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Washington National Opera. Under President Deborah F. Rutters continued leadership, the
Kennedy Center is re-imagining ways of presenting the arts in the 21st century through
interdisciplinary programming, immersive audience engagement, and a focus on artist-centric
programming. The 20162017 season includes significant and institution-wide initiatives from
the yearlong celebration marking the Centennial of John F. Kennedys birth, to three newly
appointed Artistic Partners who will lead these artistic and community initiatives (Yo-Yo Ma,
Rene Fleming, and Q-Tip), and the support of American programming. With more than 2,000
performances across many artistic genres, the Center continues its tradition as the nations center
for the performing arts, commissioning, producing, and presenting the finest of local, national,
and international arts. The 20162017 season includes 25 commissioned or co-commissioned
works and projects across the Centers full range of artistic disciplines.
JFK Centennial
Marking and honoring the 100th anniversary of the birth of the Centers namesake, the late
President John F. Kennedy (JFK), the Center will offer an expansive, yearlong initiative from
April 2016May 2017, featuring a wide range of programs reflective of the late Presidents
vision, ideals, and legacy alongside forward-looking initiatives reflecting the contemporary spirit
of America. Under the visionary leadership of Kennedy Center President Deborah F. Rutter, the
Centennial program is designed to encourage dialogue and personal creativity, highlight the role
of culture and artists in society, bring people together, and connect artists and audiences in more
powerful waysgoals long championed by acclaimed cellist and humanitarian Yo-Yo Ma, who
begins a three-year relationship with the Center as its newly appointed Artistic Advisor At Large.
For the complete programming of the JFK Centennial, please see here.
Auguin, Music Director, Washington National Opera; Mason Bates, Kennedy Center Composer
in Residence; Christoph Eschenbach, Music Director of the National Symphony Orchestra and
Kennedy Center; Suzanne Farrell, Artistic Advisor for Ballet Programming and Artistic Director
for The Suzanne Farrell Ballet; Joseph Kalichstein, Artistic Director for Fortas and Chamber
Music Programming; Jason Moran, Artistic Director for Jazz Programming; Gianandrea Noseda,
Music Director Designate, National Symphony Orchestra; Steven Reineke, NSO Principal Pops
Conductor; and Francesca Zambello, Artistic Director, Washington National Opera. For further
information about the appointments of the new Artistic Partners, please see here.
Hip Hop
Hip Hop will become a core programming area at the Kennedy Center moving forward, with the
appointment of its first-ever Artistic Director for Hip Hop Culture. An active member of
Universal Zulu Nation, the first Hip Hop organization which was founded in the 1970s by Afrika
Bambaataa, Q-Tip embodies the multifaceted nature of the culture with a history of seminal
work and longstanding relevance in the community. Famously known as a founder and member
of the group A Tribe Called Quest, Q-Tip is regarded as a pioneer of the genre who paved the
way for younger Hip Hop artists by introducing jazzy, eclectic soundscapes into Hip Hop
production and a new degree of originality to the art of emceeing. Through his role in A Tribe
Called Quest in the 80s and 90s, he became one of the most influential Hip Hop figures of alltime, uniquely fusing rap, jazz, and other styles with piercing, socially conscious lyrics. He also
has enjoyed success as a solo artist and producer, working with high profile Hip Hop and R&B
acts such as the Beastie Boys, Busta Rhymes, J. Dilla, Janet Jackson, Kanye West, Kendrick
Lamar, Mary J. Blige, Queen Latifah, and Pharrell Williams. His critically praised solo albums
include Amplified, the Grammy-nominated The Renaissance, and Kamaal the Abstract. Q-Tip is
currently the host of Apple Musics Abstract Radio, a weekly Friday radio show where he digs
deep into underground favorites and musical legends.
In addition to Q-Tips appointment, a key part of this new venture is the Kennedy
Centers formal partnership with Hi-ARTs, a leading organization within the urban arts
movement that develops and produces new works of performance and visual art. Hi-ARTs has
collaborated with the Kennedy Center for 15 years in developing the DC Hip Hop Theater
Festival, and also served as co-producer of the Centers One Mic Festival in 2014. The
organization has built a strong national reputation as a vital incubator for multidisciplinary work,
fusing performance, visual arts, and spoken word with elements of Hip Hop and urban arts. For
the complete Hip Hop season, please see here.
Madame Butterfly. The season also includes the special one-night-only event: Justice at the
Opera with Supreme Court Justice Ruth Bader Ginsburg, joined by WNO Artistic Director and
host Francesca Zambello, and the return of M&MS Opera in the Outfield, WNOs largest
community program, plus two special Domingo-Cafritz Young Artist performances and other
vocal events. For the complete WNO season, please see here.
Hallman, commissioned by Music Accord, as part of the series. The series also features brothers
Ilmar Gaviln, as part of the Harlem Quartet, and Aldo Lpez-Gaviln, raised in the U.S. and
Cuba, respectively. The brothers are reunited onstage in their first appearance together in
Washington. For the complete Fortas Chamber Music Concerts season, please see here.
Theater
In the 20162017 theater season, the Kennedy Center renews its dedication to bringing the
worlds finest theater productions to its stages. In association with The Public Theater in New
York City, the Center presents the highly anticipated new production of The Gabriels: Election
Year in the Life of One Family. A three-play series written and directed by Tony Award
winning Richard Nelson, The Gabriels shines an important, probing spotlight on the 2016
political season and is aptly timed to coincide with Inauguration Day 2017. With a long history
of presenting the best of international theater works, the Kennedy Center brings five leading
theater companies and artists from abroad to present cutting-edge and contemporary productions
in its 20162017 season: Canadas Ex Machina presents Needles and Opium, a visually stunning
work by celebrated director Robert Lepage; Cubas Teatro el Pblico performs the mythic
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Continuing the Centers commitment of artist-curated programming across many of the Kennedy
Centers key genres, the 20162017 season of Mashups includes KC Jukebox, the Centers new
contemporary music series that premiered in November 2015 under the direction of Composerin-Residence Mason Bates. KC Jukebox will expand to five events in its second season and will
include the Washington debut of the acclaimed classical/club event Mercury Soul, an eclectic
evening exploring hot-off-the-presses chamber music, a concert headlined by Angolan composer
and instrument builder Victor Gama, a performance by superstar chorus Chanticleer, and the
Kennedy Center debut of the legendary local DJ collective Thievery Corporation. The Jason+
series, which also debuted in the 20152016 season under the leadership of Artistic Director for
Jazz Jason Moran, returns with fresh names and new exploratory concepts, underlined by
Morans distinct knack for developing artistic programs that are engaging, accessible, and
transformative. Dancer, director, choreographer, and thought leader Damian Woetzel will once
again curate and host DEMO, a series of experimental evenings that bring together a range of
dancers, musicians, poets, actors, and other artists to explore new work as well as reframe
existing work around a common theme. For the complete Artistic Mashups season, please see
here.
Jazz
The 20162017 season highlights two artist-curated series conceived by visionaries of the genre:
Jason+ and Terence Blanchard, All-In. The Jason+ series returns with fresh names and new
exploratory concepts, underlined by Morans distinct knack for developing artistic programs that
are engaging, accessible, and transformative. The upcoming season of Jason+ includes D.C.
premieres of two multimedia works featuring visual artist Joan Jonas (Reanimation) and
installation artist Theaster Gates (Looks of a Lot), and a new commission with emcee, singer, and
producer Georgia Anne Muldrow aka Jyoti (Muldrow Meets Mingus). Terence Blanchards
residency builds on the trumpeter/composers multi-faceted talents to offer a year-long arc of
programming that includes collaborations with Washington National Opera (Champion) and the
Centers theater department (Bud, Not Buddy), as well as a headlining appearance with his band,
the E-Collective. Blanchard will also assume a mentorship role to young students in the District
of Columbia Public Schools through a series of creative workshops, leading to a performance
showcase of their work and collective accomplishments. For the complete Jazz season, please
see here.
Comedy
Comedy at the Kennedy Center in the upcoming season kicks off with highly-anticipated debuts
by two celebrated political satirists and stars of late night televisionJohn Oliver (Last Week
Tonight with John Oliver) and Trevor Noah (The Daily Show with Trevor Noah). The fall 2016
lineup also includes a light-hearted blend of comedy sketches and classical music with the U.S.
premiere of The Second City Guide to the Symphony starring Colin Mochrie, in collaboration
with the NSO Pops led by Principal Pops Conductor Steven Reineke; a political parody on the
upcoming election, which was created by Slate and The Second City; a classical music/pop
culture/comedic theatrical show by the hilarious violin and piano duo of Igudesman & Joo; and a
stand-up comedy performance by Saturday Night Live alum Kevin Nealon. In early 2017, Adam
Carolla brings his one-man show, Not Taco Bell Material, based on the 2012 book by the same
title. For the complete Comedy season, please see here.
FUNDING CREDITS
Support for the John F. Kennedy Centennial Celebration is provided by Altria Group.
The Presenting Underwriter of IRELAND 100 is the HRH Foundation, with major support
provided by David and Alice Rubenstein and the Embassy of Ireland.
Additional support is provided by The American Ireland Fund, Ambassador Elizabeth Frawley
Bagley, The Coca-Cola Company, William B. Finneran, Ingersoll Rand, Laura Pels
International Foundation for Theater, Amalia Perea Mahoney and William Mahoney, Malin
Corporation plc, Marcia Mayo, Medtronic, Angela Moore, and Patrick G. and Shirley W. Ryan.
Bank of America is the Presenting Sponsor of Performances for Young Audiences.
Additional support for Performances for Young Audiences is provided by The Clark Charitable
Foundation; The Morris and Gwendolyn Cafritz Foundation; Paul M. Angell Family
Foundation; and the U.S. Department of Education.
Capital One is the Presenting Sponsor of the District of Comedy Festival.
Major support for educational programs at the Kennedy Center is provided by
David and Alice Rubenstein through the Rubenstein Arts Access Program.
NSO Young People's Concerts are made possible in part by the generous support of Bender
Foundation, Inc.; The Clark Charitable Foundation; Mr. James V. Kimsey; The Morris and
Gwendolyn Cafritz Foundation; Park Foundation, Inc.; U.S. Department of Education; and The
Volgenau Foundation.
Additional support for Kennedy Center education programs is provided by The Honorable Stuart
Bernstein and Wilma E. Bernstein; the Blanche and Irving Laurie Foundation; the Dr. Gerald
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and Paula McNichols Foundation; The Harold and Mimi Steinberg Charitable Trust; and
Beatrice and Anthony Welters and the AnBryce Foundation.
The Millennium Stage is brought to you by Target and the J. Willard and Alice S. Marriott
Foundation.
The Millennium Stage was created and underwritten by James A. Johnson and Maxine Isaacs to
make the performing arts accessible to everyone in fulfillment of the Kennedy Center's mission to
its community and the nation.
Additional funding for the Millennium Stage is provided by Bernstein Family Foundation, The
Isadore and Bertha Gudelsky Family Foundation, Inc., The Meredith Foundation, The Morris
and Gwendolyn Cafritz Foundation, Dr. Deborah Rose and Dr. Jan A.J. Stolwijk, U.S.
Department of Education, and the Millennium Stage Endowment Fund.
The Millennium Stage Endowment Fund was made possible by James A. Johnson and Maxine
Isaacs, Fannie Mae Foundation, James V. Kimsey, Gilbert and Jaylee Mead, Mortgage
Bankers Association of America and other anonymous gifts to secure the future of the
Millennium Stage.
Kennedy Center education and related artistic programming is made possible through the
generosity of the National Committee for the Performing Arts and the
Presidents Advisory Committee on the Arts.
International Programming at the Kennedy Center is made possible through the generosity of
the
Kennedy Center International Committee on the Arts.
David and Alice Rubenstein are the Presenting Underwriters of the NSO and WNO.
The NSO Music Director Chair is generously endowed by Victoria and Roger Sant.
Major support for WNO is provided by Jacqueline Badger Mars.
WNO acknowledges the longstanding generosity of Life Chairman Mrs. Eugene B. Casey.
Generous support for WNO Italian Opera is provided by Daniel and Gayle DAniello.
Additional support for WNOs artistic programming is provided by Clarice Smith.
Generous support for American Opera Initiatives The Dictators Wife is provided by
The Andrew W. Mellon Foundation.
The Domingo-Cafritz Young Artist Program is made possible through the generous support of
The Morris and Gwendolyn Cafritz Foundation, with additional funding provided by
Judy and Billy Cox.
WNO Presenting Sponsor: General Dynamics
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For more information about the Kennedy Center, please visit www.kennedy-center.org
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PRESS CONTACT
Eileen Andrews
(202) 416-8448
etandrews@kennedy-center.org
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