Escolar Documentos
Profissional Documentos
Cultura Documentos
10 Bosworth ST.
Boston, MA
Table of Content
Adjacency and Criteria Matrixes
Historical Style and Transitional Home Research
Concept Statement
Color Palette Exercise
Furniture, Finishes, and Lighting Specification Sheets
Code Study
Perspective Illustrations and Sample Boards
Cost Estimation Table
Project CAD Drawings
Project Solution Justification (Week 6)
Adjacency Matrix
This adjacency matrix depicts mandatory, desirable, neutral, and negative adjacencies for the Federal style Transitional Home in Boston, MA
Key
Mandatory
Reason Codes
1. Privacy and Security
2. Ample Daylight/Scenic Views
3. Convenience
Desirable
Neutral
Negative
Spaces
Adjacency
Quantity
SQFT.
Public Access
Privacy
Plumbing
Data/Phone
Notes
Entry
2,3
154 sqft.
N/L
Public Restroom
1,3
55 sqft.
N/M
Directors Office
1,2
258 sqft.
N/M
1 Bedroom Apt
5,6
2095 sqft.
Y/H
Must have
kitchen/dining area,
bathroom, living room
w/ seating for 4 and TV
area, storage/closet
2 Bedroom Apt
4,6
3826 sqft.
Y/H
Must have
kitchen/dining area,
bathroom, living room
w/ seating for 4 and TV
area, storage/closet
Gathering Space
4,5
1148 sqft.
Y/H
Key:
Y=Yes
N=No
H=High
M-Moderate
L=Low
In Rockland, Maine New Hope for Women manages six separate residences that
provide support, education, and a safe living space for women and children who
have experienced domestic/dating violence, stalking, and homelessness. Each
home provides the women with private bedrooms and shared bathrooms. The
living areas and the kitchen are communal areas and can be accessed at any
time. Both areas are designed to foster a sense of community amongst the
residents. There are also playrooms for the children in each home. The program
partners with various design organizations and student groups who volunteer
their time and services to renovate or remodel the residences. According to
Hannah Harter-Ives, a Transitional Services Advocate with New Hope for
Women, safety is the primary concern of the program. The locations of the
houses are kept confidential, and women are placed in the home that is the
furthest away from the area where their abuse occurred. New Hopes program
last two years and seeks to equip the residents with the tools they need to have
stable, independent lives and provide for their children (Harter-Ives).
The transitional homes we investigated all shared many commonalities,
despite their geographic diversity. The programs were all comprehensive,
extending far beyond merely providing physical shelter. The residents of all of
the homes had access to extensive counseling, job training, health services, and
childcare. The facilities all featured private bedrooms with communal
bathrooms and common living and dining spaces. It was clear that creating an
environment that allowed the residents to form a sense of community and
gather was important to the programs. The women and children who reside in
these transitional homes have all experienced abuse and trauma, and therefore,
creating a calm, peaceful environment was very important. All three transitional
homes interviewed cited the safety of the women and children using the shelters
as their top priority. Creating a safe and secure facility for the residents is
important, but the space needs to feel and function like a home. Transitional
houses are a lifeline to women in crisis, and can provide them both the safety
and respite they need to recover and rebuild their lives. In addition to being
professionally challenging, the opportunity to design a transitional house for
women in need would be extremely rewarding.
Begin by researching general information about the historic style. Fill in the chart with images, notes and web links. The chart will
expand as you insert images and type in the information.
Country: AMERICA
Overview of Style
Image(s)
Notes
Rectangular shape
with strict symmetry
Semicircular/elliptical fan
lights over entry.
Door surrounds with
decorative crowns.
Columns
fig
.1
Referred to as Federal
design based on young
countrys Federalist period.
Web Link
http://www.californiapaints.c
om/find-color/colorcollections/historical-colorsof-america/federalcolors.aspx
http://www.historicnewengla
nd.org/historicproperties/homes/otishouse
Palladian windows
Decorative motifs
either carved in
wood or cast in
plaster and applied
to
mantels/walls/ceiling
s include: swags,
garlands, urns, and
classical geometric
patterns.
cultivated.
Cornice with
decorative molding
(modillions-refined
dentils).
https://www.metmuseum.or
g/toah/works-of-art/12.121/
Plaster
Wood: pine,
mahogany, etc.
Marble
Fig. 3
Fireplace surround at James
Duncan House (1805), Haverhill,
MA. Materials: White pine,
plaster, and marble.
Typical Textiles:
Patterns:
Stripes
Floral
Scenic motifs
Patriotic motifs
Classical motifs
https://www.metmuseum.or
g/toah/works-of-art/12.121/
Materials:
Velvets
Often draped in
elaborate designs
Fig. 4
Craig House (1810), Baltimore,
MD.
Research the historic style in more detail. For each category, research a total of 4 different details. Record the image, description of
the detail and web links in the chart below. The chart will expand as you insert images and type in the information.
Wall Details
Identify typical:
Finish: Smooth
plaster
Colors: muted
oranges, wheats,
blues, greens,
creams, and rose
Wallcoverring
patterns: Stripes,
florals, scenic
prints.
Applied
ornamentation
details: swags,
floral garlands,
pilasters,
Wainscot details:
simple geometric
forms (rectangles
and ovals). Most
often white, but can
be wood tone or
painted.
Image
Description
WALLCOVERING
Fig. 5
Web Link
http://www.metmuseum.o
rg/toah/works-ofart/68.137/
Crown molding:
dentil or other
classical detailing,
most often white
but can be wood
tone
Base molding:
usually 4-6 inches
tall with a beaded
trim on top.
Dado design:
Intricately carved
wood or wood with
plaster relief. Most
often white, but
could be wood tone
or painted muted
shade
Pilasters: found on
fireplace surrounds,
CHAIR RAIL
Delicate in proportion
Fig. 6
https://www.metmuseum.
org/toah/works-ofart/18.101.1-.4/
window casements,
alcove surrounds,
and doorway
surrounds. Often
used in front
entries.
WAINSCOTING
Painted white
http://www.loc.gov/pictur
es/resource/hhh.ma0588
.photos.078116p/
Fig. 7
Wainscoting in Lt. Governor Simeon
Martin House (1810), Seekonk, MA
PILASTERS
Fig. 8
https://www.metmuseum.
org/toah/hd/fede/hd_fede
.htm
Ceiling Details
Identify typical:
Colors: most often
white or very light
colors
Crown molding:
dentil, Greek key,
Fret or other
classical detailing
were most common
designs, most often
white but can be
wood tone
Applied
ornamentation
details: Rosettes
and medallions with
garlands and swags
fireplace surround.
Image
Description
CORNICE
Fig. 9
Cornice from James Duncan House
(1805), Haverhill, MA.
Web Link
https://www.metmuseum.
org/toah/works-ofart/12.121/
MEDALLIONS
Fig. 10
William C. Williams house (1810),
Richmond, VA
http://www.metmuseum.o
rg/toah/works-ofart/68.137/
CROWN MOLDING
Fig. 11
Exaggerated dentil crown molding in
Philips House (1820), Salem, MA
http://www.historicnewen
gland.org/historicproperties/homes/phillips
-house/phillips-housephoto-gallery#
Fig. 12
Otis House (1796), Boston, MA
Flooring Details
Identify typical:
Floor material
types
Tile: Flag stone
Wood: Pine
flooring was
common with
yellow pine in
Southern states.
Upper class homes
had tongued-andgrooved flooring.
Stones: Marble
was only used in
the most wealthy
of homes
Design patterns:
Diamond patterns,
painted solid
colors, white
Image
Description
Fig. 13
Varied by location
Plain or painted/stenciled
wood planks (pine,
mahogany, oak) for
bedrooms and reception
Web Link
http://www.historicnewen
gland.org/historicproperties/homes/phillips
-house/phillips-housephoto-gallery#swipebox
marble, flag
stones, floorcloths
were stenciled or
marbleized to
protect carpeted
floors in warmer
weather
Carpet Designs:
Polygonal, floral,
Neo-classical
motifs
Carpeting types:
Carpets were
imported and had
laid wall-to-wall
being tacked to the
floor
Fig. 14
http://www.historicnewen
gland.org/historicproperties/homes/phillips
-house/phillips-housephoto-gallery#swipebox
used and
marbleized or
stenciled with
designs (The
Elements of Style
228).
Base molding
design: usually 46 inches tall with a
beaded trim on
top. Later in the
period,
baseboards were
replaced in rooms
with wainscoting to
heavily moulded
grained or
marbleized skirting
baseboards (The
Elements of Style
214).
Wall to wall
http://www.apartmentther
apy.com/style-guidefederalstyle-ameri150806
Fig. 15
Fig. 16
Door Details
Identify typical:
Interior features
and sizes: sixpaneled door with
H-L hinges and
occasional box
lock, wooden
tracery, applied
stuccowork
Image
Wood types,
grains, and
colors:
Frame molding:
Ovolo, swannecked pediment,
fluted pilasters,
ornate door frames
Applied
ornamentation:
Fanlights,
elaborate frieze
motifs, rosettes,
pilasters,
gougework, rope
molding, central
Fig. 17
Description
Web Link
http://www.federalstyle.c
om/AskTheAuthors/AskT
heAuthorsDoor.html
fluted patera,
swags, urns,
console brackets,
ornate door
knockers in silver
or brass
Design of
brackets and
escutcheons if
used: Simple
covered
escutcheons,
spring locks, box
locks
Design of
sidelights if used:
Design of
transom if used:
Fanlights with
tracery elements,
spokes
Fig. 18
Surrounded by ornate
molding and small rectangle
sidelights
http://www.historicnewen
gland.org/historicproperties/homes/phillips
-house/phillips-housephoto-gallery#swipebox
Fig. 19
http://www.historicnewen
gland.org/historicproperties/homes/otishouse/otis-house-photogallery-1#swipebox
http://www.historicnewen
gland.org/historicproperties/homes/otishouse/otis-house-photogallery-1#swipebox
Fig. 20
Window Details
Identify typical:
Window styles
and sizes: classic
pedimented sixover-six sash
windows with
louvered shutters,
tall, tripartite
window, full-length
casement
windows, palladian
windows, Greek
Revival window
Image
Description
Web Link
http://www.historicnewen
gland.org/historicproperties/homes/otishouse/otis-house-photogallery-1#swipebox
surrounds, sash
windows, fanlights,
domer windows,
semi-circular
lunette windows
(The Elements of
Style 211-3).
Drapery fabrics,
colors, patterns:
Stripes were a
very common
textile pattern in
the Federal period.
Trim was used
extensively on
textiles. Elaborate
draping of textiles
was used in
Window
treatments.
Fig. 21
Fig. 22
Wood types
used:
Applied
ornamentation
details: Fanlights
were set above,
recessed arches
with garlands,
delicate molded
pilasters, traceries
Fig. 23
https://books.google.com
/books?id=G6bwEDoS6d
AC&pg=PA12&dq=feder
al+architectural+style&hl
=en&sa=X&ved=0ahUKE
wiJlNX026bLAhUJuoMK
HSikAqwQ6AEINzAF#v=
onepage&q=federal%20
architectural%20style&f=
false
https://architecturestyles.
files.wordpress.com/201
1/10/copy-ofimg_0740.jpg
in fanlights, inset
arches, keystone
lintels, flat lintels,
frieze, applied
decoration of
swags and
garlands (Duffes
150).
Applied metals
used for
accessorizing:
lead for muntins in
tracery
windows/fanlights,
iron
Furniture Details
Identify typical:
Upholstery
fabrics: Colors:
pastel, light,
creamy, dull
colors and
accented with rich
colors or white.
Patterns: Stripes,
garlands, bows,
ribbons, oval
shapes, classic
http://www.historicnewen
gland.org/historicproperties/homes/otishouse/otis-house-photogallery-1#swipebox
Fig. 24
Image
Description
BREAKFRONT
Hepplewhite Style
1790- 1815
Web Link
http://artgallery.yale.edu/
collections/objects/39333
Wood types:
Mahogany
(Common),
satinwood, curly
maple (less
common) pine,
maple (less
common
however these
were stained to
make them look
like rosewood)
Applied
ornamentation:
Veneers, burl
veneers, painted
elements, gilding
of materials, brass
or wood turned
finials.
Details: Furniture
Fig. 25
SECRETARY DESK
Sheraton Style
1785 - 1805
Fig. 26
Drake feet
http://artgallery.yale.edu/
collections/objects/51270
Applied metals:
Brass is the most
common. This was
in the form of
drawer pulls and
knobs, casters,
feet, finials, and
nail heads.
Feminine vs.
masculine:
Federal furniture
was feminine in
appearance as it
was moving away
from the
Chippendale style.
Hepplewhite can
be classified as
feminine with
sweeping curves,
while Sheraton
focused on straight
lines (Aronson
DINING CHAIR
Hepplewhite Style
1795-1800
Fig. 27
TEA TABLE
Sheraton Style
1800 1818
Fig. 28
Graceful appearance
http://artgallery.yale.edu/
collections/objects/38256
http://artgallery.yale.edu/
collections/objects/58946
209).
Please note: Built-in
furniture became to
become more common as
room shapes varied and
were sometimes oddly
shaped so built-in
furniture provided storage
for glassware and
porcelain items (Calloway
225).
Finishes:
Porcelain, clear
glass, etched
glass, silver, brass,
ceramics, crystal
and glazed pottery
Image
Description
SHELF CLOCK
1795-1805
Web Link
http://artgallery.yale.edu/
collections/objects/35179
from England
Decorative Items:
Carpets, fine
textiles,
wallpapers, shelf
clocks, floor
clocks, glassware,
ceramics, and
china (Duffes 22830).
Fig. 29
TEAPOT
1785-1800
http://artgallery.yale.edu/
collections/objects/17986
8
5 x 9 5/8 x 5
Fig. 30
Fig. 31
http://artgallery.yale.edu/
collections/objects/38357
PLATE
ca. 1790-1810
9 7/8 dia.
Chinese made
Fig. 32
Lighting Details
Identify typical:
Color: Dim, yellow
light from candles,
beeswax and
spermaceti burned
brightest. Argand
lamps gave bright
light as well. The
more airflow, the
better the light.
Image
Description
WALL SCONCE
http://artgallery.yale.edu/
collections/objects/75634
Web Link
http://artgallery.yale.edu/c
ollections/objects/57711
Style of design:
Most of the lighting
was either candle
light or burned on
oil. Candles were
expensive and time
consuming to
make. They were
usually in beef
tallow, bayberries,
beeswax, or
spermaceti. Betty
lamps burned either
fish or animal oil, so
these smoked and
produced odors.
1800 produced
brass and glass
lamps that would
burn whale oil and
was brighter. These
could be
freestanding,
sconces, or as
chandeliers with
crystal elements
and gilt bronze.
Lamp shades:
These were
typically glass and
were sometimes
etched. It helped to
Fig. 33
LAMP
http://artgallery.yale.edu/
collections/objects/38461
4 1/8 x 3 x 2
Fig. 34
CANDLESTICK HOLDERS
Forms:
Candlesticks,
Argand lamps
(freestanding,
suspended, or
sconces),
freestanding glass
lamps, chandeliers,
and candelabras.
Finished
materials: Brass,
crystal, glass, tin,
Sheffield plate, iron,
and silver (Duffes
186-7).
Silver
5 5/8 H x 4 Dia.
http://artgallery.yale.edu/
collections/objects/36979
Fig. 35
ARGAND LAMP
Sheet iron
Silver
http://tinyurl.com/jzjmlqg
Fig. 36
Argand Lamp
Fig. 37
Candelabras were
constructed of brass and
crystal elements for
decorative purposes, but
were lightweight in style
compared to those of the
Rococo period.
http://www.historicnewen
gland.org/historicproperties/homes/rundlet
-may-house/rundlet-mayhouse-photogallery#swipebox
Fig. 38
FIGURE REFERENCE:
Fig. 1: Otis House. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
http://www.historicnewen
gland.org/historicproperties/homes/phillips
-house/phillips-housephoto-gallery#swipebox
Fig. 2: Parlor from the James Duncan Jr. house, Haverill, Massachusetts. metmuseum.org. The Metropolitan Museum of Art, 2016.
Web. 5 Mar 2016.
Fig. 3: Parlor from the James Duncan Jr. house, Haverill, Massachusetts. metmuseum.org. The Metropolitan Museum of Art, 2016.
Web. 5 Mar 2016.
Fig. 4: Mantel from Drawing Room of the Craig House, Baltimore, Maryland. metmuseum.org. The Metropolitan Museum of Art,
2016. Web. 5 Mar 2016.
Fig. 5: Parlor from the William C. Williams House. metmuseum.org. The Metropolitan Museum of Art, 2016. Web. 5 Mar 2016.
Fig. 6: Parlor from the James Duncan Jr. house, Haverill, Massachusetts. metmuseum.org. The Metropolitan Museum of Art, 2016.
Web. 5 Mar 2016.
Fig. 7: Haskel, Arthur C. Int- Staircase and Hallway. - Lieutenant Governor Simeon Martin House, County Street, Seekonk, Bristol
County, MA., 1935. Library of Congress Prints and Photographs Division Washington, D.C. loc.gov. Web. 5 Mar 2016.
Fig. 8: Mantel from Drawing Room of the Craig House, Baltimore, Maryland. metmuseum.org. The Metropolitan Museum of Art,
2016. Web. 5 Mar 2016.
Fig. 9: Parlor from the William C. Williams House. metmuseum.org. The Metropolitan Museum of Art, 2016. Web. 5 Mar 2016.
Fig. 10: Parlor from the William C. Williams House. metmuseum.org. The Metropolitan Museum of Art, 2016. Web. 5 Mar 2016.
Fig. 11: Phillips House: Dining Room. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
Fig. 12: Otis House: Dining Room. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
Fig. 13: Phillips House: Kitchen. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
Fig. 14: Phillips House: Player Piano. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
Fig. 15: Hoffman, Anna. Style Guide: Federal Style American Furniture. Apartment Therapy. 7 Jul. 2011. Web. 4 Mar. 2016
<http://www.apartmenttherapy.com/style-guide-federalstyle-ameri-150806>.
Fig. 16: Roth, Eric. New Old House. Google Books. Web. 2008. 4 March 2016.
<https://books.google.com/books?id=OAhT2hZvCIoC&pg=PA63&dq=federal+style+flooring&hl=en&sa=X&ved=0ahUKEwiRnZbx6Kf
LAhUBcCYKHTJnBPoQ6AEIVDAG#v=onepage&q=federal%20style%20flooring&f=false>.
Fig. 17: Ask the Authors. Federal Style Orders. 2007. Web. 4 March 2016.
<http://www.federalstyle.com/AskTheAuthors/AskTheAuthorsDoor.html>.
Fig. 18: Phillips House: Front Hall. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
Fig. 19: Otis House: Boarding House Room. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016
Fig. 20: Otis House: Withdrawing Room. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016
Fig. 21: Otis House. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016
Fig. 22: Harris, Cyril M. Google Books. 1996. Web. 4 March 2016.
https://books.google.com/books?id=G6bwEDoS6dAC&pg=PA12&dq=federal+architectural+style&hl=en&sa=X&ved=0ahUKE
wiJlNX026bLAhUJuoMKHSikAqwQ6AEINzAF#v=onepage&q=federal%20architectural%20style&f=false
Fig. 23: Federal (Adam). Architecture Styles of America and Europe. Web. N.p., N.d. 4 March 2016.
<http://architecturestyles.org/federal-adam/>.
Fig. 24: Otis House. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016
Fig. 25: Gentlemans Secretary. 1790-1815. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar.
2016. <http://artgallery.yale.edu/collections/objects/39333>.
Fig. 26: Desk-on-frame. 1785-1805. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar. 2016.
<http://artgallery.yale.edu/collections/objects/51270>.
Fig. 27: Side Chair. 1795-1800. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar. 2016.
<http://artgallery.yale.edu/collections/objects/38256>.
Fig. 28: Tea Table. 1770 - 1800. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar. 2016.
<http://artgallery.yale.edu/collections/objects/58946>.
Fig. 29: Wood, David. Shelf clock. 1795-1805. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar.
2016. <http://artgallery.yale.edu/collections/objects/35179>.
Fig. 30: Baker, Eleazer. Teapot. 1795-1805. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar.
2016. < <http://artgallery.yale.edu/collections/objects/179868>.
Fig. 31: Sugar Bowl with Cover. 1800 - 1825. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar.
2016. <http://artgallery.yale.edu/collections/objects/38357>.
Fig. 32: Plate. 1790-1810. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar. 2016.
<http://artgallery.yale.edu/collections/objects/75634>.
Fig. 33: Wall sconce. 1800-1825. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar. 2016.
<http://artgallery.yale.edu/collections/objects/57711>.
Fig. 34: Lamp. 1800-1830. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery. Web. 4 Mar. 2016.
<http://artgallery.yale.edu/collections/objects/38461>.
Fig. 35: Revere, Paul. Pair of Candlesticks. 1790-1800. Yale University Art Gallery. New Haven, CT. Yale University Art Gallery.
Web. 4 Mar. 2016. <http://artgallery.yale.edu/collections/objects/36979>.
Fig. 36: Boulton, Matthew. Lamp (Argand Lamp). 1790-1805. Winterthur Musuem. Winterthur, DE. Winterthur. Web. 4 Mar. 2016.
<http://museumcollection.winterthur.org/singlerecord.php?resultsperpage=20&view=catalog&srchtype=advanced&hasImage=&ObjObjectName=&CreOrigin=&Earliest=&La
test=&CreCreatorLocal_tab=Matthew%20Boulton&materialsearch=&ObjObjectID=&ObjCategory=&DesMaterial_tab=&DesTe
chnique_tab=&AccCreditLineLocal=&CreMarkSignature=&recid=1959.0671.002&srchfld=&srchtxt=argand+lamp&id=ab51&ro
wnum=1&version=100&src=results-imagelink-only#.Vtsk6Bgweus>.
Fig. 37: Rundlet-May House: Front Parlor. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
<http://www.historicnewengland.org/historic-properties/homes/rundlet-may-house/rundlet-may-house-photo-gallery>.
Fig. 38: Phillips House: Dining Room. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
<http://www.historicnewengland.org/historic-properties/homes/phillips-house/phillips-house-photo-gallery#>.
WORKS CITED:
Architectural Style Guide: Federal. historicnewengland.org. Historic New England, 2016.Web. 5 Mar 2016.
Aronson, Jospeh. The Encyclopedia of Furniture. 3rd ed. New York: Crown Publishing, 1965.
Ask the Authors. Federal Style Orders. 2007. Web. 4 March 2016.
<http://www.federalstyle.com/AskTheAuthors/AskTheAuthorsDoor.html>.
Banham, Joanna. Encyclopedia of Interior Design. Google Books. 1997. Web. 4 March
2016.
<https://books.google.com/books?id=MlKhCAAAQBAJ&pg=PT443&dq=federal+style+flooring&hl=en&sa=X&ved=0ahUKEwj
AhvLb46fLAhXLeT4KHew4DRYQ6AEITzAF#v=onepage&q&f=false>.
Davidson, Marshall B. and Elizabeth Stillinger. The American Wing at the Metropolitan Museum of Art. New York: Crown Publishers
Inc.,1987. Print.
Duffes, Melissa Wells. The Greenwood Encyclopedia of Homes Through American History. Vol. 1. Westport, CT: Greenwood Press,
2008.
Federal (Adam). Architecture Styles of America and Europe. Web. N.p., N.d. 4 March 2016.
<http://architecturestyles.org/federal-adam/>.
Harris, Cyril M. American Architecture: An Illustrated Encyclopedia. Google Books.
Web. 1996. 4 March 2016.
<https://books.google.com/books?id=G6bwEDoS6dAC&pg=PA12&dq=federal+architectural+style&hl=en&sa=X&ved=0ahUK
EwiJlNX026bLAhUJuoMKHSikAqwQ6AEINzAF#v=onepage&q=federal%20architectural%20style&f=false>.
Hoffman, Anna. Style Guide: Federal Style American Furniture. Apartment Therapy. 7 Jul. 2011. Web. 4 Mar. 2016
<http://www.apartmenttherapy.com/style-guide-federalstyle-ameri-150806>.
Nielson, Karla J. and David A Taylor. Interiors: An Introduction, 4th Edition. New York: McGraw Hill, 2007.
Sawyer, Abigal. Window Treatments for Historic Homes. The Final Touch. 5
December 2012. Web. 4 March 2016. <http://blog.blinds.com/window-treatments-for-historic-homes/>.
Style Guide: federal-Style American Furniture. Apartment Therapy. Web. 2016.
4 March 2016. <http://www.apartmenttherapy.com/style-guide-federalstyle-ameri-150806>.
The Elements of Style. Ed. Stephan Calloway and Elizabeth Cromley. Rev. ed. Alan Powers. Buffalo, NY: Firefly Books, 2005.
The Federal Style in Interiors. Dcor to Adore. N.p., 5 Jul. 2008. Web. 4 Mar. 2016 < http://www.decortoadore.net/2008/07/federalstyled-interiors.html>.
Thurlow, Matthew. American Federal Era Period Rooms. metmuseum.org. The Metropolitan Museum of Art, 2016. Web. 5 Mar
2016.
Concept Statement
Boston House will be a warm and welcoming space that provides shelter
and comfort to women and children in need. The design will pay homage to
the homes historic location and Federal architecture while offering modern
amenities and conveniences. Classic Federal interior elements; such as,
wainscoting, crown molding, and wallcoverings will be incorporated into
the space using modern, sustainable materials. The color palette of muted
shades of blues, yellow-gold, and creamy brown tines will create a calming
atmosphere in the main areas of the shelter while a more saturated and
colorful palette in the childrens areas will promote creativity and play.
Furnishings in wood tones will pair with soft textures and delicate patterns
to create a sense of balance in the space. All interior furnishings, fixtures,
and finishes will be durable, easy to care for, and universally accessible so
the users of the space can focus their time and energy on healing, growing,
and caring for their families. Boston house will be a safe and comfortable
environment for the women and children to call home
FIG. 1
This color scheme is also a typical Federal era color palette. The
muted shades of blues, browns, and pumpkin with cream will
provide a calming atmosphere in the home. Again, the nature
inspired palette will bring the outdoors in and create a feeling of
serenity. The color blue can impart of a sense of constancy and
dependability as it is the color of the sky, ocean, and all water. It is
also considered the favorite color of most people, making it a great
choice for an environment that needs to be welcoming to a diverse
group. The pumpkin tones will encourage socialization and the
browns and creams will provide a nice neutral base (All About the
Color Blue).
FIG. 2
FIG. 3
FIG. 4
STAIR AND
DESIGN AND
ELEVATOR
Elevators
Stairways,
Handrails,
and
Guardrails
GATHERING
SPACE
Doors
Windows
If any sleeping
quarters are place
along the west of
the site, additional
windows will be
needed
Square Feet
Lighting and
Ventilation
Smoke
Detection
RESIDENTIAL
UNITS
(APARTMENTS)
Means of
Egress
Plumbing
Fixtures
Bathrooms:
IRC: R305.1 Minimum Ceiling Height in
habitable spaces, hallways, bathrooms,
toilet rooms, laundry areas shall not have
a ceiling height less than 7 feet.
R305.1 Minimum Height Exception 1:
Bathrooms shall have a minimum ceiling
height of 6 feet 8 inches at the center of
the front clearance area for fixtures
included in R307.1 figure. Showerheads
will need to have a minimum ceiling height
of 6 feet 8 inches with a minimum of 30
inches by 30 inches at the showerhead.
Bedrooms:
IRC: R304.1 Minimum Area states that
every dwelling unit should have at least
one habitable room not less than 120
square feet of floor area.
IRC: R304.3. Minimum Dimensions state
that habitable rooms shall not be less than
7 feet in any horizontal direction.
IRC: R305.1 Minimum Ceiling Height in
habitable spaces, hallways, bathrooms,
Doors and
Windows
Lighting and
Ventilation
TABLE R308.3.1(1) MINIMUM CATEGORY CLASSIFICATION OF GLAZING USING CPSC 16 CFR 1201
GLAZED
GLAZED
PANELS
PANELS
GLAZING IN
EXPOSED
REGULATED BY REGULATED BY DOORS AND
SURFACE
GLAZING IN
GLAZING
ITEM 7 OF
ITEM 6 OF
ENCLOSURES
AREA OF
STORM OR
IN
SECTION
SECTION
REGULATED BY
ONE SIDE COMBINATION
DOORS
R308.4
R308.4
ITEM 5 OF
SLIDING GLASS
OF ONE
DOORS
(Category
(Category
(Category
SECTION R308.4 DOORS PATIO TYPE
LITE
(Category Class)
Class)
Class)
Class)
(Category Class) (Category Class)
9 square
feet or less
NR
II
II
More than
9 square
feet
II
II
II
II
II
II
No requirement
Exception: Glazing not in doors or enclosures for hot tubs, whirlpools, saunas, steam rooms, bathtubs and
showers shall be permitted to be tested in accordance with ANSI Z97.1. Glazing shall comply with the test criteria
for Class A or B as indicated in Table R308.3.1 (2).
Work Cited
"780 CMR: State Board of Building Regulations and Standards." 8th Residential Code. Mass.gov. Feb.
2011. PDF. 15 Mar. 2016. http://www.mass.gov/eopss/consumer-prot-and-bus-lic/license-type/csl/8thedition-residential-code.html
IRC 2009. IRC. Web. 2016. 15 March 2016.
http://publicecodes.cyberregs.com/icod/irc/2009/icod_irc_2009_3_sec008.htm
International Residential Code for One and Two Family Dwellings. International Code Council. 2009
(Fifth Printing). Web. 13 Mar. 2016 http://publicecodes.cyberregs.com/icod/irc/2009/index.htm
.
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F1
ROOM / LOCATION:
Bedrooms
USE:
Bed
MANUFACTURER:
French Heritage
COLLECTION:
Maison./Lillies
-/-
-/-
Antique Cherry
WIDTH / SIZE:
-/-
42.5" w x 85.5" d
x 49" h;
Footboard: 31.5"h
M-1108-603-ANT
$1,260.00
UNITS NEEDED:
TOTAL COST:
$7,560.00
DESCRIPTION: Warm tones twin bed with accented posts and tapered legs close to the
Federal style
REMARKS:
http://members.steelyardaccess.com/company/7348/product/516291
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F2
ROOM / LOCATION:
Bedroom
USE:
Dresser/Storage
MANUFACTURER:
French Heritage
COLLECTION:
Lilies
-/-
M-1103-601
-/-
Antique Cherry
WIDTH / SIZE:
-/-
47.5 W x 42 H x
19.5 D
$4,080.00
UNITS NEEDED:
TOTAL COST:
$24,480.00
DESCRIPTION: Warm blend maple and mahogany wooden dresser with two medium
drawers, two large drawers, and two small drawers; mirror and three small
drawers sold separately
REMARKS:
http://frenchheritage.com/Shop/Details/ProductID/16
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F3
ROOM / LOCATION:
Dining Room
USE:
Table
MANUFACTURER:
Laurel Crown
COLLECTION:
TC
-/
Large Chippendale
Table
-/-
Mahogany
WIDTH / SIZE:
-/-
71W x 37.5D x
29.5H
$1,900.00
UNITS NEEDED:
TOTAL COST:
$5,700.00
DESCRIPTION: Chippendale style large dining table with ball and claw feet
REMARKS:
https://www.laurelcrown.com/chippendale-dining-table-large
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
CH1/A
ROOM / LOCATION:
Dining Room
USE:
Seating
MANUFACTURER:
COLLECTION:
Laurel
Crown/Carnegie
CDHW/6394
-/
-/-
WIDTH / SIZE:
-/-
Classic Mahogany
Stain/61
24.5W x23D x
35.5H/ 55W
$520.00/$132.00
per yd
UNITS NEEDED:
15/ 15 yards (1 yd
per)
TOTAL COST:
$7,800.00/$1,980.00
DESCRIPTION: Federal heart back chair (4 oer table) with floral seating upholstery(100%
polyester)
REMARKS:
https://www.laurelcrown.com/federal-heart-back-chair
http://carnegiefabrics.com/upholstery/infinity-flora-639461-upholstery
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F4
ROOM / LOCATION:
Living Room
USE:
Display
MANUFACTURER:
Laurel Crown
COLLECTION:
TVSC2
-/
Colonial TV Stand
-/-
Classic Mahogany
Stain
WIDTH / SIZE:
-/-
59W x 19.5D x
27H
$1,500.00
UNITS NEEDED:
TOTAL COST:
$6,000.00
DESCRIPTION: Colonial style TV stand with shelving and doored storage areas
REMARKS:
https://www.laurelcrown.com/colonial-style-tv-stand
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
S1/B
ROOM / LOCATION:
Living Room
USE:
Seating
MANUFACTURER:
COLLECTION:
Designform
Furnishing/Carnegie
Lunge Chairs and
Sofas/Bliss
SEAT-2S/6012
PATTERN (STYLE)
NAME & NO:
-/
-/-
/33
WIDTH / SIZE:
-/-
62.25W x 32D x
30.75H SH 18 /54
$712.00/$56.00
UNITS NEEDED:
4/ 20 yds.
TOTAL COST:
$2,848.00/$1,120.00
DESCRIPTION: Two per apt. living room, Ash/Oak/Walnut modern style lounge seating with
Federal tone inspired upholstery
REMARKS:
http://members.steelyardaccess.com/company/8615/product/567396
http://carnegiefabrics.com/upholstery/bliss-601233-upholstery
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
CH2/C
ROOM / LOCATION:
Living Room
USE:
Seating
MANUFACTURER:
COLLECTION:
Designform
Furnishing/Carnegie
Lounge Chairs and
Seating/Bliss
SEAT=LC/6012
-/
-/-
WIDTH / SIZE:
-/-
/43
37W x 32D x
30.75H; SH 18/54
$496.00/$56.00 per
yd
UNITS NEEDED:
TOTAL COST:
$3,968.00/$1,344.00
DESCRIPTION: Two per apt. living room, Ash/Oak/Walnut modern style lounge seating with
Federal tone inspired upholstery
REMARKS:
http://members.steelyardaccess.com/company/8615/product/567395
http://carnegiefabrics.com/upholstery/bliss-6012-upholstery
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F5
ROOM / LOCATION:
Gathering Space
USE:
End Table
MANUFACTURER:
Laurel Crown
COLLECTION:
STOC
-/
-/-
WIDTH / SIZE:
-/-
Chippendale Side
Table-Oval
Classic Mahogany
Stain
19.5W x13.5D x
27H
$330.00
UNITS NEEDED:
1-2
TOTAL COST:
$330.00-$660.00
https://www.laurelcrown.com/chippendale-side-table-oval
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F6
ROOM / LOCATION:
Gathering Space
USE:
Coffee Table
MANUFACTURER:
Laurel Crown
COLLECTION:
CTL2D
-/
Antique
Reproduction
Coffee Table
-/-
Mahogany Classic
WIDTH / SIZE:
-/-
46.5W x 23D x
18H
$920.00
UNITS NEEDED:
TOTAL COST:
$920.00
DESCRIPTION: Hand craved coffee table that recreates an old word feel
REMARKS:
https://www.laurelcrown.com/antique-reproduction-coffee-table
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
S2/D and F
ROOM / LOCATION:
Gathering Space
USE:
Seating
MANUFACTURER:
Bienal/Carnegie
COLLECTION:
-/
HomeMahfel/Bliss/Versailles
Embross S
/ 6012/6815S
-/-
/36/712
WIDTH / SIZE:
-/-
PATTERN (STYLE)
NAME & NO:
95W x 28D x
28H/54
$1,000.00/$56.00 per
yd/$45.00 per yd
UNITS NEEDED:
TOTAL COST:
$2,000.00/$560.00/
$225.00
DESCRIPTION: Button sided couch with sold upholstery and damask print accent pillows
REMARKS:
http://members.steelyardaccess.com/company/9639/product/533624
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
CH3
ROOM / LOCATION:
Gathering Space
USE:
Seating
MANUFACTURER:
Herman Miller
COLLECTION:
-/
-/-
Beige
WIDTH / SIZE:
-/-
30.51H x 19.29W x
20.07D
$699.00
UNITS NEEDED:
TOTAL COST:
$1,398.00
http://store.hermanmiller.com/Products/Air-Chair-Set-of-4
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
F7
ROOM / LOCATION:
Gathering Space
USE:
Table
MANUFACTURER:
Herman Miller
COLLECTION:
Eames
-/
-/-
WIDTH / SIZE:
-/-
$1,499.00
UNITS NEEDED:
TOTAL COST:
$2,998.00
DESCRIPTION: Round top tables that can be used for meetings and eating; Must be
stained with antique mahogany wood stain
REMARKS:
http://store.hermanmiller.com/Products/Eames-Table-Segmented-BaseRound
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
P1
ROOM / LOCATION:
Apartments
USE:
Paint/Wallcovering
MANUFACTURER:
Sherwin Williams
PRODUCT NO:
-/-
-/-
D12W0051
Blithe Blue/SW
9052
UNITS NEEDED:
TOTAL COST:
About $424.95
DESCRIPTION: Eggshell finish, extra white base, EPA-registered microbicidal paint that
kills greater than 99.9% of Staph, MRSA, Ecoli, VRE and Enterobacter
aerogenes within 2 hours of exposure to painted surface; continues to kill
90% of bacteria after repeated exposure; can last up to 4 year with proper
care
REMARKS:
http://www.sherwin-williams.com/architects-specifiersdesigners/products/catalog/paint-shield-microbicidal-interiorlatex/?referringCategory=interior-paint-coatings/paintcoatings/&N=1488370885
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
P2
ROOM / LOCATION:
USE:
Paint/Wallcovering
MANUFACTURER:
Sherwin Williams
PRODUCT NO:
-/-
D12W0051
-/-
Optimistic
Yellow/SW 6900
UNITS NEEDED:
TOTAL COST:
About $600.00
DESCRIPTION: Eggshell finish, extra white base, EPA-registered microbicidal paint that
kills greater than 99.9% of Staph, MRSA, Ecoli, VRE and Enterobacter
aerogenes within 2 hours of exposure to painted surface; continues to kill
90% of bacteria after repeated exposure; can last up to 4 year with proper
care
REMARKS:
http://www.sherwin-williams.com/architects-specifiersdesigners/products/catalog/paint-shield-microbicidal-interiorlatex/?referringCategory=interior-paint-coatings/paintcoatings/&N=1488370885
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
WC1
ROOM / LOCATION:
Apartments
USE:
Accent
Wall/Wallpaper
MANUFACTURER:
COLLECTION:
PATTERN (STYLE) NAME &
NO:
Brewster/A-Street
Prints
- HGTV Home 3 by
SW/Catalina
-/2658-6092
(SW 8625-6092)
-/-
WIDTH / SIZE:
-/-
Claressa Apricot
Floral
20.5 x 33(Length)
UNITS NEEDED:
About 6
TOTAL COST:
$134.97
DESCRIPTION: Nonwoven unpasted adhesive, 21 repeat, match drop; single roll can
cover about 56 sqft.; washable and removable
REMARKS:
http://www.swdecorating.com/default.asp?fm=/hgtv_home.asp
http://www.brewsterwallcovering.com/2656-004004-claressa-apricot-floralwallpaper.aspx
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
WC2
ROOM / LOCATION:
USE:
Border/Wallpaper
MANUFACTURER:
COLLECTION:
Brewster Home
Fabric
Border Resource II
-/-
-/-
#451-1746
WIDTH / SIZE:
-/-
5.25 x 15 (Length)
Pearl Flower
Bouquets Border
UNITS NEEDED:
About 13 rolls
TOTAL COST:
$324.87
DESCRIPTION: Solid sheet vinyl, prepasted adhesive, repeat, one roll covers about 6.56
sqft.; scrubbable and peelable
REMARKS:
http://www.brewsterwallcovering.com/451-1746-pearl-flower-bouquets.aspx
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
WC3
ROOM / LOCATION:
Kitchen/Bathroom
USE:
Backsplash
MANUFACTURER:
Fireclay Tile
COLLECTION:
Glass
-/-
-/-
Island Flower
WIDTH / SIZE:
-/-
2x 8
$30.00/sqft
UNITS NEEDED:
About 20 sqft
TOTAL COST:
$600.00
DESCRIPTION: Recycled glass tiles for backsplashes, shiny, semi-reflective, gloss finish,
5/16 thickness, 4 color variations
REMARKS:
https://www.fireclaytile.com/glass/colors/detail/island-flower/
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
WC4
ROOM / LOCATION:
Kitchen
(Gathering Space)
USE:
Backsplash
MANUFACTURER:
Fireclay Tile
COLLECTION:
Glass
-/-
-/-
Agave
WIDTH / SIZE:
-/-
2x 8
$30.00/sqft
UNITS NEEDED:
About 10 sqft
TOTAL COST:
$300.00
DESCRIPTION: Recycled glass tiles for backsplashes, shiny, semi-reflective, gloss finish,
5/16 thickness, 4 color variations
REMARKS:
https://www.fireclaytile.com/glass/colors/detail/agave/
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
FL1
ROOM / LOCATION:
USE:
Flooring
MANUFACTURER:
Armstrong Flooring
COLLECTION:
Alterna
-/-
Durango/D4155
-/-
Cream
WIDTH / SIZE:
-/-
12x12
$3.25 per
UNITS NEEDED:
TOTAL COST:
$ Depends: Professional
Installations;$10,348.00$12,647.00
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
FL2
ROOM / LOCATION:
Apartments
USE:
Flooring
MANUFACTURER:
Armstrong Flooring
COLLECTION:
LUXE Plank
-/-
Jatoba/A6839
-/-
Mahogany
WIDTH / SIZE:
-/-
6x48
$3.25 per
UNITS NEEDED:
TOTAL COST:
$ Depends:
Professional
Installations;
$3,655.00$32,409.00
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L1
ROOM / LOCATION:
All
USE:
General Lighting
MANUFACTURER:
Seagull Lighting
COLLECTION:
Traverse II
-/-
-/-
White
WIDTH / SIZE:
-/-
6;7 3/8 D
14700S-15
UNITS NEEDED:
TOTAL COST:
$98.00
DESCRIPTION: 1000 lumens, 50000 hours rated, energy star rated, wet rated, 14 watts, 5100% dimmable, 90 cri
REMARKS:
http://www.seagulllighting.com/42053/Lighting-Fixture-14701S-15.html
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L2
ROOM / LOCATION:
All
USE:
Covers for
General Lighting
MANUFACTURER:
Minka-Lavery
COLLECTION:
Salon Grand
-/-
-/-
Florence Patina
WIDTH / SIZE:
-/-
8W
250093
UNITS NEEDED:
TOTAL COST:
$43.00
http://www.bellacor.com/productdetail/minka-lavery-2848-477-florencepatina-recessed-lighting-trim-250093.htm
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L3
ROOM / LOCATION:
Entry
USE:
Task/Accent
Lighting
MANUFACTURER:
Fredrick Ramond
COLLECTION:
Caspia
-/-
-/-
Silver Leaf
WIDTH / SIZE:
-/-
35H x 32 W
1524001
$2,456.00
UNITS NEEDED:
TOTAL COST:
$2,456.00
DESCRIPTION: 12-60 watt Candelabra bulbs, 120 chain, glass bead strands, some
assembly required
REMARKS:
http://www.bellacor.com/productdetail/fredrick-ramond-fr43759slf-caspiasilver-leaf-12-light-foyer-chandelier-with-glass-bead-stran-1524001.htm
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L4
ROOM / LOCATION:
Apartments
USE:
Task Lighting
MANUFACTURER:
Livex Lighting
COLLECTION:
Williamsburgh
-/-
-/-
Polished Brass
WIDTH / SIZE:
-/-
26W x 23H
284730
$375.00
UNITS NEEDED:
TOTAL COST:
$1.500.00
DESCRIPTION: Task lighting for apartment dining rooms, 110-120 volts, 12-60 watt
Candelabra bulbs
REMARKS:
http://www.bellacor.com/productdetail/livex-lighting-5012-02-williamsburghtwelve-light-polished-brass-chandelier-284730.htm
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L5
ROOM / LOCATION:
Gathering Space
USE:
Task Lighting
MANUFACTURER:
Date Tiffany
COLLECTION:
-/-
-/-
WIDTH / SIZE:
-/-
26H x 15 W
577148
$223.00
UNITS NEEDED:
1-2
TOTAL COST:
$223.00-$446.00
http://www.bellacor.com/productdetail/dale-tiffany-gt10225-light-antiquebrass-crystal-table-lamp-with-fabric-shade-577148.htm
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L6
ROOM / LOCATION:
Kitchen Space
USE:
Task/Accent
Lighting
MANUFACTURER:
Feiss
COLLECTION:
Alcott
-/-
1660302
-/-
Aged Brass
WIDTH / SIZE:
-/-
12.5H x 8.875 W
$214.00
UNITS NEEDED:
TOTAL COST:
$428.00
DESCRIPTION: 1-13 watt fluorescent bulb, 110-120 voltage, some assembly required
REMARKS:
http://www.bellacor.com/productdetail/feiss-p1398agb-f-alcott-aged-brassone-light-fluorescent-mini-pendant-with-opal-glass-1660302.htm
Specification Sheet
PROJECT:
DESIGNER:
Janay Royster
L7
ROOM / LOCATION:
Apartment
Bathroom
USE:
Task/Accent
Lighting
MANUFACTURER:
Livex Lighting
COLLECTION:
Coronado
-/-
1190230
-/-
Polished Brass
WIDTH / SIZE:
-/-
8.5H x 18.5 W
$106.00
UNITS NEEDED:
TOTAL COST:
$424.00
http://www.bellacor.com/productdetail/livex-lighting-6102-02-coronadopolished-brass-two-light-bath-light-1190230.htm
Perspective Drawings
Sample Boards
Wallcovering
Design Concept
Boston House will be a warm and welcoming space that provides shelter and
comfort to women and children in need. The design will pay homage to the
homes historic location and Federal architecture while offering modern
amenities and conveniences. Classic Federal interior elements; such as,
wainscoting, crown molding, and wallcoverings will be incorporated into the
space using modern, sustainable materials. The color palette of muted shades
of blues, yellow-gold, and creamy brown tines will create a calming
atmosphere in the main areas of the shelter while a more saturated and
colorful palette in the childrens areas will promote creativity and play.
Furnishings in wood tones will pair with soft textures and delicate patterns to
create a sense of balance in the space. All interior furnishings, fixtures, and
finishes will be durable, easy to care for, and universally accessible so the
users of the space can focus their time and energy on healing, growing, and
caring for their families. Boston house will be a safe and comfortable
environment for the women and children to call home
Color Palette
Wallpaper
Crown Molding
Perspective Rendering
Recessed Lighting
Bedding/Curtain Textile
Gathering
Space Sample Board
By: Janay Royster
Wallcovering
Recessed Lighting
Wallpaper Trim
Perspective Rendering
Table Lamp
Upholstery/Pillow Textiles
Coffee Table
10 BOSWORTH STREET
BOSTON HOUSE
ROYSTER, J.
DRAWN BY:
CLASS:
DATE:
SHEET:
4'-6"
4'-6"
4'-6"
17'-4"
LOCATE EGRESS
ALONG WEST WALL
UP
14'-0"
4'-6"
4'-6"
4'-9"
18'-8"
FLOOR PLAN
14'-0"
DRAWN BY:
14'-0"
14'-0"
CLASS:
DATE:
18'-8"
10 BOSWORTH STREET
BOSTON HOUSE
51'-9"
14'-0"
18'-3"
14'-0"
18'-6"
14'-0"
1
A0
14'-0"
13'-8"
4'-6"
92'-0"
5'-0"
51'-9"
17'-4"
SHEET:
A0
CH2
CH2
F1
CH2
S1
CH1
ADA 2
BEDROOM
F2
S1
F2
CH2
F3
2 BEDROOM
CH1
F1
F2
F2
LAUNDRY CLOSET
F1
F5
UP
ADA
RR
S2
S2
F6
GATHERING AREA
F3
CH3
1 BEDROOM
F7
CH2
F2
F1
CH2
F4
F7
CH1
S1
CH3
CH2
F5
FURNITURE PLAN
SCALE: 1/8" = 1'-0"
1
A3
S1
ROYSTER, J.
KITCHEN/DINING
DIRECTOR'S
OFFICE
DRAWN BY:
CH2
ADA 1
BEDROOM
CH1
CLASS:
DATE:
F1
F2
F1
10 BOSWORTH STREET
F4
F4
F3
BOSTON HOUSE
SHEET:
A3
CH2
F3
F1
F1
F2
ADA 2
BEDROOM
F2
F5
F1
F3
F5
S1
S1
F2
CH2
CH2
2 BEDROOM
F1
F2
LAUNDRY CLOSET
F1
UP
CH1
CH1
10 BOSWORTH STREET
CH2
BOSTON HOUSE
SHEET:
A3
ADA RR
F5
F2
S2
GATHERING AREA
F7
BUILT-IN DINING TABLE
F2
F1
CH2
F7
CH2
CH2
CH3
1 BEDROOM
S1
CH1
F5
FURNITURE PLAN
SCALE: 1/8" = 1'-0"
2
A3
KITCHEN/DINING
S1
F5
DIRECTOR'S
OFFICE
CH2
ROYSTER, J.
ADA 1
BEDROOM
DRAWN BY:
F3
S2
CH1
F5
INTERIOR WINDOWS
FOR SECURITY
F6
CLASS:
DATE:
CH3
SHEET:
A4
2'-10"
11'-3"
1"
5'-2"
2'-10"
1
10"
1'-3"
9"
TV GOES HERE
TV GOES HERE
2'-3"
2"
5'-8"
2"
ROYSTER, J.
DRAWN BY:
CLASS:
DATE:
KEY NOTES:
1. LOW-RELIEF CORNICE
2. OPEN SHELVING
3. INLAY MAHOGANY STAINED DOORS
4. BRASS WINGED INSPIRED HINGES
5. BRASS LOW RELIEF PATTERN KNOBS
6. INLAYED DRAWERS
7. OPEN TV WALL MOUNTED OPENING
HUTCH/TV STAND
10 BOSWORTH STREET
1"
BOSTON HOUSE
Course Reflection
Course Reflection
Going into this course, I felt confident that I would do well, but I was not sure what to expect. Three concepts I can say
I am going to take away from this course are: utilizing traditional styles without making a space look dated, the benefit
of team projects/communication, and not being afraid to think outside the box to create a design solution. I did not
expect half of the assignments to be team assignments. I have had positive group assignments in the past, but nothing
to the scale of the assignments in this course. If real-life team assignments are anything like this course than I am
excited. My team members, Shell and Jennifer, were creative, self-starters, respectful, and simply wonderful; I cant
say how easy it was to get along and to complete assignments with them. Everyone pulled their own weight and it was
nice to have other designers to bounce ideas off of. Not that it could not be done, but I think it would have been a lot of
hours for just one person to complete all the assignments for this course by themselves without being overwhelmed.
This course was the first time I have had to design a space with a traditional influences. I have more experience with
more modern interior styles and finishes, so it was a challenge to find Federal style furniture that was authentic, but not
consume the budget. Typically, I have had to take traditional styles and just find the modern counterpart to that specific
style, but this time, the style was the focus. I learned to take the main concepts from a style and to tailor it to benefit
the users; take ques from a style, not just follow it to a core. Also, this project changed my opinion on traditional
styles. I use to think these styles were boring and had limited style offerings to people today; I thought it was more for
older people and a bit too cluttered. Now, I gave learned to see the beauty and universal appeal of traditional interiors.
Lastly, even though following directions and request is fine, sometimes taking the intuitive and being creative is better.
I had to trouble with creating different and functional furniture plans for the project with the selected dining table and
chairs I selected in one of the apartments. So, I had to create a built-in bar dinning area instead of trying to force the
original selections into the space. This taught me not to overthink or be confined to a particular set of options; be
creative and explore all possibilities.
Overall, I have had a pleasant experience with this course and I feel more confident in my residential designing