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Rhyme is the repetition of identical or similar terminal sounds .Rhyming words are
generally placed at equal distances from each other.In verse,they are usually placed at the end of
corresponding lines.Identity and especially similarity of sound combinations may be relative,so
we can distinguish between full rhyme and incomplete rhyme.Full rhyme presupposes identity of
the vowel sound and the following consonant sounds in a stressed syllable.For instancemight,right,spite.This means that the last stressed syllable and whatever follows it should be
identical.This is exact,identical,full rhyme.
Incomplete rhymes present a greater variety.These can be divided into 2 groups:
a)vowel rhymes
b)consonant rhymes
Vowel rhymes-the vowels of the syllables in corresponding words are identical,but the
consonants may be different-as in flesh/fresh.press/stress.
Consonant rhymes show similarity in consonants and disparity in vowels.For instanceworth/forthtail/tool.dump/damp.
Rhyme sometimes goes as far as to make combinations of words rhyme with one
word/with another combination of words.
Bottom/ forgot`em .Such rhymes are called compound or broken rhymes.What is typical
of this type of rhyme is the fact that the combination of words is made to sound like one
word.This is a device which sometimes gives a colloquial aspect to the text.At times,the result is
humor.Byron is a master of such compound rhymes.Compound rhymes may be set against what
is called eye rhyme,where it is the letters and not the sounds that are identical,as in
love/prove..eye/symmetry (Blake):Tyger,tyger,burning bright/In the forests of the
night/What immortal hand or eye/Could frame thy fearful symmetry?
As compound rhyme is perceived in reading aloud,eye rhyme is perceived in the written
form.Very many eye rhymes are the result of historical changes in pronunciation.(love/prove-in
Shakespeares time,love was pronounced (luv);likewise, eye,in Blake`s time,was pronounced
(i).
Very many eye rhymes have historical explanations,simply because when the text was written,the
corresponding words rhymed.Eye rhyme is a phenomenon which cannot appear but in such a
language as English,because they were so conservative that they maintained the spellings from
the Middle English period and meanwhile the pronunciation and the language evolved;this is a
reason why we spell in one way and pronounce in another way.Even splitting words into
syllables is made in English not on syllabic reasons,but on morphological reasons.You split away
the affix or if its a compound,you split it in the middle of the compound.It goes
morphologically,not syllabically,as you do it in Romanian.
According to the way the rhymes are arranges within a stanza,certain models have taken shape.In
Romanian(popular ballads)we have monorhyme.The English do not fancy this model of
rhyming. Their simplest manner of rhyming is the couplet(A-A..B-BC-C).In popular
ballads,the 2nd and the 4th word rhyme,and the 1st and the 3rd dont rhyme..
Crossed rhyme
Framing(ring)rhyme:ABBA,CBBC
Internal rhyme(the rhyming words are placed not at the end of the verses,but in the middle and at
the end.It appears before what we call a caesura, in verses which are longer than 12 syllables and
which we call alexandrines. You need a breathing pause in the middle of such a long verse.You
cannot recite it in one breath. once upon a midnight dreary while i pondered weak and
weary(E.A.Poe,Raven).Internal rhymestrangely enough,both breaks the line in 2,but also
consolidates it.So rhyme posseses 2 concurrent functions-one of dissevering and one of
consolidating the idea.These 2 functions are realized concomitantly.
The distinctive function of rhyme is especially felt when it occurs unexpectedly in ordinary
speech or in prose-the listeners attention is caught by the rhyme.Rhyme in discourse can also be
a mechanism of humour.(jokes)
Rhythm
-it exists not only in literature,but in all spheres of human activity.Therefore,it takes up very
many forms.It is a basically regular recurrence of elements such as beat or accent.Rhytm is thus
a periodicity of various types,resulting from a deliberate,intentional arrangement of speech into
regularly recurring units.It demands opposition between:long and short;stressed and
unstressed;high and low;
In verse,similar structures are called metrical fit.(metre=any form of periodicity in verse,its kind
being determined by the character or number of syllables of which it consists.)The unit repeated
is called metrical foot.(in Romanian,feet of 4 syllables=peons.In English,2 syllable feet and 3
syllable feet.
__ _=trochee
_ __=iambus,i
____=pyrrhic foot
Neither syllable accented= spondee
__ _ _=amphibrach
_ __ _=dactyle
_ _ __=anapaest
A)bathos is an intentional mixing of the stylistic aspect of words.Unrelated elements are brought
together as if they denoted things equal in rank or belonging to the same class-mixing of literary
words with non-literary words.For instance-Wordsworth:Few months of life has he in store/As
he to you will tell/For still,the more he works,the more/Do his weak ankles swell.
The Metonimy is based on a different type of relation between the dictionary and the contextual
meaning,a relation based not on affinity,but on some kind of association connecting the 2
concepts which these mening represent on a proximity.This proximity mey be revealed:
____in the relation between the instrument and the action performed with this instrument(His
pen is rather sharp.)
____in the relation between the container and the thing it contains(I drank 2 cups.)
____the concrete is put for the abstract(the crown of England)
____a part is put for the whole(a hand=worker)
In many cases,metonymy is trite:to earn ones bread,to keep ones mouth shut.
Metonimies can be genuine(Hey,long hair there!)
In the case of metaphors,one image excludes the other,whereas in the case of metonymies,both
come to mind(mustache-man).
C.
The constant use of a word metaphorically ultimately leads to the breaking up of its primary
meaning,that is the meaning in the dictionary.And then the word undergoes a mutation of
meaning.In that,the mentaphorical meaning excludes the primary meaning and the basic meaning
of the word remains the metaphorical one.In this case,metaphor does not function as a stylistic
device any longer.For instance,the word mouse:electronic device=metaphorical meaning.By
using it intensively,we do not perceive it as being a metaphor any more and the word meaning
electronic devicehas entered the dictionary.It is a basic law of stylistics hat figures of speech of
any kind should coexist with the basic meaning of the word.Otherwise,we dont perceive the
figure of speech as being estethical.
The Irony
It is also based on the simultaneous realization of 2 logical meanings-the dictionary meaning and
the contextual meaning.But these 2 meanings stand in opposition to each other.You are a bunch
of scholars=you are anything but scholars.Among all the mechanisms of humour,irony is the
most horrible one.You simply dismental the ironized object,you reduce it to nothing.
Irony must not be confused with humour.With humour,the effect does not attak the
receiver,his human condition is not put into question.Both humour and irony are marked on
incongruity between expectation and the text.Irony is used to convey a negative meaning.It is
worse than satire because you satirize someone in the hope thet hell improve.When you ironize
sb,you have given up any hope.I ontologically cancel the object or irony.
The contextual meaning conveys the negation of the positive concepts which the
dictionary meanings embody.For instance-Byron:
I like the taxes, when theyre not too many;
I like a seacoal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather, when it is not rainy,
The 3rd type of interaction between primary and derivative logical meaning contains stylistic
devices based on polysemy-zeugma and pun.
People cannot very clearly make the difference between polysemy and homonymy.(Where is the
borderline between polysemy and homonymy?)With polysemy,words are always related
etimologically-an existing word with an existing meaning acquires a new meaning,related to the
first.For instance,the wordmouse-it is a polysemantic word-the 2nd meaning is derived from the
first.
Polysemy is obtained either by radiation or by cantactenation.
With radiation,you have meaning one(the basic meaning of the word) out of which you get
meaning 2,meaning 3 etc
With concatenation,meaning 1 generates meaning 2 which generates meaning 3 etc.Meaning 4
carries the basic features of meaning 1,but comes directly from meaning 3.
Homonymy,on the other hand,is a linguistic accident.It is an accidental identity of 2 words which
do not have anything in common in point of origin.In everyday speech,polysemy always creates
ambiguity=the possibility of a text to have at least 2 equally valid readings and we do not have
any clue as to which of them is to be taken into account.If ambiguity does don appear,we cannot
speak of a stylistic device.In this context,zeugma is the use of a word in the same
grammatical,but different semantic relations to 2 other words in the context.These semantic
relations are on the one hand literal and on the other hand-transferred.For instance-G.B Shaw:
DORA. [plunging at once into privileged intimacy and into the middle of the room].The verbto
plungeis used figuratively and into the middle of the roomis used properly.Zeugma is a very
strong and effective device because the 2 meanings clash.How can you take a plunge into
intimacy?You do not jump,physically.You plunge figuratively.But you can take a plunge into the
middle of the room,when jumping out of bed.
Another example (Dickens): and May's mother always stood on her gentility; and Dot's
mother never stood on anything but her active little feet.(zeugma)To stand upon sthmeans to
rely on sth-she relied on her gentility.The 2nd is used properly.
The pun,on the other hand,is an analogy in the readers attributing a certain meaning to a
certain signifier.In other words,an analogy in attributing signified to signifier.The condition that
the pun exist is non-restictive co-text,which means that the co-text(the environment in which the
What happens in Romanian,unlike in English,is the fact that in English such puns play upon a
multitude of meanings.Ex.:
There was a young fellow named Hall
Who fell in the spring in the fall.
Twould have been a sad thing
them,they do not function as proper sentences. Ex.: Oh, where are you going to, all you Big
Steamers(Kipling).Oh can be interpreted in any way you please.What you know for sure is that
ohstates emotional tension present in the utterance.
Interjections:-primary
-derivative
2.The epithet is based on the interplay of emotive and logical meaning,which consists of an
attributive word,phrase or sentence which characterizes an object with the aim of giving an
individual perception and evaluation of that object.The epithet is subjective and evaluative,unlike
the grammatical attribute,which is objective,non-evaluative.The grammatical attribute indicates
an inherent or predominant feature of the thing in question(a red book-ontologically,that book is
of red colour;butred anger is an epithet-it evaluates the anger to its maximum point;it is
subjective because someone can see it as being black)
Another epiteths:wild wind,a heartburning smile.
Like interjections,epithets also radiate emotive value upon the utterance they appear in.From the
semantic point of view,epithets are associated to the following noun or unassociated.Associated
epithets point to a feature which is essential to the object they describe(dark forest,careful
attention;restless assiduity).Unassociated epithets characterize the object by adding a feature not
inherent to it,which may be so unexpected that it strikes the reader.(voiceless sounds)
The ties of the epithet with the notion it determines are strongly contextual.If they
become fixed,the epithet becomes a set phrase which appears in the dictionary(its not a figure of
speech anymore)-intuneric de smoala=pitch darkness.
Structurally speaking,the epithet may be seen from the point of view of their composition
and from the point of view of their distribution.
Compositionally,you can have:
Simple epithets
Compound epithets(apple-faced man;a mischief-making monkey-Byron)
The transferred epithet-a normal ordinary logical attribute which described a living entity(a
man,a plant,an animal)and is made to refer to inanimate entities.(sleepless pillow,breathless
eagerness)
Oxymoron
Is a combination of 2 words,in most cases adj+noun or adj+adv, in which the meanings of the 2
clash,having the same opposite semantic feature.
-horribly beautiful
-sweet sorrow
-nice rascal
-pleasantly ugly
-Fat-Frumos cercel palinca muscat de un purec de fulger(Eminescu,Mitologicale)
-The play will present for his majesty on his wedding day at night(Shakespeare,A midsummer
nights dream)
-Sweet moon,I thank thee for thy sunny beams(Shakespeare,the same)
-Bless you,fair shrew
If the primary meaning of the qualifying word weakens or changes,the stylistic effect of the
oxymoron is lost.(awfully nice, terribly sorry)
Antonomasia points out the leading ,most characteristic feature of a person or event, at the same time
pinning this leading feature as a proper name to that person or event.If somebody has blue eyes,you call
her Miss blue eyes.If somebody is exceedingly clever,you call him Mr.Zero.
In essence,it is like an epithet,not so in form,though.The explanatory words somehow revive the logical
meaning of the proper names,thus making more apparent the interplay of logical and nominal meaning.It
is a very old device.Many times,peoples family names are forged either on their
features(strambu,scurtu),or based on their occupations(Smith,Tailor)or on their place of origin.
Intensification/amplification of features
Unlike ordinary comparison,simile characterizes an object by bringing it into contact with another object
belonging to an entirely different class,on the basis of one single common property.For instance,says
Byron:Maidens,like moths,are ever caught by glare(Fetele,ca si moliile,sunt mereu atrase de
stralucire).Moth,in this case,is used to indicate one of the secondary features of maidens.A maiden is not
a butterfly,but it can be easily attracted,lured.A term is characterized and another which is
characterizing(maiden-moth)
The feature intensified will be more evident or more inherent in the second term,in the
characterizing term than in the first.Then,the object characterized will be seen in a new unexpected light
because the writer imposes this feature upon it.)if you think of the concept maiden,you think of anything
buteasily deceived.)
The difference between simile and metaphor:with metaphor,there is nothing in common between the 2
terms.Here,there is a common feature between the two.
Similes may be structurally based on adjective -attributes (atr.adj.),adverb -modifiers,verb -predicates
etc.They always have some formal elements in their structure,connective words such as:like,as,such as,as
if,seem.
These elements are not equally powerful in connecting the 2:
#seem and as if a more remote resemblance than like or as
Sometimes,the simile forming like is placed at the end of the phrase,almost marginally and becoming a
semi-affix.
What is a semi-affix?
Some words seem to be compounds,but they are composed by means of a component which is used so
many times in other words that it loses its dictionary meaning.It becomes a sort of an affix.(the word
man,for example,means adult,male and human.But if you say dustman or
handyman,manservant,the manthere only suggests sex;the other meanings are lost,this being an
affix..or the words containing berry:
Baneberry
barberry
bayberry
bearberry
blackberry
blaeberry
blueberry
boxberry
gooseberry
huckleberry
The word berryis devoid of some of its features and becomes a kind of suffix to denote a kind of fruit.(in
Romanian,berry=baca.Agrisa e o baca=gooseberry.Merisoara=huckleberry<Americans call it cranberry>).When
using the word berry,I do not necessarily think of all the characteristics of this fruit.It loses its dictionary meaning
and becomes an affix.
Another example is mania:computer mania,music mania;you do not find the characteristics of this disease
here.
Another example:like(grumbling like a beargrumbling bear-like)(Dresden china-like).
<Dresden China= porcelain ware,especially delicate and elegantly decorative objects and figures of high quality,
made at Meissen, near Dresden, since 1710).<Langa Dresda(Bavaria),pe vremea lui Friedrich Wilhelm al Prusiei,s-a
facut prima manufactura de portelan din Europa,ce se numea Meissen si,la cativa ani dupa asta,o alta manufacturaRosenthal.Patentul fabricarii portelanului in Europa-prin spionaj economic in China-ei au inventat
portelanul.Rosenthal s-a specializat in vesela.Cea de la Meissen s-a specializat in bibelouri-scene pastorale cu
pastorate si pastori imbracati in haine de epoca rococo,fuste cu crinoline,dar in mana carja sic ate o oaie culcata la
picioare>.Deci Dresden China se refera la o astfel de statueta de pastorita.
Periphrasis consists of the use of a longer phrase instead of a possible shorter and more plain one.It is
also called circumlocution,which means re-naming of an object.As a stylistic device,periphrasis aims at
pointing to one of the seemingly insignificant or hardly noticeable feature or property of a given object
and intensifies this property by naming the object by it.(instead of women,you say fair sex.Instead of
my wife,you say my better half.Orthe caps and gowns=the students and the teachers)
!If a periphrastic locution is understandable outside its context,it is not a stylistic device,but nearly a
synonymous expression.
Literary periphrasis is a new genuine nomination of the object.
Ex.:I understand you are poor and wish to earn money by nursing the little boy,my son,who has been so
prematurely deprived of what can never be replaced.-a genuine periphrasis(what can never be
replaced=his mother)
my better half-a set phrase, a stale periphrasis.
Stylistic periphrasis (the genuine)can be of 2 types:
a)logical:based on an inherent property of the object(the most pardonable of human weaknesses=love)
b)figurative-based either on metonymy or metaphor:the punctual servant of all work=the sun.(it is a
metaphor)
to tie a knot=to marry(metonymy)
Peculiar use of set expressions(the clich,proverbs and sayings, epigrams, quotations, allusions,
decomposition of set phrases)
The clich-generally defined as an expression that has become stale and trite -it has lost its
originality by long overuse.So clich is a derogatory term;various dictionaries and text books advise
complete avoidance of clichs,either in writing or in discourse.Not all set phrases are clichs:when you
use certain partitives with certain uncountable nouns,of course they are set phrases which are
overused,but they are not clichs,because their use is unavoidable.
-they may have rhythm or rhyme(The meaning and origin of the expression: Early
to bed and early to rise makes and man healthy, wealthy and wise)
They acquire connotation in the context in which they are used(there is a
realization of 2 meanings of the proverb:its meaning on its own and the meaning
irradiating upon it from the context)
A proverb-a pattern of thought,a brief statement that shows,in a condensed
form,the accumulated life experience of the community and serving as a
conventional,practical,symbols for abstract ideas.( A journey of a thousand miles
begins with a single step.)
In some of them,connectives are omitted:First come,first served/Out of sight,out of
mind.
When using a proverb in its set form,you have an expressive means,but when you use it modified,you
have a stylistic device(Ochii care nu se vad se uita in toate partile)/(Take care of the pence and the pounds
will take care of themselves.=Baware of little expanses. Louis Carol:Take care of the Sense and the
sounds will take care of themselves-the 2nd is a stylistic device).
another piece of writing.The difference between quotation and epigram-quotations need not be short.When you use
quotations as stylistic devices,they are used with the aim of expanding the meaning of the sentence which is quoted
and setting the 2 meanings one against the other(the original meaning is modified).When you use a quotation in
literary style,it may gain the status of stylistic device:There is parody after Poes Raven-The ravings of pute poet
Poe.Otherwise,if you use it in newspaper style or in a discourse or in scientific style,it is an expressive means.So
you use a quotation in a discourse so as to enrich it,not to create an esthetic emotion.
Allusions-indirect references by a word or phrase to a historical, literary, mythological, biblical fact made in the
course or speaking or writing.It presupposes knowledge of the fact.thing or person alluded to on the part of the
reader(+presupposition of a similar experience with the reader).If a quotation must repeat the exact wording of the
original,an allusion need not do so.Unlike quotations,with allusions you dont indicate the source.They have
different degrees of remoteness.Ex.:Dickens,Hard times: No little Gradgrind had ever associated a cow in a field
with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat-a
nursery rhyme-only English chidren know what it alludes to..Pie in the sky for Railmen=a promise which will
never be fulfilled.
Decomposition of set phrases=linguistic fusions used as such,in which the whole cannot be derived from the
meaning of the component parts,which means that the stylistic device consists in reviving in the proper meaning
component parts of a figurative expression.It may lead to absurdity at times(Its raining cats and dogs).
E.g.:G.K. Chesterton:It was raining cats and dogs and 2 kittens and a puppy landed on my window.
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