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A Big Secret
One indicator that we are dealing with a big secret here is the
fact that Paul Foster Case's book is strictly off-limits to the
general public. When I enquired about buying a copy with the
publishers, Builders of the Adytum (B.O.T.A.), they informed
me that it was only available to members of their
organization - and only those who had served a fifteen year
probationary period. This is extraordinary caution.
Clearly there are secrets of great significance revealed in Mr
Case's exposition of 'the magical language' of gematria.
At first glance, the secrecy is also rather curious, since there
are a good number of books openly published on the subject
of gematria, some of which are evidently written by
Freemasons. The Canon by "William Stirling" is a prime
example. We also find that John Michell, who is the modern
editor of The Canon, has written a number of excellent books
on the subject: The View Over Atlantis, City of Revelation,
The Dimensions of Paradise, etc. Additionally, there are
works examining Hebrew gematria, such as S.L. MacGregor
Mather's The Kabbalah Unveiled and those concerned with
Greek gematria, like David Fideler's Jesus Christ Sun of God
and Kieran Barry's The Greek Qabalah.
The really big secret is the key: the actual code used. It
appears never to have been published and probably so for the
reason that any Mason letting the cat out of the bag might
expect to have his tongue cut out at the root, his beating heart
plucked from his chest and his guts drawn painstakingly
through his ears and burnt to ashes before his all-seeing eyes.
How can we find this code?
How can we be sure that Agrippa's key is the right key? Once
again our Masonic writers confirm it for us. "William
Stirling" drops a hint like a ripe plum on page 153 of The
Canon when he likens the Greek Orpheus to Jesus Christ:
" . . . the name has the value
of 1275 . . . in the earliest efforts of
Christian Art, it is not uncommon to
find Christos depicted playing upon a
lyre in the fashion of Orpheus. No
reason is known for this singular
impersonation, but the number 1275,
deduced from the name Orpheus,
suggests the reason why the two gods
had a similar identity."
Top
Notes
1) William Stirling, The Canon - An Exposition of the Pagan Mystery Perpetuated in the
Cabala as the Rule of all the Arts, London, 1897, - modern ed., The Garnstone Press,
London, 1974, p.39.
2) Albert Mackey, Encyclopedia of Freemasonry, Vol. I, p. 166.
3) Thomas D. Worrel, 'A Brief Look at the Kabbalah', A Paper presented to the Allied
Masonic Degrees Britannia Lodge #303, March 3, 1996 (see - http://millvalley.freemasonry.biz/worrel/kabbalah.htm)
4) Albert Pike, Morals and Dogma of the Ancient and Accepted Rite of Freemasonry,
Charleston, 1871, p. 741.
5) Pike, p. 744.
6) Pike, pp. 581-800.
7) Pike, pp. 626-642
8) Worrel, op. cit.
9) Paul Foster Case (Anon.), Gematria: The Magical Language, Builders of the Adytum,
Los Angeles, 1988, p. 1.
10) Foster Case, ibid., p.7
11) See http:\\mastermason.com/jjcrowder/threedegrees/threedegrees.htm
12) Albert Mackey, The History of Freemasonry, 1881, modern ed. Gramercy Books,
Random House, 1996, p.353.
13) Mackey, History of Freemasonry, p.350.