Escolar Documentos
Profissional Documentos
Cultura Documentos
no
va
.c
om
Vera Ivanova
Aftertouch
w
.v
er
ai
for Piano
va
no
va
.c
om
Program notes
The word aftertouch is a term used to describe the response of a key on electronic
change the amplitude of the pitch after the attack by varying the pressure with which one
holds the key. While this feature is not an option on a classical acoustic piano, where the
sound of the pressed key simply fades out after the attack, the richness and variety of the
piano timbre is far more superior and individual on every single instrument.
Exploring the sensitivity of the piano keys to the different types of pressure
(including the silent pressure of the keys with the sustained pedal held) is my
interpretation of the term aftertouch, if one can apply it to the acoustic piano. On the
other hand, this title implies the composers intent to make the listener pay attention to
ai
the life and death of each sound with regard to the variety in attacks and decays. This
variety and timbral richness of the instrument, along with the resonances of short and
w
.v
piece.
er
sustained sounds, which produce quite different effects, were the main inspiration for this
Aftertouch
e
r
4
& 4
.
Intenso
r
.
.
r
.
r r
r
.
.
r
b
b
.
r
b
.
b .
r
b
n .
r .
p
b
b R b j
.
>
r
4
b
& 4 b
.
una corda
j
r
. r
r
r n r
.
&
.
R . n - ..
p
espressivo
p Z .
Z p>
b
b r j
r
j
.
& b . n R b r b r . R b b . b
> >
>
r
r
b
r
#
r
. n r
.
r
r
.
.
r
r b b .
R
n .
r
b nn r
.
r
#
va
no
va
.c
om
Vera Ivanova
..
>
p
j b . b > b r b b
b . R
J R .
> .
e non legato
r
r r r
r
r
r
r
b n n # # b 78
& . # n .
n
.
.
.
.
.
p
p
r
p
b
78
b .. b www
& b b b .. b b . n b .. b
->
.
R R R
*
b >
7
& 8 n b b r
p
Z n >
>K
.
r
.
&8 .
tre corde
b >
#
b n n # # b 98
n
bb
p
Z n >
>
98
.
b
b -
b
b
.
R .
R
R
R J
p
p
F
*
*
>
>
11
Kr n # # n
9 # # b b nb bn Kr # # b n n b nb bn
n
&8
b b
R bb b
R
b
n
Z
Z n > P
Z
Z n >
P
F
>
9 b b
.
b.
b b
b ...
& 8 b
.
n
R R
. >
> R
F .
f
# n #
n
12
#
#
&
42
w
.v
er
ai
10
& .
p
j
#
2
4
() .
& 42
13
? 42
- .
- .
# >
>
# . n
..
Passionato
subito
rK
&
>
*
b >
15
b > n b n n >
n
>
& R n # b n
Z
>
Kr
n
r
.
b b
>
b >
b n n n
R
# .
n > ..
b R .
# >
n
nR
Z
rK
b &
>
va
no
va
.c
om
r
r
& n .
b b ..
n n
>
>
*
*
b >
17
b n #
R
n .
&
R
Z
b .
b b.
Kr
Z Kr
b > ? Z
?
b Kr & . b n n b # n b n n &
n
R R
#
> R
>
>
>
* *
*
ritenuto
n n ..
.
n
b
w
.v
er
ai
b
Kr
r
r
r
?
Kr
& n . # # # # # # # n n . b b n n
b b .
n n
b
>.
>
*
*
*
* *
molto ritenuto
() n >
>
>
n
n > .
# >
19
r
b > n #
#
#
>
>
n
n n n
4
R n b n # # .
& R R b
4
#
R
R
R
>
f
n
(>)
# # &
# # #
b n n
n b b
b
>
&
n b 44
#
21
# n
# n # b n n
# n n # # 3
#
4
#
&4
4
a tempo
subuto
& 44 .. b
*
b - .
b
p
Z n >
*
b - ..
n
-
n.
-
b ..
-
43
()
#.
22
# # # # # # # # # #.
n
#
3
.
R n
&4
3
& 4 ..
>
r.
*
e
24
. b .
. b . b . b .
.
b
n
n
& . b R n R R b R n R b R n R
n n . b . b b . n n . b b . n n . b b .
? Kr
R R R R
R
b R R
*>
> . .
.
#
n n b . b .
n
b
R
R R
p
>
n
. .
.
b b b b n . n .
R R
R
ai
er
w
.v
&
#.
Z
Kr
Kr
Kr
b n n n b b
b .
b .
n .
>r
Z
Kr
? n
#
>
>
& R
Z
>
? > b
b
30
.
b .
n .
R
R
R
. . .
.
b >
n
n
b
b
n
n
b
b b
n
R R . R . R
b n
R
R
>
F
f
b b
n
K
n b . n . . Kr . Kr ? b b b r
b n & b
R R n
R R
. b .
>
n >
*
*
>
n >
n
.
b
.
R r
R
.
n
#
b .
n
#
R
>
F
f
.
j .
n
b
Kr
n
?
n
b b
&
n
R
>
>
>
*
>
Kr .
>
.
.
.
b
b
n n
n
b n.
n
. .
R R
P
p
Z
- r
.
r
? Kr b .
&n # #
# # - ..
n &
# # ..
R
b
>
>
Kr
Kr
> n
j
>
..
b
b bb .
# n n
b
#
b
.
.
R Z.
p
Z
>
Kr
b
b
b
b
& # n b
# #
#
.
.
.
n
>
p
*
b > > b . b b . bb . bn .
.
b
& n n R n R bR n R
R
P
Kr
rK Kr Kr Kr
K
r
?
b bn n n b
. . . .
.
n
>
*
b .
28
b
>
n n .
#
n
&
R
R
.
>
#.
n n
.
?# >
R R ? b b
R
26
29
poco rubato
va
no
va
.c
om
Meccanico
n
.
b
Kr
b
b
rK
& n b
.
31
p
#
R
&
n .
R
>
#
n
R
rK
n
n n b b
.
.
.
>
b & #
b
>
>
Kr
rK
.
b
# #
&
b .
.
Z
p
Z
&
b n n
R
> *
r
& n . b . n b
.
J
>
p
33
r ., b >
b . n
R
Z
rK U
n
.
rK
b
>
Kr
&
n
b
>
*
Kr
j b
A n n .
n
n # # >J
Z
P
.
b
rK
n
n &
b
#
>
*
w
.v
?3
4
>
#
37
& .
>
.
bn b >
n
R
n n # #
.
.
er
& 43
35
Kr
.
#
J-
ai
rK
& b b b n . b
.
.
.
*
-K
r j
# #.
-R
Kr
n
R
va
no
va
.c
om
32
rK
b . n # .
.
b.
>
F
b b
n
n ...
espressivo
>r
> j b .
b
n
bb
b
Kr
# &
>
>
b Z>
b R
#
rK
24
.
p
rK
24 b
b .
b n
.
.
43
Kr
? 43
b .
>
n
b
Kr b .
n ? b n & b b n b ?
n
n
>
*
*
P
f
>j
rK # .
rK
.
n
.
.
*
*
> , Kr long>
#
b
n
n n . U ..#
J
>
f
long
>j U
>
# # b b # > ? n . ..
#
n #
&
R
n
>
* *
*
.
.
rubato
>
Kr
Kr
>
n
#
n
..
b
n n # # b #
R
R
>
P
p
f
Kr
Kr .
long
39
b U
n
b
n
#
.
..
& n J b n
>
>
u
>
long
p f
p
Z
Z
long
long
U>
>j U
#
? bn .. n b b
R
R
>
* * *
*
? J
Kr
n
#
>
Kr
#
R
>
Z F
K
r
b
b
>
*
n Kr
# b n
> R
>
subuto
n Z >
r
b j ..
n. n n #
*
>j
b ..
43 n .... # #
Z
P
w
.v
er
43
>
&
b b
n > ..
.
& b .
Z Z
>
n bb
# .
> >
n
*
n
n #
j
b .
>
*
Z Kr
n n
#
>
# # # .
>
*
b
n .
# b n n # # n # n n b # n #
&
&
>
b
.
b
Z
f
Kr
Z
Kr
n
b R .
>
>
*
>
>
n
# >
85
5
8
>
b b
> n n >
#
n >
#
# # R & n
R
R
*
# n n n n
b # n b #
n
b n n n # # n # #
R
46
p
()
>
# # nn n
ai
> >
n. # .
43
.
# #
& 85
n . # #
Z
Z
>
subito p
P
Z >r Z >j
? 85
. # ..
b
R R
n b
*
45
>
n
n
>
b
n. # # n
va
no
va
.c
om
>
>
b
n
41
. #
b
n
.
&
R R
>Kr
#
n #
>
Z Z
> >
Z
#
Kr
#
n n
n b n ? # n
R R
*
a tempo
>
b
R
n
>
>
>
# ..
J
n >
44
44
?4
4
47
Meno mosso
press silently
(D, E-flat, G)
4
& 4 b
* Sostenuto Ped.
b
>
n
R
#
>
>
b
R
Kr
#
& #
>K
r
.
n b n b
b # n b n # n
b
& n #
p
p
j
b - .... .
&
R
.
() .
49
rK
?
R
K
& b n n # n b b b ?
&
n
#
>
n >
>
>
press silently
(G-flat, B, C, D-flat)
&
j
b
Sostenuto Ped.
va
no
va
.c
om
48
w
.v
er
ai
press silently
> press silently
(A, B, E)
(G, C, F) U
# >
>
50
..
#
#
U
.
>
.. n
? n b . rK & b n # # b .
n
n n ......
.
b
R
R > > #
>
f
> > p
>
press silently
n
& # b ..
R
b ..
>
*
*
* * *
Sostenuto Ped.
2
&4
? 42
&
54
42
e. .
>r Kr Kr
n
>
n
n S b . #
b >
rK
b b
n
b
#
n # # # # n n n # 43 n # . b b
# . # . n .
R
R S R R R
>
. .
# n #
K
r
>
S
#
. # . # 3 n rK rK n r rK n rK
rK
n
# b # b . n n
#
# b b b . 4 b
#
n n # #. n
# n
# n
R S >R
>
>
*
*
*
*
.
.
b n
b -
b .
.
.
R .
b.
b #
R
R
P
f
P
P
f
.
Kr
r
# # .
#
#
? n
n .
&# ..
# #
R
n - .
# # -
.
*
*
Meccanico
52
42
> j
K
. # r
n
n # . . # n
. # #
. .
. R
R
>
>
() >
n n
.
& #
R
Z
>r
# # ..
n
R
f
Kr
Kr b >
?
n
nR.
# #
>
*
*
55
#
n
>
*
& .
n n
#
R
.
? ..
R
# & #
R
n - .
# n ..
# - .
....
..
J
....
..
J
& n
# -
>r
& # .
b .
>
. #
.
b
.. b >
>
n #
n
n # ...
R
# ..
.
. # .
. -
- .
n
rK
. n # ..
#
# n
R
>
n ##
-
# ?n
# ... n
-
&
# >
#
poco accel.
b n b n # n n n
#
#
#
n
b
n
# # # ....
R
*
# n
#
#
n
#
44
n # b ....
R
*
er
59
? # ..
ai
> Kr
. b
J
K
r
J
n # ..
>
>
?
.. b b .
b .
R
*
*
va
no
va
.c
om
n
& # #
>
Z
57
4
4
w
.v
e
()
60
b # # n n # n # # n > n n b > b n > n n b > b n > n # >
b
# n #
& 44 # #
...
.
& 44 R
61
&
&
(
> ) . accel.
b ##
>
. - > . . . . .
R
a tempo
subito
.
b - ..
nn
b b
b
b
b n
63
&
& b
b bn
b
n
b b
&
Z>
b b
R
* *
67
&
>j
Z
? #
& b b
R
*
n b
b
b
b b
? 44
j
b
R
&
r 43 #
#
* *
.
# #
R 85
p
*
?
>
Z
b
R
*
# n #
#
44
#
p
Zj j
&
b .
R
*
b R .
4
4
#
n
#
#
#
n
# #
# # n # n # # n # # # n
f
&
..
#
#
R
*
#
#
Meno mosso e
)
(
70
# . . .
# ..
#
.
&
R
subito
ai
b.
R
w
.v
er
& 44
69
b .
# n
R
n #
b b
# #
#
va
no
va
.c
om
n
.
b n n # #
b
65
b b .
#
#
#
n 3 n
n
n n #
&
4
p
Zn
b b
*
b b
j
....
......
J *
press silently
(G, A)
Z R
Sost. Ped.
b b
.
..
b
(C#)
# # # ...
b b b b
J
# #
#
Z
Z R
Z R
(F#, G#)
. >
# # R
r
b n #
b
U
> b > . # #
& b b b n J
> press silently
(B, C, F#, G#)
Z Z
72
>
. # #
Z>
Z
Z
Z
Z
?
b & b Kr
b b
bbb
n
>
>
>
b b ...
n .
Z > Zb >
b b j ? b &
n R b
er
Z Kr
U
6
& 4 b
>
w
.v
.
# #n
w
.
& b
77
P
.
&
.
.
> U
#
? b b & . bb
# ....
..
46
# # > # b b b b
f > >>
ai
& 46
(G-flat, A-flat
B-flat, C)
Z>
Z (F, B, C#, E)
Z
Z>
b
>
? b b b n b b > b n # ..
..
n
n
76
# b > b b b
b J
va
no
va
.c
om
&
74
(B, C)
(F, G)
Z #Z> n
> U
n
.
? ....
..
n n n
>
n
. .
&
6
4
Zb >r .
Z Kr b
? & R
b
>
n .
.
# #n
.
b b b ......
.
b
J
.
n #n
&
b > U
3
4
n n n n
>
43
10
3 . b n
&4
b
>
Z
b # n
> > n
>
>
F
78
press silently
(C, D, G, C#)
Kr
n # ..
b n
n n ..
>
?3
4
# >
Kr
>
n . # .
85
>n
> n b
>
Z p
5
8
..
..
80
? 85 b
nb
J
& 43 #
.
er
w
.v
r
?
R
.
r >
n n b b
-
.
r
# ..
#
n n
n - .
Z >r
.
. >r
r
&b
b & b
R
R
R
.
F
Kr
rK
> >r
b
n .
n
ZR
R
>
.
? .
b
R
83
r >
n b
n
ai
b r .
b n ..
F
Z
.
#.
b b
#
R
n n - ..
>
? 43
>
# #
.
.
e n
n
#
# .. 3
. # # n # n #
. & 4
R
>
P
P F
Z
>
K K
b
Kr Kr . b r b r 43
b n b b b n
b n
b
.
.
.
>
.
*
Jazzy
b n
n
? 85 . Kr
b b
()
82
va
no
va
.c
om
Sostenuto Ped.
.K
r
b .
>
>
.
R
.
*
.
# #n
. Kr
b
.
>
K
r r .
n
Z > b R
.
P
Kr
n n
n .
Z>
n
R
b >
f
>r
& b .
n
R
.
*
.
b
b
subuto
b
n .
*
? n
b -
85
85
5 # # ...
&8
>
b bn ...
R
.
# #n
?5
8
r
.
#
# ..
>
Kr
n
b .
*
84
b b -
n bn
>
j
..
b
3
& 4 b ..
>
*
j
......
>
*
n >
b
.
n nn
n # # b n >
>
b
b
b >
n
3
4
.
nb
&
3
4
>
#
#
va
no
va
.c
om
>
#
b b >
f
> .
#
# n ..
R
n
# n
.
()
85
n > >
& 43 n
>
n nn
11
n >
>
#
b
# b
Sostenuto Ped.
er
&
b # b .
# # # n
w
.v
88
ai
>j
n
##
# # b
86
b # n n b b ..
Kr
&
R
b
n n n bn
P
p
R
>
press silently
>
>
(white cluster, E-D)
n
n
#
n
? .
...
...
& # . b R
..
.
*
*
*
>
? ..
..
.
>j
nn ..
b
R
44
.
>Kr
r
b n # n n # b # .
4
n
& 4 # b n n #
Z
89
rallentando
? 44 ..
...
una corda
44
tre corde
long
>
*