Escolar Documentos
Profissional Documentos
Cultura Documentos
THE TEAM
Aaron Law
Madison Sim
Joy Kong
Tony Jing
Rex Shi
Marina Khvan
PHASE I:
discover
DOMAIN
digital experience design
We chose to work within the domain of digital experience design because
experience, intuition, and an affinity for the product of the industry can all
help in understanding a brand better.
PRINCIPLES OF
EXPERIENCE DESIGN
1.
TIME
2.
3.
ENGAGEMENT EXPERIENCE
BRAND INTENT
4.
Keeping value for your customers and ensuring coherency across all
activities are the foundations of the approach to experience design.
- N a t h a n S h e d r o ff
ATTRACTION
E X P E R IE N C E D E S IG N
CON CLUSION
EXTEN SION
TA NG I B L E
VA L U E
EN GAGEMEN T
U S E R E X P E RI E NC E
C U S T OM E R E X P E RI E NC E
S E RV I C E DE S I GN
CRITERIA FOR
FEASIBILITY
SUCCESSFUL IDEAS
DESIRABILITY
I NTA NG I B L E
A SPI R AT I O N
S TAY H O L I S T I C
VIABILITY
JOURNEY
FRAMEWORK
BRAND
CHANNEL
PERCEPTION
BRAND PERCEPTION
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TOUCHPOINT
RECOGNIZING
THE VALUE GAP
STAYING TRUE TO
THE BRAND ETHOS
RETHINKING
INNOVATION
A point of interaction
involving a specific
human need in a
specific time and place
Find information
valuable to users
A platform or
medium of
interaction with
customers or users
Audience
expectation
of brand
the most important aspect of any
design is how it understood in the
minds of the audience
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AGENCY
I N S P I R AT I O N
Huge is a user-centric design agency
that helps traditional organizations
find success in the digital world.
We were inspired by how they take
advantage of evolving technologies and
changes in user behavior to better
uncover and design for unmet needs.
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HUGE
We c r e a t e e x p e r i e n c e s t h a t t ra n s f o r m b r a n d s ,
g r o w b u s i n e s s e s a n d m a k e p e o p l es l i v e s b e t t e r.
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PHASE II:
def ine
To o u t c o m p e t e i n t h i s w o r l d , o n e h a s t o c o m e u p w i t h a d i ff e r e n t i a t i o n
in value that moves the market and provides an advantage for long
enough to pay for the changes involved in creating and delivering it.
- Pa t r i c k Ne w b e r y
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PROJECT CONSTRAINTS
Portable Digital Platform
Experience and Interaction Driven
Reoccurring Use
C L I E N T C O N S I D E R AT I O N S
Before considering what kind of business we
were going to design for, we had to first consider
what kind of business problems could be
addressed through digital experience design.
We asked ourselves:
Wh e re c a n we m a k e a d i ff e re n c e ?
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CLIENT SELECTION
frictions
observation
opportunities
research
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rejected
rejected
rejected
insights
value
swot
empathy
constraints
br an d
competencies
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THE CLIENT
h ow t h e b r a n d i s
perceived today?
PROFESSIONAL
ICONIC
HANDCRAFTED
LONG-LASTING
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About Leica
B R A N D VA L U E S
BRAND PROMISE
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CLIENT FOCUS
Th e M s y s t e m
Th e M s t a n d s f o r M e s s s u c h e r, t h e G e r m a n t e r m f o r a c o m b i n e d ra n g e fi n d e r a n d v i e w fi n d e r, a
c o n c e p t t h a t e n a b l e s a n i n c o m p a ra b l e k i n d o f p h o t o g r a p h i c e x p e r i e n c e .
E s s e n t i a l l y, t h e ra n g e fi n d e r s y s t e m e n a b l e s p h o t o g ra p h e r s t o c a p t u r e a u t h e n t i c , n a t u ra l i m a g e s ,
taken from real life in a way that other types of cameras cannot emulate.
Th e p h o t o g ra p h e r b e c o m e s p a r t o f t h e a c t i o n , w i t h a h e i g h t e n e d a b i l i t y t o f r a m e w h a t e v e r a p p e a r s
i n t h e v i e w fi n d e r a s c e n e , a m o o d , o r a m o m e n t .
- Leica M System
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COMPETENCIES
Th e L e i c a M S y s t e m
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PRECISION DESIGN
C O M PA C T A N D Q U I C K T O U S E
T H E B E S T M AT E R I A L S
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C O M PA R I S O N S
L E I CA M ( T Y PE 2 4 0 )
C OM PAC T S I Z E
E X T RE M E RE S I L I E NC E
CA N O N 5 D M A R K I I I
N IK ON D 810
IP HON E 6S
STORE SCARCITY
HIGH COST
RANGE F I NDE R
D I F F I C U LT D E S I G N
AUT OM AT I C C ONT ROL S
ADVANC E D C C D S E NS ORS
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INSIGHTS 1
INSIGHTS 2
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A s a n a r t i s t , t h e L e i c a M 9 w a s re f re s h i n g t o s h o o t w i t h . Li k e m y
m e d i u m f o r m a t fi l m c a m e ra s , i t m a d e m e s l ow d ow n . A u n i q u e
s h o o t i n g e x p e r i e n c e t h a t i s v e r y d i ff e re n t f r o m t h a t o f a D S L R . It
i n s p i re s m e a n d u l t i m a t e l y m a k e s m e a b e t t e r p h o t o g ra p h e r.
- J a y C a s s a r i o , We d d i n g P h o t o g r a p h e r
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BRAND POSITIONING
BRAND EXPERIENCE
ASPIRING
ASPIRING
PHOTOGRAPHERS
PHOTOGRAPHERS
A b ra n d i s a p e r s o ns g u t f e e l i n g
- an approximate yet distinct
understanding - about a product,
s e r v i c e , o r c o m p a n y.
- Mar ty Neumeier
NICHE APPEAL
MASS APPEAL
Nikon
&Canon
NICHE APPEAL
1.
D I F F E R E N T I AT E
w i t h t r i b a l i d e n t i fi c a t i o n
Fo c u s :
who are you?
what you do?
why does it matter?
MASS APPEAL
Leica
Nikon
&Canon
Leica
be able to change,
but maintain the
same brand
D IS C IP LIN E S
OF
BRAN D IN G
5.
C ULT I VAT E
2.
C O L L A B O R AT E
sender
PROFESSIONAL
PROFESSIONAL
PHOTOGRAPHERS
PHOTOGRAPHERS
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receiver
message
4.
VA L I D AT E
3.
I N N O VAT E
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S W O T A N A LY S I S
OPPORTUNITIES
STRENGTHS
Respected Brand Name
Used by Industry Professionals
Expertise in Lenses
Handcrafted & Hand Assembled
WEAKNESS
High retail price ($8,000 Leica M vs.
$3,000 Nikon D810)
Limited Number of Models Produced
Abundance of compatible
accessories and lens
Unique rangefinder and
manual design
T H R E AT S
Cheaper and simpler digital cameras
Growing global competitors:
Canon, Nikon and Hasselblad
Rapid succession of product generation
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REFRAMING
THE PROBLEM
How c a n we c o n n e c t p e o p l e w i t h t h e b ra n d a n d
g i v e t h e m c o n fi d e n c e i n b u y i n g L e i c a M ?
How c a n we c l e a rl y i l l u s t ra t e t o u s e r s w h a t s e t s
t h e L e i c a M Sy s t e m a p a r t f r o m i t s c o m p e t i t o r s ?
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Pe o p l e w i l l u s e a p r o d u c t o f s e r v i c e , d e s p i t e d i ffi c u l t y,
if they perceive it provides enough value.
- Ne w b e r r y Pa t r i c k
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Th e b i g g e s t m i s t a k e I m a d e i n b u y i n g a s u p e r e x p e n s i v e
c a m e ra w a s n o t k n o w i n g h o w t o u s e i t .
- Je r e m i a h R o d g e r, Tr a v e l P h o t o g ra p h e r
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ADDRESSING FRICTIONS
By introducing the Leica M interface
through hands on interactions, our
application aims to eliminate this barrier
for first time users and relieve buyers
remorse. Utilizing this application may
help users better understand the feel of a
Leica camera and increase their
confidence in their ability to use one.
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OUR PROPOSAL
A mobile and tablet application that connects potential customers with
Leicas values while promoting confidence in using their products.
The application encourages potential and existing customers to
immerse themselves Leicas stories, while they explore and test drive a
variety of Leica M products.
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TA R G E T A U D I E N C E
ASPIRING PHOTOGRAPHERS
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T H E VA L U E
ASPIRING PHOTOGRAPHERS
LEICA ENTHUSIASTS:
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L E I C A S TA K E H O L D E R S
C U R R E N T C O N N E C T I O N S B E T W E E N S TA K E H O L D E R S
LEICA BOUTIQUES
1 . Ph o t o g ra p h e rs - L e i c a b o u t i qu e s
La ck of persona l ex perience due t o lim it ed
ha nds- on a ccess t o t he ca mera a nd insuffi cient
number of st ores worldwide
P R O P O S E D C O N N E C T I O N S B E T W E E N S TA K E H O L D E R S
LEICA BOUTIQUES
1 . Ph ot ogr a p h e r s - L e i c a b ou t i q u e s
Cu sto mize th e in -sto re exper ien c e w ith d ig ita l h a n d s-o n
in ter a c tio n s a n d simpl ify th e pre-pu rc h a se pro c ess
2 . L e i c a b o u t i qu e s - 3 rd p a r t y re t a i le rs
2 . L e i c a b ou t i q u e s - 3 rd p a r t y re t a i l e r s
PHOTOGRAPHERS
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3 RD
P A R T Y R E TA I L E R S
3 . 3 rd p a r t y re t a i le rs - Ph o t o g ra p h e rs
Inconsist ent in- st ore ex perience a nd ina bilit y
t o t r y out product s before t he purhca se
Br id g e th e exper ien c e g a p by en c o u r a g in g b r a n d
c o n n ec tio n th ro u g h d ig ita l sto r ytel l in g pro c es
PHOTOGRAPHERS
3 RD
P A R T Y R E TA I L E R S
3 . 3 rd p a r t y re t a i l e r s - Ph ot ogr a p h e r s
En h a n c e in -sto re exper ien c e by en c o u r a g in g reta il er s to
u til ize th e a pp in o rd er to sh owc a se Leic a M pro d u c ts
d irec tl y to th eir c u sto mer s
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LEICA
LEICA
AWARENESS
Our digital application can be downloaded three
different ways: through the app store, the Leica
cameras website, or by photographing a QR
codes found in Leicas retail stores.
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PRE-ENGAGEMENT
ENGAGEMENT
P O S T- E N G A G E M E N T
AT T R A C T
CONSIDER
ENGAGE
PURCHASE
FIRST USE
RETURN
A D V O C AT E
1. Leica website
2. App store
3. In-store physical Advertising
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PRE-ENGAGEMENT
ENGAGEMENT
P O S T- E N G A G E M E N T
AT T R A C T
CONSIDER
ENGAGE
PURCHASE
FIRST USE
RETURN
A D V O C AT E
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PHASE III:
design
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Th e m o s t i c o n i c i m a g e s i n h i s t o r y, e v e n t h e o n e s t h a t w e r e n t t a k e n
with a Leica, were taken because of a Leica.
L e i c a 1 0 0 Ye a r s
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E A R LY I D E AT I O N
Rejected
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PROPOSALS
F O R M I N S P I R AT I O N S
Rejected
SHOWROOM
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O U R I N S P I R AT I O N S
O U R TA K E A W AY S
KLM
engaging interaction
Revolution.pn
leveraging platform
M-Magazine
P H Y S I C A L I N S TA L L AT I O N
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D E S I G N I T E R AT I O N S
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Wide Angle
PHOTO STORIES
CAMERA
LENSES
TRY YOUR M
PHOTO STORIES
CAMERA
LENSES
TRY YOUR M
Pacific Wonderland
FORM DEVELOPMENT
Interface Design
Wide Angle
I wish
to see
where
the wind meets
Point reyes
City Stories
Wide Angle
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P H A S: E I V :
deliver
Products evolve as a result of changes in context of use, technolog y for production
a n d d e l i v e r y o f v a l u e , a n d t h e u n d e r l y i n g e c o n o m i c s o f i n d u s t r i e s . Th e r e s u l t i s a
world in which relentless innovation has become a reality for business-not a choice
o r a p a r t o f t h e c u l t u r e b u t t h e u n d e n i a b l e r e a l i t y.
- Pa t r i c k Ne w b e r y
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TA N G I B L E
I N TA N G I B L E
ASPIRING PHOTOGRAPHERS
VA L U E P R O P O S I T I O N
for the customers
A S P I R AT I O N A L
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FEASIBILITY
VA L U E P R O P O S I T I O N
for the business
DESIRABILITY
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H O M EPAGE
( f e a tu re d s to r ie s )
PHOTO STO R IE S
Stories from Leica photographers
L EN S ES
CAMERA
Camera Specifics
Product List
Expanded View
Product List
Lens Specifics
EXPLORE YOUR M
Camera Access
Rangefinder Simulation
I N F O R M AT I O N
ARCHITECTURE
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VISUAL BRANDING
The design language used throughout our platform was inspired
by Leicas existing style which uses red, white, and black. One
of the insights we gained from researching professional
photographers who use the M series was that their cameras are
uniquely personal to them and act as a tool through which they
can express themselves and perfect their craft.
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BEBAS NEUE
ABCDEFGHIJKLMNOPQRSTUVWXYZ
#BF0100
1234567890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890
# F FA B B 5
Notera
Freight Text
ABCDEFGHIJKLMNOPQRST
UVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890
#363733
abcdefghijklmnopqrstuvwxyz
#CFCFCF
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VISUAL BRANDING
We included handwritten stroke icons to represent the human touch of the
photographer and to symbolize the fact that Leica M cameras and lenses are
handcrafted. The overlapping of the Photo Stories pages act as a metaphor for
flipping through the pages of a magazine.
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The calligraphy style of the button introduces the human element to the
mechanical process of the Leica M system. Representing an organic but
elegant aspect that can only be done by the precision of human hands.
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MICROINTERACTIONS
& M E TA P H O R S
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I N T E R FA C E
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MEASURABILITY
The n u m b e r of t i m e s t h e Ap p i s d own l oa d e d ;
In c re a s e i n on l i n e a n d i n - s t ore t r a ffi c ;
Us e r f e e d b a c k a n d re v i e ws f rom t h e a p p s t ore ;
Pa r a m e t r i c d a t a on h ow u s e r s a r r i ve d a t t h e a p p ;
In c re a s e d t r a ffi c f rom L e i c a s i t
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CONCLUDING REMARKS
In developing this product our team gained a better understanding of digital
experience design domain at every phase. Through research on the company we
chose as well as our design domain, we made a number of insights that inspired
continuous iterations on our application. We maintained a user-centric approach
and designed our application with intent of providing long term value to the
customers and business alike.
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REFERENCES
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Neumeier, Martin. The Brand Gap: How to Bridge the Distance Between Business Strategy and Design. Berkley, California: n.p., 2005. Print.
A Life With Leica. Narr. Thorsten von Overgaard. Web. 22 Mar. 2016.
<https://vimeo.com/106179010>.
Berger, Warren, and Bruce Mau. Glimmer. Toronto, Ontario: Random House, 2009. Print.
Popham, Peter. "How Leica Transformed Photography Forever." Independent. N.p., 21 Mar. 2015. Web. 29 Mar. 2016.
Rockwell, Ken . "Canon vs Leica vs Nikon." Ken Rockwell. N.p., Oct. 2009. Web. 6 Apr. 2016.
<http://kenrockwell.com/leica/m9/sharpness-28mm.htm>.
"Leica MP Captures North Pole Expedition." Red Bull Ilume. N.p., 7 May 2010. Web. 6 Apr. 2016.
<http://www.redbullillume.com/stories/article/leica-mp-captures-north-pole-expedition.html>
"The Problem With Leica." Street Shootr. Ed. Karl Edwards. N.p., 27 Nov. 2015. Web. 6 Mar. 2016.
<http://www.streetshootr.com/the-problem-with-leica-camera/>.
Naughton, John. "Why I Love My Leica." The Guardian. N.p., 23 Aug. 2014. Web. 25 Mar. 2016.
Newberry, Patrick, and Kevin Farnham. Experience Design: A Framework for Integrating Brand, Experience, and Value.
Hoboken, New Jersey: John Wiley & Sons, n.d. Print.
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