Evolutionary ancestry has hard-wired humans to have affective responses for cert

ain patterns and traits. These predispositions lend themselves to responses when
looking at certain visual arts as well. Identification of subject matter is the
first step in understanding the visual image. Being presented with a visual sti
muli creates initial confusion. Being able to comprehend a figure and background
creates closure and triggers the pleasure centers of the brain by remedying the
confusion. Once an image is identified, meaning can be created by accessing mem
ory relative to the visual stimuli and associating personal memories with what i
s being viewed.[4]
Other methods of stimulating initial interest that can lead to emotion involves
pattern recognition. Symmetry is often found in works of art, and the human brai
n unconsciously searches for symmetry for a number of reasons. Potential predato
rs were bilaterally symmetrical, as were potential prey. Bilateral symmetry also
exists in humans, and a healthy human is typically symmetrical. This attraction
to symmetry was therefore advantageous, as it helped humans recognize danger, f
ood, and mates. Art containing symmetry therefore is typically approached and po
sitively valenced to humans.[4]
Another example is to observe paintings or photographs of bright, open landscape
s that often evoke a feeling of beauty, relaxation, or happiness. This connectio
n to pleasant emotions exists because it was advantageous to humans before today
's society to be able to see far into the distance in a brightly lit vista. Simi
larly, visual images that are dark and/or obscure typically elicit emotions of a
nxiety and fear. This is because an impeded visual field is disadvantageous for
a human to be able to defend itself.[5]