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Erving Goffman
Coordinating teacher:
Claudia Ghisoiu
Student:
Craciun Alexandra-Cristina
Specialization: Sociology
First year of study, series 1, group 3
English level: Advanced 2
Bucharest
2016
Erving Goffman
Erving Goffman's work is exquisite product of one of the most original and rare
sociology ways to practice: to look closely - and long - social reality. He put the doctor
dressing gown and entered into psychiatric asylums, placed at the center of endless
interactions infinitesimal whose integration creates social life. Goffman was the one who
discovered sociology infinitely small that no object theorists and observers conceptless
did not know him so intuit that remained ignored, although obvious, as it happens with
everything at hand. - Pierre Bourdieu
The first translation into Romanian of a work of Erving Goffman will inspire
undoubtedly anthropological research, psycho-sociology and sociology from us.
Description smooth and thorough analysis of the interactions of everyday life as the show
focuses in a very original way some of the main orientations of contemporary sociology ethnomethodologically,
sociological
phenomenology,
structuralism,
symbolic
Erving Goffman was born at 11 June 1922 in Canada and dead at 19 November 1982.
He was a American sociologist and writer, considered "the most influential American
sociologist of the twentieth century".
Bucharest
2016
Social
psychology,
course
http://www.psih.uaic.ro/~sboncu/romana/Curs_psihologie_sociala/Curs23.pdf,
23,
website
website
The Presentation of Self in Everyday Life was the first book to treat face-to-face
interaction as a subject of sociological study. Goffman treated it as a kind of report in
which he frames out the theatrical performance that applies to face-to-face interactions. 1
He believed that when an individual comes in contact with other people, that individual
will attempt to control or guide the impression that others might make of him by
changing or fixing his or her setting, appearance and manner. At the same time, the
person the individual is interacting with is trying to form and obtain information about
the individual.2
Bucharest
2016
Goffman also believed that all participants in social interactions are engaged in
certain practices to avoid being embarrassed or embarrassing others. This led to
Goffman's dramaturgical analysis. Goffman saw a connection between the kinds of acts
that people put on in their daily life and theatrical performances.
In social interaction, as in theatrical performance, there is a front region where the
actors (individuals) are on stage in front of the audiences. This is where the positive
aspect of the idea of self and desired impressions are highlighted. There is also a back
region or stage that can also be considered as a hidden or private place where individuals
can be themselves and set aside their role or identity in society.3
The core of Goffman's analysis lies in this relationship between performance and life.
Unlike other writers who have used this metaphor, Goffman seems to take all elements of
acting into consideration: an actor performs on a setting which is constructed of a stage
and a backstage; the props in both settings direct his action; he is being watched by an
audience, but at the same time he is an audience for his viewers' play.
According to Goffman, the social actor has the ability to choose his stage and props
as well as the costume he would wear in front of a specific audience. The actor's main
goal is to keep coherent and adjust to the different settings offered him. This is done
mainly through interaction with other actors. To a certain extent this imagery bridges
structure and agency enabling each while saying that structure and agency can limit each
other.
A major theme that Goffman treats throughout the work is the fundamental
importance of having an agreed upon definition of the situation in a given interaction,
which serves to give the interaction coherency. In interactions or performances the
involved parties may be audience members and performers simultaneously; the actors
usually foster impressions that reflect well upon themselves and encourage the others, by
Bucharest
2016
in
society
is
backstage
where
no
audience
is
present.
(Source:
Bucharest
2016
Bibliografie
1. http://people.brandeis.edu/~teuber/goffmanbio.html
2. Stefan
Boncu,
Social
psychology,
course
23,
http://www.psih.uaic.ro/~sboncu/romana/Curs_psihologie_sociala/Curs23.pdf
3. https://en.wikipedia.org/wiki/The_Presentation_of_Self_in_Everyday_Life
4. http://sociology.about.com/od/Profiles/p/Erving-Goffman.htm
5. E. Goffman, The Presentation of Self in Everyday Life, 1959
Bucharest
2016
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2
3