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Did you know that caffeine is found in almost every commercial fat burning
supplement?
Theres a good reason for that caffeine is one of the very few natural
substances that have actually been proven to aid fat burning.
Several studies show that caffeine can boost the metabolic rate by 3-11%
(10, 11).
Other studies show that caffeine can specifically increase the burning of fat, by
as much as 10% in obese individuals and 29% in lean people (12).
However, it is possible that these effects will diminish in long-term coffee drinkers.
Bottom Line: Several studies show that caffeine can increase fat burning in the
body and boost the metabolic rate.
Listen, listen, listen. The more old-school, the better. The Ultimate
Jazz Archive set is an overwhelmingly great place to start.
Count of the 8s. Figure out the structure, when the breaks happen. See if you
can anticipate whats coming next.
Listen emotionally. Try to hear the attitude of the song. Dance in your
imagination. Visualize the movement youd want to do based on the mood of
the tune.
When you find a song you like, dig up a few more versions of it and compare.
Hear the nuances, the different tempos or instruments. Listen for new ideas
the band has added to the song.
2.) Re-watch videos and break stuff down. Hit up YouTube and search
out your favorite dancers and events.
You can get great ideas from videos of people social dancing. The simplest ideas are
often the best ones to implement. Maybe you havent tagged suzy-qs onto a sidepass before, but it seems easy. Give it a shot with an imaginary follow a couple of
times, then try it next time you dance.
You can learn all of these directly from video:
Big Apple
Tranky Doo
3.) Keep a dance notebook. Write down your favorite dance moments from
each event or dance night you go to. Look back on them when youre feeling
bummed about dancing.
When you go to a workshop weekend, write down 2 or 3 things you learned when
the weekend is over. If you write down everything from every class, youll never
return to it. Spend your time right after class repeating the material so its in your
body for good.
4.) Do all the solo jazz you know over and over and over, get really bored
with it, then keep doing it.
Learn solo choreography from videos. Take one move, say the Suzie Q, and try out
every possible variation to it. Try these:
Change the level of your body. Bend down low and stand up straight.
Figure out what to do with your arms, your head, your expression.
Do all this while listening to music at different tempos. This will make sure youre on
beat and give you new musical ideas.
Whatever you do, keep in shape. Even after dancing over 5 years, I still get excited
and dance most of the songs at weekend workshops.
6.) Dance all the time at home. If youre cooking, listen to some jazz and
start dancing. Dance a phrase, stir pasta, dance a phrase, make some green beans. I
mean, who doesnt like dancing in the kitchen?
7.) Learn an instrument. The kazoo is a great one. Pick it up and start
1.
2.
Target group
Indicate the target learning group, for example, undergraduates, postgraduates, executive.
3.
4.
Teaching strategy
Describe how the case may be used in class. For example, suggest trigger questions to open
the case discussion; offer ideas for group work; suggest how learning can be consolidated at
the end of the case session, and so on. This section will generally reflect your own teaching
style.
5.
6.
Analysis of data
If the case contains quantitative data for analysis it can be helpful if the results of essential
number crunching are provided in the teaching note. Teachers can use this to check their
own calculations.
7.
Background reading
Provide references to relevant supplementary material on the case or related issues. You
may also provide information on what happened next, something students are usually keen
to know.
8.
9.
Multimedia
Include links to video and audio clips that are relevant to the case.
References
Heath, J (2015), Teaching and Writing Cases: A practical guide (The Case Centre) ISBN 978-0907815-04-4
Leenders, M R and Erskine, J A (1989), Case Research: The Case Writing Process (The
University of Western Ontario) ISBN 0-7714-1045-X
Reynolds, J I, Case Method in Management Development (International Labour Office)
https://www.thecasecentre.org/educators/submitcases/guidance/teachi
ngnotes
https://www.thecasecentre.org/educators/submitcases/guidance/teachi
ngnotes
1.) Listen, listen, listen. The more old-school, the better. The Ultimate Jazz
Archive set is an overwhelmingly great place to start.
Count of the 8s. Figure out the structure, when the breaks happen. See if you
can anticipate whats coming next.
Listen emotionally. Try to hear the attitude of the song. Dance in your
imagination. Visualize the movement youd want to do based on the mood of
the tune.
When you find a song you like, dig up a few more versions of it and compare.
Hear the nuances, the different tempos or instruments. Listen for new ideas
the band has added to the song.
2.) Re-watch videos and break stuff down. Hit up YouTube and search
out your favorite dancers and events.
You can get great ideas from videos of people social dancing. The simplest ideas are
often the best ones to implement. Maybe you havent tagged suzy-qs onto a sidepass before, but it seems easy. Give it a shot with an imaginary follow a couple of
times, then try it next time you dance.
You can learn all of these directly from video:
Big Apple
Tranky Doo
3.) Keep a dance notebook. Write down your favorite dance moments from
each event or dance night you go to. Look back on them when youre feeling
bummed about dancing.
When you go to a workshop weekend, write down 2 or 3 things you learned when
the weekend is over. If you write down everything from every class, youll never
return to it. Spend your time right after class repeating the material so its in your
body for good.
4.) Do all the solo jazz you know over and over and over, get really bored
with it, then keep doing it.
Learn solo choreography from videos. Take one move, say the Suzie Q, and try out
every possible variation to it. Try these:
Change the level of your body. Bend down low and stand up straight.
Figure out what to do with your arms, your head, your expression.
Do all this while listening to music at different tempos. This will make sure youre on
beat and give you new musical ideas.
6.) Dance all the time at home. If youre cooking, listen to some jazz and
start dancing. Dance a phrase, stir pasta, dance a phrase, make some green beans. I
mean, who doesnt like dancing in the kitchen?
7.) Learn an instrument. The kazoo is a great one. Pick it up and start
FOR MORE
1.) Listen, listen, listen. The more old-school, the better. The Ultimate Jazz
Archive set is an overwhelmingly great place to start.
Do several types of listening:
Count of the 8s. Figure out the structure, when the breaks happen. See if you
can anticipate whats coming next.
Listen emotionally. Try to hear the attitude of the song. Dance in your
imagination. Visualize the movement youd want to do based on the mood of
the tune.
When you find a song you like, dig up a few more versions of it and compare.
Hear the nuances, the different tempos or instruments. Listen for new ideas
the band has added to the song.
2.) Re-watch videos and break stuff down. Hit up YouTube and search
out your favorite dancers and events.
You can get great ideas from videos of people social dancing. The simplest ideas are
often the best ones to implement. Maybe you havent tagged suzy-qs onto a sidepass before, but it seems easy. Give it a shot with an imaginary follow a couple of
times, then try it next time you dance.
You can learn all of these directly from video:
Big Apple
Tranky Doo
3.) Keep a dance notebook. Write down your favorite dance moments from
each event or dance night you go to. Look back on them when youre feeling
bummed about dancing.
When you go to a workshop weekend, write down 2 or 3 things you learned when
the weekend is over. If you write down everything from every class, youll never
return to it. Spend your time right after class repeating the material so its in your
body for good.
4.) Do all the solo jazz you know over and over and over, get really bored
with it, then keep doing it.
Learn solo choreography from videos. Take one move, say the Suzie Q, and try out
every possible variation to it. Try these:
Change the level of your body. Bend down low and stand up straight.
Figure out what to do with your arms, your head, your expression.
Do all this while listening to music at different tempos. This will make sure youre on
beat and give you new musical ideas.
6.) Dance all the time at home. If youre cooking, listen to some jazz and
start dancing. Dance a phrase, stir pasta, dance a phrase, make some green beans. I
mean, who doesnt like dancing in the kitchen?
7.) Learn an instrument. The kazoo is a great one. Pick it up and start