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By Mladen Ovadija
Drama/Theatre Studies
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264 Pages, 6 x 9
ISBN 9780773541733
July 2013
Formats: Cloth, eBook
Sound is born and dies with action. In this surprising, resourceful study,
Mladen Ovadija makes a case for the centrality of sound as an integral
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"Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre is a most timely and valuable book. Ovadija brilliantly brings to light new and surprising
connections in the art and criticism of a crucial historical moment." Jon E. Erickson, Department of English, Ohio State University
"If any book can be described as deliciously noisy, this is it. Excellent notes and bibliography complete the volume." CHOICE, March 2014
Mladen Ovadija is a dramaturge, university lecturer, and independent researcher. A former producer for Radio Sarajevo, he lives in Toronto.
Acknowledgments vii
Introduction 3
1 The Performativity of Voice and Sound in Theatre 9
2 Avant-garde and Postmodern Conceptions of Aurality 24
3 Sound Poetry and Bruitist Performance: Words-in-Freedom 57
4 Zaum: From a Beyonsense Language to an Idiom of Theatre 85
5 The Dramaturgy of Sound: From Futurist Serate to Sintesi 114
6 Sound as Structure: Toward an Aural Architecture of Theatre 145
7 The Avant-garde Dramaturgy of Sound 179
Epilogue 206
Notes 209
Bibliography 233
Index 245