Escolar Documentos
Profissional Documentos
Cultura Documentos
Békaa Valley
of the
á«fÉehQ óHÉ©e
Archaeological Promenade
´É≤ÑdG π¡°S »a
ïjQÉàdG ôÑY QGƒ°ûe
Roman Temples of the Békaa Valley
´É≤ÑdG π¡°S »a á«fÉehQ óHÉ©e
Tripoli
Zghorta
Enfeh Balamand
Kousba
Ras el-Shekka Tourza The Ehden
Qadisha
Becharre
Musailha Valley The Cedars
Batroun Hadet Hasroun Labweh
Ras Baalbeck
Nabha
Deir el Ahmar
Yammoune
Qasr el-Banat
Nahle
Jbeil Iaat
Hadath
Baalbeck
Qsarnaba
Jounieh
Temnine
Hosn Niha
Niha
Bikfaya Khonchara Nebi Ham
Fourzol Sarain
BEIRUT Dhour Shoueir
Broumana
Dora Zahle Rayak
Beit Mery
Baabda Hamana Shtaura
Sofar Tanail Kfar Zabad
Aley Dahr el-Baidar
Bhamdoun Ain el-Bayda
Anjar
Majdel Anjar
Roman Temples
Deir el-Qamar Dakwe presented in this
Meshref Beiteddine Mdoukha
Qasr el-Wadi brochure
Moukhtara Helwa
Qalaat Bakka Yanta
el-Amoud Khirbet el-Knisse
Qaraoun Deir el
Lake Aachayer
Houash
Kfarqouq
Eshmoun Hfoufa
Sidon Temple Jezzine Nebi Safa
Aiha
Libbaya Aqbeh
Ain Harsha
Marjayoun
Hebbariye
Beaufort
Castle
Tyre Roads
(Sour)
Other Towns / Sites
Roman
n
πµq °ûJh .ÉgôÑY hCG É¡æn Wƒà°SG øe QÉKBÉH Ωƒ«dG ≈àM ßØàëJ âdGR Ée »àdG iô≤dGh
´Ó≤dGh ∫ƒ∏àdG øe ¬H ¿É¡à°ùoj ’ Ol óYh á«q eÓ°SE’G ôFɪ©dGh á«q fÉehôdG óHÉ©ªdG
’ ák «q KGôJh ák «q Lƒdƒ«NQCGh ák «q îjQÉJ Ik hôK ,áØ∏àîe á«q îjQÉJ äGôàa ≈dEG Oƒ©J »àdG
Temples
.≥∏£dG AGƒ¡dG »a kÉ«q ≤«≤M kÉØëàe ´É≤ÑdG π¡°S øe π©éJ ,É¡d π«ãe
Békaa Valley
of the
Zghorta
to the east. Throughout history, the valley has been a major Enfeh Balamand
the valley since ancient times. Today, the cities and villages Qasr el-Banat
of the Békaa still preserve the remains of the people who Jbeil
Hadath
Iaat
Nahle
Temnine
and archaeological sites dating from many different historical Hosn Niha
Niha
Nebi Ham
periods transform the valley into a virtual “open-air museum.”
Bikfaya Khonchara
Fourzol Sarain
BEIRUT Dhour Shoueir
Broumana
Dora Zahle Rayak
Beit Mery
Baabda Hamana Shtaura
Sofar Tanail Kfar Zabad
Aley Dahr el-Baidar
Bhamdoun Ain el-Bayda
Anjar
Majdel Anjar
Roman Temples
Deir el-Qamar Dakwe presented in this
Meshref Beiteddine Mdoukha
Qasr el-Wadi brochure
Moukhtara Helwa
Qalaat Bakka Yanta
el-Amoud Khirbet el-Knisse
Qaraoun Deir el
Lake Aachayer
Houash
Kfarqouq
Eshmoun Hfoufa
Sidon Temple Jezzine Nebi Safa
Aiha
Libbaya Aqbeh
Ain Harsha
Marjayoun
Hebbariye
Beaufort
Castle
Tyre Roads
(Sour)
Other Towns / Sites
iver
R
Tripoli
As a result, the villages and towns of the Békaa began to build
ntes
Theouprosopone
Oro
Roman-style temples dedicated to their own local gods. This Mount Lebanon
The
Arab Mountains
explains the great number of temples spread throughout the
The Mediterranean Sea
Byblos
Baalbeck
valley.
Jordan River Bu
Dog River rda
Riv
Beirut er
It would be impossible to describe all the Roman temples
of the Békaa Valley. This brochure will focus on five of the Sidon
Anti Lebanon Mountain Arab Mountains Damascus
Fourzol ∫RôØdG
The town of Fourzol is situated 6km northeast of Zahlé in the »a á∏MR øe »bô°ûdG ∫ɪ°ûdG ≈dEG äGôàeƒ∏«c áà°S ó©Ho ≈∏Y á«q YÉ≤ÑdG ∫RôØdG Ió∏H ™≤J
eastern foothills of the Mount Lebanon chain. Fourzol was a äô¡à°TG áªjób Ió∏H »gh .ø«æq °U πÑL É¡«∏Y ±ô°ûjo »àdG ¿ÉæÑd ∫ÉÑL á∏°ù∏°S ∞ëd
famous Episcopal see during the 5th century A.D., and today øjòdG á∏MR áØbÉ°SCG ¿CG ±hô©ªdG øeh .»Ø≤°SCG õcôªc ¢ùeÉîdG …OÓ«ªdG ¿ô≤dG »a
the Orthodox bishops of Zahlé are called the “Metropolitan of ó«H .z∫RôØdG â«dƒHhôàe{ Ö≤d ¿ƒ∏ªëj Ωƒ«dG ≈qàM GƒdGR Ée »£fõ«ÑdG ¢ù≤£dG ¿ƒ©Ñàj
Fourzol.” .ójóëJ πq bCG ≈∏Y »fÉehôdG ô°ü©dG ≈dEG Oƒ©j ócq DƒªdG É¡îjQÉJ ¿CG
Roman Temple of Apollo
Fourzol - Roman Temple of Apollo
In the center of Fourzol are the remains of a Roman temple built
according to the Corinthian style. This temple was apparently
dedicated to the god Apollo. It had a monumental stairway Private Houses
leading to a portico with two antae (walls), followed by a cella, 1km towards
the caves Portico
or central space, and then an adytum, or Holy of Holies, where Cella
the statue of the god was located. Due to the current bad state Adytum
Caves
Private Houses
Carved Palm Tree ¬fCG ócq DƒªdG øªa ,É¡Ñjò¡J ïjQÉJh É¡dɪ©à°SG á¡Lhh QhɨªdG √òg ôeCG øe øµj ɪ¡e
Éeq CG .iôNCG á¡L øe ájq OÉÑ pY á«q æjOh á¡L øe á«q æaóe ¢VGôZC’ É¡°†©H ∫ɪ©à°SG iôL
About 20 minutes walk along the dirt road from the caves of ≥WÉæe ±É°ûµà°SG ¿CÉH ∫ƒ≤dG øe óq H ’h .Ék ©FÉ°T Gk ôeCG ¿Éµa ,≈æµ°ù∏do É¡dɪ©à°SG å«M øe
Wadi el-Habis you will reach a carved rock face depicting a palm Ék YÉàeh á«q æµ°S ÉjÉ≤H iƒM QhɨªdG øe Gk ô«Ñc Gk OóY ¿CG âÑKCG á«q fÉæÑ∏dG ∫ÉÑédG »a Iô«ãc
tree. To the left of the tree is an image of a young “knight god,” ô°ü©dGh OÓ«ªdG πÑb á©HGôdG ∞dC’G ø«H ìhGôàJ ,áØ∏àîe á«q îjQÉJ äGôàa ≈dEG Oƒ©j
with a halo around his head, holding the reins of his horse with .…ƒ£°Sƒo dG
his right hand and a sphere or disc with his left hand. To the
right of the palm tree is an image of a naked person (possibly a ÜQódG …qODƒj ,ΩGóbC’G ≈∏Y Gk ô«°S z¢ù«ÑëdG ô¨eo { øe á≤«bO øjô°ûY ƒëf áaÉ°ùe ≈∏Yh
genie), holding a palm leaf in his right hand and a small sheep ¬°SCGôH §«ëJ ¢SQÉa ÜÉ°T ¬l dEG ÉgQÉ°ùj ≈dEGh á∏îf É¡£°SƒàJ
q ájq ôî°U áJƒëæe ≈dEG »HGôàdG q
with a sheaf of corn in his left hand. This image represents √ó«H ¬fÉ°üM ΩÉé∏H ¢SQÉØdG ∂°ùªjo h .¬Øàc ≈∏Y Ók µq Ñe Ék MÉ°Th …óJôjh ,Qƒf øe ál dÉg
a solar god overlooking the regeneration and fertility of the ób ¢üî°Tl á∏îædG ø«ªj ≈dEGh .iô°ù«o dG √ó«H Gk ôjóà°ùe Ék °Uôb hCG Ik ôco πªëj ɪ«a ,≈檫o dG
universe, including its fauna and flora. These images were ¥òY r ≈檫o dG √ój »a πªëj ,¬«Øàc ≈∏Y ≈dq óàj AGOQ øe ’EG Ék jQÉY (génie) Ék «q æq L πãq ªj
probably carved during the Roman era. ºZôdG ≈∏Yh .iôNC’G äÉJÉÑædG hCG πHÉæ°ùdG øe áªî°V ábÉHh Ék j róLn iô°ù«o dG »ah í∏H
Ék ¡dEG ∂°T
q ¿hóH πãq ªJ »¡a ,É¡H ≥ëd …òdG ¬jƒ°ûàdG ÖÑ°ùH áJƒëæªdG ô«°ùØJ áHƒ©°U øe
Several Roman-era quarries can also be seen in the surrounding .¿Gƒ«ëdGh äÉÑædG ∫É£J »àdG ¬àHƒ°üNh ¿ƒµdG OqóéJ ≈∏Y ±ô°ûjo Ék «q °ùª°T
landscape. The quarries look like large rocks with flattened
faces, and some are shaped like a large stairway, as a result of É¡«a ∑ôJ áªî°V á«q fÉehQ ™dÉ≤e ≈∏Y Iô¶f AÉ≤dEG øµªj ójôØdG ™bƒªdG Gòg øeh
the stones being cut from them. áJƒëæe á«dÉ«N áæjóe ¬Ñ°ûjo Ée ≈dEG ¿ÉµªdG âdƒq M »àdG º¡dɪYCG QÉKBG AÉeó≤dG ¿ƒJÉëædG
.Qƒî°üdG »a
Niha
Éë«f
Niha Éë«f
The small village of Niha is located 17km north of Chtaura, to ≥jô£dG QÉ°ùj ≈∏Y GQƒà°T áæjóe øe Gk ôàeƒ∏«c ô°ûY á©Ñ°S ƒëf ó©Ho ≈∏Y Éë«f Ió∏H ™≤J
the left of the road that runs from the city of Zahlé, through the .í∏HCG Ió∏H ôÑY ∂Ñ∏©ÑH á∏MR §HôJ »àdG
town of Ablah, to Baalbeck.
∫hóL É¡bôàîj »àdGh AGôé°ûdG ∫ÉÑédG É¡H §«ëJ »àdG á©jOƒdG ájô≤dG √òg ∫ƒNO Qƒa
Niha is home to two of the most beautiful Roman temples in »fÉehôdG ô°ü©dG øe ø«ª«¶Y ø««fÉehQ øjóÑ©e Qo ÉKBG ôFGõdG ™dÉ£J ,ô«¨°U AÉe
the Békaa Valley. The temples were built perpendicular to each ,ɪgóMCG »¶M óbh .á«q ªgCGh Ék æ°ùMo ´É≤ÑdG π¡°S »a Iô°ûàæªdG óHÉ©ªdG ôãcCG øe ¿GôÑà©jo
other, with their entrances facing a central place that could have .á«q fÉæÑ∏dG QÉKBÓd áeÉ©dG ájq ôjóªdG πÑn bp øe ∞«ãc »ª«eôJ •É°ûæH ,ô«ÑµdG óÑ©ªdG ƒgh
held an important structure (which is now completely gone). ¢†©ÑH ßØàëj ∫GR Éeh ∫hq C’G øe Ék ªéM ô¨°UCG ƒ¡a ,Gk ó¡Y ΩóbC’G ƒgh ,»fÉãdG Éeq CG
The Niha temples were built according to the classical Roman » ngÉéJG ¿CG ôcòdÉH ôjóédG øeh .∞dÉ°ùdG ¬≤fhQ øY Iôµa »£©J »àdG á«q FÉæÑdG √ô°UÉæY
architectural tradition, which is evident in the temples spread ™Ñàjh .É¡ªdÉ©e âdGR áªq ¡e á«æHo √ÉéJÉH ɪ«bCG ɪ¡fCÉch ,øjóeÉ©àe ɪgô p¡¶oj øjóÑ©ªdG
throughout Lebanon. Oƒ¡©ªdG ≥°ùædG ɪ¡«°Sóbh ɪ¡«æë°Uh ɪ¡LQGOCGh ɪ¡«àcq On å«M øe øjóÑ©ªdG §«£îJ
.¿ÉæÑd »a á«q fÉehôdG óHÉ©ªdG ™«ªL ¬H RÉàªJ …òdG
Towards
10m 50m 100m Hosn
The Small Temple was the first temple to be built on this site Cella
1
Niha
during the first century A.D. Situated on the left side of the Niha Portico
Niha River
Hadaranes and the goddess Atargatis. Hadaranes is the local
name of Hadad, the god of thunder, lightning, and rain. Atargatis
is the cosmic goddess of fertility.
Adytum
Cella
Portico
2
Niha River
because a small water channel runs through the podium of the Towards
temple. Water used to seep out from the rocks surrounding the Beirut
temple, then ran directly into the channel and into the interior of
the temple, for use in purification ceremonies. 3
The Site
Beginning of the visit Path 1 The Small Temple
Parking 2 The Great Temple
Visit path 3 Prophet Elias Church
ô«¨°üdG óÑ©ªdG -1
óÑ©ªdG AÉæH √DhÉæH ≥Ñ°S óbh .∫hq C’G q…OÓ«ªdG ¿ô≤dG ≈dEG ô«¨°üdG óÑ©ªdG AÉæH ïjQÉJ Oƒ©j
¿CG πÑb ,Éë«f »a ó«MƒdG »æjódG AÉæÑdG äÉbhC’G øe âbh »a πµq °T ¬fq CG å«ëH ,ô«ÑµdG
.Ω.Ü ådÉãdGh »fÉãdG ø«fô≤dG ¿ƒ°†Z »a ô«ÑµdG óÑ©ªdG AÉæÑH ô°TÉÑ n jo
»a OQh Ée óq M ≈∏Yh .Éë«f ô¡f iôée øe iô°ù«o dG á¡édG ≈dEG ô«¨°üdG óÑ©ªdG »æHo
IOÉÑ©d Ék °Sôq µe ¿Éc ¬fq CG hóÑj ,√QGƒL »ah ¬«a É¡«∏Y ôãYo »àdG áeƒbôªdG äÉHÉàµdG ¢†©H
±ôp Yo …òdG »∏q ëªdG º°SE’G hóÑj Ée ≈∏Y ƒgh ,z¢ù«fGQ nóM{ n »≤«æ«ØdG-…Qƒ°ùdG ¬dE’G
áHƒ°üîdG áHq Q ,z¢ù«JÉZôJCG{ ΩC’G-á¡dE’Gh ,QÉ£eC’Gh OƒYôdGh ¥hôÑdG ¬o dEG ,zOóM{ ¬H
ô°üæY ∫ƒM QƒëªàJ âfÉc ¬«a …ôéJ âfÉc »àdG IOÉÑ©dG ¢Sƒ≤W ¿CG hóÑjh .á«q fƒµdG
íª°ùJ âfÉc »àdGh óÑ©ªdG ácq On »a IQƒØëªdG Iô«¨°üdG á«bÉ°ùdG ¬«dEG ô«°ûoJ Ée ƒgh .AɪdG
ø«æeDƒªdG øµq ªJh ¬∏NGO »ah ¬dƒM ÜÉ«°ùf’ÉH QhÉéªdG ôî°üdG øe π«°ùj AÉe §«îd
.É¡H ∑ôq ÑàdG øe êÉéëdGh
q
Niha
Éë«f
The entrance of the temple faces south; it consists of a IóªYCG á©HQCG …P »eÉeCG ¥GhQ ≈dEG …qODƒj êQO øe ∞dq CÉàjh .܃æédG √ÉéJÉH óÑ©ªdG íàØæj
stairway leading to a portico with four columns with Ionic-style Ée ,äÉHGƒq H çÓK ôÑY øë°üdG ≈dEG êƒdƒdG ºàjhq .ø«àeÉYOh πµ°ûdG á«q fƒjEG ¿Éé«J äGP
capitals. The cella, or inner space of the temple, is accessed ᣰSGƒH ¢SGóbC’G ¢Sób ácq On ≈dEG Oƒ©°üdG ºàj
q øë°üdG øeh .ôgÉX É¡ªdÉ©e ¢†©H ∫GR
through three doors at the top of the stairway, and the adytum øe óq H ’h .OƒÑ©ªdG ∫ÉãªJ IóYÉb ™ØJôJ âfÉc ácq nódG ¥ƒah .äÉLQO ™°ùJ øe ∞dq Dƒe êQO
is accessed by a stairway of nine steps at the end of the cella. √É«ªdG ¿ÉjôéH íª°ùJ ,ácq óq dG πØ°SCG óæY ÉgôØM ºJq Iô«¨°U IÉæb OƒLh ≈dEG IQÉ°TE’G
The statue of the god or goddess was located inside the adytum .óÑ©ªdG øë°U ≈qàM OƒÑ©ªdG ∫ÉãªJ IóYÉb øe á°Sqó≤ªdG
and was usually not accessible to the public. In addition to the
water channel running through and around the podium, there ¢üî°T …C’ øµªj »àdG áeÉ©dG äGOÉÑ©∏d Ék °ü°üîe
q hóÑj Ée ≈∏Y ô«¨°üdG Éë«f óÑ©e ¿Éc
is also a smaller water channel that runs from the base of the ™bGƒdG ôî°üdG øe êôîJ âfÉc »àdG á°Sqó≤ªdG óÑ©ªdG √É«ªH ∑ôq Ñàjh É¡«a ∑QÉ°ûjo ¿CG
statue of the god or goddess in the adytum down to the center Ék °ü°üîe
q ¿Éc ,√ó©H º«bCG …òdG ô«ÑµdG óÑ©ªdG ¿CG ø«M »a .¬æe á«q bô°ûdG á¡édG ≈dEG
of the cella. ɪc ,»fÉãdG …OÓªdG ¿ô≤dG ¿ƒ°†Z »a äô°ûàfG »àdG ájq QÉ°ùªo dG äGOÉÑ©∏d hóÑj Ée ≈∏Y
.∂Ñ∏©H »a ¢SƒNÉH óÑ©e º°SÉH ±hô©ªdG óÑ©ªdG ∫ÉM »g
In the remains of this temple, archaeologists discovered a stone
with an inscription mentioning a “virgin prophetess” named zAGQòYá«q Ñf{ôcP ≈∏Y »JCÉJáHÉàc,óÑ©ªdGGòg»aÉ¡«∏YôãY»àdGáo eq É¡dGäÉHÉàµdGø«Høeh
Hochmea. Hochmea was the priestess of the god Hadaranes ,z¢ù«JÉZôJCG{ ág’E’Gh z¢ù«fGQóM{ ¬dE’G áægÉc âfÉc ,(Hochmaea) z᪵M{ o É¡ª°SG
and the goddess Atargatis; she dedicated herself to those two øY â©æàeG ,¬dE’G ôeCG ≈∏Y AÉæHh{ . ºdÉ©dG øY â©£≤fGh ɪ¡àeóîd É¡°ùØf äQòf óbh
gods and cut herself off from the world. The stone inscription
says: “According to an order from the god, she stopped eating
Niha Complex .áHÉàµdG ôcòJ Ée óq M ≈∏Y ,záæ°S áÄe{ â°TÉYh ,záæ°S øjô°ûY Iqóe õÑîdG ∫hÉæJ
bread for 20 years” and “lived for 100 years.” This stone was
Adytum
removed by archaeologists and is no longer located at the
Towards
temple site. 10m 50m 100m Hosn
Niha
Cella
The Small Temple of Niha was apparently used for the public 1
cult, which allowed everyone to participate in purification rituals
using the holy water running through temple. The nearby Great Portico
Niha River
at the Bacchus Temple in Baalbeck.
Adytum
Cella
Portico
2
Niha River
Towards
Beirut
The Site
Beginning of the visit Path 1 The Small Temple
Parking 2 The Great Temple
Visit path 3 Prophet Elias Church
Niha
Éë«f
Niha River
Adytum
Cella
Portico
2
Niha River
áKÓK …P êQóH É¡«dEG ≈bôjo ᪫¶Y ácq On ≈∏Y º«bCG óbh ,¥ô°ûdG √ÉéJÉH óÑ©ªdG íàØæj
á¡LGh ≈∏Yh .»ãfQƒµdG RGô£dG øe IóªYCG á©HQCG óÑ©ªdG πNóe Ωqó≤àJh .êQGóe
Gk RÉÑæZ …óJôj Ék ægÉc πãq ªj ôaÉf ¢û≤f l á«q HƒæédG á¡édG øe êQódG ø°†ëJ »àdG á°üæªdGq
¿ÓãªJ ¿Éàfƒ≤jEG É¡æjõJ IOÓb √Qó°U ≈∏Y πªëjh ,Oƒ≤©e QÉfq õH ≥£æªJ óbh ÓjƒW k
iô°ù«dG √ój »a πªëjh ,ô«¨°U ∫Óg Égƒ∏©j IOÉÑq d øgɵdG ôªà©jh .ák g’EGh Ék g’EG
.ô«¨°U íHòe ≈∏Y á°Sqó≤ªdG AɪdG É¡æe Öµ°ùj á°SÉW ≈檫o dG √ój »ah á«q JÉÑf á°Tô q pe
óbh ,óMGh ºî°V ôéM øe ≈°†e Ée »a ∞dq CÉàj ¿Éc ∞cÉ°S l ábÓª©dG óÑ©ªdG áHGƒq H ƒ∏©j
∞cÉ°S øjq õj …òdG ÜÉ≤©dG QGôZ ≈∏Y ,ø«MÉæédG •ƒ°ùÑe Ék HÉ≤Y πãq ªj ¢û≤æH ¬∏Ø°SCG øjq Ro
¬jój ióMEÉH ∂°ùªjo Éë«f ÜÉ≤Y ¿CG ô«Z .∂Ñ∏©H »a z¢SƒNÉH{ ≈dEG ܃°ùæªdG óÑ©ªdGThe Site
≈àak πãq ªj Beginning
¢û≤f ∞cÉ°ùdG ø«ªj ≈dEGh .π«îf áØ©°ùH iôNC’ÉH ∂°ùªjo ɪ«a ,»JÉÑf π«∏cEÉTheH Small Temple
of the visit Path 1
The entrance of the temple faces the east; it is built over a large æq ée ô°üf áo Hq Q ¬ÑfÉL ≈dEGh iô°ù«o dG √ó«H π«îf ø°üZ πªëj Ék ëæq ée Ék jQÉYThe
∂°ùªJ áëParking 2 Great Temple
Prophet Elias Church
podium and accessed through a three-part stairway leading to ¬©aôJ π«∏cEÉH ≈檫o dG Égó«H ∂°ùªoJ ɪ«a ,iô°ù«o dG Égó«H π«îf ø°ü¨H iôNC’G »g
Visit path 3
a portico with four columns with Corinthian-style capitals. To the iôNCG áëæq ée ô°üf m áHq Q πãq ªàa ,∞cÉ°ùdG øe iô°ù«o dG á¡édG Éeq CG .≈àØdG ¢SCGQ √ÉéJÉH
left side of the stairway, a carved relief depicts a priest with two äGOÉÑ©dÉH ábÓY ájq õeôdG √ò¡d ¿CG hóÑjh .≈dhC’G É¡∏ªëJ »àdG É¡æ«Y RƒeôdG πªëJ
icons on his chest, representing a god and a goddess. He is ¿hQq É°ùªo dG ’EG É¡«a ∑ôà°ûj ’ ájq Qq É°ùeo äGOÉÑY »gh ,óÑ©ªdG πNGO …ôéJ âfÉc »àdG
wearing a hat with a crescent carved on it, and he holds a floral Ék WÉÑJQG â£ÑJQG äGOÉÑ©dGh ¢Sƒ≤£dG √òg ¿CG hóÑjh .QGô°SC’Gh RƒeôdG »a Gƒ¡q≤ØJ øjòdG
water sprinkler in his left hand and a cup in his right hand, which IÉ«M ƃ∏ÑH πeC’G ™e 䃪dGh ∫ƒHòdGh ƒq ªædGh IO’ƒdG ádCÉ°ùªH ø«æeDƒªdG ¿ÉgPCG »a Ék ≤«Kh
pours holy water onto a small altar. .»µÑ∏©ÑdG z¢SƒNÉH{ ≈dEG ܃°ùæªdG óÑ©ªdG »a …ôéj ¿Éc Ée QGô pZ ≈∏Y ,iôNCG
The lintel of the gigantic temple door has an eagle with spread
wings carved on it. This eagle is similar to the one carved on
the lintel of the Bacchus Temple in Baalbeck. However, the
Niha carving is slightly different, because the eagle holds a
floral crown in one of its talons and a palm leaf in the other. To
the right side of the lintel, a carved relief represents a winged
naked boy holding a palm leaf in his left hand. Next to the boy
is a carving of a winged goddess of victory holding a palm leaf
in her left hand and a crown in her right hand, raising the crown
Niha
Éë«f
towards the head of the boy. The left side of the lintel has a πNGO ∞dq CÉàj ,ø«àeÉYódGh IóªYCG á©HQC’G …P »LQÉîdG ¥GhôdGh …ôFɪ©dG êQódG ó©H
carved relief representing the same goddess of victory with the Éeq CG ,¿ƒæeDƒªdG ™ªàéj å«M øë°üdG ƒgh ,∫hq C’G :ø«æKG ø«ª°ùb øe ô«ÑµdG óÑ©ªdG
same items in her hands. The carvings appear to be linked to ,øë°üdG á«q °VQCG ƒ∏©j ¿Éµa ,¬«dEG ∫ƒNódG Rƒéj ’ …òdG ¢SGóbC’G ¢Sób ƒgh ,»fÉãdG
the mysterious rituals that were performed inside the temple. ≈∏Y Ωƒ≤j ¢SGóbC’G ¢Sób ¿Éch .OƒÑ©ªdG ∫ÉãªJ …ƒàëj ¿Éch ,êQóH ¬«dEG Oƒ©°üdG ºàjh q
These rituals were related to the issues of birth, growth, death, äGhOC’Gh »fGhC’G ßØëd ¢ü°üîe q õ«∏gO É¡àëJ º«bCG óbh ,á«dÉ©dG á°üæªdGq ¬Ñ°ûj Ée
and the hope of an afterlife. AɪdG Öµ°ùj Ék ægÉc πãq ªj ¢û≤f
l ÜGOô°ùdG ≈dEG …qODƒªdG ÜÉÑdG ÖfÉL øjq õjh .á«q °ù≤£dG
Ék Ä«°T áYƒaôªdG ≈檫dG Égó«H πªëJ ICGôeG πãq ªj ¢û≤f ¬ÑfÉL ≈dEGh ,íHòe ≈∏Y ¢Sqó≤ªdG
The inside of the temple consists of two parts: the cella, where k hCG Ék °ûÑc »£àªj íæq ée πØW IQƒ°U ¢û≤ædG QÉ°ùj ≈dEGh ,ºdÉ©ªdG í°VGh ô«Z
.ÓéY
the people used to gather, and the elevated adytum, which was
accessed by a stairway. The adytum used to hold the statue ôeC’G,Üô¨H Ék bô°Tô«ÑµdGóÑ©ªdG¬éàj ɪ«a ܃æéH ’ɪ°T¬éàjô«¨°üdGÉë«f
k óÑ©e¿Éc
of the god or goddess. Under the elevated adytum is a crypt, ¿Éc …ôFɪY íHòe OƒLh ∂dP »a ÖÑ°ùdG ¿ƒµj óbh .øjóeÉ©àe ɪ¡«gÉéJG π©éj …òdG
which held the items used during the ceremonies and rituals of ô«ÑµdG óÑ©ªdG ¬«Lƒàd ≥∏£æªc ¬eGóîà°SG ºJq óbh ,ô«¨°üdG óÑ©ªdG á¡LGƒe »a Ωƒ≤j
the temple. The doorway leading to the crypt is decorated with äÉæ«©Ñ°Sh äÉæ«qà°S »a â∏°üM »àdG á«q Lƒdƒ«NQC’G äÉÑ«≤æàdG äôØ°SCG óbh .¬FÉ°ûfEG óæY
a carved relief representing a priest pouring holy water over an q Ék «FGóH ≈k ∏q °üeo OƒLh øY øjóÑ©ªdG …Qƒëe ™WÉ≤J óæY »°VɪdG ¿ô≤dG
íHòe ¬£°Sƒàj
altar. Next to him, a woman holds an undefined object in her ≈dEG âªj ’ »q ∏q ëe ܃∏°SCÉH áJƒëæªdG ÜÉ°üfC’G øe ô«Ñc Ol óY ¬H §«ëjh ,Éë«f áHq Q πãq ªj
right hand. To the left, the relief represents a winged boy riding ¬«LƒàH ºµq ëJ …òdG ƒg ºjó≤dG …ó«∏≤àdG ≈∏q °üªo dG Gòg ¿CG hóÑjh .á∏°üH »fÉehôdG øØdG
over a sheep or a bull. â¡Lq ho ɪ«a ܃æédG √ÉéJÉH ô«¨°üdG óÑ©ªdG á¡LGh â¡Lq ho å«ëH ,¬gÉéJÉH øjóÑ©ªdG
.¥ô°ûdG √ÉéJÉH ô«ÑµdG óÑ©ªdG á¡LGh
The Small Temple of Niha (1) is oriented north-south, while the
Great Temple (2) is oriented east-west. During the excavations of
the site, an oratory was discovered in front of the Small Temple.
The oratory had an altar representing the goddess of Niha,
Niha Complex
surrounded by a number of steles sculpted in the local style
(not Roman style). The reason for the perpendicular orientation
of the two temples is the presence of this oratory, which was Adytum
situated in front of the Small Temple, and which was used as a Towards
10m
base for the orientation of the50m 100m
Great Temple. Hosn
Niha
Cella
Portico
The Site
Beginning of the visit Path 1 The Small Temple
Parking 2 The Great Temple
Hosn Niha
Éë«f ø°üM
Hosn Niha
Éë«f ø°üM
The Hosn Niha temples are reached by taking the road up the
hill to the north of the Niha temple site. Two Roman temples ±hô©ªdG ™°VƒªdG ƃ∏H øµªj ,IôYh á«q ∏ÑL ≥jôW ∑ƒ∏°S ó©Hh ,Éë«f Ió∏H »dÉYCG »a
were constructed at Hosn Niha, and many architectural and ¿É¶Øàëj ¿’Gõj Ée »fÉehôdG ô°ü©dG øe ¿Gô«¨°U ¿GóÑ©e Ωƒ≤j å«M ,zÉë«f ø°üM{p`H
decorated stones are spread all over the site today. Architectural .ɪ¡°üFÉ°üN ¢†©ÑH
evidence at the site indicates that it was transformed into a
small fort during the medieval period.
Cella
3
Portico
The Site
Beginning of the visit Path 1 The Great Temple
Visit path 2 The Byzantine Church
3 The Small Temple
Hosn Niha
Éë«f ø°üM
Cella
3
Portico
ô«¨°üdG óÑ©ªdG -3
º¶©e âØàNG êQóH ¬«dEG Oƒ©°üdG ºàjq ¿Éch ܃æédG √ÉéJÉH ô«¨°üdG óÑ©ªdG íàØæj
≈dEG ¥GhôdG »°†Øjh .ø«àHôM §°Sh øjOƒªY …P ¥GhQ ≈dEG êQódG Gòg »°†Øjh .¬ªdÉ©e
3– The Small
k »¡àæj øë°U
.OƒÑ©ªdG ∫ÉãªJ AGƒàM’ ≈°†e Ée »a Iqó©e âfÉc Iɵ°ûªH ’ɪ°T
Temple íHGòªdG AGõLCG ¢†©H ≈dEG áaÉ°VEG Iô«ãc á«q aôNRh á«q FÉæH ô°UÉæY ™bƒªdG »a ô°ûàæJh
iôL ¬fCG hóÑjh .øjóÑ©ªdG ±ôNR øY Iôµa AÉ£YEG ô°UÉæ©dG √òg ¿CÉ°T øeh .áeƒbôªdG
The Small Temple opens to .≈£°SƒdG ¿hô≤dG »a ø°üM ≈dEG ∫ÓWC’G √òg πjƒëJ
the south and was accessed
through a stairway that
is almost completely
Cella
50m destroyed today. 100m The 3
stairway leads to a portico
with two columns, and then Portico
to a small cella with a small
niche at its end, which used
to2 hold the statue of the The Site
he visit Path
god or goddess. 1 The Great Temple
2 The Byzantine Church
3 The Small Temple
Temnine El-Faouqa
ÉbƒØdG ø«æªJ
are very few temples in the region that were dedicated to this Adytum
goddess.
Cella
Portico
Qsarnaba ÉÑfô°üb
The Roman temple situated at the height of the village of óHÉ©ªdÉH ó«©H óq M ≈dEG ¬«Ñ°T »fÉehôdG ô°ü©dG øe óÑ©e ™≤j ÉÑfô°üb Ió∏H »dÉYCG »a
Qsarnaba has classical architecture similar to the other Roman ¢†©H QÉKBÓd áeÉ©dG ájq ôjóªdG ¬«a äôLCG óbh .¬æ«Y ô°ü©dG ≈dEG Oƒ©J »àdG iôNC’G
temples in the Békaa Valley. .º«eôàdG ∫ɪYCG
Built over a high podium, the temple is accessed by a êQO ôÑY ¬«dEG Oƒ©°üdG ºàjh q .IôgÉX É¡ªdÉ©e ∫GõJ Ée ácq On ≈∏Y ÉÑfô°üb óÑ©e »æHo
monumental stairway leading to a portico with four columns. âdGR Éeh .ø«àeÉYOh IóªYCG á©HQCG øe ∞dq CÉàj óeƒ©e »eÉeCG ¥GhQ ≈dEG »°†Øj …ôFɪY
The portico is followed by the cella, which ends with a stairway …qODƒj …òdG óÑ©ªdG øë°U ≈dEG »eÉeC’G ¥GhôdG »°†Øjo h .IôgÉX IóªYC’G ™bGƒe QÉKBG
leading to the adytum. ´ÉàªdGh »fGhC’G ßØëd Gk óq ©e ¿Éc ,ÜGOô°S ¬àëJ ™≤j …òdG ¢SGóbC’G ¢Sób ≈dEG êQO ôÑY
ɪc ,êQódG ø«ªj ≈dEG ™≤J Iô«¨°U áHGƒq H ôÑY ÜGOô°ùdG ≈dEG êƒdƒdG ºàj
q ¿Éch .»°ù≤£dG
A colonnaded altar was built in front of the temple in the typical .Ék ©FÉ°T ¿Éc
Roman style; it was constructed with a square stone that is
surrounded by four small columns on its four sides. This type øeIô«¨°U IóªYCG á©HQCG ¬H§«ëJÖ©q µe øe∞dq CÉàj óeƒ©eíHòeÉjÉ≤HóÑ©ªdG á¡LGhΩÉeCG
of altar was common in the Lebanese temples built during the ¢üFÉ°üN ióMEG πµq °ûjh,¿ÉæÑd»aQÉ°ûàf’G Iô«ãµdGíHGòªdGøeêPƒªfƒgh.™HQC’G¬JÉ¡L
Roman era. å«M øe ,á«q fÉæÑ∏dG á«q fÉehôdG óHÉ©ªdG øe √ô«Z øY ÉÑfô°üb óÑ©e RÉàªjh .¬«a óHÉ©ªdG
.á«LQÉîdG¬fGQóL∫ƒW≈∏Y ô¡¶J»àdG áÄJÉædG ºFÉYódÉH,ΩÉ©dG¬∏µ°T
Today, this temple is quite well preserved. The base of the
altar, the temple base and stairway, and the lower portions of Qsarnaba Temple
the temple walls are still intact. Only the elevated adytum is no
longer standing.
Private Houses
Private Houses
Adytum
Cella
Portico
Altar
Private Houses
Towards
Beirut