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Mr.
Jimin Son
16/3/19
What role does Death play in the book as the narrator?
The novel, The Book Thief, written by Markus Zusak, opens in a very
unique way; the narrator, Death, starts the novel ominously by stating the fact that
you are going to die. Most of the time, Death does not take too much notice of the
lives of humans, however he takes an interest in Liesel Memingers story, as he
believes that it is one of a handful of beautiful stories he possesses. Death first notices
Liesel on a train with her mother and brother, where her brother dies during the
journey. The rest of the novel is his narration of the succeeding years of the life of the
nine year old German girl Liesel, who lives with her foster parents, the Hubermanns,
in a small town of Molching, Germany, during the Nazi Regime from 1939. Death, as
the narrator, provides a different aspect of the book; although Death is a first person
narrator, he makes it seem like a third person narration through the perspective of
Liesel. Furthermore, Death allows the readers to feel closer to the unique perspective
of World War 2 as he plays a role of taking souls of dead people. By providing
humorous, informative and dark asides, he takes a different approach into providing
relevant background information and stories about key characters. Thus, Death
narrates the book in a unique, omniscient perspective.
Zusak uses Death as the narrator in order to provide the story of Liesel and the
people she loves and loses during World War 2, in addition to snapshots of the events
occurring. Death mentions that he is not the cause of death, but simply a result
(Zusak 2.3); thus, its important to note that Death plays a role as witnessing the
people die and in turn taking their souls away. For example, when Liesels brother
died in the train, Death extracted his soul and then picked him up originally, the
spirit soft and cold like ice cream. By applying simile, Death provides the story of
how he took Liesels brothers soul by comparing the spirit to the temperature of ice
cream. However, the death of Liesels brother is only a start. As the novel continues,
everyone that has a connection with Liesel, faces Death; starting from the death of her
brother, it continues to the demise of her foster parents, the death of both Ilsa
Hermann and Frau Holtzapfel sons, and the demise of everyone on Himmel Street in
the end of the story. Thus, Death as the narrator was always there to take the souls of
Liesels loved ones; hence, playing as a symbol of tragic loss of different individuals
throughout the book, which strengthened the gloominess of the historical situation
during World War 2, and the pain Jews like Max had to go through. Furthermore, in
order to relate Liesels story to the readers, Death explains the death happening in
other parts of Germany, Poland, and Russia during World War 2, providing details of
the context occurring throughout the book. Hence, Zusak approaches the readers
differently by creating an unique perspective of death occurring during the historical
period; instead of using a third-person narrator, Death is able to weave the deaths of
Liesels beloved ones as part of the story. Hence, Death plays a role as both the
narrator and character, as he weaves the novel.
The second role Death plays throughout the book is provoking curiosity in the
readers mind by applying foreshadowing into different situations, provoking a
different sense of what will happen. Foreshadowing also provides humor, as when
Death skips around the storys timeline, he apologizes for giving parts of the story
away. From the prologue, Death foreshadows the demise of Himmel street as A
packet of souls were glued down where there will be hurled bombs, thrown down by
fatigued, and haunted by humans of what they do to each other; thus, providing a
frank view. In summary, it is evident that Death has contributed as both a strong
symbol and a clairvoyant view towards the outside world during the World War 2.
{Word Count: 1336}