Digitized by the Internet Archive

in

2008

with funding from

IVIicrosoft

Corporation

http://www.archive.org/details/centuryofrussianOOschi

Mu 78^.8 Schindler
Century of iiussian Song
Prom Glinka to Hachmaninoff
ije.oo + BN^ c
lyiy

T
-

=.py
LIBRARY
NY PUBLIC

LIBRARIES
THE BRANCH

3333 07592 7364

THE NEW YORK PUBLIC LIBRARY

AT
LINCOLN^ENTER
111 Amsterdam Avenue

New York, N.

Y.

Jfl 1

10023

Books circulate for four weeks

(28 days) unless
stamped otherwase.

No

renewals are allowed.

be charged for each overdue
book
at the rate of 10 cents
per calendar day for
adult books and 5 cents
per calendar
fine will

for children

books.

day
^

.
form
04l>

BOSTON

THE BOSTON MUSIC

CO.

COI'VKIGHT, mil. HV

(i.

S(

HIKMER

A
Tins

Century of Russian Son^

from old-niastcr (ilinka well nigh a century

collection of fifty Russian songs, ranging

ago to present-dav composers

anthology of

like

Glazunoff and Rachmaninoff,

the

is

first

comprehensive

kind outside Russia, and means the opening of an almost entirely

its

new

re-

pertoire for the English

and American concert-hall and drawing-room. The collector of these

songs liopes that those

who

read these direct and sincere utterances of a great nation

may

derive from tiiem a pleasure ccpialling the deliglit which he himself has experienced dur-

He

ing the years spent in collecting and selecting them.

will follow his initiative,

Russia's great
is

inasmuch

also ventures to

key to the understanding of

as these songs are indeed a

so familiar to our concert audiences,

symphonic music,

hope that others

and to everything that

national and based on folk-lore.

About my

leading principle in the selection of the songs,

tried to find the

would decide

most beautiful ones

differently

of space excluded

most

nor the ones that

personally like best (in fact,

some of the well-known and

characteristic

to state, that

have not

a very vague definition, regarding which every man

still

message to the

tlie

limitation

beautiful Rubinstein and Tschaikowsky

fiivorites,that are already available in separate editions)

to bring the

want

but

chose those songs that seemed

Avorld, that are the

most

direct expression

of the Russian national character.

Until about ten years ago Russian music had been identified chicHy with Tschaikowsky's
music. Besides Glinka's operas, which were intermittently taken up

in

non-Russian opera

houses, and Rubinstein's music, which arose and to a great extent vanished with the brilliant

meteoric career of this virtuoso-genius, no Russian music came into prominence on the
ternational
his operas

market before Tschaikowsky; yet

and

ballets,

to foreign nations, but

it

was not the national element

and early syiuphonies deeply rooted

it

was the

later

in racial feeling, that a])pcaled

and seemed a particularly

characteristicexpressionof our modern nervous times (before R. Strauss offset

S271U

in

aristo-

Strongly perfumed, highly seasoned music,

senses, appealed to the emotions,

Symphonic conductors who were

him, not

Tschaikowsky, the polished, cosmopolitan,

cratic musician, that captivated everywhere.

which dazzled and agitated the

in

in-

it,

of course).

touch and sympathy with Russian music perseverea

(

vn

mmm q

city of

utw

viii

here and

Century of Russian Song

i\\i\\- in iiitrodncinj,'

works

Halakirtw, Kiiiisky-Koisakoll".

1)\

cert singers iiuliiilcd in llair repertoire

mained

f<ir

romances

fi\

marvellous
nal, that

Hoindine. Aieiiskv;

some con-

yet

re-

it

p\il)lic

of

e years, to iliscox er lliat llussia's greatest musician, the greatest musical

Modest Petrovitch Mdussorgsky. had

individuality this Slavic nation has possessed,

in

Jla/imoU":

the discriminating musicians and the sympathetic understanding of the

Paris, in the past

and died

l)y C'ni.

misery some twenty-five years ago,

l)e(|uest to his

unknown

ol'

the most

to the outer worlil. vet lea\ ing a

compositions so strikinglv new and

nation and to the world.

they seem to rank ahead

li\ril

modern

living composers,

and which

origi-

would

it

take generations thoroughly to ahsorh and appreciate. C'laude Dehussv and .Mfred Hruncau

ha\e

testitied to his glory.

Hussian admirer of

his.

Uaoul Pugno has enlisted

Mme.

his

The

result that

noUadays scarcely a

lavish production of his opera "Horis

Diaghileff and (Jahriel Astiuc. with

victory for his genius, anil

'I'll.

New York

(iodounow"

I'.tO'.i

seized hy a few singers to introduce his songs. He. of

the one most truly gifted in the

is

following on the

fast

hv .Serge de

in Paris in litOS

meant

complete

this

work of

in their repertoires.

\\'hen Sergei Kaehmaninofl" toured .Vmcrica in

its

is

C'haliapinc in the title-role, has

and tragedy

London

song-recital in Paris or

most of the European opcni houses have included

.almost Shakespearian breadth

delicate fragrance,

and a

France and Helgium and hv hooks

in

given without some of Monssorgskys music, and that

trail.

in his cause,

Oleiiine d'Alhcim. has uiven yeais of self-sacrificing cH'ort to

propagating Monssorgskys nuisie hy lecture-recitals

and pamphlets; with the

nohlc entlnisi;ism

all

domain of song. The

10 as a pianist, this occasion was

living Hussian composers,

spirit

seemed

of the Itussian landscape,

vast and melancholy iniincnsity. speak from the pages

we have

its

col-

lected.

(ilinka. the ff)un(ler of

Hussian art-nuisic.

mant elements of Hussian

folk-lore, elevating

established the national Hussian school with

instrumentation,
that

is

is

which nevertheless speaks

witii

them

all

represented by celebrated

closely related to the

(ilinka's

who

its

ini.is

single-handed eflort wakened the dor-

to

;ui

artistic standard,

own idiom

distinctly

from

his

two

best

-known

and

.iiid

they are elegiac. despairing.sentimcntal thev were written to

did so unfailingly.

W Onderfnl

is

and

operas, nmsic

Marsclmer. but

forcibly.

and Dargomijsky's ballads represent the period of ronianlicism

;

once

at

characteristics of rhvlhm. h:u'mony.

contemporaneous (ierman music of Weber

its

and who

move

in

Hussian music;

hearers to tears, and they

the atmosphere of the Hussian salons of ISK)

.50. tlial

these

A Centuiv

young men with romantic,

ballads exhale:

desperate passions and intinite longing.

kin and Tschaikovvsky sang.

It

is

Song

of Russian

ix

lofty ideas; hypersensitive, scJnviirinerisclic ladies;

i\ll

the

iiiilicii

strange to see

become amalgamated with Russian melodic

how

strains,

of

Eugene Onegin,

tlie styles

of Heethoven and Schubert

and with w hat appealing

Dargomijskvs Elegy (on a Moonlight-Sonata accompaniment), or

beria,"

who

Among
tion,

we

apostrophizes the "heavenlv clouds

the

felt it

many

"

of which Push-

results, as in

in his '"Prisoner in Si-

that arc banished and homeless like himself.

songs of Rubinstein that would have been worthy to enter this collec-

most important to

the attention of singers and public again to his "Per-

call

sian Songs," those strange exotic blossoms, full of the sensuous

charm and

vivid imagination

of the Arabian Nights, that he, being of oriental descent, was able to give posterity. These

songs are so graceful and dainty, and so beautifully written for the voice, that the world

bound to take them up

again.

Borodine, though born earlier than Tschaikowsky,

fully the
his

ultra-modern

life.

Songs

musical Russia.

ty})e of

music aiwa\s breathes the

vated citv

is

spirit

C'ui,

He was

and IJalakirew, represents more

never a professional nuisician, and

of aristocratic leisure, refined surroundings, and culti-

like the iridescent

"Sea Queen," the strange-scented "Flowers of J^ove,"

the mysterious "Sleeping Princess," the short and poignant "Dissonance," show a marvellous
sense for coloristic effects, which he produced by an harmonic scheme very similar to wiiat
is

now

called "Debussyisni," but a

method that he invented and

practised long before

Debussy.
In his

"Song

of the

Dark Forest" Borodine

ditions of early median-al Russian

music

(as

has gone back to melodic and rhythmic tra-

preserved in some of Russia's old weird folk-

songs), the effect of a bard reciting a ballad being brouglit out with stirring

and overpowering

force.

Many
seem

songs of Cui and Balakircw might have been included, but their message did not

so important or characteristic, nothing that the other composers had not better ex-

pressed or more strongly; so the former

"Poet and
to me,"

Critic" disguisetl as

most popular

in Russia,

that no one having heard

More than one-half

it

fitly

represented only by the deliciously humorous

Cuckoo and Nightingale, the

but

little

can escape

of this l)ook

and Rimsky-Korsakoflf.

is

is

its

known

latter

by

his

song "Oh, come

elsewhere, a melody of such sweet charm,

haunting loveliness.

devoted to the music of Moussorgsky, Tschaikowsky,

termed Russia's three greatest song-writers.

thr Vdim^vr ircncnitioii

( )t'

1)V tlic-ni.

know

Aieiiskv. well

atniosplien- in
I'iiaraeteristii'

Century of Russian
followed

his piano-eonipositions,

1)\

sonys. (ila/nnoll'

liis

llieni.

yivm

lias

are respectively characteristic in their limpid

i)e"mties that st'iin

i-alled

wt-ll-known son^s.

sk\' s

was

it

yet rcaclKd the

never

rist-s

liei-^lits

compositions of

,iltle I'ish s

country pietuix. that

is

in

lallier

Sono-' juid " Nereid,'

^I'acei'nl niclodioiis

contonrs.

some

(piestion of sclectinL;'

worthx of heeoinini; nnixirsal propert\. llow ehaiininL;

I

altaiiad

l)eyonil a eeitain salon-

in syni|)lionic

charm and

that ev(kes the picture of

iMeninii',

a sweet, fraj^rranl
his

his ht-st

lias

two son^s here inchided.

tendencies. Their

Anionic Tschaikow

none

tluit

Soni::

liiddi-n

the sketch

is

hilKidts so irrisistii)lv. such

,ittle-liussian

music what (ioyols landscape-descriptions

in

novels are to pottry. His weird oriental "C'anaiy-Sonir" evokes the exotic splen<lors.

palms and iuos(|ues of the

llu'

and that

settint;'

and the simple folk-tune

more simple than Massenet's complicated

poij^nant and aj)|)ealinii\

i)rush:

far-olV east:

of 'I'olstoy,

"At

the

like "

Legend

which has nioxed and

15all.

.en'cnd,

"

so

of the Sat^e-

will contiiuie to

mo\c' audiences to tears.

Himsky-Korsakoir. the

enoui^h to see his fame spread o\ tr the

lon<>'

of music

when he came

seekintr

cntiri'

Lieiitlc-heartcd old wizard,

and systeniaticully

.Moiiss()r<>"sky.

(I'.iOSi.

in a

into the suhn'cl

unci identiiied with the national e\j)ression, that his

lived

fe.istcd liki' a kiny'

was more foilunate than

canst' in

Russian folk-souLi. Rut while Kimskv-

i^orsakoir shaped his nuisic after the pattern of folk-son^-

who went

who

These two compost'rs made coimuon

giitherin<f the treasures of

masterK' wa\'. Moussorn'skx'.

who was

WDrld. and

to Paris a yeai' hefore his death

comi'adc and hosom-friind

his

opera-composer and

prolilic

somewhat

heail

and

philistine. school-

soul. w;is so

imhuid

son^s seem almost the inianalions

ot

the entire race standing behind him.

Of Uinisky we
brew

I>ove-Son<^',"

SnowHake),

should have

and three

full

liki'd

like

two

.'uid

a sweet. Hoatinn'

airs

"(K'oryi.'ui

from

the "Southern XiL;hf.' the weird 'lie1

ills.'

which

ai'c

his highly colored faii-v

nuieh

ni

Ihe s.uue class

opeia ".Siu L;ourolchka"

of imioccnt charm and dainlv rlulhms.

to t,nve all

hope to ha\e shown him

infinite

soiifj's (ISflfJ-Jiy),

and the melancholy

as l?orf)(line"s sonos;
(Little

three early

j^ive

in his

lienis in this selection.

Moussovf^sky's work, but

in

the choice of eleven son^s

most characteristic aspect. Tv\(i cradle-son^s of

\ot

beinn- content

melody, he diavvs

thi'

with

his are

rocking', lilting' acconijiaiiiiiKnl

interior of a

peasants hut, the niotlur with

tenderness bendinix <iver her chihl. drcanfuiii" of

its

future: he

makes us hear the

Century of Russian Song

xi

mother's sigh, the infants breathing, the tieking of the large clock;
of

it

all.

Marvellous pictures these two, of which

been particularly dear to the composer, since he

Here he

finds for the angelic vision at the

tiie

we

the loneliness,

feel

"Peasant Cradle-Song" must have

itiscribed

it

to the

memory

of

iiis

mother.

end harmonies of purple and gold, and draws

melodies of mediit'val Byzantine outlines.

INIartha's song,

from

his last opera,

frames from verse to verse in a

from the same work

is

"Khovanstchina."

new and

richer

is

an original folk-song, which he

accompaniment. The "Divination by Water"

an extremely powerful composition, the opening " Invocation of the

Spirits" being of almost ghastly

and hypnotic

effect.

And now

the vast loneliness, the des-

perate banishment of Siberia looms up from the throbbing of the downcast and muttered final
phrases.

There

is

much

sadness,

much melancholy

Russian poets and book-writers

in

Moussorgsky's music, as there

know

in all art,

can be comjiared to Moussorgsky's '"By the Water," from

his song-cycle

life.

It

is

its

mysterious

in al!

Tiu'genieff, Dostojewsky, Tolstoy; just as any great

being sincere, must mirror the true state of a nation. But

Shines," in

is

fatality, its

of

little

who

in his

that

"Where no Sun

"Hamletian" meditation over the deepest

not surprising that this composer,

art,

riddle of

music was wont to knock at the

very gates of death, should have adopted the inspiration of his poet-friend Count Goleni-

tchew-Koutouzow

Of these

to write a cycle of Death-dances according to the conception of Holbein.

four song-paintings

we

present "Death- and the Peasant" (Trepak). written on the

weird rhythms of the Russian peasant-dance. Strange

makes us

lies

changing the

diffei'ent

rigid ice-fields to

peasant-dance

its
is

laughing rivulets and pools, and the merry lark soars

piean of happiness.

the "Hopak," which irresistibly draws us into

makes us acquainted with a savage Russian

lad inserted in the opera " Boris

Godounow,"

sister

of Carmen.

ures in his short Joshua-Cantata as a middle

he caught from the

ssr^u

lips

"The

its wliirl,

and

Siege of Kazan," a bal-

gives us a wild picture of mediaeval Cossack-life,

surely inspired by Gogol's master-novel, "Taras Bulba."

plaintive melody.

The

frozen under the snow, but the sun shines again, spring comes into the

to heavenlj^ heights, singing

the Epilogue to this song, which

realize the majestic indiff'erence of nature to the misery of the individual.

poor peasant
land,

is

movement

The "Oriental Chant," which

for solo contralto,

of the Jewish peasant-people, most characteristic in

is

its

fig-

a strain that

wailing and

xii

Not the

least

Centurx of Kussian

important aiiuuio

are his imrsery-soiij-s.

<!'

tlir

which wc

coinparitiir a cliiid to a hh.ssoin.

w ulr and diverse

ciiioti-

and

'111.

that

liltino- ,v/ro/

Held."

Mav

to

liiis

collection

is

fields ..f Mdiissoi-frsky's

eompositions

dainty htth- sketch calkd C'hilds Snug,"

Hcctle," telhng of a child

y:n(kn. comes face to face with the i)rohlcm of a

Soii<i-

l)ceth-"s

playinn- in the

death.

Hachmaninotr's sellin-

the nohk-ii .grains of these Kussian sheaves

uli...

fall

..I

'I'olstoy's

"Billowy Harvest-

into lerlile soil,

and he reaped

a manifold harvest.
sonnfs in
In order to facilitate the recital of these

care has Ulvu heslowcd hy Mr. Ilc^m-y

i..

Kn<>lish-speakin.o- countries, especial

ChaiJUian and oIIhts on the translations, u hich

also closely follow the trend of the

not only cover the poetical idea of the orif-inals. hut

music. Fifty

new

son.ys. of

nndoul.tcd

the introduction of standard nmsic

in

vahi.'.

should alVoid ample opjiortunity to promote

the Kn^lish

l;m,<rua<;e.

lish-speakmn countries should take up these .songs

translations.

MuijJO,

I'.ill

ill

their

There

ou

ii

is

every reason that

lanyua^e instead of

KruT

in

Kn<,'-

exotic

Si ii'Niu

i;ii

Index of Composers
ARENSKY, ANTON STEPANOVITCH
Little Fish's Sony-.

P\GF

High

(FUrhlrhi.i Lied.)

KALAKIREW, MILY ALEXI^JEVITC'II

'"^h, conic to me!"
( ^^ [7(7W ;r.v dr

ALEXANDER

BORODINE,

A
^,

l'(

High

."")

t5

)RPn V]ME\ ITCH

High (orlMedium)

Eissonance.

Flowers of Love.

{Ln Rcinc dc

Sleeping Princess, The.

68

d' Amour.

{Fleiir.'s

Sea-Queeii, The.

hi

.Afediuni

62

High

Mcr.)

64

Aledium

"Slowly the daylight departs."

High

mni

212

70

From

{, Lcntcniriif bais.sa lcJoiir'.)

the opera 'Prince Igor.''

(or ;\Iedium)

Song of the Dark

~(^

(Chniimn dr

Forest.

hi

Fork Snmhrc.)

Medium

58

CUL CESAR ANTONOVrrCH

Poet

anil Critif.

XiirlitigaU

mid

Medium

K)d:iik.)

84

DARGOMLJSKY, ALE.KANDER SERGIEVITCH

Heavenly clouds.
Only Love

"Ye

[Medium (or Low)

[Xur

Hchcii !)

dear, fleeting hours.

"

21

[Medium

30

{Ihr furhti<rm Stinidcn''.)

High

(or .AL-dium)

26

GLAZFNOFF, ALEX.ANDER

High

Nereid, 'ihe.

ggQ

GLLNKA, .MICH AH. IVANOVITCH

"Ah.

kindly star.

"How

swict

when Fni with you.

"The

truth

"J

it is.

is

\,Dii fnnifrr Sfrrn".)

suspected.

""

Life for the C-nr".

(..Sie

""

(..

From ihe

U'ie

.s-;/.?,?

/.vr.f.

i>[^pra

'' Ru.'i.^hni

kuiiii hri

ahnen die Widirheif.

Dir

icli

,nid Ijidmilla.''

.win--.

High

(or

High

Medium

3
)

Aria of Soussanine, from the opera

Baritone

iq

MOUSSORGSKY, .MODEST PETROVITCH

Beetle, The.
lly

the Water.

Child's Song.

High

(or .Medium)

Medium
(Chan.soi)

Cradle-Song of the Poor.

iim

g2
-jQg

(I'Knfiinf.)

(La

High

lienru.se dii

or

Medium)

Puuvre.)

-xiii

Medium

100
132

Index

,-iv

Di-atli .iml

IVit-aiil.

111"'

Watir.

l)i\iiiati<iii liv

Ilopak.

.Martha's Sons;.

Chant.

KACIIM.XMNOl
'"Hetore

(Bcriruxc

'The.

T.

l.ihus.

tlie

l"ri)iii

SIIUiKI

nn window."'

"I low sweet

Ili.i;li

l<>r

116

Mi-cliuin)

" K hinanitUhimi ."

Iroiii tin- opc-ra

I'vaii.)

rnini

tin-

fnim the cantata

l.aiiifiitatioii

K.-izjin,

of"

'IVepak.

Low

thi

uptri
''Jnstni

'

Khinitmtchinn" ).

S'nv'mc"

Inini the

Piiyxan.)

"'

Medium

1T( II

"23
232
22(i

Ilinii

Medium

Morninii.

87

144

Baritone

Medium

126

152

Mctliuni

drama " FVw/(Jv/<i"'.

opera '"Boris GoiUmmnc \

.\SS11.I1

Metliuiii 0>r l,<iwj

Ili^li

tlie jilace

lOS

136

Martin:

{Ch'iiit i/c

Pojuijint ("radle-Sontt-

Siege

I'liy.siin.

DivimitUm pur

/,

if

it

.()nii)OScr.s

or Modiuni)

lliuli

Orii'iital

Mi"t

/-</

of"

() thou l)illo"y

22j

Low)

(or

liarve.st -field !'"

Hiffh (or

285

Medium)

KI.MSKV-KOUSAKOW. M( OI.AS ANDUK.IEN ITCH

Southern Nifjht.

Hebrew

Love-Sonj;.

From

On

tlie

Song of the

Sheplicril

Svlvan Honndelay.

"Hend. lovely

"I

"My
"Not

IX
4^

II

all

fairy

pretty maid."

"

Legend.

Springtime.

(or

IHT

lliijli

Medium)

opera " Snc^iirotchka."

..'J'/iii'

j'l.ri.u

1!)'J

High (orMe<lium)

High

1 !)()

~l)()

"

.spr'odc, .srhntu-s

.so

(..Irh /"iifdc dciiifii ()dcm^\)

(.,M(in Ilcrz .schmiickt

"

Kiml".)

.sith m'lt

52
4.S

42
hlrhini I'iUsr/nii iiii'\

US

High

Hi

High

(or

High

HJf^

1^2

High

High

(FriUdhifr).

High

dir".)

High

(,,.S(7/" idi driiir

High

High

.Mediimi

Ciiuiirl.)

(lA-Soir.)

"Tis evening. "

High

ii..nr(ii

dr.s Jiallr.s.)

lA-{rrndi-.)

(Ac

nicht

(,,Xiclil mit Kiiffcln".)

(Iiimittin

Hall.

Evening.

High

opera " Smjj^oiirotrlihii."

see those little feet of liiine.

Canary, The.

::

lie

beauty lakes from tiue."

AiKowsKV.

At the

mv

-vith angels.

"When

thv breath blow ro\md me.''

heart

de Geor^ie.)

(..Xn-r', .srhnnv A'lio.yjc".)

i)ud.''

not so cov,

feel

Ic.i rol/itu-.s-

I'roin llie fairy

I.clil.

I'rom

the fairy opera " Siufrourotilikii."

.wroN

i{iiu\<ii:iN.

"He

(Siir

(Jeorgian Hills.

190

Medium

(Cfuiii.soit hefiriiiquc.)

Little Snowflake's Arietta.

202

Medium

(Xiiit itu^idiimalc.)

Medium,
(or

lb"

Medium)

I'rom the opera "/';7(-/>/<-.

"S

""

Duet

t"or

Soprano and

.\lto

'(72

Index of Titles
PAGE

(High

'^^'A Dissonance.

Ah, kindly

A
A

Beetle, The.

(Alediuni)

(Higii or

Before M_v Window.

Bend, lovely bud.

By

the Water.

Medium)

(High)

(High)

jiretty maid.

168

20a

P.

TSC'HAIKOWSKY

10^

.M.

MoiSSOPGSKY

92

K.\CHMAXINOFF

A. RrmxsTF.iN

54

A. RlHINSTEIX

33

AL MOT'SSORGSKY

(jNIedium)

N. RiMSKY-KoitS.AKOW

S.

(High)

my

so coy,

TsCH.^IKOWSKY

P.

(High)

IJaiJ.

68

M. L Glink.\

(Medium)

Soutiiern Night.

Be not

A. BoitODINE

(Higli)

star.

Legend.

At the

Medium)

or

102

Canary, The.

(High)

P.

TSCHAIKOWSKY"

182

Child's Song.

(High or Medium)

]\L

MOUSSOKGSKY

100

M. MorSSORGSKY

132

AL MorSSORGSKY

116

AL MOI'SSORGSKY

108

(Medium)

Cradle-Song of the Poor.

(High or iSIedium)

Death and the Peasant.

(Low)

Water.

Divination

h}'

Evening.

(High

or

Medium)

Flowers of Love.

(IMediiun)

Heavenly Clouds.

(Medium

Hebrew Ixne-Song.
Hopak.

(High

or

Medium)

sweet

How

sweet the place!

feel

Lilacs.

(Medium)

^lorning.
heart

Nereid, The.

Not with

(High)

(IMedium or Low)

(INIedium or
all

Low)

beaut}' takes

from

thee.

(High)

(High)
(

22724

N. RiMSKY'-KoRSAKOW

190

M. MOTISSORGSKY

136

I.

Glixka

Rachm.\xinoff

XV

Rachmaxixoff

10

232
52

226

A. Arexsky'

212

N. RiMSKY-KoRSAKOW

187

M. MoUSSOKGSKY'

126

S.

(High)

angels.

21

A. RUBIXSTEIX

(High)

Snowflake's Arietta.

Song.

A. S. D.iRGOMIJSKY'

S.

Song, The.

178

62

S.

(High)

TsCHAIKOWSKY

A. BoRoniNF.

M.

]\Iedium)

(High)

]\Lartha's

My

(High or

thy breath blow round me.

Little Fish's
Little

is.

Low)

or

(Medium)

How

it

p.

Rachmaxixoff

229

A. RUBIXSTEIX

48

A. Glazt'Xoff

220

A. RuBIXSTEIN

42

Index of Titk's (contiiuutl)

XVI

PACK

Oiilv
Oil

(itoifrian

till'

M. M Al.AKUtl'.W

(Ilisli)

(.M(.(limii)

lovi'!

Oricntiil

mc!

to

oil. c'onif

(Medium)

Hills.

Mrdiiun

(llifih or

thou hillowv liarvest-ficld!

(Mrdiinn)

rcasiint Cradle-Soiifi.

S.

.\.

UlMSKV-KollSAKOW

.M.

(Medium)

Chant.

S.
.M.

Poet and Critic.

(Mcdiuin)

C.

Scu-Qucen. Th-.

(llijilO

.\.

Siege of Kazan,

'riic.

(.Medium)

Slowly the dayliglit departs.

Dark

of

Song

of the Shejilierd

til.'

(High

Springtime.

Sylvan Kniindclay.

The

truth

is

'Tis Evening.

When
Ye

T see

oi"

Medium)

suspected.

.MolSSOKC.SKV
.\.

Ci

MoltOlilM

1!);5

152
2.'35

87

84
64
144.

BOUODINK

70

,\.

BoUOIHX!'

76

.\.

IJoiioniM

58

N. RlMSKV-K()US.\K()\V

196

'I'sillAIKOWSKY

160

X. HIMSKY-KOKSAKOW

206

M.

(Haritone)

P.

(Duet)

those

IIMANINOir

1{A(

30

A.

p.

Medium)

(Higii)

I.

(il.lNKA

TSCHAIKOWSKY

16

172

(Higli)

.\.

Rr

IIINSTKIN

38

(High or Medium)

.\.

S.

Daiu;o.muskv

26

little feet

dear, fleeting hours.

22724

(Iligli

Lelil.

or

(Higli)

(:\Icdiuin)

Forest.

Song

.Mol .SSOHGSKY

M. Morssoitc;sKV

(Baritone)

Sleeping Princess, The.

l)Alt(;<>Ml.lSKV

.\.

15.1

of thine.

Index of

F^irst

Lines
PAGE

Ah

A. BOKODINE

come, weary one

All

liow

hurts

it

Ah, kindly

N. RiMSKV-KoKSAKOW

M.

star

Ah, stay with me

And by day and

b}'

night

fare

my window

Before

Be not

so coy,

my

pretty maid

By-bye, by-bye, sleep,

my

pretty boy

Glinka

M.

jNIoi'ssorgsky

126

Rachmaninoff

223

A. Rubinstein

54

A. rubinstizin

33

M. moussougsky

87

,M.

Child Jesus in his garden

P.

Cloudlets, ye heav'nly clouds

A. S. Dakgojiijsky

For

N. RlMSKY'-KoRSAKOW

go and gather

berries

Hear ye Amorea's daughters

Hi

Ha Ha The Hopak
!

How

sweet

How

sweet the place

Hush

it

hush

is

when I'm with you

feel

know

how lovely

me

132

Tschaikowsky'

168
21

206
152

M. jMoussorgsky'

136

S.

thy breath blow round

moussorgsky

M. MoUSSORGSKY

M.

with lovely eyes

212

By-bye, lower than the humble wayside flower

to

187

A. Akexsky

S.

Bend, lovely bud

I.

64

I.

Glinka

Rachjianinoff

10

232

A. BoRODINE

70

A. Rubinstein

52

P.

tschaikowsky

164

S.

Rachjianinoff

229

MoUSSORGSKY

100

I sleep

N. Rimsky-Korsakovv

190

Rlorning skies arc aglow

S.

Rachmaninoff

226

My

A. Rubinstein

48

M. ]\ioussorgsky

92

Not with angels

A. Rubinstein

42

Now

P.

not

3'our face

is

I love thee, dear

In the vale, oh!

heart

Nana,

all

in

the valley

j\I.

beauty takes from thee

listen to

what has happened

melts the snow

O'er yon mountainous height

Oh, come
Oh,

to

me

love thee so

madly

160

N. RiMSKY-KoRSAKOW

202

M. Balakirew

155

A. S.

22724

Tschaikowsky

xvii

Dargomijsky

30

Index of First Lines (eontinued)

XVlll

PAGE

On

iovi'Iv Taiiris'

A. Glazi'nokk

shore

tliou billowy hftrvcst-fieki

Pale

tlic

is

SIowlv Hie

S.

moon

.M.

departs

(iiivliglit

A.

Snowficlds in silence

of netlier worlds

Sj)irits

The

li^ht of

The

mists are hangiiiff low

The

truth

Thro' the

is

dnv

is

forest's

moan

lips say,

to her

canary

Rach.maninokk

235

.Mdl SSOKGSKV

102

HORODINK

llfi

yi.

.Mol SSOKGSKY

108

I'.

Tsc'HAIKOWSKV

178

\. RlMSKV-KoKSAKOW

193

I.

Gl.IXKA

A.

BouoniNK

1'.

Tsc'HAIKOWSKV

A. HORODINK

"I love thee*'

'Tis evening

I*.

To

N. Hl.MSK'i -KdllSAKOW

the thunder called the flying cloud

When

see those

When

stopped at Kazan

When

woods arc dark

Where

Ye

22724

tears of

little

my

feet

of thine

passion lia\e fallen

dear, fleeting hours

76

M. MolSSOKC.SKV

M.

suspected

Thus Zuleika spoke

Thy

slowly fading

220

TsCIIAIKOWSK V

A.

Kl HINSTKIN

-M.

.MoiSSOUGSKV

16

58
182

68

172
196

38
144

f.

A. (11

84

A.

HoitOIHNI,

62

A.

S.

1) AKl.OMI.ISKV

CENTURY

OF RUSSIAN SONG

"Ah, kindly star"

Dti trauter Stern"

Song from the opera "Russian and Ludmilla"

(Pushkin)

English version by

Henry

G.

Chapman
Michail Ivanovitch Glinka
(1804-1857)

/^

Allegretto agitato

^m

Voice
Ah, kind- ly
Du trau-ter

vibrato

hide not thy

star,

Stern

in

face

dunk-ler

Nacht,

Be-hind
ver-hiil

the

le

E
^^=^

^^

Piano

^ hH-H/^

J''

shades

of

r
nig-ht

P
from

dein strah-lend

nicht

/Ts

dolce,

Oh

me!
Bild!

con anima

mir,

still

Rat

mir,

dei

ne

m
mis

tress

Freun

din

^
^ ^

waits,

And

wacht,

ilir_

22
Z32\
-

r^JPPP

*i^^-^^
-

thy

r=r

Sin

Rat

tEE^

all

-&

her

heart

nen

nur

is

von

^
filled_

dir

with
er

P^

-er.

jO.

thee!

Oh

Rat

mir,

still

fullt,

Rat

mir,

dei

thy
-

ne

i
s

fe

^
32724

i
f

dE

3?!

T^ T=f

iEE^

f=r

ffi

Copyright, 1911, by O. Sckirmer

\T\t

or

iiiTif

nr iinn

iinni/

coil

^^

thee!.

For thee

fuUt!.

Ich

"^
M

^^

passione

har-re

f^^f:

comeback

long!

dein!

ff

-f-

~f:

kehr zu

Ji ^ j ^

me!_

On

liick!.

ich

i-tir

^^
my

thee

den

ke

thoughts,
dein

"r

k
PP
is:

for

ev

er_

dwell,.

zu

al

len.

Stun

h
long!
dein!

^v

li

My_

hope

is

bei_

dir

ist

M)

ji

j>

me!

On

thee

my

riick!

ich

den

den,

ii

come back

to

kehr

zu

^^

feL^

22724

to

'^^m

J. L

all

in

thee!

all

mein

Gliick.

ke

r
thoughts
dein

trtr^T
For thee I
har- re

Ich

for

ev

zu

je

p
-

er

der

dwell,

for

^^
er

dwell!

For

thee

Stund',

zu

der

Stund'!

Ich

har

ev

#^

fe

dein!

back
kehr

^S^

i)

J'

r=-f^

^^^^

fe
thoughts
dein

^^
for

ev

zu

je

:^P

to

me!

On

thee

zu

riick!.

ich

den

w
3^
J

te=:jt

i)
I

re

Efc3 S

On

thee

Stund',

ich

har

^
=^-^

TT
'

I-'

dwell,

For

thee

der

Stund',

ich

har

re

ke

r
5E

er

F
my

my
-

itfa

^0^

hour,

22724

come

long!

:i

thoughts
dein

ii

I'

long,

re

dein

ev

er

^^

from hour
zu

P^^
for

]^

dwell!.

je

'^

to

der

When
in

17

Ihou

art

near

me,

dei

ner

Nah'

g-e

am

well,

sun

de

ich,

=zm

^7

in

i^i

when

^'f:

^i>p

art

near

ner

Nah'

g-e

^^

#^

thou
dei

1^

well;

sun

de

ich.

i^

^
thy

still

dei

ne

mis - tress
Freun - din

waits,

And

all

wacht,

ihr

Sin

22:

Rat

mir.

still

thy

fiillt,

Rat

mir,

del

ne

TS

22724

r
Rat
Rat

^
^

r
mir,

mlr,

Dift:

^^

her

heart

is

nen

nur

von

dir

waits,

And

all

wacht,

ihr

Sin

filled-

with
er

T31

mis - tress
Freun - din

-&

-(^
:5c

is:

22:

^
^=^=^

Oh

thee!

5:

r
Oh

PP

\>i^

P
am

me,

dim.

her
-

nen

F^lp
heart

is

filled

with

thee!

nur

von

dir

er

fUUt!

f| J'

tfJi t|.h

thee

ich

den-ke

thoughts
dein

for

ev

er

dwell,

zu

al

len_

Stun

22724

come back

to

dein!.

kehr

zu

me!
-

riick!_

^'f

I'

My

hope

is

all

bei_

dir

ist

aU

"^vT

s:

i)

i)

i)
i^)

thee.

For

thee

Gliick.

Ich

har

dein

long-!.

den,

mein

I
-

re

long!
dein!

i)

ii

come back

to

kehr

zu

''

for

ev

zu

je

^
-

er

dwell,

for

ev

der

Stund',

zu

je

ife**

^^

P
r

#}>

-1^
ii

me!

On

thee

rUck!

ich

den

my
-

ke

^
er

dwell!

der

Stund'.

in

=6

ii

thoughts

For thee I
Ich har- re

i^

J>

'Ci

j
my

On

'ip

'Twas
In

^^^

i
in

dei

thine

arms

nen

^~

Ai-

men

pro

found

i
tec-tion,

fand- ich

\Mien

Frie-den,

als

#==#
f
fa

^^ ^

thers

Va

ter

home. Ah,
haus; das

5-^
(

m
-9-'

lev

^
ed

Rat

lieb

ter

Rat

fe
me!
riick!

to

ben,

IS

what
Le

me

is

life

ach!

was

ist's

p^^

mir,

wilt

mir,

oh

ver

liess das

not

come?

ne

dich!

Ah, what is
das Le - ben,

with
hie

out

nie

thee?

Be

den,

g-e

g^

ii

jS

Come back

v^

23

92^
cow forza

ich

: :

r^ii

sock my

-y
'

for

to

i'
me!

kehr zu-riick!

life

to

^
me

ach!

was

ist's

Come back

i.
to

kehr zu

^
with

Me

<

}<

}>

i)

? ^=4=
me
riick!

^m

Come
o

back
kehr

to

me!

zu

riick!

i
lU

t^
&

jij
iji^e

b!^*

dim.

&'
&-'

2273'!

10

"How sweet
Wie
English version

it is

siiss ists,

when

I'm with you!"

kann bei Dir

ich sein"

by-

Michael Ivanovitch Glinka

Henry G. Chapman

(1804-1857)

Allegro moderato

^^

Voice

^^ ^ W
J

Piano

'>--

],

j M

^^

^''

Ir

when

I'm with

Dir

bei

7^:

And

you

4
T^r^.

? i ^

ich sein

und

J
lent

si

Ge

:i~~^~*

B
g

dan

sweet
siiss

is

it

ist's,

ing

feel

ken

ken ver-sen

Deep,
in's

^~z.:

5J'

-6

~G-

^^fe^
deep
Blau'

in

your

Dei-ner

e^'es.

Au

^ ^
so

gen recht

blue!

The

joy

tief.

Die

Lei

* ^^

^m

^3
22724

of

the

den

der

i
-zr

Copyright, 1911, by O. Schirmcr

kann

-riLTZi-rm

ev-'ry

lose

die

still

How

?-~s

IJ

Wie

i
^V"r

(iolciss.

p^p
heart, and

See

le,

its

'Z

pain,

die Gluth,

Will

oft

sie

drii

cken

find ex-pres-sion

eyes
aus

the

in

^m ^

sich

When

dem Au-ge,

in

wie's

^Jr^

11

^gr*

>

p
ff

i
words might

^
^

Wort

es

^^

be

spok

doch

nim

en

mer

in
-

mehr

vain;

My

heart

al

thut.

Mein

Herz

es

^F

^
trem-bles

be

bet

in

SI -

im

Stil

^
len, so

ways
er

'

a ptacere

lenceWhen
-

bald

--#-

ajn

with you!

ich

Dich

?r

seh'!

i^
rn?:FL^r^r-

"IP

a tempo

PP

m ^^

colla voce

tS*-*

^W ^
^ m
P

=s

ZZlZi

J J

Ti

12
dolciss.

^
^

How

dear

Dein

An

the

sight

of

your

face,

wie

lieb

ist

er

mir.

ich

is

blick,

watch
se

for

3'our

smile

he

Dein

La

~:

5 w

with
cheln

mit

J^

mo Won

You

tion,

ne

und.

s
seem

An

i
aid

moch

22724

to

em

bod

muth

ver

kor

y
-

pert

as

in

ich

sis

Ifi

tance
ance Id
I'd
stfMi

lond

Nicht

Dir.

Gp-wiihr

To love
dem Dran

J
No

grace;

or

all

*
-

and
ge

its

der

13

''

trou

ble

glii

hen

P
^r
some pas

den

See

^
sion,

le,

Dis-

cre

Ver-

nunft

tion

I'll

ihm

ich

fe^

^
i

-^
ff

^ i
take

J
a

for

setz

zur

te

friend,

But

love

runs

Wehr...

Doch

folg't

nicht

das

ii

U ?

i*

way

with

dis

Herz

dem

Ver

-&-^

g
ere

stan

a ptacere

tion

When

(.e,

so

bald

am
ich

C7

with

you.

Dich

seh'!

^ ^ W ^^ ^

m^j?ji7iA l^

i*

^
22724

r^-f

up

i
#
TW^~

14
dolciss.

|i

And

so

like

Als

wun

der

bar

won

der

ful

star

You

leuch

ten

der

Stern

er

^f
^

g:

^^

shine

and

my

life

j'ou

en

light-

en,

And

schienst

Du

raein

Le

ben

er

hel-

lend

und

iS>-

ra

ance
test
mir
di

shed
fort

lip

send

an

en

schein'

denn

und

:^
22724

-^

leuch

fe

^^=

cour

wei

ag
se

from

nus

der

So

far;

So

Fern'.

k
^'
I

^
jj

ing

beam

To

die

BaJin

dem, der

one

un

nicht

ac
ver

^5
-

15

r
cus

tom'd

war

wohnt

Jm

^p
to

for

tune,

vom

Glii

eke,

^^

Who'd
dem

looked

Hoff

up-

on

nung-

ge

fe^fe^
^jt-*-

-&

i
^
hope
schie

as

nen

nur

dream;

And

al

Wahn

und

Won

ways

ne

my

heart

er

ful

will
-

die

let

^=^

~^W

-&^

a piacere

p
bright

i>

i'

en While
le,

so

am

bald

ich

1*
with

3"ou.

Dich

seh'!

'
r\

I
Ti

ii-;^

^
j

/^

iEi

i^7J
,

i'

i
32724

at

/C\

r^=^ ?

16

Life for the Czar

(is:i(ij

Aria of Soussanine
"The truth

is

suspected"

English version by

Henry

G.

Michael Ivanovilch Glinka

Chapman

Adagio non

^^

Voice

(1804-1857)

Recitative.

tanto(J:6o)

Maestoso

^^^n-pp

,.

The
Sie

truth

is

ah- non

sus

pect-ed!

die Wahr-heit!

Light of

Mor-gen-

Piano

F\'

Break soon

a- cross the

sky!

And

roth!

Steig'bald

am Him-mel

auf,

die

swift -ly

2^

me

word,

gend

mir:

bring-

Bot-schaft brin

that safe

is

sei

un

the
-

ser

Czar!
Zar!

t^^t^Y^j^^l

in

-f

n t
f

Copt/right, 19H. by O.

Schirmer

at

Ge-ret-tet

last

7}

22724

yP

day,

a tempo

17

p cantabile

break

Mor

;#

gen

gain,

'Twill

be_

the

last

time-

roth,

dann

seh'

zum

letz

ten

spianato ed espressivo

HE

^^

"<i:

-o"0~

-o-

xr

sun
nen hoi

see

the

dei

on
den

For
dann

high;
Strahl,

"

0_

war

in_

a
all

go

ny,

der Qual

a
-

tet

waits

me

then!

mein.

der

Tod!

r-ir

God, when

Gott!

death

^ s
^^P

^-#=#

When
die

'd^

tor-ture threat- ens _

mir die

Mar

ter_

me,
droht.

Have
er

18

^ ^^

mer

on
moi

barm'.

\r

m^-.

pain!

npr

Noth!

*,

What

an

wpI

f m

deep,

and

fe_

re

ich_

denk'

# ^
my

Oer

dumb
Schmerz

^
poor
mein

durch-bohrt

call

m}-

hei

math

heart
ar-

home!

come,

When

mes

Herz,

ge

what
wel -

Ah,

wiirts!

i:

that_

fate_

the.

schwe- re

~:

Ttz:

TT

dim.
*,

Here

ail

zu

Pein.
/'

"

^
a

ten.

so

al

'<?

fee

must

lone

-ben

sterten.

If

^j

die!_
lein!

'^^

/(?.

^>p

dim.

,fef

=p=

doth

rt

chei-

t=

guish_

=i S

-f

tie-

mzr^

s
i
* d

=^i

i^'

^2

'

/^.
/i'//.

22724

^^.

^<?;/.

ten.

ten.

ten.

19

-^

P p

When_

the

day

Brichst

du

an,

a:

'

break

o_

Mor-

Mai

gain,

see

ich_

dei

war

tet

3;

^^=^=t

?
'U

waits

me_

then!

on

nen hoi

den Strahl,

mein

der

Tod!

r^

^titftLf

har

ten_

'

For
dann

tes

Loos!

=1^

Oh, mis

er

bltt'

res

22724

rir

filT\f

f\T

J'^

>

=^
nnnnrnTif

i
fate!

'tftLr'tftrr

i^J_^^^
'umziiEf

ful

letz

fr^^-^
-

zum

high,

aw

time

the sun

Oh,

last-

yj

^
J^

the

'J)

^^^^
-

seh'_

'UJ 'UJ

Shall

i
death

dann

i
^
tfiL^'cfEU ^trtif

be

"Twill

^^ ^

i^
j^^^^"^_N ^

-gen- roth,

LL/

shall

'

is>--

\>

LU

'

WT\H VHOI/

30

vn

My

y!

Laid!

is

great,

ist

grossl

in

all

Be

near,

long,

der

Noth,

'J

Keep Thou
bald

/^

God, to_ com

dei-nenTrost

fort

me!

be

leit,

Thro' pain

und

stiir

that

ke

me

Oh

strong!

mir droht!

pit

Ja, star

i
-

3%

com-fort me,

ke,

stiir- ke

mm

mich

T^

^ g^

c;

die

^J

I'J

w:i:

riten. assai
f9

F^^

ere

42*

Halt,Herr, mir

must come

gp^

22724

^
#^

mich

fe

^2
now

need

MeinWeh

^2:-

(^

and

make

in_

mei

*i^
#^

r\

a tempo

r\

^pp pir

me _

strong!

Forsake

ner

Noth!

Ver-lassmich nicht,

me

not,

^^-^J
O

God!
Gott!

21

Heavenly Clouds
(M. Lermontoff)

English version by
G. Chapman

Henry

A. Dargomijsky

and Vera Johnston

Andante

fes

Voice

Cloud

heavn

>il

ly

j-

^
SF^ff^
L7p

X5

g^
i2724

-^JJiiJi

Rest

i[J ^'7

J-

.J;

--

j^
I

J3M'
'J

ZUl
-o-

co/i

forza

in

j'on

wan-d' ring free!

less-ly

^J TilT^ ^ f^ jg^
^^^
i

High

clouds,

do Ice
I

r r

ye

lets,

rr^

77

i*t

tl

J)..

p.

r uj

Piano
')

ttf

zure sky

On

pearl-y

r~
-

-5>-

Copyright, 1911, by G.Schirmer

wings

ye

fly;

ii^^

22

dolce

ward yo

0:i

^m.

has

Ion,

m f

m
^

^7^

mE=

For

-9-

ban- ished you are,

Tl

^'

i>

Art'

J
me;

//*.

^11

1^^

jjj

fe 3
i j; ^-^^^j ^^^*^^^^
.

Driv'nfromyour dear northern home, To the

south

^E^

come!

2272

/p.

like

P^-

jI

W
^

Tell

me,

y.^

who ban

ished

CT-

23

^^

dolce

?^

False

friendships

risoluto

^^ ^

treach

er

^>pr.J
I

Hates

}?

pen

^
XT,

f-

'')''

r^

^^

3
dolce

1^^^^^^
mi

en

;^f

ti^ ^-j^-jH^J'
ty?

^^
#

j:;jJ
deed have ye

in

F^
^

^
^

cal

/^

are ye

vic-tims of

j/LJ jJ
poi

son-ous

JE5

"cr

ltd.

3:

tf

um

ny ?

ta=si5:

5^
*S^

k:
22724

^m

Se

^^ff^

nal

^^

dolce e ad

Or

share,

1=^

i -

^p

*
^ii

cnm

r^^Aiij^

had

some

^^

-r

ii

Or-

^^^^

i^:

J^

ra;
sz

4i

24
ritenuto

Allegro

^i
g

J' P

on-ly

Nay,

fc
^3

^^5

t>= "ii

pas

-^=

^=^

-^

j^

-)%-^

a d lib

<7

are_

to

E^
dolce

you
a tempo
^

un

J^

_k

row jorza
ron
forza

dolce

last-ing

ev-er

Cold,

'

j^

cold are

J
^-e,

^^
^

!s::zi

^S

^^^

ev-or

^^ ^^

known;

"/

liOC(?

,^^
23724

^fe

ii*

tempo

ttf

Free

-^^

w
^^3
,*

f.

rows

^m

^=^=^

Sor
tempo

^^
#
w

ritenuto

^
J^' C0//o

>

j^

^^^^^^m

sion!

/
Wi
'

Ye

ye,

a tempo

122

not

j^^

=it^^

>

=P^=q

-^^-^

s
know

a=;

plains are

te

^f.

'
It

j^

ji ^

bleak, _bar-rt'n

5^

i'

wide

tired of

^
3E=5

Jo;

I}-;

No

T'

g
Jl>

^m

land

is

home

f
te
to

s
you,

No

25

ish

you, no

3?
r^i

5E=53

p
k

Se*

t3E

can

land

?ES^^

fc

/.

k:

ten.

^ ^
^l

you,

no

4&^

'>tft
i

^^

j'

'

can

LXj-'i^'

L/U^

ban

ish

N^

ban

s*

ish

you!

^^

land

^^^

no

ah!

^ ^ ^ ^

W^

E
jS^

^
33724

you,

^ m -g-

can

^
#
^^

land_

ban-ish

26

"Ye dear, fleeting hours"

.Jhr fliichtigen Stunden"

Eng'lish version by

Henry G.Chapman

Elegie

German words by Bruno

Alexander Sergievilch Dargomijsky

Adagio
Voice

iV

v<

^3

*t

Ye
Ihr

^^
Piano

ZZl

^
6^

-e

331

33r

rr

f r

dear,
fliich

fleet
ti

g
full

&

g-en

Stun

den

vol]

--

himm

i
brief!

Gliicks,

wie

how

yet
li

schen

joy,

M' JyV m

*y-t*

22724

hours

^3

~=3CC

ing:

"?'

a p^I^p^
l

:i

:=:4=^
te

l."

7,f

">'-^\<''

'^

think

of

3'ou

now

in

donk"

ich

an

euch

in

Copyright, 1911, by

G.

Schirmcr

27

ilfc^

te

Weh

^=^

^
i

3=^

How

glad

Wie

schaut'

S
-

with

the

plea

sure

of

lich,

so

trun

ke

nen

*=

ma

cresc.

#
te

?^

see

ing,

how

glad

mine

eyes

with

the

Bli

ekes

wie

schaut'

ich

froh

lich,

so

sfeis

22724

1
27

einst

ich

^
^

--tr-

V*

mine

^S

tT~

-O-

eyes

were

dim.

^32=^

W^

froh

row and grief,

muth und Lust.

sor

plea

sure

trun

ke

of

see

ing,

How

nen

Bli

ekes.

wie

28

high beat m}'

hob sich vor

S
17,

heart

Won

speech-less
star

re

''w

ten.

J)M

for

j03'

in

m\' breast!

for

ne

und

Freu-de

die Brust,

vor

J:

^i.-^i' lr

and still

in -to

ichstumm

ins

^m

dark

ness

Dun

kel

joy

Won-

5^
No

stare,.

Now

ne die Brust!

Nun

^
star

lights

my

way,

er-hellt,

My
er-

^h^

my

breast!

in

kein Stern-lein

hin-ab,

Ji^p

dim

^
\'^-

^\

"r

r-

OS

fcfc

f'-

heart

tt

lies

in sor-row!

No

let,

er-hel-let,

kein Stern

hel

'-^'

^
22724

iii)j^^ p ir

-4=^

^''

star

lights
-

lein

^f

p
No

mywa^-,

kein

er-hellt,

Cjp
btar

sends a

J
ray

Stern-lein er-hellt,

^
f

cresc.

T=^

1^

:ni

W)
To
er

29

g
0'
light

hellt

hY
my

en

mei

way,

nen Pfad,

tit

My

heart

nur

Thra

^p

sor- row,

No

star

in

nen

al-lein sind's,nur

3s^

^'

>r

lies

zp

Thra

lights

my

nen

al

f^^^T

S5

lein,

My

j?

heart

undmeinHerz

IZ2Z

way,

-5

^^

lies

in

sor

row,

my

heart

lies

in

ist

so

trau

rig,

so

trau

rig,

so

r\

IS

^
row

sor
trau

rig

^m^asa
22724

itJv

cresc.

i ^^ r^p

l|iJ

F#=F#

-^-^

matt!

^m

r\

PP
3SI

zsznsz

^ :^~

o-

30

Only Love!
Nur

Eng'lish version by

Henry

G.

Chapman

lieben!

Song
Alexander Sergievitch Dargomijsky

^^

Allegretto

Voice

W=n

=?e

fc

Wie

ich

lie

fcrS:

J^

-be

mad-ly,

dich,

glii-hend

^
>>/"

P^ S

j)

love thee so,

-/.

J)

i'

7lli

^^'l,

pip

J)
Oh,

i-F

Piano

-ji

wild-ly, dear,

And

to

heiss und wild,

all'

mein

jj_i

p
thee

^u

^'r

|l|

p
is

p
my

stets

nur

lone

Seh-nen

ist

i'

heart's de

dir

g ?

j)

p
-

sire,

ge-weiht,

That is
und doch

rail.

JW)

I'p

p
no'or

ap

wird es

^^

J''

peased, so

nim

mer

J)

great-ly

in

mir

i'

>

fear.

ge-stillt,

That for
und ich

p
ver

muss

^t=t

}\

J^

pain

^
Copyright,

ma^-

ver-g-eh'n,

ach

\fd

in

[]

r
r.ill.

^ ^
1.911,

iJ^' iii'
1

22724

J^' iii'

by O.ScAirmcr

31

^ ^^

mg

ex-pirel

well

Schmerz undLeid.

y!;=^

All

^^ s
7

=t2:

P
peace

^
is

gram-er-

^fe

"^

gone,

fiillt,

^f
/

BE^S
i
1

think
fer

LJL/

^^
mis-chance;

oh

ne

Ruh

undGliick,

P
a

thee;

Just

ne

dir.

Drum

niir

l^j/P
lit - tie

ei

nen

Tho' thou

im-mer

word,
Gruss,

fe
^

i^^
ft

ten-der

eyes_

sanf-ten

Aug-'

@^ft

just

ZZJZi

ach, nur

sweet-ly
sen

de

hp
send

J^

J)

;.i

to

me;

Just

ach nur

freundlich mir,

iJ-'hi'

^^

sm
ei

auch

fc

4^
Fromthj''

nen Blick

aus

^$

Ip-

>

ilj-

^
7

gle glance,

dem

m
r^
I

/^

ob

sin- gle glance

ei

still

n.

^
^r-

near,

^^ ^

%
p
^r-

not

g
p

POJI^

den-kend dein,

Vf

rm-j

be

^=^;

^^'

sad

ifc^

fe

my

of

j^

since
-

fcS

^r

mich

Sieh'

a tempo

?
my

cresc.

|J)|>
a

just

^
^
nen Blick,

ach, nur

_*_

rail.

32
risolufo

i^''^'

ili:

n'

sin
ei

Tho'

nen Blick!

Die

tempo

i^^^^^ ^
f

T^

^^

love

of

J^

'

mine

so

dir,

ach,so

,
I

dis

OJ

ii

'

as

^^^m
LieV zu

ji
i'

trous

ji

That

be,

^^''''

:^-

must prove,

death

To

J'

Yet,

Und

mich.

de

J'

N'P p>
dear-est

doch,

sii

child,

sses Kind,

^'
I

bald

1^'

in

hold und

^'

^'

pu

en

ri

^F^

gel-gleich,

kann nicht

s
r

^i

;n^
Yet

t3'.

*
dim.

r
Saint

my
dem

I'i^j

tj

pain soon

el

men-los

bar

f^

^'

cru

its

se

?^

*=i

this
-

*f

weiht er

schmerzen-reich,

2dj

*f

z
ft

gle glance!

^
ia

i
T

rail.

Jr:

ilh\

p-

i^j^.iJV'

on

has- sen,nem, kannnur

lie

F^^
227^4

ji^ii

p-

can

hate thee not,

7U

l
|

P ?

ly

love,

bendich,

can on

kannnur lie

tip
I

ly

love!

ben

dich!

^^

f_

33

"Be not so

coy,

my pretty maid"
i(

Thu nicht so sprode, schones Kind

(Mirza-Schaffy)

English version

Henry

G.

by-

Chapman

German words by

F.

Bodenstedt

Anton Rubinstein. Op. 34, N9 11

Con moto

Voice

mm

Be

not

Thu' nicht

Piano

f-

^m

pret

ty-

maid,

When

scho

nes_

Kind,

wenn

kfe

^
te

iEk

^
i

rrt

1^1
i
# #
* * Iff
P

t t

r^

mw

door,

the_

dusk

ich_

noch

spat

geh'

iind

hav
fas

de,

9W^

pass,

vor

m
ii

thy
-

ber

^^^

T^rr
And

spro

P
d ^ d

my

coy,

ZH

in

ill

so_
so_

ing
se

a
dein

soft

wei

white

hand

ches

Hand

22734

Copyright,

1911,

by

O.

Schirmer

way
-

chen

laid,_
Iind,.

m
A

und

ai

te
m
i

zat

im

kiss

Kuss_

i#^
1
^s
a

m
er

)t=m

^
plore.
fleh'.

tm

feM

fe

^^
who

such

Dpi-

dir_

so_

^i

I,

r^

r^

i^

22724

ICj

35
^*

35

pp

r
ly

hom

age

pay,

ne

Hul-

di-

gung'

court

scho-

r=iF^^

^
iH

iB

h W

_Whose love
_ ge - bracht

hon

or

Lie

bes

^
schmuck,

nem

1=^

par

woM

nicht

don.

Ent

^^

H^
r

to

pray

Just

for

schul

di

gung

fiir

ei

r
for

Sf=^

need
-

feet

rei

r
-

not
Should
der
braucht

stands,

per

i
d

in

in

III

t t t

iEElE

^g
^
''

^^^

^^
-

kiss

nen

Kuss_

or

touch

und

Han

fJ

of
-

de

hands,
druck,_

Ja:

'

y'\>

^S

22724

>

:?nc

"
z:

rz;

j
^f

f
P

3(>

m
M

just

for

kiss

or

touch

fiir

ei

nen

Kuss

iind

Iliin

of_

hiinds.

de

druck.

^m r

&

^^

te
ate^

^#

?=e

^ fe^
^

Now
Es

rrt

i 1

^i

^^
r

22724

pp

In

sinpT

dir.

ein

kiln

^^

kiss

wird

eiii_

je

r%

'ry_

^
^
I

der

take

from

Kuss

von_

3Z

-9-'

thee

i fe t^

m^
ev

is:

ICr

te

-1^

^J

t
ate

rr^ rr^

^m

d ^ d

ing--

songs

my

lips.

g-end

Lied

in

mei

til

S
i

shall

nem

use,

Mund,

i i

37

^^^^^

I'"

r
r
And when

und

der

je

^
t

press

Han

'twill

g-iebt

r.

cuse.

^''i>

tj

Fbh>
22724

rair.

iEEt

Grund.

be_

m.

j j
j
*
* 5f
r

But

for

zu

ei

2=E

de

gtjg

ife
P ;"

hands
druck

thy-

E^ ^ i

an
-

nem

38

"When

see those

of thine"

little feet

Seh' ich deine kleinen Fiisschen an"

German words by

F.

Bodenstedt

(Mirza-Schaffy)

English version by

Henry

G.

Chapman

Con moto

Voice

When
Seh'

Anion Rubinstein. Op. 34, N9 3

^e

ich dei

those
-

^ ^

Y
lit -

klei-nen

iie

of

feet

tie

thir^,

Fiiss-chen an,

Piano

P
I

so

can scarce be be

greif

"

lieve,

my

pret

ich nicht, mein

ty

maid

en,

That

so

much

of

sses

Mad

chen,_

wie_

sie

so

viel

P
sii

-C-'

ij

j^

w^

J^

beau

9-'

.7

f *

they can
tra - gen

I
P

i^!;

22724

i';j

J)

Ji

j>

car

0'>-

So

much,

so

much

kon

nen,.

so

viel,

so

viel

'

-s-^

^irt

f
Copyright. 19ii, by G. Sckirmer

beau

Schdn

"^

-s-^

ty

Schon-heit

iJ^g
V

''

heit;

39

see

those

slen

der

hands

ich

dei

ne

klei

nen

Hand-chen an,

f #

Seh'

m-f

t f

=9^^^

^ P

'

p
When

of

can

scarce

be

greif

ich

thine,

so

be

lieve,

my

nicht,

du

p
&-

t
pret
sii

'-

maid

ty

Mad

sses

ea,

That- such cru

chen,

wie

i)
-

el

sol-che

sie

i)

J^

blows they

can

Wun-den

schla-gen

de

^
Cru

sol

^^

blows

el

che,

ft:

^
sol

can_
che_

de

Wun

er

liv

den;

nen,-

When

see

Seh'

ich

dei

t f

i.

lips

of

Lip

pen

thine,

an,

^^
t

P
I

so

:i

22724

kon

er,_

those
-

ne

ros

ros'

v^

^ ^^^
4V.ti

p-

liv

Pi

:i
r

can
be

scarce

be

greif'

ich

lieve,

P
my

nicht,

du

|7
-

^^ ^
pret
sii

ty

maid

en,__

sses

Mad

chen,-

=#=

^
:!2:

y
g-en

f-

40

rt h

2>

\^

How_ne

lit -

\^1e_ sie

ei

JH Jl

i.
kiss

they

nen Kuss

ver

lie

can_
sa

j j~3

J^

How

re

fuse_me,_
kcin

g-en

.9

JT

j^

nen,.

ei

^ g^

p^^

When
Seh'

see

ich

dei

those
-

ne

I
know
klu

ing

eyes

gen

Au

of
-

ei

kiss.

nen

gen an,

can scarce

^^

be

Ich

thine,

so

be

greif"

^^ ^^
pret

sii -

ty

sses

maid
Miid

en,,

chen,.

,^
^

How

wie

sie

i
p

ii

^
.?

^
Than
als_

I.

ich.

for

nach

?^ ^
give

fuh

thee:
-

i)

i)
still

i)

more love

niehr

Lie

they
-

le.

my

uicht,

du

be

should
fra

J^

J-] I'l

be

ask

ing

g^en

kon

nen,

t-'

Vr-^
a:

\\

lieve,

Kuss.

t^-t:

4*

one

re-fuse

nen Kuss,

Z^

m 9

rit.

m
^w

W=F

Ah,_

be

kind.

to

me!

Sieh'.

raich-

gna

dlg-_

an!

! w

f-

P
f^
\

J-^

r/V.

^t
22724

.^

3=:

"^

ii^sg
M. g:

41

iW

?
Warm

?s

-^>-#
\

heart

er

than mine,

my

Herz,

du

main

*<>

1'^

\Var-nier als

}'

jl

J)

j\

pret
sii

=i;

en,

Ne'er-

will

sses

Mad-

ah.en,_

wird _

kein_ Men

3,H^H

ad

thee

mor

in

schla

tal

bo

gen

kon

IS P

Hear

the

nen;

Hoi'

dies

^^

a tempo

Sweet-

^
i

Scho-ner als
3

an!

a tempo

it it

JIljj]iJ]

.rJ
|

lips

22724

lips,

love

won- ne - vol - le

give-

Lied

to

Chen

colla voce

sii

maid-en,

J^JJJ
No

Mad-chen,

wird_ kein_ Mund_

J J *

pret-ty

Mund, du

sses

=^

oth

er.

=^^

thee,

nen.

m
.1

^s^

vay

*^1

'it.
r

^J{

song' of

-&-

their_ love will tell_

be
kla-gen kon

32:

3^

_ of
dir_Lie

my

mein

m^^^i^^
3 3 3 i
3

than

er

ii

!2I

W^

thee!

9-

b>--

schen

lib.

som;

,i

for
-

tip 'Jl^f-^^

beat

^^^

p p

herz dir

fe

*:

.9

^^
^'f rr

maid-

fe

ty

J'J

'J

iS

I
ii

^J71^ ^^JT^ 1
177?~

48
*'Not with angels"
German words by

Nicht mit Engein"

Bodonstedt

V.

(Mirza-Schaffy)

English version by

Chapman

Henrj' G.

Anton Rubinstein. Op. 3i,.V'

Allegretto

?v^ iE^
Piano
J.

s^^
f^g*

3^3

mm

*^

^-

:^r

J.

aL

J^

-t

p J' p

r\

rit.

^ ^

f;

Not

with

an

gels.

in

heav-en's vault

Nicht

mit

En

g-eln

im

blau-en

so

Not with

blue,,

Him- mels-

nicht

zelt,.

mit

iw
-m

P
m
*

^^
in

^^

^^^g^^

^^
''^'
ros

es_

^
Ro

sen_

r=i-

^r?

fe

flow

im duf -

S
i

TT

fefe

22724

J.

^^^p^rrp/T^^

Andante

'

IE

^^S

==*

ti -

'rj'

meads

gen Blu

that

men -

^ii^^it-

L'^

3E

Not

grew,

JL^-^4::

J-

rr

J).

ff

Cop!/right, 1911, bij G.

Svhirmer

^W

with th'e

it ^

ri

selbst mit der

feld,

ter
e

43

nt

^ f)
nal

sun

wi-gen Son

i
3

I?

'^

^p

cjr

there,

Not

Licht,.

selbst

- lig-ht
-

ne

$ jj

1/

1/

rTr

'

^i^O^J.

cj. r

i)

^m

cj,rcfr^

te

p
my

g^

ne

l^^^

my

g-leich'_

ich

Zu
Zu

.?

1^'

lei

^^ ^

rcfr r~

com-

lass^

Mad

chen,

ST

T?

lig-ht

"ST

77

gen Son

kha, mein

Si:

"13:

ST

DCC

JJC

g
pare,
nicht

m ^N^
22724

ver

ka,

\vi

Licht

1;

sun

^
i

'^

mit der

Will

(^

nal

there,

iH^-^

|^''i>

with_ tWe-ter

2==^

cj^'^oj^ t #^

i',

.ifTi

ii

^
i

iE^

44

Allegretto

^^ i
-*

[j

^S

wi

z at

al

al
I

==

4=4^
I

^
N

XE

3x:

- ^^
^

N^

l--

t^VT^

1=^

///.

3i:

<

t^

I;

^^ M

Andante

f^hl'

For

an

an

Denn

der

En

j j
^j

:
-

r.

heart

grels

Bu

gel

j
J

i,

man-y

dan-g-Vous thorn,

dro-hen die Dor

2272V

neu

iove-less

and

sen

lie

^
-

f''i>-Ji'ij.j-

is

^^

her,

ist

P
-

for- lorn,

On

be

un

leer,

f
-

^
'i'

the

rose

ter

Ro

grovrs
-

sen

^^

And

the sun

und

die

Son

at

night

ne

45

P^iH
for

-ver-hiillt

P'''

g-ets

des Nachts

T
_

'"i

^P

to

shine,

and

the

Licht,_ und die

ilir

sun_at
Son -

ib^

ne

shine,

They

Licht;

sie

k'^'Tn

J.

to

NacMs

des

ver-hiillt

ihr

tr-t

^^CZ
j

fcbr

r^

none,
al

pi

com

le

pare.
giei

-<9

"2s:

y
^^

.?

m m ' m

^^P^
Zu
Chen Zu

cc/ CTj-r
i

r
ka

lei

kha

s
^^

lei

"a:

3r

35=

3i:

mine,

*^^
nlcht.

I7^ik~-4: A J

fc^

p,

>L^b
ZZ124:

P"

^'^

.?

with

for-gets

Ie

night

J-

eJ

^^
i

at

^d

night,

k^

'

i tM

l.J^'^^J''

''

i^

46

Allegretto

I t^
J

J-J-J^J-J"

IL

Xt

I^

/TN

r\

^^

^^=r

Andante

^''^-^^

U't'U^

the eye

Naug-hl

Nichts

^m

fin

can

see_

den,.

the world

in

so weit das Welt

a
-

all

c:^

round,

To

reicht,

die

Bli

frU-J^i.

i,

Zu-lei-ka
.was mei-ner

Ste

Is

j,

^
e'er

be

found;

Zu -

lei

kha

g-leicht,

22724

v=s=

en

to

my_
eke,-

^^

Sweet, _ thorn
schon,

rr
P

v'^rj-^

:z2

can

lik

i'^r

P
'y-i'^>

dorn

less,.

los,_

47

io

''
f^

and

full

of

voll

ew'-g-em Lie

i'^B
C^ [^p^hb^

-U

rare,

sweet,- thorn

schein,.

schon,_ dorn

u:

^g

love -light
-

bes

t*

-1^

and

full

los,_

veil

ew-gem Lie

wz I
ni

schein,

There's

kann

^4=^

doth with

nur

0-

ver

self
selbst.

[Xjt

r
com-

gii

chen

>

-&-

sich

J-

-j^:

22:

mil

E*

her

ST

m^.

331

77

311

^^
Cfb ^

\>

^^

pare,
sein.

Pt^t^

^
b

22724

i'

her

Ji

bes

^tr-t

naught but
sie

* *

^1

light

^^P^

dt

H^

^^1
rare,

love

of

J-

less,.

w^

j)

sTn -^at

i ^
3s;

=F=

^ ^ *

:^
:

^^^^

48

"My heart
German words by
G.

beauty takes from thee"

Mein Herz schmiickt

Bodenstedt
English version by

Henry

all

F.

sich mit dir"

(Mirza-Schaffy)

Anton Rubinstein. Op. 34,

Chapman

WZ

Con moto

Piano

u.

ru

anza

V
heart

Herz

t.

heart

Herz

i
9j

J\
beau

all

schjniickt sich

ji
all

sclimiickt

i)
-

ty

j)
from

A
beau
sich

ji |J
-

'^

ty

takes

mit

dir,

p r*

thee, As heav
wie sich der Him

takes

mit dir,

^'
i

I)

irai:

dd

>

r'

z-

>

m
>

mi

d m d

Copyright, lyn, by G. Schinner

J U

en from the sun

mel mit der Son

from thee. T.
As heav
wie sich der Him

M
22724

ne

mein

schmiickt,

^^

1^'

en

from the

sun

mel

mit

der

Son

^
My

light,

its
-

its
-

ne

^^^^^i
i^

49

i
Thou

light;

du

scluniickt:

^m

art

its

h
glo

J>

i'

j)

^p

f
Thou

art

du

g-iebst

its

-^1
i-^'-

glo-rj'

ihm Glanz

r
und

j^'

in
-

le

end - less
Nacht ent -

'twould be
dich

j^

^p

Lost,

but for

bleibt

es

in

Ah!.
Ah!.

night.
riickt.

J-

q^JJ^

f-

IS

dim.

i-'i

i[

^^^

s fe

oh- ne

ti

ji

and.

||

^=ffrt

22724

tfJ'

but for
es in

bleibt

thee,

'>

Lost,

W=^

J-

und

CZB

m3

'twould be
oh - ne
dich

and

3^

dunk

F^

end less night;

dunk-le Nacht ent-riickt,

ry,

?^

thee, in

giebst ilun Glanz

p
k|

Ji

^g^

^m

PROPERTY Of CITY Of \E}

iEfe

50

1^

^
-y
\i

S^uij;
M **

m-m^m

::i:w-^

'g:

<

^y

j^

And
Gleich

1^

^^3
^-3i^f
^1*
>U-J^vJ-t

;i J

>
e

veil

so

die Welt

wie

* ^m
e

wle

i
f

ven

so
die Welt

ih

all

i!

rt

Piacht

Her

f
face

vei--hullt.

^-

^^'-

when dark-ness
wimi Dun-kel

^1^
a

falls

sie

worlds con-ceals

all

Piacht

-1=^ -H

ih

I'"

m^at

Her

ver

face

hiillt,

when dark
wenn Dun

P^

^i>
And

while

gieich

}\'

it

J).

ness

falls

kel

sie

uiu

h-

the

um-l'liesst,

^^^^^^^^
^m
^ 5^

UTii

world con-ceals

the

i
^^^
^ i

L jn

lu

5^1i

51

y
while,

And

on

fliesst,

und

nur,

#f^^

ly

all

wenn ihr

her sun will

Scho-nes in

^J-.

zeig't,

^^t^pL

ihi'

die

-^

^pft

r
grace

Son

^^r^
?

fe

ne lacht,

zeigt,

was

s
-cr

^^E
-jH

vJ^W^

P=#:

^^,~i
22724

I
'

dim.
ri

i
^='-"

i^

-^

sie

-221

^^

i-H^J=r
i
P

^E

fe

AhL

A4^^

-0-

-'-

once a

Ah!-

sie

When

Ah!.

AhL

was

re-veals,

schliesst.

L_

smile

once

^^

W *

m m =-t

her sun will

sich
nes in

all

1^
'm

ne lacht,

^
j^ ti^'

ly

nur, wenn

und

m
ii

^
^^f^^'p'p
And
on
her

smile,

When

re -veals,

sich schliesst,

3^

gain

Son

?^

^^^ i

Scho

die

? 2Z

grace

^:^:

tr-y

g-ain

her

^
iS;

52

thy breath blow round me'

"I feel

,,Ich

German words hy F. Bodenstedt

English version by

Henry

G.

fuhle deinen

Odem"

(Mirza-Schaffy)

Chapman

Moderato

Voice

i^

^
^

^f^
^E

^rn^

^
i

may

rl

face

nen

um

seem

to

wahn' ich dein Bild zu

my

P
eyes
-

may

-wan-der

gen

schweifen,

vfUJ-p i 2

r
r

wo-hin die Au

weh'n,

^
I

^^

WTier-e'er

Sf

^=

?^

^^^^
Thy

22724

If=PC=P

be,

Jfcfc-

Fl

^^
Zt

Wher-ev-er I
mich ii-ber-all

del

me
0- dem

blow round

^#S#TF * a

pp

Piano

feel thy breath

Ich fiih-le

fe

Anton Rubinstein. Op. ai, N9 6

And

see.

the

sea

of

i
my

Im Mee-re mei-ner Ge

seh'n.

Copyright, 1911. by

in

O.

ScAirmcr

spir-

^^
it

dan- ken

fei

The

thoug-ht of thee ne'er

dies,

nur un

g'eh'n,

kannst du

beau-ty

to

p
In

^^
n

^m^

schon wie-der auf- zu

ter

^
like

the sun

um wie

die Son

But

p
-

at

mom-ing

ne

Mor-g-ens

m
1

53

'^

rise.

Ah!.

stehn.

Ah!.

m^^^

^^

tzrc

i'

'{l^i^\

*s

zzz:

331
^-

^
i

JJIJJJ

^r

rr.

f^-^^Q.-Q'g

^^

"CT~

Ah!
Ah!
~<T~

-o-

^E^

-O-

*.

WW
;^'>7*'4

S
^
i^f^
mr
-

54
a

Bend, lovely bud

Neig', schone

?)

Knospe"

(Mirza-SchaffyJ

English version by

Henry G. Chapman

German words by

F.

Anton Rubinstein. Op. 34, V? H

Bodenstedt

Allegro

Piano

^
^

p=^
p

u^

^E^
^^^^
f

M-^

IM

22724
Coptif'^ht, 1911, by Q.

Schirmer

'

tf*^

55

Moderate

assai

'

IS^
Bend,

love

Neig'.

scho

u^

P
ne

bud,

thy

head,

Knos

pe,

dich-

T^

TS?

^m
s

^^^^

is:

IZZ

^^m
.i*

to

me,.

And

what

zu

mil-,

und

was_

ra?

^^

?^

^1=^

m
I

ask

ich_

bit

grant,

thee,
te,

uiTrto

ZL

^
das

thu'

-?

'>

For
ich

mir,

22724

?^^ ;^^
I

will

would_

love

thee

dich

pfle

gen

^P ^^

3?

^* ^

me,,

-#and- hold.
und_ hal
-

?
thee,
ten,

3'

^;

Pi

ife^

56

a tempo

W^L
Thou

Du

^^

\n

my

arms

Shalt

sollst.

bei

mir

er

warm
war

r.

a teinpo

:i

:3s^

P
t>'

|-^--i^
3=

^^ ^
22724

^^
.?

cjji r[rj3

thee,

And

hero,_

men.

iind

sollst

|:

ss^

is:

57

where
in

^
naught
mei-

j')

harm

shall
-

J-

Ar

nen

3;:

5P
*)

^
i

men
^

zur

tt

^^

22724

il;

Shalt like

thee,

rrr
Blu

me.

F*Pf

^^^^

i^

.^2-

flowr

un

dich

ent

thee,

fold,

fal

3Ea
~o

ten,

is:

fT^

"2;:

-fS

ki
xz:

3t

*f

Shalt

zur

.",s

Song

Dark Forest

of the

Chanson de

Foret Sombre

la

English version by
Henrj- G.

Chapman

French version b_v

M.D.Calvocoressi

A.

Bomdine

Molto moderate)
<-):U

K"

Piano

O
o

hS

cJ

^:^

pesatite

-^0-^ ^^

\
\

-.

5^^

-^

^-s^^

( / ^r

[5

^
Thro'

the

for

La

fo

ret

est's

fre

?j=

moan,

thro'

the

for

est's

sigh,

mil,

la

fo

ret

qui

bruit

/TN

')-U^

n:

/Ti

3ir

J'W
runs

chante

3 M?

f!

^
^

*ft

song,

un chant.

P
!

5 i

=!*=:

? ^

'Tis

an

an

Un

chant

d'au

cient tale,

sung

1^

of

da3's

tres

vieux

0^-

gone
re

a
b^-,

cit;

w-f-

=:"^^:^
^ *^^
Copyright, tHli, by 0. Scht'rmer

;^

^^

^^^

g=^^

m -f-w

fTi

trp_fois, un

ga?
tF^
28721

^
^

59

*^^=^

fc

Tell- ing

us

nous

dit

et

f
how men
com - ment

lived

on

vi

free-dom,

in

vait

li

free

bres,

W^

men

bres

tous,

:zt

li

0^-

^t^

ItZ.

?=

?F

E=t^

^;

ii*

W:.
lib
li

J'W

^J

er

bre-raent.

^^

4-

gafe

La

i^

grew
grou

^; f

EiP2

J ^

se

up
-

-6^

pait

peo-ple,

*i
UP 7

strong were they.

peu

pie

peu

grand.

were
-

they,

pi e_ fort,

SEl

I
1^

^9^

5^

?F

^^^r^r^:

^t=ri

great

un pen -pie,

i'5

^^

S=

i^^

^:

^5

Here then

ty.

^m^, s

32724

once

fcgg

W^'-

P^

Here, too,

Et

la

^ ^^

^
lib
li

er

ty

ber

te

pros-pered
al

lait

ff
(p\hi

}
stead-

I'u

J
-

Et

s'ac-croissant,

lifc ^2
-^

li

And this

ly,

y
peu

pr

might

le

folk

pie

fnrt

de

1?77

ve

ry r^

1^

grew more

^
S SS

5t

'9 ^

nait plus grand,

i'^

in

wn

Kt

M%

?F=^g

Now

pow-er-ful;
-

3?:

^^

jS^
(

afe^

ftitt;,

^4
\^

i 4

b?

^r

1
FS

4 ^
I

ven

^M ^

geance

puis

they

bif

bi

if

sants,

ils

i
/g-

w ^

and

en

et

tres

fcS

rr
?

tho

cit

ont

pris

la

\>

QV

''cJ

>

folk,

ci

te,

a
^

r^

Hnd_

rii;

en

mies did

the3'

laugh

to

les

en

ne

mis,

les

ont

rail

ils

f^p^

<s>-^

>

^:

-m-

-m

ffff
9-

the^-

ils

CJ

scorn,
-

les,

and they
ils

se

w=^
r

vresc.

'^

their

?~*

'

0-

1^

r
-

ZC

9-

slaugh-tered them,
sent

on

fell

^p

feS

zznz\

iJ

ii*

i=k

^feiE

i|

!,ii

I'j'

geurs

eb^

'

^i i

61

^5

r
sleep'd

sont

them- selves
gri

ses

in

the

de

leur

^^

^3;

blood

that ran:

sang

mau

curs

dit,

^
Free-dom,
Li

*
r

bres,

ed

flood!

grands flots!

frail.
4:

^^

lib

er

li

bre

^
ty!

Peo- pie

ment, peu

pie,

r\

J^^^Hi

great and free!

peu- pie grand!

*t

-o-

"o-

-cr

-o-

^^:
3
23724

i3i3i ^i^

_.

62

Flowers of Love
Fleurs d'Amour
English version by

Henry

G.

Chapman

French words by
Paul Collin

Allegretto

Voice

is

!I

^:

man -3fleurs au

W^

r
Where
Mes

s
f M

my

liir

mes

d'a

sion have

mour

ont

fait

^eJ

^
^

par

r
And
Mes

flow

er

has

sprung,

fum

tendre

et

doux,

^^ ^^

tris

tes

sou

nai

des

tre

sigh

pirs

have

me

i5

^
ut

tered

leur

The
mur

^ ^^

ont

j;

^ ^^

man

Full

3:

fall- en,

-fir-

p^
2272^*

pas

%^
i

of

tears

^^t

pp

m
tt

^ ^^

?=^

<?^l

^"il^
Piano

Borodine

A.

le

^
Copyright, 19il, by 0. Schinner

night
-

mu

in

re

aux

^^

63

Piu animato e

F^

g'ale

chants des

has
oi

sung,
seaux.

i
^
And

couldst thou,

Si

Se^

iEEi

:i

3E3:

cresc.

3e^

3e^

3eS

couldst

veux

tu

m'ai

=^

(2.

^g

J^?

j=^=

^
thou

but

love

me,

mer

ton

tour,

i*e13

=z=

ii

>:

les

And
et

toi,

^^
^
y
W
S
^^

i.

^^^

un - der
ta
sous

fe

m
e
*

te

P^^^

win
ne

dow

for

tre

les

S
ev

doux

^=T

^
night
-

To

er

ros

J.

^=f

^^

si

=^
-

in

gale

sing!

^ ^ ^
^=^=T ^ ^ ^

ront

i-

nuit

et

jour!

^-t^-^

1^1

pour

/CN

the

would

5==F

thee would
gnols chan

flow - ers
fleurs sont

^^

thy

tt

2^P

|E^^=^
spring,

te

:z2z

22724

p
the

rail.

I.T*

te
l

For thee, dear,

mi - gnon - ne,

s*-*

'>^it

-^

Py-

rzL

m
TTJ

^jt?

^J-

t|J-

J'

^
17'

64

The Sea- Queen

La Reine de

la

Mer

English version by
Hf iiry G. Chapmaji

French words by
C. Grandmoug^in

A. Borodine

Moderato

Piano

t=r

^fa

i=r

i
Ah

come,

wear

Ac-

cours,

voy

^
one,

g-eur,

^4^1HS
i

3
22
\

haste,

cours,

22724

t-

ac

T=T

make

it

is

eve;

Thy

heart

is

throb

c'est

la

nuit;

ton

coeur

est

tout

rr
Copyright, 1911. by O. Svhirmcr

bing

pal

for
-

pi

65

"M^
me;

Here

'neath

tant;

sous

Teau

irrfTrTf-r'iTT
m.

dim.

It

the
qui

3^

dom
me

king-

fuit

'^-T

ft

rJ

1^

TtTT

thee!

t'at

tend!

t=T

i
^
'

:2i

roy

for.

^^

my

mon

1^^

waits

*^

^i^i^i i:
-^

1*

-St-

i*^

wave

^^

au

Come
Viens

M^

-^^

?*^ T

^S

^i=r

i * ^^^-f
hith
te

er
re

and
po

^
ser

^
22724

^1'

b
teb

For
sous

rest,
-

ipfagHSJ
-^

J^

mon

?^
my

is

bai

frais

breast,
-

I
I

*=i=zi

f=*^

^'"^

if

J-^

i
cool

^a

-^
J

ser,

And
g-lis

^T^B

6
/^/'

r
wan

sant

'T

der
sur

at

will

fhro'

the

deep;

les

flots

sans

ef

fort;

^jL^>^^>j^ji^LLLj4

Whon

^^

^ BI^

^ B

^^

^y^

^^

-^

W^

2Z

^^
r

thee

dans

ce'

tf
a" <

ly

-.

have

kiss'd,

mes

bras

r^T^

Thou'lt

F t F

me
be'

ni

blest;

ras,

je

r^ FiFf
F
t=^^=t=^=t
f

call

me

tu

^
^

12:

love
t'ai

thee!
-

me!

Ail's

Viens, tout

sleep!

dort.

iu1

Piu animate e

J
It

Sur

.?

^i^i

'

m^
i
22724

cresc.

cresc.

67

T
is

la

'

^^

rm^^:

Whose

great Queen,
mer
gran - de
the

vi

sion

is

I'oeil

reine

la

keen,

That

clair

t'ap

\\<'

'I

'I

rail.

calls

thee

pelle

en

cross

the

na

g'eant

dou

great
ce

ah!

ment,

=^

J3*W^ s^
-

tn

'lf=^

J2
-*-*

^^

iM

Tempo

come,

^
I

oh

m^
^
viens,

my

doux a

friend!

mi,

*
fYfTyy\^m

1^

Ah,
en

1^ ^

hear

and

at -tend

tends

men

ap-pel!

J^^jy

i ^1

Mii^^

i
'Tis

je

jS

heavn
veux

Jr^

that

te

I
ofdon-ner

fer

le

a 5^^^i
^

>1^
^

rail.

'
^*

^
^^^
Ah,

sea;

^d

r
/^

thee!

del!

:^

^
g

2724

iUS^^
dim. e

^^

r\

rail.

3CSj

68
Dedicated

Modest

to

P.

Moussorgsky

A Dissonance
Romance
English version by

Kurt Schindler

A. Borodine

^m

.\ndantino

Voice

^i

Thy

^nii

i.jj^.

pp''p

lips say, "I

J^'

(T

love thee, be

miu-

Piano

:m^J!

i ^P

lieve

'<i

m
zi
-

^'ji

And

meV

f ff

^^

i^-^r

112

22721

ms

IJ2^

TtXITlF

Copyright, 1911, by O. Sckirmer

^ji

j\
yet,

in

j^^ j,

the sound of

thy

ji

^^^^^

bt^

-0- -0- -m- -0- If-

t:

l:

t^

69

mf

voice

'i

^fe^^^^

that doth grieve

me,

It

=^=1=1=1^

in

^^

is

4
f

w^m^

22724

note ring's,

false

=3=1 F=^;F=

.^"^

P
in

l^

J\

Thou know'st,

in thine eyes!

thy smile,

I I

PP

rail.

gF^FlFlF^FEi;

ff

^^

.^

i.

J^

h J)
^

thou canst not

ii
de

70

Dedicated

to yicolaj A.

Rimsky- Korsakoff

The Sleeping Princess

BaHade
English version by

Henry

G.

Chapman
A.

Borodine

Andantino

Voice

^1.N',

Piano

pp

*^-#

legato

fe).

32

Hush!

hush!

rr

s
rt

With

|>''|-^4J,J

'n''i>

^^
Mj, i i
jf

cess

22724

4i~i^;

'

w ^

;^i.

r^

fair

charm

^
a

JH

Copyright, 19H, by G. Schirmer

'

the

sleep,

in

en

chant

li,.iijlkl^^

S'

^d2^

Closed

eyes

ly

By

lies,

Pm mn

^^

rj

^
Prin

love

J.

^^

^^

^i^
7
m
i

3
^^Tr

ed,

.L
.

r
I

71

J
si

^'V'

lence

JJ

^
li

Thro'

22724

break

-^

ing-,

Laug-h-

\^

ing-,

shout

J.

g^

J
mer

ing,

1 ,^>
5

ry

mak

ing,

^5^

fcK

m
L^f

the

S3

gloom the wood-nymphs sweep,

///.

s
Yet

they

do

not break

-^

her

=^

sleep.

72

P
m

^5

i-h^J-J^

and

\\^n,

as

dead

m-m
TtT^
'

she

were,

poco a

do

say

that

on

er

there.

*^-^

poco

J
r

Some

ev

1^

ctvsc.

i)

Sleeps the Prin-cess

^rrt 7r^
^^ ^^

Piu animato
1-''|>"J.

r
XT

^
Pale

22724

'

9-

m^

i i
>
I

rail.

Tempo

>^^i>

4''

-^z^ z^

PP

day

charm

r
- ing-

f
Prince,

true

2ir

^^m

heart

:^

and

brave

ed,

^^^

>

>

And

the

i'

iJ-

sleep

ii^

5:

With

^^

and

kiss,

"N^

wake

ty

make,

S
^^=*=^=f*=*

ij*

beau

ing-

will

^*=

way

^r

^
* ^r^

v-^i'k^"^

his

izi

her

ii

/
r

rf^''

To

g-ay,

73

r
I'all.

|#^

thus

'^-i

the

fa

^J

will

spell

tal

-et

^f
0

f f f

if

7^^
ra^/.

ins
7
r

Piu lento

74

a^

go

days

!''''

hi

^
i

^5

by,

^.

i'^

js

Ji

ttJ-

dream

77

h j>

iSl

Yet

no

Prince

ife

^m

"W

im^

m
vade

the

for

Fast

ev

^^

come

er

To

in

s
est's

gloom.

!'U i

s^^

Co:

^^Z|P

Tempo

has

^P

:;^

ms

to

^^j^j^^r^^jr

}'

llJ
I

seem

*^

J-

the^'

i'

pass,

22724

Like

las!

1^

r:3f

m:

^^V

4-

::

XT

^
a

sleep

^
the

Prin

cess

i
lies.

^
Wrappd

in

mys

ter

75

2t

her

eyes,

By

^^m^
b'l^

a
i ^

for

fair- y

rrrf

^^

^
charm

^
-

P
Doom'd

en- chant -ed,

dream

^
rr rrrf
^m ^^
to

in

-SM-

est haunt- ed!

Hush!

Hush!

'

rPT
r

J\

r 'r

^ r ^
n

i^i^s
^^
f

Ss

charm and slum-ber

S^5

i*
t>i/.-,.

J-

J^'-^'

Bale-ful

i^/)

s&

Will she

fell:_

-)

wake?

m-;

'

ai-r
m

Ah, none can

i^p

izm

7lro~

r T-r

r
/C\

tell!

n\

,P

--

&

WWW^
=

m.
-f

3x:

rS-

-^

P
jcn

Tjr

f
22724

'^ r

70

"Slowly the daylight departs"

Lentement baissa

Recitative and Cavatina from the opera

English version by

Henry

G.

le jour>>

Chapman

'Prince Igor"
Alex. Borodine

Andante

Voice

(J

i*

i ^S

1834-1887

gh)

Vladimir

^^

.?

r
Slow Len -

ly

the

day

te

ment bais

r
-

light

de

parts,

sa

le

jour

/r\

^ F=^
^^

Piano

XE

TT77

f
sewpre legato e poco a poco

J? dolce

cresc.

^^^

M
^

.?

^
Red

g-lows

the

Sur

la

fo

-tg-

sun
-

thro'

ret

te

the

for

ne

breu

321

^
rays

est;

Gone are

the

last

se;

L'oni-bre

va.

mys

^
of

te

ri

la

den

31K-

ffi

r
sun

set,

eu

se,

Dark - ness on
E - veil - ler

^^
W
w'' o[^_^r

22724

gIt

31

^W

r
earth
1

^^

is

de

cho

da

\rf^

^
Copyright, 1911, by O. Schirmer

j^

scend-ing-;

mour

!>.

nig-hl

9-

cho

di

77

^^

:fc!r

shad

ows

shroud

hill

and

vres

se,

Chant

de

ten

val
-

dres

ley

se,

In

veils

of

Qui

nous

ca

i
dark-ness.
res

se!

a tempo

^2

^ ^^^
rail.

Oh balm - y
Tie

de

nig-ht

nuit

cresc.

poco a poco

I
What dream

South!

the

of

d'a-mour,

Mai

Ah!

of

gre'

I'ar

dost thou

love

deur

ii^

ta

de

721
i-

2Z2I

thou

call

men

2:

a tempo

Jjpp

|i,p

A'i>
^

waft us?

flam-me,

poco a poco

crest:

J-^

Thou a - wak'st de - sire

Tu m'es doux, 6 reve

in

our

et

la

hearts,

to

love

rem-plit

foi

est!

me!

animafo ed appassionato
7n

f\.

M ^^

^
fp

3
t=2dr=-S

rO-

22724

Wait'st

thou

for

Che

re

bien

zs

mr.

me,
-

ai

zcn

mi

f^
#
5
7
^

tz.

O
me'e,

^'

j^

J'>

J->

dear- est heart's

de-sire?

une

le

e'

^s

toi

luit!

35:

IZZ

3CSI

r=y=^

PRDPERTY CF CITY OF

YORK

78

^ ^

a tempo

t\>
1

'f

Wait'st thou?

An

:^^
jO

ff

T^

tempo

^
i
,i

where

art

viens,

ah!

m
ffl

22724

\>r-j

-o~n~

men

coeui'

^m

ro-

^o-

-o-

call

re'

ponds

Ah,,

pel!

0_
I

how im

pa

tient

ly

on
au

3H

man -to,

le

E^^
i

J:
vt

thee

W
I

^^

-r

^
r^j\r
do

doute,

:^
So=

he'

in

tendi'e_ ap

^^

wait,.

love,

for-

las!_

est

cru

^
^m TfTf ^r^ T
^^ ^
chere a

J-n^i

rrf

dit!

^^
tt

(wherever harmonies permit)

le

^^

^^

r"

so!

jrp
<9-

Must
Viensv-

viens

'tis

JCC

-e^

vain?

~n~

et

me
me

tells

ro-

^^
J

tends

3E

22

heart feels and

30:

thou?

if

a.v

g^

mat

^m
^~i

rt

-^

tu

zoc
~n~

VUJ).

my

sempre cantabile dolce ed espressivo

Well

g-e!

in:

2zz:

"^

'=

79

I*

fcz

Come

thee!

Viens,

el!

^r

33=

9=^

d'un

^S

come!
pel!

est

cru-el!

to

^^

a tempo

#=N i

^=n

w*

33=

i;

pocq a poco

-^HV-

glows

in

ma

vi

poco

my

heart?

^
^^ r^
e.

Warm,

in

toi

tou

F^
^^:

-oTT

-^
glows
tendre

jours,

i
J

cresc.

me

the

Ton

W'

love

poco a

how

Vlens!

-o-

rf

fe

Know'st thou

thee!

-o-

est

Eg

My
Dou-

ffw ^

_o

tE^^

22724

calls

^^

of

mour

ifcl^

ly

ap

fTr?

dim.

S i^^

'>lI',^

?t>

coeur

cresc.

mon

cresc.

"^3"

cresc.

quick

3t

-o-

pain

i^

ra/^. e

^5

^
heart, sweet maid,

re'

a tempo

fcr

me!
ponds

to

e dim.

ter

331

mf
ra//.

crese.

for

thee

my

mie!

En

^V^
^^^

-X_

te
-

heart,

sweet

love!

tends

ma

voix!

^=^

is:

X3=

80

rail.

P
^^

Glad

Viens,

-+-

^^

ly_

would

ah.

viens, e

I
-

a tempo
zsxz

give.

my

life

for

thee!

toi

la

de

mon

ciol!

^^^M ^^
rW

f^

rail.

f=

'

tei/ijjo

-o-

^ O"

^
p

^+v

31:

then

tar

riest

ma

Men

ai

Love?

thou,

me'

Haste
Lais

e,

iM^T Wf ff^ ?
pf
^j-^^

iS^.

=f

^^
i e^

^^ m

haste

thee,

se

d;^
Efc
^^
f?
f rT

^
k

^
Hr=f

JOZ

Come

with -out

fear.

the

world

chir.

Que

crain-die

dans

I'ombre

em

7:3"

M-f

me:

to
fie

toi

fi"
is
-

bau

now,
e?

still
-

me'

fi

tit

^^f"

and sunk -en

Tout dort en

^^

^^
22724

'f

7T^r^
M

f^p^

fv-fTf

-^

-o-

deep

in

Slt'i'p

paix,

tout

dort,

T^^^

=^

'f'f^f

^^^WTf

ftf

\[J

^
rests in

the

sous un

ciel

81

te o

i
W

-o-

-o-

arms

of

night.

de

sa

pMr.L

i*

\<^0

Tf

'^-^\^

WW WW

^W

"^fWw
3Z

Ail!

"TT"

Wvf TtT

S ^dr

^^

on
a

call

fin

3^

r^

Z27Zi

viens,

ah!

viens!

Must_

Reponds en

=^=^

iEiEk

iO-

3x:

-o-

\J

xs

^^

TT-

-e?si:

zee:

?S

When,

with

men

ap

pel!

Ah!_

pour

smiles wilt thou

moi,

^ t

3x:

dim.

vain?

wn

oui,

rpT
3CE:

me

clasp

pour moi

rJ'

le

*
^
:

TfTf
-^

"EF"

ly,

te

se

i
whis

rait

^
-

pring of
trop

cru

JCE

3i:
love!
-

el!

^
Come,

ah.

Ah!

re

v ? fi_,.
\

say?

in

s
dou

thou,

thee

^
soft

jiV

art

^^^

JE

-^

ppp

-5>-

?f^r=p

>

3SI

7^^-

dim.

Pr\
Where

-^S*-

^''

cresc.

f
/T\

Tfff

crest:

TTT
^^^

i^a

^-t

If if
351

come
ponds!

cresc.

-G-

82

gg^

^.

"if(i

>

to

me:

My

toi.

ce

rrrr

O come,

La

de

uuit

sWi

?*

^dz

Pour

all

nous

save

an

te',

thy

flight

shall

cov

sous

ses

long-s

vol

dreams
non -

hearts with

nest

i ^^ f=^
^^

love
ci

m
^

XE

at

rest

shall

be.

ce

son

are

que

^^
:z

Tf^ T

1-^

1
II

2272*

When

fe

ZSL

les,

*i

3i:

WWf w^

PP

When

--i-

?^

-t9-^

*r

er,

lu

t^

night

the

MM
*
P

r^:^

sweet maid, calls

biu - laiit
da

?
P

Tir-

__

1721

dim.

mour!

thee!

rn"i>

^
coeui-

xn

-^-w

^
't

heart,

-^v-

gp^

''I."

^
dim.

re

tour.

I ^^

^^
And

Ces yeux

heav'n

lone

du

ciel

there

to

tout

plains

d'a

i' f

mour.

des beaux

Vols

Wnf
^

is

r
?

122

JQI

-O
still,

and

in

nights

s^nis

all

le

doux

sa

phir,

Tout

-o^

fypi T
\

rj

TfTT

^^=^

tffpi
f^fif J
i

311

things

-o^

dor

Oh
Oh

mir.

rj

* i*

cresc.

!rs:

rf ^nr
^^

'TTT7

^^=1^

1-*

sleep!,

va

t
s

The world

see.

i^

soirs

K\

za.

is

rm

r.

'

tm
7

\>o

83

cresc.

i
/TN

come!,
viens!

WWW
^W
I?

fif Jfjf
ditn.

22724

^^^f

w^r ifw

a^ f
0>r

AiTir

nr

3
iirvf

~n~

\l(iW

/T^

31:

84

Poet and Critic

Kukuk

Nachtigall und
English version by
(A. S.

Chapman
German words by
Henry
L.

G.

Pushkin)

Cesar Anlonovitch

Esbeer

Andantino

Cui. Op. 57,

N'.

22

{J-(J)= 72)

Piano

1%

^^^ J-

i'v

When woods
Es

sing-t

A ^m
W^t

A
im

a re

dark

der

SJin

strel

lauds,

das

Lob_

>

He

trills,,

r
he war

Er

rullt,.

er

tril

and late
gr dunk

the

hour,.

ler

Nach

^ ^

min
Wald

^^

^'

the Spring-

der Friih

i.

won

lert,

pfeift

Copyright, i9U, by O. Schirmer

jj^J

bles,

22724

pow

tides

ling-s-mach

te

er;
te.

^m

drous bird,

und

schlag-t.

^t^

85

__nf_

i m^
tf

The
Doch

nh

cue

ist

ip

koo

then

der

Ku

i
The

sil

i'

i)

h
-

ku

UB ^

al

un

de
ent

tfp

p
comes forth to
kuk auch zur

ber

ne

'

terred.

wegt.

y
Ge

i^

nois

ty,

koo" un

i^

chat

ly,

der schwatz-haft

fel

sel

i'

r
bel

low,

Stel

le,

And shouts

low,

^
^
And
Das

1
% 1^=5=

^
scur-

vi

ly

does

cho weiss den

^^

r
"Cue

his

d^5

^
-

Ku

und schreit sein

le,

iQ:

32724

j.^- llj

MI

m-^

Ech
Ruf

%
1^'^*

zu

serve us,
niit

zen

-1^-r

86

m ^ i^ ^
For

she

und

wie

re

der

peats
holt

'

him
ihm

o'er
iiu

JH

and

o'er,

mer

zu

M'

E-ter-

nal

zum U

The

Lord

pre- serve

Mag-

Gott

uns

j^

JH

schiit

le

22T24

an
g-i

ber-diuss!

^
a

zen

vor

solch'

J)

-f

ly!

such

From

j^

'>-%\^\^^ll: ^^trj

^^

us

rn

mel

^^

"jf.

-%E^

ll

CCr

Ci^

J)

^^^P

"

Sits

I
Choi

schem

>

bore!

Ku

ku.

To

the

memor'y of

Julia Ivanovna

my mother

87

Moussorgsky

Peasant Cradle -Song

Berceuse du Paysan
English version by

Henry

G.

Chapman

From

the

drama

"^Voyevoda," by Ostrowski

French version by
Hettange

Modest Moussorgsky

Adagio

Voice

5^

?r-iv

'

fct

'^Sl

Piano
'^
k"i>i,

'-

P
'^

By
Do

^w

[rr

bye,
do,

by
do

A
r-=
J J

ni^

'^

f^r

f^

ccT Ejir"

dim.

s^

^ [ f f^ffff

^^

^^^

fct

bj-e,

sleep,

my

pret-ty boy,

do,

mon

bel

et

Jj

beaug-as,

j^m-^

r=

K^

ffiEi

en-fant,dors,en

Dors,

fant du

dim.

'Hi^.^-^n^^

=s

-d

^^

iS

lMleone,sleep,thou hum-ble

Sleep,

2:Sia:

p-

-r

fete

m
^

jV^ 5 f=^
i

'>M
*^^*=ES

toil-er's

babe.

^
^

la-bou-reur.

^^

zzniA
Copyright, 1911, by G. Schirmer

By
Do

bye,

do,

S
by
do

bye.

do.

88

In

Dans

days

the bright-er

temps,

Tancien

'^h

i^
hard
mal!

now

But

Main

te

the

las,

tout

nant,

le

"j'

'

M ^
'

'

i-i'i.

Lr

^ij^i^rg

ffiF
trji

from our mi
-

i frT
aI'S
i

22724

>

^
en

vail-lentsans

> at?

vait moins

ff

oer

happy times are

Dis

des longs jours,

long-

liB
:

UM

tress_ and

f^

M^ ^^

pair

have

we,

And

nuis

cru

els.

la

there's no

mi

sou

noir

so

not
cle

le

was

lot

--m-

M
re

re

se

se

re

ry.

i^^

pit.

^j^r-T^'

^
i

p^''^

frLrrrr

^J^Ji.^

nous

i'

dim.

i>-
'

J'JV.
lief

les

ci,

And des

griff

tJ'?

bur

s=
\

yore
on

of

'f^

$9

fe^

By,_r
Do - do,

by

bye,

Sleep,

my

pret

do

do,

mon

bel

et_ beau

i^'^'-i\rru,u
^-"ii'i

^p

'

sleep, thou

en-fant, dors, en

Dors,

^m

E5
m
TJ^

ba-by,

Sleep,

T cresc

la

bou

3E

r*
hands_

^r
lone
a

Thou

eras

mal-heur

en

jMr^^

not

le

^M -Irr^7
i

earn

shall

tri

thine^

a_

own, While with

toi,_

quand

le

JJ

bread, All thy

mant des

bras, tousles

fie

chaud

ry
so

Jl

^^^

icr^ ^

days on

^^^

Hie fields that are

long-s jours, _

sur

des_

J^ w

J
-

if-

thy

f^ a) MJ

terrespas

22724

thy

?,

7?

^
By

Tu vain-

!>

.^

^^

>,

reur.

ffiEE^SS
i*

gas.

birth,

ly

boy,

^=

i
low

fant du

ty_

tif-H*

child of
-

^m
s

ii^
-

rays

The

leil

dar-de

hot
-

sun

shall

blaze,

ra

ses

feux,_

90

P'^'^

J
the

hot

dar

-de

ra

ses

feux.

^W ^

'

'^

^^^^

^>

g y ?^
\,

4^'

^ n

Thy
Ta

J
^

'

doth thine eye

meil _

fer

me

p
lids

^*-*

?
en -fold,

tesbonsveux.

Sir
-

Ne f

^^1^ ^
4f

i
soul_

far

way

douce

aine

pris

\A
^^1

^^^

^^ r^

sleep.
-

^ ^ ^^

#
22724

som

^ ^^5

while

=^T

Now,
Le

jS

^^

dolce

dim

^g^^-TTf
E

sun shall blaze,

-

kfe

;; i

from
sa

^^-^

the earth

vo

lee

^^

may
au

91

Qir

E
fly,

loin.

And
No

tre

Sei

g-neurveille au-presde

thee

vert

er

<
l
i

'g

An-gels

ver

toi:

L'an-ge

t'a

cou

un poco

rit.

^m A

ij

JMJ^v

pai

^>

a tempo

spread their wings

son

J^^^^^

J)

nigh,

[!

de

suonato

ev

V Tri^

Lord watch-es

mi^m
^mi
U

the_

^
de/

fT

yet

fT

of

gold,

le

d'or,

E^^

spread

their

de

son

*'

wings
ai

of gold
le d'or.

r\

dim

S
2Z7Zi

pTs

r\
^

PPP

i ^

r\

'

92

The

Beetle

Le Hanneton

English viTsion by

M. Moussorgsky

Henry G.Chapman

From the cycle," Nursery Songs"

Allegro non troppo

Voice

Piano

i ^E

^^
5

what has hap

\\i
-

ff

pend!

i'
In

p
the

^p

i'

sand there

^=1

2272 4

i)

rrrrrrrr
ijJ^

in

the

play-ing;
'

eE

^p

gar -den,

J''

p
by

the

ing

'fTTrHr^
-o-

birch- tree,

hous

es

5C1X

LL
-i

b Ti
-*-

with

my

rjj.

1911,

by O. Schirmer

pret

^^

J, J

f^

?^
Copyright,

^
s

w
Build

iJ-'

IeeI^

fe
4^

p
was

na dear!

^^^
^

Na

'>J

iJl

^
Lis -ten,

ty

93

P
blocks

ar

of

ma

32=

Moth

those

pie,

i^^

^^

a?L

^
P

P
ling

p^^
I
g

made

er

r
P

so

nice

and

er,

ly.

^^

And

was

i 1

1-*

lit

i^

tSl^

with

ished

the

7"

roof

on,

just

*
an

like

ffff ff

=i

tie

fct

iS^L

r
fin

my

jt jtt.ii^Y''f-

house

Moth

^^

i2?L

P^

me,

fl?L

gi*

dar

f-f

^^^

/>

g
real

!>*#

m
23724

Ah!

one.

cresc.

EJEEE^

i^^

f^s
#

ff f

94

fe

bee

^fe

ii

i
I.*

^ ^^^^^^^^^^^^^^
t^

J^J

tie

j j^bf

j^u^i

'

\^

^^^

4^^%^ ^

y-L^i^'y

And

^^

3
22724

*
r

^^^

reached

ttr f

Hi

i ^J

his

out

i^

J^'

^> ^

Vl

i ^tf

feel

ers,

^3

,M

'

'^^^''^^

95

^
#

glar

ing

i^

Oh,

^
balls!

=fe

how

scared

-^-in

p
irrr

^J

Jl,

And

ly,

he

^J

spread

\,J

his

b^=^i)

-o-

i'4

^i

''^~^^'
cresc.

J
/it

22724

-^

^
fierce

^J^

^
-

l>li^

buzzed

bee

^^

The

was!

fefei

#p

r^
/

^-

U
^):J,i

/*
Wi

/-

^r=^
f

eye

ew^^^SKf
:b^

232:

tie

96

''

-^l9^

i.j~lM^ri 't i^r

irj

wings

S^

^^

and

out,

^^

s^ ^

i^m

>

^32

tr

5ni

lm-

//

fe

yz O-

*-

&b^

l-^^J

K^lJ

me-

grab

he tried to

then

pi^^p

^^;.

^m^g
i

|,r

v^^^^^'^-^'^-^'^'^'^'^'^

/,

^i

i,

i
I

Then up he

^r

and struck me

flew,

up

on

my

fore

head!

pp

^^

^r

fraid

to

^
move

held

r
a

my

fin

^p
-

'l'----i

out

of

^r
kept

na,

But

ger!

22:

Na

breath then,

IT

^^
just

I'

I
still,

one eye

^
I

l"]

4 u^iLj^F
^

22724

peep'd at

3C

97

^^

i
him.

And

Na

/0\

E
O

na.

Na

J)

J)

J)

J)

na,

think

of

it!

/^

ic\

^F

i'

On

p
his

-iS-

^p

i'

back there lay

bee-

the

fiJ>

ver

tie,

p
-

with legs

still,

fe

long

an

er

And

gry.

did

-*-

?
his

feel

and

ers.

f^'p'p
p
-^

was

5^

not

-J
-o-

he

k
^

2?z:

32724

droop-ing,

all

?
no

move

i'

Tzr

feEt

iJ-.

not

buzz

F=^

^^
ing:,

*
s^^

o-

^A

98

^^
just

J, ^

P
wings

his

were

wav

J^=3=^

J^ J

P
g

ing

gen

^ J^ J
't

J^

Was

tly.

TTJ.rrj
f

I
I

o p-

^
cresc.

*
4^

i
dead,

Or

^=rr^

Tell

^
me,

how

just

pre

tend

i''-

^^^^^^

then?

fe f^?^

^^

^=^=#

c*.

he

w J

was

It

'

Do

that?

^^

toll

3 J^

r
me,

jj jj

ing?

^
Na

na,

i^5^

^^m =^
22724

J
,

99

^^
a

^
^

-ar

bout

this

bee

-77-

^^

me,

he

but

^
^=g

Tell

^^
-*

ritard.

me

why

he

ir
lay

there,

22724

r\

^
poor

bee

tlel

ritard.

^^ ^

J J J J Jb J J J

f f r

S ^ M

^
^^
^^
\y

P
-1:.

ver!

fell

dun.

^^

tie

feE^3

struck

-1
"XJ"

fe

bee

^^

F^f^

Ccr

The

tie!.

i?P

r f

r\

ii

100

Child's

Chanson

Song
Enfant

d'

English version by

Henry

Chapman

G.

(L.

Mey)

French words by Hettange

Modest

U^

Moussorg:i;ky

Andantino tranquiUo

Voice

i^

In

the

Dans

lo

LT ^s

vale,_ oh!

in

the

val

ley,

dans

le

val

Ion,

val,.-

ah!

Piano

lit

tie

se'.

la

mu

ft:

ss3

Us
(

^4A\

r
r
Grows a
pous
a

sun

ny

fait

yTT^

9^ I

hours,

ro

rj

ii^

so

by

the

leil

la

^ ^^
J

cresc.

Glad-den'd
se,

pen'd

Le

re.

i"
~sr

}^

^
Ri

-J

^^

===

bcr

^^^^

22724

IS

cresc.

L'eau

du

by

the

ciel

I'ar

^^

^^

show
It)

^^ ^H
j^

^ 44^ji
Copyright, 1911, by O. Schirmer

ers.
se.

h
J

ij.iiJiij

g E

friffu.

4''^-^-=R

101

^J

fe

^
In

the

lit

Dans

le

clair

cha

tie

sa

let

lon_

a tempo

JH

<^

:y

r^

r-Vv\'^\

P
'>:Hnlt

<.

m
i

fcft:

cresc.

i^^ ^

f ;^

p
r

lyy^j-j

Lives

un

en

^^
n

r^

See
a

maid -en
merfant mur- mu -

r
Son

re,

^ m
fw

ig

Whom her

ry,

pa

^
fa

pa

r
-

^J^

ther spoil
I'a

pai

ts
W9

cresc.

pp

>>ti|tit

fct

f-pf-

r^j

^^

For whom moth-er

Sa ma - man la

rifen.

'

toil

eth.

bai

se.

/r\

a tempo
riten

22724

eth,
se,

lua

By

the Water

(Count A.Golenistchew-Koutouzow^
Enprlish version

by

Modest Moussorgsky

Kurt Schindler

^^

Andante molto

Voice

From the Cycle:"Where No Sun

cantabile con meditazione

jm

Pale

^fe
^te

iiVtf'^

i
jjirdi^
i
;i*J:*i*i*iViJ:iVili

and

moon,

the

^^fe

im

^^

Mir

pid skies

$ w^

rays

22724

iiJTj

i
i

in

the

^^
f^

^^:

5
ror

poeo

!)

the

^^

from

stars

yy
\\m

the

is

W:

PP

Piano<

Shines'

"f

crt'.sc.

floods

of

J^JTi J3~
Copyright,

f^
the

sleep

poco

O.

Schirmer

inglake;

r\

rail.

.T_r .._^

by

r\

rail.

j,^
1.911,

their

_^

. _..

_^

, _t

103
a tempo

i ^fe

Si

^^

MtA
'-^^
"l

"ft |l'^

lent

on

gaze.

a tempo

fi^
while

tide,

^S

1^

:5

E
a

lone-

wake,

4to

^
m

ii^-

^ii*

gate
ItTtf

P
I

[i

iA^
we

:P^
f

p
bod

S^
^

kMiillaJL

22724

my

in

^;

^
pp

^1'

\^
And

'-'

the

'

'
:i'

^^
of

ii

r*
J'>^

^F

W^

fore

^
i

ings

efe?

strange

soul

11:

fate

IS

>

rise.

p*

^mr

104

^te

^^a

Soft

the

Iv

pies

rip

are.

?=ir

cresc.

^^r

'Jj'Ji^Jj

'

%VfjF

/^1

"r

ing

flash

in

^in* ^1^
^1^
?i ^n^
S
S^ ii

U
v'ry

sil

light,

Wm^
5=
3
^^ _!a'^^ ^^ ^^^^^^^
dim.

"

ftf

^
m^

On

balm

n Hk^'y-\

trem

5-

ii

i^^

^
-

bles

B^2:

^te
w'jj^^jj3-jj
22724

es

breez

cresc.

^^
I

i^^

?*

?*
j>

ma

there

gric

spell;

"T-

105

^
I

con dolore

IRff^
Dreams

r
Ai
nfi m

vn
sweet

of

S m

\^

a^

pas

^<te

I*
^p

cresc.

with

calls

P^
ste
^S
22724

^i

my

^ir^*
^

^^i^

\i

sion

n
dim.

the

A
f

f?=1^3^??=.^

^^
ste

i
221

rious might:

106

y^
i

poco a poco cresc. e

^^

accel.

bound

Spell

i)

"I'll

III'

ij

ij

jV
en

1-^

\i

1^

ten,

lis

''
'I

f'^:^

^ ^^l^f^^ ^ip^^^^
jDOco a

poco

cresc. e accel.

^^

^
by

thrall'd

un

em

^m

fitm

^ nimtT^
"

J:

|^
If

"
|l

W"'

knowTi fear,

^^

tti,l

aj)
it

i'

hfj

rs

should

bid

^
me

stay,

^=^.
f

i^?^

=;35=
s
J*.Il!r

..^ jM

22724

^""^

fefar^

t>'

rs

i^^jjjij^ji^ ^j^^^i^
'

^^

ID'S

^^

rs

^r

hence

r
with

should fly

^^m ^

ed heart;

r\

^1

i
^
m mm mm m
5;

wound

:5;:

aw

') tfiAjL
\

joco ra^;.

rtS%

i
ff

'

tempo
'

tfi)^'T

^ JiiiJi^stdiJ^i/

p ""^r

f^s'=^

e2724

roniHDTV nr pitv nc

inrrr vnoir

108

Divination by Water*
La Divination par Teau

Eng'lish version by

Kurt Schindler

From the opera"Khovanstchina"

French version by
Hettange

Modest Moussorg-sky

Andante

Voice

mm
*^
S

(J 260)

W^^

^-ihH

*-r

ttf^

Piano

pp.

.,

zs:

ffff

fffJr

ict

r r

^
#

/O

/,

J
Spi

il

j^.
-

neth

of

rits

vous, es

Ug

P-

w^
-

den

be

low the floods!

vous, es-prils

piils des eaux!

sub-tils!

/CN

W
-o-

t^s-

^fe

Bound

Ma

t/":

m
0-

"rr

S3

b}-

nes

P"P

ma-gic spell

per-dus au

-tir^^

loin

-Hl^

3:k

r
Deep
dans

^^^
in the

le

^
i^

ns

dark and void!

noir

r'

Hear!
jf

p
I

vmis

HE.

(Mftrtha, a young: woman of the sect of the "Old

r^

Believers',' fftfted

^[\-

call

ye!

man-

del

i^

./

-f

S^ ^^

ne'-ant,

m.

^M

-M

Vi/

with second-sight, reads,

water, the fortune of Prince Golitsyne.)

22724

Hid

er worlds,

^^

Copyright, 1911. by O. Schirmer

in a silver

hasin filled with

109

^^-^\J\ >
Poor, per-ished hu

Pau-vres hu-mains

man

souls!

noy-e's!

ji S^^- ^^^

Vic-tims of
Tris-tes

des

es-prits

ti -

'

Fate's

se-crets can

be -tray,

tous

les se-crets

du sort,

l-^""%J
Un
de

32724

i.
-

^^.^ttiij
proadBo

to

the

ce

bo -iar

11

iar.

fie-vreux

:^

Hark

tal

men

tra-hir

e-tes-vous la?

De

Ij i^ii^iiJ
Who

iiJ.ii^
Tell

to

f^

fgl

me!

que

t>

Jx^^j

mor

^''

s*

I
^1 J^

that to

35:

^J

''^^'-

Yous qui pou-vez

de'-chus!

s^

^te
um

^''

Ye

ny!

*S

&

in

the grasp

I'a-ve-nir

me what

tfJ^i'J.^'et

will bring-

ce sei-gneai"

of fear Dread-ethhis

e'-meut,

life

trou-ble',

^^

fu-ture

que la crainte

lot.

e'-treint,

What
quel

no

i ^f^ ^
fatt

IS

est

le

j> V

.^1

his?

sort?

mr^

-^

poco

EEEi
.^

pp

^^

^^!p

^g

*^

s bJ"ai>

ji

wa

and

Lim-pid

the

L'eau est lim-pi

A
^m

^^P^
s

crystal clear,

Yet'neath the sur- face

un

El

cris-tal:

poco

^'

see

mys

feux

e'

J^

te

rious

tin

pp
7

^m

ce

le

bra-sil

le

flames.

^^^J^

K"jrJ^

Prince!
Prin

laiits.

&

poco

:z2_

Jn ^
^^ ^
If

PP

See

the

wa

ce!

I'es-pjit

22-

^P

ter- spir- its

des

eaux

de

hi'
-

sf^

*^:iAjj 1 rz

tr^'

^
^te

te

3i;

SJ^IJ}^ JTJJTIJTIJP

i^^

comme

de

i:

ter

dim.

XE

-xt

Ill

haste

to

en

my

sum

ten

du

F^^
mon-

ma

in^!

J'

^'

Prince! thou

art

now

to

tu

va

sa

Prin

voix!

ce!

fe

voir_

Z2I

rrTi

2'

^^m
i
^

learn.

3x;

'2>
2^

,1

(sinister)j
(sinister

fciS
f
se-crets

All

the

les

mys-te

res

of

thy

du

des

friends,

mis

22724

A-

tin.

Je

round
vols,

thee

pres de

see
toi,

treach'- rous

p-

who mock

j,y
thee now,

aux yeux moqueurs,

je

;^=^

^
1^^
yea,

des

^
r

fate.

s
A.

see!

les

vois..

te

p^^^^

They draw nearlis

"f

ap

er and near- er thee,

pro-chent plus pres de toi.

112

accelerando

4\

j>-

mon

sum

p-

thee

to

ne

font voir

ils

1'^

urg-ing-)

They

22724

'f r

rtcee/.

long-,

wear

to

loin

rou

y
jour
-

tai

p
^

^i

9TT1^
r

kl

^
ney:
ne.

f
^'

a/LU L^^

113

i^

Tempo

-V-

*4
trj'
J}

'

tranquMo

22734

5^^

3::

ptf

^
wMi

tranquillo

^^

In

shame

La

noi

try,

ITe

tai

ne,

I'ou

dis

grace-

re

dis

gra

spised

bli,

and for

g-ot,

me'

pris,

le

ce,

'

be
la

^^

^^

coun

and

where
la

all

dou

1
1

'I

^s s

Nei- ther chance

Ihee,
ver,

ni

ha

sard,

U:
^'

J'

nor thy
vou
ni

will;

Thou

wilt

loir:

tes

ef

but

strivo,.
-

lorts

se

in
-

rent

-u

vain,

Thy

fate

is

de

vains.

Le

sort

I'a

vou

^E^

^==^
^

,^
22724

creed,

Tu

lu.

fiMfi ^
jl:

^^-

-K

m\jL.?-M

^ r p

r^

m
Prince

115

dois,

sei

p
ger

hun

thou Shalt

gneur,.

and

thirst,

su

bir

m r m W^^^
^
^

Cru

el

r
want

mal-heur,

le

rf

1^5

#:
1
tears

yeux,

U.
S
f

through
sous les

burn

ing

mes

lar

r
g

Ui

'

tears,

bru

^~

Ian

Thou'lt

look

tes,

vont

on
en

the

tre

n\

M:
world

^
^^

voir

Know
ce

'

^^T^i

i-

sor

row!

mon

de.

ing its
quest le

r\

-^

*ft

22724

le

be
be

$ f

shall

nnnnrnTV nr

nitii

-^-

~rr

&i

^m^

vnoi/

'^

116

Death and the Peasant

La Mort

Paysan

et le

Trepak
(Count Golenistchew-Koutousow^

English version b}'

Kurt Schindler and H.G. Chapman

French words by Hettange

Modest Moussorgsk}'
Fi<im the Cycle: "Songs and Dances of Death"

Lento

assai, tranquillo

Vo ice
Snow

^
And
La

plai-ne

fa

north -wind
pleu

le

re,

is
s'e' -

i>

):

o
,

i^

h^'^i

though a

ghast

la

bas,

dans

-L-L

wail

ing,

ner

ve.

^"
J

J^

sob-bing,
la

bas,

^:

^^S^

ly

dirge,

la

nuit,_

plain

^^

Copyright, 191t. by G. Schiriner

ver

the

tes

au

22

^
-U-L

J>

22

tf

aa?::*

Bro-ken-ly
On di- rait

-^

i
'

as

^^^^

nL

!p

r\

^^^
fe5

cj'

m.
JL.

PP.

:k

^^^

s'al

:i

the

the night.

is

lon-g;ent de -serts.

^'f

cold

p.

m
^

^
ra

r
So

si-lence.

in

5^

fields

champs et

3ois,

Piano

^'^

i-J

fl'?//;.

h^ii

117

^*^^ i
graves
pres

it

was

d'u-ne

^^

^
chant-ing-.

Lo!

be

torn -be..

oui!

C'est

ce

a ^^

hold!
la!

,^a

'^

VW^

Jp poco a poco

Through
Dans

i^

m.

^^r^

piu

PP LIT LIT

tnosso

the

night

la

f
anere
strange

p&ir
pai

ap

un pauvre

nuit,.

proach

es,

hom

me...

^
poco a poco p%u tnosso

^^

w L^LI/
),
g^=r

L_EJLl/
Eli
Death

La

holds

mort

i
p

an
I'e

le

treint,

J'

i'

fast
-

^
in

his

w^

^^

LXTLJ

;>

iJ

L-LI^LJ

>

p
clutch

^^
LXi*C-j'

es.
se.

res

22724

It

p
ca

LXr !_/ LXr!_/

peas -ant

old
-

J'

--^

^^^^ff^

LXI'LJ

118

jMip
now

See,

El-

the^'

Ten

le

J^

dance

the

traine

pak,

tre
-

vec

el

fe

J^^R
pp

^^"p

^
-

the

pair,,

le

si

loin!.

fJ'JJJJJJJI^JjgaaiJ JJJJ jjj

U'-i,

'

'

'

^^
^j^^
^

'

^^

do

[J^ifi

l^f}

'

'

'

ij

'

-P

Allegretto moderato e pesante

Jw

"Hey,

poor old

i>

J^

man

J'

'

head

with a

pau-vre vieux, pau-vre vieux

it

fefe

-m

'

'

m-^

so

J^

Too

ia-ht'K
light.'L

te

Ah!

te!

il

E
night!^

And

the

lash

bu

en

rou

Mais

le

vent,

te!

"f-

bu,

i)

on the

il

r-p

(a 3 battute)

to

J''

much you drank

road

IJ

^^
^

sans

^^

ing
la

snow-flakes
nei

ge

^
your head
a vi - rent,
tour-nent,
set

'if-

rr^

^^
28724

Sa:

li

119

^^

tE^

reel

ing,

That

you

vol

tent,

ils

le

went
chas

a
-

sent,

rent

^ 1

^
with

stra y
ti

irmi

sense

out

sa

de

'9-9-

de

loin

or

feel

meu

Ira

^t^

m t^^
Were

you
pau

Ah!

so
-

i^^
p poco

vre

K^

^^

w^

bro

vieux,

ken by

souf

re!

k^

k^

ii^

ing!

1i

meno mosso

mf poco

i^^^:*

^;

(a 5 battute)

want

and

sor

row?

fralt,

si

fai

ble!

Lie

down

and

Viens,

ecu

che

iM

i^- >.

meno mosso

f
(a 3 battute)

^5

-^

sleep,then, un

en -dors-

toi,

til

toi,

bon

fsm

^to

mor- row!
-

horn -me!

?^

t.

poor
Viens a
Oh,

fel

low,

moi! Pour

te

:1=^

^i^

^^ f^

2Jp

F^

^
ci

la

warm

you,

nei

ge,

Let

the_

pour ecu

round us

ton

corps, voi

ci

la

,^ji
S
Efe^

32724

voi

fer,

^^

^^p^

snow-flakes danc-ing
vrir

3^

blan-ket

chauf

white

thick

P^

^ ^^^^

my

let

i=
^

cheer and

charm you.

^
^

blan

nei

ge

che.

120

Ancora piu sostenuto

IS

(a 5 battutt

2u'7at

Heap

him

Fais

lui

son

121

m
^

for

dan

se

*:

*;
Sing

Un

for

lui,

chan

te

allargando, mosso

^^
your
jo

songs,
li

ye
re

night

?
-

winds,

frain

(a 3 battute)

h^^jj^jmjii PiJJjIJJ^

22724

dance,

23

Meno

te

^^S

Jmh

Storm-ing from
qui

Ten

dor

the
-

me

122

^
West!,

the

Till

un

bien!

I^
^!:1fc

I^

^m

jo

drunk-

re

li

wind
nuit

22724

y
sans

reach
lu-

anl

f rain

-g^

^(a 4

peas

J:

^
^
ag*J
^iJUJJJ^ it!^

en

battute)

^^

es!

Hear

me,

ne!

Oh!

jet

f
ye

te

cloud
-

lui,

banks and
jet

te

133
(a 3 battute)

E
-

cy

lui

en

stretch

ha

es!

te

Turn

your

sur

les

selves

to

bras,

I'e

ft

mr

r
0

swans
pau

down,

le,

Make

snow

white

sur

les

reins.

les

'^-

^
m

bes,

i^

And
XL

er,

i{J

cov
jam-

the

gray.

ne

nei

^
beards

3
era

blan

;E3
die

che,

will
-

ne

1_

5^

mn
?L

#-#-

<p

r-

draw

man

m
'^'

I'

22734

it

lour-

te

i
JJJJ ^*

ver!

de!

r\

^
'^ ^

j"T]

riten.

m m
~3

\J

124

Andante
-4m

tranquillo

m_

friend,

Sleep,

mon

Dors,

te

;i

<

peace,

ej-es

for

dors

paix,

sans

mi,

close your
en

rpi fPi

:if

a tempo

^^^^^^
3'ou'll

see

it

nir

les

beaux

^
S

Soon
Sur

^Et
jtw d tempo

^
the

er!

^-^

-#

jours!.

#-

a tempo

riev

pxu mosso

s
i'

? 4~^-m i^d

IJ^

up

on

les

jt^rands

sci

=:

$ P $
r

=^g

j.jj jjj

sun

dm

J'

i)

the fields will

fijps;

et

i't

'

J^

les

smile;,

*^-d-

bles

m
iZ12\

r ail.

w 1

S3:

T^
t-

125

And

the

i
F
peas

clair

so

leil!

^
^S

g
?
come

ants

To
Et

the

cloud

les

chants

skies,

s'e'

pan

g
'^

//7 y/V
ritard
'')

V
I

I,

-a^

^^^^^^^amm

i*

^
22724

^
^d

^
jol

e!

gy

f _p

m.s.

'

2>p a tempo

^^
j'^j.

jr:.

,y,'

ti[_lP

'

la

rise!.

^^s
P^

^^

W^^

nif

r^

Jl J) J)
re-dl-sant

dent,

be!

mer-ry larks a

^
a
m
$ W^^^
w^^

flam-

soil,.

j',

less

the

^^^

till

Tout

1^

p^

to

ritard.

^^^

WW

a tempo
22:
r2r

PP
'^Z
7^^

U86

Martha's Song
Chant de Marthe

English version by

Henry

G.

Chapman

From

French version by
Hettange

the opera "Khovanstchina"

Andante con moto

<:

Voice

Modest Moussorgsky

lamentoso

(J

jfjfj

96)

Piano

)*}

'

"

^^^

r^^rn:

^^

^m

!s:i

9^^=^

22724

-^

And

by

day

and

bj-

niprht

faro

Et

de

jour

et

de

nuit

je

vais

^^
^=f

-^

i5>-^

ver
les

moun

champs

3:

tain
et

and
les

mead
pres_

3E
o

ow,
verts,

pai-

S
it-

s?

:#

O'^

par

i:

zc

Copyright, 1911, by G. Schirmcr

-&i

131

ver

moun

les

champs

-tain and
et

les

=r

137
poco

^ ^

i
mead

ow, Thro' the

pres _

par

verts,

woods
bois

les

3ee^

et

par

g^ i
the

burn

les

ter

rains

ver

\^^

-G^

and

riten

ing sands,

bru

les.

poco

riten

'A-

'^

i^

a tempo

*i

On

the

i
bram-bles

Aux buis-sons

j'ai

IVe
g'rif

will

Ev

se

mes pieds.

Tou

find

pas

tfF. f

tt

23724

sur

er

jours cher

seek_

the

one

chant

men

bien

*:

fe

scarce

^^^

Worn

hands,
mes mains,

so

le

sol

not

him

re

trou

^^

that

is

ve

ses

they
u -

poco

>

traits

love, Yet

me, je

n'ai

p r

fl^

riten.

dear

m
^oco

^^g

^m

>

ai

m.

>

feet

i
move,

my

torn

S
?
my

to

me

che

ris

^
^
riten.

^^

^^

128

a tempo

-m

Once

fci

a tempo

in

^'^

pizz.

tive-lj"!

ti

ve-ment,

5=a
* ^=i ^ it

on

the

du

mar

sf

Ziiix

g'lis

't=^i

sui

heur

a/

ff

^
rapped

at

his

tai

sa

fe

win

dow,

ne

*i*
P f

;:a:

ti-e,

Then
je

^
sil

ver

teau

d'ar

a=^

^
bell

gent

^E3E

^
?/

r
y>

son

^m

{f

li*

so
I'ur

joco riten.

^^
%

je

^
^m
^
^

55n=

S
First

fur

crept there

^w

nai

me

je

'

c?

struck

Ah,

pa-lais:

S=a^ a
i
i u J

go:

to

son

tu -rais vers

*=

^^

dared

-&-

U% m ^ ^^

i^m.
f

^ ^

pal -ace

his

to

m'a-ven

je

a*

blow;

tin

tant

^^

/)(n-()

riten.

?^E

^^S^

a=^

1^

129

f
a tempo

Dost not
re-mem-ber, my
Sou -viens-toi, sou-viens-toi,

pp
\''^

dear
che

Li!
i

ri!

ised me!

Of
Seu

raents

*:

m.

jif

ten

le,

j'ai

lone

all

you

de

tes

i^i

-j'T

in

the

night

son-ge

des

Ion

p
s

I've

i'T

of

love

and

thy

mots

d'a

mour,

tes

ser

thy

tes

P^^
i >r

riten.

words

thought of

erues nuits

poco

mind

sou-viens-toi

* t

??

ser

j'T

to

call

3=*

^""^tt

5^
prom

Ah,
Oh,

one?

a tempo

JT

p^r

burn
ments.

g
ing
bru

^
vows,
lants.

7oco riten.

s
^

22724

jr

130

Poco meno mosso

#
i

mistivo

13

Like

two

ta

Tels

les

cier

-6^

pers
ges

of

the

du

Sei

a.

-<i^

Lord,
gneur

:*=&

-&-

Z7

^^

^>tf

Thou

and

nous

al

~
tt

shall

i ^

flames

be

Ions tous deux

clair

flam

ligrht!

ber!

Fil

^^

^^^ J ^

,i

of

r# F

1^1

dren

of

C7

ven chil

du

les

22

Christdans

77

m
P
f

^r^

T^
fs

^g
poco

TO

Christ

in

la

lu

ra-diance,Our
-

mil'

^
i

->
iz:^

re,

.^

et

souls

dans

in Iht-ir

feu

le

fire

shall

be

lift-ed

nos

mes

s"e -le

JVl-^-^.
*

J^

:z2

^^

??"

tf

povo

^2724

'

I*-

riteti.

ffi

ve

high!

(in
-

M
^

ritfH.

ront!

it
rn:?'

*
^'

^^
^

131

Tempo

['i"j
False

''

my

thou hast

one,

Faux

1^

mi,

1r

tu

m'as

love

be

des

ai

^ ^

~Q-

trayed,

me,

Light

ly

tu

t'es

tr

tr

thou with

my

jou

de

tr

tr

/r

^pf^
-^

_a_

-^^1-^

:z2:

-O-i

*:

^m

^EEJ
hast played.

heart

mon_

tr

mour,

But

the

tu

con

time
-

at

is

tr

tr

tr

pF=g^

o
hand

to

tot,

cru

nai -tras bien

tr

show
-

the

de

la

re

el,

tr^

o-

^ ^^^^
r

-|^

:!

-^

kf-^

allargando

-(^

ter

bel

mined

le

tr

fil

tr

faith

of

le,

dont

le

true

Rus

coeur

^\

sian

maid,

est

mort.

:i

allargando

^f

ra:

22724

^J

f-

J~-j
-

^1

132

Cradle-Song

Poor

of the

La Berceuse du pauvre
French Words by Hettang-e

(Nekrassow)

Enplish version hv

Henry

G.

Chapman

Modest Moussnrg^sky

T^
^

Voice

Adagio

P
i

-I''

By - bye
D(

Piano

-1^'

By

^^

-T^l

iiJ^

J'

bye!

do, do

do.

3_3

^^

in^

^ ^^ 0E^^
il

-van's

head must be,

de-vra courher

ii^

do.

J>j^

J)

^m

p^

m
P r

^^

i^Ei

^
i=^?

r^ii

nJ

Jl

.^

le

front,

:s~r^

"v

r*

Bowed my

bye

>

Low-er than the hum-ble way-side flow'r

BaSjplus bas que rhiimblefleurdes champs,

1
1

'

^
iii'^ji

^5
-'^

(In

di).

by

'

jd^

kim

tij

by

-bj'e,

do

J'

mf

^^

*tB

'>'

J'.l

J^

S5

If this child

mon

van,

22724

Copyright. 19W. hy G. Schirmer

^
7

^^

of low-ly

folk

'enfant des

pan

5
'' m
and poor
-

vresfrens.

133

'i^^^
Is
s'il

dim.

iiJ)i.-'^'^V^iJ^'-'^^J

from in -suit free,

veut vi-vre sans af-front.

By-bye by - bye

to live

Do-do, do

:2s

f=^

r\

5fe=5

pp

r"

r'

ybe

do.

ik&S^i^
3<

do -do, do

do,

id J

ft*

fe

By-bye by - bye

-^,

'

r r
'ppp
ff

ss
;-

'

gppp

v:;

P
4

71
As

"p

bend be

the grain must

Tel

ble

le

tedi^
-p "^'

ver

qui

t^

se

^^j

fore

the

wind,

sous

le

vent,

^p
p 'p
r
Bow, my son, bend with
cour-be-toi
tant que

*/

^1

bien

siir,

les

^3

w^^^^

'^

'^P

^^'

So some day the great

et

^fa

^=4

ri

-L^

ly

find

''^'
I

tu

^f>^

?/''f?^y"v~b

^=^=^-^

^t

^'^

'^[^

i^
tfj)

will

sure

ches,

mon

^
i^
^^

* :V

\> i

van,

'Mongst them -selves

te

1S

P* ^

fe

peux,

l~M.

^=T^!^ T i

\fm

g'ood grace;

i^

p
Vfi

^
^^f^ B^

i
'

^^

>>

for

you

^?^

'Ig

*
1-

place,

ront__ place au-pres d'eux.

#{

m
^9)

^-i^

to

p^^

5i

134

^^

dim

i'j: J.I
By - bye
Do - do,

J'

Ji

j^

J''

by

bye!

By

do

do,

do

bye, by

II

rt^

;i

bye!

do

do.

J^

do.

?sj.^ \i^ 'j^

*^#-

cresc.

-^^

*i

ll""!

''
!

u-

'^

J'

J''

J.

^
m}
^M

cresc.

La

Chez

^m

plus

no

bles, et

dies

drosl

les

bel

and

da3"

ma-tin.

snir et

J
-

nigfht

^i

in

silk

les

d;i

%=i

E2

J:

No-ble court-ifTs ev.er

Le.s

1>

To my
te

III

paycouit,

will
-

vi

li

tes,

and

sa

tins

mes

en

sa

gay,
tin

cresc.

liTi\

ia
#

i'

van
ci

^'

fp-ront

=|S^

135

fe
Will be his

Andmylit-tle I - vans life will smoothly run,

de I'eau
et joy-eu-se-ment,ahah.'commeau fil

for love and sport;

tu prendrasdesli -ber-tes;

^ik\

i-pJ

rwyr
fe
V
g^^

to

a
-

le

thread
-

ront_

22724

l"ti^l

^t

J^

les jours

^^
bye,

by

bye!_

do

do,

do

do._

J^

Do

d'l-van.

pp

do,

!,

By -bye, by

from spin -die spun,

By

^'

Jprprp,

ppp
|

tJf

i)

rt#
PF^
'v^tf

k^^'l'j

Ji

Like
ecu

^-

do

bye!
do,

r\

^^ g

/C\

"f
r\

136

Hopak

French words by Hettange

English version by
Henr>' G.

Chapman

Modest Moussorgsky

Allegro
pizzicato
quasi pizzicaio
quasi

f\a a

j-

'

J'

j' ' i^

'

'iano\
^

^^

>

^ rrrr

^3

r^=#^
r

'j'j'j

;tp

^m

tf

:^5

i^il^ .hj'
the

au

Ho
Ho

pak!

I'm

the

pak!

Je

suis

y
wife
fern

r
-

mo

dun

22724

HoY

hop! hop!

Copyright, 1910, by O. Schirmer

Ha!

is:
:

.^/

of

!^

Ha!

Hi!

M'/-

s3 ffl^

Ko
Ko

sak!

sak!

137

Laugh

he

II

rit

^
*

for_
peu,_ mais

won't,

fcS

bod

-^=^

too_ crust

he's

se

il

i
-

qu'a

rust

la

rouil

Ah,
Ah!

y:

le...

my
men

.Jj--j,vJ.-u jTj
|

W~^

S=*=
ri

Red

y,

de,

il

^^

luck-less fate!

sort,

tris-te

M
^

fate,

W\

my
mon

his

head,

his

est

roux

jus

iM

r
Eh,

M
is

m:

n^lJ:
'y\H^
'J'',

!^

m.

-f

cry

for

ev

ser

des

lar

er.

mes?

^^^^

i^

friend,

lap

up

vleux,

la

Go,
Va,

my
mon

the
fon

y^

22724

^r

not

I'll

quoi bon ver

""^

tf

r
but

K=jt3

ah.i>.i).-hi
% a

'yyyii

-^f^^

Yah!
Hoi!

sort!

J.

rf

m-fr-

^f

tf

er!

tai

ne!

k:
_B

riv

sf

tf

138

zzzz

When

ern

tav

the

^^

fet

P^
^

at

1**

ar

I'll

step

in

and

pren

drai

le

tt==at

S5

^^^

Then,
et,

^
^
22724

my

voi

sins,

clink,

and

drink!

quons,

trin

quons!

|^#*^ \m m

main..

* hf^
" *

J^r

^^

we'll

drink,

and

clink,

and

trin

quons,

trin

quons,

trin

m d^ 0^

.^j.

glass,,

^^

a
re en

^^

friends,

gel
ver

J^J'

P
j/"=-^
r

^^

^^

M
i

ne:

*4

sfe^Q

tM

vpr

ta

Moi,

pass,

shall

0-

pour

The)' will
Je

boi

tf-

rai

glass

for

me,

d'a

bord

un

coup,

2f:

y.

139

*8
""

r
La

ter one,

and

puis en -core

un,

two,

and

three!

When

the

et

trois!

Et

la

deux_^

7=
m'/

*^
will

have

jeune

hem

^
p

*|ft:

MS

i^H^

J^ iHey,
Si

my man,

P
To

her

ses

pas

Le

ma

She

will

^
pay

mais

il

n'a

^
at

all..

qu'un

pied

de

nez.

mon

toi,

*4

be,

vieux,

^ ^*

ja

ri

f=i

See

that you

tu

me

^
h i^ J^

J'

yours

ous

knA
11

if

^ g

heed

9-

.
PE^^

suis

jeal
-

no

4te

je

11

^^^^^

:^

J-

i.tf w^^
J.

E^

sur

le,

va,

me

=d

i
^
9#^

tow;

^.

Ji.

U-

P-

go,

s'en

hus - band's call

I'ap - pel lou x

lors

man

to

femme a

1^
?g^

^
^5

fef^ l
I

up

gets

girl

A^ r

m>'f

it^

^fe

>

fci

She
un

1*

g^^^f

^^^^
ff

zs.

J^

pro -vide

for

me:

Yes, Sir!

dois pour-voir

de

tout:

oui

22724

hnnnrriTu rr niTW tw vwsn vnni/

da!

140

i^'^'

Get this

al

faut

te

II

[^

so

thro'

soi-prner I'en-fant,

bo cloth'd and fed!

et
le
ve - tir:

nnur-rir

le

Chil-dren must

your head,

.-TT-3 I

J--

Just

so!

oui,

oui!

J
f--

^):itj

1=^

f f f

f^^^ ^^

^5

shall soon get

me

je

pas

f
K

1^

^^

^^#

#-^

Now, un- less these things you do,

Ou si - non, e - coute un peu:

se

/
S

rid

of

jou:

rai

de

toi:

Ie4e4

^f

Tru

ly!

oui

da!

^f--

^j?

ji

i^

Yes,

my

Le

pe

friend, the
-

tit

est

Just

you

Mais

vois

is

i'

i'

ba-

by's there,

Wash

la,

monvieux:

la

mind

now

tu,

prends

22724

his face

ve

le,

J'

J'

and curl his

bi - chon-ne

hair!
-

le:

There, now!
oui,

ouil

dolce

^tt

J'

i'

^^m

S ^

what

say!

Do

not

try

to

t^iirde

toi!

Ne

vas

pas

quit

^ ^^* ^E^E^

141

U1^

run

ter

I'en

fcM
1

way

Hear

fant:

Sans

me!

rfr?

Watch
Veil

quoi!...

[J

.p

Sg

=^

it,

heed

le,

ber

it,
-

ce,

frff

frr

wf-

^^^^

r^^

^L^

Meno mosso

the days that

In

Au

*fc

tre

fois

au

^
now

m
m

f=^

temps,

Days when I was

quand j'a - vais

&E

~5

w'/I

gone,

are

bon vieux

^^

J^^^F^

J7]

twen

one,

mes vingt

aus,

ty

^-^
E&
m r^
p
%

Er

fcft:

rf

je

28724

^
would sew
bro

dais

be
a

side

my

ma

fe

win-dow,
ne - tre,

And when
puis

I'ou

all
-

%
my

vrage

work was done,

a - che - ve,

142

With

je

cou

cry

out

up

rais

sur

la

L.

Hey

there! Si

Hoi!

Si

^
mon, Mi

mon,

van,

Off we'd
Qa, plus

^sN=^

Is^

[77]

hur
vi

que

I'on

cau

shout- ing, pranc-ing,

r3',

te!

se,

3ts

^^

mu-sic

and

the

dancing:

que

I'on

chan-te:

^m

iEE^^

^t^

ij

Hi!

Hi!

Hoi

Hoi!

Hoi

-*

w-

m'/i

^^S
I

sfcifc

Hi!

^ ^S

dan-se,

32

J.

^ J J

Pen

i9-^

1.

the

n^

te:

To

i*
^g ^^ ?^
^^

que

^^

hnu

your fin- est waist - coats on!

met-tez vos beaux
ha - bits!

ga,

m^

,i,

Get

chaeljohn!
Mi-chel!

Hoi!

22724

call-ing,

i^^

accel.

Hi!

^e

ais_

cri

Gai - !)
a vnix

rtfeolln voce

^j

run,.

y^

W ^=^^3^
^^n
poco a poco

je

te,

Piu mosso

i^=B==gt=m

street I'd

^^J

sg

^tf4

on_the
rou

^j:ft.ll'^^'

3
ti

V.J

*:#
Jy vJ

143

i 4^^

Tempo primo

Ha,

ha,-,

ha,

ha,

ha,

ha,

P
ha,

Hoi,

ho'i,.

ho'i,

hoY,

hoY,

HoY!

hop, hop,

a=%=:

au

Ho
Ho

pak!

pak!

$.

the

ha!

m"f

tf

if

if-

M
I'm

the

Je

suis

wife
fern

M^3=^ ^

of

me

d'un

Kg
Ko

sak!

sak!

rj'j

Laugh
11

if

he

won't, for

rit

peu,

mais

miTTji
r

if

^^
ifT

if

wt^
g
g

fci:
he's

too_crust
se

il

ri

Red

y,

de,

11

J'

nn

fciat

his

head,

his

est

roux

jus

J J *

g^it

f^
bod

qu'

m-m
Ah!
Ah!

82724

my
mon

^^

fate,

sort!

my
mon

Yah!

HoY

te

la

rust

rouil

y.
le.

^
ifz

/T\

sort!

luck-less fate!

tris

^^^
ifz

^^^

144

The Siege

of

Kazan

Ballad

From

Godounow"

the opera "'Boris

English version by

Henry

G.

Chapman

Modest Moussorgsky

Allegro

Voice

li-i)

^m
FF^
^i
^^

Piano

(J=

^S
^^E

Mb

*'^*f^, m-^-

Pi Sfl

3^5

ws
ptS

*^?

^^

/
p:j,,>

1^?

if

When

stopped

at

Ka

|T^
-

zan,that fine old

cit

y,

p^*:^:

':
T'

^3^
*

t?

:^

*^

f=l=#
There the

^^^^ s^^^

^
2272*

n^TY.

^ii?

^^

^^^:

^
^
^;
i

^5

Jz*

/
J

Copyright, 19it, by O. Schirnwr

Ter

ri -

ble

145

^M >

^ ^

i>
i

^
P

Czar for plea-sure

iffi

tar

ried.

^/

^
fefe

How

Ta

the

It

^r

then

tars

TT f^P
har

he

ried.

^)

1^
^^r^

fc?

=!f
^^

scourged them

he

p
s

out

In
is;

pit

tai

^
-

y!

tip
I

Let

no

one

^^=5
Mt=i?

V
word!

say.

#^P

with

^^

>

^i

'1^

22734

tei

fe

^
^
^^

[>bh>

SS^

''^

^f:

^r

How

tei
^a^
tit

fclE

\>*

I,;

s
gEjg

\*

!.#-

zft-

i^i
/.

^i

^^^^^^^

14

^ V ^
0--M
fi

night by stealth Czar

^''!>

j'

'

!>,>

men

van drew his

-^

f ^ ^ V \^ V
i

kfe
a:^^

mines be -low the

'r

er,

his

riv

M:J.,>

22724

Ring

zan-,

Proud -ly

plan!

5
'

ii

-<

ijj'

r^

j'

,j:^

cit

Ta

q*

i
the

^r

/
i:

thro'

the

^^

^i

i:

!.#

strut -ted

/-*

!.f

Ka

!.

^I
^'-''^

^^

round

it

town and drive his

:;

j'

^
^>

'^'
\

^m
-

tars

bold from near

and

far,

/-

'.

147

^^

.>:|l>,I.^P

"We

will send

P
S

to

hell';

-,

rb^

;r->.
n^ ^p==e:

>

'

I:

^ri'

^
^
^

ie
f

T
i

Ta

were

tars

they!

ter

/_

Cru

Czar!"

ri - ble

fe

iI

-^

ifTr

said they "this

^i^^

.i

^^^^^
\^

^f

I^P

^=T
Then

T
p

Czar

E
^3
p=^

^^

van

if

lower'd

lord

his

1^

head.

ly

!>

^ft

ftl'p:

i ^^^=#

li

Gloom- y

^2724

=^

and

te"

dark

his

II

>

face

^E^

be - came with

rage

^p
l-f

i^

ii]

el

^i^=^

w.

S
U

^
^

^
as

he

*
/

=t

said:

f^
^

Eg

148

V
"Now,

can

brave

^^

^^
y

"

^^

^S
s
iers,

II
v'^^-r^

|J h

strike

3;

1^1

^y

f!
-

es;

-i'

'

,!>

your

./

|fy^#=^
strike

Can

flame!

non

F^

jL

j ^

f;
It

jl;j

^ ^^

U ^ p^ S^m
^
^
^ ^

your

flame'/'

>

^^

J^

>

J'l

dimin.

fT

Poco meno mosso

(J

lae)

From

prame!

iV

'f^

fcE

your

gin

m. ^f

i_Jt

*8

/.

^^

^P

ir

.P^^^

withj-our fus

\^A

i>i>

I^lI'T^

*i
I^^Jt
^M,j^

^;^
-

be

iers,

^^

t^f^^Mp

Read

non

#=^
^ %

^t
fi

>

\^\

the

if
tin

T^

2F

t^p

der

the

wax

en ta

pers catch

the

V%'^%^^^^^'%'V%^%.%^V^>^

22724

/I

149

>

f 7

kegs

fly

the

To

fire!

the

gun

ners

^
of

full

tr^

-9-

fa

,!"

^ m^

^Jfr^,

^f|

i*

sp=

^p
and

joy

And

ire.

->:

P ^P

^P

powder whirled a

^\>

23724

way

^ ^M
roar

with a

i^

and a

fe^g
P'-

rrJ^J^

flash,

'

dp

^^^^^^P
fa
^

m^

Ju

tT

?ffMtt
l^fff

^^ ^^^
-

i^

casks that held the

the

^p

dash!

Oh!

From

^p

minestherecamea

the

cresc.

t^r rVit fii

it

'^[;Q'll^^

jS^
ii

*
And

tttutt e[

they

bust

r^ Ife^fA
1
/

jt^l,p^j^^

iJjjJ nJttJij

g^

ii

with

150

^
4i PH
^^
^
crash!

:l

j/*

poco

Tempo

avvel.

^
,,

S ^^

r.; *r^
k

i I y^a a
p

^S

f f

tr

Ta

rent

the

lars

iir
air

rr

with

aw

n
-

ful

''
i

shriek

and

'fe

^m

\^

\>d.

^s

ffi

Cries

cry,

^&
^m

t,.

"iff

r^iirD
t9-

imi

men

^^
2i72i

shrieks

of

^A ^

who

die!

And

Czar

van

7W.S.

^^

^^

151

^^

i^f^ fTf

\\
/

tL

piled

them

moun

up

fe

S:

^P

^P

H^

thou-sand leg and

arm.

and

hip

^
^

ji.

,/-

thigh!

^S

^*
Wi'ir*
V\>

1^

fej
l

3r_a

5E^^

^
b 'i>

Man

high!

mf

>>

tains

Leg and

arm,

r
and

hip

1^

i^

iISi

^^
"/
w,

^^

b'^^

When

thigh!

r>
i

^^ i

\'

#^

1^1

^?^^

^W^
j5^.

/.
->, >,i.

r
stopped

F F
at

Ka

f f
zan, that

p
fine

ZZ2:

221

old

cit

tr-

^l9

>i>.b

^^^

3
*

\W^.
k^.

23734

y!

gE

^
^^

Hey!

-yl l

152

Oriental Chant
(Lamentation)

From
English version

Henry

G.

bj"

^
I

(d. = 5o)

Hear

^S

^
B=

^
^
tl

mo

re

- a's

\"

-iJ I

-i-

hear their

daugh-ters,

/
Xk_

men-ta

5^

fg:

3-e

^fe
^^

la

^h

P
19-

Piano

U^

Modest Moussorg'sky
Arr. bv Kurt Schindler

Chapman

Largo

Vo ice

the cantata "Josua Navine"

tion

un

^
^^

to

Ca

naan,

Un

der

Ga

ems.

K
^

s
:^
-o-^

^feffi

33C

;ffi

IE

o pin cere

ten.

/T\

I ^^^
i

aw

ful,

m d ^ m ^ m

'

-^m

' S

and

dark.

i *^ ^

co//a

l!'8

voce

SS

^^
tl)reat

:=

>>|t||

rw

ning

^^

Copyright. (910, by

O.

Schirmer

38724

153

M ^=^1

221

daugh

hear_

ters,

their

la

men -

ta

^fd
-

te

to

f-

^
t

r\

i
aw-

ful,

f^.

molto riten.
I

TJ^j^J^jH]].^^

-6^

dimin.

f^.

"

-^

a piacere

Pi^^
^

tf

i y^^
^

^^ Se^

'

and threatning brow!

dark.
tr^

22724

un

&-

m^

on

^
ti

-/>p riten.

t*

i^

w/

il

basso

154

ena voce
f, "'

rwalls

'Neath the

r'

^ r

of

Ga-va

^?
o

p^>

'^
:

<

.- ^

.- ft

>j

Falls

na,

"(A

fe

jg=^

I,

f^
i

Srr'^V

bro-ken crown of.

4S

mo

re

-SC?

a,

Whence

C/

are

flow

inj

T^

t
-5-

rf///?

(5^^- IS'^H-

-?
t3

f^

u
fi

iiz:r:^:zn:[

fe

^r^^^'^'r^C

'^^

r-

'

g
f

p
r

Streams of

r\
g'^
(

f
bit

^*^ * *i, j^*"*# ,**

g
I

"_^g

(9-

is

?=

m
-

ter

=g

3X1
tears.
y

22724

il.'

the

155
(i

Oh come
(A.

Koltsow)

Viens pres de moi

English version by

Alma

me!"

to

Strettell

French words by

M. Balakirew

M. D. Calvocoressi

Voice

Piano

F^^

p
fefe

sggg

Ji

'

3h

come

to

me

when breez-es

V lens

pres

de

moi,

lors

^ L
4)W7
tf^
1

1>,

-^

^ J^
^

^^

'

9
?

6f

r
1

Hy -0

v-lHj.
^

'

_^

^^

t=l

I>

-9

t=^

-i[J

-9^

=^
^-^ LJ -w
0
1

^^

que

^
-^i

-=3-

-0

-J

'

.^___

* i^g^
to
^

2272

'j

stir

The

brise

in

9^iJvk

i.

^
si
-

-lent

cli

w
sE

ne

trees

with

n^ol

le

lan-guid
ment les

S
sigh

ar

mrn

When
-

field

and

que

le

mi
^

Copyright, 1911, by

G.

Schirmcr

^^^

bres, lors

ing,

-^

dt===i

la

156

=^"f

te

s,

wood,

;>

the plain,
le steppe,

i^m

en

iite
?

^^

Viens pres

'

to

me

de

moi,

^
what

=F
time the
lors - que la

^ty

^ ^

"^

^g
Swift div - ing
on - dule au

#=^

^^^
m

^LC

CJ

thro'

the

mi

1*^

J'
Ij^'

clouds doth
lieu
des
nu

I'J

-I'

If!

-^

>

wend

her;

ges,

^'

r-

throne

cal

quand, du

heav-en

me, ses

ray

..

^ J

4J

^ J

/^

ons

dj\^dj

JJ^J^ J^
I

ji

ji

J^'

^^

Doth gild the waves in match-less

eaux bril
les
sur
des - cen-dent

clear
-

m-

Ci-Cf
i'

ciel

'm22724

in

Or from her

>-

'^"

^
51

l^

lune

la

.7^y>

Q
moon

^'''^V'

are

Oh come

I V^J'i\l>

mist

of

ment dans

IJ

i^^

me!

ing.

te

s'en- dor-

///

^=^
bru

tier

^^^^^^P iS
^ ^te

robe

drf'am-y
-

In

momle

le

^^ m^
ciel,

the world,

^^
g

157

>,!>

J^

splen-dor.

Ian

tes!

3^

kfe
t^

w:

'Z/^

^^

m n

i^

Oh

come

to

Viens pres de

i^
fefe

jn^

j)

me

when might

moi,

lors

que

^
Love

y
I'a

feS
I

^3

g^^'i-v

^^

w^
^
22724

wakes

in

naitre en

fait

se,

And when my
lors - que men

us

nous

la jeune

soul

in

rap

ame

est

en

i^^

^
za

zz:

f
ture

burns,.

And

flam

mee,_

et

i
5*^

^i-^

fer- vent

/.

I
*

his

js,

fire,

Ete
s
w^

; j^^
vres

=^

tete

fcii

mour

.^
m

158

Poco

ete

'f

que

men

coeur fre

fain

would

nis!

Je

veux

g-ou

ta

^^

se!

?
ti

con

me,
moi,

taste

life's

J.

keen-est

des joies sans

ter

young

tre

ton

sein,

sa

vnr,

bor

nes,

S^5

And.crush'd a
jo

-i

mer,

t'e

close
-

treindre

rp

?^

love for

in

vpux, blot-

jyjp"]

Would hold thee

t'ai

^i*

J''

breast,

J^

s^^

fair

for one with

rav-ons u -

jjjjj

rr^rn^r^

^^
that

to

Viens pr^s do

Oh come

j"'

^'p

^^ ^

^TF]^ ^

gainst

22724

d'ex

thee

afete
'>M'

r^'

^-

sire!

^
^E3^

Sffi

I'O

1
^u

^'

mit

ffi

ii'''

young de

sports and storms in

^^v^

piu agitato

vec

de

159
-ff poco riten.

fe
V

'"P

ev

er!

Ay,

li

ces!

Je

^
t
pi'TTn
h

crush'd a

-m-^

J'

j-i

veux, blot

:i:

gainst that
-

ti

con

fair

young

breast,

tre

ton

sein,

I'd

hold thee

t'ai-mer,

t'e

a tempo

fete

close

^^

treindre

"m

J^

in

love for

ev

vec de

li -

er!

ces!

a tempo

i
tr^=^

n^^

22724

<-

S^

;'

r
p

t-

m"A

f=r^

[i/lL/

H^

160

Springtime
English version by

Henry

G.

Friihling

'1

Chapman

Tschaikowsky. Op. Si,

P.

From

Allegro anixTiato

J^

[i

Now

?p

melts the

Der Schnee

old Win-ter whines,

der Win-ter weint,

snow,

zer- linnt:

^ ^^

^^

Spring
Fiiih

^=^^-

s ^

at

last

is

smil

ling-

ber

lei

ing
se

^ ^
g
-

igli-^

^And

shines,

scheint,

s*

5
la

welch

ytr

he
ne

f^

warm breez-es
und warm das
IZZ

'

j>

i,

* i

Cr^ir

r~

weave their sum - mcr dress,

Wall! iuich neu sein Kleid

-^

me

fan

coy

Liift-chen

fa

^^f T

^^

^
Soon

birds

will sing

und

tcint

von fro

-^

ov

'ry

^
f

cresc.

^^S

22724

Copyright, 1911.

hi/ G.

"p" r

i-^

cov
hem Vo-g-el- san
in

will

Bald webt der

chelt!

^
^3^

The woods

ly!

vr

f
=^
r

i'

>ni

^
p

Jl

i.

and clear the sun

und klar die Son

bright
hell

So

s 1-*

3Lj

gg^
r-

And

ly,

chelt_

j,

soft,

so

X
sly

But
der

illj^^j

^^r^=^

Piano

g^^

iA\'-

*S

c\"'f

Voice

N'.'

the cycle, "Sonjfs fur Young- People"

er,

"p"

And
und

^^
S
-

ge,

1;

Sckmner

161

^E

^E

all'

^S

Ian

ver.

Now

hearts

g-e,

und

auch

M
3

be

gin

g-e-stiim

bout one

ev

'ry

where

Bu-sen

das Herz im

drin

ritenuto

to

quiv-er,

zu

sclila-gen,

With sud

As

if,

Js

ff

lib.

ff

iJ'

al

J^

J)

for- sooth, all

als war' nun

Pi

ci^esc.

22=g:

les

zzz
>

1^

5:

b^f

riten. colla

voce

th
Hg^

v'P

ff

J) nil

With win-ter days were gone for

fiir
im-mer mit den Win-ter

care.

hin_

ev

er!

ta

gen!

'Tis

TY-

\.

C\=

r\

hope that

Wie Al

irt
'm ^

hu-man
Weh da

so

be-g-innt

232

ad

den

^:

\^rJ

'

I
vim
un

5Et

^1^

5E=5E=5

?
-

:i

u^i^

then be
bei fiir

=fe:

^^

i
o

ist

^:

^ 1^

man - y a day will

wie-der-um vor-

For

the win - ter's storm and stress

Win - ter- zeit
die schlimme

all

les

*
I

4-hM
351
i.

i i-

'

||

>:=^^

22724

III!

lil'

Wili}k

^fe^

16Z

^^

a tempo

makes

Bli

so

nung-

gay:

"'Tis

freut:

,,'sist

ten,

And

eke;

ja,

der

ven

"

pp

dem_

i^T^TT

ten.

We

eke.

Doch wie den

all

de

m
^

im Vo

preist,

light

in

auch

7
"P"

mer

ry

gel-zwit-schern, Kin

der

-*

voic
-

i
">

^^

1i^

la

der-

f f

''f

cresc.

Show plain

chen

Je

^^

es

O-

Spring,

i
i

J.

\>^

22

Lenz

But birds' and chil-dren's

bliss!

22724

J3

^.

i
\

p?^^

is

dem

Whom

'T "^^T

je

day,

"1/

face

in

#i

mi
>^^

'ry

nif^

with naught but grief has smit

ver- lieh'n nur vom Ge - schi

7r

heutj

ev

steht

ling-!"

^^^

fate

Friih

those are glad to

Loid

on

Spring-,"

selbst fiihlt sich gliick-lich

^ hf

'CF

all hearts
der Hoff -

sich

writ

nough

zeigt deut-lich sich,

i
mp

cresc.

% tr

163

'

''

^ t)J

>

Pm^

just

who

wem

doch zu-meist will

it

^S

is,

ifi:

h il
J) J^

That
-

i
=t
Z7

Na -ture's wak-ing most re

kom - men der Na-tur Er

joic

wa

es,

chen,

zeigt deut-lich sich,

^M
3

19-

A.

3&

t^

mif

mj
f

M^

P
f
Show plain e-nough

'

SI

,4/

(^^

>P

just

P p
who it

wem

doch zu-meist will -kom -men

That Na

is,

i)

ture's

i'

wak-ing most
der

te

"TV-

^'

re

joic

es.

Na-tur Er

wa

chen.

p.'

:2i

ll

1=

r.

fffffff

*t

r r r
i=t

?:

fe

^F

^
,,/

-^^
^^>^

rs

r1

LuU

MM

-^
1^p"

^[7f
38724

IJ

^p-cj-^r

^ftf^^it

ffi

r r

p-f r

'

r r

^
1

J-J

p^[?r-ff
ff^

"V

Pr

164

At the Ball
Inmitten des Balles
English version by

Henry

G.

(a. Tolstoi)

Chapman

German words by
Ferdinand Gunibert

Tschaikowsky. Op. 38.

P.

N"?

Moderate

Voice

^^

^^

*^

fe

:s=

Piano

^^

^
^

xU.

i|^

^^

^ ^

COM tristezza

know

In

mit

not

J)

how

ten des

J^

vp

ly

your

face

les,

ohn'

Ab

mi't

you by

chance,

liir-

men-der

Welt,

Was

hid

sollt'

Ich dich er

in

the

M Jit
cloud

of
cken,.

^;

cresv.

U-

22724
Copyright,

lf)lf,

um

sicht,

bli

For

is,
-

^e

^ i)|

^
I

poco
v'l,

Bal

^
-^

lovo

i
I

V
I

:2^

by O. Schirmer

r^
that,

g-e

:?

when

ben von

^m

mm
m

^
j,ir
your

lac

ein

Riith

K
-

^j^

es,

A^ you

sel,

das

165

\L

J'

J^

sped

thro'

J.

1^

i^^

fes

g-e

sell

-^h^f-

;s
dance,

Yet

mich

halt.

Nur

f f--^^

"y

and

fleet

so

trau

11^

>^
I

Your

ness,

schien mir dein

p
beau

- ti

ful

eyes

so

weh - mii

di

or

ii

ous

note

Ton der Schal

t-

T'

mei

full

of

sweet

e,

so

far

-^^^^^

thig-

vined;

One

schwer,

wie

^
f

Your
wie

ness
ne,

-:^

voice

my

in

Plat-schern der

:5i:t

poco

piit

^
i?

^p

p
heart

left

be

Wei

len

im

-^t-^ P

^p
-

Your
So

hind.

Meer.

MM
^^

^^P

fig- -

ure

was

schwar-me-risch

22724

g-e

cresc.

i)

^f=*

ter

^Ei

P^
son

Au

^
p

poco

fe

J''

flut

W=:

W^:

-^f-^

Stim-me

die

rig-,

^t

^I^Jn

your

of

spite

piii

i^

fc

n
^

3 ^

;S

the

whirl of

the

plotz-lich

r-^-^

j^

J''

J.

grace

war

ful

and

mir dein

?
charm

We

ing-

sen,

^f
i-

166

And

^fp

frank and dis

und so

hell

^\>

arm
selt

n
-

It

sam

ist

^^

1*1

li -

sit

lone,

^2

a
^ m
^

g5

beau-ti-ful
seh' ich und

m ^

f"
^

J^

There

y,

sam,

leg-'

^a^:

eyes that smile

ho - re dich

f
*?

kind
e

jfv^

^
will
ic'h

B
the

in

mich er

dr

-T-^

ife

^5

^t=^t=^

espres .?.

i)

den dann,

hallt!.

r
ein

when

niicht

heart,

m^'

in

wear

nig-ht,

In

ter
so
chen so

^^

chen Stun

At

Her- zen ver

^ ^

dark-ness ap - pear Two

rail - det
zur Ruh", dann

22724

im

ring-

IE

m ^>

will

^=^

ways

^/^

i-

La

P
tj

laugh

dein

nicht mehi'

Mg ^

\>

al

^
9

at

Your

ing-

part,

i^^t

stalt,

&
^

^"
1.

Ge

=^

air,
yet
gra- cious your
schwe-bend die schlan-ke

hold

(^^

cresc.

The
und

ly,

wig-,

E
E

\>

}'

}'

i^

sweet, est of
vor mir wie

i)

voic

^
-

es

da mals
-

167

du.

steh'st

^m
Jl

^'

im

dann

in

agB
Schlum-mer,

piuf
p
Can
Ich

^^

qua

len

die

ti*

m-f

vi

it j^ l||ilT

p-

won

der?

Ah

sche

hen,

ich

22724

?^

i)

J\

is
-

a
^f^
riten.

/T^

i^

s
=

-i

ili

yes, I
sup - pose it
g-lau-be gar: ich lie

^ m

love!-

riten.

-^t^

dich!.

niich_

-^^-^

tigr-keit

move:

sion will

Traum-bil-der

love, dear, I

Mat

bers

"^

"p

was mir ge

P'

wie

this then be
weiss es nicht,

vor

-f^

-^^-^

fleet-ing-

M ^

ich

slum

^.

some
-

my

espress.

Like

3E3

S
Tempo

^il

your

^=^z

J'

sink'

thro'

i
y

oft

f=i

if

And
Und

hear,

^m m

i'

m.

^l>

^m

Poco meno mosso

W"

^
^3

be

168

A Legend
Legende

Enerlish version by

Henry G- Chapman

(Plestchejew)

French words by
Paul Collin
P.

From

Moderato

Tschaikowsky, Op. 54, N9 5

the cycle, "Song^ for Young- People"

Voice

Piano

Child

Leu
r\

f\%(^^^
(

dim.

din

Je

his

gar

den

sus

dans

son

jar

r-j

^
-

red

ros

es

once

Vidt

plan

te

do

bel

f^=f^

-^

had

grrown,

les

roses.

^^

r=?

WJ

i=^

sweet

fc

^^

fe

^^

^^^

faiit

in

sus

^^

P
Some

fair

mi

"f

*:

Je

f^^^^^^

r^
Sw

^^

nf

r\

i'

J==i

yl=^

1^^

r^

i^

22724

Copyright, 1911, by O. Sckirmer

169

:s
He

tend

les

II

ed

them

with

soi

g-nait

lov

ing-

care,

Think

vec

mour,

Vou

ing-

to

lant

s'en

* 5

S ^^

^^

?
_mf_

s
make

him
u

faire

a
cou

self

ne

FT

crtown.

ron

'

las,

des

en

-1

from

the
-

si

?CL

j>

J)
vil

na

Who
E

ge

one

fine

morn

tant

ve

nus

dren

du

^^

^^^

came

un

beau

7/MO

g"Xf

ing-

i
f

?<

^ f=f

fe

lage,

chil

fants

i*

St.

r
voi

^^^^^

tf

some

^^

Mais

ne.

^''

P
i:

that

ma

^^
rP^

i'

f==^

?<

*:

-iS*-

way,
tin,

^^

j)

j)

Did
Ont

Je
mis

;
-

sus'

ros

les

ro

^*

>

es
ses

put

to

pil

au

pil

la

lage,

ge

P
r
22724

Lj

i
f

nu

4:

,H i)
And
Et

^j'H

J-

gar

the

all

de-vas

;i
-

te

IS*
g~r
f

s ^^
i ?^
crown be
ment la

^^

22724

le

ar
jar

ray.

'How

din.

"Pau

it

'^

^
"T-r
made?
They
fai

Les

re?

f
i.

thorns are
les
e'

J-

have

not

left

beaux

ro

siers

flowr
plus

a
n'ont

pi

Child

nes

com

Je - sus
sent res

es,.

you!"

for

de

fleurs!"

J^

J^

22

'The thorns are

re - pond Je'

said,.
te'

%y

-&

f^
*a
f

i)

left,''
-

cou

^^

:e^

^^

il

vre

poor

your
ion - ne,

f^

'/
w/
is

shall

?^

^
-5.

now

(9-

///

J-J)

^1

S
"The

dis

^^F *f
'Mais

den
tout

*
g

[7

J
left,

sus,

'

i)
"

and
ce

171

i ^==^
*:

wove,
sant,

And

on

his

Sur

ses

che

j^

head
veux

^
7

put

the

il

la

po

^
7

Lo,

Gout

drops of
de
tes

-=-

blood,

his

brow

sang",

au

lieu

a
de

):tf

^.

ro

ses,

Sou

es

burned

le

rent

sur

f=

and
son

^^ ^m

%i.

iJ^

22724

tl

:!

red
dain

^.

ros

p
More

bove,

w2/

shone.
front!

than
bril

i)

#
7

-s^

4=^

r-

sa.

i*^^
f

te

zzi

%is.

crown.
-

'-j-it

he

*J;

Wlj

3
%&.

^^

17S

Duet
From

the

English version by

opera "Pique-Dame"
'1890'

P.

Henry G. Chapman

Andantino mosso

I J I I f

Piano
'j=ti

ij

"

k^^

j' .

T
['

/^'

fiLil^
-^-f

ri^^
tJ
T
i! '
y

!^

If

m
i'

^M

Jt^ <4;^

^J tJ'

i
*

Mi

^_

Tschaikowsky

<4

ftp if

J^

Aii#^

Lisa

fc
and

fe

the

hues

that

J^

J'

J^

and the hues

that

* 3^
Ji

^
made

J>

lh(>

made

thi'

clouds

j)

,1
I

so

(iduds

so

TB

*-

bright

32
bright

Now

*
Now

i}
L

^9^^=g

i %

h-

22724

Copyright, 1910, by G. Schirmer

^^

173

FP^
f^^
swifl

rp
for

fade,

Iv

r-

swift

for

fade,

ly

ft:

t
V

'-

y-^

l\

now

the

suns last

rays

T
are

now

M^

^-^^

^'

the

ra3-s

are

^
Ji

-J-

One

I i

?^^

the sun -set

|l

Like

lig-ht.

streaks of

Ss^fP
'n s

ti

the sun- set

iiii
k

r
Like

light,

m'*'t
f

ip

^
lies

rift

lies.

JF? Tta:

m
pf^
rrff^

:
;

foam.

up -on some

foam

streaks of

rift

X.

ing',

-^

^ ^^

fe

cross

dy

ai'

grey cloud

pale

EE|i

grey cloud

pale

cross

^^^^

^^^^

^i

last

ing",

dj-

One

22724

sun's

I
1*1*

^-

W^

^^
up

on some

174

lant

dis

^S

^
tant

dis

^^

^^
o

cean

ly

ing.

cean

ly

ing-.

^p

,i

^^
s^
p

# ## 1

^ f^

4^4^^

i
*

#:

,^-lPQ.rr

^y *

MiT-'ii^ltfTf ^-fl'^'^'^l-^f ^f:pf

r^

^
All

^^
i

9qF^
r

^^
*

ing

?:

fopfppp

^^'if
been

warm

*
ii

j'i

i'

has thp air

J''

boon

^
^^
e ^^
All

jgf tp

has the air

82724

morn

I^

warm

f
r

^^

with threatning storm,

with threatning storm

morn

ing

},

J)
^

a cool

er

^^

But

ti^

But

now

\^'p
now

cool

er

175

^^^^
breeze

is

blow-ing from
rorr the moun

P-^^T
breeze

is

^i

tain,

And

thro'

the win-dow

tain,

^=^ #
And

thro'

the

blow- ing from the moun

fume of

blows

*
^p*=

I ?=^^

227^4

per

the

the

SsS^
"P.

fume of

i *%^ t ^;5EE

;i

:S

if

the

^
rose,

soft

is

heard.

And

soft

is

heard.

ri'

i^i'*'

=^
>

win-dow

And

^^

rose,

g^

K 1

176

^
^

J
How

H.nv

|^

Qf-T

|5^

<

J>

*t
J

peace

^
1

since

r'' 5

i^

J^

?
sound dis-turbs

22724

the clouds are

all

i =^^

3h- 3

-h

M
MM M
rp

sound dis-turbs

^^

*f
h

-I

the clouds are

j^

^^^m

PIJ4J4

ft

all

it
**

^ JW'

rf

l
I

lies the vale since

ful

lies the vale

ful

J'

ff

ft

peace

nf^f!!^

tf til

the

si -

lence

of

the

wood

the

si -

lence

of

the

wood

;
5

f lod

^
No
E8

fled!

No

j-jjj j.^
**'
fc

p
or

-^
or

thick

thick

et,

et,

177

*:

*
i

No

nest

-iSL

No

m
P

CSE;;
1

raise

raise

=5^:?

its

its

*|

star

tied

^^:^^
5="^

heard

22734

the chirp of

head,

in

the

grass.

And

in

the

grass.

ijjj

j i

^^

of

a -lone

is

lone

is

^^ ^
a

jij

K V Jh T

r^

'

|:

in

^
7
S-/

r^r^
crick

J^

-/

J^'

rr

^^ ^
tr

m ^^
the chirp

^^

^^
&
^^

And

-h

bed need

its

head,

-h

#=*

t7-

f^H-

heard

from

lina:

1*1^
^ ^

t]

MiJj
P

bed need

its

*^' y j

star -tied

from

ling

nest

^^

S:

^^

/CN

et.

r\

r\

^3E^^=^
crick

3^

et.

178

Evening
Le Soir
Enj:Iish version

by

Kurt Schindler

French words by
Paul Collin

p.

Moderate

Voice

assai

The
Dii

light

jour

of

day

de

Tschaikowsky. Op. 27, No 4

^^
is

slow

ne

la

E^

cli

ly
lu

fad

ing,

mie

re.

Piano

^^

The
Le

peas
la

leaves the stub

ant

bou

reur quit

F
-

te

born plough,
les

champs

poco piu

^"

nJ^i-i

J^'

And home-ward
Et

i
^ '>i.'

22724

chez

lui

J^

turns

with

re

vient

js,

wear-y
a

pas

En

r=v
G.

lents.

S'lAirmcr

in
I'at -

R=
-

"if

^
Copyright, lUil, by

While

brow,

<'^
I

the
ten

179

lI'-P
low-

ly

dant, a

m
^m

M'j

cot-tage wait

ing,

His

wife

chau-mie

re,

La

fern

la

J
pre
-

i)

i)

j^
^

pares the sup -per

me

ne perdpas

son temps.

V
now.

!2:

P.

9-

D5

m
i
fm
f=^
^^!'f^ff^p

ZT

^ p^

#-#

i*

^P=5

A -round
Pour

m
r

3t^

neat

ly

mil

le,

^r

board
per

jyp

r''f

1^

zzz

the

sou

le

i'i'i

deck'd out

de

go

iE

The house
De - ja,

:^5
hold
la

ga
table

5=5
ther

in

est

tou

3^
-

the

hall;

te

pre

22724

r> niTV nr

fa

"^^

=P^

la

so

rri'f

vno^

180

>

-'

J' P

J'

J^

S
7 ji

^
g

Et

va

le

111

m
Ji

And while

j)

vir.

J1"r i^p^

rl^

JW v-ji^j,

ff

bril

le

Le ros-si

le;

^^

22724

-5

gnol chante a

call.

ra-vir!.

kS

f=

J'

'

Then,

2Z

gale pours forth his

o'er the

dans

la

^
W
KP

i
f

-O-

No

sound

On

n'en

is

tend

S
heard,
phis

mead-ows per-fume-la
cam-pa- f^ne inu - et

5>-

?*

irzz:

Puis,

S^

-y

'

^
^
I T^

P
J

i,i'

i
^

Thenight-in

toi

^^v

> > jw^

-

pre-miere e

la

..1

all,

sei'

the stars are peer-ing sweet-ly,

^Jr

^^

ne

waits on

ter

ir7

m
^'-

The come-ly daugh

La jeu

J^

^^

^#

how- e'er
le
moin

so

slight,

dre

bruit;

den,

te,

181

!'

J)
*'

*'

And

all

is

Tout

fait

si

J)

si

^^^^

^
-

lence

all

is

Save

tout

s'en

Seuls

lent,
et

1^

gale,

he

and

the

maid

gnol

et

la

fil

let

^^

le

ros

fe:

^
^

en,

^M

te

ds

><p

te

^^
i^E^

^^5^

^^

They

still

are

Chan-tent en

P rp

sing-ing in
-

co

re dans

the night!

la

tr^

nuit!

rcum.

S^

f
^f
t

i
rs

*g
4
P

_7

22724

si

i=i.

the night-in

^P

j-

:^

/Cs

:^

^F=^=

,^

r\

188

The Canary
Le Canari
English version by
Henr>' G.

(Mey)

Chapman

French words by
Paul Collin
P.

Tschaikowsky. Op. 2o,

N'.'

Moderato

iano

g g^
J

^
m
iH

JJJ =Q

dim.
*

^?^^

f-s^

fe^
H

^^^^

i
semplice
-^t^mpuvt

Thus Zu
Zu - lei

22724

^
/5

^^

fe^^ r^ n
(

L-j^j i^

itif espress.

<

rs

loi

ka

ka
di

spoke to
salt

au

Copyright, 1911,

ca

her
ta

bij

O.

na

Schirmcr

na

ri:

ry:

183

tm

"Pret

ty

Bel

oi

\Uh,

\(iA

r
ces

cal

your wing-s why

bird,
-

seau,

a-''''p

peace lies_

S iitw^
n'a

all

mes

ri

^
-

bout you,
va - ges;

gi

do
pas

te

3'ou flut-ter?

tes

i
Where

ai

fore then

quoi bon

les;

'ji

pre

fer

vou

loir

Soft

the

air,

and

L'air

est

pur

sur

^m w ^

^it' p

^p

the
air- y spac- es?
fran- chir I'es-pa - ce?

2?^

''M
r with
Keep

i^

jr-^j)j'

^
r

r^r77^r

will

par mes

M n

care for
soins or

^^^^f

'r=^

you;

ne'

Stay,

Et

J
22724

T^

1
f

M M
^

?^

:;?=

mM
^=^

in

grazioso

te

your cage, and

dans ta
ca - g-e

Res

f^

war - ble
ga-zouil-le

and

me

the

moi

tes

184

t
^ >\

i^

songs you sang: so sweet

chan-sons les plus dou

i^

^rr^^
^;f

1-^^^

fti-b

Gar

will skies

Sous

quels cieux

;
f''''P
7"

'

are

cool
de

ont

^^

'm

^^^
-

plus

fleurs

er,

plus_ frais

em

flow

od

bau

me'

'

'i

,);[7f

''p

mis

tres

tress

half

so

se

plus

ai

1
272

trou-ver

zn

Where
Ou

ersr

more
des

es?

\fTr

find

wilt
re

ver

^rrj:

rT
7

Vil,>r =

.Tt

rf

1.

r
lov
-

man

ing-r

Sing

me

te?

Chan

te

^^
?
'

find

^p

t^.ffl

wilt

rr^^' ITCJ

"^

^M,

:fci?

^^'

^rp

^^

E^

shad-ows? Where
oin-bra - ges?
Ou

fresh-er

'>7i(

(IM\ r

be found that are more sun-ny?

il
plus_ de lu-mie-re?

est

^n=i=
p
scent

ly

g^p^
^
sweet

Where

2^

ib
a'-p

ly.

ces:

^?w

dens where
jar- dins

Quels

It
h'>\nr*f

now

the

moi

tes

-rr-m

'

\4

185

fc=2

And

songs you sang- so sweet - ly."

chan-sons les plus dou - ces.

Et

Ah!

22TZi

v..

m
^^^J

n'in

^=^

J'

j^

i'

re

plied

to

his

sul

ta

Toi-seau

re

pond

la

sul

ta

^^es

pray

you,

sul

te

ii

bird

t.

"Ah!

t^

the

1S2M

ii^^

do
pas

not mock my sad

a

^^^

Tw:

\?\>

ma

tris-tes

na:
ne:

^
-

ness,
se,

fe^^

mn
186

r^f

joy
sons

-M-^

$m^

ous car-ols?

eu

L'o

jov

^^
i

a=

ses.

the

2724

,1.

^
^

sa

free -dom that

li

proud, less vain, less thought-less. Can

et moins fri - vo - le,
Pour
fier

do-lence may dA\ell here,

dans I'in - do - len - ce,

^^

* Ji

I
P

zpc

gret
pleu-rer
re

in

vit

to

i
Nor
Sans

in

i*

da-lisks

>

\'m^^

da-lisque

mP

frrr

fcfe

"T'

f'

ber-

te'

they for

per- du

not sing

chan-ter

feit,

But

e,

Mais

when he
ne

p^

^^
a

more

bird,

plus

I'oi-seau,

is_made a

veut pas_ etre es

slave!"
-

cla

ve!"

17

Little Snowflake's Arietta

From

the fairy opera "Snegourotchka"

(A. Ostrovsky)

Eng'lish version by

Henry

G. Chapman

Nicolas Rimsky-Korsakow

Adagio

iJ^z

a^fe;

Voice

fff^ rr .^
how

Ah!

^^
r^rv

w^

rpp

Piano
*

>

1.
1

heart

?=ii

poor

^
22724

is,

t?=^

ni^''
*

for

? i'

how

and oh.

hurts!

it

my

sad

niz' ni

n\i'~i

heav

^=^=^

:^S

as

moun-tain

flow- er

I)

Lehl

"/

*/

J^

up

i).K

light -ly

G.

Schirona

on

it

this

threw a

way!

"^i^

Copyright, 1910, by

lies

^^

^^S

ii
so

1^

^:

"^m

dear

^F=^

fl

J^

i'

LJ

cresc

fei^M'

fefe

I,

L^

92)

4i

J *

188

liolce

Now

off to

oth-er maidens hzis he

i,^
mine!

2dz

f^/^'^b

^'J^

Ah,

here

mii'
Js,.

am

JV'Jj1 [;!^
in

tears,

'''

J'

^^'j

me

and

me

left

J^^

so

oh,

lone

Ij'lfor

Lehl

5^

jn

^^^

t^

lone!

J.J

he has

=^

dim.

/
'/

^^

J^^

Ah, dear-est Lehl, I

ni^i

let

you

'

331

^ P

dolce

tay^ ^ii

i)^

^
and

""'^

cresc.

scorned

V^''i>

J_j?3

tempo

"WTioselaughterand whose lipseire warmer Ihjin

run,

a tempo, espressivo

M=

t_4..^

go

where love

^
^~^

'

^
|^'''>

Jij^

J^.^i'

is;

yes,

P
go to those who will know how

p/lJ
to love

J
you!

^^'p
But

^p

why must

PI

^^
be al-waj-ssad-

189

J*
_

heart

at

7p

^
cil-wavs cold

and i-cyinmv pas

r^

y^'n^pp-

a tevfipo
\r.

1'

pT'

^
\\

^^

?^5^i

11

^'
^>
[^

^J)
me

Dear Mother Spring,be kind and send to

wrong!

sion?0 Father Win-ter.thouhastdonem

r7.

fe
di

^5

i; I,

'^

'm>i>

and

V,

one

h
ny

ti

i).

ii

spark of

a tempo

te
ipp

r-^^"i>

Tit.

i,^

^EJ
(C\

J\

it

burn

^^

J'l

ingheat and

^^

?^^P^PIP-

flame

at

which to

melt

^^:-:p^f

fe

zen heart of

this fro

n\

^?

*^

tr

ft*.

Cs
^s;:

^
mine!

=.4

rt^

^i

dim.

22724

J3?^

^^^

^^

/r\

^^^^^^

190

Hebrew Love-Song
Chanson hebraique
English version by

Henry

(L.

Chapman

G.

Mey)

French words by
J. Sergennois

Rimsky -Korsakow.

N.

Op. 7

(1867)

Adagio
-

I*

Voice

(^^^

(J = 60)

=r=^5

^^

Je

/^

^
-iS-

zc

-G-

iz2;

Piano

tei^
-/'a

zc:

^^

pi a cere

mon

coeur,

:ni

^
y

M(^ LLTP
day

break of
au point du

heart at

mj-

sleep;
dors;

^^^^

jour,

nev

can

:p:

^N
fe

ma is

ja

22:

sleep:

er^
ne.

dort..

i*

s
i

ft

titiJ^
At

old

waits

m^-

te

mon

ai

h;

my
ma

If?-

thresh
por -

iH'

^^^^m
love,
-

and

s
22724

calls

me m'ap-pel

Copyri,^ht, 1911, by G. Srhirmcr

?=?^
-

to

me:

leet

dit:

191

:*

"/
O

P
^
^

mi

dear_

one,

g-non

ne,

rise_

for

le

ve

who

lov

toi

pour

ton

Morn

be

^^
/
breaks;,

crois

mi!

f
p

^^

ff

ing

f
I

eth thee!

him
-

L'au

;*

my

pen,
vre,

Ou

^^

M J ^^

rpp a tempo

moun
sur_

the

san

te

tain-peaks are
les

monts rou

U-

all
-

git

glow;

a
de

*^

ie:

"/

nt.

Si

s^

*^
*

cj^

f-

r^

^^^fe W
i

From.

the_

grass

Aux_

brins

d'her

from
sur_

es,.
be,.

the
les

:^Ni
^
t

^^^^^^

W^

Drops
Pend

^m

:#

*
22724

^T

of

dew

en

per

>

IH'-

like pearls
les la

are
ro

^m
MEi:

'

^
^^
a tempo

g
hang

ing,

And
Et

se

^^
poco

trees,

i?":

i
j90eo r?Y

Lf

moss

troncsmous-sus,

nr^^'^'s^
*:

rit.

3 ^
t

their tears

ses

pleurs-

a tempo

192

i^j;tfiiw77rp-i^^
of

W^

gems-

fire,

joy

bril-lants,

^:

1?^^<S*

-rr

"

rj

V=K||l!p"P

j^ ji

2^72 4

the

dawn,-

du

jour,

Have be

S5

FTi?^

O
6

fair

ma_

e.st

love!

^r

beau-te!

*^ a^

l^JJJv
r

*
ppp

f-

t"

Ont mouil-

r=^
Pi

^^

*-

^p^

j^

w
II

>

of

aux

if

^g

-^- ^

^
door and come,
por - te, viens,

''"

'ft*

"-'

ppP^

1^

^f

'iy<j

On

the Georgian Hills

Sur
English version

les Collines de

Georgie

by-

Henry G. Chapman

(a. S.

Pushkin)

French words by
J.

Sergeiuiois

N.

Moderate

Voice

(1866)
(J

so)

^fe

zzs;

ih
i

Piano

The mists are

La bru - me

Rimsky- Korsakow. Op. 3

hang-ing-

pla

ne

low
sur

^^

bove the Geor-gian

les monts de
I'E - ri a

i9-

Sl

f
&-

ggfeft
1
i

A
% m

22724

JA
P-JLM4^

hills,

The

van;

L'A-ras

yel

As

low

mu

J''

J-

is

roar

j^

git.

Copyright, 19il, by G. Schirmer

ing-

sous

jV

in

the

ma

fe

194

p~rh
since hope

dull'd,

mor

^'A
^- 1

ne et

is

sans tour

.^
'^

JH

jy

^^

;5

^one_

Still

finds

in

thee

ment,

Je

vis

en

toi,

its

c'est tout

3Xxx:

'f

^6

f-

f-

^M
f

m-f

^
IS

tence,

tre...

In
Qui,

whole

ft

iVh.

thee,

and thee

toi...

toi,

que

rien

-^

lone,
toi...

31:

Si^A^
Poco meno mosso

ft

^
22724

^i

In

my

En

mon.

r-1

"f
DCE
"O"

J'l
I

;-i
TT

J''

P
ff

de

spon

bat

^
-

den
te

1
cy

ment

ex

mon

195

5^5

h
no

feel

Au

J'

cune, au

gs3^

i'

'

ff

J)

pain,

nor would

cune

an

g-ois

re

^Cj ^

tre

string.

^^

thee;

If

e'er

me.

Si

de

nou

m
f

t:r\

prove

se ex

^ poeo

poco

string:

r^

'>'\h

^
f
riten.

|a'p-p

Ji

ii.^

my heart sliould wake to

- prou-ve
veau men coeur
gain

e'

life

in

quel-que

A
s

e'

to

live

me,

'Tis

that

moi,

C'est

que pour vi

i'

p
it
-

vre

needs must
il

faut qu

11

^#:
P

riten.

.^

3i:

r\

love

ai

thee,

me.

^sm

/Tn

^.

K5"

i^

It
morendo
r:\

Ptf
ffl
22724

e=g

m
m

Tempo

Tj/

196

Song- of the Shepherd Lehl

From

the fairy opera ''Sne'gourotchka'

(a.

Ostrovsky)

English version byHenry G. Chapman

p-iocoso
Alleefretto

^^ ^^

'

Piano

'!>

^m
m

S.te

(J. ins)
Lehl playing- the

Nicolas Rimsky-Korsakow

shawm

n y f

^^
s

:* if^

/>

js:

r^'f'.sY-

^S
fcb

Piu

Lehl

lento,

^''
i

>

J'

To

s
I

i*

JM
tho

^ wm

^^

maestoso

j2l
J-

Ihun-der

call'd

the

fly

cloud, Rum-ble, grum-ble,while

ing-

/Cn

^^
liing'a

poco riten.

i
scat

tor

xny

rain, Spring--time

show'rs shall re

fe
ro/^o

fresh.

the

Hap-py

^
^ ^/>
isl

r
Copyright, 1910, by O. Schirmer

5 s

plain,

parte

SS
22724

P
-

Tempo

197

2dr

^'-

nr^ppN

flowrs once more to

P^
See^
^s^T

pMr'^pp

life_ shall spring-, All the girls will

^i

go a

f=T

Mj^

pp

their

in

fe^

jl

J^ V

train: Lehl,

my

^^
I

f poco

riten.

pr

r}' -

ing-,

All the

^^^
f^
r

a tempo

nfri^

J
i

iE^ 3=i
f=f f=^
poco riten.

ber

p^

iEikd

lads will fol-low

l'|>

jJi^'-

Lehl,

my

love,

my

i
a tempo

5^E=^
love,my LehlKheplays)

p ^
m^
P

^
=1^kfe

^ ^

s
h

^s
sgp^ 4i; g

i^

^^^
3
jS

^t^^
f

^feS

f
h

>

M i M
h

f
22734

^it^

f^

^^

^S

E%g
^

f
Lphl

>

Piu lento

Thro' the

^a

jS

W^

'^

198

l>'l>

h
S

J^

^ ^

'

woods the girls

mong

Far and

trees

the

1^^

wide

are

pick-ing

';/

i^^

^^e6S
2M

pocorit.

fcb!

i 3
straw

ber

ries,

i^

^ ^^
^
ri>

P^^

;i

i,

sound. All

at

IJ

-^/

pp

(p\^

^S
22724

ers,

,ff2

laugh

3^
cant

m^^

^A

4^

T=T

J
found;

be

izr

^
I3-,

^^

,^

i^E^
r

re

^
cr)',

i.

J-'

All

the

^^
r

f=f

f=^

i
sad

ter

r;Y.

^^=^ i^

weep-ing

one maid-en

|3

^^
-

glades with songs and

^^

once

oth

Dells and

^oro

Tempo

^^

MP

"She's been

i!^

^^P
i'

eat

p
some

m
-

en

bj-

r^^w

199

^ ^^
^^^
^^
^
w

a tempo

poco riten.

kfe

wolf

near

by!"

'eeSe

my

Lehl,_

fe

N'-

i_r
my-

5E5;

?^
h

^^
P

my

(he plays)

i'

"l>

love,

a tempo

^w
m

ji/oeo riten.

my

love,

Lehl!

J'

I'

1-

^-rj

'

i^^

:j*^^

1=^

jS

JOI

fefe

^^

h
>

l>

k U=. ^^

*y

#te

P^^

''!>

[^

22724

[;

>_ki

^ ^^

^S

^
^
*

77-

iU ?^^^
jS

hf

"y

DpJL-

SJOO

i.phi

|^'' >

.N

i'

maid-ens,

still

J'^

fei

fe*
33

an-g-uish and

in

wild^ a-ged

tears, Lo, a

Piu lento

stran-ger ap

/r^
fefe

??9

zz:

4*

jooro r?Y.

fe

5
pears;

Sil

^
V
P

ly

tr
tr

poco

maid

ens, have

^
cnlla

to

w
I

ing here so

3'our wits?
tr

quoth

i,

Whj'

stand

he,

r\

iT^^tr

^
VP

*^=P

fool

ish

S-

-m^
22724

lost

Tempo

tei
^

j-e

parte

weep

P"

^
tf'

tn-

.t

rit.

^
-

^^

^^
ly?

Weep-ing,

S
P^

call

ing her, will

I3Z

201

kfe
P

no

do

'>--U

Bet-ter

good,

look

kfe
1^

^
i

Lehl,

my

fe
f
i
I

Lfhl,_

my

love,

bout

the.

f
my

^
love,

my

Lehl!

5E

Ptempo

riten. assai

a tempo
L

^M

bit

W^

^^ ^m

wood!

J*

riten. nssai

Mp

^
[O

-f-^

ME:

1'

ffl

F^

?>

5^

fhe plays)

S ^^
^^ ^

^^

ia
f
f

Z2I

^^:
f

ftp

1
^^
^
I

t>

23724

^ffl S ^P :^ ^

^SV

1
It

h
^ J;*

i)

J^

t^
?=^

J^

202

A Southern

Night

Nuit m^ridionale

English version by
Henry G.Chapman

(N. Stcherbine)

French words by
N. Rimsky-Korsakow. Op. 3

J.Sergennois

(1866)

Allegro

(J-

Voice

Piano

:^

^
Rides
Bril

i ^s
ol

22724

le

of

the Night,

I'as-tre

chan-g-eantj

^^

ive

vier s'en

Queen

the

in
-

lu

sil

ver

is

mi

ne

d'ar

drest;
-

g-ent

3EE3E
And
Uo -

mf
the

Dansleur

Copyright, 1911, by O. Schirmer

sea as
flux obs

li

And

the

it

heaves

ti

ne,

To

the

Cou-rent,

203

^^

m^

i^
swell of

the waves Is

mon-tent

les f lots

Pail

le

3t

flame with the gems on

tes

de

leurs ri

ches

^ee

#S
te

ri

re et

ous lights! All

ces feux

Tout

gre

mi

ra

Ces

pro

di

fc

cu

ges

lous nights!

Ah,

des nuits,

Ce

SEE

blood, all

en

flam-me

my

heart

is

men sang

et

men

fire;

coeur;

ZZl

WX
\cresc.

23724

^
mys
mys

mf

my

ZZ-

lots.

Ah,

breast,

its

5
te

i:;

^
I

have

Les flam-

204

^
ga

beaux

thered
sont

r
flame

Ihee flow'rs

For

our

lants,

J'ai

cueil

bril

li

light

quel

cd

ques

bowVs; Tar
fleurs,

Ha

te

ritard.

# 'm

*
I

not,

mj'

toi

vers

mes

Love,
bras

Soon
Get

De
mou

m}-

the

night will

te

nuit

va

sire!

reux!

J
be

pas

E3
22784

^^=r

o'er,
-

ser,

?
Tar

ry
te

305

i^
W

i^i

And

the

Et

la

r
waves
va -

mi

call

no

more

g'ue

se

tait

'Neath the

Sous

sun;

And

jour,

Et

1
'>%-"!

feel

les

how

le froid vient d'en

m/:

f^
pas- sion-less eye of
yeux im - pas - si - bles

my

chill

All

trer

En mon

bo
sein

the

du

som doth
in

qui

"
.8*

ipp subito

i
"o:^

nf

^E
Wilt thou

et..

Sau - ras

Sm
fe

22724

fill:

:*

r
guess
tu

how
de

I
-

vi

love thee

lone?

mon

mour?

ner

F^=
3
'f=9

m
t

\.r^

"--(&

f^

^^

206

Air
"Sylvan Roundelay"

Eng^lish version by

Henry

G.

the fairy opera "Snegourotchka"

From

Chapman

<A. Ostrovsky)

Nicolas Rimsky-Korsakow

Allegretto capriccioso
rit.

pnco a pnco

^^

^^

Piano

Little

poco

riteii

a tempo

I^H^y
i

ii

j^

>

> ^

^
^tt

in

^g

v=^

If-'

tempo

l^^^i'J^ ^
hal

Hal

p.

fl

lo,

a piacere allargando

maidswith joy-ful hal-lo,

For to an-swerolh-er

'i-\h

Snowflake

In!.

^-#^

^^
m ^^

22724

Copyright.

19t1.

by G. Schirmer

07

S^

*S

For

to

V"

i^

dance the mer-ry

^^

round, and one

of

^^ ^
riten.

With the cho-rus

them,

r\

^
^^=p

led

by

fes^
y^ w

M$
P^;iy7
F-tHt
V' 'tf

^^ i'

poco

r^

7
^

;>

P^
^

'y

V-

a piacere allargando
a tempo

^ tempo

ri "M'>
i

^^p

pp

shep-herd Lehl to fol-low:

^'^i-7
^

sA^P

>tt

^p

La-do

Hi,.

Fij^
?

^3^
S

Lehl!

P
i9-

.y

:2Z

^7

;y

Poco animato

eP

*i

:^mr=?m ^
d

^^
&J
Or_

fer,

A
:i
*>> tty'tf

32724

ff

p ^

life is

k
1^^
P ^

'Tis this

^s

Wif'"
7 aitmn

^'

lit

i
V

^
p

^y

h
i

J'

j
your

k-^'T

daugh-

ter

would pre

^ T

^7^^^

ft
^'

v-

i ^

^^

'''

J^

fe^

tle_worth to_

^^

^T

fe^

her.

^m ^
/K

fe

208

::

P-

When

you

re -turn

win

with

ter

-^

S
t

re

to

^^

kfe

ven

tide,_

in

these gloom -3'

sing"_

I'll

&

J'ou,

Sing-

^3
\i
^S
g
p

1^

32

M'

3-ou

i-*

MM

song- tho

whilp the

[7

storm -winds pipe and

P'h}',

L^

;J

at

^m

to

1^^

woods,

fcE

i I f
_^^

22724

(J = 5n)

Ma
%w

^P

With

side,

Adag-io

f^
tM=ini

5i-

^^

209

m^

fi

Sing-

song

and

blythe.

^ e

gay,

^
poco

tempo

^^^
that's

Poco piu animato

poco riteii

VP

riten.

i^
^y
string.

a ptacere

^^\>

"p

To

tfp

learn

^m

it

will

not

JO^

["P'

take

me

A#r

i^,^'^,

^
Oh,.

22724

^^

M*

A^tf

long.

r^

||

r-

f-

EEi;
my_

fa

ther!

210

Allegretto capriccioso

^^/^]

<

For

to

i'

Jl

r ten u to assai

and g-a-thpr

g-o

I'l

bcr-rit-s

in

i'

!:

^^^
^

rr7/>

J)P

For

the woods,

an-swer oth-er

to

i-

riccwsn

^
^
^Jr-i.h

^
parte

ro//a
/C\
ti

'>''^i^

r\

A=^'^-

@
f

4^

pin cere scherzando

r/

J-^

maid'-

with

Tempo

^lteIL-

'?^

Hal

joy-ful hal-lo!

hal

lo,

k
t

=0

^-

^
tetnpo

pti-4

r^p^'

lo!

em
r

>

J^

For

to dance the mer-r}' round.and one

With the

(o

^^"^

^P

^
P^^

b}-

shep-herd Lehl

to

P
fol

>--\h
22724

P
-

low:

fc

ritenuto assai
'

/0\

^3
^

^m

^^M jiff-S
led

thom,

Tempo

cho-rus

of

Ml

1^

J,

.^

ritenuto assai

p^

Ji

/r\

-5^

.cxx

a piacere allargando

i
*

A
ft

ff

A^

a tempo
tt

fr

|t|

jir

p
La

Hi.

do_

p
a tempo

Lehl!_

co/^a parte

tt

VP

9^#
Poco animato

l^i

^^---

^ /"^E/iP &p ^

'Tis

this

your

daugh-ter would pre

J':^Pe;ip ejp ^i
Or_
is_
worth
life_

fer,

*S

S
jooco cresc.

P^ ^

to_

fe

her,

^^^ ^

oh

^p

is_

life

lit- tle_

^
V

=j ^

^^

worth to_

or_

her,

tie

Vivo

poco string
string.
^

,1l!-

lit -

Jl il

ther!

fa

^^ 5
n\

5^
#".

j V' jn
22724

^
J

212

The

Little Fish's

Song

Fischleins Lied
English version by
Henr}' G.

Chapman

German words by

L.

Esbeer

A.Arensk>-. Op. 27,

Allegretto

Piano

82724

Copyright,

tfffi. bij O.

Schirmcr

N9

213

W^

^
fresh

life

is

frei

im Was

and

free;,

Tis

ser

hier;

so

J-

^p;

S^

S
dim.

23724

;g*

214

Iw

<f

J.

J':

I'll

call

my

sis

stern

ru

Die

Schwe

ters here

fe

ich

H
and
her

r
we _
bei,.

^ *
whirl

schwin

and
gen

dance
uns

for

thee,

im

Tanz,.

Will

wir

215

22724

216

i^

1)
here,

aus,

so
dein

shall

soft

Pfiihl

ist

J
be
ja

J^'

thy

^
bed,

so

welch,.

'

^yfj

droams
Z.-it

22724

So
die

cresc.

:* x

te
wilt

thou

for

ill

mt'i

npm

get
Reich,

How
du

fast

traumst,

the
wirst's

217

23724

S18

219

23724

220

The Nereid
(A.Pushkin)
English version by

Henry

Chapman

G.

Alex. Glazunoff. Op. 60,

Andante

NPS

(Jr 72180)

fe

Voice

*f

^g=3=

[Q

^'

Piano

if f-

-4^

^^^
W

f2I

9^r

^3

^^ m ^

3:

On

ips
*

mg

:-

shore

S
s3=fa

S
22784

rc

*-&^

ff

y
f

T^=E

^^

J^^

<

at

ly

Tau-ris'

^v_*

;e

^y^

/ s^f=
Ti

-5^

lone

ft

^^

'

ros

dawn a -

stray

ing,

In

*:

Copyright, i9H, by G. Schirmcr

J^^3M^

231

tl

ff

cean's

n
wa

:S
green.

ters

Ne

saw

Y
-

reid

^g:

:#

i
play

In

ing.

<S-

^
i^

f l'

.h

Jj

Ji

shel-t'ring reeds un-seen

8-

m,

"f

S
9^*

*
"

#-

22724

H' myM"
let

vi

sion

doles

^^^
From

roam.

w-f

em

'raid

^
-J

Si

"

P
she

82724

0h

P
wrung

P
the

"P
pearl

P
-

foam.

Before

My Window
(G.Galina)

English version by

Henry G. Chapman

Sergei

Lento

Rachmaninoff. Op. 26,

(Jz5o)
emitab He

Voice

N? 10

T^

Be

A
win - dow
my .,,;

fore

f
blows

scent - ed

al -

der

Piano

===

oresc.

'"ir_r~

*
tree,-

Who

wears with

se

rious grace his fes-tal robe of

flow

ers;
la

^^P^

m.

Some perfumed branch-es

i'

^=j;=J^
?
now

he

low- ers,

mar cata

22724

melodia ben

Copyright, 1910, by O. Schirmer

He's

greet

V*'
-

ing,

>

J
call

ing

224

^^\

dim.

-JOL

And

me.

as

the

r-p
from

scent

and

frail

-T

^''

tn-m-bling: blos-soms

-s^-

'/

///

^E^ ^^

r>i~^^

^;:ft

r^

flies,

*
^E^
i

n"^

the

in

cense

ing-,

n
.?

^P

so

glad

^rm

sweet

^^
feel

fra

ly

heav'n

ward

rfm

X
2^

g-rant

breath

P
mv

P
sens

^-^

ff

es

rrr^

ver
8-

^
.?

^
'j^.
227Jt4

,j

ereso.

"3

^ri

catch

soar

^^

(9-

M
n

^'

ten.

^ 3Et
that needs

no words,

rise..

^^m 1

:^

^^s
cresc.

m^
WW

//

cresc

r^

22784

*^

22Q

Lilacs
(Kath.Begetoff)

English version by

Henry

G. Chapman

sempre tranquillo

Allegretto

Voice

Piano

^m
^m

Sergei Rachmaninoff. Op.;il, N'9 5

Morning:

Mor-gen

are a- plow
schon er-gliiht,

skios
rot

w~^

un poco

1>

While
und

^s

the

der

And

lac -trees blow,

fcte

^
22724

me

morning

so frisch Mor-gen

^^

-o-=-

^-

Hy the shad-ow - y pool,

nach dem schatt-gen Ge-biisch,

l^^ ,f7^r
fe^

at

^
the fresh

cautabile

wind;_
wind;.

breathe of

E^
mj

te

und ich

Flie-der-buschblliht,

^=F

^
*

li

^ ^

ten.

P=2:^r=11

ZZi

^m^^

zz.

z^

-r

Copyright, 1910, by G. Schirmcr

zz:

jujfL.

237

a^

r
Where
das

te

r
dew

r
y

and cool,
von Tau-trop-fen frisch,
it's

must

see
schau' ich, ob
I

^
if

my

^
for -tune

I'll

dort mein Gliick ich nicht

find.
find'.

te

13

gif

*-^
jt?^

te

^
^

Ah,
Ja,

22724

iS^

luck there's scant

dole,_

Yet

des Gliicks g-ibfs nicht

viel,.

und doch

of

it's

ev

ist's

'ry - one's

al

ler

228

^^

rail.

fg/t.

i
^ r "
^^
And my own

ffi
p

lies

R'oal,

Ziel,

doch das mei

out thorp
ist

in

^
col I (I

^^
i

duf

li -

Trauben er

la

_,

ccS'cffl
^'

=F=F

found,

And

my

bliihn,

und

mein

^S

own

lit-tle

?2G

^
tunc, as

for

^^
^

mf

(?

E^

i?P

well.

auch.

^^

p_

:KP

rf//M

m.d

ZiTi\

-;

J.

_i

het

ar-mesGliickblii

te

pen

dtm.

f^

ti

^'

i9-'

9-!-

^
i

all

^^-

Cluster'd li-lacs are

m
|^''|^

im

JJ^J^^'^ E

^^

i^

Griin

thorn

df'n

tempo

in.

round

wo

Strauch,

VP

parte

gf^F

VP
Hid

dfll;

^
n

tho

aufdem

dort

^^

zpi

ne

a tempo

O^

da

2'49

Morning
(M.L-.Jiinoff)

English version by

Henry

Chapman

G.

Sergei Rachmaninoff. Op. 4, No. a

Moderate

Voice

^F=^

^
^
"I

dear!"

thee,

love

said
.'/

i*

^^-^-

l=f

{[.

j?

ppp

^
V' M*. -

IW

Piano

.?

F
*

Morn - ing

>

1^

> >

-f-^r-

And

the Day,

to

LiJ

&
^'

^^

"

him

with

arms

her

in

grew
3

T^^
i

"r

w/* espress

F^^

^
ros

2?:

i
con

in
:L

dim.

B:

um

"f

h ^

The

sion;

fu

llf
"XS"

^-1- ^
tlllll
i

w:

S
22734

TnL.

331

S3
->

Copyright, 1910, by G. Schirmer

tt tt
i

ttt

30

sun

lit

J- 7

Ji

the world with

up

^^

J'l

am

^
Yous

zz:

And

ray,

.y

.y

4i-d

l<i

tH

f /-^se

^m

12.

^
*>-

J^;xi

with her

^
burn

^^ =1^
J)

smilfd and

took

fe
es

ing kiss

.y

.y

gj

*:

^^^^^5
^'

as

tho'

he

still

at

mis

pi
3z:

22724

fe

1^
-

=^

sion.

^3

^^^
9-

P
Tho

ed

trust

pos-ses

yf
heart

i^

tf

la- iiL!;Hp

/>/>

:i

ffp:

^-t-

T
#=

3BE

ilt

t t 1 1 1 t l

ll

Ji

iiJ>
*i

truth

of

t
lat:

231

^
aught

the

J'

J)

J)

t^J

^J

22

or

say,

Dropped swift - ly

.y

.y

,y

^^

^^^

yi)

Morn might do

dream-y

.y

J)

J'

ritard.

ritard.

iH^ fTr ^19^ ^ W

iTTi'

i^

11

vp

w^

^^
down

an

^^

a tempo

m'_

and

earth,

to

.y

^n^'SE

'"L

with

sgf
smile

he dust

Au

ed

a tempo

^3

=^

'/

^^

i^

w/,

.y

.y

0L

.y

cf

^^
t?|

77^.

i^

J''J'7

^p

p
ro

i ff
^

.?

ra's

-'P
my-riad wealth

*-

^F^F -^pqs
J

/f.?

;:^

&
m Fs^
s=^^

of

dia

mond

tears

^gf
/'
,

in

:^

si

;)^

i
*f'"m'
//?,

v^

way.

^M
f:

'#"

'!7

^
J

^UUP

pp
r:\
^-s-

22724

232

"How

sweet the place!"

(G.

Galina)

English version by

Henry

G.

Chapman
Sergei Rachmaninoff

Moderato

i M^

Voice

How

3Ei
Piano

^^
.

tant

sweet

the

3Bi

S=5

^^
.

iiii

aJ

J)

riv

er

=2St

^^

f
the

in

The grass -y

sun;

XiM f
2

^
LJg

J.

mead

j>
-

ows

j)

''I

my

at

a /TlJ j

\\

With

feet

EX

^1^

22721

dis

* ^f *

gleams The

^
f

Far

place!

PP

v%<^

ii

dolce ed espressivo

J)

-i-

y-

Ccfpy right, 1911.

by

G.

Sckirmer

i\

Ji

flowVs

are

^^
o

^
te

ver

233

i"

^^^

^E
run.

No

^^

^ ^

w;
2^

^
near

"&

but

r.-

J^

,^-,
7> rr^
J ^

UJ

Mw ^oco

Z212i

^e?i

is

i/-

melodia ben marc.

fr>
?/i^ /a

.m

one

IS

^
God

and

^^
I,

The

dis

fe

tant,

T^ hi4jj-^ii^B

234

fe
lone

(en.

i
-

ly

J^

'

pine,

i>
the

host

of

p
flow'rs,

r^

22724

^^

And

235

"O thou billowy harvest-field!"

(A.Tolstoi)

Eng-lish version

Henry G.

by

Chapman
Serg-ei

Rachmaninoff. Op. 4, N9 5

Lento
Voice

:*

g^Pg

^m ^U^
iE3

Piano

^^

_o_

3X1

^
^
pfTf
^^

ffW
^

-o-

f^

^^
9fcS^
i

^^
^yu

^
^1

grain!

cj g"

s
23724

Nev-er may st thou be mown

^
_o_

7i

P^^55*

'^^^if^r

har-vest-field of

It

f^

"Sir

thou bil-low- y

^#*

:i

^^^

^.

^
7 p9-^

19-

Copyright, 1911, by O. Schirmer

^^

Miij
at

J'

sin -gle swath,

i
T5^

^^

236

ni

:*

Nev

r
-

er

QD
mayst

^'>"tJ-

thou_ bo bound

in-

sin

^
-

gle sheaf!

=^

r-r

^^

9g^

S^-

ttM

4i
r
Ah,

yf

^'Jni^r

thoughts and

^
Who

^f
^^
^
*
'

'

'

ye

[^

dreams

so

fraught

with

care!.

P^^^
>

S
can

gar

'

ner

3'ou

in

heart

w2/^

2372 4

"cy-

lt r"r

mT

a.

-o3CC

^oro cresc.

SE

23:

?i

or

ai

mind!

XS1

is

i
Who

can

grasp

!i

you

or

1^
bind

you

up

in

ritard.

words!

ritard.
'

l\
^

-MTj-yiTj-y
13^ ij*
!

^1'

:^

r-

^
o

^mi
:i

-s

thee,

O.

r-^

hur

field,.

-J.

J-

ver

ried

w/

iS'"

22724

driv

ing

r
storm,

?^^

^^

Down

it

bent

all

thy

har-vest of

2.S8

*F^
&=^

one

T-t-^m^m

mong-

^-nu

has_

falln to

TTj33-^]1^J^pP^#?^
^

^-^

i
T5
22724

parth,

iZ2:

^i=^

239

^M

soil

U
i^

VR

77

HS-

a-

r
bit -

There has

y,

:0

jS
-S

flour-ished the

2?r

r^

^^

^rrrr^^rd^
rr'-rrii*rrr

*^

Ah!

ter- est hearts dis-tress!

r\

*i

.^

fS^S

weeds of mis- er

W21

22

*
'^

There have sprung- from the

*F

mm

?,f

XT

/^

::

x>
-o-

;;

:2:

>

Con moto

Ah!.

p
f

r\

tc:
22:

mf -

^^

1^

-o;
/C\

*i

s
22721

ifEi*

:pfpf

hjJJ_JvrJ
-o-

T-i'^.

^ ^^

VP
x

^^

=!^!l;>;ii;l;i]iJil!i!|iilliPii