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Drama
& Theatre
Facilities
Degree structure
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CONTACT DETAILS
Head of Department
Professor Dan Rebellato
d.rebellato@royalholloway.ac.uk
General enquiries
drama@royalholloway.ac.uk
T: +44 (0)1784 276315
F: +44 (0)1784 276385
@RHULDrama
MORE INFORMATION
Welcome
The Department of Drama & Theatre at Royal Holloway is part of
the most creative campus in the University of London. We offer
a great range of approaches to theatre, spanning the globe and
the centuries, offering unrivalled opportunities for students to
explore the theatrical cultures of the world. Our staffs research
is at the cutting edge of the discipline and our students find that
our mixture of creative freedom and critical rigour makes for a
stimulating, challenging environment in which to broaden their
minds and deepen their skills.
Our graduates are amazing. After three years here, it is always
so satisfying to see them go on to make a real impact in their
chosen careers, whether that is theatre and the arts, media,
education, administration or business. Over the last decade, our
graduates have formed theatre companies that have received
national and international acclaim for their work. The success
of our department can be seen in the fact that wherever in the
country you choose to study Drama, you will probably be taught
by someone who studied at Royal Holloway!
GRADUATE VIEW
Max Olesker and Ivan Gonzalez, Max and Ivan, award-winning comedy writer/performers,
BA Drama & Theatre Studies.
We are completely indebted to Royal Holloway for its amazing support - none of our future
successes would have been possible without the encouragement we received during our time there.
Facilities
We have three major performance spaces:
The brand new Caryl Churchill Theatre, opened in 2013
and named after one of the most influential theatre
writers of the last hundred years, is a flexible fullyequipped modern theatre seating up to 175. This is the
space that we use for productions requiring complicated
scenery or sophisticated lighting. It is adjacent to the
Katharine Worth Building, the Georgian mansion in
which most of our offices and teaching rooms are
located. It is fully licensed for public performance.
The Boilerhouse is a converted 19th-century boiler
room that once heated the Royal Holloways Founders
Building. This is a huge and atmospheric found space in
which we have installed a sprung dance floor. It is ideal
for movement-based and environmental work, and the
cobbled courtyard outside also offers an atmospheric
performance space. The same complex houses a
dance workshop space and the digital studio. The latter
encourages the creation of mixed media work in the
Boilerhouse.
The Handa Noh Theatre is an asset unique to
RoyalHolloway, being the only permanently-standing
Japanese Noh stage in Europe. Its square wooden stage
has been used for movement work of many different
kinds, and the audience space can easily be transformed
into a performance space with broader cultural
resonances. Wealso have a well-stocked wardrobe and
amodern well-equipped workshop.
Degree structure
First year (foundation courses)
Second year
The first year is designed to equip all students with a toolbox and
shared set of reference points to enable the study of theatre.
In Theatre & Performance-Making, you will encounter a
range of creative methods for making theatre and get to make
a 20-minute performance in response to a particular theatre
company. Theatre & Culture looks at the various complex ways
that theatre can reflect, question, and intervene in the culture
around it and vice versa from political theatre to applied
drama, intercultural performance to community plays. Theatre &
Text provides you with enhanced skills in reading, performing and
creating theatrical texts, while Theatre & Ideas shows how other
disciplines like philosophy, physics, politics and sociology can
inform the study of theatre and how the theatre can be a forum for
creatively interrogating those other disciplines. Youll attend live
performances and be taught by a range of staff, with opportunities
to work with visiting theatremakers to explore your own creative
and critical ideas.
You will return to each of these strands, but at a higher and more
specialist level. Students on Theatre & Performance-Making 2
will specialise in a particular creative skill playwriting, directing,
designing, devising, and more through intensive and rigorous
practice and critical study. In Theatre & Text 2 and Theatre &
Culture 2, the skills acquired in the first year are explored through
the study of a particular period, culture, genre or tradition of
writing for performance and a particular mode in which theatre
and culture encounter each other; the range of expertise in
the department is very considerable so you might find yourself
studying Indonesian theatre and Theatre in Education, or
Restoration Comedy and Augusto Boal, or Contemporary British
Playwriting and Dramatherapy, or many other combinations. In
Theatre & Ideas 2, youll explore a particular interdisciplinary
encounter between theatre and another area of knowledge
before considering some particular debates in the philosophy
of art. We consider creative practice and critical analysis to be
complementary modes of exploring the theatre, both essential,
each reinforcing the other, and at first- and second-year level, all
courses have 50% creative and 50% critical assessments.
Final year
You will have the opportunity to take much more personal
responsibility for your learning, building on the skills you have
already acquired. The centrepiece of your degree is the Final
Year Project, which may be a group performance, a dissertation,
or a special study option, each student choosing and developing
their own project with guidance from staff. As such, while all
students will continue to integrate creative and critical work, you
can choose to specialise more in one direction than another. All
of the Final Year Projects are showcased at a Finalists Festival, a
week-long programme of performances, visiting speakers, panels,
presentations, and debates, open to the public, showcasing the
richness of the departments work. Methods & Processes, is an
advanced-level option that prepares you for independent work.
Youll also take part in a Drama Research Seminar, working
in small groups with members of staff in an area of in-depth,
original and cutting-edge research in some area of theatre and
performance. Culture & Creativity looks outward to life after
the degree, bringing in leading figures in the Arts, and sending
students out to experience of the wealth of theatre and culture
available in London.
Joint honours students degrees are made up 50% of courses in
Drama and 50% in the other department (see p.10).
STUDENT VIEW
theatre history: we cover theatre in Ancient Greece, medieval
theatre, Shakespeare and Renaissance theatre, eighteenth century
theatre, melodrama, naturalism and modernist theatre, and more
performance-making: our staff includes directors, actors,
leaders of devising companies, performance artists, playwrights,
dramatherapists, applied theatremakers, designers and
technical theatre specialists.
Available courses change every year in response to evolving
staff and student interests, as well as developments in theatre
practice and the discipline. Within the limitations of class size and
timetable, you have increasing freedom as you progress through
your degree to choose courses that enable you to pursue your own
creative and critical interests.
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Study abroad
Entry requirements
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95% of our
graduates are
in work or
further study
GRADUATE VIEW
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GRADUATE VIEW
GRADUATE VIEW
James Pidgeon, BA English & Drama, Programme Manager, Shoreditch Town Hall
I chose Royal Holloway because of the integration of both my chosen disciplines into one course. I was
attracted to how specific bespoke modules purposefully combined the two subjects as well as being
taught by representatives from both departments. The two disciplines were treated as complementary
subjects rather than completely detached, which Id seen at other universities.
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