. Keulosevad s Ee - | A SLICE OF SATURDAY NIGHT Book, music and lyrics by ~ - The Heather Brothers ( Property of Play Bureau. Please use soft pencil for marking and erase before return. Cleaning will be charged tor. These parts are on loan from Samuel French Ltd 52 Fitzroy Street, London, W1P 6JR, to whom they should be returned. Any markings must be made in pencil and deleted before return. A cleaning charge may be made for parts returned with markings not deleted.rua 9) ccd A SLICE OF SATURDAY NIGHT ACTI XA ASlice of Saturday Night €10S - 2% ClubaGo-Go eure - v3 3 (Waiting ee? 4 “Saturday Night Chat f! v5 sSeventeen Cilermers Fae a 2 46 §Don'tTouchMeh” MEN Gywet . a = ney. = teen GR - 2«. v8 Love On Our Side , . 0? What Do | Do Now fats ho pe a " What Do You Do ue ® 12 ° IfYou Wanna Have Fun /\ 13. *. Long Walk Back a 14 Romance/ Wham Bam 15 4BoyOfMy Dreams 16 4 It Wouldn't Be Saturday Night ~ Without A Fight - ACTH yp_17 ,, Opening Act Il Vac - 7°18. Eric's Hokey-Cokey Shute, | 19 >| Fancy You nC 20 ? Sentimental Eyes f - 21” Heart Breaker ‘ 22. Eric's Gonna Keep Guin bed _ 23 « Oh So Bad — 24 | Please Don't Tell Me 25 You're Oh, So... = 26 * Lies — 27 ‘BabylLove You ' 28.’ PE. - 29 Who'd Be Seventeen 30° Last Saturday Night («i “+! 31”) Finale gee PLAY BUREAU LTD P.O. BOX 420 NEW PLYMOUTH NZ 1 All Gt Ere 8 bic 14 Guts 20 Au 26 2,5, & B2Guy » & 36 Se 40 AU bul Carry 4443 49 sik 52Gmys Pas seh 62k 65 All Gut Enc 74 Bskd 79 All 84 All 84 Ki BQ RES aCemyeny ooh 93 R35 96 Gir oe 101% aya ite mbes, 126 Hida Gas 130 G-y> 135 Ad ver 140Gery 145 Exe 148 GS 152 AM1 u 1. A Slice Of Saturday Night i Bright 2 El Bh Ht: ‘Al p > s Gon- na take me a sli 8 of Sa -tur day night. Gon-na take me a | sli night. Gon- na take me a Gowri es of Sat-tur- dayGon- na take chm me ctm E | Sat -ur- day of Sat- ur- day Sat - ur~ £ night. of Sat- ur- day 1false eye~ |lash-es. Got my | fish __ net tights. B hip- ster [trou -sers. Got my pink lip~ | stick. Got my boots on. Man, I | real- ly look hip.yeah! Sat -ur- day night. fel- las, Sat- ur- day night. x Sat ur- day night. i the | mus- ic, Sat- ur- day eB BP An: F Sharon: F Eddie: i Sat- ur day night. BoP All: F Bridget: bo BAM: cra~ zy. Sat- ur- day nighttime, Man, cos | that's where it's at = rs 1 Gon- na take me a i; —___ of Sat-ur- day night. Gon- na take me ayt f= o of Sat- ur- day night. Gon- na take me a of Sat- ur day i to- night, to-night Gon-na take me a | sii ———____ of Sat -ur ~ day Sat -ur- day . Gon-na | take me, take me a slice of Sat ur~ dayBm "Are you sill in ‘that bleedin’ bathroom?” Sat -ur- day night. Snare8 I 2 2. Club a Go-Go Bright? J =112 E G AGE G aA spl Gtr Fills f Keys 8ve bass ad lib Er- ie "Rub- ber legs" ov-er, let's set the scene. nine - teen six- ty four. EY = Eric:the name is A. year eith- erway but it could be — more when the hems were high —— and the fring - es Sat-ur- day (Gtr Fills) night meant the Club A Go- Go. —=_ Tho’ it, all takes So I'd like to It could - "ve been To one of place in this club of mine. wel- come you one and all.0p GAG y from a- round that time. fin- ish- ing schools. ‘Tho’ they may have had——— a diff ‘rent name, The breed - ing ground ——— _of the teen age dream, —— find in- side were all the same— cro - _co- _sm_ of the teen- age scene— With the mus- ic loud and the lights down ‘Where the kids learnt all they had to ‘A-ny club ’ could-'ve been the Club—— A Go- on Sat-ur- day night at_ the Club A Go- otE A A BE! £— Ht E AES E (Bo Diddley) * 2a The kids don't come here => set 2 ‘The Club is where they get their first taste of Ro - mance. — Cou ples _meet_and cou - ples — But E- ric's al- ways here to mend a bro- ken heart. — 8w ‘They treat the Club like a home from home and 1 treat them as tho’ they were my own.— GD ae ee and the lights are low; ~ And Sat-ur- day night, Ev'- ry Sat-ur- day night meant the Club A Go-Shreskt om —24 25 + 3. Waiting Medium 4 = 118 C Csusd Cc Csust Cc Csust c Cost CS Cust AR om Synth}? Sir Gie.+ Sax later yp ep nf Csust Cc Csust Cc Csust Cc Csus4 AB arr- iye at. the Club sive and at once c Csus4 ce Csus4 co Csust ry Sat- ur- day = ppear inc Csus4 ing. up. hours spent rit= For groom - the ual check - and make tra- dit- Ay hair ways get girls our al- up ion- > F Harmony 2x oe thro’ ae the ver." seann’d “once road oa mak- ing sure our a day's pre par- 15 c pluck hair. ing gear right. do. of Fab checked from head to gear's ao and prun- and make - —— v ma-ga- zine, toe, ing. up. to as rhcig cl 16 G 3 Still in, in the “in- scene,” _ we burst on- tothe scene, J Cc Csust Causd © Coust Caust - Ks. seenin Fab ma ga~ zine. Straight out of Arb ma ga~ ine. “Ut Synth12 Ste Gtr - F cig CIBb ne FOS crBb c ae F cig CIBb C F cig we've been thro’, — i ? =G Csust c Just c Csust wait! ‘As cus- tom dic- tates. Synths12 Sig We sit and we wait for the pleas- ure of some Moth- er's lit tle trea- sure to— z Youbet! t's ikea cat~ tle mar- ket,~ follow pro-to- col as we sit a- gainst the wall.— Fac- es all a- glow, Put- ting on the style, we grit. our teeth and smile and fine up in a row.— ‘Yeah Yeah Yeah we Rag Time Ad LibAm 19F We wait. 8 (ad Lib) Fm Yh We sit. and PLAY BUREAU LTD P.O. BOX 420 NEW PLYMOUTH NZ20 | 2 4. Saturday Night Chat ‘What ing to- mor A Fem There's a fab mov- ie playing down the ol” —Rox- that you look the spit- ting © im- age of San- die I'm ‘the fel- la you've been wait- ing for all your y. What you do- ing to mor Shaw? Paul Mc- Cart- ney's my cou life. So what's your name then darFam 21 Fim How d’yer fan- cy —get- ting lost. with me? Where you yeah? Have-n't we met some- where be ~ fore? — B4&Do you He asked for your name, love, not your price GonsFan- cy D D Rick: D © sharon le been all my life? Fieve en've coe His scooter does a hun~ dred and three. Fan cy fan- cy a drink?9$%-' 0.2. = "ry Sat -ur~ day ni 4 BO Sey a a! pray to God to- night's the night Sid to my self "No “not to night — - 16 z ee ee ee ee 3 =I But ev- ‘ry Sat- ur day night it's ee.” , Then came cp that fate 5 ful night, myAll. of when some bloke spiked me sited If me mates leant of If the girls learnt of Erie Don't you find it Syath Sus Ind X quite i- ron- icnot to say a lit- tle mad. How the boys boast swear when they have! Sharon: 6 think bout it such a 36lot.W's no won- der I've got? spots. a op 375 3 roa 340 con cience walk up the ais-le dreSed in white, ca 3 i wa G B I'm prepared like — all theAnd to pre- vent last lin ute fum~ bles I put it on be~ fore T Eddie know why. Exle Nor do I, son. Eddie It's true, Eric. Honest, They're all over me. It's a fight to keep them | off, 1 ‘before then? Eddie Don't ask me, I's just something that’s happened. Come on all sudden like. Strange, init? Erie Strange -..? 1s bleeding unbelievable. Gary Any bid? Eddie Any. Erie Okay, 0 what's the punch line? [take it you are joking? - Eadie No, Gary Ob, leave it out, Eddie... Coming fora drink, Rick? They sart to leave Eadie All ight, I prove it i They stop mean it. Go on. Any bird you like, = Pick a bird, any bird and I'll have her eating out my hand, Gay All right, Eddie... Allright, you're on Gary and Rick scan the female members ofthe duenceOe ne a nainer tasty, (He growls) Rick What about her? (Embarrassed) Oh, sorry mate. Gary whispers to Rick. They laugh ” Badle So who's the lucky lady? Dewygpren Ere Ab, that's «bit below the bel, Gary. I mean, give ee Ede Gary (smugly) Frigid Bridget. ed os Brie:{; = ‘pe No, n, Eee that Actually, ve alwayshad abit ofa See Actual, Vealnays had bite ting s =about the fo maidend meus ee fo se ~ ———— Rubalo there ain'tno thing that I'd prefer than to seam up thewin-dows — of Dad's fF Symi faa Gombe c e == 5 5 - I dreama~bout it ev er-y night__ B Kis-sing,cud~dling and hold ing her tight._ B> c fc] Thro’ the night. _ BoBC BP ic) BC Cc ni i-i- cIAB) Eric, Garry, Rick: Ed- die, get her out-of your mi- i- Ed- die, please heed what we say- ay~ F Dm a c F 2X Bric: you're gon- na wind up blind. You're gon- na wind Ed- die, She ne ver gives it a-way. [No, no, not ~ » c F Dm That fri- gid Brid- get. c c ted lead you on then ° c She'll get you all ex _ that fri gid Brid - get B c Bb B/ “ Eric, Rick, Gary: D No, no. no, no, on no, n no, n no, n no, no Don't touch G c r No, no, no don't touch me. No, no, no don't touch ~—me._--You can. B c F Dm B F Dm nu look but you bet ter not dooir but you bet~ ter not — BP c c ‘Ad lib jill cue fdde = dows. hii / tun “ \pouans . doe an)No, no, no don’t touch ~—sme.-—-'No, no, no don't touch me, You can. B c F Dm BP c F Dm i f ook but you bet ter not mé. You can dance but you'd bet- ter not, B c Dm BP c You'd bet -ter not Touch me. You can B c F Dm Oh, no you'd bet -ter not B c look but you'd bet -ter not touch. B c FB‘Sue continues to check herselfin the mirror. From her expression she obviously . "Noa \ ude) Se lke wha she is sein. She sings Ox Sh 5 1. Twiggy - Steady Country 3 J = 106 Ral fie 5 ~ - So sylph- like, 50 i =My ly- ing. I had a like fig ure wish one so- cial whirl, Twi - gay’s, — dad-says she’s luc~ ky life fed ia am 1 my pro- Up, sionsIf you wan-na be "in" cup, — —- you simply have to be they mean pain-ful-ly thin. When fash ion The on- ly parts al- lowed to stick p* dic - slim. tates And I'm just an old- fash-ioned girl. when they that boobsshoul - der blades, knee caps and old -fash - ioned girl. __ irl Rall. 2 Twi- gay I'm an old-fash-ioned girl. F CIE Dmyc ‘keep th Bei bet pop. Tayi of i Gary Leave it ovt. The Stones are much better. Ser wvd forthe Dove Gat Pe Tye sbcutel fb piipaalefolpelga ea (Hastily) Not as fab as you though, Gary. * i Gary aeioks REAU LTD ee ee fle Mot : ce (OUTH NZ aera oa renee cee nn wevepietenvth sama Sr Md ie in plinepien ee cla dma old. fash -ioned,‘See What about you, Eric? What group do you think's gonna win the New Goa, Mise ef OS ee oun eee seem 4 | +106 2 reed Gem | F Dm Bb 4 ‘Synth play rhythm guitar. C¢susts at 'C’) * cutBtute) r mf coSeek- ers and yer Sear~Oh, that man with the quiff_ “Hank B Gt" _—=a cT F £ 9 Bm B c BF 3 andhis fourlads. CliffRich -ard_and the could ev~ er for- get ty pe’ There will nev- er be __a better pop song than "Gee Whiz It's You" ‘So you can- eon a ¢ p Cliff Rich- ard and the I F Dm am PB eC F —s- ‘And his four lads___,, 4¢ CliffRich -ard and the Shads. 2 3 4 iF F Dm Dm Bb F Ia CCiRich ardand the Shads. I RitA tempo >>> Ter | Ane Aves”Beidget(poining to the money planed onthe board) Here, Exc, what (ae 5 ae atin di dp Beet * at, Bridget, my love, is a monument to man’s fl Bridget Man’s folly ...? - aa Este You'll never grap it, dear. ale On Would? interraping) By the way, whats this I hear about Terry and Beidet (scaring) Oh, they've got real problems, Her parents cant [Bele (incredulously) Terry ...? You'd think anyone'd be proud to have ‘asa future son-in-law, wouldn't you, Bridget No, no, Vy Sow? n0 Ret (Synth Oboe!12 Str) (Gtr Solo-8) a _ TT) © any «Ny mu sin 8 SHCA >» So they don't like my hair And the clothes that I Rubsto A Tempo ‘Synth 12 Sir Sirum They say I look strange. They say you're de- fimTenry: Shirk: ranged Now that just aint what they say gon- na stay by your side — night and We'll ne - ver give Shirk: Tema SS FEF We got love ——shamed, we got no- thing to rem hide, we wear it with pride got love on our We got love on e —————— We got love on our side. Femno- thing they do, When I'm with you, you — thro’ my eyes.(Woeal 1X Only) o> aa ey Rpt x Rall Last X © Rubato We got love on ourfc Right! You wanna take a leaf out of that book, son. Do you c * xf; ink ip me hand ia me poke forthe ie of yout The man stays in bed on flag day? Do me a favour. (To the audience) Thought N little bleeder had rumbled me. As Gary crosses to Eddie ana Rick, Sue and Bridget siart questioning Pe ‘Sharon moves DR Gary What; Music Begins under d tae Noting nothing Sy ee ea takng tem pie esnt AB Str Took- ing at Synth Dsuts Fem/C* GIB mf Gtr / me, looking at i ooking at me who's looking at Hist # mic c {Ci now? What should my next sigp be? How should Tre- act? What should my stra -te - aycool? Should I take it Should I move in fast? Or let my feel - ings —_— show? show? slow? t Should I act realher 7 iI i fet who's smiling at — as Vm smi-ting at | B® "411 won der me, Rall me. What do 1 do | now? What do 1 do | now?- What do I do | now?32 Shade 6 11. What Do You Do? Steady 4» = 130 honetar Synth gtr GY Cc 1m Dm (Sax atc) ~ | VW fizge A + Bass(8) [Al What do you do when a girl —_ sits. on. What do you do when you're dance ing real your knee close co° Ps trol and it's what do you do when you're los what do you do when you wan na leave the floor be~ fore your Dm more than your tem- p'ra- ture that's start- ing to gro- wing em- ba-rass- ment starts to 1 BP B ‘Then she moves out on the floor But she holds you, oh so tight, _ATGRS teifti tr Penny/Sue: — — Come on, lov er, let's dance some more. There's one way out of the > 1 could dance with you all night.____ There's. on- ly one way JT] |»ad Eddie!Gary: Flap. : We got- ta do the Jack- et Let's do that new dance called the — _ ‘The Jack - et You do the Crouch. SN. mon, let's do the Jack- et Flap. Gtr Ad Lib 1X ao Sax Ad Lib 2X DmICoe 55 What do you do when you're sit ting all alone feel- ing hap-pi- ly con~ tent? Rick: Gur — ‘Then the bird that you fan- cy sudd~n'ly gives you a smile and your hip- ster trou~ sers start re~ semb~ ling a tent E your dis- may, she starts to. head your way. f Depayou can do. Your em~- bar- rass- ment’s on view. floor would o- pen up and it would —_swal Dm A Eric: 4 Don't get in-to a flap, jus! Use you cap, + the Crouch,® the Ger _ (the Cap or the Crouch or the Jack- etST Boys: if you're ta~ ken by sur - prise just im -pro = vise and yse the Cap or the Crouch or the flap.. 21s that old barman, Eric. I—er—think he's diddied Bridget. ‘She (Ga Bedege Marte two Change, right and he's charged her tree and four. at tats op last wet Mut that's up fourpenc since last week. pee T got blanc me book, sn. Cover me exe a en) nother words nes sving up or 8.92" TE ada Badget You tds know nothing about buses. This aa ange Heedng fortune Its seg ot 10 am ae ere wc hidden expenes you wou even rea Bridget (10 Sue) Oh, yeah 6 Rock'n'Roll 4 J = 166 IAI Eric: ‘Me- Crea- dy bro- thers and their pro tec~ Synth: Jerry Lee Lewis Piano SEE Vb cmanh ta Tutti ty Sat- ur- day night 1 have health in-spec- tor and the p'lice want their cut.— If T tion rac — ket. don’t cough up,B club- ‘ll be shut GEETIaNO Then take the band, well they want a fee. And tf va Po Gliss ‘ev-engo-go-Ber-thadoes-'nt do it for free. De~ spite what you think —mo-ney riNa ‘moan- ing, g —_— sym-pa- thy. Youwan-na have fun, . ‘You got=ta pay— for it60 co Youtakeitfrom me, i> OS OS Who pays for the dam-a~ ges Drums play Throughout = there's a fight? Plus all those glas- ses broke on Sat ~ur~ day — night? The day one of you put your hand in your pocket. I'lldrop down dead so what I say is sod it! | You want Oh so if — you want aT cis ‘Drums fill Dai ! You got- ta pay for it know you got-ta pay for62 Sheath hw 13. Long Walk Bac! lows J=69 aloge ey Quasi 12/8. "Rising Sun” V\ Hammond org/Vox continental if poss Am c Stem Tamb Stem Tamb G Cc F PRT 1 |sim -9 5 fear and brave young am Bigger on Rpt Task her to. dance? out so. proud and _—_ strong?she says yes, but can I take the chance shuff -'ling wrecks, their nerve and_man - hood gone. Jong walk back if, she says no, ac- cross God 1 hum- bly beg from you = one, saved me from __the__long__walk back __from __shame bon the emp- ute of and _mis The snee- ring looks, mock - ing eyes Will her an-—swer yes If not for you __that_bro cut me to the Wve sign ——— god give me a On asa Leste —— Gliss Am ET Am po ET or no. = ken_lad Organ Solo &! Am, ec) ty your ae@ Rubato sure ~ ly have 3 been me. Am, az Z Slowly (in \s) Would sure - ly have been me. Organ Solo(Church)65 14. Romance/Wham bam Medium 4) = 128 ‘Synth = Rhythm Guitar Shaker rvpre [ever ee * a oat faith- ful lov- ing and kind. Lwho Others: Some- one who would be, Bridget Ro-man-ti- e'lly in- clined, ———— Some - one who couldSue: Some=one who would walk me to my — door_ Others: No- thing more.- SA expect a kiss and no thingSome-one who would not take Some- one who had more Poco Piu J = 148 Gary (2) E When it comes to ‘There's on- ly one thing they—- He's got one. You got one. - thank you ma’ am — ‘That's the on-ly thing theyAs of ten as they All they want. — want.That's all we | want ‘Wham bam, | thank-you ma’am! From a man. All we want. thank -you ma’ am!_ All they wantAll we want. 's___— Allit-tle Al they want All they want's a it -tle in our lives Wham bam, | thank - you ma ‘am! __ That's all we | want. ma'am!thank -you ma’ am! From a man. All we want. All they want— All we want All we want All they want__ From A Man. Allthey want From A Man.Don't know why she bothers coming no-one. Not ie her mother, Ruour has ages pee et our Right. (Looking round the audience) Fat ES erty an ac Steadyish 4 J = 70 DK sat suf Whe mf bn Def mf Gtr(Not bass) Kb Straight off —_ the pa- Who knows may - are. ne pee cs ts pace (Rhythm Gtr Later) Soe True could Love be — mag-a- here to-night. zine. FR15 Some- one who is sen -si- tive. —_— Not. as sen~ he'll — be a- SOE Wuesgigkr rss aus in - Gddie:) - “Hello darting” one ___ who is strong. fid- n't say a prat. so-phis- ti- ca- ted fog" breath won't smell a bit. FfThe ap- He'll take me on his — knee.Gmaj7 | Gmaj7 cup of tea. DA EK Solo Som Can't help think-ing___ I've metf Bm, -——p ‘Ad lib Bm Tasteful Fill ettece Rabato"Gary Here, Eddi, got you a Wallin the bar, mate Argh? Coa, Bale Cheers, Gary Eadie exits tothe bar Eric pins the money up. He suddently tenses. Alert. He sniffs the ait i a hound senting Exte (sniffing) Oh—oh, I smell trouble. (Peering around) It's always. s aan rey Setudey right ss cea Tete Without A Fight. - fren) Kaew it (Coming) Over ther, ook pid —smeaium 2 J = 114 . : lB That —_gee- zer's smiled at our = un- be- known to her— mf E John’s bird. ‘Nshe’s gone ‘nd — smiled back —at_ =the ~—onerd. «= He. —— bloke John, she gives the lad the = old come_ on. In- saun-ters o- ver to the bar sug - ges- tive glan- ces vit- ing him to make his play, A wink's good as a nod they chm chm chmIt would- n't be, No it would-n't bewith - out a fight! Fight! Fight! Girls: Boys: Girls: Sat- ur- day night Fight! is Sat-ur- day night Eas fe ‘Stops 284Xfat Sy chm (No stops) # the lay, iE = ae a elas, A c#m ee & J iB, & ae = FRm7Au With -out a Bang Bang Wal-lop Bang Bang Fight!st z ace! Tage (Te 22, eftryoae bask on The Boot Worcs nec light. you STugyaee bank on fhe toor: Were goane do EET ones oe 17. Act two Opening Jam Till Stopped Jerry lee Lewis Piano ~- poe soo dlp: ple G ey 7 gta tTuttaneet 7 Gtr ete tSall a- bout. Put yer right foot out. hand shake it all a~ bout, Jump ———___——_ shuf- fle on a Sat- ur day night. By a the E-ric ho- key co- key shuf- fle. the E- rie ho- key co- keyShim- my to the left. - BT — shuf- fle on a Sat- ur- day ——= —— the ho- key. Do88 [Rox 3S] Rit ——the E-ric ho- key co- key shuf- fle on a Sat~ ur-day on a Sat -ur-day Che mm 195 R Tempo ¥ ill _ Bridget I bear Eric’s given her a lovely birthday present. ‘Soe Oh yeah? What's that? Bridget Well, what do you give a girl who's got everything? Peary Dunno ... what? Bridget Pencil! Giglng, Sue and Penny follow Bridgett the bar, Penny drogsing @ confused Sharon aftr her Penny Come on, Sharon, I'll explain it to you Crass fade tothe alley. Rick is standing outside rehearsing [ick (embarrassed) I fancy you. allright? ...Oby no. (In aposh voice) I just want to tell you, how much I fancy you -.. (Desperately) Look, I fancy ‘you, al ight? Unnoticed by Rick, Erie enters and stands watchin him from the doorway (Growing cocky) Tjust thought I'd say, daring, how much I fancy you. All \ Tight? (In an American acent) Hey baby, you wanna know something? I fancy yo-o-ul Erie What are you doing out here then? ick Just getting some fresh air, Eric. Eric Oh yeah? (Picking up an empty crate) Eddie's on a hiding to nothing. ‘with that Bridget thing. Inan hour's time, he'll be wiser but poorer man. You're off tomorrow, aren't you? Rick Yeah. Erie Wel, iT don't see you before you go, look after yourself Rick Oh, thanks Eric. Eric S'ltight. (He goes to exit and stops) By the way Rick ...I really fancy you too. ric exits chuckling at Rick's embarrassment ‘Sharon enters Staro Are you Rick? Rick Er... yeab. ‘Staroa T'm Sharon. Rick (awkwardly) Oh, bi ‘There isan embarrassed silence ‘Sharon Sue says you want to speak to me. Rick Er. yeah ve Pawe ‘Searon Well?peek Yeoh ah. Wal... You se The hing. Make re. Enbaraed passe - , seer att wanted to say was is. You. acura Music, Embarrassed pause ‘Sharon (helpfully) Yes Bish ---? { \ Steady 4 = 114 : Al BO oR ‘Synth Rhy Gir a a = oe you w tesa Did you know that’ «Rin _ & fs & & 8 3X Tempo. Synth Rhy Gtr HA. mf | Gi px pm| Am! |! 9G Bass) i? pay Go ee dome ~ ge dined the Bea ~ tls be- cause Ep a cord the Bea 5 tles made was asty two had a hit — called Pe- ter Best too good look — nie back to me —— they were still, —Lis ten to - me dro - tiny do TZ keeg gory c7 Seed TP Guys fan ~ AO soaut “OU {Lo oo oj]Dial Longish Rpt Poa ise LL UU (Crese Last X $K NoRpt Oo,__ Hold Solo) Till Appl 2 Sis @ Rall Gy ‘A Tempo [Gtr Solo Under Dial UU u93 Coe Eos 20. Sentimental Eyes Med 4. J = 140 Al u\ —_ “Ws yh | m G ment you walked in- to the club. I knew with - out doubt_found the real thing love 1 knew ‘What is it ‘bout me that's so ‘Sharon: Rick: Sharon: tal eyes. My what? Yourfal eyes. I've got sen-tim> en- ee Aeidget (10 Sharon; btchily) T don’t mean to interrupt anything Sharon. [Rick and Sharon break away, embarrassed, Bridget goes to speak to Sharon, - sees Rick is hanging around and glares at him Rick exits Something absolutely catastrophic’s happened. ‘Sue enters with Penny ‘Bridget and Sharon cross to them. Bridget is looking extremely smug Bridget Hi, Sue See Hi, Bridget Bridget (co Sharon) Isn't she taking it well. ‘See (puzzled) Taking what well? Bridget (insincerely) Me and my big mouth! (To Sharon) She doesn't know. ‘Sve (worried) Know what? Bridget 11's your Gary ... Thate to be the one to tell you, ove, but we just ‘saw him with Bertha ... inthe alley... Didn't we, Sharon? ‘Staron Well 1... er... didn't actually . ‘See They were probably having a chat Bridget A chat ...? With Bang Bang Bertha? The only word she knows, dear ig “yer. You're to easy om him, Sue. You gotta stand up for yourself.=} Kn Sera, “Ra 9807 approaches with a drink for himself and Sue i Gary (10 Sue) How's tricks, love? Geer * OL See tearfully) Ob, Gary... > Bridget Keep away from her, Gary Williams! (Comforting Sue) How could yOu do it oer? Gary Do what? ‘See Bang Bang Bertha Gary Oh, that! = 134 Moderato “oO _ brea- ker. . t Pno brea- ker. ¥ we go — a- gain. is_your—— last chance. brea- ker, brea-__ker,show some sym pa- thy. ‘you hear —my plea? won't Heart break-er, Heart brea- ker,B Girls) (Girl) Girls) ka IB Stop brea- king my ‘Stip! i Be- fore it's too late, BDGirls ‘Stop tear-ing hera~ pai — 2 me hate. Stop bra~ king my heart eatt— BP — Stop break ing my heart, chp Grealing my heat Be ate NS ae fast — you'll be the lose er. You're gon-na lose —__her.__100 i; ++ ei you got-ta stop what you're do ing x YU ganete BI > Sas af O\ @ Girls: ; Se \ Stop, she ain't fool ing. fein 7 AN f\ \) 5 stop brea -king her A Enc Ufghing for ner fine. a et rip? He can hardly tan Gary oR) sidan apt a bt a. ones So isla mscie. _ Cee ating te Hen Taking he) ie pting (000 forall i | “You wanna knock it "stime you stopped BOPPINE, \ oembe! I wat i Sop aE ude Po A Tene on om eee wenn He : a) nin ih oc Tl Yo Drop Cotes” ne stp borin _ Not local ... nationwide.rt nee MH MY nT Tig Seen amano - 22. Eric’s Gonna Keep Doing Eric Bops: Underscore ae ( Ad lib till stopped (6X?) fF] 77) pb? “VW pa Sareea og, & sei gon- na keep do- ing what E- ric en- joys do- ing, a A Tempo: Steady 4 j= 124 (ql I 2 i. i can't do it no more. ‘And I'm will- ing to bet- cha tho’ they (Bas) *102 3 3 gc 3 car- ry me out on a stret- cher, I'll be do- ing it at a hun- dred and four. T've seen the men- tal tor- ment that pack- ing it in can bring, E-rie's gon- na keep do- ing, what -E- ric en- joy’s do- ing “tillB 2 can’t do it ~"Tve boog- ied with French girls, 1- Te boo- gied in the park. Be - boo- gied o- ver break - fast. While Greeks. Once I et omy, {jo work - ing there ain't no I'm the { “ly to boo- gie! com -ing I've fe -ven been known to boo- gie fly- ing at F Boys: speak. Eric's gon- na keep do- ing, what the hel- ter skelter. - a ir- ty thou - sand — feet.105 Ta can't do it no de wop bee do bee do bee Z - ~< < ric can't do it no more. Reprise from, ee > RE ad106 23. Oh So Bad Steady 4 2124 Al 2X Only Gary) PK Gl ALL Harmonie Backing)3 Up and down, the room keeps roll- ing a- C7 cBnev- er ev-er felt feel so ill, oh = (Harmonica 1X) (CX Col Vox) ‘The floor Keeps spin- ning. it’s Bi - 1 don't ev- en don't know how 2X Gary:(Harmonica) Hold on a mo, there's | vom~- it down me coat. I'm Hold on a mo, mixed | veg- es on the floor.the bog ‘weeks spag- het with me |fing- ers down me throat. -ti hoops con-| geal Bon the floor. It's Sat- ur- day It’s the Club ASat- ur- day3 12 3 gainst the wall the | oth- ther half down the drain. At the Club A Sat- ur- day night at Club Here we gooh. Take your part- ners for’ the stom- ach chum- ing, bile bum- ing, | should- er shak- ing, bod- y quak~ ing, Oh, no, there she blows, ten thir- ty, Sat-ir-day night | iDead Segue (Drums) 14 Ugh Now | that's what, call | Sat- ur-day night.Ms 24. Please Don’t tell Me Med Country 2 ¢ = 94 Tamb Conga Synth on 12 string + susts later 14 Rick: Guitar please don't (Sharon) Geq \/I'm too young kind spark to flare and I'm to young —__ to 116 to un of ju ing the than a out — there pass —___ on whole friend, that Well. dim, —_ down. my my quick - ly set- tle whim, town that life's I've ae got117 fh poms head of me, __— there's so. much_~— left to do. and news for you, I's nota phrase_I'm go- It's I'm feel-ing in my heart_ Fim re 1 tell you it's — felt it from the start_ —— The moment h& — wal- ked thro’ that doo! =118 1 don't know how one thing's for sure felt this good, _ I've ne- way be~ fore. T'm too young to119 mor- row I'll findBoys: % stand. It's Boys: 1 tell you it's Al F —— The mo— ment M€ walked thro’ that door.121 don’t know how, one thing's for sure felt this good, _ I've ne ver So please don’tEddielGary: 109 Why do tity af Synth No Susts That I'm not To Coda ewhat it was 123 ys Git ok gD a Sal 9}0 Cod: —\ Boys: It's love. Uni’ Please don't _tell Rpt & fade T'm not in __ love. Bass & Drums Tacet al F125 iw ~ I'm not in love. WS Be (cockily; o Sue) This must be your lucky night, love. I've decided to "YOU cond chance. Outside and make up. a ‘Gary clicks his fingers and points outside dangling his other hand behind kim, ‘expecting Sue to grab it Sue goes to et up, but Bridget stops her. Half way ‘cross Gary realises Sue is no following him ‘You deaf or something? Come on! ‘Sue ignores him Gary holds up his hands and counts off tenon his fingers ‘Ten, nine, eight, seven, six, five, four, trois, deux ... one. Oh dear, oh dear, oh dear, you've just blown it, love. Your ten seconds are’ up. (Gresing to Sharon So how about yo, darn” Fancy a walk onthe wildx : ‘ou, Gary, Your pte. Yn aan 23. You're On, ow "Cool 4 J = 124 ke Is Synth ie Se ve got = Heese oe You've got ta synth Pize CFF Fe [ose _ reas Facad [Goma Fomand on ac 7), Bass 8 Al groo- vy way of walk- ing, a cool —_ way of talk- ing. You're rea- lly would be some- thing, I mean, — rea- fly some- thing if so hip, so. slick, ___fin- ger lick ~ ing you would, you could, stand side shoes,127 _, meet you on the street they think you're so neat. A, real ; When girls mo-ment we'dchange, some how re - arr -anged, you'd be And for that Ooh we ooh we gas, so. flash, They'd make you theirs “Ti, could. me, you see, and it — fol- lows ran ey ooh. Bi But they don't know you like I know you. F "Cos once you'd seen you like we see —— you, 61 | a: ? A 7 - see thro” your dis- guise. They don't know it's. your re~ flec then you'd re- a- lise, —— That you're not god's gift’ to wotion. That you're smil-- ing at when you look them in the * f men. Gy and aa drag, man, well you rea- ily take the full of your- self. There ain't no room for a-ny~ thing ora-ny- one else. In fact it's a fact Uh buh, | Mmmm, You ain'tev-en close to Bdget (as she goes) I told you itd work. Gary is left seamed Eric, Eddie and Rick enter from the bar © Este (to Eddie) Only half an hour to go, Eddie. Stil no sign of the Tce ‘Maiden thawing. Eadie Don't worry. Everything's under control Eile Said the Captain ofthe Tianic (To Gary) Who stole your Beano then? (Tapping him on the forehead) Anyone biome? Gary T don't understand it, Eric 1's Sue. She's chucked me. Me! Give me the push, ae (craasng 1 his desk) So what's the problem? You're always going on about how you want your freedom. we ing Eddie joins Eric Gary Yeah, but that’s diferent. That was before she give nie the push Ws puta whole new perapctve on our relationship. I realy foe ise ow ... (To Rick) Maybe I should apologize or something. Fell he. he, sony. ER Y" know it where it's at. 1D NZBich (merase) | don't ow BES (Geng vo Bric) What do you think, Exc? Should T apologize 10 Sue at Bit ads Goyc ee Te (rafter on) Worthing you could do. A word of ais om ovlndaeto salen Wt F KeysPaoCombiite [Al #ubet0 Eric: Don't put your faith in truth - ful ex -plan-a- tions. That's for jerks with Synth Sust Gtr Chords “Ee ‘no im -ag -in-a- tion. Cross your heart hhope to die and put your ‘A Tempo - Steady Rock | | = 138 faith in that lit- tle pork pie. ‘A. sul- Jen look And put your faith131 right- cous in- dig- na- tion. Va- li dates false- hood and de- cep- tion. Cast a- side weak- est ex- plan tion. hon- est in- clin- a- tions. in the eye and put your faith in that old Peck - ham hap - pi- ness and ho-nes - ty132 don't walk hand in hand. So if you want love life of har mo- ny, fol-low my phi-lo — so- phy. —— Right from the cot You've got ta: | Your way out — of it. You'll get a- way with it, Lie. a oe Lie ie. Lie. es yDialogue] B Synth Susts Erie: ———3 —— Lie Your way lie: So what you gon-na do? —3— out of it, You've _got__the hang of it.You'll get a- way with it.Garg wig) ds you tll me Bertha hat Tainted and you were arch gig Ute Oath shed (Co $a Tid’ think Thad to, Ste I thug you tuted me Swe (cally) Tm 0 sory, Gary. uu Gary Nevermind, you'l Know forthe next time... Give wsa kiss, Swe gieles See Here, Gary... What are you doing... Gary... Stop it... Gant "Dialogue" No! ! No! no! no! no! no! no! ‘Synth-Rhy Gtr Gary: nf G / Butba -by, I I real ly, real - ly, real- ly, real- ly love 1 real~'ly, rea- ly, real- ly, real- ly, real ly, real- ly, real- ly love you.—136 B “If you love me, ‘You'd respect me" A Tempo Hon -est I do. Colla Voce Ba-by I re~ Finger Cym e I real ly, real- ly, really re~ spect you. Hon -est I do. real -ly,real -ly,real -ly.real -ly, real -ly,real -lyre spect youGirls No! no! no! no! no! no! I real- ly, real ly, real- ly, real ly [D] Boy 1. need to. Re spect you. Boy 2. A-138 plore you. real -ly,real -Ly,real -Ly real - ly, real -Ly.real -ly.real -ly love you——— 11 Girls. No! No! No! No! Nol nol no! no! no! no!” No! nol no! no! no! no! { no! no! no! no! no! nol No! no! no! no! no! no! no! no! no! no!139 Poco Piu T real- ly, real- ly, real- ly re~ No! no! no! Ta-dore you. I im- plore you. No! no! no! no! no! no! Hon - est I do.Gary (in a sifed whimper) Ob, my God... Car by rawe ‘Sue Well, come on, Gary. (Pause) Gary? Gary 1's no good, Sue... I've -r- got a headache Swe (tearfully) Ob, Gary .. Ll gm o Conenes Cat Synth Susts I've tried think- ing of cric- ket, > Pro CombilStrgs I’ve tried —them all. — V've tried think -ing of141 my _poor brain hurts. __ B>miDb —S a No & $34 Country 4 2-116 B You meet a Country Fills C_Drumsin She says she fan cies you, you know thisYou dance real 142 show her ev'- ry- coy - ly says thing you've got. —= Cm FIA all- right. = orp143, [Mes 1218 = 88 e-jac- u-la- ger— ge -ne-ra-A Tempo pre-ma~ ture, oh Pré-ma- ture, ah! "It's too late" wg the hu- mi- li-a- tion BhmiDb/ 145 qt ght 29. Who'd Be Seventeen? Medium "Lope" 110 ‘Synth 12 Ste (, seec CoD Femic# Eric: Sex- ual a- wak-en- ing with all Wet be- hind the ears, straight _ Re- mem- ber how ev'-ry- thing you did D_ Synth Sust on Fmice Haren -dous sto - nes you CateH "em no - thing, can you, Welbt to. an- y- one else, butsmall won- der that they're all 1 just stand back and wait It seemed there was no- thing you eee Task you, who, = ———___ a Oh. Oh, FEm ; i acto ‘When ‘When life life your ‘your oS so con ~ fused. for them to could- n't do. FHICEUp or down, but no =~ be tweens. In- stead of | with just ‘might have beens". Not when you're se -ven- teen. Eric: Who'd be se - ven -teen. Who'd be se- ven Gidls: 4 8 Se -ven - tee__________ ee - een. ___ Se- ven~ FEmic# | GIB teen, Who'd be se-ven- teen. Rai Slow 4 tee ee-een____- Who'd be se-ven- teen. Rall, GIB D PnolGtr Arp Ad Lib Femictre Come to admit defeat, Edward, ny son? adie Tray have oa the odd bate but the wari not yet over. (He (ound note cut of hs pocket) Tm Wearing het down Gre se aking from hin) ow the elng. As Bre pins the noes up on the Board, Sharon, obviously upset, moves Pik stands ooking ether Edie andcatng Rick and Sharon) What's up with Sonny and Chr tl Ere Think Rk must've jst told her he's eavng tomorow Eddie Oh, right. Eric (crossing 10 the band) All right lads, let's wrap it up, it’s midnight. Last number. Make it a real smoochy. Pass me mari Steady 4 = 11, Aone iwo, thre and (cE _ 7 Syath:Pno CombilStes| |A| B Tum the mu- sic and the Come to~ mor - row don't know lights down — Io Hold me like you'll ne- ver where you'll be, == ——______ All U'll have left are. my149 last Sat -ur-day night last Sat -ur-day night. ——— * i The look of love shin- ing in your 3150 my ne —ver die. TI re- mem ber our last Sa~ tur- dayAl-tho’ we have last Sat-ur-day— night. Last Sat-ur-day Last Sat -ur-day — night. Gite FitBridget Promise. Bridger loses he yes and holds out er hand. With smug ook Eadie ‘his hand out. Eric goes to place the money into it — a DUNN | Bike (to Eddie) This is worth every penny, Edward, my son Cown Tels, Bade eed Drums 1A - f synth on Pianol (Quite Heary!) f Dm (Bo Diddley) Repeat 3X of Sa--tur-day night___153 ice —_ of Sat tur- day night, to-night, __ to night. s r—__ § = of Sat -ur- day ni ctm154 of Sat- ur- day — Sat -ur - day a Sat -ur- day night. ' 3 D cus 4 GoGo) Eric: So I'll say good night to you one and From one of _ life's great fin-ish- ing155 The breeding ground of the teen - age This mi - cro -co _— sm of the teen - age 's loud and the lights areknow. 156 "Good night to you all From the Club A Go Go COW. Oh,,i AlL(Sim) Boys: fel- las Sat-ur~ day night. Grabbed us some chicks, Sat -ur- day night. at Sat- ur- day night. sick, Sat-ur- day night. mon- ey. Sat-ur- day night. the chat. Sat-ur-day night. good time, Man, ‘cos158 F that's where it's at, (Bo Diddley) B a of Sat-ur-day night___of Saturday night___ Sat-ur- day night, of Sat -ur- day I've had me, had me a sliceSlower 160 Con [lease Don't Tell Me] 1 tell you it's ——— I'm feel-ing in my heart _I tell you it’s m161 > And 1 felt it from the start. The mo — ment she ~ ee SS—=SSS eS = = =| * walked thro’ that door. ___ it was like we'd met some- where be- fore. - nw ee __ nn —— 1 don’t know how one thinks for sure, I've ne- ver e- ver rot, —_———— py 4 GSS —— a felt this good. I've ne- ver felt’ this way be-— on Sat-ur- day night. Sat - ur O.2~ night. Re Pa ‘Ad Lib Band I tell you it's Play Out x 7 ole 7