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Stevan Davis
Stevan Davis
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TITLE
PAGE
Topic
Acknowledgement
Introduction
Preface
2
3
4
Reflective Piece
Analysis
5
6
The successful completion of this assessment would not have been achievable
without the aid of God who assisted me with the vital resources which were needed
in the final compilation of this research. I would like to express my sincere
gratitude to my subject teacher Mrs. Lewis-Brown for giving me the necessary
information and guidelines needed to complete this project .And last but no means
least my family members who granted me with the support and finance required to
make this an accomplishment.
The message conveyed in the story The hard way is that youths are greatly
influenced by dancehall music, usually negatively. This story was written to show
people who are victims of these music take the lyrics out of context and apply them
in their daily lives
The writer wants to convince teenagers to think positively even though the artistes
who are supposed to be positive role models have significantly failed.
Story telling is traditional. It can be transferred through various mediums such as;
drama, gossiping and speech. Oral presentations of this story in public forums such
as Youth Meetings would be ideal in order to either educate or entertain the
audience or listeners.
It is crucial for teenagers and their guardians to hear this story; because it entails
fundamental message for the development of families and youths who are highly
influenced by the content of this type of music.
The artistes should also be allowed to read or hear the story as it will allow them to
realize how influential their lyrics are, and that they are to some extent, responsible
for the behavior of our youths. If most artistes could be inspired to change one of
their negative lyrics it would impact positively and save individuals from the
tremor caused.
Stevan Davis
Then with a look of excitement on his face Nomadz burst into song We
want a million dollar by a morning.
Yuh really believe we can do it? Asked Maka
Do road!
But because Maka was already thinking of making a move this only
boosted his confidence .
So he replied Mi did a tink bout a move yes, We can mek a buss pon di
Mega Mart out a road.
Dawg a big buss that ino. U think we can handle dat?
Listen my view. Yuh dun know di vibes. All we need fi do a just let
Predator and Condo role in.
Nomadz comprehended well enough to know that Maka was not
pussyfooting around. so he called the boys and the mission was then
drafted .
Later that night the four boys were adorned in their black garments and
masks and executed the mission. Being the Don Maka finally warned his
troops
Yow mi afi mek some hard cash- tired a di heart ache worries , ghetto
stake , sleepless nights and tired fi mi tripe dem twist because a
starvation an food for the poor not assisting . Remember the aim
Nomadz. Mek sure yuh av u things.
Yea man ready to roam replied Nomadz
Kool. Predator u ting set? he asked.
Cool no boss u done know mi head hot! predator responded
confidently.
Everybody ready then?
ANALYSIS
In the story, The Hard Way, the writer utilizes a number of communicative features
including, language registers and communicative behavior to enhance the story, as
they vividly show how dancehall music is having a negative impact on teenager.
The use of the register is prevalent in the story as the narrator engages his audience
with a formal register, which could suggest that the message is intended for a
general English speaking audience. The formality of the language register used by
the narrator, who seems to be a member of the community, differentiates his
intellectual status from that of the boys. This is seen as his constant use of standard
Formal English throughout the extract, (example) though in some parts of the
story a casual register was used as was seen in the conversation that the boys had
for example when Biggs greeted taka wha gwaan daddy and he replied mi de ya
pon di gully side ino paary . The continuos use of this casual register among taka
and his friends show the closeness of their relationship and the level of formality
that exist among them. The use of slangs and lines from songs solidifies this close
relationship that they had
Communicative behavior is another communicative feature used. Takas constant
attendance to dancehalls communicated that these boys were only mostly
passionate about dancehall music which made them laid back. The reader is led to
assume at their interest does not contain positivity and social mobility. Their
continued attendance to these sessions also makes one assume that the are most
likely to be engaged in delinquent activities as a result that it was not mentioned
that the went to school and additionally dancehall is more regular than not
associated with delinquent behavior . Also their initial greeting style by slapping of
hands illustrated that they are well acquainted with each other. Additionally
adornment of these teenagers in black and red communicates their devious nature
and it also foreshadows their death
The use of language registers and communicative behavior was effective in that,
language registers revealed poor intellectual social background. While the
communicative behavior speaks to the nonverbal communication which reveals
things about the character that was not mentioned to the audience
BIBLIOGRAPHY
Hall, D., Jones, R., Raffo, C., Chambers, I., & Gray, D. Communication Studies.
London: Pearson Education. (2004).
Randall, H., Stephens-James, L., Lamorell, C., Francis, L., & Noel, D.
Communication Studies for CAPE. London: Cambridge University Press. (2007).
Teck, T . B., Wee, A., Chan, O., & Sinanan, R. Cape Communication Studies.
Caribbean Studies. Caribbean Publishers. (2007).
Wood, F., & Sangster, A. Communication Studies 2. London: Prentice Hall. (2008).