Você está na página 1de 52

Associate Parliamentary

$UHSRUWE\WKH$VVRFLDWH3DUOLDPHQWDU\
'HVLJQ ,QQRYDWLRQ*URXS
LQDVVRFLDWLRQZLWKWKH'%$ Group

DESIGN AND THE


PUBLIC GOOD:
CREATIVITY
VS
THE PROCUREMENT
PROCESS?
2
‘DESIGN IS NEITHER AN
3

INTELLECTUAL NOR
MATERIAL AFFAIR –
BUT SIMPLY AN
INTEGRAL PART OF
THE STUFF OF LIFE,
NECESSARY FOR
EVERYONE IN A
CIVILISED SOCIETY’
– WALTER GROPIUS
4 Design and the public good: creativity vs the procurement process?
Design and the public good: creativity vs the procurement process? 5
Contents

CONTENTS
Foreword 6
List of abbreviations 8
Introduction 9
The context 10
Summary of recommendations 14
Knowledge 16
Create the evidence base 16
Design leadership 19
Common knowledge 22
‘Design is the new management consultancy’ 24
Skills 27
The effective management of creative expertise 27
Tailored training 29
The role of the Central Office of Information 32
Process 36
A single, simplified, below-threshold tender approach 36
The internal process 38
Clearer messaging 41
Conclusion 43
Appendix 45
Bibliography 48
6 Design and the public good: creativity vs the procurement process?
Foreword

FOREWORD
I was pleased to see
this report - and even
more pleased to read its
recommendations.
$V,VWUHVVHGLQWKH&R[5HYLHZRI
&UHDWLYLW\LQ%XVLQHVVSXEOLVKHGE\+0
*RYHUQPHQWLQWKHXVHRIJRRG
GHVLJQOLHVDWWKHKHDUWRIVXFFHVVIXO
LQQRYDWLRQ$QGIRUEXVLQHVVWKH
DELOLW\WRLQQRYDWHLVWKHNH\WRVXUYLYLQJ
DQGÀRXULVKLQJLQDQLQFUHDVLQJO\
FRPSHWLWLYHZRUOG,QWKHSXEOLFVHFWRU
LWKDVDQHTXDOO\LPSRUWDQWEXWGLIIHUHQW
VLJQL¿FDQFHLWLVWKHRQO\ZD\WKDWHYHU
JURZLQJSXEOLFH[SHFWDWLRQVFDQEHPHWLQ
D¿QDQFLDOO\FRQVWUDLQHGHQYLURQPHQW
Design and the public good: creativity vs the procurement process? 7
Foreword

,QUHFHQW\HDUVWKHSULYDWHVHFWRUKDVLQFUHDVLQJO\XQGHUVWRRGWKHQDWXUHDQG
LPSRUWDQFHRIJRRGGHVLJQUHFRJQLVLQJWKDWLWLVPRUHWKDQDPDWWHURIDHVWKHWLFV
:KHWKHUWDONLQJDERXWDSURGXFWRUDVHUYLFHJRRGGHVLJQLVFRQFHUQHGZLWKLVVXHV
VXFKDV¿WQHVVIRUSXUSRVHFXVWRPHUDSSHDOHDVHRIXVHVXLWDELOLW\IRUPDQXIDFWXUH
RUGHOLYHU\HDVHRIPDLQWHQDQFHFDSDFLW\IRUIXUWKHUGHYHORSPHQWDQGHQYLURQPHQWDO
LPSDFW,WDOVRVHHNVRXWLPDJLQDWLYHUHVSRQVHVWRSUREOHPVRURSSRUWXQLWLHV,WLVD
FRPSHWLWLYHGLIIHUHQWLDWRULQDZRUOGZKHUHWKH8.FDQQRWFRPSHWHLQDQ\VSKHUHRQ
WKHEDVLVRIORZHVWFRVW

7KHSXEOLFVHFWRUZLWKDIHZZRUWK\H[FHSWLRQVKDVEHHQVORZHUWRUHFRJQLVHHLWKHU
WKHUHOHYDQFHRUWKHSRWHQWLDORIJRRGGHVLJQ7KLVLVQRWDPDWWHURILQGLYLGXDOIDLOLQJV
EXWODUJHO\DUHÀHFWLRQRIDQHQYLURQPHQWZKHUHUHTXLUHPHQWVDUHRIWHQWRRQDUURZO\
GH¿QHGDQGSRWHQWLDOVROXWLRQVWRRQDUURZO\FRQVWUDLQHGDQHQYLURQPHQWZKHUH
SURFXUHPHQWSURFHVVHVPLOLWDWHDJDLQVWWKHQRQVWDQGDUGVROXWLRQRUWKHXQSURYHQ
VXSSOLHUDQGZKHUHDFFRXQWDELOLW\LVIRFXVHGRQSURFHVVUDWKHUWKDQRXWFRPHV

<HWWKHLPSHUDWLYHWRLQQRYDWHLPDJLQDWLYHO\VHQVLEO\DQGFRQWLQXDOO\LVHTXDOO\DV
VWURQJDVLQWKHSULYDWHVHFWRU7KHUHLVQRLVVXHWKDWWKHSXEOLFVHFWRUIDFHVWKDWFDQEH
VROYHGE\WKURZLQJUHVRXUFHVDWLW7KDWDSSOLHVWRKHDOWKFDUHHGXFDWLRQVRFLDOVHUYLFHV
HQHUJ\SURYLVLRQZDVWHPDQDJHPHQWSROLFLQJWUDQVSRUWLQIUDVWUXFWXUHZKDWHYHU
7DFNOLQJWKHGHPDQGVQHHGVQHZWKLQNLQJ

0RUHRYHUPDQ\VROXWLRQVFRPHDWUHPDUNDEO\ORZFRVWDVUHFHQWH[DPSOHVSURPRWHG
E\WKH'HVLJQ&RXQFLOKDYHVKRZQKRVSLWDOIXUQLVKLQJVWKDWDUHPRUHUHDGLO\FOHDQHG
KHOSLQJWRWDFNOHWKHKRVSLWDOLQIHFWLRQSUREOHPQHZO\GHVLJQHGSDWLHQWJRZQVHQGLQJ
\HDUVRILQGLJQLW\DQGVKDWWHUSURRIEHHUJODVVHVUHGXFLQJWKHSRWHQWLDOIRUERWK
DFFLGHQWVDQGYLROHQFH

+RZHYHUDGRSWLQJQHZDSSURDFKHVWRORQJVWDQGLQJSUREOHPVUHTXLUHVPRUHWKDQ
MXVWDZLOOLQJQHVVWRHPEUDFHQHZLGHDV,WQHHGVJUHDWHUXQGHUVWDQGLQJRIKRZWR
H[DPLQHLVVXHVLQDZLGHUFRQWH[WKRZWRHYDOXDWHQHZVROXWLRQVDQGKRZWRLQQRYDWH
LQDFRQWUROOHGDQGULVNOLPLWHGPDQQHU,WQHHGVDSURFXUHPHQWSURFHVVWKDWGHPDQGV
UDWKHUWKDQMXVWSHUPLWVDEURDGHUORRNDWUHTXLUHPHQWVDQGRQHWKDWHQFRXUDJHVWKH
VHDUFKIRULQQRYDWLYHVROXWLRQV

/RRNLQJEDFNRQWKH¿YHUHFRPPHQGDWLRQVIURPP\5HYLHZ,KDYHEHHQJUDWL¿HGDW
WKHSURJUHVVPDGHLQVHYHUDODUHDV7KHRQHWKDWODJVLVVHHLQJWKHSXEOLFVHFWRUPDNH
JUHDWHUXVHRIWKHGHVLJQWDOHQWVWKDWDUHDEXQGDQWLQWKH8.

,YHU\PXFKKRSHWKDWWKLVODWHVWVWXG\ZLOOKHOSWRFKDQJHWKDW,KHDUWLO\HQGRUVHLWV
UHFRPPHQGDWLRQV

*HRUJH&R[
)RUPHU&KDLUPDQRIWKH'HVLJQ&RXQFLODQGDXWKRURIWKH&R[5HYLHZRI&UHDWLYLW\
LQ%XVLQHVV
8 Design and the public good: creativity vs the procurement process?
List of abbreviations

LIST OF ABBREVIATIONS
$3',*  $VVRFLDWH3DUOLDPHQWDU\'HVLJQDQG,QQRYDWLRQ*URXS

%,6   'HSDUWPHQWIRU%XVLQHVV,QQRYDWLRQDQG6NLOOV

&$%(   &RPPLVVLRQIRU$UFKLWHFWXUHDQGWKH%XLOW(QYLURQPHQW

&$3(;23(; &DSLWDO([SHQGLWXUH2SHUDWLRQDO([SHQGLWXUH

&,%   %ULWLVK$VVRFLDWLRQRI&RPPXQLFDWRUVLQ%XVLQHVV

&,0   &KDUWHUHG,QVWLWXWHRI0DUNHWLQJ6HUYLFHV

&,35   &KDUWHUHG,QVWLWXWHRI3XEOLF5HODWLRQV
&,36   &KDUWHUHG,QVWLWXWHRI3XUFKDVLQJDQG6XSSO\

&2,   &HQWUDO2I¿FHRI,QIRUPDWLRQ

'%$   'HVLJQ%XVLQHVV$VVRFLDWLRQ

'&06   'HSDUWPHQWIRU&XOWXUH0HGLDDQG6SRUW

''&   'DQLVK'HVLJQ&HQWUH

)&3   )RUZDUG&RPPLWPHQW3URFXUHPHQW

*&1   *RYHUQPHQW&RPPXQLFDWLRQV1HWZRUN

*36   *RYHUQPHQW3URFXUHPHQW6HUYLFH

,77   ,QYLWDWLRQWR7HQGHU

1$2   1DWLRQDO$XGLW2I¿FH

1(67$  1DWLRQDO(QGRZPHQWIRU6FLHQFH7HFKQRORJ\DQGWKH$UWV

2(3   2SHUDWLRQDO(I¿FLHQF\3URJUDPPH

2*&   2I¿FHRI*RYHUQPHQW&RPPHUFH

344   3UH4XDOL¿FDWLRQ4XHVWLRQQDLUH

3W3   3ROLF\7KURXJK3URFXUHPHQW

5,%$   5R\DO,QVWLWXWHRI%ULWLVK$UFKLWHFWV

6((   6KDULQJ([SHULHQFH(XURSH

60(   6PDOODQG0HGLXP(QWHUSULVHV
Design and the public good: creativity vs the procurement process? 9
Introduction

INTRODUCTION
7KH$VVRFLDWH3DUOLDPHQWDU\'HVLJQDQG,QQRYDWLRQ*URXSDQGWKH'HVLJQ%XVLQHVV
$VVRFLDWLRQXQGHUWRRNWKLVLQTXLU\EXLOGLQJRQWKH¿QGLQJVRIWKH&R[5HYLHZRI
&UHDWLYLW\LQ%XVLQHVVWRDVVHVVWKHUHODWLRQVKLSEHWZHHQJRYHUQPHQWDQGLWVGHVLJQ
SURYLGHUVDQGWRH[SORUHGHVLJQ¶VSRWHQWLDOWRXQORFNLQQRYDWLRQIRUWKHSXEOLFVHFWRU
:HWDNHWKHWHUPGHVLJQLQLWVEURDGHVWVHQVHDVDYHUEUDWKHUWKDQDQRXQDVDVHWRI
WRROVWKDWHQDEOHVDEHWWHUZD\RIGRLQJWKLQJVZKHWKHUWKDWPHDQVGHVLJQLQJHIIHFWLYH
SROLF\GHVLJQLQJRXWZDVWHRUGHVLJQLQJVHUYLFHVWKDWZRUNIRUXVHUV

7ZRWKHPHV±WKHQHHGWRFDUHIXOO\PRQLWRUDQGPDQDJHWKHJRYHUQPHQWPDUNHW
UHODWLRQVKLSDQGWKHQHHGWRLQQRYDWHWRDFKLHYHVPDUWHUSURFXUHPHQW±DUH
KLJKOLJKWHGDVSURFXUHPHQWSULRULWLHVLQWKHUHFHQW%,6SXEOLFDWLRQ*RLQJIRU*URZWK
)RUERWKRIWKHVHREMHFWLYHVJRYHUQPHQW¶VHQJDJHPHQWZLWK60(VLVVHHQDVNH\,QWKH
UHFHQW3ROLF\7KURXJK3URFXUHPHQW$FWLRQ3ODQµWKHNH\DJHQGDVWKDWJRYHUQPHQW
LQWHQGVWRSXUVXHDV3W3SULRULWHV¶LQFOXGHµVPDOODQGPHGLXPVL]HGHQWHUSULVHV±
ORZHULQJEDUULHUVWRWKHLUSDUWLFLSDWLRQ¶

7KHLQTXLU\IRXQGWKDWWKHGULYHWRLPSURYHVWDQGDUGVRISURFXUHPHQWIRUFUHDWLYH
VHUYLFHV WKHJRYHUQPHQWPDUNHWUHODWLRQVKLSIRUWKHGHVLJQLQGXVWU\ DQGHQDEOH
DFFHVVIRU60(VDVUHFRPPHQGHGE\&R[DQGUHLWHUDWHGLQ3ROLF\7KURXJK
3URFXUHPHQWKDVVHHQOLPLWHGVXFFHVVDQGWKHLQFUHDVLQJSUHVVXUHWRLQQRYDWHZLWKLQ
JRYHUQPHQWFRXOGEHWKHFDWDO\VWIRUDQLPSURYHGUHODWLRQVKLSEHWZHHQWKHSXEOLF
VHFWRUDQGWKHGHVLJQLQGXVWU\

7KHUHLVQRZDUHDORSSRUWXQLW\WRPRYHWRRXWFRPHEDVHGFRPPLVVLRQLQJ
IRUSXEOLFVHUYLFHVWRUHGHVLJQWKHLUURXWHVWRSURFXUHPHQW6XFKD
SDUDGLJPVKLIWZRXOGVXSSRUW60(HQJDJHPHQWDQGPRVWLPSRUWDQWO\
EHQH¿WWKHHQGXVHU%XWVXFKDVKLIW±VXFKDFRPSUHKHQVLYH
RUJDQLVDWLRQDOFXOWXUHFKDQJH±ZLOOUHTXLUHDFWLRQRQPXOWLSOHIURQWV

7KHLQTXLU\KDVFRQVLGHUHGWKHDUHDVRINQRZOHGJHVNLOOVDQGSURFHVVLQ
WXUQPDNLQJUHFRPPHQGDWLRQVIRULPSURYHPHQWRQHDFK

1 Department for Business, Innovation and Skills, ‘Government and the Market’, Going for Growth: Our Future Prosperity,
p48
2 OGC, Policy Through Procurement Action Plan
http://www.ogc.gov.uk/documents/PtP_Action_Plan.pdf
10 Design and the public good: creativity vs the procurement process?
The context

THE CONTEXT
The Cox Review
7KH&R[5HYLHZZDVFRPPLVVLRQHGE\+07UHDVXU\LQ
WRORRNDWKRZEHVWWRHQKDQFH8.EXVLQHVVSURGXFWLYLW\
E\GUDZLQJRQRXUZRUOGOHDGLQJFUHDWLYHFDSDELOLWLHVDQG
PDNHVUHFRPPHQGDWLRQVWRJRYHUQPHQWWRWKDWHQG2QHVXFK
UHFRPPHQGDWLRQVXJJHVWVJRYHUQPHQWPXVWµXVHWKHPDVVLYH
SRZHURISXEOLFSURFXUHPHQWERWKFHQWUDOO\DQGORFDOO\
WRHQFRXUDJHPRUHLPDJLQDWLYHVROXWLRQVIURPVXSSOLHUV¶
7KHLQTXLU\IRXQGWKDWLQVSLWHRIHQOLJKWHQHGJXLGDQFHDQG
H[KRUWDWLRQVFRPLQJIURPFHQWUDOJRYHUQPHQWDQGH[FHSWLQJ
LVRODWHGH[DPSOHVRIJRRGSUDFWLFHWKHSXEOLFVHFWRUKDVD
UHVWULFWHGUHODWLRQVKLSZLWKLWVFUHDWLYHSURYLGHUV

)LYH\HDUVRQ&R[¶VJRDOVDUHDVUHOHYDQWDVHYHUWKHLQTXLU\
KHDUGH[DPSOHVRISURFXUHPHQWSURFHGXUHVWKDWDFWLYHO\
PLOLWDWHDJDLQVWVPDOOHUDJHQFLHVRULQGLYLGXDOVZRUNLQJZLWK
SXEOLFVHFWRUFOLHQWV7KHEXUGHQRIUHJXODWLRQGHWHUVRWKHUV
LQFOXGLQJH[SHULHQFHGSUDFWLWLRQHUVZLWKDORQJSXEOLFVHFWRU
WUDFNUHFRUG$QGLWLVLQFUHDVLQJO\GLI¿FXOWIRUFRPPLVVLRQHUVWR
SURFXUHVPDOOSURMHFWVERWKHFRQRPLFDOO\DQGLQDFFRUGDQFHZLWK
UHJXODWLRQ

Pressure to innovate
7KHUHLVJURZLQJUHFRJQLWLRQWKDWLQQRYDWLRQZLOOEHWKHNH\WR
EHWWHUSXEOLFVHUYLFHGHOLYHU\DQGEHQH¿WVUHDOLVDWLRQ'HVLJQ
VKRXOGEHDQLQGLVSHQVDEOHWRROLQWKDWSURFHVV+RZHYHUWKH
LQTXLU\IRXQGWKDWWKHSXEOLFVHUYLFHLQGXVWULHVZRXOGEHQH¿W
IURPDKHDOWKLHUUHODWLRQVKLSZLWKWKHFUHDWLYHLQGXVWULHV7KH
SXEOLFVHFWRU¶VDELOLW\WRSURFXUHLQQRYDWLRQLVKDPSHUHGE\
FXPEHUVRPHDQGFRPSOH[SURFHVVHVZKLFKUHJXODUO\FRVWPRUH
WKDQQHFHVVDU\LQWHUPVRIWLPHDQGPRQH\WRERWKEX\HUDQG
VXSSOLHUDQGXOWLPDWHO\GHOLYHUDZRUVHSURGXFW

7KHLQTXLU\IRXQGWKDWWRRRIWHQIDUIURPGRLQJZKDW&R[¶V
UHYLHZXUJHGJRYHUQPHQWLVGDPDJLQJLWVRZQUHSXWDWLRQDV
DFOLHQWLQDKLJKO\VNLOOHGVHFWRUDQGSXEOLFVHUYLFHVIDLOWR
H[WUDFWPD[LPXPYDOXHIURPDZRUOGFODVVLQGXVWU\DQGOHDGLQJ
VSHFLDOLVWV±SDUWO\EHFDXVHWKHUH¿QHGWRROVWRGRVRDUHODFNLQJ
7KHUHVXOWLVWKDWJRRGGHVLJQDFKLHIHOHPHQWLQVDWLVIDFWRU\
SURFXUHPHQWVXIIHUVSXEOLFVHFWRUFXVWRPHUVDUHWKZDUWHG
LQWKHLUDELOLW\WRGHOLYHUDQGWKHHQGXVHUWKHFLWL]HQLVQRW
ZHOOVHUYHG

3 Cox, G., ‘Executive Summary’, Cox Review of Creativity in Business: Building on the UK’s Strengths
4 HM Government, ‘Putting innovation at the heart of central government’, Putting the Frontline First: Smarter Government,
p51-2
5 European Commission Staff Working Document, Design as a driver of user-centred innovation
Design and the public good: creativity vs the procurement process? 11
The context

Why are some elements failing?


7KHFDXVHVDUHGHHSURRWHGDQGFRPSOH[7KHSXEOLFVHFWRULV ‘How you buy something
YDVWDQGKLJKO\GLIIHUHQWLDWHGDQGSURFXUHPHQWLVWKHKLQJH
RISULYDWHDQGSXEOLFLQWHUDFWLRQ6LQFHSXEOLFVHFWRU
naturally affects the end
H[SHQGLWXUHKDVJURZQE\KDOILQUHDOWHUPVDQGJHQHUDWHG result of what you buy.
DPRQJRWKHUWKLQJVDQLQFUHDVLQJGHPDQGIRUWKHVHUYLFHVRIWKH
GHVLJQVHFWRU%XWLQFUHDVHGH[SHQGLWXUHKDVDOVRHQJHQGHUHG We have decades of
LQFUHDVHGHPSKDVLVRQULVNPDQDJHPHQWDQGHIIHFWLYH
SURFXUHPHQWZKLFKLQWXUQKDVOHGWRJUHDWHUFRPSOH[LW\RI
history of buying on price
SURFHVV$OWKRXJKRIFRXUVHZHVXSSRUWWKHQRWLRQRIIDLURSHQ
WUDQVSDUHQWSURFXUHPHQWDWSUHVHQWWKHUHLVDQLQKHUHQWWHQVLRQ
instead of purpose.’
EHWZHHQWKHZRUNLQJVRIDQ\FUHDWLYHSURFHVV±UHTXLULQJD
GHJUHHRIWUXVWDQGDUHVSRQVLYHDQGFORVHUHODWLRQVKLSEHWZHHQ
- Witness to the inquiry
VXSSOLHUDQGEX\HU±DQGWKHREMHFWLYHDVVXUDQFHVWKDWD
ULJRURXVO\DXGLWHGSURFXUHPHQWSURFHVVGHPDQGV

)DFHWRIDFHFKHPLVWU\LVNH\WRHVWDEOLVKLQJXQGHUVWDQGLQJ
DQGHQDEOLQJFRFUHDWLRQDQGLQFDVHVZKHUHWKHUHLVDµEURNHU¶
RUJDQLVDWLRQVXFKDVWKH&2,WKHFUHDWLYHUHODWLRQVKLSFDQ
EHLPSDLUHG

7KHVLWXDWLRQLVDJJUDYDWHGE\H[WUHPHYDULDWLRQVLQ
XQGHUVWDQGLQJRIGHVLJQ$WZRUVWWKLVPHDQVDSRRUJUDVS
DPRQJVWSXEOLFVHFWRUFRPPLVVLRQHUVDQGSURFXUHUVRIZKDW
µGHVLJQ¶PHDQVOLWWOHDZDUHQHVVRIWKHYDOXHGHVLJQWKLQNLQJFDQ
DGGDQGVXVSLFLRQRIWKHSHUFHLYHGFRVWVDQGXQFHUWDLQW\RI
GHDOLQJZLWKµGHVLJQHUV¶

Why does this matter?


 7KHFLWL]HQ¶VLQWHUHVWLVDWVWDNHERWKLQUHVSHFWRI
WKHZHOOEHLQJWREHJDLQHGIURPJRRGGHVLJQRIVHUYLFHV
DQGSURGXFWVDQGLQUHVSHFWRIYDOXHIRUSXEOLFPRQH\

 7KHUHLVPRQH\WREHVDYHGKHUHHI¿FLHQFLHVWR
EHJDLQHGEHWWHUUHVXOWVZLWKLQUHDFK$OOHYLDWLQJ
WKHSURFXUHPHQWSUREOHPVDIÀLFWLQJWKHGHVLJQ
LQGXVWU\ZRXOGLPSURYHWKHVLWXDWLRQIRURWKHUUHODWHG
LQGXVWULHVDQG60(VWU\LQJWRQHJRWLDWHSXEOLFVHFWRU
SURFXUHPHQW

 ,QWKHGULYHWRGHOLYHUPRUHIRUOHVVGHVLJQFDQ
KHOSGHOLYHULQQRYDWLRQDQGHI¿FLHQF\LQHYHU\
DUHQDRIWKHSXEOLFVHFWRU

6 ‘Trends in Public Sector Expenditure’, Public Expenditure Statistical Analyses 2009 p65
7 http://www.research-live.com/comment/public-sector-procurement-leaves-small-suppliers-out-in-the-cold/4000837.article
8 Design Council, ‘The role of design in public services’, Design Council Briefing 02, November 2008
12 Design and the public good: creativity vs the procurement process?
The context

 , QQRYDWLRQµQHZLGHDVWKDWZRUNDWFUHDWLQJSXEOLF
YDOXH¶ZLOOEHNH\WRIDFLQJWKHLPSHQGLQJµSHUIHFW ‘Everything around us
VWRUP¶RIEXGJHWUHVWULFWLRQVDQGLQFUHDVHGGHPDQG
,QQRYDWHRUIDLO*RYHUQPHQWUHFHQWO\FRQ¿UPHG
has been designed,
LWVFRPPLWPHQWWRSXWWLQJLQQRYDWLRQDWWKHKHDUW
RIJRYHUQPHQW7KH+07UHDVXU\FRPPLVVLRQHG
but modern design is
2SHUDWLRQDO(I¿FLHQF\3URJUDPPH)LQDO5HSRUW increasingly a process
DFNQRZOHGJHVGHVLJQDVDSDUWRIWKDWSURFHVV
µ,QQRYDWLRQDQGVHUYLFHUHGHVLJQZLOOEHFULWLFDOLQRUGHU driven by the end
WRDFKLHYHLPSURYHPHQWVLQWKHTXDOLW\DQGHI¿FLHQF\
RISXEOLFVHUYLFHVLQPRUHFKDOOHQJLQJHFRQRPLF
users. When you ask
FLUFXPVWDQFHV«*RYHUQPHQWDOVRQHHGVWREXLOGWKH if something is well-
SXEOLFVHFWRU¶VXQGHUVWDQGLQJRIWKHLPSRUWDQFHRIJRRG
GHVLJQLQGHOLYHULQJHIIHFWLYHSXEOLFVHUYLFHVDQGEXLOG designed you mean is
WKHDSSURSULDWHVNLOOVWRWXUQWKLVXQGHUVWDQGLQJLQWR
WDQJLEOHLPSURYHPHQWV¶
it truly fit for purpose.
And many public service
 7KHUDSLGO\FKDQJLQJVRFLDOFRQWH[WUHTXLUHV
DJLOHSURFXUHPHQWEXWRIWHQWKHDSSURYHGURXWHVDUH systems at the moment
QRWWKHPRVWH[SHGLHQW3XEOLFVHFWRUFRPPLVVLRQHUV
VKRXOGQRWKDYHWRUHVRUWWRLUUHJXODUURXWHVWRGHOLYHU
are just not fit for purpose’
WKHLUSURMHFWVRQWLPHDQGWREXGJHW
- Witness to the inquiry
  KHSXEOLFVHFWRUVKRXOGOHDGE\H[DPSOH,QWKLV
7
FRXQWU\ZHFRQWLQXDOO\DFFHSWDQGWROHUDWHSURGXFWVDQG
V\VWHPVWKDWDUHSRRUO\GHVLJQHG:KHWKHUZHDUHDERXW
WRHPEDUNRQDQDJHRIDVSLUDWLRQRURIFKDQJHSXEOLF
VHUYLFHVVKRXOGZLWKRXWH[FHSWLRQGULYHXSVWDQGDUGV
H[SHFWDWLRQVDQGWKHDVSLUDWLRQVRIHQGXVHUV

 7KH8.¶VFUHDWLYHLQGXVWULHVDUHRQHRILWV
PRVWG\QDPLFDQGDZRUOGOHDGLQJVHFWRU
HQYLHGLQWHUQDWLRQDOO\%XWWKHSXEOLFVHFWRUGRHV
QRWFDSLWDOLVHRQWKLVQDWXUDODGYDQWDJH*RYHUQPHQW
RXJKWWRVXSSRUWWKHVHLQGXVWULHVWKURXJKVWUDWHJLF
SURFXUHPHQW2UDV*HRUJH&R[SXWLWDGGUHVVµD
TXHVWLRQWKDWLVYLWDOWRWKH8.¶VORQJWHUPHFRQRPLF
VXFFHVV±QDPHO\KRZWRH[SORLWWKHQDWLRQ¶VFUHDWLYH
VNLOOVPRUHIXOO\¶5HFHQWUHVHDUFKIURP1(67$KDV
VKRZQWKDWDOWKRXJKLQJHQHUDOWKH8.SURYLGHVD
IDYRXUDEOHHQYLURQPHQWIRULQQRYDWLRQWKHUHDUH
VKRUWFRPLQJVLQDIHZNH\DUHDVQDPHO\µWKHUROHRI
GHPDQGDQGLQSDUWLFXODUJRYHUQPHQWSURFXUHPHQW¶

9 Mulgan, G., NESTA, Ready or Not? Taking innovation in the public sector seriously
10 ‘Putting the Frontline First: Smarter Government.’
11 Operational Efficiency Programme: final report, 5.29, 5.34
12 Will Hutton, Staying ahead: the economic performance of the UK’s creative industries
13 Cox, G., Cox Review of Creativity in Business: Building on the UK’s Strengths, p1
14 NESTA, The Innovation Index: Measuring the UK’s investment in innovation and its effects, p4
‘THE INQUIRY HAS
13

CONSIDERED THE
AREAS OF KNOWLEDGE,
SKILLS AND PROCESS
IN TURN, MAKING
RECOMMENDATIONS
FOR IMPROVEMENT
ON EACH’
14 Design and the public good: creativity vs the procurement process?
Our recommendations

OUR RECOMMENDATIONS
7KHIROORZLQJUHFRPPHQGDWLRQVDUHSURSRVHGDVPHDQVIRU
DFKLHYLQJYDOXHIRUPRQH\DQGVPDUWHUZRUNLQJLQSXEOLF
VHUYLFHVDPRUHUHZDUGLQJH[SHULHQFHIRUGHVLJQHUVWU\LQJWR
VHUYHWKHSXEOLFVHFWRUDQGPRVWLPSRUWDQWO\RXURYHUDUFKLQJ
DUHDRIFRQFHUQHQVXULQJWKDWGHFLVLRQVXOWLPDWHO\EHQH¿WWKH
HQGXVHU

7KHDQDO\VLVDQGUHFRPPHQGDWLRQVDUHJURXSHGLQWRWKUHHDUHDV
IRUDFWLRQNQRZOHGJHVNLOOVDQGSURFHVVEXWDUHLQWHQGHGWR
EHFRPSOHPHQWDU\FRQVLVWLQJRIDZDUHQHVVUDLVLQJDFWLYLWLHV
FRXSOHGZLWKQHZSUDFWLFDOWRROV

Knowledge
7KHVHUHFRPPHQGDWLRQVZLOOGHHSHQXQGHUVWDQGLQJRIWKHYDOXH
RIGHVLJQDPRQJVWSROLF\PDNHUVDQGEX\HUV

1. Improved understanding of design and innovation spend
$UHYLHZRIFRVWVVDYLQJVDQGFDVHVWXGLHVWRGHPRQVWUDWH
KRZGHVLJQFDQVDYHPRQH\DQGLGHQWLI\ZKHUHUHVRXUFHVDUH
FXUUHQWO\EHLQJZDVWHG

2. A Chief Advisor for design and innovation


$QDSSRLQWHGDGYLVRUH[SHUWERWKLQWKHVWUDWHJLFXVHRIGHVLJQ
DQGWKHZRUNLQJVRIWKHSXEOLFVHFWRUWRGULYHWKHGHVLJQ
PHVVDJHZLWKLQ*RYHUQPHQW

3. A campaign to raise the profile of design


$ORQJWHUPFRPPLWPHQWWRSURPRWHWKHEHQH¿WVRIGHVLJQ
DFURVVDOORUJDQLVDWLRQVWRXFKLQJSROLF\SURFXUHPHQWDQG
FRPPXQLFDWLRQV

4. A register of expert advisors


$UHJLVWHURIDSSURYHGGHVLJQDQGLQQRYDWLRQVSHFLDOLVWV
DYDLODEOHWRJRYHUQPHQWIRUDGYLFHRQV\VWHPVHUYLFHDQG
SURGXFWGHYHORSPHQW
Design and the public good: creativity vs the procurement process? 15
Our recommendations

Skills
7KHVHUHFRPPHQGDWLRQVZLOOLPSURYHWKHFDSDFLW\DQGVNLOOVRI
SXEOLFVHFWRUGHVLJQDQGLQQRYDWLRQSURFXUHUV

5. A design and procurement panel
$JURXSIRUPHGWRSURPRWHGHVLJQYDOXHDQGLPSURYHGHVLJQ
SURFXUHPHQWVNLOOVE\VXSSRUWLQJWKRVHZKRPDNHSURFXUHPHQW
GHFLVLRQV

6. A tailored training programme


$WUDLQLQJDQGGHYHORSPHQWSURJUDPPHIRUFRPPLVVLRQHUVDQG
SURFXUHUVRIGHVLJQ

7. An appropriate role for the COI


$FRPPLWPHQWIURP*RYHUQPHQWWREX\VHUYLFHVGLUHFWIURP
WKHSULYDWHVHFWRUDOORZLQJRUJDQLVDWLRQVWRPDQDJHWKHLURZQ
FUHDWLYHVHUYLFHV

Process
7KHVHUHFRPPHQGDWLRQVZLOOWUDQVIRUPWKHSURFXUHPHQW
SURFHVVIRUGHVLJQDQGLQQRYDWLRQSDUWLFXODUO\ZLWKUHJDUGWR
HQJDJLQJ60(V

8. A single, simplified tender approach


$VLQJOHDSSURDFKIRUSURFXULQJGHVLJQDQGLQQRYDWLRQEHORZWKH
2-(8WKUHVKROG

9. A best practice pilot


5HVROYLQJW\SLFDOGLI¿FXOWLHVZLWKLQGHSDUWPHQWVXVLQJ
GHVLJQSURFXUHPHQWDVDWHVWEHGIRUHYROYLQJVRPHVLPSOHU
SURFXUHPHQWPHWKRGV

10. An information and advisory service


$WZRZD\VHUYLFHWRDGYLVHSURFXUHPHQWPDQDJHUVRQEHVW
SUDFWLFHWRVLJQSRVWWRDGLUHFWRU\RISURFXUHPHQWUHDG\
VXSSOLHUVDQGKHOSGHVLJQDJHQFLHVXQGHUVWDQGWKHURDGWR
ZLQQLQJ*RYHUQPHQWZRUN
16 Design and the public good: creativity vs the procurement process?
Knowledge

KNOWLEDGE
Building policymakers’ and buyers’ ‘There is a perception
understanding of the value of design of ‘design’ being an
Create the evidence base expensive option. I would
7KHLQTXLU\IRXQGWKDWXQFKDUDFWHULVWLFDOO\WKHUHLVOLWWOH
FRKHUHQWGDWDRQSXEOLFVHFWRUVSHQGZLWKUHJDUGWRGHVLJQ
refer you to the saying:
‘if you want to know how
*LYHQWKHUDQJHRIDFWLYLWLHVXQGHUWDNHQDQGRXWVRXUFHG
PDUNHWLQJDQGFRPPXQLFDWLRQVVHUYLFHGHVLJQSURGXFW expensive design is, look
GHVLJQ GHVLJQVSHQGLVOLNHO\WREHDVLJQL¿FDQWVXP,ISULYDWH
VHFWRUSDUDOOHOVDUHDQ\JXLGHGHVLJQZLOOFRQVWLWXWHDODUJHU
at how expensive bad
SURSRUWLRQRIVSHQGWKDQSXEOLFVHFWRUPDQDJHUVPLJKWUHDOLVH
%XWLWLVGLI¿FXOWWRDVVHVVIRUDQXPEHURIUHDVRQV'HVLJQ
design is’. ’
HQFRPSDVVHVPDQ\YDULHGDFWLYLWLHV7KHUHLVGLVSDULW\LQ
DFFRXQWLQJV\VWHPVEHWZHHQWKHP\ULDGRUJDQLVDWLRQVRIZKLFK
- Witness to the inquiry
WKHSXEOLFVHFWRULVFRPSULVHG$QGGHVLJQLVRIWHQµVLOHQW¶
HPEHGGHGLQRWKHUSURMHFWVXQUHFRJQLVHG

7KHLQTXLU\IRXQGWKHUHLVPRQH\EHLQJZDVWHGRQLQHI¿FLHQW
SURFHVVSDUWLFXODUO\LQWKHUHDOPRIVPDOOSURMHFWV7KH
DSSURDFKPDNHVSURFXULQJGHVLJQDQH[SHQVLYHXQGHUWDNLQJ
UDUHO\DFKLHYLQJWKHUHVXOWVWKDWVKRXOGEHSRVVLEOH7KHLQTXLU\
KHDUGPXFKDQHFGRWDOHYLGHQFHWRWKLVHIIHFWIURPERWK
VXSSOLHUVDQGSURFXUHUV7KHUHDUHXQFRXQWHGFRVWVLQFXUUHGDW
PXOWLSOHSRLQWVWKURXJKRXWWKHSURFHVVQRWMXVWLQDGPLQLVWHULQJ
FRQWUDFWVRQFHDZDUGHG±LQWKHLQWHUQDOSURFHVVLQWKH RIWHQ
GLVSURSRUWLRQDWH QXPEHURIPDQKRXUVVSHQWELGGLQJDQG
HYDOXDWLQJWHQGHUVQRWWRPHQWLRQWKHORQJHUWHUPSULFHRI
VXERSWLPDOUHVXOWV7KHVHFRVWVDUHDOPRVWQHYHURI¿FLDOO\
TXDQWL¿HGDQGRIFRXUVHLWLVGLI¿FXOWWRLPSURYHVRPHWKLQJ
ZLWKRXW¿UVWPHDVXULQJLW

7KHUHLVDOVRWKHSRLQWWKDWIDUIURPEHLQJDFRVWO\XQGHUWDNLQJ
GHVLJQFDQVDYHPRQH\HYHQDWLWVPRVWEDVLFDQGWKLVLVRIWHQ
HDVLO\SURYHQ VHH&DVH6WXG\S 

$OWKRXJK¿UVWKDQGH[SHULHQFHRIWKHEHQH¿WVFDQEHSHUVXDVLYH
DVVXUDQFHVRITXDOLWDWLYHYDOXHDUHUDUHO\HQRXJKWRMXVWLI\
SXEOLFVHFWRUEXGJHWVµ%HWWHUPHDVXUHPHQWZRXOGKHOS
RUJDQLVDWLRQVWRPDNHDVWURQJHUFDVHIRULQYHVWLQJLQGHVLJQ
DPLGFRPSHWLQJSULRULWLHV¶7KH2(3UHSRUWUHFRJQLVHV
µWKHFXUUHQWPHDVXUHPHQWJDS¶DQGHPSKDVLVHVWKHLPSRUWDQFH

15 There are some interesting existing pieces of research with regard to the private sector: NESTA’s recently compiled
Innovation Index is a pioneer in measuring innovation activity within the private sector, and including design as a key
driver of that activity (previous surveys have counted only R&D spend). The Design Council publishes its annual Value of
Design turnover estimates, and is about to publish updated statistics on the size and shape of the design industry.
16 See Chapter 3: Process
Design and the public good: creativity vs the procurement process? 17
Knowledge

RIDFFRXQWDELOLW\DQGPHDVXUDELOLW\RIGHVLJQDQGLQQRYDWLRQ
)RU*RYHUQPHQWWRUHFRJQLVHDQGDGGUHVVDIDXOW\V\VWHPWKDWLV
QRW¿WIRUSXUSRVH±RQHWKDWLVµSXWWLQJEXVLQHVVRXWRIEXVLQHVV¶
DQGKDPSHULQJWKHSXEOLFVHFWRU¶VRZQFDSDFLW\WRLQQRYDWH±D
FUXFLDO¿UVWVWHSLVWREXLOGWKHTXDQWLWDWLYHHYLGHQFHEDVH

%XLOGLQJRQERWKWKH'HVLJQ&RXQFLO¶VDQGWKH'%$¶VZRUNLQ
GRFXPHQWLQJWKHHIIHFWLYHQHVVRIGHVLJQFUHDWLQJDVXEVWDQWLDO
OLEUDU\RIFDVHVWXGLHVZRXOGEHDJRRGVWDUW2QWKLVSRLQW
WKHUHLVDJUHHPHQWDPRQJVWWKHJRYHUQPHQW¶VVWUDWHJLFGHVLJQ
DGYLVRU\ERGLHV

Recommendation 1
Improved understanding of design and innovation spend

7KLVUHSRUWFDOOVIRUDUHYLHZRIFRVWVDQGVDYLQJV LQFOXGLQJ
DFRPSUHKHQVLYHDQGDFFHVVLEOHOLEUDU\RIFDVHVWXGLHV WR
GHPRQVWUDWHKRZGHVLJQFDQVDYHPRQH\IRUWKHSXEOLFVHFWRU
DQGLGHQWLI\ZKHUHUHVRXUFHVDUHFXUUHQWO\EHLQJZDVWHG
%HWWHUXQGHUVWDQGLQJRI*RYHUQPHQWVSHQGRQGHVLJQFRXOG
SRWHQWLDOO\EHDFKLHYHGWKURXJKDQLQGHSHQGHQWH[SHUWUHYLHZ
RIH[SHQGLWXUHZKLFKVKRXOGHVWDEOLVKWRWDOVSHQGLQYHVWLJDWH
UHWXUQRQLQYHVWPHQWRIJRRGGHVLJQ &$3(;YV23(; DQG
DWWHPSWWRGHWHUPLQHµSXEOLFVDWLVIDFWLRQ¶

17 Innovation across central government, National Audit Office, March 2009.


18 Operational Efficiency Programme: final report, 5.39
19 Feedback from both CABE and the Design Council was strongly supportive of redressing this gap
18 Design and the public good: creativity vs the procurement process?
Knowledge

CASE STUDY 7UDGLWLRQDOO\/DPEHWK&RXQFLOKDGDSRRUUHFRUGRIFROOHFWLQJ


FRXQFLOWD[6RZKHQWKH\LQFUHDVHGFRXQFLOWD[GHPDQGVE\
REDESIGNING WKHLUH[SHFWDWLRQVZHUHIDLUO\ORZ7RPDNHPDWWHUVPRUH
THE TAX FORM: FKDOOHQJLQJWKHUHZDVQRDGGLWLRQDOH[SHQGLWXUHRQSURGXFWLRQ
RIWKHELOOVWKHPVHOYHVRUSURPRWLRQDODFWLYLW\7KH\DVNHG)HOWRQ
SAVING TIME &RPPXQLFDWLRQIRUKHOS
AND MONEY
7KHGHVLJQWHDPVRRQUHDOLVHGWKHUHZHUHDQXPEHURIRWKHU
LVVXHV$Q\UHGHVLJQRIWKHFRXQFLOWD[ELOOVKDGWRDFFRPPRGDWH
DUDQJHRIWHFKQLFDODQGSUDFWLFDOFRQVWUDLQWVWRGRZLWKWKHGDWD
$QGFUXFLDOO\DQ\GHOD\LQJHQHUDWLQJDQGVHQGLQJRXWWKHELOOV

CASE
ZDVLQFRQFHLYDEOH%\JRLQJEDFNWREDVLFV)HOWRQGHYHORSHGD
KLHUDUFK\RILQIRUPDWLRQIRUPLQJDJHQHULFEXWYHUVDWLOHJULGWR
DOOFRXQFLOWD[ELOOVDQGUHODWHGFRPPXQLFDWLRQVZLWKDVPXFK
ZKLWHVSDFHDVSRVVLEOH6LPXOWDQHRXVO\WKH\LQYHVWLJDWHGWKH
SURGXFWLRQSURFHVV±IURPSULQWLQJWRPDLOLQJ±WRLGHQWLI\RWKHU
LQHI¿FLHQFLHV

7KHUHVXOWVZHUHVWDJJHULQJ7KHDPRXQWRISUHSD\PHQWV
LQFUHDVHGE\IURP…PWR…P7KHQXPEHURI
LQGLYLGXDOVSUHSD\LQJLQFUHDVHGE\7KHWRWDOFROOHFWLRQUDWH
ZDV WKHFRXQFLO¶VEHVWHYHU 7KHQXPEHURIVXPPRQVHV
IRUODWHSD\PHQWIHOOE\$QGWKHELOOVFRVWOHVVWRJHQHUDWH
WKDQXVXDO

6DYLQJVZHUHDOVRPDGHEHFDXVHRIWKHLQFUHDVHGQXPEHURI
GLUHFWGHELWV6DYLQJVRQSRVWDJHZHUHPDGHEHFDXVHIHZHU

STUDY
UHPLQGHUVZHUHUHTXLUHG$QGVDYLQJVZHUHPDGHRQVWDIIWLPH
EHFDXVHWKHUHZHUHIHZHUFRPSODLQWVDQGIHZHUTXHULHV6R
HYHU\RQHEHQH¿WWHG/DPEHWKDQG)HOWRQ&RPPXQLFDWLRQZRQD
'%$'HVLJQ(IIHFWLYHQHVV$ZDUG
Design and the public good: creativity vs the procurement process? 19
Knowledge

Design leadership Box 1


7KHLQTXLU\LGHQWL¿HGWKDWMXVWDVWKHUHLVQRFRKHUHQWQDWLRQDO The Design Ladder21
GHVLJQSROLF\±ZLWKGHVLJQVLWWLQJDZNZDUGO\EHWZHHQ%,6DQG Step 1: Non-design
'&06±WKHUHLVHTXDOO\DYDFDQF\IRUVWURQJGHVLJQOHDGHUVKLS Design is an inconspicuous part of, for instance,
DQGH[SHUWLVHZLWKLQFHQWUDOJRYHUQPHQW product development and is performed
by members of staff who are not design
5HVSRQVLELOLW\IRUSXOOLQJWRJHWKHUGHVLJQSROLF\KDVEHHQ professionals. Design solutions are based on the
ODUJHO\GHYROYHGWRWKH'HVLJQ&RXQFLOZKLFKZRUNVKDUGWR perception of functionality and aesthetics shared
GHPRQVWUDWHWKHLPSRUWDQFHRIGHVLJQLQµKHOSLQJEXVLQHVVHV by the people involved. The points of view of end-
EHFRPHPRUHVXFFHVVIXODQGSXEOLFVHUYLFHVPRUHHI¿FLHQW¶ users play very little or no part at all in the design
+RZHYHUDVDQDGYLVRU\ERG\WRJRYHUQPHQWLWQHFHVVDULO\KDV process.
OLPLWHGSRZHUWRPDQGDWHDFWLYLW\ Step 2: Design is styling
Design is perceived as a final aesthetic finish of
7KHH[LVWHQFHRIPLQLVWHULDOGHVLJQFKDPSLRQVXQGHUD product. In some cases professional designers
*RYHUQPHQW'HVLJQ&KDPSLRQ FXUUHQWO\WKH6HFUHWDU\RI6WDWH may perform the task, but generally other
IRU&XOWXUH0HGLDDQG6SRUW%HQ%UDGVKDZ LVDQLPSURYHPHQW professions are involved.
EXWWKHUHPLWRIWKHVHFKDPSLRQVLVVROHO\WKHEXLOWHQYLURQPHQW Step 3: Design as process
'HVLJQPHDQVPXFKPRUHWKDQWKHEXLOWHQYLURQPHQW$QGZH Design is not a finite part of a process but a
EHOLHYHWKHLVVXHRISXVKLQJJRRGGHVLJQZLWKLQJRYHUQPHQW work method adopted very early in product
LVWRRFULWLFDOWREHVXEVXPHGLQWRDQDOUHDG\FURZGHG development. The design solution is adapted
PLQLVWHULDOSRUWIROLR to the task and focused on the end user
and requires a multidisciplinary approach,
e.g., involving process technicians, material
'HVLJQOHDGHUVKLSLVRQHGLVFLSOLQHZKHUHWKHSULYDWHVHFWRU
technologists, marketing and organisational
LVSUREDEO\PRUHSURJUHVVLYHLQLWVWKLQNLQJ2QHRIWKHPRUH people.
VRSKLVWLFDWHGDWWHPSWVWRLQYHVWLJDWHµ7KH(FRQRPLF(IIHFWV
RI'HVLJQ¶ZDVWKDWXQGHUWDNHQLQE\WKH'DQLVK'HVLJQ Step 4: Design as innovation
&HQWUH7KLVVWXG\LQYROYHGDVXUYH\RI'DQLVKEXVLQHVVHV The designer collaborates with the owner/
DQGH[DPLQHGSHUIRUPDQFHDFFRUGLQJWRWKHGHVLJQµODGGHU¶ manager in adopting an innovative approach
to all – or substantial parts of – the business
GHYHORSHGE\WKH''&7KHODGGHULGHQWL¿HVIRXUOHYHOVRI
foundation. The design process combined with
FRPPLWPHQWWRGHVLJQ VHH%R[  the company vision and future role in the value
chain are important elements.
&HOHEUDWHGSULYDWHVHFWRUH[DPSOHVRIµGHVLJQLQWKHERDUG
URRP¶OHDGLQJWRVXFFHVVLQFOXGHEUDQGVVXFKDV$SSOH%7
/(*20LFURVRIW6RQ\6WDUEXFNVDQG9LUJLQ$WODQWLF7KH
SUDFWLFHRIHPEHGGLQJGHVLJQDWVWHSEULQJVGHVLJQH[SHUWLVH
LQWRFROODERUDWLRQZLWKPRUHWUDGLWLRQDOEXVLQHVVGHYHORSPHQW
WKLQNLQJWRUHFRQVLGHUFRUHEXVLQHVVVWUDWHJ\

6LPLODUOHDGHUVKLSWHFKQLTXHVVKRXOGEHDYDLODEOHWR
JRYHUQPHQW7KH,QQRYDWRUV&RXQFLOVHHPVWREHD
FRPPHQGDEOHLQLWLDWLYHLQWKLVGLUHFWLRQ

20 http://www.designcouncil.org.uk/
21 (Danish) National Agency for Enterprise, The Economic Effects of Design, September 2003, p28
22 http://www.designcouncil.org.uk/About-Design/managingdesign/Eleven-lessons/
23 The Singaporean Government, as part of their National Design Policy, have instituted an International Advisory Panel
on design ‘to develop Singapore into a design hub in Asia, and to grow design into one of the key pillars of economic
growth.’
24 http://www.hmg.gov.uk/innovation.aspx
20 Design and the public good: creativity vs the procurement process?
Knowledge

,WVKRXOGEHQRWHGWKDWWKHZLGHVSUHDGSUDFWLFHRIRXWVRXUFLQJ
SXEOLFVHUYLFHSURYLVLRQPHDQVWKDWRXWVRXUFLQJSURYLGHUVKDYH ‘80% of innovation fails,
UHVSRQVLELOLW\IRUDQGDVLJQL¿FDQWUROHWRSOD\LPSURYLQJSXEOLF
VHUYLFHVWKURXJKGHVLJQ7KH1+6&KRLFHV&DVH6WXG\ S LVD
so you should be very
JRRGH[DPSOHRIJHQHUDWLQJDSDUDGLJPVKLIWLQVHUYLFHSURYLVLRQ careful in government of
WKURXJKRQHVXFKSURYLGHU
pushing innovation as a
7KHUHLVOLSVHUYLFHSDLGDWWKHKLJKHVWOHYHOWRWKHVWUDWHJLF
LPSRUWDQFHRIGHVLJQDQGLWVYDOXHIRUWKHHFRQRP\7KH¿QDO
target – you should push
UHSRUWRI+07UHDVXU\¶V2SHUDWLRQDO(I¿FLHQF\3URJUDPPH
SXEOLVKHGDORQJVLGHWKHEXGJHWLGHQWL¿HGDQHHGµWR
for progress’
LPSURYHGHVLJQDQGLQQRYDWLRQLQSXEOLFVHUYLFHVGLIIXVLQJ
LQQRYDWLRQVLQERWKFHQWUDODQGORFDOJRYHUQPHQW¶%XWLQ
- Witness to the inquiry
UHDOLW\WKHUHLVQRDSSRLQWHGDJHQWWRGULYHWKLVGHVLJQPHVVDJH

Recommendation 2
Government should appoint a Chief Advisor for design
and innovation

7KLVUHSRUWFDOOVIRUWKHDSSRLQWPHQWRIDQDSSURSULDWH¿JXUH
H[SHUWERWKLQWKHVWUDWHJLFXVHRIGHVLJQDQGWKHZRUNLQJVRIWKH
SXEOLFVHFWRUWRGULYHWKHGHVLJQPHVVDJHZLWKLQ*RYHUQPHQW
7KHUROHZRXOGRYHUVHHGHVLJQPDQDJHPHQWZLWKLQFHQWUDODQG
ORFDOJRYHUQPHQWVFUXWLQLVHGULYHXSVWDQGDUGVDQGSURPRWH
DQGH[SDQGGHVLJQDQGLQQRYDWLRQSURFXUHPHQWFKDOOHQJHV
DURXQGSUHVVLQJDQGLQWUDFWDEOHVRFLHWDOSUREOHPV VLPLODU
SURJUDPPHVDUHDOUHDG\XQGHUZD\DWWKH'HVLJQ&RXQFLODQG
1(67$ 7KHUROHZRXOGLQFOXGHFKDLULQJWKHSURSRVHG'HVLJQ
DQG3URFXUHPHQW3DQHO

25 “We will continue to work with the creative industries in our country, a sector that goes from film and fashion to architecture and the media, to support
and extend the one million jobs. And Britain now enjoys its position as the leading creative-industries sector in Europe, and that is something we are
determined to maintain and extend”
– PM Gordon Brown speaking at Going for Growth Launch (http://www.number10.gov.uk/Page22085);
“I don’t think people yet realise just how important architecture and design are going to be to our economic, as well as to our cultural and social future. I
believe that the countries that will succeed in the modern world are the countries that have that creativity, are able to show that in practice by architecture,
design, fashion, music and everything else that is associated with creative industries. Nowhere are we better placed than in architecture and design”
– PM Gordon Brown speaking at No 10 reception for architects,
(http://www.architectsjournal.co.uk/news/daily-news/prime-minister-british-design-and-architecture-are-second-to-none/5210866.article)
26 Chapter 5, Summary Recommendations, Operational Efficiency Programme: Final Report, p69
27 Design Council, Designs of the Time:
http://www.designcouncil.org.uk/Design-Council/1/What-we-do/Our-activities/20-reasons-to-go-to-Dott/
28 NESTA, Public Services Lab: http://www.nesta.org.uk/areas_of_work/public_services_lab
29 See Recommendation 5: A Design and Procurement Panel.
Design and the public good: creativity vs the procurement process? 21
Knowledge

CASE STUDY 1+6&KRLFHVLVWKHJRYHUQPHQWKHDOWKLQIRUPDWLRQVHUYLFH


WRFLWL]HQVZLWKDFRPSUHKHQVLYHGLJLWDOFRPSRQHQW,QDQ
NHS CHOICES LQQRYDWLYHSLHFHRISURFXUHPHQWLQWKHVHUYLFHZDV
PREGNANCY RXWVRXUFHGWRDZLQQLQJFRQVRUWLDRIRUJDQLVDWLRQVPDQDJLQJ
WKHRSHUDWLRQDOFRQWHQWGHYHORSPHQWPDUNHWLQJDQGGHVLJQ
PLANNER: SURJUDPPH
RETHINKING
SERVICE 7KH7HDPDUHWKHOHDGFRPPXQLFDWLRQVSDUWQHULQWKHFRQVRUWLD
OHGE\&DSLWD7KHSDUWQHUVKLSVWUXFWXUHLVXQXVXDOLQWKDWLW
PROVISION DOORZVSDUWQHUVWRSURDFWLYHO\VXJJHVWZD\VRILPSURYLQJFLWL]HQ
HQJDJHPHQW7KLVPLQGVHWOHDGVWRIDVWHULQQRYDWLRQQRUHGWDSH

CASE
DQGDFORVHZRUNLQJUHODWLRQVKLSWKDWGHOLYHUVUDSLGEHKDYLRXU
FKDQJHDQGUHDOHI¿FLHQF\JDLQVIRUWKHFOLHQW1+6&KRLFHV
LVDSHUIHFWH[DPSOHRIKRZWRGULYHHIIHFWLYHQHVVE\SODFLQJ
SXEOLFVHUYLFHVLQWKHKDQGVRIWKHSULYDWHVHFWRU7KLVLVDOVRD
GHPRQVWUDWLRQRIKRZGHVLJQFDQGHOLYHUDSDUDGLJPVKLIWLQWKH
ZD\SHRSOHXVHSXEOLFVHUYLFHV

7KH1+6&KRLFHVUHVRXUFHFRQWDLQVDUWLFOHVRQDZLGHUDQJHRI
KHDOWKWRSLFVLQFOXGLQJDXWKRULWDWLYHDQGDFFXUDWHJXLGDQFHIRU
H[SHFWDQWPRWKHUV%XWLQDQRLV\PDUNHWWKHQXPEHURIZRPHQ
¿QGLQJDQGXVLQJWKLVSUHJQDQF\VHUYLFHZDVIHOWWREHORZ
7KH7HDPZHUHDVNHGWRKHOS1+6&KRLFHV¿QGDQHZZD\RI
SURYLGLQJPXPVWREHZLWKWKHLQIRUPDWLRQWKH\QHHGHGDQGWR
UDLVHDZDUHQHVVRIWKH1+6&KRLFHV3UHJQDQF\&DUH3ODQQHU

7KH7HDP¶VUHVSRQVHWRWKHEULHILVDQHZZD\RIFRPPXQLFDWLQJ

STUDY
ZLWKFLWL]HQVRQKHDOWKWRSLFVLQWKHIRUPRIDQLQQRYDWLYH
GHVNWRSDSSOLFDWLRQ$OOWKDWWKHXVHUV±LQWKLVFDVHSUHJQDQW
ZRPHQ±KDYHWRGRLVGRZQORDGWKHDSSOLFDWLRQDQGORJWKHLU
GXHGDWHDQGWKH\DXWRPDWLFDOO\UHFHLYHUHJXODUO\XSGDWHG
DUWLFOHVDQGLPDJHU\DSSURSULDWHWRWKHLUVWDJHRISUHJQDQF\

7KHFDPSDLJQDQGDSSOLFDWLRQOHGWRDLQFUHDVHLQWKH
QXPEHURIZRPHQYLVLWLQJWKHSUHJQDQF\VHFWLRQRIWKHZHEVLWH
7KHDSSOLFDWLRQKDVDQRQJRLQJDFTXLVLWLRQUDWHRIQHZ
PRWKHUVSHUPRQWKZLWKRXWDQ\SDLGIRUPHGLD±PHDQLQJORZ
FRVWDQGKLJKO\HIIHFWLYHFRPPXQLFDWLRQ

'XHWRWKHVXFFHVVRIWKLVFDPSDLJQDQGWKHSRVLWLYHUHDFWLRQV
WRWKHSUHJQDQF\SODQQHUIURPERWKPLGZLYHVDQGSUHJQDQW
ZRPHQ1+6&KRLFHVKDVUHFRPPHQGHGWKDWDVLPLODURQOLQH
FDPSDLJQGHDOLQJZLWKGLIIHUHQWKHDOWKLVVXHVLVUHSHDWHGHYHU\
VL[PRQWKVWRHQJDJHQHZDXGLHQFHV
22 Design and the public good: creativity vs the procurement process?
Knowledge

Common knowledge
,WLVHDV\WRIRUJHWWKHLPPHDVXUDEOHFRQWULEXWLRQRIGHVLJQ ‘They (clients) can’t see
WRHYHU\GD\OLIH*RYHUQPHQWDQGWKHSXEOLFVHFWRUDUHQR
H[FHSWLRQWRWKLVIDLOLQJ,QWKHSULYDWHVHFWRUVWDQGDUGVDUHVHW
what they can have. Our
E\FRPSHWLWLRQE\FLWL]HQV¶H[SHULHQFHRIFXVWRPHUVHUYLFHOHYHOV job is one of helping them
DQGWKHLUDELOLW\WRFKRRVH<HWLQFDVHVZKHUHLWDUJXDEO\PDWWHUV
WKHPRVWWKHKHDOWKVHUYLFHSXEOLFWUDQVSRUWVRFLDOFDUH DOO gaze into a crystal ball . . .’
SXEOLFVHUYLFHV ±FXVWRPHUH[SHULHQFHRIWHQDSSHDUVWRKDYH
EHHQZRHIXOO\RYHUORRNHG7RWDNHDFRPPRQH[DPSOHDOWKRXJK - Witness to the inquiry
LWPD\KDYHOLWWOH¿QDQFLDOEHDULQJZKDWLVWKHKXPDQFRVWRI
EHLQJKDQGHGDGHFHDVHGUHODWLYH¶VEHORQJLQJVLQDEODFNELQEDJ"
'HVLJQFRQFHUQVLWVHOIZLWKWKHH[SHULHQFHRIWKHHQGXVHURI
SURGXFWVDQGVHUYLFHV6RMXVWDVOHDGHUVKLSLVFUXFLDOWHOOLQJWKH
GHVLJQVWRU\DWWKHIURQWOLQHDPRQJVWWKRVHZKRFRPPLVVLRQ
DQGSURFXUHLVYLWDO

3ROLF\PDNLQJDWDOOOHYHOVKDVEHHQODUJHO\LQVHQVLEOHRIWKH
DQDO\WLFDQGVWUDWHJLFUROHGHVLJQFRXOGSOD\LQHDUO\GLVFXVVLRQV
OLPLWLQJFUHDWLYHLQSXWWRWKHHQGRIWKHSURFHVVIRUPDUNHWLQJ
RUFRPPXQLFDWLRQVIRUH[DPSOH7KHYLHZIURPLQGXVWU\LVWKDW
WKH\DUHH[FOXGHGIURPDFRQYHUVDWLRQLQZKLFKWKH\FRXOGSOD\
DKHOSIXOUROHµOLNHDKHDUWVXUJHRQVWDQGLQJRXWVLGHWKHURRPRI
DSDWLHQWFRPSODLQLQJRIFKHVWSDLQV¶7KHLQTXLU\IRXQGWKDWLWLV
WKLVGLDJQRVWLFIDFLOLW\RIFHUWDLQHOHPHQWVRIWKHGHVLJQLQGXVWU\
RIZKLFKWKHSXEOLFVHFWRULVPRVWLJQRUDQW

6PDUWHU*RYHUQPHQWVWDWHVWKHFXUUHQWDGPLQLVWUDWLRQ¶V
LQWHQWLRQWRµIUHHXSWKHIURQWOLQHWRLQQRYDWH¶*UHDWHUÀH[LELOLW\
LQSURFXUHPHQWDQGDQHQKDQFHGDELOLW\WRZRUNZLWKGHVLJQHUV
LQQRYDWRUVDQGFUHDWLYHH[SHUWVZLOOEHDYLWDOWRROLQUHDOL]LQJ
WKDWLQWHQWLRQ7KHLQTXLU\KHDUGUHSHDWHGO\RISURFHVVLQKLELWLQJ
PDQDJHUVWU\LQJWRLQQRYDWHDQGRIRYHUO\VSHFL¿HGSROLF\
PRYLQJEH\RQGWKHFOHDUVWDWLQJRIGHVLUHGRXWFRPHVLQWRWKH
UHDOPRIUHTXLUHGRXWSXW$FXOWXUHRIµRXWFRPH¶DQGQRWµRXWSXW¶
IRFXVHGSROLF\ZRXOGHPSRZHUPDQDJHUVWREULQJWKHLURZQ
NQRZOHGJHDQGH[SHULHQFHWREHDU

&R[LGHQWL¿HGDJDSµEHWZHHQWKHEULGJHDQGWKHUXGGHU¶
EHWZHHQ*RYHUQPHQWSROLF\ JXLGDQFHIURP2*& DQGZKDW
KDSSHQVLQWKHP\ULDGDJHQFLHVRIWKHSXEOLFVHFWRU7KLVJDS
ZRXOGEHOHVVHQHGE\DZDUHQHVVUDLVLQJDFWLYLWLHVDQGVKDULQJ
RIEHVWSUDFWLFHDVZHOODVWKHSHUVXDVLRQRIH[SHULHQFH7DNLQJ
SDUWLQDUHDOOLIHFDVHVWXG\LPPHUVLQJSXEOLFVHFWRUPDQDJHUV

30 HM Government, Putting the Frontline First: Smarter Government, December 2009


Design and the public good: creativity vs the procurement process? 23
Knowledge

LQ¿UVWKDQGH[SHULHQFHZDVUHJDUGHGDVPRVWOLNHO\WR
FRPPXQLFDWHWKHEHQH¿WV±KXPDQDQG¿QDQFLDO±RIGHVLJQ

7KHLQTXLU\LGHQWL¿HGDQHHGWR

í HGXFDWHDVWRWKHEHQH¿WVRIZRUNLQJZLWKGHVLJQ
 GHVLJQHUVFUHDWLYHDJHQFLHV
í GHPRQVWUDWHKRZWRJHWWKHEHVWRXWRIDFRQWUDFW
 LHZKLFKSURFXUHPHQWSURFHVVHVWRXVH
í EHWWHUSXEOLFLVH2*&EHVWSUDFWLFH
í HQJHQGHUFRPSHWLWLRQEHWZHHQGHSDUWPHQWV


Recommendation 3
Campaign to recognise the value and raise standards of
design and innovation

*RYHUQPHQWVKRXOGFRPPLWWRWKHSURPRWLRQRIWKHEHQH¿WVRI
GHVLJQDFURVVDOORUJDQLVDWLRQVWRXFKLQJSROLF\SURFXUHPHQW
DQGFRPPXQLFDWLRQV.H\ZRXOGEHUHJXODULW\DQGDORQJWHUP
FRPPLWPHQWWRJHWWLQJWKHPHVVDJHWKURXJK'HOLYHUDEOHVZRXOG
LQFOXGHVHPLQDUVH[KLELWLRQVSXEOLFDWLRQVGLJLWDOVROXWLRQVDQG
DZDUGVFKHPHVQDPHO\*RYHUQPHQWVKRXOGFRQVLGHUDVFKHPH
WKURXJKZKLFKWKHSULYDWHVHFWRUFDQQRPLQDWHDQGDFNQRZOHGJH
WKRVHSXEOLFVHFWRUPDQDJHUVZKRSHUIRUPHIIHFWLYHO\WKXV
FUHDWLQJDFXOWXUHRINQRZOHGJHVKDULQJSDVVLWRQWUDLQLQJDQG
EHVWSUDFWLFHWKHUHVXOWVRIZKLFKFRXOGEHGLVVHPLQDWHGRQOLQH
&RQVLGHUDWLRQZRXOGEHJLYHQWR52,LQWHUPVRI¿QDQFLDO
VWUDWHJLFDQGVRFLDOLPSDFW7KHGHYHORSPHQWRIWKLVRQOLQH
UHVRXUFHZRXOGDFWWRLQVSLUHFRPPLVVLRQHUVDQGPDQDJHUVWR
GHPDQGPRUHRIGHVLJQHUV
24 Design and the public good: creativity vs the procurement process?
Knowledge

‘Design is the new management consultancy’31


7KH8.LVUHJDUGHGDVDOHDGHULQLQQRYDWLRQZLWKDKLVWRULF ‘Government tries to
UHSXWDWLRQIRUH[FHOOHQFHLQDOOW\SHVRIGHVLJQ:HHGXFDWHPRUH
GHVLJQHUVWKDQPRVWRWKHUGHYHORSHGQDWLRQV'HVLJQHUVDUH
choose design, when
QDWXUDOSUREOHPVROYHUVH[SHUWVZKRFDQKHOSZLWKµIDLOXUHVRI actually it needs to
LPDJLQDWLRQ¶7KHLQTXLU\IRXQGWKDWWKHYDOXHRIWKLVUHVRXUFH
LVXQGHUHVWLPDWHGDQGXQGHUXWLOLVHGE\WKHSXEOLFVHFWRU get better at choosing
5HVHDUFKE\1(67$1XGJLQJ,QQRYDWLRQVHWVRXWWKHDUJXPHQW
designers’
WKDWLQQRYDWLRQVHUYLFHVSURYLGHGE\FUHDWLYHEXVLQHVVHVFDQ
KHOSRYHUFRPHEHKDYLRXUDOIDLOXUHV P\RSLDLQHUWLDULVNRUORVV - Witness to the inquiry
DYHUVLRQ WRLPSURYHWKHLQQRYDWLRQSHUIRUPDQFHRI¿UPV7KH
UHVHDUFKH[DPLQHGSHUIRUPDQFHLQ60(VEXWLQDVPXFKDVWKH
EHKDYLRXUDOHFRQRPLFVDSSO\WRSHRSOHLQJHQHUDOWKLVZRXOG
VXJJHVWWKDWLQQRYDWLRQVHUYLFHVIURPFUHDWLYHEXVLQHVVHVFRXOG
KDYHYDOXHIRUWKHSXEOLFVHUYLFHLQGXVWULHVµ-XVWDVHFRQRPLF
JURZWKDQGGHYHORSPHQWVKLIWVWKHLQGXVWULDOVWUXFWXUHRIDQ
HFRQRP\HYHUWRZDUGVHUYLFHVWKHJURZWKDQGGHYHORSPHQWRI
WKHLQQRYDWLRQV\VWHPIROORZVWKHVDPHSDWWHUQ¶(OHPHQWVRI
WKHGHVLJQLQGXVWU\KDYHHYROYHGWKHLURIIHULQJWRNHHSXSZLWK
WKLVUHTXLUHPHQWIRULQQRYDWLRQVHUYLFHVIURPEXVLQHVV%XW
WKHVHQHZFDSDELOLWLHVDUHUDUHO\WDNHQXSE\WKHSXEOLFVHFWRU

7KH'HVLJQ&RXQFLOGHVFULEHVµWKHUROHRIGHVLJQLQ
SXEOLFVHUYLFHV¶WKXVµ5HFHQWHYLGHQFHVKRZVWKDWGHVLJQ
PHWKRGRORJLHVFDQGULYHLQQRYDWLRQLQSXEOLFVHUYLFHV5DSLG
SURWRW\SLQJFUHDWHVHI¿FLHQFLHVE\GHVLJQLQJRXWSUREOHPV
HDUO\DQGWKHFROODERUDWLYHQDWXUHRIPDQ\GHVLJQSURMHFWVFDQ
HQJDJHSXEOLFVHFWRUZRUNHUVIURQWOLQHVWDIIDQGXVHUVLQWKH
GHYHORSPHQWDQGGHOLYHU\RIQHZVHUYLFHV+RZHYHUUHVHDUFK
DOVRVKRZVPDQ\SXEOLFVHUYLFHSURYLGHUVODFNWKHNQRZOHGJH
DQGVNLOOVWRXVHGHVLJQDVDVWUDWHJLFDSSURDFKWRLQQRYDWLRQ
'HYHORSLQJWKLVFDSDFLW\ZRXOGKHOSSXEOLFVHFWRURUJDQLVDWLRQV
PDQDJHWKHLUFUHDWLYHSURFHVVHVDQG¿QGLQQRYDWLYHVROXWLRQV
IRUVHUYLFHGHOLYHU\¶

µ'HYHORSLQJWKLVFDSDFLW\¶FRXOGPHDQHPSOR\LQJGHVLJQHUVDV
IDFLOLWDWRUVRILQQRYDWLRQSURFHVVHVDVVWUDWHJLFWKLQNHUVDV
ZHOODVVLPSO\WRGHVLJQWKHVHUYLFHRUSURGXFWLWVHOI,QEX\LQJ
VWUDWHJLFDGYLFHSXEOLFVHFWRUPDQDJHUVVKRXOGUHFRJQLVHWKDWLW
LVQRWRQO\WKHµVDIH¶FRQVXOWDQFLHV±VXFKDVWKRVHRQWKH%X\LQJ
6ROXWLRQVµ0XOWLGLVFLSOLQDU\&RQVXOWDQF\¶)UDPHZRUN±WKDW

31 http://noisydecentgraphics.typepad.com/design/2006/06/the_future_of_g_1.html
32 European Innovation Scoreboard 2008
33 International Design Scoreboard, p59
34 Dr Jason Potts and Kate Morrison, NESTA, Nudging Innovation, April 2009
35 Dr Jason Potts and Kate Morrison, NESTA, Nudging Innovation, April 2009
36 Innovation consultancy IDEO are a perfect example: http://www.ideo.com/
37 http://www.designcouncil.org.uk/briefing02
Design and the public good: creativity vs the procurement process? 25
Knowledge

FDQKHOS7KHUHDUHFUHDWLYHDJHQFLHVDQGLQGLYLGXDOVWKDWFDQ
DQGGR SURYLGHLQQRYDWLYHVWUDWHJLFLQSXWSUHSURFXUHPHQW ‘Where design can help
7KH'HVLJQ&RXQFLO¶V'HVLJQ%XJV2XW3URMHFW VHH&DVH6WXG\
S ZDVSDUWLFXODUO\VXFFHVVIXOLQDVVHPEOLQJDQH[SHUWSDQHO
government is very
SUHSURFXUHPHQWWRGHWHUPLQHZLWKWKH'HSDUWPHQWIRU
+HDOWKZKDWWKHERXQGVRIWKHLQQRYDWLRQFKDOOHQJHVKRXOG
strategically, by helping
EH7KH'HVLJQ&RXQFLOLVQRZWHVWLQJWKLVDSSURDFKZLWKRWKHU managers in government
GHSDUWPHQWVEXWWKHSURJUDPPHLVWKHH[FHSWLRQWRWKHUXOH
,QPRVWFDVHVVXFKH[SHUWLQGLYLGXDOVDUHKDUGWRDFFHVVDW lead. We can do more than
SUHVHQW7KHSURFXUHPHQWV\VWHPLVDKXUGOH create pretty signs, we
7KHUHLVDQRWKHUVLJQL¿FDQWGUDZEDFNWRWKHSUHVHQWVHWXS can help these agencies of
LQWKHSULYDWHVHFWRUGHVLJQDJHQFLHVDQGLQGLYLGXDOVDUHDEOH
WRZRUNSURDFWLYHO\IRUWKHEHQH¿WRIWKHLUFOLHQW¶VEXVLQHVV,Q government work out what
WKHSXEOLFVHFWRUWKHUHVWULFWLRQVRIGXHSURFHVVUHQGHUWKLV
UHODWLRQVKLSUHDFWLYHDWEHVW1RZKHUHLVWKLVEHWWHUH[HPSOL¿HG
an excellent customer
WKDQLQWKHRSHUDWLRQVRIWKH&HQWUDO2I¿FHRI,QIRUPDWLRQ experience is’
ZKRVHIXQFWLRQDVDEURNHUDOWKRXJKH[SHUWDWKDQGOLQJWKHOHJDO
UHTXLUHPHQWVHOLPLQDWHVWKHXQLTXHFKHPLVWU\EHWZHHQFUHDWLYH - Witness to the inquiry
DQGFOLHQWWKDWGHOLYHUVH[FHSWLRQDOLQQRYDWLYHLGHDV

(QDEOLQJWKHVHUHODWLRQVKLSVHQDEOLQJSUHHPSWLYHLQSXWIURP
DWUXVWHGSDUWQHU±ZKRVHH[SHULHQFHPDNHVWKHPH[SHUWLQ
DQWLFLSDWLQJQHHGVHYHQEHIRUHWKH\EHFRPHDSSDUHQW±ZLOOEH
NH\WRLPSURYHPHQW*RYHUQPHQWUHFRJQLVHVWKDWWUDGLWLRQDO
VROXWLRQVZLOOQRORQJHUVXI¿FH,WPXVWJRIXUWKHULQRSHQLQJLWV
GRRUVWRFUHDWLYHLQGLYLGXDOVWRDGYLVH

Recommendation 4
A register of expert design and innovation advisors

7RIDFLOLWDWHDPRYHWRPRUHRXWFRPHEDVHGFRPPLVVLRQLQJ
*RYHUQPHQWVKRXOGHVWDEOLVKDUHJLVWHURIGHVLJQDQGLQQRYDWLRQ
VSHFLDOLVWVDYDLODEOHIRUSROLF\PDNHUVDQGSXEOLFVHFWRU
PDQDJHUV ZLWKPLQLPXPSURFXUHPHQWZRUN WRDGYLVHRQ
V\VWHPVHUYLFHDQGSURGXFWGHYHORSPHQWDQGPRUHHIIHFWLYH
SURFXUHPHQW

38 http://www.designcouncil.org.uk/Design-Council/1/What-we-do/Our-activities/Public-services-by-design/
39 ‘Recently published research commissioned by the Cabinet Office and carried out by the Sunningdale Institute again
makes the case for a Whitehall policy culture that seeks out, captures and values frontline insights and experiences in
order to ensure policies that are practical, effective and relevant’
– Operational Efficiency Programme: final report, 5.30
‘THE ANSWER TO THE
26

PROBLEM CANNOT
BE TO ASK A LOT
OF DESIGNERS TO
GO THROUGH A
COMPLEX APPLICATION
PROCESS AND THEN
DO CREATIVE WORK
FOR FREE – WHICH
IS AGAINST OUR
TRADE ASSOCIATION
GUIDANCE’
Design and the public good: creativity vs the procurement process? 27
Skills

SKILLS
Improving the capacity and skills of design Box 2
Failings in the management of creative
and innovation procurers expertise
Frequently-occurring complaints from both
The effective management of creative expertise buyers and suppliers:
,QFRQFOXGLQJWKHFKDSWHURQSXEOLFSURFXUHPHQWWKH6((SROLF\ - miscommunication and misunderstandings
ERRNOHW,QWHJUDWLQJ'HVLJQLQWR5HJLRQDO,QQRYDWLRQ3ROLF\ between commissioners and procurers
XUJHVSURFXUHUVWRµUHFRJQLVHWKDWLQQRYDWLRQDQGGHVLJQDUH - artificial dividing of projects into smaller
QRWFRPPRGLW\LWHPVDQGGRQRW¿WWUDGLWLRQDOSURFXUHPHQW procurement tasks, often when an integrated
SURFHVVHVVRWKHHIIHFWLYHPDQDJHPHQWRIFUHDWLYHH[SHUWLVHLV approach would be more effective
UHTXLUHG¶7KDWVXFKH[SHUWPDQDJHPHQWLVUDUHZDVDFRQFHUQ
- poor knowledge of how to write a design brief –
UHÀHFWHGE\PDQ\VXSSOLHUVWKURXJKRXWWKHLQTXLU\±µ<RX¶UH
suppliers complained of having to negotiate ‘the
EX\LQJDGYLVRUVOLNHEHDQV¶7KLVVXJJHVWVWKHUHLVDEUHDNGRZQ
straitjacket of a bad brief’ – or evaluate a tender
EHWZHHQWKHSURFXUHPHQWJXLGDQFHFRPLQJIURP2*&DQG%,6
DQGHYHU\GD\SUDFWLFH - under-appreciation of design skills: demands for
free creative pitching and an unwillingness to
7KLVµJDS¶EHWZHHQSROLF\DQGEXVLQHVVUHDOLW\ZDVDQLVVXH pay ‘the right price’ for design
LGHQWL¿HGLQE\&R[DQGVXPPDULVHGDVIROORZV - ‘Value for Money’, although defined by the OGC
and NAO as ‘Optimising the cost of delivering
µVXFKGHFODUDWLRQVDQGWKHDFFRPSDQ\LQJJXLGDQFH IURP+07  a service or goods over the full life of the
DUHQ¶WVXI¿FLHQWWRRYHUFRPH\HDUVRILQJUDLQHGWKLQNLQJDQG contract rather than minimising the initial price’,
EHKDYLRXURUDODFNRIQHFHVVDU\VNLOOVWRSXWSROLF\LQWRSUDFWLFH is still often interpreted as lowest cost
7KLVLVFRPSRXQGHGE\WKHIUDJPHQWHGQDWXUHRISURFXUHPHQW Overall: a confusing lack of consistency in
FDUULHGRXWQRWMXVWE\WKHPDQ\GLIIHUHQWFHQWUDOJRYHUQPHQW process.
GHSDUWPHQWVEXWE\WKRXVDQGVRIORFDOERGLHV,WLVSRVVLEOHIRU
JRYHUQPHQWWRVHWRYHUDOOUXOHVWKDWFRQVWUDLQSUDFWLFHEXWPXFK
PRUHGLI¿FXOWWRPDQGDWHSRVLWLYHEHKDYLRXU,WLVDQDUHDZKHUH
WKHUHLVQR¿UPFRQQHFWLRQEHWZHHQWKHEULGJHDQGWKHUXGGHU¶

6RSKLVWLFDWHGSURFXUHPHQWWRROVIRUGHDOLQJZLWK60(V LQ
ZKLFKFDWHJRU\WKHYDVWPDMRULW\RIFUHDWLYHDJHQFLHVZRXOG
VLW GRH[LVWDQGDUHFXUUHQWO\EHLQJUHYLHZHGXSGDWHGDQG
UH¿QHGRQWKHEDFNRIWKH*ORYHUUHSRUW$FFHOHUDWLQJWKH60(
HFRQRPLFHQJLQHWKURXJKWUDQVSDUHQWVLPSOHDQGVWUDWHJLF
SURFXUHPHQW%XWWKHLQTXLU\IRXQGWKDWDFRPELQDWLRQRI
OLPLWHGNQRZOHGJHDQGDQDWXUDOLQFOLQDWLRQWRULVNDYHUVLRQFDQ
VWLOOOHDGWREDGSUDFWLFHERWKLQWKHLQWHUQDORSHUDWLRQVRIDQ
RUJDQLVDWLRQDQGLQGHDOLQJZLWKVXSSOLHUV VHH%R[ 

40 SEE Policy Booklet 01, November 2009, Integrating Design into Regional Innovation Policy, p9
41 Using the power of public procurement, Cox Review of Creativity in Business, p35
42 80% of design agencies employ fewer than 5 people
43 http://www.ogc.gov.uk/key_policy_principles_creating_opportunities_for_smes_and_third_sector_organisations.asp
28 Design and the public good: creativity vs the procurement process?
Skills

7KHLQTXLU\IRXQGURRPIRULPSURYHPHQWLQWKHVNLOOVRIERWK
FRPPLVVLRQHUVDQGSURFXUHUVWRPDQDJHFUHDWLYHH[SHUWLVH ‘There seems to be an
DQGDQHHGIRUFOHDUHUJURXQGUXOHVUHJDUGLQJEHVWSUDFWLFHLQ
SURFXUHPHQWRIGHVLJQ
absolute acceptance to
pay for science but a
Recommendation 5
A Design and Procurement Panel reluctance to pay the
:HUHFRPPHQGWKDW*RYHUQPHQWDSSRLQWDMRLQWGHVLJQDQG
right price for creativity –
SURFXUHPHQWSDQHOZLWKVXSSRUWIURP&,36WKHSXUSRVHEHLQJ creative thinking or design’
WRLPSURYHGHVLJQSURFXUHPHQWRXWFRPHVWKURXJKVXSSRUWLQJ
WKRVHZKRPDNHSURFXUHPHQWGHFLVLRQV - Witness to the inquiry
7KHSDQHOZRXOGSURPRWHGHVLJQYDOXHWRSXEOLFVHUYLFHV
H[SODLQWKHUROHVWKDWGHVLJQFDQSOD\ZKHQDQGKRZLWVKRXOG
EHXVHGDQGDGYRFDWHLQWHOOLJHQWSURFXUHPHQWSUDFWLFHVJHDUHG
WRZDUGVRXWFRPHEDVHGFRPPLVVLRQLQJ VHH&DVH6WXG\S 
7KLVDGYLVRU\JURXSRISXEOLFVHUYLFHH[SHUWVZRXOGEHDPDWUL[
RIVHQLRUSXEOLFVHFWRUDQGGHVLJQLQGXVWU\¿JXUHVUHFRJQLVHG
E\WKH2*&DQGFKDLUHGE\WKHQHZUROHRI*RYHUQPHQW&KLHI
$GYLVRUIRU'HVLJQDQG,QQRYDWLRQ
Design and the public good: creativity vs the procurement process? 29
Skills

Tailored training Box 3


-XVWDVµGHVLJQ¶FDQEHGHSOR\HGDWPDQ\GLIIHUHQWOHYHOVWKHUH The ‘Design Does It’ categories of designer
DUHHTXDOO\PDQ\GLVFLSOLQHVW\SHVRIDJHQF\DQGFDOLEUHRI 1 The ‘consultant’ designer is focused on finding
GHVLJQHU VHH%R[ ,WLVQRWFOHDUWKDWEX\HUVDUHDZDUHRIWKLV the right problem, using conceptual thinking,
YDULHW\RIVXSSOLHUV(YLGHQWO\WKHJUHDWHVWVXFFHVVZLOOFRPH and is oriented towards improving the way
ZKHQFRPSDQLHVZKRFDQWUXO\IXO¿OWKHUHTXLUHPHQWVDUHLQYLWHG something works functionally – thereby making
WRWHQGHU&RQIXVLRQDWWKHRXWVHWRYHUZKRLVEHLQJDVNHGWR it better.
WHQGHUIRUZKDWW\SHRIDFWLYLW\FDQOHDGWRPLVXQGHUVWDQGLQJV 2 The ‘visionary’ designer is focused on exploring
DQGGLI¿FXOWUHODWLRQVKLSVDQGFRVWVWKDWDUHXQH[SHFWHGO\KLJK problems (rather than working with a given
2XULQWHUYLHZVVXJJHVWHGWKDWSXEOLFVHFWRUFXVWRPHUVZRXOG solution), by using conceptual thinking methods
EHQH¿WIURPDGYLFHWRKHOSWKHPGLIIHUHQWLDWHEHWZHHQWKHPDQ\ that are oriented towards bringing a unique
GLIIHUHQWGHVLJQGLVFLSOLQHVWKHNLQGVRIFRQVXOWDQFLHVWKDW twist to something – making it new, fresh and
VXSSO\WKHPDQGZKLFKDUHWKHEHVWLQWKHLU¿HOG eye-catching.
3 The ‘contractor’ designer is focused on
7KHLQTXLU\DOVRKHDUGWKDWRQHRIWKHIHDUVLQFRPPLVVLRQLQJ delivering design solutions that are oriented
GHVLJQLVYXOQHUDELOLW\±SDUWLFXODUO\LIWKHUHVXOWVDUH towards making something functionally better
FRQWURYHUVLDORUPHGLRFUH±WRFULWLFLVPDQGH[SRVXUHRIVSHQG rather than simply more aesthetically pleasing.
E\WKHPHGLDDQG3DUOLDPHQWDU\TXHVWLRQLQJ7KHPHGLDIXURUH 4 The ‘specialist’ designer is focused on
VXUURXQGLQJWKHXQYHLOLQJRIWKH/RQGRQ2O\PSLFORJR delivering design solutions, using traditional
LVDW\SLFDOH[DPSOH,WLVFUXFLDOWRXQGHUVWDQGWKDWQRWDOO design methods that are oriented towards
LQQRYDWLRQVZLOOVXFFHHGEXWRQHRIWKHDGYDQWDJHVRIDZHOO being efficient and aesthetically pleasing.
PDQDJHGFUHDWLYHSURFHVVRXJKWWREHµIDLOLQJHDUO\DQGFKHDSO\¶
3XVKLQJLOOIDWHGSURMHFWVWKURXJKEHFDXVHRIDSROLWLFDO
LPSHUDWLYHLVIDLOLQJH[SHQVLYHO\DQGSXEOLFO\ *RYHUQPHQW
FRPPXQLFDWRUVQHHGWRKDYHWKHVNLOOVWRDUJXHWKHFDVHQRWRQO\
IRUVSHQGLQJPRQH\RQGHVLJQEXWIRUIDLOXUHDVDQDWXUDOSDUW
RISURJUHVV

3URFXULQJZHOOLVKDOIWKHEDWWOH5HFHQWWHQGHUVIRU/RQGRQ
DQGD%UDQGIRU/RQGRQZHUHGRRPHGIURPWKHVWDUW
FKDUDFWHULVHGE\WKHODFNRIDSURIHVVLRQDODSSURDFKWR
SURFXUHPHQW7KHUHVHHPVWREHOLWWOHKHOSIRUSURFXUHUV
QHJRWLDWLQJWKHVSHFLDOLVWDUHDRIFUHDWLYHDGYLFHRUVHUYLFHV
7KH*RYHUQPHQW3URFXUHPHQW6HUYLFHDQGWKH*RYHUQPHQW
&RPPXQLFDWLRQ1HWZRUNERWKSURYLGHZHOOHVWDEOLVKHG
VXSSRUWWRFLYLOVHUYDQWV%XWLWLVRXUXQGHUVWDQGLQJWKDW
FXUUHQWO\WKHUHLVQRGHVLJQVSHFL¿FDGYLFHRQRIIHU

$ORQJVLGHWKH'HFHPEHU3UH%XGJHW5HSRUWJRYHUQPHQW
SOHGJHGWRLQVWLWXWHDQHZ1DWLRQDO6FKRROIRU*RYHUQPHQW
WUDLQLQJSURJUDPPHIRUSXEOLFVHFWRULQQRYDWLRQ6XFKD
SURJUDPPHVKRXOGLQFOXGHWUDLQLQJLQWKHXVHDQGSURFXUHPHQW
RIGHVLJQDVDQLQWHJUDOSDUWRIWKHLQQRYDWLRQODQGVFDSH

44 http://www.telegraph.co.uk/news/uknews/1553545/Olympic-chiefs-under-fire-for-puerile-logo.html
45 http://www.civilservice.gov.uk/my-civil-service/networks/professional/gps.aspx
46 http://www.civilservice.gov.uk/my-civil-service/networks/professional/gcn.aspx
47 Putting the Frontline First: Smarter Government p52
30 Design and the public good: creativity vs the procurement process?
Skills

3URFXULQJGHVLJQLQWHOOLJHQWO\FDQHQDEOHµVPDUW¶RUµWK
JHQHUDWLRQ¶LQQRYDWLRQEXWWKLVLVDPHVVDJHWKDWQHHGVFOHDUHU ‘Designers know about
DQGZLGHUGLVVHPLQDWLRQ risk – design is one of the
Recommendation 6 ‘riskiest’ industries. The
A tailored training programme
design process is a simple
,QSDUWQHUVKLSZLWK*36DQG*&1WKH'HVLJQ%XVLQHVV
$VVRFLDWLRQVKRXOGUHIUHVKDQGH[SDQGWKHµ'HVLJQ'RHV,W¶
human activity of trial
WUDLQLQJDQGGHYHORSPHQWSURJUDPPHIRUFRPPLVVLRQHUVDQG and error. If you punish
SURFXUHUVRIGHVLJQWRLQFOXGHWUDLQLQJLQGHVLJQSURFXUHPHQW
DQGIRUVHUYLFHVEH\RQGWKHUHDOPRIPDUNHWLQJDQG people for errors they will
FRPPXQLFDWLRQVGHVLJQ not trial. There needs to
7KHFRXUVHRXJKWWRSODFHHPSKDVLVRQGHPRQVWUDWLQJYDOXH be a way of rewarding
IRUPRQH\WKURXJKGHVLJQ7KLVUHSRUWFDOOVIRUDOO*RYHUQPHQW
GHSDUWPHQWVDQG1'3%VWRHQFRXUDJHWUDLQLQJWKURXJKDQHZO\ controlled failure’
DFFUHGLWHGFRXUVHRIWKLVNLQGDORQJVLGHWKRVHRIIHUHGE\&,%
&,06DQG&,35 - Witness to the inquiry

48 See the Design Council’s ‘Design Bugs Out’ Case Study, p42
Design and the public good: creativity vs the procurement process? 31
Skills

CASE STUDY +036ZDVDSLRQHHULQXVLQJWKH)RUZDUG&RPPLWPHQW


3URFXUHPHQWPRGHOZLWKZKLFKWKH\VRXUFHGDQDOWHUQDWLYH
HM PRISON VROXWLRQWRDKLJKO\XQVXVWDLQDEOHV\VWHPIRUGLVSRVLQJRIXVHG
SERVICE PDWWUHVVHVLQSULVRQV

ZERO WASTE 7KH)RUZDUG&RPPLWPHQW3URFXUHPHQWPRGHOLQYROYHV
MATTRESSES: SURYLGLQJWKHPDUNHWZLWKDGYDQFHLQIRUPDWLRQRIIXWXUHQHHGV
FORWARD LQRXWFRPHWHUPVHDUO\HQJDJHPHQWZLWKSRWHQWLDOVXSSOLHUV
DQGWKHLQFHQWLYHRID)RUZDUG&RPPLWPHQWDQDJUHHPHQWWR
COMMITMENT SXUFKDVHDSURGXFWRUVHUYLFHWKDWFXUUHQWO\GRHVQRWH[LVWDW
PROCUREMENT DVSHFL¿HGIXWXUHGDWHSURYLGLQJLWFDQEHGHOLYHUHGWRDJUHHG

CASE
PIONEER SHUIRUPDQFHOHYHOVDQGFRVWV

PROJECT ,Q+036¶VFDVHWKH\ZHUHEX\LQJKLJKVSHFL¿FDWLRQ
PDWWUHVVHVDQGSLOORZVSHU\HDUDQGGLVSRVLQJRIWKHPDMRULW\WR
ODQG¿OORUDVFOLQLFDOZDVWH7KHSUDFWLFHZDVFRVWO\ HVWLPDWHGWR
FRVWRYHU…PLOOLRQSD HQYLURQPHQWDOO\XQVXVWDLQDEOHDQGRXW
RIVWHSZLWK+036VXVWDLQDEOHGHYHORSPHQWSROLF\

+036LGHQWL¿HGDQµXQPHWQHHG¶WKXV
³+036DVSLUHVWRD]HURZDVWHSULVRQPDWWUHVVWKDWPHHWVRU
H[FHHGVFXUUHQWRSHUDWLRQDOUHTXLUHPHQWVDQGGHOLYHUVZKROHOLIH
F\FOHFRVWHI¿FLHQFLHV%\+036ZDQWVDOOLWVPDWWUHVVHV
DQGSLOORZVQRWFODVVL¿HGDVKD]DUGRXVZDVWHWREHUHF\FOHG
UHSXUSRVHGRUUHXVHGLQVWHDGRIJRLQJWRODQG¿OODQGWRUHGXFH
WRSHUFHQWSDWKHQXPEHURIPDWWUHVVHVGLVSRVHGRIDV
KD]DUGRXVRUFOLQLFDOZDVWH´

STUDY

7KURXJKDSURFHVVRI)&3PDUNHWVRXQGLQJDQGFRQVXOWDWLRQ
+036PDGHVXUHWKDWWKHPDUNHWNQHZDERXWWKHUHTXLUHPHQW
KDGWLPHWRGHYHORSQHZVXSSO\FKDLQVDQGLQQRYDWHDQG
FULWLFDOO\ ZDVFRQYLQFHGRIWKHLUFRPPLWPHQWWRGHOLYHULQJWKH
RXWFRPHV7KHUHVSRQVHRIWKHVXSSO\FKDLQZDVH[FHOOHQWRYHU
KLJKTXDOLW\UHVSRQVHVZHUHUHFHLYHGIURPZKLFKDUDQJHRI
RSWLRQVZHUHLGHQWL¿HG

7KHUHVXOWVLQQRYDWLYHQHZFRYHUVZLOOUHGXFHWXUQRYHUDQGDOO
EXWHOLPLQDWHWKHQHHGIRUFOLQLFDOZDVWHGLVSRVDOQRHQGRIOLIH
PDWWUHVVHVZLOOEHVHQWWRODQG¿OOEXWLQVWHDGZLOOEHUHF\FOHG
LQWRXVHIXOSURGXFWV+036HVWLPDWHVWKDWLWZLOOVDYHEHWZHHQ
……PLOOLRQRYHUWKHOLIHRIWKHFRQWUDFWDQGLVQRZZRUNLQJ
ZLWK%,6WREXLOGRQWKHVXFFHVVRIWKLVSURMHFWDQGGHYHORSD
VHFRQG)&3SURMHFWWRZDUGV]HURZDVWHSULVRQV
32 Design and the public good: creativity vs the procurement process?
Skills

The role of the Central Office of Information


7KURXJKRXWWKHLQTXLU\ZLWQHVVHVIURPERWKWKHVXSSO\DQG
GHPDQGVLGHH[SUHVVHGPLVJLYLQJVDERXWWKHRSHUDWLRQVRIWKH
&HQWUDO2I¿FHRI,QIRUPDWLRQ &2, 

(VWDEOLVKHGLQDVJRYHUQPHQW¶VFRPPXQLFDWLRQDJHQF\
WKH&2,KDVJURZQWRRYHUVWDIILQDQDWLRQZLGHQHWZRUN
KDQGOLQJWKHFRPPXQLFDWLRQVQHHGVRIDYDVWUDQJHRISXEOLF
VHFWRURUJDQLVDWLRQV7RGD\&2,PDQDJHVWKHPDMRULW\RI
JRYHUQPHQWVSHQGRQFRPPXQLFDWLRQVDFWLYLW\DQGWR
GRVRLWKDVFUHDWHGH[WHQVLYHIUDPHZRUNV±LQDFFRUGDQFH
ZLWK(8JXLGHOLQHV±IRUDUDQJHRIGHVLJQUHODWHGDFWLYLWLHV
LQFOXGLQJVWUDWHJLFFRQVXOWDQF\UHVHDUFKDQGLQVLJKWFXVWRPHU
H[SHULHQFHVPDUNHWLQJDQGFRPPXQLFDWLRQVVHUYLFHVEUDQGLQJ
DQGHYHQWV

%XWVLQFHWKHLQFHSWLRQRIWKH&2,WKHFRQWH[WIRU*RYHUQPHQW
FRPPXQLFDWLRQKDVFKDQJHG7KHQHHGWRFRPPXQLFDWHPRUH
HIIHFWLYHO\DQGLQQRYDWLYHO\PHDQVKDQGOLQJPRVWVHUYLFHV
WKURXJKRQHJDWHNHHSHULVQRORQJHUVXVWDLQDEOHDQGGRHVQ¶W
DIIRUGWKHDJLOLW\IRUPDQDJLQJFURVVFXWWLQJSURMHFWVWKDW
UHTXLUHLQWHJUDWHGVROXWLRQVDQGVSHFLDOLVWDJHQFLHVZRUNLQJLQ
SDUWQHUVKLS7KHUHLVQRZVRPHGHEDWHRYHUZKDWWKH&2,¶VUROH
VKRXOGEH

Duplication of services
$VLWKDVJURZQWKH&2,KDVH[SDQGHGLWVRIIHULQJIURP
FRPPLVVLRQHUWRDGYLVRUWRVXSSOLHUGXSOLFDWLQJVHUYLFHV
JRYHUQPHQWGHSDUWPHQWVRU1'3%VFDQDQGVKRXOGSURYLGH
IRUWKHPVHOYHVDQGVHUYLFHVWKDWWKHSULYDWHVHFWRULVEHWWHU
SODFHGWRVXSSO\,QPDQDJLQJWKHIUDPHZRUNVIRURXWVRXUFLQJ
SURMHFWVLWUHPRYHVWKHUHVSRQVLELOLW\DQGH[SHUWLVHIURP
LQGLYLGXDOVZLWKLQGHSDUWPHQWV,WDOVRUHWDLQVWKHFUHDWLYH
FDSDELOLWLHVWRGHOLYHUSURMHFWVLQKRXVHHIIHFWLYHO\RSHUDWLQJ
DVDQDJHQF\FDWHULQJVROHO\WRWKHSXEOLFVHFWRUDQGSXWWLQJ
LWVHOILQGLUHFWFRPSHWLWLRQZLWKWKHSULYDWHVHFWRU7KLVLVDQ
DEQRUPDOVLWXDWLRQ

$VDJDWHNHHSHUWKHUHLVDIXQGDPHQWDOFRQÀLFWRILQWHUHVWLQ
EHLQJERWKUHJXODWRUDQGSURGXFHUDQGVXFKDQRSHUDWLRQLV
OLNHO\GLVWRUWLQJWKHPDUNHWSODFHIRUGHVLJQDQGFUHDWLYHVHUYLFHV
DVZHOODVEHLQJLQHI¿FLHQW$GGLWLRQDOO\WKLVQHHGOHVVHOHPHQW
RIFRPSHWLWLRQUHVXOWVLQZKDWVRPHZLWQHVVHVFKDUDFWHULVHG

49 90% by its own admission – with total operating expenditure of £542m and running costs of £54m in 2008/09,
download the annual report here:
http://coi.gov.uk/documents/coi-annualreport2008-9.pdf
Design and the public good: creativity vs the procurement process? 33
Skills

DVEL]DUUHµWHUULWRULDO¶EHKDYLRXUV µ&2,LVZDU\RIDJHQFLHV
GHYHORSLQJDUHODWLRQVKLSGLUHFWO\ZLWKFOLHQWVDQGVWHDOLQJWKHLU ‘People buy from
EXVLQHVV¶ DQGEUHHGVDFXOWXUHRIVXVSLFLRQUDWKHUWKDQWUXVW people. A problem with
Risk and reward procurement, inherently,
%HFDXVH&2,EHKDYHVDVLILWZDVDSULYDWHVHFWRUDJHQF\LQ
UHDOLW\LWKDVOLWWOHULVNRIIDLOXUH,QWKHSULYDWHVHFWRUWKHEDODQFH is it’s a barrier to the
RIULVNDQGUHZDUGGULYHVTXDOLW\DQGLQQRYDWLRQ%XWIRUWKH&2,
VXFKLQFHQWLYHVDUHUHGXFHG:KDWHYHUWKHTXDOLW\RIVHUYLFH
relationship’
ZRUNLVJXDUDQWHHGEHFDXVHWKHUHLVQRRWKHUFKRLFHIRUFOLHQWV
,WVVL]HDQGPRQRSRO\RIWKHPDUNHWPDNHVLWDQH[SHQVLYH - Witness to the inquiry
VHUYLFHIRUFOLHQWVWRXVHZKHUHDVFRPSHWLWLRQZRXOGHQFRXUDJH
EHVWYDOXHVSHQGRISXEOLFPRQH\0DUNHWIRUFHVRXJKWWREH
DOORZHGWRGULYHHFRQRPLFYDOXHWRWKHVHFWRUDQGSXEOLFYDOXH
WRFLWL]HQV

The middleman inhibits creative relationships


7KHLQTXLU\KHDUGFRQFHUQVWKDW&2,¶VUROHDVDEURNHU
±PHGLDWLQJEHWZHHQSXEOLFVHFWRUFOLHQWDQGDJHQF\±
FRPSURPLVHVWKHTXDOLW\DQGYDOXHRIVROXWLRQV7KHLU
LQWHUYHQWLRQVORZVGRZQZKDWVRPHWLPHVQHHGVWREHDUDSLG
FRPPLVVLRQLQJSURFHVVSURKLELWVDQ\RSHQGLVFXVVLRQRIEXGJHW
DQGWKHLUSDUWLFXODULQWHUSUHWDWLRQRI(8SURFXUHPHQWUXOHV
GHQLHVDFFHVVWRRSSRUWXQLWLHVIRUVPDOODQGVSHFLDOLVWSURYLGHUV

$GGLWLRQDOO\WKHTXDOLW\RIWKHUHODWLRQVKLSLVGLOXWHG7KH
FXOWXUHRIVXVSLFLRQPHQWLRQHGDERYHLVFRXQWHUWRZKDW
VKRXOGGULYHWKHFUHDWLYHSURFHVV±WUXVWLQVLJKWDQGSDVVLRQ
IRUUHVXOWV:RUNLQJWKURXJKDEURNHUFDQGXOOPRWLYDWLRQDQG
HQWKXVLDVPRQERWKVLGHVLQZKDWVKRXOGEHDPXWXDOO\H[FLWLQJ
DQGUHZDUGLQJDFWLYLW\3ULYDWHVHFWRUDJHQFLHVFDQQHYHUFRPPLW
IXOO\DQGHVWDEOLVKDVXFFHVVIXOUHODWLRQVKLSEHFDXVHWKH\QHYHU
WUXO\JHWWRNQRZWKHLUFOLHQW*RYHUQPHQWFOLHQWVVKRXOGEHDEOH
WRLQYHVWLQGHVLJQGLUHFWO\DQGZRUNZLWKWKHEHVWRIWKHVHFWRU
WRFUHDWHORQJWHUPVXVWDLQDEOHSDUWQHUVKLSVZLWKSURYLGHUV
34 Design and the public good: creativity vs the procurement process?
Skills

A mismatch with current policy


,QOLJKWRIUHFHQW*RYHUQPHQWSROLF\WKDWKDV ‘60% of our work is public
 FKDPSLRQHGVXSSRUWIRUWKHFUHDWLYHHFRQRP\DVD
sector. We’ve found it can
 VLJQL¿FDQWFRQWULEXWHUWR*'3 be much more rewarding


DOOHJHGLWVLQWHQWLRQWRLPSURYHRSSRUWXQLWLHVIRU60(V
SOHGJHGWRSURPRWHLQQRYDWLYHSURFXUHPHQWDQG than working in the private


DGPLWWHGLWQHHGVWR¿QGDZD\WRGULYHGRZQSXEOLF
VSHQGLQJ
sector’
LWLVVWUDQJHWKDW*RYHUQPHQWVKRXOGEHIXQGLQJDQDJHQF\WKDW
- A designer, witness to the inquiry
LQLWVRSHUDWLRQVZRUNVFRXQWHUWRPDQ\RIWKRVHWDUJHWV

7KHUHLVDGPLWWHGO\DPDUNHWIRUWKHVHUYLFHWKDW&2,SURYLGHV
DPRQJVWVPDOOHUSXEOLFVHFWRUDJHQFLHVEXWWKHUHLVQRUHDVRQ
ZK\RWKHUODUJHUJRYHUQPHQWGHSDUWPHQWVFDQ¶WSURYLGHWKLV
VHUYLFHE\VKDULQJWKHLURZQIUDPHZRUNVIRUIUHH

+RZHYHULQWKHFRQWH[WRIWKHEUHDGWKRISXEOLFVHUYLFHVLQ
ZKLFKFRPPXQLFDWLRQVDUHDGDLO\RXWSXWWKHUHLVDUROHIRUWKH
&2,,WVYDOXHZRXOGEHLQSURYLQJDVDYLQJRQEXONSXUFKDVH
RIVXSSRUWVHUYLFHVVXFKDVPHGLDRUSULQWRULILWFDQEHWWHUWKH
HFRQRPLHVRIVFDOHWKDWDUHDFKLHYHGE\%X\LQJ6ROXWLRQV

Recommendation 7
An Appropriate Role for the COI

7KH&2,VKRXOGQRWEHWKHIDFHRI*RYHUQPHQWWRWKHGHVLJQ
LQGXVWU\*RYHUQPHQWVKRXOGFRPPLWWREX\LQJVHUYLFHVGLUHFW
IURPWKHSULYDWHVHFWRUHOLPLQDWLQJWKHFLYLOVHUYDQWWRFLYLO
VHUYDQWWUDQVDFWLRQFXOWXUHDOORZLQJGHSDUWPHQWVWRPDQDJH
WKHLURZQFUHDWLYHH[SHUWLVH

'HVLJQUHODWHGDFWLYLWLHVFXUUHQWO\KDQGOHGE\WKH&2,
LQFOXGLQJVWUDWHJLFFRQVXOWDQF\UHVHDUFKDQGLQVLJKWFXVWRPHU
H[SHULHQFHVPDUNHWLQJDQGFRPPXQLFDWLRQVVHUYLFHVEUDQGLQJ
DQGHYHQWV RXJKWWREHUHPRYHGIURPWKHSRUWIROLR&2,¶VYDOXH
LVLQSURYLQJDQHWVDYLQJRQEXONSXUFKDVHDQGUHSHDWEXVLQHVV

50 Department for Culture, Media and Sport, Creative Britain: New Talents for the New Economy, February 2008
51 HM Treasury, Accelerating the SME Economic Engine: Through transparent, simple and strategic procurement, November 2008
52 OGC, Driving Innovation Through Public Procurement, 2009
53 HM Government, Putting the Frontline First: Smarter Government, December 2009
54 DCSF is experimenting with a potential model: http://prweek.com/channel/PublicSector/article/983180/Department%20for%20Children,%20
Schools%20and%20Families%20to%20streamline%20government%20comms/
‘GOVERNMENT TRIES
35

TO CHOOSE DESIGN,
WHEN ACTUALLY
IT NEEDS TO GET
BETTER AT CHOOSING
DESIGNERS’
36 Design and the public good: creativity vs the procurement process?
Process

PROCESS
Transforming the procurement process for ‘You can answer the
design and innovation question in a very human
A single, simplified below-threshold tender approach way: why should anyone
3XEOLFVHFWRUSURFXUHPHQWSURFHVVHVDUHKDUGIRUDOO60(V
,QSURFXULQJGHVLJQDQGLQQRYDWLRQWKHUHLVWKHDGGHG
invest a lot of time and
XQSUHGLFWDELOLW\±DQGPLVWUXVW±RIWKHFUHDWLYHSURFHVV effort, put themselves
6RDOWKRXJKWKHZRUGGHVLJQGRHVGHVFULEHDYDVWUDQJHRI
DFWLYLWLHVWKHVKDUHGHOHPHQWRIµWKHFUHDWLYHSURFHVV¶PHDQV under a high level of
WKDWLQWKHLUGHDOLQJVZLWKSXEOLFVHFWRUGHVLJQEXVLQHVVHVKDYH
DFRPPRQH[SHULHQFH,QVKRUWGHVLJQDJHQFLHVVXIIHUPXFK
scrutiny, with a lot of
WKHVDPHSUREOHPVDVRWKHU60(VLQQHJRWLDWLQJSXEOLFVHFWRU information about their
SURFXUHPHQWEXWRIWHQZLWKWKHDGGHGFRPSOLFDWLRQRIGHVLJQ
LOOLWHUDWHFOLHQWV business, for a very low
6RPHW\SLFDOO\LQHI¿FLHQWSUDFWLFHV
possibility of gain?’
± WHQGHUSURFHVVHVWKDWRXWOLYHWKHQHHGWKH\ZHUHLQLWLDWHG - Witness to the inquiry
 WRPHHW
± PXOWLSOHVXEWO\GLIIHUHQWDQGODERULRXV344VDQG,77V
± UHDPVRISDSHUZRUN
± XQQDYLJDEOHHSURFXUHPHQWSRUWDOV
± PRUHHOLJLEOHDJHQFLHVWHQGHULQJIRUEHORZWKUHVKROG
 FRQWUDFWVWKDQHYDOXDWRUVKDYHUHVRXUFHVWRSURFHVV

6XFKIDLOLQJVFDQDPRXQWWRELGFRVWVWKDWRXWZHLJKWKHFRQWUDFW
YDOXHDQGKXQGUHGVRIXQQHFHVVDU\PDQKRXUVVSHQWRQERWK
WKHVXSSO\DQGGHPDQGVLGH6HH&DVH6WXG\SIRUDQDFFRXQW
RIDW\SLFDODFFRXQWRISRRUSUDFWLFV6XFKH[SHULHQFHVGHWHU
VXSSOLHUVIURPFRPSHWLQJIRUZRUNZLWKSXEOLFVHFWRUERGLHV

0DQ\RIWKHVHSUREOHPVKDYHEHHQWDUJHWHGE\WKH
UHFRPPHQGDWLRQVRI$QQH*ORYHU¶VUHSRUWIRU+07
$FFHOHUDWLQJWKH60((FRQRPLF(QJLQHZKLFKWKLVLQTXLU\
FRPPHQGV7KH2*&DUHFXUUHQWO\ZRUNLQJRQLPSOHPHQWDWLRQ
RIWKHUHFRPPHQGDWLRQVWKURXJKWKHLU$FFHVVIRU$OO
3URJUDPPH,QUHODWLRQWR*ORYHU¶VUHFRPPHQGDWLRQVDQG
FRQFHUQHGZLWKPRYLQJDOOSURFXUHPHQWDFWLYLW\RQOLQH
ZHXUJHWKH2*&WRFDUHIXOO\HYDOXDWHFXUUHQWHSURFXUHPHQW
VHUYLFHVZKLFKWKHLQTXLU\LGHQWL¿HGDVEHLQJLQDGHTXDWH
DQGXQZRUNDEOH

55 HM Treasury, Accelerating the SME Economic Engine: Through transparent, simple and strategic procurement,
November 2008
Design and the public good: creativity vs the procurement process? 37
Process

,QUHODWLRQWR*ORYHU¶V¿IWKUHFRPPHQGDWLRQVWDQGDUGL]LQJ
344V2*&LVXSGDWLQJLWVEHORZWKUHVKROG344µZHKDYH ‘I’ve yet to use an
GHYHORSHGDGUDIWµFRUHTXHVWLRQ¶VHWZKLFKLQFOXGHVTXHVWLRQV
WKDWDUHXQLYHUVDOWRDOOSRWHQWLDOSURYLGHUVVXSSOLHUVELGGLQJ
e-procurement system
IRUSXEOLFVHFWRUFRQWUDFWV ¿QDQFLDOOHJDOVWDWXVHWF DQGD that comes anywhere near
GUDIWµDGGLWLRQDOTXHVWLRQV¶VHW +HDOWKDQG6DIHW\HTXDOLW\
HQYLURQPHQWDOHWF ZKHUHLWLVDWWKHGLVFUHWLRQRIWKHSURFXUHUWR to meeting government
LQFOXGHTXHVWLRQVUHOHYDQWWRWKHLUSURFXUHPHQW¶
guidelines on usability.’
%XW2*&FDQQRWPDNHEHVWSUDFWLFHPDQGDWRU\7RWDNHD
FRPPRQH[DPSOHFXUUHQWJXLGDQFH DVRI$SULO VWDWHV - Witness to the inquiry
WKDWRQO\WZR\HDUVZRUWKRIDFFRXQWVRURWKHUHYLGHQFHLIWZR
\HDUVZRUWKLVQRWDYDLODEOHLVUHTXLUHG%XWWKHLQTXLU\KHDUG
HYLGHQFHWKDW60(VDUHFRPPRQO\DVNHGIRU\UVZRUWKRI
DFFRXQWVDVSDUWRIFRPSOHWLQJWKH344

$VWUHQJWKHQHGUROHIRUWKH2*&ZRXOGFOHDUO\EHKHOSIXO
*RYHUQPHQWVKRXOGDOVRSXUVXHDZDUHQHVVUDLVLQJDFWLYLWLHV
WKURXJKRXWWKHSXEOLFVHFWRURIWKHLPSRUWDQFHRILQWHOOLJHQW
SURFXUHPHQW±DQGWKHH[LVWHQFHRIDVLPSOL¿HG344
7RVXSSOHPHQWWKLVWKHLQTXLU\SDQHOFRPPLVVLRQHGDQ
LQGHSHQGHQWUHGHVLJQRIWKHSURFXUHPHQWSURFHVV$VXPPDU\RI
WKHUHVXOWVLVLQFOXGHGLQWKH$SSHQGL[

Recommendation 8
A single approach for tendering below threshold projects

:HUHFRPPHQGWKHLQVWLWXWLQJRIDVLQJOHDSSURDFKIRU
SURFXULQJGHVLJQDQGLQQRYDWLRQEHORZWKH2-(8WKUHVKROG$
JUHDWHUEHQH¿WIRUJRYHUQPHQWZRXOGEHDFKLHYHGE\DSSO\LQJD
VLQJOHVLPSOL¿HGSURFHVVDVUHFRPPHQGHGLQWKH*ORYHUUHSRUW
7KH'%$VKRXOGZRUNZLWKWKH2*&RQSXEOLFLVLQJEHVWSUDFWLFH
DQGGHYHORSLQJVHFWRUVSHFL¿FVHPLQDUVLQKRZWRSURFXUHDQG
VXSSO\ VHH5HFRPPHQGDWLRQ$WDLORUHGWUDLQLQJSURJUDPPH 

56 HM Treasury, Accelerating the SME Economic Engine: Through transparent, simple and strategic procurement,
November 2008
38 Design and the public good: creativity vs the procurement process?
Process

The Internal Process


,WLVRXUXQGHUVWDQGLQJWKDWRYHUO\FRPSOH[SURFHVVFDQ ‘most of our clients in
LQKLELWERWKEX\HUDQGVXSSOLHUWRWKHH[WHQWWKDWERWKZLOO
WDNHPHDVXUHVWRVLGHVWHSLW,QWKHFDVHRIFRPPXQLFDWLRQV
the public sector do
SURFXUHPHQWGHDOLQJZLWKWKH&2,LVRIWHQYLHZHGDVDQ their level best to avoid
DGGLWLRQDOKLQGUDQFHUDWKHUWKDQDKHOS)RUSXEOLFVHFWRU
FRPPLVVLRQHUVSROLWLFDOLPSHUDWLYHVGHPDQGDTXLFN getting involved in the
WXUQDURXQGRQPDQ\SURMHFWVDQGH[SHGLHQF\VRPHWLPHV
SUHFOXGHVHPEDUNLQJRQDOHQJWK\SURFXUHPHQWSURFHVV±
procurement system’
SUDFWLFHVZKLFKDUHLUUHJXODULIQRWXQODZIXO
- Witness to the inquiry
3URFXUHPHQWGHSDUWPHQWVKDYHWRPHHWDZLGHYDULHW\RI
UHVRXUFHQHHGV±IURPSDSHUFOLSVWRPDUNHWUHVHDUFKWR
VSHFLDOLVWHTXLSPHQW±DQGFDQQRWEHH[SHFWHGWREHH[SHUW
LQDQ\LQGLYLGXDO¿HOG*RRGFRPPXQLFDWLRQVEHWZHHQ
FRPPLVVLRQHUDQGSURFXUHUDQGFRQ¿GHQFHWKDWERWKSDUWQHUV
XQGHUVWDQGWKHSURFXUHPHQWUHTXLUHPHQWVWKHUHIRUHKHOS

7KHLQTXLU\KHDUGWKDWWKHZD\VLQZKLFKSURFHGXUHVDUH
LPSOHPHQWHGRIWHQGHSHQGVRQLQGLYLGXDOV±KRZPXFK ‘Our most successful
SDWLHQFHWKH\KDYHIRUGXHSURFHVVWKHUHODWLRQVKLSEHWZHHQ
FRPPLVVLRQHUVDQGSURFXUHUVSHUVRQDOH[SHUWLVH7KLVOHDGVWR
experiences have been
KXJHLQFRQVLVWHQFLHVLQSURFXUHPHQWVWDQGDUGVDFURVV:KLWHKDOO
DQGWKHZLGHUSXEOLFVHFWRUZKLFKLVUHÀHFWHGLQWKHYDU\LQJ
working with people
H[SHULHQFHRIVXSSOLHUV that have bent the rules:
3XEOLFVHFWRUFOLHQWVVKRXOGEHDEOHWRDFFHVVDQGFRPPLVVLRQ ‘flexible interpretation’.’
DOOPDUNHWLQJGHVLJQDQGFUHDWLYHVHUYLFHVGLUHFWO\WKURXJKQHZ
GHSDUWPHQWDOO\PDQDJHGIUDPHZRUNV8VLQJ2*&EHVWSUDFWLFH - Witness to the inquiry
DQGH[SHUWLVHWKHUHLVQRUHDVRQZK\GHSDUWPHQWVFDQQRWFUHDWH
WKHLURZQVXLWDEOHIUDPHZRUNVIRUDIXOOUDQJHRIVXSSOLHUV
IURPODUJHLQWHJUDWHGFRQVXOWDQFLHVWRVPDOOVSHFLDOLVWDJHQFLHV
DQGH[SHUWLQGLYLGXDOVWRSURYLGHIXOO\LQWHJUDWHGVROXWLRQV
2QHSRWHQWLDODV\HWXQWULHGZD\RIDFFRPPRGDWLQJWKH
EURDGHVWUDQJHRISUDFWLWLRQHUVZRXOGEHWRSLORWDUROOLQJURVWHU
RIQHZVPDOOVSHFLDOLVWLQQRYDWLRQFRQVXOWDQFLHV
Design and the public good: creativity vs the procurement process? 39
Process

CASE STUDY FRPSDQLHVUHVSRQGHGWRWKH344ZHUHLQYLWHGWR7HQGHU


ZHUHDZDUGHGDSODFHRQWKHIUDPHZRUN7KHYDOXHRIWKHZRUN
A TYPICAL JRLQJWRWKHIUDPHZRUNZDV…SHUDQQXP
EXAMPLE OF 7KHSURFXUHPHQWSURFHVVZKLFKXQIROGHGRYHUDPRQWK
POOR PRACTICE SHULRGZDVDVIROORZV
THIS IS A FIRST ±'HFHPEHU7HQGHUSXEOLVKHG
HAND ACCOUNT ±WK-DQ'HDGOLQHIRUWKH344
FROM A DESIGN ±WK$SULO,77SXEOLVKHG
AGENCY ±WK-XQH'HDGOLQHIRU,77

CASE
±WK2FWREHU)LQDOUHVXOWDQQRXQFHG
APPLYING TO
BE ON A LOCAL 2QFHRQWKHIUDPHZRUNZHZRXOGKDYHEHHQUHTXLUHGWRSLWFK
AUTHORITY IRUIUHH IRUHDFKSLHFHRIZRUNWKDWFDPHWKURXJK:HDQVZHUHG
DOOWKHTXHVWLRQVLQWKHGHVLJQDQGPHGLDVSHFL¿FDWLRQDQG
DESIGN SURYLGHGFUHDWLYHZRUNDQGFRVWLQJVIRUDQLPDJLQDU\MREDVZHOO
AND MEDIA DVDUDWHFDUG,WWRRNRIXVZHHNVQRWFKLQJXSRYHUKRXUV
SERVICES ZRUWKRIZRUNRQWKHFUHDWLYH
FRAMEWORK 5DWKHULUULWDWLQJO\ZHFDPHWK

:KHQZHKHDUGZHZHUHQ¶WVXFFHVVIXOLQJHWWLQJRQWKH
IUDPHZRUN,DVDOZD\VDVNHGIRUIHHGEDFN:KHQ,DVNHGKRZ
RXUFUHDWLYHZRUNKDGEHHQHYDOXDWHGWKHPDUNHWLQJRI¿FHU
VDLGWKDWWKH\KDGGHFLGHGQRWWRHYDOXDWHWKHFUHDWLYHZRUN
:KHQ,LQFUHGXORXVO\DVNHGZK\,ZDVWROG³,NQRZ\RXVKRXOG

STUDY
KDYHKHDUGWKHDUJXPHQWVDERXWLW´,QVKRUWWKH\VDLGWKDWLW
ZRXOGEHFRQVLGHUHGWREHµWRRVXEMHFWLYH¶$OO,FRXOGGRLVOLVWHQ
ZLWKP\PRXWKRSHQ

,ZHQWWRWKH/RFDO$XWKRULW\DQGVSRNHWRWKHKHDGRIFRQWUDFWV
DQGODZ\HUV7KH\ZRXOGQ¶WDGPLWDQ\WKLQJDERXWQRWVFRULQJ
WKHSLWFKEXWGLGDGPLWWKDWWKH\KDGEHHQQHJOLJHQWLQGHDOLQJ
ZLWKP\FODUL¿FDWLRQHQTXLULHV7KH\OHIWWKHURRPDQGZKHQ
WKH\UHWXUQHGRIIHUHGPHRSWLRQVUHGRWKHZKROHWHQGHU
SURFHVV PRQWKVIRUHYHU\RQH RUDFFHSWDSODFHRQWKH
IUDPHZRUN

,SRLQWHGRXWWKDWWREHIDLUWKH\VKRXOGUHGRWKHZKROHSURFHVV
EXWWKDWLWSUREDEO\ZRXOGQ¶WVHUYHDQ\RQH¶VLQWHUHVW±QHLWKHU
WKH/RFDO$XWKRULW\¶VQRUDOOWKHFRPSDQLHVWKDWKDGJRQH
WKURXJKWKHSURFHVV

6RZHDFFHSWHGDSODFHRQWKHURVWHU
40 Design and the public good: creativity vs the procurement process?
Process

Recommendation 9
A best practice pilot
‘I suspect the
communication internally
:HUHFRPPHQGWKHGHYHORSPHQWRIDEHVWSUDFWLFHSLORWIRU
WKHSURFXUHPHQWRIFUHDWLYHVHUYLFHVEHJLQQLQJZLWKDVHOHFW is not eloquent enough in
QXPEHURI:KLWHKDOOGHSDUWPHQWV'HVLJQSURFXUHPHQWZRXOG
EHDQLGHDOWHVWEHGIRUUHVROYLQJW\SLFDOGLI¿FXOWLHVZLWKLQ
some respects to be able
GHSDUWPHQWVDQGHYROYLQJVRPHVLPSOHUSURFXUHPHQWPHWKRGV to brief the procurement
,IVXFFHVVIXOWKHPRGHOFRXOGEHUROOHGRXWDFURVVWKHZLGHU
SXEOLFVHFWRU person as to what they
should be trying to
achieve’
- Witness to the inquiry
Design and the public good: creativity vs the procurement process? 41
Process

Clearer messaging
*RYHUQPHQWLVDOUHDG\WU\LQJWRLPSURYHSURFXUHPHQWDQG
ZRUNLQJWRHQJDJHZLWK60(V%,6KDVUHFHQWO\ODXQFKHGDIUHH
RQOLQHSURFXUHPHQWFRXUVH:LQQLQJWKH&RQWUDFWZKLFKLVD
FRPPHQGDEOHLPSURYHPHQWIRUVXSSOLHUVWU\LQJWRZRUNZLWKWKH
SXEOLFVHFWRU7KH2*&KDVDOVRUHFHQW\SXEOLVKHGQHZJXLGDQFH
IRUSURFXUHUVRQLWVZHEVLWHµ)ODJJLQJ<RXU&RQWUDFWVWR60(V¶

+RZHYHUWKHLQTXLU\LGHQWL¿HGFRQIXVLRQ±IURPERWKEX\HUV
DQGVXSSOLHUV±RYHUH[FHVVLYHDQGFRQÀLFWLQJVRXUFHVRI
LQIRUPDWLRQRQSURFXUHPHQWLQJHQHUDOFRQWUDVWHGZLWKDQ
DEVHQFHRITXDOLW\JXLGDQFHLQWKHVSHFL¿FDUHQDRISURFXULQJ
FUHDWLYLW\

&XUUHQWVRXUFHVRIDGYLFHLQFOXGHWKH2*&%,6WKH'HVLJQ
&RXQFLO*36DQG&,367KHLQTXLU\EHOLHYHVDQG2*&
UHFRJQL]HVWKDWWKHUHLVDQHHGIRUDFOHDUDQGVWURQJSDQ
JRYHUQPHQWYRLFHRQSURFXUHPHQWDVZHOODVLPSURYHGJXLGDQFH
RQSURFXULQJGHVLJQDQGLQQRYDWLRQWRPDNHOLIHVLPSOHUIRU
ERWKVXSSOLHUVDQGEX\HUV

,QWKHORQJWHUP*RYHUQPHQWFRXOGFRQVLGHUSDVVLQJVRPH
JDWHNHHSLQJUHVSRQVLELOLWLHVWRWUDGHERGLHV7KH'%$LVDERXWWR
ODXQFKLWVDSSURYHGOLVWRIVXSSOLHUVWKH'%$'HVLJQ'LUHFWRU\
ZKLFKZLOOHQDEOHEX\HUVWRIDVWWUDFNWRWKHEHVW SURFXUHPHQW
UHDG\ FRQVXOWDQFLHVIRUWKHMRE

Recommendation 10
An information and advisory service

:HUHFRPPHQGWKHHVWDEOLVKPHQWRIDWZRZD\VHUYLFH
SURYLGLQJFOHDUJXLGDQFHWRGLUHFWSURFXUHPHQWPDQDJHUV
WRDGYLFHRQEHVWSUDFWLFH SURPRWLQJWRROVVXFKDV)RUZDUG
&RPPLWPHQW3URFXUHPHQWHQFRXUDJLQJFRQYHUVDWLRQVZLWK
VXSSOLHUVDFWLYHO\GLVFRXUDJLQJSUDFWLFHVVXFKDVIUHHSLWFKLQJ 
DQGWRKHOSGHVLJQDJHQFLHVXQGHUVWDQGWKHURDGWRZLQQLQJ
JRYHUQPHQWZRUN7KHVHUYLFHZRXOGSRLQWEX\HUVWRDVRXUFH
RISURFXUHPHQWUHDG\VXSSOLHUVDQGFRRUGLQDWHZLWKH[LVWLQJ
SURFXUHPHQWVHUYLFHVIUDPHZRUNVVXFKDVµ%X\LQJ6ROXWLRQV¶
ZKLFKFRXOGEHVWUHQJWKHQHGDQGEURDGHQHGLQOLQHZLWKFXUUHQW
EXVLQHVVVLPSOL¿FDWLRQSUDFWLFH
42 Design and the public good: creativity vs the procurement process?
Process

CASE STUDY $QDOWHUQDWLYHDSSURDFKWRSURFXULQJGHVLJQKDVEHHQSLRQHHUHG


E\WKH'HVLJQ&RXQFLOLQSDUWQHUVKLSZLWKWKH'HSDUWPHQWRI
DESIGN BUGS +HDOWKDQGWKH1+63XUFKDVLQJ 6XSSO\$JHQF\LQRUGHU
OUT: WR¿QGQHZVROXWLRQVWRWKHSUREOHPRIFRQWUROOLQJKHDOWKFDUH
DVVRFLDWHGLQIHFWLRQV +&$,V 
EFFICIENCY 
ACHIEVED 7KHFRVWRI+&$,VLVERWKKXPDQDQG¿QDQFLDO7KH\DFFRXQW
THROUGH IRURYHUGHDWKVSHUDQQXP,Q&'LI¿FLOH
LQIHFWLRQVDGGHGDQDYHUDJHRIGD\VWRSDWLHQWV¶VWD\VZLWK
A NEW DVVRFLDWHGFRVWVRI……SHUDQQXP8QVXUSULVLQJO\
APPROACH TO WKH1+6DQG'HSDUWPHQWRI+HDOWKDUHNHHQWR¿QGZD\VRI

CASE
PROCUREMENT PLQLPL]LQJWKLVGDLO\ULVN

$VDQLQLWLDOSUHSURFXUHPHQWVWHSEHIRUHDQ\EULHIRU
VSHFL¿FDWLRQZDVGHWHUPLQHGDQH[SHUWSDQHOZDVDSSRLQWHG
7KHSDQHO±ZKLFKLQFOXGHGLQWHUQDWLRQDOH[SHUWVLQSDWLHQWFDUH
FURVVLQIHFWLRQFRQWUROIXUQLWXUHPDQXIDFWXUHDQGPLFURELRORJ\
±DFWHGDVVSHFLDOLVWDGYLVRUVWRWKHSURFXUHPHQWWHDP7KH\
FRQGXFWHGUHVHDUFKLQDQXPEHURI1+6KRVSLWDOVWRLQYHVWLJDWH
WKHNH\LVVXHVLGHQWLI\FXUUHQWGHVLJQÀDZVDQGKHDUFRQFHUQVRI
VWDIISDWLHQWVFOHDQHUVDQGRWKHUVWDNHKROGHUV

7KHVHLQVLJKWVZHUHWKHQIHGLQWRWHQGHVLJQEULHIV7KHLQLWLDWLYH
EHFDPHDQRSHQLQQRYDWLRQFKDOOHQJHWRWKH8.¶VGHVLJQDQG
PDQXIDFWXULQJFRPPXQLW\WRGHVLJQDQGSURWRW\SHQHZ
IXUQLWXUHHTXLSPHQWRUVHUYLFHVIRUKRVSLWDOZDUGVWRKHOS
UHGXFH+&$,V7KHGHVLJQEULHIVZHUHDZDUGHGWRWHDPVIURP

STUDY
WKH5R\DO&ROOHJHRI$UWDQGIRXULQGXVWU\WHDPVFRQVLVWLQJRID
GHVLJQFRQVXOWDQF\DQGPDQXIDFWXUHULGHQWL¿HGYLDDQDWLRQDO
FRPSHWLWLRQ

7KHUHVXOWLQJQHZGHVLJQVLQWKHIRUPRIIXOO\ZRUNLQJ
SURWRW\SHVKDYHQRZEHHQVKRZFDVHGWRKHDOWKFDUHVWDII
SDWLHQWVDQGWKHJHQHUDOSXEOLFDWNH\KHDOWKFDUHFRQIHUHQFHV
DQGHYHQWVDURXQGWKHFRXQWU\$OPRVWHYHU\SURWRW\SHLVQRZ
PDNLQJLWVZD\WRWKHPDUNHW

$OORIWKHSURGXFWVZHUHGHVLJQHGWRPDWFKH[LVWLQJLQFXPEHQW
XQLWFRVWVDQGZKLOVWWKHUHKDVEHHQQRFOLQLFDOWULDOVRUIDWLJXH
WHVWLQJWRGDWHLWLVSUHGLFWHGWKDWWKH'HVLJQ%XJV2XWSURGXFWV
VKRXOGKDYHDSRVLWLYHHIIHFWXSRQERWKFDSLWDODQGRSHUDWLRQDO
FRVWDQGWKHUHGXFWLRQRI+&$,V,QWHOOHFWXDO3URSHUW\ZDV
UHWDLQHGE\WKH'HSDUWPHQWRI+HDOWKIRUWKHFRQFHSWVGHYHORSHG
E\WKH5&$EXWUHWDLQHGE\WKHLQGXVWU\WHDPVDOORZLQJWKHP
WRLQYHVWDQGFRPPHUFLDOO\H[SORLWWKHLULQYHQWLRQV(YDOXDWLRQ
PHWKRGVWRUHFRUGWKHGHVLJQV¶LPSDFWDUHFXUUHQWO\EHLQJ
FRQVLGHUHGE\WKH'HSDUWPHQWRI+HDOWK
Design and the public good: creativity vs the procurement process? 43
Conclusion

CONCLUSION
,QUHVHDUFKLQJZULWLQJDQGFRQVXOWLQJRQWKLVUHSRUWZHKDYH
FRQWLQXDOO\HQFRXQWHUHGDQLVVXHRISHUFHSWLRQUHODWHGWRRQH ‘There’s a confusion in
RIODQJXDJHDURXQGWKHWHUPµGHVLJQ¶7KLVLVEHVWFKDUDFWHULVHG
DVDOLPLWHGXQGHUVWDQGLQJDQGODFNRIFODULW\DERXWWKHUROH
this country between
FDSDELOLWLHVDQGSXUSRVHRIGHVLJQDQGDUHGXFWLRQRILWV designers as artists and
PHDQLQJWRQRQHVVHQWLDODHVWKHWLFV
… as people who are
,QIDFWWKHVWUDWHJLFXVHRIGHVLJQFDQHIIHFWPXFKQHHGHG
LPSURYHPHQWLQSXEOLFVHUYLFHVFDQFKDQJHEHKDYLRXUZLWKRXW
agents of change in
DGGLQJWROHJLVODWLRQRUH[SHQGLWXUHFDQEHWWHUPDWFKSURYLVLRQ
ZLWKQHHGDQGFDQEHQH¿WWKHFLWL]HQ
organisations’
- Witness to the inquiry
7KHPLVFRQFHSWLRQLVDVPXFKDFKDOOHQJHLQWKHFRXQWU\
DWODUJHDVLWLVZLWKLQWKHSXEOLFVHFWRUDQGLWLVQRWWKH
UHPLWRIWKLVUHSRUW%XWJLYHQWKHKXJHSRWHQWLDOIRUGHVLJQ
WRLQÀXHQFHTXDOLW\RISURGXFWDQGGHOLYHU\ZHEHOLHYHWKLV
PLVXQGHUVWDQGLQJFRQVWLWXWHVDVHULRXVÀDZIRUWKHSXEOLF
VHUYLFHLQGXVWULHV

,QWKHIDFHRIVHYHUHO\UHGXFHGEXGJHWVDQGLQFUHDVHGGHPDQG
SROLWLFLDQVSROLF\PDNHUVDQGSXEOLFVHFWRUPDQDJHUVDUH
FDVWLQJDERXWIRUWKHPDJLFVROXWLRQWKHEHWWHUZD\RIGRLQJ
WKLQJV'HVLJQFDQKHOS7KHFULWLFDOTXHVWLRQLVKRZWRXQORFN
WKLVSRWHQWLDOIRUWKHSXEOLFVHFWRU,QWDFNOLQJWKHSURFXUHPHQW
ODQGVFDSHZHKRSHZHKDYHJRQHVRPHZD\WRSURYLGLQJ
DQVZHUV

7KLVUHSRUWFDOOVIRUPRUHWKDQOLSVHUYLFHIURP*RYHUQPHQWLQ
VXSSRUWRIRXUFUHDWLYHLQGXVWULHVIRUDQDXWKHQWLFFRPPLWPHQW
WRXQGHUVWDQGLQJDQGGHSOR\LQJGHVLJQHIIHFWLYHO\IRUWKHEHQH¿W
RIDOO
44 Design and the public good: creativity vs the procurement process?
Design and the public good: creativity vs the procurement process? 45
Appendix

APPENDIX
A possible prototype
Public Sector Design Buying Process - Initial Decision Tree

What are you What is your Process


commissioning? budget?

Corporate identity Up to £12,000 Three written quotes


Branding
Packaging
Annual reports £12,001 - £60,000 Short list - 3 to 6 to pitch
Digital (non web)
Website
Exhibition/Events £60,001 - £100,000 Long list - short list, 6 to pitch
Literature
Product design
Service design
Innovation Over £100,001 Full OJEU process
(inc framework or roster)

(DBA)

What are you commissioning?


7KLVER[FRYHUVWKHW\SHRIVHUYLFHWKDWWKHEX\HULVORRNLQJWRFRPPLVVLRQ7KHUHDVRQ
IRUEUHDNLQJLWGRZQWRWKLVOHYHOLVEDVHGRQWKHEULH¿QJIRUPDWUHTXLUHG7\SLFDOO\
WKHEULHIIRUDQDQQXDOUHSRUWGRFXPHQWRUOLWHUDWXUHZLOOEHGLIIHUHQWIURPDEUDQGLQJ
SURMHFWRUDQH[KLELWLRQVWDQG$EULH¿QJWHPSODWHZLOOEHGHYHORSHGIRUHDFKVHUYLFHWKDW
UHÀHFWVWKHLQIRUPDWLRQQHHGHGE\WKHGHVLJQHUWRVWDUWWKLQNLQJDERXWWKHSURMHFWDQG
ZLOOHQDEOHWKHPWRHLWKHUSUHSDUHDSURSRVDORUFRPHSUHSDUHGWRDPHHWLQJRUSLWFK

What is your budget?


7KLVLVDUHFRPPHQGDWLRQEDVHGRQW\SLFDOSURMHFWYDOXHV7KHSXUSRVHKHUHLVWREHWWHU
UHÀHFWWKHYDOXHRIWKHSURMHFWDJDLQVWWKHWLPHLWWDNHVWRGHYHORSDUHVSRQVH7KLVZLOO
ZRUNIRUERWKWKHFRPPLVVLRQHUDVZHOODVWKHDJHQF\

Process
7KHSURFHVVHVUHÀHFWWKHWLPHUHTXLUHGWRSURFXUHDVDWLVIDFWRU\UHVXOWEDVHGRQWKH
YDOXHRIWKHSURMHFWDQGWKHQHHGVRIDFRPPLVVLRQLQJFOLHQW7KLVZLOOHQVXUHWKDWWKH\
ERWKKDYHDQDXGLWWUDLOLQSODFHDVZHOODVQRWORVLQJSRVVLEOHGHYHORSPHQWWLPHIRUWKH
SURMHFWE\KDYLQJWRVSHQGDODUJHUSURSRUWLRQRIWKHGHOLYHU\WLPHIUDPHVHOHFWLQJD
VXLWDEOHDJHQF\

(DFKSURFHVVLVH[SODLQHGIXUWKHULQDORQJHUGRFXPHQWZKLFKZLOOEHDYDLODEOHRQ
WKH'%$ZHEVLWHIROORZLQJDFRQVXOWDWLRQSHULRG ZLWKWKHH[FHSWLRQRIWKHIXOO2-(8
SURFHVVZKLFKLVDOUHDG\GRFXPHQWHGHOVHZKHUH 7KHVHKDYHEHHQSUHSDUHGIRU
GLVFXVVLRQDQGDWWKLVVWDJHGRQRWQHFHVVDULO\UHSUHVHQWD¿QDOUHFRPPHQGDWLRQ,W
LVH[SHFWHGWKDWWKHUHZLOOEHVRPHGLVFXVVLRQHVSHFLDOO\ZKHQLWFRPHVWRGLIIHUHQW
VHUYLFHVDQGWKHZD\HDFKDJHQF\LQWKDWVHFWRUUXQVDSURMHFW
46 Design and the public good: creativity vs the procurement process?
Appendix

Definition of terms
$VGH¿QHGLQWKH&R[5HYLHZ

Creativity
7KHJHQHUDWLRQRIQHZLGHDV±HLWKHUQHZZD\VRIORRNLQJDW
H[LVWLQJSUREOHPVRURIVHHLQJQHZRSSRUWXQLWLHVSHUKDSVE\
H[SORLWLQJHPHUJLQJWHFKQRORJLHVRUFKDQJHVLQPDUNHWV

Design
/LQNVFUHDWLYLW\DQGLQQRYDWLRQ,WVKDSHVLGHDVWREHFRPH
SUDFWLFDODQGDWWUDFWLYHSURSRVLWLRQVIRUXVHUVRUFXVWRPHUV
'HVLJQPD\EHGHVFULEHGDVFUHDWLYLW\GHSOR\HGWRDVSHFL¿FHQG

Innovation
7KHVXFFHVVIXOH[SORLWDWLRQRIQHZLGHDV,WLVWKHSURFHVVWKDW
FDUULHVWKHPWKURXJKWRQHZSURGXFWVQHZVHUYLFHVQHZZD\VRI
UXQQLQJWKHEXVLQHVVRUHYHQQHZZD\VRIGRLQJEXVLQHVV

Dedication
:HZRXOGOLNHWRGHGLFDWHWKLVUHSRUWWR$ODQ%LUGDQH[KLELWLRQ
GHVLJQHUDQGWKHLQVSLUDWLRQIRUWKLVSLHFHRIZRUN

$VWKHRZQHURIDVPDOOEXVLQHVV$ODQZDVRYHUFRPHE\
SURFXUHPHQWSURFHVVHVWKDWPDGHLWDOPRVWLPSRVVLEOHIRUKLP
WRWUDGHZLWKWKHSXEOLFVHFWRUGHVSLWHDVXFFHVVIXOWUDFNUHFRUG
VSDQQLQJ\HDUV,WZRXOGPDNHD¿WWLQJOHJDF\WR$ODQLIWKH
IXWXUHIRURWKHUGHVLJQHUVFRXOGEHLPSURYHGVRWKDWGHVLJQDQG
*RYHUQPHQWFRXOGZRUNKDQGLQKDQG
Design and the public good: creativity vs the procurement process? 47
Appendix

Panel Members
%DURQHVV-DQHW:KLWDNHU+RXVHRI/RUGV FRFKDLU
%DURQHVV(VWHOOH0RUULV+RXVHRI/RUGV FRFKDLU
'HERUDK'DZWRQ&KLHI([HFXWLYH'HVLJQ%XVLQHVV$VVRFLDWLRQ
-XOLDQ*ULFH&(27KH7HDP
/DXUD+D\QHV&KDLU$SSHWLWH
'DYLG*RGEHU'HSXW\&KLHI([HFXWLYH'HVLJQ&RXQFLO

Inquiry Witnesses
$QG\1RUPDQ  %UDQGDQG'HVLJQ0DQDJHU2*&
$QGUHZ3ULQFH 'LUHFWRURI3XEOLFDWLRQV&HQWUDO2I¿FHRI,QIRUPDWLRQ
&ROXP/RZH  IRUPHU+HDGRI'HVLJQDQG+XPDQ)DFWRUVDWWKH1DWLRQDO
   3DWLHQW6DIHW\$JHQF\
'XQFDQ(DWRQ  1RQ([HFXWLYH'LUHFWRU%,36ROXWLRQV
(PLO\7KRPDV  'HVLJQ&RXQFLO3ROLF\$GYLVRU
*XV'HVEDUDWV  &KDLU7KH$OOR\
-DQ&DVH\  ,QGHSHQGHQW'HVLJQ&RQVXOWDQW
-LOO0RUWLPHU  /HDG$QDO\VWIRU+RUL]RQ6FDQQLQJ/*$
-LP'DZWRQ  'HVLJQ,W/RQGRQ
-XOLD6FKDHSHU  6HUYLFH'HVLJQHUDQG$VVRFLDWH1+6,QVWLWXWHIRU,QQRYDWLRQ
   DQG,PSURYHPHQW
.DVSHUGH*UDDI &KDLU$,*
.DWH%ODQGIRUG .DWH%ODQGIRUG&RQVXOWLQJ
1LJHO.HRKDQH  6HQLRU5HVHDUFKHU1HZ/RFDO*RYHUQPHQW1HWZRUN
3HJJ\&RQQRU  %XVLQHVV'LUHFWRU$$5*URXS
3KLO'HDQ  7KRPSVRQ%UDQG3DUWQHUV
5LFKDUG6ODGH  *UDSKLF'HVLJQHU&RPPXQLFDWLRQVDQG0DUNHWLQJ7HDP
   +05&
5REHUW+DUGPDQ 3URFXUHPHQW&DWHJRU\0DQDJHU2*&
6HDQ2¶+DOORUDQ +RRS$VVRFLDWHV
6LPRQ0D\  ,QGHSHQGHQW'HVLJQ&RQVXOWDQW
6WLDQ:HVWODNH ([HFXWLYH'LUHFWRURI3ROLF\DQG5HVHDUFK1(67$

Written submissions
2*&
&$%(
'HVLJQ&RXQFLO
6RXWK:HVW'HVLJQ)RUXP
'%$0HPEHUV

$OOSXOORXWTXRWHVLQWKLVUHSRUWDUHWDNHQIURPWKHLQTXLU\WUDQVFULSWVZLWQHVVHVWR
WKHLQTXLU\
48 Design and the public good: creativity vs the procurement process?
Bibliography

BIBLIOGRAPHY
&RPPLVVLRQRIWKH(XURSHDQ&RPPXQLWLHV&RPPLVVLRQ6WDII:RUNLQJ'RFXPHQW
'HVLJQDVDGULYHURIXVHUFHQWUHGLQQRYDWLRQ%UXVVHOV$SULO

&R[*&R[5HYLHZRI&UHDWLYLW\LQ%XVLQHVV%XLOGLQJRQWKH8.¶V6WUHQJWKV
+07UHDVXU\-DQXDU\

'DQLVK1DWLRQDO$JHQF\IRU(QWHUSULVH7KH(FRQRPLF(IIHFWVRI'HVLJQ
6HSWHPEHU

'HSDUWPHQWIRU%XVLQHVV(QWHUSULVH 5HJXODWRU\5HIRUP %(55 0DQXIDFWXULQJ


1HZ&KDOOHQJHV1HZ2SSRUWXQLWLHV6HSWHPEHU

'HSDUWPHQWIRU%XVLQHVV,QQRYDWLRQDQG6NLOOV*RLQJIRU*URZWK2XU)XWXUH
3URVSHULW\-DQXDU\

'HSDUWPHQWIRU&XOWXUH0HGLDDQG6SRUW&UHDWLYH%ULWDLQ1HZ7DOHQWVIRUWKH1HZ
(FRQRP\)HEUXDU\

'HSDUWPHQWIRU,QQRYDWLRQ8QLYHUVLWLHVDQG6NLOOV ',86 ,QQRYDWLRQ1DWLRQ


0DUFK

'HSDUWPHQWRI7UDGHDQG,QGXVWU\ '7, &UHDWLYLW\'HVLJQDQG%XVLQHVV


3HUIRUPDQFH(FRQRPLFV3DSHU1R1RYHPEHU

'HVLJQ&RXQFLO5HVHDUFKDQG.QRZOHGJH7HDP'HVLJQ&RXQFLO%ULH¿QJ
7KHUROHRIGHVLJQLQSXEOLFVHUYLFHV1RYHPEHU

+0*RYHUQPHQW3XWWLQJWKH)URQWOLQH)LUVW6PDUWHU*RYHUQPHQW'HFHPEHU

+07UHDVXU\$FFHOHUDWLQJWKH60(HFRQRPLFHQJLQHWKURXJKWUDQVSDUHQWVLPSOHDQG
VWUDWHJLFSURFXUHPHQW1RYHPEHU

+07UHDVXU\2SHUDWLRQDO(I¿FLHQF\3URJUDPPH¿QDOUHSRUW$SULO

+07UHDVXU\3XEOLF([SHQGLWXUH6WDWLVWLFDO$QDO\VHV-XQH

0RXOWULH-DQG/LYHVH\),QWHUQDWLRQDO'HVLJQ6FRUHERDUG8QLYHUVLW\RI&DPEULGJH
,QVWLWXWHIRU0DQXIDFWXULQJ$SULO

0XOJDQ*5HDG\RU1RW"7DNLQJLQQRYDWLRQLQWKHSXEOLFVHFWRUVHULRXVO\1(67$
$SULO

1DWLRQDO$XGLW2I¿FH,QQRYDWLRQDFURVVFHQWUDOJRYHUQPHQW0DUFK
Design and the public good: creativity vs the procurement process? 49
Bibliography

1(67$7KH,QQRYDWLRQ,QGH[0HDVXULQJWKH8.¶VLQYHVWPHQWLQLQQRYDWLRQDQGLWV
HIIHFWV1RYHPEHU

2*&'ULYLQJ,QQRYDWLRQ7KURXJK3XEOLF3URFXUHPHQW

2*&3ROLF\7KURXJK3URFXUHPHQW$FWLRQ3ODQ-DQXDU\

3RWWV'U-DQG.DWH0RUULVRQ1XGJLQJ,QQRYDWLRQ1(67$$SULO

3UR,QQR(XURSH(XURSHDQ,QQRYDWLRQ6FRUHERDUG&RPSDUDWLYHDQDO\VLVRI
LQQRYDWLRQSHUIRUPDQFH-DQXDU\

7KH:RUN)RXQGDWLRQ6WD\LQJDKHDGWKHHFRQRPLFSHUIRUPDQFHRIWKH8.¶VFUHDWLYH
LQGXVWULHV'HSDUWPHQWIRU&XOWXUH0HGLDDQG6SRUW-XQH

:KLFKHU$*LVHOH5DXOLN0XUSK\DQG*DYLQ&DZRRG6((3ROLF\%RRNOHW
,QWHJUDWLQJ'HVLJQLQWR5HJLRQDO,QQRYDWLRQ3ROLF\6((3URMHFW1RYHPEHU
50 Design and the public good: creativity vs the procurement process?
Associate Parliamentary Design & Innovation Group and the DBA

ASSOCIATE PARLIAMENTARY
DESIGN & INNOVATION GROUP
7KH$3',*LVWKHOHDGLQJDGYRFDWHIRUGHVLJQDQGLQQRYDWLRQLQ3DUOLDPHQW
HVWDEOLVKHGLQE\DJURXSRI03VDQG3HHUVOHGE\%DUU\6KHHUPDQ03

2XUSURMHFWVDFWLYLWLHVDQGUHVHDUFKEULQJWRJHWKHU3DUOLDPHQWDULDQVUHSUHVHQWDWLYHV
IURPWKHGHVLJQVHFWRUDQGLQQRYDWLRQLQGXVWULHVDVZHOODVDFDGHPLFVFLYLO
VHUYDQWVDQGSROLF\PDNHUV:HDUHDWUXVWHGDQGUHOLDEOHVRXUFHRILQIRUPDWLRQIRU
3DUOLDPHQWDULDQVDQGLQGXVWU\PHPEHUV

7KH$3',*¶VPLVVLRQLVWRFRPPXQLFDWHZLWKLQ3DUOLDPHQWWKHHQRUPRXVSRWHQWLDO
YDOXHRIGHVLJQLQQRYDWLRQDQGWKHFUHDWLYHLQGXVWULHVIRUERWKWKHSXEOLFDQGSULYDWH
VHFWRUDQGVRFLHW\DWODUJH:HSURPRWHH[FKDQJHDQGXQGHUVWDQGLQJWRHQDEOH
3DUOLDPHQWDULDQVWRHQKDQFHWKHLUNQRZOHGJHRIWKHLVVXHVDQGSULRULWLHVIRUWKHGHVLJQ
DQGLQQRYDWLRQVHFWRUV

7KHUHPLWRIWKH$3',*LVYHU\EURDGDQGWKHJURXSSUHVLGHVRYHUDGLYHUVHUDQJHRI
DFWLYLWLHV2XUZRUNYDULHVDFFRUGLQJWRWKHQHHGVRIRXUSDUOLDPHQWDU\PHPEHUVDQG
RXUSURJUDPPHLVFRQWLQXDOO\HYROYLQJ

$VDQ$OO3DUW\3DUOLDPHQWDU\*URXSZHIDFLOLWDWHGLVFXVVLRQLQDQHXWUDODQGWUXVWHG
HQYLURQPHQWZKHUHRXU3DUOLDPHQWDU\PHPEHUVFDQPHHWWKHH[SHUWVWKH\QHHGWR
NHHSXSWRGDWHZLWKGHYHORSPHQWVDQGOHDGLQJHGJHSUDFWLFHLQGHVLJQDQGLQQRYDWLRQ

DBA
7KH'HVLJQ%XVLQHVV$VVRFLDWLRQLVWKHWUDGHDVVRFLDWLRQIRUWKHGHVLJQLQGXVWU\LQWKH
8.:HSURPRWHSURIHVVLRQDOH[FHOOHQFHSURGXFWLYHSDUWQHUVKLSVEHWZHHQFRPPHUFH
DQGWKHGHVLJQLQGXVWU\DQGFKDPSLRQHIIHFWLYHGHVLJQZKLFKLPSURYHVWKHTXDOLW\RI
SHRSOH¶VOLYHV

'HVLJQ%XVLQHVV$VVRFLDWLRQ 
2OG6WUHHW HQTXLULHV#GEDRUJXN
/RQGRQ(&9+; ZZZGEDRUJXN

Designed by Lloyd Northover & Richard P Chapman Design Associates


)RUIXUWKHULQIRUPDWLRQSOHDVHFRQWDFW
-RFHO\Q%DLOH\*URXS0DQDJHU

$VVRFLDWH3DUOLDPHQWDU\'HVLJQ 
,QQRYDWLRQ*URXS
3ROLF\&RQQHFW
&$10H]]DQLQH
/RPDQ6WUHHW
/RQGRQ6((+


GHVLJQ#SROLF\FRQQHFWRUJXN

ZZZSROLF\FRQQHFWRUJXN

3ULQWHGRQUHF\FOHGSDSHU

Você também pode gostar