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OCT 18-23

ANGELIKA
FILM CENTER

CONTENTS
2

brought to you by

2016 board of directors

sponsors and contributors

welcome by bart weiss

10

about our jurors

14

texas show jurors

16

kovacs awards

DALLAS

V I D E O F E S T
29

III

BROUGHT TO YOU BY
Artistic Director
Barton Weiss

Managing Director
Raquel Chapa

Boxoffice
Prekindle

Technical Supervisor

Christian Vasquez
Kyle Kondas

Technical Assistant
Mark Aaron Sharon
Lauren Hendricks

Rebirth of Nation

Presented by
Ignite Arts Dallas,
Video Association
Dallas, Make Art
with Purpose,
MAP 2016;
Use Your Voice

Security

Billy Cunningham

Outreach/Community
Relations

Webpage

Stephanie Patrick

Dev Shapiro
Darren Dittrich

Program Editor

Andrew Holzschuh

Teresa Nguyen

Media Relations/
Entertainment
Publicity
Kelly J Kitchens

Program Editor
Dana Turner
Carol Huang

Newsletter Editor
Tamitha Curiel

Graphic Design
Sullivan Perkins

Program Design

Design Texas - UT Arlington


Pauline Hudel Smith - faculty
Hamid Hesami - lead designer

Festival Bumpers
Transportation
Jason Archip

Videography

Selig Polyscope
Company

Interns

Jade Basinski
Noah Brooks
Shenkwia Jones
Rachael Kite
Chris Lew

Programmers
Beth Jasper
Women in
Film Dallas
Alvin Hysong
Wes Sutton

Trophies
Redman I Am

Video Association of Dallas 2016 Board of Directors


Chair: Jeffrey A. Leuschel
Treasurer: Jim Nugent
Tim Capper
Alicia Chang
Patricia Davis

Darren Dittrich
Adam Donaghey
Janeil Engelstad
Sondra Golzad
David Leeson

Leslie Oschmann
Phil Pan
Mark Perkins
Andy Streitfeld
Emma Vernon

Advisory Board
Steve Alford
Mark Birnbaum

Marilyn Clark
Sylvia Komatsu

Charles Dee Mitchell


Carolyn Sortor

A Special Thanks to
Kelly Allen
Adam Conway
Barak Epstein
Mike and Stacey

Archip
Ellen Cotter
Susan Teegardin
Michael Nesmith

Richard McKay
Barbara Vance
Dena Hill
Scott Sura

CONTRIBUTORS
Major Sponsors

Media Sponsor

Jeff & Jani Leuschel


City of Dallas Office of Cultural Affairs
Texas Commission on the Art
Dallas Film Commission
The National Endowment for the Arts
AMS Pictures
Alford Media Services
KERA
CharlieUniformTango
Mockingbird Station
Prekindle
Selig Polyscope Company

Art&Seek
AMS Pictures
The Common Desk
Selig Film News
Sell.com
SullivanPerkins
TheaterJones
Freeman

Sponsors

Angelika Film Center Dallas


FilmFreeway
Studio Movie Grill
Harry Moss Foundation
FREEMAN Audio Visual Solutions
Proof and Pantry
Jersey Mikes on Greenville
Instagram Cat Mom

Rebirth Of A Nation Co-Sponsors


Ignite Arts Dallas/SMU Meadows
School of the Arts
MAP - Make Art with Purpose

Dallas VideoFest 29
Lounge Sponsor
Dallas Film Commission

Special Programs Sponsors


Fort Worth Film Commission
Houston Film Commission
Texas Film Commission
Texas Association of Film Commission

Special Thanks
Jeff & Jani Leuschel
Jim & Deborah Nugent
Spencer Michlin
Andy Streitfeld
Texas Theatre

Members
Star
Jeff & Jani Leuschel
Jim & Deborah Nugent
Andy Streitfeld
Janeil Engelstad
Dallas Producers Association

Director $250
Sylvia Komatsu & George Stone
Kelly Randall
Judith Samson
Cattarulla, Kay & Elliot

North Texas Giving Day Donors

Jeffrey A. Leuschel
Chair of Board of Directors

Supporter
Darren & Christy Dittrich
Mark Birnbaum
Emma Vernon
Garry Potts
Mark Perkins
Pat Davis

Media
KERAs Art & Seek

Promotion and Public Relations


Kelly J Kitchens
Media Relations/
Entertainment Publicity

Transportation
American Airlines

Content Support
Women in Film Dallas

Jeff & Jani Leuschel


Charles Dee Mitchell
Susan Teegardin
Kevin Flynn
Patricia Davis
Fred Curchack
M.B. Boehm
Garry & Marnene Potts
Barak Epstein
George & Cynthia Chapa
Trish Parks
Alice Baltierra
James Chefchis
Fran Carris
Carolyn Sortor
Raquel Chapa
Alicia Chang
Tiffany Spencer
Scooter Smith & Amy Martin
Don & Deborah Morgan-Stokes
Richard Barrett
Shellaine Conant
Poppy Sundeen
Laura Wiegand
Mark & Margarita Birnbaum
Shelly Seymour and Bud Kennedy
Deborah & Jim Nugent
Darren & Christy Dittrich
Angela Alston & Hugh Resnick
Express Booksellers
The Archips
Joe Dishner
Katherine Owens & Bruce DuBose
Patty Newton
Carol & Stefan
Paul Jolly
Kelly J Kitchens & Mark Wickersham
Mona Kasra

OUR SPONSORS

One Source. One Contact. One Solution.

A WELCOME MESSAGE FROM BART

Welcome to the 29th anniversary of the Dallas


VideoFest. Thank you so much for your support
I hope you will be inspired by all the possibilities
of the progressing film and video medium.

We embark on the journey on opening


night with Sunrise. The festival belonging
to you as the audience and to the Video
Association always strives to navigate
the intersection of technology and art
of moving pictures, this is why we felt
it appropriate to start with Sunrise. This
classic film was made in 1927 before
sound had invaded cinema and the art of
creatively moving and working the camera
was thrown out for singing and talking. F W
Murnaus Sunrise represents the very best

and most accomplished silent film ever


produced. We are truly honored to partner
with the innovative and inspiring Richard
McKay and the Dallas Chamber Symphony.
We will have the unique opportunity to
view and experience beauty in concert
with a wonderful performance. After a prior
collaboration with the Dallas Chamber
Symphony, we were brainstorming on what
to do next. I proposed showing Birth of a
Nation and finding an African American
Composer to subvert the racism in the

classic film. Raquel Chapa, our talented and


visionary managing director, recommended
that we instead show Re-Birth of a Nation
with DJ Spooky*. What a great idea a
one-two punch to start to the festival we
are not only offering engaging and thought
provoking films, but also ethereal cinematic
events. We are so fortunate to have Ignite
Arts Dallas and Make Art with Purpose /
MAP 2016: Use Your Voice and many other
great partners.
This year we are paying special tribune
to Kartemquin Films of Chicago who
have been making socially and politically
concourse documentaries for 50 years. We
are fortunate to have Gordon Quinn, one
of the founders, here for the screening of a
restored version of the classic documentary
Hoop Dreams. He will also show a very
old film (and I do mean film) project from
the old days and the Trials of Mohamed
Ali. We are also showing a new film from
Kartemquin on Sunday, Shattered Glass.
New this year we are working with Women
in Film Dallas a wonderful organization that
supports women filmmakers and provides
scholarships to students. We are hosting
their annual Chick Flix, which includes two
collections of short films and the feature
Quaker Oaths. We, once again, have the
Big D mobile fest folded into our program
as well.
There are so many films I am so excited for
you to see from Blur Cycles, a wonderful
film about what happens when you have
lost your child, Streets of Sicon, an original
film with the authenticity of street life,
and a battle between Black and Latino
cultures of on the street, To Last Laugh, a
doc that asks what can be funny about the
holocaust. One my favorite docs is the Two
Trains Running with mixes the battle for civil
rights with two almost converging searches
for amazing country blues singers do not
miss this! Then, there is Love Witch, which
you also must see.
You will also have the opportunity to view a
trending TV and technology program about

how the NY Times is working with virtual


reality. Who would have ever thought
that documentary would be a good place
for virtual reality? Dont miss a behindthe-scenes look at 60 Minutes. We also
have Chip Lord from Ant Farm (Cadillac
Ranch) with his new film and live musical
performance Greetings from Amarillo.
To experience the evolution of online
culture you must see Rooster Teeth for
older folks, this will give you street cred
with the future wave of filmmakers. Then,
we have a film about Chris Burden and
fair use in filmmaking, Trackton, which
is amazing. There is so much more, you
can see why I am truly exited about this
years festival!
We could not do this without the generous
support of our sponsors The National
Endowment for the Arts, The Texas
Commission for the Arts, Office of Cultural
Affairs Dallas and so many others.
A BIG D thank you to our board of
directors who lifts us up with support and
encouragement, and especially to board
chair Jeff Leuschel.

New this year we are


working with Women in
Film Dallas, a wonderful
organization that supports
women filmmakers and
provides scholarships
to students.

A special thanks to Robert Hower my


department chair at UTA. A special shout
out to what I call Team Bart this team of
doctors keep me going. To our dedicated
and great smiling volunteers and, of
course Raquel, who has the tough job
of working with me. To Susan Teegardin,
for many months of putting up with my
anxiety, long nights and for keeping me
going. IN ADDITION, thank you for
coming and sharing this with us! * thank
you Suza Kanon for bring the program to
our attention.

JURORS

documentary feature
narrative feature
shorts feature
texas show

Documentary Feature
RON SIMON
Ron Simon has been a curator of radio and
television at The Paley Center for Media
since the early 1980s. He is also an adjunct
associate professor at Columbia University,
New York University, and Hunt College,
where he teaches courses on the history
of media. Simon has written for many
publications, including The Encyclopedia
For Television and Thinking Outside of
The Box. A member of the editorial board
of Television Quarterly, he was recently
chair of the George Foster Peabody
Committee, Simon has lectured at
museums and educational institutions
throughout the world.

DANIEL GARCIA
Daniel E. Garca is a Peruvian filmmaker and
educator dedicated to the development
of visual storytelling curricula and socially
relevant filmmaking. He holds a MFA
degree in Film Production from Ohio
University, an MA in Communications from
Wheaton College and a Bachelors Degree
in Linguistics and Literature from The
Catholic University of Per - Lima.
He is also an AVID Media Composer
Certified Instructor.He is an Assistant
Professor of Film in the Art and Art History
department at The University of Texas Arlington. He has been the adjunct and
associate professor head of the video
production programs at Calvin College
(2003 20011) and Spring Hill College
(2011-2013). He has also taught courses
in Latin American political film history in
various universities in the US as well as
giving workshops on visual storytelling,
scriptwriting and video editing in Latin
America, Africa and Europe.

JURORS

Narrative Feature
CHRISTOPHER JASON BELL
Christopher Jason Bell is a former critic
for the blog The Playlist and an active
filmmaker. Starting in a small suburban
town in New Jersey, he made the big move
to Long Island and earned a bachelors
degree in film at the appropriately named
Long Island University. Upon graduation,
Christopher teamed with former classmates
Alex Megaro and Paul Taylor to form the
Fuzzy Heritage Films Collective. His first
feature, THE WINDS THAT SCATTER
premiered at Northside Festival and went
on to play in Madrid, South Korea (winning
Best International No Budget Feature Film
at the KIXFF), Cambodia, Chile, Argentina,
and numerous places in the USA.

His latest short film, ONE TIMES ONE,


premiered on Filmmaker Magazine.
Christopher currently resides in Brooklyn
like everyone else and is probably a bit too
active on Twitter.

JOE DISHNER
Joe Dishner has worked in the film industry
for over 30 years as a Producer, Line
Producer, and Unit Production Manager.
He has had a diverse career, comprising
feature films, TV series, documentaries,
and TV commercials. His producing credits
include The Texas Chainsaw Massacre
(2003), and 22 episodes of the CBS series
The Ghost Whisperer. His UPM credits
include A Simple Plan, Road Trip, The
Mothman Prophecies, Dreamer: Inspired
by a True Story, The Evening Star, The Big
Green, Houseguest, the first two seasons
of the TNT series Dallas, 22 episodes
of the Fox series The Good Guys, and
the PBS documentaries The Fort Worth
Watergarden and Gimbles Swing.
He was a founding co-publisher of The
Austin Chronicle.

He currently serves on the project


committee for the Filmanthopy Fund of the
Dallas Foundation and Media Productions
Development Zone Advisory Committee
for the State of Texas. He is a long time
member of The Directors Guild of America
and Sams Club.

Shorts Feature
SHILYH WARREN
Assistant Professor of Aesthetic and Film
Studies at UT Dallas. Her teaching and
research areas of interest include womens
cinema, experimental and documentary
film. These days shes working on her
first book, an intensive study of womens
documentary filmmaking during the 1970s.
In another life, she also taught film studies
at North Carolina State University, worked
on the programming team at the Full
Frame Documentary Film Festival, and
learned radio production on Dick Gordons
show The Story at WUNC.

CHRIS REED
Award-winning writer and director. His
feature films have screened at festivals
throughout the United States and Canada,
have been released theatrically in Los
Angeles and New York, and have been
reviewed in the LA Times, The Village
Voice and the LA Weekly, among many
others. His films include The Proper Care
& Feeding of an American Messiah, Clean
Freak, Endings, Where We Started and Blur
Circle. Chris resides in Robinson, Texas with
his wife, Sherry, and their four daughters.
You can read more about his work in film
and screenwriting at his website, (http://
www.hansenfilms.com).

JURORS

Texas Show
JUSTINA WALFORD
Born and raised in Southern California,
Justina Walford started writing at a very
young age. After her degree in English
Literature at San Francisco State University,
Justina was the Artistic Director of Split
Id Staged Performances in Hollywood for
three years. During that time, she produced a dozen full-length productions and
countless one-night shows, many of which
were her original work. Praised by both the
LA Weekly and Backstage West, Justinas
Evolution of Sunday was described as a
thoughtful and affecting drama about faith,
love andforgiveness.
In 2004, Walford was a proud recipient of
the Women in Theater Red Carpet Award.
In 2010, Justina left Los Angeles for New
York and began creating movies with
husband John Wildman. Justina Walford is

co-writer and producer of the horror film


Ladies of the House, shot in Dallas and
available online. She now lives in Dallas,
where she is the Artistic Director of Women
Texas Film Festival.

CAMERON BRUCE NELSON


A 2014 IFP Narrative Labs Fellow who has
written, directed, edited, and produced
several short films that have screened on
the U.S. festival circuit. His first feature,
"Some Beasts," was chosen to participate
at the U.S. in Progress-Wroclaw and was
the recipient of an Austin Film Society
post-production grant. He served as the
technical director at the Lone Star Film
Festival and as an assistant programmer
for VideoFest. He lives in OakCliff, Texas.

Texas Show
GABRIEL DURAN
I'm proud to be Mexican American. I was
born In Wichita Falls TX and moved to
DFW in 2004. I started my college career
as a business major but found my niche in
film and video soon after. I am an award
winning filmmaker with a masters in film/
video from UTA. Currently I teach film
and video as an adjunct at Texas A&M
Commerce in Dallas and the Art Institute
of Fort Worth. As a writer and director
my films have won several awards and
have screened on more than 40 different
occasions all over the United States and
London including a television showing on
PBS (KERA). I am currently working on a
highly anticipated experimental feature
film called Streets of a Scion that is soon
to be out this October. As a successful
filmmaker I have been invited to be a
judge on several film festivals such as the
Fort Worth Independent Film Showcase,
Dallas VideoFest and the Denton based
Granatum. I am also a co-founder of an
acting and film production school called
C.T.C Cinema Group and the director of
the 1st annual Festival De Cine Latino
Americano in Fort Worth. My goal as the
director of the Festival De Cine Latino
Americano is to bring the independent
filmmakers of Latin America into the

spotlight. I strongly feel that not only do


these filmmakers need a place screen their
work but they also need an audience to
watch and listen.
As a filmmaker I want to breathe new
life into the underrepresented Chicano
experience and bring the audience closer
to me through my stories. I desire to use
storytelling as a tool to bring the audience
into my world, a world that mainstream
media ignores, or when it does "shedlight" on it, it's done from a stereotypical
outsiders point of view. Debunking those
stereotypes and connecting with people
emotionally is the reason I make films.

REBIRTH OF
A NATION
by Paul D. Miller aka DJ Spooky

"A hip-hop drum beat pulses. (It sounds African and


urban American.) A wash of industrial sound is joined by
bells and cymbals; a dissonant violin; blues fragments.
These are the sounds of history and racial complexity that
Griffith tried to suppress."
Margo Jefferson, New York Times

robably most well-known under


his "constructed persona" as DJ
Spooky That Subliminal Kid, Miller
has re- corded a huge volume of music
and collaborated with a wide variety of
musicians and composers, among them
Iannis Xenakis, Ryuichi Sakamoto, Kronos
Quartet, Pierre Boulez, Steve Reich,Yoko
Ono,Thurston Moore and many others. He
also composed and recorded the score for
the Cannes and Sundance Award-winning
film Slam, starring acclaimed poet Saul
Williams, and produced material on Yoko
Ono's recent album Yes, I'm a Witch.

Conceived as a reimagining of director


D.W. Griffiths infamously racist 1915 silent
film The Birth of a Nation, DJ Spookys Rebirth of a Nation is a controversial and culturally significant project that examines how
...exploitation and political corruption still
haunt the world to this day, but in radically
different forms. Originally commissioned
in 2004 by the Lincoln Center Festival, Spoleto Festival USA, Wiener Festwochen, and
the Festival d'Automne a Paris, the project
was Millers first large-scale multimedia performance piece, and has been performed
around the world, from the Sydney Festival

About Paul Miller


AKA DJ Spooky

Paul D. Miller aka DJ Spooky is a


composer, multimedia artist and writer
whose work immerses audiences in a
blend of genres, global culture, and
environmental and social issues. His
written work has been published by The
Village Voice,The Source, and Artforum,
and he is the Editor of Origin Magazine.
Millers work has appeared in the
Whitney Biennial; The Venice Biennial
for Architecture; the Ludwig Museum in
Cologne; Kunsthalle,Vienna; The Andy
Warhol Museum in Pittsburgh, the Miami/
Art Basel fair, and other museums and
galleries. Millers award-winning book
Rhythm Science was published by MIT
Press 2004, and was followed by Sound
Unbound, an anthology about electronic
music and digital media, in 2008. The
Book of Ice, an experiential visual and
acoustic portrait of the Ant- arctic, was
published in 2011 by Random House.
to the Herod Atticus Amphitheater,
more than fifty times. The projects live
musical score by DJ Spooky, originally
recorded by Kronos Quartet, was made
available for the first time on CD from
Cantaloupe Records, in summer 2015.
Today, after more than one hundred
years since the release of The Birth of
a Nation, the project continues to be
presented internationally, engaging
audiences in themes of civil rights and
freedom, seen through the lens of DJ
Spookys unique art of remixing. Rebirth
of a Nation can be done as a film
screening with a personal introduction
by DJ Spooky; performed live by DJ
Spooky with three video screens; or
performed live with DJ Spooky, three
video screens, and a string quartet.

Millers large scale, multimedia


performance pieces include Rebirth of a
Nation, Terra Nova: Sinfonia Antarctica,
commissioned by the Brooklyn Academy of
Music for the Next Wave Festival 2009, and
Seoul Counterpoint, written during his
residency at Seoul Institute of the Arts in
2014. Miller was the first Artist in Residence
at the Metropolitan Museum of Art,
where he premiered his work A Civil War
Symphony in 2013. In 2014, Miller was
named a National Geographic Emerging
Explorer, an honor recognizing visionaries
at the forefront of global problem
solving. Current projects include Peace
Symphony, commissioned by UN Peace
Boat, a new planetarium work Hidden
Code commissioned by Dartmouth
College in collaboration with Museum of
Science Boston, the CD/DVD of Rebirth
of a Nation on Cantaloupe Music, a new
dancehall/reggae remix release from VP
Records, and the publication of his fourth
book The Imaginary App from MIT Press.

OPENING NIGHT
Sunrise
The Dallas Chamber Symphony

OCTOBER
DALLAS
CHAMBER
SYMPHONY

.W. Murnaus Academy Awardwinning classic film, Sunrise


(1927) at VideoFest 29. Youll
enjoy watching this bewitching story
of love and redemption from the
late silent movie era, accompanied
by The Dallas Chamber Symphony
performing a new musical score
composed by Joe Kraemer, whose film
credits includeJack Reacher and the

18

blockbuster hitMission Impossible:


Rogue Nation.Tickets give you
access to the premiere at Dallas City
Performance Hall where you can
meet the composer and join us for
the after party.Presented with thanks
for the generous support provided
by the Jean Baptiste (Tad) Adoue III
Fund of The Dallas Foundation.

JOE KRAEMER
Joe Kraemer has been scoring films since the age of 15, when he
composed the soundtrack for high school classmate Scott Storms
The Chiming Hour, a feature-length indie shot on Super 8 in
1986. It was during this time that he first met a young writer named
DALLAS
Christopher McQuarrie, a meeting that would lead to three careerCHAMBER
defining projects for Kraemer, The Way of the Gun, Jack Reacher,
SYMPHONY
and 2015s box office smash Mission: Impossible Rogue Nation
His recent work includes the documentary Liberating a Continent:
John Paul II and the Fall of Communism released earlier this year.

SCREENINGS
feauture film
short
documentary
narrative
experimental

Dallas Videofest |--

animation
presentation
special programs
music video

349

THE ACT

Re-Inventing the Image

Big D Mobile Phone

Director: Kristen Lauth Shaeffer

Director: Dorukhan Turan

Created with hundreds of pencils and


hundreds of hands, 349 is a collaborative
animated film that explores the idea that
were all imperceptibly connected. A dance
performance was videotaped and converted
into a series of still frames. 349 different
people each redrew one of these frames
to represent themselves and someone with
whom they have an important connection.
The resulting drawings were scanned,
sequenced, and synced to music to
create the short animated film.

Duygu is an actress and finally had a role


in a movie. However she is nervous for her
new role since the character is unusual for
her type. She is excited to screen the movie
to her friends for the first time and expects
to see the same excitement from them.

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 10:15 PM

Director: Chuck Workman

9546 KM.

Director: Sergio Garca Locatelli


Big D Mobile Phone

I keep looking into myself, as if Madrid is


my city. I came here more than 7 years ago
from a place 9546 km. far away. With the
daylight I feel like a foreigner, no matter no
one can tell unless I speak.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 1:00 PM

THE ADVENTURES

The Power of Stories Compilation


A man about to turn ninety, living in
a nursing home in Far Rockaway, talks
revealingly about the past, the present, and
the future, and the dying girl who chose
him to create one of her final
memories, a choice he remembers
decades later, although he doesnt always
remember her name. Mark Rydell creates
the character of Ed with compassion, humor, and gratitude for a long life of
adventures. Mario DiDonato plays his nurse,
a man with a secret adventure of his own
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 9:15 PM

349

SCREENINGS

feature

ANA WITH ELISIO

Director: Lizzette Barrera Austin


Its New Years Eve and Ana does not want
to go home after her much older boyfriend
Elisio simply takes her out to eat.

shortfilm

documentary

narrative

AUDIBLE STATIC

Director: Sai Selvarajan


Plays With The Maid

Thaddeus is a teenager in love. Love comes


with panic. Silence. Racing thoughts, but
no words. Just, audible static. In the last
ANGELIKA FILM CENTER DALLAS
days on analogue, Thaddeus finds a way
THEATER 2
to cheat the system.
SUNDAY OCT. 23 - 8:30 PM

THE ART OF DIRECTING:


FRANK CAPRA
Director: Allan Holzman

In the history of cinema, only the great


John Ford has won as many Academy
Awards for feature directing as Frank Capra
(Its a Wonderful Life, Mr. Smith
Goes to Washington, and It Happened
One Night). From his early years as a
gag writer and director during the wildly
frenetic silent era to his beautifully choreographed cinema classics lasting until
the1960s, Mr. Capra delves into his art of
directing, revealing inspiring insights into
his methodology of storytelling, working
with actors, writers, and studio chiefs, while
offering gems of information still relevant
to todays filmmakers. Directed and edited
by two time Emmy winner Allan Holzman.
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 3:45 PM

THE ART OF FRANK CAPRA

ANGELIKA FILM CENTER DALLAS


THEATER 3
FRIDAY OCT. 21 - 9:45 PM

BABA YAGA

Director: Cydney Cox

Stories from the Edge Compilation


ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 6:00 PM

THE BAHIAN

Director: Camilo Estrada


Big D Mobile

In Brazil, a country currently going through


a severe economic crisis, special people
like Ivan appear to give some hope. From
the state of Bahia, (northeast Brazil) he
goes to Rio de Janeiro on vacation and
visits the beautiful beaches of Copacabana
and Ipanema, where he learns to enjoy
what was once work to him: fishing.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

THE BIG SECRET

experimental

animation

presentation

BALL IS LIFE

Director: Terry bluez

Plays with Temple Shalom Softball


Ball is Life is the story of a young female
basketball star on the verge of earning a
Division I scholarship under the intense
coaching of her overbearing father. But
when her hoop dreams are jeopardized by
an unplanned pregnancy, she must decide
which is more important, Ball or Life?
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 1:00 PM

THE BIG SECRET


Directors: Alex Voss,
Susan Downs, M.D.

The Big Secret is the latest work by


five-time Emmy Award-winning producer
Alex Voss with the assistance of multi
award winning filmmaker and integrative
physician, Susan Downs. Vosss personal
journey to regain his health brought him
face-to-face with the impacts big money
has had on the American healthcare
system. Join Voss as he looks at the history
of medicine in the US and how wealth and
power affect the decisions doctors make.
My goal, says Voss, is to empower
people with knowledge and start a
conversation that will ultimately lead
to life-saving changes to our personal

BLUR CIRCLE

special program

music video

health, and reform in our healthcare


system. The Big Secret is only the
beginning.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY
OCT. 23 - 7:30 PM

Black History Re-imagined


Hymns of Three Cities by Lisa Mills
Juke Passages From The Films
of Spencer Williams by Thom Anderson
SUNDAY OCT. 23
ANGELIKA 3, 6:45 PM

BLUR CIRCLE

Director: Chris Hansen


Jill Temple is a single mother still
grieving the loss of her young son after he
disappeared two years ago. Unable to face
the possibility that she has lost him forever,
she pursues every lead and meets Burton
Rose, a man with a shrouded past. The
details of that past and how Burton has
responded to it force Jill to look at her
life in a completely new way.
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 3
THURSDAY OCT. 20 - 7:00 PM

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

BOSSMAN

BRINSTON: FREE AF

Chick Flicks Short Block

Performance Value Compilation

Director: Theresa Varga


A spaced out but wildly imaginative stoner
goes on a quest to the seek the truth about
Bossman a local chicken shop owner and
his secret chicken shop plans that seem out
of this world.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 5:45 PM

THE BOY ON THE TRAIN


Director: Roger Deutsch

An American experimental film director


screening his new film in Budapest meets
one of the subjects of that film. What starts
as a simple chat over coffee turns into
an alternately comic and suspenseful
road trip.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 4:15 PM

BREAKFAST IN BED
Director: Payton Thropp

2016 Texas Filmmaker's Showcase


A young girl faces changes in her family
with bravery and hope.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

BRINSTON:FREE AF

narrative

Director: Sierra Sintic

Matthew Brinston is a Dallas-based visual


artist who leaves clues to the locations
of his latest, free-art drop via Instagram
(MatthewBrinston). He travels to Los
Angeles, leaving his art scattered
across the Southwestern landscape.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 10:15 PM

BUBBLES DONT LIE


Director: Stepan Etrych
Big D Mobile Phone

A typical day starts as engineer Cmiral


wakes and brushes his teeth in the
bathroom. Then a comic book bubble
appears above his head with 6 inside
it. Soon everyone in the world has an
overhead bubble and a number, but
no one knows why.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

BURDEN

Directors: Tim Marrinan


& Richard Dewey
For more than 45 years, Chris Burdens
work has challenged ideas about the limits
and nature of modern art. His pioneering
and often dangerous performance works of
the 1970s earned him a place in art history
books while he was still in his early 20s. He

experimental

animation

presentation

had himself shot (Shoot, 1971), locked up


(Five Day Locker Piece, 1971), electrocuted,
(Doorway to Heaven, 1973), cut (Through
the Night Softly, 1973), crucified (Transfixed, 1974), and advertised on television
(4 TV Ads, 197377). But as the 70s
progressed Burden became disillusioned
with expectations and misconceptions
based on his early works, and as the
pressure grew, the line between his life
and his art blurred.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 3:00 PM

special program

music video

BIG D MOBILE III


Saturday Oct. 22nd
1 pm at the Angelika Dallas
Theater 3

Dreams about Kimono


by Nikolay Kozlov

The Act

by Dorukhan Turan

Lonely Logan

by Daniel Duerto

Bubbles Doesn't Lie


by Stepan Etrych

The Moment

CANDLE LIGHT VIGIL


Director: Mark Birnbaum
Ritual Beauty Compilation

Reflections on the Dallas Shooting


ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 8:00 PM

by Sven D.

Miracle ofHanukkah
by Adi Spektor

8546km

by Sergio Garca Locatelli

Wake Up

by Wes Sutton

Dancing in Hell

by Tim Nicholas

Open Table

by Tim Nicholas

The Bahian

by Camilo Estrada

Parametric

by Amila C. Kumarasinghe

Happy BirthdayKevin-John Psathas


by John Psathas

Spectratta

by Susan Maughlin Wood

THE CAMBODIAN SPACE PROJECT

BURDEN

SCREENINGS
SCREENINGS

feature

THE 15TH ANNUAL


CHICK FLICKS
FESTIVAL:
We are shining a light on some
FANTASTIC female filmmmakers from Texas, as well as, from
around the globe.

BOSSMAN

By Theresa Varga

HUMMINGBIRD & CRANE


By Veronica Rodriguez

PRIYANATH

By Anietie Antia-Obong

DOOR

by Andrea Schmitz

SPUNKLE

by Lisa Donato

MUSCLE

shortfilm

documentary

narrative

THE CAMBODIAN
SPACE PROJECT

Director: Richard Kuipers


Community Partner:
Asian Film Festival Dallas

A wandering Australian musician walks


into a Phnom Penh karaoke bar. What
happens next is the story of Julien Poulson
and Srey Thy, a poor village girl with
an incredible voice. Using wonderfully
inventive graphics and archival footage
from the personal films of Cambodias King
Sihanouk, this is an intimate story of music,
love and the cross-cultural challenges
faced by two struggling performers as
success takes them from the ancient
Khmer Kingdom of Angkor, to the streets
of Brixton and all the way to the Motown
Studios of Detroit.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 11:15 PM

by Heidi Miami Marshall

CHASING LIGHT

UNDERTOW

A Different Perspective Compilation

byVeronica Rodriguez

LA PETITE MORT

by Anna Maria Alaimo

Director: Jeff Bednarz

Wyman Meinzer is one of a kind. Hes part


cowboy, conservationist, biologist, hunter,
trapper, and world class photographer. A
jack of all wild trades, he doesnt fit any
traditional mold.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 8:45 PM

CHIKA DOG FROM THE GHETTO

experimental

animation

presentation

CHIKA DIE HNDIN IM


GHETTO (CHIKA DOG
FROM THE GHETTO)
Plays with Last Laugh

The film is based on the book of the


Shoa survivors Batsheva Dagan and
insights into life in the Warsaw Ghetto
from the perspective of a little Jewish boy.
ANGELIKA FILM CENTER DALLAS
THEATER 2
THURSDAY OCT. 20 - 7:00 PM

CINERAMA

On Film Compilations
Cinerama is a widescreen process that originally projected images simultaneously from
three synchronized 35 mm projectors onto
a huge, deeply curved screen, subtending
146 of arc. The trademarked process was
marketed by the Cinerama corporation. It
was the first of a number of novel processes introduced during the 1950s, when the
movie industry was reacting to competition
from television. Cinerama was presented
to the public as a theatrical event, with reserved seating and printed programs, and
audience members often dressed in their
best attire for
the evening.

special program

COLD CITY HEAVEN

Director: Donald Rubinstein

Performance Value Compilation


We hold heaven and hell together, shaking
one and then the other. There is mystery in
memory. A meditation on life and death.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 10:25 PM

CONCEALED

Director: Dakota Ford

Stories from the Edge Compilation


Students can carry concealed handguns on
campus; she uses her right in doing so. She
goes to campus to work on a project and
stays late into the night. She has to decide
quickly if hes a threat or not.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 6:00 PM

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 2:30 PM

CONFESSIONS OF A BREASTIMATOR

music video

CONTIGO

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

narrative

CONFESSIONS OF A
BREASTIMATOR

THE CONTROL ROOM

A Different Perspective Compilation

Drew gets the feeling that something in his


hotel is wrong...and it might just be him.
He uses drugs to suppress his normal
personality and talks to a voice he thinks
is in his head. When things start to get
strange, and the drugs wear off, he realizes
the world he has been obliviously forced
into is not real. Director in Attendance

Director: Jisu Kim

Confessions of a Breastimator is a story


of a breast aficionado who reflects back
on her life as an animator with a passion
for cartoons and animating double Ds.
Although created fully digitally, the film
uses traditional hand-drawing methods
that pay tribute to the limited animation
style of the 50s.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 8:45 PM

CONTIGO

Director: Luis Valdovino


Re-inventing the Image

Contigo is a waltz with family and tradition,


close to the South Texas border. This film
explores a musical style that evolved in the
lower Rio Grande Valley in the early 19th
Century after local musicians began using
accordions brought by German settlers.
The project is based on a song written by
one of the pioneers of conjunto music, Don
Santiago Jimnez. It is performed in this
video by his son, Santiago Jimnez Jr.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

Director: Calvin Herbst

Texas Show 2016 - Dallas

ANGELIKA FILM CENTER DALLAS


THEATER 2
SUNDAY OCT. 23 - 8:30 PM

CRYSTAL LAKE

Director: Jennifer Reeder

The Power of Stories Compilation


When a struggling young Muslim girl feels
unsafe at the skate park, a group of girls
takes over, forming an all-female force
field on the half pipe. Maximum daylight,
zero boys: a group of girls band together
to help a friend in need. This film is a grrrl
power anthem.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 9:15 PM

DEAD MALL

Director: Dustin Morrow

Re-inventing the Image Compilations


Once bright and shiny temples of
commerce, malls across America have
become virtual ghost towns ravaged by
online shopping, new upmarket urban

BRINSTON:FREE AF

experimental

animation

presentation

shopping communities, and big box discount stores. A Target and a Wal-Mart are
among the factors that have pulled traffic
away from the mall featured in this film.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

DEAFBLIND COUPLE

special program

music video

Differently Abled Performers


First Person Singular with Roland Steel
by Paul Wahlstrom

Deaf Blind Couple by Dustin Morrow


Ode to the Port by Desiree Kapler
Min Maestro by Cheryl Allison
White Cane by Laith Sami
SATURDAY OCT 22
ANGELIKA THEATER 3, 2:30 PM

Director: Esteban Pedraza

Differently Abled Performers


Compilations

A Different Perspective

Official Selection 2016 Woods Hole


Film Festival. Deafblind Couple is a short
cinematic ode to the sensation of touch
and the feeling of intimacy with another
human being. A man and woman who can
neither see nor hear wake up in bed next
to each other, communicate, and rekindle
their relationship through touch alone.
Through the use of experimental sound
design and increasingly intimate
cinematography, Deafblind Couple
illustrates the simultaneous deep isolation
and true moments of connection between
its two characters.

Please Forgive my Pain by Sheldon E Schiffer


The Itching by Dianne Bellino
Mu by Tom Ludwi
Like a Photograph by Tom Varisco
Molly Blooms by Elena Megalos
Confessions of A Breastimator by Jisu Kim
Two Landscapes by Neil Ira Needleman
Chasing Light by Brian Newman

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 2:30 PM

SATURDAY OCT. 22
ANGELIKA THEATER 7, 8:45 PM

DIVIDED TOGETHER AGAIN


Director: Christian Vasquez
Texas Show 2016 - Dallas

Divided Together Again chronicles a mass


shooting in Dallas, Texas in which five
police officers were killed during a Black
Lives Matter protest.
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 2
SUNDAY OCT. 23 - 8:30 PM

DEAFBLIND COUPLE

A DRAG QUEEN FOR KIDS

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

narrative

DOOR

DREAMS ABOUT KIMONO

Chick Flicks Short Block


Gaia is a teenager who has moved into
a creepy house with her mother and is
determined to hate it, despite her mothers
reassurances. When a mysterious green
door begins to stalk Gaia, she literally
stumbles through it into another world,
one that manifests a persons greatest
fear in Gaias case, spiders. Gaia must
summon the bravery to face her fears and
come together with her mother to defeat
the evil living just behind the door.

Big D Mobile Phone

Director: Andrea Schmitz

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 5:45 PM

A DRAG QUEEN FOR KIDS


Director: Byron Karabatsos

Performance Value Compilation


A Drag Queen for Kids follows Dito Van
Reigersberg and his alter ego, Martha
Graham Cracker, as they perform. Jokes
are reshaped, songs carefully altered, and
innuendos abound. This short film shows
that what makes a drag queen powerful
and dangerous isnt her clothes. Its
her empathy.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 10:25 PM

EDWARD SNOWDEN AND THE YES MEN

Director: Nikolay Kozlov

In a small provincial town in Central Russia,


a teenager is passionate about judo, but
his mother is too poor to buy him a new
robe. The teenager enters competitions
to win the first place prize a new robe.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

EL SUBMARIN

Director: Wenceslao Scyzoryk


On Film Compilations

Even at 95 years old, Juan Marin goes


to work every day at the School of Cinema,
where he enters a laboratory called
The Submarine to painstakingly create
a colossal machine whose one goal is
to restore the splendor of damaged
celluloid films.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 2:30 PM

ELECTRIC PILGRIMS
Director: Van McElwee

Re-inventing the Image Compilations


Shot over many years in numerous
locations, the piece was edited for two
years and finished under a Regional Arts
Commission Artist Fellowship. McElwee
describes the new work as an intersection
of worlds, swollen with apparitions.

experimental

animation

presentation

He adds The monumental setting of


the Public Media Commons is the ideal
venue to premier Electric Pilgrims.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

AN ERRAND OF HIP AND CHIN


Director: Richard Bailey

Re-inventing the Image Compilations


Casey enjoys hooping and playing drums.
One day a mysterious phone call sends him
on an errand. Borrowing loosely from the
Book of Amos, the film takes viewers on
an adventure that blends the prophetic
imagination with the popular enthusiasm
of hooping.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

FIRST PERSON SINGULAR


WITH ROLAND STEEL
Director: Paul Wahlstrom

Differently Abled Performers


Compilations
Prog Rock + Outsider Art + Cool Name
= Talented Person. This film explores the
life and music of Roland Steele, who died
in 2011 and is remembered for his videos
Non-Sectarian and Messiah Complex.
Video courtesy of Irving Community
Television Network, 1985.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 2:30 PM

special program

music video

FULL COURT:
THE SPENCER HAYWOOD
STORY-TEXAS PREMIER
Director: Martin Spirit

Community partner: AMS Pictures


Spencer Haywood went from picking
cotton in rural Mississippi to being inducted
into the Naismith Memorial Basketball Hall
of Fame. Along the way he won Olympic
gold, married one of the most famous
supermodels in the world and dominated
professional basketball. But he had to fight
every step of the way for his civil rights,
against addiction and even against
the NBA itself.
In 1970, young Haywood challenged the
NBAs four-year rule, which stated that
players could not enter the league until
they were four years removed from high
school. Because of this, young, poor
players were excluded from the business
of basketball. Haywoods case went all
the way to the U.S. Supreme Court and
his victory forever changed professional
basketball. But Haywood paid a price
for making waves. His stand-out stints
with the Sonics, Knicks, and Lakers were
overshadowed by the case and Haywood
was ostracized for many years.
FULL COURT seamlessly parallels
Haywoods personal and professional
struggles with the civil-rights struggles of
the time. His untold, human-interest story
will come to life through rare archival video,
photography, and music. Interviews with
Haywoods peers and talented, young
players - for whom he paved the way will bring this compelling documentary
full circle. The story culminates with

SCREENINGS

feature

shortfilm

documentary

narrative

Haywoods long overdue enshrinement


into the Basketball Hall of Fame.

wind-swept landscape of Amarillo that


begins and ends at Cadillac Ranch.

FULL COURT features celebrity interviews


with notable sports figures: Lenny Wilkens,
Charles Barkley, Bill Bradley, Pat Riley,
President of The Golden State Warriors
Rick Welts, Dr. Harry Edwards and
Michele Roberts.

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 7:15 PM

ANGELIKA FILM CENTER DALLAS


THEATER 2
SUNDAY OCT. 23 - 5:00 PM

THE GABRIELLA ORDER


Director: Robert Bell

The Power of Stories Compilation


When lonely guy Patrick calls a random
number in the middle of the night to
meet a beautiful stranger, he gets
much more than he bargained for.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 9:15 PM

GREETINGS FROM
AMARILLO
Director: Chip Lord
Performance

GUILLO

Director: Abigail Hagan

Texas Show 2016 - Pasadena


Guillo tells the story of Dr. Gregorio
Guillo Yanez, a doctor at the Shoulder
to Shoulder clinic in Santa Ana,
Honduras, who overcame poverty
to get a medical education.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SUNDAY OCT. 23 - 8:30 PM

HAPPY BIRTHDAY KEVIN


Director: John Psathas
Big D Mobile

At 15, Kevin risks it all for a shot


at greatness.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

Chip Lord has partnered with Hayden


Pedigo, a young musician and native of
Amarillo, TX, to produce a video portrait
(with live musical accompaniment) of the

GREETINGS FROM AMARILLO

HAPPY F-ING VALENTINE'S DAY

experimental

animation

presentation

special program

music video

HAPPY F-ING
VALENTINES DAY

HUAN NUO YUAN

The Power of Stories Compilation


Valentines Day provides the backdrop for
this comedy short that asks the question:
How can trying to do something so good
turn out so f-ing wrong?

A documentation of the Huan Nuo Yuan


ritual of the Miao people who live deep
in the Wu Ling Mountains of western
Huan, China. The Badai conduct the
two day ritual, a practice that goes
back thousands of years.

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 9:15 PM

ANGELIKA FILM CENTER DALLAS


THEATER 3
SUNDAY OCT. 23 - 8:00 PM

HIT & RUN

HUMMINGBIRD & CRANE

Director: Sheila Schroeder

Director: Jason Neulander

2016 Texas Filmmaker's Showcase


In this Lovecraft-inspired short, Katie finds
an amulet by the side of the road and
suffers the consequences of picking it up.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

HOOP DREAMS

Director: Steve James

Kartemquin 50 Year Celebration


A film following the lives of two inner-city
Chicago boys who struggle to become
college basketball players on the road
to going professional.

Director: Thomas Riccio

Ritual Beauty Compilation

Director: Veronica Rodriguez


Chick Flicks

In Santa Fe, New Mexico, the first


event of the 54th World Series of Youth
Birding, Bird Call Replication takes place.
Underdog Dorrie Davis plans to dethrone
reigning champion Heidi Hammerstein.
Humiliated in the first round, Davis considers
quitting but is reignited by her teammate
Olivia to prove the naysayers wrong. Davis
squawks her way to victory,
leaving Hammerstein set on revenge
in the next event.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 5:45 PM

ANGELIKA FILM CENTER DALLAS


THEATER 2
SATURDAY OCT. 22 - 1:00 PM

HUAN NUO YUAN

GUILLO

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

narrative

HYMNS OF THREE CITIES

JACKDAW

Black History Re-imagined

2016 Texas Filmmaker's Showcase

Director: Lisa Mills

Orlando and its tourist destinations impose


a celebratory narrative on Central Florida,
but dark corners of history reveal racial
violence and injustice. This film explores a
personal narrative of three cities and uses
the poetry of Dr. Stephen Caldwell Wright
to address our collective past.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 6:45 PM

THE ITCHING

Director: Dianne Bellino

A Different Perspective Compilation


The Itching is about a shy wolf who attends
a dance party thrown by a group of hip,
freewheeling bunnies. Though the wolf
longs to connect with the exotic strangers,
anxiety overwhelms her and she descends
into obsessive itching. An intensely
visceral film, warm-hearted, and disturbing,
The Itching investigates our primal longing
for connection and reveals the vulnerability,
anxiety, and ambivalence embedded there.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 8:45 PM

THE ITCHING

Director: Travis Champagne

A father mourns on the one year anniversary of his wifes disappearance.


ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

JENNY & TOM

Director: Ford Gunter

2016 TEXAS FILMMAKERS SHOWCASE


Jenny and Tom have found the happiness
that eludes others by living life on their
own terms. But sometimes doubt comes
from the warmest of places.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

JUKE PASSAGES
FROM THE FILMS OF
SPENCER WILLIAMS
Director: Thom Anderson
Black History Re-imagined

Juke, in which Thom Andersen (Los


Angeles Plays Itself, Red Hollywood)
reconsiders the films of Spencer Williams,
the pioneering African American

JACKDAW

experimental

animation

presentation

screenwriter, director, and actor whose


1940s melodramas centered on sinners
and saintsBeale Street mamas and
storefront preachers, crime bosses and
upwardly striving lawyers and soldiers
who are tempted by jazz and sex and then
set back on the glory road to salvation. I
began to notice a remarkable documentary
record of black life in the 1940s in these
films, Andersen observes. There are the
nightclub scenes, of course, but there is
also a precious recording of residential
spaces, from the shack in The Blood of
Jesus to the comfortable middle-class
rooming house in Juke Joint. [My] film
brings out these documentary qualities
by looping shots of empty interiors and
showing actions freed from the plot. I am
not trying to make some new meaning
from these films; I am striving to bring out
the meanings that are there but obscured
by the plot lines: the dignity of black life
and the creation of dynamic culture in the
segregated society in small-town north
Texas. I regard my movie as akin to Walker
Evans photographs of sharecroppers
home in 1930s and George Orwells
essays on English working class interiors.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 6:45 PM

THE LAST LAUGH

special program

music video

THE LAST LAUGH

Director: Ferne Pearlstein

Community Partner 3 Stars Jewish


Cinema Texas Premier
The Last Laugh pairs clips from films,
performances, and interviews with top
comedians and prominent Jewish leaders
-- including Mel Brooks, Sarah Silverman,
Joan Rivers, Louis C.K., Chris Rock,
Abraham Foxman, and Shalom Auslander
-- to ask the ultimate taboo question:
Can the Holocaust be funny?
ANGELIKA FILM CENTER DALLAS
THEATER 2
THURSDAY OCT. 20 - 7:00 PM

LAST NIGHT

Director: Shannon Cloud

Performance Value Compilation


On the final night of their DIY stand up
comedy tour around Texas, five comics
grow closer as friends.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 10:15 PM

SCREENINGS
SCREENINGS

feature

LA PETITE MORT

Director: Anna Maria Alaimo


Chick Flicks Short Block

Two eighty-year-old ladies have been


best friends for decades. When they are
given an opportunity of a lifetime only one
of them may claim whats been lurking
beneath the surface of their friendship
is exposed with unexpected and
funny results.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 5:45 PM

LEFT ON PEARL

Director: Susan Rivo

Community Partner Chick Flicks


What happens when Bostons 1971
International Womens Day marchers turn
Left on Pearl Street in Cambridge and
seize a building for a womens center
that lies on land that an African-American
neighborhood wants for creating affordable
housing? This film explores the legacy
of this event 45 years later.
ANGELIKA FILM CENTER DALLAS
THEATER 2
FRIDAY OCT. 21 - 7:00 PM

LIKE A PHOTOGRAPH

shortfilm

documentary

narrative

LITTLE MATCH GIRL


Director: Carlos Arreola

Stories from the Edge Compilation


A drama short-film adaptation. The greatest
female magician, Ellie The Enchantress lost
her husband a long time ago. It is through
the memory of Daniel and a few matches
that she will be able to bring back her lost
magic.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 6:00 PM

LONELY LOGAN

Director: Daniel Duerto


Big D Mobile

My friend Logan is lonely


ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

LONG DEPARTURE
Director: David Ellis

Re-inventing the Image Compilations


Award-winning filmmaker David Ellis
explores the relationship between moving
image and sound. Long Departure is a
visual poem about time, aging, and the

Director: Tom Varisco

A Different Perspective Compilation


ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 8:45 PM

LEFT ON PEARL

experimental

animation

presentation

blur between departure and destination.


In this non-traditional storytelling
portrayal, the interplay of image, sound
and atmosphere lets viewers create their
own narrative, in a cinema created as pure
visual poetry. Shot on B&W super8 film in
Paris, with video montage and a minimalist
musical score from Hanois Nhung Nguyen.
(soundawakener.com).
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

A LONG WAY FROM HOME


Director: Jay Rosenblat

Re-inventing the Image Compilations


A hand processed celluloid invocation
of Jesus last hours that hints at the
relationship between the spirit and the
flesh. Had there been actual footage of
the Crucifixion dug up by archaeologists, it
might have looked like this.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

THE LOVE WITCH

special program

her gothic Victorian apartment she makes


spells and potions, then picks up men, and
seduces them. However her spells work
too well and she ends up with a string of
hapless victims. When she finally meets the
man of her dreams, her desperation to be
loved drives her to the brink of insanity and
murder. With a visual style that pays tribute
to Technicolor thrillers of the 60s, The Love
Witch explores female fantasy and the
repercussions of pathological narcissism.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 11:30 PM

MAID

Director: Julia Dyre


WORLD PREMIERE!

An imaginative retelling of the spiritual


journey of Joan of Arc, transposed to
modern-day Marfa, Texas. In one long
night, Joans enemies, her saints, and
the mysterious Marfa Lights all converge
to chase her toward the fire that will
complete her mythic destiny.
Filmmaker in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 3
FRIDAY OCT. 21 - 9:45 PM

Director: Anna Biller

Community Partner
Women Texas Film Festival
Elaine, a beautiful young witch, is
determined to find a man to love her. In

THE LOVE WITCH

music video

MAID

SCREENINGS
SCREENINGS

feature

MAN WITHOUT COUNTRY


Director: Jennie Lyn Hamilton
Performance Value Compilation

A poetic and personal search for human


connection, Man Without Country shows
a vast and desolate landscape through the
eyes of an Alien Being.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 10:25 PM

MINI MAESTRO

shortfilm

documentary

narrative

MINOR SETBACK

Director: Augustine Frizzell

2016 Texas Filmmaker's Showcase


High school dropouts and BFFs, Jessie and
Angela come up with a brilliant excuse to
skip out on work so they can spend a day
at the beach. The pleasures of laying in the
sand, smokin fatties, and eating donuts
are so close they can almost taste them ...
until something unexpected goes down.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

Director: Cheryl Allison

Differently Abled Performers


Compilations

A MIRACLE OF HANUKKAH

The power of imagination as seen through


the eyes of a three year old boy.

Big D Mobile

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 2:30 PM

MINING THE MOTHER LODE

Director: ADI SPEKTOR

A man arrives home early from a business


trip to celebrate the first day of Hanukkah
and he finds a supernatural surprise.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

Director: H. Paul Moon

Re-inventing the Image

Combining cinematic western landscapes


with intimate poetry recitation, Mining the
Mother Lode is an agrarian dirge on wasted
resources, our culture of consumption, and
brokers who trade on our most precious
resource, water.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

MOLLY BLOOMS

Director: Elena Megalos

A Different Perspective Compilation


Molly, proprietress of a small flower shop,
makes three bouquets over the course of
her day, confronting a private experience
in the process. Story, artwork, and stopmotion animation by Elena Megalos.
Sound by David Scott. Music by Tim Or.
ANGELIKA FILM CENTER DALLAS
THEATER 7

experimental

animation

presentation

special program

music video

SATURDAY OCT. 22 - 8:45 PM

THIS MOMENT
Director: Sven D.

Big D Mobile Phone

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 8:45 PM

This Moment is a visual poem dedicated


to surfing and the search for that moment
when your body and soul become one
with nature.

MUSCLE

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 1:00 PM

On his first day on the job, a high school


algebra teacher mixes up his medications
to disastrous results.

AMANDA is married to CRAIG, a terminally


ill man. She has been by his side, bathing
and feeding him for the past seven years.
She cares for him day in and day out, the
weight of it all taking a toll on her life
and her marriage. But their marriage
was broken long before the disease and
those cracks have never gone away. Now,
frayed by a life in stasis Amanda realizes
its time to make a choice. A meeting with
a stranger becomes Amandas final chance
to regain her hope.

ANGELIKA FILM CENTER DALLAS


THEATER 7
SUNDAY OCT. 23 - 2:15 PM

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 5:45 PM

MORE THAN FOUR HOURS


Director: Bryan Poyse

2016 Texas Filmmaker's Showcase

MU

Director: Tom Ludwig

A Different Perspective Compilation


A meditation on impermanence inspired
by the destruction by fire of a neighbors
house and life expressed through personal/lyrical imagery and the thoughts and
poems of Ed Sanders.

A MIRACLE OF HANUKKAH

DIirector: Heidi Miami Marshall


Chick Flicks Short Block

ODDBALL

Director: Joshua Moore


On Film compilation

A creative profile on Stephen Parr, the

THIS MOMENT

SCREENINGS
SCREENINGS

feature

Oddball behind San Franciscos


Oddball Films.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 2:30 PM

ODE TO THE PORT

Director: Desiree Kapler

Differently Abled Performers


Compilations
A filmmaker recalls her experience
with childhood cancer and explores
the relevance of life, death, loss, and
survivorship.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 2:30 PM

OLD TABLE DANCIN IN HELL


(OFFICIAL MUSIC VIDEO)
Director: Tim Nicholas
Big D Mobile Phone

Official music video for Dancin in Hell by


Old Table. Shot in 120fps slow motion on
an iPhone 6S in a single take.
ANGELIKA FILM CENTER D.ALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

shortfilm

documentary

narrative

On Film
Submarine by Wenceslao Scyzoryk
Sweet Love by Stephen Crompton
Oddball by Joshua Moore
Cinerama

SATURDAY OCT. 22
ANGELIKA THEATER 7, 2:30 PM

OTHER PEOPLES FOOTAGE:


COPYRIGHT & FAIR USE

Directors: Diane E. Carson,


Robert Johnshon

This film explores critical questions around


fair use exemptions for art. It uses pre-existing footage, music and sound created by
others -- without permission or paying fees.
Through on-camera interviews with noted
documentarians, film and legal experts,
OPF also reviews relevant court cases and
tries to clarify legal issues regarding trademark, parody, and shooting on location or
in a controlled setting.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 1:00 PM

PALETA POWER

Director: Ruben Chang

Stories from the Edge Compilation


An Inspiring story about a single mother,
Rosa and her daughter Lily. Rosa makes
a living selling paletas and is in disbelief.
Lilys misfortune finally brings the

ODE TO THE PORT

experimental

animation

presentation

community in and pushes Rosas faith


against the establishment with a voting
campaign that brings community together,
overcoming adversity and defeating the
establishment.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 6:00 PM

PARAMETRIC

Director: Amila Kumarasinghe


Big D Mobile Phone

The endless needs of man have destroyed


nature and turned us blind to the fact that
humans are part of nature. If you were the
last person on earth, how would you ensure
your survival?
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

PEN

Director: Diego Rico & Carlos Corra


Stories from the Edge Compilation

Richard, a young college graduate, is


moving into his new apartment to begin his
life away from home. After speaking with
his brother over the phone, Richard recalls
an old girlfriend who also lives in the same
city. Before he can finish writing down the
phone number, Richard is interrupted by his
new neighbor Frankie, who invites him for
a bike ride.

special program

music video

(NOTHINGS WORSE)

Director: Gabriel Duran

2016 Texas Filmmaker's Showcase


Marco is determined to get to the U.S. and
be reunited with his wife and new baby. He
makes a deal with a local coyote and ends
up in the U.S., but he has no idea how he
got there. With a metal box attached to
his arm, he must find his way to his family.
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

Performance Value
A Drag Queen For Kids by Byron Karabatsos
The Prodigy by Richard Krall
Man Without Country by Jennie L Hamilton
The Last Night by Kent Juliff
Brinston: "Free AF by Sierra Sintic
Cold City Heaven by Donald Rubinstein
Rebel Skeletal by Mark Ridlin
SATURDAY OCT 22
ANGELIKA THEATER 2, 10:15 PM

ANGELIKA FILM CENTER DALLAS


THEATER 7
SUNDAY OCT. 23 - 6:00 PM

PEOR ES NADA

OTHER PEOPLE'S FOOTAGE

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

narrative

PIECE OF NAAN

Director: Rijaa Nadeem


Texas Show 2016 - Dallas

An outcast in Pakistan, Rafi is a transvestite


who earns a living through begging and
selling his body. He meets Nadia,
a member of the upper class forced
into prostitution by her indebted father.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 8:30 PM

The Power of Stories


Crystal Lake by Jennifer Reeder
Happy F-ing Valentine's Day
by Jeremy Dehn

The Adventures by Chuck Workman


Roadside Assistance by Bears Fonte
Yochi by Ilana Lapid
The Gabriella Order by Robert Bell
SATURDAY OCT. 22
ANGELIKA THEATER 3, 9:15 PM

PLEASE FORGIVE MY PAIN

Director: Sheldon Elias Schiffer


A Different Perspective Compilation

A father uses phone messages to earn


his sons love and attention, trying poetic
inspiration, bald emotional honesty,

PEOR ES NADA

FORGIVE MY PAIN

experimental

animation

presentation

and gut wrenching threats of mayhem to


reach a son who is afraid of his fathers
unstable mind.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 8:45 PM

PRIYANATH

Director: Anietie Antia-Obong


Chick Flicks

Six year-old Priyanath imagines himself


to be a superhero taking down imaginary
villains with his extraordinary powers. But
when he learns of a real danger near his
home, Priyanath must decide if hes actually
got what it takes to be a real life superhero.

special program

music video

PUSH PULL

Director: Edward Ramsay-Morin

Re-inventing the Image Compilations


Push Pull is a collage film created using
clips from the Prelinger Archives. It taps
footage from scientific films to explore
themes of power and control and combines
them to imply fragmented and distorted
physiologies and create spatial and psychological tension.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

QUAKER OATHS

Director: Louisiana Kreutz,

ANGELIKA FILM CENTER DALLAS


When Quakers get married, they ask every
THEATER 7
wedding guest to sign their marriage certif SATURDAY OCT. 22 - 5:45 PM

THE PRODIGY

Director: Richard Krall

Performance Value Compilation


A young female scientist creates a clone of
herself as she had always hoped to be seen
by the world.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 10:25 PM

QUAKER OATHS

icate. Its a sweet tradition that signifies the


importance of community. But when Joe
and Emily want to get divorced, that sweet
tradition creates an unexpected challenge:
now every guest must cross off their name
to make the split official. In this off-beat
comedy, our two would-be divorcees hit
the highway to track down friends and relatives, revisiting old feelings and discovering
new ones along the way.
ANGELIKA FILM CENTER DALLAS
THEATER 3
THURSDAY OCT. 20 - 9:00 PM

RANDOM ACCESS ARCHIVE

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

RAISING BERTIE

RASHAD RELEASED

Kartemquin 50th anniversary

Texas Show 2016 - Arlington

Director: Margaret Byrne

Raising Bertie is a longitudinal documentary feature following three young


African American boys over the course of
six years as they grow into adulthood in
Bertie County, a rural African American-led
community in Eastern North Carolina.
Through the intimate portrayal of these
boys, this powerful vrit film offers a rare
in-depth look at the issues facing America's
rural youth and the complex relationships
between generational poverty, educational
equity, and race. The evocative result is an
experience that encourages us to recognize the value and complexity in lives all
too often ignored.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SUNDAY OCT. 23 - 1:00 PM

RANDOM ACCESS
ARCHIVE NO. 1

Director: John Di Stefano


Re-inventing the Image

Random Access Archive No.1 is an ode


to structuralist filmmaking and to theories
of the gaze in cinema. Random Access
Archive No.1 uses gifs from varied and
random sources that have been assembled
in a perpetual montage process.

narrative

Director: Fatimah Films

Released from prison after 5 years, Rashad


Abdul-Walee seeks difficult challenges in
adjusting to the real world. Rashads biggest obstacle is gaining trust and respect
from his 4 children whom he fathered by
four different women. However, with faith,
love, and support by his family and religious values, he will continue to strive for a
new beginning. Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 8:30 PM

REBEL SKELETAL
Director: Mark Ridlen

Performance Value Compilation


A loving tribute to David Bowie and a few
of the different forms of mystical religions
he followed during the 1970s. Through the
dream lens of two of his young fans you too
will wonder - what is real and what is
imagined? Music by Lithium X-mas.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 10:25 PM

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 10:15 PM

ROADSIDE ASSISTANCE

experimental

animation

presentation

Re-inventing the Image


When You Awake By Jay Rosenblatt
Mining The Mother Lode By H. Paul Moon
Contigo By Dan Boord And Luis Valdovino
Random Access Archive No. 1
By John Di Stefano

So's Nephew By Remes

(Thanx To Michael Snow) By Jennifer Proctor

Push Pull By Edward Ramsay-Morin


Some Dark Place By Cecelia Condit
An Errand Of Hip And Chin By Richard Bailey
Electric Pilgrims By Van Mcelwee
A Long Way From Home By Jay Rosenblatt
Wintry Mix Ep Ii: Las Posadas
De Los Muertos By Mark Aaron Sharon
Long Departure By David Ellis
Dead Mall By Dustin Morrow
349 By Kristen Lauth Shaeffer
SATURDAY OCT 22
ANGELIKA THEATER 7, 10:15 PM

REMEMBERING TRACY HICKS


Director: Mark Birnbaum

Remembering Tracy Hicks is a short film


by award-winning Dallas filmmaker Mark
Birnbaum. The 35-minute film focuses on
a memorial and career retrospective of
artist Tracy Hicks which was held shortly
after Hicks death, and includes interviews
with those who were closest to him.
Filmmaker in Attendance

special program

music video

ROADSIDE ASSISTANCE
Director: Bears Fonte

The Power of Stories Compilation


A mysterious woman stranded by the
side of the road hitches a ride with a
passing stranger.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 9:15 PM

SPOTLIGHT SCREENING

ROOSTER TEETH

A pioneering Austin studio responsible


for some of the biggest online series in
history, such as the award-winning and
longest-running web series, Red vs. Blue.
Connected follows two people who give up
their smartphones, laptops and the internet
for 24 hours. Cast Member Blaine Gibson
in Attendance. Day 5, Episode 1, Waking
Nightmare, set in the aftermath of a fatal
sleep epidemic and encroaching apocalypse, fuses serial drama and thriller around
a human story of survival and redemption.
Co-creators Josh Flanagan and Chris
Demarais in Attendance.
roosterteeth.com
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 4:45 PM

ANGELIKA FILM CENTER DALLAS


THEATER 2
SUNDAY OCT. 23 - 7:15 PM

ROOSTER TEETH

SCREENINGS
SCREENINGS

feature

SACRED WATERS OF BALI


Director: Mara Alper

Plays with Ritual Beauty


Water is sacred in Bali and graces every
offering and ceremony and purifies each
prayer. This short entwines sensual images
with sounds to reveal rich Bali Hindu
traditions that endure in the modern day.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 8:00 PM

A SONG FOR DANNY


Director: Andrew Garbus
Texas Show 2016 - Austin

Danny, a jazz pianist in Austin, Texas gets


an offer to sign with a big recording label
in New York. Over the course of one
night, Danny must decide whats more
important, his career or his relationships
with those
he will have to leave behind.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 8:30 PM

A SONG FOR DANNY

shortfilm

documentary

narrative

SOS NEPHEW BY REMES


(THANX TO MICHAEL SNOW)
BY JORRIE PENN CROFT
Director: Jennifer Proctor

Re-inventing the Image Compilations


In collaboration with Justin Remes from
his essay, "Boundless Ontologies: Michael
Snow, Wittgenstein, and the Textual Film
and Michael Snows classic text-based film,
"So Is This," this video examines the nature
of the textual film on both theoretical and
formal levels.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

SOME DARK PLACE


Director: Cecelia Condit

Re-inventing the Image Compilations


In Some Dark Place, filmmaker Cecelia
Condit explores the dislocations of identity
and memory that aging forces upon us,
without losing sight of lifes beauty.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

experimental

animation

presentation

special program

SOUND AND TIME

SPIDER VEINS

2016 Texas Filmmaker's Showcase

Plays with Maid

Director: Angela & Mark Walley

Inspired by his sensitivity to sound at a very


young age, artist Justin Boyd has been
recording and working with sound and
music since the mid 90s. This film follows
Boyd as he captures field recordings and
integrates sound with found objects.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 2:15 PM

music video

Director: Frank Mosley


A mercurial narrative about the reunion of
two old friends. Loosely inspired by Ibsens
"A Dolls House."
ANGELIKA FILM CENTER DALLAS
THEATER 3
FRIDAY OCT. 21 - 9:45 PM

SPLIT DECISION

Director: Kel Davis

SPECTRATTA

Director: Susan Maughlin Wood


Big D Mobile

Spectratta, is a video companion to Sonatina for Violin and Piano Parallel Plaid,
in which time stretches and compresses in
ways that will be familiar to those affected
by Autism SD and ADHD/ADD. The film
seeks to celebrate the spectrum of
neurodiversity.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

SOUND AND TIME

Stories from the Edge Compilation


ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 6:00 PM

SPUNKLE

Director: Lisa Donato

Chick Flicks Short Block


A brother contemplates fatherhood when
his older sister and her free-spirited wife
ask him to be their sperm donor.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 5:45 PM

SPECTRATTA

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

narrative

STENOGRAPHY

STREETS OF A SCION

This is an experimental comedy using


poetry and prose and is inspired by events
in Germany in 1923 when right- and
left-wing revolutionaries fought for the
soul of Germany and the world. The
revolutionaries failed and their leaders
were imprisoned. The play opens with a
description of revolutionary circumstances
and concludes with an exchange of insults
between representatives of the political
left and right. That exchange of insults
is named in the text as flyting. The
dialogue of the revolutionaries and
language of a chorus of stenographers
and jailers is written in the Norse Song
Meter of Flyting of Loki from the Poetic
Edda. The dense faceted narrative is
intersected at intervals with a poem of
love describing the romantic triangle
between mind, words, and writing at
the origin of consciousness.

Award-winning graduate filmmaker Gabe


Duran is releasing a hood drama for his
latest film, Streets of a Scion. In Streets of
a Scion, a young man named Bobby loses
his father and moves into an unfamiliar
neighborhood. He tries to find himself
in Cee, a neighborhood thug.
Director in Attendance

Director: Lee Murray and David Smith

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 1:00 PM

Director: Gabriel Duran

ANGELIKA FILM CENTER DALLAS


THEATER 2
THURSDAY OCT. 20 - 9:15 PM

Stories from the Edge


Paleta Power by Ruben Chang
Little Match Girl by Carlos Arreola
PEN by Carlos Corral
Concealed by Dakota Ford
Baba Yaga by Cydney Cox
Split Decision by Kel Davis
SUNDAY OCT. 23
ANGELIKA THEATER 7, 6:00 PM

SWEET LOVE

Director: Stephen Crompton


On Film Compilations

From a sprawling Florida retirement community, entertainment producer Alvin Bojar


recounts his brief foray into softcore porn
production in the early 1970s.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 2:30 PM

STREETS OF SCION

experimental

animation

presentation

SYZYGY QUARTET

Director: Stephen Crompton


SYZYGY is the name of the Meadows
New Music Ensemble, directed by Dr.
Lane Harder. It performs the music of
living composers, creating high-quality
encounters with new music that is
innovative, engaging, and relevant
to a diverse audience.

TEMPLE SHALOM SOFTBALL:


THE FIRST INNING
Director: Randy Kramen

This parody of Ken Burns Baseball


chronicles the 40-year history of a mens
recreational softball league. Narration by
MLB Hall-of-Fame radio announcer Eric
Nadel and Brad Sham, radio voice of the
Dallas Cowboys. Ringers, rivals, replicas of
iconic baseball moments, and mustached
reenactments bring the color and comedy
of this storied league to life. The First
Inning charts the origins of the league:
From its roots as a parking lot pickup
game to its schoolyard-style draft and the
evolution of the first Editor: Stephanie
Palewski player evaluations.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SUNDAY OCT. 23 - 1:00 P

TEMPLE SHALOM

special program

music video

TEXAS SHOW 2016


GUILLO

Director: Abigail Hagan

CONTROL ROOM

Director: Calvin Herbst

PIECE OF NAAN

Director: Rijaa Nadeem

ANA

Director: Lizzette Barrera Austin

RASHAD RELEASED

Director: Fatimah Films

DIVIDED TOGETHER AGAIN


Director: Christian Vasquez

THREAD

Director: Eric Clapp

WAKINYAN
A SONG FOR DANNY

Director: Andrew Garbus

SCREENINGS
SCREENINGS

feature

Texas Filmmaker's Showcase


Breakfast inBed

by Payton Thropp - Conroe, TX

Hit & Run

byJason Neulander - Austin, TX

Jackdaw

byTravis Champagne - The Woodlands, TX

Jenny & Tom

by Ford Gunter - Houston, TX

Minor Setback

by Augustine Frizzell- Dallas, TX

More ThanFour Hours

by Bryan Poyser - Austin, TX

Peor Es Nada

by Gabriel Duran - Arlington, TX

Sound and Time

by Angela and Mark Walley - San Antonio, TX

SUNDAY OCT 23
ANGELIKA THEATER 7, 2:15 PM

THREAD

shortfilm

documentary

narrative

TICK, TICK, TICK WITH 60


MINUTES EDITOR
Stephanie Palewski offers an inside look
into the respected and award-winning
television news magazine, 60 Minutes,
now in its 49th season. Ms. Palewski, 60
Minutes editor for the last 17 years, will
explain and demonstrate how a 60 Minutes story is created from concept to
broadcast. This is a rare opportunity to see
what it takes to produce the program that
is regarded as the gold standard of network
journalism.
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 7:00 PM

TITO

Director: Yes Men

Director: Eric Clapp

Ritual Beauty Compilation

Director in Attendance

Catching Up with the Yes Men, Snowden


and Julian. A collaboration with Native
Comedian Tito Ybarra.

Texas Show 2016 - Fort Worth


ANGELIKA FILM CENTER DALLAS
THEATER 2
SUNDAY OCT. 23 - 8:30 PM

TICK, TICK WITH 60 MIN

ANGELIKA FILM CENTER DALLAS


THEATER 3
SUNDAY OCT. 23 - 8:00 PM

TRACKTOWN

experimental

animation

presentation

TRACKTOWN

Director: Jeremy Teicher


and Alexi Pappas

special program

music video

TWO LANDSCAPES

Director: Neil Needleman

A Different Perspective Compilation

TRACKTOWN stars Alexi Pappas, co-writer/


co-director, an actress and elite athlete
who competed in the 2016 Rio Olympics.
Filmmaker in Attendance

A clash between the landscape the eye


perceives and the one thats deeply
embedded in the mind. Starring Herb
Rogoff as the artist.

ANGELIKA FILM CENTER DALLAS


THEATER 2
SUNDAY OCT. 23 - 2:45 PM

ANGELIKA FILM CENTER DALLAS


THEATER 7
SATURDAY OCT. 22 - 8:45 PM

THE TRIALS OF
MUHAMMAD ALI

TWO TRAINS RUNNIN

Director: Bill Siegel

Kartemquin 50 Year Celebration


The Trials of Muhammad Ali covers the
explosive crossroads of Alis life. When
Cassius Clay becomes Muhammad Ali, his
conversion to Islam and refusal to serve
in the Vietnam War leave him banned
from boxing and facing a five-year prison
sentence. Alis choice of belief and conscience over fame and fortune resonates
far beyond the boxing ring, striking issues
of race, faith and identity that continue to
confront us all today.
ANGELIKA FILM CENTER DALLAS
THEATER 3
FRIDAY OCT. 21 - 7:00 PM

Director: Sam Pollard

Mississippi was a dangerous place in the


summer of 1964, when hundreds of college
students traveled south to challenge the
Ku Klux Klan and a violent police force.
Against this backdrop, two groups of young
menneither aware of the otheralso
headed to Mississippi on a mission to find
two forgotten blues singers and bring them
out of retirement. In this searing documentary, Sam Pollard explores the Freedom
Summer in Mississippi and the captivating
hunt for the musicians, Son House and Skip
James -- two campaigns that collided in
tragic fashion. Narrated by Common, and
featuring new music by Buddy Guy, Gary
Clark Jr., Lucinda Williams, and others,
TWO TRAINS RUNNIN is a must-see film
about hot-button issuespolice brutality,
racism, civil rights, and the legacy of black
musicthat are as urgent today as they
were in 1964.
ANGELIKA FILM CENTER DALLAS
THEATER 2
FRIDAY OCT. 21 - 9:30 PM

TWO TRAINS RUNNIN

SCREENINGS
SCREENINGS

feature

UNBROKEN GLASS
Director: Dinesh Sabu

Kartemquin 50 Year Celebration


When he was six-years-old, Dinesh Sabus
parents died. Raised by his siblings, he had
little idea who his parents were or where he
came from. Now as an adult, Dinesh sets
out on a journey to piece together their
story. Uncovering a silenced family history
and disturbing truths, Dinesh and his
siblings must reconcile themselves with the
past and confront the trauma of losing their
parents and the specter of mental illness.
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 4:45 PM

UNDERTOW

Director: Shelly Brandon


Chick Flicks Short Block

A visual and emotional journey through


one womans experience with depression.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 5:45 PM

UNBROKEN GLASS

shortfilm

documentary

narrative

VR FROM NYT

Director: Doug Latino


The New York Times has taken aggressive
steps in confronting the new world and
opportunities of the new digital news landscape. First by creating a new way to think
about video and journalism with Op- Docs,
and then moving into the world of Virtual
Reality. VR, is often used for visceral thrills
like a roller coaster, but the Times vision
puts you into the world where news is
happening in an unprecedented way. They
took the extraordinary step of sending a
player to every NYT subscriber. Doug Latino who has been working closely with this
and other moves into the digital word, will
tell you why and how the paper has done
it. Also, shows what they have learned
what works and what does not work. VR is
all the buzz now but we are still waiting to
learn what the visual language is. Doug will
tell us all about it
ANGELIKA FILM CENTER DALLAS
THEATER 2
SATURDAY OCT. 22 - 9:00 PM

VR FROM NYT

experimental

animation

presentation

WAKE UP

Director: Wes Sutton


Big D Mobile Phone

A man wakes up to a new job and a perfect


day with his family, but all may not be as it
seems. Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 1:00 PM

WAKINYAN

Texas Show 2016 - Arlington

special program

music video

WFAA/SMU PROGRAM

How the News Got Made:


A Rare Look at SMU's WFAA Newsfilm
and a Conversation with
the People who Created It

Presenter: Jeremy Spacklen

Discover how the news was captured and


shared in the days before the internet and
24-hour news networks. A panel of notable
WFAA staff, including on screen personalities and behind the scenes personnel,
present clips and share stories of how news
was gathered in the 1960s and 1970s.
Director in Attendance

Wakinyan is a Lakota word meaning thunder, or thunder spirit. The language is one
used by native people of the American
Great Plains.

ANGELIKA FILM CENTER DALLAS


THEATER 3
SATURDAY OCT. 22 - 5:15 PM

I chose Wakinyan as the title of this short


film because it describes one of the
few things that still exists on the Plains
unaltered by man. It has always existed,
and will hopefully - remain unchanged.
Wakinyan offers a glimpse into a pristine,
natural world displayed on a canvas as big
as the sky.

WHEN YOU AWAKE

ANGELIKA FILM CENTER DALLAS


THEATER 2
SUNDAY OCT. 23 - 8:30 PM

Director: Jay Rosenblatt

Re-inventing the Image Compilation


The mind is like an iceberg, it floats with
one-seventh of its bulk above water.
Sigmund Freud
An unscientific study of what happens when
two people are hypnotized leading into an
exhilarating journey into the unconscious
mind (the repository for fears, desires,
aggression, dreams) where all the images,
sounds and music are from found footage.
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

WAKE UP

WFAA/SMU PROGRAM

SCREENINGS
SCREENINGS

feature

shortfilm

documentary

narrative

WHERES I.W. ABEL?

WIKILEAKS V6.1

Kartemquin 50 Year Celebration


Plays with The Trials of Muhammad Ali

Re-inventing the Image Compilation

Director: Gordon Quinn

Made by Kartemquin and a rank-and-file


steel workers caucus, the film documents
the opposition of the rank-and-file to the
no-strike agreement between Steelworkers
President I.W. Abel and the ten major steel
companies, made without a vote by the
membership of the union.
ANGELIKA FILM CENTER DALLAS
THEATER 3
FRIDAY OCT. 21 - 7:00 PM

WHITE CANE

Director: Katie McCullough


Differently Abled Performers
Compilation

Vanessa, a passionate would-be dancer who is is blind and develops a deep


friendship with Danielle, who struggles to
translate her love of dance into movement.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 2:30 PM

WINTRY MIX EP II: LAS


POSADAS DE LOS MUERTOS
Director: Mark Aaron Sharon

Re-inventing the Image Compilation

Director: Yes Men

Catching Up with the Yes Men, Snowden


and Julian
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 8:00 PM

Ritual Beauty/Yes Men


Candle Light Vigil by Mark Birnbaum
Huan Nuo Yuan by Thomas Riccio
Sacred Waters of Bali by Mara Alper
SUNDAY OCT 23
ANGELIKA THEATER 3, 8:00PM

YOCHI (WORK IN PROGRESS)


Director: Ilana Lapid

The Power of Stories Compilation


Yochi, an 8 year-old selectively mute Mayan
boy, guards a nest of yellow-headed parrot
chicks on sacred land entrusted to him by
his grandfather, only to discover that his
beloved older brother is poaching birds in
order to pay his debts.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SATURDAY OCT. 22 - 9:15 PM

The singing always brings him back. The


most joyous time of year for most, but
for ramiro, the posadas (mexican carols)
remind him of a costly mistake.
Director in Attendance
ANGELIKA FILM CENTER DALLAS
THEATER 7
SATURDAY OCT. 22 - 10:15 PM

WIKILEAKS V6.1
Tito by
Edward Snowden and The Yes Men

WHITE CANE

EDWARD SNOWDEN
AND THE YES MEN
Director: Yes Men

Catching Up with the Yes Men,


Snowden and Julian.
ANGELIKA FILM CENTER DALLAS
THEATER 3
SUNDAY OCT. 23 - 8:00 PM

ESSAY

A BEACON
IN THE SWAMP
BY KIRSTEN BASQUEZ

inema began as documentary :


Muybridges horse, Edisons sneeze,
The Lumiere Brothers train. They
all transcribed mundane phenomena
onto celluloid via radical technologies,
introducing a new kind of wonder to the
world. Nearly a century and a half later,
the cinema is in a delicate state. Although
it could also be said that the cinema
perpetually exists in delicacy, as echoed
by Louis Lumiere who declared in 1895 :
the cinema is an invention without
a future.
In these times, moving-images bombard
an eye within its first few morning blinks.
Cinema attendance is on a seemingly
irreversible decline, as the consumption of
movies has evolved in ways inconceivable
generations prior, away from the movie
houses. There is no need to seek an image,
the image comes to you. Young eyes are
often ill-equipped to critically evaluate
moving-images that dazzle before them
in ultra high definition, to discern reality
from a construction of reality. These days,
people make their own films, about their
own lives, in real time, that beam directly to
the phones of friends and strangers, films
that often disappear within twenty four

hours and leave no (visible) record of


having ever existed, as is their intent.
Its become commonplace to find paidposts, advertisements in camouflage,
amongst the most esteemed newspaper
columns. News industries have been
forced to adjust to the rapid evolution of
consumption, or else risk extinction. These
advertisements often go undetected and
are consumed as journalism. As a result,
the world is flooded with more images
than ever whose immediate goal is to
sell, or sway, under the guise of news and
documentary. In this swamp of content,
how do we, as a viewership, declare whats
worth watching and what isnt? Today, all
images exist on an even plane. This equal
plane is essential to the full, but still far
away, democratization of filmmaking but for
now acts like a forest fire beyond control,
which begs the question : Whose role is
it to shape the wildfire and chart the
fresh ash?
Kartemquin Films was founded in 1966
by Chicagoan college filmmakers amidst
national unrest. Emerging a generation
after the pioneering work of Richard
Leacock, Robert Drew, and the Maysles
brothers, a primary goal of the filmmaking

collective is to confront social maladies


through documentary cinema. By
reflecting life back at itself, their aim
is to motivate social change through the
stories of everyday people, told with an
approach that illuminates dimensions
of the issues often buried by traditional
news media. The work of Kartemquin
Films enables viewers to sit with the
paradoxes, ambiguities, and disorientations
that constitute the core of sociopolitical
problems. By framing national issues within
the lives of ordinary individuals a deeper
consideration is felt by viewers for people
far away from their own experience, rather
than the thin takeaways too often left by
commercial documentaries, cable news
programs, and reality television shows. For
an individual to see slivers of themselves
in the jovial face of a nun, in the trek of
a twenty first century immigrant, or in a
boy navigating his basketball dreams is
to essentially expand the definition of
what it means to be human. Empathy
drives the work at Kartemquin Films,
which is made with a level of integrity and
transparency absent from most media.
Good documentaries invite accountability,
scrutiny, and engagement, they ask
viewers to accompany the filmmakers

as they engage with complex problems


that hold no clear answers. For fifty years,
Kartemquin Films has made documentaries
that paint a portrait of America as seen by
artists who care deeply for their subjects
and follow the story wherever it goes.
The wonder born from moving-images is
as present as ever, but is easily corrupted
by moving-images that seek not to
engage, but to sell, or contain, under
the costume of convention. Corporate
news giants have deemed irrelevant the
evanescent moments of life that shape
our experiences. Make no mistake, these
practices, and willful omissions, are not
benign, they encourage division and have
real impact on the direction of communities
and on the direction of nations. There
are not enough incentives for students
of today to aspire to make films outside
of this system which is precisely why
Kartemquin Films, and organizations
alike, are crucial for the continuation of
nonfiction filmmaking, the acceleration
of social change , and for the assurance
that the Lumiere train will roll towards new
centuries. Kartemquin films is a beacon
in the swamp.

ESSAY

HOOP DREAMS FROM


THE CURRENT GENERATION

RACHEL KITE

NOAH BROOKS

Hoop Dreamsis a gripping film that


became less about basketball and more
about poverty and unequalopportunity
within the United States. It unveils
majorsocial issues that are occurring
in lower economic communitiesby
introducing the audience totwo young
men who encounter struggle, success,
and heartbreak. Personally, this film furthers
the discussion of injustice, which persistsin
our country. WatcingHoop Dreamswill
open your mind as well as your heart to
changes that must happen in order to
further our country for the better.

As a story about basketball, Steve James


Hoop Dreams is a fascinating look into a
world that an audience might not think
about when theyre watching their favorite
NBA star take the floor. It shows how youth
develop (or sometimes dont) from their
hoop dreams in the inner-city basketball
court to the big leagues of private high
school ball.

NICK ASKAM
Sometimes its easy to forget that sports
athletes are people, too. Steve James does
the exact opposite by using parallelism
to show the different lives between two
boys who grew up in the same area with
one minor difference, their education.
William Gates is a rising star who gets a
private education with the best facilities,
while Arthur Agee suffers hardship in his
first year and remains in public school
for the rest of the education. Gates has
all the opportunities in the world and all
of the medical help that he needs. Agee
barely gets enough education to graduate.
James shows the boys main problems in
a nuanced way. Gates has everything but
cant get away from Isiah Thomas shadow
(an NBA star). The pressure to be great
stifles any growth for him and eventually
the game takes its toll. Agee has nothing
but finds the escapes his situation through
basketball and his home life eats away
at him. James captivates his audience by
showing this human story and gives the
varying perspectives of their lives without
feeling heavy handed. Overall, James does
a great job creating more than a sports
story; he creates a human story.

More than that, Hoop Dreams examines


in detail the culture and economics of
private schools versus public schools,
how some schools take advantage of an
athletes situation, while other athletes take
advantage of the school to better their own
situation. James pulls no punches, but he
presents both sides to the argument.
But what truly separates Hoop Dreams from
a very good ESPN 30 for 30 documentary
is the humanity, the heart, and the reality
of the film. James shows the films two
subjects, William Gates and Arthur Agee,
as complete people who experience ups,
downs, struggles, and triumphs. The film
offers understanding when Gates becomes
a father while in high school and sympathy
when Agees mother can no longer afford
to pay the electric bill. The audience
experiences the glee when both are
receiving interest and money from colleges,
as well as the heartbreak when they have
suffered injuries and tough losses.
Hoop Dreams is essentially a human story,
not just a sports story or a social story.
You get invested in both Gates and Agee
and their families. That is what makes
Hoop Dreams not only one of the greatest
documentaries ever made, but also one of
the greatest films ever made.

SCHEDULE
dallas performance hall
texas theatre
angelika 2
angelika 3
angelika 7

Dallas Videofest | Dallas Videofest | --

18
T U E S
Dallas Performance Hall
7PM

Sunrise

7PM

8:00 PM
8PM

8PM

9PM

9PM

10PM

10PM

11PM

11PM

12AM

12AM

19
W E D
Texas Theatre

7PM

7PM

Rebirth of
a Nation
8PM

9PM

7:00 PM

8PM

9PM

10PM

10PM

11PM

11PM

12AM

12AM

Schedule | --

SCHEDULE

20
T H U R

Angelika 2

Angelika 3

7PM

8PM

7PM

Blur Circle

Chika the
Ghetto Dog

7 PM
8PM

Last Laugh

Q&A

7 PM
9PM

Quaker Oathes
Q&A
WIFD

Streets of a Scion
10PM

9:15 PM

9 PM

9PM

10PM

Q&A

Q&A
11PM

11PM

12AM

12AM

21
F
Angelika 2
7PM

Left on Pearl
7 PM

8PM

I
Angelika 3
7PM

The Trials of
Muhammad Ali
7 PM

9PM

10PM

Q&A

8PM

9PM

Two Trains Runnin'


9:30 PM

Maid

10PM

9:45 PM

11PM

11PM

12AM

12AM

22
S
Angelika 2
1PM

Angelika 3

Angelika 7

Hoop Dreams

Big D Mobile

Stenography

1 PM

1 PM

1 PM

2PM

2PM

Differently Abled
Performers

3PM

2:30 PM
4PM

5PM

The Art of
Directing Capra
3:45 PM

Rooster Teeth
4:45 PM

6PM

7PM

8PM

Q&A

Tick, Tick,Tick
with 60 Min
7 PM

VR from NYT

11PM

12AM

1AM

9 PM

Performance
Value Comp

How the News


got Made
5:15 PM

11:30 PM

2:30 PM

3PM

Hardy

4PM

3:45 PM
5PM

Chick Flicks

6PM

5:45 PM
7PM

Greetings From
Amarillo

8PM

7:15 PM

The Power
of Stories

A Different
Perspective
8:45 PM

9:15 PM

Re-inventing the
Image Comp

10:15 PM

The Love Witch

On Film Comp

Q&A

9PM

10PM

1PM

Cambodia Space
Project

9PM

10PM

11PM

10:15 PM
12AM

11:15 PM
1AM

SCHEDULE

23
S U N

Angelika 2
1PM

Siggraph

Other People
Footage

1 PM

Angelika 7
1PM

Temple Shalom
Sacred Waters
1 PM

1 PM

2PM

3PM

Angelika 3

2PM

Texas Filmmakers
Showcase

Tracktown

2:15 PM

Burden

2:45 PM

3 PM

4PM

3PM

Q&A
4PM

Boy on a Train
5PM

6PM

Full Court
The Spencer
Haywood Story
5 PM

Black History
Remembering Tracy

9PM

4:45 PM

Q&A

7PM

8PM

Unbroken Glass

6:45 PM

7:15 PM

Texas Show
8:30 PM

Ritual Beauty
Catching
Yes Men
8 PM

4:15 PM

5PM

Q&A

Stories from
the Edge
6 PM
Big Secret
7:30 PM

6PM

7PM

8PM

9PM

10PM

10PM

11PM

11PM

12AM

12AM

1AM

1AM

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remembering

Tracy Hicks
A FILM BY
MARK BIRNBAUM
Executive Producer
Ronald L. Siebler

His heart, his

intelligence, his
production was
always true to his
wanting to show
how we as a people
can improve.
KEVIN VOGEL

WORLD PREMIERE:
DALLAS VIDEOFEST

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