Escolar Documentos
Profissional Documentos
Cultura Documentos
1 March 2010
Poster drawn by Daily Worker cartoonist Maurice Del Bourgo as a gift to a group
of kids from The Bronx Coops, who called themselves “Young Defenders of
Spanish Democracy.” Thanks to Jack Ziebel for passing it on to ALBA.
To the Editor:
Responding to a New York Times story of December 10,
2009, “Remembrance, and Maybe Sainthood, for Bishop
Fulton J. Sheen,” I was a member of a delegation, headed
by former Attorney General Ramsey Clark, that went to
Online Volunteer
Starting with this issue, The Volunteer is
Spain early in 1964 to act as observers at the trial of the going online!
Carabanchel Ten, who had been arrested and were later
convicted for trying to organize unions in Franco Spain.
Here’s our new address:
I had a different perspective on Bishop Sheen and on the
www.albavolunteer.org
Catholic Church’s unrelenting and successful campaign In addition to the full text of the March 2010 print issue,
to prevent the United States and its European allies the online edition carries materials such as photos,
from lifting the embargo on the legally elected Spanish videos, longer pieces, and a new blog.
government. Had they not succeeded, it might have We are planning only 3 printed issues this year, for
prevented Franco’s allies from launching World War II, and Spring, Fall, and Winter. The Summer issue will appear
I and millions of my compatriots, if we were fortunate to ONLY online.
have survived, might not have had to spend three to four To be sure you don’t miss ALL the news,
years in the military prosecuting the war against fascism. send YOUR email address to
If, as the article states, it takes 30 years for Bishop
info@alba-valb.org
Sheen to achieve sainthood, it took at least that time for the
Spanish people to rid themselves of the yoke of fascism. As We’ll keep you posted.
a side note, on the day we arrived in Spain, its Prime If you have not been receiving the ALBA email
Minister, Carrero Blanco, was assassinated when the car in newsletter, please email us at
which he was driving to his office was blown up. The info@alba-valb.org and ask to subscribe.
underground press reported that Carrero Blanco had tried
to get to heaven, but was only able to reach the fifth floor.
That was about the only glint of humor in what was
otherwise a dismal period for the Spanish people.
Henry Foner
Brooklyn, NY
The Volunteer
founded by the
Veterans of the
Abraham Lincoln Brigade
ALBA Teachers’ Institute Expands into Ohio
an ALBA publication
After holding successful week-long institutes for high- 799 Broadway, Suite 341
school teachers in New York City and Tampa, Florida, last New York, NY 10003
year, ALBA is proud to announce its first institute in the
(212) 674-5398
Midwest, entitled “Ohio and the Spanish Civil War.”
Co-sponsored by the Ohio Humanities Council, Oberlin Editorial Board
College, and the Puffin Foundation, this interdisciplinary Peter N. Carroll • Gina Herrmann
institute will allow 20 Ohio high-school faculty in social Fraser Ottanelli
studies, Spanish, and English language arts to spend a Book Review Editor
week at Oberlin College working with primary sources, Shirley Mangini
learning about the war in Spain and its impact on Art Director-Graphic Designer
Ohioans—including David McKelvy White (son of a for- Richard Bermack
mer Ohio governor), Salaria Kea (an African-American
nurse), and Carl Geiser (who died last year). The program Editorial Assistance
Nancy Van Zwalenburg
will help teachers develop materials to use in their class-
rooms. The resulting lesson plans will also be posted on Submission of Manuscripts
the ALBA website. The institute will be held in Oberlin on Please send manuscripts by E-mail or on disk.
June 13-18, 2010. Interested teachers should contact the E-mail: volunteer@rb68.com
institute director, Sebastiaan Faber, at sfaber@oberlin.edu.
ALBA’s First Activist Award to Honor
Amy Goodman at Annual Reunion
T
he 74th Anniversary Reunion of the Abraham
Lincoln Brigade, May 2, 2010, will feature broadcast
journalist Amy Goodman, host of the syndicated
program Democracy Now!, who will receive the first annual
ALBA Activist Award.
This year’s event will be held at the auditorium of the
Museo del Barrio at 104th Street and 5th Avenue at 4:30 pm,
Sunday, May 2.
ORDER TICKETS ON LINE: go to www.alba-valb.org
and click on “NEW YORK REUNION 2010.”
In presenting the Activist Award to Amy Goodman, a
news journalist famous for challenging mainstream media
in the coverage of domestic and international events, ALBA
is honoring the tradition of the volunteers and veterans
of the Lincoln Brigade who went to Spain in defiance of
U.S. government policy and remained lifelong activists
for a variety of progressive causes. Goodman’s news
coverage reflects both that international perspective and a
resourceful activism against bland media reportage.
The reunion event will also feature a visual
presentation exploring newly discovered aspects of
internationalism during the Spanish Civil War and a
musical program created by Bruce Barthol.
Seating is limited. Buy your tickets now! And send a
contribution, too!
For more information, write info@alba-valb.org or call
(212) 674-5398.
M
atti Mattson received a standing ovation after than any other: “Why did you go to Spain?” His reply:
addressing the graduates of Fitchburg State “Why didn’t more people go to Spain?”
College in his hometown in Massachusetts on Mattson went on to describe the world struggle against
January 29, 2010. College President Robert V. Antonucci fascism in the 1930’s, the progressive program of the
presented the President’s Medal to the veteran of the elected government of Spain, and the failure of democratic
Abraham Lincoln Brigade before more than 200 new grad- countries to defend Spain. He called on students to make
uates, family, and community. an effort to investigate the history of the International
The attentive audience heard Mattson recall his early Brigades, because the full story is omitted from most
days in Fitchburg, where he learned the printing trade that curricula.
served him the rest of his life, and remember the three President Antonucci praised Mattson for his
Fitchburg buddies who volunteered for the International willingness to share his story, because it was “an
Brigades with him. inspiration to all of us.”
A voice called out from the bleachers, “And are you Continued on page 5
still a Red Sox fan?” Mattson voiced a strong “YES.”
March 2010 THE VOLUNTEER 3
The War Before the Lights Went Out
Editor’s Note: British historian in January, she sat down to discuss explain the world in binary terms.
Helen Graham is a visiting scholar of her life-long fascination with the “I am interested in history because
Spanish Civil War studies at New York war, Spain’s attempts at “recovering” it is the ultimate antidote to any
University’s King Juan Carlos I Center for its historical memory, and the kind of oversimplification. As soon
spring 2010. skewed way in which the war is still as somebody says, ‘That is always
By Sebastiaan Faber and James viewed by many U.S. scholars and the way this should be,’ you can say,
D. Fernández intellectuals. Some excerpts follow; ‘Ah, but it wasn’t that way in X time.’
“T
elling big stories through the full interview, as well as an eight- In that sense, history is the perfect
individual human lives minute video clip, can be found in the immunization against thinking in
is a very powerful way new online edition of The Volunteer, at binaries and simplistic categories.
of doing history. I am still very www.albavolunteer.org. “In the Very Short Introduction, for
interested in theory, but I think that example, I was very keen to talk about
human lives—although obviously
Magic Territory
Communism as a social movement.
you have to pick the right lives—are Graham has spent more than two The general public, even students
in the end more complex than any decades studying the Spanish Civil today, buy into the ridiculous notion
theory.” Speaking is Helen Graham War in all its dimensions, but she that Communism amounted to a
(born in Liverpool, 1959), one of the has been particularly fascinated with kind of collective brainwashing. They
most prominent English-speaking the reasons behind the Republican don’t seem to understand—and this
historians of 20th century Spain today. defeat. The topic gripped her from the has become worse after 1989—that
She is the author of, among other beginning. “The Spanish Civil War it was not just about ideology. In the
books, The Popular Front in Europe is without doubt the reason I decided European context particularly, you
(1988), The Spanish Republic at War to become an historian. I distinctly really have to start from the idea
(2003), and the bestselling The Spanish remember being overwhelmed by that Communism was a mass social
Civil War: A Very Short Introduction the fact that the Republic hadn’t movement that embraced millions of
(2005), a concise essay “that took me won. How could that possibly be? people, and that was about the whole
nine months to write and 20 years to Naturally you can’t win the war for of their lives. Its significance was
prepare.” Together with ALBA board the Republicans. But you can very cultural as well as political.”
member Jo Labanyi, she is also editor usefully spend your life explaining in
of the seminal Spanish Cultural Studies: great, complex detail exactly why they
Living with Defeat
An Introduction (1995). didn’t. The Spanish Civil War was, in Graham’s new book explores the
Graham’s new book in progress a sense, the war before the lights went ways in which individual participants
weaves together biographies of out—the war that could have changed in the war learned—or not—to live
four individual participants in the the course of European and world with defeat. “If you had to put it in a
war, including Bill Aalto, a Finnish- history if power actors had behaved grandiose way, I guess it is about find-
American member of the Lincoln in different ways. And it was such a ing an ethic after destruction. It’s a bit
Battalion who, in addition to being a transformational site, culturally, for so like dealing with the Holocaust, which
Communist, also happened to be gay. many different kinds of people, that it people want to explain into submis-
Graham, a professor of Spanish his- is really a bit of magic territory.” sion, with the idea that it’s all going to
tory at Royal Holloway (University Graham approaches the be alright: you assimilate defeat and
of London), currently holds the King past with a great deal of respect, move on. But there are some experi-
Juan Carlos I of Spain Chair at New sympathy, and nuance, taking into ences that cannot really be assimilated
York University. On a Sunday evening consideration everything from the or explained away like that. And I
psychology of political leaders to think that the Spanish Civil War, like
Sebastiaan Faber and James Fernández
the evolution of class and gender the Holocaust, is one of those. You just
are members of ALBA’s executive
committee. relations. She categorically refuses have to find a way to live with the neg-
to succumb to the temptation to atives. Writing these four lives is
W
ho is the young black their combination of precise detail in Spain would help them prepare
International Brigadier in and historical inaccuracy. Some for revolution in their own country.
doughboy gear whose por- journalists claimed to know that the (As it turned out, at least one Cuban
trait the Spanish government hopes to man in the photo was from Alabama veteran from the Spanish Civil War
give to Barack Obama? and had died at Brunete. Other would be there in 1959 with Fidel
The photo appeared in the initial guesses—Milt Herndon, Paul and Che—who themselves had
Spanish press in November 2009, Williams, John Hunter—could quickly been trained in Mexico by Alberto
where the man was described as be dismissed. Two months of dogged Bayo, a former officer of the Spanish
an unidentified African-American detective work later, we know when Republican army.) The baptism by fire
member of the Abraham Lincoln and where the photo was taken; when, on Spanish soil for the Guiteras group
Brigade. The photographer is the on what ship, and in whose company was the Jarama Battle in February
Catalan Agustí Centelles (1909- the man left for Europe; we have even 1937, which decimated the ranks of the
1985), whose archive has just been discovered his nickname. But we still first division. Among the dead was
purchased by the government in don’t know who he is. Rodolfo de Armas, the founder and
Madrid, to be included in the national What we do know is that he was charismatic leader of the Cuban unit.
Civil War archive in Salamanca. (The likely not one of the African-American The discovery that “our man” may
purchase shocked many Catalans, volunteers, but rather a Cuban exile have been Cuban posed a dilemma. If
who consider Centelles part of their from New York. we were right, the whole motivation
cultural patrimony, and angered them The first hint was an easy one. for the issue’s newsworthiness—the
to no end.) Soon after the Centelles photo was link with Obama—would be gone.
As Centelles’ two sons handed published, we discovered a second (For a Socialist prime minister from
over their father’s work, they made image of the same man, taken on the Spain to give the U.S. president an
an unusual request: Would Spain’s same day, in a catalog of an earlier image of an Afro-Cuban Communist
Prime Minister be willing to give Centelles exhibit. In this other image would be very bad politics and
a print of this particular photo to we see a frontal shot of the volunteer diplomacy indeed.) On the other hand,
President Obama on his next visit in the same outfit, holding a banner our research had begun uncovering
to Spain, by way of tribute to the that reads in Spanish, “First American things that were new and interesting
more than 100 African Americans in Battalion / A. Lincoln / Centuria in their own right.
the Abraham Lincoln Brigade? The Antonio Guiteras / International The first thing we realized is how
government agreed. The Centelles Brigade.” In fact, the Guiteras unit little we knew of the Cuban story. The
brothers then called on the rest of the was one of the three sections making experiences of the Cuban volunteers
world to help them identify the man up the first infantry company of the who fought in Spain—more than
in the photo, so they could contact his Lincoln Battalion, which itself became 1,000, making them the largest
family. When the item was picked up part of the Fifteenth International contingent from Latin America—and
by British journalist Giles Tremlett Brigade of the Spanish Republican especially of the sizable group that
of The Guardian, it began making the army, formed in late January 1937. had come from the United States, had
global rounds and even ended up as a Named after the Cuban politician remained buried in the archives and
segment on CNN, which interviewed and revolutionary Antonio Guiteras had not entered the conventional
ALBA’s James D. Fernández on (1906-1935), the Centuria included narrative of American participation in
December 23. about a hundred Cuban soldiers. the Spanish Civil War. Yet the exiled
Although the Centelles family Many of them had left from the Cubans and their organizations, such
did not contact ALBA directly, it was United States, where they had been as the Club Julio Antonio Mella and
I
n late summer 1937, former editor of
the journal New Theater, Herbert
Kline, traveled to Spain with French
photographer Henri Cartier-Bresson
and cameraman Jacques Lemare to
shoot a documentary about the sani-
tary services of the American Medical
Bureau, an organization created in the
United States to aid Spanish
Jacques Lemare, Henri Cartier-Bresson and Herbert Kline.
democracy.
The previous spring, Kline in New York City in 1935 and had and another one on the “L.W. Boys
had been in Madrid working as been assistant director to Jean Renoir [Lincoln-Washington battalion].”
a journalist for EAR, the Spanish in several movies in 1936 and 1937. He At the time Pierre Assouline
government’s English language had decided to become a film director wrote his biography of Henri Cartier-
shortwave radio broadcasting station. and leave behind his career as a pho- Bresson in 1999, the filmmakers had
He had been approached by the tographer. Frontier Films knew Kline forgotten ever having shot With The
Hungarian photographer Gerza had the contacts needed in Spain to Abraham Lincoln Brigade in Spain.
Karpathi to write a script for Dr. produce the film, and Cartier-Bresson Although the documentary is men-
Norman Bethune to create a film on had the experience, although limited, tioned in several filmographies of the
the work of his Blood Transfusion to direct the movie. Return to Life Spanish Civil War, all assumed the
Institute in Spain. Neither Karpathi would be his first film. film was lost.
nor Kline had ever made a movie, but After working on a script in Paris, During my research on the photo-
they became filmmakers overnight the newly appointed documentarians graphs taken by the Photographic Unit
to produce the footage that was later went to Madrid to shoot, and later to of the XV International Brigade, I
edited as Heart of Spain. the hospital of the international bri- found several images of the three film-
Kline returned to New York City gades, Villa Paz, in Saelices, near the makers shooting in Quinto with their
and gave the film to his friends Paul Spanish capital. They traveled to the 35mm Eyemo movie cameras. The
Strand and Leo Hurwitz of Frontier Valencian coast to film the recovery photographs show the filmmakers in
Films, who, with additional footage of wounded volunteers in the villas action, documenting scenes that match
from newsreels and discards from of Benicassim. They took two days those shown on a short film that the
Joris Ivens’ Spanish Earth, created the off from the shooting to visit the office of the Veterans of the Lincoln
documentary. When the film was Abraham Lincoln Brigade near the Brigade has had for decades. It is
released in September 1937, Kline was front to document its actions in Spain. indeed the lost documentary that the
already in Spain, this time with a com- The diaries of Robert Merriman, Daily Worker announced on May 20,
mission from the American Medical Chief of Staff of the Brigade, place the 1938, as showing “intimate scenes of
Bureau to collaborate with Henri filmmakers in Quinto on the Aragon the American volunteers in the war
Cartier-Bresson on a second film pro- front on October 28, 1937, where the against fascism.”
duced by Frontier Films. Americans were stationed after the With the Abraham Lincoln Brigade in
Cartier-Bresson had studied docu- fight for Fuentes de Ebro, just before Spain narrates the life of Americans in
mentary filmmaking with Paul Strand moving to Ambite, near Madrid. Spain from the time they trained near
Merriman reports that they were the front, waiting to be mobilized, to
Juan Salas is a scholar of visual studies
shooting two movies, one “sanitary the time they saw action, were
and an independent curator of
photography. film” on the medical aid to Spain, wounded, and were sent to hospitals.
It features close-ups of the volunteers, Union, and an unlikely soccer game in other small venues.
the nurses who treated them, and the Benicassim. The photographs of the shooting
locals they met while recovering from The film was used in the United at Quinto help clarify the role of the
their wounds. There are never-before- States to raise funds to bring three filmmakers during the shooting
seen scenes of Madrid during the fall American volunteers back home. of both Return to Life and With the
of 1937, the first of only two showers Although shot in 35mm, it was distrib- Abraham Lincoln Brigade in Spain and
the internationals ever took in Spain, uted around the country in 16mm to confirm what Kline had declared in
courtesy of the French Steel Workers be shown in union halls, clubs, and Continued on page 11
T
he Madrid-based Flamenco by Miguel Hernandez. tension. It is, alternately, an expression
group, Noche Flamenca, cele- “ALBA” begins with a passionate of the fury of war, courage, the resolve
brated its 16th season in New lament expressed by two guitars and of freedom fighters, and the grief of a
York with a featured piece on the two male voices, Manuel Gago (tenor) nation. Packed houses respond to the
Abraham Lincoln Brigade last January. and Miguel Rosendo (baritone). The troupe’s intensity with calls of “Ole”
The small ensemble (3 guitarists, 2 dancers enter the low-lit stage led throughout the performance and, at
singers, and 4 dancers) espouses a by Soledad Barrio, the sole female the conclusion, a standing ovation!
pure, authentic form of Flamenco performer. As she kneels beside the A solo by guitarist Jesus Torres,
known to very few outside of the spot (or perhaps a grave) where a who has been with the company for
Iberian Peninsula. Their mission is to Brigader has fallen, canes are silently many years, is a perfect, quiet and
educate audiences worldwide to this passed from one dancer to another contemplative antidote to “ALBA.”
very passionate and non-commercial down the line of grieving figures until In a magical moment, guitarists
form, which has its roots in 15th cen- each holds one, straight and firm, on Salva de Maria and Eugenio Iglesias
tury Andalusia. the cold ground. Suddenly, they strike enter upstage and sit in the shadows,
Martin Santangelo, the artistic the floor in unison, and the dancers listening with the audience. Then Mr.
director of Noche Flamenca, calls the explode into action. The canes’ violent Torres rises to leave, his hands stilled,
Flamenco form “a primal scream.” The syncopations are echoed by the but the music mysteriously continues.
music evolved against the background dancers’ traditional footwork. It is a seamless transition between
of an epic tragedy in Spanish history: In a recent interview for The the guitarists, which introduces the
the expulsion of the Moors from Volunteer, Santangelo described the next piece, a slow, beautiful and
Granada and the ensuing persecution, symbolism of the canes: “They are sensual dance of love choreographed
humiliation, and slaughter of Spanish the bones of the fallen,
Jews, Arabs, and Gypsies that and as the Hernandez
followed. Flamenco evolved as the poem ends ‘around
TO THE INTERNATIONAL SOLDIER FALLEN IN SPAIN
physical and musical expression of your bones, the olive
By Miguel Hernandez
this horror. As historian Felix Grande groves will grow,
writes: “If we do not relate the music unfolding their iron If there are men who contain a soul without frontiers
. . . to brutality, repression, hunger, roots in the ground, A brow scattered with universal hair
fear, menace, inferiority, resistance embracing men Covered with horizons, ships, and mountain chains,
and secrecy, then we shall not find universally, faithfully.’” With sand and with snow, then you are one of those.
the reality of cante flamenco . . . it is a As the dancers
storm of exasperation and grief.” move with increasing Fatherlands called to you with all their banners,
This year Santangelo and Soledad speed and intensity, So that your breath filled with beautiful movements.
Barrio, his wife, co-founder, and star intersecting and You wanted to quench the thirst of panthers
of the troupe, recognize the resonance interacting in And fluttered full against their abuses.
of this period with the terror of the individual percussive
Spanish Civil War and the 40 years rhythms, their feet, With a taste of all suns and seas,
of Franco’s brutal dictatorship. The the guitars, and the Spain beckons you because in her you realize
featured piece in their program, voices combine to your majesty like a tree that embraces a continent.
“ALBA,” is a riveting, emotional sound like bullets
Around your bones, the olive groves will grow,
tribute to the Abraham Lincoln exploding and bodies
Unfolding their iron roots in the ground,
falling. The emotional
Fredda Weiss is Vice Chair of ALBA; Embracing men universally, faithfully.
moments topple over
Jeanne Houck is Executive Director. one another. Moods
M
ax Aub was a novelist and the Second Republic, which was for the translator,” Gerald Martin
playwright of remarkable proclaimed in April 1931. The book writes in his prefatory note, “and will
originality who spent his life ends with 30 breathless pages be a challenge to the reader; but the
chronicling the war that tore his coun- covering the heady and chaotic first rewards are great.” He is right on both
try apart and catapulted him into day of the war in Barcelona. counts. The novel is well edited, with
exile. As the cultural attaché for the The main character of the book, a brief preface by the historian Ronald
Spanish embassy in Paris and co-orga- Rafael López Serrador, is an anti-hero Fraser (author of Blood of Spain), an
nizer of the Spanish Pavilion at the of sorts, a pícaro or scoundrel who informative translator’s note, a
1937 World Fair, it was Aub who com- relies on his wit to survive, a poor chronology, and lists of historical
missioned Picasso to paint the mural and ignorant kid from a small town characters and organizations.
that would become Guernica. Following For a full-length review of this book,
the Republic’s defeat, he spent three see the Volunteer’s online edition at www.
years in French concentration camps albavolunteer.org.
before managing to escape to Mexico,
where he died 30 years later.
The centerpiece of Aub’s extensive
Memory’s Roster
production is El Laberinto Mágico (The Continued from page 12
Magical Labyrinth)—five novels, a film
script and some 40 short stories that a frequent visitor to the Newman
weave a sprawling epic tapestry of the House. During this period he became
war in which hundreds of characters, concerned about environmental
both historical and fictional, try des- issues and wrote a number of
perately to make sense of their violent articles entitled “As I See It,” which
and chaotic times. The Laberinto is rec- were published in regional media.
ognized by many, including ALBA At the age of 93, “Perspectives and
board member Antonio Muñoz Resources: The Task My Generation
Molina, as one of the most stunning Faced” was published in a special
literary renditions of the war in the edition of Science and Society.
Spanish language. Yet for many years Carl will be fondly remembered
none of it was available in English. for his appreciation of those around
Now, almost 40 years after Aub’s on the border between Catalonia and him, for his faith in education and
death, Verso has published Field of Aragon who decides to try and make respect for all people regardless of
Honour, the English translation of something of his life. creed or origin, and for his
Campo cerrado, the Labyrinth’s first Aub wrote this novel in 1939, commitment to a just and peaceful
novel, published in 1943. Field of during the first precarious months of world. Memorial services are planned
exile, holed up in a Paris attic room, for spring 2010.
Sebastiaan Faber teaches Spanish
literature at Oberlin College. separated from his wife and —Linda Geiser