and Gazzuolo. In
De-
specimen); C. Ricci,
1957, lot 88 (excavated
is
larly of small bronzes.
cember
1460-1528)
(ca.
Morgenroth, no. 28; Habich,
Rome making
1497 he was in
reduced copies of antiqui-
II
ties.
Tempio Malatestiano, Milan/Rome 1924, chapter 10; C.

II Tempio Malatestiano, Turin 1956, pp. 1420
See Corpus, pp. 51-53; Kress, pp. 18-19;

I, pp. 580-82.
Brandi,
Chiarini in
DBdl
(facade)
BARTOLOMMEO MELIOLI
ANTONIA DEL BALZO

1479 Gianfrancesco
Obv.
(1448-1514)
(Pier lacopo Alari Bonacolsi)
p. 21,17; Rosati, no. 31; Kress, no. 66 (as after Pasti)
Bust
whole life at Mantua. His earliest dated medal is of

1474, and in 1492 he became master of the mint. Melioli's
medals show the influence of Cristoforo di Geremia.
stands on
Rodigo (1443-96)
DIVA ANTONIA
Around,
GONZ MAR
prow
MAI
flies
a putto.
PIV; around,
pp. 14-17; Corpus, pp. 47-50; Kress, pp.
Bronze, old
sail,
drawn by two
Engraved on side of
of broken-masted vessel
Pegasi over which

vessel,
17-18.
(1441-1538), married in
di
Rev. Hope, holding broken anchor and tattered
his
4,
right.
BA[V]TIA DE
goldsmith, coin engraver and medalist, Melioli spent
See Forrer
to
Gonzaga
aftercast, 39
M SPES
SVPEREST
mm. Hole
at top
1966.104.7
FRANCESCO
GONZAGA
II
fourth Marquess of
Mantua
(1466-1519),
later,
1484
also
Obv. Bust to right, in cap and decorated breastplate.

Around, D FRANCISCVS
D FRED III
M MANTVAE
REDIVI
SPES
GON
Mai piu,
PVB
tributed to Antico.
the motto of Antonia and her husband, is found

on the bronze vase in the Modena Museum at-
SALVSQ P
Bibl.: Corpus, no. 212 (signed
on reverse with
ANTI
p. 62,5;
in exergue);
(signed)
Rev. Health, standing between water and
and a medicine basket

Around, ADOLESCENTIAE
staff
MELIOLVS DICAVIT
inscribed,
fire,
holds a
CAVTIVS.
AVGVSTAE;
on
incised
listel,
i,
Kress, no. 72 (signed)
(reverse only)
Habich,
73 (signed); Brescia
23,5;
Arm.
Pompeo
Litta,
i,
pi. 63,2
Rosati, no. 46
Morgenroth, no. 33
(signed)
Supino, no.
p. 13, no. 90; Tresor Ital. 2, pi.
Famiglie Celebri
Italiani,
Turin 181985, Gonzaga, no. 60 (signed).
Milan-
GIANFRANCESCO ENZOLA
(active
See Forrer
1455-78)
Gianfrancesco Enzola of Parma, goldsmith, medalist
and
die engraver,
10
recorded there from 146771 and as
is
pp. 583-97; Corpus, pp. 89103; Hill in

31, pp. 359-60; Kress, pp. 26-28.
Obv. Bust
but after 1473 he

cast large medals, notably those for Costanzo Sforza of
medals, before 1471, are small in
ANTONIO SARZANELLA
DE' MANFREDI,
of
Faenza, diplomat
master of the mint at Ferrara in 147273. His earlier
to right,
wearing robe and mortier
scale,
Without reverse
Pesaro and Federigo of Urbino. Plaquettes and seals are

also attributed to
5,
Thieme-Becker
Bronze, old
aftercast, 67
mm. x 46 mm.
him.
1966.109.1

Pope-Hennessy, Renaissance Bronzes in the
See Forrer
22-23;
J-
2,
Samuel H. Kress
Collection,
London/New York
cutout from the medal by Sperandio {Corpus, no.
358; Kress, no. 113).
1965,
is
pp. 22-24.
vice,
FRANCESCO
(1444-76)
Dukes
fourdi (1456)
and
fifth
(1459)
11
of Milan
Obv. Bust of Francesco Sforza,

Around, (Sforza biscione) FR
COMES MLI DVX
nil
AVTOR MCCCCLVI;
in armor.
right,
to
SFORTIA VICE-
BELLI PATER ET PACIS
across field, -V- -F-
Rev. Bust of Galeazzo Maria, to
left,
Around,
in mail.
(Sforza biscione) GALEAZ MARIA SFORTIA

VICECOMES FR SFORTIAE MLI DVCIS IIII
PRIMOGENTS; across field, -V- -F- MCCCCLVIIII
was
probably
GALEAZZO MARIA
(1401-66) and
SFORZA,
No
plaquette version of the medal
recorded. Sarzanella, a diplomat in the Estensi ser-
and the original medal was
in Ferrara in 1463,
made
then.
LUDOVICO CARBONE
Obv. Bust
(1435-82), of Ferrara, poet
Below, incised,
to right, laureate.
OPVS
OR SETTV QVEL CARBONE QVELLA FONTE

Rev. A siren above waves holds one of her tails in each
SPERANDEI;
hand;
and
with
foreground
rocky
right.
around,
leafless
CHE SPANDI
Around,
SI LARGO FIVME
VOLENTIBVS
tree
DI
at
left
PARLAR
MVSIS GRATIISQVS
Bronze, 43
Bronze, 85
mm.
is
original of this
medal was struck from
dies,
but
it
The medal
probably dates from 1464, when Carbone refrom Pius II at Bologna, although he
ceived a wreath
unlikely that any of these specimens survive.
was crowned
Arm.
MM.
(rev. insc. variant
a second time in 1469, by Frederick III.
p. 44,7; Rosati, no. 35;
i,
Kress, no. 93; Naples, p. 21; Supino, no. 52; Brescia i,

I, p. 72, pi. 11,2; Heraeus, pi. 57,3
p. 10, no. 72;
FIL PRINCEPS
for IIII
PRIMO-
GENTS).
For the obverse
inscription, see Dante's Inferno
no. 96;
MM.
I,
Arm.
p. 66,14; Brescia
i,
p. 99, pi. 21,1;
Tresor
i,
i,
79-80.
p. 14,
Ital. 2, pi. 11, i;
Gruyer, p. 646 (dated i^jy).
SPERANDIO OF MANTUA
CAMELIO
(1425/3 1-1504)
The
at top
1966.106.22
1966.105.2
The
mm. Hole
(ca.
son of a goldsmith, Sperandio was the most prolific
Born
(Vettor di Antonio Gambello)
1455/60-1537)
Sculptor, medalist, die engraver, jeweler, armorer.
He
is
is first
noted as a master of dies at the Venetian mint in 1484
noted in 1445 as a goldsmith in Ferrara. Later he worked

in Faenza (1477), Bologna (1478-90), and Venice, as
graver at the papal mint, but earlier papal medals have
fifteenth-century medalist.
well as in Ferrara and Mantua.
in
He
Mantua, he
was noted
smith, architect, sculptor and cannon-founder.

portraitist,
is
as a gold-
strong
but sometimes a careless medalist, his oeuvre
unusually well defined.
and worked there

been attributed
to
until 1510.
him.
From
Venice, but probably did
decade of his
to
life.
From
1513 16 he was en-
1516-37 he was again in
little
work during
Camelio was one of the
experiment with striking medals from
the
last
earlier artists
dies.
CATALOGUE NOS. 9-I4

See Forrer
pp. 331-33; Corpus, pp. 11521; Kress,
i,
15
symbol of Fortune or Occa-
varent, col. 26711 (bridle as
sion
PP- 31-32-
Fortune),
this reverse called
278 (Death with
col.
a bridle).
CORNELIO CASTALDO
poet and orator
Obv. Bust to
(i 480-1 537), Jurisconsult,
CARADOSSO
1505-10
left.
Around,
LIDVS FELTRIEN IVRIS
CORNELIVS CASTA-
CON
1452-1526/7)
(ca.
Foppa
Cristoforo Caradosso
Without reverse
Lead,
late cast, 63
mm.
there after the
Rome
1966.106.18
BibL: Corpus, no. 441 (with rev., dated 150510)

I, p. 115,5 (with rev.)
Habich, pi. 65,6 (with rev.)
;
p. 332; Brescia
I,
pi.
45,4;
MM.
p. 24, no. 156;
i,
i,
Arm.
;
Mantua
via
in 1505.
Guild of
p. 204,
Roman
II
and attributions
Vasari and Lomazzo.
32 (1912), p. 279 (dates medal 1508-10).
See Forrer
i,
and helped found
Goldsmiths.
signed,
II
papal mint, Caradosso
at the
medals of Julius
several
For-
Jean de Foville, Revue de VArt Ancien et
Modern
noted in 1475 work-
He remained
Moro, then went to
Although there is no docu-
of Ludovico
fall
mentation of him
rer
is first
ing in Milan as a goldsmith and medalist.
to
him
None
made
in 1509 the
of his medals are
are based
on the word of
38-39-
GIOVANNI MARIA POMEDELLI
14
(1478/9-1537 or later)
4,
pp. 64347; Corpus, pp. 148-53; Kress, pp.
Rovere, Pope 1503-13
II della
Obv. Bust
Born at Villafranca and active in Verona, Pomedelli

was a goldsmith, painter and engraver as well as a
medalist. His mark consists of an apple overlaid with
his first name, ZVAN, and flanked by a punch and
graver. His earliest dated medal is of 1519.
See Forrer
JULIUS
to right,
1506
wearing cope. Around, IVLIVS
LIGVR PAPA SECVNDVS MCCCCCVI
Rev.
The
design.
below,
elevation of Saint Peter's following Bramante's
Around,
TEMPLI PETRI INST AVR AGIO;
VATICANVS
Bronze, 56
mm.
1966.1 13.55
35-37-
ISABELLA SESSO
Obv. Bust
swathed in drapery. Around,
to left, hair
ISABELLA SESSA MICHAEL VENETA
in left
on
hand and
a skull;
sphinx
left,
right foot rests
EK UAAAIMOI MHNIZ
OMENH; in exergue,
the letters ZUAN
Bronze, old aftercast, 44
Her
dry tree and a helmet with a
Around,
stone.
semi-nude, holds out a bridle
three nails in right.
behind her
crest.
Rev. Fortune seated to
Another version exists with Julius wearing the papal

cap and cape {Corpus, no. 660). Gold and silver versions
of these medals were placed in the foundation of Saint
Peter's on 18 April 1506, when the pope laid the first
the
artist's
mark, made from
The medal
is
attributed to Caradosso by Vasari.
BibL: Corpus, no. 659; Arm. i, p. 108,2; Rosati, no. 98;

Kress, no. 194; Roberto Weiss, "The Medals of Julius
II,"
Journal of the Warburg and Courtauld Institutes 28
(1965), pp. 163-82 (this

no. 69; Forrer
i,
medal pp. 16972) Morgenroth
p. 346;
Habich,
34,2; Martinori, fasc. vi, p. 65;
mm. Hole
at top
8;
Tresor ItaL
i, pi.
pi. 66;
Fabriczy,
pi.
Bonnani, pp. 148-49, no.
26,4.
1966.106.26
The
MEDALIST OF THE ROMAN

EMPERORS
reverse seems to refer to Isabella's distresses result-
ing from her support as governess of Vicenza of the

Imperialists against Venice in 151 1.
fiscated her property
The Venetians
con-
and Maximilian did not reward
medalist of the third quarter of the fifteenth century,
Lombardy, whom Charles Seymour

Filarete on the basis of comparisons
her.
active probably in
BibL: Corpus, no. 597; Arm. i, p. 127,8; Kress, no. 182;

Supino, no. 238; Brescia i, p. 26, no. 165; Morsolin,
has identified as
"Isabella
Sesso,"
Italiana di Numismatica 3
(for the career of Isabella); Ter-
Rivista
(1890), pp. 250-58
with the bronze doors of Saint Peter's in Rome.

See Corpus, pp. 186-87; Kress,
"Some
Reflections
on
Filarete's
p. 40;
Charles Seymour,
Use of Antique Visual
i6
Lombarda 38/39
Sources," Arte
Rome
arrived in
(1973), // Filaj-ete, pp.
Pope Paul
15
in 1456
and by 1461 was in the
service
of Cardinal Scarampi. In 1465 he entered the service of
36-47-
FAUSTINA
Obv.
Bust
and
ANTONINUS
Faustina
of
PIUS
right.
to
of
II,
whom
many
he made
medals. In 1468
he restored the bronze statue of Marcus Aurelius.
DIVA
Around,
See Forrer
AVGVSTA DIVAE FAVSTINA
pp. 246-48; Corpus, pp. 195-201; Kress,
2,
pp. 41-42.
Rev. Faustina and Antoninus Pius, seated facing each

other with hands joined. Around,
DIVS ANTONINVS
DIVA FAVSTINA
C
17
Obv. Bust
no mm.
Bronze,
ALFONSO V OF ARAGON
Naples and
in exergue, S.
of
to right, over
ALFONSVS
crown. Around,
REX REGIBVS IMPERANS ET BELLORVM

VICTOR
1966.105.1
Brescia
King
(1394-1458),
Sicily
Arm.
p. 100,3; Kress, no. 204;
i,
Rev. Alfonso seated, crowned by Mars and Bellona.
p. 20, nos. 131-32.
i,
VICTOREM REGNI MARS ET BELon Hstel, CHRISTOPHORVS
Around,
LONA CORONANT;
ANDREA GUACIALOTI
HIERIMIA
(or Guazzalotti)
Lead, two holes
at top, 75
(1435-95)
mm. Very worn
1966.107 .4
Son
was a clerk
in the papal curia until 1467, when he became canon of
Prato. He was a widely known bronze founder, and
executed most of his medals in Rome.
of a Florentine family living in Prato, he
See Forrer
2,
The medal
PIUS
pp. 33033; Corpus, pp. 191-95; Kress,
placing of the crown below the bust
to left. Around, ENAEAS PIVS SENENPAPA SECVNDVS

Rev. Pelican in her piety. Around, ALESVTHECCORDISPAVI DESANGVINENATOS
Bronze, 53
mm.
ample with the date 1458 incised

verse of the pelican in her piety
in the field.
The
re-
copied from the medal
is
of Vittorino da Feltre by Pisanello, and denotes Charity.
Arm.
2, p. 2,
pi. 33,3;
di
p.
i,
p. 39;
i, pi.
Venuti,
54; Bonnani,
p. 50,8; Rosati, no. 82;
Supino, no. 60; Brescia
p. 24;
una rara medaglia
matica (1948),
iii,
Naples,
no. 12; Tresor ltd.
"La data
18
Ital. 2, pi. 17,1
PAUL
22, 3-4;
di
A. Patrigiani,
Papa Pio
II,"
p. 21, no. 5;
Numis-
Martinori,
p. 68, no. 4.
Rev.
The
exergue,
MAX
borrowed from
is
Arm.
i,
p. 31,1; Rosati, no. 84;
Foville, p. 44ifT; Heraeus, pi. 31,3.
II
left,
tonsured, wearing cope. Around,
VENETVS
PONT MAX
pope, with cardinals, seated at
faithful,
who
AVDIENTIA
left
on a
kneel to kiss his
PVBLICA
dais,
toe.
In
PONT
Bronze, 39
mm.
1966.1 13.74
Medals of this type were found in the walls of the Palazzetto of San Marco. Paul II commissioned a large number of medals of himself for the foundations of buildings, for which his enemies took him to task.
II
begins the
official series
of
commemorative
medals of the popes.
CRISTOFORO DI GEREMIA
1456-76)
Brescia
Mantuan, goldsmith, medalist and metal worker.
to
the
blesses
With Paul
(active
refers
Barbo, Pope 1464-71
II
PAVLVS
Generally dated 1460-64. Patrigiani reproduces an ex-
Habich,
Tresor
Obv. Bust
1 966.1 07.6
it
medals of Alfonso.
after the
all,
Kress, no. 210; Morgenroth, no. 77; Habich, pi. 18,2;

Naples, p. 13; Supino, no. 44; Brescia i, p. 7, no. 56;
Obv. Bust
fasc.
Pisanello's
Piccolomini, Pope 145864
SIS
at
Alfonso over the Angevins in 1442 but

proposes no date for the making of the medal. The
one of
II
if
to the victory of
p. 41.
16
generally dated shortly,
is
death of Alfonso in 1458. Rosati suggests that
He
Ital. I,
Arm.
2, p.
33,13; Supino, no. 182;
no. 17; Bonnani, pp. 7576, no. 6; Tresor

pi. 23,1
Foville, pp. 44748 (dates the reverse
2, p. 2,
CATALOGUE NOS.
1466-70); Hill-Paul
17
in fortune, he settled at the Court of France

where he eventually became royal councillor.
no. 24, pi. 12; Weiss, p. 61 (sug-
2,
I5-22
gests the date 1466-67 for the reverse)
in 1480
He
was
with Charles VIII in Italy in 1494 but disappears from

the documents after 1495. Candida signed a number of
ROMAN SCHOOL UNDER PAUL
styles
PAULIIBarbo
Obv. Bust to
II
1465
left,
PAVLVS
tiara.
Barbo coat of
Around, HAS
CHRISTI
surmounted
arms
papal
by
21
AEDES CONDIDIT ANNO

CCCCLXV
mm. Hole
Bronze, 34
pp. 334-38; Corpus, pp. 211-14; Kress,
i,
PP- 43-45-
Rev.
MAXIMILIAN OF AUSTRIA (1459-1519) and

MARIA OF BURGUNDY (1457-82) ca. 1477
Obv. Bust to right. Around, MAXIMILIANVS FR
CAES F DVX AVSTR BVRGVND
at top
after
sestertii.
Arm.
Supino, no. 179; Hill-Paul
2,
2, p. 32,9;
no.
9, pi.
Naples, p. 25;
11; Weiss, pp.
MM sur
Bronze, old
aftercast, 49
mm.
1966.107.3
51-52.
made
Probably
Barbo
II
Obv. Bust
1465
to left,
this
wearing cope. Around,
PAVLVS
Kress, no. 225
Rev. Facade of the Palazzo Venezia in
German,
Bronze, 34
numbers.
Arm.
Candida)
I,"
i,
der \unsthistorischen
Wien 31 (1913/14), p. 249; Heraeus,

Mieris i, p. 141 Forrer i, p. 336.
mm.
Morgenroth,
p. 75, no. 505; Tresor
L. Baldass, "Die Bildnisse Maximilians
pi. 4,3;
]ahrbuch
Saltan, no. 27;
2, p. 80,1;
(attributed to
no. 85; Habich, pi. 62,7; Brescia
Rome. Around,
HAS AEDES CONDIDIT ANNO CHRISTI

M CCCCLXV
in 1477 for the marriage of the couple,
exists in great
medal
VENETVS PONT MAX
interlaced
FLAN:
II
left,
MARIA KAROLI F
BRAB C
AVSTRIAE
DVX BVRGVNDIAE
mounted by crown. Around,
PAUL
Rev. Bust to right of Maria. At
Foundation medal for Palazzo Venezia. Modeled
1966.1 13.73
Roman
him.
to
VENETVS PONT MAX
others showing a wide variety of
have been attributed
See Forrer
many
medals, and
II
Sammlungen in
pis. 14,7, 18,7; Van
1966.1 13.72
Foundation medal. Specimens of
this version
have been
SCHOOL OF CANDIDA
found in the foundations of the Palazzo Venezia, and

the reverse inscription appears on the facade. From the
obverse
appears that the Palazzo
it
was
planned with Gothic-style windows.
22
Corpus, no. 783; Kress, no. 216; Naples, p. 26;

Supino, no. 176; Brescia 2, p. 23, no. 25; Bonnani, pp.
Bibl.:
85-86, no. 13; Venuti, p. 24, no. 6; Weiss, pp. 51-52;
Hill-Paul
II,
Early Sixteenth Century
originally
no. 10.
FRANQOIS, Duke
King Francis
of Valois (i 494-1 547), afterwards
1504
DVC
DE VALOIS COMTE DANGOLESME AV
X AN D S EA
Obv. Bust
to right.
Around,
FRANCOIS
ALBVONO STINGO EL REO
Bronze, 65
Rev. Salamander amid flames. Around,
GIOVANNI CANDIDA
NOTRISCO
MCCCCCIIII
mm.
(Giovanni di Saivatore Filangieri)

1966.107 .9
(before 1450-after 1495)
Of
The salamander
a noble Neapolitan family, Candida went to Flanders
and became
secretary to Charles the
Bold in 1472,
travel-
out burning.
I.
The
has the power to extinguish
It first
de Valois, due d'Angouleme,
At
medal has
became secretary to Maximilian I

and Mary of Burgundy in 1477. After several changes
with-
device was inherited from Francis' father, Charles
ing to Venice, Rome, Naples and Milan in his service.

Charles' death he
fire
appears here as the device of Francis
who
died in 1496.
The
pendant piece of Louise de Savoie and her
daughter Marguerite de Valois- Angouleme (Corpus, no.
i8
Bought
852).
1923,
Lot
Hotel Drouet,
at auction,
Paris, 15
Bronze, 79
June
2, pi. I.
1 966.1 04.9
BibL: Corpus, no. 848;

Kress, no. 232; Habich,
Arm.
(as
2, p. 187,1
French);
Stefano Taverna
Fabriczy, p. 165, pi.

33,5; Mazerolle, no. 68; Supino, no. 814; Tresor Fr. i,
pi. 6,4; Van Mieris i, p. 378; Tervarent, cols. 333-34
pi. 62,10;
Rome
noted in Florence in 1486-87 and
is
and 1496-99. In 1497 he became Archbishop of Parma. His title on the medal indicates that it was made before he became archbishop.
Hill and Middeldorf suggest a date about 1495-97.
in
salamander device).
(for the
mm.
in 1489, 1491-92,
BibL: Corpus, no. 1019;
Arm.
Morgenroth,
56,13;
2, p.
no. 104; Habich, pi. 39,3.
NICCOLO FIORENTINO
(1430-1514)
Niccolo di Forzore Spinelli, born in Florence of a family
He
of goldsmiths.
Sixteenth Century, Florence
much
signed five medals, but a
number, many of higher quality than the signed

ones, have been attributed to him. His medallic portraits
larger
modeled with
are strongly
the antique. In 1468 he
is
reverses often dependent
noted in Burgundy as a
FRANCESCO DA SANGALLO
on
(1494-1576)
seal en-
Florentine sculptor and medalist, son of the architect
graver to Charles the Bold.
See Forrer
2,
Giuliano da Sangallo.
pp. 93-97; Corpus, pp. 243-80; Hill in
Thieme-Becker
31, pp.
and
in 1504
387-88; Kress, pp. 49-51.
is
He
said to
went
to
Rome
with his family
have been trained by Andrea
whom he resembles little. Sangallo's medals

and heavily modeled in high relief.
Sansovino,
are large
ATTRIBUTED TO NICCOLO
FIORENTINO
23
MARSILIO FICINO
Obf. Bust
FLORENTINVS
Ret/. Inscription,
Becker
pp. 32431; U. Middeldorf in Thieme-
5,
29, pp. 404-06;
MARSILIVS FICINVS
"Portraits
i
by
(1938), pp.
109-38; Kress, p. 59.
25
FRANCESCO DA SANGALLO HELENA MAR|
SUPINA
PLATONE
1551
FRANCESCO DA SANGALLO SCVLTORE ARCHIETTO FIOREN; on

Around,
Obv. Bust
to left.
1966.104.6
truncation,
FACIEB
Generally dated shortly before 1499.
Rev. Bust
Bronze, old aftercast, 55
U. Middeldorf,
Francesco da Sangallo," Art Quarterly
(1433-99) of Florence, humanist
Around,
to left.
See Forrer
mm.
(incised)
Helena
of
Marsupina
to
Around,
left.
HELENA MARSVPINI CONSORTE FIOREN
BibL: Corpus, no. 974 (as a medal more or less in the

Arm. 2,
style of and attributed to Niccolo Fiorentino)
A-M-D-L-I-
p. 49,8; Kress, no.
268 (in the
manner
of)
Morgenroth,
no. loi; Naples, p. 168 (anonymous); Brescia
i,
p. 71,
no. 475; Habich, pi. 51,3; Supino, no. 143; Fabriczy, p.
W.
130; T.
Greene
sale catalog, Sotheby, 31
October
STEFANO TAVERNA
Duke
1895-35
BibL: Arm.
i,
p. 158,7; Fabriczy, p. 142, pi. 29,4;
vols., Paris
(ill.
1900-02,
1499), Secretary to the
(d.
Forrer
pp. 324-25) YliW-Artists p. 37, pi.

25; Morgenroth, no. 136; G. Clausse, Les Sangallo, 3
5, p. 330, no. 7
1932, no. 75 (as after Niccolo Fiorentino).
24
mm.
Bronze, 94
3,
pp. 235-37.
of Milan
Obv. Bust to
left.
Around,
STEPH ANVS T ABERNA
SECRETARIVS ET ORATOR
DVCIS MEDIOLANI
ILLVSTRISS
DOMENICO
(Domenico
di Polo di
Angelo
de' Vetri)
(after
Rev. Virtus in armor, holding Love to

to right,
DE' VETRI
by the
PARENT
hair.
Around,
left
and Fortune
VIRTVTI OMNIA
1480-1547)
Domenico, a Florentine, was apprenticed to the gem

engraver Pier Maria Serbaldi da Pescia. Vasari reports
CATALOGUE NOS.
was a follower of Giovanni delle Corniole and
that he made medals of Cosimo I and Alessandro I de'
Bibl.:
Medici.
ALESSANDRO
Florence 1532
Obv. Bust
(1510-37),
Around,
to right, in cuirass.
FLORENTIAE DVX PRIMVS
Duke
of
28
FVNDATOR
fire to
exergue, symbol of
1561
Obv. Bust
Around,
FLOREN ET SENAR DVX
Rev. View of the
M D XXX
pp. 629 (ill. of Francesco), 630;

Fabriczy, pi. 35,4 (rev.)
4,
COSIMO I DE' MEDICI
IIII
ground; in
in
Around,
Mars
Bronze,
Bronze, struck, 36
Paolo Galeotti, called Pietro Paolo
II
COSMVS MED
below, 1561
the weapons of war. Around,
QVIETIS
ALEX
Poggini); Supino,
p. 261,39 (attributed to
Romano); Forrer
9, p.
1534
Rev. Peace setting
i,
(as Pietro
Saltan, no. 40 (obv.)
DE' MEDICI
19
Arm.
no. 400
pp. 639-41; Hill in Thieme-Becker
4,
408; Kress, pp. 5960.
26
23-29
1966.104.13
that he
See Forrer
mm.
Ufiizi,
front,
with Palazzo Vecchio in back-
Equity with
scales
and cornucopia.
PVBLICAE COMMODITATI
struck, with traces of gilt, 41 mm. Very worn
1966.104.14
1966.104.15
Bibl.:
Arm.
i,
p. 151,3; 3, p. 58;

pi. 44,3;
H. de
la
i,
The building of the Uffizi was ordered by
Morgenroth, no. 137;
p. 30, no. 198;
MM.
i,
Bibl.:
p. 199,
Tour, "Domenico di Polo, Medailleur
i,
Paris 1900, pp. 382-99, no. i; Heraeus, pi. 61, no. 10
p. 52, no.
ALEX MED FLORENTINE).
pi. 63,6
(1520-90)
29
medalist, Domenico served with his brother Giampaolo at

the Florentine court from 1554-62, making both cast
and struck medals of Cosimo I, Francesco I and their
families. From 1585 to his death he was master of the
papal mint for Sixtus IV. His medals are some of the
Florentine goldsmith, sculptor, coin engraver and
best examples of later sixteenth-century academicism.
Becker
Poggini
4,
27,
pp. 62832; P. Grotemeyer in Thieme187-88; P. Grotemeyer, "Domenico
pp.
Numismatic
Miinzstempelschneider,"
als
(1932), PP- 42-44; Kress, pp. 63-64.
COSIMO I DE' MEDICI

1537, first
Grand Duke
CESCO DE' MEDICI

of
Tuscany 1574
II
of
Tuscany
1569,
(1541-87), second
Forrer
4, p.
Madrid,
5, pi. 4,6;
629(e)
Tresor
Heiss, Florence
p. 189, no. 254;
2,
Heraeus,
(without reverse).
HELEN OF TROY
Obv.
Bust
to
left.
Around,
EAENH AHAAIA
ZrAPTHZ BAZIAILZA
Rev.
The Judgment
of Paris.
Around,
AKA0APTOZ
FAPIAOZ KPIZIL
Bronze, struck, 48
mm.
1 966.1 04.1
Hill attributes the medal to

points out
its stylistic
Domenico Poggini, and
similarity to the
medals of
Sibilla
Lippi (Supino, no. 443, pi. 43; Rosati, no. 193) and
Lucrezia de' Medici, wife of Alfonso II d'Este (Arm. i,
123G). Hill associates with this group a

medal inscribed "Vincentia Arm. na Veneta" (Gall.
Naz. Ital. 4 (1899), pi. II, no. 150).
p. 260,36; 3, p.
of Florence
FRAN-
and
Grand Duke
Bibl: G. F. Hill, "Notes on Italian Medals XXIII,"
1567
Obv. Bust of Cosimo
COSMVS MED
Duke
(1519-74),
MM. I, p. 355, pi. 78,5;
STYLE OF DOMENICO POGGINI
DOMENICO POGGINI
See Forrer
(obv. only); Supino, no. 448; Brescia
p. 55, no. 260 (rev. only)
Ital. 2, pi. 44,5;
(insc. variant
p. 256,13; Rosati, no. 195; Kress, no. 341;
pi. 35,2
Graveur de Pierres Fines du Due Alexandre de

Medicis," Congres International de Numistnatique,
I,
et
27
Arm.
Fabriczy,
decree in 1560.
to
right
in
armor. Around,
FLOREN ET SENAR DVX
Burlington Magazine 30 (1917), pp. 197-98,
pi.
i,D.
below, 1567
MICHELE MAZZAFIRRI
Rev. Bust of Francesco to right in armor. Around,
FRANCIS MEDICES FLOREN

PRINCEPS
Bronze, struck, 42 mm.
ET SENAR
(ca.
1530-97)
Florentine medalist and goldsmith at the court of Francesco I
and Ferdinand
de' Medici. Mazzafirri
was
20
known
better
delicate
and
as a goldsmith
workmanship of
medals show the
his
32
3, pp. 647-49; Thieme-Becker 24, p. 305;

Supino, pp. 181-84; Hill, "Notes on Italian Medals
XVI," Burlington Magazine 24 (1913-14), pp. 211-17
See Forrer
(at 217)
S.
J.
Obv. Bust to
ibid.,
pp. 348-49; Hill,
N.
I.
left.
GRIMALDVS
Genoese no-
on
A.,
his
liver.
lOANNES BAPTISTA
Around,
PPR
Rev. Prometheus chained
A. Churchill, "Michele Mazzafirri, Gold-
smith and Medalist,"
GIOVANNI BATTISTA GRIMALDI,

bleman, poet and philosopher
that art.
with eagle feeding
to rocks
COR EXEST NVNQVAM
Around,
EXCORDIS REGINA VOLANTVM

Lead, 56 mm.
nos. 191, 198, 200, 205; Habich, p. 119; Pyke, p. 90, fig.
188.
1966.108.12
30
FERDINAND
Grand Duke
DF
MEDICI
of Tuscany, 1587
Obv. Bust to
right, in
MAGN DVX
(1549-1609), third
armor. Around,
ETRVRI.E
Forrer dates the medal
III;
below,
36,2;
33
SECVRITATE; below, [A
CID
ID
PVBLI-
XC]
MM.
wald and Stoss
Forrer
3, p.
648; Su-
pino, no. 588; Fabriczy, p. 182, pi. 36,3 (obv. only);

pi. 82,5 (obv.
only)
FERDINAND
Obv. Bust
DE' MEDICI
to right, in
1588
FERDINAN
III
below,
palle.
VIRTVTIS PREMIA
mm.
The medal
57
mm.
has been attributed to Galeotti.
The
sitter's
age dates the medal to about 1548.
Arm.
2, p.
Brescia
p. 284,8 (obv.)
i,
p. 284,5 (rev.).
302,13^/^; Rosati, no. 212; Kress, no.
360a; Saltan, no. 42; Habich, pi. 96,5 (as Milanese)
Guide
i,
aftercast,
i,
(as Milanese)
p. 50, no. 329;
ent, col. 145, 5
Arm.
SVM ET ERO
pino, no. 673
1966.104.11
Bibl.:
full of swimmers and

drowning people, four zephyrs around. Around, FVI
Bibl.:
Bronze, 43
Rev. Grand ducal crown and scepter with Medici
Around,
Around, lO
1966.108.11
armor. Around,
DVS M MAGN DVX ETRVRIAE

[MICHELE MAZA F 1588]
cloak.
Rev. Fortune on a dolphin on a sea
Bronze,
31
armor and
to right, in
p. 284,7; 3> P- 1365a;
p. 48, no. 317.
i,
FRAN TRI MAR VIG CO MVSO AC

VAL REN T STOSA D; on truncation, AET 39
Ferdinand created the port of Livorno.

i,
191; Fabriczy, pi.
2, p.
(1509-73), Marquess of Vigevano, Count of Mesocco (151949), Rhein-
Arm.
Forrer
p. 230,11;
p. 349, pi. 76,5; Brescia
GIANFRANCESCO TRIVULZIO
Obv. Bust
1966.104.10
Habich,
i,
I,
Rev. Plan of the fortress at Livorno. Around,
Arm.
Bibl.:
FERD MED
MICHE M
1588
Bibl.:
ca. 1565.
1588
Forrer
Madrid,
2,
p.
192
p. 232, no. 447;
Su-
(ill.)
Tervar-
(Fortune and dolphin); G. F. Hill,
to the Exhibition of
the British
Medals
Museum, London
of the Renaissance in
1923, p. 39 (as hardly in
the style of Galeotti)
PIER
PAOLO GALEOTTI
Paolo
(called Pier
(ca.
Romano)
Goldsmith and medalist, born in Rome.

to
Sixteenth Century,
1520-84)
He was brought
Florence by Cellini as his pupil and accompanied
to Ferrara
and
Paris. Galeotti
worked
Rome
ALESSANDRO CESATI
him
as a medalist in
(called II Grechetto)
Florence after 1550, but executed commissions from
Milan, Genoa and Turin.
He
produced
two medals and was highly praised by Vasari. His
re-
verse types are often elaborate decorative scenes.

2, pp. 190-94; 7, pp. 336-37; Thieme-Becker
Habich, p. 136; Kress, pp. 6567.
91-92;
pp.
See Forrer
13,
(active
at least seventy-
Born
in
Cyprus about
1538-64)
1500, Cesati
was
in
He
Rome
in 1538
was engraver
at the papal mint from 1540 and worked also for the
Farnese family. In 1561 he became mint master for the
in the service of
Alessandro Farnese.
CATALOGUE NOS.
Duke o Savoy, but he
returned to Cyprus in 1564. Cesati
36
and was highly praised by
often used classical models
3O-37
PIUS
21
Piccolomini, Pope 1458-64
II
Obv. Bust
Vasari.
to
6, pp. 313-14; Forrer i, pp.

Med. Ren., pp. 93-94.
Hill,
Kress,
68-69;
389-92;
pp.
See Hill in Thieme-Becker
Rev.
PONT -MAX-
table with
III
Del Monte, Pope 1550-55
one inscribed,
it,
SCRIBENTIS
SOBOLES;
IMP
VELO|
around,
CITER
JULIUS
books on
TVR CAR VM LEX;
ROB A
I
34
wearing mozzetta and cap. Around,
left,
PIVS-II-
exergue,
in
NE TANTI ECCLESI^
PACISQ AMANDELEATVR
MEMORIA
TIS
1553
Obv. Bust
IVLIVS
to right,
III
wearing
Fortune on a dolphin at
III
Bronze, struck, 44
mm.
1966.1 13.57
KPATOY-
Around,
left.
Restitution, refers to Pius'
MAISilver,
34
Rev. Prudence, with snake and mirror at right, reaches

for
PONT MAX A
and cope. Around,
tiara
Arm.
Bibl.:
mm.
numerous
writings.
p. 297,14; Forrer 4, p. 366; Naples, p. 148;
i,
1966.1 13.54
Supino, no. 546; Brescia 2, p. 2, no. 14; Mazio, no. 15

(inscription on book read as IMPOSITA
The
LEX)
TURCARUM
which
reverse alludes to the conduct
raised Julius
CARUM
to the papacy.
IMPOSITA TUR-
Venuti, p. 21, no. 6 (also
LEX); Bonnani,
p. 67, no. 3; Tresor Papes,
pi. 2,2.
Bibl.:
Arm.
p. 173,12;
i,
Forrer
i,
(obv. as not Cesati, rev. as Cesati)
Brescia
13;
Naples, p. 214
Supino, no. 309;
p. 390;
;
no. 87; Mazio, no. 66; Venuti, p. 93, no.
2, p. 7,
Bonnani, p. 249,14; Tresor Papes,
37
CLEMENT VII de Medici, Pope 1523-34

Obv. Bust
pi. 9,1.
VII
to right,
PONT MAX
CLEMENS
MDXXV AN
below,
II
Rev. Medici coat of arms surmounted by papal
GIOVANNI PALADINO
and
medalist,
known
popes from Martin
popes
earlier
are
ROMA
V. His medals of the
reproductions
of
fifteenth-century
1966.1 13.69
Restitution.
medals.
Clement
See Grotemeyer in Thieme-Becker 26, p. 154; Forrer 4,

pp. 366-67; Kress, p. 71; Supino, pp. 170-76; Hill, Med.
he did not have before the Sack of
Ren.,p.g^.
p. 164, no. 2).
MARTIN V
Colonna, Pope 141 7-31
Obv. Bust to
TINVS V
right,
tiara
GLORIA ET HONORE CORO-
for a series of medals of the
to Pius
represented erroneously with a beard, which
Arm.
3, p.
on a medal
144P; Forrer
COLVMNA PONT MAX
is
reverse appears earlier
Bibl.:
35
Around,
NASTI EVM; below,

Bronze, 41 mm.
(active to ca. 1572)
Roman
keys.
MAR-
Venuti, p. 66, no.
i;
Rome
of
in 1527.
The
(Bonnani,
367; Naples, p. 144;
4, p.
2, p. 5,
Leo
no. 62; Mazio, no. 45;
Tresor Papes,
pi. 5,7;
Martinori,
fasc. viii, p. 177.
Rev. Colonna shield surmounted by papal tiara and

keys.
below
ANNO PRIMO MCDXVII PONT;

ROMA
Around,
shield,
Bronze, struck, 41
mm.
(called Federigo
1966.1 13.56
(after
One of the series of restitutions by Paladino. This specimen is a modern restrike issued by the Vatican mint from
the original dies.
Bibl.:
Arm.
Mazio, no.
GIAN FEDERIGO BONZAGNI
i,
;
p. 295,1;
Forrer
Venuti, p.
2,
no.
4, p.
i
366; Supino, no. 533;
2.
Parmense)
1507-88)
Born in Parma, Bonzagni made medals of the popes

from Paul III to Gregory XIII, and of the Dukes of
Parma. In 1554 he came to Rome as an assistant to his
brother Gian Giacomo and Alessandro Cesati. His more
than fifty medals date from 1547-75.
22
DBdl
See G. Pollard in
12,
Thieme-Becker
Lottici in
4,
The
pp. 480-81; Kress, p. 70;

p. 329; Forrer i, pp. 214-
I,
38
Duke
(1503-47),
Parma
of
F
F
PARM
PARM
ET
PLAC
Arm.
Around, P
DVX
LOYSIVS
below,
p. 226,30; Rosati, no. 124; Naples, p. 74;
i,
Supino, no. 374; Mazio, no. 104; Venuti, p. 129, no. 18;
Bonnani, pp. 293-94,
Martinori, fasc. xi, p. 22.
and Piacenza 1545

Obv. Bust
(Venuti, p. 104, no. 6).
Bibl.:
PIERLUIGI FARNESE
noted also on medals of Pius IV (Arm.

Gregory XIII (Naples, p. 67), and Paul
is
p. 224,21),
IV
15; 7>PP- 95-96.
reverse
41
PIUS
V Ghisheri
1571
Obv. Bust
PIVS
Rev. Bird's-eye view of citadel of Parma, with gate
AD
MVNIM
opening into a river with snakes. Around,
TAT DITIONISQ
TRVCTVM
TVTEL
CIVI
EX-
to left,
wearing mozzetta and cap. Around,
V PONT OPT MAX ANNO
F P
below,
Rev. Naval
VI
battle.
God
hurls lightning above;
on one
of
the boats, an angel holding cross and chalice. Around,
DEXTERA TVA
MICVM 1571
mm.
Bronze, struck, 37
DOM
PERCVSSIT
INI-
1966.108.16
Three variations of this medal exist: Madrid,

220; Hill, N. I. A., no. 103; Arm. i, p. 222,7.
Bibl.:
Arm.
The
Rosati,
no
39
to left,
EPS
C^SIVS
wearing mozzetta. Around,
on truncation,
FP
BERNARDINO PASSERO
On
30 March 1582, Passero was paid for three medals of

Gregory XIII and Argentario for two. These were made
Silvered bronze, struck, 36
mm.
to be placed in the foundations of the colleges of the
1966.1 14.43
Jesuits.
Church
This was finished in 1564.
of Santa Caterina de' Funari.
Bertolotti, pp. 124-25.)
The
See also Forrer
facade
is
signed by Guido
(Argentario)
Guidetti.
Bibl.:
Arm.
p. 221,1; Rosati, no. 131;
i,
Naples, no. 184;
MM.
i,
Forrer
Becker
i,
p. 214;
p. 334, pi. 72,8.
42
40
PIUS
(Libra della fabrica del Callegio della
pagnia di Gesu di Rama, 1581-92,
In 1560 Cardinal Cesi undertook the complete reconstruction of the
Ghislieri,
Obv. Bust
to right,
below,
26, p.
GREGORY
Obv. Bust
Pope 1566-72
PONTIFEX MAX
nos. 109-11; Mazio, no. 96;
8,
BARTOLOMMEO ARGENTARIO AND
2, p.
CATHERINE
TEMPLVM
ANNO CHRISTI; in exergue, MDLXI
DIVE
Houston, no. 239; Rosati, no.
FEDER-
E CARDIN
Rev. Facade of Santa Caterina de' Funari, Rome,
Around,
p. 226,33;
i,
F P
PIVS
p. 69; 7, p. 25;
;
Thieme-Becker
In exergue,
TIONIS
DOMVS
VOC
money changers from
MEA
DOM
the temple.
VS
mm.
to left,
wearing cap and cope. Around,
COL-
PON -X
ORARev.
Abraham with
four
soldiers.
Around,
VT
ERVAT PRAEDAM CAPTIVORVM FRATRVM;

in exergue, ABRAHAM
TRECENTOS VERNACVLOS EXPEDITOS NVAERAT
1966.1 13.51
92
XIII Buoncompagni, Pope 1572-85
Gilt bronze, 32
2, p.
Grotemeyer in Thieme-
284 (Passero).
4, p. 401
Cam-
9a 35, quoted in
LEG SOC lESV OMNIVM NATIONV[M]

GRATIA FVNDATO DE RELIG ET LIT
OPT[MER]; below, GREGORIVS
XIII
AN
i,
Forrer
fol.
Rev. Christ driving the
Com-
15:6.
Venuti, p. 125, no. 7; Bonnani, p. 297, no. 11; Tresor

Papes, pi. 15,4; Martinori, fasc. xi, p. 23.
1561
PRENESTIN
Arm.
from Exodus
126; Saltan, no. 48; Kress, no. 373; Naples, p. 78; Supino,
(1500-65), Cardinal, 1544, Bishop
of Palestrina, 1557
Obf. Bust
Bibl.:
is
Battle of Lepanto.
no. 375; Brescia
FEDERICO CESI
ICVS
reverse inscription
memorates the
(signature not noted); Kress, no. 375; Saltan,

no. 47 (signature incomplete) ; Forrer i, p. 214 (notes
four variations); Supino, no. 358 (obv.), 359 (rev.).
no.
mm.
1966.1 13.49
incomplete)
p. 222,6 (signature
i,
Gilt copper (original fire gilding), 37
p. 147, no.
CATALOGUE NOS. 38-46

Bronze, 48
1 966.1
The
mm.
23
301; Martinori, fasc.
4, p.
13.66
number
reverse alludes to the large
of Jesuit mis-
44
sionaries sent out by the
pope in
SIXTUS V
Arm.
3, p.
134A; Forrer
4, p.
401; Brescia 2, p. 11,
no. 146; Venuti, p. 148, no. 49; Bonnani, p. 362, no. 57;
Tresor Papes, pi. 17,4.
i,
Pope 1585-90
Peretti,
xii,
pp.
8,
p. 188.
1589
to right, tonsured,
on truncation,
in exergue,
Bronze, 43
Lorenzo Parmense)
NI BONIS
AN * V *
below,
PONS *
LXXXIX
bridge with five arches. Around,
FELIX;
LORENZO FRAGNI
SYXTVS * V * PONT * MAX *
Rev.
(called
pp. 69, 82; fasc.
Roma
1583.
Obv. Bust
Bibl.:
xi,
33, 34, 41, 68, 69, 76; Bulgari,
AN DOM M D
mm.
1966.113.15
In 1589 Sixtus
(1548-1618)
commissioned Domenico Fontana
to
construct the Ponte Felice over the Tiber in the BorMedalist, goldsmith,
to
Rome
He
recorded as
is
gem
engraver, Lorenzo
was called
Gian Federigo Bonzagni.
working at the papal mint from
The medal shows an early project for the bridge,

which was completed in 1603. As completed, the bridge
ghetto.
in 1568 by his uncle,
has only four arches with large eyes in the pylons.
1572-86.
Bibl.:
See Thieme-Becker
12,
pp. 274-75; Forrer
2,
pp. 13335;
Kress, p. 71.
43
XIII
to left,
GREGORIVS
45
below truncation,
1583;
Peretti
Around,
ROMA
Bronze, 33
TVTVM
REGIMEN
in
AN V
on
truncation,
with several dates.
Buoncompagni
i,
and to right the Church of Santa Maria del Popolo.

Around, B MARIE D POP QVARTVM AN
p. 280,11;
The dragon
is
In 1589 Sixtus
the
obelisk
mm.
from
had Domenico Fontana move
the Circus
Maximus
to
the Piazza
the
del
Popolo.
134; Supino, nos.
2, p.
EREXIT
1966.113.16
family.
Forrer
Bronze, struck, 37
For precautions against pirates and restoration of the

fortifications at Ancona.
Arm,
below,
SIXTVS
Rev. In center, obelisk. Behind, the Porta del Popolo
1966.113.3
exists
NI BONIS
nil
device of the
xii,
mm.
This medal
Brescia
1589
to left,
pi. 19,9;
Supino, no. 513; Martinori, fasc.

168, no. 36; Bonnani, p. 422, no. 34.
V PONT MAX
right hand.
Bibl.:
SIXTUS V
Obv. Bust
Rev. Roma, seated on a shield, holds a dragon in her

exergue,
Houston, no. 246
1583
PONTIFEX MAX A
p. 288,2; Rosati, no. 140;
p. 33; Venuti, p.
Buoncompagni
LAV
i,
2, p. II, no. 153;
GREGORY XIII
Obv. Bust
Arm.
(with variant signature); Tresor Papes,
Arm.
485, 486 (dated 1577, 1578); Rosati, no. 146 (dated 1577,
Bibl.:
variant signature); Tresor Papes, pi. 17,6; Brescia
Venuti, p. 164, no. 21; Bonnani,

Martinori,
no.
fasc. xii, p. 34.
419,
31;
p.
II,
i,
Tresor Papes,
2, p.
no. 143; Naples, p. 114,10; Mazio, no. 24; Bonnani,
p. 288,4; Rosati, no. 139;
Supino, no. 514;
pi. 20,3;
p. 329, no. 15; Martinori, fasc. xi, p. 79.
ROMAN SCHOOLUNATTRIBUTED
NICOLO DE BONIS
46
(active
SAINT PAUL
1580-92)
Obv. Bust
Medalist of the popes from Gregory XIII to Clement

VIII, Nicolo
came from Venice and
graver at the papal mint in 1591,

as a
De
is
recorded as en-
Bonis also worked
nimbate. Around,
to right,
VAS ELEC-
PAVLVS APOSTOLVS
Rev. In wreath, inscription,
CELSIS
BENEDICIE
IN EX-
BVS
DOMINO DE FONT-I
BENI AMIM ADOLESCENTV LVS
DEO
master goldsmith.
See Supino, pp. 165-67; Forrer
TIONIS
i,
p. 212;
Thieme-Becker
ISRAEL IBI
IN MENTIS
EXCESSV
I
24
mm.
Large chip
at
Obv. Head
bottom
1966.107.7
The medal
Rev.
companion piece of a medal o Christ

in a group dated by Corpus to ca. 1492-1500. The reverse
inscription is from Psalm 67:27-28. For vas electionis see
is
the
Christ on rev.)
right,
to
stalks of grain.
aftercast, 33
Around,
ANNONA
PVBLICA
49
PIUS
and
is
Weiss. Both Weiss and Hill
at-
number
of struck medals to Giancristoforo on

documents published by Paolo Giordani
("Studii suUa scultura romana del Rinascimento: Gian
Roma," L'arte
These documents were found
a
10 (1907), pp. 197to
be spurious (see
Enrico Brunelli, "Jacopo d'Andrea Scultore Fiorentino
XV,"
L'arte 11
[1908], pp. 373-77,
de Nicola, "Falsificazione di documenti per
and G.
la statua
romana," Repertorium fur Kunstwissenschaft

32 [1909], pp. 5560); thus the attributions cannot be
supported, especially since, as Weiss notes, there is no
dell'arte
stylistic similarity to
cristoforo.
tributions
the
known
cast
medals by Gian-
no documentation to support any atstruck

medals of Julius II to Giancristoforo
of
There
is
with right hand
tiara
Around, PIVS
V GHISLERIVS
The Madonna and Child enthroned
in clouds,
flanked by two saints with four saints below. Around,
DOMIN
HIACIN
CAT ERIN
RAIMVN
S
MARG SAVO
THOM AQ
in exergue,
lA
the basis of
Romano
p. 158, no. 35,1.
wearing cope and
to left,
one of a group reattributed to Gian-
Romano by
i,
Pope 1566-72
Ghislieri,
BOSCHEN PONT
Rev.
to Serbaldi,
raised in blessing.
mm.
MM.
241; Supino, no. 631;
Obv. Bust
obverse belongs to a medal ascribed in the Corpus
del Secolo
mm.
Morgenroth, no. 90; Kress, no.
1966.114.5
208).
field,
wearing cope. Around, IVLIVS
Bronze, struck, black patina, 35
Cristoforo
holding Victory. In
Giuliano as citizen and baron of Rome, 1513.

contemporary authority explains CP as consenso pubblico.
1936, no. 84.
Rev. Figure of Abundance, carrying cornucopia and
tribute a
shields,
ROMA
the crowds at the festivities celebrating the adoption of
Rovere, Pope 1503-13
II della
cristoforo
on
seated
LIGVR PAPA SECVNDVS
The
IVLIANVS ME-
This and other medals were made for distribution to
fig. 11;
Schulman, 24 November
Obv. Bust
Kress, no. 244;
2, p. 7,4;
Lanna, no. 354 (with head of

Tresor ltd. 2, pi. 26,1 de Jonghe sale
l^xW-Christ, p. 22e,
JULIUS
MAG
1966.104.8
Arm.
47
Roma
P; below,
Bronze, old
Acts 9:15.
catalog,
Around,
to left.
DICES
Bronze, struck, 41
mm.
1966.113.1
The
who
Blessed Margaret of Savoy was a Dominican
died in 1464.
The
cult immediately. It
Pius
population of Alba gave her a
was
(who had been
first
officially
Bibl.:
Arm.
(variant insc.)
Romano. The reverse design is slightly smaller than the

obverse, and is also known as the reverse for a medal of
Clement VIII by Giorgio di Antonio Rancetti (Arm. 3,
p. 1 48, A, 32 mm.).
and
finally
Alba and
confirmed
in 1670.
3, p.
p. 132, no. 32
recognized by
prior of the convent of
vicar of the monastery) in 1566
by Clement
nun
264FFF; Tresor Papes,
(variant insc.)
;
pi. 14,2;
Bonnani,
Martinori, fasc.
Venuti,
p. 309, no. 26
xi, p. 26.
Sixteenth Century, Padua
Late restrike.
Bibl.:
Corpus, no. 869 (obv.); cp.
Arm.
2,
p.
GIOVANNI DEL CAVINO
110,7;
Naples, p. 225; Mazio, no. 34; R. Weiss, "The Medals of

Pope JuHus II (1503-1513)," Journal of the Warburg
and Courtauld
Institutes 28 (1965), pp. 163-82 (at p.
172, n. 86, for the reattribution)
Martinori, fasc.
vi, p. 67.
(1500-70)
Cavino,
who worked
his imitations, today
all his life

still
in
Padua,
is
known for
Roman
called Paduans, of
which were passed of? as originals in the sixteenth

century. One hundred twenty-two of Cavino's dies are
coins,
48
GIULIANO
Nemours
II
DE' MEDICI
(1478-1516),
Duke
of
preserved in the Bibliotheque Nationale in Paris.
PADUAN SCHOOL
For extensive bibliography on Cavino, see Kress, p. 73,

to which may be added F. Cessi, Giovanni da Cavino
medaglista del Cinquecento, Padua 1969; G. Gorini,
25
53
GIOVANNI BATTAGLINI
"Appunti su Giovanni da Cavino," La Medaglia d'Arte.
Obv. Bust
Atti del primo convegno internazionale di studio, Udine
PATR PISA
igyo,
Udine
to
1973, pp. 11 1-20.
Rev.
Around, lO
left.
BATTAGLINVS
HAEC MERVIT
Around,
stork in her nest.
PIETAS PRAEMIA
50
NERO, Emperor
Obv. Head
54-68
a.d.
to right, laureate.
CAESAR AVG GER P
1966.108.5
M TR P IMP PP
Rev. Nero on horseback with spear, followed by another
horseman holding banner. In
field,
C;
The
stork
feed
its
in exergue,
it is
DECVRSIO
Bronze, struck, "Sestertius," 37
Forrer
i,
p. 368;
Lawrence,
54
Around,
Rev. Salus seated facing
COSMVS SCAPTIVS
column; she gives drink from a patera

entwined on a vine branch. Around, PM
a
IMP VI COS
III
P P
in exergue,
to a serpent
TR P X
TINA
is
from Cavino's
"sestertius" of
Commodus
(Lawrence, no. 64).
Arm.
(ill.);
Lawrence, no. 108 (says statue
i,
p. 184,33; Kress, no. 398;

is
Forrer
i, p.
372
Aesculapius).
none of which
is
to right, jugate, of SS.
ET
securely attributed
DNI
IVS-
C C
DEO OPTIMO ET
[
MDXV
1515
Prosdocimus and
PROSDOCIMVS
B IVSTIE
M HOC T D
ICA
ANNO
mm.
1966.104.3
The Church
Bibl.:
sitter,
below,
Bronze, 41
reverse
Rev. Inscription,
1966.108.8
The
Giustina. Around, S
mm.
for services rendered.
CHURCH OF SANTA GIUSTINA, PADUA
Bronze, struck, 38
said to
370 (as Cavino); Brescia, i, p. 39, no.

Supino, no. 701; Hill, N. I. A., no. 25;
97 (for the stork) F. Cessi, Giovanni da
SALVS
it is
by extension,
old. Also,
Cavino).
Obv. Busts
facing statue of Bacchus on
left,
col.
medals of the
COSIMO SCAPTI
to right.
because
piety,
grow
Cavino, Padua 1969, p. 73, no. 50 (one of five different

to
Obv. Head
filial
they
i, p.
Cavino)
Tervarent,
;
when
symbol of recognition
256 (as
no. 17 (imitation of a genuine coin).
51
symbol of
is
parents
Bibl.: Forrer
mm.
1966.108.9
Bibl.: Kress, no. 403 (obv.)
mm.
Bronze, 39
NERO CLAVD
Around,
of Santa Giustina at
Padua was begun
1505 and soon given up; after the rejection of

signs in 1515
and 1516
new
in
de-
was begun again in 1521 and

and martyr, is
of Padua; San Prosdocimus was its
it
finished in 1532. Santa Giustina, virgin
52
BALDUINO DEL MONTE
(d.
1556),
Montesansavino 1550, brother of Pope Julius
Obv. Bust
to left,
the patron saint

first
III
MAGIS
SED TIBI
aftercast, light
brown
patina, 40
(as
by Coreto
i,
p.
32,
sixteenth
no. 202
mm.
reverse, which is larger than the obverse, belongs

medal of Antinous by Cavino.
Arm.
Brescia
150G
Sixteenth Century, Venice
The
Forrer
3, p.
active in early
century); Lanna, no. 357; Brescia

(Coreto Cagnoli.?).
1966.108.7
Bibl.:
Arm.
Paduan goldsmith
Lead, old
bishop.
Cagnoli,
Rev. Combat between two horsemen. Around,
of
wearing fur trimmed robe. Around,
BALDVINVS DE MONTE COMES
VICI
Count
i,
i,
i,
to
JACOPO TATTI
p. 182,22; Rosati, no. 164; Kress, no. 394;
p. 372
(one of two reverses)
p. 42, no. 272;
(1486-1570)
Supino, no. 322;
MM. i, p. 277, pi. 60,6; Lawrence,
no. 99; Madrid, p. 199, no. 191.
(called Sansovino)
major sculptor and
Jacopo took the
name
architect of the sixteenth century,
of his master
Andrea Sansovino.

He
was
moved
Sack in 1527, when he

major
sculptor there in
Venice, becoming the
active in
to
Rome
connected to Rangone)
until the
nate
the middle of the century.
See Kress,
p. 78;
a sculptor see
Forrer
5,
Weihrauch
Thieme-Becker
revised ed.,
TOMMASO RANGONE
32, pp.
Filologo," Medaglia
3,
465-
High Renaissance
London/New York
ANDREA
A pupil of Gian
Francesco Bonzagni, Spinelli was born

Parma, but was active principally in Venice, where
he was made assistant engraver at the mint in 1535, and
Ravenna (1493-1577),
philosopher and astrono-
of
as Philologus; doctor,
SPINELLI
(1508-72)
in
mer
chief engraver in 1540.
Obv.
il
pp. 332-34. For Sansovino as
in
1970, pp. 78-85, 350-53, 404-10.
known
detto
no. 6 (1973), pp. 6-24.
70 and John Pope-Hennessy, Italian
and Baroque Sculpture,
R. Pasi, "Le medaglie del raven-
Tommaso Rangoni
Bust
bearded,
right,
to
in
gown.
Around,
THOMAS PHILOLOGVS RAVENNAS
See N.
Pellicelli in
Thieme-Becker
Forrer
31, p. 385;
5,
pp. 611-12; Kress, pp. 77-78.
Rev. Jupiter, disguised as an eagle, brings the infant
who
Hercules to Juno,
low,
and
lilies
reclines in a circle of stars; be-
Around,
birds.
lOVE
ET
56
ANDREA GRITTI
Doge
(1454-1538),
of
Venice
1523-38
SORORE GENITA
Obv. Bust
mm. Hole
Bronze, 38
at top
GRITI
1966.108.13
The
and
to left, in robe
cap.
Around,
ANDREAS
DVX VENETIAR
Rev. Facade of the church of San Francesco della Vigna.
Around,
reverse illustrates the mythological creation of the
Way
Milky
and probably
refers
Rangone's
to
own
FRANCISCI DIVI
mm.
Bronze, 37
adoption. Jupiter, wishing to gain immortality for his
falling in
creates
him
to
Another
as a medalist, while Vittoria

is
is
is
known
not
Arm.
Bibl.:
3, p.
i,
AN.
SP.
showing
F and
view of San
dated 1524,
is
more
p. 155,4).
233A; Tresor
Ital. i, pi. 28,3.
However, the handling
known
the author of the
Rangone on
portrait of
is.
unlike that of Vittoria's
since Sansovino
common (Arm.
a patron of both Jacopo Sanso-
vino and Alessandro Vittoria. Sansovino

of this medal
version, with a reverse
Francesco, signed
lilies.
Tommaso Rangone was
and
1966.108.14
Juno to nurse. Her milk

heaven creates the Milky Way; on Earth it
son Hercules, brings
medals,
monumental
VENETIAN SCHOOL
the facade of S. Giuliano in
Venice, the medal has been attributed to him.
Rangone mentions
Fede and Vittoria, the
57
MARINO GRIMANI,
Doge
Venice
of
595-1 605
Pasi suggests that, as the will of
only medals by Matteo della

attribution of this
medal
Sansovino should be
to
Middeldorf (private communication) maintains
jected.
the attribution to Sansovino on

Bibl.:
re-
Arm.
2, p.
stylistic
196,20; Kress, no. 417b;
p. 129,
Fabriczy, pp. 82-83, P^- ^6,6 (as Vittoria);

Supino, no. 675 (as Modenese); Brescia i, p. 91, no.
pi.
86,6;
635;
MM.
Forrer
6,
I,
to right,
Around,
wearing doge's hat and brocaded
MARIN GRIMANVS DVX VENE
Rev. Lion of Saint
Around,
Bronze, 38
Mark rampant
S YD ERA
CORDIS
to left,
holding
in exergue,
cross.
1595
mm.
p. 301, pi. 65,5 (incised in field, 1562), 6;
p. 288
(as Vittoria)
sandro Vittoria, medaglista
Francesco Cessi, Ales-
pp. 76-77, pi. 15 (as Vittoria, ca. 1560?)
'"The Origin of the Milky Way'
1966.119.2
),
Trento i960,
Bibl.:
E.
Mandowsky,
fort,
in the National Gal-
Burlington Magazine 72 (1938), pp. 88,

(where Tintoretto's painting of the same subject
lery,"
Obv. Bust
robe.
TIAR
grounds,
Habich,
1595
89,
93
is first
Arm. 2, p. 273,1; Salton, no. 74; Vogel sale, FrankNovember 1924, no. 56, p. 10, pi. 9; Lanna, no.
295; Lobbecke, no. 39 (gilded) ; Supino, no. 797; Brescia

I, p. 106, no. 752; Tresor Ital. 2, pi. 27,3; Cicogna, vol. 2,
pt. 2.

Sixteenth Century,
Lombardy
27
IPPOLITA DI FERDINANDO
59
Obv. Bust
JACOPO NIZOLLA DA TREZZO
(1535-
wearing double necklace and loose
to left,
HIPPOLYTA
Around,
drapery.
FERDINANDI FIL AN
(1515/19-89)
GONZAGA
1552
63)
GONZAGA
XVII; below,
AC TREZ
Rev. Aurora, in a chariot drawn by a winged horse,

Jacopo Nizolla was born in Milan,
himself as a
de'Medici.
gem
He
engraver, and
first
worked
distinguished
for
entered the service of Philip
Cosimo
II
holds a torch and scatters flowers. Around,
III
VIRTVTIS
FORM.EQ PRAEVIA
of Spain
mm. Hole
Bronze, 67
and worked for him as sculptor, architect, gem

engraver and medalist both in Spain and the Netherlands. His first medal is that of Gianello della Torre of
in 1550,
at top
1966.106.16
The
ca, 1550.
obverse portrait derives from a Leone Leoni proto-
type
See Thieme-Becker 33, pp. 392-93; Forrer 6, pp. 13239; Kress, pp. 83-84; Hill, Med. Ren., p. loi; Supine,
of
year
the
married
Ippolita
before.
Fabrizio
Colonna (died 1551) in 1548 and Antonio Caraffa
in
1554-
pp. 140-42.
Bibl.:
58
GIANELLO DELLA TORRE
(1500-85), Cremonese
military architect in the service of Charles
of the Sciences.
NVNQ
Bronze, hollow
p. 241,1; Salton, no. 68; Rosati, no. 181;
327-28,
pi. 70,5;
Madrid,
p. 169, no. 276;
138, pi. 22; Tervarent, cols. 78
The Fountain
in exergue,
i,
MM.
Without obverse
Rev.
Arm.
Kress, no. 438; Habich, p. 134, pi. 94,4; Naples, p. 92;

Supino, no. 412; Brescia i, p. 51, no. 336;
i, pp.
cast,
Around,
Magnaguti, no.
(Car of Aurora), 79
Aurora).
(ref.
to medal, 1552); 182, 191 (attributes of
VIRTVS;
DEFICIT
80
mm.
GIOVANNI
V.
MELON
1966.108.10
The
reverse
della
ledo.
is
Torre made
Armand
cameo
The
an allusion to a hydraulic machine which

to raise
water from the Tagus to To-
notes that the
in the Cabinet de France.
The
See Forrer
(Arm. i, p.
from one by
168,27). Since the medal of Philip derives

Leone Leoni, the medal of della Torre has been given to
him also. However, since Jacopo is known to have copied
Leoni's types on at least one other occasion, the medal of
Ippolita di Ferdinando Gonzaga (see no. 59), and since
Jacopo and della Torre both worked in Spain for long
periods, the medal is probably by Jacopo. It is normally
of Alto-
4,
fasc. xi, pp.
Thieme-Becker
60
Arm.
441a (rev.)
pi. 93,8;
Forrer
i,
;
p. 170,38; 3, p.
74nn;
Saltan, no. 67 (as
Lanna, no. 227,
3, p.
1575
Obv. Bust
to right, in cape.
Pompeo
Leoni,
Rosenheim
sale catalog, Sotheby,
30 April 1923, no. 133 (as Leoni); MoHnier 2, no. 353

(example in the Louvre as reverse of medal of Philip II,
attributed to Leoni)
ALEXANDER
on truncation,
Rev. Facade of the Gesii. Around,
Paris 1887, pp. 273-74, pl- 34'8,9; Hill, N. I. A., no. 330
(for a different medal of della Torre describing him as
architect to Philip II)
Around,
CARD FARN S R E VICECAN;

10 V MILON F
Habich,
Supino, no. 417, pi. 40;

Fabriczy, pi. 39,4; MM. i, p.
(1520-89), Cardinal, 1534
FECIT
ANNO
DOM MDLXXV; below, ROMAE
pi. 15;
pp. 133, 134 (ill.)

215, pi. 49,1; E. Plon, Leone Leoni et
6,
115C; Kress, no.
Leone Leoni)
The
24, p. 368; Kress, pp. 121-22.
ALESSANDRO FARNESE
Bibl.:
reservation.
pp. 17-19; Supino, pp. 156-57; Martinori

'î^'
7071, 82-83;
PP- ^' 3^! -HiH in
dated about 1550.
which Hill accepted with

medals date between 1571-89.
reverse type also

II
Armand
nephew
from Cremona,
bello Melone,
same design appears on a
appears on an unsigned medal of Philip
medalist was thought by Milanesi {apud
3,125) to have been
Madrid,
p. 231, no. 270.
Bronze, struck, 48
mm.
1966.108.1
Farnese was the founder of the Church of
had
laid the cornerstone in 1568.
orates the completion of
in 1575.
Bibl.:
The
Arm.
II
This medal
Giacomo Delia
Gesia
Porta's facade
building was consecrated in 1584.
i,
p. 264,3; 3' P* 126,3.
and
commem-
28
61
ALESSANDRO FARNESE
Obv. Same
Rev. Bust to
1575
as no. 60
loose
which
veil
falls
over right
SAL MDLXXV;
Gilt bronze, struck, 46
below,
band over shoulders
FECIT
Rev. Facade of the Gesu in Rome. Around,
ANNO
wearing
left,
shoulder; thin bodice and sleeves of dress held up by a
mm.
Bronze, 62
ROMAE
1966.104.16
mm.
Arm.
Bibl.:
1 966. 1 08.
i,
p. 216,4 (obv. only, oval); Kress, no. 449
(obv. only, oval)
YliW-Notes, p. 241,
pi.
2R.
See no. 60.

Bibl.:
Arm.
i,
Forrer
p. 264,3;
4, p. 18;
Naples, p. no;
Lanna, no. 248; Supino, no. 475; Brescia

376;
MM.
I,
i,
p. 57, no.
AGOSTINO ARDENTI
p. 407, pi. 91,7.
(active ca. 1563)
An
Sixteenth Century, Emilia
who
artist
signs himself
and
Demoulin de Rochefort im
Museum zu
Basel,"
erischer Altertnms\unde,
tendent of the mint there in 1571. Very little is known of

his career. Ruspagiari leads a group of artists whose
pp. 42-49); Hill,
portray romantic
low
women and
relief
and who tend
men
heroic
Italian
Active in Reggio Emilia, Ruspagiari became superin-
in
"Notes on Some
Hill,
des Ludovic
Historischen
modeled
in a free,
See Rosenheim
sammlung
(1521-76)
finely
and works
style related to that of Ruspagiari.
Medals," Burlington Magazine 12 (190708), pp. 14154 (at 141-47) R. F. Burckhardt, "t)ber die Medaillen-
ALFONSO DA TOMASO RUSPAGIARI
medals are
AA
sometimes rough
NF.
Anzeiger fUr Schweiz-
20 (1918), pp. 36-53 (at
N. I. A., nos.
Museen zu Berlin, Die
Bronzen der Renaissance und des Baroc\,
Med. Ren.,
p. 103; Hill,
10, II, 78, 113, 215; Staatliche
to
italienischen
in informal
von E. F. Bange, Berlin/Leipzig
bearbeitet
poses.
1922, nos.
256-59; Bernhart, p. 77 (Lucretia Grilinciona?) G. F.

Hill, "Some Italian Medals of the Sixteenth Century,"
;
See Thieme-Becker 29, pp. 225-26; Forrer 5, pp. 272-75;

Kress, pp. 85-S6; Hill, Med. Ren., p. 102; Habich, pp.
138-39; Hill,
N.
I.
Georg Habich zum
60. Gebiirtstag,
Munich
1928, pp.
II 12.
A., nos. 278, 358; Bernhart, pp. 75,
85, 88.
64
62
ERCOLE
D'ESTE
II
(1508-59), fourth
Duke
of Fer-
rara, 1534
TITIAN
Obv. Half-length portrait
Obv. Bust seen frontally with head

lionskin robe of Hercules.
Around,
to right,
wearing
DVX FERRARIAE
EFFIGIESI
to right,
holding a framed
TITIANI PICTORIS EXIMII
Around,
picture.
below, on
scroll,
HORATIVS
FIL
Without reverse
IIII
mm.
Lead, bronzed and painted, 103
Without reverse
1966.106.21
Lead, 65
mm.
The medal
1966.108.3
Bibl.:
Arm.
i,
p. 218,14;
Forrer
55,5 (with reverse of river
FELICITATI
5, p.
275; Heraeus, pi.
god with lamb
TEMPORVM
in landscape,
Q F
medals, about 1563,
UNKNOWN LADIES
i,
and
p. 37, no. 241
Bibl.:
and
1928, p. II.
and leaving
left
shoulder bare
rest of Ardenti's
in
Arm.
i,
pp. 166, 208;
p. 121, no. 854; Tresor
Ital. 2, pi.
Hill-Artists, p. 57.
Obv. Bust seen partly from behind, head to left, wearing

which falls behind and joins drapery, covering back
breast
with the
Other medals of Titian are noted
38,1
veil
it,
when Orazio would have been
about forty.
Brescia
63
represents Titian holding a portrait of his
son Orazio. Hill dates
G. F.
Hill,
"Some
Italian
Century," Georg Habich
zum
Medals of the Sixteenth

Munich
60. Geburtstag,
CATALOGUE NOS. Gl-JO
29
mm.
Bronze, 39
Sixteenth Century, Italian School
1 966.1 08. 1
The
MEDALIST M.
An unknown
See Forrer
M.
Arm.
4, p. 2;
B. or
based on a Greek imperial coin of Calchedon,
is
Gustave Blum, "Numismatique
Bibl.: Kress, no. 516;
Mo. B.
d'
Nu-
Antinoos," Journal International d'Archeologie
mismatique 16 (1914), pp. 33^0 (coin prototype
pp. 293-94.
i,
type
Bithynia.
whose works are dated
medal engraver,
1586-90 and signed M.,
B.
at p.
47, no. i).
65
SIXTUS
Pope 1585-90
Peretti,
1588
68
Obu. Bust
V PONT MAX ANO
SIXTVS
on truncation, M B
to right,
IIII;
QVARTO
EREXIT;
DI SARAGOSSA (151^
86), celebrated antiquarian
and numismatist, Bishop of
Lerida, 1561, and of Tarragona, 1576
Ref. ObeHsk in front of cityscape of Rome. Around,
QVARTVM ANNO*
ANTONIO AGOSTINO
Obf. Bust
be-
Monogram
Rev.
mm.
erection of obelisk in Piazza del Popolo.
Bibl.:
2, p. 12,
i,
p. 294,1 (as
M. D.) Forrer
;
4, p. 2;
Brescia
Arm.
2, p.
AQ;
835;
Durand,
244,1;
MM.
below, seven stars
p. 386, pi. 86,7; Brescia
i,
EY NE);
(obv. insc. adds
p. loi, no. 711
no. 155; Venuti, p. 163, no. 20; Bonnani, p. 419,
no. 32; Martinori, fasc.
in field,
1966.119.3
See no. 45.
Arm.
rNQ0I CAY-
Around,
mm.
Bronze, struck, 43
Commemorates
ANT AYEOYCTIN
Around,
of Christ.
TON KAI 0EON;
1966.1 13.17
Bibl.:
left.
EPICKIAEPA
low, *i588
Bronze, struck, 46
to
i,
Supino, no.
p. 244.
37; Tresor Papes, pi. 19,7
xii, p.
(rev.).
69
VALERIANO BOLZANIO
PIERIO
Obv. Bust
to right.
Around,
(1475-1558)
PIERIVS
VALERI-
ANVS BELLVNENSIS
ATTRIBUTED TO MEDALIST M.
66
URBAN VII Castagna, Pope

Obv. Bust
VII
to left,
Reu.
Seven-branched
Bronze, 39
mm. Hole
candelabrum.
LVCEAT LVX VESTRA
1590
1590
PONT MAX ANNO

XXXX
B.
VRBANVS
M D
below,
left
on
Between,
inscribed
obelisk
with
Bronze, 60
mm.
1966.106.12
SIC
Around,
Made about 1545-50, probably at Padua; other medals

by the same hand represent Fra Urbano Bolzanio and
The
Florio Maresio.
near top
1966.1 13.62
Arm.
reverse alludes to Piero's
141D; Forrer
4, p. 2 (signed variant)
Urbano put
wards
S.
Bibl.:
Arm. 2,
pi. 64,4;
ITALIANUNATTRIBUTED
the
p. 176,14; Kress, no. 507 bis;
Brescia
Bolzanio
Nude bust to left. Around, ANTINOOC
Rep. Antinous reclining on a flying

below,
griffin.
inOQN
HPQC
Around,
70
i,
p. 89, no. 622;
Family," Archiv
Pla\etten\unde
ANTINOUS
KAAXAAONIOIC;
outside the door of the Frari
Church
to-
Rocco. These portraits seem to be dependent
on the medals of the two men, which would mean the

medals must date from 1545 or earlier.
37, no. 3; Martinori, fasc. xii, p. 60.
Obv.
work
at Basel in 1556). In 1545
Piero had marble medallion portraits of himself and Fra

3, p.
Naples, p. 133; Supino, no. 530; Brescia 2, p. 12, no. 160;

Mazio, no. 147; Venuti, p. 176, no. 2; Bonnani, pp. 433-
67
hieroglyphics.
INSTAVRATOR
Hieroglyphica (published
Bibl.:
hand
Rev. Mercury, holding caduceus and resting
G. F.
fiir
MM. i, p. 296,
Hill,
"Medals of
Medaillen-
und
(October 1913), pp. 16.
CHRIST
Obv. Bust
to left, nimbate.
VERITAS ET VITA
Around,
EGO SVM VIA
THE MOLINARI COLLECTI N AT BOWDOIN COLLEGE
30
Rev. Crucifixion with Mary, Saint John and
Mary Mag-
ECCE MATER TVA

LIER ECCE FILIVS TVVS
Around,
dalene.
1966.106.6
Bibl.:
mm.
Bronze, 89
1966.107.11
74
North
The
and sharply rounded surfaces inmedal may be the work of a gem engraver. Hill suggests Giovanni Antonio de' Rossi.
ERCOLE
Kress, no. 485.
2, p. 107,7;
ESTE
D'
II
Obv. Bust
detailed handling
Arm.
Arm.
Duke
(1508-59), fourth
of Fer-
rara
Italian.
HER
II
IIII
Rev. Female draped figure, half seated to right, holding
(obv. only; as before fifteenth c);
2, p. 7,2
wearing armor. Around,
to right,
DVX FERRARIAE
dicate that the
Bibl.:
mm.
Gilt bronze, 47
MV-
cornucopia in
Hill-C/zm/, p. 62, no. 5; p. 61, fig. 32 (obv. only);

Lanna, no. 355 (obv. only) Supino, no. 608 (obv. only)
mm. Hole
Gilt bronze, 41
FERRARIA
hand. In exergue,
left
Worn
at top.
1 966. 1 06.4
71
CHRIST
Bibl.:
Obv. Christ wearing loincloth and holding cross stands

in landscape with castle in background. Around, SINE
INNOCENZO FRANCUCCI,
IPSO
2, p. 147,3.
|
75
DA
FACTVM EST NICHIL
IMOLA,
Obv. Bust
Without reverse
Bronze, 46
Arm.
INNOCENZO
called
painter (1494-1549)
Around,
to right.
INNOCENTIVS FRAN
CHVTIVS
mm.
Rev. Scratched on, 1877
1966.116.1
casa
di
Lavoro
In Firenze
Visitata
il
Memoria
28 giugno
This
is
the reverse of a
medal of Christ
Arm.
Lead, 71
mm. Hole
Bibl.:
fig. 38-
Arm.
3, p.
reverses of this
72 LI VI
A COLONNA
Rev.
left.
A cupid
Around, LIVIA
76
mm. Hole
at top
to
same
reverse
is
may
wearing
cuirass.
'
[C
BAP
COMES BON
Around, lO
]
A palm tree flanked by two hanging boxes. Around,

ACCEDO SED NON SVCEDO ONERI
found on several other
Rev.
i,
June 1923, no.
at
Hotel Drouet,
Paris, 15
mm.
Hole
at top
1966.106.15
49.
2, p. 170,29;
Tresor
Bolognese. Malvezzi was one of the Anziani in 1534.

Ital. 2, pi. 43,2.
Our medal
VITTORIA COLONNA
Fernando Francesco
Marquis of Pescara
to
to
Bronze, 59
This specimen from auction
Obv. Bust
left,
p. 166,21).
73
but
ETATIS-/N-XX7-
says the
Arm.
style,
GIAN BATTISTA MALVEZZI

MALVETIVS EQVES A
medals, including one of Titian by Leone Leoni (vol.
Bibl.:
mentions
leads a bacchante to right
1 966.1 06.5
Armand
Armand
YiiW-Artists, p. 51, no. 27, pi. 23
COLVMNA
Obv. Bust
Bronze, 39
(as Imolese;
;
have been produced in Bologna).
married 1540
Obv. Bust to
230P
medal)
(medal has something of the Venetian
Marzio Colonna,
(d. 1552), wife of
at top
1966.1 07.10
IriiW-Christ, p. 65, no. 12; p. 66,
2, p. 7,3;
1877
illustrated in
Hill, Medallic Portraits of Christ.

Bibl.:
Ma pia
left,
(1490-1547), married, 1507,
d'Avalos
with floating
Without reverse
(ca.
hair.
TORIA COLVMNIA DAVALA
ing in a
490-1 525),
Around, VIC-
Bibl.:
77
has a reverse unsigned, but with legend end-
leaf.
Arm.
3, p.
56A
(as lO. F., signed
PAOLO PELLICANI
(b. 1528)
Obv. Bust to
AE
- -
- - -
left.
Around,
1556
PAVL
XXX A M D
on reverse).
LVI
PELLICANVS
78
79
CATALOGUE NOS.
Rev. Pelican with wings outspread, nursing her young
mm. Hole
Bronze, 48
31
(Kaiser Friedrich-Museum)
AMORIS MAXIMA
on her blood. Around,
7I-82
N.
at top
81
Berlin 1904, no. 371; Hill,
A., no. 367.
I.
MEDAL OF CHRIST
1966.106.13
Obv. Bust
Arm.
Bibl.:
scription)
2,
Tresor ltd.
IMA
to right,
mm.
wearing mozzetta. Around,
This
lACO-
later.
1576
is
most
the
common
of
all
medals of Christ, which
originated in sixteenth-century Italy and were used as
on
talismen.
Bibl.: H'lW-C/irist, p. 50, no. 2a.
Around,
AGOR NON OBRVOR
mm.
Seventeenth-Eighteenth Century,
1966.1 14.61
Arm.
Bibl.:
in
Sixteenth century or
(d. 1587), Cardinal, 1539
1576
sails.
Bronze, 46
'ItJ'y
Bronze, 35
ship at sea with personifications of winds blow-
ing the
lâ
1966.116.3
R E PRESB CARD SABELLVS
truncation,
Rev.
mm.).
GIACOMO SAVELLI
Obv. Bust
ItJ'^
nich, bronze, 49
BVS
Rev. Inscription, H^K'D
(with different reverse
2, pi. 39,4
Bernhart, p. 82 (reverse insc. as * MAX+ VIS + - * AMORIS * below P * P; Mu-
inscription)
to left. In field,
(with different reverse in-
p. -Tp-iîSbis
2, p.
219,26;
MM.
i,
Rome
p. 405, pi. 91,3 (dated in
field).
GABRIELE SERBELLONI
GIACOMO ANTONIO MORO
(1508-80), ItaHan General
(d.
Obv. Pallas Athena seated on military trophies, facing

holding Victory in
right,
RIEL!
Rev.
SERBELLONO
View
left
of fortified city of
GAB-
hand. Around,
Q R
Medalist and coin engraver from Milan, master of the
Rome. In
papal mint from 1610-24 under Paul

exergue,
VRBE
See Forrer
COMMVNITA
Bronze, 74
1 966.1
mm. Hole at top
82
and Philip
II,
distin-
guishing himself at the Battle of Lepanto. In 1560-65
he fought for Pius IV, and
Vatican and
fortified the
Castel S. Angelo.
Bibl.:
Arm.
Obv. Bust
3, p.
251,1; Supino, no. 672; Brescia
i,
p. 94,
1 966.1
tet
The
Rev.
Around,
wearing cuirass and ruff
OPTI
mm. Hole
MO
VIIII
Around,
below,
PAVLVS V
I
AMORI
facade of Saint Peter's with bell towers.
IN
exergue,
HONOREM
P\4.EBVT
Paul
PRINCI
PI
ET
PRINCIPIS
INFI
PORTÊ
APOST
NO
mm.
commissioned Carlo Maderno
his facade of Saint Peter's in 161 2.

basilica as projected
pleted, but
at top
were
to
add towers
to
This medal shows the
with towers. They were not com-
built as far as the substructure
which
forms the two end bays of the facade. See no. 83 for a
medal of 1608 showing the facade without these sub-
19.5
Probably North
Bibl.:
PONT MAX AN
161
1966.113.11
UNKNOWN
to right,
in cope.
left,
Bronze, struck, 38
Rev. Inscription,
Bronze, 44
Borghese, Pope 1605-21
in
no. 656.
h SUBJECT
PAUL V
V and Gregory XV.
pp. 152-53; Thieme-Becker 25, p. 162.
4,
Obv. Bust to
19.6
Serbelloni fought for Charles
1624)
Italian.
Sammlung von
structures.
Renaissance-Kunstwerl{en gestif-
von Herrn James Simon
zum
18
October igo^
The
reverse
inscription
is
from Matthew
16:18.
Bibl.: Forrer 4, p. 153; Brescia 2, p. 14, no. 185;
Mazio,
32
around, + PORTV
A FVNDAMEN EXTRVCTO
FANESTRIS;

Bonnani, Tempio Vaticano, p. 145; Martinori, fasc. xiii,
p. 112.
Bronze, struck, 59
The
(1565-1630)
N.
gari
83
PAUL V
Obv. Bust
SANQVIRIC
The
Rev.
PETRI
TAE
IN
VATICANO;
INFIRI
(ca.
Como,
PAVLVS
MAX A S
at the Florentine mint,
truncation,
Around,
in exergue,
TEM D
ET
he was
at the
for the
Gonzaga.
coins. In 161 3-14
and Mantua, working

Rome where he
succeeded Giacomo Antonio Moro as mint master from
1625-39. Mola was also a skilled armorer and executed
a helm and shield now in the Bargello which were once
From
trained as a goldsmith in Milan.
making Medici medals and probably

mints
at Guastalla
He
settled finally in
attributed to Cellini.
POR-
4, pp. 111-17; 8, p. 68; Fr. Noack and G. F.

Hill in Thieme-Becker 25, pp. 27-28; Kress, p. 68;
See Forrer
NON PRAEVALEBVNT
|
Bronze, struck, 57
1580-1640)
Goldsmith, medalist and coin engraver, born in Coldre
Basilica of Saint Peter's.
p. 539, no. 32;
GASPARE MOLA
1608
Bonnani,
116; Tresor Papes, pi. 26,7; Bres-
1609 II Mola was chief engraver
V BVRGHESIVS ROM PONT

MDC VIII PONT III
below
xiii, p.
cia 2, p. 14, no. 191.
Bul-
to right,
The
Fano was a
in 1614.
colony under Julius Caesar.
Martinori, fasc.
near
by Paul
fortified
Bibl.: Venuti, p. 213, no. 23;
374; Pyke, p. 127.
2, p.
Fano was
Thieme-Becker
Pelicelli in
(medal of G. B. Deti)
29, p. 416; Bernhart, p. 74
port of
Roman
and medalist, born at Villa di San

Quirico near Parma. He came to Rome as a young man
and was a pupil of the sculptor Camillo Mariani and the
mint master G. A. Moro. The majority of Sanquirico's
medals are of Pope Paul V. He stopped making medals
long before his death and worked primarily as a monumental sculptor (for example carving the statue of Paul
V in S. Maria Maggiore) and portraitist in wax.
pp. 331-32;
mm. Hole at top
reverse inscription refers to the fact that
Sculptor, architect
5,
1966.113.13
PAOLO SANQUIRICO
See Forrer
BVRGHESIO
mm.
Rosati, pp. 54-55; Bulgari
2, p.
160; Pyke, p. 93.
1966.1 13.14
Under Paul V, Carlo Maderno added

and facade
to Saint Peter's,
the nave, portico
85
MARIA MAGDALENA OF AUSTRIA

1631),
beginning in 1607. This
Grand Duchess
of Tuscany, married
(1591-
Cosimo
II
de' Medici, 1608
medal depicts the facade of the church as planned in

1608. Four years later Paul V commissioned bell towers,
which were never completed and which exist as substructures today. See no. 82 for a medal showing the later
Obv. Bust
to left, in cape
MARIA
and hood. Around,
MAGD ARCHID AVSTR MAGN DVX ETR
Without reverse
projected facade.
The
reverse inscription
is
Lead, 40
from Matthew
mm. Hole
at top
16:18.
1966.108.15
Bibl.: Forrer 5, p. 332; Brescia 2, p. 15, no. 199; Venuti,
p. 209, no. 11;
Bonnani,
p. 507, no. 6;
Vaticano, p. 145; Martinori, fasc.
Papes,
Bonnani, Tempio
Executed
Tresor
widowed.
xiii,
p.
112;
pi. 25,5.
after
PAUL V
Borghese
Obv. Bust
Around,
1613
Fabriczy,
mozzetta and
biretta,
MDCXIII P IX
PAVL SANQVIR
View
Grand Duchess was
the
of port
MAG instead of MAGN
pi.
with
36,7;
reverse
(Forrer
4, p. 114;
flying
pea-hen;
of
Heraeus, no. 62,26; and Supino, no. 604, with signature).
stole.
PAVLVS V BVRGHESIVS RO PONT
Rev.
in
right,
to
MAX A D
when
Several specimens of this medal exist with the inscription reading
84
1621,
below truncation,
86
URBAN VIII
Barberini,
Pope 1623-44
1638
and
Obv. Bust
castle.
In
field,
COL IVL
VIII
to right,
PON MAX A XV
below,
VRBANVS
GASP MOL
.
CATALOGUE NOS. 83-9O

View
Rev.
of the
summer
palace at Castel Gandolfo.
p. 586, no. 24;
SVBVRBANO RECESS V CONSTRVCTO;
Around,
mm. Hole
and Paul)
festival of Saints Peter
signed by G. Mola)
was
palace at Castel Gandolfo
built
(records paying six scudi
take the plan for the reverse of the medal,
at top
1966.1 13.35
The
309; Bertolotti, pp. 221, 222;
8, p.
for expenses of trip to Civitavecchia to
A. Astesano
to
Forrer
Martinori, fasc. xiv, p. 90
ROMAE
in exergue,
33
by Urban VIII.
Bibl.: Forrer 4, p. 116; Brescia 2, p. 18, no. 230;
Bulgari
i,
made
for the
p. 60 (obverse de-
p. 79 (record of the assay
of the medal in gold, 12 July 1632)
Bartolotti, no. E.632;
Houston, no. 248 (very similar medal with obverse by

Mola, dated 1634).
Mazio,
no. 206; Venuti, p. 237, no. 41; Bonnani, pp. 594-95, no.
31; Martinori, fasc. xiv, p. 75; Bartolotti, no. E. 638.
GASPARE MORONI
ATTRIBUTED TO GASPARE MOLA

87
NICHOLAS, Duke
Obv. Bust
to right.
From
D'ASINAGLOSSI; on truncation, [INITIALS?]
is
first
Mantuan mint,
the
16-2
(d. 1627)
Without reverse
Lead, oval, 65 x 53
mm. Hole
at top
ALESSANDRO ASTESANO
From
See Forrer
papal mint 1622-33)
at
He
prepared gold and
Washing
is
no
official
office in
1622
1623 and
medals for distribution
silver
of the Feet
took
89
him
at the
See Bertolotti, pp. 221,222; Forrer
8, p.
to
309; Bulgari
Obv. Bust
VIII*
to right,
DC XXXII
below truncation,
A ASTESSANO
truncation,
90
mm.
Around,
ET
VINCEN
F V
to left.
Around,
mm.
the
last of
main branch
p. 116, nos. 820-21;
i,
INNOCENT X
Pamphili, Pope 1644-55
to left,
p. 232, no. 25;
of
Gonzaga
Magnaguti-Maw^., nos.
1655
wearing cap and mozzetta. Around,
INNOCEN X PONT MAX A
fortifications of the port of Civitavecchia,
Mazio, no. 193; Venuti,
VII
73. 74-
NVNC RE PERFECTO
966.1 13.2
Bibl.:
Bibl.: Saltan, no. 49; Rosati, no. 220; Forrer 4, p. 156;
Obv. Bust
New
cuirass.
Vincenzo was the

Dukes.
VRBANVS*
Rev. Aerial view of the port of Civitavecchia flanked
and
Hound standing three-quarters

FERIS TANTVM INFENSVS
Brescia
seventh
1 966.1 08.4
Fby two bees. Around,
Rosati, pp. 55-56.
i,
on
Thieme-Becker
(1595-1627),
Rev.
* Villi;
Rome
1632
PONT* MAX
Pope 1623-44
GONZAGA
II
to left, in ruff
Bronze, 45
Barberini,
in
2, p. 182, fig. 15;
D G DVX MANT
below, G MORON
II
p. 79.
URBAN VIII
Gonzaga
II
Mantua, 1626
of
Obv. Bust
again except for pay-
ments of 1632 and 1633; regular payments are again

Mola.
VINCENZO
Duke
on Holy Thursday. After May
notice of
Noack
pp. 153-57;
4,
(documents) Bulgari
Turin, the son of Orazio Astesano. In
engraver at the papal mint.
88
medal of Vincenzo
signed by him. Moroni later went to
25, p. 165; Magnaguti, Mant., pp. 60, 102-03, 16869
Alessandro was appointed to replace Gaspare Mola as
there
is
of Gaspare Mola.
noted in 1633 as engraver at the
where he had joined his uncle in partnership by 1637.

He succeeded Mola as engraver to the papal mint and
from 164065 executed the annual pontifical medals and
most of the coins for Popes Urban VIII, Innocent X,
Alexander VII and Clement IX. Girolamo Lucenti, who
eventually succeeded him, became his assistant in 1668.
1966.130.3
(Born 1604, active
nephew
Milan, Moroni was the
Although he
D NICCOLO DVCA
Around,
1669)
(d.
of Asinaglossi
Moroni-Mola)
(or
XI; below,
GM
Rev. In a wreath, the dove of the Holy Spirit above
Bonnani,
scription,
REPLEVIT
ORBEM TERRARVM
|
in-
34
Bronze, struck, 38
mm.
Restrike
See Forrer 3, pp. 206-08; Thieme-Becker 21, p. 319;

Kress, p. 92; Pyke, p. 74, fig. 155.
1966.1 13.24
The dove
PamphiU
also the device of the
is
family.
92
Mazio, no. 247; Venuti, p. 256,

no. 37 (as Gaspare Mola); Bonnani, pp. 627-28, no. 19;
Bibl.: Forrer 4, p. 156;
ALEXANDER VII
Obv. Bust
VII
MDCLVIII
GM
Pope 1655-67
PONT MAX A
DILEXI
DECOREM DOMVS TV^;

COLAO *
IIII
SRI
on
II
DG
truncation,
ing bush. Behind, Neptune, drawn by two horses, on the
DOMINE
in exergue *
Around,
VT VTRVNQVE TEMPVS
Bronze, struck, 32
NI-
mm.
1966.130.9
mm.
The medals
of the
Duke
of Bracciano have been used to
and date busts of the duke attributed to Bernini (see Wittkower, Gian Lorenzo Bernini, London
identify
1966.1 13.38
shows the facade of Bernini's church at

Gandolfo which Alexander commissioned in
reverse
1658. Initially dedicated to Saint Nicholas,
rededicated to the newly canonized Saint

Villanova, in
1659.
The
reverse
it
was
Thomas
inscription
1966, cat. nos. 36a,b).

Bibl.: Kress, p. 92; Brescia
later
Forrer
i,
pp. 207, 208.
FILIPPO PIROVANI,
jurisconsult
1 1
1,1;
MM. 2,
p. 115, nos. 807-08;
3,
p. 51, pi.
of
from
is
Psalms 25 :8.
93
1641
PHILIPPVS
Around,
PIROVA-
Obv. Bust
to right.
NVS
ROT.E ROMANCE DECANVS;
Tresor Papes,
[OPVS
Bibl.: Forrer 4, p. 156; Brescia 2, p. 20, cp. no. 253;
Mazio,
pi. 33,4 (rev.)
CORMANI
A ship
DOMINO
Rev.
JOHANN JAKOB KORNMANN

(also
Rev. Minerva, holding shield and spear, stands by flower-
below,
Castel
1 621
Rev. Facade of church. Around,
The
PAVL lORD
Around,
to right.
1658
sea.
Gilt bronze, 63
Holy
1621
ANG C BRACC DVX
(1591-1656), Count
of Bracciano, Prince of the
to right,
ALEXAN
Obv. Head
Chigi,
Duke
Roman Empire
Martinori, fasc. xv, p. 37.
91
PAOLO GIORDANO II ORSINI

of Anglaria,
known as Giovanni
Bronze,
at sea.
below,
1641]
Around,
aftercast, 90
SALVS NOSTRA A
mm.
Jacopo Cormano)
1966.106.19
(mid-seventeenth century)
Bibl.:
wax modeler, born in Augsburg.

In 1630 he was active as a wax modeler in Venice and he
became medalist to Urban VIII, Innocent X and many
cardinals. He made many enemies in Rome and is be-
Forrer
Goldsmith, medalist,
lieved to have been a professional rival of both
and Morone-Mola.
Known
Mola
for his licentious speaking,
he reportedly represented Pope Innocent
on
medal
which he was
as a result of
tried before the Inquisition
and put
94
CHRISTOPH WIDMAN
Mola could have caused Cormano's fall

from favor and subsequent suicide, since Mola died in
1640 and Cormano was active in making medals of Pope
a feud with
in 1644-45.
active until 1672 for a
The
may have remained

Flavio Orsini, Duke of
artist
medal of
Bracciano, bearing that date and signed by
recorded (Pollard, Udine,
p. 159, n. 10).
Cormano
(1615-60), Cardinal, 1647
1648
Obv. Bust
to right.
Around,
R E CARD VIDMAN
CHRISTOPHORVS
OPVS
on truncation,
CORMANI
in
prison. Martinori (fasc. xiv, pp. 69-70, n. 2) denies that
Innocent
'>
2, p. 25, pi. 106,1.
with his mistress, Olimpia Maldalchini,
Houston, no. 251 (without rev.) Kress, p. 92;

Brescia i, p. 118, no. 829; MM.
3, pp. 206-07 i}^-)
is
Two chamois. Around, ODIT TAMEN OTIA

VICTOR in exergue, [MDC?] XXXX [VIII?]
Rev.
Bronze, struck, 38
mm.
(irregular)
1966.130.25
Bibl.: Kress, p. 92 (other
specimens in the British Mu-
seum and Cambridge) Forrer 3,

155 (a wax model of Widman).
;
p. 207;
Pyke, p.
74, fig.
)5
96
CATALOGUE NOS.
ATTRIBUTED TO KORNMANN
Duke
(1591-1639),
of Candalle,
Around, HENR FOX VALETto

DVX CANDALLE PAR FR
left.
De Caro
Dwor-
capitol.
was designed by Bernini and
exe-
Balbi suggests that the medal was designed
by Gianfrancesco Romanelli.
Rev. Stemma, draped and crowned, surmounted by
Bibl.:
eagle
Bronze, 42
it
lacobacci,
the Pope's refusal to
cuted by Travani, an attribution supported by Pollard.
commemorate
noble, to
schak states that
Obv. Bust
'
Roman
have a statue of himself erected on the
soldier
TJE
35
The medal was commissioned by Domenico

a
HENRI DE FOIX
9I-98
Houston, no. 255; Brescia 2, p. 20, no. 260; Venuti,

Bonnani, pp. 697-99, ô- 4' Tresor Rapes,
p. 264, no. 20;
mm.
Dworschak, pp. 27-41 Pollard, Udine, pp. 148De Caro Balbi, pp. 9-11.
pi. 30,2;
1966.130.32
49, fig. 13;
medal of Henri de Foix by Cormano is noted in Forrer (3, p. 208) and Kress (p. 92). The portrait and style
of lettering of our medal are very close to Cormano's il-
97
Obv. Bust
lustrated in Rondot.
Around,
Rondot,
1. 1.
p. 408,
pi.
wearing cap, mozzetta and
to left,
MDCLIX
on
VII * P *
PATR
truncation,
stole.
PIVS
GENTE
FT F
scroll,
NAVALE CENTVMCELL
(with similar obverse
29,1
Koremano and
1659
Rev. Fortified port at Civitavecchia. Above, on
been cast during either of these periods.
signed
Chigi
ALEXANDER *
OPT * SENEN
IVST *
CHISIVS
Henri was in the service of the Venetian army from

1624-33 and commander of the Italian army in 163839 (he died at the siege of Casal) The medal could have
Bibl.:
ALEXANDER VII
Bronze, 66
mm.
different reverse).
1966.1 13.40
In 1659 and 1660 Alexander enlarged and fortified the
GIOACCHINO FRANCESCO TRAVANI
port of Civitavecchia.
The
effigy is after a
design by
Bernini.
(d.
1675)
Bibl.: Brescia 2, p. 20, no. 261
Master goldsmith, engraver of
and medalist,
seals
active
De Caro
Udine, pp. 148-49;
98
ALEXANDER VII
Obv. Bust
to
left,
Dworschak
6,
medals of Alexander VII)
and
fig. i.
1662
Around, ALEX
VII
below truncation, 1662
tiara.
VII
Rev. Church of Santa Maria dell'Assunzione, Ariccia.

Around, * BENE
FVNDATA DOMVS DOMINI * below, on scroll, B VIRGINI ARICINO
(for the
Bon-
wearing cope decorated with Christ
PONT MAX A
Balbi, p. 13
Chigi
carrying the cross and

pp. 129-30; 8, p. 238; Thieme-Becker 33,
p. 360; Martinori, fasc. xv, pp. 35, 66, 67, 71, 77; Bulgari
2, p. 482; Bartolotti, pp. 77-81, 415 (document no. 44);
See Forrer
p. 265, no. 3;
nani, pp. 658-59, no. 20; Tresor Rapes, pi. 31,4; Pollard,
Rome 1634-74.
^655 Travani was consul of the
Roman guild of goldsmiths, and from i655(?) to 1674
in
was employed as an engraver at the mint. The sitters for

his medals include Pope Alexander VII, Queen Christina of Sweden, and Medici dukes.
Venuti,
ALEXANDER
Obv. Bust
Around,
to left,
Bronze, old
aftercast, 65
mm.
Diagonal casting crack on
stole.
reverse
1966.1 14.73
See no. 99 for a different reverse.
Rev. Androcles and the lion in the arena. Around,
MVNIFICO PRINCIPI DOMINICVS lACOBATIVS; below, on scroll, ET FERA MEMOR BENE
FICII
1659
ALEXANDER VII P M PIVS IVST

SENEN PATR GENTE CHISIVS
OPT
MDCLIX
RVM PATRONAE
VII Chigi
Foundation medal. Alexander VII commissioned Bernini to design the Chiesa dell' Assunta in Ariccia.
first
stone
was
laid in 1662
The
and the church was completed
Bronze, 94
1966.1 13.39
in 1665.
mm.
36; Tresor Rapes, pi. 33,6;
Dworschak,
pi. 3,
no.
4.
36
99
ALEXANDER
VII Chigi
GIT
1662
MAX
Rev. Facade of church. Below, on
OSTENDIT
around,
Bronze, 64
mm.
^
ARICIAE;
MISERICOR-
Clement IX commissioned Bernini to design the new

apse facade of Santa Maria Maggiore, which is represented here. In 1673 Clement X, abandoning Bernini's
project, had a new design executed by Carlo Rainaldi.
mm.
Bernini's project adds a colonnade encircling the apse;
1966.1 14.58
Rainaldi omitted
The
See also no. 98.
reverse
may
100
Bonnani,
II
to left, in
MAG DVX
1666
DE' MEDICI
II
of Tuscany, 1620
Obv. Bust
p. 694,35; Tresor
Grand
(1610-70),
1666
FERDINANDVS
ETRVRI^; below, I F T
103
Rev. Rose branch with three blooms. Around,
OB VI A VLTIO QVESITA;
below,
GRATIA
TRAVANVS
MM.
p. 119, no. 835;
i,
(reverse unsigned)
2, p. 95, pi. 122,1
(1597-1679), Cardinal,
1675
Obv. Bust
Around, F
VANVS;
to right,
wearing skullcap and mozzetta.
VELITER
VICECA^;
EPIS
CARD
below,
BARBERIF TRA
on truncation, 1675
Rev. In wreath, sunrise over
Bronze, struck, 45
1 966.1 24.6
Bibl.: Forrer 6, p. 130; Brescia
15;
sea.
Around,
ALIVSQVE
ET IDEM
mm.
Bronze, struck, with mounts, 47
by Ber-
Venuti, p. 281, no. 15
FRANCESCO BARBERINI
NVS
no. 2, p. 37 (designed
omitted in insc); Bonnani, p. 716, no.

Tresor Papes, pi. 34,1.
1623
armor. Around,
pi. 4,
and executed by Travani)
(DOMVS
pi. 33,3.
FERDINAND
Duke
Dworschak,
Bibl.:
nini
this.
represent a second
project for the church at Ariccia.
Papes,
1966.1 13.67
DIAM IN DOMO MATRIS SVAE
SV.E +
Bronze, 73
scroll,
DOMINVS
TRICIS
Obv. Bust to left, wearing cope decorated with the Annunciation and tiara. Around, ALEX VII PONT
A VII in exergue, 1662
DOMINVS DECOREM DOMVS GENI-
Heraeus,
pi. 63,3.
1 966.1
mm. Hole at
top
14.60
The nephew
of
Pope Urban VIII, Barberini was named
vice chancellor in 1632.

101
COSIMO
III
DE' MEDICI
of Tuscany, 1670
1666
Obv. Bust to
in armor.
left,
PRINC iETRVR;
1661);
below,
Grand Duke
(1642-1723),
Around,
I
COSMVS
on
III
MM.
2,
truncation,
ANTONIO TRAVANI
Rev. Three-masted ship on
sea,
cipher surrounded by
CERTA FVLTRAVANVS
four stars and blazon in sky. Around,
GENT
SIDERA;
below,
Bronze, struck, with mount, 50
(b.
Forrer records only one medalist
i,
p. 119, no. 836;
mm.
MM.
2,
pp.
15-16, pi.
126,7 (unsigned).
IX
Rospigliosi,
74 1. Martinori observes that the date of birth
Pope 1667-69
1669
CLEMENS
MDCLXIX
below,
The
IX
PONT MAX AN SAL
apse of Santa Maria Maggiore. Around, DILI-
must
be
who
gives one
artist,
born in Rome
and son of Francesco, not Gioacchino Francesco.

This Antonio worked with his father from 1682, and
the last payment recorded to him is in 171 2. Besides the
medal below, there are coins and medals of Pope Alexander VIII (1689-91), and two cast medals of Bernini's
equestrian statue of Louis XIV of France (Dworschak)
in
Obv. Bust to left, wearing cap, mozzetta and stole.

Around, AMPLIATA
BASILICA LIBERIANA;
Tra-
wrong, because there are coins of 1689 with his signature. Thieme-Becker proposes two such medalists, the
other being born in 1627. The problem may have been
resolved by Bulgari,
CLEMENT
named Antonio
vani, as the son of Gioacchino Francesco, b. 1674, d.

1
Bibl.: Brescia
1661)
1966.124.3
Rev.
p. 119, no. 838 (dated
1666
102
i,
pp. 123-24, pi. 128,2.
661
ascribed to the
artist.
These works
are, chronologically,
CATALOGUE NOS.
possible for an artist born in 1661,
that
an elder Antonio Travani
it is
37
GIOVANNI BATTISTA
also possible
a mythical figure.
is
GUGLIELMADA
pp. 128-30; Thieme-Becker 33, p. 360;

Martinori, fasc. xvii, pp. 9, 14, 19-20, no. 6; Dworschak,
See Forrer
6,
pp. 34-36, figs.
Bulgari
4, 5;
2,
(active 1665-88, d. 1689)
pp. 481-82.
Rome for
Medalist active in
Popes Clement IX, Clement
X, and Innocent XI and for the Dukes of Mantua and
^ IPPOLITO FORNASARI
35
and
99-IO7
Modena and King John
1692
(1627-97)
laborated with Lucenti
Obf. Bust to right. Around, HIPP ABB FORNASARI VS BON ARCHIGY I C DEMANEPR EM;
below, .E AN 65; on truncation, A TRAVANVS
.
See Forrer
106
head facing
horse's
which serves
its
mouth
right, flanked
by two laurel
the arch a radiating rock. Above,
in hair,
15, p. 253.
to right.
Around,
(1626-89)
REGINA CHRISTINA;
GF
Rev. Sun with
VNIVERSITAS A
Bronze, struck, 40
1692
mm. Hole
face,
streaming rays. Around,
NEC
FALSO NEC ALIENO
NOMEN IN
ORE SEDET; around, APOLLINI IVRIS VTRIVSQ

Bronze, struck, 54
Thieme-Becker
339;
QUEEN CHRISTINA OF SWEDEN

Obv. Bust
the center portion of a drape
above a small structure supported by an arch of rocks.
Under
2, p.
backdrop. In center, a burst of rays
as a
col-
1675.
branches, holds in
medal of
Jubilee
Rei^.
He
Sobieski of Poland.
on the
mm.
1966.127.7
at top
De
Bibl.:
Bildt, pp. 61-63,
Rasmusson,
1966.124.1
33~34' P- i39>
23;
p. 314; Pollard, Udine, p. 153.
Fornasari was abbot of San Michele del Poggio and
law
professor of
at the University of
Bibl.: Rosati, no. 246 (as
Brescia
i,
p. 165, no. 1102;
Trovano); Forrer
MM. 2, p.
107
Bologna.
6, p.
128;
171, pi. 142,4.

Obv. Same
as no. 106
Rev. Celestial globe with seven
stars
and band. Above,
SVFFICIT
Bronze, struck, 40
GIROLAMO LUCENTI
1966.127.8
(1627-98)
This medal
pupil of Alessandro Algardi, Lucenti was active as a
and a bronze caster. He became an engraver at

the papal mint in 1668 under Morone-Mola and worked
there until 1679 in competition with Giovanni Hamerani.
sculptor
See Forrer
Bulgari
Italy,
3,
2, p.
pp. 48788; Thieme-Becker 23, p. 436;
59; R.
Wittkower, Art and Architecture in
London
1600-iyô,
monumental
1958, p. 210
(for Lucenti's
sculpture)
XI
PONT MAX
INNOCENTIVS
LVCENTI
Around,
below,
band and the
Bibl.:
Bronze, 90
mm.
1966.1 13.21
Bibl.: Forrer 3, p. 488.
inscription
NON
SVFFICIT.
De Bildt, pp. 65-68, figs. 37, 39; Rasmusson, p. 315.
Queen
Christina proposed in 1679 to commission a series
of 118 medals in a suite

rival the Histoire
The sun was
which would record her
Metallique of Louis
XIV
life
and
of France.
used by both Christina and Louis
XIV
outdo the emblematic sun used by the king (see
Bildt, pp.
XI
type).
list
The
12-13 for Christina's
as
De
comment on her medal
type and the legend on no. io6 appear in the
of subjects chosen
medals (De
Without reverse
pair, the other of which has as its

showing the Eastern Hemisphere with
one of a
a personal symbol, and on the medal the queen attempts
Odescalchi, Pope 1676-89
Obt;. Bust to right.
is
reverse the globe
to
INNOCENT
mm.
by the queen for her
Bildt, p. 139, no. 23)
corded in the
list.
De
but no. 107
Bildt suggests
series of
is
not re-
however (pp. 65
68) that the reverse of no. 107 represents the queen's
comment on her relationship with the Cardinal Azzolino. The series of medals was begun by Soldani who
modeled and cast some work in 1680. Guglielmada and
38
MARIS ORATOR EXTR AD INNOC XI

below, MDCLXXVIII
on truncation, lO HAME-
Other engravers reproduced medals for the series in
RANVS
CESARE IGNAZIO
Modena
D'
ESTE
Duke
(1674-1713),
struck versions and in two diameters.
108
of
Rev.
1687
Fame
atop a
pedestal, above figures of four
tall
virtues at corners. Pedestal inscribed,
HAC DVCE
CVNCTA PLA CENT.
angels widi sym-
CiESAR IGNAT
^STENSIS; on truncation, [I B G F] 1687
Obv. Bust to
PRIN
in peruke.
left,
Around,
Around,
1966.114.53
Portocarrero served as provisional viceroy of Sicily for
than a year, during which he was
less
2, p.
339; Crespellani, pp. 21
22.
(ill.),
GIOVANNI HAMERANI
111
(1646-1705)
The most important of a
worked
the papal court
first
from
XI
1677.
Becker
15,
Noack
FRANCESCO NERLI
Obv. Bust to
Around,
LIVS
FRANC
S R E
on truncation, lO
Cardinal,
PRESB CARD NERHAMERANVS F
Rev. Club and slain animal on
At
altar.
Hydra; at left, two slain dragons. Fourteen

Around, HINC AVCTVS FVLGORIBVS
in exergue, coat of arms
right, slain
stars
above.
AETHER;
mm.
Bronze, struck, 43
REGINA CHRISTINA;
Bronze, struck, 36
NE
below, 1680
mm.
1966.127 .6
See the note to nos. 106, 107 for the
Queen
medals
series of
of
Christina.
i,
De
p. 137, no. 949;
Bildt, pp. 73-74, figs. 43-44;
MM. 2, pp.
145-46, pi. 134,7.
112
FRANCESCO
FARNESE
Parma and
Piacenza, 1694
Obv. Bust
to right.
ET
PL AC DVX; on
of
1696
FRANC I
PAR
truncation, HAMERANVS
Around,
Duke
(1678-1727),
Rev. Faith and Justice seated facing each other. Behind,
DOMINI
MDCIIIIC;
circular
temple with inscription,
around,
IVNGVNTVR VT IMPERENT
mm. Hole
at top
1966.1304
Bibl.: Brescia
i,
p. 136, no. 941.
LODOVICO PORTOCARRERO
(i 629-1 709),
Cardi-
nal 1669, Primate of Spain, Archbishop of Toledo
Viceroy of Sicily
and
wearing
to left,
biretta.
GIUSEPPE ORTOLAN!
1678
LVDOV
CARD PORTOCARRERO PROT HISP ARCH
TOLET HISP PRIMAS A CONS STAT
PROREX ET CAP GEN SICIL TEN GEN
Obv. Bust
MI BISOGNA NE MI BASTA;
Bronze, struck, 52
1966.1 14.47
1X0
1673
and mozzetta.
biretta
Rev. Globe showing Eastern Hemisphere. Around,
(1636-1708),
wearing
right,
Around,
with his
Thieme-
in
to right.
truncation,
Brescia
109
(162^9)
He
in 1676,
2, pp. 399403; Fred.

p. 549; Bulgari 2, p. 10.

Obv. Bust
Girolamo Lucenti as engraver at the papal mint. After

1 68 1 he was the only medalist at the papal court, serving
the popes from Clement X to Clement XL
See Forrer
p. 137, no. 951; SiciHano, no. 56.
i,
on
comand worked
In 1679 he replaced
mint of Massa Carrara.
pleted the coinage of Innocent
archbishop
1680
family of goldsmiths, medaHsts,
engravers, Giovanni
father Alberto at the
made
of Toledo.
Bibl.: Brescia
for
with
mm.
Bronze, struck, 45
mm.
BibL: Forrer
seal
soldier
castle, ship,
left.
1966.130. II
and
and bishop, landscape,

cannon
bols of cardinal
CANDORE ET CONSTANTIA
Bronze, 42
left,
cannon. At right,
Rev. Heraldic eagle of the Este, crowned, facing
At
Around,
(ca.
He was in
and worked under Popes Alexander
VIII, Innocent XII and Clement XL
Medalist and die engraver, born in Venice.
Rome from
1674-1734)
1689
CATALOGUE NOS.
See Forrer
NICOLAS DUODO,
Venetian Ambassador at
Rome
Around, NICOLA VS
EQ
on truncation, lO
to left, in peruke.
Obv. Bust
DVODO COMES ET
ORTOL F
115
Obv. Bust
left,
church and other buildings
to
upper right; in background, town on a
BASILICIS
PARES
hill.
and the
of Alexander.
specimen of
At
tomb,
catalogue of
i,
Cardinal Ottoboni
right.
mentions that a
p. 164, no. iioo)
medal is noted by Wesener

the Carlo Morbio Collection, sold
nich, 16 October 1882.

this
26, p. 67
effigy
is
Bibl.:
Munich
Houston, no. 264; Brescia
ODESCALCHI
LIVIO
Bracciano and Sirmia
Obv. Bust
116
Obv. Bust of Jacques
of Cera,
10
TVETVR ET ARCET
COLLI
below, S
RES; below,
T S
CAR
to left.
lAC
PRESB
Around,
PHIL EQV ET PRIOR
TRVO
1699
Around, LIVIVS ODESC D G

D; on truncation, SV; below, i6[99]
Rev. Seaport. Around,
to right.
DE ARA
DE ANGELIS
pp. 30513.
Duke
JACQUES DE SAINTE MARIE, CARDINAL

SANT 'ANGELO and JEAN PHILIPPE, PRIOR OF
SAINT ETIENNE 1701
Rev. Bust of Jean Philippe

(1652-1713),
to right.
BRAC
5,
tomb) Tresor Rapes,
pi. 37, 10.
MARIAE
See Thieme-Becker 29, p. 329; Forrer
nos. 333, 334;
2, p. 26,
1957, no. 242 (for the history of the
in 1671)
raine.
SIRM
by Giuseppe Bertosi.
Mazio, no. 358; Venuti, p. 314, no. 21; Martinori, fasc.

xvii, p. 24; Renzo N. Montini, Le Tombe dei Papi, Rome
Nancy, Saint-Urbain learned die engraving in
and Italy. He was

appointed director of the papal mint at Bologna in 1673
and was chief engraver to the papal mint in Rome from
1683 to 1703, when he returned to Nancy. He became
engraver to the mint there in 1707 and executed most
of the coinage for Duke Leopold of Lorraine as well as
a series of medals of the Dukes and Duchesses of Lor-
14
mm.
from a design by Count Carlo Enrico di

San Martino. The marble statues of Religion and Prudence and relief are by Angelo de' Rossi; the bronze
(1658-1738)
in
pleted in 1725
(specimen in Padua).
FERDINAND DE SAINT-URBAIN
in
The tomb of Alexander VIII was commissioned by his

nephew Pietro Ottoboni. Begun in 1691, it was com-
medal,
see no. 122.
Germany (he was
1966.1 13.41
For the Ermenegildo Hamerani version of
Thieme-Becker
Bronze, struck, 64
Mu-
in the
at
VENE-
this
Around,
Carlo di San Martino. Inscribed on
Rizzini (Brescia
1700
stole.
architect,
Born
ALEX VIII PONT MAX; around, PETRVS

CARD OTTHOBONVS S R E VICECAN
PATRVO MAG BENEMERENTI POSVIT
MDCC; on listel, COM CAROL VS H S MARTIN INVEN in exergue, Ottoboni arms flanked by
Sand V
Around,
1966.130.12
Bibl.:
SIRM
Tomb
Rev.
at
mm.
Bronze, struck, 51
wearing mozzetta and
to left,
to church at
VIII Ottoboni, Pope 1689-91
Rev. Stairway, flanked by chapels, leads from town be-
ROMANIS
ALEXANDER
ALEXANDER VIII OTTHOBONVS

TVS PONT MAX *
low
(obv. insc.
26, p. 67.
13
39
MM. 2, p. 223, pi. 155,6; Beaupre, p. 50

ET BRAC).
pp. 332-33; Grotemeyer in Thieme-Becker
4,
I08-II7
Around,
MARCH
STEPH PA
MDCCI
Bronze, struck, 40
mm.
1 966.1 30 .7
Bibl.: Forrer 5, p. 312, no. 86; Beaupre, p. 51, no. 17 (re-
mm.
ports a description, noting that he has not seen
1966.107.15
ample and
nephew of Pope Innocent XI.

Beaupre suggests that the reverse depicts Odescalchi's
that
it is
an ex-
very rare)
Livio Odescalchi was the
castle at
Lake Bracciano.
Bibl.: Forrer 2, p. 312, no. 93; Brescia
117
ULISSE GIUSEPPE GOZZADINI
(1650-1728), Car-
dinal, 1709
i,
p. 131, no. 906;
Obv. Bust
to right,
40
VLYSSES I S R E PRESB CARD

GOZZADINVS PRAEF RAVEN LEG A
Around,
Rev. Minerva with dove o the Holy Spirit on her head.

Around, MINERVA SACRA; on base, S V
Bronze, struck, 56
D G DVX LOT BAR REX
lER; on
Rev.
A horseman crossing a bridge to right. In landscape
herm
of Mercury; in right foreground
Abundance.
PROVIDENTIA PRINCIPIS;
VIAE MVNITAE
MDCCXXVII
Around,
mm.
trunca-
tion,
in exergue,
1966.1 14.65
Bibl.: Brescia
i,
MM. 2, p. 276,
p. 131, no. 908;
Giovanni Fantuzzi, Notizie degli
Bologna
mm.
Bronze, struck, 65
pi. 164,1;
1966.131.89
Scrittori Bolognesi,
For reconstruction of the bridge
1789, 4, p. 226.
Haye.
in the forest of
Houston, no. 328; Forrer 5, p. 309; Lepage, p. 348,

no. 6; Beaupre, p. 29, no. 8 (silver examples also known).
Bibl.:
118
JEAN II OF ANJOU
BOURBON, Duke and
Obv. Bust to
lOAN
II
GIAE; on
(1427-70)
and
MARIE OF
Duchess of Lorraine
cap and royal robes. Around,
right, in
121
ANDEG D G DVX LOTHARIN
truncation, S
left.
Around,
mm.
Lepage,
Beaupre, p.
16,
LEOPOLD
p. 353, no. 39;
and southern
Sicily
VRBANI
on the
sea with aerial
PELAGI
background.
CECIDIT
mm.
The
reverse inscription
154.
Probably celebrates Philip's accession.
from the Aeneid, book
is
Lepage,
Bibl.: Forrer 5, p. 310, no. 10;
no. 22.
i,
line
p. 349, no. 10;
Beaupre, pp. 4041, no. 10; Siciliano, no. 68.
Duke
( 1 679-1 729),
of Lorraine,
1697
ERMENEGILDO HAMERANI
LEOP I D
G LOT BAR D REX lER P P ET DELITIVM on truncation, S V
Obv. Bust
Around,
to right, in peruke.
.
(1683-1756)
Roman
rocks from a
striding in left
1705.
open a passage for Mercury, seen

background. Around, VITAL CON-
cliff
to
ATQVE
VIAE
in exergue,
mm. Hole
With
Giovanni
his brother
Ottone he succeeded
mint
as engraver to the papal
in
Beginning in 1734 he and Ottone held a monopoly
of coinage for the states of the Church. Ermenegildo
worked also for the King of Sardinia and

mint at Palermo.
MDCCV
Bronze, struck, 58
medalist.
their father
Rev. In right foreground Hercules with his club breaks
Italy in right
1705
SVLIT
1966.130.6
was executed between
1727 and 1731.

Bibl.: Forrer 5, p. 310, no. 39;
view of
entire series
Around, PHILIPPVS
below,
shell
Bronze, struck, 50
The
Rev. Neptune standing on a
CVNCTVS
FRAGOR VIR AE I
Part of Saint Urbain's series of the dukes and duchesses
119
Around, SIC
1966.131.91
of Lorraine.
of Spain, 1700
Bronze, struck, 47
King
(1683-1746),
V HISPANIARVM REX
MARIA
DE BORBONIA DVCISSA LOTHARINGIAE;
below, S V
Obv. Bust
Rev. Marie of Bourbon, bust to
PHILIP
See Fred.
at top
Noack
in
Thieme-Becker
15,
at the imperial
pp. 547-49; For-
rer 2, pp. 394-98; Bulgari 2, pp. 8-9.
1966.131.92
Commemorates opening
of the road
from Nancy
to
Toul.
NICOLAS DUODO,
Lepage,
p. 347;
Beaupre, p. 24,
2.
Obv. Bust
to left, in
DVODO
tion,
120
LEOPOLD
Venetian Ambassador
Rome
at
1720
no.
122
1727
long peruke. Around,
NICOLAVS
COMES ET EQ
S R
HAMERANI
E
on
trunca-
Rev. Stairway, flanked by chapels, leads from town
Obv. Bust to right, in peruke, wearing armor and the

Order of the Golden Fleece. Around, LEOPOLDVS
low
to
church
at left, to
church and other buildings
upper right; in background, town on a
hill.
beat
Around,
CATALOGUE NOS.
ROMANIS
BASILICIS
PARES
41
Hamerani was
in exergue,
I18-I26
MDCCXX
a favorite of James III.
Med.
mm.
no.
III. 2,
p. 454, no. 63; pi. 145,
3.
1966.107.17
For a bronze version signed by Giuseppe Ortolani,
125
see
Houston, no. 305; Rosati, no. 229; Forrer
398; Brescia
[23
i,
INNOCENT
Obv. Bust
2,
p.
Around,
p. 164, no. iioo.
RINVS
XIII de' Conti, Pope 1721-24
to
ANG M
EP
MERANI
left,
1750
R E BIBL CARD QVIBRIX; on truncation, OTHO HA
INNOCENT
HAMERANI
Around,
XIII
1721
to right,
BIBLIOTHEC^ A SE ERECT/E
DOTATAEQVE COMMODO VRB BRIX PRI-
Rev. Inscription,
Obv. Bust
tion,
(1680-1755), Archbishop
of Brescia, 1726, Cardinal, 1727
no. 113.
Bibl.:
ANGELO MARIA QUIRINI
stole.
I;
on trunca-
MARIO HVIVS MAGISTRATVI POSSESSIONEM CONTRADIDIT ANNO IVBIL MDCCL

|
Rev. Saint Michael the Archangel trampling the devil.
Bronze, struck, 48
CONSTITVI TE PRINCIPEM
Around,
mm.
1966.1 14.48
Bronze, struck, 30
mm.
Cardinal Quirini founded the Biblioteca Queriniana in
1966.1 13.45
The
Brescia in 1745. In 1750
archangel Michael
is
a reference to the pope's first
Bibl.: Brescia
name, Michelangelo. Election medal.

i,
it
was opened
p. 184, no. 1197;
2,
pp. 373-76,
pi.
by Peter Paul Werner).
191,2 (illustrates later restrikes
Mazio, no. 412; Venuti,
MM.
to the public.
p. 344,
no. 5; Tresor Papes, pi. 40,9; Martinori, fasc. xviii-xix,
GIOVANNI BATTISTA POZZO
p. 114; Bartolotti, no. E. 721.
(ca. 1 670-1 752)
OTTONE HAMERANI
Born
in
Bergamo, Pozzo was
in
Rome from
1697,
he was probably a student of Ottone Hamerani.
(1694-1761)
carver and medalist, he imitated the style of contem-
porary Florentine portraits.
Ottone worked with his brother Ermenegildo as medalist
(1730-57) and master of the mint at
Rome from
See Forrer
1734 to his death, under Popes Clement XII, Benedict
XIV and Clement

2,
27> P- 338;
pp. 681-82; G. F. Hill in Thieme-Becker
4,
Pyke,
p. 115, fig. 228.
XIII.
See Thieme-Becker
Bulgari
15, p. 549;
Forrer
2,
pp. 404-09;
pp. lo-ii.
126
PIETRO LEONE GHEZZI

Obv. Head
to right.
LEO GHEZZIVS
24
JAMES
III
STUART
(1688-1766),
The Old
Pretender
Rev.
Winged
(1674-1755), painter
Around,
signia.
to right, in
Around,
peruke and armor with sun
in-
VNICA SALVS
Lead, 74
caduceus. Around,
mm. Hole
ing figures. Around,

exergue,
PETRVS
ARTES CVI MILLE
1966.130.23
To
FILIPPO
right, three flee-
QVID GRAVIVS CAPTA;
in
mm.
CROPANESE
(active
MDCCXXI
Copper, struck, 50
at top
Rev. Britannia seated on left with Thames and London

behind. In foreground, the horse of Hanover tramples
the Unicorn and Lion of England.
EQVES
1721
Obv. Bust
when
An ivory
1756-73)
Medalist and coin engraver.

bers of the court of
1966.131.55
Clement XIV,
Appeal against the House of Hanover.
See Forrer
i,
He made medals of memin Rome worked for Pope
Parma and
p. 480; 7, p. 198;
Thieme-Becker
8,
p. 164.
42
127
FERDINAND
Duke
INFANTE OF
(1751-1812),
SPAIN,
Parma, Piacenza and Guastalla, 1765
of
Obv. Head
to left,
with hair tied back. Around,
FER-
ALESSANDRO ANTONIO BARZIZA,

Bergamo
DINAND VS HISP INF PARM PLAC VAST

DVX * on truncation, FIL CROPANE SE F
129
1771
PRiET
to left.
Around,
PROPR.EF;
ALEX * ANT * BARZIZA *

F CORAZZINI F
below,
of
1779
Obv. Bust
Governor
Rev. In wreath of oak and laurel leaves, inscription,
OB
|
Comedy and Tragedy
Rev.
GIVES SERVATOS
from
receive laurel wreaths
ARMORVM INTERDICTO
|
NOVVM VTRIQVE
winged Genius. Around,
COLLATVM DECVS
PANESE F
MOED
on
[.
1779
CRETA
.]
BERGOMATES
CROCOCIDIOCCLXXI
FILIPPO
listel,
TRAGOED ET
in exergue,
CORONA
mm.
Bronze, struck, 43
1 966. 1 3 1.
69
Bronze, struck, 71
mm.
Reverse struck from cracked die
1966.130.30
Son
Bibl.: Brescia
130
of Philip, infante of Spain,
son of Philip V,
Bibl.: Forrer
King
Duke
of
Parma; grand-
PETRVS
MAS;
p. 480.
i,
PIETRO SERASI
Obv. Bust
of Spain.
Rev.
128
CLEMENT XIV Ganganelli,

Obv. Bust
Pope 1769-74
wearing cope and
to right,
CLEMENS XIV PONT

F CROPANESE
M A
IV; on truncation,
DEL
TASSO,
left
sits
hand
book inscribed
right on bench with
at
in exergue, II
VIRI
BERGOM
AN
1966.1 14.52
mm.
Bronze, struck, 45
left.
The medal was

commemorate
1772
Bronze, struck, 37
holding in
BERGO-
MDCCLXXXVI
1 966.1
SVSCEPTVS
holds infant being blessed by pope.
at right
DEVS NOVA F^DERA SANCIT; in

FONTE
HISPAN INFANS A S
exergue,
Woman,
LAVDIS;
Baptismal font surmounted by figure of Purity at
Around,
F CORAZZINI F
Rev. Crowned personification of Spain with columns
and stemma
ANTONIVS SERASSIVS
1786
crowned stemma on it. She points to a laureate bust of

Serasi at left on an altar with garlands and crowned
PATRIAE
stemma. Around, PROPAGATORI
Around,
tiara.
(1721-91), Cardinal
wearing skullcap and cape. Around,
to right,
below,
VITA
1772
p. 205, no. 1303.
i,
mm.
Bibl.: Forrer
ordered by the town of Bergamo
i,
to
biographer of Torquato Tasso.
this
p. 458; Brescia
i,
p. 205, nos. 1304, 1305.
13.27
131
Commemorates
the baptism of the Infante of Spain,
Carlo Clemente.
The
sented on the pope's
fact that this event
Annual Medal
would be
indicates
GIACOMO CARRARA
MARIA ANNA PASSI
im-
Obv. Jugate busts
to right.
Around,
CARRARA MARIA ANNA

cation,
tolotti,
and
his
wife
repre-
how
portant good relations with Spain were to the papacy.

Bibl.: Brescia 2, p. 37, no. 475;
(1714-96)
lAC
COMES
PASSI VXOR; on
trun-
F CORAZZINI
Mazio, no. 506; Bar-
no. E. 772; Patrignani, p. 116, no. 11.
FRANCESCO CORRAZZINI
Rev. Palace facade. Around,
PRO BONIS ARTIBVS
BERGOMI COLENDIS
LYCEVM EREXERE
PINACOTHECAM ET
Bronze, struck, 45
mm.
1966.131.75
(b. ca.
Medalist, active in
Rome
during the
early nineteenth centuries,

anis.
He
executed a
citizens of
See Forrer
gari
I,
1750)
eighteenth and
late
an imitator of the Hamer-
number
of medals of distinguished
Bergamo.
i,
pp. 458-59;
Thieme-Becker
p. 320 (as Corazzini).
7, p.
389; Bul-
Count Giacomo Carrara in his will of 3 March 1796 becity of Bergamo his entire art collection
and a school of design. These are housed in a building
designed by Simone Elia and completed in 1810. (G.
Frizzoni, he gallerie dell' Accademia Carrara in Bergamo, Bergamo 1907, p. 13).
queathed to the
Bibl.: Forrer
i,
p. 458.
CATALOGUE NOS.
32
PAUL V
Obv. Bust
PAVLVS
V BVRGHESIVS ROMANVS PONT MAX

A S M DC V PONT I
Bibl.:
BEATISS
135
Bronze, 55
LUDOVICO LUDOVISI
1626
nimbate. Around,
holding
to right,
book,
VT SAPIENS ARCHITECTVS
FVNDAMENTVM POSVI QVOD EST XPS lESVS *
p. 21, pi. 105,2; Brescia i, p. 149, no. 1013.
Obv. Bust of Saint Ignatius
MM. 2,
MARI^ SEMP VIRSACELLVM AFVNDAMENTIS EREXIT
Around,
GINI
Mag-
Rev. Exterior of Pauline Chapel of Santa Maria

giore.
Church of Saint Ignazio in 1626. The church

was designed and executed by the Jesuit Orazio Grassi
from 1626-50.
43
stone of the
1605
to right,
I27-I37
mm.
LVDOVICVS CARD LVDOVISIVS S R E VICECANCELL IGNATIO CVI

GREGORIVS XV P M PATRWS SANCTORVM CVLTVM DECREVIT COLENDO
TEMPLVM EXTRVXIT AN MDCXXVI
Rev. Inscription,
1966.114.1
The
may
ing that the medal

ist
Rome
noted in
(i, p.
is
AMB.
signed
B, suggest-
who may
be the Bosio
Rome from
whom
Bronze, struck, obverse
64
mm. Hole
at top
1966.1 14.41
See no. 134.
AMB.
below
Bibl.: Brescia
Mar-
14; Tresor Papes, pi. 26,5;
136
GIUSEPPE FERRERI
(d. i6io),Vicelegate of
p. 149, no. 1014.
i,
B.)
tinori, fasc. xiii, p. 114.
THE CHURCH OF SAINT GREGORIO IN ROME,

ARMS OF PRINCE GIOVANNI BATTISTA
BORGHESE 1666
Avignon
Obv. Facade of Church of Saint Gregorio. Around, S
1609
Obv. Bust
to right,
FERRERIVS
lOSEPH
ADMDC
wearing cape. Around,
VICELEG AVENION
GREG VIGILA TVTEL^ NOSTRA

exergue, MDCLXVI
P
View
of Avignon. Around,
Bronze, 58
mm. Round
Arms
Around,
Giovanni
Prince
of
lOANNES BAPTISTA
Borghese.
Battista
PRINC
BVR-
GHESIVS
Bronze, traces of
indentation at top
gilt,
57
mm.
1966.130.24
1966.1 14.66
Bibl.: Brescia
i,
Bibl.:
p. 148, no. looi.
LUDOVICO LUDOVISI
(1595-1632), Cardinal, 1621
1626
137
Houston, no. 260.
ALEXANDER
VIII Ottoboni, Pope 1689-91
1689
Obv. Bust to right. Around, ALEXANDER VIII

O M CREATVS DIE 6 OCTO; below, 1689
Obv. Facade of Church of Saint Ignazio, Rome,
as pro-
LVDOVICVS CARD LVDOR E VICECANCELL FVNDAVIT *
jected in 1626.
Around,
in exergue,
AN MDCXXVI
Without reverse
Bronze, 163
LVDOVICVS CARD LVDOVISIVS S R E VICECANCELL IGNATIO CVI

GREGORIVS XV P M PATRWS SANCTORVM
CVLTVM DECREVIT COLENDO TEMPLVM
EXTRVXIT AN MDCXXVI
Rev. Inscription,
VISIVS S
in
Rev.
ROMA DABIT
QVONDAM QVAS DAT AVEN CLAVES *
34
gilt,
1622 until his death
Bibl.: Venuti, p. 207, no. 3 (obv. insc.
Rev.
in 1628.
IX
227) dates in the second half of the sixteenth
active as silversmith in
be by Ambrosius Bosio, a medal-
to 1610,
century. Bulgari (i, p. 200) records a Giovanni Bosio
33
version noted in Venuti
Forrer
mm.
1966.121
Medallion on the election of the pope, 1689.
The
large
portrait plaques in
bronze of popes of the seventeenth
century have not been studied as a group, although one
has been reasonably attributed to Bernini (L. Opdycke,
Bronze, struck, 62
"A
mm.
portrait medallion of
seum
1966.1 14.40
Foundation medal. Cardinal Ludovisi
pp. 13-19).
laid
the
first
Clement IX," Fogg Art Mu-
Acquisitions, ig^gig62, Cambridge, Mass. 1963,
The plaque
much humbler
level.
of
Pope Alexander VIII
is
piece of similar quality of
at a
Pope
44
Pius V, on his beatification in 1672,

lished by S.
De Caro
is
also
known
Balbi in Medaglia, anno.
4,
Grand Ducal Academy
(pub-
the
no. 7
Rome
tor
[1974], at p. 21, fig. 18).
Rome from
in
he studied with the painter Ciro Ferri, the sculp-
Ercole Ferrata and the medalist Pietro Travani.
XIV where
Soldani then went to the court of Louis

138
worked under Francois Cheron and Joseph
GIOVANNI ANSANO, celebrated Roman tenor 1792

Obv. Bust to right. Around, lOH ANSANVS ROM
FAMA ET INVIDIA MAIOR
CI VITAS
1792;
VIRTVTI
stamped under wreath,
returned to Florence in 1682, reorganized the mint
became professor at the Accademia del Disegno

and master of the mint in 1688. As well as being
a medalist to Cosimo III and Christina of Sweden, Soldani was a sculptor in bronze. His medals are large and
always cast; when struck medals were called for, they
were engraved by other artists, such as G. B. Guglielin 1684
LIB-
mm.
Bronze, 56
1966.130.47
mada
BihL: Brescia
i,
p. 221, no. 1391.
or Peter Paul Borner (see the note to nos. 106,
107).
See Forrer
139
PIUS VI
Braschi,
Pope 1774-99
to right, wearing skullcap, mozzetta and stole,

Around, PIVS * SEXTVS * PONTIFEX *
MAXIMVS
EIVS
PRINCIPATVS
Bronze, struck, 50
FACTVS
in
SVPER
HVMERVM
57; Pyke, pp. 139-40.
140
VALENTINO FARINOLA
Obv. Bust
mm.
to right.
(d. 1683)
1677
VALENTINVS
D HETR AVDIT
Around,
NOLA SEREN M
1966.1 13.28
The
Mario Labo
p. 211;
8,
pp. 423-29; Detroit, pp. 10243; Pollard, Udine, pp. 154-
Rev. Christ carrying the cross. Around,
EST
pp. 56568;
5,
Thieme-Becker 31, p. 235; Lankheit, pp. 110-53 (medals

and coins on pp. 11423), 191-97, 283-84; H. R. Weihrauch, Europaische Bronzestatuetten, Brunswick 1967,
Obv. Bust
blessing.
he
Roettiers.
there,
Rev. In laurel wreath, inscription,
VRNI
He
1678-81. In
FARIbelow,
1677
inscription
on the reverse alludes
borne by Pius during his pontificate.
to the
Rev.
burdens
The medal may
A bridle. Around, SVAVIS IN VTROQ
Bronze, 68
mm.
predate his final and losing struggle with France (1798)
but
it
may
also
have been issued shortly
tion of the papacy in 1814
Not
listed
among
by
Thus
it
Bibl.: Lankheit, docs. 349, 350.
his successor, Pius VII.
the medals of Gioacchino
medalist to Pius VI.
1966.126.7
after the restora-
may
Hamerani,
141
postdate his reign.
LUDOVICO CAPRARA,
Tuscan
Bibl.:
Mazio, no. 520; Patrignani,
p. 174, no. 91.
Army
Obv. Bust
ca.
in
right,
to
Generale di Battaglia of the
1679
peruke and
LVDOVICVS CAPRARA
cuirass.
Around,
SOLDANVS
below,
Rev. Peace and Mars in a landscape. In exergue,
NON
DEFICIT ALTER
Bronze, 64
Florence
mm,
1966.127.3
Bibl.: Lankheit, docs. 34950; p. 117; fig. 152.
MASSIMILIANO SOLDANI-BENZI
(1656- I 740)
142
Soldani recreated for a short time the tradition of the

Italian cast
medal.
From
a noble Florentine family,
he
began studying drawing with Baldassare Franceschini

at age nineteen. In 1678 Cosimo III decided that Soldani
FLAVIO CHIGI
Obv. Bust
S
(1631-93), Cardinal, 1657
to right,
FLAVIVS
M SOLDANVS
wearing cape. Around,
R E CARD CHISIVS;
below,
F
Rev. Figures of Justice and Truth seated together.
IVSTITI^ ET VERITATI;
should be trained to take the position of master of the
Around,
grand ducal mint. Cosimo sent him for training
SOLDANVS F ANNMDCLXXX
first to
1680
in exergue,
CATALOGUE NOS.
Lead, partially
gilt,
60
mm. Hole
at top
146
I38-I48
COSIMO
45
DE' MEDICI
III
of Tuscany, 1670
(1642-1723),
Grand Duke
1684-85
ca.
1966.127.9
Obv. Bust
Bibl.: Lankheit, docs. 349, 350; Forrer 5, p. 567; Brescia
I,
143
p. 134, no. 929;
PIETRO
MM. 2, p.
Obv. Bust
MAGIVS SEREN
SOLD F
PETRVS MATTH
D HETR AVDIT
Bronze, 97
mm.
147
ERCOLE FERRATA
mm.
on a
VITTORIA DELLA ROVERE

Ferdinand
(1610-86), sculptor
Around,
SCVLPTOR EXIMIVS
II de'
1681
HERCVLES FERRATA
-
Rev.
Winged
silver coin
made by
in
ca.
(1622-94), married
1685
VICTORIA
hood. Around,
II
figure of
Fame running
to left.
Around,
FAMAM QVAE TERMINET ASTRIS
below, 1681
Bronze, 83
mm. Hole
Medici, 1634
right,
FERDINANDI
Without reverse
Bronze, 58
Obv. Bust to
to right.
Bibl.: Detroit, no. 89 (based
Bibl.: Lankheit, docs. 349, 350.
Obv. Bust
Soldani in 1684).
1966.126.5
144
1966.126.3
Rev. Justice and Peace embracing on clouds

Bronze, 85
DVX
COSMVS III D G
ETRVRI^ VI; below, M
Around,
Without reverse
(d. 1681)
Around,
to right.
MAGNVS
155, pi. 138,6.
MATTEO MAGGI
to right.
mm. Hole
at top
1966.126.1
at top
Bibl.: Lankheit, docs. 349-50.
1966.126.6
Soldani
rata
made medals
and Giro
On reverse,
PVBLICA
of both his teachers, Ercole Fer-
CIRCLE OF SOLDANI
Ferri.
remains of a figure and part of inscription,
legible.
Bibl.: Lankheit, docs. 349, 350; Forrer 5, p. 565.
148
COSIMO
FRANCESCO REDI
pher
(1626-98), doctor, poet, philoso-
1684
Obv. Bust
to right.
FRANCISCVS
Around,
PATRITIVS ARETINVS
below,
CANEBAM,
flanked by small
REDI
SOLD
Rev. Bacchus and Silenus with maenads and
Bronze, 87
1684
satyrs.
In
M and S
mm.
Grand Duke
Obv. Bust
wearing armor. Around,
to right,
D G MAGN DVX
ETRVRIiE
Rev. Plan of church and monastery on
COSMVS
scroll.
Around,
Redi was the chief physician to Ferdinand

Medici. This
TARA;
below,
1678
mm.
1 966.1 24.7
Cosimo
III invited the Alcantarines, a
Spanish Reform
Order of Minorites founded by Saint Peter of Alcantara

(Franciscan, canonized 1669), to Tuscany, where he
built a monastery for them near his villa, L'Ambrogiana.
1 966.1 26.2
III de'
(1642-1723),
DEO IN HONOREM SANCTI PETRI DE ALCAN
exergue,
DE' MEDICI
1675 (1678?)
III
145
III
of Tuscany, 1670
is
II and Cosimo
one of three medals of Redi com-
(Cp. Detroit, no. 141.)
missioned by Cosimo; each has a reverse illustrating a

dififerent facet of Redi's activity.
Here, the reverse of a
ANTONIO MONTAUTI
bacchanal refers to the dithyramb by Soldani, Bacco in

Toscana, published in 1685. The inscription means "I
(d. after
1740)
have sung."
Florentine sculptor, architect, medalist, a student of
Lankheit, docs. 349, 350, figs. 153,

pp. 565, 566 (ill.); Brescia i, p. 135, no.
Bibl.: Rosati, no. 241
154; Forrer
5,
932; Detroit, no. 88;
MM. 2,
p. 167, pi. 141,3.
He began as a medalist and

and most of his medals date from 1709
In 1733 Montauti was called to Rome by Cardinal
Giuseppe Piamontini.
bronze
16.
caster,
46
Salviati. He soon obtained the favor o Pope

Clement XII, who made him architect of Saint Peter's
in 1735 and commissioned a marble Pieta for the crypt
Alamanno
tion of remodeling
Bibl.:
of his family chapel.
See Forrer
4,
Houston, no. 303; Lankheit,
p. 219, n. 154; Detroit,
no. 46.
pp. 131-32;
heit, pp. 186-88,
and enlarging of the palace under
Francesco Riccardi.
Thieme -Becker 25,
p. 83;
Lank-
22829 (documents) Detroit, pp. 86-89.

;
151
COSIMO
DE' MEDICI
III
Grand Duke
(1642-1723),
of Tuscany, 1670
49
LORENZO MAGALOTTI
scholar, philosopher, theologian, poet
Obv. Bust to
left,
in peruke.
RENTIVS MAGALOTTI;
TAVTI F
MVS
1712
Around,
below,
Obv. Bust
Florentine
(1637-1711),
III
center.
scape. Globe, compass,
OMNIA LVSTRAT;
book
lyre,
stands in land-
Around, COS-
Above,
six
balls
in exergue,
Bronze, 83
CID-I3CC-XII
mm. Ring
attached at top
1966.131.60
The
Bibl.: Lankheit, pp. 192, 219, n. 151; Forrer 4, p. 132;
on the obverse
inscription
is
explained by Cosimo's
p. 167, no. iiii;
MM.
2,
pp. 217-18, pi. 153,2.
which perhaps the reverse

The budded staff is the
of Saint Joseph, and the lily a symbol of reli-
of Saint Joseph with a
attribute
GIOVACCHINO FORTINI
makes
was
and Guiseppe
FRANCESCO
Piamontini. His earliest works in sculpture were exe-
(ca.
cuted under the direction of Giovanni Battista Foggini
and he succeeded Foggini as architect of the Royal Gallery and of the Rich Chapel of S. Lorenzo. In 1701 he
signed the tomb of General Philipp Bertram Degenhard
Joseph von Hochkirchen in Cologne. He executed
marble portraits and medals of the grand ducal family.
See Thieme-Becker
50
12,
Ohv. Bust
Around,
RICCARDI R C COS
ET SVM AVLE PREF
M D
on
1715
ETR A CONS
truncation,
G F F
:
medals are dated 171826.

4, p.
533; Lankheit, pp. 193, 229 (document)
Pyke, pp. 106-07,
1698-1793)
Pieri
five signed
F MARCHIO
FIERI
student and long-time associate of Giovacchino For-
See Forrer
(1648-1719)
p. 158, figs. 2oa,b.
was born in Prato. He specialized in wax

sculpture, most of which is lost. Gian Gastone de' Medici
promised Pieri Fortini's position as head of the grandducal tapestry works, but when Gian Gastone died,
Pieri lost all and moved to the Neapolitan court. Pieri's
Detroit, pp. 8085.
FRANCESCO RICCARDI
tini,
pp. 228-29; Lankheit, pp. 175
226 (documents)
Udine,
in Settignano.
a student of Carlo Marcellini
78, 192-93,
to
Bibl.: Forrer 2, p. 126; Pollard,
and medalist, born
sculptor, architect
lily,
a reference.
gion and of the city of Florence.
(167172-1736)
"Altezza
title
Reale" in 1699. Cosimo had himself painted in the guise

of the medal
Fortini
of Medici
DELICI^ POPVLI DELICI^ DOM-
having received from the emperor the

i,
Christ Child,
lily to
golden
putti hold
INI
1966.125.5
Brescia
truncation,
lower right. Around,
at
mm.
Bronze, 92
cloak.
REX; on
.]
arms. Around,
Kev. Apollo in radiance, holding a
and
ETRVSCORVM
Rev. Saint Joseph on right offering
to right, in cuirass
[FORTINI
COMES LAVMON-
ANT
152
fig-
218.
GIAN GASTONE DE' MEDICI

Grand Duke
(i 671-1737), seventh
of Tuscany, 1723
MDCCXV
Obv. Bust to
Rev. View of the Medici-Riccardi palace, with angel
GASTO D G
holding crown and key above; Charity and Abundance
Rev. Gian Gastone accepting crown and scepter fromt
below. Around,
Bronze, 88
EGENTIVM VOTIS
mm.
1 966.1 25.1
right, in
peruke and
M DVX
cuirass.
ETRVRIAE
Around, JO
VII
kneeling female figure accompanied by lion couchant.l
Around,
CRESCAM LAVDE RECENS
Bronze, 82
mm.
The
Riccardi family purchased the Medici Palace in
1 966. 1 25 .2
1659.
This medal probably commemorates the comple-
Bibl.: Lankheit, p. 219, n. 158.
CATALOGUE NOS.
47
NARDINVS
GIOVANNI BATTISTA LAPI

(d.
l^g-l'^y
PERFETTI
Rev. In rocky landscape,
He went
to
until his death.
Around,
rays of light.
Bronze, 89
Livorno in 1732, where he practiced
and architecture
painting, sculpture
He
mm. Hole
At
See Thieme-Becker 22, p. 369.
medal was issued
GIOVANNI LAMI
Obt^. Bust to right.
Around,
ACAD APATH PRAEF
10
155
and pen, flanked by Minerva standing
MEVM;
in exergue,
anonymous, eigh-
at left
DVLCE
DECVS
Around,
right.
and tyche
(1671-1731), Florentine
moral philosopher
1729
FRANCISCUS DEL-
below, S
MDCCXXIX
Rev. Female draped figure (Philosophy) seated with

book. At
putto with lyre and horn;
left,
Pegasus and swans. In exergue,
at
right,
ET lUCUNDA ET
|
lO LAPI F
mm.
IDONEA VIT^
Brass rim
Bronze, 88
1966.131.59
The
The
1725.
pp. 352-53, pi. 187,1.
2,
TEGLIA FLOREN
of Florence seated at right; both pointing towards bust.
ET
was crowned
May
for that occasion.
FRANCESCO DEL TEGLIA

Obv. Bust to
Perfetti
p. 210, no. 1328 (as
i,
MM.
jurisconsult,
below truncation,
Ref. Pedestal with bust, books, papers, and an inkstand
PRAESIDIVM
at top
Pope Benedict XIII,
the order of
teenth c);
LAPI
Around,
Riccardiana
V C lOH LAMIO
B
toward
poet laureate on the Campidoglio on 13
(1697-1770), theologian and his-
torian. President of the Biblioteca
sibyl gesturing to left
DEVS ECCE DEVS
1966.128.2
was also noted in Florence in 1732, where he was a student of C. Gregori at the academy, and again in 1736.
Bibl.: Brescia
53
below,
1725
1772)
Born in Rome, Giovanni Lapi was a painter, engraver,

architect, sculptor, goldsmith, medalist and gem engraver.
SENENSIS
mm.
1966.128.3
obverse inscription refers to Lami's office as pre-
fect of the
Accademia degli
156
See also no. 158,

Bibl.: Brescia
i,
MM.
Bibl.:
2, p.
292, pi. 170,3.
Apatisti.
FERDINAND II DE' MEDICI
(1610-70)
Grand Duke
of Tuscany, 1620
p. 194, no. 1254.
Obv. Bust to
right.
FERDINANDVS
Around,
II
MAG DVX ETR V
ANTONIO
SELVI
Rev.
rosebush with three blossoms. Around,
(1679-1753)
known
Venice, he
came
of Selvi's early
to
life.
He
mm.
Probably from
1966.130.48
Florence and became a close follower
of Massimiliano Soldani.
Bronze, 88
is
One
was active in Florence and,
beginning in 1740, executed with Bartolommeo Vaggelli a series of seventy-six medals of the House of
Medici. There are several medals of Englishmen
among
of Selvi's series of the Medici. For a possible proto-
type by Travani, see no. 100.
157
FRANCIS
(1708-65),
Grand Duke
See Forrer
PIVS FELIX AVG;
works. Selvi
is
of
peror 1745-65
Duke
of Lorraine
1745
Obv. Bust to right, laureate, wearing the Order of the

Golden Fleece. Around, IMP CAES FRANCISCVS
.
5, pp. 472-74; Grotemeyer in Thieme-Becker

30, p. 483; Kress, p. 92; Lankheit, pp. 195-97; Detroit,
pp. 96-101.
54
BERNARDINO PERFETTI,
1747)
(1681-
poet
1725
Obv. Bust
to right, laureate.
below,
EQVES
BER-
S [F] on truncation,
;
1745
rest
on
band of zodiac
altar
signs.
Around,
Below, crown and swords
surrounded by weapons and armor. Land-
scape behind with ship at
Around,
Rev. Jupiter, on clouds, holding lightning rods, under

circular
Sienese
1729-37,
Tuscany 1737-65, Holy Roman Em-
documented as a sculptor but only his

medals are known. As a medalist he is strongly dependent on the work of Soldani, often reworking Soldani's
reverses for his own.
his
GRA-
TIA OBVIA VLTIO QV.ESITA
Little
left
and volcano
TANT^ MOLIS ERAT
at right.
48
mm. Hole
Bronze, 86
at top
1720)
Brescia
p. 170, no. 1129;
i,
MM. 2,
pp. 316-17,
pi,
i77>4-
1966.128.16
Coronation medal. Heir
to Leopold I, he married (1736)

Maria Theresa of Austria and founded the house of
LORENZO MARIA WEBER
Lorraine.
Hapsburg
(1697-1764)
The grandson
158
GIOVANNI LAMI
torian
Ferdinand
(1697-1770), theologian and his-
1747
ANNHC O AAMIOC
1723,
on
a scroll
on
with lamp on
table at left
it
Weber added
of Soldani,
See Forrer
AYMZ
office
first of
later, in
of Maestro de' Coni e
He worked
primarily for
To
the
style
a rococo elegance.
6,
Lankheit, pp. 193-95, 243-44 (Weber's autobiography

of 1753); Detroit, pp. 150-53; Pyke, p. 155, fig. 297.
mm.
Bronze, 84
soldier in the service of
the Medici and the later dukes of Tuscany.
and owl beneath. At right, tree, table with two books on

and shield with Victory. In exergue,
(1747)
it,
he became heir to the
Custode della Zecca Vecchia.
Rev. Minerva, helmeted and seated with a snake at her

writes
German
Medici, Lorenzo was a follower
Foggini, then of Soldani in 1720. Three years
Obv. Bust to right. Around, IQ
feet,
of a
II de'
1966.128.4
For another medal of Lami,

Bibl.: Brescia
MM.
verse);
160
see no. 153.
p. 178, no. 1168
i,
(reverse), 1169 (ob-
Obv. Bust
BARTOLOMMEO GIOVANNI
long peruke, laureate. Around,
to right, in
III
Duke on
D G LOTH BAR ET
horseback received by tyche kneeling
below,
Around, SPES
WEBER;
in exergue,
VEN OPT PRINC MDCCXXXIX
half of eighteenth century)
front of triumphal arch at right.
BLICA
of Lorraine 1729-37,
Tuscany 1737-45
ETR D REX HIER
Rev.
VAGGELLI
(first
of
FRANCISCVS
Duke
(1708-65),
III
Grand Duke
pp. 406-08, pi. 200,2 (obverse signed).
2,
FRANCIS
in
PV-
AD-
Probably of Swiss extraction, Vaggelli was a follower

of Massimiliano Soldani.
never achieved
artistic
He
executed few medals and
independence; he was the partner
of Selvi for the series of medals on the
House
Later became Emperor Francis

1735, in the
duchy
See Forrer
6, p.
183;
Thieme-Becker
34, p. 38;
Lankheit,
p. 195; Pyke, p. 152.
mm.
1966.125.3
of Medici,
of 1740.
159
Bronze, 87
War
I (see also no. 157). In
of the Polish Succession, he ceded
to Stanislaus I of
Poland in exchange
his
for the
right of succession to Tuscany.

Bibl.: Lankheit, p. 195; Forrer 6, pp. 404-05 (ill.); Detroit,
PIETRO OTTOBONI
Cardinal,
(1667-1740),
no. 104.
1689
1719
Obv. Bust
PETRVS CARD
R E V CANCELL
below
BART VAGGELLIVS F
to
truncation,
Rev.
On
Around,
right.
OTHOBONVS
glass.
To
left,
ORIGO
in exergue,
from the
a genius with laurel
and cornucopia. Around,
wreath
COELESTIS
MDCC[IX]
Bronze, dark brown patina, 80
mm.
1966.131.61
Pietro Ottoboni
was the nephew of Pope Alexander
VIII.
Bibl.:
(active
right, figure kneeling, creating fire
sun with a reflecting
GIOVANNI ZANOBIO WEBER
The nephew
pears to
cis I
Lorenzo Maria Weber, Giovanni aphave signed a pattern Taler for Emperor Fran-
5,
p.
183
(as
General Pietro Ottoboni,
of
of Austria in 1763.
From
this
it
has been suggested
Vienna with A. Widemann, although

there are no documents to support the assertion. Giovanni executed a series of struck medals of the earlier
Medici. His cast medals indicate the end of the tradition
begun by Soldani.
that he studied in
See Forrer
Forrer
1761-1806)
6,
Lankheit, pp. 195, 219 (n. 159).
CATALOGUE NOS.
61
MARIA MADDALENA MORELLI FERNANDEZ

("Gorilla Olimpica") (1728-1800), poet,
I58-167
49
ELEGT PALAT GONIVGEM ELEGANTIORIBVS FORMIS lAMDIV EXPETITA

lO
VEBER EXGVDEBAT FLORENTIAE A D
on her corona-
tion
1776
Obv. Bust
to right, laureate.
M MAGD
Around,
Bronze, struck, 49
mm.
MDGGLXXXV
MORELLI FERNANDEZ PISTOR IN ARCAD

GAPITOLIO
below, IN
GORILLA OLYMP
PRID KAL SEPT MDGGLGORONATA
XXVI
1966.130.20
and the following four medals are
Restitution. This
part of Giovanni's series of medals of the earlier Medici.
Rev. Indians attempting to shoot arrows at the sun.
Around,
QVI MALEDIGVNT DIEI;
mm.
Bronze, 82
in exergue,
They
Piece missing from rim

164
1966.125.4
In 1776 she received a crown of laurel at the capitol.

reverse alludes to a
poem
in
is
noted by Forrer
variant of the
(6, p.
and Brescia
404)
M D
Rev. Table with medals on
VSV TEMPERATO
donne 'colte'
Medaglia, anno 3, no. 6
in
settecentesca,"
tre
Gosimo
ELEONORA TOLEETR VXOR; below to
Johnson, "Tre medaglie e
neU'Italia
no. 1244).
(i, p. 193,
Bibl.: G.
oc-
Around,
right.
TANA GOS M
left of bust,
V
medal
(d. 1562), wife of
de' Medici, 1539
Obv. Bust to
The
honor of the poet on the
casion of her being crowned.
ELEANORA OF TOLEDO
I
Maria Maddalena Morelli was born in Pistoia in 1728.
dated 1779
Lorenzo
are attributed by Forrer (6, pp. 404-06) to
Maria Weber.
Bronze, struck, 48
it.
Around,
in exergue,
SPLENDET
VEBER
mm.
1966.130.21
(1973)' PP- 29-39 (at pp. 35-37)' fig- 20.
Restitution. See no. 163.
62
GIOVANNI BOTTARI
Obv. Bust to
and
right, in cap
NES BOTTARIVS;
(1689-1775)
robes.
lOHAN-
Around,
under truncation,
column which
At lower
of column.
left a
blow
woman
BLANGA GAPPELLI
below,
V
Rev. Stork standing among flora. Around, GANDORE
de' Medici, 1579
Obv. Bust
to right.
FRANGISGI
rays toward top
wolf attacks a dragon. Below,
Around, IN
Bronze, struck, 48
Rome
in exergue,
VEBER
mm.
1966.125.6
In
VXOR;
1966.130.29
mm.
Bronze, 91
ET VATIGINIO
HOG EGO
Around,
M D
an anchor. In background, a ship with a broken mast on

a stormy sea.
(1543-87), second wife of Fran-
VE
being broken by a
is
lightning bolt. Three putto heads
BIANGA GAPPELLO
cesco
Rev. Above, a radiating triangle. At right a

leans against a
165
Bottari
was the
historian to the Sapienza
custodian of the Biblioteca Vaticana.
lario of 1729-37.
the. Accademia della
An
166
annotated old
GHRISTINA OF LORRAINE
Ferdinand
Decameron, and was the
Italian texts, including the
major compiler for
He
and
and
archaeologist
Obv. Bust
Crusca vocabo-
art lover,
to
Around,
right.
GHRISTINA
he an-
XV
(1565-1636), wife of
de' Medici, 1589
LOTH ARINGI.E MAG DVG ETR
notated Vasari in 1757 and with Giacomo Garrara wrote

seven volumes of Lettere sulla sculture, pittura e architettura scritte dai piu celebri professori dal sec.
Rev. Single column with Gorinthian
NE PRORVAT
al
Bronze, struck, 47
XVIII (1754-73).
in exergue,
below,
capital.
VEBER
PR
I
Around,
mm.
1966.130.28
63
THE
FIRST MEDIGI 1201
Obv. Bust to right, in
hat.
1785
Around,
GLARISS MEDIO
FAMIL AVGTOR 1201

Rev. Inscription, MEDIGE AE GENTIS
167
MATA
NVMIS-
A GLARISS AD M ALOYSIAM
MARIA MAGDALENA,
(d. 1631), wife of
Obv. Bust
Gosimo
to right, in
Grand Duchess
II,
of
Tuscany
1608
high ruffed
collar.
Around,
THE MOLINARI COLLECTI ON AT BOWDOIN COLLEGE
50
MAGDALENA AVSTRIACA M D ETR
low,
Rev. Bush growing from rocks in a stream. Around,
ACQVIRIT ET SERVAT;
in exergue,
Stemma surmounted by
Rev.
be-
M D
GRATIiE
Bronze, 64
mm.
C V
Around,
cross.
ANNO
VEBER
1966.119.1
Bronze, struck, 48
mm.
One
of four medals
1966.130.22
S. Pietro
Bibl.: Brescia
made
for foundation of
Church
of
Bologna, dedicated in 1605.

i,
MM.
p. 114, no. 801;
i,
p. 444, pi. 99,4.
ANTONIO LAZARI
(active
1709-34)
Bologna
From
1709-13 and 1728-34 Lazari was mint master at
Bologna.
FELICE ANTONIO CASONI
See Forrer
3,
pp. 350-51
Thieme-Becker
22, p. 489.
(1559-1634)
Architect, sculptor,
wax modeler,
cona, trained in Bologna
By
1624 he
An-
medalist, born at
and working there by 1592.

Rome where he
noted as an architect in
is
170
LAURA MARIA CATERINA

Obv. Bust
CATH
died.
to
I,
Arm.
p. 358;
I,
pp. 303-04;
pp.
6,
3, p.
18-19; Forrer
professor of
LECT PVB
MDCCXXXII
1732
LAVRA MAR
BON PHIL DOCT COLLEG
INST SCIEN SOC AN XX
left,
BASSI
See D. PoUak in Thieme-Becker
BASSI,
philosophy at the University of Bologna

laureate.
Around,
147; Kress, p. 91.
Rev. Minerva with lamp and shield facing female figure

168
PIETRO ALDOBRANDINI
1593
Cardinal
(1572-1621),
with open book and laurel wreath; between them an
owl on a globe. Around, * SOLI CUI FAS VIDISSE

MINERVAM * on listel, ANT LAZARI FEC
1598
Obv. Bust
to left. In
border at
PET
EXERC
man. Above,
old
ECCLE
left,
female figure;
R E CAR
.
SVPREM
at right,
ALDOB
MODERAT
CLEM
VIII
VNIVERSA
NEPOS; below, FERR^ ET IN

ITAL DE LAT LEGATVS
:
large procession
below,
moving toward a town (FerAround, HOC VIRTVTIS
[AN]
TONIV
[S
CASONIVS
F]
1598
1 966.1 07.8
Brescia calls the
Houston
calls
late cast, 88
mm.
rates Bassi's
Bassi;
The medal commemo-
completion of her laureate, appointment to
into the Society of Science
Bibl.:
and
Letters, all at the age of
Houston, no. 306; Forrer
165, no. 1103;
In 1598, Cardinal Aldobrandini, nephew of Clement

VIII, brought the town of Ferrara directly under papal
in
13
Arm.
no. 407;
i,
MM.
p. 303,1;
I,
Forrer
i,
p. 358; Brescia
i,
p. 62,
MM.
2, p.
3, p.
350; Brescia
413, pi. 202,2;
Gualandi, "Medaglia e ricordi
dell'
i,
p.
Michelangelo
antico reggimento
Almanacco Bolognese, num.

"Tre
medaglie e tre donne 'coke'
C.
Johnson,
(1842)
Lode
di
nell'Italia
Laura
Bassi,"
settecentesca," in Medaglia, anno. 3, no. 6
(1973)' PP- 29-39 (at pp. 29-34),
fig- 19-
p. 451, pi. 100,3.
ALFONSO PALEOTTI,
1619)
Laura
the reverse
the faculty of the University of Bologna and acceptance
1966.106.20
rule.
169
woman on
her Philosophy.
twenty.
Bronze,
Bibl.:
attached at top
rara ?) in the background.
OPVS;
mm. Ring
Rev.
Archbishop of Bologna
(d.
FILIPPO
BALUGANI
1605
ALFONSVS PALiEOIVS
ARCHIEP( ?)BON SAC ROM IMP PRINCEPS
Obv. Bust
to left.
Around,
(1734-80)
Bolognese sculptor, medalist and coin engraver, trained
CATALOGUE NOS.
He
by Vittorio Bigari.
held the
office
same
o coin engraver
i,
pp. 119-20; Thieme-Becker
VICENZO RICCATI
matician
2, p.
(1707-75), physician
and mathe-
Fantuzzi
174
Holy
left,
in exergue,
women
(Religion and
podium with book and
at right,
ATQ
MDCCLXXVI
i,
TATIVS BLAN
PERITISSIMVS
White metal (pewter?), 60
Bibl.: Forrer
1789
SCIENTIAR
HIST NAT
mm.
classicist,
BENEDICTINA
IN INSTIT
ANTIQVIT
PRIMVS DOCVIT AGRIC ET
ETRVSC
lAC
A LX O
EX ACAD
Rev. Inscription,
1966.131.66
p. 120.
mm.
1966.131 .79
FRANCESCO MARCHI
Giancarlo Susini in his

(1504-77), military engineer
Around,
on Biancani
in Dizionario
appearance was recorded in a medal engraved by
cani's
to left, bearded, in cuirass.
article
Biografico degli Italiani (10, pp. 35-36) notes that Bian-
architect
Obv. Bust
(1729-89),
1789
Around,
to right.
CANVS BON
Ma-
MAGNVS VTRA-
Around,
Spirit above.
Bronze, struck, 53
and
numismatist
scientist,
standing, draped
thematics?); at
172
no. 9.
pi, 16,
GIACOMO BIANCANI TAZZI

Obv. Bust
Two
QVE;
9, 1794, p.
Durand, pp. 221-22,
Bibl.:
[I]
globe;
Bologna 1790;
1776
Ref.
All three are described in Giovanni Fan-
427.
Obv. Bust three-quarters to left. Around, VINCENTIVS RICCATVS * on truncation, F BALV [G]
AN
series.
however, the medalist remains unknown. For Zanetti,

see
171
51
tuzzi, Notizie degli scrittori bolognesi,
for the city of Bologna.
See Forrer
168-I75
FRAN-
Giudo
his son-in-law
However,
Zanetti (see no. 173).
CISCVS MARCHI BONONIEN ARCHITECTVS

BELLICVS; on truncation, F B F
Fantuzzi (see no. 173; Vol. 8, 1790, p. 104) says the medal
was merely commissioned by Zanetti ". havvi pure di
Ref. Athena (?) seated on spears, drum, shield, cannon,

holding spear in right hand and parchment in left.
una medaglia di metallo

genero, Guido Zanetti."
Around,
EXEMPLA OMNIA PINXIT
Bronze, struck, 67
mm.
Durand,
Bibl.: Zanetti 5, p. 11;
fondere dal suo
fatto
esso
p. 229, pi. 17,7.
Reverse slightly smaller than

175
obverse
GIOVANNI CRISOSTOMO TROMBELLI

1784), Jesuit, classicist
1966.131.68
Obv. Bust
Restitution.
(1697-
1784
to left,
D 10 CHRYS TROMBELLI BON AB EXG

CAN R OB A 1784 Mr 87
BOLOGNESE SCHOOL
UNATTRIBUTED
POETICA THEOLOGICA HISTORICA ASCETICA SCRIPTA EDIDIT MVSEVM CONDIDIT BIBLIOTHECAM CODICIBVS AVXIT
Rev. Inscription,
173
GUIDO ZANETTI
(1741-91), ItaHan numismatist
Obf. Bust three-quarters
ZANETTVS
Reu. A scale.
to left.
Around,
EQ GVIDO
MONET^ SCRIPTOR
IN HAC HISTORIAM CAS-
IT ALICE
Around,
TIGES
Bronze, 62
1 966.1
As
mm.
14.67
mm.
1966.131.65
was conservator of the museum of antiquities at

Ferrara and a writer on coins. His major work was
Nuova raccolta delle monete e zecche d' Italia, Bologna
1775-89, five volumes. This and the following two
medals are quite similarly treated and must be from the
Zanetti
and 174, Fantuzzi here (Vol. 8, 1790, p.

medal was commissioned by Zanetti, and
in nos. 173
125) says this
not
made by him
Sig. Giulio Zanetti

.
e nel rovescio
VARIUS,
si
padre abate Luigi Mingarelli
"il
.
NAM BENE CULTUS
'FERTILIS
ACER.'" This
:
another medal of the
sitter.
was discovered by Dr. Ulrich Middeldorf
Bibl.: Zanetti 4, p. 3;
Durand,
il
fondere una medaglia
legge questo verso
ter inscription refers to
reference
gli fecero
p. 204, pi. 15,1.
ET
lat-
This

76
PIETRO PAOLO MOLINELLI

doctor and surgeon
AGOSTINO FRANCHI
(1702-64), Bolognese
1768
Venetian medalist of the
PETRVS PAVLVS MOLINELLI MED ET CHIRVR DOCTOR

OPTIMO CLINIRev. Inscription on shield, CIVI
CO INCOMPARABILI AMICI MDCC LXVIII
Obv. Bust
Around,
to right.
.
known
tury, best
half of the eighteenth cen-
first
medals of Flaminio Cornarc
for his
and Cardinal Angelo Quirini.
See Forrer
2,
Bronze, 74
mm.
179
FLAMINIO CORNARO
tor
1966.131.97
Bibl.: Brettauer, no. 774 (as
and author
Obv. Bust
by Francesco Bruttini?).
(i 693-1 778),
77
TA CATHARINA
(1413-63)
Rev. Facade of church of

around,
DE BONONIA
MARCVS ANTONIVS A
mm. Hole
S.
Nicolo Tolentino.
On
scroll
FLORE DONO DEDIT

Silver, struck, 45
OB ECCLESIAS INLVSTRATAS ORDO ANTISTITVM VENET on ends of scroll,
SANC-
[VJIGRI
Rev. Stemma. Around,
on truncation,
Obv. Saint Catherine seated to right, painting a putto on

canvas supported by a putto on clouds. Around,
FLAMINIVS
Around,
CORNELIVS SENAT VENET

FRANCHI F
SAINT CATHERINE OF BOLOGNA
Venetian sena-
1750
F; in exergue,
MDCCL
Bronze, struck, 44
mm.
Left and right edges scraped
away; medal nearly oval
at top
1966.131.70
1966.131.76
Cornaro was a Venetian senator
Caterina Vigri of Bologna was canonized by Pope
Clement XI
The medal probably
in 1712.
who
wrote a history in
The
eigh-
p. 180, no. 1178;
MM.
Latin of the churches of Venice and Torcello.
celebrates this
teen volumes were published in 1749.
event.

2,
i,
pi. 198,5.
pp. 391-92,
VENETIAN SCHOOL
UNATTRIBUTED
Venice
JOHANN FRANZ NEIDINGER
180
Obv. Bust three-quarters
Medalist active in Venice from 1678-92.
See Forrer
78
4, p.
Thieme -Becker
238;
FRANCISCO MOROSINI
1688-94
EQ D
(1616-94),
Doge
Winged
PR
Gilt bronze, 53
Around,
victory
Inscribed on globe,
\E
Around,
IM C T;
FR
MAV
on truncation,
1966.119.4
blowing horn, globe

[capta]
III
mm.
For a note on Morosini
MOREA
Without reverse
of Venice
FRAN MAVROCENO
N PROC CONT T IM^ III; on
right.
D M
(161^4)
to left.
GM [F]
NEIDINGER
truncation,
Rev.
EQ
25, p. 383.
1687
Obv. Bust to
FRANCESCO MOROSINI
at
lower
around,
left.
SPAR-
181
RELIGION
see no. 178.
1721
GET ET VLTRA
Bronze, 41
Obv. Standing figure of
and
mm.
around,
1966.1 14.71
Morosini led the conquest of the Morea from the Turks

in 1687.
Venice held
all
of the area
from 1687
to 1715.
NON
vol. 2, pt. 2.
i,
p. 122, no. 862;
Cicogna,
QVEM EX
ANCILLA DEI ^ ^CANIS
RÎS
DOGMATHURE COLO PRO UNDIQ
TA INQ C.ETEROS M:CUM FERO SEMPER
FERRUM; below, VEN 1721
:
holding book
religion, veiled,
CGELO SOLI SOLA SUM

E'MAMURIO ANCILE SUM EGO
censer. In field,
Without reverse
CATALOGUE NOS.
mm.
Bronze, 65
I76-186
53
EST NOBIS
1 966.1
182
16.2
Obv.
JACOPO NANI
RAMIN,
ANIMA
IN CAPITE EST
PAT
IN SANGVINE VITA
Rev. Inscription,
(1725-97)
married, 1772
Man on
&
a chariot
B-M-D-G-A-M-|F-M-D-S-VI-ID- DEC
A MDCCVII G C
MOCENIGA VEND-
Bronze, struck, 37
eagles to left over a
Two stemmae flank

LVXEIT COLLECTA MAIOR and
After the change in government and the eruption of

Vesuvius, the citizens of Naples struck medals in grati-
SIT TIBI CVR.^:iVNO; around,
VIRTVTVM
mm.
1966.1 14.56
cloud holds a putto out in his hands.

putto. In field,
1772
drawn by
EX-
tude to their patron, San Gennaro. Several other ex-
EMPLAR AD PARVOS VSQVE PENATES VTERQVE PARENS VTRVMQVE NATVS
amples of
medal
this type of
exist.
See Siciliano, nos. 73-
Rev.
80.
PHILOSOPHI
PROCONSVLIS MAXIMI MA-
VIRI OPTIMI
Inscription,
HVMANISSIMI
MARIA ANTONIO DI
TRONiEQVE EIVS SPONS^
NEONATVS
IN-
GENNARO
POSCENTIBVS POPVLIS
CVM
PERENNI OBSEQVIO VNIVERSIT
HEBRÔRVM CORCYRENSIVM PATRIAS VIRTVTESPANDAT IN iEVUM, HVMANA REPLENCLYITVS
(Januario)
(1679-1744)
Son of
SVOTA
1772 (1778?); around, PROCONSVL
lACOB NANI ^QVES ET MOCENIGA VENDRAMINA SVAVIVM MORVM PRIEST ANTIÊ THALAMIQVE CONSORTES
He
mint of Naples where he envisit in
1702 (see below).
Vienna via Mantua in 1713 and worked for

the imperial mint as well as in Salzburg (1722-25),
Saxony and Poland. In 1731 he was named director of
the Graveur-A\ademie of the Vienna mint.
Bronze, 82
a die engraver at the
graved the medal for Philip V's
mm.
went
to
See Forrer
2,
pp. 240-41
Thieme-Becker
13, p. 394.
1966.131.96
185
183
PORTRAIT OF A DOGE
to right,
King
( 1 683-1 746),
of Spain, 1700
1702
PHILIPPVS
V HISPANIARVM ET VTRIVSQ SICIL REX;
on Hstel, ANT DE lANVARIO F
Obv. Philip on horseback
wearing the ducal cap
Without reverse
Bronze, 42
PHILIP
to left.
Around,
Rev. Minerva seated with shield and cornucopia. Vesu-
mm.
vius in background.
1966.132.1
PIS
Around, ADVENTVI PRINCIon listel, ANT DE lANV
FCELICISSIMO
ARIO
NEAPOLITANVS F
POLIS
in exergue,
NEA-
1702
I
mm.
1966.107.16
Naples
This seems
to
be one of the
artist's earliest
GIOVANNI COSTANZI
an equestrian
(1664-1754)
statue, depicted
gem
engraver,
known
as
one of the
first
7, p.
537; Forrer
i,
The
master-
Lorenzo Vaccaro, it was begun in

completed
in
1702,
1705, and destroyed by a mob when
the Austrians occupied Naples in 1707.
en-
piece of the sculptor
gravers on diamond.
See Thieme-Becker
It is
on the obverse, was com-
missioned for the Largo del Gesu Nuovo.
Neapolitan
medals.
one of 462 medals (390 bronze, 70 silver, 2 gold) struck

for the visit of Philip to Naples in 1702. For the occasion,
p. 461; 7, p. 193.
Bibl.: Siciliano, no. 69.
184
SAINT JANUARIUS
Obv. Bust
lANV
to left,
PATRIAE
1707
wearing cope and mitre. Around,
PATR NEAPO VERO

COSTANZI
below,
PATRI
186
ANTONIO MAGLIABECCHI
at Florence
1710
Obv. Bust
to right.
Around,
(1633-1714), librarian
ANTONIVS MAGLIA-
54
BECHIVS FLORENTINVS;
ANT
on truncation,
Obv. Bust to left. Around, POLIXENA

CHRISTINA E RHEINSF CAR EM VXOR II
(illegible)
LAVY
Rev. Magliabecchi seated to right in garden, reading.
below,
Books on the ground. In right background a philosopher (?) stands facing left. Around, SCIRE NOS-
Rev. Draped female figure hands palm branch to small
TRVM REMINISCI;
PVBLICAE PIGNVS
in exergue,
lead, struck, 43
A D lANVARIO
mm.
The medal
pp. 233-34, P^' ^57'5j
i,
Thieme-Becker
to left, in rufl.
Around,
ELISAB
(doc.
DE
with flames between them. Above,
765-1 8 1 2)
From 1777-92 he worked at the

Milan mint. With Napoleon's arrival he fled to Vienna
and Prague, where he was first engraver at the mint
from 1796. Often worked with F. Stuckhardt.
AD ASTRA;
-
be-
mm.
See Forrer
1966.108.17
The
active there until 1777.
61
Bronze, 47
pi. 25,3.
Medalist and coin engraver, trained in Giinzburg and
Rev. Knight mounted on Pegasus over two mountains,
Casa di Savoia, Turin 1828,
ANTON GUILLEMARD
1616
MOTE APTO MARCHESA DE M APER
low,
Galeani Napione, Storia Metallica
Bibl.: Gianfrancesco
13, p. 394.
heir.
UNKNOWN
ELIZABETH DE MONTAPERTO
Obv. Bust
celebrates the fact that PoUssena Cristina
gave Carlo Emmanuele an
p. 163, no. 1095;
della Real
ARTIST
SALVTIS
1966.137.283
Bibl.: Forrer 2, p. 240 (ill.); Brescia

2,
1 966. 1 24.4
MM.
CERTVM
boy. Tree behind. Around,
Bronzed
187
2,
pp. 342-43;
7, p.
405; Thieme-Becker 15,
pp. 309-10.
reverse
shows the
crest
and motto of the Montaperto
family.
189
MARIO LUPO
Obv. Bust
(1720-89), historian
Around,
to right.
1785
MARIO LVPO
PRIMI-
CERIO BERGOMATI HISTOR-ET ANTIQVARbelow, A GUILLEMARD F
Rev. Lupo standing in landscape holding
Various Locations
hand. At right a plaque inscribed,
CONLOCA
TIA
in right
VIT. Around,
map
DE VOTA VENEBERGOMEI
AS-
SERTIS ANTIQVI FINIBVS AGRI;
LORENZO LAVY
CVRATORVM D
(1720-89)
Bronze, struck, 42
Member
He
of a Torinese family of sculptors
and
MDCCLXXXV
mm.
1966.1 14.68
studied
House
first
in
In 1784
Lupo
praised
Codex diplomaticus
published the
first
was employed at
where he became engraver in 1763. From
1772 Lorenzo engraved seventy-seven medals for
1757 to
rand, p. 119,
See Forrer
3, p.
350;
much
ber-
i,
p. 200, no. 1282;
Du-
pi. 9,1.
of Savoy.
Thieme-Becker
22, p. 480;
Assan-
dria, pp. 212-25.
190
NICCOLO VENIER
GLIO
and
of
(170173), second wife of Carlo
Rheinsfeld-Rottenburg
Emmanuel,
1724
ELEANORA BENTIVO-
1786
Obv. Bust of Niccolo
POLISSENA CRISTINA
his
et ecclesiae
gomatis.
of Savoy. Back in Turin, he
House
volume of
civitatis
the mint,
a medallic series of the
188
exergue,
medalists.
Turin with Andre Boucheron, then

from 1740-45 in Paris under Thomas Germain. From
174549 he worked in Rome for both the church and
the
in
to right.
Around,
NICOLAO
VENERIO PRAEF BERGOMI; below, GIVES

BERG MDCCLXXXVI; on truncation, A G F
CATALOGUE NOS.
Rev. Bust of Eleanora to right. Around,
187-I96
ELEONORAE
S.
BENTIVOLAE CONIVGI
(late
mm.
Bronze, struck, 42
55
193
1966.131.73
A. B. A.
seventeenth or early eighteenth century)
GIOVANNI BATTISTA AND CATERINA F

Obv. Jugate busts to right. Around, lOANNES BAPT
F CAT AMAT CONG; on truncation, S A B A
.
Bibl.: Brescia
191
ERMOLAO
Obv. Bust
i,
p. 200, no. 1283.
Prefect of
PROPRAEF
On
MCCCLXVIII;
in exergue,
above. Inscription in triangle,
below,
III
Bronze, 38
wall of market,
ANNONA
around,
See Brescia
MA-
mm.
medal of Giovanni
p. 168, no. 11 17 for a
i,
Battista Franceschi.
ORDO VERONEN
ITALIANUNATTRIBUTED
Bronze, struck, 54
TE SPES MEA
MDCCXCI
IN
1966.130.16
Rev. Meat market at Verona.
1791
RESTITVTA
SIS EX DECR
Verona
HERMOLAVS
Around,
right.
PRAET
GUILLEMARD F
CELLVM
Rev. Triangle surrounded by clouds, with sun rays
PISANI,
to
PISANVS
mm.
(Seventeenth-Eighteenth Century)
1966.131.80
i,
194
p. 200, no. 1284.
OTTAVIO TASSONE ESTENSE

Obv. Bust to left, with double
Around, + COMES
OCT
COM
CIANTOGNI
B.
S SP
1606
and eagle on
cross
below, 1606
Rev. Castle, with tower topped by a cross
192
Bronze, 52
p. 430.
GIAN PAOLO SIMONE BIANCHI
1966.106.14
Bibl.: Brescia, no. 788 (as medalist of the sign of the
heart)
Obv. Head to
*
mm.
(1693-1775),
naturalist
CVS
each end.
Around, +
tury.
i,
at
ARCE ANTIQVA LABENTE NOV AM

EXTRVXIT
Italian medalist of the first half of the eighteenth cen-
See Forrer
chest.
TASSONVS ESTEN
left,
lANVS
horned. Around,
ARIMINENSIS; below
truncation,
Supino, no. 629.
PLAN-
CIAN-
195
TOGNI
ENEA MONTECUCCOLI
(d.
Rev. Lynx standing to
left.
Around,
LYNCEIS
1614),
Governor of
and general of
Carpi, distinguished captain
the Este
cavalry
RE-
STITVTIS
Obv. Bust
Bronze, dark patina, 82
MONTECVC CAPRARA AVSTRIAC AGMI
mm.
NIB
1 966.1 37.1
DVX
07
Bianchi was widely
known under
his Latin
name
of
Bibl.: Forrer
2.
i,
a history of
it.
p. 430; Brescia i, p. 181, no. 1184;
PP- 399-40!' pl- i99>2.
EXERCITVS
*
left
on
shields,
holding
hand, two helmets below. Around,
left
Bronze, struck, 68
in exergue,
ROMAE
mm.
1966.131.67
Bibl.: Brescia
196
MM.
^NEAS
PONTIFICII
VIRES RESTITVIT;
The reverse refers to his revival in Rimini

Academy of the Lincei. He was secretary to the
Academy, and wrote
PREFECT
double cross in
tino at Rimini.
of the
Rev. Pallas Athena seated to
He
was born in Rimini. His first names

are recorded as Gian Paolo Simone in MM, and as simply Giovanni by A. Fabi in DBdl 10, pp. 1 10-12. The
horn of Ammon on the obverse refers to Bianchi's publications on shells, and appears on his tomb in Saint AgosJanus Plancus.
wearing medal. Around,
to left,
i,
p. 159, no. 1072.
AMICO SINIBALDO
Obv. Bust to
left.
Around,
AN .ETAT SV^
(b. 1619)
LV;
1674
AMICVS SINIBALDVS
below, 1674
56
AT^ PRIMAM INTOTO ORB D

NER DI CAT IN AMPLIOR HVI
VS TEMPL FORMAMPP EI VSD CONG FVNDA RVNT JERE lOSEPHI MARCONI DIE 17
MACER
VERVS
Rev. Oval shield with inscription on banderole,
PR^STAT AMICVS
Bronze, 54
PHILIP
mm.
1966.130.14
AMBRIS
1697
I
BibL: Brescia
i,
p. 157, no. 1059.
mm.
Bronze, 58
197
JACOPO OTTAVIO NICOLO DE BECCADELLI

&
1966.130.1
ANTONIO BARTOLOMMEO DE BONFILIOLI

200
1685
Obv. Three stemmae surmounted by

OCTAV NICOL
Around, lACOB
cardinal's
Obv. Bust to right. Around, LVCRETIA

NICA COM ANTELMINELLA
hat.
DE BECCADELLIS * ANTON BARTHOL DE BONFILIOLIS * PALVT S R E CARD DE ALTERIIS PRAESIDIO * ECCL PAROCH MARIMORTiE FVNDATORES *
:
CAPRA-
LUCREZIA CAPRANICA
Rev. Prudence, holding a mirror, leans on an
die right, below, a snake. Around,
PRVDENTIA MAIOR
altar; to
RERVM FATO
.
ECCLESIAM DICECES RAVEN S CRVCI

DICAT PATRONI AGRO DOTARVNT SACR
SVPELLEC INSTRVXERVNT A FVNDAMENTIS EXCITARVT
ANNO SALVTIS MDCL:
1966.130.13
mm.
Bronze, 42
Rev. In border of thorns with four crosses, inscription,

I
For a medal of her by
201
mm.
NICCOLO MACHIAVELLI
Obv. Bust
cardinal referred to
is
Paluzzo Paluzzi degli Al-
bertoni Altieri (1613-98), politician, Bishop of Ravezza,
to right, in cap
Rev.
(d. 1701)
mm.
1966.130.27
1696
CAROLI ARCHIEP LABIA

PIELARGITATI CANONIC!
Obv. Inscription,
and doublet. Around, NI CO-
A serpent leaving a bush
Bronze, 72
CARLO LABIA
(1469-1527), audior and
LAVS MACCHIAVELLIVS
1670-74.
198
p. 180, no. 1176
statesman
1966.130.31
The
i,
XXXV
Bronze, struck, 42
Selvi, see Brescia
(Lucrezia Capranica Antelminelli Castracani),
One
of a group, with nos. 202
and
203, of later restitu-
EPISC
RHO
ADRIEN
DIGINI
tions
which have
in
common
the unusual technique of
engraved legends and which in several instances even
TEMPLVM S
RENOVATVR
M RHODIGII
AN
Rev. Facade of church. Around,
STEPHANI P
The
fabric sug-
medal of Torquato Tasso

which belongs to the group is in the collection of Goethe
at Weimar, and is published in an exhibition catalog by
G. Femmel ("Merû/iirdige Frauen" und "bedeutende
mm.
1966.130. 15
Foundation medal
for renovation of the
church of
S.
Btbl.: Brescia
i,
Manner
Hirer Xeit \unstretch. abgebildet." Portratme-
und der Klassi\ aus Goethes

Weimar and Leipzig 1971, no. 49). A medal of
daillen der Renaissance
Stefano at Rovigo.
p. 158, no. 1067;
MM.
Besitz,
2,
pp. 18384,
pi.
145,2.
Fra Domenico da Pescia {Corpus, no. 1300, illustrated

in B. Morsolin, "Medaglia in onore di Fra Domenico da
Pescia," Rivista Italiana di
199
sitters.
gests a date in the nineteenth century for the production
of the medals, although a
1696 *
Bronze, 45
share portrait types for different
ORATORY OF S. FILIPPO NERI 1697

Obv. Facade of Oratory. In field, D PHILIP NERIO;
around, HIERVSALEM NOV AM DESCENDENDE
COELO; below, LV GREGORINI ARCHI
Rev. Inscription, ECCLESIAM
CONG ORAT
494500)
trait
is
Numismatica
related to these restitutions, as
5 [1892], pp.
is also a por-
plaque of Casimir Poniatowski illustrated in A.
Busiri Vici, / Poniatowski e
Roma, Florence
47-
BibL: Corpus, no. 1284 (not
ill.).
1971, fig.
CATALOGUE NOS.
202
GIROLAMO DA CARPI (1501-1556/69)

Obv. Bust to left. Around, HYERONIMVS A CARiET
PI PICTOR FERRARIENSIS OB
1556
VINCENZO BELLINI
Ferrarese
(1708-83),
anti-
quarian and numismatist
Obv. Bust
55
BELLINI
Without reverse
Rev.
to left.
Around,
in border,
ANTIQVARIS
VINCENTIVS
FERRARIENSIS
Two palm trees, flowers, bees and a beehive. Above,

EGO PLANT AVI
in scroll,
mm.
Bronze, greyish patina, 68
57
206
I97-207
Bronze, 79
mm.
1966.106.17
1966.130.35
See no. 201.
203
One
ALEXANDER MALEGONNELLE
Obv. Bust
and
in cap
right,
to
of three medals of this
same subject on the
honey. For Bellini see N. Parise in
Without reverse
Bibl.: Brescia
mm.
207
pp. 716-18.
Zanetti
3,
p. 228,1.
(d. 1638),
son
Around,
to right.
CIN VIC
CYP REX
7,
p. 218, no. 1377 (dated 1756)
Amadeus
Obv. Bust
1773
DBdl
FRANCIS HYACINTH OF SAVOY

of Victor
GIUSEPPE COMPAGNIUCCI
i,
Durand,
p. 10;
See no. 201.
which have the
taking pollen from palms and flowers and producing
Around,
1966.130.26
of
reverse compares Bel-
ALEXANDER MALEGONNELLE
Bronze, leaded or silvered, 59
204
The
advances in the study of numismatics to the bees
lini's
ruff collar.
sitter, all
reverse.
AM
FIL
FRANCISCVS
DVX
SAB
HYAXIII
Obv. Bust
to right.
Around,
lOSEPH COMPAGNIVC-
Rev. Boy in cloak protected by Minerva holding shield.
CIVS; below CI3I0CCLXXIII
Around,
Rev.
Two river gods
and an
eagle.
DAS NATVS AD AVRES;
Around,
on
MVLCEN-
rock, 1773; below,
PERVSIiE
OPPORTVNA MATRIS TVTELA
Bronze, struck, silvered, 53
mm. Hole
Restitution.
at top
One
1966.131.100
of the series of medals of the
by Lorenzo Lavy in
Bibl.:
mm.
1966.130.2
Gilt bronze, 78
Perugian
artist,
Mario
House
of Savoy
begun
1757.
probably a musician.
Bellucci,
XV al XX
Medaglie Perugine dal
Secolo. Fonti per la Storia dell'
Umbria, no.
9,
Bibl.: Brescia 2, p. 56, no. 70.
Perugia
1971, pp. 38-39.
Nineteenth-Twentieth Century,
205
FRANCESCO
Parma and
FARNESE
(1678-1727),
Duke
Obv. Bust to
in
right,
peruke and armor with bat-
tle
scene on cuirass. Around,
ET
PL AC DVX;
below,
FRANC
PAR
town. Around,
GL F
(1758-1821)
MEDIO TVTI
[.
.]
MVS
IBIS
Bronze, 53
mm. Hole
TOMMASO MERCANDETTI
Rev. Zodiac band, above Phaeton and Zeus; below, River
God and
Rome
of
Piacenza, 1694
at top
The
son of Pietro Mercandetti, engraver at the papal
Tommaso was apprenticed at age nine to Girolamo

Rossi, a gem engraver. By 1773 he was employed at the
mint,
papal mint, and beginning in 1780 he worked on a

ber of commissions transferred to
1966.130.18
For an
earlier
medal of Francesco by Giovanni Hamer-
ani, see no. 112.
him by
num-
the silver
smith and brass founder Luigi Valadier. In 1796 Mercandetti was appointed chief engraver at the papal mint,
sharing the post with Gioacchino
Hamerani. After
58
Hamerani's death
ca. 1807,
he retired
Rome where
1810 returned to
to
Umbria, but
in
worked
poleon and of the popes.

See Forrer
4,
407; Bulgari
di
Tommaso
8, p.
54;
Thieme-Becker
no. 3 (1972), pp. 25-41 (a full

illustrated catalogue of the medals).
208
2,
PIUS VII Chiaramonti, Pope
and
7,
210
LEO XII
Obv. Bust
to left,
wearing
Obv. Bust
181
and cope. Around, PIO

XVIII
below, mono-
gram
Rev.
The Laocoon. Around,
Bronze, struck, 42
Leo XII
1966.1 14.34
The
Rome
Santa Maria Maggiore.
at
BAPTISTERIO LIBERIANO ERECTO

|
below,
GIROMETTI F
mm,
restored the baptistry in Santa
Maria Maggiore.
font, erected according to a project of
Mazio,
2g), Catania 1933, no. 60; Tresor Papes,
xxiv, p. 33, no. 23; Rinaldi, no. 12 (silver); Bartolotti,
tinori, fasc. xxiii-xxiv, p. 50; Bartolotti, no.
no. E. 817; Bartolotti, Mercandetti, no. 98,
stole.
PONT MAX ANN XXI; in

MERCANDETTI F ROMAE MD-
to
wearing skullcap, mozzetta and
right,
Around, PIVS
stole.
IX
PONTIFEX MAXIMVS
Rev. Ruins of Saint Paul's. In exergue,
BASILIC
PAVLI EX INCENDIO XV IVL MDCCCXXIII
CCCXX
GIROMETTI FEC
Rev. Christ washing the
listel,
1 966. 1
Around,
feet of Saint Peter.
TV DOMINVS ET MAGISTER; on
I
in exergue, EXEMP DEDI
VOBIS
Mastai Ferretti, Pope 1846-78
Obv. Bust
Around, PIVS VII

exergue,
PIUS IX
1820
E. 827.
fig. 45.
211
PIUS VII Chiaramonti
Giuseppe
A. Patrignani, Le medaglie di Leone XII (182^pi. 48,1; Mar-
Bibl.:
no. 559; Tresor Papes, pi. 46,7; Martinori, fasc. xxiii-
to left,
Vatican.
Bibl.: Patrignani, Pio VII, no. 85; Forrer 4, p. 32;
Obv. Bust
Valadier,
placed in the Louvre.
209
stole.
IV
was made from a large antique porphyry

basin moved from the Appartamenti Borgia in the
in 181 8 of the objects of
which had been taken by Napoleon's armies and
art
1966.114.19
mm.
Celebrates the return to
and font
baptistry
Bronze, struck, 43
VETERVM RESTITVTORI
1827
DEDICATO;
MONVMENTORVM
In exergue,
pp. 273-74;
The
Rev.
2,
p. 552.
Genga, Pope 1823-29
to left,
i,
LEO XII PONT MAX ANNO

G GIROMETTI F
Around,
1800-23
tiara
PONT MAX ANN
della
pp. 189-90; Forrer
14,
pp. 367-68; Bulgari
below,
VII
and England.
See Thieme-Becker
24, p.
2, pp. 139-40; F. Bartolotti, "Le medaglie

Mercandetti," in Medaglia, anno, i, no. 2
(1971), pp. 18-37;
Grand Duke
for the
of Sardinia
pp. 28-32;
and Gregory XVI. Girometti also

of Tuscany and the Kings
Pius VIII
XIII,
he made medals of Na-
mm.
14.23
Bronze, struck, 33
Ruins of Saint Paul's Outside the Walls, which burned
mm.
in 1823.
For restored church,
see no. 216.
1966.1 14.35
VII, no. 100; Mazio, no. 549;

Martinori, fasc. xxiii-xxiv, p. 33, no. 30; Bartolotti, Mer-
Bibl.:
Patrignani, Pio
candetti, no. 109, fig. 53.
212
PIUS IX
Mastai Ferretti
1850
Obv. Bust to left, wearing skullcap, mozzetta and

Around, PIVS IX PONTIFEX MAXIMVS
GIUSEPPE GIROMETTI
(1780-1851)
Gem
below,
G GIROMETTI F
.
engraver, medalist, and sculptor, student of the
Accademia di San Luca. After

winning prizes for four statues for the Duomo of Foligno, he turned to die engraving and from 1822 was engraver at the papal mint under Popes Pius VII, Leo
Rev. Daniel standing with slain dragon at his
feet;
DIRVPTVS EST
DRACO ET DIXIT DANIEL ECCE QVEM COLEBATIS; in exergue, G GIROMETTI F
broken column
sculptor Pacetti at the
stole.
ANNO
at
right.
Bronze, struck, 44
1966.1 14.21
mm.
Around,
CATALOGUE NOS.
The
biblical source for the reverse is
allusion
of the
to Pius' return to
is
Roman
Rome
Daniel 7:11.
The
and the
Fall
in 1850
214
2o8-2l6
59
MICHELANGELO
Obv. Intaglio bust
Republic.
1828
(1475-1564)
to left.
Around, reversed,
ANGEL VS BONARROTIVS;
BARA F ROM AN 1828
below,
BibL: Rinaldi, no. 44 (silver); Mazio (1885), no. 681;

Martinori, fasc. xxiii-xxiv, p. 137; Bartolotti, no. E. 850.
Without reverse
mm.
Trial piece, 61
PIETRO GIROMETTI
1966.137.287
(1811-59)
BibL: Forrer
Medalist and gem engraver, the son of Giuseppe, he

worked with Niccolo Cerbara on his series of medals of
famous Italians. Member of the Florentine Academy in
1835, and director general of the mint at Rome from
MICHAELNIC CER-
215
ANGELO POLIZIANO
(1454-94), poet and humanist
Around,
ANGEL VS POLITIANVS;
Obv. Bust
to left.
NIC CERBARA F
below,
1849.
7, p. 172.
POETAE ET
LINGVAE SCRIPTO-
See Forrer
Bulgari
I,
2, p.
274;
368; Thieme-Becker
7, p.
VETERVM
14, p. 190;
VTRIVSQ
RESTITVTORI
RVM
p. 552.
SAGACISS; stamped on
rim, head of Minerva to left
213
GREGORY XVI
Obv. Bust
Capellari,
Pope 1831-46
1837
to left,
Around, GREGORIVS
VII
below, PETRVS
XVI
PONT MAX A
GIROMETTI FECIT
mm.
stole.
1966.137.286
This
is
one of Cerbara's
series of
famous
Italians.
Rev. In entrance to Pauline Chapel, pope kneels before

a vision of the
tablet
Madonna
flanked by angels carrying a
IGNAZIO BIANCHI
On tablet above, inscription,

XVI RESTITVIT A VII S
and the Host.
GREGORIVS
SACRARIVM PAVLINVM
PAVLVS III COND
GREGORIVS XVI
REST MDCCCXXXVII
PRINCIP;
in exergue,
coin engraver
at
Rome from
and medalist
active at the papal
mint
1848-69.
H. V.
See
in
Thieme-Becker
3, p.
584; Forrer
p. 185;
i,
Bronze, struck, 60
7, p. 81.
mm.
216
1966.1 14.12
Commemorates
restoration of the Pauline
Chapel in
PIUS IX
Mastai-Ferretti,
Pope 1846-78
1854
Santa Maria Maggiore.
Obv. Bust to left, wearing skullcap, mozzetta and stole.

Around, PIVS IX PONT
below, I BIAN-
BibL: A. Patrignani,
CHI F
Rome
Le medaglie
1929, p. 88, no. 49;
Mazio
XVI,
di Gregorio
(1885), no. 629.
NICCOLO CERBARA
is
known
gems and
dies at the
Rome
for his Serie iconografica numisItaliani,
begun
in 1843,
and en-
graved in collaboration with Pietro Girometti. Cerbara

is
said to
have been influenced by the Bavarian Karl
Friedrich Voigt.
See Forrer
291
i,
Bulgari
pp. 386-88;
i,
p. 275.
7, p.
172;
engraver, brother of Guiseppe, and
matica dei piu famosi
PIVS
He
(1793-1869)
mint.
active 1829-58 as engraver of
M BASILICAM PAVLI APOST AB INCENDIO REFECTAM SOLEMNI RITV CONSECRAVIT IV ID DEC MDCCCLIV * below,
POLETTI
I
BIANCHI F
in exergue, AL
ARCH INV
IX P
gem
Rev. Interior of Basilica of Saint Paul. Around,
Medalist and
MAX
Thieme-Becker
6, p.
Bronze, struck, 82
mm.
1966.114.2
The
Basilica of Saint Paul, which had burned in 1823,

was rebuilt under Pius and his predecessors. Although a
team of architects was employed, most of the work was
done by Luigi Poletti (i 793-1 869), beginning in 1833.
This medal commemorates the reconsecration of the
church in 1854.

Mazio
Bibl.:
Commemorates
(1885), no. 730; Martinori, fasc. xxiii-xxiv,
Austria
p. 138.
the return of the rule of the
House
of
Este after the defeat of Napoleon.
Bibl.: Forrer 3, p. 554; Brescia 2, p. 157, no. 144; Bianchi,
PIUS IX
Mastai-Ferretti
Obv. Bust
IX
stole.
PONT MAX AN XXX
219
BIANCHI
View
Rev.
p. 207; Crespellani, p. 55.
to left,
Around, PIVS
below,
1876
ground. In exergue,
AEDES A SOLO
BIANCHI S
EXSTRVCTAE;
below,
Bronze, struck, 44
Austria
of
Emperor
(1793-1875),
Obv. Head to right, laureate. Around, FERDINANDVS I D G AVSTRIAE IMPERATOR LONGOB ET VENET REX below, RECTA TVERI
on truncation, L MANFREDINI F
PAVPERVM COMMODITATI
1838
(1835-48)
of piazza with fountain in lower fore-
FERDINAND
mm.
Rev. Ferdinand kneeling on a dais before a bishop
who
crowns him; around them, two noblemen and two
1966.1 14.25
CORONA FERREA FAVSTE

FELICITER INAVGVRATO AVITA ET AVCTA
in exergue,
below, L
MANFREDINI F
LONGOBARDI VENETIQVE MENS SEPT
A MDCCCXXXVIII
Around,
priests.
Refers to the construction of a
new
Bibl.: Rinaldi, no. 69 (silver)
Bartolotti, no. E. 875.
hospital for the poor.
mm.
1966.137.276
Milan
Bibl.: Forrer 3, p. 554 (dated 1831).
LUIGI MANFREDINI
LUIGI COSSA
(1771-1840)
(1789-1867)
Man-
Sculptor, engraver, medalist, born at Bologna.
Coin engraver and medalist from Cernusio near Como.

student of AlbertoUi and Manfredini, he was mint
engraver at Milan from 1820-41.
fredini was active at the Milan mint from 1 798-1 830 and
became chief engraver in 1808. He was professor of
medallic art at the Academy of Arts in Milan. Manfredini designed the coins and medals for Napoleon I,
Francis I, the Empress Maria Luisa and Francis IV
d'Este, often using designs of the painter Andrea Ap-
See Forrer
220
piani.
i,
GIUSEPPE UGOLINI
3,
pp. 552-55; Thieme-Becker 24, pp. lo-ii.
FRANCIS
IV,
Obv. Head
to left.
Duke
of
Modena
to left.
A PR H ET
.
low,
IIII
B DVCI MVT REG MIR

MDCCCXIIII; on truncation, L M
.
be-
Rev. Female (Peace) leads nude winged male figure

carrying shield toward
left.
City of
Modena
G CARDINAL LEGATO
FRANCISCO
Around,
Around,
in left back-
Rev.
Two
510.
1839
UGOLINI PROVEDENTE
IX
below, L COSSA F
1814
(1814-46)
Obv. Bust
7, p.
(1783-1863), Cardinal, 1838,
Apostolic Legate to Ferrara
See Forrer
Thieme-Becker
p. 459; 7, p. 192;
ANNO MDCCCXXX-
female figures,
one (Fama.?) kneeling
left
and Victory standing, holding fasces in left hand and

placing laurel wreaths on altar. Behind, city of Ferrara
(?) at left and reclining male river god at right. Inscribed
RAVALLI SCUTELLARI
on altar, NATALI
|
ground under rainbow. Around,
PRINCIPIS; on listel, L
ADVENTV OPTIMI
F
TINA RESTITVTA
in exergue,
MV-
MAGNONI
COPPI BERTONI COSTANTINI

PASSEGA ZANARDI MAZZARINI; in exergue,
PROVINCIA DI FERRARA L COSSA F
|

1966.137.184
mm.

1966.137.281
mm.
CATALOGUE
61
OS. 217-225
SAMOYLOFF NATA PAHLEN;
FRANCESCO PUTINATI
ZANI F
(1775-1848)
Rev. Inscription,
ALLA PROTETTRICE DELLE

|
for
many
years.
Bronze, struck, 60
See Ferrer
pp. 711-12;
4,
Thieme-Becker
147;
8, p.
CAN-
ARTI BELLE MILANO MDCCCXLV
Medalist, sculptor, steel engraver; second engraver at the
mint of Milan
below, D.
mm.
27,
1966.137.1
p. 472.
221
ANTONIO CANOVA, sculptor (i 757-1 822)

Obv. Head to right. Around, ANTONIO CANOVA;
on truncation,
PUTINATI F
Rev. Snake biting
its
around
tail
COLO DECIMO NONO;

hat; below, a
FRANCESCO BROGGI
inscription,
AL
(181 1-57)
SE-
Born
above inscription a winged
head of Minerva to right
Bronze, struck, 34
in Milan, assistant engraver at the
mint there in
second engraver in 1841, active there until his
83 1,
death.
mm.
See Forrer
i,
p. 296; 7, p. 124;
Thieme-Becker
5, p. 50.
1966.137.210
Bibl.:
711; Brescia
4, p.
2, p.
224
162, nos. 213-16; Bianchi, p. 152.
CESARE CANTO
Obv. Bust
LUIGI MALASPINA, Marquis

1834), writer
and
Obv. Head
to
political
CANTO;
below
P FUMEO
BROGGI INCISE
of Sannazaro (1754-
economist
1883
Around, CÊSARI
to right.
truncation,
222
(1804-95), Italian historian
1835
MODELLO;
below,
FRAN
HISTORICORUM ITALORUM
CLARISSIMO AN MDCCCL-
Rev. Inscription,
left.
PINA A S NAZAR
F PUTINATI
ALOISIVS
Around,
MARCH
MALAS-
SUI TEMPORIS
XXXIII
below truncation,
Bronze, struck, 53
mm.
BONIS ARTIB
below,
CONDITORI AC CIVI B M TICINENSES
1966.137.26
A MDCCCXXXV
Bibl.: Brescia 2, p. 148, no. 12 ("In
Rev. Palace facade. Above,
omaggio a Cesare
Cantu").
mm.
1966.137.181
STEFANO JOHNSON
Malaspina founded a school of fine
arts in
Pavia and ran
charitable institutions there.
firm of medalists founded in Milan in 1868.
See Forrer
225
DEMETRIO CANZANI
3,
pp. 79-81.
REBUILDING OF CAMPANILE, VENICE,
1912
Obv. Campanile seen over domes of Saint Mark's. Cenbelow, lion of Saint Mark. Around, in border, XXV
ter
(b.
1813)
VOTO E COMPIVTO;
COME ERA DOVE ERA
APRILE MCMXII
Born in Milan, Canzani was engraver at the mint there

from 1841-57, then worked for the Italian government.
He executed a number of medals of the Emperor Francis
field,
IL
in
Rev. Loggetta of Campanile; in front, two virtues flank
NEL GIORNO DELLA ROVINA
tablet inscribed,
Joseph.
IL
COMVNE VOTA LA
|
RIEDIFICAZIONE
See Forrer
i,
p. 339; 7, p. 150;
Thieme-Becker
5, p.
532.
S
223
COUNTESS GIULIA SAMOYLOFF 1845

Obv. Head to right. Around, CONTESSA GIULIA
XIV LVGLIO MCMII

.
JOHNSON
Bronze, struck, 43
1966.138.1
mm.
below,
G MORETTI DIS
.
62
228
LORENZO CIGNA
Obv. Head
Turin
LAVRENTIVS CIGNA;
Around,
to left.
on truncation,
G GALEAZZI F
AMADEO LAVY
ANTIQVIS PAR
(1777-1864)
Copper, struck, 46
Sculptor, painter, medalist, son of
Lorenzo Lavy.
at the
of Art at Turin in 1792-93, he

Turin mint from 1794 1826, becoming
sole engraver there at the death of his brother
Rome
Carlo in
mm.
In frame with loop at top
229
met Canova and made

copies after him and the antique. Lavy became a professor at the Turin academy in 1822 and a member of
the Accademia di San Luca in Rome in 1823.
1813. In
1966.137.273
Academy
student at the
worked
GIOVANNI BATTISTA BECCARIA
3,
pp. 34950;
7,
(1716-81), ex-
perimental physicist
in 180506, he
Obv. Head to left. Around, JOANNES B

on truncation, G GALEAZZI F
BECCARIA;

See Forrer
SIMPLICITATE
DOCTRINA AEQVALIBVS
ASTRA
SERVA-
FVLMEN COELO DEDVXIT
VIT
22, p. 480;
226
Assandria, pp. 245-64.
VICTOR EMMANUEL
dinia, 180221
Obv. Bust to
VEL;
below,
Copper, struck, 44
(1759-1824),
King
Around,
A LAVY F
VICTORIVS EMMAN230
Rev. City tyche of Turin, holding a shield with a bull
on
it,
kneels before Victor
Emmanuel. Around, AD-
VENTVS REGIS; on listel, A LAVY F in exergue,

AVG TAVRINORVM AN MDCCCXIV
Bronze, struck, 52
mm.
Obv. Head
below,
to right.
Around,
G GALEAZZI F
GEORGIVS BYRON;
Winged young man
Rev.
(1788-1824), English poet
playing
lyre.
Around, AGI-
TANTE CALESCIMVS ILLO

mm.
In frame with ring at top
1966.137.106
Commemorates
to
GEORGE, LORD BYRON
Bronze, struck, 57
1966.137.27
1966.137.277
of Sar-
1814
right.
mm.
Turin in
the return of
King Victor Emmanuel
1814, following the fall of
Napoleon.
Bibl.: Forrer 3, pp. 34849.
GASPARE GALEAZZI
Florence
Medalist and coin engraver from Turin, active in the
GIOVANNI ANTONIO
SANTARELLI
middle of the nineteenth century.

See Forrer
Becker
227
2, p.
189;
7, p.
336 (as Giuseppe); Thieme-
13, p. 90 (as Gaspare).
VITTORIO ALFIERI
(1758-1826)
(i 749-1 803),
dramatist and poet
Obv. Head to left. Around, VICTORIVS ALFIERI;

on truncation, G. GALEAZZI F
.
ITALICAE
POMENIS VINDEX
I
Copper, struck, 46
1966.137.272
mm.
In frame with ring at top
MEL-
Gem
engraver,
He
wax
sculptor
and
medalist, born in
rJie
and was
and Rome (1785), where he
was a friend of Antonio Canova. After 1797 he worked
in Florence where he became a teacher of cameo and
gem engraving at the academy in 1808.
Abruzzi.
first
was
a student of Niccolo Ranieri
active in Chieti (1780)

Pyke, pp. 127-28; C. Johnson, '"La storia
428;
29, p.
See Forrer
CATALOGUE NOS.
metallica'
Maria Luigia Duchessa
di
Medaglia, anno.
2,
di
Parma," in
226-234
MARIE LOUISE
He
de Gravillon.
was
Grand Prize
of Austria; Empress of France (1810-15);

Duchess of Parma, Piacenza and Guastalla, 1816 181
rector of the
academy
of the Italian
Academy
Obv. Head
See Forrer
to
wearing diadem and necklace.
right,
M LVDOV ARCH
Around,
AVSTR
PARM PL AC ET VAST DVX;
RELLI F
below,
D G
233
Rev. In a wreath of oak leaves, inscription,
ADVENTV
XX APR
SVAE PARMA VOTI COMPOS
Bronze, struck, 41
DCCC XVI
tion,
mm.
The
obverse
is
after a
scudo by Manfredini. MarieI
in 1810
pees sous
Forrer
field,
33,
pp. 377-78;
Around,
MOSTRO CIO
on trunca-
crown over Z;
in left field,
DELLA ITALIANI TA;

PREMIO PASQUALE VILLARI
|
AI BEin right
Bronze, struck, 43
regne de Marie-Louise d'Autriche a Parma,"
le
Thieme-Becker
Divo, "Les medailles historiques frap-
Revue Suisse de Numismatique 46
he became a member
in 1932.
to left, laureate.
HIERI; below,
NEME RITI
and was the
mother of Napoleon II. In 1814 she fled to Venice where

her duchies were awarded to her in 1816.
Bibl.: Jean-Paul
p. 132;
the
teacher and di-
Rev. Draped female figure standing on scroll, holds

open book above her head. Rays of light flow from book.
Around, SOCIETA NAZIONALE DANTE ALIG-
1966.137.285
Louise was married to Napoleon
in Florence,
CHE POTEA LA LINGUA NOSTRA;

D TRENTACOSTE
6,
Venice Biennale.
finally
won
DANTE
Obv. Bust
PRINCIPIS
at the
he
SANTA-
and
in 1891
Pyke, p. 150.
London
in
in Florence in 1895. In that year
of Ferdinand,
sister
(1791-1847),
Emperor
mm.
1966.138.3
(1967), p. 70, no. 2;
Pasquale
335; Bramsen, no. 1780; Brescia 2, p. 164, no.

250; Bianchi, pp. 207-08; Johnson, p. 78, no. 3, fig. 63.
232
A. G. Lanzirotti, C. Ceribelli and Arthur
in Paris with
no. 3 (1972), pp. 42-82.
settled
231
63
5, p.
Villari
Societd Nazionale
(1826-1917) was president of the

Dante Alighieri from 1896 to 1903.
MARIE LOUISE
Obv. Same
as no. 231
TREBIA
HANNIBALIS A
LICHTENSTEINII A MDCCXXXXVI
SOVWAROFII ET MELAS A
MDCCLXXXXVIIII VICTORIIS MAGNA EX
Rev. Inscription,
DXXXV V C
.
Various Locations
PICCIOLI
DECRETO AVGVSTAE A MDCCCXXI

PONTE IMPOSITO VTILITATE POPVLOR
.
.
|
Bolognese sculptor of the
.
|
FELIX
Bronze, struck, 41
century.
and of Cardinal
mm.
See Forrer
1966.137.275
Medal
first
half of the nineteenth
Modeled medals of the composer G. A. Rossini
4,
Ugo
Spinola in 1842.
pp. 506-07.
for the bridge over the Trebbia.
Bibl.: Forrer 5, 335; Brescia 2, p. 164, nos. 248-49; John-
son at pp. 56-58, p. 79, no.
234
PIUS IX Mastai
Ferretti,
Pope 1846-78
1846
Obv. Bust to left, wearing skullcap, mozzetta and stole.

Around, PIO
IX PON MAS on truncation,
9, fig. 72.
PICIOLI [F (?)]
DOMENICO TRENTACOSTE
(1859-1933)
Rev. In wreath, inscription,
Palermo. Trentacoste studied

Delisi
1846
|
Bronze, 80
sculptor, medalist, coin engraver
ALL'ELETTO DA DIO
SPERANZA D POPOLI
and
painter,
Palermo with
and Domenico Costantino. From 1880 he worked
first
in
mm,
born in
1966.1 14.30
Coronation medal.
64
DONNINO BENTELLI
PIVETTI
(unknown
(1807-85)
Born
Piacenza and trained at the Istituto Gazzola,

was a die engraver, medalist, mechanical engineer and designer. In Parma by 1844, he was master
and engraver at the mint until it closed in 1869, and
at
237
Bentelli
LUDOVICO PAVONI
coins for
See
Academy
of Fine Arts.
He
Obv. Bust
to right.
Around,
CAN EQUES ORD
Thieme-Becker
3,
LUDOVICUS PAVONI
below, Pivetti
Ill;
dis
engraved
Rev. Inscription,
Parma, Turin and Bologna.
St. Lottici in
founder of the
(i 784-1 849),
Congregation of the Sons of the Immaculate Virgin
professor at the
medalist)
A MARIA
CONDITOR SODAL FILIOR

CONCEPTA
.
SINE LABE
p. 353; Forrer
i,
Bronze, struck, 43
p. 164; 7, pp. 67-70.
mm.
1966.1 14.69
235
GIAN DOMENICO ROMAGNOSI
(1761-1835),
Adolfo Pieroni).
Bibl.: Brescia 2, p. 161, no. 199 (attr. to
and philosopher
Italian jurist
Obv. Head to right. Around, GIAN DOMENICO

ROMAGNOSI PIACENTINO NATO IL 1761 be
low truncation,
D BENTELLI
INSEGNO NUOVA
E NECESSARIA SAVIEZZA ALLE LEGGI be-
Artist
Unknown
low, U^J^F
238
mm.
Bronze, struck, 46
Traces of black patina
LUDOVICO ANTONIO MURATORI

Modenese
1966.137.280
historian
and archeologist
(1672-1750),
1853
Obv. Bust to right. Around, A LODOVICO ANTONIO MURATORI LA PATRIA

.
Romagnosi
lectured
on law
in Milan. In 1806
ticipated in the formation of a

at
new
he par-
Italian criminal
code
Milan.
Rev. Statue on a pedestal. Around,
MALATESTA
BibL: Forrer
7, p. 68.
Silver, gilt, 80
FECE;
mm. Loop
ADEODATO
MDCCCLIII
in exergue,
attached at top
1966.137.108
LUIGI
The medal
DE FEO
(active late nineteenth-early twentieth century)
From
ist
Apulia, de Feo was a painter, sculptor, and medal-
active in Paris
and Venice.
He
exhibited in Paris in
Venice in 1909, and New York in 1910. Inspired by

French relief sculpture, he is particularly noted for
1907,
plaquette portraits of aristocratic
See Forrer
236
7,
p. 296;
women and
Thieme-Becker
children.
de
FEO -
in
band
at
1908
to left,
;
bottom,
down
with long
left side,
9i[?])-
The medal
is
not recorded in Forrer,
three other medals of Muratori by
388), by T. Mercandetti, 1806 (4, p. 31)
anza (1848-1903)
(5, p.
who
gives only
N. Cerbara
(i, p.
and by F. Sper-
599).
11, p. 393.
MARIE LOUISE BOURBON DEL MONTE

MARIA 1908
Obv. Bust of child
depicts the statue of Muratori which was

commissioned in 1847 and erected in the Piazzale Muratori by the Modenese artist Adeodato Malatesta (1805-
hair.
Below, -
FRANCE
S.
Sixteenth Century
MARIE LOUISE;
BOURBON DEL MONTE
MARC BECHOT
MARIA
(1520-57)
Without reverse
Medalist under
Bronze, rectangular, 139 x 106

1966.13746
mm. Ring at top
Henry
dal Nassaro of Verona.

first
II,
probably trained by Matteo
Henry
II
appointed Bechot the
engraver general of the mints in 1547. Mazerolle
CATALOGUE NOS.
says that in Bechot's
medals the fine
style of the
i,
Obv. Bust
II
Around,
Med. Ren.
p. 141; Hill,
Alvin in
p. 143;
(1519-59),
King
of France 1547
HENRICVS
Around,
Commemorates
Arm.
Bibl.:
OB RES
GERM ET GAL FORTITER
exergue, EX VOTO PVB 1552
Mazerolle
Around,
IN ITAL
GESTAS; in
McA.
Bronze, struck, 60
mm.
Commemorates Henry's
over
victory
the
Van
Mieris
W.
314,2;
3, p.
Johnson, "Numismatic Propaganda in Renais-
emperor
241
Mazerolle
2,
no. 90; Tresor France
Haye, no. 17 (obv.), no. 20

;
2,
drawing)
Charles V.
(rev.)
285B; Naples, p. 198; Supino, no. 818;

no. 99; Tresor France i, pi. 12,1; De Haye,
sance France," Art Quarterly 31 (1968), pp. 123-53 (p.

124 on the obverse legend, 139; figs. 26a,b; 30 for related
1966.117.3
Bibl.:
Emperor Charles V. (See
3, p.
no. 27; Robert, p. 59, no. 3;
victory over
note to no. 241.)
Rev. Fame, Abundance and a third female figure on

to left.
mm.
1966.1 17.37
1552
Gilt bronze, 55
3, p. 135.
REX CHRISTIANISSIMVS
Quadriga
Thieme-Becker
HENRY II
to
OB RES IN ITAL GERM ET GAL

FORTITER AC FOELIC GESTAS; in exergue, EX
VOTO PVB 1552
right.
manner.
See Forrer
65
Rev. Fame, Abundance and Victory on Quadriga
French
Renaissance begins to be combined with the broader

Italian
235-242
Van
Mieris, vol.
i, pi.
13,2;
De
HENRY
II
Obv. Bust
(rev.); Robert, p. 58, no. 2
II
3, p. 314 (rev.).
1552
to right, in armor.
HENRICVS
Around,
GALLIARVM REX INVICTISS PP
RESTITVTA REP
MEDIOMAT
LIBERATIS OBSID
PARMA MIRAND SANDAMI
ET RECEPTO HEDINIO ORBIS CONSENSV 1552
SENENSI
TIENNE DELAUNE
(1518/19-83)
known as a copperplate engraver, Delaune
was originally an engraver of medals and seems to have
worked with Benvenuto Cellini during his sojourn in
Paris. In 1552 Delaune was briefly engraver to the newly
mechanized Paris mint. Some of his drawings for medals and coins are at the Bibliotheque Nationale.
3,
H.
Stocklein in Thieme-Becker
pp. 335-39; Kress, p. 103; H.

von E. Delaune in der Staatlichen
Miinzsammlung
zum
60. Geburtstag,
Mu-
Thomas, "Die miinchner

Harnischvorzeichnungen des Etienne Delaune fiir die
Emblem und die Schlangen-Garniture Heinrichs 11 von
1928,
pp.
53-62;
Frankreich," ]ahrbuch
17.4
Commemorates the liberation of Siena and victory

the forces of Emperor Charles V and the pope.
Bibl.:
Arm.
over
285C; Houston, no. 152; Naples, p. 198;

2, no. loi; Tresor France i,
3, p.
Supino, no. 819; Mazerolle

pi. 12,2;
Robert,
pi. 8;
Van
Mieris
3, p.
313.
9,
len
nich
1 966.1
pp. 2-3; Forrer

Stocklein, "Die Medail-
Miinchen," in Georg Habich
mm.
Bronze, 55
Primarily
See
B.
der Kunsthistorischen
Samm-
lungen in Wien 56 (i960), pp. 7-62 (at pp. 24-25, figs.

19-27, drawings for medals) C. Eisler, "Etienne De-
242
HENRY II
Obv. Bust
RICVS
P
Around, HENFRANCOR^ REX INVICTISS" P
to right, laureate, in cuirass.
II
Rev. Fame, Abundance and Victory on Quadriga to
TE COPIA LAVRO ET FAMA

BEARVNT; in exergue, NVIA
right.
Around,
laune et
les
graveurs de son entourage," L'Oeil, no. 132
(1965), pp. 10-19, 7^; Y. Hackenbroch,
edge on jewels and designs
after
"New knowl-
Bronze, traces of
Obv. Bust
Dated 1551
the
1552
to right, laureate, in cuirass.
II
mm. Hole
at top
1966.117.2
to early 1553.
abbreviation for
RICVS
53
Etienne Delaune,"
Connoisseur (June 1966), pp. 83-89.
HENRY II
gilt,
Around,
GALLIARVM REX INVICTISS
HEN
P P
Bibl.:
NV
[M]
Robert
I
(p. 60) calls
[N] A,
usually refers to an omitted
Arm.
3, p.
as the
NVIA
an
symbol over
N or M.
285D; Houston, no.
151; Saltan, no. 79;
Kress, no. 542; Naples, p. 199; Mazerolle
2,
no. 103
;;
66
(bronze
recorded); Tresor France
gilt
NVIA
poses
as abbreviation for
Johnson (cited
end), p. 139,
[O]
[AR] lA)
(on the obverse
at no. 240), p. 124
Around,
11,5 (pro-
i, pi.
lOANNA REGINA NAVARRIE;
1572
leg-
mm.
Bronze, 54
fig. 27.
1966.1 17.27
Parents of Henri de Navarre.
Mazerolle
Bibl.:
HENRI D'ORLEANS
later
Henry
Obv. Bust
II,
King
of France, 1547
plumed
to left, in
AVREL DVX
Dauphin
(1519-59),
1535
no. 387.
1535
AHKORVM
HEHR
Seventeenth Century
17
Rev. In a landscape, Saint Michael killing a monster

Bronze, 69
2,
of France,
Around,
hat.
(Henri IV, King of
France, 1589-1610.)
UNATTRIBUTED
243
below,
GUILLAUME DUPRE
mm.
(ca.
1576-1643)
1966.1 17.40
This medal
is
and organization
similar in style
Angouleme
of Charles of
Medailleurs et
ments de
Maison de France, Paris
brother Francis,
pi. 6,3)
log, 15
Bibl.:
first
The medals
restitutions.
of 1535 in
also similar to that of a
is
son of Francis
1856, pi. 21.
medal
Madrid,
Tresor France
The
{Tresor France
may
are so clumsy that they
Dupre's medals are extremely finely
of Henry's
This specimen in Hotel Drouet
June 1923,
1597. From 160439 he was controleur general of the

French mint. He seems to have been in Italy from ca.
1611 to 1613 and from this date his medals lose some of
their French delicacy in exchange for an Italianate vigor.
Me-
and to a medal of
G. Combrouse, Monu-
Tournon
portrait type
et
pi. 13,5
Francois de
la
Dupre is considered the outstanding French medalist of

the High Renaissance. His medallic activity dates from
medals
Rondot, Les
illustrated in
Graveurs de Monnaies, fetons
les
en France, Paris 1904,
dailles
to
See Alvin in Thieme-Becker
1,
pp. 654-60;
well be
7,
10, pp. 173-74; Forrer

Kress,
p. 239;
pp. 105-06.
246
FRANCESCO
Cosimo
by Frangois Thevenot)
II
Obv. Bust
i, pi. 9,4.
DE' MEDICI
HENRY OF LORRAINE,
Obv.
Bust
to
right,
Duke
laureate,
of Guise (1550-88)
in
cuirass.
to right, in
man
Around,
Bronze, 93
Around,
clouds.
Bronze, struck, 48
COELO
Bibl.: Supino, no. 849; Brescia
mm. Obverse struck from cracked die
Except for the identification of the
subject, this
medal
no. 595; Mazerolle
is
identical to Kress, no. 550, of Charles III de Lorraine.
modern
247
I,
Mazerolle
2,
restitutions.
i, pi.
p. 112, no. 790;
Migeon,
MARIA MAGDALENA OF AUSTRIA,

I
Grand
Rev. Bust of Jeanne, consort of Antoine, to right.
to left, in court costume.
Around,
MAGDALENE ARCH AVSTR MAG D
below,
II,
613
27,1,2.
ANTOINE DE BOURBON (1518-62), King of Navarre and JEANNE D' ALBRET (1528-72)
Obv. Bust to left, in armor. Around, ANTONIVS
DEI G REX NAVARRAE
i,
no. 673; Tresor France 2, pi. 11, i;
pp. 394-97, pi. 89,4.
Obv. Bust
245
2,
Duchess of Tuscany (1591-1631), wife of Cosimo

1608
Bibl.:
cast
this medal with Dupre's

Maria Magdalena of Austria, no. 247 as a reverse.
MM.
to be
mm. Hollow
Mazerolle reports a version of
1966.1 17.30
Both appear
on
1966.1 17.15
plowing; above, sun dispel-
DISCVTIT VT
PHOEBVS PAX NVBILA TERRIS
hng
D PRINCEPS
truncation, GDP 1613
armor. Around,
Without reverse
HENRY + DE + LOR + DVC + DE + GVISE +
Rev. In a landscape, a
(1594-1614), brother of
1 61
FRANCISCVS MEDICES;
244
i,
sale cata-
lot 3.
p. 134, no. 176 (as
cast.
GDP
1613
Without reverse
Bronze, 93
1966.1 17.36
mm. Hollow
cast
MAR
ETR;
CATALOGUE NOS.
A
See no. 246.
duplicate of this medal
Molinari Collection (1966.117.14; bronze, dark

patina, 94
65-76.
i,
p. 112,
no. 792; Migeon, no. 594; MazeroUe 2, no. 671 (as the
reverse of a medal of Cosimo II) Tresor France 2, pi.
250
ARMAND-JEAN DUPLESSIS
(1585-1642), Cardinal
of Richelieu, 1622
1630
medal of Cosimo II,

unsigned); Fabriczy, p. 183, pi. 36,5 (as Mola); Habich,
p. 119 (as signed by Mola and Dupre).
Obv. Bust
Around,
wearing the Order of Saint Esprit.
ARMAND-JEAN DUPLESSIS
Rev. France seated with Fortune and
10,3;
Heraeus,
pi. 63,2 (as reverse
of Richelieu, 1622
of
(1585-1642), Cardinal
drawn by
PATVS;
Bronze, 77
Around,
Around,
WARIN
Hands binding
laurel wreath. In scroll,
EX O
mm.
mm. Old
Houston, nos.
aftercast
17.23
Tresor France
Mazerolle
2,
no. 701
Tresor France
i, pi.
251
Later cast
MM. 2, pi.
108,1.
Around,
to right.
CARD DE RICHELIEV
Cardinal of Richelieu
ARMANVS lOAN
below, I WARIN
1630
FERT ET SVSTINET;
.
Around,
genius.
in exergue, 1630
circle of planets
guided by winged
MENS SIDERA VOLVIT
in
exergue, * 1631 *
mm. Good later cast
Bronze, 50
1966.13046
mm.
1966.1 17.22
Bibl.: Forrer
France
medal.)
p. 86, no. 5; Brescia 2, p. 97, no. 8;
i,
2, pi. 21,3;
Rev. Globe within
Bronze, 65
this
631
Obv. Bust
on
165, 166; Saltan, no. 84; Kress, no. 575a;
ARMAND-JEAN DUPLESSIS,
1
Rev. Sword, shield and ribbon, crossed. Around, IN.
63,4.
MARSHAL D'ARGENCOURT 1630

Obv. Bust to right. Around, P D C S^ DARGENCOVR MARECH D BATAILLE
below, G
DVPRE F
TANDEM VICTA SEQVOR;
1630
Bibl.: (All of the following are variations
Mazerolle- Fan
Bibl.:
in chariot
1966.n7.20
[T]
ERE GLORIAM
1 966.1
Fame
crowns France with
below, 1627
Bronze, 51
horses; flying Victory
laurel wreath.
ARMAND
below,
Rev.
ARMANDVS lOANNES CARDINALIS
1627
to left.
to right,
DE RICHELIEV
SANCT
ROM ECCL CARD DE RICHELIEV NVNCVObv. Bust
249
V. Tourneur, "Les origines de Jean
Varin," Revue beige de Numismatique 84 (1932), pp.
brown
mm.)
Bibl.: Kress, no. 562; Supino, no. 848; Brescia
248
67
93; Mazerolle, Varin;
also in the
is
243-252
p. 657; Mazerolle
i,
2,
no. 704; Tresor
This medal with a device of the Cardinal de Richelieu
2, pi. 16,1.
was probably struck after the famous journee des Dupes,

in which the cardinal, having thought himself lost, overcame the intrigues of the queen mother. (Tresor)
JEAN VARIN
Bibl.: Kress, no. 576; Medailles Franâises, no. 83; Tresor
(ca.
Born
at Liege,
1604-72)
Varin worked
Liege and Sedan
ca. 1623.
at
France
1625
and
succeeded Rene Olivier at the mint in 1629 (marrying his
widow
in 1630). By 1646 he was engraver general of the

mint of France and in 1647 he became Controleur General des Poinôns et Effigies. Varin established the style of
the French mint.
and was received
He
was
6,
252
LOUIS XIV
(1601-66)
p. 87, no. 13.
(1638-1715) and
ANNE OF AUSTRIA
1643
Around,
LV-
Obv. Bust of Louis
to right, laureate.
DOVICVS
D G FR ET NAV REX
below,
XIIII
WARIN
1643
Academy
of Painting
and
pp. 361-72; Jean de Foville in Michel
5,
pp. 769-72; Thieme-Becker 35, p. 161; Jacquiot, pp. 79-
Anne
Rev. Bust of
right in
to
mourning. Around,
ANNA D G FR ET NAV
Sculpture in 1665.
See Forrer
i,
medal and reorganized
also a noted portrait sculptor
into the
MazeroUe-Far/w
Rochefort in 1615 and at
He arrived in Paris in
the seventeenth-century French
2, pi. 28,1;
WARIN
Bronze, struck, 54
1 966.1 17.25
mm. Hole
at top
REG;
below,
68
Married
France
BibL:
De
Anne became Regent
Louis XIII in 1615,
to
any proof.
BibL: Houston, no. 349; Forrer
Haye, no. 50; Jacquiot, no. 118; no. 532 (die
for reverse); Menestrier, p. i4,G;
pi. 3,
by Christoffel Adolphi, but that neither attribution has
of
death in 1643.
at his
Mazer olle-Varin,
PIERRE AURY
He later
253
JOHANN
DE WITT
Born
Two
Obv.
258; Forrer
i,
CORNELIUS
p. 91;
CORNELIVS
Around,
VITiE; below bust of
ILLE TOGA
of remarkable boldness,
is
On his
return to France he was employed on
consequently in an international baroque
Cornelius,
H. V.
See
MAXIMVS
7,
framed in a wreath of thorns entwined with
inscribed,
MENS
SE COR
254
AGITAT MOLEM ET
PORE MISCET. At left,
|
rib-
around, *
NUNC REDEUNT
TINVS
to right, in cape.
E
.
INGENTIA CONSULIS ACTA *

DATI SCEPTRIS ORACLA MINISTRI; in exergue,
NOBILE PAR FRATRVM S.EVO FVROR ORE
TRVCIDAT XXAVGVSTI
Rev.
6, p.
Fame
Around,
CORTONNA
p. 420;
PETRVS BERE.
on
truncation,
recumbent, pointing with a scepter to a
i,
BENE
TE CORONAT ANAGR
F.R
466; Forrer
(1596-1669), painter
wreath above. Around,
CHERON F R
ANIMIS
ET FORMI-
DA CORTONA
PIETRO
Obv. Bust
in Thieme-Becker
style.
p. 179; Jacquiot, pp. 119-35.
Rev. Brothers consumed by many-headed allegorical
medals
his
the period.
AVRY F
of Lorraine,
the Histoire Metallique for the king, and his medals are
AVRY,
below Johann, FEC; on scroll below busts, HIC ARMIS
MAGNO
Duke
bon
father, Jean-Charles
INTEGER
beast,
by his
medals of Pope Clement IX and of Bernini are

grandiloquent and among the finest Italian medals of
DE WITT NAT A 1623 * lOHANNES DE

WITT NAT A 1625 SCELERIS = QVE PVRVS
Roman
style in his
(1623-72)
and
busts confronted.
at Luneville, trained
Cheron went to Rome and became engraver of medals

for Clement IX and Innocent X. He returned to France
in 1675 to contribute to the medallic series of Louis XIV,
and was received into the academy in 1676. Cheron's
7, p. 410.
and
(1625-72)
3,
87-88, pi. 120,3 (un-
Cheron, engraver to Charles IV,
he signed with Bertinet in 1673.

2, p.
7,
(1635-98)
who was
executed in
France a number of medals of Louis XIV, one of which
Babelon in Michel
CHARLES JEAN FRANgOIS
French medalist, son of Augustin Aury,
7, p. 34;
MM. 2, pp.
Avry)
Van Loon
CHERON
probably briefly in Holland in 1672.
See Alvin in Thieme-Becker
p. 94 (as F.
1622)
(b.
i,
Hill-Historical, no. 54;
p. 81 (ill.), p. 82, no. i;
2, pi. 22,4.
signed)
Aury)
p. 34 (as P.
cat.
SVPER
F
below,
VIRTVS
CHERON
Silver, struck, 67
mm.
Bronze, 72
mm.
1966.142
1966.118.2
As
Johann de Witt was

in effect the leader of the union of the Netherlands from
165372, a period of great prosperity. However, when
Louis XIV invaded Holland in 1672, Johann and his
leader of the Republican party,
The
An
brother Cornelius were hacked to pieces in a riot at the
III of
supporters of William of Orange

England) The medal has also been
SchuUer, het
Arondeaux (W.
London, 17 November
medal was
p. 126, no. 885;
MM.
lot 119,
titles.
France.
Sotheby
1970.
;
Forrer
2, p. 86, pi.
"Some Roman Seventeenth-Century
Meijer, "G.
Studi Secenteschi 7 (1966), p. 99,
7, p.
179; Brescia
120,2;
G. Pollard,
Portrait Medals,"
pi. 6b.
De
Navorscher [1900], pp.

der
Meer
(private
Gay
van
communication) has
5769)
suggested that on stylistic grounds the medal could be
het veelhoofdig monster,"
.
I,
H.
Swart Toneel-Gordijn en de penning met
attributed to Reinier
an anagram of the obverse
BibL: Jacquiot, no. 183 (silver)
Hague provoked by the

William
is
may have been commissioned from
oval ivory relief after this
sale,
(later
reverse legend
This medal
255
GIOVANNI PAOLO OLIVA
(160(^81),
Preceptor-General of the Jesuits, 1664
eleventhi
156
257
CATALOGUE NOS.
Obv. Bust
Around,
to right, in cape.
SOC lESV PR GEN XI PP M

CONC; on truncation, F CHERON
P
IV
OLIVA
A SAC
253-259
69
(rev. 70 mm., cut down to fit smaller obverse) ; Choix de

Medailles en vente a la Monnaie, Paris 1926, p. 7.
Rev. Saint being borne to heaven by angels. Around,
NICOLAS DELAHAYE
PROC HONORIB SS DECESS SVO F BORGIA below, F CHERON

.
(1645/54-ca. 1695)
mm.
Bronze, 68
1
Perhaps from Lyons, Delahaye was a goldsmith and

medaUst in Paris, noted in the king's payment books
966.1 1 8.1
Saint Francis Borgia was canonized by Pope Clement
from
Bibl.: Forrer
i,
He worked on
1684.
the medallic history of Louis
XIV.
(1670-76) on 12 April 1671.

p. 420; Brescia
p. 126, no. 887;
i,
MM. 2,
See Thieme-Becker
22, p. 225;
Forrer
i,
p. 548.
p. 131, pi. 130,1.
258
COSIMO
III
DE' MEDICI
1670 and
of Tuscany,
Grand Duke
(1642-1723),
MARIE DESCORAILLE, Duchess of Fontagnes 1684

Obv. Bust to left. Around, MARIE DESCORAILLE
DVCHESSE DE FONTANGE below, DELA
MARGARET D'ORLEANS
to right.
COSMVS
Around,
MAGN DVX ETRVRI^

.
Ill
Without reverse
AVRELIANENSIS
D G
HAYE
MARG'^^
Rev. Bust of Margaret to right. Around,
ALOYS
(1645-1721)
Obv. Bust
M D
mm.
Bronze, 59
1966.131.85
ETRVRIiE
Bibl.: Forrer
Bronze, 58
mm. Hole
i,
p. 548.
at top
1966.118.3
Cosimo married Margaret of Orleans,
ANTOINE BENOIST
the daughter of
Louis XIV, in 1661. She returned to France in 1675.

Bibl: Heraeus,
ETRVRI.E;
LOUIS XIV
Obv. Bust
FRA
MARG ALOYS
CHERON
pi. 63,9 (rev. insc.
below,
(1638-1715),
Known
.).
King of France,
Around,
ET
(1632-1717)
NAV REX
and a sculptor in metal and stone. Beginning

was one of the twenty Peintres Ordinaires du
Roi and he was elected to the academy in 1691. Benoist
executed a few medals and painted in grisaille the por-
in 1657 he
1643
LVD MAG
on
truncation,
traits of
CHERON
XIV
Louis
QVE LABORES.
Around,
ARNHEM
Lami
259
LOUIS XIV,
mm. Modern
Thieme-Becker
Portrait Bust at
war, begun 1672; for the taking of twelve
1706
DCC
VOTUM GALLIC
Bronze, 88
Metallique du roi Louis XIV.

Bibl.: Jacquiot, no. 188 (reverse undescribed)
France
Forrer
i,
3, pi. 14,1
VI
SIT MIHI
ET ISTE DIU
^T LXVIII REG
LXIIII
mm.
1 966.1 3 1.
Bibl.:
Houston, no. 186 (with different
REX
ANN DOM
the Royal Series of the Histoire
p. 420; Brescia 2, p. 97, no. 12; Tresor
Sixty-Eight
Eques ad Vivum F.
TALIS SEMPER
From
Age
Rev. Inscription,
Holland.
13.
restrike
1966.118.4
cities in
pp. 336-37; Babelon in
3,
345-47; Pyke, p.
Obv. Bust to right. Around, LUDOVICUS MAGNUS REX CHRISTIANISSIMUS

below, incised,
.^4Benoist.
in
7, p. 408; Jacquiot, pp.
S.
Michel
DOESBOVPG ZUTPHEN DEVENTER NIMEGVE GRAVE BOMEL ORSOY RHINBERG

VESEL EMERICK SCHINCK stamped on rim,
BRONZE
See
Encircling scene are twelve
representations of fortress plans.
The Dutch
used as obverses for the Histoire
Metallique.
Rev. Helios riding across heavens in quadriga. Around,
SOLIS
primarily as a sculptor in wax, Benoist was also
a painter
rev.).
70
THOMAS BERNARD
262
LOUIS XIV
(1650-1713)
Obv. Head
XIV,
Medalist for Louis
mentioned
first
in his service
worked almost
in 1679. After 1685 Bernard
3, p.
433; Forrer
pp. 172-73;
i,
7, p.
74; Jacquiot, pp. 95-117.
260
to right.
Paris
LUDOVICUS
XIIII
Rev. Tyche of Paris, seated turned to

nucopia and ship; at her
Seine; behind, portals of
Around,
holding cor-
left,
god representing the

Saint Denis and Saint Martin.
feet, river
ORNATA ET AMPLIATA URBE below,

monogram) in exergue, M DC LXX
(artist's
Bronze, struck, 41
mm.
1966.131.7
THE VOW OF LOUIS
XIII
King
(1601-43),
of
From
the
roi Louis
France, 1610
Uniform
XIV.
Series of the Histoire Metallique
Bibl.: Jacquiot, no. 150 (notes a
Without obverse
medal) Forrer
;
Rev. Louis XIII kneels before the Pieta on the altar of
Notre
Around,
REX CHRISTIANISSIMUS
left,^
England and Bavaria.
See Thieme-Becker
of
exclusively
mint on the Histoire Metallique of the king.

In 1690 he was received into the academy for a medallic
portrait of the painter Mignard. He executed also a
medallic series of the kings of France and made medals
for the Paris
for the courts of
EmbelUshment
(1638-1715),
(1670)
Dame and offers up his crown. Around, in border,

REGNUM DEO SUB B MARI^ TUTELA
SE ET
i,
p. 173;
payment
Louis XIV,
du
of 1702 for this
p. 115.
CONSECRAVIT;
NARD F
XXXVIII
at base of altar
in exergue,
steps,
JEAN DOLLIN
BER-
ARAM VOVIT M DC.
(d.
1725)
Pewter, 69
the French
1966.131.86
From the first Royal Series of the Histoire Metallique du
XIV On
roi Louis
15 August 1638, Louis put himself,

and France under the special protection of
.
his crown,
the Virgin.
worked there
the Uniform
Louis XIV.
earlier, since
See Forrer
pp. 59899;
i,
i,
p. 173; Medailles
Tresor France
faises, no. 85, p. 24;
the greatest of French
commanders
and
to right, in cuirass
1683
tree,
with wreaths hanging from
being struck by lightning. Around,
MILLE
TVENTVR
NON
in exergue,
its
branches,
LAVRI *
M DCL
228; Thieme-Becker
4, p.
( I 648-1
Bronze, struck, 54
at
Dieppe, Mauger
Jean Varin.
Having
722)
may have been
a student of
settled at Paris ca. 1677,
he was
primarily engaged on the medallic series of Louis

first
engraving large medals for the Royal
Series,
XIV,
then
Uniform Series of Louis XIV

between 1695 and 1703. Mauger executed the obverse
portraits for the Uniform Series after designs by Antoine Coypel and was assisted on the series by Jean Dolengraving the entire
first
Thomas Bernard, Hercule Breton, Joseph Roettiers

and Jerome Roussel. After 1702 he worked, assisted by
Dollin, Roeg, Le Blanc, Benjamin Duvivier, and Roettiers, on the reformed Uniform Series, which remained
XXXIII
lin,
mm.
1966.131.87
The
7, p.
JEAN MAUGER
Born
Around,
lace scarf.
HENR DE LA TOVR DAVVERGNE PRINC

on truncation, BERVICEC DE TVRENNE
NARD
Rev.
Mauger with
du roi
Fran-
count of Turenne (161 175), Marshal of France, one of
assisted Jean
pi. 40,4.
i,
HENRI DE LA TOUR OF AUVERGNE, Prince Vis-
Obv. Bust
he
394; Jacquiot, pp. 137-49.
Bibl.: Jacquiot, no. 132; Forrer
261
He is documented at
medal mint from 1714-25, but must have
Medalist, active from 1680 in Paris.
mm.
reverse refers to a legend that laurel
is
never struck
by lightning.
Bibl.: Jacquiot, no. 173; Forrer
faises, no. 506, p. 207.
i,
p. 173;
Medailles Fran-
unfinished at the death of Louis
See Forrer
3,
medals);
p. 34;
8,
pp. 175-201.
pp. 616-24
XIV.
(extensive
Thieme-Becker
list
of Mauger's
24, p. 274; Jacquiot,
CATALOGUE NOS.
From
Jean Mauger/Jean Duvivier (See biog. after no. 282)

263
LOUIS XIV,
Raising of the Siege of Guise (1650)
Obv. Head to
right.
Around,
REX CHRISTIANISS
LUDOVICUS
below,
(insc. in
Jean
armor, hands laurel wreath to female figure (France).
HISPANORUM COMMEATU INTERin exergue, GUSIA

lower right, D V
CEPTO
LIBERATA 1 JULII M DC L
Around,
266
214 (reverse); Jacquiot, Medailles,

Louis XIV, p. 79
exergue adds
XXVIII JULII
to
MDCLXIV).
Mauger
LOUIS XIV,
Institution of the Military
Order of Saint
Obv. Head to right. Around, LUDOVICUS MAGNUS

REX CHRISTIANISSIMUS below, J MAVGER
mm.
Bronze, 41
Series.
Louis (1693)
Uniform
first
p. 170, pi. 32,5; Forrer 3, p. 618; cp.
Rev. Male figure (War), standing over weapons and
the
71
Bibl.: Jacquiot, no.
XIIII
MAVGER
260-268
F1966.131.5
Rev. Cross of the Order of Saint Louis, with inscription,
From the first Uniform
around,
BELLICAE VIRTVTIS PRAEMIUM
ORDOMILITARIS S LVDOVICI ALVDOVICO
MAGNO INSTITVTVS M DC XCIII
of Louis
XIV.
Bibl.: Forrer
is
264
similar)
i,
p.
Louis
684 (rev.)
XIV
Jacquiot, no. 257 (obverse
p. 31.
Jean Mauger/Jean Dollin
1966.131.15
LOUIS XIV,
From
Obv. Head
Reception of the Queen of Sweden (1656)
to right.
LUDOVICUS
Around,
below,
MAVGER
Uniform
Series.
Bibl.: Jacquiot, no. 59 (larger version, rev.)
Medailles, p. 568, pi. 113,2; Forrer
HOSPITALITAS AUGUSTA lower right, D; in exergue, CHRISTINA SUECORUM REGINA IN GALLIA EXCEPTA M DC LVI
Franfaises, no. 312B, p. 147.
Bronze, 41
Jean
267
mm.
Uniform
XIV,
Without reverse
(rei,
Bronze, struck, 41
p.
p. 44.
Jean
LOUIS XIV, Audience Granted
to the Pontifical
Legate
(1664)
Head
to right.
Around,
LUDOVICUS
below,
XIIII
268
Mauger
LOUIS XIV, Chamber
Commerce
of

REX CHRISTIANISSIMUS below, I MAVGER
left, listens
to
Cardinal Chigi, seated at right. Around,
CORSICVM
FACINVS EXCVSATVM; in
LATERE MISSO M DC
LEGATO A
exergue,
.
BRONZE
Bronze, struck, 41
LXIV
F-
on rim,
MERCIIS REGUNDIS
Bronze, partly
(Restrike)
gilt
and
SEXVIRI COM-
in exergue,
M DCC
silvered, struck, 41
mm.
1966.131.1
From
mm.
Rev. Justice and Mercury. Around,

seated in court dress at
(1700)
MAVGER
F-
XIV
mm.
1966.131.10
Jean Mauger/Jean Dollin
1966.131.9
F-
Series.
verse); Jacquiot, Medailles, p. 108, pi. 20,5; Forrer
Rev. Louis
LOUIS XIV
Bibl.: Jacquiot, no. 257 (obverse similar); no. 211
Obv.
Mauger
the reformed
598; Louis
Jacquiot,

REX CHRISTIANISSIMUS below, J MAVGER
1966.131.8
From
3, p. 622; Medailles
FRev. Louis receiving the queen. Around,
265
the reformed
Reverse designed by Jean Racine.
XIIII
the
first
Uniform
Series.
Bibl.: Medailles Franâises, no. 350, p. 158;

p. 283.
Louis XIV,
72
Jean Dollinjjean
269
Mauger
LOUIS XIV, The
Palace of Versailles (1680)
272
Obv. Same
Rev.
View
and gardens of
of the palace
from
Versailles
REGIA VERS ALI ARUM;
LOUIS XIV,
Institution of the
Mihtary Order of Saint
Louis (1693)

REX CHRISTIANISSIMUS below, I D ... LI
above. Around,
Mauger
Jean Dollinjjean
Rev. At
in exergue,
as no. 270
left,
kneeling
king, armor behind him, awarding order to
while two others stand at right; in back-
officer
M DC LXXX
ground, military camp and two
Bronze, struck, 41
VIRTUTIS BELLICAE PRAEMIUM; in exergue,

ORDO MILIT S LUDOVICI INSTITUTUS
mm.
ships.
Around, in
scroll,
From
the
Uniform
first
âises, no. 243, p. 116;
]ean Dollin/]ean
Forrer
Louis
XIV
Medailles Fran-
From
Around,
it
his standard to Louis.

;
in exergue,
RECEPTA
XIV,
LI
Series.
diflFerent inscription)
from kneeling female
Duke
Jacquiot, Medailles, p. 574,
Medailles Franqaises, no. 311c, p. 146; Louis
p. 246.
UNATTRIBUTED
receives shield
per-
273
Mantua
Around, TUTELA ITA-
LOUIS XIV
(?)
of
Obv. Bust
to right, laureate
Without reverse
|
LXXXI
Copper,
mm.
Bronze, struck, 41
Uniform
CASALIS ARCE IN FIDEM
M DC
left,
behind her the
sonification of Casale;
with
LUDOVICUS MAGNUS
Ref. Louis, enthroned on dais at
LIAE
first
Bibl.: Forrer 3, p. 622; Jacquiot, no. 288 (large version
REX CHRISTIANISSIMUS; below, I D
hands
the
pi. 114,11;
with the plan of Casale on
mm.
1966.131.12
p. 184.
Citadel of Casale Surrenders to Louis
to right.
Bronze, struck, 41
3, p. 621
Mauger
LOUIS XIV, The

XIV (1681)
Obv. Head
Series.
XCIII
Bibl.: Jacquiot, no. 461
270
M DC
1966.131.14
gilt,
mm.
85
1966.131.4
1966.131.11
From
the
Uniform
first
274
Series.
NICOLAS DE BAILLEUL
larger version of this reverse
by Hercule
le
Obv. Bust to
187 (adds
XXX SEPTEMB
Jean Dollin/Jean
LOUIS XIV,
Louis XIV,
p.
right,
gown. Around,
magistrate's
in
to reverse insc).
Mauger
Institution of
1623
NICO DE BAILLEVL PROPR^T VRB ET

PRiEF iEDIL CVRANTE; below, 1623
Rev. Nymph of the Seine reclining in a landscape.
LVTETIA
Around, ^TERNOS
PR.EBET
PONTES
Bibl.: Forrer 3, 621; Menestrier, no. 70;
of Par-
Breton
exists (Jacquiot, no. 252)
271
member
(d. 1662),
liament, Provost of the Paris Guilds (162228)
Cadet Corps (1683)

Bronze, 53
mm.
Obv. Same as no. 269.

1966.1 17.28
Rev. Officer in center, flanked by two cadets; in back-
EM
M DC
LXXXIII
275
the
first
Bibl.: Forrer
Uniform
3, p.
XIV
621; Medailles Franâises, no. 258; p.
p. 199.
2, pi.
18,4;
ALLEGORY OF PRUDENCE
EST
Series.
123 (by Mauger, Gardes de la tnarine et de I'etendard)
Louis
Obv. Woman seated among masks. Around, STVLTITIAM SIMVLARE LOCO SVMMA PRVDENTIA
1966.131.13
From
2,
Kress, no. 577.
mm.
Bronze, struck, 41
Mazerolle
Bibl.:
LECTI JUVENES INNAVALMILITIAM CONSCRIPTI- DCCC; in exergue,
ground, ship. Around,
Rev. Prudence, Bellona and Bona Fortuna. Around,
PROVIDENTIA DVCIS FORTISS

CISS
incised in exergue, 1626
AC
FOELI-
CATALOGUE NOS.
mm.
Gilt bronze, 56
(52
Reverse
smaller than obverse
is
Bronze, 58
mm.)
The reverse of this medal is published

medal of Anne de Montmorency.
as the reverse of a
2, p.
i, pi.
MazeroUe
191,20;
no. 461; Tresor
2,
Grands
278
Mazerolle
1638
2,
to right.
him
SAE; in
fore
DC
mm. Hole
at top
exergue,
The
LXVII
Louis XIV,
Queen Anne
verse)
of Austria
made
vow during
her twenty-
two childless years that if she became a mother she

would build a church. Louis XIV was born on 8 September 1638, but the church was not begun until after the
death of Louis XIII.
On
April 1645
stone of the Val de Grace.
Anne
mm.
The convent was comThe first architect was
Francois Mansart, and his design
is
2, pi.
22,2;
"Mansart Studies
Anthony
Blunt, Art
Val de Grace)
The
I:
(ca.
fig.
15
Varin); P. Smith, "Mansart Studies
1681-1734)
Cure executed a series of medals of famous Frenchmen

and engraved the medals for E. Titon du Tillet's Parnasse Frangais,
and
after
models by the sculptor Louis
Garnier.
A. Braham,
See Forrer i, pp. 48384; 7, p. 198; Michel 7, pp. 413-14;

Fred. Alvin in Thieme-Becker 8, pp. 203-04.
Val-de-Grace," Burlington
Magazine 105 (1963), pp. 351-63,
(medal by Jean
II:
The
Val-de-
Grace," Burlington Magazine 106 (1964), p. 115 (for

date of medal) Anthony Blunt, Francois Mansart, Lon-
279
VINCENT VOITURE
mat
(1598-1648), writer and diplo-
1718
1941, pp. 14-16
(medal
as
image of Mansart's design
to later changes)
Obv. Bust
XIII (1601-43), King of France, 1610; medal
for the foundation of the
Church
of Saint Louis
1627
The Three
BADINAGE
DCC XVIII
PRO SCEPTRIS AR AS DAT TELLVS ET DEVS ASTRA
Bronze, 53
Rev. Facade of Church of Saint Louis. Around,
This
Obv. Bust
to right of Saint Louis.
Around,
LV-
DOVICVS XIII D G FRANCOR ET NAV

REX FVNDAVIT AN MDCXXVII
.
to left, laureate.
Around,
VINCENT
VOI-
TURE
Rev.
LOUIS
re-
SIMONE CUR
Architecture in France, 1^00 lyoo, Pelican History of

Art, 1954, pp. 149-50 (for
(with different inscription on
probably represented
on the medal. He was dismissed after one year and the

design was altered by Lemercier. The medal was issued
on I April 1645.
France
p. 95
Eighteenth Century
placed the
pleted in 1662, the church in 1665.
277
1966.131.6
Bibl.:
compared
scales. Justice be-
LITIUM SERIES RESCISM

NOVO CODICE LATO
Foundation medal of Val de Grace.
don
36,3.
Around,
at left.
Bronze, struck, 41
1966.130.44
Bibl.: Tresor
i, pi.
New Ordinances (1667)

Around, LUDOVICUS XIIII
(1643-1715),
Rev. At right, king enthroned holding
first
Bronze, 94
design of the church was
OB
GRATIAM DIV DESIDERATI REGII ET
SECVNDI PARTVS
below, QVINTO CAL
Rev. Facade of Church of Val de Grace. Around,
LOUIS XIV
Obv. Head
Without obverse
Saint-Antoine, called
changed during construction.
(1602-66), married Louis XIII,
1645
SEPT
The
Jesuites."
Rue
46,3.
ANNE OF AUSTRIA
1615
at top
1627 to 1641 for the Jesuits of
Bibl.:
276
mm. Hole
This medal was one of those placed in the foundation of

the Church of Saint Louis, built by Louis XIII from
"les
Arm.
France
73
1966.131.88
1966.119.8
Bibl.:
269-279
IE LES FAIS A MON

CURE; in exergue, M
Graces. Around,
lower right,
mm.
1966.130.36
is
one of thirty-four medals executed for the Par-
nasse Frangais, conceived by Evrard Titon
designed by Louis Garnier.
The
du
Tillet
and
sculptured group repre-
74
summit
sented the
as
ing
artistic figures.
The bronze model was
171 8, but the full-scale sculpture

Bibl.:
XIV
Obv. Bust
MM. 2, p. 38, pi.
REN RAPIN
finished in
below,
listel, I
CC XVII
.
ROETTIERS F
lions.
GENITA ET GENITRIX DEVM;
Around, DIS
109,2.
in exergue,
on
M D
.
mm.
Bronze, struck, 72
(1621-87), Jesuit poet
CAR PALATINA
Rev. Tyche of Orleans seated, flanked by two
p. 483; Brescia 2, p.
i,
Around, ELIZ
to left.
RHENI DVCISSA AVRELIAN
was never made.
103, no. 6;
280
on which Louis
of Parnassus,
Apollo presided over images and medallions o lead-
1718
1966.130.45
Obv. Bust
to left,
RAPINUS
wearing cap. Around,
below, S
RENATUS
CURE F
Rev. Fountain with a high jet of water in a garden.

Around, FCECUNDAT ET ORNAT; in exergue,
JEAN LE BLANC
DCC XVIII
(ca. 1 676-1 749)
mm.
Bronze, 51
A goldsmith, medalist and coin engraver, Le Blanc won
1966.130.43
the
For the Parnasse Franâis. See no.

Bibl.: Forrer
i,
279.
p. 483; Brescia 2, p. 103, no. 8;
Rome
MM.
Prize in 1704 and studied in Italy for several
From
years.
2,
the Paris
p. 150, pi. 137,3.
Academy
See Forrer
Becker
NORBERT ROETTIERS
282
(ca. 1 666-1 727)
LOUIS
i,
Roi.
and worked at the London mint from 1684

95, becoming assistant engraver in 1690. He later went to
France where he was given a position at the mint
through his uncle Joseph Roettiers, whom he succeeded
pp.
3, p.
XV
(1710-74),
Obv. Bust
to right.
King
Around,
5,
pp. 183-87;
8,
p. 358;
Thieme-Becker
28,
7, p.
84;
Thieme-
of France, 1715, Audience
LUDOVICUS XV REX
LE BLANC F
.
Rev. Turkish ambassador bowing before the king on

dais.
Around,
left, I
SPLENDOR NOMINIS GALLICI

B
in exergue,
CARUM M DCC XXI
ORATOR IMP TUR
Bronze, struck, 41
p. 508.
355;
on truncation,
See Forrer
of
Ambassador (1721)
CHRISTIANISS
lower
as engraver general in 1703.
at the
became a member
in 1718.
son of Jean Roettiers, Norbert was apprenticed to
his father
He
8, p. 90.
of the Turkish
The
he worked in Paris
171 5 to his death
Monnaie des Medailles du
mm.
1966.131.17
JOSEPH CHARLES
ROETTIERS
Bibl.: Forrer
i,
p.
195;
Louis
XV,
no. 20; Medailles
Franâises, no. 26 (rev.), p. 215.
(1692-1779)
Son
du Rot
Academy
first
JEAN DUVIVIER
became Graveitr des Meand was admitted to the Paris
of Joseph Roettiers, he
dailles
in 1715
in 1717.
He
(1687-1761)
succeeded his cousin Norbert as
engraver at the Paris mint and held the post from
1727-53 and 1772-74.
Born
at Liege,
Duvivier was a student of his father
Gandolphe. In 1710/11 he went
to Paris,
where he was
when, under
active as a copperplate engraver until 171 4,
See Forrer
5,
the influence of his patron, Jean-Baptiste de Valdor, he
turned to medals.
Norbert Roettiers/]oseph Charles Roettiers

281
ELIZABETH,
(d. 1722)
1717
Duchess of Orleans, Princess Palatine
mint
in 1719,
He
succeeded
Mauger
remaining there until 1729.
Bouchardon caused him
at the
medal
A dispute with
to lose the king's patronage in
1738, but he returned to court in 1748.
A prolific medalist.
CATALOGUE NOS.
280-287
FRANQOIS JOSEPH MARTEAU
Duvivier designed over 400 medals and engraved portraits
See Forrer
10,
XV
of Louis
seventeen different ages.
at
(ca.

Nocq, Les Duvivier, Paris 1911.
pp. 683-85;
i,
H.
pp. 252-53;
75
1720-57)
6,
Goldsmith and medaHst
Louvre
in Paris, living in the
as
goldsmith to the king from 1741. Marteau engraved

medals of Louis XIV and Louis XV.
MICHAEL ROEG
See Forrer
3,
1679-1736/7)
(ca.
Francois Marteau
Norwegian medalist who was trained in Copenhagen

and worked there until 1715 when he went to France.
From 1720 to his death he was engraver of medals to
Louis
285
PHILIP STOSCH
who lived in Italy
Obv. Head
XV.
Arist Pander in
pp. 147-48;
5,
DE STOSCH GERMANVS;
TEAU F 1727
Thieme-
BARO
MAR-
28, pp. 483-84.
Rev. In front of a wall Diogenes, seated

left,
Jean Duvivier
283
archaeologist
below,
Becker
German
Around, PHILIPP
to right.
See Forrer
(1691-1757),
1727
Obv. Bust
Congress of Cambrai (1721)
to right, laureate.
Around,
XV D G FRAN ET NAV REX

DU VIVIER F
.
From
barrel, a dog.
LOUIS XV, The
On
a tree branch.
LUDOVICUS
in his barrel at
stands at right.
On
openings in wall emerge an owl and
wall at right, a bird. In background, a
APIltON METPON
temple. In exergue,
on truncation,
who
converses with Alexander,
mm.
Reverse struck from cracked
die
Rev. Female figures representing Victory and Peace

touching hands. Around,
at
lower
right,
D V
.
Bronze, struck, 41
in
FELIX CONGRESSUS
exergue, M DCC XXI
1966.130.38
BibL: Forrer
pp. 379-80,
mm.
3,
The Congress
of
Cambrai was convened
before no. 281)
to attempt to
solve the problems of the Spanish Succession. It
ended
286
unsuccessfully in 1725.
BibL: Forrer
i,
p. 684;
Nocq,
no. 54, p. 150; Louis
LOUIS XV,
Pacification of Corsica (1740)
Obv. Head
to right.
CHRISTIANISS
XV,
no. 17; Medailles Franâises, no. 32, p. 216.
Rev. Corsica, a
LOUIS XV,
XV
Roeg
below,
Around,
LUDOVICUS
REX CHRISTIANISSIMUS;
on truncation,
right,
ROG;
INSUBRIA AUSTRIACIS EREPTA

|
woman
1966.131.19
BibL: Forrer
in
at the
5,
mm.
p. 180; 3, p.
587 (obv.
ill.);
Medailles
Frangaises, no. 90, p. 232.
MD
CCXXXIII
Francois Marteau
Bronze, struck, 41
mm.
287
1966.131.18
BibL: Forrer
directed to submit to
lis, is
XL
of arms, receiving supplicant tyche of city of Milan.
exergue,
Around,
Rev. Figure of Mars holding shield with French coat

lower
REBELLES CORSICiE MOTUS COMPRESSI; lower right, J C R

in exergue, M DCC
left.
Bronze, struck, 42
MARS ULTOR;
REX
woman kneeling before Mars, who carries
DUVIVIER
Around,
XV
the republic of Genoa, represented by the
Conquest of the Milanese Provinces (1733)
to right, laureate.
LUD
Around,
a drape covered with fleurs de
Jean Duvivier/Michael
Obv. Bust
2,
Francois Marteau/Joseph Charles Roettiers (See biog.
1966.131.16
284
MM.
p. 587; Brescia 2, p. loi, no. 35;
pi. 193,4.
LOUIS XV,
Departure for the Campaign in Flanders
(1744)
5, p.
148; Louis
faises, no. 75, p. 228.
XV,
no. 49; Medailles Fran-
Obv. Head
TIANISS
to right.
below,
Around,
LUD XV REX CHRIS
76
Ref. King on horseback,
to right,
crowned by
BENJAMIN DUVIVIER
flying Vic-
and led by a soldier carrying the fleur de lis standard.

Around, SPES EXERCITUUM; lower right, M; in
tory
PROFECTIO AUGUSTI
M-DCC-XLIVexergue,
Bronze, struck, 42
IN BELGIUM
|
(1730-1819)
The son
of Jean Duvivier. Trained as a medalist at the
academy (175658), he took over his deceased father's

studio at the Louvre in 1761. In 1764 he became Graveur
des Medailles du Roi, in 1774 Graveur general des Monnaies de France, and in 1776 a member of the Royal
Academy. During the Revolution, in 1791, he was replaced by Augustin Dupre, but continued to be active
mm.
1966.131.20
Bibl.: Medailles Frangaises, no. 94, p. 233.
as a medalist.
See Forrer
JAMES OR JACQUES ROETTIERS
i,
pp. 685-89;
Thieme-Becker
DE LA TOUR
Paris 191 1
10,
6,
pp. 296-301; Fred. Alvin in

H. Nocq, Les Duvivier,
pp. 24950;
"Les dessins des Duvivier au Cabinet des
Medailles," Arethuse, fasc. 28 (1930), pp. 7377.
(1707-84)
Known
primarily as a goldsmith, Jacques Roettiers, the
Thomas Germain. He
and was appointed engraver at
the English mint. Returning to Paris in 1733, he was
engraver general from 173372 and he succeeded
son of Norbert, was trained under
went
London
to
XV
Nicholas Besnier as court goldsmith to Louis
in
was ennobled when he retired in 1772

1773 he was admitted into the Academic des
1737. Roettiers
and in
Beaux Arts
LAURENT LEONARD
in 1732
as a medalist.
(1709-88)
Medalist and engraver, active at the Paris medal mint on
the medallic series of Louis
XV. Leonard
temporarily
succeeded Charles Norbert Roettiers as mint engraver
between 1772 and

See Forrer
See Thieme-Becker 28, p. 508; Forrer 5, pp. 15961; 8, p.

358; J. Bingen, Les Roettiers, graveurs en Medaille des
Pays-Bas Meridionaux, Bruxelles 1952, pp. 3746, 109

46; H. Honour, Goldsmiths and Silversmiths, London
3,
1774.
AUGUSTIN DUPRfi
1971, pp. 192-97, 315.
(1748-1833)
288
ISAAC
NEWTON
cian, physicist
Obv. Bust
to right.
below, Jac
(i 642-1 727),
English mathemati-
and natural philosopher

Around,
Roettiers
Dupre learned engraving and
1739
ISAACVS NEWTONVS;
in classical robes holding shield
with solar system drawn upon
it.
At her
feet, a
globe.
DEMONSTRET IN QUIBUS
COLLI PARTIBUS ERRENT, SEN COM
below
Around,
ERIT QUI
right,
R;
mm.
first
vier as
held the
Graveur general des monnaies frangaises and

office
1791 to 1803.
from Seneca, de cometis) was

the 1735 medal for the Antwerp Academy.
160 (illustrates reversed copy by
Croker), 161; Bingen (cited above), pp.

III. 2,
i,
pp. 647-52;
7, p.
239; F. Alvin in
Thieme-
10, pp. 169-70; C. Saunier, Augustin Dupre,

orfevre, medailleur et graveur General des monnaies,
rev. insc. (a quotation
Med.
from
Becker
1966.131.53
Bibl.: Forrer 5, pp.
to
in-
number
See Forrer
reused in
went
medals date from 1776, and in the 1780s he did

of medals for American independence. A supporter of the Revolution, he succeeded Benjamin Duvi-
in exergue, 1739
Lead, struck, 53
The
first
He
for an armorer and then
dependently through the aid of the Spanish ambassador.
woman
working
Paris in 1768,
His
Rev. Figure of
sculpture at the school of
Jacques Olanier in Saint fitienne (Loire).
p. 471,86; pi. 147, no. 7.
38,
no, no.
2;
Paris 1894; C. Zigrosser, "Medallic Sketches of Augustin
Dupre," Proceedings
ciety
of the
American Philosophical SoJ. Mazard, "Un Directeur
01 (1957), pp. 53550;
la monnaie de Paris: Le citoyen Anfrye,"

Revue Numismatique (1964), pp. 14148 (including
two unpublished drawings for medals by Dupre)
ignore de
CATALOGUE NOS.
LOUIS XV,
Obv. Head
Construction of the Pont de Neuilly
to right, laureate.
CHRISTIANISS
Rev.
View
virons.
below,
Around,
1772
292
Obv. Bust
RANTE SEQUANA; in exergue, PONS AD LUGNIACUM EXTRUCTUS M DCC LXXII L

LEON F
Rev.
LOUIS XVI ROI DES

in
B DUVIVIER F
Around,
leaning
Paris
on pedestal holding
Phrygian cap. Around,
to right.
FRANgOIS; on truncation,
exergue, VILLE DE PARIS
and the Seine with enARTIS AUDACIAM MI-
NOVAM
Establishment of the Paris Mayorality
of the Pont de Neuilly
Around,
LOUIS XVI,
1789
LUD XV REX
DUVIVIER F
77
Benjamin Duvivier/ Augustin Dupre
Benjamin Duvivier/Laurent Leonard

289
288-294
with
staff
fiTABLISSEMENT
DE LA
in
MAIRIE DE PARIS * left center, DUPRfi F
exergue, J. SILVAIN BAILLY PREMIER MAIRE
fiLULE 15 JUILLET 1789
mm.
Bronze, struck, 42
1 966.1 3 1. 2
Bronze, struck, 53
mm.
Bibl.: Medailles Frangaises, no. 153B, p. 251.
1966.131,25
Dupre had
Benjamin Duvivier
also
engraved a head of the king
290
MARIE ANTOINETTE
Therese Charlotte
(1755-^3), Birth of Marie
the
medal was struck with an obverse by Duvivier.
1778
Bibl.: Forrer
Obv. Bust to
left.
MARIA ANT AUSTR
Around,
FR ET NAV REGINA;
below,
Figure
Rev.
to serve as
was not used and
the obverse of this medal, but the die
representing
daises, no.
B DUVIVIER
4,
i,
p. 648;
Nocq,
no. 239; Medailles Fran-
p. 297; Tresor Revolution,
pi. 9,5.
France
holding
infant.
FCECUNDITATIS AUGUSTS PIGNUS

ET OMEN; on listel, B DU VI V in exergue, NATAL MARINE THER CAR REGIS PRIMOG
XIX DEC
MDCCLXXVIII
Benjamin Duvivier
Around,
293
Obv. Bust
Assembly of Nobles
at Paris
1789
to left.
Around,
mm.
Bronze, struck, 42
LOUIS XVI, The
LUDOV XVI FRANC

ET NAVARRE REX; below, DU VIVIER F
Rev. In laurel wreath, inscription, CONVENTUS
NOBILIUM PARISIEN- SIUM; around, LEGI

REGIQUE FIDELES; below, LUTETIiE MAIO
1 966. 1 3 1. 22
Bibl.: Forrer
p. 686;
i,
Nocq, no. 196
(rev.)
Medailles
Frangaises, no. 16 (rev.), p. 277; no. 13 (this rev.

obv.), p. 276.
is
MDCCLXXXIX
our
Bronze, struck, 42
mm.
1 966. 1 3 1. 27
Benjamin Duvivier
291
LOUIS XVI
Assembly of
King
(1754-93),
MARIE ANTOINETTE,
Obv. Busts
Around,
to left, jugate.
CHRISTIANISS
below,
of France,
Birth of the
1774,
Dauphin
Bibl.: Forrer
Raises, no.
lower
|
left,
D V
.
294
.
DIE XXII OC-
MDCCLXXXI
LOUIS XVI,
mm.
Obv. Same
p. 686;
XVI
Nocq, no. 207; Medailles Fran-
278 (variant in obv. insc).
into Paris
1789
as no. 292
of Paris, to the Tuileries palace,
1966.131.23
i,
Entry of Louis
Rev. King, queen and dauphin being led by city tyche
where a large crowd
FERAI DESORMAIS MA DEMEURE HABITUELLE; lower right, DUVIV; in

exergue, ARRIVEE DU ROI A PARIS LE 6 OCT
waits.
gaises, no. 22, p.
pi. 2,3.
Bibl.: Forrer
Nocq, no. 234; Medailles Fran-
p. 297; Tresor Revolution,
NAT ALES DELPHINI
Bronze, struck, 42
p. 687;
Benjamin Duvivier
FELICITAS PUBLICA;
TOBRIS
2,
i,
MAR ANT AUSTR REGINA;
Rev. Enthroned figure of France holding up infant.

in exergue,
of the Oratory,
1781
DUVIVIER
Around,
Church
beginning 26 April 1789 and lasting through part of May.
LUD XVI REX
nobility held at the
and
Around, J'Y
1789
78
mm.
Bronze, struck, 53
under balloon. Around,
RARUM;
1966.131.26
for this
ATTONITUS ORBIS TERGATTEAUX; in exergue,
medal
published in Arethuse,
is
TENTATO
ANNO MDCCLXXXIII
I
28 (1930),
Bibl.: Forrer
pi. 14.
i,
Bronze, struck, 42
Nocq, no. 242; Medailles Fran299; Tresor Resolution, pi. 12,4; Roger
mm.
p. 686;
gaises, no. 10, p.
Marx, Lef Medailleurs Frangais depuis
1966.131.24
ijSg, Paris 1897,
Bibl.: Forrer 2, p. 210; Medailles Frangaises, no. 37, p.
p. 4.
283.
Benjamin Duvivier
297
295
right,
ITINERE PER AERA FELICITER
drawing
fasc.
lower
CHARLES-MICHEL, Abbe
de
I'fipee
Obv. Bust to left. Around, CH

Nfi A VERSAILLES 1712,
on truncation, B DUVIVIER F
1801
(1712-89)
(1732 1807), French astronomer
MICHEL DE L'PEE
MORT A PARIS 1789
Obv. Bust to
AU
GfiNIE
left.
B DUVIVIER
801
Bronze, struck, 42
mm.
1966.131.38
The Abbe de
I'Epee interested himself in the education
and dumb
Bronze, struck, 42
and founded in 1755 a

which he supported until his
death. The medal was used as a prize awarded by
the government in the institutions for the deaf and
of poor deaf
children,
school for such pupils,
mm.
1 966.1 30.41
Bibl.: Forrer 2, p. 210; Medailles Frangaises, no. 64, p.
290.
dumb.
Bibl.: Forrer
i,
p. 688;
gaises, no. iii, p. 335;
Bramsen
LE FRAN-
HIER
Around, JOS
,
1787
DE LA LANDE N BURGI 1732

below,
GATTEAUX F
Rev. Inscription, ACADEMIiE
REG SCIENT
PARIS
ASTRONOMUS
ACAD LONDIN
BEROLIN
PETROP HOLMI HAFNIENS
ROTER BRUXEL GOTTING
DUBLIN
EDIMB BONON FLORENT ROM PATAV
MANT TAURIN BOSTONIENSIS MONSPEL
TOLOS &
SOCIUS 1787
gOIS
INVENTEUR DE
L'ART D'INSTRUIRE
ET
LES SOURDS
MUETS DANS LES SCIENCES ET LES ARTS
Rev. Inscription,
JOSEPH JEROME LEFRANgOIS DE LALANDE
i,
Nocq,
p. 109;
Medailles Fran-
Tresor Revolution,
pi. 88,
NICHOLAS PIERRE TIOLIER
no. 9;
no. 185; Brettauer, no. 1648; Freeman, no.
(1784-1853)
312.
Sculptor and medalist, trained by his father Pierre Jo-
seph Tiolier, Jeuffroy and Dejoux. Tiolier
NICOLAS MARIE GATTEAUX
Rome
exhibited at the Salons from
2,
pp. 20913;
7, p.
342;
Thieme-Becker
13,
p. 248; Pyke, p. 52.
296
LOUIS XVI
Montgolfier Brothers
Obv. Bust
TIANISS
812-31 and designed
298
LOUIS
6,
XVIII and Charles X.
XVII, Death of the King
FRANC
to left.
TIOLIER F
He
many
Around,
ET NAV
1795
LUDOV
REX; on
XVII
D G
truncation,
1783
LUD XVI REX

below, GATTEAUX
to right.
See Forrer
Obv. Bust
(175493), Aerostatic Experiments of the
coins as well as medals of Louis
Delorme and Gros, Gatteaux was at the

Paris medal mint from 1773, and was named Graveur
des Medailles du Roi in 1781. He was a prolific medalist.
student of
See Forrer
the
graver general at the French mint from 1816-43.
(1751-1832)
won
Prize in 1805 and, succeeding his father, was en-
Around,
Rev. Cybele, seated on a
lion, raises
CHRIS-
arms toward one
Montgolfier brother seated on a cloud, holding
fire
Rev. Lily with broken stem. Around,
FLOS;
in exergue, VIII
Bronze, struck, 41
1 966. 1 3 1.
30
mm.
JUNII
CECIDIT UT
MDCCLXXXXV
CATALOGUE NOS.
295-3OO
79
BERTRAND ANDRIEU
Nineteenth-Twentieth Century
(1761-1822)
JEAN PIERRE DROZ

Swiss medalist and coin engraver,
in Bordeaux, where he studied at the

academy and under Andre Lavau. In 1786 he went to
Paris where he made such progress in the shop of Gatteaux that in 1789 he engraved the medal of the Storm-
1764.
ing of the Bastille.
Andrieu was born
(1746-1823)
who went to Paris in

His medals and technical innovations o the 1780s
brought him attention and he was called to England by
Matthew Boulton where he was employed at the Soho
mint, Birmingham, between 1788-91, when he returned to Paris. Droz was
made
XVI and
for
administrator of coins
See A. fivrard de Fayolle, Recherches sur Bertrand Andrieu, Chalon-sur Saone/Paris 1902; Forrer
56; 7, p. 19; Fred. Alvin in
Napoleon, as well as a
i,
i,
i,
pp. 51
pp. 285-
pp. 618-28;
pp. 585-86;
J.-P.
Thieme-Becker
86.
7, pp. 234-35; Thieme-Becker

G. Pollard, "Matthew Boulton and
Droz," Numismatic Chronicle (1968), pp. 241
See Forrer
medals of Napoleon and
Louis XVIII.
great variety of medals.
9,
medals during the
Revolution, Empire, and Restoration, engraving the

portraits used for the obverse of
and medals of France in 1802 and from 1803-14 was

keeper of the mint museum. Droz executed coins for
England, for Louis
He executed many
J.
JEAN JACQUES BARRE
65.
(1793-1855)
LOUIS JALEY
court
from
1799.
819 with considerable success.
coins
Dupre, active for the
He did many medals of the Napoleonic
and copper
See Forrer
series.
Becker
See Forrer
3, p.
Thieme-Becker
54;
first at
the Salon
He worked
at the
mint under Puymaurin and was Graveur general des

monnaies from 1843 to his death. Barre engraved both
(1763-1838)
A medalist, student of Moitte and
student of Tiolier Barre exhibited
of
2,
i,
plates for paper
pp. 127-31
7, p.
51
money.
Fred. Alvin in Thieme-
pp. 528-29.
18, p. 356.
Bertrand Andrieu
Droz/Louis
Jean-Pierre
Jaley
300
299
PIUS VII Chiaramonti, Pope 1800-23

Obv. Bust
exergue,
wearing
to right,
PIVS VII P
tiara
DROZ F
.
|
AN XIII
M A for Virgin Mary
at
and cope. Around,
in
Monogram
upper
left.
of ini-
Around, IM-
II
Bronze, struck, 41
of Russia, 1801
to right, laureate. Around, ALEXANDRE

EMPEREUR DE TOUTES LES RUSSIES
below, DENON D
on truncation, ANDRIEU F
Rev. A winged, draped female (History) sits in profile
.
d'Alex
a Paris.
and writes on plaque, Sejour

Around, ANDRIEU F
.
be-
to left before a tree
Emperor
(i 777-1 825),
Obv. Head
PERATOR SACRATVS; in exergue, PARISIIS

DEC M DCCCIV XI FRIM AN XIII
low, DEN DIR JALEY FEC
ALEXANDER I
1814
HOSPES NEAPOLIONIS IMP
Rev. Church of Notre Dame, Paris.

tials
i^4
in exergue,
MDCCCXIV
DENON
mm.
Bronze, struck, 40
mm.
1966.137.48
1966.1 14.33
Coronation of Napoleon.
Bibl.:
Houston, no. 217; Patrignani, Pius VII, no. 22;
i, p. 624 (Droz obv.);

3, p. 54 (Jaley rev.); E.
Edwards, The Napoleon Medals, London 1837, pi. 3,
Forrer
14.
Commemorates Alexander's
visit to Paris in 1814.
Dominique Vivant Denon was

mint from 1804
to 1815.
Bibl.: Forrer
p. 54; fivrard
i,
director of the Paris
de Fayolle, p. 199, no. 140;
Medailles Frangaises, p. 423, no.
17.
8o
EXERCIT PROCERI BUS GENTI UM EXTER

AR LEGATIS REMIS XXIX MAII MDCCCXXV;
below, BARRE FT DE PUYMAURIN N P
Bertrand Andrieu/Jean Jacques Barre
301
LOUIS XVIII
o Saint Genevieve
Church
824), Rededication of the
( 1 755-1
1822
Bronze, struck, 68
LVDOVICVS XVIII
FRANC ET NAV REX; below, DE PUYMAURIN DIREXIT; on truncation, ANDRIEU F
Obv. Bust
Around,
to right.
mm.
Dies cracked, on obv. at trunca-
tion line,
on
rev. diagonally
through center
1966.137.152
Rev. Facade of Saint Genevieve with figures represent-
Coronation medal. Charles was the brother of Louis
ing the saint (on a cloud, gesturing to the church), the
XVI and
He
Louis XVIII.
abdicated during the July
Around,
Revolution of 1830. Jean Casimir de Mercassus, Baron
PROPRIAS IN AEDES REDVX SVORVM

VOTIS EXCIPITVR; in exergue, ALMAE GE-
de Puymaurin, was master of the Paris mint from
and Religion, holding the
city of Paris
cross.
1816-30.
NOVEFAE
PARISINORVM
PATRONAE
RE LIGIONI VIN DICATA REGIS
EX EDICTO MDCCCXXII BARRE FT
BASILICA
Bibl.: Forrer 2, p. 207; 4, p. 714 (for de
Puymaurin).
Bronze, struck, 51
JOSEPH EUGENE DUBOIS
mm.
(1795-1863)
1966.131.35
frequently at
Dubois was a student of Droz and Bridan

Beaux-Arts from 1810. He exhibited
the Salon from 1827 to 1848.
See Forrer
p. 638; 7, pp.
Born
Bibl.: Medailles Frangaises, p. 439, no. 66.
in Paris,
at the coIe des
JACQUES fiDOUARD GATTEAUX
i,
236-37; Thieme-Becker
9, p.
604.
(1788-1881)
Joseph Eugene Dubois
student of his father, Nicolas Marie, and of the
sculptor Moitte, Gatteaux
On
won
his return to Paris in 1814
the
Rome
Prize in 1809.
303
(1798-1870), Duchess of Berry, 1816
he was named medalist
of
He had a large art

which was destroyed during the
a close friend of the painter Ingres.
much
1824
Obv. Head to right, wearing tiara. Around, M?

CAROLÊ FERDE Lê DUCHESSE DE BERRI below, E DUBOIS F DE PUYMAURIN D
Rev. Inscription, JE ME SUIS BIEN
APPERgUE
HIER QU'HENRI IV AVAIT RAISON LORSQU'IL APPELAIT LES DIEPPOIS SES BONS
King Louis XVIII, a post which he held until 1855.

In 1845 he became a member of the Institute of France,
where he lived and worked until his death. Gatteaux was
to
collection,
DE BOURBON-SICILES
CAROLINE
MARIE
Paris
Commune
of 1871.
See Forrer
2,
pp. 206-09;
7' P-
34^5
Thieme-Becker
AMIS, J'IMITERAI
13,
A R
around, SEJOUR DE S A R
30 JUILLET 1824
MADAME DUCHESSE DE BERRI A DIEPPE
[
Jacques Edouard Gatteaux/Jean Jacques Barre
King
1 966. 1 3 1.
of France, 1824-30
1825
Obv. Bust to right, crowned. Around, CAROLUS X

REX CHRISTIANISSIMUS; on truncation, E. GAT-
Bibl.:
TEAUX
men
SUMMIS
LEGUM
mm.
a visit to
Dieppe
in 1824.
i,
p. 638;
H. Bauquier,
Joseph Eugene Dubois
Paris 1951, no. 90.
ob-
serve. Around, REX

CAROLUS COELESTI
OLEO UNCTUS; in exergue, ADSTANTIBUS
FRANCIAE PARIBUS REGIONUMQUE DE
LECTIS
Album Numismatique et Souvenirs Iconographiques

de S. A.R. Marie Caroline de Sicile, Duchesse de Berry,
Rev. Bishop anoints kneeling king while seven
90
Commemorates
Bronze, struck, traces of gilding, 42
(1757-1836),
(See
biog. before no. 300)
CHARLES X
MON AYEUL DANS MON
AMOUR POUR EUX PAROLES DE
pp. 247-48; Pyke, p. 52.
302
ADMINISTRIS
304
MARIA CHRISTINA
1829
(1806-78), Princess of Naples
CATALOGUE NOS.
Obu. Head
to left.
MARIE
Around,
CHRISTINE
DE NAPLES; below, DE PUYMAURIND. E -DUBOIS FLE XXVII AVRIL MDRev. Inscription, NE

CCCVI MARIEE A FERDINAND VU ROI
PRINCESSE
3OI-308
81
Chesneau & C. Metzger, hes oeuvres de David

Angers (Musee des Beaux-Arts), 1934; Pyke,
306
DIEUDONNfi,
COMTE DE
1842), historian
1830
d' Angers,
p. 37.
LAS-CASES
(1766-
D'ESPAGNE ET DES INDES LE XI DfiCEMBRE MDCCCXXIX

Copper, struck, 51 mm.
|
Obv. Bust
to right.
At
left,
A D
.
.
|
LAS-
CASES;
below,
DAVID
1830
1 966.1 37.1
Without reverse
mm.
Bronze, 127
82
Commemorates Maria
nand VII of Spain.
Bibl.: Forrer
8,
Christina's marriage to Ferdi-
1966.135.6
Las-Cases was a companion of Napoleon during his

exile
p. 237.
on Saint Helena.
i, p. 529; David d' Angers, pi.

33 (unsigned); Chesneau, no. 651 (signed, not dated).
Bibl.: Forrer
]oseph Eugene Dubois/Jean Jacques Barre (See biog.

before no. 300)
305
HYACINTH LOUIS DE QUELEN

Archbishop of Paris
(i 778-1 839),
307
1840
Obv. Bust three-quarters to
Obv. Bust
HYA-
Around,
right.
CINTHVS LVD DE QVELEN ARCHIEPISCOPVS PARISIENSIS in field, NATVS PARISIIS

AN MDCCLXXVIII and DEFVNCTVS AN
MDCCCXXXIX; on truncation, BARRE
Rev. Church of Notre Dame in Paris. Around,
ET
DE FORTI EGRESS A EST DVLCEDO; in
field, JVD
CAP XIV and VERS XIV; below, E
JEAN PAUL MARAT

ary pamphleteer
At
right, a
CORD AY;
DAVID
to left.
scribed
(1743-93), French revolution-
1830
dagger piercing a
at
left,
letter in-
MARAT;
below,
1830
I
Without reverse
Bronze, 123
1966.135.5
Bibl.: Forrer
DUBOIS
mm.
i,
p. 526;
David d'Angers,
pi. 34;
Chesneau,
no. 686.
1840
Bronze, struck, 57
mm.
308
1966.1 14.70
ABBfi
DE LA MENNAIS
(i 782-1 854), religious
and
political writer
Bibl.: Forrer
i,
Obv. Bust
p. 131.
below,
to right.
At left, ABBE
DE LA MENNAIS;
DAVID
Without reverse
PIERRE JEAN DAVID
D' ANGERS
Bronze, 70
(1788-1856)
Born
to Paris
at top
1966.135,2
wood
David went
and learned drawing from Delusse and sculpture
in Angers, the son of a
mm. Ring
sculptor,
Bibl.: Forrer
i,
p. 526;
David d'Angers,
pi. 32;
Chesneau,
no. 643 (dated 1831).
from Roland. In 1811 he won the Prix de Rome; he lived

in Rome from i8iitoi8i6 studying the work of Canova,
mile rogat
Thorwaldsen, and the antique. During his career in

Paris he received
many
private
and
state sculptural
com-
more than 500 portrait medalDavid achieved great fame as a sculptor and was
(d.
missions and executed

lions.
Sculptor, medalist,
considered a chief exponent of romanticism in sculpture
worked
and
Salon after 1815.
in the medal.
See Forrer
i,
H. Vollmer in
46467; hes Medaillons de David
pp. 522-35;
Thieme-Becker
7,
pp. 210-11;
pp.
d' Angers reunis et publics par son
8,
fils,
Paris 1867;
G.
all
1852)
and coin engraver, Rogat
lived
his life in Paris, exhibiting often
He made
at
and
the
patterns for several coins for
France and Monaco, and also worked on the Napoleonic
and Durand medallic

See Forrer
5,
series.
82
309
CLAUDE JOSEPH ROUGET DE

1836), author of the Marseillaise
LISLE
Commemorates promulgation
(1760-
This
1833
for
is
Bibl.: Forrer
Rev. All
ale,"
six verses of the Marseillaise, the first set to
p. 246;
i,
Jean Babelon, "Les Medailles a

Bibliotheque Nation-
la
pi. 11, no. 4; AuChemins de Fer Autrefois et AuLeurs Medailles Commemoratives, Brussels
Arethuse,
fasc.
27 (1930), p. 68,
guste Moyaux, L^s
music. Fasces in center
Bronze, struck, 51
its
L'Exposition Romantique de
won
engraver, in 1843, the Legion of Honor.
Obv. Head to right. Around, A ROUGET DE LISLE

AUTEUR DE LA MARSEILLAISE below truncation, E ROGAT DIRIGfi PAR
P J DAVID 1833
.
of railway laws in France.
one of the largest medals ever struck, and
jourd'hui et
mm.
1905, no. 121.
1966.137.28
While an
officer at
Strasbourg in 1792 Rouget de Lisle
VALENTIN MAURICE BORREL
wrote the words and music of the Marseillaise for the
Army
soldiers of the
of the Rhine.
Although the song
(1804-82)
became inseparably associated with the Revolution,

he himself was a royalist and barely escaped the guillotine. The medal was executed after a portrait medallion
by David d'Angers, done in 1827 (Forrer i, p. 524).
later
student of
1
See Forrer
Becker
JEAN FRANgOIS ANTOINE BOVY

Member
311
Geneva family of medalists,

Geneva and in Paris under Pradier. In
order to compete for the French coinage, Bovy became
a French citizen in 1835. He worked in both France and
Switzerland, engraving the Swiss coinage in 1850 and
of a celebrated
Bovy studied
in
Barre, Borrel began engraving medals
831 he
under Honore
Bibl.: Forrer 5, pp. 191-92.
(1795-1877)
J. J.
was appointed to the Monaco mint

and he soon began engraving official
medals of Louis Philippe and the House of Orleans. He
won numerous prizes at the Salons from 1832 to 1878.
in 1828. In
pp. 222-25;
i,
4, p.
^05 GefFroy in
7' P-
Thieme-
374.
N. TH. OLIVIER, Bishop
of fivreux (1798-1854)
i860
Obv. Bust to left. Around, N TH OLIVIER EPISC

EBROiC NAT MDCCXCVIII CONSECR MDCCCXLI OB MDCCCLIV; below, BORREL i860.
.
FERO PACEM;
FUIT POTENS IN OPERE ET SERMONE
LUC XXIV XIX and, IN S^CULUM MEMORIA
Rev. Cardinal's coat of arms, inscribed,
around,
1873-
See Forrer
i,
EJUS IN BENEDICTIONE
7' P- ^06.
pp. 243-47;
310
LOUIS PHILIPPE
King
850),
MACCH
Ill
VII
of France
Copper, struck, 51
mm.
1842
(183(^-48)
Obv. Head
( 1 773-1
1
1
CUIVRE
stamped on rim,
to left, laureate.
ROI DES FRANgAIS
Around,
below,
LOUIS PHILIPPE
A BOVY
.
1966.137.279
Bibl.: Forrer
p. 224.
i,
Rev. Flying Mercury and Mars flank a female figure,
nude
to the waist
tablets inscribed
hand and points
and seated on a throne, who holds
CHEMINS
to
DE
Mercury with her
FER
FRANgOIS JOSEPH HUBERT
in her left
PONSCARME
right; in distance,
LOI DU XI JUIN
LOUIS PHILIPPE
REG-
four trains. Inscribed on throne,
M D
.
CCC
XLII
(1827-1903)
NANT; around, DANT IGNOTAS MARTI NOVASQUE MERCURIO ALAS

in exergue, M?
TESTE MINISTRE DES TRAVAUX PUBLICS
M? LEGRAND SOUS-SECRfiTAIRE D'ETAT
A BOVY FECIT stamped on rim, CUIVRE
Copper, struck, 113

1966.137.173
mm.
A sculptor, medalist, coin and gem engraver, Ponscarme

was
a student of
Oudine, Vauthie and Dumont.
He
was
highly praised as a teacher of medal engraving at the
icole des Beaux- Arts from 1871. Most of Ponscarme's
medals are
cast.
See Forrer
Chevreux
4,
pp. 65464; Thieme-Becker 27, p. 244;
(cited below).
312
313

JULES BRAME, Deputy
Obv. Head
to left.
de
Nord
cois Jouffroy
1870
Around, IVLES
83
BRAME;
the
below,
Rome
and the medalist Andre Oudine.
He won
Prize in 1863, and was in Italy from 1864-68.
he exhibited extensively, and was a

des Beaux-Arts from 1881.
Academie
member of the
Chaplain worked as a sculptor, but he is best known for
Returning
PONSCARME
Without reverse
mm. On
Bronze, struck, 68
reverse,
to Paris,
by the Italian Renaissance as well as
his medals. Inspired
contemporary sculptors, he made both
1966.138.37
cast
and struck
medals.
Bibl.:
Forrer
p.
4,
656; P. Chevreux,
"Le Sculpteur
Medailleur Hubert Ponscarme, Biographic et Catalogue
See Forrer
de Son Oeuvre," Gazette numismatique jrangaise 2
PP- 372-73-
(1907), pp. 209-65, at p. 245, no. 47 (with reverse insc.
A JULES BRAME DEPUTE PROTECT DE

L'AGRICVLTVRE ET DE L'INDVSTRIE DfiFENSEVR DE LA LIBERTE LA VILLE DE
ROVBAIX
RECONNAISSANTE
MDCCCLXX )
314
pp. 398-407;
i,
ALBERT DUMONT
Thieme-Becker
175;
7, p.
6,
(1842-84), French historian of
ancient Greece
1884
Obv. Bust to left. Around,

y^BRE
L'INSTITUT
SEIGNEMENT
CHAPLAIN and
ALBERT DUMONT
DIRECTEUR DE L'EN-
SUPERIEUR;
in
field,
C
|
1884
1842
|
LOUIS OSCAR ROTY
Rev. Draped female figure raising her
amid
(1846-1911)
The most important French
classical ruins
and
TION D'HISTOIRE
medalist of the second half
Bronze,
cast,
veil,
Around,
artifacts.
standing
AGREGA-
mm.
98
of the nineteenth century, Roty studied at the Nicole des
Beaux-Arts with Lecoq de Boisbaudran, Augustin Du-
1966.137.174
mont and Hubert Ponscarme. He won the Prix de Rome

in 1875, became a professor at the Academie des Beaux-
Dumont and
Arts in 1888, and
drawings for Dumont's study, Les ceramiques de
See Forrer
president in 1897.
its
Bibl.: Forrer
PRIZE
MEDAL OF THE MINISTRY OF THE
TERIOR
Around,
315
in
left,
elaborate
Renaissance
REPVBLIQVE FRANgAISE;
on
armor.
Rev. In laurel and oak wreath, inscription,

around,
PRIX
OF-
la
BIBESCO
1891
EMMANUEL
Above,
to left.
left side,
BIBESCO;
on truncation,
Without reverse
MINISTERE
Bronze,
stamped on rim,
to-
p. 403.
MDCCCLXXXXI;
CHAPLAIN
on
DE L'INTERIEVR;
i,
EMMANUEL
Obv. Bust
truncation,
O. Roty
FERT PAR LE MINISTRE;
fought
IN-
1893
Obv. Bust to
who
War. Chaplain did the
Grece propre.
pp. 22849; Thieme-Becker 29, p. 106.
5,
Chaplain were friends
gether in the Franco-Prussian
BRONZE
cast, rectangular,
mm.
99 x 75
1966.137.47
mm.
Bibl.: Forrer
i,
p. 403.
1966.137. 180
two sizes, 36 and 50 mm.)

Roger Marx, hes Medailleurs franâis contemporains,
Bibl.: Forrer 5, p. 234 (notes
Paris, n.d., pi. 16.
316
fiMILE
FRANgOIS LOUBET
of France (i 899-1 906)

to left.
CLEMENT CHAPLAIN
at
Montagne, Chaplain entered the
Rev.
with
i,cole
Around,
(1839-1909)
Born
1899
EMILE LOUBET PRESIDENT DE LA REPUBLIQUE FRANgAISE

on truncation, J C CHAPLAIN 1899
Obv. Bust
JULES
(1838-1929), President
des
Beaux-Arts in 1857 and studied with the sculptor Fran-
Urn and
spear with banner rest
fasces, crossed
scribed [R] F.
oak and
altar decorated
and
in-
FLU PAR L'ASSEMBLEE

in field, LE 18
FEVRIER [1899;
Around,
NATION ALE
on
laurel branches

in exergue, J
CHAPLAIN;
stamped on rim,
318
BRONZE
REDEMPTION
Obv.
mm.
Bronze, struck, 68
i,
p. 403.
with
over a book on altar inscribed,
VNICA;
(1849-99)
DUPRE
son of a painter, Daniel Dupuis studied painting at
the Ecole des Beaux-Arts under CaveHer
He won
and continuing
Dupuis imitated the
See Forrer
i,
stamped on rim,
Bibl.: Forrer
BRONZE
mm.
p. 653; F.
i,
Mazerolle, "Georges Dupre,"
Gazette numismatique frangaise 6 (1902), pp. 22533,
until 1896. In
wax method
lost
SPES
In exergue,
no.
of Renais-
3.
major representative of the renewal of
Dupuis was
the French medal,
Thieme-Becker
1966.137.289
the
Prize for his medals and exhibited as a medalist
in the Salon of 1877
sance medals.
left
skin holds crucifix
O CRVX AVE
classical ruins in left distance.
Bronze, struck, 73
and medal en-
graving with Farochon and Ponscarme.
Italy
head; to
child's
sheep in distance. Below,
Young man wearing animal
Rev.
first
around the
light
fire; to right,
DUPRfi
JEAN-BAPTISTE DANIEL DUPUIS
Rome
Rays of
stretched.
altar
The
An old man in an animal skin kneels before a fully

woman who holds up a baby, his arms out-
draped
1966.138.32
Bibl.: Forrer
1901
OVIDE YENCESSE
a prolific artist.
Bender in
pp. 66067; 7, pp. 239-40;

10, pp. 18182.
(1867-1947)
Born
UNIVERSAL EXHIBITION OF 1900-HISTORY
was a student of Ponscarme, F.

Thomas. He exhibited extensively and
in Dijon, Yencesse
Levillain
and
J.
won
gold medals at the Universal Exhibition of 1900

and the Salons of 1910 and 1920. He became director of
1900
Obv. Seated on
on the front of
bank
book held up by
woman
of clouds, a
writes 1900
the art school in Dijon.
a small boy; below,
See Forrer
DANIEL-DUPUIS
To
right, a scales; to left
an
easel
and
artist's
MONNAIE DE PARIS; in exergue,

DANIEL-DUPUIS; stamped on rim, BRONZE
materials.
Around,
8, p.
P- 353-
Rev. Putto, holding up torch in his right hand, leans on a

die press.
pp. 692-701;
6,
319
AMEDEO GOD ARD, publisher of medals, Paris 1912

Obv. Bust to right. Around, AMEDEE GODARD
GRAVEVR EDITEVR; in field O YENCESSE
Rev. Inscription, HOMMAGE
A AMfiDfiE
GODARD CINQ V ANTE ANNEES DE LA.
Bronze, struck, 51
mm.
1966.137.288
i, p. 662; F. MazeroUe, "J-B. Daniel

Dupuis, Catalogue de Son Oeuvre, Supplement," Ga-
Bibl.: Forrer
BEVR ET DE
DIRECTION
SES
AMIS
COLLABORATEVRS
stamped on rim, BRONZE
SES ELfiVES SES
zette
Numismatique Franâise
7 (1903), pp. 303-16, no.
350-
CM
XII
Bronze, 50
mm.
1966.138.2
GEORGES DUPRfi
Bibl.: Forrer
6,
p. 695.
(1869-1909)
Born
at St. fitienne,
Dupre
studied
first at
the ^.cole des
Arts industriels there, then went to Paris in 1883, where
he became a student
at the i.cole des
under L. O. Roty and
J.
G. Thomas.
Prize in 1896 and was in

his short life
Rome
Dupre executed
NETHERLANDS
Beaux-Arts in 1892
He won
the
Rome
During
and struck
JACOB JONGHELINCK
for three years.
number
of cast
(1530-1606)
medals.
See Forrer
pp. 171-72.
i,
pp. 652-53;
7, p.
The most
also a sculptor
and
Jonghelinck was born in Antwerp.
He
prolific
seal engraver,
Flemish medalist,

and may have worked under Leone
Brussels from
mint
after
and
master
of
the
1556-72
1572. JongheUnck's
Italian
art.
medals reflect the influence of
SIXTEENTH CENTURY
visited Italy in 1552
He was seal engraver to the king in
Leoni.
See Thieme-Becker
7,
19,
pp. 135-37; Forrer
3,
NETHERLANDS
322
CHARLES V
Obv. Bust
pp. 82-85;
ATTRIBUTED TO JONGHELINCK
321
ALESSANDRO FARNESE
Obv. Bust
to right,
The
GVB
PAR
Duke
of Parma, 1586
DVX
on truncation, iET
the
satyr
town
SPES
of
who gestures
Gilt bronze, 45
CAES
BELG
PHILIPVS AVSTR CAROLI
V CAES
mm.
The medal
DVM
is
recorded by Bernhart and by Hill from an
Bibl.:
Arm.
and Albert Museum, London.
182,13 (^^ ItaHan)
2, p.
Van
Mieris
pp.
2,
44243 (without inscriptions) M. Bernhart, Die Bildnismedaillen Karls des Fiinften, Munich 1919, no. 178
;
tent, reaches
out
anonymous
(as
towards a
ATYRO
electrotype in the Victoria
40
Antwerp. Around,
1585; below, [Z]
IMP
A coarse variant of Leone Leoni's medal of the emperor.
1585
ALEXANDER
Rev. Alexander the Great, seated in his
toward a
1966.111
wearing cuirass and ruff with Or-
PLA
Around,
to right, laureate.
Infante Philip in armor, on horseback, to right.
Lead, 100
(1545-92), Governor of
der of the Golden Fleece. Around,
F^NES
Holy Roman Emperor, 1519
(1500-58),
Around,
the Netherlands, third
(.?)
CAROL VS V AVG
pp. 487-89; Kress, p. 121.
Rev.
320
85
river.
In distance,
Italian)
G. F. Hill in Numisriiatic
Chronicle (1921), p. 159; Catdlogo de la Coleccion de

Monedas y Medullas de Manuel Vidal Quadras y Ramon
CONCIPE CERTAS
[Z]
de Barcelona, 4 vols., Barcelona 1892, 4, nos. 13529,13530.

Auction catalog: Mezbacher, 1-2 May 1900, pi. 2, 508.
mm.
1 966.1 06.9
variant of this medal, with obverse inscribed
DVX
instead of
(Houston, no. 337),
Jacob Jonghelinck. In 1585 the
is
Duke
of
PRIN
SEVENTEENTH CENTURY
NETHERLANDS
attributed to
Parma con-
firmed Jonghelinck's appointment as mint warden at
Antwerp (Forrer
The
3, p.
323
84)
Antwerp with
reverse compares the siege of
siege of
JOHANN (1625-72)
WITT 1672
Arm.
265,14;
2, p.
Van Loon
i,
(1623-72)
Obv. Busts jugate
Around, ILLVSTRISSIMI
to right.
FRATRES lOHAN ET CORNEL DE WIT

.
Rev. Garlands above and below inscription.
Ren., p. 131 (as not by Jonghelinck).
fpiegel
ANTON STRALE, Duke of Merxem and Dambrugge

Obv. Bust
to right.
Around,
ANTONII- A -STRALE
DVS DE MERXEM ET DAMBRVGGE
Rev.
Nude
sail.
Bronze, 55
mm.
zij
1568.
1565,
Bibl.:
Aftercast, heavily tooled
20
241,29;
pi. 23,5;
Van Loon
Forrer
3, p. 84.
i,
In
Gelijck
bijeen
Zoo konftig
zijn gedreven;
AVG
A'O
1672
HAG^
on rim,
COMI-
mm.
See no. 253 (Pierre Aury)

Bibl.:
2, p.
him doot
Staen naer
1 966.1 31 .62
was governor of Antwerp, 1567, and was executed

reads on the obverse AET
XLIIII
after van Loon.
Arm.
Verheven en verftooten,
VIOLENTA MORTE DELETI
Silver, struck, 48
Around,
Armand
Ren., p. 130,
hier nae't leven
TIS
1966.131.64
Strale
VIRTVTE ET CONST ANCIA
Lotgemeen,
alles
female figure (Fortune or Venus) atop a
globe in a conch shell on ocean, holding a
van de Grooten
Twee WitTen
Gevloeckt, gehaet, gemint,
eensgezint,
ten,
YiiW-Med.
p. 350;
DE
the
Tyre by Alexander the Great (Houston)
Bibl.:
CORNELIUS
and
p. 95; Y{\\\-Med.
324
Van Loon
3, p.
81
(ill.)
p. 83, no. 3.
JOHANN and CORNELIUS DE WITT

Obv. Same
as no. 323
Rev.
Two
chff.
Around,
ships
on heavy
seas
being driven against a
VNA MENTE ET SORTE
on rim,

*
NAVEMQUE VIROSQUE SUB OEQUORE MER* HAG^ 20 AVG A'O 1672
SIT
Silver, struck, 48
and
became
his father Peter,
He
second engraver at the royal mint in 181 6 and, after a

long dispute with Pistrucci, chief engraver in 1828. Wyon
mm.
engraved
See no. 253 (Pierre Aury).
large
Van Loon 3,
was trained by
strongly influenced by the art of Flaxman.
1966.131.63
BibL:
Wyon
medahsts,
p. 81 (ill.)
coins of the British Empire, as well as a
of medals.
See Forrer
p. 84, no. 4.
many
number

Pyke, pp. 161-62.
334-35;
PP-
326
ENGLAND
PRINCE ALBERT
toria,
1840
(1819-61), married
Queen
Vic-
85
to left. Around, H
R H
PRINCE ALBERT PRESIDENT OF THE ROYAL
COMMISSION below truncation, W WYON RA
Obv. Head of Prince Albert
JAN ROETTIERS
(1631-1703)
A member of a large family of Flemish medalists, Roettiers was trained by his father Philip Roettiers. He
worked as an assistant at the Antwerp mint until 1661,
when he moved to London. From 1670-98 he was chief
engraver at the royal mint; from 1669 his family was
given a monopoly of engraving and striking coins for
Rev. Globe with laurel wreath around and dove above.

Continents inscribed, AMERICA, S AMERICA, EU-
ROPE, AFRICA, ASIA. Scroll across globe inscribed,

EXHIBITOR. Around, EXHIBITION OF THE
WORKS OF INDUSTRY OF ALL NATIONS

below,
MDCCCLI
Bronze, struck, 44
on rim,
FRANCE. N9
586.
mm.
Charles IL
1966.137.183
See Thieme-Becker 28, p. 507; Forrer
CHARLES
rial
Obv. Bust
F ET
Rev.
(1600-49),
Medal
ca.
of
England
1629,
Medal
Memo-
CAROL D G M B
GLOR MEM below, R
Around,
to right.
for the Crystal Palace Exhibition in
&
6, p.
ALIJS
celestial
SWITZERLAND
crown; below,
VIRTVT EX
ME
JEAN DASSIER
mm.
Copper, struck, 50
(1676-1763)
1966.131.54
Made by
Roettiers after the Restoration,
and highly
praised by Evelyn as "incomparably the most resembling

his serene countenance."
lar
The
effigy
is
related to a simi-
medal signed by Norbert Roettiers {Med.
III.,
pi. 30,
BibL: Forrer
11;
Domaine Dassier of Geneva,

Mauger and Roettiers from
Geneva and in 171 1 was made
Swiss, son of the engraver
Jean studied in Paris under

1694-96.
He
returned to
assistant engraver at the mint. In 1720
5, p.
Houston, no.
1697,
165 (dated 1649)

83;
pp.
J.
Evelyn,
Med.
III.,
Discourse
12-13, ^S- 34
pi. 30,
of
no.
Medals,
(tnedal signed by
Norbert Roettiers).
gious reformers,
WILLIAM
his
WYON
Roman
history
England.
See Forrer
most important
member
of the family of English
(done with Jacques
Antoine), Genevan theologians, and the sovereigns of
(1795-1851)
The
he succeeded
mint master, a post which he kept until he died.

visited
England in 1728 and Turin in 1743. Dassier
He
engraved several medallic series of which the first, of
French celebrities of the time of Louis XIV, begun in
1720, established his reputation. Other series are of
French rulers from Pharamund I to Louis XV, of relifather as
no. 10).
London
684.
landscape with sheep. Around,
of
from clouds, holding
FORTVNAM EX
London
1851.
BibL: Forrer
1670
H REX
Arm
King
pp. 16173.
5,
i,
pp. 512-17;
41213; Thieme-Becker
8,
7,
pp. 206-08; Michel
pp. 415-16.
7,
pp.
CATALOGUE NOS.
327
328
329
VICTOR AMADEUS
King
of Sicily
Bibl.:
peruke and
in
cuirass.
G REX SARD CYP
330 D. F.
TRI COLUMEN ET DECUS;

SIER F
in exergue,
295, pi. 171,4.
French Envoy
to the
1738
to left, in
peruke and
cuirass.
Around, D
F COMES A LAUTREC LEGAT
REG AD PAC GENEV 1738; on truncation, I
DAS-
DASSIER
mm.
Copper, struck, 41
MM. 2, p.
and Prudence. Around, SCEP-
p. 516; 7, p. 206; Bres-
i,
COUNT OF LAUTREC,
Peace of Geneva
Justice, Fortitude
87
cia 2, p. 91, nos. 95-96;
Rev.
of Savoy,
and of Sardinia
Obv. Bust to right, laureate,

Around, VICTOR AMED D
ET lER
Duke
II (i 666-1 732),
325-33I
Rev. Prudence in center, flanked by Fortitude (Mars)

1966.131.71
and
bronze version (no. 1966.131.72) also exists in the

Molinari Collection. Victor Amadeus became King of
King
1713-18, and
Sicily,
abdication in 1730.
PHILIPPE,
Obv. Bust
(1674-1723), Regent
Around,
to right, in wig.
PHILIPPE
DUC
LES HOMMES ILLUSTRES DU

SIECLE DE LOUIS XIV DEDIEZ A S A R^^
MONSEIGNEUR DUC D'ORLEANS PETIT
Rev. Inscription,
From
series, Gallerie
siecle
de Louis XIV.
hommes du
metallique des grands
PAR SON TRES HUMBLE

OBEISSANT SERVITEUR
JEAN
ET TRES
GEORGE II
(1683-1760),
p. 515.
Obv. Bust
to
left,
GEORGIUS
REX
II
below,
King
of England, 1727
laureate, in
peruke and armor. Around,
D G MAG BR FR ET
DASSIER F
HIB
NUMISMATA
REGUM ANA GULIELMO PRIMO AD HAEC
MAGNAE
USQUE TEMPORA GEORGIO II
Rev.
Inscription,
GLIAE
mm.
Bronze, struck, 28
1731
1723
i,
DE FRANCE
331
Bibl.: Forrer
DASSIER
mm.
1723
D'ORLEANS
FILS
1966.131.39
DUC D'ORLEANS
of France, 1715
in exergue,
Bronze, struck, 55
of Sardinia, 1720, until his
FORTITUDO PRUDENTIA
CONSPICUAE IN VNO
Around,
Justice.
AEQUITAS;
FRANCIAE ET HIBERNIAE
REGI SERENISSIMO ETC DICATA A JOANNE
DASSIER GENEVENSIS REIPUB C^LATORE
MONET ALI ANNO M DCC XXXI
BRITANNIAE
1966.130.42
Dedication medal for Dassier's
French
series of
celebri-
ties,
hommes du
the Gallerie metallique des grands
Steele
The
de Louis XIV.
entire series contains seventy-
two medals.
Bibl.: Forrer
Copper, struck, 41
mm.
1966.131.57
i,
p. 515.
Dedication medal of the
LOUIS EFFORT
Geneva
(1668-1743), Chief Burgomaster of
1734
Obv. Bust three-quarters to
Around,
CONSUL PRI-
medals of the kings

to
George
at six
II.
guineas
for all thirty-three in copper, fifteen guineas for silver.
in peruke.
left,
LUD EE FORT REIP GENEV

MAR ANN J734 ^T 66 below, I DASSIER
series of
and queens of England from William I

The series was published by subscription
Bibl.: Forrer
i,
p. 515;
Med.
III.,
pi. 151,
no.
2.
FRev. Seated female figure

copia
and holding book
at left
(Geneva), with cornu-
JACQUES ANTOINE DASSIER
SA
(1715-59)
inscribed,
BIBL
.
|
CRA;
=
|
four putti to right with symbols of commerce, the
government, and
science.
D
SERTA ANNO
lower right,
Bronze, struck, 55
1966.131.40
Around,
in exergue,
1734
mm.
DEI
arts,
NUMINE
JURA CIVIUM
son of Jean Dassier, born in Geneva, he studied in
AS-
Paris with
Thomas Germain and
at the
Academy
of De-
and Roussel. He was in Italy in

1736 and 1737, worked with his father in Geneva, and
in 1740 went to England where he became an assistant
sign under Bernard
engraver at the mint in 1741. In 1756 he went to Saint
88
Petersburg where he was active at the Russian court for
He
Bibl.: Forrer
and on the return trip to Geneva

Copenhagen. Jacques Antoine worked on several
three years.
died in
fell ill
medals with his
PP- 371-72,
Roman
father, including the series of
i,
pp. 51012;
7, p.
206; Thieme-Becker
8,
pp.
335
414-15.
332
Queen
(1717-80),
10
MAR THERESIA D
below,
D
and Medusa-head
below, 1745
Rev. Lion of Saint
Mark holding sword; view
of Venice,
ET MENTE ET ARMIS
SENATUS CONSULTO
DCCLII
I
DASSIER ET FILS F
the sea, a ship. Around,
exergue,
on
shield; her right foot rests
portion of globe. Around,
Rev. Minerva seated on clouds over the earth, holding

spear
Around,
to left.
:
1752
to right. Around, COMES

MARIA MAZZUCHELLI ^T ANNO XLV
below, I DAS ET F
Hungary
of
1745
G REG HUNG BOH

:
and biographer
MARIA THERESA
Obv. Bust
2,
COUNT GIOVANNI MARIA MAZZUCCHELLI

(1707-65), scholar
and Bohemia, 1740
MM.
p. 511; Brescia 2, p. 93, no. 119;
Jean Dassier (See biog. before no. 327) and Jacques

Antoine Dassier
history.
See Forrer
i,
pl- 190'5-
in
Bronze, struck, 55
mm.
1966.131.77
Bronze, struck, traces of black patina, 55
Mazzucchelli was a celebrated scholar whose
mm.
was used
Brescia
1966.131.41
museum and
as a private
home
in
academy,
containing manuscripts, books, and collections, especially
Bibl.: Forrer
i,
p. 516 (as
by Jean)
Brescia
of portrait medals.
no.
2, p. 92,
Gaetani (see
lOI.
The medals were
MM. in
published by P. A.
the bibliography),
and
are
now
in
the Musei Civici, Brescia. For Mazzucchelli's career,

333
CHARLES EMMANUEL
King
of Sardinia, 1730
III
(1701-73)
1739
i, p. 516 (as Jean); Brescia 2, p. 92, nos.

106-08 (as Jean and Jacques-Antoine) ; Durand, pp. 124-
25, no. 2.
The king with Minerva to right; winged Victory

crowning him with laurel. Around, MINERVA DUX
SIER F
in exergue,
JAC
ANT
Jacques Antoine Dassier and Jean Dassier (See biog.
DAS-
before no. 327)
1739
Bronze, struck, 55
336
mm.
Bibl.: Forrer
i,
MAURICE, COMTE DE SAXE

of France
1966.131.78
Obv. Bust to right, wearing

Around, MAURITIUS SAXO
p. 511.
MARCHESE SCIPIONE MAFFEI

scholar
and
Obv. Bust
FEIO
Rev.
tragic poet
MARCH
View
of
below,
Museum
Around, SCIPIONI
A D F
MAF-
below,
and fur drape.
cuirass
GALL MARESC D
D ET FILS F
Rev. Victory seated on weapons, writing on oval plaque.
BELGI GALL PROPUG AUSTR CAPT

FOED VICT
in exergue, NUM
SIGN A
MDCCXLVII KAL DECEM
of Verona. Around,
Bronze, struck, 55
Around,
VERONENSIS CONDITORI
DEMIA PHILARMONICA
I
(1675-1755),
1755
(1696-1750), Marshal
1747
CURL ET SEM
334
Venice 1844, pp. 24150.
Bibl.: Forrer
Around,
Rev.
VICTORIA COMES
see E. de Tipaldo, Biografia degli
etc.,
Italiani Illustri, vol. 9,
CAR EM D G REX SAR CYP ET lER
publications,
of Savoy,
MUSEI
ACA
Bronze, struck, 55
mm.
in exergue,
AN MDCCLV
1966.130.37
mm.
1966.131.74
The medal was commissioned by the Accademia Filarmonica to commemorate the founding by Maffei of the
Verona Museum.
Maurice of Saxony was one of the greatest military
commanders
of the eighteenth century. Louis
him
of marshal general in 1747.
the
title
obverse inscription refers to his
which he was unable

Bibl.:
title
of
The
XV
gave
rest of the
duke of Courland,
to retain.
Houston, no. 199 (different obv.)
Forrer
i,
p. 511
CATALOGUE NOS.
Maurice,
(as
two versions
Duke
7, p.
GERMANY
206 (mentions that
exist); Brescia 2, p. 92, no. 105 (different
MM. 2,
obv.);
of Saxony)
89
S3"~S39
p. 349, pi. 186,5 (different obv.).
JOHANN HOHN
JOHANN KARL HEDLINGER
(active ca.
(1691-1771)
Born
in Switzerland,
Medalist active from 1640 in Danzig for the mint and at

the Court of
Hedlinger studied medal engrav-
Danzig
W. Krauer in Lucern where he became active

mint in 1713. In 1717 he visited Saint-Urbain in
Nancy and worked with de Launay and Coysevox in
Paris. He became medalist at the royal mint in Stocking with
at the
holm
in 171 8
and remained there for twenty-seven years
with the exception of
trips to
work
in Italy in 1726,
Copenhagen in 1732, Russia in 1735-37, ^nd Switzerland in 1739. After 1745 he lived and worked in Switzerland. Hedlinger
one of the most important eighteenth-
is
Becker
337
16,
2, pp. 445-67; 7, p. 432; B. C. K. in Thiemepp. 218-21 Pyke, p. 66.

;
quarian, numismatist
(1659-1735),
ca.
Swedish
anti-
1735
NICOLA VS KEDER VS
C H F
Ret/. Phoenix rising from a fire. Around, VITAM
MIHI MORS RENOVABIT
Obv. Bust
to right.
Around,
below,
I-
Hohn
died near
pp. 52023;
2,
Thieme-Becker
454;
7, p.
17,
p. 201.
339
IN
MEMORY OF THE PEACE OF OLIVA 2/3 May
1660
Obv. Religion, holding
chalice, kneels before a decorated
STA TVA PA
CIS mounted on a
(Verbum
I
Dominae manet in aeternum) and on right side IH.
Atop the column the Eye of God, with inscription
column
inscribed
V D M
RE^-^GIO. Above, the divine eye surrounded by clouds
UM
and rays; above, PERVIGILI

DEI. In the background the city of Danzig. Around, IN VERA VITAM
NOS RELLIGIONE PER OMNEM CEU PUPILLAM OCULI PROTEGE CHRISTE TUI CUSTODI ME UT PUPILLAM OCULI PS 17
.
Rev.
The triumphant
seated in a chariot
Fortitude with column and palm
drawn
by Faith with cross and
to left
Peace holding a dove. Above, an arm from clouds holds
mm.
Bronze, struck, 32
1678.
See Forrer
NICOLAUS KEDER
HOLMIENSIS
Brandenburg from
in 1693.
base inscribed in front
century medahsts.
See Forrer
1637-93)
Around, FER PATIENTER ONUS CONSTANTI PECTORE SPERA IN COELO FIDEI

CERTA CORONA DATUR
below, CONSTANa crown.
1966.131.58
Bibl.: Forrer 2, pp. 465-66;
Durand,
MM.
p. 94, no. 5;
TRIUMPHANS
TIA
2, pp. 273-74, Pl- i75>7-
338
ANNA IVANOWNA
sia,
1730
(1693-1740), Empress of Rus-
Bronze, 70
mm. Hole
1966.131.48
1739
Obv. Bust to right. Around, AHHA B

M IinE
PATPmAICAMOAEP JKHIÂ BCEPOCC (ANNA B
M IMPERATRITSA I SAMODERCHITSA VSE-
Bibl.: Tentzel,
ROSS)
Le
Rev. Eagle with laurel wreath in beak stands on trophies

including Ottoman banners. Around, CaABA IMHEPII
(SLAVA IMPERII);
on
CPyPK
CEHT
B03CTA
hstel,
H;
VOZSTA
SENT
Bronze, struck, 60
1739
MHP
STURK
in exergue,
(MIR
Dresden
Saxonia Numismatica, Linea Albertina,
1705, pi. 44,2; F.
A. Vossberg, Munzgeschichte
der Stadt Danzig, Berlin 1852,

Maistre,
J.
JOHANN KITTEL
(1656-1740)
mm.
Member
of a family of medalists, armorers
gravers in Breslau. Johann's
Commemorates peace
2, p.
after the
p. 945; Sale catalog. Coll.
Schulman, Amsterdam, 1315 October
1913, no. 241.
1739)
1966.131.49
BibL: Forrer
at top
second Crimean War.
462 (dated 1736-38).
See Forrer
PP- 393-94-
3,
pp. 168-69;
first
7' P-
and coin en-
medals date from 1681.
5^75
Thieme-Becker
20,
90
340
ALLEGORY OF A VIRTUOUS WAY OF LIFE
rieties)
Obv. Twisted column on base with grotesque masks
At
divides field.
with cradle; above, a heart
interior
left,
in the wall decoration; at right, grave with sunrise.
A TENERIS AD FATA SVPREMA;
Around,
column
base,
dove in rays of
.
342
Around,
CW
below, in waves,
(?); on rim,
chained Turk-
PAX TIBI
TA MEVS Around,
holds a book inscribed,
MARCE EVANGE
HÊ TIBI SINT CO-
five
1685
being crowned from above with crown
He
and palm.
Charity in a landscape. Above, a
326 (notes 4 va-
VENETIAN CONQUEST OF MORE A

ish prisoners,
light.
p.
3,
Obv. Lion of Saint Mark, in midst of
on
Hope and
Rev. Faith,
MITES
Bibl.:
LIS
LEONI ULTORI
WENN
AUCH KEIN ANDER FREUND AUF ERDEN

UBRIG BLIBE SO HALTE DU NUR FEST AN
GLAUBE HOFFNUNG LIBE
Rev.
below,
GH;
in exergue, 1685
Map of the province of Morea
mm.
1966.130.19
Silver, struck, 78
mm.
See no. 341.
1966.143.2
Bibl: Brescia
MOROSINI;
Forrer
Medalist and coin engraver from Niirnberg, a student of
mint in Niirnberg from 1683-1712, replacing Hermann Haffner as

assistant engraver in 1691. He moved to Vienna in 1712
and worked there until his death.
Wolrab. Hautsch was active
Becker
341
2,
pp. 441-42;
7, p.
425;
W. Fries
MAXIMILIAN II EMMANUEL
in
Thieme-
(i 662-1726), Elector
of Bavaria, 1679
peruke and armor. Around,
MAX
GERMAN-UNATTRIBUTED
343
JOHN GEORGE
Garter, 1671
II,
Map showing campaign
against the
Turks and the
QUOD PETIT OBVIRTUTI NULLA EST VIA
recapture of Belgrade. Around,
TINET
IN VIA
MONSTRAT ITER
cartouche,
Knight of
the
Obv. Saint George and the Dragon. Around, EN HONNEUR DU SOUVERAIN DU TRES NOBLE
ORDRE DE LA lARTIERE
Rev. In a wreath, inscription, DU TRfi HAUT TR
|
TRES EXCELLENT PRIN CE

CHARLES II PAR LA GRACE DE DIEU ROY
DE LA GRANDE BRET AG
FRAN ET IR=
LANDE DE
FENSEUR DE LA FOY
MDCPUISSANT ET
below,
LXXXVIII DIE
SEP
PLUS ULTRA;
RECEPTA
in
MDC-
mm. Hole
LXXVIII
Silver, struck, 48
mm.
1 966. 1 3 1. 56
Struck at Dresden, where a great festival in honor of

the Order of the Garter
Bibl.:
Bronze, struck, 43
ALBA GR^CA
Med.
III.,
pi. 59,
was held on 23 April
1678.
no. 3.
at top
GEORG WILHELM VESTNER
1966.131.43
Taking of Belgrade from the Turks.
The medal was
Elector of Saxony,
1678
Rev.
2, pt. 2;
EMAN D-G-V'BA&-P-S-D-C-P-R-S-RAR & E L L below, GH
Cicogna, vol.
to right, in
FRANCESCO
VIRTVTE ET
3, p. 326.
(as
at the
16, p. 152.
Obv. Bust
no. 954
1679-17 12)
(active
See Forrer
138,
p.
FORTVNA VENETORVM);
GEORG HAUTSCH
J. J.
i,
with reverse inscribed
issued as part of the large series
(1677-1740)
com-
memorating contemporary history by Friedrich Kleinert

and his associates L. G. and C. G. Lauflfer in Niirnberg.
Hautsch and several other medalists, including G. W.
Vestner and Werner, contributed to the series, which
was published in 1742 (C. G. Lauffer, Das Laufferische
Vestner learned die engraving from the medalist Suhl.
Medaillen-Cabinet, Niirnberg).
See Forrer
He worked
in
Chur, Berlin, and
to Niirnberg in 1705. In 1720 he
Weimar
before moving
became engraver to the
Episcopal See of Wiirzburg, in 1732 court medalist to the

elector of Bavaria.
6,
He
was
assisted
by his son from
1726.
pp. 25257; Thieme-Becker 34, p. 313.
CATALOGUE NOS. 34O-347

344
FABRIZIO PAOLUCCI
GIULIO PIAZZA
whom the church is dedicated. Cardinal Angelo

Maria Quirini generously contributed to German missions, corresponded with Frederick, and in 1747 was
(165(^1726), Cardinal, 1697
and
Cardinal,
(1663-1726),
to
1712
1712
Obv. Busts, Paolucci facing right and Piazza
FABRITI CARD PAVLVTIVS SECRET

STATVS ET IVLIVS CARD
PIAZZA NVNTIVS AP VIEN FOROLIVIENing mozzettas. Around,
SES
on truncation,
Bibl.: Brescia
p. 183, nos. 1189-90;
i,
lilies,
the Virgin,
the other of stars. Below, coats of
arms of
CIRCVNDABANT EAM
FLORES ROSARVM ET LILIA CONVALLIVM &
IN CAPITE EIVS CORONA STELLARVM
below, MDCCXII; in exergue, H^C EST IMAGO B
MV AB IGNE PROTECTRIX ET PATRONA
CIVITATIS FORILIVII G W V
1761-96)
(active ca.
Niirnberg medalist and
Around,
cardinals.
375-76,
JOHANN PETER WERNER

is
flanked by flying putti holding cardinal hats and haloes,
two
MM. 2, pp.
pi. 191,9.
Rev. City square of Forli. Atop a column
one of
Academy.
elected to the Berlin
wear-
left,
91
gem
engraver, probably the son
of Peter Paul Werner.
See Forrer
pp. 452-53;
6,
M.
B. in Thieme-Becker 35,
p.
409; Pyke,
p. 156.
346
Lead, 54
mm.
PETER PAUL WERNER (i 689-1 771), medalist

Obv. Bust to right. Around, PETER PAUL WERNER
MEDAILLEUR
1966.1 14.54
below,
P Werner Fee
Without reverse
Bibl.: Forrer 6, pp. 254, 256
(ill.)
MM. 2,
pp. 265-66, pi.
Bronzed
lead, 44
mm.
163,6.
1966.131.47
Bibl.: Forrer 6, p. 453 (ill.).
PETER PAUL WERNER

(1689-1771)
Born
from
GEORGE CHRISTIAN WAECHTER
in Niirnberg, Werner's medallic activity

1
He
71 1.
dates
(1729-ca. 1789)
replaced Philip Heinrich Miiller as court
medalist to Carl Albert of Bavaria in 1718, and later
executed medals for
German
and
princes, cities
Brother of Johann Georg.
viduals.
at
See Forrer 6, pp. 453-55;

pp. 417-18; Pyke, p. 156.
M.
B. in Thieme-Becker 35,
DEDICATION OF THE HEDWIGSKIRCHE,

BERLIN
Mannheim, and from
See Forrer
347
345
Obv. Bust
ECCLES CATHOLICOR BEROLIN; below, P P
Rev.
WERNER
1771 in Saint Petersburg.
(1694-1778)
1770
VOLTAIRE Nfi LE XX
DC XCIV below, G C WAECHAround,
laurel border
On
an
surrounded by light
altar
rays,
masks, a
globe, a laurel wreath, flowers, musical instruments,
FRIDE-
CLEMENTI^ MONVMENTVM
S HEDVVIGI SACRVM ANG MAR QVIRINVS S R E CARDIN
SVO AERE PERREGIS
books, one inscribed

inscription,
TIRfi
LA HENRIADE. On
D'APRfiS
altar front,
NATURE AU CHA|
TEAU DE FERNEY G C WAECHTER; below,

GRAVfi M DCC LXX floral border
.
FECIT
Bronze, struck, 59
mm.
The
Hedwig
medal of 1769 was inscribed "il ote aux

bandeau de I'erreur," but this was objected to
original
from
nations
le
1747 to 1773 on ground donated by Frederick the Great,
and the
dies
of Saint
mm.
1966.130.40
1966.131.46
The Church
as court medalist
Rev. Rocaille decoration around inscription,
student of Jean Dassier in
from 1770
to right.
FEVRIER
TER F
RICI
6,
VOLTAIRE
Obv. Facade of Church of Saint Hedwig. Around,

.
Geneva, Waechter was active
indi-
in Berlin
was
built
were destroyed and the new reverse
cut.
92
178892 he began to
Demole, "Voltaire, le Conseil de Geneve et le graveur

G.-C. Waechter en 1769 et 1770," Revue beige de Numismatique (1913), pp. 36-48. The medals of Voltaire are
conveniently listed in J. Montagu, "Inventaire des
tableaux, sculptures, estampes, etc. de I'lnstitut et musee
Voltaire," Studies on Voltaire and the 'Eighteenth Cen-
medals of East European
tury 20 (1962), pp. 223-47,
series of
famous men of
See Forrer
350
PP- 229-30.
i,
FREDERICK WILHELM
III
(1770-1840),
King
to right.
Around,
SON
classical robes (Hygeiea), holding bowl
hand and left arm entwined by snake, seated upon
cow rising from the sea onto a meadow. Around, IN
Rev. Figure in
and sculptor, Posch was born

and studied in Salzburg from 1766 with
J. B. Hagenauer. In 1774 he went with Hagenauer to
Vienna where he turned from monumental sculpture to
wax portraits and medals. In Italy from 1793-95, he
went to Berlin in 1804 and (except for a visit to Paris in
1 81 0-14) remained active there as professor of modeling
at the royal mint (1814) and a member of the Prussian
Royal Academy (1816). Posch's medals, cast in iron,
represent a monumental classicism which forms a bridge
Abramson, 55 ]ahre Berliner Medaillen\unst

Frankfurt-am-Main 1927, no. iii, pi. 12; Brettauer,
sculptor, medalist
between the Austrian baroque
of
FRID WILHELMVS III

BORVSS REX PATER PATRIAE; below, ABRAM-
in the Tyrol
David
pp.
1800
ca.
in left
wax
(1750-1831)
style
and the work of
1445
Dworschak
TE SVPREMA SALVS;
TIONIS PRAEMIVM
in
VACCINA-
exergue,
Silver, struck, 68
mm.
1966.131.42
T. Hoffmann, ]acob Abraham und Abraham
Bibl.:
no.
1648.
d' Angers.
See Forrer
4,
pp. 669-73;
Thieme-Becker
27, p. 293;
^> P-
Pyke,
in
KARL FRIEDRICH VOIGT
p. 144 (useful biblio-
(1800-74)
graphical references).
Born
UNKNOWN FEMALE SITTER

Ohv. Bust
Iron, 80
to right
UNKNOWN MALE
He
graver at the royal mint in Munich.
SITTER
in 1836-37
wearing uniform
worked
revisited
and moved there permanently in
See Forrer
pp. 305-10;
6,
8, p.
Rome
1857.
250; Thieme-Becker
34,
pp. 508-09.
Without reverse
Iron, 81
He
Loos from 1820 until

he won an Academy Prize and went to London in 1825.
In 1826 he went to Rome where he studied gem engraving with Girometti and came under the influence of
Thorwaldsen. In 1829 he was called to be the chief en-
1966.137.163
to left,
under the goldsmith
in the medallic shop of Gottfried
mm.
Obv. Bust
in Berlin, Voigt studied first
Vollgold and the medalist Leonhard Posch.
Without reverse
349
Thieme-Becker
7, p. 5;
Prussia, 1797, Introduction of Vaccination
LEONHARD POSCH
A
designs. Besides
Abramson engraved
his time.
pp. 17-19;
i,
own
his
royalty,
30-31; Pyke, pp. 3-4.
Obv. Bust
348
make
Bibl.: Forrer 6, pp. 338-39; Brescia 2, p. 81, no. 159; E.
mm.
351
1966.137.164
JOHN SCOTT
(1751-1838), Earl of Eldon
1827
Obv. Bust to left, in a wig. Around, JOHN EARL

OF ELDON LORD HIGH CHANCELLOR OF
GREAT BRITAIN 1827; below, C VOIGT F
Rev. Inscription, BORN 4 JUNE 1751 CALLED TO
THE BAR 1776 SOL GEN 1788 ATTORN
ABRAHAM ABRAMSON
(1754-1811)
Born
from
in
Potsdam, Abramson learned metal engraving
BARON ELDON CH JUST COM

1793
PL 1799 LORD CHANCELLOR 1801 RESIG
THE SEALS 1806 RECALLED 1807 CONTINTHE
UED LORD CHANCELLOR UNTILL
GEN
his father
Jakob Abraham. His early work,
much
of
it
done in collaboration with
on the designs
his father,
is
dependent
of others, but after a trip to Italy
from

DEMISE OF GEORGE
BY GEORGE IV ON
III
1820
REAPPOINTED
HIS ACCESSION
93
SCANDINAVIA
AND
CREATED Vise ENCOMBE EARL OF ELDON

.
ANTON MEYBUSCH
821
mm.
Bronze, struck, 48
(ca.
645-1 702)
1966.137.274
Engraved
in
Of German
Rome on
Meybusch was trained in

Stockholm or Copenhagen. Beginning in 1667 he worked
for the courts at Copenhagen and Stockholm until his
death, except for the five years from 1685-90 when he
was in Paris as a medailleur du roi de France.
Scott's resignation of the lord
chancellorship.
See Forrer
RUSSIA
353
Thieme-Becker
LEOPOLD I
Obv. Bust
Around, *
Buhl
I.
in
Thieme-Becker
(1640-1705),
Holy Roman Emperor,
to
cuirass
in
laureate,
right,
and
D G ROM
SEMP AUG TURCARUM VICTOR *
ANTON MEYBUSCH FECIT
Born in Heidelberg, Waechter was active in Russia as

an engraver at the mint o Saint Petersburg from 1741,
working for the Empresses Elizabeth and Catherine II.
339;
pp. 52-55;
4,
24,
1658
1683
(1724-97)
6, p.
origin,
p. 460.
JOHANN GEORG WAECHTER
See Forrer
Dutch
or
LEOPOLDUS
cloak.
IMP
below,
from troops
tents and
city behind; winged Victory blowing trumpet above.
Around, URBEM SERVASTIS ET ORBEM; in
Rev. Scene of battle with Turks in
35, p. 16.
JOHANN BALTHASAR GASS
flight
Roman Emperor;
bearing standard of Holy
VIENNA AUSTRIA A TURCIS

OPPUGNARI C.EPTA D 14 lULII LIBERcartouche,
(1730-1813)
Of German
or Swiss origin, Gass began
work
Saint Petersburg mint in 1768 as assistant engraver.
was
from 1772
chief engraver
until 1797,
ATA D
at the
when he
on rim,
He
re-
12
SEPT A61683
:
illegible
below,
ANT MEYB;
.
legend
Bronze, struck, 55
mm.
signed due to bad health.

1966.131.45
See Forrer
2, p.
205;
7, p.
341
Thieme-Becker
13, p. 232.
Commemorates
victory over
Turks
at
Vienna.
Johann Georg Waechter/] ohann Balthasar Gass

352
J.
W.
von
SCHLATTER
Saint Petersburg
Mint
(1708-68), director of the
1768
A SCHLATTER
PRES ET CONSILIAR INTIMVS
below, I G
W'FObv. Bust
to right.
Around,
Rev.
Woman in
classicizing
costume seated among
used in minting coins, holding a lamp. Around,
SICAM REM MONET ARIAM PERFECIT

G;
right,
in exergue,
DECESSO
M-F-C1708
Bronze, struck, 53
23
O M NATO
IAN
1768
lO
19
tools
ROSLower
FEBR
[.
354
CHARLES X GUSTAVUS (1622-60),

den, 1654, and HEDVIG LEONORA
Obv. Bust of Charles
to
right,
King
in helmet,
of Swe-
laureate.
CAROLVS GVSTA D G SVE GOT

WAN REX below, Meijbusch fee
Rev. Bust of Hedvig Leonora to left. Around, HEDEWIG ELEONORA DEI GRATIA REGINA
Around,
SVEC-
Gilt bronze, 51
mm. Ring
at top
.]
1966.144
Bibl.: Forrer 4, p. 54
mm.
(notes several varieties); B. E.
Hildebrand, Sveriges och svens\a \onungahiisets min1966.131.50

Bibl.: Forrer 6, p.
339 (obv.)
nespenningar,
;
2, p.
205 (rev.)
Stockholm
pra\tmynt
och
beldningstnedaljer
1874, p. 363, no. 58 (type).
i,
94
SPAIN
Bronze, struck, 49
mm.
1966.131.52
SEVENTEENTH CENTURY
UNATTRIBUTED
355
CHARLES
II
Sicily, 1665
1679
King
(1661-1700),
Bibl.: Forrer
1679
Rev. Saint James riding a rearing horse. Around, +
VII of Spain. Guerrero was active from
ca.
1800 until
the
fall
of Augustin,
first
emperor of Mexico.
1679
Bronze, 81
See Forrer
mm.
1966.107.18
357
Charles' mother Mariana of Austria ruled as regent for
John of Austria overthrew her in

and
put
her
in
exile.
At John's death in 1679 she
1677
returned and Charles came to power.
until his brother
Bibl.:
Medalist and coin engraver in Mexico under Ferdinand
SAN-
TIAGO PATRON DE SPA5JA ORA PRO
PEDRO JUAN MARIA DE GUERRERO
LASPANAS Y DELAS YNDIAS
him
45,
MEXICO
Houston, no. 381; Vives, no.
of Spain, Naples and
Obv. Half-length figure, three-quarters to left, with

scepter, wearing the Order of the Golden Fleece.
Around, + CARLOS II DEI GRATIA REY DE
NOBIS
146;
8, p.
pi. 4,1.
De Caro
Balbi, p. 25, fig. 20 (as
by
J.
B. Fischer
von Erlach.?).
pp. 337-38;
2,
FERDINAND
7, p.
404.
VII (1784-1833), King of Spain, 1808
1809
Obv. Bust to
DIN
left,
in miHtary uniform.
HISP AN
VII
PERATOR
below,
J.
Around, FERIM-
REX INDIARVMQVE
Guerrero
Rev. Female figure holding shield with portrait

scribed around,
FERDIN
VII
CATHOL
in-
strides
over Discord behind a dog toward a round temple on a

hill.
TOMAS FRANCISCO PRIETO
On
rocks in
left
foreground, inscribed, Guerrera

|
VICTRIX
(1716-82)
FIDELITAS DOLI
[REGE] A GALL PERFID
4 (?) Medalla; around,
[illegible]
in exergue,
CAPTO [MEX] TRIDENT SEMIN

Spanish medalist and line engraver, a student of Lorenzo
Monteman. In 1747 he was appointed engraver at the

mint of Madrid; he was made chief engraver in 1752.
From 1759 he directed the entire Spanish medal and
.
[
MDCCCIX
wheat
stalks
and loop
mm. Top
for hanging.
extends with ribbon,
Widest
point, 54
mm.
1966.137.256
coin production.
The Seminario Tridentino

See Forrer
356
690;
4, p.
CHARLES
Thieme-Becker
146;
8, p.
(1716-88),
Bourbon of Parma
King of
Spain, 1759; Mar-
Maria Luisa
CAROLVS
Around,
below,
in exergue,
to right.
Mexico
to the Captive
resigned his rights to Napoleon,
who gave
throne to Joseph Bonaparte. Ferdinand was imprisoned
pire his
from 1808-14. Throughout the Spanish Em-
name was
rallying cry of revolutionaries.
self
he was restored in 1814, however, he proved hima reactionary, and during his later reign, the Spanish
early captivity.
colonies in
who
the Spanish
North and South America were lost through

the same rebellions that had supported him during his
on trunca-
ALOISIA PHILIP INF

FIL CAROL
PRINCIP
FARM DVC
NVPTA M DCC LXV
HISP
of
Ferdinand was forced by Napo-
When
T PRIETO
PVBLICAE FELICIT PIGNVS;
Rev. Busts of Charles and Maria Luisa jugate

tion,
of Spain. In 1808
in France
to right.
PARENS OPTIMVS;
Around,
De
1765
Obv. Bust of Charles
King
leon to renounce his throne in favor of Charles IV,

III
riage of Charles IV, Infante of Spain, to
III
27, p. 399.
Bibl.: Forrer 2, p. 337; Vives, no. 280, pi. 10,5.
CATALOGUE OF THE
EXHIBITION OF PLAQUETTES
INTRODUCTION
THE
were
art object
developed in Italy during the fifteenth
century.
Normally
smiths such as
were numerous copies and
free reproduc-
brothers developed their
tions after antique compositions. Portrayed
on
Bible, legends of saints,
At times
dependent
Italian artists
and
these
or managers
reliefs as in-
and signed them, but
art objects
were salesmen, workshop owners
tive inventors as they
allegories.
regarded the small
few gold-
own designs as well as doing

their own modeling. From the later Middle Ages onward, goldsmiths were not considered so much as crea-
plaquettes were mythological or historical scenes, events
from the
or the van Vianen
Wenzel Jamnitzer
gems; besides
aftercasts
Nuremberg
curely with existing reliefs. Moreover, only a
of engraved
model or were
of
among
and not many
important
of these artists so far recognized can be connected se-
plaquettes
Italian
known the most
are
them being Peter Flotner
bronze or lead from a specially prepared
cast in
these, there
uniface,
North
in the
plaquette as an independent and identifiable
is
for a great
and master craftsmen. Generally a plaquette
an anonymous product; composition and the
proportion of plaquettes the
tion into relief are the result of the labors of a
known. In
of specialized craftsmen
Italy the greatest
produced by bronze
artists,
name of the artist is unnumber of plaquettes were

and, perhaps as a result,
number
whose names were recorded
The themes and compositions
only by chance.
transla-
of these
Italian plaquettes generally are cast in bronze.
Very im-
plaquettes were practically always determined by prints
portant sculptors, such as Donatello, Riccio,
Moderno
or
(no. 358),
reliefs,
field.
but medalists and goldsmiths also worked in this
Belli
cases of Belli
famous
as
gem
bronze. Generally, however, Italian
artists
arms, and
objects
own
on
These
wax
but
in
or plaster.
wood, stone or
types or models
frequently they were collected for their
all
san without guild
Plaquettes began to appear north of the Alps at the
shortly thereafter in the
those in Italy.
created by a
Germany and
Low Countries. The themes
covered by northern plaquettes were
in
much
im
many
fields.
p. 8, no. 59: ".
nit
plaquette
is
the graphic arts for formal prototypes

as decoration for furniture
few names
and
dependent upon
and was
work.
They
utilized
diirftig,
der
who
could, as well, be
could act to some extent as a de-
iiber
und Renaissance
und 2
leiirjungen bei
eins gesellen
solt
arti-
The modeled
Kunst und
Kiinstler
Wien/Leipzig, 1904,
Das hinfiiro kein maister in seiner furderung mehr
gesellen
do aber einer
zum
II,
und nebeneinander
halten,
possirn oder patronmachen not-
denselben nicht zu den 4 gesellen in die werckstat,

stiiblein setzen. Und do ein meister von eim
sender in ein besunder
vessels.
of artists
affiliations.
Zeitalter der Spatgoti\
dann 4
as proto-
modeled by a sculptor or an
Th. Hampe, Niirnberger Ratsverldsse
work-
The northern Renaissance
to
to be used
signer in a large goldsmith's workshop.^
the same as
as utilitarian objects serving as
ing models for goldsmiths and artisans in
ac-
goldsmiths, founders of
goldsmith or prepared by a so-called
Patronenmacher
North of the Alps plaquettes were pre-
dominantly treated
kinds
from which
Plaquettes could be
first
modeled
the model,
were then put on the market and
replicas
makers and an occasional sculptor
kinds of furniture and religious
beginning of the sixteenth century,
slate or else
mold was made from
it
bronze or pewter, potters, ivory carvers, even cabinet-
sake.
Relatively
differing artistic circles.
quired by artisans of
different sorts of applied art objects
many
their various models,
allowing a number of cast lead or bronze reproductions.
modellos. Italian plaquettes were certainly used as decorative elements
wax
in
a stone en-
preferred
from
was then carved
engravers. In the
and Bernardi, most of the time
which they compiled
After the design of the plaquette was determined,
graving was the primary work, which was then cast in
bells,
outside sources for their reliefs,
achievement must be judged by
and Giovanni Bernardi da Castelbolognese, who
are both especially
created
drew upon
often
Geremia, Gianfrancesco Enzola and, moreover, Valerio
who
their personal creative
the skill by
di
Since the artisans
illustrations.
plaquettes
and Jacopo Sansovino, have produced small
Examples are Cristoforo Caradosso, Cristofore
book
potentaten so ein groses werck, das er mit den 4 gesellen nit vollbringen kont, solt im uf erkantnus ains e. rats dern mehr nach
who created plaquettes

97
THE MOLINARI COLLECTI ON AT BOWDOIN COLLEGE
po
plaquette was not always the starting point for replica-
were often made from
tion, since copies or aftercasts
embossed
works
silver
were generally
cast in bronze,
while
those produced in Germany and the Netherlands were

more commonly of lead, which has a lower melting
point. While the cire perdu (lost wax) process could be
a cast to be
made
in a sand
common
was
that
its
softness
models carved by wood
an
artist
who
made by
painters or have
carvers, the plaquette
maker
cannot be rigidly defined.
as a type
If
is
the
goldsmiths were members of a craft guild, and basically

only privileged court goldsmiths were exempt, they had
One of the advantages

made it possible for it to be
easily struck in a die, as well as
could have their drawings
practice
pression of the original model.^

of lead
they were often sold or bequeathed. Since goldsmiths
mold from an im-
used for casting plaquettes, a far more
was for
silver.^
Plaquettes could be in use for an exceptionally long
time; like tools or other objects in a workshop inventory
served as models or prototypes for other plaquettes.

Italian plaquettes
the goldsmith Melchior Bair formed and
chased sheets of
no. 384). These casts in turn
(cf.
Neudorffer
to
being heated and cast in
a mold.
to
submit to
the
owner
The regulations for goldnumber of collaborators to
strict regulations.
smiths allowed only a limited

of a workshop.
For example, in 1572 no mas-
Nuremberg could keep more than a total of four

journeymen and two apprentices. Only when a master
received a royal commission for a work which he could
not complete with four journeymen would he be granted
special permission from the council to employ more
ter in
During the Renaissance, no
distinction
was made
be-
tween Bleie (leads) and the Patronen (models). The
unknown and one
designation plaquette was
finds the
term Patrone (or modello) used for productions of
all
kinds. Patrone^ designates a relief cast in bronze, brass
journeymen on
or iron (and later pewter), either raised (positive) or
production of models the master goldsmith was per-
sunken (negative). The sunken, negative

called a matrix.
Over the
raised, positive
sunken one a thin metal sheet

significant
liefs
example of
this
is
relief
form or
chased.
is
also
into the
The most
technique of embossing
over bronze patterns
is
re-
the Silver Altar in the
The
chapel of the Jagellons in Cracow.*
designs were
developed by Hans Diirer and translated into boxwood

reliefs
were
by Peter Flotner.
cast
From these models, brass patrices
by Pankraz Labenwolf, on which
gelegenheit zugelassen werden
."
.
according
a short-term basis.
mitted to employ an additional journeyman,
occupy a special room.
models and a
The makers
special
work without
unknown
Renaissance. The con-
Protection of designs and ideas was largely
during the Middle Ages and the
cept of copyright protection hardly existed, especially in
On the contrary, print makers
the field of decorative
arts.
and plaquette makers
strove to create prototypes or
Peter Flotner die Patron
.).
For further information concerning the different techniques of

H. R. Weihrauch, Europiiische Brotizestatuetten i^.-i8.
casting see
]ahrhundert (Braunschweig, 1967), pp. 15
These terms were already defined by G. Habich, "Treibarbeiten,"

F.
IV (1927),
pp. 334-
343-
Cracow (Poland) Cathedral, Sigismund Chapel,
Silver Altar,
Johann Neudorfer's Nachrichten von Kiinstlern und WerkNurnberg 1547, hrg. von W. K. Lochner, Wien 1875, S.125:
"Dieser Bayr ist im Treiben, Reissen und grossen Werken von Silber
zu machen beriihmt. Er machet dem Konig in Polen eine ganz
silberne Altartafel,
die
wog
viel Mark. Zu solcher Tafel machet

und Figuren von Holz, aber Pancraz
Labenwolf goss dieselben holzernen Patronen von Messing, iiber

diese messingene Tafeln wurden die silbernen Platten eingesenkt
und getrieben ." (This Bayr was famous in embossing, engraving
and doing big works in silver. He made for the King in Poland an
Altarpiece full of silver, which has the weight of many marks. For
these sheets Peter Flotner did the patron and figures in wood, but
Pancraz Labenwolf cast these wooden Patronen of brass, on these
brass sheets the silver sheets where fixed and embossed
.).
.
1531-1538. See Heinrich Kohlhaussen, Niirnberger Goldschmiede-
kunst des Mittelalters und der Diirerzeit 1240

S.455, Nr.458.
bis 1540, Berlin 1968,
mod-
ff.
Munchner Jahrbuch der Bildenden Kunst, N.

*
be available to him.^
belonging to a guild.
for that occasion
to
guild of coppersmiths, but they could also
leuten,
room had
who would
only the sculptural
of the Patronen sometimes belonged to the
more than four journeymen and

two apprentices working in the same place. However, when another
journeyman is necessary [for striking dies?] or making patronen, he
must be kept apart from the four journeymen in the workshop, in a
room to himself. And when a master receives such a large commission from a sovereign that he cannot complete it with his four
journeymen he will be granted permission by the council to use more
.
He produced
for the
(Henceforth no master will be
permitted to keep for his assistance
However,
Cf. note
I.
Cf. note
I.
INTRODUCTION
for a widespread circle of imitators. Imitation, repeti-
els
were scarcely objected
tion or transformation
these artists
to,
since
were rarely concerned with inventing some-
99
could be richly decorated. Dishes, bowls and cups began

to be
produced in
demand
the
and decorated
sets
for relief models.
in relief, stimulating
The
invention of book
thing truly individual in terms of composition or theme.
printing, too, required the quantity production of dec-
drawings, and
orated book covers; small altars for private devotion as
were
well as jewelry boxes and toilet utensils were decorated
Without qualm, paintings,
reliefs, prints,
and goldsmith works,
occasionally sculptures
more-or-less faidifully copied or adapted to
In the case of large commissions, other
uses.
too,
fit
specific
less
busy
workshops would participate for a while, resulting in the
models and designs. Fre-
dissemination of
further
quently, too, the
workshop
of a goldsmith or that of a
bronze or pewter caster would be sold, mortgaged, or
bequeathed either in
From
its
with
silver panels. It
Nuremberg
carver Peter Flotner (nos. 370-372), who helped form
the Early Renaissance style in Germany. Major centers
of production were established in Nuremberg and Augs-
made
debut with
its
half of the sixteenth century
Nu-
led in the production of plaquettes
and
During the second
valued as collector's items. This can be documented by
principal master, the
its
burg in the sixteenth century.
entirety or in part.
the sixteenth century on, plaquettes were also
in this context that the plaquette
is
remberg
still
The
medals.
tradition so brilliantly initiated
by Flotner
various old collections
which have been handed down,
was continued by Wenzel Jamnitzer and
partially intact, or
can be traced in old inventories.
Hans Jamnitzer. By this time the

significant artists were no longer sculptors or bronze
casters, as for example, Georg Labenwolf (see no. 374),
but rather goldsmiths. While Flotner created relief
still
One
of the
most important extant
collections of gold-
smith models, plaquettes, and designs for goldsmith
work
the
is
\abinett
Amerbach
collection in Basel. This Kunst-
was brought together by three generations,* but
Amerbach (1533-1591) saw himself
only Basilius
At
collector.
the urging of the burgomaster Wettstein,
was acquired in 1661 by the
the collection
and the University of

in the Historical
The Nuremberg
Basel,
and today
Museum and
its
tutes
(1592-1637).
inventory
his
woodcuts, en-
in 1624 consti-
an important source for the knowledge of southern
German
though the representations are
plaquettes, even
only briefly
described
and the whereabouts of the
cisalpine plaquette originated in the early six-
teenth century, at a time
switched from
ware;
this
wooden
when
dishes
nobility
and
and
patricians
cutlery to silver table-
change produced a variety of
utensils
which
The
plaquettes in this collection were published by F. F. Leit,
Strasbourg, 1904.
branches of the decorative
arts,
from Wenzel Jamnitzer's work-
plaquettes produced by this

served.
made
We
workshop have been
pre-
do know that stone and wood models were
primarily during the
first
half of that century,
wax were used which were less

expensive and could be more easily executed. The master
H. G., whom scholarship has identified as Hans Gamwhile later plaster and
nitzer
(Jamnitzer), Wenzel's son, specialized in the
creation of rondels destined as decorations for the central field of silver
same time
in
bowls, the Schalenboden, as did some
Nuremberg and Augsburg. At the

medal made its arrival
as the plaquette, the
Germany from
also
Italy.
Frequently plaquette makers
produced medals. The
stone
first
generation preferred
from Kehlheim and boxwood
models.
Johannes Amerbach (came to Basel from Franconia in 1477,
died there in 1514); Bonifazius, his youngest son (1495-1562); and
his grandson, Basilius.
*
schuh, Flotner-Studien
all
the models preserved
other goldsmiths in
plaquettes are uncertain.*
The
images of small format which could be and were repro-
duced in practically
gold or bronze. Unfortunately, no models for the
son of the same
made
workshop,
contents are
and plaquettes, mainly assembled by Paulus
An
his
his son
shop were almost exclusively used for works done in
Geuder und Behaim
Behaim the Elder (1557-1621) and
name
by
city council
Print Collection there.
patrician family
also possessed a considerable collection of
gravings,
as a
as well as
as
material for
A few stone reliefs by Flotner still exist, and the
masterful execution of these small format pieces
them
show
jewels of
German
Renaissance
a preference for narration,
a fable."
Often a theme
is
art.
They
make
clearly
an "inclination to spin
depicted in several scenes, as a
100
sequential or supplementary pictorial sequence. Typical
of almost
is
all
Renaissance plaquettes with figural scenes
that they have didactic, religious, moral, allegorical,
or symbolic (pictorial) content. Satire

area, too, Flotner's deft pictorial
rare. In this
is
language remains un-
position as well as in execution,
been attributed to Hans Jakob Bayr. Some, such
by Hans Rottenhammer, one of the most impor-
tant painters of this period.
Bayr were
artists at
the end of the sixteenth and the beginning of
the seventeenth century are the Lenckers, Christoph

his son Zacharias, Matthias
Paul
Wallbaum
HUbner" and Hans Jakob Bayr
and
(nos. 383, 384),
(no. 385). Wall-
baum, the Lenckers and some of the other Augsburg

artists
occasionally used the
makes
it
difficult to
same
which
plaquettes,
determine authorship. These work-
shops were very productive, especially Wallbaum's work-
shop in which small house

jewel boxes were
made
altars,
writing cases and
in large numbers.
For such pro-
ductions relief decoration from the workshop's repertoire
were constantly reused. The
silver reliefs so pro-
duced were mounted on ebony casings. Of

this respect
is
interest in
the sequence of plaquettes depicting Pas-
which
as the
signs
Towards the end of the sixteenth century the art of

Augsburg goldsmiths became increasingly important. At the same time Augsburg gradually took the
The most important
Women
of the Sabine
made
lead in the production of reliefs.
tentatively
Rape
matched.
the
which have
on
(no. 385), are based
de-
Rottenhammer repeatedly
He and Hans Jakob
designs for decorative arts."

closely acquainted.
art expert Philipp
Their contemporary, the
Hainhofer, considered Bayr as one of
the four best goldsmiths in Augsburg, and informs us
Bayr and Rottenhammer were drinking com-
that
panions.^^ But such collaboration
goldsmith was not the
by Nuremberg
were made
Nuremberg, primarily prints
rule. Generally, reliefs
Whereas
after prints.
between painter and
in
artists
were transformed into
Augsburg was more open-minded. In

signs used for
models encompassed prints by Nuremberg
and Netherlandish
artists,
reliefs,
that city, the de-
artists, as
well as prints by
Tobias Stimmer, Bernard Salomon, and Etienne Delaune." Compositions by Italian
artists
were popular,
made by the
The Sadelers
especially as reproduced in the engravings
various
members
of the Sadeler family.
copied the works of the most important Italian, Netherlandish,
and German painters and print makers.
During the
last
quarter of the sixteenth century the
Munich
from the
silver
Wittelsbach court in
panels of the altar in the Benedictine monastery in
Lam-
tance both in regard to commissioning and collecting.
sion Scenes (no. 384),
bach, Austria.
We
are casts
can determine their source because
Maximilian
(1597-1657,
the bronze plates reproduce the hallmark of the city of
1623), in particular,
Augsburg and the master stamp
sculptors, painters,
marks warrant the
of
Wallbaum. Hall-
fineness of the silver
and they had
to
be stamped on every detachable part of a silver piece

after
its
completion. But they have no reason to be on a
bronze piece. The inclusion of such stamps on a
cast, as
well as the impression of the mounting holes, are obvious
characteristics
of
secondary
casts.
court.
Among
(who by
Elector from
drew a number of important

casters
and goldsmiths
artists,
to his
was the young Paulus van Vianen
was exexam) and Alessandro Abon-
privilege of the Wittelsbach court
empted from
dio.
Duke of Bavaria;
bronze
these
also increased in impor-
his master's
Van Vianen was one of the truly great master goldmember of an important Netherlandish
smiths and a
Besides the
goldsmith family. In addition to Abondio and van
works from Wallbaum and Lencker workshops, Augs-
Vianen, the painters Hans van Aachen and Christoph
burg plaquette production of the early seventeenth cen-
Schwarz, along with members of the Sadeler family,
tury includes bowl decorations, outstanding in com-
were in Munich from time
^ O. von Falke, "Die Bleiplaketten des Paul Hiibner," Berliner

Museen: Berichte aus den preussischen Kunstsammlungen, 48, 1927,
p. 2 fl, compiled a suggested oeuvre of plaquettes by Hiibner which
are stylistically incompatible. I. Weber, "Bildvorlagen fiir Silberreliefs an Arbeiten von Paul Hiibner und Kornelius Erb, Heute im
Palazzo
Pitti
und im
Britischen
Museum," Mitteilungen des Kunst-
historischen Institutes in Florenz, 14,
1970, p. 352 doubts that

Paul Hiibner himself actually produced any plaquettes.
III,
Around
to time.
1600 Prague was one of the most important
O. Doering, "Des Augsburger Patriciers Philipp Hainhofer

Beziehungen zum Herzog Philipp II. von Pommer-Stettin," Quellenschri}ten, N. F. VI (Vienna, 1896), p. 48.
^2
lief,"
1.
Weber, "Rottenhammer-Entwurf
fiir
ein
Pantheon XXVII, 4 (1969), p. 330.

See Weber, "Bildvorlagen fiir Silberreliefs,"
p.
Goldschmiedere-
329
ff.
INTRODUCTION
Europe, because
artistic centers in
the
was the residence
it
Holy Roman Emperor Rudolf
II.
He drew
of
the best
lOI
Netherlands became an important counterweight to

southern
artistry.
The most impor-
were the brothers
Adam and Paulus
German goldsmith
artists
of his time to his court or gave commissions to
tant representatives
them.
The
van Vianen. Paulus, however, worked primarily in Ger-
conception of the court art of Prague paral-
leled that of the international style
around 1600, nour-
ished by the mainstreams of artistic creation in Italy,
France, the Nedierlands and the art of the
Court
lands.
artists
were not subject to
lations; they frequently
German
craft guild regu-
changed patrons and
locations.
many and
in Prague.
The two Vianen belong
to those
few goldsmiths whose works are largely based on their
own
designs.
We
have numerous drawings by them;
Patronen, too, have been preserved.
The works by these

The pre-
brothers were almost exclusively embossed.
Paulus van Vianen, for example, also worked for the
served plaquettes are mostly casts after embossed silver
Prague court and some
AVB,
also belongs to those goldsmiths who executed their own
of his plaquettes
have been pre-
served.
The
lands
serious production of plaquettes in the Nether-
and
in France developed during the last third of
reliefs.
Arent van Bolten (see no. 397), the master
designs, models, silver,
and plaquettes. The
reliefs
Arent van Bolten have unmistakable individual
by
traits.
While primarily models
for gold-
Typical are the thick-set figures, rendered with lowered
smiths and pewter casters, these plaquettes
(or the
heads in profile or seen from the back, totally absorbed
by the
in their activity or the depicted action, permitting the
Palissy.
viewer no contact with them. Whereas the brothers van
the sixteenth century.
graphic designs
made
for
them) were
also used
enamel painters of Limoges and the ceramicist
The
expulsion of religious dissidents from France and
Vianen embossed
their silver panels in soft, painterly
the southern Netherlands also brought artists to Ger-
representations with
many. One of the most
Bolten's
them was Etienne

Delaune, a Huguenot from Paris, who worked primarily
in Augsburg and Strasbourg during the last ten years of
his life. His prints had a decisive influence on the decorative arts in southern
influential of
Germany
as well as in France.
Frangois Briot, one of the most outstanding pewter

casters of the Renaissance,
made
casts after
gravings. Briot's reliefs were already
Delaune's en-
much
appreciated
by his contemporaries and they were often copied.
Nuremberg pewter
casters Jacob
Koch
II
The
and Caspar
Enderlein, in particular, based their extensive production

essentially
on the
exploitation
and replication of
Briot's
unmatched mastery, Arent van
works are more
Among
sculptural.
the southern Netherlandish artists Francois
du Quesnoy,
in particular, (no. 406) succeeded in find-
ing a style of his

Italian influence
is
own and
in
forming a school. The
unmistakable. During the sixteenth
century Spain had practically no plaquette production

of
its
own, and only
to a very limited degree during the
seventeenth century. Most of the reliefs attributed to
Spain
(cf. nos.
410-416) do not have the character of
models and functioned instead
as
small
devotional
images. Spain was touched by the various kinds of Euro-
pean plaquette production, but
it
exerted no influence.
compositions (see no. 387).
At the end
cally
of
the
sixteenth
century
an
Ingrid
artisti-
extremely fruitful period began in Holland.
The
Translated
from the German by R.
V. West
Weber
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AMP
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E. F. Bange, StaatUche
und
sance
Bange,
DM.
Braun
Berlin:
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W.
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J.
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E. Imbert and G. Morazzoni,
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Konrad Lange, Peter
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1926
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U. Middeldorf and O. Goetz, Medals and Plaquettes from the Sigmund Morgenroth
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102
CATALOGUE
VENETIAN
ITALIAN
Late Sixteenth Century
MODERNO
AFTER MODERNO
or
359
MADONNA OF LORETO
The Madonna, wearing long
Late Fifteenth or Early Sixteenth Century

Moderno
pseudonym for an Italian goldsmidi and

who was active at the end of the fifteenth and
is
seal cutter
beginning of the sixteenth centuries and belongs
among
most important of Italian plaquette artists. There

exists little agreement on the identity of the artist or the
extent of his works that is, the attributed works (see
the
rest-
sits
The
the Christ Child's shoulder.
frontally
the detailed discussion in Pope-Hennessy, p. 42)
358
flowing robes, her feet
on the roof of a church which is seen

laterally and rests on waves. Her knees are turned to the
left; she looks down to the right, where a child rises
from behind the church roof and holds a wreath up to
her. With her right arm, she holds her mantle out around
ing on clouds,
on a pillow on her right knee and points
other child with his
Bronze, 98 x 65
HERCULES AND THE NEMEAN LION
Christ Child stands
left
mm.
to the
hand.
Hole
at top.
1967.20.79
Hercules stands facing
head
left,
forward and
tilted
wrestling the lion which he has lifted off the ground.

right Hercules' club leans against edge
quiver hang from dry
Bronze, 75 x 56
tree.
There are
To
and a bow and
Narrow double
1967.20.19
to a series depicting the exploits
Brescia, Cataloghi i),
Mars and Victory (Bange, no. 466)

belongs to the same series. Pope-Hennessy (no. 161)
gives a description of the main variants. According
to Leeuwenberg and Halsema-Kubes the round version
suggested that
(Kress, no. 161)
is
the
first.
This version
is
standing
found
as
Madonna
End
after
360
430)
of the Sixteenth Century
THE FLAGELLATION
being beaten.
Berhn, Staatliche Museen; London, Victoria and Albert
right
Barbara, University Art Gallery, Mor-
flagellator at left
to a half
is
Two other men
column,
is
frontal, that to the

is
visible
behind
and right. Rods and

whip in foreground. Architectural background; pat-
genroth Collection; Washington, National Gallery of
Vienna, Kunsthistorisches
The
bound
seen from behind, and a third
is
Christ.
and
another
Museum, shows
(Planiscig-Ei-/*?., no.
Christ, his left foot forward,
Other specimens: (bronze) Amsterdam, Rijksmuseum;
Art (Kress Collection)
Still
NORTH ITALIAN
des Arts Decoratifs, Paris 1546.
Museum; Santa
117, pi. 63
thought by
Moderno. The plaquette is

part of the decoration on a box in the Musee
done
of
(Musei Civici di
Vicenza 1974, no.
variant in Vienna, Kunsthistorisches
Heraclea. Leeuwenberg and Halsema-Kubes think the

is
XVXIX
another illustrated in Lobbecke, no. 838.
Molinier (no. 198) to have been inspired by a coin of

present version
Madonna
with another type of the Ma-
F. Rossi, Placchette Sec.
of Hercules. This view disagrees with that of Bange,
who
earlier one,
donna and without the child with the wreath, but including clouds and heads of angels on the floor, which
is in Berlin, Staatliche Museen (Bange, no. 943) is attributed to the style of Sansovino. There are also two
variants of this type, one in the Museo Civico in Brescia,
border.
mm.
This plaquette belongs
several different versions of the
An
Loreto.
Mu-
stand at
left
terned floor.
seum.
Lead, oval, 113 x 93
Bange, no. 474; MacLagan,

no. 316-1889; Planiscig, no. 414; Morgenroth, no.
mm. Hole
at top.
Bibl.: Molinier, no. 198;

p. 35,
245; Pope-Hennessy, no. 161 (variant
ii)
1 967.1 1.
This work
Leeuwenberg,
Jaap and Halsema-Kubes, Willy, Beeldhouw\unst in

het R{j/{smuseum, Catalogue,
Amsterdam
Auction catalog: Lobbecke, no.
is
based on an etching by Egidius Sadeler
after Cavaliere
d'Arpino (L. Bruhns, Wiirzburger Bild-
hauer der Renaissance und des werdenden BarocJ{s,
1973, no. 712.
1^4016^0,
708, pi. 38.
103
Munich
1923, pi. 76).
The
following works
104
reveal
more
bronze
mm.) The
.
Giovanni da Bologna
tomb chapel
for the
Bibl.:
Prague, Kunstgewerbemuseum (Inv.
no. II 923, 168 X 141

circle of
and a reversed
elaborate forms: no. 416
relief in
artist is
p. 125, no. 956, pi. 58.
the Flagellation
in
Genoa 1579-
ITALIAN
85 [Elisabeth Dhanens, ]ean Boulogne, Giovanni Bolo-
gna Fiammingo, Brussels
men:
(lead)
New
1956, fig. 141]).
Another
Late Sixteenth Century (.?)
speci-
York, Coll. Michael Hall, Esq.
363
(sharper)
PIETA
At
the foot of a cross, slightly to
the seated
left,
holds the dead Christ across her lap.
frame of
Sixteenth Century
MADONNA AND CHILD WITH

The Madonna, wearing richly
On
three-quarters to right.
her
left
Mag-
sits
supporting cornice inscribed,
scroll caryatids
HVIVS
scribed,
SAINT JOHN
decorated robes,
10
LANGVORE
SANVTI
SV; base
ANTONIVS PETRASANTA
Bronze, traces of silvering, 130 x 99
facing
mm. Reverse
in-
surface
indicates former use as a pax.
leg she holds the
At lower
left the young

nude Saint John, holding a cross, stands cross-legged and
looks upward. Architectural background.
standing nude Christ Child.
At
Madonna
right, the
dalen kneels, her head resting on her hand. Elaborate
ITALIAN
361
Auction catalogs:
influenced by the
(cf., i.e.,
Luca Grimaldi
of
Bange,
Bardini, pi. 10,353; Lobbecke, no. 841, pi. 40.
1967.20.44
This
relief is difficult to date.
The
proportions of the
awkward. They have far too large hands and

the Magdalen seems to be larger in size and younger in
dress and style than the others. Middeldorf and Goetz
mention another pax in the museum of the Cathedral
figures are
Bronze, traces of
gilt,
mm.
134 x 89
1967.20.36
This
relief is said
by Molinier
to
be Venetian, by Bange
of Pienza with a different frame.
manner of Sansovino. Middeldorf

called it Florentine and wrote "the motif, in the last
analysis, stems from Donatello and Luca della Robbia."
Surely the artist was influenced by Sansovino, but not
so much that it can be said that he worked in his manner.
and Braun
to be in the
Museo
moreover,
;
Braun, Kunst und Kunsthand-
Bange, no. 946; Imbert, no. 24, pi.

Middeldorf-Imbert, p. 152. Auction catalogs: Lob-
beck e, no. 865; Molthein, no.
it
should be mentioned that the frame of our
pax shows the same damage
as the
frame of the pax
in
Berlin.
werl{, 191 1, p. 406;

5,1;
of our pax
relief of Christ
composition seems therefore not to be the original one;
Correr.
Bibl.: Molinier, no. 431
used also for a
Other specimens: (bronze) BerHn, Staatliche Museen;

Venice,
The frame
and the Apostles in

Berlin (Bange, no. 1062) here the frame is organic but
not in the case of the pax, for Magdalen and one foot of
Christ are cut and the heads of the scroll caryatids are
placed awkwardly beside the arms of the cross. This
is
Other specimen: (bronze) Santa Barbara, University

Art Gallery, Morgenroth Collection.
93.
Bibl.: Molinier 2, no. 564
ITALIAN
(without frame); Morgenroth,
no. 310.
Second Half of the Sixteenth Century

362
ITALIAN
SAINT SIMON
A bust of the bearded, bald apostle turned three-quarters

Neck partly bare. In
Narrow raised border.
left.
Bronze, 41 x 41
Late Sixteenth Century
the upper corners, incised, S SI.
mm.
364
ASSUMPTION OF THE VIRGIN MARY

The Virgin Mary on
a half
angels holding a crown.

1 967.11 .7
with hands crossed
Other specimens: (bronze) Berlin, Staatliche Museen;

Munich, Staatliche Miinzsammlung; Oxford, Ashmo-
angels.
lean
Museum.
Christ,
moon, above her head two
Mary
is
draped in a long cloak
and supported by four

Elaborate frame with rondel above with head of
candelabra, columns at the sides, rosettes, volutes,
at her chest
and a putto head below.
365
366
367
368
CATALOGUE NOS.
Bronze, traces of
aged
gilt,
173 x 115
mm. The
frame
is
361-37O
105
who flies toward her on clouds, holding lilies in its right

hand and gesturing to her with its left. Above the angel
a dove descends on long rays. At upper right, a curtain
drawn back. Incised on frame, ARCI CONFRATER-
dam-
at top.
1967.20.54
NITA DELLA S.S^ ANNUNCIATA
NORTH
ITALIAN(?)
Bronze, silvered, applique. Irregular oval frame, 120 x
Late Sixteenth Century or Later
97
mm.
Holes on edge of frame in eight groups of three
each.
VENUS AND PUTTO (CUPID?)
1967.20.86
Bust of Venus, with head three-quarters to
toward a putto who, with
his right
left,
hand on her
looks
shoulder,
ITALIAN(.?)
looks at her from behind. She wears a hairband with one

flower at the top, a cloak over her head and shoulders,
and
hanging from one of two strands of beads.

Stippled background. Around, VE NVS.
a flower
Bronze, dia. 76
369
ASCENSION OF CHRIST
Christ, frontal, with halo,
waist, encircled
mm.
mound on
1967.20.60
and arms extended
at his
by a ring of clouds, floats above a small
top of which are two footprints.
by two male figures
who
look up at
He is flanked
him with arms
ex-
tended toward center. Beaded and molded frame. Above,
NORTH ITALIAN
Phoenix in flames.
Bronze, 134 x 88
Sixteenth or Seventeenth Century
mm.
Reverse fixtures indicate former
use as a pax.
THE VIRGIN IMMACULATE
1967.20.38
The
Virgin, clothed in long robes, stands frontally on a
half
moon. She wears a
by an aureole. Her
hand
open
is
Bronze,
gilt,
at
left
large
crown and
hand
is
is
Location and date are uncertain.
surrounded
at her chest; her right
her side.
GERMAN
applique, 95 x 59
mm. Loop
attached at top.
PETER FLOTNER
(ca.
1485-1546)
1967.11.1
Thurgau, Swit8 August

1523, having apparently come there from Ansbach. He
died on 23 November 1546, in Nuremberg. Flotner cut
Flotner, born presumably about 1485 in
zerland,
ITALIAN
Sixteenth or Seventeenth Century
reliefs in stone
SAINT JOHN THE EVANGELIST
left.
46 x 59
mm. Hole
at top.
1967.20.90
ITALIAN
Series:
ANNUNCIATION
at
lower right kneels facing
and wood, designed

vessels,
architectural details,
decorative
compositions,
the seventeenth century.
Late Seventeenth Century
The Virgin
Nuremberg on
and ornaments. Many of his sketches, like his illustrations and broadsides, were published as woodcuts.
Architectural works and one sculpture are preserved and
certified. Flotner, one of the most many-sided artists of
the Renaissance, belonged to no guild. It is assumed that
he had a period of training in Augsburg and a sojourn
in Italy. His sketches and models were used by goldsmiths and artisans of almost every sort until well into
open
book in his right hand and leans forward toward an
eagle which sits, wings extended, at John's feet to the
elliptical,
citizen of
fountains, furniture,
Saint John, seated reclining in a landscape, holds an
Bronze,
became a
370
left
and
leans
her crossed arms on a prie-dieu. She looks up at an angel
NEW TESTAMENT SUBJECTS
CHRIST
AND THE SAMARITAN WOMAN,
ca.
1530-35
Christ, seated
on
a rock
by a
well, turns
with outstretched
io6
arm toward
the Samaritan
woman,
left,
who bends
An
the well holding a rope attached to a pail.
over
ewer
stands nearby. Far right, a group of persons appears
from the woods. Behind, a
mountain landscape
forested
in mm.
comb,
stretches
two wings
is
among
number from
the
artist's
which Bange ("Zur Datierung von Peter
early period
Flotners Plakettenwerk,"
Braun
dates before 1537.
AMP
3 [1921/22], p. 46ff.)
(p. 29, no. 6) believes that the
composition was taken a second time by Flotner in a

smaller scale to illustrate the Rivius (see
edition, p. 13).
The
Book
3,
1558
plaquette was intended as furniture
applique and used for a small case in bronze (see Lange,
and
a ceremonial
The composition can be found
no. 9).
pi. 6,
cup ("Prunkpokal") by the Augsburg
monogrammist LS from
ca.
1570-80 (Munich, Schatz-
hammer
der Residenz, 1964 Catalogue, no. 576) on

Sieburger flagons ("Schnellen") (M. L. Solon, The An;
cient Art: Stoneware,
London
Other specimens
6).
Museum Mayer van
Antwerp,
(lead)
and on a
1892, p. 99);
medal from Kremnitz of 1554 (Braun, no.
den Bergh; Cologne, Kunstgewerbemuseum (Clemens
London, British Museum; Munich, BayNationalmuseum; Santa Barbara, University

Art Gallery, Morgenroth Collection; (bronze) London,
human head with cocks-
in the air behind. Left back-
mm.
96 x 107
aftercast,
city.
This plaquette
known
is
Great Temptation of
as the
Temptation
Faith, as opposed to another, the Small

Faith.
Weber
(no. 37) has corrected the
name
of
of the
smaller temptation to the Temptation of Patience. This

plaquette
is
dated by Bange
{AMP
in the early period of Flotner

it
probably was done in the
that
late 1530s.
[1921/22], p. 46!!.)
is,
before 1537, but
In a recent publica-
Edward Lucie-Smith and Aline Jacquiot {The

Waging Dream: Fantasy and the Surreal in Graphic
Art, 14^0-igoo, New York 1975, p. 24, no. 51, illus.)
tion by
there appears an illustration of a
the same subject.
It is
woodcut
in reverse after
given no attribution or provenance,
but appears to be a study for or copy after the plaquette.
The woodcut
also contains
more
detail.
Other specimens: (lead) Antwerp, Museum Mayer van

den Bergh; Berlin, Staatliche Museen (lost); London,
British Museum; Munich, Bayerisches Nationalmu-
Collection);
seum;
erisches
(bronze) Munich, Staatliche Miinzsammlung
(gilt);
Paris, Bibliotheque Nationale; Paris, Ecole des
Beaux-
British
politan
and
Museum (late, feeble cast) New York, MetroMuseum (gilt, reworked cast with variations
;
Nuremberg, Germanisches Nationalmuseum;
Arts (Coll. Wasset)

Bibl.:
Lange, no.
inscription).
8;
Bibl.:
Lange, no.
9, p. 124, pi. 6;
Leitschuh, no. 32,
DM., p. 77,
pi. 4;
Morgenroth, no. 358, pi. 26; Clemens Collection, no. 213; DeCoo,
no. 2377; Weber, no. 34,2. Auction catalogs: Lobbecke
Braun, no.
6, pi. 3;
Bange,
no. 2341
Bange, D.M.,
Weber, no.
38.
115, p. 131; Leitschuh, p. 19, no. 85, pi.

p. 79, no. 5689, pi. 6;
ca.
after
1535-40
In front of a mountainous landscape near a church with

sits with bare chest and bent head, raising
arm; a cross lies before her. Four monsters are
tempting her. At the right one of them, a man with
left
wearing a hooded robe, bows from a hole in a

and holds out a sausage to her. Further right an-
glasses
tree
other, a bird with a
mask wearing
appears from a small door in a wall.
cowl and
On
its
slippers,
back rides a
monk, his body clothed in a barrel and wearing scapulary

and cappa. He holds a book in his left hand and the
bird's
neck in his
right.
To
no. 2382;
890, pi.
GERMAN (AFTER FLOTNER)
chapel, Faith
her
DeCoo,
Auction catalogs: Lobbecke, no.
Provenance: Schreiber Collection.
TEMPTATION OF FAITH,
Prague, Kunstgewerbemuseum.
43; Heinrici, no. 158, pi. 19; Rosenheim, no. 764,2.
1908, no. 876, pi. 42; Molthein, no. 196.
371
the fourth monster, a
left,
1967.11.28
This plaquette
on
the
bird(?) having hen's legs and a
Bronze,
1967.11.2
p. 145^.
At
article of clothing.
ground, a bridge connecting two parts of a burning
with buildings.
Lead, 55 x
with woman's head wearing a woman's cap, holds an
Faith's left another, a bitch
1550
PAGAN KING IN A SCROLL ORNAMENT

FRAME
A bearded king in armor, cape, and crown with
fillet
leans
on
his right
with
a spear before a landscape with buildings; in
hand he holds
a saber.
putti, a satyr, a satyr
Around,
scroll
ornament
mask, and flowers.
Bronze, dark patina, buckle-shaped, rounded below,

122 X 80
surface;
mm.
Late cast from an example with pitted
two holes
in
upper portion.
1 967.1 1.
The
depiction of the king
is
based on the
Unknown
CATALOGUE NOS.
King from
the series Die zwdlf dltesten detitschen

Konige by Peter Flotner (Weber, no. 46, 13).
no. 71,2. Auction catalogs: Bardini, pi. 9,235; Lobbecke,
Other specimens: (bronze) Florence, Museo Nazionale,

Carrand Collection; Santa Barbara, University Art
ruary 1921, no. 876,
Morgenroth, no.
Bibl.:
Riechmann &
Co., Halle/S., 23-24 Feb-
Rosenheim, no.
pi. 12;
756, 2-3.
GEORG LABENWOLF
379, pi. 27; Imbert, no. 68, pi. 11,3
(as Venetian, sixteenth century)

p. 154.
no. 885, pi. 43;
Morgenroth Collection.
Gallery,
Middeldorf -Imbert,
(d.
1585)
Auction catalog: Molthein, no. 200.
Bronze
WORKSHOP OF PANKRAZ
LABENWOLF
Pankraz Labenwolf, born
in 1492, belonged to a re-
374
also
made
that
is,
of other
artists, as,
for example,
is
who
is
One
carries
a dog; the others
being chased by two
hunters on horseback follow these dogs
right. All the
hunters wear baggy pants, short
and swords
at their belts.
is
Bronze, presumably a cast from an electrotype of another specimen, 69 x 217
proved in the case of
crowning figures of the columns of the fountain
Nuremberg Town
Two
jackets, caps
mm. Four
holes at the corners.
1967.14.9
close.
courtyard of the
hand and holds
with clubs a rabbit
from the
models
The relationship to Peter

The "Meister des Niirnberger Rathausputto," whose name is unknown, made the wooden
model (Nuremberg, Germanisches Museum) for the
is
Third Quarter of the Sixteenth Cen-
the left three hunters stand around a tree.
strike
the silver altar of Cracow.
Flotner
in 1585.
RABBIT HUNT,
other dogs.
assumed that
Labenwolf made casts only after the sketches and models
for the chased patterns of goldsmiths. It
his father
a spear in his right
a foundry. In his workshop, in addition to important
were
Danube, took over the Nuremberg

Pankraz in 1563. He died in
workshop of
At
whose workshop he had his training. In

1519 he became master; in 1523 he had his own workshop; and in 1537 the city council allowed him to build
stencils
born in Nuremberg, active 1559-63 in
the
tury
the Vischers, in
bronze works,
caster,
Neuburg on
Nuremberg
nowned Nuremberg family of bronze casters. He died

in 1563. His work shows a close relationship to that of
Bange
work
attributes this
to a follower of the
Nurem-
berg bronze caster Pankraz Labenwolf, perhaps his son
Georg.
in the
He
refers to the statuette of a
to shoot in the
Hall, cast in 1557.
hunter kneeling
O. Bondy Collection, Vienna (E.
W.
Braun, "Niirnberger Bronzestatuetten aus der Werk-
von Georg Labenwolf," Ktinst und Kunsthandwer\ 23 [1920], p. i29fT., fig. f. if.).
statte
PUTTI AS MUSES
EUTERPE, ca. 1545
Series:
373
107
371-375
Other specimens Berlin, Staatliche Museen (lost)

Florence, Museo Nazionale (Carrand Collection) New
:
nude putto walks
to the left playing a
shawm; an
organ in right background.

Bronze, 48 x 32
mm.
York, Metropolitan Museum.
Considerably cut.
Bibl.:
Bange DM.,
p. 114, no. 8309;
Weber, no.
292.
1967.11.3
The
series of putti as
muses has been attributed to Peter

it to the workshop of
GERMAN
Flotner. This author attributes
Pankraz Labenwolf,
for instance, to a
man
like Meister
Middle of the Sixteenth Century
des Niirnberger Rathausputto, since seven putti are sim-
nine female muses of Flotner

(Weber, no. 58). In addition, the figures in other examples in the series are inscribed, which is not customary
plified copies of the series of
for Flotner.
the picture
Bibl.:
17;
The
and show
Lange, no.
Weber,
inscriptions are
I,
awkwardly placed on
errors.
31, p. 125, pi. 8;
375
THE JUDGMENT OF
To
PARIS
the right, Paris in armor, his helmet beside him,
sitting
under
a tree to
which
his horse
the three goddesses, Juno, Minerva,
Leitschuh, no. 116,
pi.
"Bemerkungen zum Plakettenwerk von
Peter Flotner," Pantheon 28, 6 (1970), p. 52iff.; Weber,
is
tied; a bird
on
a branch. Before him. Mercury, also in armor, indicating
and Venus, nude,
with his caduceus; two are seen from the front, one from
the back. Before
Venus
in the clouds shoots
lies
an apple. Left, above, Eros
an arrow
at Paris.
io8
Bronze, green patina,
model; some
details
dia. 73
mm.
from the
Cast from a reworked
Four further depictions from this series

are known. Some compositions from the plaquettes occur on pieces for draughts (see Bayerisches Nationalmuseum, Catalog 14, Georg Himmelheber, Spiele Mun.d., p. 98fiF.).
original are illegible.
1967.11.13
This depiction goes back to a woodcut attributed
to Jorg
nich, 1972, nos. 156-58).
Breu the Younger and dated to 1535 (H. Rottinger,

"Das Holzschnittwerk Jorg Breu's d.J.," Mitteiltmgen
Other specimen: (bronze,
des Vereins fiir vervielfdltigende Kunst [1909], no. 56;

M. Geisberg, Bilderkatalog zu: "Der deutsche Einblattholzschnitt in der ersten Halfte des
Munich
On
1930, no. 400).
influenced by the
its
numerous representations
DM.,
BiM.: Bange,
XVI. Jahrhunderts,"
part, Breu's conception
nungen
alter
Meister
Museen, Kat. E. Bock, Die Zeich-
i,
377
steps
(Berlin, Deutsches
Museum
on a bench raised by three

on a two-stage platform breaks a rod in two. Before
him, a figure breaks a single rod while another figure
boxwood
medallion (dia. 82 mm., Berlin, Staatliche Museen) and
an ivory replica (77 x 75 mm., Munich, Bayerisches Nationalmuseum) were dated around 1550, both by Bange
13V).
ALLEGORY OF UNITY
Left, the figure of a father
by Hans Brosamer (A. Frisch, Hans Brosamers KunstBl.
larger
attempts to break a bound bundle of rods at the foot of
To
the platform.
the right stand the sons observing the
demonstration of the strength of unity. In the back-
ground a columned arcade.
Kat. Bange, 1930, p. 74f.,

no. 829) and R. Berliner (Munich, Bayerisches National-
Lead, semicircular top, 53 x 39
museum
1967.11.8
13, 4,
4,
Kat. Berliner, 1926, no.
86, pi. 34).
The
composition exists in some variants, both as a plaquette
and
boxwood
as a
mm.
This scene represents an antique
(Weber, nos. 20103).
relief
fable,
the Rods," transmitted by Babrius
Other specimens: (bronze) Florence, Museo Nazionale

(gilt)
Munich, Bayerisches Nationalmuseum
chased);
Bibl.:
"The Father and

{Babrius Fabeln,
translated by Hertzberg, Halle/S., 1846, p. 24. Dr. Fried-
(gilt,
rich Kobler,
Opava (Czechoslovakia), Museum.
Weber, no.
no.
Second Third of the Sixteenth Century
1921, p. 77, no. 919, pi. 109), as
1878,
Weber,
SOUTH GERMAN
well as one seen on a medallion in a study for a tankard
buechlein, Berlin
p. 105, no. 7088, pi. 20;
of this scene
dated 1536, which closely resembles the plaquette depiction (Berlin, Staatliche
Mu-
209, 5.
drawing by Erhardt Schon,
is
Berlin, Staatliche
is
by Lucas Cranach the Elder. Possibly stimulated by

Breu's composition
gilt)
seen (lost).
Munich,
is
to be
thanked for pointing out
the literary source.) Stylistically, the plaquette

.
is
related
upon the Gesta

the workshop of the so-called
to the series of scenes of justice based
201.
Romanorum,
attributed to
Blattfriesmeister
SOUTH GERMAN
Bibl.:
Weber, no.
(Weber, no. 82).

181.
After the Middle of the Sixteenth Century

376
DANCING PEASANT COUPLE

A peasant couple holding hands stepping
the
man
SOUTH GERMAN
to the right;
Background,
left,
a tree; continuous wreathed border
broken by four bands.

Bronze,
Last Quarter of the Sixteenth Century
with a knife in his belt and a feathered cap.
gilt, dia.
36
378
CRUCIFIXION
Christ on the cross, which stands above a skull and
mm.
Gilding worn; three holes in
edge.
1967.11.20
under
Based on Des Jakres Ende from the
fest
"Das Bauern-
Hans Sebald
Adam, Le Peintre Graveur 8,
W. H., German Engravings,
is
at left
Christ's arms, catching his blood in goblets.
At
the
top of the cross, an inscription tablet.
oder die zwolf Monate," engraved by
Beham
no.
series
mourned by Mary
with outstretched
hands
clasped. Both
hands and John on the right with
have halos and look at each other. Two angels hover
bones,
in 1546 (Bartsch,
160;
Etchings,
Hollstein,
F.
and Woodcuts, iôo-iyoo,
3,
Amsterdam,
Bronze,
aftercast,
top.
1967.20.50
molded frame,
no
x 83
mm. Hole
at
CATALOGUE NOS.
and Lyons (1588-89). He was the father of

Alessandro Abondio, born about 1570, who was court
sculptor of Rudolph II from 1606 to 161 2 in Vienna,
Prague, and Innsbruck. From 1632 to 1645 he was active
Bange and Middeldorf view this as a German work

from the middle of the sixteenth century. Middeldorf
rejects the thesis of
Morazzoni,
who
calls
it
(1585),
"maniera
Braun has attributed an altar, formerly

in Vienna, Auspitz Collection, which shows this Mary
transformed to Hilaria with a palm branch in the right
wing, to the so-called Augsburg plaquette workshop.
Braun dates the works from this shop certainly too
del Sansovino."
early
to
the middle of the sixteenth century.
The
use
on the Liber Aureus from Pfafers of 1590

(St. Gallen, Staatsarchiv Pfaferser Archiv; D. F. Rittmeyer, "Der Kirchenschatz des einstigen Klosters Pfafers und die Kirchenschatze in Sarganserland," S5.
of this relief
Neujahrsblatt, Historischer Verein St. Gallen, 1945, p.

18, pi. 2, fig. 5) gives a "terminus ante quern"; that is, the
group must date from the

century.
The
Maximilian
in the service of Elector
of Bavaria.
rounded form to numerous bells, which are dated

from 1592 to 1779 (S. Thurm, Deutscher Gloc\enalas,
lar or
Wiirttemberg und Hohenzollern, Berlin/Miinchen 1959,

no. 633b, fig. 77a; Bayerisch-Schwaben 1967, no. 408, fig.
948 and 972a,
fig.
177; Mittelfranken
1973, no. 672).
379
TOILET OF VENUS,
ca.
1587
A bust of Venus, her head turned slightly to the left, her

breasts exposed
and a pearl earring
in her left ear. Be-
hind, a servant holds a braid by a cloth out to the right;

a second servant on the left, partly cut off by the border,
combs her hair. At the right. Amor embraces the goddess
and raises a mirror with his left hand. Above, the artist's
monogram, AN AB (superimposed).
Lead, oval, 93 x 72
mm.
1967.20.42
An
example
Amor
at the
Museum
National
in
Other specimens: (lead) Nuremberg, Germanisches Nationalmuseum; Stuttgart, Wiirttembergisches Landes-
rounded off at top) (bronze) Berlin,

Museen; London, Victoria and Albert Museum; Munich, Bayerisches Nationalmuseum; Madrid,
Lazaro Collection. In addition, the flanking figures also
(partly
Staatliche
exist independently,
deutscher
(1920/21), p. 83f.; Bange,
ha
Coll.
Braun, E. W., "Aus der Slg
Renaissanceplaketten
DM.,
Lazaro de Madrid
2,
in
BNM,"
AMP
p. 104, no. 1475, pi. 19;
Madrid
1927, p. 276, no.
782; Imbert, no. 27, pi. 5,5; Middeldorf-Imbert, p. 152;
Weber, no. 381,1. Auction catalogs: Heinrici, no. 170, pi.

16; Cahn, Frankfurt/M., 2 March 1926, no. 1728, pi. 27.
ANTONIO ABONDIO
Museum
in
Vienna (Habich,
Schaumunzen 2, 2, p. 485, fig. 503a) a lead cast in

Nuremberg, Germanisches Museum (Fiala, E., Antonio
Abondio, Prague 1909, no. 87, pi. 9, 4). Habich (Ibid.,
p. 507) mentions a variation: an oval model (in stone?
ex
Abondio was apparently born in Riva in 1538 and died

on 3 May 1591, in Vienna. This medalist and wax embosser worked 1565-66 in Innsbruck for Ferdinand II
and on i June 1566 became Imperial "Konterfetter" in
Rudolph
II,
Abondio
II.
settled in
From
1576 active for
Prague in
1580. Journeys
him to the Netherlands (1566), Pressburg (1569),

Munich and Augsburg (1572), Graz (1575), Italy
took
Felix
Collection,
1896, no. 910) as
seventeenth century.
Catalogue Heberle,
an imitation dating from the
A drawing by Paul Zeggin, done in
Munich
in
is
at
Graphisches
the
Sammlung
(Nagler, G. K., Kunstlerlexi\on 22, 1852, p. 280; same

author.
Die Monogrammisten, Munich
1858, 4, no. 3416)
Other specimens: (lead) Basel, Historisches Museum;

Budapest, National
Museum; Hamburg, Museum
fiir
Kunst und Gewerbe; London, Victoria and Albert

Bayerisches Nationalmuseum; Nuremberg, Germanisches Nationalmuseum; Prague,
Kunstgewerbemuseum; Stuttgart, Wiirttembergisches
Landesmuseum; Vienna, Kunsthistorisches Museum;
Museum; Munich,
(bronze) Basel, Historisches
Prague
the service of Maximilian
Felix:
coll.
Cologne
Museum.
Bibl.: Molinier, no. 355; Fiala, E.,
(i538?-9i)
is
can be found on a cabinet of Rudolf the Second
at the Kunsthistorisches
161 8,
Budapest
A detail in gilt gypsum depicting Venus and
dated 1587.
G.,
museum
He
died in 1648.
quarter of the sixteenth
last
plaquette was attached either in rectangu-
127, no. 754; 294;
376-379
Antonio Abondio,
1909, p. 47, no. 86, pi. 9,3; Planiscig, no. 459;
MacLagan,
p. 45, no. 5412-1859, pi. 12;
Weber, no.
650.
Auction catalogs: Frank Collection, Cubasch, Vienna,
Riechmann &
Co., Halle/S.,
1913, no. 434, pi. 16;
Cahn, Frank-
18 January 1904, no. 956;
Catalog
6,
12
March
furt/M., Catalogue 37, 7-9 March 191 8, no. 69; Riechmann & Co., Halle/S., Catalog 17, 22-23 February 1921,
no. 789, pi. 10; Collection
23
March
191
1,
Lanna
no. 304, pi. 25.
II,
Lepke, BerHn, 21-
no
ANTONIO ABONDIO
Staatliche
(Follower of?)
380
PIETA WITH ANGELS,

In a landscape,
Mary
under the
sits
her Christ's body, which
on
lies
BibL: Molinier, no. 565; Bange, DM., p. 137, no. 1476,

pi. 34; Weber, no. 662. Auction catalogs: Faure Coll.,
1600
ca.
22-23 September 1913, Hamburger, Frankfurt/M., no.

693, pi. 20; von Parpart, no. 728; Cahn, Frankfurt/M.,
cross holding before
a cloth held by
two
23 October 1912, no, 132.
angels.
A. Bronze,
Cut
Museen; Munich, Bayerisches Nationalmu-
seum.
from
cast
a reworked model, 80
x 58
mm.
at left.
JAKOB KROMER
1967.32.2
(Attributed to)
B. Bronze, silvered, reworked, 81 x 64
aged, traces of fastenings
on the
mm.
Edges damGoldsmith in Uberlingen, was guild master in
reverse.
1967.20.51
Bange and Frederiks {Dutch Silver i. The Hague,

1952, no. ii7d) compare this lamentation to the series of
passion scenes by Arent van Bolten (see no. 397). Composition is based on an Italian model and exists in several
variations. The model could either belong to the circle
of or, better, to a follower of the Abondio workshop.
active for the Fiirstenberger family,
On
Other specimens: (lead) Cologne, Kunstgewerbemuseum; (bronze) Baltimore, Walters Art Gallery; Basel,
Museum;
Historisches
Staatliche
Berlin,
Rome, Palazzo Venezia;
(silver) Brescia,
382
CHRIST SURROUNDED BY ANGELS,

Christ, half-length,
is
Over
up
in blessing
Bronze,
gilt,
Civico.
1889, no. 257;
Bange,
DM.,
civici di Brescia, Brescia
p. 132, no. 5955, pi. 30;
ca.
1600
among which
depicted in clouds,
and
his left rests
88 x 71
his
garment, he
on an orb.
mm. Cast from
top; this specimen extends
BibL: Rizzini, Illustrazione dei
until
wears a cloak clasped in front; he holds his right hand
Museen;
Museo
and from 1584
1599 for the cloister in Salem.
are the heads of eight angels.
Weber, no.
1601.
5 January 161 1, because of his advanced age, he was admitted into the Uberlingen hospital. In 1575-76 he was
model with rounded

beyond the design on top and
sides.
1967.11.16
658.
similarity between this plaquette and the God Surrounded by Angels, which G. Habich attributes to Jacob
The
Kromer {SchaumUnzen 2, i, p. 449, fig. 464), suggests

that the work was created in the same workshop. A
ANTONIO ABONDIO
(Circle of.?)
Munich,
381
PIETA
Mary
ca.
variation by another artist
sits at
body
and holds both
right and left each
the foot of the cross holding Christ's
arms
a lead specimen
in
Munich (with
BibL: Weber, no. 471.
MATTHIAS WALLBAUM
hold one of Christ's arms. Landscape behind.
mm.
dia. 78
Molthein Collecis
encircling him,
of his arms with her hands. Angels at
Bronze,
in the
There
in the Bayerisches Nationalmuseum
rounded top).
WITH ANGELS
across her lap, her
was
tion (Molthein, no. 413, pi. 33).
1600
(1554-1632)
1967.20.92
from 1579
became
master there in 1590 and married. He died on 11 January 1632. Wallbaum was one of the most productive
Augsburg goldsmiths of the late Renaissance. He undertook the management of a great workshop, in which
were produced works from sketches and models of several of its members and also of artists who were active
Born 1554
This type has
its
Bange, no. 945,
origins in Italy (compare, for example,
pi. 97).
Many
variations exist (see nos.
380 A,B above), each differing only slightly from the

others.
A stylistic relation to the work of Antonio Abon-
example the Venus (F. Dworschak, Antonio

1958, p. iii) suggests an origin in the
or imitators of Abondio.
dio, for
Abondio, Trento
circle
Other specimens:
Basel, Historisches
Museum;
Berlin,
as a
in Kiel,
Wallbaum
is
referred to
goldsmith apprentice in Augsburg.
outside the workshop.
He
CATALOGUE NOS.
SOUTH GERMAN (AUGSBURG)
383 Series:
1600
catalogs: Helbing,
THE PASSION OF CHRIST
449.
CHRIST BEFORE PILATE
A.
In the middle stands Christ with

in a loincloth, purple robe
the
mock
Pilate
sits
AUGSBURG
bowed head,
on
dressed
bound hands. On the

throne under a canopy. Near him
To
stands
A.
EVENTS FROM THE LIFE OF CHRIST

ANNUNCIATION
An
angel kneeling on a cloud and holding a
384 Series:
left
mm.
Lead, oval, 57 x 43
Wallbaum
Beginning of the Seventeenth Century
right,
and behind Christ stand

three armed men. In the background, an arcade.
the
Circle of Matthias
and crown of thorns, holding
scepter in his
a bearded elder.
pi. 84; Weber, no. 400,3. Auction

Munich, 20-22 December 191 7, no.
Bange, no. 1043,
Bibl.:
ca.
III
museum; Munich, Staatliche Miinzsammlung; (bronze)

Berlin, Staatliche Museen (rectangular).
Wallbaum Workshop
Circle of the
380-384B
down from upper
1967.11.21
left to
Mary,
who
lily
sweeps
kneels at a prie-
dieu and turns around in fright at the angel's appear-
The back
of the prie-dieu
shows an opened door.
This plaquette and the next one, as well as Crucifixion
ance.
and Resurrection
Above and behind the angel flies the dove of the Holy
Spirit. At the left, a cat lies curled in front of a table on
scenes,
belong to a Passion
Despite different sizes and a disparity in
series.
style,
the
plaquettes can be assigned chiefly to the workshops of
which
Augsburg goldsmiths, particularly Matthias Wallbaum.

Habich ("Beitrage zu Antonio Abondio," AMP i
[1913/14], p. 105) recognized that the Christ figure was
derived from a medal by Abondio (Fiala, E., Antonio
Abondio, Prague 1909, 4, 7) and on that basis attributed
our plaquette to Abondio. What is more likely involved
here are models of an Augsburg workshop drawn from
bed.
graphic prototypes by
artists
of various regions. This
is
Bronze, 92 x 68
sions of
Behind the Virgin, a canopied
a breadbasket.
two
mm.
Aftercast; there are faint impres-
seals at the
bottom.
1967.15.1
The
comprising sixteen plaquettes, was complete

Walcher von Molthein Collection (Braun, nos.
series,
in the
177-90, pis. 55-58; Molthein, nos. 420-35, pi. 32). Since
few examples show
view of the
city of
Augsburg
plaquette was also employed on a gilt silver locket by
Johann Belitz from 1620 (Museum
(Rosenberg, Die Goldschmiede Mer\zeichen, Aufl.
fiir
Kunsthandwerk,
I,
Frankfurt/M., Linel 801).
Other specimens: (lead) BerHn, Staatliche Museen;

nich, Bayerisches
Bibl.:
Bange,
Weber, no.
Mu-
Nationalmuseum.
DM.,
p. 128, no. 8507, pi. 28 (as no. 5807)
400,1.
no. 132) and the hallmark of Matthias
{Ibid., I, no. 148), these

liefs
which were used
example, in the
PIETA
WITH PASSION SYMBOLS
Mary sits on a grassy mound beneath the cross, head

bowed. She holds with both hands the body of Christ,
which leans on her with outspread arms and sunken
head.
Hanging on
or leaning against the cross are the
Passion symbols: scourge, spear, tongs, crown of thorns,

ladder,
hammer, sponge and
Lead, oval, 57 x 40
rod.
connection with the preceding one.

(lead)
series
to
"Master of the Passion."
Other specimens: (bronze) Rome, Palazzo Venezia;
Rome, Vatican.
Bibl.:
55;
the
Braun, E. W., "Zur Ausstellung der Plaketten-
sammlung Walcher von Molthein," Kunst und

handwer\ 14 (1911), p. 411, fig. iiff.; Braun, no.
mm.
This widespread Pieta type is of Italian origin. Bange

gave this plaquette to an Italian artist, while recognizing
Other specimens
silver altar of
casts after silver re-
Wallbaum workshop, for

the Monastery at Lambach
Bange (p. 121, no. 7651) and, later, Bernhart suggest

more artists and various dates of origin. The wide
variety of styles of the compositions derives perhaps from
the use of designs from different periods and workshops.
1967.11.9
its
must be
in the
Munich, Bayerisches National-
3,
Wallbaum
{Osterreichische Kunsttopographie 34, [1969], p. I52ff.).

Braun, since he could not identify the master's mark,
attributed
B.
Weber, no. 412,1. Auction
Ktinst177, pi.
catalogs: Heinrici, no. 177;
Molthein, no. 420.

B.
At
THE ADORATION OF THE MAGI

the right in front of the stable
sit
Mary, with the
112
Christ Child on her lap, and Joseph, leaning on his
In front of the
rate vessels.
Holy Family, the
three
One, kneeling in the
Magi with
center, holds his gift
out to the Child; the others stand at right and
dog;
right, a
upper
at
left,
row border on
left side.
Bronze, 94 x 71
mm.
staff.
elabo-
left.
At
the Star of Bethlehem. Nar-
on
Narrow
wall.
Bronze, 98 x 75
mm. Two hallmarks
at
bottom.
1967.15.5
Below, two
Other specimens Augsburg, Stadtische Kunstsammlun-
seals in the cast.
1967.15.2
Museum
fiir
Kunsthandwerk; Inns-
bruck, Ferdinandeum; Munich, Bayerisches National-
Another specimen: (lead)
Berlin,
Staatliche
Museen
(lost).
museum;
Santa
Barbara,
Art
University
Gallery,
BibL: Bange,
DM.,
Weber, no.
p. 140, no. 7650, pi. 25;
412,3.
Auction catalogs: von Parpart, no.
(lead)
704, pi.
16
Molthein, no. 422.
BibL: Braun, no.
Weber, no.
Morgenroth, no.
183, pi. 56;
412,9.
392, pi. 28;
Auction catalogs: von Parpart, no.
709; Heinrici, no. 181; Molthein, no. 427; Dirksen Coll.,
Lepke, Berlin,
cat. 2042,
28 April 1931, no. 330,
pi. 53.
THE LAST SUPPER
Christ and the twelve apostles
columned
in a
against his chest,
hall.
and
around
sit
round
blesses
with his
left
On
table
who
Christ embraces John,
of the table, a pitcher in a basin.
Bronze, 93 x 68
mm. Two
hand. In front
the right wall, a
hallmarks barely visible at
bottom.
CHRIST BEARING THE CROSS
In the
foreground Saint Veronica kneels and holds
left
out her veil to Christ,
Two
up the base
with
BibL: Braun, no. 181,
Molthein, no. 425; Bange,
DM.,
p. i36f.
man
with
In the background, a city gate
through which a group of
by two cavalrymen, leaves the
looking toward an angel
who
Peter at the
Bronze,
x 67
aftercast, 91
soldiers, led
city.
mm.
Frankfurt/M.,
(bronze)
Museum
fiir
Kunsthand-
werk; Leningrad, Hermitage.
holds a goblet and
hovers in clouds at upper right. In the foreground three
James
portcullis,
left.
Other specimens: (lead) Kafbeuren, Heimatmuseum;
In a landscape, Christ kneels at center rear on a rocky
in the center,
Behind Veronica
of the cross.
1967.15.7
ON THE MOUNT OF OLIVES
disciples lie sleeping
has collapsed under the cross.
pi. 56;
catalogs: Heinrici, no. 180;
CHRIST
Weber, no. 412,6. Auction

von Parpart, no. 708, pi. 16;
who
one of them stepping on Christ, beat him

with a whip and a rope, while Simon the Cyrenian takes
soldiers,
basket runs to the
1967.15.4
hill,
F.
lies
candelabra.
D.
right
borders.
gen; Frankfurt/M.,
C.
and cloak; at the

and an hourglass on the
the floor are a whip, rod, cane,
a dog. Above, a curtain
left
with a sword, John
at right in front of a tree.
Narrow
184, pi. 56; Weber, no. 412,11. Auction

von Parpart, no. 712/13, pi. 16; Molthein, no.
BibL: Braun, no.

catalogs:
430-
borders indicated.
Bronze, 97 x 69
mm. Two
hallmarks visible at bottom.
G.
ENTOMBMENT
Two men
1967.15.3
carry the
open tomb
Other specimens: Munich, Bayerisches Nationalmuseum; Rome, Palazzo Venezia.
catalogs:
Riechmann &
February 1921, no.
E.
pi. 56;
Weber,
no. 412,7.
Co., Halle/S., cat.
Auction
18,
24-25
834, pi. 11; Molthein, no. 426.
CROWNING WITH THORNS
A man
holding staves presses the crown of thorns onto
who sits on a pedestal facing halfFour other men mock him. In the left foreground
at
body of Christ on a
lower
left.
At
the right
cloth
toward an
Mary Magdalene
kneels next to her ointment jar and a small basin and

anoints Christ's
left
Mary and John. In
hand. Behind Christ, the mourning

the background a landscape and
houses; in the sky a half-moon.
Bronze, 96 x 70
mm. Two
Narrow
border.
hallmarks at bottom.
1967.15.8
Another specimen:
New
York, Metropolitan Museum.
186, pi. 57; Weber, no. 412,13. Auction

von Parpart, no. 716/17; Molthein, no. 432.
the head of Christ,
BibL: Braun, no.
right.
catalogs:
CATALOGUE NOS,
THE RESURRECTION OF CHRIST
H.
Christ,
cover of which
Narrow
held by two angels.
is
whom
four soldiers, of
flee.
in the Louvre, Paris.
two
hammerzeichnungen
the tomb,
and one
are seated
tries to
cipolorum Prof.
mm.
field of the
Lambach
Altar, a bronze plate
(bronze)
Nationalmuseum (Inv. No. 70/57),

and a few Augsburg and Nuremberg epitaphs are executed after the same design with the addition of two
The
Hans Jakob Bayr is
Other specimens Berlin, Staatliche Museen
(lost)
Art Market.
Braun, no. 150, pi. 43; Morgenroth, no. 424; I.
Weber, "Rottenhammer-Entwurf fiir ein Goldschmiederehef," Pantheon 27, 4 (1969), p. 328F.; Weber, no.
781. Auction catalogs: Rosenheim, no. 792, pi. 40; Mol-
Bibl.:
Len-
ingrad, Hermitage; Santa Barbara, University Art Gal-
Morgenroth
Collection.
Braun, no.
1934, pi. 25;
Opava (Czechoslovakia), Museum; Santa
Barbara, University Art Gallery, Morgenroth Collection;
sleeping soldiers at the right.
rici,
Miinzhandlung
thein, no. 527;
189, pi. 58;
Bange,
Morgenroth, no. 393,
DM.,
pi. 28;
p. 140, no.
October 1934, no. 549,
Basel, Basel, Catalog 2,
pi. 19.
Weber, no.
Auction catalogs: von Parpart, no. 718/19; Hein-
SOUTH GERMAN
no. 183, pi. 11; Molthein, no. 433.
ca.
HANS JAKOB BAYR
386
1600
bearded old
right, a
man
with
and cloak trimmed with fur leans on

Bayr, born 1574 in Augsburg, became master there
Few works
of his are preserved.
He
made
important, the monstrance
One
died in
of the most
for the Cathedral of
Eichstatt at the order of the Eichstatt Prince-bishop
Johann Konrad von Gemmingen, is only known from a

drawing after it. Bayr was a friend of Hans Rottenhammer, who made sketches for him.
RAPE OF THE SABINE WOMEN,

In a broad place, on the
and a triumphal
left
arch, the
of
1967.11.22
This figure
not yet
or
nude or
warriors can be seen
The Romans
are in armor
and a helmet. In the right
with flags, lances and a stan-
clad only in a cape
background, several riders
dard; on the architecture at
Bronze, reworked
aftercast,
left,
banners.
dark patina,
is
clear,
tended; perhaps an apostle or
from an adoration scene
mm.
1967.11.17
relief exists as a
ornaments and
plaquette with two different border
as the
bottom of
a silver vessel, this last
in-
shepherd
likely a
depicted.
(1560-1633)
Stone cutter and pewter
June
caster, Enderlein was born in

and became a pupil of Hans FridIn 1583-84 he settled in Nuremberg
1560, in Basel
rich there in 1574.
and became apprentice
to Melchior
Koch
III.
In 1586 he
passed the examination for master, under Jakob

II,
dia. 143
is
more
It is
is
CASPAR ENDERLEIN
Koch
married and became a citizen of Nuremberg. Ender-
lein
was master
of the guild
from 1603
to 1606
and from
He
died on 19 April 1633. He worked to a

great extent after the models of Frangois Briot, who, in
1613 to 1616.
This
one of numerous related examples.

however, exactly what personage
1605-10
which stands a collonnade
Roman
abducting the Sabine women.
ca.
mm.
Bronze, dark patina, cut-out silhouette, height 202
Left foot and portion of base Hne broken off; eight holes.
ATTRIBUTED TO HANS JAKOB BAYR

385
cap
close-fitting
a staff.
and
married in 1604. In 161 6 he was "Vorgeher" of the goldsmiths' guild, in 1622 "Geschaumeister."
(.?)
STANDING ELDER
Facing
(1574-1628)
1628.
Dis-
possible.
in the Bayerisches
412,14.
Album
1963, p. 74ff., fig. 5).
Other specimens: (lead) Amsterdam, Rijksmuseum;
The middle
Bibl.:
J.
G. Gelder,
creation of the relief in the studio of
1967.11.5
lery,
considered
den Uffizien," Orbis Artium,
in
Utrechtse Kunsthistorische Studien VII;
border.
Bronze, 93 x 66
drawing in the UfEzi, Florence,
the prototype (Ingrid Jost, "Drei unerkannte Rotten-
open grave, the
Around
Hans Rottenhammer, can be
attributed to
wearing loincloth and cloak and holding the
victory banner, floats in clouds above the
384C-386
turn,
worked very much
after the graphic
Etienne Delaune. Enderlein
made
his
models of
models
not, like
114
Solnhofner stone. This smooth
Briot, in copper, but in
torso,
hat and cape, supporting himself with his right
Hmestone was preferred by the Nuremberg carvers of the
hand on
Renaissance for their models.
Magdalene,
ointment
Century
(After Francois Briot)
who
jar.
right, trees.
First Quarter of the Seventeenth
With
a spade.
hand he warns away Mary
In the background
a balustrade; at the
left,
mountain landscape
distant
with houses and clouds. Narrow border

Bronze,
gilt,
83 x 64
(cast in) extends
THE FOUR WORLD-MONARCHS

ALEXANDER THE GREAT
his left
kneels to the right. Between them, an
mm.
Hole
indicated
is
strip.
at top; a surface crack
through the lower quarter.
Series:
387
1967.11.12
The emperor sits in armor upon arms and trophies at a

sea. At left, a four-headed dragon. The monarch holds
the staff of command in his right hand, in his left a
ram. In the back-
fluttering flag with the insignia of a
ground, buildings on the shore;
god
at left above, a
in the clouds. Inscription below:
wind-
ALEXANDER-
MAGNVS.
Lead, 71 x 100 mm. Molded border, rounded tab at top
with hole drilled through. Cast from the rim of a
plate(?), with the border added, since the field
zoidal, the inscription cut,
is
and the lower corners
With
same graphic prototype as the relief

or DGI, in the Kunstgewerbemuseum, Berlin (Pechstein, no. 237). The modeling of our
specimen is finer. Another variant of the relief, with a
by the Master
bronze frame,
Century
TWENTY-FOUR SCENES FROM

METAMORPHOSES
A. PAN AND SYRINX (Met. 2, 697-705)
389 Series:
MarsSchiissel of Frangois Briot, produced
und das Edelzinn, Leipzig
Briot,
Caspar En-
1897, p. 50!?., pi. 24;
Ulrich Haedeke, Zinn, Brunswick 1963, p. i66ff.). The

series occurs on a butcher's guild tankard from Joachimsthal, in the
in
447).
around 1600 (Hans Demiani, Francois
work
in the Ciechanowiecki Collection, Lon-
SOUTH GERMAN
filled
representations of this series are patterned after the
derlein,
is
Bibl: Weber, no. 783 A.
trape-
1 967.1 1. 10
so-called
DG,
don (Houston, no.
with ornamentation.
The
the exception of an altered background, this com-
position follows the
Museum
fiir
Kunsthandwerk
in Dresden, a
pewter of the Joachimsthal metalsmith Christo-
pher Diirr in 1565 (Haedeke,
Ibid., p. 239, fig. 201).
plaquettes were also aftercast by

for pewter sandvessels
Other specimens:
Nationalmuseum;
(lead)
cit.,
Syrinx, garments fluttering, flees into a stream filled
with rushes, which are embraced by the pursuing Pan.
On
the
and
a tree.
Bronze,
p. 55, pi. 13,3).
Nuremberg, Germanisches
Paris, Private Collection; Stuttgart,
gilt,
and
a bridge
71 x 127
architecture; to right, reeds
mm. Hole
in area of reeds.
1967.16.10
This
Posen, National
Museum.
series of plaquettes
was presumably mounted,
per-
haps on a cabinet. Besides those described here and below, other depictions from the series are
Transformed
Crow
known:
Cori-
496-507) and
Aeneas Rescuing Anchises from Troy (Met. 13, 623nis
Wiirttembergisches Landesmuseum;
left,
The
German metalsmiths
(Demiani, op.
OVID'S
into a
(Met.
2,
which with other specimens from this series are

mounted on a cabinet (now in the Bowdoin collections,
25),
Bibh: Neuerwerbungen des Germanischen Nationalmuseums, Nuremberg, 197071, p.

3.
Auction catalogs Thewalt

:
i79ff.;
Coll.,
Weber, no.
748,
Lempertz, Cologne,
414 November 1903, no. 1216; Lobbecke, no. 923, pi.

46; Cat. 104, Dupriez, Brussels, 31 January 1912, no. 456.
SOUTH GERMAN (AUGSBURG.?)

First Quarter of the Seventeenth Century
388
underneath a
tree,
lief,
A gilt
copper
Daedalus and Icarus, also in the Bowdoin
tions (Acc. no. 1970.28; 70
re-
collec-
X 122 mm.; Weber, no. 861),
could be modeled after a further example of the
series.
A later adaptation based on the series
relief,
also
from the Molinari
Nessus (Met.
9,
125-30; Acc. no.
mm.). This specimen
is
bronze
Collection, Hercules Slaying

1 967.1
6.9;
in galvanic gilding
based on an older prototype
NOLI ME TANGERE
Left,
Acc. no. 1972.70; see Weber, no. 860).
Nessus
is
is
72 x 127
perhaps
mistakenly de-
picted with a female head. Several of these motifs appear
stands Christ with bared upper
to derive
from woodcut
illustrations
by Virgil Solis
for
CATALOGUE NOS. 387-389H

Ovid's Metamorphosen, printed in 1563 by Feyrabent in
Frankfurt (see no. 389I). In turn,
many
of Solis's cuts
appear to be direct copies of those attributed to Bernard
Salomon, which
appeared in La Metamorphose
first
d'Ovide Figuree, de Tournes, Lyons 1557 (see no. 389G)

Bibl.:
B.
Weber, no.
860,1.
by Phaeton,
which was taken from
who
left,
of the
wooded river landscape are high mountains and

building in the antique manner.
right, a
Bronze,
gilt,
72 x 128
mm.
2,
Weber, no.
860, 5.
304-24)
his father
Phoebus
F.
ARKAS KILLING CALLISTO AND THEIR
APOTHEOSIS
(Met.
2,
horses and wreckage. Left, the sun; in the background,
and houses.
Arkas, the son of Callisto, stands dressed as a hunter on

the right, aiming an arrow at his mother who has been
transformed into a bear.

Bronze,
gilt,
72 x 126
mm. Hole
at
upper
left.
1967.16.2
Another specimen: (bronze) Munich, Private Collec-
Bronze,
tion.
C.
860, 2.
THE HELIADES
gilt,
72 x 128
left,
Arkas and
Callisto,
on the
mm.
Bibl: Weber, no. 860,
(Met.
2,
340-66)
Heliades, sisters of Phaeton, stand in a forested
river landscape before the

their upraised
sarcophagus of their brother;
arms are being transformed into branches.

is being embraced by her
the right, one of the sisters
mother, Clymena. Also right, two swans on the river;
on the
far shore, a
Bronze,
gilt,
mountain.
72 x 129
mm.
Bowdoin
G.
DIANA AND ACT AEON
At
the
left,
Diana and
(bronze,
gilt,
cabinet-mounted)
collections, Acc. no. 1972.70.
Weber, no.
three
(Met.
nymphs
3,
143-95)
stand nude in a
fountain pool, the water of which flows through the
mouth
of a
mask
into a stream.
Actaeon approaches
from the right, arms outstretched, with antlers sprouting

from his head and followed by two dogs. In the background a large growth sprouts from stony ground; at
Bronze, reduced
Another specimen:
6.
the right, trees.
1967.16.13
Bibl.:
the
1967.16.17
Weber, no.
The nude
On
On
apotheosized, are in the clouds under the Zodiac;

right, trees.
Bibl.:
49^507)
into the River Edrinus with the
falls
the shore with hills
into a bear; in the background,
formed
Bibl.:
(Met.
the right, Jupiter in the clouds hurling a thunderbolt
at the chariot
the right by a stream, Callisto trans-
1967.16.6
THE FALL OF PHAETON
On
To
in supplication.
on the
left
aftercast, gilt, 72
x iii
mm. The nymph
cut off in part.
1967.16.11
A horizontal adaptation of a composition which follows
860, 3.
woodcut illustration attributed to Bernard

Salomon in Les illustres observations antiques du seigneur Gabriel Symeon Florentin, Lyons 1558, p. 97,
which in turn first appeared among Salomon's illustrations to his 1557 Ovid (see no. 389A).
that of a
D.
JUPITER SEDUCES CALLISTO
(Met.
2,
425-33)
In a glade, Jupiter in the guise of Diana embraces the
bow;
struggling Callisto; near her lays her
two hounds;
Bronze,
gilt,
to the left,
in the distance, a river.
74 x 129
Another specimen
mm.
1967.16.15
Bibl.:
Another
specimen:
Bowdoin
Bibl.:
Weber, no.
(bronze) Berlin, Kunstgewerbemu-
seum.
(bronze,
gilt,
cabinet-mounted)
Kunstgewerbemuseum, Katalog EuroKunsthandwer\, 1970, no. 52; Weber, no. 860, 8.
Berlin,
p'disches
H. THISBE
860, 4.
AT THE GRAVE OF NINUS
(Met.
4,
91-100)
JUNO TRANSFORMS CALLISTO INTO A

BEAR (Met. 2, 475-84)
E.
Juno,
bosom bared and wielding
listo to
the
ground by her
a scepter, holds Cal-
hair. Callisto raises her
hands
Thisbe, center,
sits
on the sarcophagus
of Ninus, dipping
water from a stream from which a lion drinks. Above,

the
moon surrounded
forest; at the right,
by
stars; in the left
Thisbe
flees to
a cave.
background, a
ii6
Bronze,
gilt,
72 x 128
mm.
K.
(Met.
5,
405-24)
Pluto, with the resisting Proserpina in his arms, drives
1967.16.12
Bibl.:
THE RAPE OF PROSERPINA
Weber, no.
drawn by four horses towards Hades, the

which are guarded by a seated music-making
figure. From behind the chariot emerge two nymphs,
with Cyane hanging to a wheel to prevent die abduction.
his chariot
860, 9.
gates of
I.
PYRAMUS AND THISBE
(Met.
4,
162-63)
The dead Pyramus lies under some trees at left, while

Thisbe behind him throws herself on a sword with up-
In the background, a
raised arms.
Bronze,
figure of a
1967.16.22
ground
At the right, a fountain capped with the

nude putto; above, the moon; in the back-
74 x 179
gilt,
formation.
cliff
mm.
at left, the fleeing lion.
Bibl.:
Bronze,
gilt,
72 x 128
Weber, no,
THE ABDUCTION OF CEPHALUS
1967.16.18
L.
The
700-04)
composition derives from a woodcut by Virgil Solis
in J oh. Posthii Tetrasticha in Ovidii
Metam, Feyrabent,
Frankfurt, 1563 (see 389A). Braun considered the relief

to be a Nuremberg work of the period 1565 to 1570;
Bange and Bernhart on

come from an Augsburg
860, 12.
mm.
the other
hand believed
atelier at the
The
connection of this
the other examples from this series was
it
to
beginning of the
relief
unknown
To
in a chariot
left,
who
right before
some
Bronze,
74 x 128
gilt,
1967.16.4
Another specimen: (bronze, gilt) Baltimore (Maryland), Gordon Collection. There also exist reduced
Another specimen:
Bowdoin
bronze of a mounted specimen formerly in
the Staatliche Museen, Berlin.
One
Bibl.:
of these
is
mm.
(bronze,
cabinet-mounted)
gilt,
Weber, no.
860, 13.
also in the
Molinari Collection, in which the lion has been turned

into a hare (Acc. no. 1967.14.7; 69 x 124
stands before her.
trees.
above writers.
aftercasts in
7,
framed by clouds, Aurora emHe holds a dog

by a leash and has a hunting horn at his belt. Two other
dogs are seen at the left in front of the chariot and to the
the
braces Cephalus
with
to the
(Met.
M.
mm.).
THE CALYDONIAN BOAR HUNT
(Met.
8,
379-423)
Bibl.:
Braun, no.
8320; Weber, no.
58, pi. 13;
860, 10.
Bange, D.M.,
p. 136^., no.
Auction catalog: Molthein, no.
Meleager spears the boar which Atalanta has
374-
from the
J.
PERSEUS FREES
ANDROMEDA
(Met.
4,
669-
right.
ground, a forested
Bronze, 155 x 115
733)
To
A dog
Behind Meleager, a
mouth with an arrow.
in the
the
Andromeda standing nude, chained
left,
boulder.
The
sea monster
to a
on the right, while Perseus flies down upon

sword raised, mounted upon Pegasus.
115 x 79
This depiction appears to be a cut-down version of a

larger composition, since here only the
mm.
ing
Related to the composition in the 1563 edition of Ovid

(p. 57, see no. 389I above).
stone relief with the composition reversed
Museo
is
in the
left.
raises the question
The
whether
series. Certainly,
the relief originated in the
head of the boar
higher quality of the modelthis relief properly be-
however, the model
same workshop
in
which
for
the
other reliefs were executed.

Bibl.:
Weber, no.
860, 14.
Correr, Venice.
Another specimen: (bronze)
Berlin, Staatliche
Museen
(lost).

pi. 22;
included on the
longs to this
by Virgil Solis
at top.
it,
1967.20.45
illustrated
mm. Hole
1967.14.5
is
gilt,
tree; in the back-
hill.
guarding her emerges from
the ocean
Bronze,
just shot
springs at the boar
Weber, no.
Bange, D.M.,
860, 11.
p. 119, no. 1497,
N.
THE BIRTH OF ADONIS
At
the
left,
(Met.
10,
502-16)
Myrrha, whose transformation into a
almost complete.
From
tree
is
her trunk Lucina, kneeling,
draws the infant Adonis. She
is
assisted
by three naiads,
CATALOGUE N
s.
3891-389U
KING MIDAS RECEIVES SILENUS
one seen at the right arriving with a large basin. In the
R.
background, a forested river landscape.
90-96)
Bronze,
gilt,
71 x 128
mm.
To
117
the
King Midas with
left.
his scepter, dressed in
by two men. The drunken Silenus
O.
Weber, no.
860, 15.
by
(Met.
10,
555-59)
Venus and Adonis sit in an embrace under a

what to the left. Venus is nude, only her lap
attired as a hunter,
is
at his belt.
Bronze,
To
gilt,
the
left,
73 x 128
tree,
is
some-
two
Bronze,
gilt,
specimen
others.
is
an
gilt)
Berhn, KunstgewerAcc. no.
Collection,
aftercast, cut off
on the
1967.16.14
right, gilding
no mm.).
Weber, no.
860, 19.
THE CONTEST BETWEEN APOLLO AND

PAN (Met. II, 153-79)
Tmolus, appointed judge of the
Kunstgewerbemuseum, Katalog EuroKunsthandwer\, 1970, no. 52; Weber, no. 860,
Under some
(?) (Met.
trees at the right
10,
600-80)
gilt,
lyre;
behind him, a
a flute.
ass's ears.
72 x 127
gilt,
mm.
Probably after a reworked
1967.16.21
Bibl.:
her
upon
model.
runs a youth dressed in a
costume in the antique manner and with a dog on a

leash. He looks toward a woman, left, who stands with
at
sits
At the right, Pan playing his pipes;

behind him stand two satyrs and King Midas, who has
Bronze,
AND HIPPOMENES
Apollo with his
left,
maiden with
sprouted
THE CONTEST BETWEEN ATALANTA
contest,
grassy hill with the contestants facing each other before
him. At the
16.
Bronze,
mm.
1967.16.8
Bibl.:
Berlin,
paisches
dog
71 x 127
S.
badly worn, 70 x
ass led
mm.
Other specimens: (bronze,
P.
upon an
covered.
with a small hunting horn
a dog; to the right,
bemuseum; Molinari
Bibl.:
sits
Phrygian peasants, one with a banner, another
goddess.
1967.16.1
(this
five
with a lance and a third with a jug. In the clouds, a
VENUS AND ADONIS
Adonis
11,
robes and a turban, hurries toward Silenus, accompanied
1967.16.19
Bibl.:
(Met.
Weber, no.
860, 20.
BATTLE OF THE LAPITHS AND CENTAURS (Met. 12, 223-460)

T.
feet.
177 x 121
mm.
In the center, a Lapith swinging his club at two Cen1967.14.6
taurs at the
Aldiough
it
this relief departs
from the customary format,
undoubtedly belongs to the
series.
As
the relief
Aeneas Rescuing Anchises from Troy (Bowdoin

lections; see no. 389
above) proves, the
series
col-
Weber, no.
fallen figures, a
Bronze,
THE DEATH OF ADONIS

lies
antique
manner and with
side,
(Met.
10,
gilt,
prostrate
73 x 128
in
an
at his
mm.
Bowdoin
Bibl.:
U.
(bronze,
no. 860, 18.
two
trees.
aftercast(?), 71
Weber, no.
x 124
mm.
860, 21.
VULCAN FORGING THE WEAPONS OF
Vulcan
sits
(Met.
12,
614)
on a bench
At
the right, Thetis
nace with objects

gilt,
Weber,
gilt,
ACHILLES
floor.
specimen:
the right, two

and two warriors running;
in his smithy near
an anvil
forging Achilles's armor. Tools and a cuirass lay on the
1967.16.7
Another
sitting,
710-16)
on the ground, dressed

a small hunting horn
being mauled by a boar; on each side, trees.
Bronze,
man
a Lapith in chase after a
woman. On
1967.16.3
860, 17.
Adonis
Behind him,
carrying off a
in the background,
Bibl.:
Q.
is
does in-
clude plaquettes of various sizes.

Bibl.:
left.
who
Centaur
cabinet-mounted)
Bronze,
gilt,
1967.16.16
among
73 x 127
is
waiting for them;
the flames.
mm.
left,
a fur-
ii8
Another specimen: (bronze,
gilt)
Diisseldorf,
SOUTH GERMAN
Kunst-
museum.
Weber, no.
Bibl.:
390
THE ABDUCTION OF HELENA
V.
and
5,
Two
13,
ward
(?) (Met.
12,
men
At
a boat.
ADORATION OF THE CHRIST CHILD

The
to-
a palace-like building;
left,
lies
a large sailboat
the
in front of
upon the
left,
kneeUng and
a shepherd
them a
leading a child; with
and
the right, an ox
an angel with a
high
before a palace-like
donkey; in
scroll
several
To
the
flutist.
To
carrying baskets on their heads.
woman
left,
the right, a fallen warrior
On
women, some
carry the resisting Helena(?)
Mary and Joseph
Christ Child,
building.
200)
armored
Century
860, 22.
lamb. Above,
front, a
(banderol). Around, narrow
seas.
border.
Bronze,
73 x 127
gilt,
mm.
Bronze,
1 967.1 6.5
motif
is
reminiscent of an engraving by Mar-
cantonio Raimondi (Bartsch 209) which has influenced
one other plaquette composition (Weber, no.
493) and an engraved onyx in the Kunsthistorisches Museum, Vienna (cf. Tietze-Conrat, E., "Die Erfindung im
Jahrbuch der Kunsthistorischen Sammlungen
Relief,"
35,
Vienna
mm.
The example
in the Molthein Collection, which Braun

and Bernhart considered a South German work of the
late sixteenth century, is probably a reworked aftercast,
as the architecture
is
not clearly articulated. Without
doubt, the composition comes
and
tury,
from the
sixteenth cen-
reveals Italian influence.
1919, p. 141).
Braun, no.
Bibl.:
Weber, no.
Bibl.:
chased, dia. 96
1967.20.46
The main
at least
gilt,
860, 23.
W. VERTUMNUS
Weber, no. 858. Auction

Cahn, Frankfurt/M.,
168, pi. 49;
catalogs: Molthein, no. 347, pi. 32;
AND POMONA
Catalog 59, 14 March 1928, no. 2292,

(Met.
14,
pi.
39 (bronze,
gilt).
654-
80)
At
the
Vertumnus
left,
with a belted
right
gown and
hand and hands
Pomona
sits
Bronze,
a flower to
Between them
gilt,
71 x 127
End
Pomona with the other.

lies
in the background, trees
trellis;
SOUTH GERMAN
an old woman,
with bared breasts on a grassy bank, flowers
in her left hand.

a
in the guise of
covered head, holds a cane in his
a dog; at the right,
and a mountain range.
mm.
391A
THE GATHERING OF THE MANNA
In the center, Moses, horned, in a robe and cape, points

left hand to the heavens, from which the manna
and with his right to the manna on the ground.
with his
rains,
To
1967.16.20
the
Weber, no.
860,25.
kneels a bearded
left
manna
gathers
Bibl.:
of the Seventeenth Century
man;
to the right a
woman
into her apron, a child behind her.
other child with a
staff
runs to the
left in
An-
the back-
ground.
X.
VENUS ANOINTS AENEAS A GOD
(Met.
14,
mm.
Bronze, oval, concave, 37 x 40
585-608)
1967.11.14A
Above
left,
Jupiter,
Venus, in the company of other
deities,
enthroned in the clouds with the eagle
asks
at his
Aeneas into Olympus. In the foreground

below, Venus in a sea chariot pulled by two swans
side, to take
anoints Aeneas, giving
with two
fish;
him
Bronze,
gilt,
the composition
right, a
music-mak-
391B
mm.
without doubt a reversed version
the
left,
a female saint in a habit, rosary in her right
hand, kneeling in front of an altar on which stands a
monstrance and candles. She looks

1967.16.23
Bibl.:
Weber, no.
who
860, 26.
of
relief.
CHRIST APPEARING TO A SAINT
On
73 x 128
is
an engraving or another
immortality. Left, a neriad
behind her a dolphin;
ing neriad.
On the basis of the left-handed orientation of the figures,
appears in clouds above the
burning heart. In front of the
at a vision of Christ,
altar,
saint, a
pointing to
book.
his
CATALOGUE NOS.
Bronze, oval, concave, 42 x 38
mm.
389V-395
1967.20.83
1967.11.14B
As
This plaquette, as the previous one (no. 391A), with
plaquette,
which
styhstically related,
it is
was probably intended
indicated by the groove around the edge of the
EVENTS FROM THE OLD TESTAMENT

CAIN KILLING ABEL (Gen. 4:4-8)
394 Series:
1700
A.
In the foreground Cain has thrown Abel to the ground,
woman
is
seated in a small
grasps his garment and
drawn to right by two putti, one of which holds

a flying bird on a ribbon; two putti blowing trumpets
and one grasping a garland which hangs from the
chariot walk beside and behind her. Above fly two
putti, one carrying flowers, the other holding a crown
over the woman's head. At left, a tree. Stippled backchariot
jaw-bone of an
left,
Cain's
trees
Bibl.:
1967.20.78
ruling
B.
class.
XIV
from the time of Louis
altars,
Abel's burning at
Landscape with rocks and
at right.
Weber, no.
no mm. Aftercast.
717,1.
(Gen. 37:26-28)
of his brothers pull Joseph, seen
from behind, out
of a well with ropes.
Two
stand behind at
Trees at the sides and in back-
left.
ground. Cartouche work
Midianites and two others
at the borders.
onwards, became the most favored mark of royal
esteem. "Ambassadors, diplomats and
members
cases, generally
Bronze, trapezoidal, 60 x 85
of the
court were singled out by the presentation of these
These works may be castings from
upon the
The
place of origin of this
more
precisely
identification of the person
it
at
The belief of Middeldorf and

Goetz that the Isaac plaquette is "similar to a series from
the Old Testament" (see Bange, DM., p. 114, nos. 5839
roth, no. 399, pi. 27).
ascertained
depicts.
44, pi. 23)
cannot be accepted.
Another specimen
GERMAN(.?)
ca.
and Rebecca
the Well (bronze, 59 x 17 mm.; Parpart, no. 724, pi. 15)

and Isaac Blessing Jacob (bronze, 60 x 83 mm.; Morgen-
plaquette can possibly be
aftercast.
plate rims. Besides
these two, there exist scenes of Eleazer
Royal betrothals were sealed with the exchange of such

." {Reallexi}{on zur Deutschen Kunstgeschichte
boxes.
Stuttgart 1958, col. 336.)
mm. Reworked
1967.14.2
little
bearing the portrait of a sovereign. Their
value varied according to the person being honored
4,
the
JOSEPH BEING PULLED FROM THE WELL
Two
toward the
Possibly the relief originally served as the
presentation box which,
lid of a
smoking
AND SOLD
most probably represents the triumph of an

personage. Such mythological glorifications
relief
him with
In the background the two brothers
Bronze, trapezoidal, 52 x
Bronze, 45 x 70 mm., rounded corners.
are in accord with baroque cultural attitudes
about to strike
behind; cartouche work at the borders.
1967.14.1
historical
ass.
is
kneel before their respective
ground.
This
as a decorative applique.
Last Third of the Sixteenth Century
TRIUMPH OF A PRINCESS
elaborately dressed
was intended
FLEMISH OR GERMAN
SOUTH GERMAN OR AUSTRIAN
An
it
as
decoration for a liturgical object.
ca.
119
Bibl.:
1700
Weber, no.
New York,
Coll.
Michael Hall, Esq.
717,3.
THE REPENTANT MAGDALENE

The weeping Magdalene
which are books,
kneels in front of a table
a crucifix, a skull, a rosary
and a
NETHERLANDISH
on
jug,
drying her eyes with a cloth. Over her, sunbeams break
through the clouds. She

a richly
is
embroidered cape and a
veil.
Under
the table,
an open coffer with two necklaces; right, a decorated

curtain.
Bronze,
TRIUMPHAL PROCESSIONS OF HUMAN

FORTUNES
TRIUMPH OF HUMILITY
Series:
barefoot, wearing a full robe,
395
On
gilt, oval,
118 x 96
mm.
a cart drawn to the left by two horses (Modesty and

Mansuetudo) and directed by an old man with a stick
120
(Me thus), Humility

split
sits,
holds in his right hand an inkwell and a tablet on which
leaning forward, holding a
hand and a winnowthe wagon walk Charity
he
heart in her outstretched right
ing shovel in her
left.
In front of
At
writing.
a wall
left
and a bush;
at right a tree.
Bronze, aftercast, dia. 77 mm. Hole at top. A smooth

frame of the original was incompletely erased and is
with three children and Faith with crossed arms, a cross
hand and a goblet with the Host in her left.

Behind the horse walks Hope, shouldering an anchor on
her right and holding a parrot in her left hand. A raised
ground line rounded at both ends suggests an oval
in her right
visible in the field.
1967.20.65
is part of a series which exists with both
smooth and pearled edges. Braun (nos. 146-49) thinks
it a South German (possibly Nuremberg) work of the
end of the sixteenth century, while Bange (nos. 980-82,
pi. 82) and after him Bernhart (Molthein, nos. 11 8-21)
This plaquette
format.
Bronze, 63 x ii8
is
mm.
1967.11.23
After an engraving in the series "Circulus Vicissitudines
consider the series Italian.
Rerum Humanorum" by Hieronymus Cock,
"Fragen
after
zum Oeuvre
The
present author (Weber,
des Meister
H.
G.," p. 1421?.) sur-
Martin van Heemskerk (Hollstein, Dutch and Flemish
mises that the series was reproduced in a variety of
Engravings, Etchings, and Woodcuts
different workshops.
The engraving
viding a "terminus post

plaquettes
these
from
critical
quem"
this series are
8,
nos. 12835).
dated 1564, profor this series. Thirteen
"Invidia" in that series
specimens in this
series are
the Circle of the Master to
Other
Judgment
most numerous.
of
Solomon
Other specimens:
is
in
whom
she also attributes a
in the British
Museum, London,
London,
(lead)
British
Museum;
(bronze) Berlin, Staatliche Museen; Kassel, Staatliche
wissenschaft 16 (1893), p. 73; Leitschuh, no. 98, pi. 14

p. 23, note 88; Braun, no. 108, pi. 23; Planiscig-E^fe,
Kunstsammlungen; Oxford, Ashmolean Museum (com-
and
DM.,
origin
among others.
BibL: Molinier, no. 663; Jacobsen, E., "Plaketten im

Museo Correr zu Venedig," Repertorium fiir Kunst-
no. 460; Bange,
its
a South
now known. (Concerning
problems, see Weber, no. 678.)
But she believes that
German workshop from the following of the

Master H. G. or from a South Netherlandish shop from
is
plete series).
p. 133, no. 1489, pi. 30; S. Ricci,
Gustave Dreyfus Collection
Renaissance
Reliefs
and
Plaquettes, no. 427; Morgenroth, no. 405; Cott, Renaissance Bronzes, Statuettes, Reliefs and Plaquettes, Medals
and Coins from the Kress

of Art, Washington 1951,
Bange, no. 982,
pi. 82; I.
H.
des Meister
MUnchner Jahrbuch der bildenden Kunst, 3rd

Weber, no.
(1971), pp. 133-45;
Collection, National Gallery

p. 159;
pi. 42;
zum Oeuvre
Weber, "Fragen
708,3.
G.,"
Ser., 22
Auction catalog:
Molthein, no. 121.
Pope-Hennessy, no.
Harvard, no. 46, pi. 38; Pechstein, no. 251;

Weber, no. 678,6. Auction catalogs: Bardini, pi. 10, 179;
Thewalt Collection, Lempertz, Cologne, 414 November 1903, no. 1 1 88; Frank Coll., Cubasch, Vienna, 18
January 1904, no. 872; Gutekunst Coll., Hirsch, Munich,
454, fig. 460;
MONOGRAMMIST AVB
(Arent van Bolten)
7-8 November 1910, no. 377; Lanna Coll. II, Lepke,

Berlin, 21-23 March 191 1, no. 327, pi. 23; Faure Coll.,
Hamburger, Frankfurt/M., 22-23 September 1913, no.
(1573-ca. 1625)
723, pi. 22; Heinrici, no. 165, pi. 17; Molthein, no. 533;
The Monogrammist
Gaettens Coll., Gaettens, Heidelberg,
Arent van Bolten,
April 1966, no.
Swol,
152, pi. 19.
is
also called
who was born
place about 1625.
AVB
Century
probably identical with
Arent van Bolten van
1573 in Zwolle and died in the same
He
was
jurist(?),
model maker, and
silversmith.
NETHERLANDISH OR SOUTH
396
The
sits
397
Christ in prayer before altar-like stone, covered with a
SAINT LUKE
evangelist
THE PASSION OF CHRIST

CHRIST ON GETHSEMANE
Series:
GERMAN(.?)
cloth
in a rocky landscape on the bull and
a chalice.
Around,
Above, an angel holding a
cross. In
on which are an open book and
boulders and
trees.
CATALOGUE NOS.
the foreground, a sleeping apostle;
two others on the
in front of
him with
a kerchief.
mm. Lower
left
lowing the group, a troop of
corner broken oE;
hind a
with lances and a
soldiers
which, led by a mounted
flag
hole at top.
One
him. Fol-
soldier pulls at Christ's bonds, another strikes
89 x 64
gilt,
121
Veronica kneels
left,
behind a boulder.
Bronze,
396-4OO
appears from be-
officer,
hill.
1967.11.15
Four scenes
tion
are
known from
Another specimen:
Another
Kunstgewer-
Cologne,
(bronze)
Rudolf Verres, "Der Meister
W.
Dutch
Frederiks,
with
1952, p. i89ff., no. 117,
Silver
75)
398
putti,
He
holds
making
are
the right in front of a ladder, three
men
are seated at
which a dog chews a bone. A fourth man

stands behind, and a child stands at the left of the table
drinking from a bowl. One of the seated men turns and
talks to two older women on the left, one of whom holds
an infant. Another child stands at the far left holding a
walking stick. Interior of a rustic inn with rough floor.
mm.
Based probably on an oval or
the
or the other limbs)
Casting faults
modeled
at
lower right.
1967.20.62
There
is
calls
pendant to
There
is
the
which Pechstein (no.

and Ariadne.
this relief
Wedding
of
Bacchus
no agreement concerning the
attribution of the
Middeldorf and Goetz, and afterwards R. P.
reliefs.
was probably thought of
the seventeenth century.

as a
pendant to the
Selling of Indulgences plaquette (Bange,
DM.,
p. 131,
no. 7965, pi. 29)
Weber, no.
in the
On the other hand, it is reported
Catalogue of the Rijksmuseum in Amsterdam
that the
work
is
based on a drawing in the Albertina in
Vienna, presumably by an
1007,2.
Auction catalog: Parpart, no.
748, pi. 17.
plaquette
is
first
attributed to a South Netherlandish master
quarter of the seventeenth century. In the
auction catalog of the
NETHERLANDISH (
ca.
quette
.?
unknown South Nether-
landish master in the sixteenth century. Therefore the
of the
is
Gaettens Collection the pla-
maintained to be a South
German work made
in the second half of the sixteenth century. Pechstein has
1600
attributed both reliefs to a "Netherlandish
399
is
Ciardi, speak of an Italian master of the beginning of
1967.14. 10
Bibl.:
cast
damaged or modified cast, or replica (compare

arm of Bacchus or the arm of the putto front right,
266)
square precursor, as indicated by the unworked corners,
mm. This
Bronze, black coating, dia. 131

after a
Raised border.
relief
a hoop.
a table, under
This
jump through
a goat
bunch of grapes in his left hand and on his right arm

a bowl, into which a satyr is pouring wine. Around this
group are six satyrs in the background, one of whom is
playing on a double flute (aulos) At the right, an almost
nude woman holds a ring with both hands.
Half of the Seventeenth Century
Bronze, 67 x loi
1550-
SCENE AT AN INN
At
ca.
BACCHANAL SCENE, ca. 1600

A nude, plump Bacchus sits above a group of five
who
NETHERLANDISH
(Mass.),
FLEMISH(?)
Weber, no.
illustrations;
I-
First
several
(gilt)
Harvard, no. 41 (as South German,

Weber, no. 693.
The Hague,
i,
400
954>
Museum
Bibl.:
AV, ein holliindischer
Goldschmied des 17. Jahrhunderts," Pantheon 4 (1929),

413-16; Th. M. Duyvene de Wit-Klinkhamer, "Werk
van den Zilversmid A. V. B.," Oud-Holland 63 (1948),
J.
Cambridge
(bronze)
specimen:
Busch-Reisinger
bemuseum.
p. 87;
some damage;
cast,
1967.14.15
probably does not belong to the group.
Bibl.:
mm. Weak
holes.
included by Frederiks (no. ii7d)
no. 380)
(cf.
Lead, 96 x 69
The Lamenta-
this series.
SCENE ON THE ROAD TO CALVARY
(not
il-
lustrated)
Christ fallen to the
the end of the sixteenth century.
South Netherlandish
ground under the
cross,
supporting
himself on a large stone with his right hand. Saint
artist of ca.
An
1600
Romanist" of
attribution to a
is
the most credi-
ble.
Other specimens: (lead) Amsterdam, Rijksmuseum;

Paris,
Bibliotheque Nationale, Cabinet des Medailles
lap
(bronze) Berlin, Kunstgewerbemuseum;
left
(later cast);
Gazzada, Cagnola Collection (two
casts)
New
Mu-
Italian influence
Morgenroth, no. 343; Amsterdam, Catalogus van

en Zilverwerken, Rijksmuseum, 1952, no. 464; R.
La
P. Ciardi,
upon her
1967.11.25
roth Collection.
Goud
skull lying
mm.
Bronze 147 x 120
seum; Santa Barbara, University Art Gallery, Morgen-
Bibl.:
covered with a robe. She holds a crucifix in her
hand and meditates upon a

knee. At the left, an ointment jar.
York,
Michael Hall, Esq.; Opava (Czechoslovakia)
Coll.
is
Another specimen
Raccolta Cagnola dipinti e sculture, 1965,
Bibl.:
Weber, no. 714, 2. Auction

catalogs: Museo de la famille de Guide di Faenza,
Sangiorgi, Rome, 21-27 April 1902, no. 364 (the Mor-
obvious.
is
Weber, no.
New York,
Coll.
Michael Hall, Esq.
1029.
no. 219; Pechstein, no. 267;
specimen)
genroth
Heidelberg,
Gaettens
Collection,
NETHERLANDISH(?)
Gaettens,
Second Quarter of the Seventeenth Century
April 1966, no. 144 (the Berlin, Kunst-
gewerbemuseum specimen)
403
MOSES AND THE BRAZEN SERPENT

In the middle stands the cross with the serpent.
FLEMISH(?)
First

tree,
woman
looking at the prophet; behind her another
On
at the serpent.
In front of a large
To
the
Moses gestures toward it with both arms while

looking at a figure lying on the ground. To the left, a
woman sits under a tree with right arm outstretched
right,
Mary Magdalene, wearing
looks
the far right, a man's figure seen from
the rear. Ridged frame.
cloak and dress and with dishevelled hair, kneels on a

rock, looking
Bronze,
left
in frame.
upward. She holds an open book on her

arm; her right arm is on her breast. To the right a
and skull. In the upper left corner, a vision of

the Assumption of the Virgin surrounded by three
cross, pot,
angels in clouds.
arm
of the saint, 173 x 132
mm.
teristic
of Netherlandish
The
the other hand,
is
work may be by
work
and the
of the
first
Another specimen:
art dealer,
exists a
pendant
to this plaquette depicting the
set in lead is in
manische Nationalmuseum. In
Nuremberg, the Ger-
style
they appear to be
Weber, no.
1026, 2.
FLEMISH OR SOUTH GERMAN
on
under the strong
in-
404A
Rome, 1969
(the letters
MAV are inscribed on the reverse of this specimen).

Weber, no.
holes
half of the
fluence of Italian art.
Bibl.:
There
influenced by Italian works, so the

artist
mm. Four
tree are charac-
representation of the saint,
Flemish
oval, 106 x 90
1967.20.64
Bibl.:
of the clothing
.''),
Netherlandish work done under Italian influence.
1967.17.3
The handling
aftercast(
Original Sin.
Bronze, chased, a hole at top and screw through the

right
gilt,
1024.
THE PENITENT SAINT PETER
Peter,
wringing
his
hands in anguish,
him
before a large
the cock crows.
Bronze, rounded top, 144 x 100
FLEMISH OR NETHERLANDISH (.?)
sits
Behind him,
book leans against the rock; nearby hang the keys.
boulder, while above
mm. Hole
at top.
1967.17.7
Italian influence can be noted.
First
Another specimen: London, Victoria and Albert Mu-
seum.
The saint sits among overgrown boulders, facing right.

Her bosom is covered by the locks of her hair and her
Bibl.:
Braun, no.
catalog
199, pi. 65;
Molthein, no. 379,
Weber, no.
pi. 33.
1023.
Auction
CATALOGUE NOS.
404B
Same composition
Bronze
as no.
aftercast, 145
mm.
123
Another specimen: Santa Barbara, University Art Gal-
lery,
404A above.
x 117
4OI-408
Morgenroth, no. 427; Weber, no. 1016. Auction

middle of the
Bibl.:
(without frame). Set
catalogs: Molthein, no. 556 (as French,
into bronze frame.
sixteenth century);
1967.17.8
March
FLEMISH OR PRAGUE (.?)

405
the right Christ
sits
OR FRENCH
End
wearing the mantle and carry-
crown of thorns on his head with staves; a fifth kneels

him making a fist with his thumb between two
fingers. At the left a bearded man with a staff converses
407
before
with a beardless
man who
points to Christ. Further
The nude
left,
tree in
which three
who
holds a distaff in her
left
hand.
working perhaps
Weber, no.
series includes five representations
is
(bronze)
Historisches
Basel,
Mu-
seum; Munich, Bayerisches Nationalmuseum; Vienna,
and Adriaen de
by a Netherlandish
of mythological
Luna and Endymion, Hercules and Omphale,

Mars and Venus, Jupiter and lo, and Venus and Adonis.
Other specimens:
work
at top.
lovers:
27
influence of Giovanni da Bologna
mm. Hole
1967.14.13
mm.
Vries indicates that this
Bibl.:
under a large
Bronze, dark patina, 84 x 106
This
1 967.1 1.
sit
toward Omphale,
bronze, bottom border intended for mounting,
128 X 160
couple
shield,
floor.
The
MYTHOLOGICAL LOVERS
HERCULES AND OMPHALE
amoretti play. Hercules, with a distaff and spindle, leans
and helmet lean against a wall below

a curtain. Behind, a group of onlookers standing next to
a city wall on the right. Distant landscape; patterned
Gilt
of the Seventeenth Century
Series:
ing the scepter of his mocking. Four soldiers put the
weapons, a
59, 14
NETHERLANDISH, FLEMISH,
Century
THE MOCKING OF CHRIST

To
Cahn, Frankfurt/M., Catalog
1928, no. 2269, pi. 34.
Kunsthistorisches
artist
in Prague.
Bibl.:
980.
von
Museum.
Braun, E. W., Die Bronzen der
Rho
in
Wien, Vienna
Sammlung Guido
1908, pi. 49,f.; VXzmscig-Este,
no. 436, pi. 27. Auction catalogs: Dupriez, Brussels, Cata-
log 112, 7 April 1913, no. 2977a; Dorotheum, Vienna,
Catalog 339, 2224 March 1923,
FLEMISH
pi. 48.
Middle of the Seventeenth Century

406
FLEMISH (.?)
SATYR AND PUTTI MILKING A GOAT
satyr
and two
End
putti hold a goat in a forest setting,
while a third putto milks

the left a putto beating a
it and another stands by. On

drum, another blows a curved
408
BOAR ATTACKED BY DOGS

Running
"lituus" or ram's horn.
Bronze, dark patina, aftercast, 68 x 94
of the Seventeenth Century (?)
to the right, a
wild boar
mm.
Bronze, dark patina, oval, 51 x 70

In composition and representation this relief
relief in the
Victoria and Albert
is
Museum, Lon-
Goat," in Vienna, the Albertina (Inv. no. 8446; see
du Quesnoy sculpteur d'Urbain
1^97-16^3, Brussels 1942, pi.
4,f.).
mm.
just like
don (Inv. no. 1 061), which is dependent on a drawing

by Francois du Quesnoy, "Six Infants Playing with a
Fransolet, Francois
caught by three
the third atop the boar. Trees at each side.
1967.14.17
an ivory
is
dogs; one attacks from the front, another behind, and
M.
VIII,
1967.14.16
The ornamental
treatment of the animals and trees
particularly noteworthy.
From
this
is
treatment as well as
the modeling of the figures the influence of an antique

intaglio can be inferred,
more
difficult.
making dating and
classification
124
FLEMISH
ties demonstrated by Pechstein between Flanders and Spain in the sixteenth and seven-
Exactly those close
Late Eighteenth Century

409
teenth centuries could also speak for the works being
PUTTI WITH GOATS

In a
Spanish.
before a large tree, a putto runs to the
field,
putto carrying a basket. Below, ground indicated by a
Ring
the twentieth century;
ca.
Gutekunst
Christ in a loincloth
SPANISH
Seventeenth Century
depicted in a frontal, three-
is
bowed
quarter length pose with head
is
to the
the
mock
scepter.
His
left.
his neck.
Molded border
41 iB
Same composition
top, incised:
and polychromy, 102 x
71
CARRERA
Bronze, traces of gilding, 123 x loi

of the original plaquette
Other specimens: (bronze) Munich, private
collection;
Landesmuseum;
Munich, Bayerisches Nationalmuseum;
Wiirttembergisches
still
mm. The
visible
side border
within the frame.
1967.18.4
(gilt,
whom
uncertain to
It is
Paris,
the inscription refers. For ex-
ample, in the sixteenth and seventeenth centuries a
Musee Cluny.
named
family of painters
Bibl.: Braun-iSpaw., p. 20, no. 18;
tion catalogs: Lobbecke, no. 849,
Weber, no. 1039. Aucpi. 40; Rosenheim, no.
747, pi. 34; Molthein, no. 175, pi. 12 (gilt).
and Spain
graver
(see
named
(see Forrer
i,
THE PENITENT SAINT
Carrera
Thieme-Becker
documented in Italy
p. 69) and a seal en-
is
6,
Carrere was active in France in the 1590s

p. 215).
SPANISH
411A
above (no. 41 lA), though in
mm.
1967.18.6
oval)
as the
decorated frame with angels' heads in the corners. At
at top.
gilt
Hirsch, Munich, 8 No-
1600
hands are bound with a rope passed around
arm
Coll.,
1910, no. 406; Molthein, no. 166, pi. 12; Basel,
MAN OF SORROWS
Stuttgart,
gilt.
1934, no. 494, pi. 16.
SPANISH
Bronze, traces of
some
are bronze,
all
vember
with ring
com-
question
of dating remains open. Aftercasts exist from well into
no. 854, pi. 41
left
The
Middeldorf-Imbert, p. 153 (under nos. 37-39) Saltan,

no. 185; Weber, no. 1043. Auction catalogs: Lobbecke,
mm.
1967.14.18
Against his
discernible, but
is
Bibl.: Uraun-Span., p. 17, no. 5; Imbert, no. 215, pi. 45,1;
at top.
Lead, traces of gilding, 82 x 64
410
Italian influence
left
with a kid in his arms, followed by a he-goat and another
strip.
An
parable Netherlandish works are missing.
SPANISH(.?)
PETER,
i6oo(?)
ca.
Saint Peter, depicted three-quarter length, wearing a
garment and a cloak, clasps his hands and looks

upward. In front and at right, a rock on which grows a
412 Series:
THE SAINTS
belted
grape vine.
Two
keys
lie
on the
crows on a column which has a
Molded
rock.
At
left,
line tied
a cock
around
it.
SAINT SEBASTIAN
The
saint stands,
arrows.
To
arms bound to a tree, pierced by seven

lie his armor and helmet; in the
either side
background, leafy
border.
Bronze, 103 x 71
A.
mm. Ring at top broken off,
Bronze, 102 x 71
1967.18.5
1967.18.9
Pechstein (nos. 259, 260) points to a related composition

on an alabaster relief from Mecheln of the beginning of
This
the seventeenth century
and
believes this plaquette, as
well as no. 410 and the series no. 412 to be Netherlandish

works of the second half of the sixteenth century.
relief
trees.
mm. Molded
border with ring at top.
and the four which follow belong
which consisted
to a series
more plaquettes. Braun

some plaquettes depicting
of Christ and other depictions of
of thirteen or
{Span., p. i5ff.) also associated
events from the
life
saints (cf. nos. 410, 411)
with
this series,
but
it
seems
CATALOGUE NOS. 4O9-412D

likely
that actually
two
distinct
series
and some
in-
dividual representations, which are related only indirectly
to
our group, are involved. Those plaquettes
which show the
entire figure of the saint, apart
Weber, no.
125
1041,2.
Auction catalogs: Bardini,
Molthein, no. 167,
pi. 10,310;
Lobbecke Collection, Schul-
pi. 12;
man, Amsterdam, 7 June
1929, no. 398, pi. 29.
SAINTS ACISCLUS
AND VICTORIA
from
the three-quarter length depiction of Saint Francis, are
and can be differentiated from the

heterogeneous reliefs showing the saints in half figure.
These latter appear to be based on a variety of sources
and modeled by more than one artist. The similarity of
the framing of all the examples suggests the bringing
C.
(.?)
stylistically similar
together of various models into one workshop.
Braun
believed that the plaquettes were Spanish, referring to

their
common
initials
appearance in Spain and pointing out the
SI (for San Jeronimo) on the plaquette of Saint
Jerome.
He
dated one example (in the
Museo
de Antiquedales at Barcelona), a plaster
By
of the sixteenth century.
commonly
the end
extension the whole series
aftercast, so that a secure
dating of an individual example
is
often impossible.
Despite Italian influences that can be noted on the
we concur with
plaquettes,
Braun's theory concerning
their origin. It can be further
two
supported by reference to
from Cordoba, Acisclus

and Victoria (no. 412C). The signature G. L. on this
the representation of
plaquette
is
saints
unknown. Unknown
to
Braun were the
Adoration of the Kings (Historisches Museum, Basel)
and the Saint Jerome (Cologne, Kunstgewerbemuseum), both marked RS on their hangers. Perhaps the
marks refer to the caster. Other specimens in numerous
Bibl.: Braun-Span., p. 17, no. 4;
Bange, no. 1055,
pi. 85;
Morgenroth, no. 354; Imbert, no. 217, pi. 45,3; Weber,

no. 1041,1. Auction catalogs: Bardini, pi. 9,158; Heinrici,
Heavily draped and wear-
hand and a book in his left, Victoria on the left

and Acisclus on the right. Between them above, rays
right
breaking through clouds.

Bronze,
gilt,
chased, 102 x 71
mm. Molded
border with
ring at top.
1967.18.7
The
initials
G.
L.,
which appear on the
specimen presently in Basel
steps in the
at the Historisches
Museum,
Braun believed that the figures were

of two male saints, namely Gervasius and Protasius.
Based on the attributes, the two would have to be the
brother and sister, Acisclus and Victoria, the patron
saints of Cordoba, which would indicate a Spanish oriare missing here.
gin
(cf.
of the
the sculptures of the saints in the middle field
main
altar of the
Church of Lanciego: Georg
Weise, Die Plasti\ der Renaissance und des FrUhbaroc\
im ndrdlichen Spanien,
II,
Tubingen
1959, pp. 5660,
pi. 116).
Braun-Span.,
Bibl.:
saint kneels,
D.
p.
18,
no.
9,
pi.
6,1;
Weber, no.
wearing a cloak and halo, holding a
stone in his right hand,
and looking toward a
Clouds surround the
cross.
On
The
SAINT JEROME
in his left.
a patterned floor with a step
left.
ing laurel crowns and halos, each holds a palm in his
ward
ment
no. 114, pi. 15; Rosenheim, no. 745, pi. 34.
The
on
1043,3.
collections.
B.
saints stand
behind them and to the
Provincial
cast, to
can be so dated. Braun pointed out, however, that the

plaquettes were
The two
crucifix
saint sits in a landscape
with her head bowed
a crucifix held in both hands.

jar stands
On the
right,
near a tree stump upon which
scourge hangs from a nearby bough. In the
ground, buildings. Molded border with ring

Bronze, 100 x 70
to-
an oint-
is
a skull.
left
back-
at top.
mm.
a rock at the
and open book inscribed S I. Below, a lion's

head. At the left, a tree, from which hangs the saint's hat.
1967.18.2
right, a skull
Bronze,
gilt,
103 x 72
mm. Molded
border with ring at
This plaquette
is
known
only in bronze examples.
longs to the series of saints even though the saint

depicted as a three-quarter seated figure. There
top.
It
is
be-
here
is
an-
other specimen in the Molinari Collection, perhaps a

1967.18.1
E.
W. Braun owned
later cast (Acc. no, 1967.18.3, bronze, 103
a lead version painted in oils, the
only lead specimen in a series
known
otherwise only in
bronze. Other specimens in bronze are numerous.

Bibl.: Braun-Span., p. 18, no. 6;
pi.
Bange, no. 1054,
pi. 85;
25; Imbert, no. 216, pi. 45;
Other specimens
Berlin, Staatliche
Basel, Historisches
Museum
(gilt)
Museen, Skulpturensammlung; Lon-
Museum; New York, Coll. Michael Hall,

New York, Metropolitan Museum; Paris, Musee
don, British
Esq.;
x 70 mm.).
Cluny (enameled).
126
Bibl.: 'BTzunSpan., p. 20, no. 16, pi. 4,4;

pi. 85;
Houston, no. 434; Weber, no.
Bange, no. 1060,
415
Auction
1041,4.
In an open area with architectural elements around
catalog: Molthein, no. 173, pi. 12.
E.
depicted three-quarter length, stands behind
saint,
on rocks
at left.
He
the right a shepherd enters doffing his
cap.
has a pointed beard and
wears a monk's habit, with bare head. At the foot of the

cross, a skull,
From
donkey.
rocks with arms crossed on his breast, praying before a

crucifix
it,
manger with the Christ Child. On the left kneels

Mary; behind the crib, a praying angel. On the right,
two bareheaded shepherds, one holds a staff and his hat.
Behind the shepherds, Joseph; nearby, an ox and a
the
SAINT FRANCIS OF ASSISI
The
THE ADORATION OF THE SHEPHERDS
Bronze,
gilt,
chased, 94 x 90
mm. Hole
at top.
an open book and a scourge.

1967.17.5
Bronze, 100 x 71
mm. Molded
border with ring at top.
Other specimens: London, British Museum; London,

Victoria and Albert Museum; Paris, Louvre.
Weber, no.
Bibl.: BrSiUn-Span., p. 20, no. 17;
1041,9.
work, the attribution of which remains
Provincial
problematic.
Auc-
SPANISH(.?)
tion catalog: Molthein, no. 174.
Seventeenth Century
416
SPANISH
THE FLAGELLATION
bound to a half-column, is being whipped by
men. At the left, a fourth man bends to tie a bundle
of scourges. At the sides and on a balcony, eleven spectaChrist,
ca.
413
1600 (?)
three
ADORATION OF THE CHRIST CHILD

On
tors.
mound, the infant Christ in swaddling clothes. Behind, Mary as regina coeli with folded hands. On the
left, an old man, hat hanging behind him, holding his
Among
beard; on the right, a praying
woman
terned floor.
Copper,
gilt,
chased, 185 x 148
mm. Hole
mm.
1967.12
Bronze, traces of gilding, 90 x 72
High
in a feathered headdress
man
reaches out to Christ. Architectural setting with pat-
ECCE
TV PVLCHER ES DILEGETE MI ET
DECOR9 LECIVT9 NOSTER FLORID G [----].
these at the left probably stands the
the right a
with veiled head.
In the background, a landscape. Below, framed
At
Priest.
This composition
is
based on the same work as no.
although a few figures are added and some
at top.
changed.
It is
unclear, for example,
why
the
man
360,
details
to the
1967,17.1
right wears a feathered headdress. Several details, for

Bibl.:
Weber, no.
1046.
instance the headdress,
SPANISH(?)
First
414
in Spain.
dealer's in
Milan has
worked by
a goldsmith.
Bibl.:
was done
Weber, no.
make
possible that the relief
it
silver gilt
specimen
at
an
and has been
different details
art
re-
1037.

The Magdalene with
crucifix beneath clouds;
On
on the
right, clouds
and
Bronze,
chased, 108 x 150
gilt,
FRENCH(.?)
flowing hair, halo and richly deco-
rated mantle, reading a book.
the
left,
a chalice
right, a skull;
and
behind
at
417
tree.
THE CONVERSION OF SAINT PAUL

Paul
mm.
is
shown
in form-fitting
armor and
cape, fallen
onto rocky ground from his charger, seen behind him.

1967.17.4
The
stylistic
In his right hand he holds a sword; his

origins of the relief are debatable.
The
handling of the clouds and the damask patterning of the

clothing also
make
South German origin
possible.
toward the figure of Christ, appearing
left
arm
is
raised
in a radiant cloud
nimbus with outstretched arms. To the right, a soldier

seen from the rear holds both hands over his head. Be-
[8
[9
10
CATALOGUE NOS. 412E-422

hind him, seven mounted soldiers
flee to
the left;
two
bowl and an overturned
vessel; at the feet of the bac-
chante, grapes and a tambourine.
look back over their shoulders, a third holds a shield

over his head, and a fourth grips a lance with both hands.
Two
127
mm.
Bronze, 41 x 77
riders gallop to the right.
Bronze, oval, traces of
gilt,
152 x 199
mm. Hole
1967.20.96
at top.
The
1967.20.61
relief
shows
Italian influence,
but
is
possibly a
French work.
Other specimens: (bronze) Diisseldorf, Kunstmuseum;

Paris,
Bibl.:
Art Market; Wiirzburg, Art Market.
Weber, no.
1033.
JEAN PIERRE MONTAGNY
Auction catalogs: Dorotheum,
Vienna, Catalog 339, 2224 March 1923, no. 334, pi. 52;
Dorotheum, Catalog 344, 2, 28 November 1923, no. 92,
(1789-1862)
Montagny was born
pi. 12.
31 July 1789, in Saint Etienne, the
He
He was a medalist, stamp
son of the engraver Clement Montagny the Elder.

died blind in 1862 in Belleville.
FRENCH
and learned from his father,

uncle Fleury Montagny, and from Cartelliers.
(.?)
Middle of the Eighteenth Century
THE EDUCATION OF AMOR

The
by
picture surface
rocaille
Venus, Amor,
right,
two
who
is
421
divided into different sized fields
is
and flower
tendrils. In the central field sit
upon
lies
Below, 1834
mm.
Bronze, 53 x 72
A PUTTO WITH A SEA MONSTER, 1834

A putto, nude except for a piece of drapery, holding
left,
and garlands.
hand and
a sea
part of his drape in his
monster which swims to the
MONTAGNY
Bronze, 51 x 94
1967.20.97
his
sculptor,
trident in his right
reading a book, and Mercury. At
putti with flower basket
and
cutter,
FECIT. Raised
left.
border.
mm.
1967.31.
Another specimen (bronze) Belluno, Museo Civico,

:
FRENCH
(.?)
PUTTO WITH A SEA MONSTER, 1834

A putto, nude except for a narrow piece of drapery, hold-
421 B
Second Half of the Eighteenth Century
MADONNA AND CHILD WITH THE INFANT
ing an oar in his right hand,
SAINT JOHN
which swims
Mary,
gown,
and sandals, seated on the

grass with the infant Christ on her lap. To the left. Saint
John kneeling with fruit in his cape, for which the
Christ Child reaches. Mary holds some in her hands.
The background is punched. Ring at top.
in belted
Bronze, oval, 107 x 79
veil
to the right.
FECIT. Raised
border.
Bronze, 51 x 94
mm.
upon
lies
Below, 1834
a sea
monster
MONTAGNY
1967.31 .2
Other specimens: (bronze) Berlin, Staatliche Museen;

Belluno,
mm.
Bibl.:
1967.20.56
Museo
Civico.
Bange, no. 958,
pi.
79 (as Italian, middle of the
sixteenth century)
FRENCH (.?)
BOHEMIAN OR HUNGARIAN
End of the Eighteenth Century
A SATYR UNVEILING A SLEEPING BACCHANTE

At
the right,
on
a stylized flowery hillock, lies a sleeping
bacchante, a veil half-covering her body.

a goat-footed satyr
crowned with vine
one end of the
At
veil.
his feet are
To
the right
leaves;
he
sits
lifts
bunches of grapes, a

422
THE LAST SUPPER

Christ, with radiant halo
and making
ing, sits at the Passover table
on each
with
ranged
wear damask robes.

head on the Saviour's
side. Several of the apostles
John, to the right of Christ, lays his
a gesture of bless-
six apostles
128
breast;
Peter,
on the
left,
looks questioningly at the
others; Judas, in the foreground, grasps the goblet.

floor
is
Bronze,
at by fluted
background
enlivened
walls and
by punching.
gilt,
chased, 79 x 159
fix.
Narrow frame.
mm.
Copper, repousse or molded,
gilt,
no
x 95
mm. Holes at
top right and bottom.
1967.17.2
This representation varies
The
type.
an open book upon the stand is a skull which

left hand; in her right hand, a cruciAround her, a sort of cloud nimbus with blossoms.
she holds with her
paved and the architecture hinted
lines, the
On
stand.
The
from
slightly
Bible passage represented
namely
is
1967.17.6
a widespread
not clearly recog-
It is
unusual to see the Magdalene depicted with a flower
on the one hand Christ has blessed

the bread and wine, and on the other hand, Judas is
marked as the betrayer, since the latter at the same time
grasps the goblet (I Cor. 1 1 :2326) This unclear refer-
garland in her hair and a cloud nimbus (gloriole) with
ence and the slightly different conformation, for ex-
of
nizable,
that
may be related to a local

when determined, would assist in the
blossoms. This iconography

tradition,
which,
proper attribution to the workshop, which by the quality
its
work, must be provincial.
ample, in the background, denote a provincial workshop.
It is
and surfaces
the wall
may
influenced by
Augsburg works,
for parts of
are enlivened by punching.
UNKNOWN
One
agree with the oral reference of P. Grotemeyer to a
localization in
Other specimens:
New
1800
ca.
Bohemia or Hungary.
York, Coll. Michael Hall, Esq.;
425
THE RECRUITMENTTHEATER SCENE (?)
Washington, National Gallery of Art, Widener Collec-
At
tion.
portal(?). His tricorne in his right hand, he raises his
Bibl.:
Weber, no.
left
arms with
1050.
young man by
stands a
a theatrical
a Gothic-like church
complaining gesture. Near him
kneels a girl with clasped hands, supported by a man.
woman
UNKNOWN
plume approaches. At her
Seventeenth Century
423
JOSEPH'S
left,
(.?)
who
sleeps at his
(presumably
list),
flies
down from
workbench, his
the
left to
mm. Hole
the
classicistic building.
at top.
UNKNOWN
mm.
Eighteenth Century or Later
1967.20.80
426
are in doubt that this plaquette
is
CERES
German work
of the seventeenth century, as Middeldorf
and Goetz
and fluttering scapularyJ

She carries a sheaf of
wheat in her left hand and a bowl in her right. To the
right, trees; to the left, a wheatfield and trees. Landscape
Ceres, wearing a belted cloak
strides to the right across a field.
think.
Other specimen: (bronze) Santa Barbara, University

Art Gallery, Morgenroth Collection.
Bibl.:
on
man wearing a long wig
1967.20.99
prie-dieu.
We
points to
at the signature of the plaintif?
discusses with a
Bronze, 69 x 180
who
tools to the
room with a cobbled floor. On the right, three

lead up to another room in which Mary kneels at a
Bronze, 48 x 66
right a soldier
(perhaps an advocate), in front of a
in a
steps
list
recruiting
DREAM
clothed angel with halo
Joseph,
with half-exposed breast and a helmet with
pi. 28;
Weber, no.
with two small

903.
Bronze, dia. 140
hills in
mm.
the background.
Below, a narrow border, probably
intended for placement in furniture or similar object.
UNKNOWN
End
424
of the Seventeenth Century or Later
1967.14.19
Ceres
is
copied from a figure from the two well-known
Seasons plaquettes, Franco-Flemish works of about 1600

It is presumed that the four figures
two plaquettes were used as four individual
(Weber, no. 736).
Dressed in a belted robe and cape, a flower garland in
of the
her loosened hair, the Magdalene
plaquettes in a series for the decoration of an object.
is
seen beside a prayer
ILLUSTRATIONS OF THE
MEDALS AND PLAQUETTES
Except where noted, all illustrations are actual size.
PISANELLO
(i)
FRANCESCO LAURANA
(2)
3 obv. Borso d'Este,
5 obi'.
Duke
of
Modena and Reggio
3 rev.
Sigismondo Pandolfo Malatesta,

Lord of Rimini and Fane
JACOPO LIXIGNOLO
Unicorn
5 rev.
(3)
MATTEO
in
The
DE' PASTI
mountanious landscape
Castle at Rimini
(4, 5)
7 ohv. Francesco
II
Gonzaga, fourth Marquess of Mantua
'
C I.
'
7 rev. Health standing between water
9 obv. Francesco Sforza,

fourth Dulce of Milan
MATTEO
DE' PASTI
(6)
and
fire
9 rev. Galeazzo Maria Sforza,

fifth
Duke
of Milan
BARTOLOMMEO MELIOLI
GIANFRANCESCO ENZOLA
(9)
(7)
ANTICO
(8)
SPERANDIO OF MANTUA
12 Cornelio Castaldo, Jurisconsult,
poet and orator
14 obv.
Pope
CAMELIO
Julius
(12)
II
GIOVANNI MARIA POMEDELLI
14 rev.
(13)
View
of St. Peter's
CARADOSSO
(14)
15 obp. Faustina
15 rcf. Faustina
and Antoninus Pius with hands joined
MEDALIST OF THE ROMAN EMPERORS
i6 obv.
17 obv. Alfonso
Pope Pius
of Aragon,
and
18 obv.
i6 rev. Pelican in her piety
II
King
of Naples
17 rev. Alfonso
crowned by Mars and Bellona
Sicily
Pope Paul
18 rev.
II
The Pope
blessing
the faithful
ANDREA GUACIALOTI
(16)
CRISTOFORO DI GEREMIA
(17,
18)
obv.
Pope Paul
II
20 obv. Pope Paul
19 rev. Barbo coat of arms
surmounted by papal
GIOVANNI CANDIDA (21)

ATTRIBUTED TO NICCOLO FIORENTINO (23)
ROMAN SCHOOL UNDER PAUL

(22)
20 rev. Palazzo Venezia
23 rev. Inscription
23 obv. Marsilio Ficino, humanist
SCHOOL OF CANDIDA
II
tiara
II
(19, 20)
24 obv. Stefano Taverna, Secretary to the
Duke
24 rev. Virtue in armor, holding Love to
of Milan
and Fortune
25 obv. Francesco da Sangallo
left
to right
25 rev. Helena Marsupina
26 obv.
27 obv.
Alessandro
Cosimo I de' Medici, first

Grand Duke of Tuscany
Duke
de' Medici,
Peace setting
of Florence
weapons
war
27 rev.
Francesco de' Medici, secon
Grand Duke
ATTRIBUTED TO NICCOLO FIORENTINO
DOMENICO
fire to the
of
DE' VETRI
(26)
FRANCESCO DA SANGALLO
DOMENICO POGGINI (27)
(24)
of
Tuscany
(25)
28 obv. Cosimo
Grand Duke
30 obv. Ferdinand
de' Medici,
Grand Duke
third
31 obv.
third
28 rev.
de' Medici,
29 obv. Helen of Troy
of Tuscany
Ferdinand
Grand Duke
of
The Judgment
29 rev.
of Paris
of
Uffizi
30 rev. Plan of die fortress

at
Tuscany
31 rev.
de' Medici,
The
and the Palazzo Vecchio
Livorno
Grand Ducal crown and
scepter with Medici palle
Tuscany
32 obv. Giovanni Battista Grimaldi,
Genoese nobleman
33 obv. Gianfrancesco Trivulzio,
32 rev. Prometheus chained to rocks
with eagle feeding on
Marquess of Vigevano
DOMENICO POGGINI
(28)
MICHELE MAZZAFIRRI
(30,
33 rev. Fortune on a dophin
his liver
STYLE OF DOMENICO POGGINI (29)

PIER PAOLO GALEOTTI (32, 33)
31)
34 obv. Pope Julius
III
34 rev. Prudence, right,

reaching for Fortune
35 rev. Colonna shield,

papa! tiara and keys
36 rev. Table with books
35 obv. Pope Martin
36 obv. Pope Pius
II
surmounted by papal
39 ol^v.
o Cardinal Cesi
38 rev. Citadel of
Parma
St.
ALESSANDRO CESATI (34) GIOVANNI PALADINO

GIAN FEDERIGO BONZAGNI (38, 39)
tiara
Caterina de' Fu:
(35-37)
and keys
40 obv. Pope Pius
40 rev.
V
41 obv.
Pope Pius
Christ driving
from
GIAN FEDERIGO BONZAGNI (40, 41)

BARTOLOMMEO ARGENTARIO AND BERNARDINO PASSERO
LORENZO FRAGNI (43) NICOLO DE BONIS (44, 45)
money changers
the temple
(42)
47 obv. Pope Julius
49 obv. Pope Pius
II
48 obv.
Giuliano II de' Medici
48 rev.
Roma,
seated,
holding Victory
50 obv.
50 rev.
Emperor Nero
Nero on horseback
47 rev.
Figure of Abundance
49 rev.
Madonna and Child
(46-49)
GIOVANNI DEL CAVINO
(50)
51 obv.
Cosimo
Scapti
51 rev. Salus
and serpent
52 ohv. Balduino del Monte,

brother of Pope Julius
55 obv.
Tommaso Rangone
of
Ravenna
55 rev. Jupiter as eagle

brings infant Hercules to Juno
III
56 obv. Andrea Gritti
Doge
Combat
56 rev. Facade of
of Venice
St.
57 obv. Marino Grimani,
Doge
52 rev.
between two horsemen
Francesco della Vigna
57 rev.
of Venice
Lion of
St.
Mark
58 Fountain of the Sciences
GIOVANNI DEL CAVINO (51, 52) PADUAN SCHOOL (53, 54) JACOPO TATTI (55)
ANDREA SPINELLI (56) VENETIAN SCHOOL (57) JACOPO NIZZOLA DA TREZZO (58)
JACOPO NIZZOLA DA TREZZO
GIOVANNI V. MELON
ALFONSO DA TOMASO RUSPAGIARI (62)
(59)
(60, 61)
ALFONSO DA TOMASO RUSPAGIARI (63) AGOSTINO ARDENTI (64)

ATTRIBUTED TO MEDALIST M.
ITALIAN SCHOOL MEDALIST M. B. (65)
B.
(66)
bv. Christ
70 rev.
ITALIAN UNATTRIBUTED
The
crucifixion
77 obv. Paolo Pellicani

bv.
Gian
Battista
Malvezzi
76 rev.
Palm
tree
ITALIAN-UNATTRIBUTED (80, 81) GIACOMO ANTONIO MORO

PAOLO SANQUIRICO (83, 84) GASPARE MOLA (85, 86)
(82)
ATTRIBUTED TO GASPARE MOLA (87) ALESSANDRO ASTESANO

GASPARE MORONI (8^91) JOHANN JAKOB KORNMANN
(92)
(88)
JOHANN JAKOB KORNMANN
ATTRIBUTED TO KORNMANN
(95)
(96)
99 obv. Pope Alexander VII
99
Facade of church
100 obv. Ferdinand
Grand Duke
obv.
of
II
de' Medici,
100 rev. Rose branch with
Tuscany
Pope Clement IX
three blooms
reu.
Santa Maria Maggi.
103 rev.
103
Francesco Cardinal Barberini
Sunrise over sea
105 Pope Innocent XI
GIOACCHINO FRANCESCO TRAVANI (103) ANTONIO TRAVANI

GIROLAMO LUCENTI (105)
(104)
io6 ohv.
Queen Christina
of
107
Sweden
Queen
obi'.
Christina of
108 obv. Cesare Ignazio d'Este,
Sweden
Duke
of
Modena
107 rev.
108 rev. Heraldic eagle
Celestial globe
109 rev. Club and
109 obv.
110 obv.
Francesco Cardinal Nerli
Lodovico Cardinal Portocarrero
III obv.
ueen Christina of Sweden
no
Fame
atop a
GIOVANNI BATTISTA GUGLIELMADA
animal on
III rev.
rev.
tall
slain
pedestal
(106-108)
altar
Globe showing
Eastern Hemisphere
GIOVANNI HAMERANI
(109-111)
112 obv. Francesco
Duke
of
Farnese,
Parma and Piacenza
113 obv. Nicolas
114 obv. Livio Odescalchi,

of Cera, Bracciano and Sirmia
115
115 obv. Pope Alexander VIII
P'JP'-"
Alexander's tomb
GIOVANNI HAMERANI (112) GIUSEPPE ORTOLANI

FERDINAND DE SAINT-URBAIN (114-115)
Duodo,
Venetian Ambassador
Duke
(113)
at
Rome
ii6 obv.
117 obv. Ulisse Giuseppe Gozzadini,
Jacques de Sainte Marie
119 obv. Leopold
I,
Duke
of Lorraine
116 rev. Jean Philippe,

Prior of
Cardinal
119 rev. Hercules and
FERDINAND DE SAINT-URBAIN
Mercury
St.
fitienne
121 obv. Philip V,
King
121 rev.
of Spain
120 obv. Leopold
120 rev.
I,
Duke
Horseman
123 rev.
Neptune
of Lorraine
crossing bridge
Michael
St.
FERDINAND DE SAINT-URBAIN (120, 121) ERMENEGILDO HAMERANI

OTTONE HAMERANI (124)
(122,
123)
125 ohv. Cardinal Quirini
125 rev. Inscription
Archbishop of Brescia
127 obv. Ferdinand, Infante of Spain
127 rev.
Comedy and Tragedy
receiving
wreaths from Genius
GIOVANNI BATTISTA POZZO

FILIPPO CROPANESE (127)
OTTONE HAMERANI
(125)
(126)
128 rev. Baptism of
128 obv.
129 obv. Alessandro Antonio Barziza,
Pope Clement XIV
the Infante of Spain
Governor of Bergamo

130 obv. Pietro Cardinal Serasi
131 obv.
Avignon
132 rev. Chapel of Santa Maria Maggiore
V
133 rev.
FILIPPO
holding book
133 obv. Giuseppe Ferreri,
Vicelegate of
132 obv. Pope Paul
Woman
131 rev. Palace facade
Giacomo Carrara and
Maria Anna Passi
130 rev.
View
of
Avignon
FRANCESCO CORRAZZINI (129-131)

ROMAN SCHOOLUNATTRIBUTED (132, 133)
CROPANESE
(128)
134 obv. Church of
136 obv. Church of
St.
St.
Ignazio
Gregorio
x 36 rev. Arms of
Prince Giovanni Battista Borghese
SCHOOL-UNATTRIBUTED
(139)
(140,
142 rev. Justice and Truth
142 obv. Flavio Cardinal Chigi
143 obv. Pietro Matteo
143 rev. Justice and Peace
Maggi
144 Ercole Ferrata, sculptor
146
Cosimo
III de'
MlJili,
Crand Duke
of
Tuscany
147 rev.
Vittoria della Rovere,

147
wife of Ferdinand II de' Medici
(147)
Winged
figure of
CIRCLE OF SOLDANI
Fame
(148)
149 o^^'- Lorenzo Magalotti,

Florentine scholar, philosopher, theologian, poet
149 rev. Apollo
150 obv. Francesco Riccardi
ANTONIO MONTAUTI
150
(149)
yiew
of the Medici-Riccardi palace
GIOVACCHINO FORTINI
(150)
GIOVACCHINO FORTINI
(151)
FRANCESCO
FIERI (152)
153
Giovanni Lami, theologian and historian
GIOVANNI BATTISTA LAPI
153 rev. Pedestal with bust flanked by Minerva and Florence
(153)
ANTONIO
SELVI
(154)
Grand Duke
of
Tuscany
ANTONIO SELVI
ANTONIO
SELVI
159
159 rev. Kneeling figure
P'etro Cardinal Ottoboni
160 obv. Francis
III,
160 rev.
Grand Duke of Tuscany
BARTOLOMMEO GIOVANNI VAGGELLI
(159)
'
Duke on horseback
LORENZO MARIA WEBER
(160)
i6i obv. Maria
Maddalena Morelli Fernandez
162 obv. Giovanni Bottari
i6i fcv. Indians shooting arrows at the sun
Woman leaning against column

being broken by lightning bolt
162 rev.
163 obv.
The
first
Medici
164 obv. Eleanor of Toledo,
wife of Cosimo
de'
de'
Ferdinand
de'
165 rev. Stork standing
among
Medici
166 obv. Christina of Lorraine, wife

of
164 rev. Table with medals on
it
Medici
165 obv. Bianca Cappeilo, second wife

of Francesco
Medici
166 rev.
Column with
Corinthian capital
flora
(167)
(168)
169 obv. Alfonso Paleotti,
169 rev.
Stemma surmounted by
cross
Archbishop of Bologna
170 rev. Minerva with lamp and shield
170 obv. Laura Maria Caterina Bassi,

professor of philosophy
171 obv.
171 rev.
Vincenzo Riccati, physician

and mathematician

FILIPPO
Two
ANTONIO LAZARI
BALUGANI (171)
(169)
figures
(170)
172 rev. Figure seated on spears
172 obv. Francesco Marchi,

military engineer
173 obv.
FILIPPO
Guido
and
architect
Zanetti, numismatist
BALUGANI
(172)
173 rev. Scales
BOLOGNESE SCHOOLUNATTRIBUTED
(173, 174)
175
Giovanni Crisostomo Trombelli,

Jesuit, classicist
BOLOGNESE SCHOOL-UNATTRIBUTED
(175-177)
'
JOHANN FRANZ NEIDINGER
(178)
AGOSTINO FRANCHI
(179)
VENETIAN SCHOOL-UN ATTRIBUTED
(180-182)
i88 obv. Polissena Cristina
VENETIAN SCHOOL-UNATTRIBUTED (183)

GIOVANNI COSTANZI (184) MARIA ANTONIO DI GENNARO
ARTIST UNKNOWN (187) LORENZO LAVY (188)
palm branch
(185,
186)
191 obv.
Ermolao Pisani,
Verona
Prefect of
192 rev.
ANTON GUILLEMARD
(189-191)
B.
CIANTOGNI
Lynx
(192)
<'^^-
193
Giovanni
and Caterina
Battista
F.
194 obv. Ottavio Tassone Estense
S.
Amico Sinibaldo
A. B. A. (193)
194 rev. Castle
195 rev. Pallas Athena
195 obv. Enea Montecuccoli,

Governor of Carpi
196 obv.
ITALIAN-UNATTRIBUTED
(194-197)
Three stemmae
197
surmounted by cardinal's hat
ITALIANUNATTRIBUTED
201
201 obv. Niccolo Machiavelli
204 obv. Giuseppe Compagniucci
204 rev.
rci'.
Two
Serpent
river
gods and eagle
205 obv. Francesco
Duke
of
Farnese,
Parma and Piacenza
206 ohv. Vincenzo Bellini,
205 rev. Phaeton and Zeus
above Zodiac band
206 rev.
Ferrarese antiquarian and numismatist
207 obv. Francis Hyacinth of Savoy
Two
bees
palm trees, flowers,

and a beehive
207 rev. Boy protected by Minerva
209
Pope Pius VII

210 obv. Pope Leo Xll
208 obv. Pope Pius VII
209 rev. Christ washing

208 rev.
St. Peter's feet
The Laocoon
210 rev.
St.
Maria Maggiore
baptistry
211 obv.
and font
211 rev. Ruins of
Pope Pius IX
213 obv. Pope Gregory
XVI
St.
213 rev. Pope kneels before a

vision of the
TOMMASO MERCANDETTI
(208, 209)
Madonna
GIUSEPPE GIROMETTI
PIETRO GIROMETTI
(213)
Paul's
Outside the Walls
(210-212)
217 o^^- Pope Pius IX
218 rev. Peace leading
218 obv. Francis IV,
Duke
of
Modena
NICCOLO CERBARA
(214, 215)
217 rev. View of piazza
male figure
IGNAZIO BIANCHI
LUIGI MANFREDINI
(218)
(216, 217)
221 obv.
Antonio Canova
219
Ferdinand
Emperor
220 obv. Giuseppe Cardinal Ugolini
I,
of Austria
221 rev.
Inscription
219 rev. Ferdinand kneeling

before a bishop
220 rev.
Fama
(?) kneeling
and
Victory standing
222 obv.
Luigi Malaspina
223 obv.
Countess Giulia SamoylofT
222 rev.
Palace facade
LUIGI MANFREDINI
(219)
LUIGI COSSA
(220)
DEMETRIO CANZANI
FRANCESCO PUTINATI
(223)
(221, 222)
225
Rebuilding of
225 rev. Loggetta
224 obv. Cesare Cantu, historian
of Campanile
Campanile, Venice
FRANCESCO BROGGI
STEFANO JOHNSON (225)

GASPARE GALEAZZI (227, 228)
(224)
AMADEO LAVY
(226)
229
Giovanni Battista Beccaria
232 rev.
GASPARE GALEAZZI
Inscription
GIOVANNI ANTONIO SANTARELLI

DOMENICO TRENTACOSTE (233)
(229,
230)
(231, 232)
234 obv. Pope Pius IX
PICCIOLI
(234)
DONNINO BENTELLI
(235)
236 Marie Louise Bourbon del Monte
LUIGI
DE FEO
S.
Maria
238 rev. Statue on a pedestal
238 obv. Ludovico Antonio Muratori
PIVETTI
(237)
ARTIST
UNKNOWN
(238)
239 rev.
239
Henry
Henry
II,
King
of France
II,
King
of France
241
Henry
II,
Fame, Abundance and
Fame, Abundance and Victory
241 rev.
ohv.
King
Inscription in laurel wreath
of France
MARC BECHOT
a third figure
(239)
fiTIENNE
DELAUNE
(240, 241)
242 obv.
Henry
II,
-44
Henry
242
King of France
7-eu.
Fame, Abundance and Victory
ot>t^-
244 rev.
A man
plowing
of Lorraine
TIENNE DELAUNE
(242)
UNATTRIBUTED
(243, 244)
UNATTRIBUTED
(245)
GUILLAUME DUPRfi
(246, 247)
248 obv. Cardinal de Richelieu
248 rev.
249 obv. Marshal d'Argencourt
laurel
wreath
249 rev. Sword, shield and ribbon
250 obv. Armand-Jean Duplessis, Cardinal de Richelieu
GUILLAUME DUPRE
Hands binding
(248, 249)
250 rev. France seated with Fortune and
JEAN VARIN
(250)
Fame
in chariot
254 rev.
254 obv. Pietro da Cortona
JEAN VARIN
(251, 252)
PIERRE AURY
(253)
Fame
CHARLES JEAN FRANgOIS CHfiRON
(254)
255
Giovanni Paolo Oliva,

Jesuit Preceptor-General
256 obv. Cosimo
Grand Duke
III de'
Medici,
255 rev. Saint being borne to

heaven by angels
256 rev. Margaret d'Orleans
of Tuscany
257 rev. Helios riding across heavens
CHARLES JEAN FRANgOIS CHfiRON
258 Marie Descoraille, Duchess of Fontagnes
260 Louis XIII making
NICOLAS DELAHAYE
(258)
ANTOINE BENOIST
(259)
vow
THOMAS BERNARD
(260)
262 obv. Louis
XIV
263 obv. Louis

261 obv. Henri de
la
Tour
of
XIV
Auvergne
262 rev. Tyche of Paris

263 rev.
War and
France
261 rev. Lightning striking tree
265 obv. Louis
264 rev. Louis receiving
Queen
of
265 rev. Louis
Sweden
THOMAS BERNARD
XIV
266 obv. Louis
XIV and
266 rev. Cross of the
Order of
Pontifical Legate
(261, 262)
JEAN MAUGER (263-266)

JEAN DOLLIN (264, 265)
XIV
St.
JEAN DUVIVIER
Louis
(263)
267 Louis
268 obv. Louis
XIV
JEAN MAUGER
(267-272)
XIV
JEAN DOLLIN
268 rev. Justice and Mercury
(269-272)
UNATTRIBUTED
(273)
275 o^"-
Woman
seated
among masks
275 rev. Prudence, Bellona and
Bona Fortuna
UNATTRIBUTED
UNATTRIBUTED
(277, 278)
SIMONE CURE
(279, 280)
282 rev. Louis receiving
Turkish Ambassador
281 obv. Elizabeth, Duchess of Orleans,

Princess Palatine
283 obv. Louis
XV
284 obv. Louis
XV
283 rev. Victory and Peace
281 rev.
Tyche of Orleans
284 rev. Mars receiving

supplicant tyche of Milan
285 obv.
285 rev.
Philip Stosch, archaeologist
Diogenes, seated, and Alexander
NORBERT AND JOSEPH CHARLES ROETTIERS (281) JEAN LE BLANC (282)

JEAN DUVIVIER (283, 284) MICHAEL ROEG (284) FRANgOIS JOSEPH MARTEAU
(285)
286 obv. Louis
XV
287 obv. Louis

288 obv. Isaac
289 obv. Louis
XV
XV
Newton
290 obv. Marie Antoinette
291 obv. Louis
XVI and
Marie Antoinette
289 rev. Pont de Neuilly
290 rev. France holding Marie's
291 rev.
daugiiter
France holding Dauphin
FRANgOIS JOSEPH MARTEAU (286, 287) JOSEPH CHARLES ROETTIERS (286)

JACQUES ROETTIERS (288) BENJAMIN DUVIVIER (289-291) LAURENT LfiONARD
(289
294 obv. Louis
XVI
202 rev. Paris
295 obv. Charles-Michel,
Abbe de
296 obv. Louis
XVI
I'fipee
296 rev. Montgolfier, balloon
297 obv. Joseph Jerome

Lefrangois de Lalande
and Cybele
BENJAMIN DUVIVIER (292-295) AUGUSTIN DUPRfi

NICOLAS MARIE GATTEAUX (296, 297)
(292)
298 obv. Louis
XVII
300 obv. Emperor Alexander
299 obv. Pope Pius VII
299 rev. Notre
298 rev.
Dame
300 rev. History
Lily with broken stem
301 obv. Louis XVIII
301 rev.
Church
of
St.
Genevieve
NICHOLAS PIERRE TIOLIER (298) JEAN PIERRE DROZ AND LOUIS JALEY
BERTRAND ANDRIEU (300, 301) JEAN JACQUES BARRE (301)
(299)
302 obu. Charles X, King of France
304 obv. Maria Christina,
302 rev. Bishop anointing Charles
de Bourbon-Siciles
êv. Inscription
Princess of Naples
JEAN JACQUES BARRE (302, 305)

JACQUES EDOUARD GATTEAUX
JOSEPH EUGENE DUBOIS (303-305)
(302)
3o6 Dieudonne, Conite de Las-Cases
308 Abbe de
la
Mennais
PIERRE JEAN DAVID D'ANGERS
307 Jean Paul Marat
PIERRE JEAN DAVID D'ANGERS
(307)
EMILE ROGAT
(309)
JEAN FRANgOIS ANTOINE BOVY
311 rev. Cardinal's coat of arms
311 obv. N. Th. Oliver,
Bishop of fivreux
312 Jules Brame, Deputy de
313 obv. Prize Medal,

Ministry of the Interior
VALENTIN MAURICE BORREL
Nord
FRANgOIS JOSEPH HUBERT PONSCARME

LOUIS OSCAR ROTY (313)
(311)
(312)
314 obv. Albert
Dumont,
historian
314 rev. Draped female figure
JULES CLfiMENT CHAPLAIN
315
316 obv. mile Francois Loubet,

President of France,
Emmanuel
Bibesco
316 rev.
899-1 906
JULES CLfiMENT CHAPLAIN
Urn and
spear on altar
3i8 obv. Redemption
3-
320 obv. Alessandro Farnese,

Governor of the Netherlands
Alexander the Great
GEORGES DUPRfi (318)

ATTRIBUTED TO JACOB JONGHELINCK
JEAN-BAPTISTE DANIEL DUPUIS
(317)
OVIDE YENCESSE
(320)
(319)
9^
322 rev.
ATTRIBUTED TO JONGHELINCK
The
(321)
Infante Philip
16TH
CENTURY NETHERLANDS?
(322)
325 obv. King Charles
323 obv.
324 obv.
Johann and Cornelius de Witt
Johann and Cornelius de Witt
327 obv.
King Victor Amadeus
17TH
327
CENTURY NETHERLANDS
WILLIAM
WYON
rev. Justice, Fortitude
and
Prudence
II
(326)
(323, 324)
JAN ROETTIERS
JEAN DASSIER
(327, 328)
(325)
329 obv. Louis Lcfort,

Chief Burgomaster of Geneva
JEAN DASSIER
330 obv. D. F. Count of Lautrec
(320^-331)
329 rev. Geneva with cornucopia
(332)
333
King Charles Emmanuel
III
334 obv. Marchese Scipione Maffei,

scholar and poet
336 obv. Maurice, Comte de Saxe,

Marshal of France
335
olî'-
Count Giovanni Maria Mazzucchelli
336 rev. Victory seated on weapons
(333-336)
JEAN DASSIER
(335, 336)
337
of^t'-
Nicolaus Keder,
337
7-cv.
Phoenix
antiquarian
338
obi>. Anna Ivanowna,

Empress of Russia
339 rev. Fortitude, Faith and Peace
339 obv. Religion holding chalice
JOHANN KARL HEDLINGER
(337, 338)
JOHANN HORN
(339)
JOHANN KITTEL
(340)
GEORG HAUTSCH
(341, 342)
GERMAN-UNATTRIBUTED
(343)
347 obv. Voltaire
^jj^^
GEORG WILHELM VESTNER (344) PETER PAUL WERNER (345)

JOHANN PETER WERNER (346) GEORGE CHRISTIAN WAECHTER (347)
LEONARD POSCH (348)
349
LEONARD POSCH
(349)
Unknown male
ABRAHAM ABRAMSON
(350)
KARL FRIEDRICH VOIGT
(351)
352 obv.
J.
W. von
Schlatter,
director, St. Petersburg
Mint
353 obv. Emperor Leopold
354 obv. King Charles
of
Sweden
352 rev. Woman sitting among tools

used in minting coins
353 rev. Battle scene
354 rev.
Queen Hedvig
JOHANN GEORG WAECHTER AND JOHANN BALTHASAR GASS

ANTON MEYBUSCH (353, 354)
(352)
355
o^^!-'-
Charles
II,
and
King
of Spain, Naples
355 rev.
St.
James
Sicily
17TH CENTURY SPAIN
(355)
TOM AS FRANCISCO
PEDRO JUAN MARIA DE GUERRERO
PRIETO
(357)
(356)
PLAQUETTES
358 Hercules and the
Nemean Lion
MODERNO
359
VENETIAN: LATE 16TH CENTURY
Madonna
(359)
of Loreto
NORTH
ITALIAN: LATE 16TH
CENTURY
(360)
362
St.
Simon
ITALIAN: 16TH
CENTURY
363 Pieta
ITALIAN: LATE 16TH
CENTURY
(?)
ITALIAN: LATE 16TH
CENTURY
NORTH ITALIAN?: LATE 16TH CENTURY (365)

NORTH ITALIAN 16TH OR 17TH CENTURY (366)
ITALIAN: 16TH OR 17TH
CENTURY
(367)
ITALIAN: LATE 17TH
CENTURY
(368)
ITALIAN?
(369)
PETER FLOTNER
(370)
372 Pagan King
in a scroll
PETER FLOTNER
ornament frame
(371)
AFTER FLOTNER
(372)
LABENWOLF WORKSHOP
(373)
GEORG LABENWOLF
377 Allegory of unity
379 Toilet of Venus
GERMAN: 16TH CENTURY
(375-378)
ANTONIO ABONDIO
(379, 380)
ANTONIO ABONDIO
ATTRIBUTED TO JAKOB KROMER

CIRCLE OF MATTHIAS WALLBAUM (383)
(380, 381)
(382)
CIRCLE OF MATTHIAS
WALLBAUM
384F Christ bearing the Cross

384E Crowning with thorns
384G Entombment
CIRCLE OF MATTHIAS
384H The
WALLBAUM
Resurrection
385 Rape of the Sabine
HANS JACOB
women
BAIR?
Standing elder
SOUTH GERMAN?
388 Christ and
387 Alexander the Great
Mary Magdalene
389A Pan and Syrinx
AFTER FRANgOIS BRIOT
(387)
SOUTH GERMAN: 17TH CENTURY
(388, 389)
389B Fall of Phaeton
389C The Heliades
389D
Jupiter seduces Callisto
389E Juno transforms
Callisto into a bear
389F Arkas
killing Callisto
and
their apotheosis
389G Diana and Actaeon
389H Thisbe
389I
at the
grave of Ninus
Pyramus and Thisbe
389J Perseus frees
389K Rape
Andromeda
of Prosperpina
389L Abduction of Cephalus
389N
Birth of Adonis
389P The contest between Atalanta and Hippomenes (?)
389O Venus and Adonis
389S The contest between Apollo and Pan
389U Vulcan forging
the
weapons of Achilles
389V Abduction
of Helena (?)
389X Venus
anoints Aeneas a
god
391B Christ appearing

to a saint
390 Adoration of
tiie
Christ Child
394A Cain
SOUTH GERMAN OR AUSTRIAN
(392)
killing Abel
GERMAN?
(393)
FLEMISH OR GERMAN
(394)
NETHERLANDISH OR SOUTH GERMAN?

MONOGRAMMIST AVB (397) NETHERLANDISH (398)
NETHERLANDISH
(395)
(396)
400 Bacchanal scene

actual size)
402
FLEMISH?: 17TH CENTURY
(400)
The repentant Magdalene

(% actual size)
FLEMISH OR NETHERLANDISH?: 17TH CENTURY
(402)
401
The
repentant Magdalene
FLEMISH?: 17TH CENTURY
NETHERLANDISH?
(403)
(404)
404B The penitent
St.
Peter
4o6 Satyr and putti milking a goat
FLEMISH OR PRAGUE?
(405)
FLEMISH
(406)
410
NETHERLANDISH, FLEMISH OR FRENCH
(407)
SPANISH
(410)
FLEMISH?
Man
of Sorrows
(408)
FLEMISH
(409)
41
SPANISH
(411)
SPANISH?
(412)
A The
penitent
St.
Peter
412D The repentant Magdalene
41 2E St. Francis of Assisi
SPANISH?
414
The
repentant Magdalene
413 Adoration of the Christ Child
SPANISH
415 Adoration of the Shepherds
(413)
SPANISH?
(414, 415)
4i6
The
Flagellation
SPANISH?
FRENCH?
420 Satyr unveiling a sleeping bacchante

419 Madonna and the Child
with the infant St. John
FRENCH?
42iA Putto with
422
JEAN PIERRE
MONTAGNY
The
(421)
a sea
monster
Last Suppi
BOHEMIAN OR HUNGARIAN
(422)
424 The repentant Magdalene
UNKNOWN
UNKNOWN
INDEXES TO THE MEDALS CATALOGUE

The numbers
I.
are those of the medals. Page references are indicated in itahcs and are preceded by p.
David d'Angers, Pierre Jean
Artists
p. 81, p. 92,
Hohn, Johann
p. 8g,
339
306-308
Only those whose works appear in die

catalogue
are
listed
References
here.
to
Delahaye, Nicolas
De
other artists are found in the general index.

p.
Abramson, Abraham
Andrieu, Bertrand
Antico
p. g2,
Delaune, fitienne
350
p. 65,
240-242
de' Vetri p. 18, 26

Droz, Jean Pierre p. 79, 299
Dubois, Joseph Eugene p. 80, 303-305
Astesano, Alessandro p. 33, 88

p. 68,
253
pp. 64-6^, 239
Antoine
Bentelli,
Donnino
Bernard,
Thomas
p. 6g,
p.
p. 66,
Lavy,
246-249
235
p. 70, 260-262,
8y
p.
Bonzagni, Gian Federigo pp. 21-22, 3841, p. 23

p.
26
Filangieri,
Giovanni di Salvatore, called
Lavy, Lorenzo
Ambrosius 132
p. 82,
310
Broggi, Francesco p. 61, 224
Camelio pp. 14-15, 12

Canzani, Demetrio p. 61, 223
Caradosso Foppa, Cristoforo p.
p. 54, 188, 207, p.
i, 14
Cerbara, Niccolo p. 59, 214, 215

Cesati, Alessandro pp. 20-21, 34
257
Ciantogni, B. p. 55, 192
Cormano, Giovanni Jacopo
p. ^4,
92-95
Corrazzini, Francesco p. 42, 129 131

Cossa, Luigi p. 60, 220
Costanzi, Giovanni p. 53, 184
Cristoforo di Geremia p. 16, 17, 18
Cropanese, Filippo p. 41, 127, 128

p. 73, 279, 280
Cure, Simone
Daniel Dupuis, Jean-Baptiste p. 84, 317

Dassier, Jacques Antoine pp. 8j-88, 332336
Dassier, Jean p. 86, 327-331, 335, 336
p. 76,
289
M.B.
p. 2g, 65,
66
219
p. 60, 218,
Fiorendno, Niccolo p. 18, 23, 24

Fortini, Giovacchino p. 46, 150, 151
Marteau, Frangois Joseph
263-272,
p. 70,
p. 74, p.
p. 75,
86
285-287
Matteo della Fede 55

Matteo de'Pasti p. 12, 4-6
Mazzafirri, Michele pp. ig-20, 30, 31
Medalist of the Roman Emperors p. 15, 15
Galeazzi, Gaspare p. 62, 227-230

Galeotn, Pier Paolo p. 20, 32, 33
Melioli,
Bartolommeo
Melon, Giovanni V.
Gatteaux, Nicolas Marie p. 78, 296, 297,

p. 80
Gennaro, Maria Antonio di p. 53, 185, 186

Geremia, Cristoforo di p. 16, 17, 18
Girometti, Giuseppe p. 58, 210-212, p. 5g,
Chaplain, Jules Clement p. 8^, 314-316

Cheron, Charles Jean Frangois p. 68, 254-
62
Blanc, Jean p. 70, p. 74, 282
Mauger, Jean
Gambello, Vettor di Antonio pp. 14-15, 12

Gass, Johann Balthasar p. 93, 352
Gatteaux, Jacques fidouard p. 80, 302
Casoni, Felice Antonio p. 50, 168, 169

Cavino, Giovanni del pp. 24-25, 50-52
226
Filarete pp. 1516, 15
Bosio, Giovanni 132
Bovy, Jean Francois Antoine
p. 11,
p. 62,
Manfredini, Luigi
p. 17, 21
Fragni, Lorenzo p. 23, 43

Franchi, Agostino p. 52, 179
311
p. 82,
92-95
Feo, Luigi de p. 64, 236
Candida
Bonis, Nicolo de p. 23, 44, 45
p. ^4,
Lixignolo, Jacopo p. 12, 3

Lucenti, Girolamo p. 33, p. 37, 105, p. ^8
Enzola, Gianfrancesco p. 14, 9
Bianchi, Ignazio p. 59, 216, 217

Bonacoisi, Pier lacopo Alari p. 73, 8
Maurice
Amadeo
Leonard, Laurent
p. 64,
340
p. 8g,
Lazari, Antonio p. 50, 170
Le
76
259
Bonzagni, Gian Francesco
Johann
Kornmann, Johann Jakob
Laurana, Francesco
318
Duvivier, Benjamin p. 70, p. 76, 289-295

Duvivier, Jean 263, pp. 74-75, 283, 284,
Benoist,
Kittel,
Lapi, Giovanni Battista p. 47, 153
p. 84,
Barre, Jean Jacques p. 79, 300, 301, 302,

305, p. 82
Bosio,
225
Dupre, Georges
Dupre, Guillaume
Borrel, Valentin
p. 61,
Jonghelinck, Jacob pp. 84-85, 320, 321
Dumont, Augusdn p. 82, p. 8^

Dupre, Augusdn p. 76, 292
Balugani, Filippo pp. 50-^1, 171, 172
Marc
Januario p. 53, 185, 186
Domenico
p. i^, 8
Bechot,
Jacopo Nizolla da Trezzo p. 27, 58, 59

Jaley, Louis p. 7g, 299
Johnson, Stefano
Dollin, Jean p. 70, 264, 265, 269-272
p. 79, 300, 301
Ardenti, Agostino p. 28, 64

Argentario, Bartolommeo p. 22, 42
Aury, Pierre
p. 6g, 258
Tour, James or Jacques Roetuers
76, 288
la
Mercandetti,
Tommaso
60-61
p. 57, 208,
209
Meybusch, Anton p. 93, 353, 354

Mola, Gaspare p. 32, 85-87, p. 33
Montauti, Antonio pp. 4546, 149
Moro, Giacomo Antonio p. 31, 82, p. 32
Moroni, Gaspare p. 33, 89-91, p. 34, p. 37
Neidinger, Johann Franz p. 52, 178
Nicolo de Bonis
p. g2
p. 13, 7
p. 27,
p. 23, 44,
45
Girometti, Pietro p. 5g, 213

Grechetto, II pp. 20-21 , 34
Niccolo Fiorentino
GuacialoU, Andrea p. 16, 16

Guerrero, Pedro Juan Maria de p. g4, 357
Guglielmada, Giovanni Battista p. 37, 106-
Ortolani, Giuseppe pp. 38-3g, 113, 122
108, p.
44
Guillemard, Anton
p. 54,
Piccioli p. 63,
Fieri,
234
Francesco p. 46, 152
Pisanello p.
u,
i,
16, 17
Pisano, Antonio di Puccio, called Pisanello
40
Hamerani, Ottone
Hautsch, Georg
Paladino, Giovanni p. 21, 35-37

Parmense, Federigo pp. 21-22, 38-41
Parmense, Lorenzo p. 23, 43

Passero, Bernardino p. 22, 42
189-191
Hamerani, Ermenegildo p. 40, 122, 123

Hamerani, Gioacchino p. 57, 139
Hamerani, Giovanni p. 37, p. ^8, 1 09-1 12,
p.
24
p. 18, 23,
p. 40, p. 41, 124, 125
p. go, 341,
Hedlinger, Johann Karl
277
p. 8g, 337,
p. II, I
Pivetti 237
342
338
Poggini,
Domenico
p. ig,
27-29
278
Polo di Angelo de' Vetri, Domenico di pp.
18-1^, 26
Pomedelli, Giovanni Maria p. 1$, 13
Ponscarme, Frangois Joseph Hubert p. 82,
Werner, Johann Peter p. gi, 346

Werner, Peter Paul 341, p. gi, 345
Wyon, William p. 86, 326
Cantii, Cesare 224
Cappelli, Bianca 165
Capranica, Lucrezia 200
Caprara, Ludovico 141

Carbone, Ludovico 11
Yencesse, Ovide p. 84, 319
312, p. 83. p. 84
Posch, Leonhard p. 92, 348, 349
Pozzo, Giovanni Battista
Carpi, Girolamo da 202
p. 41, 126
II.
Tomas
Francisco p. g4, 356

Putinati, Francesco p. 61, 221, 222
Prieto,
Giacomo
Carrara,
Subjects of the Medals
Abbe de
Abbe de
Charles-Michel 295
I'fipee,
Catherine of Bologna,
Mennais 308
Agostino, Antonio 68
Cesi, Federico 39
Charles
Roettiers, Jan p. 86, 325
Albert, Prince 326
Charles
II
Roettiers, Joseph Charles p. 74, 281, 286
Albertoni Alderi, Paluzzo Paluzzi degU
Charles
III
Charles
V
X
Roeg, Michael
Roettiers,
p. 70, p. 75,
Norbert
Roettiers de
la
284
p. 74, 281, p. 76,
Tour, Jacques
p. 76,
325
288
la
197
Albret, Jeanne d' 245
Rogat, Emile p. 81, 309

Roman Emperors, Medalist of pp. i$-i6,
Charles
Aldobrandini, Pietro 168
Alexander
Emperor
I,
Alfieri, Vittorio
Giovanni Antonio de' 70

Roty, Louis Oscar p. 5j, 313, p. 84
Ruspagiari, Alfonso da Tomaso p. 28,
Allegory of a Virtuous
Alfonso
Rossi,
Anjou, Jean
62,
S.A.B.A. 193
Saint-Urbain, Ferdinand de p. 59, 114-121,
89
Sangallo, Francesco da p. 18, 25
Sanquirico, Paolo p. 52, 83, 84

Sansovino, Jacopo pp. 25-26, 55
Antonio
p. 47,
II
154-158, 200
Serbaldi 47
Soldani, Massimiliano 107, p. 47, p. 48
Soldani-Benzi, Massimiliano p. 44, 140
of 118
Andrea
Spinelli,
Niccolo di Forzore p. 18, 23, 24
p. 26,
Compagniucci, Giuseppe 204

Cornaro, Flaminio 179
Cortona, Pietro da 254
Gorilla Olimpica,
Tatti, Jacopo pp. 25-26,
55
La
Scapti 51
Dante 233
Barberini, Francesco 103
de
la
Tour, Henri of Auvergne, Prince Vis-
count of Turenne 261
Barziza, Alessandro Antonio 129
Laura Maria Caterina 170

Giovanni 53
Delia Torre, Gianello 58
Battaglini,
de 197
Del Monte, Balduino 52

Descoraille, Marie 258
De
De
Vincenzo 206
BenUvoglio, Eleanora 190

Berlin, Dedication of the Hedwigskirche
345
Witt, Cornelius 253, 323, 324

Witt, Johann 253, 323, 324
Doge, unknown 183

D'Orleans, Margaret 256
Duodo, Nicolas 113, 122
Tiolier, Nicholas Pierre p. 78, 298
Berry, Duchess of 303
Dumont, Albert 314
Travani, Antonio pp. 36^7, 104

Travani, Gioacchino Francesco p. 35, 96-
Biancani Tazzi, Giacomo 174

Bianchi, Gian Paolo Simone 192
Duplessis,
Bibesco,
103, p. 36, 156
Trentacoste,
Domenico
Trezzo, Jacopo Nizolla da

Vaggelli,
p. 27, 58,
Bartolommeo Giovanni
Emmanuel
Bonfilioli,
59
p.
47,
Antonio Bartolommeo de 197
Borghese, Giovanni Battista 136

Borghese, Paul
132
Giovanni 162
Bourbon, Antoine de 245
Bourbon, Marie Louise del Monte
Varin, Jean p. 67, 250-252, p. 70

Vestner, Georg Wilhelm 341, p. 90, 344
Vetri, Domenico de' pp. i8-ig, 26
Voigt, Karl Friedrich p. 59, p. 92, 351
Waechter, George Christian
p. gi, 347
Waechter, Johann Georg p. gi p. g3, 352
Weber, Giovanni Zanobio p. 48, 161 167
p. 48, 160,
163
Elizabeth,
Duchess of Orleans, Princess
Este, Borso d' 3

Este, Cesare Ignazio d' 108
Este, Ercole II d' 62, 74

S.
Maria
Estense, Ottavio Tassone 194
236
Giovanni
Bourbon-Siciles, Marie Caroline de 303
F.
Brame,
Farinola, Valentino 140
312
Byron, George, Lord 230
Jules
Weber, Lorenzo Maria
248, 250, 251
Palatine 281
Bottari,
p. 48, 159
Armand-Jean
Eldon, Earl of 351

Eleanora of Toledo 164
315
Bolzanio, Pierio Valeriano 69
233
p. 63,
161
de 274
Balzo, Antonia del 8
Bassi,
106, 107, iii
Clement VII de' Medici 37

Clement IX Rospigliosi 102
Clement XIV Ganganelli 128
Ansano, Giovanni 138
Bellini,
56
Sweden
Antinous 67
Antoninus Pius 15
Argencourt, Marshal d' 249
Beccaria, Giovanni Battista 229
p. 14, 10, 11
Spinelli,
of
Colonna, Livia 72
Colonna, Vittoria 73
Beccadelli, Jacopo Ottavio Nicolo
147
Sperandio
and Lor-
Queen
Anna Ivanowna 338

Anne of Austria 252, 276
Bailleul, Nicolas
295
Cigna, Lorenzo 228
Cosimo
Giovanni Antonio pp. 62-6^,
231, 232
Selvi,
of Calabria
355
356
322
Gustavus 354
Emmanuel III 333

Abbe de I'fipee
Christina,
of Life 340
raine 2
Anjou, Jean
63
Duke
d',
325
Christ 70, 71, 81

Christina of Lorraine 166
17
Way
177
Chigi, Flavio 142
227
V of Aragon
St.
Charles-Michel,
Alexander VII Chigi 91, 96-99

Alexander VIII Ottoboni 115, 137
Romanelli, Gianfrancesco p. 35, 96
Santarelli,
Charles
of Russia 300
Romano, Giancristoforo 47
Romano, Pier Paolo p. 20, 32, 33
p.
131
Castaldo, Cornelio 12
Candalle,
Duke
of 95
Canova, Antonio 221
Battista
and Caterina
Farnese, Alessandro Cardinal 60, 61

Farnese, Alessandro,
Duke 320
Farnese, Francesco
112, 205
Farnese, Pierluigi 38
193

Faustina
sitter
Leo XII dcUa Genga 210

Leopold 353
Leopold I 120
348
Ferdinand I 219
Ferdinand VII 357
Ferdinand, Infante of Spain 127
Ferrata, Ercole 144
Ferrcri,
Henry of 244
Loubet, mile Francois 316
Louis XIII 260, 277, 301
Foix, Henri de 95
Fornasari, Ippolito 104
Louis
278
Louis
Emperor 157
King 22
Francis
I,
Francis
III,
Francis IV,
Duke
Duke
Duke
Nani, Jacopo 182
XIV
Nerli, Francesco 109
252, 257, 259, 262-272, 273(?),
XV
Duke
of Asinaglossi 87
Odescalchi, Livio 114

Oliva, Giovanni Paolo 255
OHvier, N. Th. 311

Orleans, Duchess of, Elizabeth, Princess
Ludovisi, Ludovico 134, 135
Lupo, Mario 189
of Valois 22
Isaac 288
282-284, 286, 287, 289
XVI 291-294, 296

Louis XVII 298
Louis Philippe I 310
218
Nero 50
Newton,
Nicholas,
Louis
160
Francis Hyacinth of Savoy 207

Francois,
Muratori, Ludovico Antonio 238
Lorraine,
Ficino, Marsilio 23
I,
Morosini, Francisco 178, 180
Lorraine, Christina of 166
Giuseppe 133
Francis
Morea, Venetian Conquest of the 342

MorcUi Fernandez, Maria Maddalena 161
Lefort, Louis 329
15
unknown
Female,
279
Palatine 281
Due
Francucci, Innocenzo 75
Frederick Wilhelm III 350
Machiavelli, Niccolo 201
Orsini, Paolo
Ottoboni, Pietro 159
George
Maffei, Marchese Scipione 334

Magalotti, Lorenzo 149
Maggi, Pietro Matteo 143

Magliabecchi, Antonio 186
Palaeologus, John VIII
Malaspina, Luigi 222
Paleotti,
Malatesta, Sigismondo Pandolfo 4-6
Paolucci, Fabrizio 344
unknown sitter 349

Malegonnelle, Alexander 203
Passi,
II
Orleans, Philippe,
331
Ghezzi, Pietro Leone 126
Giordano, Paolo
II
Amedeo
Godard,
92
319
Gonzaga, Francesco II 7
Gonzaga, Ippolita di Ferdinando 59
Gonzaga, Vincenzo II 89
Maria Christine 304

Maria of Burgundy 21
Maria Magdalena, Grand Duchess of Tuscany 167
Maria Magdalena of Austria
Maria Theresa 332
Hedvig Leonora 354

Helen of Troy 29
Henry II 239242
Innocent
85,
247
Marie Antoinette 290, 291

Marie Caroline de Bourbon-Siciles, Duchess of Berry 303
Henri d'Orleans 243

Henri of Lorraine 244
Pamphili 90
Innocent XI Odescalchi 105

Innocent XIII de' Conti 123
II
of
Anjou 118
John George
343
Joseph Jerome Lefrangois
Rovere
De Lalande
297
Bernardino 154
King of Spain 121, 185
Due
Philippe,
d'Orleans 328
Philologus 55
Piazza, Giulio 344
Pietro da Cortona 254
Pirovani, Filippo 93
Ermolao 191
II
Piccolomini
Ghislieri 40, 41, 49
Medici,
II
Philip V,
Pius
Medici, Cosimo
Jean Philippe, Prior of Saint Etienne 116
Perfetti,
Pius
James
Jean
Pavoni, Ludovico 237

Peace of Oliva, In Memory of the 339
Pellicani, Paolo 77
Marsupina, Helena 25
Martin V Colonna 35
Mazzucchelli, Count Giovanni Maria 335

Medici, Alessandro I de' 26
Stuart 124
II
Pisani,
Innocenzo da Imola 75
Ivanowna, Anna 338
III
Alfonso 169
Marie Louise 231, 232

Marie of Bourbon 118
Maurice Comte de Saxe 336

Maximilian II Emmanuel 341
Maximilian of Austria 21
Januarius, St. 184
Paul, St. 46
Marchi, F. B. Francesco 172
Andrea 56
Gritti,
92
Maria Anna 131

Barbo 18-20
Paul V Borghese 82-84, 132
Paul
Malvezzi, Gian Battista 76

Marat, Jean Paul 307
Giustina, St. 54
328
II
Palatine, Princess 281
Male,
Gozzadini, Ulisse Giuseppe 117

Gregory XIII Buoncompagni 42, 43
Gregory XVI Capellari 213
Grimaldi, Giovanni Battista 32
Grimani, Marino 57
d'
Giordano
Cosimo
de' 27, 28
III de'
lor, 146, 148, 151,
16,
36
Pius VI Braschi 139

Pius VII Chiaramonti 208, 209, 299
Pius IX Mastai Ferretti 211, 212, 216, 217,
234
Plancus, Janus 192
Polissena
Cristina
of
Poliziano,
Angelo 215
Portocarrero, Lodovico
256
Medici, Ferdinand
Medici, Ferdinand
II
de' 30, 31
de' 100, 156
Rheinsfeld-Rotten-
burg 188
Prosdocimus,
no
St.
54
Prudence, Allegory of 275
Medici, Francesco de' 27, 246

Medici, Gian Gastone de' 152
Quelen, Hyacinth Louis de 305
Medici, Giuliano
II
Quirini,
Keder, Nicolaus 337
Medici, the
163
Labia, Carlo 198
Michelangelo 214
Ministry of the Interior, Prize Medal of
Julius II della
Julius III
Ladies,
14,
47
Del Monte 34
unknown
63
Lami, Giovanni 153, 158

Las-Cases, Dieudonne, Comte de 306
Lautrec, D. F. Count of 330
first
de' 48
313
Molinelli, Pietro Paolo 176
Montaperto, Elizabeth de 187

Montecuccoli, Enea 195
Angelo Maria 125
Rangone,
Tommaso
55
Rapin, Rene 280
Redemption 318
Redi, Francesco 145
Religion 181
Riccardi, Francesco 150
280
Abundance
Vicenzo 171
Riccati,
Richelieu, Cardinal of 248, 250, 251
Romagnosi, Gian Domenico 235

Rouget de Lisle, Claude Joseph 309
Borso d'Este
p. 12
Adolphi, Christoffel 253

Albertolli p. 60
Bouchardon
p.
Alcantarines 148
Boxes 76
47, 120, 150, 239, 240,
Alexander 285
Alexander VIII
Revere, Vittoria della 147
242
7^
Boucheron, Andre
54
p.
Bracciano, castle at Lake 114
tomb
p. j6, p. j8;
of 115
Bramante 14
Alexander the Great 320
Brescia, Biblioteca Queriniana in 125
Altar 109, 130, 157, 316, 347

Anchor 8, 162
Breton, Hercule p. 70
Ancona, fortifications at 43
Androcles and the lion 96
Angel 41, no, 255
Angevins 17
Angouleme, Charles of 243
Anne de Montmorency 275
Annual pondfical medals p. 33
Antinous, medal of 52
Bridle 13, 140

Britannia 124
Serasi, Pietro 130
Antwerp 320
Serbelloni, Gabriele 79
Sesso, Isabella 13
Anziani 76
Apollo 149
Candelabrum 66
Cannon no
Sforza, Francesco
Arch 104
Caraffa, Antonio 59
Arch, triumphal 160
Cardinal Chigi 265
S.
Filippo Neri, Oratory of 199
Sainte Marie, Jacques de. Cardinal Sant'
Angelo 116
Samoyloff, Countess Giulia 223
Sangallo, Francesco da 25
Sarzanella de' Manfredi, Antonio 10
Giacomo 78
Savelli,
Savoy, Francis Hyacinth of 207

Saxe, Maurice,
Schlatter,
Comte de
W. von
J.
352
Eldon 351
Scott, John, Earl of
336
Sforza, Galeazzo Maria 9

Sinibaldo, Amico 196
Sixtus
Ariccia,
Arm
Stosch, Philip 285

Strale,
Anton 321
Stuart,
James
III
124
Taverna, Stefano 24
Teglia, Francesco del 155
Titian 64
Toledo, Eleanora of 164

Trivulzio, Gianfrancesco 33
Trombelli, Giovanni Crisostomo 175
Turenne, Prince Viscount of 261
Ugolini, Giuseppe 220
Universal
Exhibition
1900 History
of
1900 317
Urban VII Castagna 66
Urban VIII Barberini
86, 88
Vendramin, Moceniga 182

Venetian Conquest of the Morea 342
Venice, Campanile 225
Venier, Niccolo 190
Victor
Victor
Church of Santa Maria Assunzione
holding
Armor
Amadeus II 327
Emmanuel I 226
157,
Buoncompagni family, device 43

Bush 92, 167
Bust 153
Caduceus, winged 126
Cambrai, Congress of 283
Canova, Antonio
98, 99; Chiesa dell'
Peretti 44, 45, 65
Bridge 44
Assunta 98
celestial
crown 325
Cardinal's coat of arms 311
Casale 270
Casque 4
Castel Gandolfo, church of Saint Nicholas
263
Arondeaux, Reinier 253

Astesano, Orazio p. 33
Athena 172
Aurelius, Marcus p. 16
Aurora 59
Aury, Augustin p. 68
91
church of Saint Thomas of Villanova
91; palace 86
Castle 84,
no,
114, 194
Catherine
II ^.
95
Cavelier p. 84
Cellini,
Avignon 133
Benvenuto
C.p.63
Chamois 94
Charity
16, 150,
Balls 151
Charles
II p.
Barbo coat of arms 19
Charles
IV 357
Charles
Batde 353
Battle of Lepanto 79
Beata Maria Anna of Siena
Charles VIII
Charles
79, 240, 241
Beehive 206
Charles the Bold p. 17

Cheron, Frangois p. 44
Bees 88, 206
Cheron, Jean-Charles
Belgrade, taking from the Turks 341

Bellona 17, 275
Christ 71; carrying the cross 139; child

151; driving money changers from the
p. 12
Voltaire 347
Bertinet p. 68
Besnier, Nicholas p. 76
Widman, Christoph 94
Bigari, Vittorio p. 5/
Witt, Cornelius de 253, 323, 324

Witt, Johann de 253, 323, 324
Birds 55, 285
Abraham 42
p. 92
Sweden
p.
44
122; facade of 198
Classical ruins 314
Bishop 219
Blessed Margaret of Savoy 49
Boats 41
Boisbaudran, Lecoq de
Bona Fortuna 275
Book 36, 149, 170, 347
of 68; washing
Civitavecchia, fortifications of 88, 97
Giuseppe 115
Werner, Peter Paul 346
monogram
temple 40;
209
Church
Bertosi,
68
p.
feet
Christina of
Abramson, Jakob Abraham
17
p.
78
p.
Bernini, church at Castel Gandolfo 91
General Index
340
86
Barrel 285
Bernini 68, 92, 96-98, 102, p. 36, 137
III.
65
Ceribelli,
Bacchus 51, 145

Balloon 296
Benedict XIII 154

Benedict XIV p. 41
Guido 173
p. 20, p. 32, p.
Celestial globe 107
Vigri of Bologna, Caterina 177

Voiture, Vincent 279
Zanetti,
p. 62, p. 81
p.
83
Clement
Clement
Clement
Clement
Clement
Clement
Clement
VIII 168
IX
p. 37, p.
p. 37,
XI
XII
p.
68
49
38
p. 41, p.
XIII p. 41
XIV
p.
41
Borghese, Giovanni Battista, arms of 136
Coats of arms 344

Colonna, Fabrizio 59
Colonna, Marzio 72
Borner, Peter Paul p. 44
Colonna shield 35
46

Column
Federigo of Urbino
162, 166, 339, 344
Column, twisted 340
Feltre, Vittorino
Comedy
Ferdinand
127
Compass 149
Conch shell 321
Cosimo
Cosimo
28, 47, 74, 159, 185, 262,
p. ig
III p.
Costantino,
Domenico
Two
6j
Churches, Ferrara
350
Coysevox p. 8g
Cradle 340
Geremia
Cristoforo di
Hamerani, Alberto
Crown
Hapsburg, House of 157
Ferrata, Ercole p. 44
Ferri, Giro p. 44, 144
Helios 257
Filarete 15
Helmet
p.
Cupid leading
Hieroglyphics 69
Florence, tyche of 153

Florence, Uffizi 28
Histoire Metallique
321
Domaine
p.
86
I
73
David d'Angers 309

De Launay p. 8g
Degenhard Joseph, Philipp Bertram
Dejoux p. yS
p.
46
Delisi p. 65
Giacomo 60
Delia Porta,
Eastern Hemisphere
in
I p.
60, 160
I,
p.
48
131
Elizabeth p. pj
Empress Maria Luisa

England, sovereigns,
p.
60
series
of medals of
331
Equity 28
d' p.
60
Eye of God 339
de Louis
Isotta degli Atti p. 12
Jesuit missionaries
42
Jeuffroy p. y8
XIV
hommes du
Juno 55
Jupiter 55, 157
p. y6, p.
8y
Kings of France, medallic
series of p.
yo
Kleinert, Friedrich 341
Knight 187
178, 251, 288, 321,
Krauer,
W.
p.
8g
347
L'Ambrogiana 148
Globe with laurel wreath 326

God, river 204, 205, 220
Goethe collection, Weimar 201
Golden Fleece, Order of 157
di
Grave 340
Lanzirotti, A. G. p. 65
Laocoon 208
Lauffer, C. G. 341
Rodigo, Gianfrancesco 8
Lauffer, L. G. 341
Laurel 261, 316

Laurel branches 104
Laurel wreath 170, 220, 248, 250, 263, 347
Lavy, Carlo p. 62
Orazio 134
Gravillon, Arthur de p. 65
Fano, fortification 84
Farnese, Alessandro p. 20
Paris 29
Justice 112, 142, 143, 268, 278, 327, 330
Faith 112, 339, 340
147, 239, 240, 242, 250, 254
Jouffroy, Frangois p. 8^
Judgment of
328, 330
Genius 251
Genoa, female personification 286
Grassi,
Fasces 316
68
Julius II p. 75
Facade of church 99
84
armor 322
p. ^4, p.
Garnier, Louis 279

Garter, Order of the 343
Geneva, personification of 329
Gonzaga
p.
Jesuit colleges p. 22
III ir
Germain, Thomas p. ^4,

Giacomo, Gian p. 21
Giampaolo p. ig
Globe in, 149, 170, 171,
Elephant-head crest 4
IV
Domenico 96
Innocent XI p. 57; coinage of p. ^8

Innocent XII p. ^8
Emperor of Austria
Francis-Joseph, Emperor p. 61
siecle
Easel 317
Farochon
lacobacci,
Joseph, St. 151
32, 55, 182, 204, 338
Fama 220
Fame no,
Hygeiea 350
Gallerie metallique des grands
Eagle of Este 108
Este, Francis
House of Hanover 124

Hydra 109
34
357
Dove 90, 117, 326, 339, 340

Dragon 43, 109, 162
Simone
50, 52, 120
89
Innocent
Frederick the Great 345

French coat of arms 284
Elia,
155
Infante Philip in
Francis
p.
82
Franceschini Baldassare p. 44
Francesco I p. ig
Frederick
Eagle
p.
France seated 250
Diogenes 285
Discord 357
89, 285,
340
8,
Indians 161
Denon, Dominique Vivant 300

Die press 317
Dog
Hope
Horn
France, figure of 291
Francis
81
p.
33,
Honore
Hound
Fountain 280
Fountain in piazza 217
Fountain of the Sciences 58
France 263, 290
Delusse
48
Horseman
Danzig 339
D'Avalos, Fernando Francesco
XIV
Horse 124
Horse's head 104
Fortune
Fortune on a dolphin
roi Louis
History 300
p. 46, p.
Fortitude 327, 330, 339

Fortress plans 257
13, 24, 250,
du
6g, p. yo, 257, 260, 262, 263
Cybele, seated on a lion 296
Dassier,
119
55,
Hercules, robe of 62
Florence, Palazzo Vecchio 28
Forli 344
a bacchante 72
13
Hercules
86
Fontana, Domenico 44, 45
31, 157
Crucifixion 70
Crystal Palace Exhibition 326
}8
Health 7
Heart 340
Font 128
Cross 339
p.
Ferrara, city of 220
Flowers 347
Foggini, Giovanni Battista
p. /j
go
Hands 248
g4
p.
Florence, Palazzo Medici Riccardi 150
p.
p.
B. p. 92
J.
Ferrara 168
Flaxman
44
Council of the
Cow
329
Hagenauer,
145
Ferdinand VII 304,
Corniole, Giovanni delle p. ig

Corsica, a woman 286
Cornucopia
II
Hermann
Haffner,
14
p.
da 16
Gregori, C. p. 4y
Gregory XIII 40
Lemercier 276
Guidetti,
Guido 39
Guild of
Roman
Goldsmiths
X 37
Leoni, Leone 58, 59, 72, 322
Lepanto, Battle of 41
Leo
p.
75
282
Levillain, F. p. 84
Lightning 261
Lily 55, 298
Lincei, Academy of the 192
Lion 124, 152, 281

Lion of Saint Mark
Montaperto family, crest and motto of 187

Monteman, Lorenzo p. 94
Morea, conquest of the 178; map of 342
Pius VII 139

Poletti, Luigi 216
Mountains 187
Popes, bronze portrait plaques 137

Port 84
Heinrich p. gi
Miiller, Philip
57, 225, 335,
342
Musical instruments 347
Pradier
Lippi, Sibilla 29
Livorno, plan of fortress 30
Livorno, port of 30
Loos, Gottfried p. 92
Lorraine, series of medals of the
and Duchesses of
Dukes
p. 39, 118
Louis XIII 252
XIV
Louis
p. 56, p. 68, p. 69, p. 70, 253;
Napoleon I p. 60, p. 6j, 306, 357

Napoleon II p. 65
Nassaro, Matteo dal p. 64
Naval battle 41
Neptune 92, 121
Nero 50
Nymph
Polish Succession,
of the Seine 274
p.
war
of 160
82
Prometheus 32
Prudence 34, 200, 275, 327, 330
Putto (Putti)
8,
151,
155,
177,
182,
317,
329> 344
Puymaurin Baron de
Quirini,
302
p. 79,
Angelo Cardinal p. 52
Angelo Maria 345
Quirini, Cardinal
medallic history of p. 6g; medallic series

of p. 68, p. 70
Louis
XV
Louis
XVI
75
302
p.
Louis XVIII
80
p. 78, p.
II
Moro
82,
Oudine, Andre
83
Owl
Adeodato 238
Maldalchini, Olimpia p. 34
Man on a chariot 182
Padua, Church of
Mansart, Francois 276
Palace facade 222
Marcellini, Carlo p. 46
Pallas
330
Marseillaise 309
Burgundy
Masks
340, 347
Medals 164
Medici arms 151
Medici coat of arms 37
Cosimo
Medici,
II de'
Giustina 54
Roettiers, Charles
Roettiers, Philip p.
Roland,
79, 195
Roma
Roma
Rome
tree 76
145
Medici, Ferdinand
I de' p. 19
Medici, Gian Gastone de' p. 46
Medici, House of p. 4J, p. 48
Medici, Lucrezia de' 29
86
p. 81
seated on shields 48
43
79; church of S. Gregorio 136;
Palazzo
dation medal 277; tyche of 294; Val de

Grace, foundation medal 276
Piazza del Popolo 65; Piazza del Popolo,

obelisk 45; Ponte Felice 44; Porta del
Venezia,
Popolo 45;
S.
132, 135; S.
foundations
75; Saint Peter's design 14; Saint Peter's,
Pegasus 155, 187
facade 82, 83; Saint Peter's foundation

14; Santa Maria Maggiore 102; Santa
Pelican 16, 77
Peter, Saint of Alcantara 148
Maria Maggiore, Baptistry 210; Santa

Maria Maggiore, Pauline Chapel 132, 213
Pegasi 8
Rose branch 100
Mercandetti, Pietro p. 57
Rosebush 156
Rossi, Angelo
Mercury
310
Mexico, Seminario Tridentino of 357
Mignard p. 70
Milan, tyche of city of 284
Philosopher 186
Rossini, G. A. p. 65
Philosophy 155, 170

Phoenix 337
Round temple
Milky Way 55
Minerva 92, 117,
Piazza with fountain 217

Pieta 260
S.
Pistrucci p. 86
Sail 8, 321
Pius
II II
Saint Francis Borgia 255
Pius
IV
40,
Pius
137
153,
332, 333
Mirror
34,
Modena
200
218
Monastery, plan of 148
170,
185, 207, 221,
20;
of 37; Saint Paul's Outside the Walls

211, 216; Saint Peter's bronze doors p.
Paul IV 40
Peace 26, 141, 143, 218, 283, 339
79
Philip V, equestrian statue of 185
69, 119, 120, 268,
of
Ignazio, foundation medal

Maria del Popolo 45; sack
Phaeton 205
27
II
Saint Genevieve 301; Saint Louis, foun-
Philip
p.
76
Gesu, facade 60, 61; Palazzo Venezia 20;

Palazzo Venezia, foundation medal 19;
301;
citadel 38
Parnasse Frangais 279, 280
Paul II, p. 16
85
p.
Roettiers, Joseph p. 44, p. 70, p. 74
Athena
292,
Norbert
Roettiers, Jean p. 74
24
Parma,
III de' p. 27,
Medici palle 31
Medicine basket 7
Melone, Altobello
p.
St.
Pamphili device 90
Papal tiara 35, 37
Paris
Mathematics 171
Maximilian I p. ly
Medici, Cosimo
Rimini, castle 5
Rimini, San Francesco 6
Church of Notre Dame

305; Pont de Neuilly and the Seine 289;
ij
p.
Richelieu, device of the Cardinal de 251
8^
Palace 131
Palm
17, 141, 284, 286, 310,
of
Religion 171, 301, 339

Religion, veiled 181
Restrikes of papal medals 35
285
170,
Paduans
Mariani, Camillo p. 52
Mary
320, 355
River god 262
Malatesta,
Mars
Ranieri, Niccolo p. 62
Ribbon 249
p. 82, p.
Madonna 213
Madonna and Child 49
Antonio 47
Rancetti, Giorgio di
p.
Orsini, Flavio p. 54
Ottoboni, Pietro 115
149, 155
Maderno, Carlo
Rene
Order of the Golden Fleece

Orleans, Tyche of 281
Lynx 192
Lyre
Rainaldi, Carlo 102
67
Order of Saint Louis 266
15
p.
Racine, Jean 266
Obelisk 45, 65, 69

Olanier, Jacques p. 76
Olivier,
Love 24
Ludovico
Oak 316
II p. 27, 58,
Piamontini, Giuseppe
79
de' 115
357
Roussel, Jerome p. yo, p. 8y

p. 45, p.
46
Rovigo, church of
S.
Stefano 198
Nicolo, Castel Gandolfo 91
Saint George
Saint
Hedwig
and the Dragon 343

345

Saint James 355
Saint Louis, Military Order of 272
Tidan, portrait of
Titon du
his
son Orazio 64
Saint Michael 123, 243
Evrard 279
Tournon, Frangois de 243
Salamander 22
Town
Alamanno
p.
46
Sangallo, Giuliano da p. 18
San Martino, Count Carlo Enrico di 115

Sansovino, Andrea p. 18, p. 25
de 22
Savoie, Louise
Savoy, House
CYRILLIC
113, 122, 168
AHHA
of,
medallic
series
p.
54;
p.
JIIIP
CAABA IMnEPlH
GREEK
jS.Ka0apTO<; yapihocTKyiai^ 29
Triangle 162, 193

at
Naples 2
Tuileries palace 294
Sea 350
Seaport 114
Turin, tyche of 226
to
the
Tyche of Paris 262

Tyche kneeling 160
piu
Unicorn
TlTTTOiV
3,
Urn 316
59
view 121
p. ig
Ship 78, 93, loi, 110, 162, 262, 324, 335

Skull 13
34, 38, 200, 221,
350
Sobieski, John p. 37
Soldani, Bacco in Toscana 145
Soldier 110
Spain, baptism of the Infante Carlo Cle128; personification of 128
Spear with banner 316
Ugo
Stanislaus
p.
63
Stork 53, 165

Stuckhardt, F. p. 54
Suhl p. go
Venus 321
Verona, meat market
Verona,
191
334
winged 178
Virgin 344
Virtues no
Vollgold
War
Swans 155
Swimmers 33
Sword 157, 249
36, 164
Tasso, Torquato, biographer of 130
p.
p.
A
A
bouy 310
d ianuario
d f 334
A
A f 179
A franchi
A g f 190
A
186
179
gall perfid capto trident
semin mdcccix
357
guillemard
f 189, 191
A
A ioue et sorore genita 55
A lavy f 226
A lodovico antonio muratori
g2
A
A
A
[f]
la
Weapons 26, 157, 263

Widemann, A. p. 48
Winds 78
Winged horse 59
William of Orange 253
Wolf 162
J.
p.
ad
travanus
fata
f
suprema 340
104
Abenoist eques ad vivum
go
Wreaths 261
trecentos
f 259
ucrnaculos
expeditos
numerat 42
Abramson 350
Academia philarmonica an mdcclv 334
Academiae reg scient paris astronomus
acad londin berolin petrop holmi hafniens roter bruxel getting dublin
edimb
mant
taurin
bonon
florent
rom
patav
bostoniensis monspel tolos
&
socius 1787
297
92
Tiolier, Pierre Joseph p.
y8
patria
157
teneris
Abraham
J.
238
263
Wolrab,
2
Vigna 56
Versailles, palace and gardens 269

Vesuvius 185
Victory 48, 79, 220, 240, 242, 250, 283, 287,
161
Thorwaldsen p. 81,
Three Graces 279
Museum
Vittoria, Alessandro 55
Temple 112
Temple of St. Michael
Thomas, J. G. p. 84
81
LATIN ALPHABET
Virtus in armor 24
Sunrise 103
Table
82
tino 179; St. Francesco della
Victory,
95, 130, 169, 177, 182, 197
3, 106,
p.
Venice 335; Loggetta of Campanile 225;

S. Maria dei Frari 69; S. Nicolo Tolen-
Victory seated on weapons 336
Statue 238
Sun
Vauthie
333. 353
160
Stars 55, lor, 107, 109
Stemma
81
ItJ"
Vatican, Appartamenti Borgia 210
Shield 43, 185, 249, 288
Spinola,
HEBREW
Valois-Angouleme, Marguerite de 22
Sheep 325
mente
[X]atyro[9] 320
Valdor, Jean-Baptiste de p. J4
Valois, Charles de, due d'Angouleme 22
Siren ri
IV
34
15S
Val de Grace 276
Silenus 145
Snake
T^paTov/jLai,
Vaccaro, Lorenzo 185
KaS^âSoi'tots 67
Valadier, Giuseppe 210
Siege of Guise 263
Sixtus
29
ySacrtXev? Kai. avTOKparcop pcofxaioiv
o TraXatoXoyo?
Avfj.^,
Sibyl 154
Italy, aerial
13
67
lojai'j'Tj?
124
Sforza, Costanzo p. 14
and southern
jxriviL, oixevt]
EXei/Tj XrjSata cryap~ri<; âcrCkLcrcra
Serpent 51, 201
Sicily
68
IcoawTj? oXa/xto? 158
mtmismatica dei
p.
67
rjpcos
E/c 7raXat//ot
Uniform Series 264-266, 268-272

Urban VIII p. ^4, 103
famosi Italiani
epicTKiXepS 68
AvTiPOO^
Tvcadi cravTov Kai 6eov 68
Captive King of Spain 357

iconografica
KvT avTovaTLv
Aw
Sciences, Fountain of 58
Seminario Tridentino of Mexico
338
338
palm 206
Trophies 79, 338

Truth 142
16
BCEPOCC 338
CryPK liOIJCTA 7 CEHT 1739
Tree, dry 13
Triumphal Arch
Scales 28, 173, 317

Scarampi, Cardinal
M IMHE PATPHIIAIICAMOaEP
r,
JKIIIIA
Trains 310
Travani, Pietro p. 44
Tree 261, 300
Trees,
medals 207
Serie
IV. Inscriptions
Tillet,
Tragedy 127
Salus 51
Salviati,
283
Zeus 205
Zodiac 157
Accedo sed non sucedo oneri 76
Zodiac band 205
Ad
Acquirit et seruat 167

astra 187
284
Ad
munim
ditioniso tutel
ciuitat
extruc-
Adeodato malatesta fece 238
Aduentu optimi principis 218

Aduentu principis suae parma
An
uoti
com-
pos XX apr
dccc xvi 231
Aduentui principis foelicissimo 185
Aduentus regis 226
Ae an 65 104
Aeneas montecuc caprara austriac agminib
praefect pontificii exercitus
dux 195
Aeternos praebet lutetia fontes 274

Agitante calescimus illo 230
Agor non obruor 78

Agregation d'histoire 314
Ai beneme riti della italiani
Almae genovefae
233
parisinorum patronae
uindicata
religioni
basilica
ta
edicto mdcccxxii barre
f*^
ex
regis
301
Al poletd arc inu 216

Al secolo decimo nono 221
Alba graeca recepta mdclxxxviii die 6 sep
dumont
de
m'^''^
directeur
I'institut
de I'enseignement superieur 314

Alesutheccordispaui desanguinenatos 16
r e
301
uicean 60, 61
dum
otthobonus uenetus pont
viii
pom creatus die 6 octo
empereur de toutes
137
les russies
300
Alfonsus palaeoius archiep bon sac
imp princeps 169

Alfonsus rex regibus imperans et bellorum
uictor 17
et
Anno gratiae m d c u 169

Anno primo mcdxuii pont
Annona publica 47
delle
arti
belle
milano
mdcccxlv 223
All'eletto da dio speranza de popoli 1846
234
Aloisia philip inf hisp
princip nupta
parm due
fil
carol
dec Ixv 356

Aloisius malaspina a s nazar march 222
Amedee godard graveur
editeur 319
America s america europe africa asia 326

Amicus sinibaldus an aetat suae lu 196
Amoris maxima 77
sacellum
uirgini
propug austr capt foed
Belgi gall
Bene super
336
uirtus te coronat anagr 254
domino de
Benedicie in excelsis deo
35
bus
beni
Israel ibi
amim
restituta 191
in mentis excessu 46
Bergomei assertis antiqui

Bernard 261
f
font-i
adolescentu lus
finibus agri 189
Bianchi 217
185
Ant lazari fee 170

Ant meyb 353
Ant montauti 149
Anton meybusch fecit 353
Antonii a strale dus de
vict
praemium 266
Bene fundata domus domini 98
Ant... 186
Ant de ianuario f 185
Ant de ianuario neapolitanus
Bibl sa era 329
Bibliothecae a se erectae dotataeque com-
modo
merxem
et
dam-
urb brix primario huius magistra-
possessionem contradidit anno
tui
brugge 321
Antonio canova 221
Antonius dei g rex nauarrae 245
Antonius magliabechius florentinus 186
iubil
mdccl 125
Blanca cappelli francisci
m d uxor
165
Bonis artib 222
Born 4 june 1751 called to the bar 1776

sol gen 1788 attorn gen 1793 baron eldon
com
Apis ton metpon 285
ch just
Apollini iuris utriusq uniuersitas a d 1692
resig the seals
pi 1799 lord chancellor 1801
1806 recalled 1807 con-
tinued lord chancellor untill the demise
rouget de
lisle
auteur de
of george
la marseillaise
iii
1820 reappointed by george
on his accession and created

combe earl of eldon 1821 351
iv
vovit
dc xxxviii 260
Borrel i860 311
dux mutine et regii marchio

comes et c 3
Bourbon del monte s maria 236
Borsius
sis
rom
eccl card
de richelieu
vise en-
esten-
rodigii
nuncupatus 248
ioannes cardinalis de richelieu
250
Arnhem
doesbovpg zutphen deventer

nimegue grave bomel orsoy rhinberg
vesel emerick schinck 257
le
6 oct 1789 294
Artes cui mille 126
Astra seruauit fulmen coelo deduxit 229
Au
genie inventeur de
sourds
et
muets dans
corday 307
p 48
voigt f 351
Caesar ignat prin aestensis 108
Caesari cantu 224
Candore et constantia 108

Candore et vaticinio 165
Car em d g rex sar cyp et
les
sciences et les
yndias 1679 355

Carol d g
b f et h rex
253
fee 253
ii
ier
333
dei grada rey de laspanas y delas
Carlos
taurinorum an mdcccxiv 226

f
C
C
d'instruire les
b duvivier 1801 295

Audientia publica pont max 18
Aury
Aury
Cc54
I'art
arts
Aug
idem 103
protettrice
mdcccxxiii
ivl
Bellicae uirtutis
Attonitus orbis terrarum 296
rom
xv
afundamentis erexit 132
Arrivee du roi a paris

viii
semp
mariae
Beatiss
e bibl card quirinus ep brix 125
Armandus
Alexandre
Alia
dux uenedar 56
Ariciae 99
Armand sanct
115
Aliusque
gritti
f 300,
s r
159
girometti fee 211
Armanus loan card de richelieu 251

Arce antiqua labente nouam extruxit 194
max
Ang
Basilic s pauli ex incendio
Angelus politianus 215

Anna d g fr et nau reg 252
Aram
gub 320
Alexander
1598 168
f]
309
Alexander malegonnelle 203

Alexander vii p
pius iust opt senen patr
gente chisius mdclix 96, 97
Alexander
Andreas
Andrieu
Alexander fames par pla dux belg
casonius
104
Alex ant barziza praet propraef 129

florentiae dux primus 26
Alex
Alex vii pont max a vii 98, 99
Alex viii pont max 115
Alexan vii pont max a iiii 91
Alexander card farn
[s
Barre 305
Bart uaggellius
44
V 44, 45
Annona
Aet 39 33
Aet 40 320
Baptisterio liberiano erecto dedicato 210
basilica liberiana 102
[An] toniu
Adolescentiae augustae 7
Aduen opt princ mdccxxxix 160
341
Albert
Ampliata
An dom m d Ixxxix
An mdcxxvi 134
tum 38
&
glor
mem
325
Caroli archiep labia episc adrien pielargitati
canonici rho digini 198
Carolus gusta d
Carolus
iii
sue got
wan
rex 354
parens optimus 356
Casalis arce in fidem recepta
B ciantogni 192
B du viv 290
B duvivier 290
B duvivier f 289, 292, 295
B marg sauo ia 49
B marie d pop quartum an iiii erexit 45
B uirgini aricinorum patronae 98
Cautius 7
Balduinus de monte comes 52
Certa fulgent sidera loi
270
Castellum sismondum ariminense
xlvi 5
Canebam 145
Cosmus iii princ
Cecidit ut
flos
aetrur loi
298
dc Ixxxi
cccc

Certum
Ch
salutis publicae
mort
Cw
di parlar
largo fiiime niusis
si
gratiisqus volentibus 11
Chcmins de
310
fer
Christina pr lotharingiae
Christina
mag due
suecorum regina
in
etr 166
gallia
D
D
D
D
ex-
Ciciccclxxiii 204
D
D
Circundabant earn
flores
rosarum
lilia
larum 344
berg mdcclxxxvi 190
Ciui Optimo clinico incomparabili amici
Cities
176
medic famil auctor 1201 163

Clemens ix pont max an sal mdclxix 102
Clemens vii pont max 37
Clemens xiv pont m a iv 128
Clariss
Coelestis origo 159
Col
soli sola
sum
iul fanestris
Colleg soc iesu
fundato de relig
Com
carolus h
Come
era
Comes
io
181
84
omnium
s
nationu [m] gratia
opt[mer] 42
martin inuen 115
et lit
doue era 225

maria mazzuchelli
aet
anno
xlv
Eccles catholicor berolin 345

Ecclcsiam cong orat macer atae
dc mote apto marchesa de
elisab
aper
comes
D
D
D
D
D
com
sp
194
concepta 237
Conditori ac ciui b
ticinenses a
mdccc-
XXXV 222
Conspicuae
in uno 330
Constantia triumphans 3^9
Constitui te principem 123
Contessa giulia samoylofT nata pahlen 223
Conuentus nobilium parisien- sium 293

Cor exest nunquam excordis regina uolan-
tum 32
a lautrec legat reg
ad pac genev
gon d fred
franciscus
pub
ianu
iii
mantuae
salusq p rediui 7
patr neapo vero patri patriae 184
io chrys trombelli
bon ab exg can
ob a
Cornelius de witt nat a 1623 iohannes de

witt nat a
1625
sceleris
que purus
in-
teger vitae 253

ferrea
fauste feliciter
inaugurate
avita et aucta 219

Corsicum facinus excusatum 265
Cosmus iii d g magn dux etruriae 148, 256
Cosmus iii d g magnus dux extruriae vi
Cosmus iii etruscorum rex 151

Cosmus med floren et senar dux
Cosmus scaptius 51
Costanzi 184
Crescam laude regens 152

Curatorum d s mdcclxxxv 189
27,
28
ambris 1697 199

Ecclesiam dioeces raven
xerunt
fundamentis
anno
excitarut
salutis
trentacoste 233
En honneur du
ordre de
V 263, 283, 291
David 1830 306, 307

Dant ignotas marti novasque mercurio
et uita 70
souverain du tres noble
la iartiere
343
m m d etr uxor
Eleonora toletana cos
164
Eleonorae bentiuolae coniugi 190

Eliz car palatina rheni ducissa aurelian 281
310
alas
cruci dicat pa-
troni agrodotarunt sacr supellec instru-
Ego plantaui 206

Ego sum uia ueritas
Daniel-dupuis 317
De uota uenetia conloca uit 189
Decursio 50
Elu par I'assemblee nationale 316

Emile loubet president de la republique
Dei numine 329

Delahaye f 258
Emmanuel
Enaeas pius senensis papa secundus 16
Deliciae populi deliciae domini 151
Eq guido
Denon d 300
Deo in honorem
franâise 316
sancti petri
de alcantara
41
_
Dilexi
Diligit
domine decorem domus tuae 91

dominus decorem domus genitricis
suae 102
deum
antonia ba[u]tia de gonz

Catherine
templum anno
39
haut
us orationis uoc
ii
par
la
Et de ford egressa est dulcedo 305

Et fera memor beneficii 96
Et iucunda
et
idonea uitae 155
Et mente
et
Et portae
infiri
armis 332
Et portae infi no pualebut 82
Ex acad
non praevalebunt 83
benedictina atq etrusc antiquit in
primus docit agric
et hist
Ex o [t] ere gloriam 248

Ex uoto pub 1552 239, 240
Exemp dedi nobis 209
pinxit 172
Exhibitor 326
Fr
sfortia
uicecomes mli dux
et pacis autor
all
belli
iiii
pater
mcccclvi 9
Francois due de valois comte dangolesme
au X an d
Francesco da
Dupre f 292
Duviv 294
ea 22
sangallo
scultore
archietto
fioren 25
Facieb 25
Fundator
Duvivier 284, 291

Duvivier f 283
ferrariae
et irlande
foy mdclxxviii 343
vivier f 293
288
mairie de paris 292
.10
grace de dieu
grande bretag fran

la
la
nations 326
tre puissant et tres excellent
prin ce charles
la
com
bus errent sen
Establissement de
Exhibition of the works of industry of
mdciiiic 112
roy de
Erit qui demonstret in quibus coeli parti-
Exempla omnia
christi
faustina dius antoninus 15
tre
Dux
mar
augusta diuae faustina 15
Domus mea dom
Du
Eques bernardinus perfetti senensis 154

Eques petrus leo ghezzius 126
nat peritissimus 174
281
Discutit ut coelo phoebus pax niibila terris
Domini
zanettus italicae monetae scriptor
instit scientiar
Dis genita et genitrix
Diua
Diua
Diue
Diua
bibesco 315
^73
et b iustie v et m hoc t d ica e

anno dni mdxv 54
De puymaurin d e dubois f 304
De puymaurin direxit 301
Deus ecce deus 154
Deus noua faedera sancit 128
Dextera tua dom percussit inimicum 1571
Du
ii
us tempi formampp eiusd cong

funda runt aere iosephi marconi die 17
hui
princeps franciscus medices 246
de fenseur de
146
primam
mdclxxxv 197
Egentium uods 150
1784 aet 87 175

niccolo duca d'asinaglossi 87
philip nerio 199
244
Cornelius castalidus feltrien iuris con 12
tuus 70
filius
intoto orb d philip ner di cat in amplior
Deo optimo
laurentius magalotti 149

Oct tassonus esten
Concipe ccrtas spes 1585 320

Conditor sodal filior a maria sine labe
Corona
Ecce mater tua mulier ecce
148
335
Comes
Comes
235
223
spes
stel-
Coelo
bentelli f
D
et
dubois
canzani
1738 330
conuallium & in capite eius corona
Ixviii
264
187
cepta
dc Ivi 264
Christophorus hierimia 17
Christophorus s r e card uidman 94
Cic ice xii 149
dubois 1840 305
f de puymaurin d 303
E hamerani 122
E rogat dirige par p j david 1833 3^9
340
a paris 1789 295
Che spandi
mdcc
E
E
Cure 279
pignus 188
michel de I'epee ne a Versailles 1712
285
iiii
quietis
m d xxx
iiii
26
Francis medices floren et senar princeps 27
62
Ferd
med magn dux
etruriae
iii
30
286
m magn
Ferdinandus
Fui
sum
dux
etruriae
iii
Fuit potens in opere et sermone luc xxiv
31
et ero 33
Federicus eps prenestin
r e cardin caesius
39
Fp 39
F p 40,
Fecit
Fecit
France no 586 326

Fortitudo prudentia aequitas 330
Fer patienter onus constanti pectore spera
in coelo fidei certa corona datur 339
41
Fabriti card paulutius secret status et iulius
Francisci diui 56
anno
anno
dom mdlxxv
monumentum
Friderici regis clementiae
Ft 97
Ferdinandus
cardin suo acre perfecit 345

Frid wilhelmus iii boruss rex pater patriae
mag dux
ii
etruriae 100
103
Franc
Franc
r e
presb card nerlius 109
par et plac dux 112
urbani 121
350
Ferdin
quirinus
s r
cropane se
127
F cropanese 128
F corazzini 131
F corazzini f 129,
Factus
130
principatus
est
humerum
super
eius 139
Flavius s r e card chisius 142
Franciscus redi patritius aretinus 145

Famam quae terminet astris 147
F marchio riccardi r c
et sum aule pref 150
cos
etr a cons
Franciscus delteglia floren 155

Ferdinandus ii mag dux etr v 156
Franciscus iii d g loth bar et
etr d rex
ii
ii
Henricus
ii
Ferrar et in uniuersa
balu[g] an
[i]
ital
de
lat
Gasp mol 86
architectus
Gatteaux 296
Gatteaux f 297
bononien
Gdp
bellicus 172
f 172
Fran mauroceno eq d
imp
n proc cont
Franc
par
et plac
dux 205
Franciscus hyacin uic
cyp rex 207

Francisco iiii a a pr h
am
sab
dux
xiii
gob
et
et
b duci
mut
reg
d g
austriae imperator Ion-
putinati 222
incise
224
fr sfortiae
Horatius
fr et
hib rex 331
Hyeronimus
m cm
xii
319
a carpi pictor ferrariensis ob
eum
amori 82
b 282
90
Gratia obuia ultio quxsita 156
bianchi
216
bianchi
217
Gratia obuia ultio quesita 100
I c roettiers
37
Gm
m dec
Ixx 347
Gregorius
xiii
Gregorius
xiii
an pon x 42
max a
max a vii
pontifex
Gusia libera ta
1583 43
213
restituit a vii s princip
[illegible]
i
julii
213
4 (?) medalla 357

dc i 263
285
Felicitas publica 291
collaborateurs
64
Hospitalitas augusta 264
Hyacinthus lud de quelen archiepiscopus
fil
210
Felix congressus 283
H R H prince albert president of the royal

290
simo an mdccclxxxiii 224

virtutis opus 168
Hommage a amedee godard cinquante an-
Hoc
1556 aet 55 202
Gregorius xvi
omen
fonte susceptus 1772 128
parisiensis 305
Gregorius xvi pont
et
nees de labeur et de direction ses amis
254
Foecundat et ornat 280
FcEcunditads augustae pignus
xvii
intercepto 263
Historicorum italorum sui temporis claris-
ses eleves ses
cheron 255
F marteau f 1727
F m 286, 287
an
Hispanorum commeatu
205
Guerrera
fil
59
primogents 9
cheron
f r
rex christianissimus 239
Hispan infans a
1761 235
Grave
uenet rex 219
Fran broggi
F
F
ii
manepr em 104
Gloria et honore coronasti
mir 218
Ferdinandus
Gl
dux candallae par fr 95

francor rex invictiss p p 242
galliarum rex inuictiss p p 240
galliarum rex inuictiss pp 241
fox ualettae
Hippolyta gonzaga ferdinandi
225
1613 246, 247
Girometti
fil
1 i
Henry de lor due de guise 244

Her ii dux ferrariae iiii 74
341, 342
il
Hie armis ille toga maximus 253

Hierusalem novam descendende coelo 199
Hinc auctus fulgoribus aether 109
Hipp abb fornasarius bon archigy i c de-
Gian domenico romagnosi piacentino nato
Flaminius Cornelius senat uenet 179

Fr mau eq d
pr ae iii im c t 180
Hercules ferrata sculptor eximius 144

Hermolaus iii pisanus praet propraef 191
p q r 79
uicecomes
Georgius byron 230

Georgius ii d g mag br
Gh
178
iii
sfortia
iiii
legatus 168
171
marchi
Franciscus
Galeaz maria
mli ducis
hier 160
turenne 261
Henricus
Gabriele serbellono
Henr aurel dux 1535 annorum 17 243

Henr de la tour dauvergne princ vicec de
Henricus
cccclxv
25
Fidelitas doli uictrix 357
G dupre 318
G dupre f 1630 249
Gf 106
G f f mdccxv 150
G galeazzi f 227-230
G girometti f 210, 212
G m [] 180
G moretti dis johnson
G moron 89
G w V 344
G z ve 162
Helena marsupini consorte fioren
Henricus
mdcccxxxix 220
Filippo cropanese f 127
et
u 344
eleonora dei gratia regina suec
Henr
prouedente anno
354
perator 357
Ferdin vii cathol 357
G c waechter f 347
G cardinal legato ugolini
127
20
19,
Ferdinandus hisp inf parm plac uast dux

Fil
ciuitatis foriliuii
Haec meruit pietas praemia 53

Hamerani 123
Hameranus 112
Has aedes condidit anno christi
hispan rex indiarumque im-
vii
comites 340
mu ab igne protectrix
imago b
mar
heduuigi sacrum ang
epis ueliter card barberinus s r e uicecan
est
Hedewig
344
Ferraria 74
Feris tantum infensus 89
tibi sint
patrona
card piazza nuntius ap uien foroliuienses
60
mdlxxv 61
sal
Hae
Haec
xix 311
commission 326
Hac duce cuncta pla cent
no
d
d
d
281
329, 332
et fils
336
269
li
das et
dassier 330
dassier f 327, 329
parm
335
38
I t
lor
I f t
1666 100
travanus 103
352

h
f III
lo lapi 153
lect
lo ortol 113
170
k 340
mauger
cone 255
ueber 164-167
loanna rcgina nauarrie 245

loh ansanus rom ama et invidia maior
V 161, 164-167
138
lohanes dux calaber
gen
pp
xi
iv a sac
a Schlatter pres et consiliar intimus 352
warin 251
comes carrara maria anna
lac
mariae de ara
coeli presb car
de
angelis 116
bon ae
lac tatius blancanus
octav
a Ix
de
nicol
o 1789 174
anton
beccadellis
barthol de bonfiliolis palut

alteriis
r e
card de
praesidio eccl paroch marimortae
fundatores 197
s r e presb card sabellus 78
lanus plancus ariminensis 192
mon
badinage 279
iohan et cornel de wit
Imp caes carolus u aug 322

Imp caes franciscus pius felix aug
Imp roba tur car um lex 36
anima
In capite est
bar d rex
p p
ier
anno
et
delitium
memoria
vii
ejus in benedictione
311
me
max
mon amour
d g
mon
ayeul
pour eux paroles de
dux
lo battaglinus patr pisa 53

lo fran tri mar vig co muso ac val ren te
stosa
109
no
eldon lord high chancellor of
com
antelminella 200
anno 1734 329

desormais ma demeure habituelle
Ludov card portocarrero prot
de feo
1908
no
xvi franc et nauarras rex 293

xvii d g franc et nau rex 298
Ludovicus caprara 141

Ludovicus card ludovisius
s r
fundauit 134
Ludovicus card ludovisius
ignatio cui gregorius xv
f 219,
r e uicecancell
patruus
p
sanctorum cultum decreuit colendo temextruxit an
magnus
mdcxxvi
rex
134, 135
christianissimus
dauit an mdcxxvii 277

Ludovicus xiiii d g fr et nav rex 252
Ludovicus xiiii rex christianiss 263
Ludovicus xiiii rex christianissimus 262,
232
La henriade 347
Lau p 43
Laura mar cath
e uicecancell
259, 266-270
Ludovicus pavoni can eques ord iii 237
Ludovicus xiii d g francor et nav rex fun-
236
m 218
m f 218
manfredini
hisp arch
primas a cons stat prorex et

cap gen sicil ten gen maris orator extr
tolet hisp
plum
cossa 220
austr
regina 291
Ludovicus
L
L
L
L
L
310
geneu consul primar ann
ccxxxiii 284
bap maluetius eques a [c] comes bon

an XX7 76
roi des francais
Lud mag fra et nau rex p p 257

Lud XV rex christianiss 286, 287, 289
Lud xvi rex christianiss 296
Lud xvi rex christianiss mar ant
Ludov
Ludov
etruriae vii 152
294
etatis
appelait les diep-
Jura civium asserta

J'y ferai
Instaurator 69
Insubria austriacis erepta
le fort reip
ad innoc xi
earl of
alle
leggi 235
lorsqu'il
iv
297
Insegno nuova e necessaria saviezza
d 33
hameranus
hameranus
apperûe hier qu'henri
great britain 1827 351

Jos hier le frangois de la lande n burgi 1732
Innocentius franchutius 75
Innocentius xi pont max 105
d g sirm brae d 114

m d cec xlii louis philippe
1734 aet 66 329

15
a r 303
Jo gasto
humble
gregorini archi 199
Lud
1789 292
suis bien
dans
John
123
tres
xi juin
Lucretia capranica
Joannes b beccaria 229

a xi 90
de franee par son
obeissant serviteur jean dassier
regnant 310
267
f 264, 266,
avait raison
Infert et sustinet 249
Innocen x pont
Innocent xiii p
me
du siecle de louis xiv

monseigneur due d'orleans
illustres
a rl
Longobardi uenetique mens sept a mdccc-
pois ses bons amis, j'imiterai
ut pupillam oculi ps 17 339
Loi du
Jac ant dassier 1739 333

Jac roettiers 288
omnem
fils
tres
Livius odese
142
p Werner ec 346
silvain bailly premier maire elule
Je
1723 328
Lu
guerrero 357
juillet
principis apost 82
hommes
et
tur-
uictor 353
Lucenti 105
mauger
d g dux lot bar rex ier 120

d g rom imp semp aug
Litium series reseissae 278

Livia columna 72
286
J
J
Louis xvi roi des frangois 292
ceu pupillam oculi protege christe tui
lo lapi 153
dc Ixiv 265
chaplain 1899 316
c r
te spes mea 193

In te suprema salus 350
In uera uitam nos relligione per
lo
xxxviii 219
Louis philippe
dassier 331
In
custodi
misso
chaplain 314-316
iii
lot
Leopoldus
petit
tentato
pont
iii
xxvi 161
lo
feliciter
brame 312
sanguine
est nobis in
In hac historiam castiges 173

In hoc ego 162
macch
mdccvii g c 184
lo
aera
bmdgamfmdsviid dec a
In sseculum
d g
dediez a
max a iii 34
papa secundus 47
lulius ligur papa secundus mcccccvi 14
lunguntur ut imperent 112
J c
157
In capitolio coronata prid kal sept mdccl-
per
lustitiae et veritati
323
honorem
latere
Leopoldus
Les
michael ueneta 13
Italicae melpomenis uindex 227
lulius
bergom an mdcclxxxvi 130
uita pat
carum
lulius ligur
Illustrissimi fratres
In
Leop
mdcclxxxiii 296
270
Ih 339
viri
con-
dccc 271
Legi regique fideles 293

Leo xii pont max anno iv 210
Isabella sessa
lules
li
miiitiam
innavalem
juvenes
scripti
Legato a
amat cong 193
133
Isaacus newtonus 288
Id
le les fais a
lothoringus siculi
loseph compagniuccius 204

loseph ferrerius uiceleg auenion admdcix
Itinere
f cat
an xx mdccxxxii
Lavy 188
Le blanc f 282
Le 18 fevrier 1899 316
Lecti
et
loannes baptista grimaldus ppr 32

loannes baptista princ burghesius 136
lacobus
li
andeg d g dux lotharingiae 118
loannes bapt
inst scien soc
lohannes bottarius 162
lac trez 59
lacob
ii
regis primogenitus 2
uxor
passi
131
lac
loan
pub
Laurentius cigna 228
lo V milon 60, 61
268
263, 265,
oliva soc iesu pr
287
bassi
bon
phil doct
coUeg
264, 265, 278
288
dgvba&psdcprsriar&
Ludovicus XV d g fran et nav rex 283

Ludovicus XV rex christianiss 282
Max eman
Ludovicus XV rex christianissimus 284

Ludovicus xviii franc et nau rex 301
Maximilianus
Lutetiae
r caes f
[ix] 159
Mdcccli 326
Lynceis restitutis 192
Mdcccliii 238
M^
corilla
167
Macellum mccclxviii
vici
sed
tibi
191
52
171
247
et prior s
steph patruo
256
Maria ant austr r et nau regina 290

Maria de borbonia ducissa lotharingiae 118
Maria karoli dux burgundiae austriae
magd
archid austr
magn dux
etr
85
histor et
et
magno
se cor
pore
Marsilius ficinus florentinus 23

Marte erox recticultor gallusq regalis 2
Martinus v columna pont max 35

Mauritius saxo gall maresc d curl
sem
comes
et
eq 122
ego at
truci-
ancilla
dei ab arcanis quern ex thure colo pro
Miche m 1588 30
Minerva dux uictoria comes 333
Minerva sacra 117
undiq ratis dogmata inq caeteros

ero semper errum 181
Non
Ministere de I'interieur 313
Notrisco albuono stingo
Mm
Nouam
21
Monnaie de
paris 317
208
cio che potea la lingua nostra 233
legrand
ecit
lauri mille tuentur 261
Nouo
sous-secretaire
el
reo mccccciiii 22
audaciam mirante sequana
codice lato
d'etat
bovy
m dc
278
Ixvii
utrique collatum decus 127
Nuia 242
Num
sign a mdccxlvii kal
Numismata
regum
decem 336
angliae
gulielmo
primo ad haec usque tempora georgio
310
magnae
Mulcendas natus ad aures 204

Munifico principi dominicus iacobatius 96
Musei ueronensis conditori 334
Mutina restituta 218
Nr
artis
Nouum
178
Mostro
mecum
289
restitutori
ii
britanniae ranciae et hiberniae
regi serenissimo etc dicata a joanne dassier
geneuensis reipub caelatore monetali
anno
dec xxxi 331

animis
redeunt
ingentia
consulis
acta et ormidati sceptris oracla ministri
281
th olivier episc ebroic nat mdccxcviii
253
Nunq
consecr mdcccxli ob mdcccliv 311
deficit 58
N tiolier 298
Natal mariae ther car regis primog xix dec
mdcclxxviii 290
Natali
ravalli
O
O
O
crux ave spes unica 318

roty 313
yencesse 319
cives servatos
Ob
scutellari
magnoni
bertoni costantini passega zanardi
coppi
maz-
zarini 220
et
Michaelangelus bonarrotius 214
xxxi 291
ultor 284
Non deficit alter 141

Non e'mamurio ancile sum
sidera uoluit 251
Natales delphini die xxii octobris mdccl-
antiquar 189
Nicolaus kederus holmiensis 337

Nicolaus macchiavellius 201
Nunc
Mario lupo primicerio bergomati
336
molem
agitat
c flan 21
Marie christine princesse de naples 304

Marie descoraille duchesse de fontange 258
Marie louise 236
Marin grimanus dux uenetiar 57
Mars
205
Nicolaus duodo
dat xxaugusti 253

Nomen in ore sedet 104
Marcus antonius a flore dono dedit 177

Margta aloys avrelianensis d g m d etrurise
Maria
ibis
M"" teste ministre des travaux publics m""
res 116
brab
mus
prje sedil
curante 274
Nicolao venerio praef bergomi 190
Nicolaus duodo comes et eq 113
Nobile par fratrum saeuo uror ore
Morea
equ
Monumentorum veterum
Marat 307
io phil
caesar
Meliolus dicauit 7
Mens
Mar magdalense arch austr mag d etr

Mar theresia d g reg hung boh 332
March
37
miscet 253
iulianus medices 48
Magnus utraque
tuti
comune vota la
mcmii 225
aug ger p m tr p imp
Meijbusch ec 354
Mens
Mai piu
ii
carol"^ fer'^^ 1^^ duchesse de berri 30^
Medio
161
le xi
il
pp 50
Ni bonis 44, 45
Nic cerbara f 215
Nic cerbara rom an 1828 214
Nico de bailleul proprset urb et
olymp
et uast
Magis
Nero claud
91
morelli fernandez pistor in arcad
M magdalena austriaca m d etr

M 145
M sold 1684 145
M sold 146
M soldanus 142
M soldanus f annmdclxxx 142
Mag
Neidinger 178
Nel giorno della rovina
Mediae ae gentis numismata a clariss ad m

aloysiam elect palat coniugem elegantioribus formis iamdiu expetita io ueber
excudebat florentiae a d mdcclxxxv 163
g parm plac
xxvii avril mdcccvi mariee a erdi-
le
nand vii roi d'espagne et des indes

decembre mdcccxxix 304
riedificazione xiv luglio
gm
Mdlxi 39
Mdxxv an
dux 231
magd
Nee
Mdclxvi 136
Mdclxxviii no
335
amantis deleatur
tanti ecclesiae pacisq
Neapolis 1702 185

Nec also nec alieno 106
Mdccxxi 124
fits
proruat 166
memoria 36
Mdccxii 344
Mdccxx 122
Mdclviii
uirosque sub oequore mersit

hagae 20 aug a'o 1672 324
Ne mi bisogna ne mi basta in
Ne
Ne
Mdcci 116
Mdccl 179
Mdcclxxvi 171
burgund
Mdccclxxxxi 315
Mdcccxiiii 218
Mdcccxiv 300
austr
21
Luxeit collecta maior 182
M 287
Mb 65
M cccc xlvi 4
M d cc xvii 281
M d xxxx 66
M dc Ixx 262
M dc Ixxx 269
M dc Ixxxiii 271
M dec 268
M dec xl 286
M dec xviii 279, 280
M dec xxi 283
M dcclii dassier et
M del xxxiii 261
M e a d las-cases 306
M ludov arch austr d
dux
Mdcc
maio mdcclxxxix 293
Nauale centumcell 97
Nauemque
e II 341
Natus parisiis an mdcclxxviii deunctus an

mdcccxxxix 305
armorum
interdicto ber-
gomates 1779 129
Ob
ecclesias
inlustratas
ordo antistitum
venet 179
Ob gratiam div desiderati regii et secundi
partus 276

Ob
germ
res in ital
et gal fortiter
ac foelic
Philippus
hispaniarum
utriusq
et
sicil
289
Quartum anno quarto
crexit 65
239
Odit tamen otia victor 94
Philipus austr caroli v caes 322
Qui maledieunt diei 161

Quid grauius capta 124
Quinto cal sept 1638 276
Picioli [f (?)]
Quod
Omnia
Pierius ualerianus bellunensis 69
rex 185
gestas 240
Ob
germ
res in ital
lustrat 149
Opportuna matris
mo
Opti
et gal fortiter gestas
Pio
tutela 207
Pius
Ornata
m dc xciii 266
domo
matris suae 99
Otho hamerani 125
nato 19 febr 1708 decesso 23 ian
1768 io a
s f
[.
m f c 352
.]
e brace
Paul-s pellicanus ae--t
Paulus
xxx
cxiii
sri
p 92
viii
m d Ivi 77
max
iii
d md-
rom pont max
max
max an
marce evange
Peruigili
um
viiii
lis
ta
solo ex-
meus 342
dei 339
e car aldob eccle exerc
an xxx 217
Restituta rep senensi liberatis obsid medio-
Pm
tr
p X imp
torum
vi eos
iii
suprem
restitutori sagaciss
museum
bibliotheeam
Pons ad lugniacum extructus
md
hetr audit
bare de stosch germanus 285
felix
uxor
ii
dec Ixxii
rotae
basilicis
pares 113, 122
eccc
templum an
gratiae
de-
B
15,
S cure
193
50
280
et dulce
Prix offert par
decus
meum
153
thom aq
hiacin
S u 115 120
233
ministre 313
iii
eond gre-
Salus 51
domino 93
Saneta catharina uigri de bononia 177
Pro bonis artibus bergomi colendis pina-
Salus nostra a
cothecam et lyceum erexere 131

Pro seep tris aras dat tellus et deus
Santarelli f 231
277
Proc honorib
gorius xvi rest mdccexxxvii 213
uillari
le
eat erin
raimun 49
S mdccxxix 155
S u mdccv 119
Sacrarium paulinum paulus
astra
Santiago patron de spana ora pro nobis

ss
decess suo f borgiae 255

et
morum
moeeniga
praestan-
thalamique eonsortes 182
dee xliv
287
Propagatori patriae laudis 130
Proprias in aedes redux suorum uods ex-
1679 355
Seeptri
eolumen
Scipioni maffeio
et
decus 327
march 334
Scire
nostrum reminisci 186
Se
regnum deo sub
et
b mariae tutela con-
secrauit 260
Prouidentia ducis
fortiss ac foeliciss
Prouineia di ferrara
felicit
Putinati f 221
Sejour d'alex
Sejour de
a r
a paris 300
madame
duehesse de berri
a dieppe 303
cossa f 220
pignus 356
Publicae securitate 30
romanae
S nicholao 91
S p greg uigila tutelae nostrae 136
S prosdoeiums s iustina 54
44
Portu burehesio a fundamen extructo 84
Publieae
Philippe due d'orleans 328
canus 93
em
Prouidenda principis 120

et chirur doc-
S c
leon f 289
Pons
Publicae commoditati 28
dat auen claues
Rossicam rem monetariam perfecit 352
cipitur 301
tor 176
Philippus pirouanus
quondam quas
60, 61, 86, 195
Romanis
S domin
tiae
Petrus girometti fecit 213
med
35, 37, 43, 48
dabit
Romae
215
eondidit
vendramina suauium
benemerenti posuit mdcc 115
Rog 284
p p 51
Profeetio augusti in belgium
143
Petrus paulus molinelli
et recepto
hedinio orbis consensu 1552 241
Poetae et ueterum utriusq linguae scrip-
Pelrus beretinus e cortonna 254

Petrus card othobonus s r e v caneell 159
Petrus card otthobonus s r e uicecan patruo
Philipp
mat parma mirand sandami
133
Proconsul iacob nani aeques
Petrus matth magius seren
Repleuit
Roma
Roma
moderat clem viii nepos 168

Peter paul werner medailleur 346
Petrus antonius serassius bergomas 130
mag
Religio 339
Renatus rapinus 280
216
Platone 23
Plus ultra 341
Premio pasquale
82
Perusiae 204
Pet
max
max
maximus 211
Pius ix pontifex maximus anno v 212
Pius sextus pontifex maximus 139
Praesidium
132
structae 217
tibi
Pius ix pont
106, 107, iii
orbem terrarum 90
Republique francaise 313
Rerum fato prudentia maior 200
dec mdcccliv 216
Praecl arimini
Pauperum commoditati aedes

Pax
83
Paulus V burghesius romanus pont
Paulus V pont
pont
vii
Pius ix p
basilicam pauli apost ab incendio refeetam solemni ritu consecrauit
Ponscarme 312
pont
m dc V pont
Regia uersaliarum 269
188
ix 84
Paulus V burghesius
mdc
max anno vi 41
max 40
max ann xxi 209
codicibus auxit 175

Polixena ehristina e rheinsf car
18-20
Paulus V burghesius ro pont
motus compressi 286
Recta tueri 219
49
Poetica theologiea historiea aseetiea scripta
dux
max
uenetus pont
ii
Regina ehristina
edidit
Paul sanquir 84
288, 325
Rebelles corsicae
Pivetti f dis 237
P d c s"" dargencour marech d bataille 249

P fumeo modello 224
P loysius f parm et plac dux i 38
P p Werner f 345
P sanquiric 83
Paul iord ii dg ang
36
Pius ix pontifex
Ostendit dominus misericordiam in
Pom
208
Pius V pont opt
Pius ix pont
ampliata urbe 262
et
xviii
petit obtinet in uia uirtuti nulla est
uia monstrat iter 341
Pius v pontifex
iv id
magno
ludovici aludovico
max
pont
ii
Pius
xciii
veronensis ex deer mdeexci 191
institutus
max aim
mas 234
Pius V ghislerius boschen pont
272
Ordomilitaris
234
pont
vii
Pio ix pon
princi pi 80
Opus cormani 94
Opus iacobis lixignolo mcccclx 3
Opus sperandei 11
Or settu quel carbone quella fonte 11
Orator imp turcarum m dec xxi 282
Ordo milit s ludovici insdtutus m dc
Ordo
Philippus V hispaniarum rex 121
275
Senatus consulto 335

Sexuiri commerciis regundis 268
Sic cunctus pelagi eeeidit fragor vir ae
121
Sic luceat lux uestra 66
Sigismondus p d malatestis
eralis
r eel c
gen-
290
Sigismondus pandulfus de malatestis
eclesie capitaneus
ro
haven en verstooten
Sigismundus pandulfus malatesta pan
Simplicitate antiquis par doctrina aequali-
lotgemeen
in alles
hun doot
staen naer
g 5
bijeen gelijck
naet leven zoo konstig zijn gedreven
Victorius alfieri 227

Victorias
Uf 9
U c ioh lamio acad
U d m ae 339
U f mcccclviiii 9
Sine ipso factum est nichil 71

Sit tibi curaeiuno 182
max 45
pont max ano
Sixtus V pont
apath praef b
65
153
Viii junii
mdcclxxxxv 298
Ville de paris 292
praemium 350
Societa nazionale dante alighieri 233
Uaccinationis
Uas elecdonis paulus apostolus 46
Vincen ii d g dux mant

Vincent voiture 279
Uelociter scribentis soboles 36
Vincentius
Solis
que
mineruam
170
Uen
labores 257
1721 181
Spes publica 160
gallici
Suauis in utroq 140

Sufficit
107
Sta tua pa cis 339

et orator
il-
mediolani 24
Stultitiam simulare loco summa prudentia
lustriss ducis
est
Suburbano recessu constructo 86

Superest
maximi matronaeque
eius spon-
sae neonatus inclyitus poscentibus pop-
cum
ulis
perenni
obsequio
hebraeorum corcyrensium
tespandat in
275
uniuersit
spes 8
me
Uirtut ex
replensuota
alijs
Tandem
mdcccxx 209
uicta sequor 250
Tantae molis erat 157
Te
copia lauro et
Tem
d petri in vaticano 83
Templi petri instauracio 14
Templum
stephani p
rhodigii renoua-
Thomas philologus ravennas 55

Tire d'apres nature au chateau de ferney
g
et
comoed corona
[.
.]
creta
mdccxxxxvi souwarofii
a mdcclxxxxviiii uictoriis
et
melas
magna ex
de-
creto augustae a mdcccxxi ponte impo-
populor
sito utilitate
Tu dominus
et
1588 65
Uirtutum exemplar ad paruos usque penates uterque parens utrumque natus
1595 57
1606 194
1616 187
1576 78
Uita del tasso 130

Uitae consulit atque uiae 119
1623 274
1626 275
Uitam mihi mors renouabit 337
1627 248
e presb card
gozzadinus praef
Una mente
et sorte
1662 98, 99
1666 lOI
324
Unica salus 124

galliae
diu ann
Ixiiii
sit
felix
232
magister 209
Tuetur
et arcet 114
Tutela
italiae
mihi rex
dom
talis
dec vi aet
semper
Ixviii
et
reg
259
1674 196
1675 103
1677 140
Urbanus vii pont max anno 66

Urbanus viii pon max a xv 86
Urbanus viii pont max a viiii 88
Urbe communita 79
Urbem servastis et orbem 353
Ut eruat praedam captiuorum fratrum 42
1678 148
Ut sapiens architectus fundamentum

quod est xps iesus 135
Ut utrunque tempus 92
16 [99] 114
posui
270
Tutum regimen 43
Twee witten eensgezint
1630 249
1631 251
100, loi
Trebia hannibalis a dxxxv v c lichtensteinii a
Uirtutis premia 31
iste
ciciccclxxi 127
Travanus
1572 245
Uotum
waechter 347
Titiani pictoris eximii efEgiesi a 64
Tragoed
1567 27
s r
mcmxii
aprile
omnia parent 24
praemium 272
Uirtutis formaeq praeuia 59
rauen leg a 117
tur an 1696 198
Xxv
Uirtutis bellicae
1680 III
1681 144
1685 342
1687 108
1689 137
1725 154
1739 288
1745 157
Valentinus farinola seren

gevloeckt gehaet
gemint ten spiegel van de grooten ver-
Vaticanus
d hetr audit
1745
332
1773 204
140
14
so
glaube hoffnung
Uirtuti
Ulysses
347
auch kein ander freund auf erden
ubrig blibe
30 juillet 1824 303

1561 28
182
fama bearunt 242
Wenn
325
Uirtute et constancia 321
ferrariensis
m dc xciv
fevrier
Z 233
fortunam ex
Uirtuti liburni ciuitas 1792 138
T bernard f 260
T m 209
T mercandetti f romae
T p 356
T prieto 356
89
halte
libe
du nur
fest
an
340
patrias uirtu-
aeuum humana
1772 (1778?) 182

Uirtus 58
Sydera cordis 57
Syxtus V pont max 44
xx
Warin 252
Warin 1630 250
Warin 1643 252
consulis
Stephanus taberna secretarius
le
Uires restituit 195

Uiri optimi philosophi humanissimi pro-
aug ao 1672 323
Su 114
mfu
Vincentius riccatus 171

Voltaire ne
W 138
W wyon ra 326
Uiolenta morte deleti
282
antiquaris
bellini
hagae comitis 20
Splendet usu temperate 164
Splendor nominis
vii et
206
Uerus praestat amicus 196

Uiae munitae mdccxxvii 120
Uictorem regni mars et bellona coronant
Sparget et ultra 178

Spes exercituum 287
327
emmanuel 226
Soldanus 141
Soli cui fas uidisse
ier
Vienna austriae a turcis oppugnari caepta

d 14 iulii liberata d 12 sept ao 1683 353
iiii
rex sard cyp et
323
bus 228
Sixtus V
amed d g
Victor
Victoria columnia dauala 73

Victoria ferdinandi ii 147
zij
1842 1884 314
il
voto e compiuto 225
INDEXES TO THE PLAQUETTES CATALOGUE

The numbers
are tliose of the phiquettes.
Artists
I.
Only those whose works appear

catalogue
other
are
artists are
to
here.
found
in the general index.
Abondio, Antonio 379, 383A;

381; follower of.? 380
AVB
in the
References
listed
circle
of.?
in italics
Bacchanal scene 400

Bacchante, sleeping 420
Battle of the Lapiths and Centaurs 38gT
Hans Jakob,
attributed to 385, 386
Cain killing Abel 394A

Callisto 389D, 389E, 389F
p.
Christ
113
ap-
bearing
the
cross
384F;
before
383A; child 361, 390, 413, 419;

crowning with thorns 384E; crucifixion
of 378; entombment 384G; flagelladon
of 360, 416; Last Supper 384C, 422; Man
of Sorrows 410; mocking of 405; on
Gethsemane 397; on the Mount of Olives
384D; resurrection of 384H; surrounded
Pilate
Flotner, Peter 370, 371, p. loy, 373; after
372
Kromer, Jakob, attributed
to 382
Labenwolf, Georg 374

Labenwolf, Pankraz, workshop
p.
of
373,
107
by angels 382
Contest between Apollo and Pan 389S
between
Contest
Moderno 358
menes(.'')
Atalanta
and
Hippo-
389P
Montagny, Jean Pierre 421A, 421B

Sansovino 359, 361, 378
Wallbaum
Mary, annunciation 368, 384A; assumption

of 364; Virgin hnmaculate 366
Midas, King 389R
Mocking
of Christ 405
Moses and the brazen serpent 403
Ninus 389H
Noli Me Tangere 388
Omphale 407
Pagan king in a scroll ornament frame 372
Pan 389A, 389S
Paris, judgment of 375
Paul, St. 417
Perseus frees
Dogs 408
Peter, St.
Phaeton,
Andromeda
fall
of 389B
Pieta 363, 380, 381,
Entombment 384G
Pilate
Euterpe 373
Pomona 389W
Abel 394A
Faith, temptation of 371
Proserpina
389U
Acisclus, St. 412c
Actaeon 389G
Flagellation, the 360, 416
Putto
Adonis 389N, 389O, 389Q
Goat
Adoration of the Christ Child 390, 413

Adoration of the magi 384B
Adoration of the shepherds 415
Helena (?) 389V

Heliades 389C
Subjects of the Plaquettes
Francis, St.
Aeneas 389X
Alexander the Great 387
Amor, education of 418
Andromeda
Rabbit
Callisto
and
Jerome,
their apotheosis
St.
406,
409,
421A,
Hunt 374
402, 41 2D,
Recruitment, the 425

Resurrection of Christ
384H
412B
John the Baptist 361, 419

John the Evangelist, St. 367
Joseph being pulled from the well and sold
394B
dream 423
Ascension of Christ 369
Joseph's
412E
Assumption of the Virgin Mary 364
Atalanta 389P
Jupiter seduces Callisto
Assisi, St. Francis of
373,
414, 424
Humility, triumph of 395
389F
365,
Rape of Proserpina 389K

Rape of the Sabine women 385
Repentant Magdalene 393, 401,
389J
Arkas killing
389K
(Putti)
406, 409
Hippomenes 389P
Apollo 389S
triumph of 392
421B
Pyramus and Thisbe 389I
4r2E
Hercules 358, 407
Angels 380, 381, 382

Annunciation 368, 384A
383B
383A
Princess,
Achilles
389J
404A, 404B, 411 A, 41 iB
Elder, standing 386
II.
John 361,
Manna, gathering of the 391A
Dancing peasant couple 376

Diana and Actaeon 389G
(Matthias) workshop, circle of
the 383, 384
St.
412D, 414, 424

of Sorrows 410
and the Samaritan woman 370;
369;
Lapiths 389T
Man
pearing to a saint 391B; ascension of

Enderlein, Caspar 387
King, pagan 372
419; of Loreto 359

Magdalene, Mary, repentant 393, 401, 402,
Ceres 426
Delaune, Edenne
p.
Madonna and Child with
on the road to 399

Calydonian boar hunt 389M
Cephalus, abduction of 389L
Centaurs 389T
Bolten, Arent van 380, 397
and are preceded by
Last Supper 384C, 422

Lion 358
Luke, St. 396
Boar attacked by dogs 408
Calvary, scene
397
Bayr,
Page references are indicated
Juno transforms Callisto into a bear 389E
389D
Sabine
women, rape
Samaritan
woman
Satyr 406, 420
Scene at an inn 398

Scene on the road to Calvary 399
Sea monster 421A, 421B
Sebasdan,
St.
Serpent 403
291
of 385
370
412A
292
Shepherds 415
Silenus
389R
Simon,
St.
Naiads 389N
Neriad 389X
Eros 375
Nuremberg
Faith 395
362
Syrinx 389A
Hans p. 113
St. 412A
carvers p. 113
Friderich,
Francis,
Theater scene (?) 425

Thisbe 389H, 389I
Gemmingen, Johann Konrad von

St. 412C
G. L. 412B, 412C
p.
113
Gervasius,
Unity, allegory of 377
Pegasus 389J
Peter, Apostle 384D, 422
Phaeton 389C
Phoebus 389B
389K
Pluto
Protasius, St. 41 2C
Venus and putto (Cupid?) 365; anoints

Aeneas a god 389X; toilet of 379
Vertumnus and Pomona 389W
Victoria, St. (?) 412C
Virgin Immaculate, the 366
Vulcan 389U
Hades 389K
Heemskerk, Martin van 395
H. G., Master 396
Holy Family 384B
Holy Spirit 384A
Putti 392, 400, 418
Hope
Raimondi, Marcantonio 389V

Rottenhammer, Hans p. 113, 385
Putto 389I
Quesnoy, Francois du 406
395
Humility 395
III.
General Index
Sadeler, Egidius 360
lo 407
Adonis 407
Amor
Satyr 400
379
Angel 368, 384A, 397

Angels 378, 380, 381
Arpino, Cavaliere
Atalanta
d'
360
389M
Aurora 389L
James, Apostle
Simon the Cyrenian 384F
Jerome,
Solis, Virgil
St.
384D
412A
389I
Bedilehem 384B
John, Apostle 378, 384C, 384D, 384G, 422

Joseph 384B, 390, 415
Star of
Judas, Apostle 422
Thetis 389U
Tmolus 389S
Juno 375
Jupiter 389B, 389X, 407
Venus
Babrius 377
Bacchus 400
Blattfriesmeister,
workshop
of 377
Bologna, Giovanni da 360, 405

Briot, Frangois p. 113, 387
Louis
XIV
Carrera 41 iB
Carrere 41 iB
St. 384F, 399

Adriaen de 405
Warriors,
392
Roman
385
IV. Inscriptions
AnAb
Cartelliers p. izy
Magi 384B
Charity 395
Madonna
Christ 360, 388, 410; being
Vries,
LS (monogrammist) 370
Lucina 389N
Luna 407
Breu, Jorg, die Younger 375
375, 407, 418
Veronica,
Koch, Jakob, II p. 113

Koch, Melchoir, III p. 113
crowned with
thorns 384E; being whipped 416; body

of 380, 381, 383B, 384G; child 359, 415;
dead 363; fallen to the ground 399; head
of 364; with outstretched arms 417; with
radiant halo 422; widi twelve apostles
384C
Clymena 389C
Cock, Hieronymus 395
379
Arci confraternita della
s.
Carrera 41 iB
Mary
378, 380, 381, 384G, 390, 413, 415,

423; annunciation 384 A; assumption of
Ecce tu pulcher
401; beneath the cross 383B; with Christ
1834
es
montagny
mi
g
413
421A
dilegete
lec(int) noster florid

fecit
Child 384B
Huius languore
Cranach, Lucas, the Elder 375
Mercury 375, 418

Methus 395
lo antonius petrasanta 363
Cyane 389K
Midas, King 389S
DG
or
DGI
388
Edrinus river 389B
Endymion 407
annunciata
Magdalene, Mary 363, 384G, 388
Mansuetudo 395
Mars 407
Meleager 389M
Diana 389D
sa.
368
363
Minerva 375
Modesty 395
Montagny, Clement, the elder
Montagny, Fleury p. iiy
Moses 39 1
Myrrha 389N
Venus 365
p.
i2j
si
412B
362
sanati su 363
et
decor

Medals and Plaquettes From The Molinari Collection at Bowdoin College / by Andrea S. Norris & Ingrid Weber With An Introd. To The Medals Catalogue by Graham Pollard

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Medals and Plaquettes From The Molinari Collection at Bowdoin College / by Andrea S. Norris & Ingrid Weber With An Introd. To The Medals Catalogue by Graham Pollard

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MEDALS AND PLAQUETTES

FROM THE MOLINARI COLLECTION

NORRIS & INGRID WEBER

THE MOLINARI COLLECTION

Medals and Plaquettes

NORRIS & INGRID WEBER

Introduction to the Medals Catalogue

1976 THE PRESIDENT AND TRUSTEES OF BOWDOIN COLLEGE

LIBRARY OF CONGRESS CATALOG CARD NUMBER: 75-4469

matching grant from the Ford Foundation

All medals and plaquettes in the Catalogue are the gift of

Molinari except for

which was given

and Mary Sophia Walker

TYPOGRAPHIC COMPOSITION AND LETTERPRESS PRINTING BY THE ANTHOENSEN

OFFSET PRINTING BY THE MERIDEN GRAVURE COMPANY, MERIDEN, CONNECTICUT

BINDING BY CRAFTSMEN BOOKBINDERS SERVICE, PORTLAND, MAINE

EDWARD BORN AND HARRY MILLIKEN

CATALOGUE OF THE EXHIBITION OF MEDALS

CATALOGUE OF THE EXHIBITION OF PLAQUETTES

P. Becher, editorial assistant

INDEXES TO THE CATALOGUES

master drawings to Bowdoin College.

by Pisanello, Antico, Soldani, Dupre, Flotner, and

gave 142 European

For the scholar and student the

Molinari collection can reveal directly the histori-

by Pieter Brueghel and works by Beccafumi, Zuccaro, Maratta,

Moeyaert and Koninck and forms

This catalogue has been ten years in the making.

the oldest college art collection in America. In the

ensuing years, important collections have been

During the decade three

given by George Boyd, the Misses Walker, Ed-

ward Perry Warren, Susan Dwight

William Tudor Gardiner, George Otis

Samuel H. Kress, the Halfords, Walter Gut-

cient art, Oriental porcelain,

seums. Great art of these periods

found only in large

art are rare in college art

the help of the

Ford Foundation, the

Kevin Herbert's Ancient Art

Bowdoin College and Marvin Sadik's Colonial and

Collections of important Renaissance

am pleased that the proj-

been completed in time for the rededication

shelf along side

has fallen the task

Molinari collection catalogue takes

medals and plaquettes was added to

and drawings. In 1966 the distinguished Molinari

and painting, and American painting,

Bowdoin drawings, American

art of the nine-

teenth and twentieth centuries. Oriental porcelain

and the decorative

Vinci, Michelangelo are

be added to that shelf

York, Washington and Boston.

that similar catalogues

by their friends and companions, boasting works