Escolar Documentos
Profissional Documentos
Cultura Documentos
MS
MS
MS
MS
MS
-MS
MS
MS
-MS
MS
-MS
MS
-MS
MS
MS
-MS
-MS
-MS
-MS
-MS
MS
ISH
!*+
Sf++
+
qK
Monotype
****
Sf+Sf+Sf+Sf+Sf*I**8f+Sf+-
MS
MS
-MS
-MS
MS
-MS
-MS
-MS
-MS
Specimen "Book
of
Type Faces
Sf+*
Uf+>
Sf+-
MS
S4+*
-MS
-MS
-MS
-MS
-MS
-MB
-MS
-MS
S++Sf*Uf+Sf+lf+Sf+U++-
MS
-MS
MS
Iff*-
MS
8f+K++-
-MS
-MS
-MS
MS
MS
MS
-MS
MS
-MS
MS
-MS
MS
MS
MS
-MS
MS
MS
MS
MS
MS
HI
Ml
MS
U+++
Sf+-
-MS
Uf+8f+-
*
f+-
Sf+-
*
8f+-
-Ml
Mil
MS
MS
H
MS
HI
Ml
Ml
H
MM
Ml
Sf+-
^Philadelphia
MS
MS
Uf+-
Bf+S++-
-+4s
MS
Ml
Ml
Ml
MJ
^?f???f?fffff???ffffffffff?fffffffff?ffffff?f^^
8f++
i:++
Introduction
to
1922
BOOK
YOUR
'
' '
'
men Book?
Among the new specimens we send you with this revised "Table of Contents" you may find just the face for
which you have been looking. You use type-faces to
make money; there may be money for you in these new
Look them
faces.
over:
this
book
is
classified
MODERNS
OLD STYLES
PLATE-GOTHICS
64
FAMILY
ANTIQUES
FIGURES
TITLES
TEXTS
TYPEWRITER
SIGNS
LEADERS, DASHES, SORTS
LAW
GOTHICS
FOREIGN
ITALICS
INITIALS
and
MAILING
and
BORDERS
LIST
and
FRACTIONS
ORNAMENTS
TABLE OF CONTENTS
"
Title page
Introduction to
includ-
3-4
5-14a
The
16-17
Flexible Matrix
15
System
"
Opening-up Faces
Matrix Classification Special Matrices
Matrix Symbols
Matrix Case Arrangements
Table of Accents
Words
to Pica
18-19
20-28
28-30
3
1-33
34
35
..
Modern
etc.,
'
,'
Continued
1922
PA^P9 are
arv> listed
licr^rl in
n, r/\LJ^O
VJ1NU1
in thiS table, Which
numerical Order
_
gives the following information abOUt each
1
MOMOTYPP
lace
'.
Series No., see first column: This symbol gives the designation of the series and indicates the character of the series thus-:
"1ABC" indicates a Modern face complete with Roman,
Italic, and small caps; "11J" indicates a Boldface Roman;
"11" (without letter) indicates Matrices for sorts casting, not
Set-Size: This column gives the width of the face for the
point-size given in the column at the left.
Number of Characters: In this column is given the number
,
of characters we have made for each font.
Note: When 225
characters are specified, this means a full font that completely
fills the Matrix Case, which, of course, includes some blanks
The details of the characters and spaces furfor spaces, etc.
in the font may be found by noting the arrangement
pished
from the second colum " of the table and then referring to this
arrangement on pages 30, 31, 32 of the Specimen Book.
Remarks: This space is provided for your own notations,
for example, to enter the name of the foundry type -face the
Monotype
face displaces,
for
Continued
Continued
Continued
10
Continued
Continued
11
12
Continued
Continued
13
14
Continued
616K
ARRANGE-
CLASS OF
POINT-
SET-
MENT
FACE
SIZE
SIZE
C2
6
8
Title
10
10}
12
12
SERIES
NO.
NO.
CHAR.
82
82
82
82
See No.
641
See No.
68K
781
See No.
78K
See No.
ARRANGE-
CLASS OF
POINT-
SET-
MENT
FACE
SIZE
SIZE
See No.
97K
981
See No.
98K
1111
See No.
UK
1181
1501
1751
79K
2541
See No.
861
REMARKS
971
64K
681
791
14a
Continued
See No.
254K
86K
4102
881
See No.
88K
891
See No.
89K
Sorts
Foreign
14
18
24
30
36
de-
We
Tabular Face
Cross-Rule Face
Merit-Proved
Monotype-Made
Portable
Noiseless
Over Capacity
Right Hand Control
PROVES THE WORK AND PRINTS THE PROOF
you operate a cost system you need an adding machine.
Let us demonstrate how the Barrett will fit in on this
If
sort of work.
Manufacturer of
lhe
B<2rrett
Philadelphia
Offices
PHILADELPHIA, 24th
&
Locust
Spruce 4471
3155
Wabash
BOSTON,
Main
Summer
Street
4840
Building
3250
WASHINGTON,
Franklin 6384
Mutual
Life Building
State Street
OKLAHOMA
St.
Maple 5560
TORONTO, Lumsden
Main
516
Grant 8867
1652
170
BUFFALO,
Seneca 5614
CHICAGO,
Cherry 962
CLEVELAND,
SAN FRANCISCO,
Sutter 6275
Jackson Place
6703
Bldg.
MONOTYPE
MATRICES
letters
of a machine.
rices
both typographic
and
commercial
utility.
beauty
ciple result
The
letter
The
letter
limit, practically
is
no
speaking, to the
TO
Matrix Case to suit the requirements of the job, not the limitations
the
^
It
October, 1920
Classification
men Book
of
is
also included in
Monotype
Faces.
15
16
an
Italic
cap
(I /)
The Matrices
are car-
Matrix Case
on combs, fifteen Matrices on a comb and fifried in the
combs
teen
Case.
rix
To
appreciate the complete freedom from mechanical limitations of Monotype faces examine the two faces here shown.
Note how much more extended the 159J is than the 25 J
Matrix
in the
Mat-
Thus, each
held in true
position, in its own
is
cannot twist,
cannot move, to wear
itself and the Matrices
next it it is \\t>ut" and
"cell;" it
it
Two
carries.
tight in
fits
acter
it,
Right
is
The centering pin seats in the Matrix after the case has
moved and brought the required Matrix over the Mold.
The Matrix cannot move or rock, for the taper end of the pin
practically one piece.
end by a bushing (not
it
(Half Size)
Six-(>oint
FIGURE
FIGURE
stays put.
it
must
be perfectly
is
him
^Hll
B~TBri
^^
'
CONE-
HOLE
END
|tBJl[
l
FACE
SIDE
END
Actual Size
FIGURE
The
llMI
Cellular
Matrix
bronze
Matrices
FIGURE 4
to seat in the
is to
be cast.
(Half Size)
(not
and
combs
type
'
the steel
same Roman Matrices were used one Boldface was taken out
of the Matrix Case and the Matrices for the next inserted without
touching the Roman Matrices: For each new combination, the
Monotype user does not have to "re-buy" his Roman Matrices
"he buys what he wants when he wants it" combining
the new units required with the old units he has.
how
All
Hand Work
Compositor
is Done by
Machine Operator
of Composition
Not
the
the
holding it on the
type is cast.
'
STANDARD
!?
A BCDEFGHIJKLMNOPQRSTUV WX YZ&&(E
abcdefghijklmnopqrstuvwxyzacefiffflffiffl;:!?
$1234567890
$1234567890
%lb'" 0i -u-*tttl? .".()[ } 1 1
A AX
infinite
FIGURE
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnopqrstuvwxyzfiflffffiffl
,-
:J}
A BCDEFGHIJKLMNOPQRSTUV WX YZ&
abcdefghijklmnopqrstuvwxyzfiffflce ; :
In the opposite column are shown some of the combinations of 225 character and blank Matrices that may be
carried in the same Matrix Case.
Five Alphabet Arrangement: 225 Matrices, including necessary blanks for spaces, etc.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyzfiflff.,-;:"!?
$1 234567890 J- ?
*ft $1234567890
'.
.'
FIGURE 6 Six Alphabet Arrangement: 225 Matrices, including necessary blanks for spaces, etc. With this combination complete words cannot be set at the Keyboard in Italic caps
$12345
$12345
17
"OPENING-UP' FACES
18
bunches.
and make
it more extended.
condensed or an extended face may be cast from the
same font of Monotype Matrices: Of course the Mat-
The milkman
two
kinds of product
cream and milk but
he does not keep two
kinds of cows. If
your business requires
that you sell two kinds
of composition, do you
need two kinds of com-
Monotype
posing machines?
Line-cast composition.
All casting and composing
machines except the Monotype assemble the molds
for the letters in a line and make one casting for a line.
These letter molds must have side walls and obviously
there must be space between letters thus cast in
composition.
machine
But even
standards of quality
is
Monotype
To depetitive business.
crease the number of words per thousand ems, that
is, to increase the number of ems per thousand keystrokes, a simple adjustment of the Keyboard and
the Casting Machine is all that is necessary. Automatically, then, the Monotype "stretches" the face,
it up by putting more white space between
the letters and wider spaces between the words.
In short, the Monotype user can furnish at will (a)
for the quality job, a product identical with brand-new
foundry type, perfectly spaced and justified, or (b) for
the cheap job, a product superior to line casting composition.
// your business requires two standards of
quality, why own two kinds of composing machines?
Non-productive hours are the sink-hole of the printThe merchant printer, the wise man
ing business.
who understands both the selling and the manufacturing side of the printing business, uses the versatile
Monotype, both to get work into the shop and to get
it out; for, whether Quality or Price be the factor, the
Monotype gets the job and holds it, too.
opening
"OPENING-UP" FACES
19
(a) for cheap work the paper// your business requires two Standards of Quality
and
(6)
covering quality of fat, slug faces,
for high-grade work the quality
and
own
two
kinds of composing machines?
why
closely
spaced
type
fitted
of
The same Monotype, with same Matrices, will give you both grades of composition
This line
is
8-point 8j^-set.
This
A New Idea
A New Idea
A New Idea
10-point 10}"-set.
A New Idea
10-point 10%-set.
This line
This line
This
is
A New Idea
A New Idea
A New Idea
A New Idea
set.
10-point 10^-set.
is
line is
A New Idea
A New Idea
A New Idea
A New Idea
11-point 11%-set.
12A New Idea
set.
11-point
This line
This line
is
is
FIGURE 8
on which
To understand
Monotype
to thus
The first line of each (joint-size shows the face on its normal set (the smallest
can be cast), while the following lines show the effect of opening-up' the face
In all cases the spaces between words are three-lo-em of the set used
'
it
by quarter
sets.
between
two
between the
letters
composing a word.
The spaces, always proportional to the size type used, give the
close spacing between words demanded by typographic traditionand essential if objectionable "rivers" are to be
avoided.
Line
and composing machines except the Monotype assemble the molds for the letters
in a line and make one casting for a line.
These letter molds
must have side walls and obviously there must be space between letters thus cast in bunches. Nor can words cast on
these machines be as closely spaced as Monotype set words,
because these spaces are made by wedges placed between the
letter molds for the different words in the line.
The Monotype produces, at will, either of these two kinds
of composition.
The left hand of these specimen pages shows
cast composition.
All casting
composition;
the
maximum
spaced
SEE
SEE
SEE
SEE
SEE
FIGURE 9
mum
THE
THE
THE
THE
THE
SPACE
SPACE
SPACE
SPACE
SPACE
SAVED
SAVED
SAVED
SAVED
SAVED
Monotype quality, the cream of composition; the maxinumber of words to the square inch, close fitted type, thin spaced,
brand-new foundry type set by hand
the equivalent of
composition:
between the
always pro-
avoided.
Line cast composition.
All casting and composing
machines except the Monotype assemble the molds
for the letters in a line and make one casting for a
line.
These
letter
FIGURE 10 The same face, diluted with space between letters and
words, gives the fatness and paper-covering quality of line-cast composition plus every Monotype advantage except close fitting and thin spacing
MATRIX CLASSIFICATION
20
Unit E
Matrices
with the Monotype Composing Machine and Type_&LRule Caster are a most
important unit of the Monotype and are made in three
forms or styles (a) Cellular Matrices, which are used
The Matrices
for use
hand
for
cial
for
"
x Vz
fc^cE.
!.
'.
11
.,-:;'!?
Points:
29
all.
J[
furnish the
numbe rofcharacters
82
*?*."**.
The diphthongs (^Voi, as', oe), the ligatures (fi, ff, in, ffi,
ffl). an(i the inverted comma (') can be omitted, and the
font rate retained
This ma es the minimum number
72
of characters in a Cap and Lower Case Job Font total
composition.
i
x
3 For machine composition these Matrices must
which
be carried in a Matrix Case in
they are laid out
in accordance with one of the Standard Arrangements
shown on pages 31, 32, and 33; or the Matrix Case
may be laid out in special arrangement to conform to
the requirements Of exacting Or Unusual Conditions.
For casting type for hand setting these Matrices may
be Carried either Collectively in a Matrix Case Or individually in a Matrix Holder.
4 Cellular Matrices are made in several sizes, determined by the point-size of the type-face to be cast.
All faces twelve-point and smaller are made in .2" by
.2" Cellular Matrices, except a few of the larger sizes of
very extended faces, some of the characters of which
are too wide to go in a .2" by .2" Cellular Matrix,
and which are, therefore, made in Electro Display
Matrices.
5 Display
j A", made for
xtofstat; Figure
s"' Matrices, .2" by
Cap Fonts
^^o'
'
mak me
AB CDEFGHIJKLMNOPQRSTU
vwxvz&yECE
Caps
2 3
gf
machine composition of
and eighteen-point faces are. made
fourteen-point
J
r
-v/
-v/
u
i"
u- u
which
are ComOf tWO Sizes, .2' by .3 and .3 by .3
Cellular Matrices for
.
_i
>//
Automatic Cutter.
Cellular Matrices are sold singly, in job fonts
Fonts Standard Arrangements, as
shown on pages 32, 33, and 34, complete in the Matrix
ase
10
If
12.
singly.
; ;
29
^
4?
'
Y z&
w x ABCDEFGHIJKLMNOPQRSTU
(E
Caps:
g^
_'
Figures-.^
Points:
V)
2 3
:'.:::::::::::::::::::
ABCDEFGHIJKLMNOPQRSTUV
Small Caps:
f 3 '45' b
sg'6:
'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.
'.'.'.
.,-:;'!?
W' th Composition
inverted commas,
the font
m
-
n
J*
96
Matrices,
making the
we
total
98
The diphthongs (/ECE,e<E) and the inverted commas C)
can be omitted, and the font rate retained. This makes
the minimum number of characters in a Cap and Small
92
CaP J b Font total
Sma n Caps
ABCDEFGHIJKLMNOPQRSTUV
.....
(/e, a;)
number of char27
as
of
be included at the
if
spe-
6 7 8 9
_>
it
15
Font characters:
in the various
font characters.
16 Blanks in Cellular Matrices: Two kinds of
blank Matrices are furnished for casting quads and
spaces: Steel blanks without cone holes for casting
MATRIX CLASSIFICATION
high or low quads and spaces; bronze blanks with cone
Both
holes for casting high quads and spaces only.
kinds of blanks may be carried at the same time in a
Matrix Case to give low quads and spaces in one portion of the work and high in another.
The bronze
blanks with cone holes are, of course, used with Molds
that do not cast low quads and spaces and also to fill
out the Matrix Case when using a partial font. Unless
otherwise instructed, we always furnish steel blanks.
Blanks
Display Matrices are made for use in the
Matrix Holder when casting high or low quads and
spaces of any body.
17
Polish
4CE.LNOSZZ
Portuguese
AAAgEEfoOptJU
aaa<jeei666uu
Russian
Ruthenian
Spanish
for Electro
N 6 U t)
AE
a e
n 6 u
ii
It
18
has been
work
all
of
in the
language
composing ma-
Acute
Grave
English
(d, 6,
i,
6,
u)
(a, e,
I,
6,
u)
Circumflex
(a, e,
i,
6,
specimen of a
the
Dieresis
have made
FIGURE
1 1
We
ACDEElN6RSttJfjZ
accTeeift6fst'uuy2
Brazilian
The
'i,
6, ii)
Diacriticals :
following Dia-
criticals for
modern languages
23
Bohemian
(a, e,
Cedilla (9)
Tilde (a no).
for use
ing
The above
22
group ( ^f 2 1 ) includes
Accent
Matrices
the policy of
manufacturers
individual
AAO
& ao
Swedish
21
AAACfiElCoOTJU
Danish
Roman,
Long
(a, e,
I,
Short
(a, 8,
I,
6,
u)
6, ti).
24 Order Accents by Number: When ordering accents please do not "draw pictures," for that method
of indicating accents is certain to cause confusion and
delay in filling orders. Please consider that we carry
in stock Matrices for many hundred different accents,
and that, consequently, the opportunities for misunderstanding Matrix accent orders are great. Make
your orders in the following manner so they cannot be
misunderstood by
First: Giving the point-size and series number of
the face with which the accents are to be used.
Second: Stating whether the cap or lower case,
the Roman, Italic, or small cap accent letters are
wanted.
Dutch
French
German
A U
ao
Greek
ii
Hungarian
AfilOOCtfUtf
a6f 66 0tiu
Italian
Lithuanian
4CEE.ISIJZU
4684 jiq 2
Norwegian
Composition Matrices
For Faces Twelve-point and Smaller
25 These Matrices, for casting type in automatically justified lines, are carried in the Matrix Case (Fig.
11), which holds 225 Matrices arranged in fifteen rows,
each containing fifteen Matrices. The Matrices in
these rows are carried on combs, as shown in Fig. 12,
page 23 to change Matrices in the Matrix Case it is
only necessary to take off the back of the case and lift
out the combs, make the desired change or substitute
;
MATRIX CLASSIFICATION
22
may be cast from these Matrices. Fonts of Mashould always be kept in their Matrix Cases, not
only to save time in changing faces, but also to protect the
Matrices from injury.
sition
trices
We
are
made by substituting Matrices for special characters
for regular Matrices in a standard Matrix Case arIn ordering fonts on special arrangerangement.
ments, always send us with your order a diagram of the
They
"Frea%' Matrix Case Arrangements are spearrangements made by the ingenious (?), who disregard utterly all principles of the Monotype System;
for example, arrangements requiring that faces be cast
on sets smaller than the set given for the face in this
Specimen Book. Such arrangements mean a loss of
profit, a source of endless confusion, bad work, and
reduced output; they should not be tolerated.
31
Set: The set of a face indicates whether it is extended or condensed and is expressed by stating, in
points, the width of an eighteen-unit character of the
30
cial
M,
for example,
Keybars connect the keys to the punch-operatmechanism of the Keyboard, and the Keybars
required for a Matrix Case arrangement must always
32
ing
If 27).
Keybanks
f
(
H34)
if
36 Justifying Scale: The drum used at the Keyboard to indicate the justification; the set of the Justifying Scale must correspond with the Matrices for the
face being composed therefore, when ordering Matrices
make sure that you have the required Justifying Scale;
if not, include this in your order.
37 Normal Wedge: Used at the Casting Machine
to determine the set-size of the type; therefore, in
ordering Matrices include the required Wedge unless you
have this. Note that the Wedge used at the Casting
Machine must correspond with the Stopbars (1f33) used
at the Keyboard; thus, if you use SI 5 Stopbars, you
must use an S 1 5 ten-set Wedge and not a standard tenset Wedge (Symbol S5).
;
38
STANDARD
MATRIX
LINE: Matrices
for
com-
graph.
39 Special Matrix Line:
MATRIX CLASSIFICATION
a Matrix line .005" lower than standard, and consequently type cast from these Matrices is .005" lower
than type cast from Matrices on standard Matrix
23
Cross-Rule Matrices
Composition Matrices for Faces Twelve-point and Smaller
43 These cross-rule Matrices are made with the
greatest care, and the various corner-pieces, cross-lines,
While the profits on
etc., are accurately matched.
composition of this kind are very great, we do not
recommend these Matrices except to those who appreciate that work like this requires skill and care. These
Matrices must be in the very best condition, and they
should be kept at all times in their own Matrix Case and
used only for this rule work; it is also desirable to keep
Molds and Wedges especially for this work; use only
high quads.
FIGURE
the
12
The Matrices are carried between the teeth of
comb, fifteen on a comb, 225 in the Matrix Case; thus
is practically in its own Matrix Case
each Matrix
41
whose
faces
details of
"nut-body"
modified character Matrices are furnished are indicated thus f in the List of Faces (pages 5 to 13). S34
"
"
Stopbars are used to give nut-body figures (3 points
with
seven-set
and
S29
wide)
faces,
Stopbars to give
"nut-body" figures (4 points wide) witheight-and-onehalf-set faces. Both S34 and S29 Stopbars give four
nine-unit rows, instead of the three nine-unit rows of
standard Stopbars (S5), because in tabular work the
fifteen additional "nut-body" characters provided
by
the fourth nine-unit row are most useful. We also
furnish S27 Stopbars which are the same as standard
Stopbars (S5) except that they give four nine-unit
rows; in these S27 Stopbars one of the two ten-unit
rows of the standard S5 Stopbars is made the fourth
nine-unit row. The corresponding Keybars (1f32) must
\
{
S34:
characters required
Transform seven-set
faces into six-set, Matrices
for modified characters required
f
I
C and C
C and Cl
C and C2
Cand C
C and Cl
C and C2
n an H r\
p jp
,<
*-
j
and
;=:.
*-<
is
44
MATRICES
Cl
WC
WC
WC
Eighteen-unit
Nine-unit
Leaders.
YC
YC
YC
C2
YC
YC1
YC2
POINT
SEVENPOINT
EIGHTPOINT
75
75
75
9
4
9
4
SIX-
Cl
in three
point-sizes for six-set (6-, 7-, and8-point) and in twelveIt is not possible to mix Matrices
point twelve-set.
of different, sets and point-sizes.
To meet all conditions (for details see specimen sheets), we furnish these
Matrices as follows for the various point-sizes:
UC
UC
UC
C2
and a bar
Total
TWELVEPOINT
78
9
6
93
MATRIX CLASSIFICATION
24
in the
faces,
thus:
45
On
the
left
Keybank
(If 34)
caps, lower
Roman and Boldface, and one set of figMatrix Case arrangements, see page 34.
These Matrices must be used with Molds for fourteenand eighteen-point composition on a Composing Machine equipped with the Fourteen- and Eighteen-point
Composition Unit; special Keybars (1132) and Stopbars (1f33) must be used at the Keyboard.
50 Job Fonts, Fourteen- and Eighteenand
Italic or
ures;
for
Composition
point
Matrices complete in
Matrix Case: Consisting of seventy-three
character Matrices (add
for small
caps A, V, and Y. In the
List of Monotype Faces
Matrices
inverted
six-set faces
(pages
to 13) the
1fl2),
comma
to 72
specified
in
sixty-two blanks,
C2
newspapers, find
more
it
have
efficient to
own Matrix
rices in its
FIGURE
14
Six- or twelve-set.
for six- or twelve-set.
47
Composition Matrices
Machine and
FIGURE
16
this
for the
changed
for sizes fourteen- to thirty-sixpoint inclusive are made in this style of Matrix also
a few very extended faces smaller than fourteen-point,
too wide for the Composition Matrix (Fig. 12).
52 Electro Display Matrices are distinguished in the
specimen sheets by not having a letter following the
series number; thus, the Roman for the 36A series in
Composition Matrices issymboled 36 in Electro Display
Matrices, while the Italic of this series in Electro Display Matrices is symboled 361 that is, for Italic the
the Roman.
figure 1 is added to the series number of
;
Rule Matrices
For use with Lead and Rule Molds
53 These Matrices are used with our Lead and Rule
Molds for casting rules in continuous strips which are
accurately cut to the deby the Automatic Cutter. Since the face
of the rule must be exactly
positioned on its body, these
sired lengths
FIGURE
Molds
Rule Matrix
Lead and Rule
MATRIX CLASSIFICATION
customer be sure to read carefully ^29 and ^30 before
if Matrices of a higher class are included,
ordering
an additional charge will be made according to the
difference in the price of the higher class.
25
56
user interested
own Matrix
55 Full Fonts Special Arrangements fonted to
order from Matrix Case arrangement furnished by the
FONT CHARACTERS:
57
by
.2" Cellular
Matrices,
58
59
.2"
by
.3*
.3",
by
.3",
and
.2"
by
.4"
Cellular Matrices,
Class
Class
Class
Class
B
A
Class
ACCENTS:
62
63
64
Composition Matrices:
Cellular Matrices,
.2"
by
.2"
.1"
by
.3", .3"
by
.3",
Cellular Comfourteen-
65
For all Roman, Italic, and Boldface fonts, four-point to twelve-point inclusive, as
shown in the Specimen Book; only those listed for the languages specified in
Class A
1f21, also long and short accents specified in H23
For superior and inferior fonts and piece fractions, as shown in the Specimen Book Class B
For all Roman, Italic, and Boldface fonts, as shown in the Specimen Book; only
those listed for the languages specified in If21, also long and short accents specified in f23
Clas
ass B
For all Roman, Italic, and Boldface fonts, as shown in the Specimen Book; only
those listed for the languages specified in H21, also long and short accents speciClass
For all Roman, Italic, and Boldface fonts, four-point to twelve-point inclusive, as
shown in the Specimen Book; except as specially noted
Class
all Roman, Italic, and Boldface fonts, as shown in the Specimen Book; except
fied in
1 23
67
68
Composition Matrices:
Cellular Matrices,
.3" by .3", Cellular Composition Matrices for fourteenpoint, eighteen-point,
.2"
.2"
by
by
.2"
.3",
For
as specially noted
For
all
Roman,
Italic,
and Boldface
fonts, as
shown
in the
Class
Class
as specially noted
70
71
Composition Matrices:
73
74
76
77
.3",
For
Composition Matrices:
Cellular Matrices,
by .3", Cellular Composition Matrices for fourteenpoint, eighteen-point,
.2"
.2"
by
by
.2"
.3*, .3"
For
all
Roman
For
all
Roman
in the
For
by
by
.2" Cellular
Matrices,
Cellular Composition Matrices for fourteenpoint, eighteen-point,
.2"
.2"
.3", .3*
by
.3",
High
line,
low
line,
Roman
all
For
all
Roman
fonts, as
For
all
Roman
fonts
shown
in
in the
For
by
.2"
all
(all
Class
Class
Class
Class
shown
Roman
fonts
(all
unit rows), as
shown
in the
specially noted
and eighteen-unit
Roman fonts, as shown
all
in
the Specimen
Book
Cellular Matrices,
For
by
.2"
Cellular Matrices,
.?"
Z^!^Z!
Composition Matrices:
84
Class
.2"
.2
83
Five-, nine-,
Composition Matrices:
FIGURES
81
Composition Matrices:
.2"
80
in
specially noted
For
79
Class
shown
fonts, as
Hairline Vertical
DASHES
78
DASHES
75
.2"
DASHES
72
by
by
all Roman fonts, four-point to twelve-point inclusive, as shown in the Specimen Book; except as specially noted
Class A
all Roman fonts, as shown in the Specimen Book; except as specially noted.
Class B
For
Cellular Matrices,
.3* by .3", Cellular Composition Matrices for fourteenpoint, eighteen-point,
.2"
.2"
by
.3*, .3*
by
.3",
in
Specimen Book;
Class
MATRIX CLASSIFICATION
26
DISPLAY FIGURES
85
As shown
Composition Matrices:
.4" Cellular
by
.2'
Matrices,
FRACTIONS
86
Composition Matrices:
.2*
by
.2* Cellular
.2"
by
.3",
Matrices,
Book
87
.3"
by
.3",
and
.2"
by
.4*
88
REGULAR FRACTIONS
89
by
by
.2"
.2*
Composition Matrices:
90
Class
by
.4*
is
except as
Class
Clans
A
B
Class
As shown
IRREGULAR FRACTIONS
92
Composition Matrices:
93
by
.2"
.2" Cellular
in the
As shown
in the
As shown
in the
is
larger
specially noted
For
Composition Matrices:
by
by
.2"
.2"
95
96
I^^Z
LEADERS
94
Class
Class
Matrices,
Roman
all
in the
Com-
fourteen-
For
fonts
Roman
all
(all
specially noted
unit rows), as shown in the
(all
Class
Class
Class
specially noted
For
all
Roman
fonts, as
shown
in the
SIGNS
97
Composition Matrices:
by
.1"
.2" Cellular
Standard
Matrices,
99
by
.2"
.3", .3*
by
.3",
100
101
'
Class
Class
Special signs
CROSS RULE
102
Standard
signs, as
shown
in the
B
B
B
A
I^^H^Z^Z^ZI^^Z^ZZZI^Z^ZZ^^Z^ZZIZZZm^IB
Composition Matrices:
.2* by .2" Cellular Matrices,
Class
CONTINUOUS RULE
For use with the Lead and Rule
103
Class
Twelve-point and smaller, as shown in the Specimen Book except as specially noted Class
Larger than twelve-point, as shown in Specimen Book; except as specially noted. Class
A
A
As shown
in the
specially noted
Molds,
SPECIAL MATRICES
Matrices which are unusual and for
which there is little demand.
106
Special Matrices of
Composition Matrices:
by .2* Cellular Matrices,
by .3", .3* by .3", .2" by A" Cellular Composition Matrices for
fourteen-point, eighteen-point, and
109
kinds, as noted
Under Class G.
on page 28
Class
(See f 155.)
Class
Class
When
When
Class
Duplicates
.2"
.2"
108
all
.2*
by
.2" Cellular
Matrices, rate as
MODIFIED CHARACTERS
110
Not
111
in the
BLANKS
112
113
(Steel or Bronze)
Steel
is
114-144
See Price
List.
SPECIAL MATRICES
145 The Monotype is used for an infinite variety of
composition, dictionaries, vocabularies, text and reference books, codes, and other publications requiring
special accents, diacriticals, and signs. It would be
impossible for us to supply our customers with up-todate specimens of the special characters we carry in
We
any one
Matrices.
27
152
make
this clear.
Why
' '
whims
' '
gratified.
148
is
We
cannot guarantee any prices to be inflexwe reserve the right to change any
Matrix prices. Thus, if the demand warrants we may
reduce the price of a Matrix; or, if we have overestimated the demand, we may increase the price.
149
ible;
150
is
one
therefore
is a Special Matrix?
A special Matrix
which there is so little demand that we can-
What
for
not
151
illustrated in this
cannot publish (If 146) a complete catalog of the thousands of special Matrices we carry in stock we show
here just a few to indicate in a general way how our
prices for special Matrix work vary.
;
MATRIX SYMBOLS
28
The
object of
Classification of Characters: Certain characters must essentially be used together; for example,
confusion would result from attempting to form an
alphabet of characters from different fonts. Therefore,
our symboling system provides for designating by the same
symbol only the Matrices that must be used together.
160
the
body
'
may
be cast
'
on
larger sets, opening-up the face by putting white space between the letters" ; see pages 4 and 5,
also
If 3
In the
figures, etc.,
on
stamped
Modern,
Italic, etc.;
Old
Style,
for example,
98J
167
ones for which they are designed. Therefore, our symboling system provides for designating the minimum width
body on which a Matrix can be cast without the face
slightly different
$1234567890.,-:;""!?
We make
the above explanation of the principles of our Matrix symboling system because, alas!
too frequently people regard system, and especially
the explanation of a system, as evidence of complication. Because we take the trouble and go to the expense
of systematically symboling our Matrices is surely no
reason for assuming that the Monotype machine is complicated or that it takes a college professor to run it. We
164
abcdefghijklmnopqrstuvwxyzaecefiffflffiffl
Note 5: A Boldface font, caps and lower case, usually consists of eighty-two Matrices, that is, the characters listed at
the beginning of this paragraph, except that only one size of
opening and closing quote is provided; some Boldfaces, however, have more than eighty-two characters, special ligatures
and two designs of the same letter being provided.
We
B
C
D
E
F
Modern Roman
Modern Roman small caps
Modern Italic
Modern Italic small caps
Old Style
Old Style
Roman
Roman
small caps
H
K
Old Style
Old Style
Italic
MATRIX SYMBOLS
lower case x of the No. 8 series cannot be confused with the small cap x of the same series because
the Matrix for the Roman letter is symboled 8A, while
the small cap Matrix is marked 8B.
Roman
point
29
by the
set to
Matrix,
to
because for
177
Set-size
is
W
V
U
T
indicates 5-set
indicates 6-set
indicates 7-set
indicates 8-set
indicates 9-set
indicates 10-set
indicates 1 1-set
These cap
Q
P
O
N
indicates 12-set
indicates 13-set
indicates 14-set
indicates 1 5-set
indicates 1 6-set
indicates 1 7-set
indicates 1 8-set
by lower case
to desig-
15 units
16 units
17 units
18 units
19 units
20 units
21 units
is
the designat-
MATRIX SYMBOLS
30
B,
C,
D,
E,
It is
unnecessary
inferior characters
mark
to
on
the
and
be-
Wb
181
184
ten-set
Point Side 10U, Series Side 10R, the U indicating tenset (HI 77). The same dash for ten-point and eight
units of ten-and-one-quarter-set is marked Point Side
10Ub, Series Side
185 Leaders: Designating letter, R. All leaders, being driven to the same Matrix line, can be used with
Matrices of any point-size (H38), and consequently
there is no point-size for leaders; the only marks on
the Point Side are those required to indicate set. Thus,
a ten-set eighteen-unit leader of the No. 20 series of
leaders is marked Point Side U, Series Side 20R; the
letter o to indicate eighteen units is not required on
the Series Side (HI 78). The same kind of a leader
for ten units of nine-and-three-quarter-set would be
marked Point Side Vc, Series Side 20 Rg.
186 Brackets, Parentheses, Braces, and Piece
Braces: Designating letter, S. The ten-point bracket
of the No. 10 series of brackets made to cast on seven
units of ten-set is symboled Point SidelQV, Series Side
10Sd.
187 Cross-Rule Matrices (H43) Designating letT. The six-point six-set parallel oross (#) is symboled Point Side 6Y, Series Side T8E8; see specimen
sheet of these Matrices for details of method of marking these special matched Matrices.
:
ter,
188
Unclassified Characters: The letter X is reserved for characters that may be made for which the
letters on the Series Side (A to T) do not apply. The
X would be used in combination with the letters to
indicate set- (HI 77)
and
Point-Size
No.
letter,
183 Logotypes: Designating letter, Q. The following applies to special logotypes like AM, and not to the
diphthongs and the "f" ligatures, or similar letter
combinations, for use with a particular font, which are
symboled as part of the font with which they are used
EXAMPLE the ten-point logotype AM of the No.
( H 1 67)
10 series of signs is marked Point Side 10U, Series Side
1 0Q
since this character is on point-set body, the letter
o to indicate eigh teen-unit row is not used.
No
ornaments
Wedge
positions
FIGURE 20
Electro Display Matrix Symbols
31
The following tabulation gives the characters carried in the Matrix Case for the
different standard Matrix Case arrangements; for details of the position of these
characters in the Matrix Case see our book, "The Monotype System." The Keybars (^[32) and Stopbars (^[33) required are specified for each arrangement; where
the arrangement requires Matrices for modified characters (1J40), this also
noted.
is
Arrangement 6C2
caps and lower case
Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ&,E(E
'
s J J J
abcdefghijklmnopqrstuvwxyzfiffflffiffl
ABCDEFGHIJKLMNOPQRSTUVWXYZ&&CE
abcdefghijklmnopqrstuvwxyzcecefiffflffiffl
7890M}<K*tt1II%n>">A -UL ?
CKeybars C
Keybank
." .
[ ]
( )
CKeybars C
Keybank
3 Keybutton Clips
Keybutton Clip
Arrangement Cl
Roman
French:
ABCDEFGHIJKLMNOPQRSTUVWXYZ&^ffi
.
,-
;J}
J J
Arrangement C2
Arrangement FC
small
and lower case with
caps,
caps,
lower case
abcdef ghijklmnopqrstuvwxyzaeoefiffflffiffl
5 } 5 J
ABCDEFGH JKLMNOPQRSTUVWXYZ&XtCZ
aadbcfdeeeefghiiijklmnodpgrstuuuvwxyzaoefiflfjffijffl
'
.'
Roman
Arrangement FC1
caps, small caps,
-"-'. ( ) 1234567890
1234567890>i%
LEFT
RIGHT
Stopbars Sf
Keybank FC Keybars FC
Keybank FC Keybars FC1
'
4 Keybutton Clips
French:
14 Keybutton Clips
Roman
Arrangement FC2
caps, small caps,
abcdefghijklmnopqrstuvwxyzaeoefiffflffiffl
JJ
',
ABCDEH J KLMNORSU WX YZ
aaabccdeeeefghiiijklrnnoopqrstuufivwxyzcefiffflffiffl .,-:;::!?
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
RIGHT
CKeybars C3
Keybank
ABCCDEFGHIJKLMNOPQRSTUVWXYZ&^XE
abc6efabuMmnopqrstuvwx?ixefiffflfFtffl .,-:;''
$1234567890t% -u-? ." ( )$1234567890
Stopbars S5
ABCDEFGHIJKLMNOPQRTUVWXY&
13 Keybutton Clips
2 Keybutton Clips
Arrangement C4
Roman
ABCDEFGHIJKLMNOPQRSTUVWXYZ&yECE
?
ABCDEFGHIJKLMNOPQRSTUVWXYZ&/ECE
j
13 Keybutton Clips
Arrangement GC1
caps and lower case with Boldface (C4) caps and lower case
German: Lightface caps and lower case with Boldface caps and lower
aabcbefflhiiflmnoSpqrfStutt&mnHiWfiffilllfiffftfil} .,
[]( )*t
'
Arrangement 6C1
caps and lower case with Italic caps and lower case and Boldface
(Cl) caps and lower case
Keybank GC
Spanish:
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnoprirstuvwxyzfiffflffiffl
'.
and
ABCDEFGHIJKLMNfioPQRSTUWXYZft
aabcdeefghiijlmnfloopqrstuuuvwxyzfi
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Roman
GC
Arrangement SC
ABCDEFGHIJKLMNNOPQRSTUVXYZ&
ABC1)1:1 ; C,IIIJKLMNOPQRSTUVWXYZ&
abcdefp.hijklmnopqrst'iiivxvzfifrfl:
)*t
c-&
Roman
lower case
Keybutton Clips
ABCCDEFGH KLMNOPQRSTUVWX
II
text letter
CKeybars C
FC
Arrangement C3
LEFT
: ;
Keybank
caps and
Italic
A BCDEFGHIJKLMNOPQRSTUVWXYZ&jECE
French:
aaabccdeeeefghiiijklmnoopqrstuuuvwxyzjecefiffflffiffl .,-:;:;!?
ABCDEFGH I J KLMNOPQRSTUVWXYZ
Roman
Roman
J s
2 Keybutton Clips
ABCDEFGHIJKLMNOPQRSTUVWXYZ&/E(E
'.
ABCDEFGHIJKLMNOPQRSTUVWXYZ^CE
ABCCDEFGHIJKLMNOPQRSTUVWXYZ&^XE
ABCDEFGHIJKLMNOPQRSTUVWXYZ&>ECE
Roman
'
7 Keybutton Clips
Keybutton Clip
lower case
abcdefghijklmnopqrstuvwxyzfifffl ..-::"!?
$1234567890*tP A -UL ? .". 0$1234567890
LEFT
RIGHT
Stopbars Sf
Keybank 6C1 Keybars 6C1
Keybank 6C1 Keybars 6C2
abcdefghijklmnopqrstuvwxyzaecefiffflffiffl
$1234567890
RIGHT
Stopbars S>
LEFT
: ; !
and Boldface
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
?
A BCDEFGH1JKLMNOPQRSTU V WX YZ
abcdefghijklmnopqrstuvwxyzfifffl ?
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ&^CB
abcdefghijklmnopqrstuvwxyzaecefiffflffiffi
5 J
ABCDEFGHIJKLMNfiOPQRSTUVXYZb'
a&bcdeefRhiijlmnflodpqrstuuiimvxyzfi
: :
! 1 1 1
'.
Keybutton Clip
LEFT
Keybank SC Keybars
1
Keybutton Clip
SC
Stopbars S5
Keybank
RIGHT
Keybars
SC
SC
32
Arrangement SCI
Spanish:
Roman
Arrangement SC2
Spanish:
Roman
ABCDEFGHIJKLMNNOPQRSTUVXYZ&
ABCDEFGHIJKLMNNOPQRSTUVXYZ&
ABCDEFGHIJKLMNNOPQRSTUWXYZ4
aabcdeefghiijlmnnoopqrstuuuvwxyzfi
J J
ABCDEFGHIJKLMNNOPQRSTUVXYZ&
ABCDEFGHIJKLMNNOPQRSTUVXYZ&
aabcdcefghiijlmnnoopqrstuuiivwxyzfi .,-:;''!?; i
$1234567890MKKX^H^^?i mo %1Ilbi u-? .".[] ()$1234567890
Keybank
1
SCKeybars SC
LEFT
SCKeybars SCI
Keybank
Keybank SCKeybars
SC
Stopbars Sf
RIGHT
Keybank SCKeybars SC2
3 Keybutton Clips
Keybutton Clip
RIGHT
Keybutton Clip
$1234567890Kx<K>iHHHK?i "
Stopbars S5
LEFT
Keybutton Clip
Arrangement WC2
Tabular for even sets, gives four nine-unit rows: Roman caps, small
caps (or Gothic caps), and lower case with Italic caps and lower
case: Modified characters
Tabular
A BDEGHIJ KMNQR U V WX Y
HIJKMNQRSUWYZ&.EIE
abcdefghijklmnopqrstuvwxyzfiffflffiffl
J}
J J
abcdefX'hijklmnopqrstuvwxyzfiffflffiffl
ABCDEFGHIJ KLMNOPQRSTUVWXYZ&&(E
abcdefghijklmnofujrstuvwxyztetfAfffljffiffl
"
J
Keybank
LEFT
CKeybars UC
Keybank CKeybars
14 Keybutton Clips
Keybank CKeybars
Arrangement UC1
Tabular for even sets, gives four nine-unit rows: Roman caps, small
caps (or Gothic caps), and lower case with Boldface (Cl) caps and
lower case: Modified characters
j 7 s 7
4 Keybutton Clips
J } J {
Keybank
CKeybars UC
14 Keybutton Clips
Arrangement YC1
I
'
*W
Keybank
CKeybars
WC
RIGHT
10 Keybutton Clips
Arrangement YC2
Tabular transforms seven-set faces into six-set: Roman caps, small
caps (or Gothic caps), and lower case with Boldface (C2) caps and
lower case: Modified characters
CKeybars C
Keybutton Clip
ABCDEFGH IJ KLMNOPQRSTUVWXYZ&^ECE
YC
( )$1234567890
RIGHT
Keybank CKeybars YC2
Stopbars S34
10 Keybutton Clips
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnopqrstuvwxyzffffiffl
;'t
3 Keybutton Clips
J } J J
$1234567890c.,
)"$1234S67890
RIGHT
CKeybars
Keybank
Newspaper Ad: Roman caps and lower case with Boldface (Cl) caps
and lower case and two-line figures
ABDEGHIJKMNRUVWX&^CE
:
Arrangement NCI
Tabular
,-
J J
.,-:;"!?
LEFT
Keybank CKeybars
17 Keybutton Clips
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
RIGHT
Keybank
CKeybars YC1
Keybank
Arrangement WC1
19 Keybutton Clips
.[] () "$1234567890
'
abcdefghijklmnopqrstuvwxyzfiffflffiffl
/
18
.
17 Keybutton Clips
Keybank CKeybars YC
: ; !
Stopbars S29
$1234567890KKK''ltf!%ft)* i -u-?'
LEFT
Stopbars S29
Keybank CKeybars WC
abcdefghijklmnopqrstuvwxyzfiffflffiffl .,-:;
-"-'>'
abcdefghijklmnopqrstuvwxyzaoefiffflffiffl
LEFT
18 Keybutton Clips
WC
ABDEGHIJKMNQRUVWXY&xE<E
CKeybars C2
abcdefghijklmnopqrstuvwxyzfiffflffiffl .,-:;!?
A BCDEFGHIJ KLMNOPQRSTU V WX YZ&AXE
f
I J
ABCDEFGHIJKLMNOPQRSTUVWXYZ&jECE
YC
8 Keybutton Clips
ABCDEFGHIJ KLMNOPQRSTUVWXYZ&
Keybank CKeybars
Tabular
9 Keybutton Clips
Arrangement
abcdefghijklmnopqrstuvwxyzfiffflffiffl .,-:;',,,
IJ
.,-:;"!?
Keybank
i 1
: ; t
()"$1234567800
RIGHT
".[]
'.".
Stopbars S34
CKeybars YC
$1234567890*tt11%lb t -I1-^''.".[]()"$1234567890
LEFT
RIGHT
Stopbars S27
Keybank
YC
17 Keybutton Clips
ABCDEFGHIJKLMNOPQRSTUVWXYZ&XECE
abcdef ghijklmnopqrstuvwxyzaeoefiffflffiffl
RIGHT
9 Keybutton Clips
LEFT
HIJKMNQRSUWYZ
:
()" $1234567890
[ ]
Keybank CKeybars C2
18
WC
CKeybars Cl
Arrangement UC2
abcdefghijklmnopqrstuirwxyzfiffflffiffl
Tabular for even sets, gives four nine-unit rows: Roman caps, small
caps (or Gothic caps), and lower case with Boldface (C2) caps and
lower case: Modified characters
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
3 Keybutton Clips
abcdefghijklmnopqrstuvwxyzfiffflffiffl
'-
ABCDEFGH IJKLMNOPQRSTUVWXYZ&
"$1234567890
RIGHT
Keybank
;'
abcdefghi.iklmnopqrstuvwxyzfiffflffiffl .,-:;
.".[]()
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
Arrangement
ABCDEFGHIJKLMNOPQRSTUVWXYZ&XECE
$1234567890^ K^*ttHI%tt> 4 * -*-! T
LEFT
Stopbars S27
Keybank CKeybars UC
19 Keybutton Clips
Keybutton Clip
abcdefghijklmnopqrstuvwxyzfiffflffiffl
()"$1234567890
RIGHT
ABCDEFGHIJKLMNOPQRSTUVWXYZ&XECE
.','/?
LEFT
Cl
Keybank
NCKeybars NC
9 Keybutton Clips
RIGHT
Stopbars SI 5
Keybank
NCKeybars NCI
2 Keybutton Clips
33
Arrangement NC2
Arrangement SN2
Newspaper Ad: Roman caps and lower case with Boldface (C2) caps
and lower case and two-line figures
Spanish Newspaper Ad: Roman caps and lower case with Boldface
(C2) caps and lower case and two-line figures
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
.1} tJJ?
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnopqrstuvwxyzfifffl t.
aabcdeefghiijklmnnoopqrstuuuvwxyzfi
abcdefghijklmnopqrstuvwxyzfifffl .,-::"!?
$l234567890^fHH*1tr-" .".[] () $1234567890$ 123456789Oc.,
aabcdeefghiijklmnnoopqrstuuiivwxyzfi .,-::"!?:;
$1234567890c.,
$1234567890c.,
LEFT
Keybank
NCKeybars NC
Stopbars SI?
$1234567890*1J|tt>'*--!?[]
RIGHT
NCKeybars NC2
Keybank
Keybank
LEFT
Keybars
SN
$1234567890
( )
Stopbars SI 5
SN
RIGHT
Arrangement 6N1
Ad: Roman caps and lower case with Italic caps and lower
Boldface (CI) caps and lower case and two-line figures: Modi-
Newsf>af>er
case,
fied characters
abcdefghijklmnoprstuvwxyz
$1234567890Hi
RIGHT
Keybank 6NI Keybars 6N1
3 Keybutton Clips
6 Keybutton Clips
LEFT
Keybars
GN
Stopbars SI 5
'
abcdefghijklmnopqrstuvwxyzfiff flffiffl
5 s
+-L -r
h^
+J-T
furnished as side
$1234567890c.,
6 Keybutton Clips
and
and
ABCCDEFGHIJKLMNOPQRSTUVWXYZ&
ABCCDEFGHIJKLMNOPQRSTUVWXYZ&
: ; 1
adiabccdeeeefghiiijklmnoopqrsttiuumvxyzfiffflffiffl
9l234567S90 1--a-r.[]()$1234567890
FN
LT
*^TT
IhHI
||=fj:i^|(:
+^T IHI
RIGHT
Keybank C Keybars R2
60 Keybutton Clips
C Keybars R
26 Keybutton Clips
?6 Additional Keybutton Clips
QC
abcdefghijklmnopqrstuvwxyzfiffl
S1234567890-11-.18
LEFT
Keybank C Keybars
4 Keybutton Clips
RIGHT
Keybank FN Keybars
FN
Stopbars S500
RIGHT
QC
C Keybars
Keybutton Clip
Keybank
I
QC
Arrangement QC2
Fourteen- and Eighteen-Point Composition: Roman caps and tower case
with Boldface (C2) caps and lower case
ABCCDEFGHIJKLMNOPQRSTUVWXYZ&
ABCQDEFGHIJKLMNOPQRSTUVWXYZ&
aaabccdeeeefghiiijklmnoopqrstuuuvwxyzfifffl
<
abcdefghijklmnopqrstuvwxyz .,-:'?
',
'.
$1234567890-**-.".
aaabccdeeeefghiiijklmnoopqrstuuuvwxyzfifffl
.,-:;"!?
1
$12345678901 tbi -i*- '[]( ) $1234567890
Keybank
LEFT
Keybars
RIGHT
Keybars
Stopbars SI 5
FN
Keybank
Stopbars S?00
RIGHT
QC
C Keybars
Keybutton Clip
Keybank
4 Keybutton Clips
$1234567890c.,
FN
=*==*==? 1==!
Keybank
French Newspaper Ad: Roman caps and lower case with Boldface (C2)
caps and lower case and two-line figures
Keybank
14.= = =
----- H J "-n r
^^
hH
Arrangement and
Arrangement FN2
LEFT
Keybars
-I
this
sorts:
Stopbars SI?
3 Keybutton Clips
FN
r.|.
\l=P
I?n
LEFT
"=^1
!?
$1234567890c.
Stopbars SI 5
=U
+ ^-r
abcdefghijklmnopqrstuvwxyz .,-:;'?
LEFT
Keybank FN Keybars
Arrangement
FN
lower case
=--~_ J
=ll
RIGHT
LEFT
Stopbars SI?
Keybank 6NlKeybars 6N1
Keybank 6NI Keybars 6N2
H -~_
J-T H
$1234567890
Arrangement
..-:;"!?
ABCDEFGHIJKLMNOPORSTUVWXYZ& ..-:;"
'
abcdefghijklmnopqrstuvwxyz .,-:''
Keybutton Clip
GNI
ABCDEFGHIJKLMNOPQRSTUVWXYZa .,-:;"!?
: ;
RIGHT
Keybars
GN
Keybank
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
ABCDEFGHIJKLMNOPQRSTUVWXY&
?
abcdefghijklmnopqrstuvwxyz
ABCDEFGHUKLMNOPRSTUVWY
abcdefghijklmnopqrstuirwxyz
ABCDEFGHIJKLMNOPQRSTUVWXY&
( )
Stopbars SI?
GN
Arrangement R2
fied characters
$1 234567890*?
Arrangement 6N2
Cross-rule:
series of cross-rules with Boldface (CI) caps and lower
case and Gothic (C2) caps and small caps: Modified characters
Newspaper Ad: Roman caps and lower case with Italic caps and lower
case. Boldface (C2) caps and lower case, and two-line figures: Modi-
$1234567890c.
Keybank
:;'!?"()
:;'!?"(
a-' $12345"67890
aa6cbef86ijflmno6ntf^tuiiDtt)rD,5rf)cffiffflfiffftftb .,
$1234567890c.,
LEFT
: ;
$1234567890A ?( ) $1234567890
SN2
Arrangement GN1
j 5
. ,
German Newspaper Ad: Lightface caps and lower case with Boldface
caps and lower case and two-line figures
ABCDEFGHIJKLMNOPQRSTUVWXY&
?
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPRSTUVWXY&
abcdefghijklmnopqrstuvwxyz
ABCDEFGH IJ KLMNOPQRSTUVWXY&
.
SN Keybars
Keybutton Clip
Keybank
2 Keybutton Clips
QC2
Plate Gothic
FN2
Size No.
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
Arrangement
SN
Italic
'
J1234567890.,-:
ABCDEFGHIJKLMNNOPQRSTUVWXYZ&
aabcde6fghiijklmnflo6pqrstuuUvwxyzfi
ABCDEFGHIJKLMNNOPQRSTUVWXYZ&'
.
aibcdeefghiijklmnilotipqrstuuuinvxyzfi
: ;
',
$1234567890.,-:;"
Size No. 2
ABCDEFGHIJKLM NOPORSTUVWXYZa
caps
$1234567890
! ? / 1
ABCDEFGHIJKLMNOPORSTUVWXYZa
'
IUUK7IM
$1234567890c.
2 Keybutton Clips
SN
Stopbars SI 5
RIGHT
Keybank SN Keybars
3 Keybutton Clips
.,-::"
Size No. 4
LEFT
Keybank SN Keybars
;'
Size No. 3
ABCDEFGHIJKLMNOPORSTUVWXYZa
?.".
SN
AJt
'
base of cap
LEFT
Keybank
PGKeybar PC
RIGHT
Keybank
PGKeybar PC
Book Arrangement C
No. 1A.
Composition Matrices
8 Point No. 1A, 7 Set
MONOTYPE FACES
The
is
MONOTYPE FACES
all
useful pre-
cedent and the progressive tendencies of an able mind. For, let a man be as able
and original as he may, he cannot afford to discard knowledge of what has gone
before or what
of today
an
art,
is
now
do not wish
going on in his
own
to be esteemed arrogant
If
the printers
they must be willing, and show that they are willing, to subject it to such
made its sister arts so free. All those concerned in what are accepted
laws as have
as the fine arts, the learned sciences, and professions surround themselves with the
history, literature,
larly engaged.
Yet
it is
of the
The
its
have accomplished and are accomplishing throughout the world. For to follow
precedent wisely does not mean to imitate slavishly one great exemplar, but to
all masters faithfully, letting their great achievements sink slowly into the
in order that we may patiently derive from the richness of our acquired
knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance; while the
slower, more solidly endowed student will at least spend as much of his time in
avoiding mistakes as in evolving the brilliant schemes wherewith to dazzle his
contemporaries. The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of a firm conception of
all useful precedent and the progressive tendencies of an able mind.
For, let a
man be as able and original as he may, be cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade and profession.
If the printers of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they are willing, to
subject it to such laws as have made its sister arts so free. All those concerned
in what are accepted as the fine arts, the learned sciences, and professions surround
themselves with the history, literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in rare instances that such an
Art
atmosphere, with its material appurtenances, is to be found in a printing office.
study
mind
ticeship;
is
itself
mind.
For, let a
afford to discard
man
knowledge
it
made
so free.
All
those concerned in what are accepted as the fine arts, the learned
sciences,
history, litera-
does not mean to imitate slavishly one great exemplar, but to study
all the masters faithfully, letting their great achievements sink slowly
into the mind in order that we may patiently derive from the richness
of our acquired knowledge and organized system an attitude of our
own. The sprightly minded young man, who with his first business
breath projects the new and startling, inevitably becomes tiresome,
and is driven to an early disappearance; while the slower and more
solidly endowed student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle his contem-
does not flourish in hidden places, nor under restraint, nor in ignorance of what talent
12345
12345
67890$
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ltS45
678901
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
The
is
itself
If
arts so free.
literature,
12345
and con-
The
concrete examples of work with which they are parYet it is only in very rare instances
ticularly engaged.
that such an atmosphere, with its material appurtenances,
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 4A.
Book Arrangement C
Composition Matrices
10 Point No. 4A, 10 Set
MONOTYPE FACES
MONOTYPE FACES
The
is
after a
and
original as
discard knowledge of
Yet
it is
12345
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Book Arrangement C
No. 5A.
Composition Matrices
6 Point No. 5A, 7f Set
MONOTYPE PACES
MONOTYPE PACES
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws as have made its
All those concerned in what are accepted as the
sister arts so free.
The
12345
67890$
abcdefghijklmnopqrstuvwxyz
The
temporaries.
12345
which comes
after
67890$
67890$
abcdefghijklmnopqrstuvwxyz
123Jf5
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Words
is that
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
a to z 16.92
kind of originality
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
best
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTTJVWXYZ
12345
The
to Pica .61
Ems
Words
a to z 16.59
to Pica .57
MONOTYPE FACES
MONOTYPE FACES
The
The
follow precedent wisely does not mean to imitate slavishly one great exemplar, but to study all masters faithfully,
letting their great achievements sink slowly into the mind
12345
12345
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQR8TUVWXYZ
1234S
67890$
abcdefghijklmnopqrstuvwxyz
12345
a to z 15.60
Words
to Pica .52
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRNTUVWXYZ
Ems
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
a to z 14.42
Words
to Pica .49
Book Arrangement C
No. 5A.
Composition Matrices
9 Point No. 5A, 9f Set
11 Point
MONOTYPE FACES
The
is
an able mind.
For, let
the professions surround themselves with the hisand concrete examples of the
work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to
tory, the literature
12345
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
a to z 12.11
Words
to Pica .52
is that which
sound apprenticeship; that
shall prove to be the blending of a
firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let any man be as able and as original as he may, he cannot well afford to
comes
which
after a
1234
567$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
5 A, 11 J Set
MONOTYPE FACES
No.
123456
abcdefghijklmnopqrstuvwxyz
7890$
A BCDEFGHIJKLMNOPQRS TUVWX
Ems
a to z 13.42
Words
to Pica .38
more than
COMPOSING
efficiently
leads,
and
slugs.
THE MONOTYPE
is
straight matter.
his efficiency
and making
most
does the
much
Monotype
the
effi-
room employee
by eliminating
NOT ONLY
handles the
work highly
his
it
composition as easily as
intricate
furnish .a
Book Arrangement C
No. 8A.
Composition Matrices
4 Point No. 8A, 5 Set
shall
do not wish to be esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its
All those concerned in what are accepted as the fine arts, the learned sciences;
sister arts so free.
and professions, surround themselves with the history, the literature, and concrete examples of the
printers of today
Yet
it is
Body
MONOTYPE FACES
MONOTYPE FACES
The
what is now going on in his own trade and profession. If the printers
today do not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing, to subject it to such
laws as have made its sister arts so free.
All those concerned in what are accepted
before or
of
mean
to
litate slavishly
ir
olidly
:
iicesnip:
me
IJI^IIUIIIK
01
iirni
endowed student
brillu
c<mrt;pii<m 01
;tu
uj-cnn [in
unit
If
all
the masters
The
h..
irb
Ill:
h of his. time
in avoiding
itelu
olvim- In:
useful precedent and the progressive tendencies of an able mind. For, let a man be as
original at he may. he rannot afford to ditrard knowledge uf what hat gone before or what it n
on in hit own trade and profettion. // the printen of today do not wink to be etteemed arrogant when
they term Ihit rolling of theirt an art, they mutt be tnltimi. and thow that they are witting, to tubiecl it
to tuch taws as hate made itt titter artt to free. All thote conferned in what are accepted at the fine
arli. Ih4 Itarned tnencu; and profit,, out turround themteliet with the hittory, the literature, and eoni
12345
abcdefghijklmnopqrstuvwxys
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abrdtfghijklmnopqrttutvlvi
A BCDBrOUIJKLItKOfQRSTUVWX YZ
7X'JI|
history, literature,
larli
-.Ml.
material appurtenances,
in
12345
ABCDEFOHIJKLMNOPO.R8TUVWXYZ
abcdefohiiklmnopqrstuvwxui
A.BCDEFGHIJKLMNOPQRSTUVWXYZ
B78U08
No. 8A.
Book Arrangement C
Composition Matrices
Point No. 8A, 6i Set
MONOTYPE FACES
MONOTYPE FACES
Tbe
beat kind of originality Is that which comes after a sound apprenticeship; that which shall prove to be the blending of a nrm conception of all
useful precedent and the progressive tendencies of an able mind.
For.
let a man be as able and original as he may. he cannot afford to discard
now
on
In his own trade
going
knowledge of what has gone before or what Is
and profession. If the printers of today do not wish to be esteemed arro-
gant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject It to such laws as have made Its sister
All those concerned In what are accepted as the fine arts, the
arts so free.
learned sciences, and the professions surround themselves with the history,
literature, and concrete examples of the work with which they are particuYet It Is only In rare Instances that such an atmosphere,
larly engaged.
with Its material appurtenances, Is to be found In a printing office. Art does
not flourish In hidden places, nor under restraint, nor In Ignorance of what
talent and genius have accomplished and are accomplishing throughout the
world.
For to follow all precedent wisely does not mean to Imitate slavishly
one great exemplar, but to study all masters faithfully, letting their great
achievements sink slowly Into the mind In order that we may patiently derive from the richness of our acquired knowledge and organized system an
The sprightly minded young man, who with his first
attitude of our own.
business breath projects the new and startling. Inevitably becomes tiresome,
and Is driven to an early disappearance; while the slower, more solidly endowed student will at least spend as much of his time in avoiding mistakes
as In evolving brilliant schemes wherewith to dazzle his contemporaries.
The best kind of originality Is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For, let
any man be as able and original as he may, he cannot well afford to discard
knowledge of what has gone before or Is now going on In his own trade and profession.
If the printers of today do not wish to be esteemed arrogant when
they term this calling of theirs an art, they must be willing, and show that
they are willing, to subject It to such laws as have made its sister arts so
All those concerned in what are accepted as the fine arts, the learned
free.
sciences, and professions surround themselves with the history, literature,
and concrete examples of the work with which they are particularly engaged.
Yet it is only in eery rare instances that such an atmosphere, with its material
12345
abcdefghljklmnopqrstuvwxyz
67890$
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
For, let a
afford to discard
sciences,
phere, with
office.
12345
1SS4S
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
The
may,
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an
art, they must be willing, and show that they are willing, to
All
subject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround themselves with
the history, literature, and the concrete examples of the work
with which they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its material apArt does not
is to be found in a printing office.
hidden places, nor under restraint, nor in ignorance
of what talent end genius have accomplished and are accomFor to follow precedent wisely
plishing throughout the world.
does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the
purtenances,
flourish in
new and
an
The
man
12345
12345
abcdefghijklmnopqrstuvwxyz
67890$
A BCDEFGHIJKLMNOPQRS TUV WX YZ
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890S
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
to
67890$
ABCDEFGHIJKLMNOPQRBTUVWXYZ
abcdefgMJklmnopgrstumcxvz
original as he
in
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTOVWXYZ
material appurtenances,
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ltS4B
its
67890$
12845
abcdefghijklmnopqrstuvwxyz
A BCDEFGHIJKLMNOPQRSTUVWX YZ
67890$
Book Arrangement C
No. 8A.
Composition Matrices
10 Point No. 8A, 10 Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after
a sound apprenticeship; that which shall prove to be
The
all
useful precedent
12345
67890$
abcdefghijklmnopqrstuvwxyz
The
after a
discard knowledge of
what
is
fession.
now
If
going on in his own trade and prothe printers of today do not wish to
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
11 Point
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12 Point
comes
which
originality
is
MONOTYPE FACES
MONOTYPE FACES
The very best kind of
67890$
that which
after a
The
is
that which
mind.
fore or
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234
abcdefghijklmnopqrstuvwxyz
567$
ABCDEFGHIJKLMNOPQRSTUVW
No. 8A.
MONOTYPE FACES
of originality is that which comes after a sound apprenshall prove to be the blending of a firm conception
which
that
ticeship;
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such laws
as have made its sister arts so free. All those concerned in what are
accepted as the fine arts, the learned sciences, and professions surround
themselves with the history, the literature, and concrete examples of the
work with which they are particularly engaged. Yet it is only in rare
instances that such an atmosphere with its material appurtenances, is
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
18 Point
MONOTYPE FACES
The best kind
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
Class C Matrices. Fonts shown on this page not included in Library and will not be leased. To use
these faces for composing matter in justified lines S500 stop bars are required. Use left keybars QC;
use right keybars QC when combined with Italic; use right keybars QC2 when combined with BoldThe 18 point attachment and S500 wedges are required for casting.
face; use standard keybanks.
No. 8C.
MONOTYPE FACES
The
kind of originality is that which comes after a sound apprenticewhich shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. For, let a
man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his own trade and
profession. If the printers of today do not wish to be esteemed arrogant
when they term this calling of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws as have made its sister arts
so free. All those concerned in what are accepted as fine arts, the learned
sciences, and professions surround themselves with the history, the literature, and concrete examples of the work with which they are particularly
engaged. Yet it is only in rare instances that such an atmosphere with its
material appurtenances, is to be found in a printing office. Art does not
best
ship; that
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX YZ
$1234567890
18 Point No. 8C, 18 Set
MONOTYPE FACES
The best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers
of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
C
Matrices. Fonts shown on this page not included in Library and will not be
use these faces for composing matter in justified lines S500 stop bars are required. Use left key bars QC for the Roman; use right keybars QC for the Italic; use
standard keybanks. The 18 point attachment and S500 wedges are required for casting.
Class
leased.
To
Book Arrangement C
No. 13 A.
Composition Matrices
6 Point No. ISA, 8
Set
MONOTYPE FACES
MONOTYPE FACES
The
sound apprenticeship;
and concrete examples of work with which they are parYet it is only in yery rare instances that
ticularly engaged.
such an atmosphere, with its material appurtenances, is to
ments sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge
and organized system an attitude of our own. The sprightly
minded young man, who with his first business breath projects the new and startling, inevitably becomes tiresome,
and is driven to an early disappearance; while the slower
and more solidly endowed student will at least spend as much
12345
67890$
abcdefghijklmnopqrstuvwxyz
12345
67890$
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEPGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS T UVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
The
is
;
places,
nor under
restraint,
12345
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
123U5
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS T UVWXYZ
Book Arrangement C
No. 14 A.
Composition Matrices
12 Point
MONOTYPE FACES
The
is
rare instances that such an atmosphere with its material appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance
of what talent and genius have accomplished and are accomFor to follow precedent wisely
plishing throughout the world.
does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from
67890$
abcdefghijklmnopqrstuvwxyz
The
67890$
12345
12 Point
abcdefghijklmnopqrstuvwxyz 67890$
12345
abcdefghijklmnopqrstuvwxyz
MONOTYPE FACES
man
have
made
its
it
to
such laws as
so free.
sister arts
12345
All those
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
11 Set
MONOTYPE FACES
best kind of originality is that which
comes after a sound apprenticeship; that
For, let a
to such laws as
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 214A,
The
shall
it
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
which
that which
after a
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
is
comes
which
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
11 Set
MONOTYPE FACES
12345
No. 14A,
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Book Arrangement C
No. 19 A.
Composition Matrices
6 Point No. 19A, 1\ Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies
of an able mind.
For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession. If the
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies
of an able mind.
For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant when they
that they are willing, to subject it to such laws as have made its
All those concerned in what are accepted as
sister arts so free.
the fine arts, the learned sciences, and the professions surround
themselves with the history, literature, and concrete examples of
Yet it is only
the work with which they are particularly engaged.
in rare instances that such an atmosphere, with its material appurArt does not flourish
tenances, is to be found in a printing office.
in hidden places, nor under restraint, nor in ignorance of all that
talent and genius have accomplished and are now accomplishing
throughout the world. For to follow precedent wisely does not
mean to imitate slavishly one great exemplar, but to study all
masters faithfully, letting their great achievements sink slowly
into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude
of our own.
The sprightly minded young man, who with his first
business breath projects the new and startling, inevitably becomes
very tiresome, and is driven to an early disappearance; while the
slower, more solidly endowed student will at least spend as much
of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality is that which comes after a sound apprenticeship; that
which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford
to discard knowledge of what has gone before or what is now going on in
his own trade and profession.
If the printers of today do not wish to
The
12345
The
term
an
art,
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
The
of the
work
For
to
12345
mean
the ivorlfl.
to
imitate
of originality
an
attitude of our
abcdefghijklmnopqrstuvwxyz
own.
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
man
Composition Matrices
7
Book Arrangement C
MONOTYPE FACES
The
or
If
an
art,
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
No. 20A.
Book Arrangement C
Composition Matrices
8 Point
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
The
ticeship;
mind.
abcdefghijklmnopqrstuvwxyz
such laws as have made its sister arts so free. All those
concerned in what are accepted as the fine arts, learned
sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work
with which they are particularly engaged. Yet it is only
in very rare instances that such an atmosphere, with its
material appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under restraint,
nor in ignorance of what talent and genius have accomplished and are now accomplishing throughout the world.
For to follow all precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all masters faith-
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
The best kind
which comes
that which shall
of originality is that
a sound apprenticeship;
prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going
on in his own trade and profession. If the printers
of today do not wish to be esteemed arrogant when
after
surround themselves with the history, the literature, and concrete examples of the work with which
they are particularly engaged. Yet it is only in
very rare instances that such an atmosphere, with
its material appurtenances, is to be found in a printArt does not flourish in hidden places,
ing office.
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
is
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
after a
the literature,
12345
abcdefghijklmnopqrstuvwxyz
work
Yet
it
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
and
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 20A.
Book Arrangement C
Composition Matrices
11 Point
No. 20 A,
11 Set
MONOTYPE FACES
The very best kind of
comes
which
originality
is
MONOTYPE FACES
that which
comes
which
it to such laws as
so free.
All those
concerned in what are accepted as the fine
arts, the learned sciences, and professions surround themselves with the history, literature, and
concrete examples of work with which they are
have made
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12 Point No. 20A, 12 Set
MONOTYPE FACES
The
comes
which
is
that which
after a
shall
a firm conception of
all
useful precedent
12345
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
it to
such laws
No. 20
14 Point No. 20
is
It is
$1234567890
18 Point No. 20
ELEVEN GOVERNMENTS
Throughout the World use the Monotype on
of Plain and Intricate Work
all
Classes
$1234567890
24 Point No. 20
INTRICATE
No Job
is
WORK
at-a-time" Machine
$1234567890
30 Point No. 20
STANDING MATTER
Expense Reduced to the Bare Cost
of the Monotype Metal
$1234567890
36 Point No. 20
THE CHEAPEST
To Buy, To Maintain, To Run
No. 201
$1234567890
18 Point No. 201
to
$1234567890
24 Point No. 201
CONTINUOUS LINES
Of Sixty Picas; a Record Unequalled by
Any Other Machine
$1234567890
30 Point No. 201
A GOOD MACHINE
Must Cast Separate Type.
the
It is
Way
No.
Book Arrangement C
3 4 A.
Composition Matrices
6 Point No. 34A, 6j Set
8 Point
MONOTYPE FACES
The
is that which comes after a sound apprenticethat which shall prove to be the blending of a firm conception of all
useful precedent and of the progressive tendencies of an able mind.
For,
let a man be as able and original as he may, he cannot afford to discard
ship;
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
arts so free.
learned sciences, and the professions surround themselves with the history,
literature, and concrete examples of the work with which they are particuYet it is only in rare instances that such an atmosphere,
larly engaged.
12345
The
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQUSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRS TUVWXYZ
abcdefghijklmnopqrstuvwxyz
MONOTYPE FACES
sound apprenticeship;
is
MONOTYPE FACES
man
now going on
own
in his
If the
made
so free.
All those
-'> 1">
the world.
For
to
follow
12345
1 1 1.1
is
may, he cannot
afford to discard
knowledge of what
abcdefghijklmnopqrstuvwxyz
07890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopfirstuvwxyz
of originality
12345
abcdefghijklmnopqrstuvwxyz
67890S
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
ABCDEFGttUKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
original as he
ABCDEFGHIJKLMNOPQRSTUVWXYZ
9 Point
is
67890$
abcdefghijklmnopqrstuvwxyz
12345
MONOTYPE FACES
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
A BCDEFOHIJKLMNOrQRS TUVWX YZ
12345
abcdefghijklmnopqrsturjwxyz
A BCDEFGIIIJKLMNOPQRS TUVWXYZ
No.
Book Arrangement C
3 4 A.
Composition Matrices
11 Point
MONOTYPE FACES
MONOTYPE FACES
The
is
For, let a
man
be as
of originality
is
that which
after a
shall
fession.
12345
abcdefghijklmnopqrstuvwxyz
67890$
For, let a
man
in his
own
If the
made
it
so free.
to such laws as
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRS TUVWX YZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS TUVWX YZ
No.
3 6 A.
Book Arrangement C
Composition Matrices
8 Point No. 36A, 8 Set
MONOTYPE FACES
MONOTYPE FACES
that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For,
let a man be as able and original as he may, he cannot afford to discard
The
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
The
arts so free.
is
learned sciences, and the professions surround themselves with the history,
literature, and concrete examples of the work with which they are particularly engaged.
with
Yet
it is
material appurtenances,
its
not flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout the
world.
For to follow all precedent wisely does not mean to imitate slavishly
one great exemplar, but to study all masters faithfully, letting their great
achievements sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an
attitude of our own.
The sprightly minded young man, who with his first
business breath projects the new and startling, inevitably becomes tiresome,
and is driven to an early disappearance; while 'the slower, more solidly endowed student will at least spend as much of his time in avoiding mistakes
as in evolving brilliant schemes wherewith to dazzle his contemporaries.
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For, let
any man be as able and original as he may, he cannot well afford to discard
own
and
what
has
or
it
now
on
in
his
trade
proknowledge of
gone before
going
fession.
If the printers of today do not wish to be esteemed arrogant when they
12345
a firm conception of
purtenances,
flourish in
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
MONOTYPE FACES
MONOTYPE FACES
The
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
678909
abcdefghijklmnopqrstuvwxyz
useful precedent
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
after a
discard knowledge of
what
abcdefghijklmnopqrstuvwxyz
is
fession.
now
If
going on in his own trade and prothe printers of today do not wish to
12345
Yet
it
is
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
man
subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround themselves with
the history, literature, and the concrete examples of the work
with which they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its material ap-
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
For, let a
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
useful precedent
original as
67890$
abcdefghijklmnopqrstuvwxyz
all
67890$
A BCDEFGHIJKLMNOPQRS TUVWX YZ
123^5
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No.
Book Arrangement C
3 6 A.
Composition Matrices
11 Point
No. 36A,
11 Set
MONOTYPE FACES
MONOTYPE FACES
The very
The
which
comes
which
man
12345
6789$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
mind.
fore or
ABCDEFGHIJKLMNOPQRSTUVW
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234
abcdefghijklmnopqrstuvwxyz
567$
ABCDEFGHIJKLMNOPQRSTUVW
No. 36
Display Matrices
14 Point No. 36
MATTER
MATTER
Tariff,
ALL
IS STRAIGHT
Tabular and Intricate Catalogue Composition Handled
Straight Matter on the Monotype
like
$1234567890
18 Point No. 36
all
24 Point No. 36
its
own
Matrices
$1234567890
30 Point No. 36
A MATRIX LIBRARY
All Faces Leased to Customers, just
like a Circulating Library
$1234567890
36 Point No. 36
BUY A MACHINE
With a Repeat-order Record
$1234567890
No. 361
Display Matrices
14 Point
No. 361
PROGRESSIVE PUBLISHERS
one of the best Advertising Solicitors they
ever Employed for their Daily and Sunday Papers
Caster
is
$1234567890
18 Point
No. 361
IT SATISFIES ADVERTISERS
Monotype Composition
is
Advertising Department
$1234567890
24 Point No. 361
ADVERTISING COSTS
Reduced and Advertisers Pleased with
Clean Monotype Work
$1234567890
30 Point No. 361
in a Newspaper
Office with the Monotype
$1234567890
36 Point No. 361
MONOTYPE TYPE
Makes a Smart Newspaper
$1234567890
Composition Matrices
11 Point
Arrangement S2489
MONOTYPE FACES
Tfee fees*
fe4
el originality is tfeft*
ft&ef ft sound appronticc-
which comes
sfeip; *feft% which
prove %e fee
conception of
sfefttt
fiwft
*fee
fttt
blending el
useful precedent ft4 tfee progressive
tendencies el ftft ftfele *mft4. Fe? let ft
ft
iftft
ft4
el w-ktrt
fefts
gee
original
fts fee
ftet w4sfe
te
fee
mfty,
te discard knowledge
feefe^e e* w-hft* is
ft4
today
esteemed arrogant w-feea-
abcdGfghijklmnopqrstuvwxyz
ADCDEFGIIIJKLMNOPQRSTUVW
$1231567890
No. 150A except that
These matrices are the same as the 11 point
Price Class D. Special
thev are arranged for cancellation work
included
library and not leased.
keybar required for composition. Not
Book Arrangement C
No. 150 A.
Composition Matrices
6 Point No. 150A, 7| Set
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies
of an able mind.
For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession. If the
The
to discard
The
12345
abcdefghijklmnopqrstuvwxyz
67890$
sound apprenticeship;
man
willing,
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
67890$
12345
A DCDEFGHIJKLMNOPQRSTU VWX YZ
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after
a sound apprenticeship; that which shall prove to be
man
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
12345
abcdefghijklmnopqrstuvwxyz
under
restraint,
nor in ignor-
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDKFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGJIIJKLMNOPQRSTUVWXYZ
The
let a
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
72.745
MONOTYPE FACES
MONOTYPE FACES
67890$
A BCDEFGHIJKLMNOPQRSTU VWX YZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
A BCDEFGHIJKLMNOPQRST U VWXYZ
Book Arrangement C
No. 150 A.
Composition Matrices
10 Point No. 150A, 11 Set
11 Point
MONOTYPE FACES
MONOTYPE FACES
The very
The
which
which
shall
have made
its sister
arts so free.
All those
fine
mind.
fore or
what
is
now going on
If
in his
own
the printers of
today do not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show
that they are willing, to subject it to such
laws as have made its sister arts so free.
A II those concerned in what are accepted as
the fine arts, the learned sciences,
and
the
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWX
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS T U VWX YZ
ABCDEFGHIJKLMNOPQRSTU VW
MONOTYPE FACES
MONOTYPE FACES
The very
ship;
useful precedent
and
of the progressive
For, let
any man
12345
The very
that
abcdefghijklmnopqrstuvwxyz 67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
is
which comes after a sound apprenticeship; that which shall prove to be the
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTU VWXYZ
and show
that
No. 152 A.
Book Arrangement C
Composition Matrices
8 Point No. 152 A, 8i Set
MONOTYPE FACES
MONOTYPE FACES
The
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX YZ
now
is
going on in his
fession.
If the printers of
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
is
sound apprenticeship;
after a
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 175 A.
Book Arrangement C
Composition Matrices
5 Point
MONOTYPE FACES
MONOTYPE FACES
is that which comes after a sound apprenticeship; that
prove to be the blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a man be as able and original
as he may, he cannot afford to discard knowledge of what has gone before or what is
now going on in his own trade and profession. If the printers of today do not wish
The
which
shall
to be esteemed arrogant
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able
For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
mind.
in a printing office.
Art does not flourish in hidden places, nor under restraint.
ignorance of what latent and genius have accomplished and are accomplishing
tiiluli' flu
For to follow all precedent wisely does not
throughout the world.
12345
12345
abcdefghijklmnopqrstuvwxyz
67890$
phere, with
office.
in
67890$
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences and the professions, surround themselves with
the history, literature, and the concrete examples of the work
with which they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance
of what talent and genius have accomplished and are accomFor to follow precedent wisely
plishing throughout the world.
does not mean to imitate slavishly one great exemplar, but to
study all "masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the
new and startling, inevitably becomes tiresome, and is driven
to an early disappearance; while the slower, more solidly endowed
student will at least spend as much of his lime in avoiding mistakes
67890$
man
12345
A BCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQBSTUVWXYZ
abcdefghijklmnopqrsluvwxyz
Set
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrsluvwxyz
A BCDEFGHIJKLMNOPQRSTUVWX YZ
The
1234.'
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHUKLMNOPQR8TUVWXYZ
abcdefghijklmnopqrstutwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
abcdefghijklmnopqrstuvwxyz
A BCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
Book Arrangement C
No. 175 A.
Composition Matrices
10 Point
MONOTYPE FACES
MONOTYPE FACES
The
The
man
let
own
what
is
now
going on in his
12345
67890$
abcdefghijkhnnopqrstuvwxyz
ABGDEFGHIJKLMNOPQRSTUVWXYZ
of all useful precedent and the progressive tendencies of an able mind. For, let a man be as
and
it to such laws as
have made its sister arts so free. All those who are
concerned in what are accepted as the fine arts,
the learned sciences and the professions, surround
abcdefghijklmnopqrstuvwxyz
12345
abcdefghijklmnopqrstuvwxyz
12345
comes
which
12 Point
is
man
in his
12345
abcdefghijklmnopqrstuvwxyz 67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 175 A,
12 Set
The
which
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
shall
it
to
such laws as
ABCDEFGHIJKLMNOPQRSTUVW
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
MONOTYPE FACES
that which
For, let a
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
of originality
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
The very best kind
concrete
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
A BCDEFGHIJKLMNOPQRSTUVWXYZ
11 Point
and
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
original as he
discard knowledge of
1234
abcdefghijklmnopqrstuvwxyz
567$
ABCDEFGHIJKLMNOPQRSTUVW
No. 175
14 Point No. 175
It is
one
$1234567890
A
full
OUR SUCCESS
Is
A GREAT ASSORTMENT
Of beautiful
mand
faces
is
at your
com
Matrix Library
$1234567890
in the
A TYPE CASTER
Is
$1234567890
No. 1751
14 Point No. 1751
the
MONOTYPE COMPOSITION
Is clean, accurate, legible, neat and well spaced
can be said of good composition
all that
$1234567890
24 Point No. 1751
THE MONOTYPE
Is a machine that brings into existence
type and new rule for every job
new
$1234567890
30 Point No. 1751
MONOTYPE TYPE
Answers every possible requirement
of particular advertisers
$1234567890
36 Point No. 1751
MONOTYPE
Will make a good impression
No. 175 A.
Composition Matrices
14 Point No. 175A, 14 Set
MONOTYPE FACES
that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such laws
as have made its sister arts so free. All those concerned in what are
accepted as the fine arts, the learned sciences, and professions surround
themselves with the history, the literature, and concrete examples of the
work with which they are particularly engaged. Yet it is only in rare
instances that such an atmosphere with its material appurtenances, is
The
is
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
18 Point No. 175A, 18 Set
MONOTYPE FACES
The best kind
is
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
Class C Matrices. Fonts shown on this page not included in Library and will not be leased. To use
these faces for composing matter in justified lines S500 stop bars are required. Use left keybars QC;
use right keybars QC when combined with Italic; use right keybars QC2 when combined with BoldThe 18 point attachment and S500 wedges are required for casting.
face; use standard keybanks.
No. 175C.
QC
Job Arrangement
Composition Matrices
14 Point No. 175C, 14 Set
MONOTYPE FACES
a sound apprena
blending of firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profess ion. If the printers of today do not wish to be esteemed
arrogant when they term this calling of theirs an art, they must be willing,
and show that they are willing, to subject it to such laws as have made its
sister arts so free. All those concerned in what are accepted as the fine arts,
the learned sciences and profess ions, surround themselves with the history,
the literature, and concrete examples of the work with which they are particularly engaged. Yet it is only in rare instances that such an atmosphere
with its material appurtenances, is to be found in a printing office. Art
kind of originality is
ticeship; that which shall prove
The
best
that
which comes
after
to be the
abcdefgh ijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
18 Point No. 175C, 18 Set
MONOTYPE FACES
The best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let any
man be as able and original as he may, he cannot afford
to discard
now going on
in his
own
trade
is
and profession.
If the
be esteemed arrogant
abcdefgh ijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Matrices. Fonts shown on this page not included in Library and will not be
use these faces for composing matter in justified lines S500 stop bars are required. Use left keybars QC for the Roman; use right keybars QC for the Italic; use
standard key banks. The 18 point attachment and S500 wedges are required for casting.
Class
leased.
To
No. 375
IT POSSIBLE
and Insures the Highest
Work
$1234567890
18 Point No. 375
from Five
$1234567890
24 Point No. 375
the Keyboard;
There
Movement
is
the
Same
Identical
to
Every Key
$1234567890
30 Point No. 375
THE MONOTYPE
Is
$1234567890
36 Point No. 375
No. 3751
It is
Very Adaptable
to
Many
$1234567890
18 Point No. 3751
and
Better
$1234567890
24 Point No. 3751
THE MONOTYPE
only Composing Machine that Furnishes
a Product Identical with Foundry Type
Is the
$1234567890
30 Point No. 3751
of Your
Composing Room
$1234567890
36 Point No. 3751
RAISE YOUR
Quality and Reduce all Complaints
$1234567890
Book Arrangement C4
No. 21 6 A.
Composition Matrices
8 Point No. 216A, 5
Set
MONOTYPE FACES
MONOTYPE PACES
The best kind
of originality is that
of originality is that
an able mind.
give tendencies of
For, let a
man be
sive tendencies of
If
is
now going on
in his
own
when
they term this calling of theirs an art, they must be willing, and show that they are willing,
to subject
it
to such laws as
have made
its
AH
with the history, literature, and concrete examples of the work with which they are par-
Yet
engaged.
appurtenances,
is
to
it is
be found in a printing
its
material
office.
nor under restraint, nor in ignorance of what talent and genius have accomplished and are
all
in order that
mean
to
we may
ness of our acquired knowledge and organized system an attitude of our own. The sprightly
is
new and
startling, in-
is
that which
now going on
in his
If
own
when
they term this calling of theirs an art, they must be willing, and show that they are willing,
to subject
it
to
made
its
All those
concerned
in
what
are accepted as the fine arts, the learned sciences, and professions surround themselves
engaged . Yet it is only in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art does not flourish in hidden places,
nor under restraint, nor in ignorance of what talent and genius have accomplished and are
accomplishing throughout the world. For to follow precedent wisely does not mean to
ticularly
imitate slavishly one great exemplar, but to study all masters faithfully, letting their great
achievements sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly
minded young man, who with his first business breath projects the new and startling, inevitably
comes
after a
shall prove to
For, let a
man be
is
an able mind.
If
For, let a
calling of theirs
an
art,
this
they must be willing, and show that they are willing, to subject
it
man be
all
an
art,
have made
its sister
arts so free.
Yet
tenances,
is to
it is
All those
and concrete examples of the work with which they are particularly
only in rare instances that such an atmosphere, with its material appur-
be found
in
in a printing office.
11234567890
Words
abcdefghijklmnopqrstuvwxyz
8.78
ABCDEFOHIJKLMNOPQRSTUVWXYZ
Ems atoz
as the fine arts, the learned sciences, and professions surround themselves with the
engaged.
the printers of today do not wish to be esteemed arrogant
calling of theirs
history, literature,
If
is
to such laws as
an able mind.
fession.
man
of
of
For, let a
with the history, literature, and concrete examples of the work with which they are par-
are accepted as the fine arts, the learned sciences, and professions surround themselves
ticularly
an able mind.
to Pica .80
THE
if
desired,
giving their
furnish
No. 15E.
Book Arrangement C
Composition Matrices
6 Point No. 15E, 7 Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which conies after a sound apprenthat which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
ticeship;
mind.
abcdefghijklmnopqrstuvwxyz
12345
67890$
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an early
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
678(10$
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a
man be as able and original as he may, he cannot afford
now
going on in his
printers of today
own
in
12345
abcdefghijklmnopqrstuvwxyz
67890$
The
ABCDEFGHIJKLMNOPQRSTUVWX YZ
is
flourish in
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
to be found in a printing
office.
Art does not
hidden places, nor under restraint, nor in
ignorance of what talent and genius have accomplished and
are now accomplishing throughout the world. For to follow
ances,
67890$
MONOTYPE FACES
The
to discard knowledge of
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Book Arrangement C
No. 15E.
Composition Matrices
10 Point No. 15E, 10 Set
11 Point
The
is
after a
of
all
useful precedent
and
original as
For, let a
man
ten-
be as
discard knowledge of
what
is
fession.
going on in his own trade and prothe printers of today do not wish to
now
If
No. 15E,
11 Set
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
67890$
man
on in
own
printers of today
an
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
A BCDEFGHIJKLMNOPQRSTUVWX YZ
12345
abcdefghijklmnopqrstnvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which
comes after a sound apprenticeship; that
The
which
fore or
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
/2J45
abcdefghijklmnopqrstuvwxyz
6?8QO$
A B CDEFGHIJKLMNOPQRSTU VWX YZ
style figure
THE
by the symbol
to figures
G following
furnish
No. 16E.
Book Arrangement C
Composition Matrices
6 Point No. 16E,
Set
The
best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
ticeship;
sciences,
abcdefghijklmnopqrstuvwxyz
12345
67890$
The
subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround'themselves with
minded young man, who with his first business breath projects
the new and startling, inevitably becomes tiresome, and is driven
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67800$
12345
is
Set
MONOTYPE FACES
man
to discard
in his
printers of today
12345
abcdefghijklmnopqrstuvwxyz
67890$
The
If
arrogant
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67800$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
The
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
A BCDEFGHUKLMNOPQRS TUVWX YZ
8 Point No. 16E, 8
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an
art, they must be willing, and show that they are willing, to
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
is
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
MONOTYPE FACES
MONOTYPE FACES
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Book Arrangement C
No. 16E.
Composition Matrices
10 Point No. 16E, 10 Set
11
MONOTYPE FACES
MONOTYPE FACES
The
and
original as he
discard knowledge of
what
is
fession.
made
All those
arts so free.
its sister
who
are
Yet
it
is
abcdefghijklmnopqrstuvwxyz
12345
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
comes
which
abcdefghijklmnopqrstuvwxyz
is
that which
on in
his
own
If
the
abcdefghijklmnopqrstuvwxyz 67890$
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKIvMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
A BCDEFGHIJKLMNOPQRSTU VWX YZ
12345
abcdefghijklmnopqrstuvwxyz
6"j8QO$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
MONOTYPE FACES
The
comes
which
is
after a
shall
MONOTYPE FACES
that which
;
12345
it to
such laws as
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Our Type&Rule
Caster
(2)
Which makes the content* of the
Hell Box into new Type, Spaces,
Borders. Rules. Leads and Slugs
(1)
(3)
Non-Distribution
Non-Distributions The system by which each compositor is continuously
supand rules directly
plied with new type, spacing material, high and low leads, slugs,
from the Monotype Type-&-Rule Caster, which makes this material so economically
it makes the
that whole pages, after use, are melted up to make new material;
compositor's work a pleasure by cutting
out the drudgery of distribution, leaving
him free to spend all his time building
ideas into type form without having to
stop and tear down old jobs 19 get material; it eliminates non-productive time by
using all the compositors all the time on
The Form
(5)
From here, without
any breaking-up,
or sorting out, or
distribution, the
complete
are
constructive
work
(4)
The Cases
picking or sorts-
IQ
Ul
hunting, the
copy is set
up ready
pages
dumped in
Box
the Hell
It
costs less to
make
new
type than to
distribute used type
Book Arrangement C
No. 2 IE.
Composition Matrices
4
prove
itself
is
gressive tendencies of
an able mind.
For, let a
man
all useful precedent and the probe as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be esteemed arrogant
when they term this calling of theirs an art. they must be willing, and show that they are
willing, to subject
in
it
made
its sister
arts so free.
All those
concerned
and professions surround themand concrete examples of work with which they are
5%
Set
best kind of originality is that which comes after a sound apprenticeship; that which
prove itself to be the blending of a firm conception of all useful precedent and the proFor, let a man be as able and original as he may, he
gressive tendencies of an able mind.
cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be esteemed arrogant
when they term this calling of theirs an art, they must be willing, and show that they are
All those concerned
willing, to subject it to such laws as have made its sister arts so free.
in what are accepted as the fine arts, the learned sciences, and professions surround themselves with the history, literature, and concrete examples of work with which they are
Yet it is only in very rare instances that such an atmosphere, with
particularly engaged.
Art does not flourish in
its material appurtenances, is to be found in the printing office.
hidden places, nor under restraint, nor in ignorance of what talent and genius have accomshall
67890!
abcdeffhijklmnopqrstuvwxyz
1*141
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
H34S
67890$
abcdelihijltlmnopqrslutwiyt
ABCDEFGH1JKLMNOPQRSTVVWXYZ
Ems
a to z 15.68
Words
to Pica .80
No.
Book Arrangement C
2 IE.
Composition Matrices
Point No. 21E, 6$ Set
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
For,
useful precedent and the progressive tendencies of an able mind.
The
let
67890$
abcdefghijklmnopqrstuvwxyz
12345
The
ship;
that which
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
All those concerned in what are accepted as the fine arts, the
arts so free.
learned sciences, and the professions surround themselves with the history, literature, and concrete examples of the work with which they are particularly
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67800$
abcdefghijklmnopqrsluvwxyz
a to z
67890$
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
shall
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
is that which comes after a sound apprenticeprove to be the blending of a firm conception of all
ABCDEFGHUKLMNOPQRSTUVWXYZ
Words
16.69
67890$
abcdefghijklmnopqrstuvwxyz
12345
A BCDEFGHUKLMNOPQRSTUVWX YZ
to Pica .68
Ems
Words
a to z 15.16
to Pica .68
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
ticeship;
man
For, let a
afford to discard
not
mean
knowledge
to imitate slavishly
to
study
all
Yet it is only in
wilh -which they are particularly engaged.
rare instances that such an atmosphere, with its material ap-
masters
67890$
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
12345
Words
a to z 14.98
ABCDEFGHIJKLMNOPQRSTUVWXYZ
to Pica .63
Ems
Words
a to z 14.68
now going on
in his
printers of today
own
abcdefghijklmnopqrstuvwxyz
67890$
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67800$
abcdefghijklmnopqrstuvwxyz
Words
useful precedent
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
to Pica .52
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWX YZ
a to z 13.63
all
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
to Pica .55
MONOTYPE FACES
MONOTYPE FACES
The
to discard knowledge of
67890$
abcdefghijklmnopqrstuvwxyz
12345
A BCDEFGHUKLMNOPQRSTUV WXYZ
Ems
67890$
abcdefghijklmnopqrstuvwxyz
12345
Ems
a to z 12.83
Words
to Pica .49
THE
Book Arrangement C
No. 2 IE.
Composition Matrices
10 Point No. 21E, 10i Set
11 Point
MONOTYPE FACES
MONOTYPE FACES
The
is
after a
shall
discard knowledge of
what
is
now going on
fession.
If
of theirs
67890$
abcdefghijklmnopqrstuvwxyz
12345
The
is that which
sound apprenticeship; that
shall prove to be the blending of a
firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a man be as able and original as he
may, he cannot afford to discard knowledge
comes
which
after a
of
on
it to such laws as
All those
arts so free.
are accepted as the fine
have made
concerned
its sister
in
what
abcdefghijklmnopqrstuvwxyz
1234
567$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
IJ
12345
67890$
abcdefghijklmnopqrstuvwxyz
Ems
Words
a to z 13.17
to Pica .43
12 Point
1234
abcdefghijklmnopqrstuvwxyz
No.
Ems
2 IE, 12
is that which
sound apprenticeship; that
prove to be the blending of
after a
shall
mind.
fore or
in his
own
printers of
today do not wish to be esteemed arrogant
when
12345
Set
an
art,
The
comes
which
an
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
Ems
a to z 12.83
to Pica .39
MONOTYPE FACES
comes
which
Words
a to z 13.13
MONOTYPE FACES
The
567$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWX YZ
Words
to Pica .37
No. 21
Prices that
Leave
first
Type
$1234567890
24 Point No. 21
MONOTYPE LINE
Means a Standard
for all
Line. Interchangeable
Sizes and Faces
$1234567890
30 Point No. 21
A LABOR SAVING
Profit Maker & Business Builder
for the Progressive Printer
$1234567890
36 Point No. 21
$1234567890
No.
2 IE.
Composition Matrices
14 Point No. 2 IE, 14 Set
MONOTYPE FACES
The
is
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
18 Point No. 2 IE, 18 Set
MONOTYPE FACES
The best kind
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
Class
keybanks.
Fonts shown on this page not included in Library and will not be leased. To use these faces for composing matter
SSOO stop bars are required. Use left keybars
for the Roman; use right keybars QC2 for the Boldface; use standard
18 point attachment and S500 wedges are required for casting.
Matrices.
in justified lines
The
QC
No. 21G.
MONOTYPE FACES
kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. For, let a
man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his own trade and
profession. If the printers of today do not wish to be esteemed arrogant
when they term this calling of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws as have made its sister arts
so free. All those concerned in what are accepted as fine arts, the learned
sciences, and professions surround themselves with the history, the literature, and concrete examples of the work with which they are particularly
engaged. Yet it is only in rare instances that such an atmosphere with its
material appurtenances, is to be found in a printing office. Art does not
The
best
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX YZ
$1234567890
18 Point No. 21G, 18 Set
MONOTYPE FACES
The best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers
of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Class
keybanks.
Fonts shown on this page not included in Library and will not be leased. To use these faces for composing matter
SSOO stop bars are required. Use left keybars QC for the Roman; use right keybars QC2 for the Boldface; use standard
18 point attachment and SSOO wedges are required for casting.
Matrices.
in justified lines
The
THE
to figures
and can be
identified
No. 22 IE.
Book Arrangement C
Composition Matrices
9 Point No. 221E, 91 Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after
a sound apprenticeship; that which shall prove to be
the blending of a firm conception of all useful prece-
The
what
profession.
If
is
made
All those
so free.
who
are con-
The
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
No.
3 2 IE.
Book Arrangement C
Composition Matrices
5
MONOTYPE FACES
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers of today
do not wish to be esteemed arrogant when they term this calling of
an art, they must be willing, and show that they are willing,
to subject it to such laws as have made its sister arts so free.
All
those concerned in what are accepted as the fine arts, the learned
theirs
and professions surround themselves with the history, literaand concrete examples of work with which they are particularly
engaged. Yet it is only in very rare instances that such an atmossciences,
ture,
phere, with
its
material appurtenances,
is
places,
12345
The
best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
on in his own trade and profession. If the printers of today
toing
o not wish to be esteemed arrogant when they term this calling of
theirs an art, they must be willing, and show that they are willing,
All
to subject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the learned
sciences, and professions surround themselves with the history, literature, and concrete examples of work with which they are particularly
engaged. Yet it is only in very rare instances that such an atmosphere, with its material appurtenances, is to be found in the printing
ticeship;
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
A BCDEFGHIJKLMNOPQRSTUV WX YZ
67890$
No.
3 IE.
Book Arrangement C
Composition Matrices
6 Point No. 31E, 6
7 Point
Set
The
ship;
best kind of originality is that which comes after a sound apprenticethat which shall prove to be the blending of a firm conception of all
useful precedent
of
an able mind.
For,
man
AH
willing, to subject
tK.w.a f-r*nrpmprl in
MONOTYPE FACES
MONOTYPE FACES
its sister
arts,
the
which
shall
is
prove
afford to discard
is
now
in
so free.
All
is
THE
to figures
and can be
dazzle
67890$
:DEFGHIJKLMNOPQRSTUVWXYZ
to
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
'DEFGHIJKLMNOPQRSTUVWXYZ
speciidentified
MONOTYPE FACES
by the symbol
following the point size in place
of F.
In cases where an old style
lining figure
has not been designed specially for the face
i of originality is that
enticeship;
Df
a firm conception of
ressive tendencies of
as able
and
which comes
after
useful precedent
an able mind.
original as he
For,
may, he cannot
ng,
DI unui uuci
For to follow precedent wisely
plishing throughout the world.
does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organized
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
A BCDEFGHIJKLMNOPQRSTUVWX YZ
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
A BCDEFGHIJKLMNOPQRSTUVWX YZ
THE
by the symbol
is
No.
Book Arrangement C
3 IE.
Composition Matrices
7 Point
MONOTYPE FACES
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenticethat which shall prove to be the blending of a firm conception of all
For,
useful precedent and the progressive tendencies of an able mind.
The best kind of originality is that which comes after a sound appren-
ship;
ticeship; that
arts so free.
fine arts,
the
learned sciences, and the professions surround themselves with the history,
literature, and concrete examples of the work with which they are particularly
engaged.
Yet
it
is
only
with
such an atmosphere,
Art does
to be found in a printing office.
business breath projects the new and startling, inevitably becomes tiresome,
and is driven to an early disappearance; while the slower, more solidly endowed student will at least spend as much of his time in avoiding mistakes
as in evolving brilliant schemes wherewith to dazzle his contemporaries.
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
For, let
useful precedent and the progressive tendencies of an able mind.
any man be as able and original as he may, he cannot well afford to discard
knowledge of what has gone before or what is now going on in his own trade and
profession.
If the printers of today do not wish to be esteemed arrogant when
abcdefghijklmnopqrstuvwxyz
12345
67890$
it
67890$
abcdefghijklmnopqrstuvwxyz
12345
A BCDEFGHIJKLMNOPQRSTU VWXYZ
MONOTYPE FACES
MONOTYPE FACES
The
67890$
ing
its
material appurtenances,
office.
2345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
A BCDEFGHIJKLMNOPQRS TUVWX YZ
useful precedent
with
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
all
12345
678904
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
All
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
arts so free.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
study
its sister
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
made
ture, and concrete examples of work with which they are particularly
engaged. Yet it is only in very rare instances that such an atmosphere, with its material appurtenances, is to be found in the printing
Art does not flourish in hidden places, nor under restraint,
office.
nor in ignorance of what talent and genius have accomplished and are
accomplishing throughout the world. For to follow precedent wisely
does not mean to imitate slavishly one great exemplar, but to study
all masters faithfully, letting their great achievements sink slowly
into the mind in order that we may patiently derive from the richness
of our acquired knowledge and organized system an attitude of our
own. The sprightly minded young man, who with his first business
breath projects the new and startling, inevitably becomes tiresome,
and is driven to an early disappearance; while the slower and more
solidly endowed student will at least spend as much of his time in
avoiding mistakes as in evolving brilliant schemes wherewith to dazzle
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
those concerned in what are accepted as the fine arts, the learned
sciences, and professions surround themselves with the history, litera-
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
A BCDEFGHIJKLMNOPQRSTUVWX YZ
No.
Book Arrangement C
IE.
Composition Matrices
10 Point No. 31E, 9* Set
11 Point
MONOTYPE FACES
MONOTYPE FACES
The
all
useful
12345
abcdefghijklmnopqrstuvwxyz
67890$
The
and
what
is
fession.
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
discard knowledge of
ABCDEFGHIJKLMNOPQRSTUVWXYZ
72545
67890$
72345
A BCDEFGHIJKLMNOPQRSTU VWX YZ
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
The very
which
comes
which
man
own
an
as have
art,
made
12345
so free.
All those
that which
thorough apprenticeship; that
shall prove to be the blending of a
originality
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
is
after a
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
and
the pro-
Iff
THE
STYLE
D KEYBOARD
Typewriter Arrangement
AS EASY TO LEARN
AND
AS EASY TO OPERATE AS A
The Typewriter
i=i
i^i
Composing Machine
action are the same as all
Would you buy a typewriter
Why
machine?
,
without
in
upon
may
any
If
forces
no fixed combination
Would
|g|
7
No. 37E.
Book Arrangement C
Composition Matrices
6 Point No. 37E, 6i Set
7 Point
MONOTYPE FACES
The
is that which comes after a sound apprenticethat which shall prove to be the blending of a firm conception of all
and the progressive tendencies of an able mind. For,
let a man be as able and original as he may, he cannot afford to discard
ship;
useful precedent
what has gone before or what is now going on in his own trade
knowledge
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
arts so free.
All those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround themselves with the history,
literature, and concrete examples of the work with which they are particuYet it is only in rare instances that such an atmosphere,
larly engaged.
of
abcdefghijklmnopqrstuvwxyz
12345
67890$
The
ticeship; that
afford to discard
to subject
it
what
made
its sister
phere, with
office.
abcdefghijklmnopqrstuvwxyz
12345
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67800$
12345
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUrWXYZ
original as he
67890$
The
let a
what
is
now going on
in
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
All
and professions surround themselves with the history, literaand concrete examples of work with which they are particularly
engaged. Yet it is only in very rare instances that such an atmos-
abcdefghijklmnopqrstuvwxyz
arts so free.
ture,
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
now
sciences,
MONOTYPE FACES
is
is
12345
that which comes after a sound apprenitself to be the blending of a firm con-
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
is
prove
those concerned in
ABCDEFGHIJKLMNOPQRSTUrfTXYZ
The
shall
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
which
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
MONOTYPE FACES
67890$
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS TUVWX YZ
H9
shown here
made
7"
n, and
in 8, 9, 10,
H 9-3
snown here m tne
12 point.
Symboled
''
6)
'
made
in
f
'
Symboled
u, and
shown here
made
10,
8,
is
(ft
in
o,
boled
r
fi, ft,
n
fh
%*
H9-37E
made in n
point.
Symboled
point.
Symboled
H 9 -37E
are
made
in
ff,fl,ffi
These are
H9
shown here
made
7"
Symboled
'
6)
'.
snown nere
1
made
and 12 point.
m tne
(51
in 8, 9, 10, II,
in 8,
I2 P omt s i ze are
10, n, and 12 point.
>
Symboled H
shown here in the 12 point size, is
made in 10, 1 1, and 12 point. Symboled
H9-3yE
shown here in the
made
in
boled
H9-37E
me made
fi, ft,
n
fh
in
12 point size,
and 12 point.
is
Sym-
1 1
point.
Symboled
in 11
point.
Symboled
H 9 -37E
made
are
H9
37 G
These are
Book Arrangement C
No. 37E.
Composition Matrices
11 Point
MONOTYPE FACES
MONOTYPE FACES
The
after
is
shall
what
now going on
is
fession.
If
of theirs
an
art,
have made
its sister
arts so free.
abcdefghijklmnopqrstuvwxyz
12345
67890$
The very
which
shall
For, let a
man
12345
6789$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS TU7WXYZ
J2J45
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUFWXYZ
MONOTYPE FACES
MONOTYPE FACES
The
comes
which
is
that which
after a
shall
For, let
12345
it to
such laws as
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUFWXYZ
No. 37
14 Point No. 37
Type than
to
$1234567890
18 Point No. 37
$1234567890
24 Point No. 37
QUALITY PAYS
It is
$1234567890
36 Point No. 37
$1234567890
Sorts Matrices
No. 371
14 Point No. 371
to the
$1234567890
18 Point No. 371
PROGRESSIVE DAILIES
All Use the Monotype to Set and Cast Department Store Ads,
It Saves Time, Money and Pf^orry
$1234567890
24 Point No. 371
THIRTY-FIFE
HUNDRED
World
$1234567890
30 Point No. 371
SUPERIORITY PROVED
By 38 per cent. Repeat Orders from
our
Satisfied Customers
$1234567890
36 Point No. 371
BOOKS
THE
to figures
and can be
identified
In
ordering
partial or
old
complete
style
fonts,
matrices,
be sure
show the
whether in
and specify
Book Arrangement C
No. 13 7E.
Composition Matrices
6 Point No. 137E, 6
8 Point
Set
MONOTYPE FACES
is that which comes after a sound apprenticethat which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For,
let a man be as able and original as he may, he cannot afford to discard
The
ship;
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
All those concerned in what are accepted as the fine arts, the
arts so free.
learned sciences, and the professions surround themselves with the history,
literature, and concrete examples of the work with which they are particuYet it is only in rare instances that such an atmosphere,
larly engaged.
with its material appurtenances, is to be found in a printing office. Art does
not flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout the
For to follow precedent wisely does not mean to imitate slavishly
world.
one great exemplar, but to study all masters faithfully, letting their great
achievements sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an
The sprightly minded young man, who with his first
attitude of our own.
business breath projects the new and startling, inevitably becomes tiresome,
and is driven to an early disappearance; while the slower, more solidly endowed student will at least spend as much of his time in avoiding mistakes
as in evolving brilliant schemes wherewith to dazzle his contemporaries.
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For, let
any man be as able and original as he may, he cannot well afford to discard
knowledge of what has gone before or what is now going on in his own trade and
profession.
If the printers of today do not wish to be esteemed arrogant when
abcdefghijklrnnopqrstuvwxyz
12345
The
abcdefghijklmnopqrstuvwxyz
prove to be
afford to discard
what
is
now going on
in his
own
67890$
ABCDEFGHIJKLMNOPQRSTUFWXYZ
MONOTYPE FACES
is
from
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
best kind of originality
man
patiently derive
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234.5
we may
let
in order that
abcdefghijklrnnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRS TUVWX YZ
The
mind
12345
67800$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
original as he
67890$
abcdefghijklmnopqrstuvwxyz
is
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
MONOTYPE FACES
The
after a
is
sound apprenticeship;
now
sion.
made
going on
in
his
If the printers of
12345
12345
abcdefghijklrnnopqrstuvwxyz
67890$
its
concerned
what
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRS TV VWX YZ
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUFWXYZ
Book Arrangement C
No. 137E.
Composition Matrices
11 Point
MONOTYPE FACES
MONOTYPE FACES
The very
comes
which
have made
its sister
All those
arts so free.
12345
The very
abcdefghijklmnopqrstuvwxyz 67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
J2J45
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12 Point
MONOTYPE FACES
MONOTYPE FACES
The
comes
which
shall
mind.
fore or
what
is
now going on
in his
own
The
comes
which
fore or
what
is
now going on
in his
own
If the printers of
today do not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that
when
12345
an
art,
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
I2345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUFWXYZ
it to
such laws
NEW MONOTYPE
WE
CASLON should be
its
ONE
WE
have two other Caslons, the Nos. 37 and I37E Series; therefore we
have made this new-old Caslon for our own satisfaction and to delight
those who love to mix type, paper and brains. To show the great difference that paper makes in this face we here print it both on antique and
on coated paper. In ordering, please be sure to specify whether you wish
the long or the short descenders.
*Afaithful reproduction
Fonts of Matrices of the No. 337 Series shown on these pages are sold at Class
NOT INCLUDED IN MATRIX LIBRARY AND WILL NOT BE LEASED
prices
THE STORY OF
26
Thousands of type
The whole
respect
uch a face
icle is
Thousands of t
and been lost in
since typograp
bound
make
not mer
to
spect
facts of dollars
the type
written. The
is
THE ST
on, in the early eighwe now call the CasCaslon was not trained
ed.
about which th
history of type founding show
achievement than the productio
Ion, of London, in the early eig
of what we now call the Caslon
Caslon was not trained to the
founding, but "learned it of his
clination," as seems to
have be
in
63
58
faces
own genuine
little
was an engraver of
not merely
respect
hard facts of dollars
ce is the type about
The whole histen.
ows no more brilliant
reduction by William
Style type.
business of type founding, but "learned it of
his own genuine inclination," as seems to have
been the case with many another famous deBut he came prepared. Parsigner of types.
alleling the experience of his famous predecessor of still two centuries earlier
Nicholas
Jenson, of Venice, who was an engraver of
coins before he produced his excellent fonts
STYLE
s
have had
Stand-
21
their little
not merely
to respect
r hard facts of dollars
many
/ /-Point
This page exhibits the 337E Caslon on the Monotype Standard Line. It combines with other Monotype
faces on their own bodies.
For those printers who wish to use this face by itself, and who desire to
match the original Caslon, we furnish matrices for longer descenders, the body being lengthened one point
below the Monotype line.
(For specimen showing long descenders as on original Caslon see opposite page.)
y
Page two
The Story
64
Thousands of type
faces
The whole
'38
and
for
The Star
history
Thousands of type
day and been lost
increasing popularity
usefulness is one that
predecessor of still t
of Venice, who was
his excellent fonts of
engraver of orname
tory is one of contin
10
fa
in
at
increasing popularity
of usefulness is one tha
To quote
Long Descenders}
THE
THE STO
Thousands of type
day and been lost
Roman (n-Point
22
fa
in
came prepared.
fa
is
Nicholas Jenson, of Venice, who was an engraver of coins before he produced his excellent
fonts
Caslon had been apprenticed to an en-
Thousands of type fa
day and been lost in ob
dred years since typo
sidering this fact, a ty
increasing popularity a
of usefulness is one the
printer pause to admire
for reasons of art, but
and
Jenson, of Venice,
cents.
signer of types.
Par-
alleling the experience of his famous predecessor of still two centuries earlier Nicholas
Such a face
it
of his
own genuine
famous predecessor of
of
or hard facts of
is written.
is the
type about
The whole
history of
pression and
inclination," as seems to
with
many
27
scene.
degeneration so
"A
History of Old
marked
to
a de-
that one is
The
sizes of 337E Series shown above have been increased one point in body-size to accommodate the thirty
long descenders of the original Caslon, the body being lengthened one point below the Monotype line.
Thus, the eleven-point here exhibited is identical with the ten-point standard line, with the exception of
its descenders.
(For specimen showing shortened descenders of Monotype Standard Line, see opposite page.)
Pag/
thrtt
MONOTYPE,
THOUSANDS
years since typography
little
hundred
fact,
The whole
brilliant
"A
'
Roman
characters.
The year
Page four
literally
popular fancy, and the CASLON OLD STYLE went gradually into partial eclipse, from which it did not emerge
until half a century later.
How it was revived is now a fairly familiar story.
The first William Caslon had long since passed away
when in 1843 tne Chiswick Press sought the Caslon
foundry's aid in selecting a type which would be appropriate for printing The Diary of Lady Willoughby, a
work of fiction, the period and diction of which were
supposed to represent an earlier fashion, and for which
the modern types would obviously be less suitable.
The original matrices were brought out from their
long retirement and selected for this work, and a small
font of Great Primer (i8-point) cast from them. The
results were so satisfying that eventually the Chiswick
Press was supplied with complete series of the old fonts.
In 1858, following upon this revival in England,
America entered into what might be called its second
Caslon phase. Formerly, all Caslon type used in this
country had been imported direct from London. But
now, the Johnson Type Foundry (MacKellar, Smiths
& Jordan Company) of Philadelphia, had fonts brought
to their foundry, from which they made electrotype
matrices.
The
story of the
to the present is
is
vividly recalled by those of us who spent our apprenticeship amid the welter of fantastic job types then so
OLD STYLE'S
introduction to the
The inevitable
result of the
of good typography, at a profit, under modern condiand under conditions of any period.
tions
As to the source from which Caslon derived the famous Old Style that bears his name, I cannot do better
than quote from an excellent and thorough article on
the subject by Mr. Walter Gilliss, which appeared in
the Graphic Arts for February, 1911:
"From certain characteristics in Caslon's types it
seems evident that he gave attention to the models of
much
aided
the Doctrine of
tions.
What
fulness.
tions given
in his
by Moxon
in his
Or
Mechanick Exercises:
closely allied to
of
match
it
for all
around usefulness;
for grace
and dignity
The
made
a tremendous
number of
faces serve
all
of making
of
general uses
at
Monotype
Series
These two pages (four and five], composed in nine point No. 3J?E, with long
descenders, cast on a ten point body, show by contrast the remarkable difference
in the appearance of the printed page , caused entirely by the paper used. Page
four is printed on antique paper and thus maintains the beauty of the older
five is
page
is
beautiful
Page
five
Book Arrangement C
No. 33 7E.
Composition Matrices
7 Point No. 33 7E, 7J Set
Monotype Standard Line
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an
able mind.
For, let a man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is
now going on in his own trade and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling
of theirs an art, they must be willing, and show that they are willing,
All
to subject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the learned
and
surround
themselves
with
the
literasciences,
professions
history,
ture, and concrete examples of work with which they are particularly
Yet it is only in very rare instances that such an atmosphere,
engaged.
with
its
material appurtenances,
12345
is to
office.
67890$
abcdefghijklmnopqrstuvwxyzseoefiflfffBfflft
ABCDEFGHIJKLMNOPQQRSTUVWXYZ&^ECE
now going on
ABCDEFGHIJKLMNOPQQRSTUVWXYZat^CE
12345
67890$
abcdejghbijklmnopqrstuiiwxyzaasfiflffffiffl
ABCDEFGHIJKLMNOPgRS TrUffrXYrZHACE
These characters take the place of those in font at
8 Point No. 33 7E, 8 Set
Monotype Standard Line
The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove itself to be the blending
of a firm conception of useful precedent and the progressive
tendencies of an able mind.
For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art
they must be willing, and show that they are willing, to subject
All those
it to such laws as have made its sister arts so free.
concerned in what are accepted as the fine arts, the learned sciences,
and professions surround themselves with the history, literature,
12345
abcdefghijklmnopqrstuvwxyzscenflffffifn'ct
67890$
abcdejghbijklmnopqrstuvwxyztetzfif.jfjj^ffl
67890$
The
is
be willing,
12345
and show
abcdefghijklmnopqrstuvwxyzseoe
it to
67890$
ABCDEFGHI J KLMNOPQQRSTUVWXYZ&^ECE
ABCDEFGHIJKLMNOPQ.QRSTUVWXYZ&;CE
12345
abcdejghhijklmnopqrstuvwxyzcecefijljfjfiffl
67890$
in font at left
what
is
now going on
in his
own
to be esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine
arts, the learned sciences, and professions surround themIf the printers of today
do not wish
and
concrete examples
The
left column shows this face with slightly shortened descenders on Standard Monotype Line.
right column, directly opposite, shows the same sizes with long descenders, conforming to the Original
on
cast
a
that
is
one
size
the
the
Caslon,
body
Monotype line
point
larger,
body being lengthened below
The
Page six
left
left
Book Arrangement C
No. 33 7E.
Composition Matrices
10 Point No. 33 7E, 10 Set
With Long Descenders for 11-Point Body, Line Standard
The
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQQRSTUVWXYZ
ABCDEFGHIJKLMNOPQQRSTUVWXYZ&^CE
12345
abcdefghbijklmnopqrstuvwxyz
67890$
may, he cannot
original as he
afford to discard
The
abcdefghijklmnopqrstuvwxyz 67890$
12345
ABCDEFGHIJKLMNOPQQRSTUVWXY
ABCDEFGHIJKLMNOPQ.QRSTUVWXYZ&;CE
abcdefghbijklmnopqrstuvwxyzce 67890$
12345
.105*
The
its sister
in font at left
arts
.120*
shall
calling of theirs
an
art, they
must be
willing,
and
ABCDEFGHIJKLMNOPQRSTTUWrXY
These characters take the place of those
How
12 Point
The
comes
which
12345
abcdefghijklmnopqrstuvw 67890$
ABCDEFGHIJKLMNOPQQRSTUVW
to
in font at left
Order
QQ A TYh
Long Descenders. When an order is received for Long Descender
Matrices, we will furnish all the characters shown in the left columns
of pages six and seven, except that those shown in the right column
be substituted for the short descenders; making the font of the
as above and with the same extra six
characters as side sorts:
will
ABCDEFGHIJKLMNOPQ.QRSTUVWXYZ&
12345 abcdejghijklmnopqrstuvwxy 67890$
ABCVEFGHIJKLMNOP^RSTTUVW
The
left column shows this face with slightly shortened descenders on Standard
Monotype Line. The
right column, directly opposite, shows the same sizes with long descenders, conforming to the Original
Caslon, cast on a body that is one point size larger, the body being lengthened below the Monotype line
Page seven
A
of the
SPECIMEN
No. 337 CASLON SERIES made by Lanston Monotype Machine Company
MONOT
30 POINT No. 337
MONOTY
24 POINT No. 337
MONOTYP
1
MONOTYPEMO
14
MONOTYPEMONO
36 POINT No. 337
Lady Will
30 POINT No. 337
Lady Willou
24 POINT No. 337
Lady Willoug
1
Lady Willoughby's
POINT No. 337
14
of Pr
T No. 3371
30 POINT
of Print
24 POINT No. 3371
Art of Printing
18
Art of
14
Printing, by
eight
No. 3370
demonstrate.
ii
Long descenders
is
se-
early
history of America, a visit
is
se-
early
history of America, a visit to
curely
ii
Long descenders
bound up
is se-
in the early
It
was apparently
the staple
Long descenders
bound up
is securely
in the early history of
America, a
visit to
any library
was ap-
pre-Revolutionary
will demonstrate.
It
days of the
Cas Jon
bound up in
It was apparently
during the pre-Revolutionary days of the Colonies, serving
Long descenders
Long descenders
is
securely
bound up
apparently the staple during the pre-Revolutionary days of the Colonies, serving all
purposes in their printing world, from bill
This SPECIMEN of 337 Series has been arranged after the style of the
Page
12 Point
first
That the
type is securely
the early history of
America, a visit to any library will
demonstrate.
the
staple
Long descenders
is securely bound
in the early history of America, a
visit to any library will demonstrate.
It
up
Long descenders
bill
heads, broadsides,
tf/'
London,
J.
FRANK EDDY
days of Gutenberg.
It is indeed doubtful if the mechanics of the craft could
have reached anything like present-day perfection without
the work of the punch-cutter and the type designer. The
art of printing owes nearly everything that it has earned
for itself to the art of making movable types. And modern
printing owes its mechanical advancement to the rapid
production of movable types in generous quantities.
Critics hold that printing was at its best in the middle
period of its history. The printers of that period were their
own type-founders, and the printers of today also may be
their own type-founders, through the great work of the
Lanston Monotype Machine Company, who have placed in
the modern printing establishment complete type-founding
and composing facilities, occupying less than one hundred
square feet of floor space, that automatically produce movable type (ready composed if desired) at a speed many
times faster and infinitely easier than that known to
Schoeffer, Aldus, Van Dyk, Caslon and contemporaneous
type designers.
Very little of the work of the early type-makers has survived in such form as to be of practical value to printers of
today. The old master-craftsmen are known only by press
impressions of their type product in rare old books and
prints, preserved as gems of printing in a few libraries and
museums.
From these old books of the middle ages modern typefounders have fashioned type faces with modifications, and
have given these faces the names of the designers and
printers known to have cut the original punches, but these
imitation type faces have not enjoyed a wide use in modern
printing practice, perhaps because they are at best little
more than modern interpretations of press impressions of
the original type that came from the hand of its medieval
creator.
in Chiswell Street,
is
London,
weak and
delicate
to be read
it
is
fairly
and
...
to withstand
was made
wear . . .
it
recutting
hundred years.
latter,
file
ruthless
responsible for these desecrations and abortions.
sacrifice of meritorious quality for cheapness and expediency
has been the sad result. This degeneracy is a dark spot
progress.
legibility.
rightly so.
The product
these obstacles.
and at
THEO.
Low DEVINNE
first
Page nine
No. 337
$1234567890
18 Point No. 337
may
in
Truth
$1234567890
24 Point No. 337
ORIGINAL DECAMERON
In the Large Paper Copies, where the Paper
Excellent Quality, the Effect
is
of
$1234567890
30 Point No. 337
THE BIBLIOMANIACS
Two
fts.
ROYAL INSTITUTION
Color Printing
$1234567890
Improvements
in
Fonts of Matrices of the No. 337 Series shown on these pages are sold at Class
NOT INCLUDED IN MATRIX LIBRARY AND WILL NOT BE LEASED
NOTE: The small
Page
ten
8,
and 24 point 337 have been cut and the matrices are now available.
prices
No. 3371
14 Point No. 3371
little
red House on the corner, at the sign of the Pillars of Hercules y ivas born
May 7, fdpp, Pierre-Jean Mariette, the illustrious
$1234567890
18 Point No. 3371
NO IMAGINATION REQUIRED
To Picture the Ardent
Portfolios
$12345678^0
24 Point No. 3371
$1234567890
30 Point No. 3371
FINE WORKS
Admired by
OF^RT
$1234567890
36 Point No. 3371
PIERRE-JE^N
Print Collector and an Amateur
$1234567890
A
complete showing of Swash Characters for the above fonts of the No. 3371 Series are shown on the next page. The matrices for the
Swash Characters are not included with the regular 8 1 character font, but are sold at regular Class A prices and must be ordered separately
Fonts of Matrices of the No. 337 Series shown on these pages are sold at Class
NOT INCLUDED IN MATRIX LIBRARY AND WILL NOT BE LEASED
prices
Page
eleven
SWASH CHARACTERS
for
the tJxConotype
,-ffe,
CAUTION ON SWASH CHARACTERS: To cast the swash characters with the authentic close fitting, as originally designed by
William Caslon the First, requires that the Molds and Type-pusher Guide be altered to clear the extra long swash kern. The
Molds can be altered only in our factory and a nominal charge is made for this. The Type-pusher Guide can be altered by the
customer from directions which we will furnish, or, if preferred, a new one may be purchased. Molds made since February i,
1920, and Type-pusher Guides on machines number 6263 and following have these alterations. For machines of lower serial
number than 1203, additional alterations may be necessary, details of which will be furnished when required.
THE
G following
if desired,
giving their
proper symbol; otherwise we always furnish
standard old style figures if made.
No. 38E.
Book Arrangement C
Composition Matrices
6 Point No. 38E, 7 Set
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
ticeship;
The
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an
art, they must be willing, and show that they are willing, to
All
subject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround themselves with
the history, literature, and the concrete examples of the work
with which they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its material apArt does not
purtenances, is to be found in a printing office.
flourish in hidden places, nor under restraint, nor in ignorance
of what talent and genius have accomplished and are accomFor to follow precedent wisely
plishing throughout the world.
does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organized system an attitude of our own.
The sprightly minded
young man, who with his first business breath projects the new and
startling, inevitably becomes tiresome, and is driven to an early
12345
abcdefghijklmnopqrstuvwxyz
12345
abcdefghijklmnopqrstuvwxyz
I
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnof}qrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
Words
a to z 14.98
to Pica .63
Ems
MONOTYPE FACES
man
material appurtenances,
abcdefghijklmnopqrstuvwxyz
67890$
The
12345
12345
ABCDEFGH I JKLMNOPQRSTUVWX YZ
Words
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
a to z 13.63
useful precedent
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
all
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234$
to Pica .55
The
12345
Words
a to z 14.68
MONOTYPE FACES
sciences,
678(^0$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
printers of today
6780,0$
ABCDEFGH JKLMNOPQRSTUV WX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234}
MONOTYPE FACES
to Pica .52
abcdefghijklmnopqrstuvwxyz
6y8qo$
ABCDEFGH I JKLMNOPQRSTUVWX YZ
Ems
a to z 12.83
Words
to Pica .49
Book Arrangement C
No. 38E.
Composition Matrices
10 Point No. 38E, 10 Set
11 Point
MONOTYPE FACES
The
after a
MONOTYPE FACES
is
sound apprenticeship;
discard knowledge of
is
now
sion.
going on
If
in his
on
made
an
arts so free.
concerned in what
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
2345
abcdefghijklmnopqrstuvwxyz
Words
a to z 12.83
that which
shall
own
printers of today
arts,
and
the professions
abcdefghijklmnopqrstuvwxyz 67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
6/8go$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
is
after a
in his
ABCDEFGHIJKLMNOPQRSTUVWXYZ
/
of originality
to Pica .44
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
Ems
a to z 12.83
Words
to Pica .40
MONOTYPE FACES
MONOTYPE FACES
The
which
12345
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
72345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Ems
a to z 12.83
Words
to Pica .37
Sorts Matrices
No. 38
14 Point No. 38
THERE
IS
A DIFFERENCE
Between what any Monotype will do and what other Machines can
No other Machine will do half what it does
do.
$1234567890
18 Point No. 38
Hundred Monotypes
sold to
It
.'"....
36 Point No. 38
Sorts Matrices
No. 381
14 Point No. 381
For Use on
the
all
its
Adequate
MONOTYPE LINE
Means
$1234567890
36 Point No. 381
THE DD KEYBOARD
Two
$1234567890
Book Arrangement C
No. 61E.
Composition Matrices
1
The
that which shall prove itself to be the blending of a firm conof an able
ception of useful precedent and the progressive tendencies
mind. For let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
ticeship;
Yet
it is
terial
12345
67890$
abcdefghijklmnopqrstuvwxyz
The
original as
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVIYXYZ
Set
MONOTYPE FACES
The
now going on
in his
own
If the
mind
12545
in order that
we may patiently
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
is
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
8%
lie
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
derive
jrom
abcdcfghijklmnopqrstuvwxyz
the
67890$
The
now going on
abcdefghijklmnopqrstu vwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFG1UJKLMNOPQRST1J V WXYZ
67890$
A BCDEFGHI J KLMNOPQRSTUV WX YZ
ABCDEFGHI JKLMNOPQRSTUVWXYZ
abcdejghijklmnopqrsluvwxyz
in his
printers of today
67890$
12345
abcdejghijklmnopqrsluvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTU VWXYZ
No. 61E.
Book Arrangement C
Composition Matrices
10 Point No. 61E, 10 Set
MONOTYPE FACES
MONOTYPE FACES
and
original as
it to such laws as
so free. All those conare accepted as the fine arts, the
have made
cerned in what
learned sciences, and professions surround themselves with the history, the literature, and concrete examples of the work with which they may
be particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material
12345
The
after a
and .concrete
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPORSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
67890$
abcdejghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12 Point No. 61E, 12 Set
MONOTYPE FACES
MONOTYPE FACES
The
12345
The
wn
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPORSTUVW
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12545
abcdejghljktmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPORSTUVW
it to
such laws
No. 61
14 Point No. 61
THIS SERIES
Monotype and
is
IS
EXCLUSIVELY
Close-fitting Letters
is
24 Point No. 61
$1234567890
30 Point No. 61
YOU WASTE
Money when you buy
$1234567890
type
No. 611
to
A NEW
THE
for
Book
61 SERIES,
FACE
Work which Possesses the Charm of the Engraved
Pages of the Early French Masters
$1234567890
24 Point No. 611
THERE
IS
NO MACHINE
$1234567890^
30 Point No. 611
DISTRIBUTING TYPE
is waste,
Job
$1234567890
36 Point No. 611
MONOTYPE SYSTEM
Means Continuous
Production
$1234567890
THE MONOTYPE
MATRIX LIBRARY
MONOTYPE MATRICES AVAILABLE ON RENTAL BASIS.
Any font shown in the Monotype Specimen Book
furnished on rental, except as noted on specimen sheets
in Specimen Book.
Approximately 1800 fonts from
which to make a selection and new fonts are being
added
daily.
THERE
is
THE MONOTYPE
profits
it
saves time
and type
bills.
the sink-hole of
your casting-machine
IT
is
faces
when
COSTS LESS TO
ON THE MONOTYPE
THAN TO DISTRIBUTE USED TYPE
No.
7 IE.
Book Arrangement C
Composition Matrices
8 Point No. 71E, 8
Set
MONOTYPE FACES
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
ticeship;
sound apprenticeship;
12345
now going on
concerned
sciences,
12345
abcdefghijklmnopqrstuvwxyz
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGH JKLMNOPQRSTUVWXYZ
I
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12J45
67890$
abcdefghijklmnopqrstuvwxyi
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGH 1 JKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUYWXYZ
MONOTYPE FACES
MONOTYPE FACES
The
is
as have
made
its sister
arts so free.
All those
crete
in
12345
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGH J KLMNOPQRSTU VWX YZ
I
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWX YZ
No.
Book Arrangement C
7 IE.
Composition Matrices
11 Point
MONOTYPE FACES
MONOTYPE FACES
The very best kind
comes
which
of originality
is
that which
after a
shall
The very
ABCDEFGH J KLMNOPQRSTUVWXYZ
I
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12 Point
MONOTYPE FACES
MONOTYPE FACES
The
which
shall
For, let
today do not wish to be esteemed arrogant when they term this calling of theirs
12345
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGH J KLMNOPQRSTUVWXYZ
I
12345
abcdefghijklmnopqrstuvwxyi
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 71
Besides
Bills
24 Point No. 71
From
60 EMS PICA
The Unequalled Range of the Busy
and Versatile Monotype
$1234567890
36 Point No. 71
NEW TYPE
Nothing but New
Type for Every Job
Think
of
it!
$1234567890
No. 134E.
Book Arrangement C
Composition Matrices
8 Point No. 134E, 8 Set
MONOTYPE FACES
MONOTYPE FACES
The
is
cedent and the progressive tendencies of an able mind. For, let a man be as able
and original as he may, he cannot afford to discard knowledge of what has gone
before or
what
is
now
going on in his
own
an
art,
If the printers
they must be willing, and show that they are willing, to subject it to such
made its sister arts so free. All those concerned in what are accepted
laws as have
of originality
original as he
larly engaged.
an
material appurtenances,
art,
abcdefghijklmnopqrstuvwxyz
abcdefghi j klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
10 Point
No. 134E, 9
12 Point
Set
MONOTYPE FACES
The
is
what
of
history, literature,
and concrete examples of the work with which they are particuYet it is only in rare instances that such an atmosphere, with its
is
talent
MONOTYPE FACES
The
comes
which
is that which
sound apprenticeship; that
prove to be the blending of
after a
shall
For, let
original as
made
abcdefghi j klmnopqrstuvwxyz
abcdefghij klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWX
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
we know.
The
The
side
by
side, will
go back
may
made
above)
may be arranged so that a
cabinet will store one font
of 450 pounds, or two fonts
of 225 pounds each, or three
fonts of 150 pounds each.
and
a lifetime.
The
No. 157E.
Book Arrangement C
Composition Matrices
8 Point No. 157E, 8J Set
MONOTYPE FACES
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
mind.
For,
let
afford to discard
those concerned in
12345
abcdefghijklmnopqrstuvwxyz
man
now
printers of today
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrsluvwxyz
67890$
12345
11 Point
MONOTYPE FACES
is that which comes
sound apprenticeship; that which shall
prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as
able and original as he may, he cannot afford
to discard knowledge of what has gone before
or what is now going on in his own trade and
If the printers of today do not wish
profession.
to be esteemed arrogant when they term this
calling of theirs an art, they must be willing,
and show that they are willing, to subject it to
such laws as have made its sister arts so free.
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
comes
which
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
is
that which
12345
and profes-
abcdefghijklmnopqrstuvwxyz 67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
MONOTYPE FACES
after a
12345
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
67890$
abcdefghijklmnopqrstuvwxyz
67890$
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 157E.
Book Arrangement C
Composition Matrices
12 Point No. 157E, 12 Set
MONOTYPE FACES
MONOTYPE FACES
The
comes
which
is
that which
after a
shall
mind.
laws as have
made
its
it
to
such
12345
The
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGH IJKLMNOPQRSTU VWX YZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
and
the
No. 157
$1234567890
18 Point No. 157
TWO
And Two
SIZES OF
TYPE
$1234567890
24 Point No. 157
THE OPERATOR
Finds His Work Is Made Easier
Instead of Harder
$1234567890
36 Point No. 157
THE OUTPUT
Is
IS
QUALITY
somely
pays hand-
it
solid foundation
is
the
only
on which to
build a business.
The
cus-
The Monotype, by
is
SERVICE
tomer what
he
wants
The
his good-will.
talk that
Orders
gets
Repeat
speaks for
itself.
its
number
minimum amount
of
physical effort.
Incidentally, the service feature of the Monotype
is a big help to the salesman.
It attracts work to
the office and creates satisfied customers, while the
quality of the product commands the price.
No. 172E.
Book Arrangement C
Composition Matrices
6 Point No. 172E, 7 Set
MONOTYPE FACES
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able
and professions surround themselves with the history, literaand concrete examples of the work with which they are particuengaged. Yet it is only in rare instances that such an atmos-
sciences,
ture,
larly
phere, with
office.
The
original as he
ing of a firm conception oj all usejul precedent and the progressive tendencies of an able mind. For, let a man be as able and original as be
12345
12345
abcdefghijklmnopqrstuvwxyz
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
I2)4f
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdejgbijklmnopqrstuvwxyz
67890$
abcde/gbijklmnopqrstuvwxyz
A BCDEFGHIJKLMNOPQRSTUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
to discard knowledge of
now going on
in his
mind
12345
in order that
we may patiently
derive
Jrom
the richness
abcdefghijklmnopqrstuvwxyz
67890$
The
man
ABCDEFGHIJKLMNOPQRSTUVWXYZ
now going on
what
is
If the printers of
and
are
12345
now accomplishing
abcdefghijklmnopqrstuvwxyz
For
to
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdejgbijklmnopqrstuvwxyz
afford to discard
ABCDEFGHIJKLMNOPQRSTUVWXYZ
72345
67890$
MONOTYPE FACES
The
printers of today
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
72345
abcdejgbijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
THE
to figures
and can be
identified
Book Arrangement C
No. 172E.
Composition Matrices
10 Point No. 172E, 10 Set
11 Point
MONOTYPE FACES
MONOTYPE FACES
The
is
as the fine arts, the learned sciences, and the professions surround themselves with the history, lit-
67890$
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
comes
which
that which
a sound apprenticeship;
after
that
let
shall
man
have made
as
who
the literature,
and
work
abcdefghijklmnopqrstuvwxyz 67890$
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
is
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
MONOTYPE FACES
The
which
shall
mind.
fore or
trade
j
'II
to be
12345
in his
own
printers of
I
esteemed arrogant
The
an
artf
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
and show
that
No. 172
14 Point No. 172
Hand
for
$1234567890
18 Point No. 172
it
Without
$1234567890
24 Point No. 172
Separates
Type
Setting from
Making
SIMPLE JUSTIFICATION
The width
of every Character
Automatically Registered
is
$1234567890
36 Point No. 172
Composition Matrices
8 Point No. 242E,
8^
Set
MONOTYPE FACES
MONOTYPE FACES
is that which comes after a sound apprenprove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
The
ticeship; that
which
shall
12345
abcdefghijklmnopqrstuvwxyz
67890$
now going on
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
72345
in his
printers of today
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
10^
Set
MONOTYPE FACES
MONOTYPE FACES
The
is
made
its sister
arts so free.
who
All those
are
fine arts,
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
comes
which
is
that which
shall
12345
abcdefghijklmnopqrstu
67890$
ABCDEFGHIJKLMNOPQRSTUVWX
ABCDEFGHIJKLMNOPQRSTUVWXYZ
72345
abcdefghijklmnopqrstuvw
67890$
ABCDEFGHIJKLMNOPQRSTUVWX
No. 242
THIS FACE
On an
IS
BASED
$1234567890
18 Point No. 242
$1234567890
24 Point No. 242
JENSON'S "PLINY
99
$1234567890
30 Point No. 242
EXQUISITELY
Proportioned Pages, Beautiful in
Detail also in the Mass
$1234567890
36 Point No. 242
JENSON'S LAST
Publication Appeared in 1481
$1234567890
The
display
italic of this
seriesjs
The
italic is
symbolled 2421
Book Arrangement C
No. 64J.
Composition Matrices
6 Point No. 64J, 6 Set
MONOTYPE FACES
The
is
MONOTYPE FACES
or
what
of
an able mind.
For,
arts so free.
conception of
an able mind.
what
it
an
art,
to such laws as
history, literature,
ticularly engaged.
and concrete examples of the work with which they are parYet it is only in rare instances that such an atmosphere, with
to be found in a printing office.
its
material appurtenances,
in
is
in
what
ignorance of
flourish
and genius
For to follow
talent
all
what
is
now
going on in his
this
to such laws as
useful precedent
the print-
have made
its sister
as the fine
12 Point No. 64 J, 10
If
$1234567890
afford to discard
is
it
arts so free.
$1234567890
ances,
abcdefghijklmnopqrstuvwxyz
If
own
ABCDEFGHIJKLMNOPQRSTUVWXYZ
is
of
ers of
abcdefghijklmnopqrstuvwxyz
a sound apprenticeship;
now
MONOTYPE FACES
is
man
ABCDEFGHIJKLMNOPQRSTUVWXYZ
what
useful precedent
For, let a
The
is
If
they must be willing, and show that they are willing, to subject
have made
be as able and
The
of
now
is
useful precedent
man
let
all
Set
MONOTYPE FACES
The
is
For, let a
man
be as
or
what
is
knowledge
now
of
going on
If
profession.
wish to be esteemed arrogant when they term
this calling of theirs an art, they must be will-
to such laws as
fessions,
literature,
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 64
14 Point No. 64
Always New.
is
It is
Always Ready
Customer
to Print
and Ready
to
at a Profit
$1234567890
18 Point No. 64
that a
it
Compositor
at the
$1234567890
24 Point No. 64
RAILROAD TARIFFS
And
Intricate
The
$1234567890
30 Point No. 64
FACE OR MEASURE
Changed Simply, Like
Much Speed
$1234567890
with Just as
36 Point No. 64
Lost Waiting
$1234567890
for Sorts
Book Arrangement C
No. 64K.
Composition Matrices
8 Point No. 64K, 7\ Set
MONOTYPE FACES
The
test
$iW
of originality
ii that
which comes
after a
MONOTYPE FACES
sound apprenticeship;
that
The
best
thai
is
kind of originality
to be the
going on in his
own
trade
and
profession.
and show
it to
the professions,
art,
free.
and
arts, the
history, literature,
its sister
arts so
learned sciences
and
concrete ex-
one great exemplar, but to study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently derive from the richness of
The sprightly
our acquired knowledge and organized system an attitude of our own.
minded young man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance; while the slower,
more solidly endowed student Will at least spend as much of his lime in avoiding mistakes
The Very best
as in evolving brilliant schemes wherewith to dazzle his contemporaries.
kind of originality is that which comes after a sound apprenticeship; that which shall
and
the
a
all
useful precedent
progressive
prove to be the blending of firm conception of
tendencies of an able mind.
For, let any man be as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what is now going on in
hii own trade and profession.
If the printers of today do not wish to be esteemed loo
arrogant when they term this calling of theirs an art, they must be willing, and show
All
that they are Willing, to subject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the learned sciences and professions, surround themselves with the history, literature, and concrete examples of
Yet it is only in rare instances
the Work "'"* which they are particularly engaged.
that
ticeship;
any
let
man
wish
art,
it to
his
to be
they
own
is
be willing,
and
also
show
its sister
that
be as able
and
and professions,
more
slower,
solidly
endowed student
12 Point
will at least
comes
after
an able mind.
to be the
For,
and
let
in his
own
trade
and
is
If the
profession.
its sister
arts so free.
organized
man, who
inevitably
while the
MONOTYPE FACES
that which
now going on
now going
arts so free.
$1234567890
is
mind.
must
ABCDEFGHIJKLMNOPQRSTUVWXYZ
of originality
able
profession.
$1234567890
be
to
All those
arts, the
learned
and
sciences
an
ABCDEFGHIJKLMNOPQRSTUVWXYZ
discard
and original
abcdefghijklmnopqrstuvwxyz
sound apprenticeship;
to
and
trade
MONOTYPE FACES
man
be as able
abcdcfghijklmnopqrstuowxyz
iW
best
on in
The
and
to be the
"^
The
best
kind of originality
is
prove
to be -the
all useful
that
that
which comes
which shall
precedent
of an able mind.
For,
let
man
tendencies
be as able
and
own
trade
and
profession.
is
now
If the
must be
willing,
ing, to subject
it to
and show
art,
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUyWXYZ
$1234567890
$1234567890
No. 641
14 Point No. 641
$1234567890
18 Point No. 641
TYPE CASTER
See that the
Mold
TIPS
as Well as the
Cooled
like the
$1234567890
24 Point No. 641
A SELF-CONTAINED MOLD
}
Maintains Accuracy
$1234567890
30 Point No. 641
Can MaJ^e
Better
THE MACHINE
That Ma^es the Type Trust Peevish
$1234567890
No. 164J.
Book Arrangement C
Composition Matrices
6 Point No. 164J, 7 Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which conies after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
For, let a
mind.
man
rET
$12345
abcdefghijklmnopqrstuvwxyz
67890
ABCDEFCHIJKLMNOPQRSTUVWXYZ
is
original as
$12345
abcdefghijklmnopqrstuvwxyz
67890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Set
MONOTYPE FACES
The
man
$12345
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
67890
67890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
The
is that which
sound apprenticeship; that
prove to be the blending of
comes
which
after a
shall
a firm conception of
ABCDEFGHIJKLMNOPQRSTUVWXYZ
after a
MONOTYPE FACES
The
The
all
useful precedent
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 164
Display Matrices
14 Point No. 164
in the Press
Room
$1234567890
18 Point No. 164
Learn
to
INTELLIGENT COMPpSITORS
is
the
Most Productive
Room Work
$1234567890
24 Point No. 164
Composing Room
Monotype Printing Shop
$1234567890
Belong
to the
in the
NO PIECED SLUGS
Or Sawing,
Corrections
as with
Foundry Type
$1234567890
36 Point No. 164
SEVEN ALPHABETS
At Your Operator's Command
$ 234567890
1
No. 164J.
MONOTYPE FACES
of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such laws
as have made its sister arts so free. All those concerned in what are accepted as the fine arts, the learned sciences, and professions surround
themselves with the history, the literature and concrete examples of the
For, let a
work with which they are particularly engaged. Yet it is only in rare
instances that such an atmosphere with its material appurtenances, is
abcdef ghij klmnopq rs tu vwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
Words
a to z 13.39
to Pica .24
MONOTYPE FACES
The best kind of originality is that which conies after
a sound apprenticeship; that which shall prove to be
the blending of a firm conception of all useful precedent
and the progressive tendencies of an able mind. For,
let any man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession.
If the printers of today do not wish to be esteemed ar-
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
a to z 13.39
Words
to Pica .19
Fonts shown on this page not included in Library and will not be leased. To use these
composing matter in justified lines S500 stop bars are required. Use left keybars QC; use right
key bars QC when combined with Italic; use right keybars QC2 when combined with Boldface; use standard
keybanks. The 18-point attachment and S500 wedges are required for casting.
Class
faces for
Matrices.
Book Arrangement C
No. 164K.
[italic]
Composition Matrices
6 Point No. 164K, 7 Set
MONOTYPE FACES
The
MONOTYPE FACES
knowledge of what has gone before or what is now going on in his own trade
If the printers of today do not wish to be esteemed arroprofession.
gant when they term this calling of theirs an art, they must be willing, and
are
show that they
willing, to subject it to such laws as have made its sister
and
The
arts so free.
trade
learned sciences,
to be
literature,
All those concerned in what are accepted as the fine arts, the
and professions surround themselves with the history,
and concrete examples of work with which they are particularly
abcdefghijklmnopqrsluowxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
precedent
mind.
and
For,
let
man
be as able
and
an
able
original as he
and
profession.
an
art,
and show
to such
All those
it
who
The
firm conception of
and
an able mind.
as able and original
any man be
as he may, he cannot afford
For,
let
to
discard
and the
professions sur-
abcdefghijklmnopqrstuvwxyz
abcdefgh ij^lmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWX
$1234567890
$1234567890
No. 1641
14 Point No. 1641
THE MONOTYPE
Than a Composing Machine,
Furnishes
all
it
is
IS
MUCH MORE
also a Complete
Material for
Hand
Type Foundry.
It
Compositors
$1234567890
18 Point No. 1641
IT
From
$1234567890
24 Point No. 1641
THE MONOTYPE
System Increases
the Efficiency of
Every
Composing-Room Employee
$1234567890
30 Point No. 1641
NO MECHANICAL
Limitations Restrict the Designers
of Monotype Faces
$1234567890
36 Point No. 1641
GOOD RULE
Is a Product of the
Monotype
$1234567890
Book Arrangement C
No. 264J.
Composition Matrices
8 Point No. 264J, 6
Set
MONOTYPE FACES
The
MONOTYPE FACES
is
all
If the printers of
sion.
term
For, let a
man
those concerned in
it
now
own
going on in his
is
an
art,
to such laws as
have made
The
is
that which
comes
after a
sound
useful
10 Point
so free.
as he
useful precedent
may, he cannot
For, let a
afford to discard
is
now
ten-
original
going on in his
own
trade
and pro-
All
fession.
fine arts, the learned sciences
all
and
If the printers of
terial
arrogant when they term this calling of theirs an art, they must
be willing, and show that they are willing, to subject it to such
laws as have made its sister arts so free. All those concerned
in
in
the professions, surround themselves with the history, the literature, and
concrete examples of the work with which they are particularly engaged.
Yet
an atmosphere, with its maappurtenances, is to be found in a printing office. Art does not flourish
hidden places, nor under restraint, nor in ignorance of what talent and
it is
genius have accomplished and are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate slavishly one great
all
ments sink slowly into the mind in order that we may patiently derive from
the richness of our acquired knowledge and organized system an attitude of
our own. The sprightly minded young man, who with his first business
breath projects the new and startling, inevitably becomes tiresome, and is
driven to an early disappearance; while the slower, more solidly endowed
abcdefghijklmnopqrstuvwxyz
abcdefghij klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Words
a to z 10.43
to Pica .68
Ems
a sound apprenticeship;
is
MONOTYPE FACES
useful
an
art,
willing, to subject
its sister
arts so free.
to Pica .55
Words
a to z 10.27
MONOTYPE FACES
as
all its
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12 Point
The
it is
is to be found in a
printing office. Art does not flourish in
hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are now accomplish-
$1234567890
Ems
and
it
to
such laws
The
is
own
made
its sister
arts so free.
larly
and concrete
engaged.
Yet
it is
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
a to z 10.16
abcdefghijklmnopqrstuvwxyz
Words
to Pica .46
and concrete
Sorts Matrices
No. 264
14 Point No. 264
THIS
IS
AN AGE OF PRODUCTION
$1234567890
18 Point No. 264
THEIR
WORK
IS
CONSTRUCTIVE
of Diligent
Labor
to
become
$1234567890
24 Point No. 264
DON'T DISTRIBUTE
Let Your Compositors be Producers All the Time
They
will
Appreciate
It
$1234567890
30 Point No. 264
NEW MATERIAL
Compositors Need Full Cases of New Type and
Plenty of New Rule
$1234567890
36 Point No. 264
THE
be
a great industry.
printers
No. 86J.
Job Arrangement C2
Composition Matrices
No. 86J, 6 Set
MONOTYPE FACES
5 Point
MONOTYPE FACES
belt kind of originality it that which comet after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. For,
let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade
The
If the printers of today do not wish be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
arts so free. All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the history,
literature, and concrete examples of the work with which they may be
particularly engaged. Yet it is only in rare instances that such an atmos-
and profession.
The
sink slowly into the mind in order that we may patiently defrom the richness of our acquired knowledge and organan attitude of our own. The sprightly minded
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries. The best kind of originality is that which
conies after a sound apprenticeship; that which shall prove to
rive
ized system
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
$1234567890
Words
a to z 17.21
7 Point
to Pica .57
Ems
MONOTYPE FACES
is
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
to Pica .49
MONOTYPE FACES
The best kind
Words
a to z 16.72
a to z 16.38
Words
to Pica .43
Ems
a to z 15.20
Words
to Pica .40
No. 86J.
Job Arrangement C2
Composition Matrices
9 Point No. 86J, 9 Set
MONOTYPE FACES
MONOTYPE FACES
The
useful precedent and of the progressive tendencies of an able mind. For, let a man be as
able and original as he may, he cannot afford to
discard knowledge of what has gone before or
what is now going on in his own trade and proall
fession.
an
art,
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
$1234567890
Words
a to z 14.34
11 Point
to Pica .38
Ems
Words
a to z 14.70
12 Point
MONOTYPE FACES
to Pica .33
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$123456789
Ems
a to z 14.34
$1234567890
Words
to Pica .31
Ems
a to z 14.34
Words
to Pica .28
Sorts Matrices
No. 86
14 Point No. 86
$1234567890
18 Point No. 86
DISPLAY TYPE
AND BORDERS
$1234567890
24 Point No. 86
EASILY CORRECTED
Monotype Type is Corrected Like Foundry
Type.
No Machine Expense
$1234567890
30 Point No. 86
TWO
The Monotype
is
IN
ONE
the
Type Foundry
Composing Machine
$1234567890
36 Point No. 86
A LABOR SAVING
Profit-maker for
all
Printers
$1234567890
No. 86J.
Composition Matrices
14 Point No. 86J, 14 Set
MONOTYPE FACES
The best kind of originality is that which conies after a sound apprenticeship, that which shall prove to he the blending of a firm conception
of all useful precedent and the progressive tendencies of an able
mind. For, let any man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is
now going on in his own trade and profession. If the printers of
today do not wish to be esteemed too arrogant when they term this
calling of theirs an art, they must be willing, and show that they are
willing, to subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine arts, the learned
abcdefghijklmnopqrstuvwxyz
ABCDEFGH IJKLMNOPQRSTUVWXYZ
$1234567890
18 Point No. 86J, 18 Set
MONOTYPE FACES
The best kind of originality is
calling of theirs
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
C
Matrices. Fonts shown on this page not included in Library and will not be
use these faces for composing matter in justified lines S500 stop bars are required. Use left keybars QC for the Roman; use right keybars QC2 for the Boldface;
use standard keybanks. The 18 point attachment and S500 wedges are required for casting.
Class
leased.
To
No. 86K.
Job Arrangement
QC2
Composition Matrices
14 Point No. 86K, 14 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception
all
mind. For,
a bcdefghijklmnopqrstu vwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
18 Point No. 86K, 18 Set
MONOTYPE FACES
The best kind of originality is that which comes after
a sound apprenticeship, that which shall prove to be
the blending of a firm conception of all useful precedent and the progressive tendencies of an able
mind. For, let any man be as able and original as he
may, he cannot afford to discard knowledge of what
has gone before or what is now going on in his own
trade and profession. If the printers of today do not
wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
C
Matrices. Fonts shown on this page not included in Library and will not be
use these faces for composing matter in justified lines S500 stop bars are releft keybars QC for the Roman; use right keybars QC2 for the Boldface Italic;
quired.
use standard keybanks. The 18 point attachment and S500 wedges are required for casting.
Class
leased.
To
Use
No. 86K.
Job Arrangement C2
Composition Matrices
5 Point
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality it that which comet after a sound apprenticeship; that which shall prove to be the blending of a firm conception of
all useful precedent and the progressive tendencies of an able mind.
For,
knowledge of what hat gone before or what it now going on in hit own
trade or hit profession. If the printers of today do not with to be
esteemed arrogant when they term thit calling of theirs an art, they must
be willing, and show that they are willing, to subject it to such laws at
have made itt titter arts to free. All those concerned in what are accepted
at the fine artt, the learned tciencet and professions, surround themteloet with the history, the literature, and concrete examples of the work
Yet it is only in very rare
with which they are particularly engaged.
instances that such an atmosphere, with its material appurtenances, it
accomplished and are accomplishing throughout the world. For to follow
precedent wisely does not mean to imitate slavishly one great exemplar,
but to study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized syttem an attitude of our
own. The sprightly minded young man, who with hit first butinett breath
projecti the new and ttartling, inevitably becomes tiresome and it driven
to an early disappearance; while the slower, more solidly endowed student
all
abcdefghijhlmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
6 Point
No. 86K,
7 Set
MONOTYPE FACES
The bett kind of originality i* that which come* after a sound
apprenticethip; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
or his profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences and professions, surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
abcdefghijklmnopqrstuvwxyz
ABCDEFCHIJKLMNOPQRS TUVWX YZ
$1234567890
Set
MONOTYPE FACES
The best kind of originality is that which comes
thorough apprenticeship; that which shall
after a
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
12 Point
MONOTYPE FACES
The best kind of originality is that
which comes after a sound apprenticeship; that which shall prove to
be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original
as he may, he cannot afford to discard a knowledge of what has gone
before or what is now going on in
his own trade and profession. If the
printers of today do not wish to be
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRS TUVW
$1234567890
$1234567890
No. 861
Make
$1234567890
18 Point No. 861
it
$1234567890
24 Point No. 861
FOUNDRY TYPE
Never as Good as New Type
Cast on the Monotype
Once Used
is
$1234567890
30 Point No. 861
to
$1234567890
36 Point No. 861
FLEXIBILITY
Endless Matrix Combination
$1234567890
No. 186J.
Job Arrangement Cl
Composition Matrices
6 Point No. 186J, 7 Set
5 Point
The
is
that which
comes
after a
MONOTYPE FACES
sound apprenticeship;
do not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing, to subject it to such
laws as have made its sister arts so free. All those concerned in what are accepted
as the fine arts, the learned sciences, and professions surround themselves with
the history, literature, and concrete examples of the work with which they are
Yet it is only in rare instances that such an atmosphere,
particularly engaged.
with its material appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what talent
and genius have accomplished and are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate slavishly one great exemplar, but to study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness of
our acquired knowledge and organized system an attitude of our own. The
sprightly minded young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as much of
his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle
The very best kind of originality is that which comes after a
his contemporaries.
sound apprenticeship; that which shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his own trade and proIf the printers of today do not wish to be esteemed arrogant when they
fession.
term this calling of theirs an art, they must be willing, and show that they are
All those
willing, to subject it to such laws as have made its sister arts so free.
concerned in what are accepted as the fine arts, the learned sciences, and professions surround themselves with the history, literature, and concrete examples
Yet it is only in rare inof the work with which they are particularly engaged.
al e
to be found
th its
a printing office. Art does not flourish in hidden places, nor under restraint,
and genius have accomplished and are noi
ce of what talent and_genius
or in ignorance
implishing throughout the world. For to follow precedent wisely does not nean
of today
of originality
sound appren-
For, let a
afford to discard
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
of originality
is
that
apprenticeship; that which shall prove itself to be the blending of a firm conception of useful precedent and the progressive
For, let a man be as able and
he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an
art, they must be willing, and show that they are willing, to
subject it to such laws as have made its sister arts so free.
AH those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround themselves
with the history, the literature, and concrete examples of the
work with which they are particularly engaged. Yet it is only
in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art does
not flourish in hidden places, nor under restraint, nor in
ignorance of what talent and genius have accomplished and
are accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate slavishly one great
but
to
all
the
masters
exemplar,
study
faithfully, letting their
great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The very
sprightly minded young man, who with his first business
breath projects the new and startling, inevitably becomes tiresome, and is driven to an early disappearance; while the
slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant
schemes wherewith to dazzle his contemporaries. The best
Set
MONOTYPE FACES
MONOTYPE FACES
The best kind
is
The
is
that which
comes
after a
sound apprenticeship;
man be
to discard
is
now
printers of today
when
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 186J.
Job Arrangement Cl
Composition Matrices
The
MONOTYPE FACES
MONOTYPE FACES
comes
after a
shall prove to
be the
that which
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
is
man be
afford to discard
what
If
arrogant
they must be
11 Point
after a
12 Point
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality is that which
comes after a sound apprenticeship; that
which shall prove
to
be the blending
of a
The
which
shall prove to
be the blending
of
mind.
man be
as able and
when
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWX
$1234567890
$1234567890
arrogant
theirs
an
No. 186
14 Point No. 186
$1234567890
18 Point No. 186
THE MONOTYPE
Eliminates Non-productive Time in the Composing
and Increases Output in Press Room
Room
$1234567890
24 Point No. 186
MANY MAGAZINES
Europe are Produced entirely on the
Monotype Composing Machine
$1234567890
of Latin
NON-DISTRIBUTION
Reduces the Cost
of
producing
Advertising Composition
Good
$1234567890
36 Point No. 186
WORKMEN
Will Appreciate
Its
Advantages
$1234567890
No. 88J.
Job Arrangement Cl
Composition Matrices
5
of originality is that
an able mind.
knowledge
of
For,
let
man
all
useful precedent
printers of today
All
show
it
to <
and
shall
No. 88
$1234567890
18 Point No. 88
$1234567890
24 Point No. 88
Our Answer
"What
is
$1234567890
30 Point No. 88
$1234567890
36 Point No. 88
IT
Job Arrangement Cl
No. 88K.
Composition Matrices
6 Point No. 88K, 6 Set
MONOTYPE FACES
The best kind of
originality is that
MONOTYPE FACES
that which shall prove to be the blending of a firm conception of all useful pre-
For, let a
man be
as able
and original as he may, he cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and profession. If the printers
an
art,
they must be willing, and show that they are willing, to subject
laus as have
made
its sister
arts so free.
it
to
ticeship;
mind.
For, let a
afford to discard
going on in his
an
particularly engaged.
Yet
with
is
it
material appurtenances,
its
is to
be found
in a printing office.
minded young man, who with his first business breath projects the new
nd startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as much of
his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries.
The best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade and
If the printers of today do not wish be to esteemed arrogant when
profession.
they term this calling of theirs an art, they must be willing, and show that they
prightly
are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the learned sciences, and
its sister
arts so free.
professions surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its ma-
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
f 1234567 890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
originality is that
all
as able
and
original as
to
be the
useful precedent
For,
going on in his
printers of today
own
do not wish
trade
and
profession.
is
If the
be esteemed arrogant
calling of theirs an art, they must be
to
willing, to subject
it
to
such laws as have made its sister arts so free. All those
concerned in what are accepted as the fine arts, the learned
sciences, and professions surround themselves with the
history, the literature,
and
let
now
to
they must be willing, and show that they are willing, to subject
ABCDEFGHIJKLMNOPQRSTUVWXYZ
to
it
art,
man be
such
originality is that
nor in ignorance of what talent and genius have accomand are now accomplishing throughout the world.
plished
originality is that
sound apprenticeship;
which comes
and
For, let
ten-
man be
as
original as
to discard
or what is
profession.
to
and show
Yet
it is
only in
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 881
Point Inclusive
$1234567890
18 Point No. 881
is
$1234567890
24 Point No. 881
MONOTYPE MATRICES
Combined
$1234567890
36 Point No. 881
Job Arrangement Cl
No. 141J.
Composition Matrices
6 Point No. 141 J, 5 Set
MONOTYPE FACES
The best kind of
originality is thai
of
prove to be the blending of a firm conception
of an able mind.
For,
let
man
useful precedent
that
which
is
now going on
shall
in his
own
it
discard
to
If
an
Yet
material appurtenances,
its
is to
into the
mind
in
is
in a printing office.
in
it
be found
to
study
order that
all
masters
we may
mean
that
which
shall prove to
patiently derive
with which they are particularly engaged. Yet it is only in rare instances that such an atmosphere,
Art does not flourish in hidden
with its material appurtenances, is to be found in a printing office.
places, nor under restraint, nor in ignorance of what talent and genius have accomplished and are
accomplishing throughout the world. For to follow precedent wisely does not mean to imitate
their great achievements
slavishly one great exemplar, but to study all masters faithfully, letting
and
original as
before or what
is
now
going on in his
afford to discard
an
art,
not wish to be
an
it
art,
they must be willing, and show that they are willing, to subject
laws as have
made
its sister
the history, literature, and concrete examples of the work with which they are
particularly engaged.
with
its
Yet
sound appren-
If the printers of
is
now
today do
they must be willing, and show that they are willing, to subject
its sister arts
emplar, but to study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness of
our acquired knowledge and organized system an attitude of our own.
sprightly minded young man, who with his first business breath projects the
so free.
AH
those con-
his contemporaries.
The
talent
appurtenances,
is to
be found
under
in a printing office.
what
their great
shall
comes
after a
new and
that which
is
comes
For, let
or
what
is
now
If the printers
art,
they must be
it
to
willing,
in
after a
sound
be the blend-
man be
going on
as able and
knowledge of
in his
own
trade
and show
an
concerned
to discard
All those
The
new
and
Yet
terial
subject
only in
flourish in
it is
such
MONOTYPE FACES
to
it
as the fine arts, the learned sciences, and professions surround themselves with
12 Point
cerned in what are accepted as the fine arts, the learned sciences, and
professions surround themselves with the history, literature, and con-
it
AH
arts so free.
$1234567890
is
If the printers
$1234567890
to
when
abcdefghijklmnopqrstuvwxyz
man be
own
going on in his
which
For, let a
own
as able
abcdefghijklmnopqrstuvwxyz
mind.
to discard
useful pre-
all
man be
For, let a
ABCDEFGHIJKLMNOPQRSTUVWXYZ
of originality
that
MONOTYPE FACES
ticeship;
that
is
to
an
those concerned in what are accepted as the fine arts, the learned sci-
All
ences, and professions surround themselves with the history, literature, and concrete examples
phere, with
The
to subject
they must be willing, and show that they are willing,
sister arts so free.
its
all
art,
MONOTYPE FACES
so free.
Yet
it
is
work
only in
appurtenances,
is to
be found
in a printing office.
Art does
startling
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 141
14 Point No. 141
to Fit the
Space
$1234567890
18 Point No. 141
$1234567890
24 Point No. 141
80 per
cent.
$1234567890
30 Point No. 141
MONOTYPE CORRECTIONS
Never Stop the Production from Keyboard or Caster
$1234567890
36 Point No. 141
FURNISHES FACILITIES
For
all
Work
$1234567890
36H4 Point No.
141
No. 285
18 Point No. 285
1<
<
12341
24 Point No. 285
AZH
1
in
T<
I!
n O
No. 286
24 Point No. 286
"Continuous Production
is
Possible
THE MONOTYPE
is
any practical
of
composing-room efficiency it is
the one machine that provides for all kinds
of composition from the plainest straight
matter to the most intricate work it is
practically without limit as a composing
machine: as a producer of type and material for hand composition it is without a
system
not only continuously productive but provides the material to make the
peer:
entire
it is
eliminates almost all the nonproductive operations and makes all the
productive operations more productive:
its effect is noticeable immediately after
ductive
it
THE MONOTYPE
The Biggest
Profit
Maker Ever
No. 25J.
Job Arrangement Cl
Composition Matrices
5 Point
No. 25J, 6
Set
MONOTYPE FACES
The
precedent and the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade and profession.
If the printers of today do not wish to be esteemed arrogant when they term
this calling of theirs an art, they must be willing, and show that they are willing,
to subject it to such laws as have made its sister arts so free. All those concerned in what are accepted as the fine arts, the learned sciences and professions, surround themselves with the history, literature, and concrete examples
of the work with which they are particularly engaged. Yet it is only in rare
instances that such an atmosphere, with its material appurtenances, is to
be found in a printing office. Art does not flourish in hidden places, nor
under restraint, nor in ignorance of what talent and genius have accomplished
and are now accomplishing throughout the world. For to follow precedent
wisely does not mean to imitate slavishly one great exemplar, but to study
all masters faithfully, letting their great achievements sink slowly into the
mind in order that we may patiently derive from the richness of our acquired
knowledge and organized system an attitude of our own. The sprightly
minded young man, who with his first business breath projects the new and
startling, inevitably becomes tiresome, and is driven to an early disappearance; while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes where-
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
Set
MONOTYPE FACES
The best kind
shall prove to
mind.
they must be willing, and show that they are willing, to subject
such laws as have made its sister arts so free. All those concerned in what are accepted as the fine arts, the learned sciences and
professions, surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office.
Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
the world. For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
an
it
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
art,
to
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
The best kind
of originality is that
which comes
of originality is that
which comes
after
$1234567890
MONOTYPE FACES
after a
sound
arrogant when they term this calling of theirs an art, they must
be willing, and show that they are willing, to subject it to such
laws as have made its sister arts so free. All those concerned
in what are accepted as the fine arts, the learned sciences and
professions surround themselves with the history, literature,
and concrete examples of the work with which they are particularly engaged. Yet it is only in very rare instances that such an
atmosphere, with its material appurtenances, is to be found in
a printing office. Art does not flourish in hidden places, nor
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
THE
G following
of F.
has not
face that
In
Job Arrangement Cl
No. 25J.
Composition Matrices
11 Point
MONOTYPE FACES
MONOTYPE FACES
which comes
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind. For, let a man be as
able and original as he may, he cannot afford
to discard knowledge of what has gone before
or what is now going on in his own trade and
If the printers of today do not wish
profession.
to be esteemed arrogant when they term this
calling of theirs an art, they must be willing,
and show that they are willing, to subject it to
such laws as have made its sister arts so free.
All those concerned in what are accepted as the
fine arts, the learned sciences and professions,
surround themselves with the history, literature,
and concrete examples of the work with which
they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its
of originality is that
to
be the blending of a
man
arts, the
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
12 Point
MONOTYPE FACES
MONOTYPE FACES
which
mind.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 25
ACCURATE JUSTIFICATION
And Uniform Alignment;
of
the Hall-marks
Monotype Product
$1234567890
30 Point No. 25
Borders
USEFUL FACES
and Ornaments; New
Ones
IDLE TIME
Converted Into Real Money
$1234567890
What
|e{
|s
jgj
*
Many
f/zaf
//ze
J!r:*
u;/2/c/2
}j2j
/)a/?er
}S|
*^1
*j^{
{>{
;<!
J
*
JSt
4r j
*S!
*
J;Q|
j!j
almost indispensable
a6/e
jeii
are
NEVER
The Monotype
idle.
is
THE
o^ce because it is
TYPE CASTER and TYPE SETTER.
T/?e
Quality because
issue.
it
provides a
new
No. 25K.
Job Arrangement Cl
Composition Matrices
7 Point
MONOTYPE FACES
MONOTYPE FACES
after a sound apprenticeship; that which shall prove itself to be the blending of a firm
and
the
progressive tendencies of an able
conception of useful precedent
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
is
that which
comes
going on
in his
own
what are accepted as the fine arts, the learned sciences and
professions, surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with all its
material appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
the world. For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
The sprightly minded young
organized system an attitude of our own.
man, who with his first business breath projects the new and startling,
to an early disappearance;
and
is
driven
becomes
tiresome,
inevitably
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality
is that which comes after a sound apprenticeship; that which shall prove
to be the blending of a firm conception of all useful precedent and the
progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has
gone before or what is now going on in his own trade and profession.
cerned
in
originality, is that
minded young man, who with his first business breath projects
the new and startling, inevitably becomes tiresome, and is driven
an early disappearance; while the slower, more solidly en-
to
dowed student
will at least
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
in avoiding
Set
MONOTYPE FACES
MONOTYPE FACES
now
willing,
and show
who with his first business breath projects the new and
startling, inevitably becomes tiresome, and is driven to an
all
useful precedent
arrogant
do not wish
to
be esteemed
an art,
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 25K.
Job Arrangement Cl
Composition Matrices
10 Point
11 Point
MONOTYPE FACES
MONOTYPE FACES
profession.
to
on
in his
own
printers of today
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
12 Point
MONOTYPE FACES
MONOTYPE FACES
discard knowledge of what has gone before or what is now going on in his own
trade and profession.
If the printers of
not
do
wish
to
be esteemed too
today
original as
a firm conception of
original as
arrogant
theirs
an
all
useful precedent
to
this calling of
they must be
willing,
and
show
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 251
Low
Selling Prices
$1234567890
18 Point No. 251
COSTS
MAY BE REDUCED
Monotype
$1234567890
24 Point No. 251
FOR ECONOMY
And for
$1234567890
36 Point No. 251
THE MONOTYPE
Answers the Cost Problem
$1234567890
No. 26J.
Job Arrangement C2
Composition Matrices
5
MONOTYPE FACES
The best kind of originality is that which comes after a sound apprenticeship that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. For,
let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed too
MONOTYPE FACES
The
masters faithfully, letting their great achievements sink slowly into the
in order that we may patiently derive from the richness of our
acquired knowledge and organized system an attitude of our own. The
sprightly minded young man, who with his first business breath projects
the new and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed student will
at least spend as much of his time in avoiding mistakes as in evolving
brilliant schemes wherewith to dazzle his contemporaries. The best kind
of originality is that which comes after a sound apprenticeship; that which
shall prove to be the blending of a firm conception of all useful precedent
and the progressive tendencies of an able mind. For, let a man be as able
and original as he may, he cannot afford to discard knowledge of what
has gone before or what is now going on in his own trade and profession.
If the printers of today do not wish to be esteemed too arrogant when they
term this calling of theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine arts, the learned
sciences, and the professions surround themselves with the history, the
literature, and concrete examples of the work with which they are particularly engaged. Yet it is only in rare instances that such an atmos-
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFOHIJKLMNOPQR5TUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
when they term this calling of theirs an art, they must be willing,
and show that they are willing, to subject it to such laws as have made its
sister arts so free. All those concerned in what are accepted as the fine
arts, the learned sciences, and the professions surround themselves with
the history, the literature, and concrete examples of the work with which
they are particularly engaged. Yet it is only in rare instances that such
an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish in hidden places, nor under restraint,
nor in ignorance of what talent and genius have accomplished and are
now accomplishing throughout the world. For to follow precedent wisely
does not mean to imitate slavishly one great exemplar, but to study all
arrogant
mind
MONOTYPE FACES
MONOTYPE FACES
the blending of a firm conception of all the useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and
profession. If the printers of today do not wish to be
esteemed too arrogant when they term this calling of
theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made
its sister arts so free.
All those concerned in what are
accepted as the fine arts, the learned sciences, and the
professions surround themselves with the history, the
literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in
very rare instances that such an atmosphere, with its
material appurtenances, is to be found in a printing
office.
Art does not flourish in the hidden places, nor
under restraint, nor in ignorance of what talent and
genius have accomplished and are now accomplishing
throughout the world. For to follow precedent wisely
does not mean to imitate slavishly one great exemplar,
but to study all masters faithfully, letting their great
achievements sink slowly into the mind in order that
we may patiently derive from the richness of our acquired knowledge and organized system an attitude of
our own. The sprightly minded young man, who with
his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early
disappearance while the slower, more solidly endowed
after a
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 26J.
Job Arrangement C2
Composition Matrices
9 Point No. 26J, 9 Set
MONOTYPE FACES
MONOTYPE FACES
after a
fession.
of originality
is
that which
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Job Arrangement Cl
No. 76J.
Composition Matrices
5 Point
No. 76 J, 5^ Set
MONOTYPE FACES
MONOTYPE FACES
which comes after a sound apprenticeship; that which
shall prove to be the blending c! a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he can-
of originality is that
their great
from the richness of our acquired knowledge and organized system an attitude of our own
minded young man who with his first business breath projects the new and
becomes tiresome, and is driven to an early disappearance while the
slower, more solidly endowed student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle his contemporaries. The
very best kind of originality is that which comes after a sound apprenticeship; that which
shall prove to be the blending of a firm conception of all useful precedent and the proFor, leta man be as able and original as he may, he
gressive tendencies of an able mind
cannot afford to discard knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be esteemed arrogant
this
an
when they term
art, they must be willing and show that they are
calling of theirs
The
sprightly
startling, inevitably
of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
they must be willing, and show that they are willing, to subject
such laws as have made its sister arts so free. All those concerned in what are accepted as the fine arts, the learned sciences and
professions, surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office.
Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
the world. For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality
is that which comes after a sound apprenticeship that which shall prove
to be the blending of a firm conception of all useful precedent and the
progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has
gone before or what is now going on in his own trade and profession.
an
it
art,
to
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFQHIJKLMNOPQRSTUVWXYZ
ABCDEFOHLIKLMNOPQRSTUVWXYZ
$1234567890
$1234667890
7 Point
MONOTYPE FACES
The best kind
MONOTYPE FACES
The best kind
of originality is that
sound apprenticeship;
man
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Job Arrangement Cl
No. 76J.
Composition Matrices
9 Point No. 76J, 9 Set
MONOTYPE FACES
The best kind
sound apprenticeship
MONOTYPE FACES
comes
after a
the
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
which
which
original as
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXY
$1234567890
Job Arrangement Cl
No. 45 J.
Composition Matrices
8 Point No. 45J, 8i Set
MONOTYPE FACES
MONOTYPE FACES
all
now going on
profession.
to
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
$1234567890
Words
a to z 13.45
to Pica .55
Ems
Words
a to z 12.66
to Pica .42
MONOTYPE FACES
The best kind
of originality
is
MONOTYPE FACES
that which
after a
which shall
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
a to z 12.66
Words
to Pica .35
Sorts Matrices
No. 45
14 Point No. 45
MONOTYPE TYPE
No Foundry Type Made
IS
GOOD TYPE
More
Type
$1234567890
18 Point No. 45
QUALITY CATALOGUES
If
No
45
It
$1234567890
30 Point No. 45
AT EVERY POINT
The Monotype
on the Job
$1234567890
Is
Job Arrangement C2
No. 56J.
Composition Matrices
5
Set
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenticeship: that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an atle mind. For. let a man be as able and original as he may. he
cannot afford to discard knowledge of what has gone before or what
If the printers
is now going on in his own trade and profession.
of today do not wish to be esteemed arrogant when they term this
show
that they
must
be
and
willing,
calling of theirs an art. they
are willing, to subject it to such laws as have made its sister arts
so free. All those concerned in what are accepted as the fine arts,
the learned sciences, and professions surround themselves with the
The
Set
The
abcdef ghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
The
MONOTYPE FACES
is
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 56J.
Job Arrangement C2
Composition Matrices
8 Point No. 56J, 8i Set
MONOTYPE FACES
MONOTYPE FACES
that which comes
after a thorough apprenticeship; that which shall
prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original
as he may, he cannot afford to discard knowledge
of what has gone before or what is now going on
in his own trade and profession. If the printers of
originality
is
have accomplished and are accomplishing throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar,
but to study all masters faithfully, letting their great
achievements sink slowly into the mind in order
that we may patiently derive from the richness of
all our acquired knowledge and organized system an
attitude of our own. The sprightly minded young
man, who with his first business breath projects the
new and
startling, inevitably
abcdefghijklmnopqrstuvwxyz
AB CDEFGHI JKLMNOPQRSTUVWXYZ
$1234567890
No. 156J.
Job Arrangement C2
Composition Matrices
5
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which conies after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what
If the printers
is now going on In his own trade and profession.
of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made its sister arts
so free. All those concerned in what are accepted as the fine arts,
the learned sciences, and professions surround themselves with the
history, literature, and concrete examples of the work with which
they are engaged. Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing
Art does not flourish in hidden places, nor under restraint,
office.
nor in ignorance of what talent and genius have accomplished and
are now accomplishing throughout the world. For to follow precedent wisely does not mean to imitate slavishly one great exemplar,
but to study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently derive
from the richness of our acquired knowledge and organized system
an attitude of our own. The sprightly minded young man, who
with his first business breath projects the new and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality is that which comes after a sound apprenticeship; that which
shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let
a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his
The
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what
is now going on in his own trade and profession.
If the printers
of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made its sister arts
so free. All those concerned in what are accepted as the fine arts,
the learned sciences, and,professions surround themselves with the
history, literature, and concrete examples of the work with which
they are engaged. Yet it is only In rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing
office.
Art does not flourish in hidden places, nor under restraint,
nor in ignorance of what talent and genius have accomplished and
are now accomplishing throughout the world. For to follow precedent wisely does not mean to imitate slavishly one great exemplar,
but to study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently derive
from the richness of our acquired knowledge and organized system
an attitude of our own. The sprightly minded young man, who
with his first business breath projects the new and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much ofhis time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality is that which comes after a sound apprenticeship; that which
shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let
a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his
own trade and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such
laws as have made its sister arts so free. All those concerned in what
are accepted as the fine arts, the learned sciences, and professions
surround themselves with the history, literature, and concrete examples of the work with which they are engaged. Yet It is only in
rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish in
hidden places, nor under restraint, nor in ignorance of what talent
and genius have accomplished and are now accomplishing throughout the world. For to follow precedent wisely does not mean to
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
MONOTYPE FACES
The
much
brilliant
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 25 6 J.
Book Arrangement C
Composition Matrices
6 Point
MONOTYPE FACES
MONOTYPE FACES
is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind.
For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or -what is now going on in his own trade
and profession. If the printers of today do not wish to be
The
The
term
an
art,
abcdefghijklmnopqrstuvwxyz
ABCDEFOHIJKXMNOPQRSTUVWXYZ
$1234667890
No. 58J.
Job Arrangement Cl
Composition Matrices
6 Point No. 58J, 7 Set
MONOTYPE FACES
The best kind
ticeship;
that
MONOTYPE FACES
of originality is that which comes after a sound apprenwhich shall prove itself to be the blending of a firm
All those conit to such laws as have made its sister arts so free.
cerned in what are accepted as the fine arts, the learned sciences, and
professions surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its maArt does not
terial appurtenances, is to be found in a printing office.
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
the world. For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality
is that which conies after a sound apprenticeship; that which shall prove
to be the blending of a firm conception of all useful precedent and the
progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has
gone before or what is now going on in his own trade and profession.
now
going on in his
printers of today
be the
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
MONOTYPE FACES
which comes
that which shall
of originality is that
sound apprenticeship;
prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind. For, let a man be as
able and original as he may, he cannot afford
to discard knowledge of what has gone before
now going on
the
willing,
abcdefghijklmnopqrstuvwxyz
after a
If
be esteemed arrogant
theirs an art, they must be
to
ABCDEFGHIJKLMNOPQRSTUVWXYZ
is
own
do not wish
when
what
after a
$1234567890
or
which comes
shall prove to
of originality is that
in his
own
trade and
profession.
to
which
shall prove to
be the blending
of
mind*
For t
let
any
man be
as able and
when
an
art,
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXY
$1234567890
$1234567890
No. 58
14 Point No. 58
the 5-point
Thin Space
Em
to the
36-point
Intermediate Point and Set Sizes
Quad and
all
the
$1234567890
18 Point No. 58
SETS STRAIGHT
MATTER
Better, Quicker
Any
Other
$1234567890
24 Point No. 58
HE LEADING MAGAZINES
Are
Practically
all
the
30 Point No. 58
MONOTYPE PRODUCT
Same Price as Similar Kinds
Matter Set by Hand
$1234567890
of
36 Point No. 58
LONG RUNS
show Less Wear
$1234567890
Job Arrangement C2
No. 60J.
Composition Matrices
8 Point No. 60J, 9 Set
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality is that which comes after a
sound apprenticeship: that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For. let a man
be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers of
today do not wish to be esteemed arrogant when they term
this calling of theirs an art. they must be willing, and show
that they are willing, to subject it to such laws as have
All those concerned in what
its sister arts so free.
are accepted as the fine arts, the learned sciences, and pro-
made
much
study
brilliant
abcdefghijklmnopqrotuvwxyz
abcdefghijklmnopqrstuvwxyz
$1234567890
Ems
Words
a to z 17.92
to Pica .45
Ems
12 Point No. 60 J, 12
Set
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFG H IJ KLMNOPQRSTU V WX YZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
a to z 15. 77
to Pica .38
MONOTYPE FACES
MONOTYPE FACES
The very best kind of originality is that
which comes after a sound apprenticeship: that which shall prove itself to be
Ems
Words
a to z 16.12
Words
to Pica .31
Ems
a to z 14.93
Words
to Pica .27
No. 60
Sorts Matrices
14 Point No. 60
A GREATER PRODUCTION
On a Larger Variety of Profitable Work with Lower Wage
and Overhead Expense
$1234567890
18 Point No. 60
On
ELIMINATES COMPETITION
Catalog a.rvd Job Work, Variety of Face
a.rvd Quality of Work Unexcelled
$1234567890
24 Point No. 60
To Set Railway
Tariffs
and Time
$1234567890
30 Point No. 60
STRAIGHT MATTER
Of the Simplest Kind can be
Handled at a. Profit
$1234567890
36 Point No. 60
ARTISTIC FACES
For Use on Morvotypes
$1234567890
No. 60K.
Job Arrangement C2
Composition Matrices
6 Point No. 60K, 1\ Set
FACES
The bet1 kind of originality if that tohich comes after a
sound apprenticeship; that tvhich shall proc'e to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a
man be as able and original as he may, he cannot afford
to discard knotaledge of tahat has gone before or tahat is
note going on in his otvn trade and his profession. If the
printers of today do not toish to be esteemed too arrogant
tohen they term this calling of theirs an art, they must
be ^ailling, and shoto that they are toilling, to subject it
to such tatas as hatie made its sister arts so free. All those
concerned in tohat are accepted as the fine arts, the learned
sciences, and the professions surround themselves tvith the
history, the literature, and concrete examples of the tuork
taith tvhich they are particularly engaged,
yet it is only
in rare instances that such an atmosphere^, toith its material
appurtenances^, is to be found in a printing office. Art
does not flourish in hidden places, nor under restraint, nor
in ignorance of tvhat talent and genius have accomplished
and are not*> accomplishing throughout the tvorld. For to
foliate precedent tuisely does not mean to imitate slavishly
one great exemplar. but to study all the masters faithfully,
letting their great achievements sink s/otvly into the mind
in order that toe may patiently derive from the richness of
our acquired knotvledge and organized system an attitude
of our oton.
The sprightly minded young man toho t*>ith
his first business breath projects the neto and the startling
inevitably becomes tiresome, and he is driven to an early
disappearance; tohile the s/otver and more so/idly endotoed
student toil! at least spend as much of his time in avoiding"
mistakes as in evolving brilliant schemes taheretoith to dazzle
MOJVOTyPE FACES
The best kind of originality is that tohich comes
after a sound apprenticeship; that tahich shall
pro-Ce to be the blending of a firm conception of
precedent and of the progressive tendencies of an able mind. For, let a man be as
able and original as he may, he cannot afford to
discard knowledge of tvhat has gone before or
tvhat is notv going on in his otun trade and profession. If the printers of today do not tvish to
be esteemed arrogant tvhen they term this calling
of theirs an art, they must be builling, and shotv
that they are tvilling, to subject it to such latvs
as hade made its sister arts so free. All those concerned in tvhat are accepted as the fine arts, the
learned sciences, and professions surround themselves tvith the history, the literature and concrete examples of the tvorfc tvith tvhich they are
particularly engaged, yet it is only in rare instances that such an atmosphere, tuith its material appurtenances, is to be found in a printing
Art does not flourish in hidden places, nor
office.
under restraint, nor in ignorance of tvhat talent
and genius haCe accomplished and are accomplishing throughout the tvorld. For to follotv
all useful
abcdefghijklmnopqrstuVtuxyf
abcdefghijk.lmnopqrstuVtoxyz
A'BCDEFGHIJK.LMFQTQ'RSTUVWXyZ
$1234567890
fI234567890
12 Point
FACES
MOJVOTyPE FACES
The -Very best kind of originality is that
Which comes after a sound apprenticeship; that Which shall pro-tie itself to be
the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. Let any man
be as able and original as he may, he
cannot afford to discard knowledge of
What has gone before or What is noW
going on in his oWn trade and profession. If the printers of today do not
Wish to be esteemed arrogant When they
term this calling of theirs an art, they
must be Willing, and show that they are
Willing, to subject it to such laWs as hade
made its sister arts so free. All those
concerned in What are accepted as the
fine arts, the learned sciences, and professions surround themselves With the
history, literature, and concrete examples of the Work with which they are
particularly engaged, yet it is only in
abcdefg'hijklmnopqrstU'OWxyz
subject
it
its sister
abcdefghijklm nopqrstu-Cteyyz
A'BCDEFGHIJK.LMFOTQ'RSTVVW
$1254567890
$1234567890
No. 601
JULES VERNE
Ml HIS BEST
but
This
One Point
$1234567890
24 Point No. 601
WIDE MEASURES
Jlnd Narrow Measures at One
Time Easy for Style
DD
$1234567890
36 Point No. 601
ITS LIMIT
Sorts Matrices
No. 62
18 Point No. 62
OPERATING EFFICIENCY
And High duality Product Combined with Low
Cost of Production
is
the Monotype
Way
$1234567890
24 Point No. 62
QUALITY CONTROLS
The Selling Price and Attracts Buyers
Who Are Discriminating and
Know Good
Printing
$1234567890
30 Point No. 62
NO COMPOSITION
Commands a Higher Selling Price
than Monotype Product
$1234567890
36 Point No. 62
MONOTYPE TYPE
Endorsed by Type Founders
$1234567890
No. 63 J.
Job Arrangement C2
Composition Matrices
6 Point No. 63J, 1\ Set
MONOTYPE FACES
The best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able' mind. For, let a
man be as able and original as he may, he cannot afford
to discard knowledge of what has gone before or what is
now going on in his own trade and his profession. If the
printers of today do not wish to be esteemed too arrogant
when they term this calling of theirs an art, they must
be willing, and show that they are willing, to subject it
All those
to such laws as have made its sister arts so free.
concerned in what are accepted as the fine arts, the learned
sciences, and the professions surround themselves with the
history, the literature, and concrete examples of the work
with which they are particularly engaged. Yet it is only
in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art
does not flourish in hidden places, nor under restraint, nor
in ignorance of what talent and genius have accomplished
and are now accomplishing throughout the world. For to
follow precedent wisely does not mean to imitate slavishly
one great exemplar, but to study all the masters faithfully,
letting their great achievements sink slowly into the mind
in order that we may patiently derive from the richness of
our acquired knowledge and organized system an attitude
The sprightly minded young man who with
of our own.
his first business breath projects the new and the startling
inevitably becomes tiresome, and he is driven to an early
disappearance; while the slower and more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving the brilliant schemes wherewith to
abcdef gh
kl
MONOTYPE FACES
The
now going on
what
is
fession.
If
abcdefghij klmnopqrstuvwxyz
ABCDEFGHUKLMNOPQRSTUVWXYZ
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
Ems
$1234567890
Words
a to z 17.92
to Pica .45
Ems
MONOTYPE FACES
MONOTYPE FACES
The
ABCDEFGHUKLMNOPQRSTUVWXYZ
is
that
tion of
abcdefghij klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
a to z 15.77
to Pica .38
Ems
Words
a to z 16.12
Words
to Pica .31
Ems
a to z 14.93
Words
to Pica .27
No. 63
Sorts Matrices
14 Point No. 63
Prepared
$ 23456789O
1
18 Point No. 63
NOTHING
IS
TOO HARD
$1234567890
24 Point No. 63
FOR ELECTROTYPING
The Matter May Be Run with High
Spaces and Quads Throughout
$ 23456789O
1
30 Point No. 63
FOR LETTERPRESS
The Same Ribbon Will Give
Low Quads and Spaces
$ 1 234567890
36 Point No. 63
FOR DISPLAY
Cast Sorts on Monotype
$1234567890
No. 68J.
Job Arrangement Cl
Composition Matrices
6 Point No. 68J, 7 Set
MONOTYPE FACES
MONOTYPE FACES
of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm
made
arts so free.
to
cerned
in
its sister
The
sound apprenticeship;
shall prove to
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Words
a to z 14.78
to Pica .60
Ems
MONOTYPE FACES
now going on
in his
own
to Pica .50
after a sound
prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as
able and original as he may, he cannot afford
to discard knowledge of what has gone before
is
Words
a to z 13.45
what
that
abcdefghijklmnopqrstuvwxyz
MONOTYPE FACES
or
is
which
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
that
trade and
surround themselves with the history, literature, and concrete examples of the work with
which they are particularly engaged. Yet it is
only in rare instances that such an atmosphere,
with its material appurtenances, is to be found in
a printing office. Art does not flourish in hidden
places, nor under restraint, nor in ignorance of
which
abcdefghijklmnopqrstuvwxyz
abcdefghi j klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
Ems
a to z 12.99
$1234567890
Words
to Pica .42
Ems
a to z 12.66
Words
to Pica .35
No. 68
Sorts Matrices
14 Point No. 68
$1234567890
18 Point No. 68
ABSOLUTELY NO ADJUSTMENT
Required on the Monotype Keyboard to Change the Point Size.
Measure Changed Like Setting a Stick
$1234567890
24 Point No. 68
EXTRA CHARACTERS
Easily Inserted in Monotype Matrix
for any Kind of Special Work
Case
$1234567890
30 Point No. 68
MONOTYPE TYPE
Is
$1234567890
36 Point No. 68
REDUCES COST
Without Reducing the Price
$1234567890
No. 69 J.
Job Arrangement Cl
Composition Matrices
6 Point No. 69J, 6 Set
MONOTYPE FACES
The best kind of
originality is that
MONOTYPE FACES
be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let a man be as able
that which
and
original as
before or what
now going on
in his
to discard
own
the printers
If
engaged.
its
material appurtenances,
is to
be found
afford to discard
going on in his
art,
to
cerned
they must be willing, and show that they are willing, to subject
in
its
Yet
is only in rare instances that such an atmosphere, with its maappurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
it
terial
talent
the world.
mean
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
$1234567890
all
MONOTYPE FACES
shall prove to
be the
useful precedent
and
For, let a
printers of today
own
to imitate
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
$1234567890
and
professions surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
abcdefghi j kl mnopqrstuvwxyz
originality is that
sound appren-
ABCDEFGH J KLMNOPQRSTUVWXYZ
If
is
the
after a
abcdefghijklmnopqrstuvwxyz
now going on
comes
own
an
MONOTYPE FACES
to discard
that which
ABCDEFGHIJKLMNOPQRSTUVWXYZ
10 Point
man be
is
in a printing office.
which
that
ticeship;
it
with
of originality
shall prove to
in
slavishly
The
is
that which
comes
after
all
useful precedent
or what
is
profession.
to
literature,
Yet
it
is
only in
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 69
14 Point No. 69
off
with the
$1234567800
18 Point No. 69
BAIT WITH
If
A MONOTYPE
Satisfied with
$1234567890
24 Point No. 69
Now
$1234567890
30 Point No. 69
$1234567890
36 Point No. 69
DROP A
If
LINE
You Want Us to Help Catch 'Em
$1234567890
No. 78J.
Job Arrangement Cl
Composition Matrices
6 Point No. 78J, 7i Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
The
For, let a
afford to discard
that
we may
new and
of originality is that
sound apprenticeship
which comes
after a
man be
to discard
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
The best kind
which conies
that which shall
of originality is that
profession.
to
The
which
made
its sister
it
to
such laws
arts so free.
All
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 78
is
18 Point No. 78
AS A COMPOSING MACHINE
Monotype Product
Class of
is
Work
set
by Hand
Highest
$1234567890
24 Point No. 78
$1234567890
30 Point No. 78
Monotype
$1234567890
36 Point No. 78
750
FONTS
No. 78K.
Job Arrangement Cl
Composition Matrices
6 Point No. 78K, 7 Set
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers of today do
not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing, to subject
All those concerned
it to such laws as have made its sister arts so free.
in what are accepted as 'he fine arts, the learned sciences, and the
professions, surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its
material appurtenances, is to be found in the printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius accomplish and are now accomplishing throughout
the world. For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all the masters faithfully,
letting their great achievements sink slowly into the mind in order
that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our very own. The sprightly
minded young man, who with his first business breath projects the
startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed student
will at least spend as much of his time in avoiding mistakes as in
evolving brilliant schemes wherewith to dazzle all his contemporaries.
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm con-
new and
concerned
abcdefghijklmnopqrstuvwxyg
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRS TUVWXYZ
$1234567890
Ems
$1234567890
Words
a to z 14.78
to Pica .57
Ems
Words
a to z 13.85
to Pica .48
Set
MONOTYPE FACES
MONOTYPE FACES
prove
all
to
or
today do not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that
they are willing, to subject it to such laws
as have made its sister arts so free. All
those concerned in what are accepted as
the fine arts, the learned sciences, and the
professions, surround themselves with the
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPORS TUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
profession.
to
trade
and
profession.
$1234567890
$1234567890
Ems
a to z 13.30
If the printers of
Words
to Pica .40
Ems
a to z 12.66
Words
to Pica .35
No. 781
Sorts Matrices
14 Point No. 781
its
$1234567890
18 Point No. 781
the
$1234567890
30 Point No. 781
FOR ELECTROS
$1234567890
36 Point No. 781
NO EXTRAS
Are Necessary for This
$1234567890
No. 81J.
Job Arrangement C4
Composition Matrices
6 Point No. 81J, 7 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound apprenthat which shall prove itself to be the blending of a firm conticeship
ception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers of today do
not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing, to subject
All those conit to such laws as have made its sister arts so free.
cerned in what are accepted as the fine arts, the learned sciences, and
with
the
surround
themselves
history, literature, and conprofessions
crete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its maArt does not
terial appurtenances, is to be found in a printing office.
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
For to follow precedent wisely does not mean to imitate
the world.
;
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality
is that which comes after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a man be as able
and original as he may, he cannot afford to discard knowledge of what
has gone before or what is now going on in his own trade and profession.
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
Set
MONOTYPE FACES
Words
a to z 14.91
to Pica .60
Ems
Words
a to z 13.58
to Pica .50
MONOTYPE FACES
MONOTYPE FACES
For, let a
man be
as
what
is
profession.
now
If
to
calling of theirs
be the blending of
a firm conception of all useful precedent
and the progressive tendencies of an able
mind. For, let any man be as able and
original as he may, he cannot afford to
discard knowledge of what has gone before or what is now going on in his own
gant
an
art,
they must be
that they
laws as have
All those
made
so free.
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
to
a to z 12. 78
Words
to Pica .42
Ems
a to z 12.78
Words
to Pica .35
No. 81
Sort Matrices
18 Point No. 81
YOUR INVESTMENT
If
IS
PROTECTED
$1234567890
24 Point No. 81
No. 94
18 Point No. 94
IS
THE MOLD
to
24 Point No. 94
oi Adjustment,
Principles
oi
of the Correct
Typecasting
$1234567890
30 Point No. 94
HIGH SPEED
IS
MADE POSSIBLE
It
Alone
$i234567890
36 Point No. 94
TYPE THAT
Perfect In Both
IS
RIGHT
Is the Result
No. 97J.
Job Arrangement C2
Composition Matrices
6 Point No. 97J, 7 Set
MONOTYPE FACES
originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of a
firm conception of all useful precedent and the progressive
tendencies of an able mind. For. let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that this atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar, but to
study all masters faithfully; letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organThe sprightly minded
ized system an attitude of our own.
young man. who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries.
The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
Set
MONOTYPE FACES
The
themselves with the history, literature, and concrete examples of the work with which they are
particularly engaged. Yet it is only in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under
restraint, nor in ignorance of what talent and genius
have accomplished and are accomplishing throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar,
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
of originality is that
after a sound appren-
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 97
the
24 Point No. 97
$1234567890
30 Point No. 97
CORRECTIONS MADE
By Hand While
the
Monotype
Runs on Original Copy
$1234567890
36 Point No. 97
No. 97K.
Job Arrangement C2
Composition Matrices
6 Point No. 97K, 7 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of a
firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that this atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
Set
MONOTYPE FACES
The best kind of originality is that which comes
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original
as he may, he cannot afford to discard knowledge
of what has gone before or what is now going on in
his own trade and profession.
If the printers of
today do not wish to be esteemed arrogant when
they term this calling of theirs an art, they must be
willing, and show that they are willing, to subject
it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine
arts, the learned sciences, and professions surround
themselves with the history, literature, and concrete examples of the work with which they are
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTVVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
and profession.
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 971
Electro-Display Matrices
14 Point No. 971
$1234567890
18 Point No. 971
TYPE THAT
IS
NEW
Trouble
Pressmen
$1234567890
READING MATTER
Composed with
with
less
Single Letters
is
read
Conscious Effort
$1234567890
30 Point No. 971
MAKE YOUR
Hand Compositors
as
as Efficient
Machine Operators
$1234567890
36 Point
No". 971
SINGLE TYPES
Have a Prideful Ancestry
$1234567890
No. 98J.
Book Arrangement C
Composition Matrices
6 Point No. 98J, ?i Set
MONOTYPE FACES
originality is that which conies after a sound apthat which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may,
prenticeship;
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Set
MONOTYPE FACES
best kind of originality is that which conies after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a
man be as able and original as he may, he cannot afford
to discard knowledge of what has gone before or what is
The
now going on
in his
own
The
after a
or
what
is
now
abcdefghij klmnopqrstuvwxy z
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
is
let
what
is
now
going on in his
own
trade and
abcdefghij klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
If the
going on in his
printers of
The
Set
MONOTYPE FACES
MONOTYPE FACES
The
comes
which
is that which
sound apprenticeship; that
prove to be the blending of
after a
shall
a firm conception of
useful precedent
and the progressive tendencies of an able
mind. For, let any man be as able and
all
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 98
for
of
Time
Hand
for Electrotyping or
$1234567890
18 Point No. 98
the Monotype.
Separately, like
$1234567890
30 Point No. 98
ALL PROGRESSIVE
Printers use a Versatile Monotype
for all kinds of work
$1234567890
36 Point No. 98
TABULAR MATTER
Composed
like plain
$1234567890
matter
No. 98K.
Job Arrangement C2
Composition Matrices
6 Point No. 98K, 7 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
or his profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The best kind of originality is that which comes
after a thorough apprenticeship; that which shall
prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original
as he may, he cannot afford to discard knowledge
of what has gone before or what is now going on in
his own trade or his profession. If the printers of
today do not wish to be esteemed arrogant when
they term this calling of theirs an art, they must be
willing, and show that they are willing, to subject
it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine
arts, the learned sciences, and professions, surround
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The best kind of originality is that which comes
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of
all useful precedent and of the progressive tendencies of an able mind. For, let a man be as
able and original as he may, he cannot afford to
discard knowledge of what has gone before or
what is now going on in his own trade and profession.
If the printers of today do not wish to
be esteemed arrogant when they term this calling
of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws
abcdefghijklmnopqrstuvwxyz
MONOTYPE FACES
The best kind of originality is that which
comes after a thorough apprenticeship; that
which shall prove to be the blending of a
firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a man be as able and original as he
may, he cannot afford to discard knowledge
of what has gone before or what is now going
on in his own trade and profession. If the
printers of today do not wish to be esteemed
too arrogant when they term this calling of
theirs an art, they must be willing, and show
that they are willing, to subject it to such
laws as have made its sister arts so free. All
those concerned in what are accepted as the
fine arts, the learned sciences, and professions surround themselves with the history,
literature, and concrete examples of the work
with which they are particularly engaged.
Yet it is only in rare instances that such an
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
12 Point
No. 98K,
12 Set
MONOTYPE FACES
The best kind of originality is that
which comes after a sound apprenticeship; that which shall prove to
be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original
as he may, he cannot afford to dis-
own
must be
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 981
Electro-Display Matrices
14 Point No. 981
-without
Casting,
$1234567890
18 Point No. 981
HUNDREDS OF MONOTYPE
Lead and Rule Attachments now supply Printers
with Necessary Material
$1234567890
24 Point No. 981
ALL MONOTYPES
THE MONOTYPE
Keyboard is as Easy to Learn
as any Typewriter
$1234567890
36 Point No. 981
Job Arrangement C4
No. 298J.
Composition Matrices
12 Point No. 298J, 10 Set
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT
WHICH COMES AFTER A SOUND APPRENTICE-
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT
WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE
BLENDING OF A FIRM CONCEPTION OF ALL
USEFUL PRECEDENT AND THE PROGRESSIVE
TENDENCIES OF AN ABLE MIND. FOR, LET A
MAN BE AS ABLE AND ORIGINAL AS HE MAY,
HE CANNOT AFFORD TO DISCARD KNOWLEDGE
OF WHAT HAS GONE BEFORE OR WHAT IS NOW
GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT
WISH TO BE ESTEEMED ARROGANT WHEN THEY
TERM THIS CALLING OF THEIRS AN ART, THEY
MUST BE WILLING, AND SHOW THAT THEY ARE
WILLING, TO SUBJECT IT TO SUCH LAWS AS
HAVE MADE ITS SISTER ARTS SO FREE. ALL
THOSE CONCERNED IN WHAT ARE ACCEPTED
AS THE FINE ARTS, THE LEARNED SCIENCES
AND THE PROFESSIONS, SURROUND THEMSELVES WITH THE HISTORY, LITERATURE, AND
THE CONCRETE EXAMPLES OF THE WORK WITH
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems A
to
NOTB: The
Words
13.66
figures
and
dollar
mark
to Pica .29
No
98J
No. 298
Sorts Matrices
14 Point No. 298
NON-DISTRIBUTION
GREATEST PROFIT MAKING SYSTEM
EVER OFFERED
$1234567890
30 Point No. 298
WISE PRINTERS
THIS SERIES
figures
shown
abotfe,
series,
are the
series.
No. 104
A CONVERTIBLE MACHINE
FROM A TYPE CASTER TO A COMPOSING
MACHINE
$1234567890
24 Point No. 104
YOUR INVESTMENT
PROTECTED BY THIS CONVERTIBLE
FEATURE
$1234567890
No. 117J.
Job Arrangement Cl
Composition Matrices
6 Point No. 1173,7 Set
MONOTYPE FACES
which comes after a sound apprenticeship; that which shall prove itself to be the blending of a firm conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
If the printers of today do
going on in his own trade and profession.
not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing, to subject
All those conit to such laws as have made its sister arts so free.
cerned in what are accepted as the fine arts, the learned sciences, and
professions surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its maArt does not
terial appurtenances, is to be found in a printing office.
flourish in hidden places, nor under restraint, nor in ignorance of what
and
are
have
and
talent
accomplished
accomplishing throughout
genius
For to follow precedent wisely does not mean to imitate
the world.
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality
is that which comes after a sound apprenticeship; that which shall prove
to be the blending of a firm conception of all useful precedent and the
progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has
gone before or what is now going on in his own trade and profession.
originality is that
MONOTYPE FACES
The
now going on
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGH1 J KLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
$1234567890
Words
a to z 14.78
to Pica .60
Ems
Words
a to z 13.45
to Pica .50
MONOTYPE FACES
MONOTYPE FACES
what
is
now going on
in his
own
trade and
If
which
shall
mind.
original as
as able and
an
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHI J KLMNOPQRSTUVWXYZ
ABCDEFGH1 J KLMNOPQRSTUVW
a to z 12.66
to
discard knowledge of what has gone before or what is now going on in his own
If the printers of
trade and profession.
wish
to
be
esteemed arrodo
not
today
this
when
term
calling of theirs
they
gant
$1234567890
$1234567890
Ems
man be
Words
to Pica .42
Ems
a to z 12.66
Words
to Pica .35
No. 117
Sorts Matrices
14 Point No. 117
THERE
IS A BIG DIFFERENCE
Between the Actual Cost and the Selling Price of Monotype Composition
Quality Certainly Pays Handsomely
$1234567890
18 Point No. 117
Made
in
Composing Machinery
$1234567890
24 Point No. 117
ATTRACTIVE FACES
Infinite Variety
and
Artistic
Design
Room
No. 13 9 J.
Job Arrangement Cl
Composition Matrices
No. 139J, 6| Set
6 Point
MONOTYPE FACES
The best kind of
ship; that which
which comes after a sound apprenticebe the blending of a firm conception of all
originality is that
shall prove to
MONOTYPE FACES
The
is
that which
comes
after
a sound
apprenticeship; that which shall prove itself to be the blending of a firm conception of useful precedent and the progressive
For, let a man be as able and
he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an
art, they must be willing, and show that they are willing, to
subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with
the history, literature, and concrete examples of the work
with which they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art does
not flourish in hidden places, nor under restraint, nor in
ignorance of what talent and genius have accomplished and
are accomplishing throughout the world. For to follow precedent wisely does not mean to imitate slavishly one great
abcdefghijklmnopqrstuvwxyz
abcdefghij klmnopqrstuvwxyz
ABCDEFGHLJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$123456r890
$1234567890
12 Point
No. 139J,
11 Set
MONOTYPE FACES
MONOTYPE FACES
All those
For, let a
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$123456r890
No. 139
24 Point No. 139
MONOTYPE RELIABILITY
Equal to the Most Exacting
Typographical Requirements
is
$123456r890
30 Point No. 139
36 Point
$1234567890
36 Point No. 139
FOR
MORE
PROFIT
NOTE: The
capitals R,
M, and O
in the
above
series are
Minimum
made
in
two
styles.
Both
No. 142J.
Job Arrangement C2
Composition Matrices
Point No. 142J, 7J Set
MONOTYPE FACES
MONOTYPE FACES
The
The
abcdefghijklmnopqrstuvwxyz
abcdefghllklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
The best kind of originality is that which comes
after a sound apprenticeship; that which shall
MONOTYPE FACES
The
all
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality
which comes after a sound apprenticeship; that which shall prove to
is
that
The
which comes
ticeship;
after a
is
that
sound appren-
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890$
No. 144
14 Point No. 144
$1234567890
18 Point No. 144
SAYING ON MAKE-READY
With Always New Type is a Double Saving;
Press Time and Man Time
$1234567890
24 Point No. 144
TIME, MONEY,
WORRY
$1234567890
30 Point No. 144
QUALITY FAMOUS
$1234567890
36 Point No. 144
PRESS CHANGES
Easy with Separate Type
$1234567890
No. 143J.
Book Arrangement C
Composition Matrices
6 Point No. 143J, 7 Set
MONOTYPE FACES
best kind of originality
The
ticeship;
is
Yet
it is
man be
to discard
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
of originality
is
what
ABCDEFGHIJKLMNOPQRSTUVWXYZ
or
MONOTYPE FACES
The
is
The
is that which
sound apprenticeship; that
prove to be the blending of
comes
which
after a
shall
For, let
original as he
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWX
$1234567890
$1234567890
No. 143
ALL MATTER
Tariff,
IS
STRAIGHT MATTER
like
all
own
Matrices
$1234567890
30 Point No. 143
A MATRIX LIBRARY
All Faces
like
$1234567890
36 Point No. 143
BUY A MACHINE
With a Repeat-order Record
$1234567890
No. 145J.
Job Arrangement C2
Composition Matrices
6 Point No. 145J, 7 Set
MONOTYPE FACES
is that which conies after a sound
apprenticeship; that which shall prove to be the blending of
of
all
useful
firm
a
conception
precedent and the progressive
tendencies of an able mind. For, let a man be as able and
he
as
he
cannot
afford
to discard knowledge of
may,
original
what has gone before or what is now going on in his own trade
or his profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subAll
ject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
not mean to imitate too slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries. The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
The
MONOTYPE FACES
The
knowledge
of
going on in
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
now
is
Words
a to z 16.72
to Pica .49
Ems
Words
a to z 15.20
to Pica .40
MONOTYPE FACES
MONOTYPE FACES
The
is
that
which comes
ticeship;
as
he may, he cannot
afford to dis-
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
Ems
a to z 14.34
$1234567890
Words
to Pica .34
Ems
a to z 14.34
Words
to Pica .28
No. 145
Sorts Matrices
14 Point No. 145
its
$1234567890
18 Point No. 145
$1234567890
24 Point No. 145
Doesn't
$1234567890
30 Point No. 145
FOREIGN LANGUAGE
WORK
to
$1234567890
36 Point No. 145
No. 153 J.
Job Arrangement C2
Composition Matrices
6 Point No. 153J, 7 Set
MONOTYPE FACES
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghi j klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
is
Words
a to z 16.72
to Pica .49
Ems
Words
a to z 16.38
to Pica .43
MONOTYPE FACES
MONOTYPE FACES
which comes
a thorough apprenticeship; that which shall
of originality is that
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234667890
Ems
a to z 15.20
Words
to Pica .40
No. 159J.
Job Arrangement C2
Composition Matrices
6 Point No. 159J, 7 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
If the printers of today do not wish to be
or his profession.
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subAll
ject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenArt does not flourish
ances, is to be found in a printing office.
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
not mean to imitate too slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries.
The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
The best kind
that which
conies after a sound apprenticeship; that
which shall prove to be the blending of
a firm conception of all useful precedent
and the progressive tendencies of an able
mind. For, let a man be as able and
of originality
is
MONOTYPE FACES
The best kind
which conies
of originality is that
after a sound appren-
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 159
14 Point No. 159
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnopqrstuvwxyz
$1234567890
JE CE
se oe ff fi fl ffi ffl
.,-';:?!
all
Making Machines
will
do
$1234567890
24 Point No. 159
A DISPLAY LETTER
Strong and Rugged Combines Legible
and
Artistic Qualities
$1234567890
30 Point No. 159
THIS FACE
IS
MONOTYPE MATTER
Stands up for Long Runs
$1234567890
No. 163J.
Job Arrangement C2
Composition Matrices
6 Point No. 163J, 7 Set
MONOTYPE FACES
that which comes after a sound
apprenticeship; that which shall prove to be the blending of a
firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that this atmosphere, with its material appurtenances, is to be found in a printing office. Art does not nourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries. The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
The
is
MONOTYPE FACES
The best kind
which comes
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
of originality is that
sound apprenticeship;
Words
a to z 16.72
to Pica .49
Ems
Words
a to z 15.20
to Pica .40
MONOTYPE FACES
MONOTYPE FACES
an
art,
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
Ems
a to z 14.34
$1234567890
Words
to Pica .34
Ems
a to z 14.34
Words
to Pica .28
No. 163
Sorts Matrices
14 Point No. 163
MONOTYPE TYPE
No Foundry Type Made
IS
GOOD TYPE
$1234567890
18 Point No. 163
is all
it
Gomes
$1234567890
24 Point No. 163
ALWAYS READY
To Handle the Regular and the Rush
Job in the Shortest Time
$1234567890
30 Point No. 163
is
$1234567890
36 Point No. 163
AT EVERY POINT
A Monotype
is
on the Job
$1234567890
No. 173E.
Book Arrangement C
Composition Matrices
6 Point No. 173E, 7 Set
MONOTYPE FACES
The
is
ticeship; that which shall prove itself to be the blending of a firm conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
MONOTYPE FACES
The
man be
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which conies
after a sound apprenticeship; that which shall
and
as able
to discard
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
Set
original as he
discard knowledge of
The
mind.
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
Book Arrangement C
No. 174E.
Composition Matrices
10 Point No. 174E, 10 Set
MONOTYPE FACES
MQNQTYPE FACES
The
is
sound apprenticeship;
after a
"
1^ blending j""i"
p? a "firm "conception
""j
of all useful
and
able
discard knowledge
of
now going"in"
"..:"'
in
is"
original as he
"."
the printers
today dp
esteemed arrogant when they term this calling of
theirs an art, they must be willing, and show that
sipn:
If
concerned
what
""",
/>""
rjaj
appurtenances,
is
The
&
;jencies"
of an
able'
mind;""FOT
let" a'
m^n"be"as
^- n
made
arts so free.
its sister
All those
who
are
fine arts,
*e
"rk
tig*
under
IKLMNQPQi
$1.2.3.4567820
No. 174
of
No. 220J.
Job Arrangement C2
Composition Matrices
10 Point No. 220J, 10 Set
MONOTYPE FACES
MONOTYPE FACES
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
MONOTYPE FACES
dis-
do not wish to be
esteemed arrogant when they term
this calling of theirs an art, they
must be willing, and show that they
are willing, to subject it to such laws
printers of today
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
No. 220
type,
$1234567890
24 Point No. 220
It
costs
NON-DISTRIBUTION
less to make new type
than to
$123456?890
30 Point No. 220
MONOTYPE PRODUCT
High Quality and low Hour Cost
go hand in hand
$1234567890
36 Point No. 220
GOOD WORK
Monotype type and
$1234567890
rule
Book Arrangement C
No. 23 1J.
Composition Matrices
6 Point No. 231J, 6 Set
MONOTYPE FACES
MONOTYPE FACES
The
is
that which
comes
that which shall prove to be the blending of a firm conception of all useful precedent
and the progressive tendencies cf an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has gone befcre
If the printers of today
or what is now going on in his own trade and profession.
do not wish to be esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as
have made
fine arts,
its sister
arts so free.
as the
the learned sciences and the professions, surround themselves with the
histcry, literature,
ticularly engaged.
and
Yet
work with which they are parrare instances that such an atmosphere, with
only in
to be found
in
its
material appurtenances,
in
is
a printing
in
office.
have accomplished and are accomplishing throughout the world. For to follow
precedent wisely does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements sink slowly into the
mind in order that we may patiently derive from the richness of our acquired
knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance; while the
slower, more solidly endowed student, will at least spend as much cf his time in
avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his conThe best kind of originality is that which comes after a sound
temporaries.
apprenticeship; that which shall prove to be the blending of a firm conception of
all useful precedent and the progressive tendencies of an able mind.
For, let a
man be as able and original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade and profession.
If the printers of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they are willing, to
All those concerned
subject it to such laws as have made its sister arts so free.
in what are accepted as the fine arts, the learned sciences and professions, surround
The
tenances,
ish in
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
10 Point
is
No. 23 1J,
11 Set
MONOTYPE FACES
12 Point
MONOTYPE FACES
best kind of originality
after a
original as he
The
is
shall
all
prove
useful
The
comes
which
is
that which
man be
as able
and
original as he
may,
own
ers of
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 231
Display Matrices
14 Point
No. 231
You
18 Point
IF
You
YOU
No. 231
SPECIFY RIGHT
New
are Assured of
$1234567890
24 Point No. 231
MONOTYPE AD COMPOSITION
Will Give Your Copy a more Artistic
and a Better Finished Product
Effect
$1234567890
30 Point No. 231
ALWAYS AVAILABLE
Suitable
Monotype Faces
Kind of Advertising
for Every
Copy
$1234567890
36 Point No. 231
ARE YOU
Getting the Best Right
$1234567890
Now?
No. 360J.
Job Arrangement C4
Composition Matrices
12 Point No. 360 J, 12^ Set
MONOTYPE FACES
MONOTYPE FACES
blending of a firm conception of all useprecedent and the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he
cannot afford to discard Knowledge of
what has gone before or what is now
going on in his own trade and profesIf the good printers of today do
sion.
ful
ship;
precedent and the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he
cannot afford to discard Knowledge of
what has gone before or what is now
going on in his own trade and profession.
If the good printers of today do
not wish to be esteemed too arrogant
when they term this calling of theirs an
art, they must be willing, and show that
they are willing, to subject it to such
laws as have made its sister arts so
free. All those concerned in what are
accepted as the fine arts, the learned
sciences and the professions, surround
themselves with the history, the literaful
abcdefghijKlmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 360
14 Point No. 360
up
to
$1234567890
18 Point No. 360
A COMPLETE MONOTYPE
Is
No. 360
Who
own
makes Large
Savings in Time and Money
Casts his
Material
$1234567890
30 Point No. 360
$1234567890
36 Point No. 360
A GOOD START
is
$1234567890
BB1
No. 11J.
Job Arrangement C2
Composition Matrices
5 Point No. 11J, 6 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. For,
let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
arts so free. All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the history,
literature, and concrete examples of the work with which they may be
particularly engaged. Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under restraint, nor even in
ignorance of what talent and genius have accomplished and are accomplishing throughout the world. For to follow precedent wisely does not
mean to imitate slavishly one great exemplar, but to study all masters
faithfully, letting their great achievements sink slowly into the mind in
we may patiently derive from the richness of our acquired
knowledge and organized system an attitude of our own. The sprightly
minded young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an early dis-
order that
appearance; while the slower, more solidly endowed student will at least
spend as much of his time in avoiding mistakes as in evolving brilliant
schemes wherewith to dazzle his contemporaries. The best kind of originality is that which comes after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and profession.
If the
printers of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free.
All
those concerned in what are accepted as the fine arts, the learned sciences,
and the professions surround themselves with the history, literature, and
concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFQHIJKLMNOPQRSTUVWXYZ
ABCDEFQHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
to
and
profession.
If
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFQHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Composition Matrices
5
Job Arrangement C2
MONOTYPE FACES
best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to >uh
All
ject it to such laws as have made its sister arts so free.
those concerned in what are now accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that this atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are now accomplishing
throughout the world. For to follow all precedent wisely does
not mean to imitate too slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sjnk slowly into the mind in order that we may patiently de=
rive from the richness of our acquired knowledge and organized
system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and
startling, inevitably becomes tiresome, and is driven to an early
disappearance; while the slower, more solidly endowed student
will at least spend as much of his time in avoiding mistakes as
in evolving brilliant schemes wherewith to dazzle his contemporaries. The best kind of originality is that which comes
after a sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and the
progressive tendencies of an able mind. For, let any man be
as able and as original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHUKLMNOPQRSTUVWXYZ
No. 11J.
Job Arrangement C2
Composition Matrices
11 Point
No.
11J, 11 Set
MONOTYPE FACES
MONOTYPE FACES
The
The
term
must be
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
12 Point
No.
11J, 12 Set
MONOTYPE FACES
MONOTYPE FACES
The
The
now accepted
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 11
Electro-Display Matrices
14 Point No. 11
to Learn,
$1234567890
24 Point No. 11
QUICK CHANGE
Of Measure and Mold Keeps up Product
and Keeps down Cost
$1234567890
30 Point No. 11
HIGH OR
LOW SPACES
No.
UK.
Job Arrangement C2
Composition Matrices
8 Point No.
UK,
8| Set
10 Point
MONOTYPE FACES
The best kind of originality
No.
UK,
10 Set
MONOTYPE FACES
The best kind of originality is that which
comes after a sound apprenticeship; that
which shall prove to be the blending of a
firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let any man be as able and original as
he may, he cannot afford to discard knowh
edge of what has gone before or what is now
going on in his own trade and profession.
If the printers of today do not wish to be es=
teemed too arrogant when they term this
calling of theirs an art, they must be willing,
and show that they are willing, to subject it
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGH1JKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
12 Point No.
UK,
12 Set
MONOTYPE FACES
MONOTYPE FACES
to dis-
an art, they
and show that they
must be
willing,
it
to
such laws
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 1111
Needed
in the
Composing Room
$1234567890
18 Point No. 1111
INCREASED PRODUCTION
With System and Economy are Always
Found Where There is a Monotype
$1234567890
to
be
POOR WORKMANSHIP
Is
MONOTYPE
No. Ill
$1234567890
18 Point No. Ill
Will
A MONOTYPE EQUIPMENT
Easily Save Many Composing and Pressroom
Expenses Now Thought Necessary
$1234567890
30 Point No. Ill
TIME
IS
MONEY
It
a Steady Producer
$1234567890
36 Point No. Ill
LABOR COSTS
Are Reduced to a Large Extent
$1234567890
No. 28J.
Job Arrangement C2
Composition Matrices
Point No. 28J, 6i Set
MONOTYPE FACES
The best kind of originality Is that which comes after a sound apprenticeship; that which shall prove to be the blending of a flrm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what
If the printers
Is now going on In his own trade and profession.
of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made Its sister arts
those concerned in what are accepted as the fine arts,
and professions surround themselves with the
and concrete examples of the work with which
they are engaged. Yet it is only In rare Instances that such an atmosphere, with Its material appurtenances, Is to be found in a printing
Art does not flourish in hidden places, nor under restraint,
office.
nor In Ignorance of what talent and genius have accomplished and
are now accomplishing throughout the world. For to follow precedent wisely does not mean to imitate slavishly one great exemplar,
but to study all masters faithfully, letting their great achievements
-Ink slowly Into the mind In order that we may patiently derive
from the richness of our acquired knowledge and organized system
an attitude of our own. The sprightly minded young man, who
with his first business breath projects the new and startling, inevitably becomes tiresome, and Is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as In evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality Is that which comes after a sound apprenticeship; that which
shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let
a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what Is now going on In his
own trade and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art, they
so free.
All
history, literature,
MONOTYPE FACES
The
abcdefghljklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1334567890
MONOTYPE FACES
The
is
MONOTYPE FACES
The
abcdefghljklmnopqrstuvwxyz
abcdefghljklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
91234567890
$1234567890
No. 28J.
Job Arrangement C2
Composition Matrices
10 Point No. 28J, 10i Set
12 Point
MONOTYPE FACES
The best kind of originality is that which
comes after a sound apprenticeship; that
which shall prove to be the blending of
a firm conception of all useful precedent
and the progressive tendencies of an able
mind. For, let a man be as able and as
original as he may, he cannot afford to
discard knowledge of what has gone before or what is now going on in his own
trade and profession. If the printers of to-
MONOTYPE FACES
The
which comes
after a
is
that
sound appren-
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLM1VOPQRSTUVW
$1234567890
$1234567890
No. 128J.
Job Arrangement Cl
Composition Matrices
6 Point No. 128J, 8
Set
MONOTYPE FACES
of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a
man be as able and original as he may, he cannot afford
to discard knowledge of what has gone before or what is
now going on
conception of all useful precedent and the progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge
MONOTYPE FACES
The best kind
calling of theirs
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
C1234567890
MONOTYPE FACES
MONOTYPE FACES
to be the blending of
a firm conception of all useful precedent
and the progressive tendencies of an able
original as
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
81234567890
<
No. 39J.
Job Arrangement C2
Composition Matrices
5 Point
MONOTYPE FACES
of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what
If the printers of
is now going on in his own trade and profession.
today do not wish to be esteemed arrogant when they term this callan
must
be
art, they
ing of theirs
willing, and show that they are
willing, to subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine arts, the learned
sciences and the professions, surround themselves with the history,
literature, and the concrete examples of the work with which they
are particularly engaged. Yet it is only in rare instances that such
an atmosphere, with its material appurtenances, is to be found in a
printing office. Art does not flourish in hidden places, nor under
restraint, nor in ignorance of what talent and genius have accomplished and are accomplishing throughout the world. For to follow
precedent wisely does not mean to imitate slavishly one great exemplar, but to study all masters faithfully, letting their great achievements sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized
system an attitude of our own. The sprightly minded young man,
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
Words
a to z 18.63
to Pica .52
MONOTYPE FACES
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234367890
Words
to Pica .45
MONOTYPE FACES
The best kind of originality is that which conies
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of all
useful precedent and of the progressive tendencies
of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard
knowledge of what has gone before or what is now
going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art
they must be willing, and show that they are willing, to subject it to such laws as have made its
sister arts so free.
All those concerned in what
are accepted as the fine arts, the learned sciences,
and professions surround themselves with the
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLM1NOPQRSTUVWXYZ
a to z 16.12
All those
and pro-
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
Words
a to z 15. 77
to Pica .31
MONOTYPE FACES
The
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
Em*
so free.
a to z 17.92
made
Ems
The
Words
to Pica .38
Ems
a to z 14.93
Words
to Pica .27
No. 39
Sorts Matrices
14 Point No. 39
85O
Use
$1234567890
18 Point No. 39
1OO
POUNDS A DAY
$1234567890
24 Point No. 39
$1234567890
30 Point No. 39
MATRIX
Satisfies all Library
Members
$1234567890
36 Point No. 39
MONOTYPE USERS
Will Tell You;
They Know
$1234567890
Matrix
Box
character to be kept in it. The partitions are of wood and the inside of
the cover is plush-lined so that injury to the matrices is practically
impossible. The box is covered with
imitation leather and the cover is
held shut with two snap fasteners.
It
is
neat, strong,
throughout.
The saving
of
time in handling of
matrices will soon pay for the replacing of the old style box by these
new and very much more convenient
ones, and every Monotype user
should investigate it at once. The
price has been placed so low that the
saving of one using will almost cover
it, while the convenience is priceless.
BOSTON
Monotype Company
of California,
CHICAGO
SAN FRANCISCO
TORONTO
No. 79J.
Job Arrangement C2
Composition Matrices
5 Point
No. 79 J, 6i Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which conies after a sound apprenticeship: that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone before or what
If the printers
is now going on in his own trade and profession.
of today do not wish to be esteemed arrogant when they term this
calling of theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made its sister arts
so free. All those concerned in what are accepted as the fine arts,
the learned sciences, and professions surround themselves with the
history, literature, and concrete examples of the work with which
they are engaged. Yet It is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing
The
are
The
sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries. The best kind of originality is that which
conies after a sound apprenticeship; that which shall prove to
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$123456789
$1234567890
7 Point
MONOTYPE FACES
The
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJ KLMNOPQRSTUV WX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 79J.
Job Arrangement C2
Composition Matrices
9 Point No. 79 J, 9 Set
MONOTYPE FACES
The best kind
of originality
MONOTYPE FACES
what
is
now going on
is
in his
fession.
If the printers of today do not wish to
be esteemed arrogant when they term this calling
of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws
as have made its sister arts so free. All those
concerned in what are accepted as the fine arts,
the learned sciences, and professions surround
themselves with the history, the literature, and
concrete examples of the work with which they
are particularly engaged. Yet it is only in rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing
office.
Art does not flourish in hidden places, nor
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
11 Point
No.
79J, 11 Set
12 Point
MONOTYPE FACES
The very best kind
of originality
MONOTYPE FACES
is
that
which conies after a sound apprenticeship; that which shall prove itself to be
the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. Let any man
be as able and original as he may, he
cannot afford to discard knowledge of
what has gone before or what is now
going on in his own trade and profession.
If the printers of today do not
No. 79 J, 12 Set
when they
term
The
must be
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJ KLMNOPQRSTU V WX YZ
ABCDEFGHIJ KLMNOPQRSTUVW
$1234567890
$1234567890
No. 79
14 Point No. 79
No
other Composing
$1234567890
18 Point No. 79
not used
Composing Machine
$1234567890
24 Point No. 79
NEW FOUNDRY
TYPE
Is Identically
$1234567890
30 Point No. 79
HIGH OR
And
LOW QUADS
$1234567890
36 Point No. 79
IMPROVEMENTS
EasilyApplied as Required
1234567890
No. 79 J.
Composition Matrices
14 Point No. 79 J, 14 Set
MONOTYPE FACES
The best kind of originality is that which conies after a sound apprenticeship, that which shall prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able
mind. For, let any man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is
now going on in his own trade and profession. If the printers of
today do not wish to be esteemed too arrogant when they term this
calling of theirs an art, they must be willing, and show that they are
willing, to subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine arts, the learned
sciences, and the professions surround themselves with the history,
the literature and concrete examples of the work with which they are
particularly engaged. Yet it is only hi very rare instances that such
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
18 Point No. 79J, 18 Set
MONOTYPE FACES
The best kind of
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Class B Matrices. Fonts shown on this page not included in Library and will not be leased.
To use these faces for composing matter in justified lines S500 stop bars are required. Use
left key bars QC for the Roman; use right key bars QC2 for the Boldface; use standard keybanks. The 18 point attachment and S500 wedges are required for casting.
No. 89J.
Job Arrangement Cl
Composition Matrices
6 Point No. 89 J, 7 Set
MONOTYPE FACES
The best kind
ticeship;
that
of originality is that which comes after a sound apprenwhich shall prove itself to be the blending of a firm
an
it
they must be willing, and show that they are willing, to subject
to such laws as have made its sister arts so free.
AH those conart,
cerned in what are accepted as the fine arts, the learned sciences and
professions, surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material
appurtenances,
is to
be found
in a printing office.
MONOTYPE FACES
The
which comes
after a
shall prove to
be the
that
man be
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
is
$1234567890
Words
a to z 14.78
to Pica .60
Ems
Words
a to z 13.45
to Pica .49
MONOTYPE FACES
MONOTYPE FACES
and
original as
abcdefghi j klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
Ems
a to z 12.66
$1234567890
Words
to Pica .42
Ems
a to z 12.66
Words
to Pica .35
No. 89
Sorts Matrices
14 Point No. 89
we can Prove
$1234567890
Distributed;
this
18 Point No. 89
$1234567890
24 Point No. 89
A CONVERTIBLE MACHINE
From a Type
just
it
$1234567890
30 Point No. 89
YOUR INVESTMENT
Protected by this Convertible Feature
of the Busy Monotype
$1234567890
36 Point No. 89
READY TO USE
Doesn't
No. 89K.
Job Arrangement Cl
Composition Matrices
6 Point No. 89K, 7 Set
MONOTYPE FACES
The best kind of originality is thai which comes after a sound apprenthat which shall prove itself to be the blending of a firm
conception of useful precedent and the progressive tendencies of an able
mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now
going on in his own trade and profession. If the printers of today do
not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing, to subject
it to such laws as have made Us sister arts so free.
All those concerned in what are accepted as the fine arts, the learned sciences, and
surround
themselves
with
the
professions
history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office.
Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
For to follow precedent wisely does not mean to imitate
the world.
slavishly one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
The sprightly minded young
organized system an altitude of our own.
man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as
much of his lime in avoiding mistakes as in evolving brilliant schemes
wherewith to dazzle his contemporaries. The best kind of originality
is that which comes after a sound apprenticeship; that which shall prove
ticeship;
MONOTYPE FACES
The best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a
man be as able and original as he may, he cannot afford
to discard knowledge of what has gone before or what is
now going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant
when they term this calling of theirs an art, they must
be willing, and show that they are willing, to subject it to
such laws as have made its sister arts so free. All those
concerned in what are accepted as the fine arts, the learned
sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work
with which they may be particularly engaged.
Yet it is
only in rare instances that such an atmosphere, with its
material appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under restraint,
nor in ignorance of what talent and genius have accomplished and are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all the masters
faithfully, letting their greatest achievements sink slowly
into the mind in order that we may patiently derive from
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyx
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
12 Point
MONOTYPE FACES
The best kind of originality is
after a sound apprenticeship;
MONOTYPE FACES
that which
that
comes
which shall
and
original as
to discard
Yet it is only in
they are particularly engaged.
rare instances that such an atmosphere, with its
material appurtenances, is to be found in a printing office. Art does not flourish in hidden places,
nor under restraint, nor in ignorance of what talent
be the blending of
a firm conception of all useful precedent
and the progressive tendencies of an able
mind. For, let a man be as able and
original as he may, he cannot afford to
discard knowledge of what has gone before or what is now going on in his own
to
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGH/JKLMNOPQRSTUVWXY
$1234567890
$1234567890
No. 891
Any
Italic
$1234567890
18 Point No. 891
in
$1234567890
24 Point No. 891
KEY ARRANGEMENT
And Action
Same
$1234567890
30 Point No. 891
FLEXIBLE FACILITIES
And High
$1234567890
36 Point No. 891
QUALITY COUNTS
The Salesman's Best Friend
$1234567890
Sorts Matrices
No. 103
18 Point No. 103
to
$1234567890
24 Point No. 103
THE MONOTYPE
ENABLES YOU TO DEVELOP YOUR BUSINESS ALONG
THE LINE OF LEAST RESISTANCE
$1234567890
No. 108
Sorts Matrices
14 Point
No. 108
$1234567890
18 Point No. 108
This
is
$1234567890
Job Arrangement Cl
No. 113J.
Composition Matrices
Point No. 113J,
Set
MONOTYPE FACES
The best kind
of originality is that
that
which
shall
prove to be the blending of a firm conception of all useful precedent and the progressive tendencies
For, let a man be as able and original as he may. he cannot afford to discard
of in able mind.
knowledge
of
or
what
is
they mnsl be willing, and show that they are willing, to subject
its sister
All those
arts so free.
it
to
and professions, surround themselves with the history, the literature, and concrete examples of the
work with which they are particularly engaged. Yet it is only in very rare instances that such an
atmosphere, with its material appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what talent and genius have accomplished and are accomplishing throughout the world. For to follow all precedent wisely does
not mean to imitate slavishly one great exemplar, but to study all masters faithfully, letting their
great achievements sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly
minded young man. who with his first business breath projects the new and startling, inevitably
irlv
ivhile
di;
the slo
dowed student will at least spend as much of his time in avoiding mistakes as
schemes wherewith to dazzle his contemporaries. The best kind of originality
after a
in evolving brilliant
is that which comes
arrogant
when
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The
is
that which
comes
after a
is
now going on
made
its
willing,
of originality is that
which comes
after a
of
If
the printers of
when
to
in his
own
must be
Set
MONOTYPE FACES
All those
If
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
willing, to subject
it
to
an
art,
$1234567890
they
learned sciences and the professions, surround themselves with the history, the literature, and concrete examples of the work with which they are particuYet it is only in very rare instances that such an atmosphere, with
larly engaged.
its material appurtenances, is to be found in a printing office.
Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what talent and genius
have accomplished and are accomplishing throughout the world. For to follow all
precedent wisely does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements sink slowly into the
mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling, inevitably
arts, the
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The best kind
which comes
after a sound
be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
or his profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subAll
ject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the
learned sciences and professions, surround themselves with
the history, the literature, and concrete examples of the work
of originality is that
apprenticeship;
that
which
shall prove to
abcdefghijklmnopqrstuvwxyz
12 Point
No. 113J,
11 Set
MONOTYPE FACES
The best kind of originality is that which
comes after a thorough apprenticeship; that
be the blending of a
useful precedent and
the progressive tendencies of an able mind.
For, let a man be as able and original as he
which
shall prove to
firm conception of
all
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 113
Display Matrices
14 Point No. 113
IF
You
Will Surely
Buy
Monotype
Its
if
Wide
of Usefulness
Range
THE MONOTYPE
For
When Work
IS
NEVER IDLE
Ornaments and
Away
$1234567890
24 Point No. 113
is Still
$1234567890
30 Point No. 113
Means
$1234567890
The
price of these
ma-
Shortage of Tools
is
False
Economy
No. 118J.
Job Arrangement Cl
Composition Matrices
6 Point No. 118J, 7 Set
MONOTYPE FACES
MONOTYPE FACES
The
is
that
which
shall
willing, to subject
it
to
its sister
arts so free.
All
those concerned in what are accepted as the fine arts, the learned sciences,
and professions surround themselves with the history, literature, and concrete examples of the
in
is
be found in a printing office. Art does not flourish in hidden places, nor
under restraint, nor in ignorance of what talent and genius have accomplished
and are now accomplishing throughout the world. For to follow precedent
wisely does not mean to imitate slavishly one great exemplar, but to study
all masters faithfully, letting their great achievements sink slowly into the
mind in order that we may patiently derive from the richness of our acquired
knowledge and organized system an attitude of our own. The sprightly
minded young man, who with his first business breath projects the new and
startling, inevitably becomes tiresome, and is driven to an early disappearance; while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his contemporaries. The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to be the blending
of a firm conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may, he cannot
afford to discard knowledge of what has gone before or what is now going on
If the printers of today do not wish to be
in his own trade and profession.
esteemed arrogant when they term this calling of theirs an art, they must be
willing, and show that they are willing, to subject it to such laws as have made
All those concerned in what are accepted as the fine
its sister arts so free.
arts, the learned sciences, and professions surround themselves with the
and
concrete
literature,
examples of the work with which they are
history,
to
The
is
comes
that which
after a
For, let a
afford to discard
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHUKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
comes
sound
apprenticeship that which shall prove to be the blending of a
firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed too arrogant when they term this calling of theirs an
art, they must be willing, and show that they are willing, to
subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine arts, the
learned sciences, and the professions surround themselves
with the history, the literature, and concrete examples of the
work with which they are particularly engaged. Yet it is
only in rare instances that such an atmosphere, with its maArt
terial appurtenances, is to be found in a printing office.
does not flourish in hidden places, nor under restraint, nor in
talent
and
have
and
of
what
genius
accomplished
ignorance
are now accomplishing throughout the world. For to follow
precedent wisely does not mean to imitate slavishly one great
is
that which
sound appren-
after a
The
is
comes
after a
shall prove to
be the
that which
now
willing,
willing, to subject
it
to
such laws as have made its sister arts so free. All those
concerned in what are accepted as the fine arts, the learned
sciences and professions, surround themselves with the
history, the literature, and concrete examples of the work
with which they may be particularly engaged. Yet it is
only in rare instances that such an atmosphere, with its
material appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under restraint,
nor in ignorance of what talent and genius have accomplished and are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study all masters
faithfully, letting their great achievements sink slowly into
the mind in order that we may patiently derive from the
richness of our acquired knowledge and organized system
an attitude of our own. The sprightly minded young man,
who with his first business breath projects the new and
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 118J.
Job Arrangement Cl
Composition Matrices
9 Point No. 118J, 9 Set
MONOTYPE FACES
MONOTYPE FACES
what
If
The
after a
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
11 Point
12 Point
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 118
It
Eliminates
$1234567890
18 Point No. 118
Equipment Up
to
Date
$1234567890
24 Point No. 118
MONOTYPE FLEXIBILITY
Stands for a Machine Equal to the Most
Exacting Typographical Needs
$1234567890
30 Point No. 118
$1234567890
36 Point No. 118
No. 118K.
Job Arrangement C2
Composition Matrices
6 Point No. 118K, 7 Set
MONOTYPE FACES
The beat kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of a
firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that this atmosphere, with its material appurten\rt does not nourish
ances, is to be found in a printing office.
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow precedent wisely does
not mean to imitate too slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organThe sprightly minded
ized system an attitude of our own.
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
The best kind of originality is that which
his contemporaries.
comes after a sound apprenticeship; that which shall prove to
MONOTYPE FACES
The
after
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHUKLMNOPQRSTVVWXYZ
ABCDEFGHIJKLMNOPQRSTUV WX YZ
$1234567890
$1234567890
12 Point
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 1181
$1234567890
18 Point No. 1181
Combined
in the
IS NOT
Matrices by Hand
THE MONOTYPE
A
Stick to set
if
No. 119J.
Job Arrangement Cl
Composition Matrices
6 Point No. 119J, 6 Set
MONOTYPE FACES
The best kind
of originality is that
all
useful pre-
man be
as able
and original as he may, he cannot afford to discard knowledge of what has gone
If the printers
before or what is now going on in his own trade and profession.
of
an
art,
laws as have
made
its sister
show
with
its
engaged.
arts so free.
when
All those
concerned
in
to
such
it is
flourish in
it
in
MONOTYPE FACES
The best kind
of originality is that
ticeship; that
which
mind.
afford to discard
going on in his
and genius have accomplished and are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate slavishly one great exemplar, but to study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness of
our acquired knowledge and organized system an attitude of our own. The
sprightly minded young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as much of
his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle
The very best kind of originality is that which conies after a
his contemporaries.
sound apprenticeship; that which shall prove to be the blending of a firm conof
all
useful
precedent and the progressive tendencies of an able mind.
ception
For, let a man be as able and original as he may, he cannot afford to discard
has
of
what
knowledge
gone before or what is now going on in his own trade and
If the printers of today do not wish to be esteemed arrogant when
profession.
of
term
this
theirs an art, they must be willing, and show that they
calling
they
are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the learned sciences, and
an
it
in
Yet
is only in rare instances that such an atmosphere, with its maappurtenances, is to be found in the printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
it
terial
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
of originality is that
MONOTYPE FACES
For, let a
knowledge
in his
printers of today
of
own
do not wish
be esteemed arrogant
theirs an art, they must
to
and the
professions, surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
abcdefghijklmnopqrstuvwxyz
now going on
they must be willing, and show that they are willing, to subject
to such laws as have made its sister arts so free. All those concerned
ABCDEFGHUKLMISOPQRSTUVWXYZ
to discard
own
art,
MONOTYPE FACES
man be
man be
For, let a
shall prove to
willing, to subject
it
of originality is that
which comes
shall
dencies of
knowledge
of
surround themselves with the history, literature, and concrete examples of the work with
which they are particularly engaged. Yet it is
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 119
$1234567890
18 Point No. 119
$1234567890
24 Point No. 119
$1234567890
30 Point No. 119
$1234567890
36 Point No. 119
ACCURATE JUSTIFICATION
For any Measure
to Sixty Picas
No. 146J.
Job Arrangement Cl
Composition Matrices
8 Point No. 146J, 8i Set
MONOTYPE FACES
The best kind of
MONOTYPE FACES
originality is that
sound apprenticeship;
all
now going on
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
to
be the blending of
mind.
man be
as able and
fore or
what
is
now
going on in his
own
gant
an
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 146
YOUK INVESTMENT
IS PROTECTED
If you don't Handicap yourself with a Machine that can Never be
Anything but a Type Caster
$1234567890
20 Point No. 146
$1234567890
24 Point No. 146
is
it is
the Best
to
Make
Solid Bodies
& Smooth
Faces
11234567890
36 Point No. 146
A PBEFECTLT SIMPLE
Composing Machine: Style D Keyboard
$1234567890
No. 158J.
Job Arrangement C2
Composition Matrices
No. 158J, 6 Set
MONOTYPE FACES
5 Point
Set
MONOTYPE FACES
MONOTYPE FACES.
POINT SMALL CAPS
LITERATURE, AND CONCRETE EXAMPLES OF THE WORK WITH WHICH THEY
MAY BE PARTICULARLY N,. ,.,| ,,. Y E T IT IS ONLY IN RARE INSTANCES THAT
SUCH AN ATMOSPHERE, WITH ITS MATERIAL APPURTENANCES, IS TO BE FOUND
IN A PRINTING OFFICE.
ART DOES NOT FLOURISH IN HIDDEN PLACES, NOR
The
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKL.MNOPQRSTUVWXYZ
ABCDEFGIIIJKLMNOPQRSTUVWXYZ
$1234567890
ADCDEFOHIJKLMNOPqR.STUVWXYZ
$1234567890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1334587890
The
MONOTYPE FACES
MONOTYPE FACES
after a
$1234567890
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
11 Point
$1234567890
Set
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality is that
which comes after a sound apprenticeship; that which shall prove to
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
which comes
ticeship;
is
that
No. 158
14 Point No. 158
THE DD KEYBOARD
A Marvel for Duplicating the Product with One Operating Cost
A New Field for Greater Profits
$1234567890
18 Point No. 158
Finerin Arrangement
$1234567890
30 Point No. 158
Y PE
CAST ER
Can Make Type, Spaces and
Quads for Job Work
E
$1234567890
36 Point No. 158
MONOTYPERS
Maintain High Quality
$1234567890
No. 161 J.
Job Arrangement C2
^."/,\
I",;
;.
;;
;,
Composition Matrices
6 Point No. 161J, 7 Set
MONOTYPE FACES
best kind of originality is that which conies after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
or his profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show tha_t they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The
a
the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and
profession. If the printers of today do not wish to be
esteemed too arrogant when they term this calling of
theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made its
sister arts so free.
All those concerned in what are
accepted as the fine arts, the learned sciences, and
the professions surround themselves with the history,
the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is. only
abcdefghi j klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Set
MONOTYPE FACES
The best kind
after a
abcdefghijklmnopqrstuvwxyz
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
ov
1,
6;1 /
Keep Fonts on Hand for Use When they Please as Long as They
Please to Convert Idle Time into Money
$1234567890
18 Point No. 161
out the
loss of a
it
With-
Penny
$1234567890
24 Point No. 161
SIMPLE JUSTIFICATION
The width
of each Character
is
Automatically Registered
$1234567890
36 Point No. 161
No. 161K.
Job Arrangement C2
>
:'*,'
,;>,
Composition Matrices
6 Point No. 161K, 7 Set
MONOTYPE FACES
The best /cine/ of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
or his profession.
MONOTYPE FACES
The
is
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
his
$1234567890
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopq rstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 162J.
Job Arrangement C2
Composition Matrices
No. 162J, 6^ Set
MONOTYPE FACES
5 Point
of originality is that which conies after a sound apprenthat which shall prove itself to be the blending of a 8rm
conception of useful precedent and the progressive tendencies of an
able mind. For, let a mini be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is
now going on in his own trade and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling
of theirs an art, they must be willing, and show that they are willing,
to subject it to such laws as have made its sister arts so free.
All
those concerned in what are accepted as the fine arts, the learned
particularly engaged.
LOW PRECEDENT WISELY DOES NOT MEAN TO IMITATE SLAVISHLY ONE GREAT
EXEMPLAR, BUT TO STUDY ALL MASTERS FAITHFULLY, LETTING Til KIR GREAT
67890
abcdefghijklmnopqrstuvwxyz
$12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCnEFOHIJKLMNOPQRBTUVWXYZ
OMMMM
MONOTYPE FACES
of originality is that which cornea after a
sound apprenticeship; that which shall prove to be the
blending of a firm conception of all useful precedent and
the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now
If the printers
ffoing on in his own trade and profession.
of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as
have made its sister arts so free. All those concerned in
what are accepted as the fine arts, the learned sciences and
THE PROFESSIONS, SURROUND THEMSELVES WITH THE HISTORY,
abcdefghijklmnopqrstuvwxyz
67890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MONOTYPE FACES
The best kind of originality is that which
comes after a sound apprenticeship that
;
which
own
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
S1&34567890
the print-
and show that they are willing, to subject it to such laws as have made its
sister arts so free. All those concerned
in what are accepted as the fine arts, the
learned sciences and the professions, surround themselves with the history, literature, and concrete examples of the
abcdef ghi j klmnopqrs tu vwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The best kind of originality is that
which comes after a sound appren-
ABCDEFGIIIJKLMNOPQRSTUVWXYZ
$1234567890
If
ers of today
ticeship;
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
Display Matrices
No. 162
14 Point No. 162
THE MONOTYPE
Has Never Been Equaled for Quality, Speed, Versatility
and Economy of Cost Combined
$1234567890
18 Point No. 162
OVER
From Which
to
1400 FON::S
Select the Face
You Want,
$1234567890
24 Point No. 162
$1234567890
30 Point No. 162
WHY
DISTRIBUTE
When New Type is Available
for
Every Job?
$1234567890
36 Point No. 162
Job Arrangement C4
No. 21 OJ.
Composition Matrices
No. 210J,
10 Point
7 Set
MONOTYPE FACES
The best kind of
ticeship; that
of
all
originality is
useful precedent
For, let a
that which
man be
to
MONOTYPE FACES
comes
own
sound appren-
after a
what
is
now going on
in
must be
willing,
laws as have
the)'
and show
made
term
an
its sister
art, they
concerned
such
to
it
what
in
examples of the work with which they are particularly engaged. Yet
is
appurtenances,
in
is
to
be found
in
its
it
material
mean
to imitate
masters
faithfully,
originality is that which comes after a sound apprenwhich shall prove to be the blending of a firm conception
useful precedent and the progressive tendencies of an able mind.
ticeship; that
of
all
For, let a
man be
own
is now
going on in
trade and profession. If the printers of
today do not wish to be
made
its sister
calling of theirs
an
art,
they
to
such
what
willing, to subject
it
are accepted as the fine arts, the learned sciences, and the
professions
surround themselves with the history, the literature, and concrete
examples of the work with which they are particularly engaged. Yet it
is only in
very rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in
ignorance of what talent
all
we may
into the
mind
in order that
knowledge
minded
sprightly
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
12 Point
MONOTYPE FACES
MONOTYPE FACES
The best kind of
originality is that
and
man
all
to dis=
is
going on in his
own
to
its sister
originality is that
an
to
what
made
its sister
art,
it
to
erature,
purtenances,
it
is
its
material
what
are accepted as the fine arts, the learned sciences and the
professions, surround themselves with the history, the lit
are accepted as the fine arts, the learned sciences and the
lit-
now
is
an
it
prove to be the
all
art,
shall
made
now
is
to
be found
its
material
;ip
does
;ip
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 210
Display Matrices
14 Point No. 210
to Interest
$1234567890
:
MONOTYPE QUALITY
And Only Lever
to Raise Prices
IS
THE BEST
New
Work
do not
Fit
$1234567890
36 Point No. 210
No. 245
No. 245
THE MONOTYPE
IS
THE ONLY
Intricate
$1234567890
18 Point No. 245
New Type
for
$1234567890
24 Point No. 245
THE MONOTYPE
IS
THE ONLY
Hand Compositor
of the
Easier
$1234567890
30 Point No. 245
For Every
of
$1234567890
36 Point No. 245
YOUR OPERATOR
Hits
No. 275J.
Job Arrangement C2
Composition Matrices
6 Point No. 275J, 7 Set
8 Point
MONOTYPE FACES
best kind of originality is that which conies after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
or his profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
not mean to imitate too slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently derive from the richness of our acquired knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries.
The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
The
No. 275J, 8
Set
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
10 Point
MONOTYPE FACES
The best kind of
originality is that
MONOTYPE FACES
which
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 275
14 Point No. 275
Right
$1234567890
24 Point No. 275
LEADS, SLUGS
AND RULES
Attach-
$1234567890
30 Point No. 275
OUR TYPE-&-RULE
Caster Continuously Supplies Brand
New Type for the Cases
$1234567890
36 Point No. 275
VERSATILITY IS ONLY
One of the Many Good Features
$1234567890
No. 275K.
Job Arrangement C2
Composition Matrices
6 Point No. 275K, 7 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of a
firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be
esteemed arrogant when they term this calling of theirs an art
they must be willing, and show that they are willing, to subject it to such laws as have made its sister arts so free. All
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organThe sprightly minded
ised system an attitude of our own.
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries. The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
Set
MONOTYPE FACES
The best kind of originality is that which conies
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original
as he may, he cannot afford to discard knowledge
of what has gone before or what is now going on in
his own trade or his profession. If the printers of
today do not wish to be esteemed arrogant when
they term this calling of theirs an art, they must be
willing, and show that they are willing, to subject
it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine
arts, the learned sciences, and professions surround
themselves with the history, the literature, and the
concrete examples of the work with which they are
particularly engaged. Yet it is only in very rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under
restraint, nor in ignorance of what talent and genius
have accomplished and are accomplishing throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar,
abcdefghijklmnopqrstuvwxys
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 2751
14 Point No. 2751
the
$1234567890
18 Point No. 2751
IN THE
There
is
MONOTYPE PLANT
$1234567890
24 Point No. 2751
MONOTYPE MATERIAL
Makes the Modern Composing Room a Much
Pleasanter Place to
Work
in
$1234567890
30 Point No. 2751
NON-DISTRIBUTION
Saves the Time of your High-Salaried., Skilled Job Compositors
$1234567890
36 Point No. 2751
DON'T WASTE
Your Good Coin for Lost Time
$1234567890
No. 328J.
Job Arrangement C2
Composition Matrices
6 Point No. 328J, 8
Set
MONOTYPE FACES
The very best kind of originality Is that which conies
after a thorough apprenticeship; that which shall
prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original
as he may, he cannot afford to discard knowledge
of what has gone before or what Is now going on In
MONOTYPE FACES
The best kind of originality is that which conies
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of
all useful precedent and the progressive tendencies of an able mind. For, let any man be as
able and original as he may, he cannot afford to
discard knowledge of what has gone before or
what is
going on in his own trade and profession. If the printers of today do not wish to
be esteemed too arrogant when they term this
calling of theirs an art, they must be willing, and
show that they are willing, to subject it to just
such laws as have made its sister arts so free.
All those concerned in what are accepted as the
fine arts, the learned sciences and professions
surround themselves with the history, literature,
and concrete examples of the work with which
they are particularly engaged. Yet it is only in
very rare instances that such an atmosphere,
with its material appurtenances, is to be found
in a printing office. Art does not flourish in hidden places, nor under restraint, nor in ignorance
of what talent and genius have accomplished
and are accomplishing throughout the world.
To follow precedent wisely does not mean to imitate slavishly one great exemplar, but to study
mm
abcdefghijklmnopqrstuvwxyz
ABCDEFGrHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
Words
a to z 19.70
to Pica .41
Ems
a to z 18.95
Words
to Pica .36
MONOTYPE FACES
The
MONOTYPE FACES
own
abcdefghljklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
a to z 17.45
Words
to Pica .34
No. 616
the
A WORTHY EXAMPLE
is
On
ABOtT
HE YEAR
1914
MAGAZINE
La Gazette du Bon Ton
$1234567890
*Monotype
61
and 611
Series for
which
this
is
MONOTYPE FACES
The bett kind of originality it that which comet ajter a found
apprenticethip; that which thalt prove to be the blending of a
firm conception of all uteful precedent and the progrettive
tendenciet of an able mind. For, let a man be at able and
original at he may, he cannot afford to ditcard knowledge of
what hat gone before or what it now going on in hit own trade
and profettion. If the printert of today do not with to be
etteemed arrogant when they term thit calling of theirt an art,
they mutt be willing, and thow that they are willing, to tubitt titter artt to free.
All
ject it to tuch lawt at have made
thote concerned in what are accepted at the fine artt, the
with
the
learned tciencet, and profettion* turround themtelvet
hittory, literature, and concrete examplet of the work with
it
it
in
rare
Yet
only
very
which they are particularly engaged.
instances that tuch an atmotphere, with itt material appurtenancet, it to be found in a printing office. Art_ doet not flourith
in hidden placet, nor under restraint, nor in ignorance of^ what
talent and geniut have accomplithed and are accomplishing
throughout the world. For to follow precedent witely doet
not mean to imitate tlavithly one great exemplar, but to
ttudy all matter* faithfully, letting their great achievement*
tink t lowly into the mind in order that we may patiently
derive from the richnett of our acquired knowledge and organized tyttem an attitude of our own. The tpnghtly-minded
young man, who with hitfirtt business breath project* the new
and ttartling, inevitably become* tiretome, and i-r driven to an
ed
abcdefghijklmnopqrttuvwxyz
usejul precedent
and the
progrettive tendenciet of
abcdejghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTVVWXYZ
ABCDEFGHUKLMNOPQRSTUVWXYZ
(12W67890
MONOTYPE FACES
The bett kind of originality it that which comes
after a tound apprenticethip; that which thall
prove to be the blending oj a firm conception of all
$1234567890
10M
Set
12 Point
MONOTYPE FACES
MONOTYPE FACES
mind.
For, let a
man
be as able
and
and
abcdejghijklmnopqrstu vwxyz
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
must be
abcdejghijklmnopqrstuvwxyz
ABCDEFGHUKLMNOPQRSTUVWX
$1234567890
No. 6161
$1234567890
18 Point No. 6161
EARLY EIGHTEENTH
Century Styles in Type and Ornaments Have Been
Revived with Charming Results
'
$1234567890
24 Point No. 6161
THE ARRANGEMENT
/$ Better
NOT AS ANTIQUE
No. 48J.
Book Arrangement C
Composition Matrices
5 Point No. 48J, 6 Set
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR.
LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO DISCARD
KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS NOW GOING ON IN HIS OWN
TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED
ARROGANT WHEN THEY TERM THIS CALLING OF THEIRS AN ART, THEY MUST BE WILLING. AND SHOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE
MADE ITS SISTER ARTS SO FREE. ALL THOSE CONCERNED IN WHAT ARE ACCEPTED AS
THE FINE ARTS, THE LEARNED SCIENCES, AND PROFESSIONS SURROUND THEMSELVES
WITH THE HISTORY, LITERATURE, AND CONCRETE EXAMPLES OF THE WORK WITH
WHICH THEY ARE PARTICULARLY ENGAGED. YET IT IS ONLY IN RARE INSTANCES
THAT SUCH AN ATMOSPHERE, WITH ITS MATERIAL APPURTENANCES, IS TO BE FOUND IN
ART DOES NOT FLOURISH IN HIDDEN PLACES, NOR UNDER REA PRINTING OFFICE.
STRAINT. NOR IN IGNORANCE OF WHAT TALENT AND GENIUS HAVE ACCOMPLISHED AND
ARE ACCOMPLISHING THROUGHOUT THE WORLD. FOR TO FOLLOW ALL PRECEDENT
WISELY DOES NOT MEAN TO IMITATE SLAVISHLY ONE GREAT EXEMPLAR, BUT TO
STUDY ALL THE MASTERS FAITHFULLY, LETTING THEIR GREAT ACHIEVEMENTS SINK
SLOWLY INTO THE MIND IN ORDER THAT WE MAY PATIENTLY DERIVE FROM THE RICHNESS OF OUR ACQUIRED KNOWLEDGE AND ORGANIZED SYSTEM AN ATTITUDE OF OUR
OWN. THE SPRIGHTLY MINDED YOUNG MAN, WHO WITH HIS FIRST BUSINESS BREATH
PROJECTS THE NEW AND THE STARTLING, INEVITABLY BECOMES TIRESOME, AND IS
DRIVEN TO AN EARLY DISAPPEARANCE, WHILE THE SLOWER AND MORE SOLIDLY ENDOWED STUDENT WILL AT LEAST SPEND AS MUCH OF HIS TIME IN AVOIDING A MISTAKE
ABCDEFGHIJKLMNOPQRSTUVWXYZ
SI 234567890
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A SOUND
APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF
A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE
TENDENCIES OF AN ABLE MIND. FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT
HAS GONE BEFORE OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND
PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF THEIRS AN ART,
THEY MUST BE WILLING, AND SHOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS SO FREE. ALL
THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS, THE
LEARNED SCIENCES. AND PROFESSIONS SURROUND THEMSELVES WITH
THE HISTORY, LITERATURE. AND CONCRETE EXAMPLES OF THE WORK
WITH WHICH THEY ARE PARTICULARLY ENGAGED. YET IT IS ONLY IN
RARE INSTANCES THAT SUCH AN ATMOSPHERE, WITH ITS MATERIAL APPURTENANCES. IS TO BE FOUND IN A PRINTING OFFICE. ART DOES NOT
FLOURISH IN HIDDEN PLACES. NOR UNDER RESTRAINT. NOR IN IGNORANCE
OF WHAT TALENT AND GENIUS HAVE ACCOMPLISHED AND ARE ACCOMPLISHING THROUGHOUT THE WORLD. FOR TO FOLLOW ALL PRECEDENT
WISELY DOES NOT MEAN TO IMITATE SLAVISHLY ONE GREAT EXEMPLAR,
Set
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR, LET ANY MAN BE AS ABLE
AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO DISCARD
KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS NOW
GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE
PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF THEIRS AN ART,
THEY MUST BE WILLING, AND SHOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER
ARTS SO FREE. ALL THOSE WHO ARE CONCERNED IN WHAT
ARE ACCEPTED AS THE FINE ARTS, THE LEARNED SCIENCES,
AND PROFESSIONS SURROUND THEMSELVES WITH THE HISTORY, LITERATURE, AND CONCRETE EXAMPLES OF THE WORK
WITH WHICH THEY ARE PARTICULARLY ENGAGED. YET IT
IS ONLY IN RARE INSTANCES THAT SUCH AN ATMOSPHERE,
WITH ITS MATERIAL APPURTENANCES, IS TO BE FOUND IN
A PRINTING OFFICE. ART DOES NOT FLOURISH IN HIDDEN
PLACES, NOR UNDER RESTRAINT, NOR IN IGNORANCE OF
WHAT TALENT AND GENIUS HAVE ACCOMPLISHED AND ARE
NOW ACCOMPLISHING THROUGHOUT THE WORLD. FOR TO
FOLLOW PRECEDENT WISELY DOES NOT MEAN TO IMITATE
SLAVISHLY ONE GREAT EXEMPLAR, BUT TO STUDY ALL MASTERS FAITHFULLY, LETTING THEIR GREAT ACHIEVEMENTS
SINK SLOWLY INTO THE MIND IN ORDER THAT WE MAY
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION
OF ALL USEFUL PRECEDENT AND OF THE PROGRESSIVE
TENDENCIES OF AN ABLE MIND. FOR, LET A MAN BE
AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD
TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE
OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND
IF THE PRINTERS OF TODAY DO NOT
HIS PROFESSION.
WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM
THIS CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND SHOW THAT THEY ARE WILLING, TO SUBJECT
IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS SO
FREE. ALL THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS, THE LEARNED SCIENCES.
AND PROFESSIONS SURROUND THEMSELVES WITH THE
HISTORY, THE LITERATURE, AND CONCRETE EXAMPLES
OF THE WORK WITH WHICH THEY ARE PARTICULARLY
ENGAGED. YET IT IS ONLY IN RARE INSTANCES THAT
SUCH AN ATMOSPHERE, WITH ITS MATERIAL APPURTENANCES, IS TO BE FOUND IN A PRINTING OFFICE.
ART DOES NOT FLOURISH IN HIDDEN PLACES, NOR UNDER
RESTRAINT, NOR IN IGNORANCE OF WHAT TALENT AND
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
SI 234567890
$1234567890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
SI
7 Point
234567890
MONOTYPE FACES
No. 48J.
Book Arrangement C
Composition Matrices
10 Point No. 48J, 10 Set
11 Point
No. 48 J, 11 Set
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT
AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND. FOR, LET A MAN BE AS ABLE AND ORIGINAL
AS HE MAY, HE CANNOT AFFORD TO DISCARD
KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT IS NOW GOING ON IN HIS OWN TRADE AND
PROFESSION. IF THE PRINTERS OF TODAY DO NOT
WISH TO BE ESTEEMED ARROGANT WHEN THEY
TERM THIS CALLING OF THEIRS AN ART, THEY
MUST BE WILLING, AND SHOW THAT THEY ARE
WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE
MADE ITS SISTER ARTS SO FREE. ALL THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE
ARTS, THE LEARNED SCIENCES, AND PROFESSIONS
SURROUND THEMSELVES WITH THE HISTORY, THE
LITERATURE, AND CONCRETE EXAMPLES OF THE
WORK WITH WHICH THEY ARE PARTICULARLY
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT
WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 49 J.
Job Arrangement Cl
Composition Matrices
6 Point No. 49J, 6 Set
MONOTYPE FACES
The best kind
of originality is that
MONOTYPE FACES
that which shall prove to be the blending of a firm conception of all useful pre-
For, let a
man be
as able
and original as he may, he cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and profession.
If the printers
of
an
art,
made
laws as have
its sister
show
with
its
engaged.
Yet
it
is
material appurtenances,
flourish in
All
those concerned
in
it
to
such
arts so free.
be found
in
a printing
in
such an atmosphere,
office.
and genius have accomplished and are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate slavishly one great exemplar, but to study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness of
our acquired knowledge and organized system an attitude of our own.
The
sprightly minded young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as much of
his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries.
The very best kind of originality is that which comes after a
sound apprenticeship; that which shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade and
If the printers of today do not wish to be esteemed arrogant when
profession.
they term this calling of theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made its sister arts so free.
All
those concerned in what are accepted as the fine arts, the learned sciences, and
subject
to
it
All those
its
$1234567890
$1234567890
12 Point
is
that which
now
If
an
MONOTYPE FACES
comes
calling
concerned
abcdefghijklmnopqrstuvwxyz
of originality
sound
original as he
ABCDEFGHIJKLMNOPQRSTUVWXYZ
to
after a
abcdefghijklmnopqrstuvwxyz
after a
is
comes
ABCDEFGHIJKLMNOPQRSTUVWXYZ
what
that which
MONOTYPE FACES
profession.
is
apprenticeship; that which shall prove itself to be the blending of a firm conception of useful precedent and the progressive
or
of originality
art,
to be the blending of
a firm conception of all useful precedent
and the progressive tendencies of an able
mind. For, let any man be as able and
original as he may, he cannot afford to
discard knowledge of what has gone be-
All those
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 50
Sorts Matrices
18 Point No. 50
II
May
lie
Designed
Faces
in
May Be Made
MING
STYLES
this
for
Particular Job
and
Newspaper Printers
24 Point No. 50
NO JOB
Which
Cannot
be
IS
Handled
Profitably
and
in
the
Simplest
Way
on
the
One-Type-at-a-Time Monotype
30 Point No. 50
Mate
in
his
Own Shop
Requires,
all
'
of the
Why
and Spaces he
Type, Ooads
don't
it?
you do
'
iJi
36 Point No. 50
No. 51J.
Job Arrangement Cl
Composition Matrices
6 Point No. 51J, 5 Set
MONOTYPE FACES
The best kind
to
able mind.
ol
which comes
of originality Is that
man
For, let a
be willing, and
show
MONOTYPE FACES
concerned
shall prove
alter a
all
it
to
the printers of
art,
its
they must
surround themselves with the history, literature, and concrete examples of the work with
material appurtenances,
Its
or
in
is to
it
is
and
all
now
an early disappearance; while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his conThe very best kind of originality Is that which comes alter a sound apprenticeship;
temporaries.
which shall prove to be the blending of a firm conception of all useful precedent and the progresan able mind. For, let a man be as able and original as he may, he cannot afford
knowledge of what has gone before or what is now going on in his own trade and profes-
sive tendencies of
discard
II
an
made
its
original as
the printers of today do not wish to be esteemed arrogant when they term this calling of
art, they must he willing, and show that they are willing, to subject it to such laws as have
All those concerned in what are accepted as the fine arts, the learned
sciences and professions, surround themselves with the history, literature, and concrete examples
ol the work with which they are particularly engaged.
Yet it is only in rare instances that such an
atmosphere, with its material appurtenances, is to be lound in a printing office. Art does not flourish in hidden places, nor under restraint, nor in ignorance ol what talent and
genius have accom-
is
now
made
willing,
its
Yet
particularly engaged.
with
it
mind.
going on in his
not wish to
an
it
art,
to
man be
own
to Pica .84
itself to
sprightly
an able
is
now
made
show
its sister
arts so free.
All
Ems
a to z 9.50
Words
in
terial
of the
appurtenances,
flourish in
is
to
be found
in
a printing
office.
in
ignorance of what
slavishly
we may
into the
first
mind
faithfully,
order that
in
of our acquired
masters
patiently derive
to Pica .70
of originality is that
itself to
For, let a
be the blend-
man be
as able and
original as
If
is
now going on
in his
own
trade
those con-
what are accepted as the fine arts, the learned sciences and
professions, surround themselves with the history, literature, and concerned
The
new
and
MONOTYPE FACES
of
great
slavishly
such
$1234567890
Words
knowledge
to
emplar, but to study all masters faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness of
abcdefghijklmnopqrstuvwxyz
For, let a
it
is to be found in a
printing office. Art does not
hidden places, nor under restraint, nor in ignorance of what talent
and genius have accomplished and are now accomplishing
throughout the world.
For to follow precedent wisely does not mean to imitate
one
ex-
ABCDEFGHIJKLMNOPQRSTUVWXYZ
in
is
abcdefghijklmnopqrstuvwxyz
of originality is that
afford to discard
willing, to subject
concerned
flourish in
MONOTYPE FACES
that
All those
the printers
If
material appurtenances,
its
ticeship;
ABCDEFGHIJKLMNOPQRSTUVWXYZ
a to z 10.55
own
going on in his
of today
$1234567890
Ems
as able
as the fine arts, the learned sciences and professions, surround themselves with
to
sion.
and
useful prec-
mind in order that we may patiently derive from the richness ol our acquired knowlThe sprightly minded young man, who with
edge and organized system an attitude of our own.
business breath projects the new and startling, inevitably becomes tiresome, and is driven
theirs
man be
to imitate slav-
mean
to
all
For, let a
ac-
his first
that
sound apprenticeship;
after a
comes
profes-
in a printing office.
Yet
be found
that which
is
before or what
All those
sions,
sister arts so
free.
in
The
knowledge
The very
sprightly
they must be
subject
All
it
to
willing,
those concerned
in
an
willing, to
its sister
arts so free.
Yet
it
appurtenances,
is
to
be found
in
a printing
is
its
office.
only in
material
Art does
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
Ems
a to z 8.87
Words
to Pica .60
Ems atoz
8.44
Words
to Pica .53
No. 51
14 Point No. 51
of Buying,
$1234567890
18 Point No. 51
Maximum
of
Efficiency
can
be
Attained
only
by means
of
the
Monotype
$1234567890
24 Point No. 51
Who Improve
$1234567890
30 Point No. 51
$1234567890
36 Point No. 51
$1234567890
36H4 Point No.
51
IN
CAPS,
$1234567890
No. 52J.
Job Arrangement C2
Composition Matrices
6 Point No. 52J, 7 Set
MONOTYPE FACES
The best kind of originality is that which comes after a sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the progressive
tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
If the printers of today do not wish to be
or his profession.
esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing, to subAll
ject it to such laws as have made its sister arts so free.
those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the
history, the literature, and concrete examples of the work with
which they are particularly engaged. Yet it is only in very rare
instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish
in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing
throughout the world. For to follow all precedent wisely does
not mean to imitate too slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements
sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organized system an attitude of our own.
The sprightly minded
young man, who with his first business breath projects the new
and startling, inevitably becomes tiresome, and is driven to an
early disappearance; while the slower, more solidly endowed
student will at least spend as much of his time in avoiding
mistakes as in evolving brilliant schemes wherewith to dazzle
his contemporaries.
The best kind of originality is that which
comes after a sound apprenticeship; that which shall prove to
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
The best kind of originality is that which
comes after a thorough apprenticeship; that
which shall prove to be the blending of a
firm conception of all useful precedent and
the progressive tendencies of an able mind.
For, let a man be as able and original as he
abcdefghijklmnopqrstuvwxyz
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
No. 52
The Only
Use
for Electrotyping or
Press
$1234567890
18 Point No. 52
the
Same
$1234567890
24 Point No. 52
Of
All
STANDARDIZATION
Monotype Faces for Type
Line and Body Size
$1234567890
36 Point No. 52
KEY ARRANGEMENT
Is
$1234567890
No. 66J.
Job Arrangement C2
Composition Matrices
5 Point
MONOTYPE FACES
MONOTYPE FACES
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For,
let a man be as able and original as he may, he cannot afford to discard
and profession. If the printers of today do not wish to be esteemed arrogant they when term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
arts so free.
All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the history
literature, and concrete examples of the work with which they may be
Yet it is only in rare instances that such an atmosparticularly engaged.
phere, with its material appurtenances, is to be found in a printing office.
PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM
AN ART, THEY MUST BE WILLING, AND SHOW THAT THEY ARE
WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS SO FREE.
THIS CALLING OF THEIRS
SCIENCES, AND PROFESSIONS SURROUND THEMSELVES WITH THE HISTORY, LITERATURE, AND CONCRETE EXAMPLES OF THE WORK WITH WHICH THEY ARE PARTICULARLY
ENGAGED.
YET
IT IS
ONLY
IN
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
Words
a to z 17.21
to Pica .57
MONOTYPE FACES
The
is
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
Words
a to z 16.72
to Pica .49
Set
MONOTYPE FACES
The
after a
abcdefghijklmnopqrstuvwxyz
ABCDEFGH
KLMNOPQRSTUVWX YZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems
12 Point
a to z 15.20
No. 66J, 12
to Pica .32
Set
MONOTYPE FACES
The
is
that
before or
his
in
If
term this
calling of theirs
an
art,
abcdefghijklmnopqrstuvwxyz
ABCDEFGH IJKLMNOPQRSTUVW
$1234567890
$1234567890
Ems
Words
a to z 15.06
Words
to Pica .40
Ems
a to z 14.93
Words
to Pica .27
No. 66
Sorts Matrices
14 Point No. 66
$1234567890
18 Point No. 66
Out
in
to Your
Shop
or Help You
the Pressroom
$1234567890
24 Point No. 66
$1234567890
30 Point No. 66
ALWAYS NEW
True
$1234567890
36 Point No. 66
DON'T DELAY
It
$1234567890
No. 46 6 J.
Job Arrangement Cl
Composition Matrices
6 Point No. 466J, 7f Set
MONOTYPE FACES
MONOTYPE FACES
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies
of an able mind. For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws as have made its
All those concerned in what are accepted as
sister arts so free.
the fine arts, the learned sciences and professions, surround
themselves with the history, the literature, and concrete examples
Yet it is
of the work with which they are particularly engaged.
only in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in ignorance of
what talent and genius have accomplished and are accomplishFor to follow precedent wisely does
ing throughout the world.
not mean to imitate slavishly one great exemplar, but to study all
masters faithfully, letting their great achievements sink slowly
The
into the mind in order that we may patiently derive from the
richness of our acquired knowledge and organized system an
The sprightly minded young man, who
attitude of our own.
with his first business breath projects the new and startling,
becomes tiresome, and is driven to an early disappearwhile the slower, more solidly endowed student will at
least spend as much of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his contemporaries.
inevitably
ance;
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm
conception of all useful precedent and the progressive tendencies
of an able mind. For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before or
what is now going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws as have made its
sister arts so free.
All those concerned in what are accepted
as the fine arts, the learned sciences and professions, surround
themselves with the history, the literature, and concrete examples
of the work with which they are particularly engaged. Yet it is
only in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office. Art does not
flourish in hidden places, nor under restraint, nor in Ignorance of
what talent and genius have accomplished and are accomplishing throughout the world. For to follow all precedent wisely does
not mean to imitate slavishly one great exemplar, but to study all
masters faithfully, letting their great achievements sink slowly
into the mind in order that we may patiently derive from the
richness of our acquired knowledge and organized system an
attitude of our own. The sprightly minded young man, who with
his first business breath projects the new and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least
spend as much of his time in avoiding mistakes as in evolving
brilliant schemes wherewith to dazzle his contemporaries.
The
best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all useful precedent and the progressive tendencies of
an able mind. For, let a man be as able and original as he may,
he cannot afford to discard knowledge of what has gone before
or what is now going on in his own trade and profession.
If the
printers of today do not wish to be esteemed arrogant when they
term this calling of theirs an art, they must be willing, and show
that they are willing, to subject it to such laws as have mad* Its
abcdefghijklmnopqrstuvwxyz
Ems
is
Words
a to z 16 37
it is
made on
to Pica .54
C2 arrangement.
Job Arrangement Cl
No. 77J.
Composition Matrices
8 Point No. 77J, 6^ Set
MONOTYPE FACES
MONOTYPE FACES
of originality is that
a firm conception of
prove to be the blending of
of
an able mind.
knowledge
of
For, let a
man be
not wish to be
printers of today do
they must be willing, and
All those
arts so free.
show
or
what
is
now
own
going on in his
in
to
it
If
an
with
its
material appurtenances,
places, nor
under
is to
be found
it is
mind
in order that
we may
what
art,
let
and
work
masters
hidden
talent
in
mean
of
or
what
is
now
going on
of
and profession.
gant
If
in his
own
trade and
If the printers of today do not wish to be esteemed arrogant when they term this calling
profession.
of theirs an art, they must be willing, and show that they are willing, to subject it to such laws as
have made its sister arts so free. All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the history, literature, and concrete
examples of the work with which they are particularly engaged. Yet it is only in rare instances that
such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does
not flourish in hidden places, nor under restraint, nor in ignorance of what talent and genius have
accomplished and are now accomplishing throughout the world. For to follow precedent wisely
does not mean to imitate slavishly one great exemplar, but to study all masters faithfully, letting
arts so free.
willing, to subject
All
office.
all
his
of
that which
order that
profession.
an
art,
after a
sound
be the blending
edge and
young man, who with his first business breath projects the new and startdriven to an early disappearance;
ling, inevitably becomes tiresome, and is
while the slower, more solidly endowed student will at least spend as much
of his time in avoiding mistakes as in evolving brilliant schemes wherewith
For, let a
man
now going on
or
what
examples
its
office.
fully,
after a
to
be as
If
is
the pro-
with
in
Set
MONOTYPE FACES
comes
patiently derive from the richness of our acquired knowlorganized system an attitude of our own. The sprightly minded
we may
have made
ABCDEFGHIJKLMNOPQRSTUVWXYZ
knowledge
$1234567890
in
art,
to such laws as
abcdefghijklmnopqfstuvwxyz
firm conception of
an
it
Art does not flourish in hidden places, nor under restraint, nor in
MONOTYPE FACES
of a
trade
ignorance of what talent and genius have accomplished and are accomFor to follow precedent wisely does not
plishing throughout the world.
mean to imitate slavishly one great exemplar, but to study all masters
apprenticeship;
own
$1234567890
is
in his
abcdefghijklmnopqrstuvwxyz
now going on
history, literature,
ABCDEFGHIJKLMNOPQRSTUVWXYZ
The
is
knowledge
man be
to imitate
The
afford to discard
knowledge
all
For,
achievements sink
edge and organized system an attitude of our own. The sprightly minded young man, who with
his first business breath projects the new and startling, inevitably becomes tiresome, and is driven
to an early disappearance; while the slower, more solidly endowed student will at least spend as
much of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his
contemporaries.
ship;
in a printing office.
Yet
of originality is that
the
its sister
all
concerned
shall
into the
sound
of originality is that
apprenticeship; that
which comes
which
shall prove
all
useful
If
of
what
his
own
an
art,
concerned
examples
of the
particu-
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 77
$1234567890
18 Point No. 77
THERE
it;
do
IS
it
$1234567890
24 Point No. 77
IF
Fill
BUSINESS
IS
SLACK
$1234567890
30 Point No. 77
in
Quantity Can Be
Renewed
in
a Few
234567890
36 Point No. 77
$1234567890
No. 107J.
Job Arrangement C2
Composition Matrices
No. 107J, 6 Set
MONOTYPE FACES
5 Point
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind. For,
let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing, and
show that they are willing, to subject it to such laws as have made its sister
All those concerned in what are accepted as the fine arts, the
arts so free.
learned sciences, and professions surround themselves with the history,
literature, and concrete examples of the work with which they may be
particularly engaged. Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under restraint, nor even In
Ignorance of what talent and genius have accomplished and are accom-
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
abcdefghljklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGH IJ KLMNOPQRSTUVWX YZ
$1234567890
$1234567890
MONOTYPE FACES
The
The
after a
all
Set
MONOTYPE FACES
useful precedent
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality is that which
comes after a sound apprenticeship; that
which
abcdefghijklmnopqrstuvwxyz
The
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGH IJ KLMNOPQRSTUVWX
$1234567890
$1234567890
No. 107
$1234567890
18 Point No. 107
$1234567890
24 Point No. 107
GOOD TYPOGRAPHY
Will
Sell
$1234567890
30 Point No. 107
HEIGHT TO PAPER
Accuracy of Monotype Type will
Save Make-Ready
$1234567890
36 Point No. 107
NEWSPAPER ADS.
Set Like Straight Matter
$1234567890
No. 121
THE
DAILY
NEWSPAPER
JOB
A
PRINTING
STATE
OFFICE
OF
IDEAL
WITHOUT
MONOTYPE
IS
FAR
EFFICIENCY
$1234567890
ALL
COSTLY
ERRORS
ENDED
IN
ADVERTISING
FOREVER
IN
THE
THROUGH
MONOTYPE SHOP
DISPLAY TYPE
BE CAST IN
IT
CAN BE
17
No. 129
IF
of Profit
IF
YOUR EMPLOYEES
Ems
or
More
$1234567890
24 Point No. 129
IF
TYPE
MONOTYPE MACHINES
Would Not Be Needed Until the
Millennium Had Passed
$1234567890
36 Point No. 129
UNTIL THEN
You Will Need a Monotype
$1234567890
No. 132K.
Job Arrangement C2
Composition Matrices
6 Point No. 132K, 7$ Set
MONOTYPE FACES
MONOTYPE FACES
abcdefghljklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRS TUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWX YZ
$1234567890
$1234567890
Ems
Words
a to z 17.92
For
to Pica .45
Ems
Words
a to z 16.12
12 Point
to Pica .38
MONOTYPE FACES
MONOTYPE FACES
abcdefghi/klmnopqrstuvwxyi
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghi/klmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
$1234567890
Ems
a to z 15.77
Words
to Pica .31
Ems
a to z 14.93
Words
to Pica .27
No. 140J.
Job Arrangement Cl
Composition Matrices
6 Point No. 140J, 5 Set
MONOTYPE FACES
The best kind
of
an able mind.
knowledge
of
For, let a
man be
show
all
useful precedent
it
to
Yet
its
material appurtenances,
places, nor
now
is to
in
be found
work
in a printing office.
man be
knowledge
mind
in
to
order that
study
all
we may
masters
patiently derive
mean
an early disappearance; while the slower, more solidly endowed student will at least spend as
of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his
contemporaries. The best kind of originality is that which comes after a sound apprenticeship;
to
much
which shall prove to be the blending of a firm conception of all useful precedent and the promind. For, let a man be as able and original as he may, he cannot
gressive tendencies of an able
afford to discard knowledge of what has gone before or what is now going on in his own trade and
that
If the printers of today do not wish to be esteemed arrogant when they term this calling
profession.
ol theirs an art, they must be willing, and show that they are willing, to subject it to such laws as
have made its sister arts so free. All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the history, literature, and concrete
examples of the work with which they are particularly engaged. Yet it is only in rare instances that
such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does
not flourish in hidden places, nor under restraint, nor in ignorance of what talent and genius have
accomplished and are now accomplishing throughout the world. For to follow precedent wisely
to imitate slavishly
to
study
all
masters
faithfully, letting
If
arts so free.
All those
his
own
printing
Art does not flourish in hidden places, nor under restraint, nor in
ignorance of what talent and genius have accomplished and are accomFor to follow precedent wisely does not
plishing throughout the world.
office.
mean
faithfully,
young man, who with his first business breath projects the new and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as much
of his time in avoiding mistakes as in evolving brilliant
12 Point
If
an
art,
is
man be
as
to discard
now going on
is
that which
comes
after
all
useful prece-
man be
this
office.
The
fully,
with
schemes wherewith
MONOTYPE FACES
fine
$1234567890
calling of theirs
ABCDEFGHIJKLMNOPQRSTUVWXYZ
in
in
ABCDEFGHIJKLMNOPQRSTUVWXYZ
conception of
of
concerned
abcdefghijklmnopqrstuvwxyz
of originality is that
all
For,
when they term this calling of theirs an art, they must be willing,
and show that they are willing, to subject it to such laws as have made
abcdefghijklmnopqrstuvwxyz
knowledge
sound apprentice-
gant
MONOTYPE FACES
of a firm
after a
apprenticeship;
comes
$12)45(7191
that which
to imitate
achievements sink
edge and organized system an attitude of our own. The sprightly minded young man, who with
his first business breath projects the new and startling, inevitably becomes tiresome, and is driven
Nt mean
of
and profession.
its sister
does
useful precedent
let
is
ship;
slavishly
it is
its sister
those concerned in what are accepted as the fine arts, the learned sciences, and
All
The
not wish to
printers of today do
MONOTYPE FACES
ol originality is that
firm conception of
prove to be the blending of a
Set
abcdefghijklmnopqrstuvwxyz
profession.
If
is
now going on
in his
own
trade and
it
to
All those
concerned
in
is
with
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 140
14 Point No. 140
in
if
The
Profit is
$1234567890
18 Point No. 140
No Machine
is
all
it
as an
Actual
the Time
$1234567890
24 Point No. 140
$1234567890
30 Point No. 140
THE MONOTYPE
Supplies Sharp and Clean-cut
New Type
$1234567890
36 Point No. 140
$1 234567890
36H4 Point No. 140
DISTRIBUTION
SI
IS
WASTE
234567890
No. 149 J.
Job Arrangement Cl
Composition Matrices
5
MONOTYPE FACES
The best kind of
originality is that
and original as he may, he cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and profession.
If the printers
do not wish to be esteemed arrogant when they term this calling of theirs
they must be willing, and show that they are willing, to subject it to such
of today
an
art,
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The best kind
which comes after a sound apprenticebe the blending of a firm conception of all
useful precedent and the progressive tendencies of an able mind.
For,
let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or what is now going on in his own trade
and profession. If the printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art, they must be willing,
and show that they are willing, to subject it to such laws as have made
its sister arts so free.
All those concerned in what are accepted as the fine
arts, the learned sciences and professions, surround themselves with the
history, literature, and concrete examples of the work with which they
are particularly engaged.
Yet it is only in rare instances that such an
ship;
MONOTYPE FACES
be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let a man be as able
that which shall prove to
of originality is that
of originality
is
that which
sound apprenticeship;
after a
comes
or
what
is
knowledge
of
now going on
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
office.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The best kind of originality is that which
comes after a sound apprenticeship; that
be the blending of
useful precedent
and the progressive tendencies of an able
mind. For, let any man be as able and
original as he may, he cannot afford to
discard knowledge of what has gone before or what is now going on in his own
If the printers of
trade and profession.
today do not wish to be esteemed arrogant when they term this calling of theirs
an art, they must be willing, and show that
they are willing, to subject it to such laws
All
as have made its sister arts so free.
what
are
in
those concerned
accepted as
which
shall prove to
a firm conception of
MONOTYPE FACES
The
now going on
abcdefghijklmnopqrstuvwxyz
all
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
No. 165J.
Job Arrangement C2
Composition Matrices
5 Point
MONOTYPE
FACES.
POINT CAPS
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
ABCDEFGHIJKLMNOPORSTUVWXYZ
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR. LET ANY MAN BE AS ABLE
AND ORIGINAL AS HE MAY. HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT
IS NOW GOING ON IN HIS OWN TRADE AND PROFESSION.
IF THE PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING
OF THEIRS AN ART. THEY MUST BE WILLING. AND SHOW
THAT THEY ARE WILLING. TO SUBJECT IT TO SUCH LAWS
AS HAVE MADE ITS SISTER ARTS SO FREE. ALL THOSE
WHO ARE CONCERNED IN WHAT ARE ACCEPTED AS THE
FINE ARTS. THE LEARNED SCIENCES. AND PROFESSIONS
SURROUND THEMSELVES WITH THE HISTORY. LITERATURE. AND CONCRETE EXAMPLES OF THE WORK WITH
WHICH THEY ARE PARTICULARLY ENGAGED. YET IT
IS ONLY IN RARE INSTANCES THAT SUCH AN ATMOSPHERE. WITH ITS MATERIAL APPURTENANCES. IS TO BE
FOUND IN A PRINTING OFFICE. ART DOES NOT FLOURISH
IN HIDDEN PLACES. NOR UNDER RESTRAINT, NOR IN
IGNORANCE OF WHAT TALENT AND GENIUS HAVE ACCOMPLISHED AND ARE NOW ACCOMPLISHING THROUGHOUT THE WORLD. FOR TO FOLLOW PRECEDENT WISELY
DOES NOT MEAN TO IMITATE SLAVISHLY ONE GREAT
EXEMPLAR. BUT TO STUDY ALL MASTERS FAITHFULLY.
LETTING THEIR GREAT ACHIEVEMENTS SINK SLOWLY
INTO THE MIND IN ORDER THAT WE MAY PATIENTLY DERIVE FROM THE RICHNESS OF OUR ACQUIRED KNOWLEDGE AND ORGANIZED SYSTEM AN ATTITUDE OF OUR
OWN. THE SPRIGHTLY MINDED YOUNG MAN. WHO WITH
HIS FIRST BUSINESS BREATH PROJECTS THE NEW AND
ABCDEFGHIJKLMNOPORSTUVWXYZ
$1234567890
$1234567890
Ems A
to
Words
23.19
to Pica .54
Ems A
to
Words
22.55
to Pica .46
MONOTYPE FACES
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT
WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO
BE THE BLENDING OF A FIRM CONCEPTION
OF ALL USEFUL PRECEDENT AND OF THE
ABCDEFGHIJKLMNOPORSTUVWXYZ
ABCDEFGHIJKLMNOPORSTUVWXYZ
$1234567890
$1234567890
Ems A
to
20.53
Words
to Pica .38
Ems A
to
20.41
Words
to Pica .34
No. 165J.
Job Arrangement C2
Composition Matrices
10 Point No. 165J, lOi Set
MONOTYPE FACES
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THE KIND WHICH SHALL
PROVE TO BE THE BLENDING OF
A FIRM CONCEPTION OF ALL
USEFUL PRECEDENT AND THE
PROGRESSIVE TENDENCIES OF
AN ABLE MIND. FOR, LET ANY
MAN BE AS ABLE AND ORIGINAL
AS HE MAY, HE CANNOT WELL
AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS NOW GOING
ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF
TODAY DO NOT WISH TO BE
$1234567890
Ems A
to
20.30
Words
to Pica .30
Ems A
to
20.14
Words
to Pica .25
No. 165
Sorts Matrices
14 Point No. 165
NON-DISTRIBUTION
AND THE MONOTYPE MEANS HAVING EVERYTHING YOU WANT WHEN YOU WANT IT
$1234567890
18 Point No. 165
QUALITY MAINTAINED
AT LESS COST WHEN YOU USE NEW
TYPE FOR EVERY JOB
$1234567890
Job Arrangement Cl
No. 176J.
Composition Matrices
6 Point No. 176J, 6 Set
MONOTYPE FACES
The best kind
of originality is that
which comes
MONOTYPE FACES
after a
sound apprenticeship;
For, let a
man be
as able
and original as he may, he cannot afford to discard knowledge of what has gone
If the printers
before or what is now going on in his own trade and profession.
of
an
The
they must be
laws as have
made
its sister
willing,
in
it
to
ticeship;
that which
mind.
going on in
an
with
its
engaged.
Yet
it
is
material appurtenances,
flourish in
is to
be found in a printing
office.
and genius have accomplished and we are now accomplishing throughout the world.
For to follow precedent wisely does not mean to imitate slavishly one great extheir great achievements sink
emplar, but to study all masters faithfully, letting
slowly into the mind in order that we may patiently derive from the richness of
our acquired knowledge and organized system an attitude of our own. The
business breath projects the new
sprightly minded young man, who with his first
and startling, inevitably becomes tiresome, and is driven to an early disappearance;
while the slower, more solidly endowed student will at least spend as much of
his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle
The very best kind of originality is that which comes after a
his contemporaries.
sound apprenticeship; that which shall prove to be the blending of a firm conuseful
precedent and the progressive tendencies of an able mind.
ception of all
For, let a man be as able and original as he may, he cannot afford to discard knowlhas
what
of
gone before or what is now going on in his own trade and profesedge
If the printers of today do not wish to be esteemed arrogant when they term
sion.
this calling of theirs an art, they must be willing, and show that they are willing, ta
All those concerned
subject it to such laws as have made its sister arts so free.
in what are accepted as the fine arts, the learned sciences, and professions surround
it
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
12 Point
of originality is that
sound apprenticeship;
all
useful precedent
now going on
in his
printers of today
of
made
its sister
arts so free.
All
The
those
after
and
For, let a
knowledge
MONOTYPE FACES
MONOTYPE FACES
man be
to discard
or
what
knowledge
is
now
of
going on
abcdefghijklmnopqrstuvwxyz
masters
For, let a
man be
as
profession.
comes
that which
to
in
is
a sound apprenticeship;
cerned in what are accepted as the fine arts, the learned sciences, and
professions surround themselves with the history, literature, and concrete examples of the work with which they are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office.
Art does not
flourish in hidden places, nor under restraint, nor in ignorance of what
talent and genius have accomplished and are accomplishing throughout
the world. For to follow precedent wisely does not mean to imitate
slavishly one great exemplar, but to study aH masters faithfully, letting
their great achievements sink slowly into the mind in order that we
may patiently derive from the richness of our acquired knowledge and
organized system an attitude of our own. The sprightly minded young
man, who with his first business breath projects the new and startling,
to discard
they must be willing, and show that they are willing, to subject
to such laws as have made its sister arts so free.
All those conart,
ABCDEFGHIJKLMNOPQRSTUVWXYZ
sound appren-
For, let a
after a
afford to discard
comes
such
is
literature,
it
is
only in
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 176
THE MONOTYPE
And
is
IS
BUILT IN PHILADELPHIA
$1234567890
MONOTYPE COMPOSITION
Costs less by Comparison than the Product of any other Type-
Composing Machine
$1234567890
setting or
IF
You
will
be Fully Convinced
$1234567890
30 Point No. 176
$1234567890
36 Point No. 176
MONOTYPE VALUE
Being Proved Daily in Every Office
$1 234567890
Job Arrangement C4
No. 204J.
Composition Matrices
No. 204J,
5 Point
5 Set
MONOTYPE FACES
The best kind
of originality is that
able mind.
man
For. let a
All
those concerned
in
is
surround themselves with the history, literature, and the concrete examples of the work with which
Yet
is
of originality
to be
it
is
found
in a printing office.
its
a sound apprenticeship;
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
afford to discard
what
If
the
in
printers of today
of originality is that
made
its
show
All
those concerned
in
it
to
an
to
not wish
$1234567890
comes
after a
sound ap-
an able mind.
useful precedent
For, let a
man be
what
is
now going on
ers of today
in
his
do not wish
this calling of
own
If
the print-
to be
theirs an art,
it
is
only
with
its
they are willing, to subject it to such laws as have made its sister
All those concerned in what are accepted as the fine
arts so free.
arts, the learned sciences and the professions, surround themselves
with the history, the literature, and concrete examples of the work
abcdefghijklmnopqrstuvwxyz
instances
appurte-
in
For to
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
12 Point
MONOTYPE FACES
The best kind
after a
of originality
is
sound apprenticeship;
that which
comes
mind.
For, let a
man be
as able and
of
All
those concerned
in
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
rare
material
knowledge
MONOTYPE FACES
prenticeship;
art,
to be
original as
conception of
an
of an able
that which
be esteemed
such laws as
abcdefghijklmnopqrstuvwxyz
is
to
ABCDEFGHIJKLMNOPQRSTUVWXYZ
of originality
own
they must be
art,
fine arts, the learned sciences and the professions, surround themselves with the
history, literature, and concrete examples of the work with which they are parYet it is only in rare instances that such an atmosphere, with
ticularly engaged.
Art does not flourish
its material appurtenances, is to be found in a printing office.
in hidden places nor under restraint, nor in ignorance of what talent and genius
have accomplished and are accomplishing throughout the world. For to follow
precedent wisely does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements sink slowly into the
mind in order that we may patiently derive from the richness of our acquired
knowledge and organized system an attitude of our own. The sprightly minded
young man, who with his first business breath projects the new and startling,
inevitably becomes tiresome, and is driven to an early disappearance; while the
slower, more solidly endowed student will at least spend as much of his time in
after
useful precedent
all
his
nances,
of
knowledge
now going on
is
Yet
particularly engaged.
that such an atmosphere,
have
comes
prove to be
hidden places,
in
nor under restraint, nor in ignorance of what talent and genius have accomplished
that which
is
Set
MONOTYPE FACES
$1234567890
No. 204
Display Matrices
14 Point No. 204
in
$1234567890
THIS FACE
For most any class of work, but
headings.
IS
is
A GOOD FACE
this
newspaper
handsome Gothic
$1234567890
24 Point No. 204
MONOTYPE TYPE
Answers every possible requirement as
quality of metal, perfection of fitting
$1234567890
to design of face,
and alignment
No. 206
14 Point No. 206
THE COMPOSING-ROOM
More Than a Place in Which
Machines:
it
is a Department Maintained
Composing
Operate
to Produce Complete Pages, Lqcked-up
in Chases Ready for Printing
$1234567890
Of a Printing Plant
is
a Great Deal
to
QUALITY OF OUTPUT
Is
always the
first
but quality
is
fastest
$1234567890
24 Point No. 206
YOUR SALESMAN
The Monotype
$1234567890
It
No. 222
Sorts Matrices
30 Point No. 222
MOST
ESSENTIAL
No. 224K.
Job Arrangement C2
Composition Matrices
5 Point
MONOTYPE FACES
Set
MONOTYPE FACES
THE VERY BEST KIND Of ORIGINALITY IS THAT
WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE
BLENDINC OF A FIRM CONCEPTION OF ALL
USEFUL PRECEDENT AND OF THE PROGRESSIVE
TENDENCIES OF AN ABLE MIND. FOR, LET A
MAN BE AS ABLE AND ORIGINAL AS HE MAY,
HE CANNOT AFFORD TO DISCARD KNOWLEDGE
OF WHAT HAS GONE BEFORE OR WHAT IS NOW
GOING ON IN HIS OWN TRADE AND PROFESSION.
IF THE PRINTERS OF TODAY DO NOT WISH TO
BE ESTEEMED ARROGANT WHEN THEY TERM
THIS CALLING OF THEIRS AN ART, THEY MUST
BE WILLING, AND S/fOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE
MADE ITS SISTER ARTS SO FREE. ALL THOSE
CONCERNED IN WHAT ARE ACCEPTED AS THE
FINE ARTS, THE LEARNED SCIENCES, AND PROFESSIONS SURROUND THEMSELVES WITH THE
HISTORY, THE LITERATURE, AND CONCRETE
EXAMPLES OF THE
WORK WITH WHICH THEY
ARE PARTICULARLY ENGAGED. YET IT IS ONLY
IN VERY RARE INSTANCES THAT SUCH AN ATMOSPHERE, WITH ITS MATERIAL APPURTENANCES, IS TO BE FOUND IN A PRINTING OFFICE.
ART DOES NOT FLOURISH IN HIDDEN PLACES,
NOR UNDER RESTRAINT, NOR IN IGNORANCE
OF WHAT TALENT AND GENIUS HAVE ACCOMPLISHED AND ARE ACCOMPLISHING THROUGHOUT THE WORLD. FOR TO FOLLOW PRECEDENT
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
MONOTYPE FACES
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
FREE.
THE
I
1234567
No. 227
Display Matrices
14 Point No. 227
HAKES THE BEST BASE MATERIAL FOR MOUNTING ALL KINDS OF COTS, ELECTROTYPES, STEREOTYPES, OR ZINCS, AND
IN IOST
THE REQUIRED QUANTITY, MUCH CHEAPER THAN INFLEXIBLE STEEL BASE MATERIAL
(1234567890
18 Point
No. 227
THE
FACES,
AND
THE
COMBINATIONS
OF
FACES, YOUR
IYPE FOR
IN
ANY
$1234567890
30 Point No. 227
EVERY HOUR OF
EBY
,
RULES, ETC.
TYPE.
Job Arrangement C4
No. 230J.
Composition Matrices
6 Point No. 230 J, 4
Set
MONOTYPE FACES
The best hind of
originality is that
MONOTYPE PACES
itself to
be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind.
or
man be
let
what
arrogant
subject
it
in his
For,
as able and original as he may, he cannot afford lo discard knowledge of what has gone before
now going on
is
If
profession.
an
art,
so free.
All
fine arts, the learned sciences and the professions, surround themselves with the history, literature, and
coicrete examples of the work with which they are particularly engaged.
are
its
material appurtenances,
mind
order that
in
we may
all
Yet
it
is
office.
mean
lo imitate
The
sprightly
knowledge and
new and startling, inevitably becomes tiresome, and is driven to an early disappearance,
while the slower, more solidly endowed student will at least spend as much of his lime in avoiding mistakes
as ii evolving brilliant schemes wherewith to dazzle all his contemporaries. The best kind of originality is
that which comes after a sound apprenticeship: that which shall prove itself to be the blending of a firm conFor, let any man be as able and
ception of useful precedent and the progressive tendencies of an able mind.
original as he may. he cannot afford to discard knowledge of what has gone before or what is now going on in
If the printers of today do not wish to be esteemed arrogant when they term this
his own trade and profession.
calling of theirs an art. they must be willing, and show thai they are willing, to subject it to such laws as have
made its sister arts so free. All those concerned in what are accepted as the hne arts, the learned sciences and
breath projects the
the professions, surround themselves with the history, literature, and concrete examples of the
in rare
work with
material
its
For
nor in ignorance of what talent and genius accomplish and are now accomplishing throughout the world.
to follow all precedent wisely does not mean to imitate slavishly one great exemplar, but to study all the masters
achievements sink slowly into the mind in order that we may patiently derive
from the richness of our acquired knowledge and organized system an attitude of our very own. The sprightly
faithfully, letting their greatest
new and
startling, inevitably
becomes
For, let a
own
in
it
to
an
may be
its
Yet
particularly engaged.
material appurtenances,
is to
it
is
so free.
All
those concerned
in
it
to
an
now
art,
an able mind.
Eor, let
going on in his
own
The
own.
new and
sprightly
much
dazzle
of
all
its
show
sister arts
appurtenances,
is to
be found
in a printing office.
still
to
study
all
into the
in
its
material
exemplar, but
mean
to imitate slavishly
one great
mind
in
order that
we may
business
sprightly minded young man, who with his first
breath projects the new and startling, inevitably becomes tiresome, and is
driven to an early disappearance; while the slower, more solidly endowed
more
solidly
endowed student
all his
contemporaries.
sound apprenticeship;
that
of originality
itself to
that which
is
original as he
comes
after a
be as able and
we may
startling, inevitably
as
order that
in
to discard
For, let a
man
The
originality is that
that
apprenticeship;
firm conception of
which
shall
all
for, let
If
now going on
in his
own
made
is
an
art,
its sister
arts so free.
All those
it
concerned
in
literature,
are
examples of the work with which they
Yet
it
is
and concrete
particularly engaged.
its
be found
Art
material appurtenances,
in
is to
in a printing office.
in igno-
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
still
abcdefghijklmnopqrstuvwxyz
$1234567890
abcdefghijklmnopqrstuvwxyz
ABCDEfGHIJKLMNOPQRSTUVWXYZ
original
trade and
hidden places, nor under restraint, nor in ignorance of what talent and genius have accom-
all
sciences,
Yet
concerned
MONOTYPE FACES
is
All those
be found
12 Point
If
arts so free.
selves with the history, the literature, and concrete examples of the work with which they
Set
in his
$1234567890
its sister
abcdefghijklmnopqrstuvwxyz
originality is that
now going on
ABCDEFGHIJKLMNOPQRSTUVWXYZ
profession.
art,
is
If
willing, to subject
which
that
abcdefghijklmnopqrsluvwxyz
man be
useful precedent
all
MONOTYPE FACES
man be
sound apprenticeship;
ABCDCFGHIJKLMNOPQRSTUVWXYZ
after a
$1234567890
ship;
comes
that which
is
appurtenances,
shall prove to
slavishly
in
is lo
No. 230
Display Matrices
14 point No. 230
f
The Monotype has Taken the Limits out of Composition and Made
it
$1234567890
IT
to
keep
all
the
$1234567890
24 point No. 230
Him Plenty of
all
Kinds of Material?
$1234567890
30 point No. 230
THE PRINTER
The Monotype adds
to his Sales
Selling
WHO
USES
Force-C UALITY
$1234567890
36 point No. 230
$1234567890
Job Arrangement C4
No. 239J.
Composition Matrices
6 Point No. 239J, 5
Set
MONOTYPE FACES
The best kind of
originality is that
MONOTYPE PACES
shall prove lo
mind.
For, let a
useful precedent
all
man be
own
arrogant
it
to
is
now going on
an
concerned
If
art,
its sister
arts so free.
All those
and professions
surround themselves with the history, literature, and concrete examples of the work with
its
Yet
material appurtenances,
is
it
is
be found
to
in a printing office.
mean
ship;
originality is (hat
For to follow
to imitate slavishly
to study all
masters faithfully, letting their great achievements sink slowly into the mind in order that
we may patiently derive from the richness of our acquired knowledge and organized
system an attitude of our own. The sprightly minded young man, who with his first
business breath projects the new and startling, inevitably becomes tiresome, and is driven
lo an early disappearance; while the slower, more solidly endowed student will at least
spend as much of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his contemporaries.
The best kind of originality is that which comes after
a sound apprenticeship; that which shall prove to be the blending of a firm conception of
all useful precedent and the progressive tendencies of an able mind.
For, let a man be
as able and original as he may, he cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and profession.
If the printers of today
do not wish to be esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such laws as have made
its sister arts so free.
All those concerned in what are accepted as the fine arts, the
learned sciences, and professions surround themselves with the history, literature, and
concrete examples of the work with which they are particularly engaged. Yet it is only
in rare instances that such an atmosphere, with its material appurtenances, is to he
found in a printing office. Art does not flourish in hidden places, nor under restraint, nor
useful precedent
man be as able and original as he may, he cannot afford to discard knowledge of what has gone before or what is now going on in his own trade and
If
profession.
when
they term this calling of theirs an art, they must be willing, and
so free.
All those
concerned
hidden places, nor under restraint, nor in ignorance of what talent and genius
have accomplished and are accomplishing throughout the world. For to follow precedent wisely does not mean to imitate slavishly one great exemplar,
but to study
all masters
faithfully, letting their great achievements sink
slowly into the mind in order that we may patiently derive from the richness
of our acquired knowledge and organized system an attitude of our own.
The sprightly minded young man, who with his first business breath projects
the
new and
startling, inevitably
is
that
schemes wherewith
to dazzle his
contemporaries.
If
is
man be
to discard
now going on
as able and
knowledge of
in his
own
trade
show
this calling
of theirs an
be found
origi-
Set
MONOTYPE PACES
Eor, let a
driven to an early
disappearance; while the slower, more solidly endowed student will at least
spend as much of his time in avoiding mistakes as in evolving brilliant
$1234567890
is to
particularly engaged.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
is
show
$1231567890
purtenances,
abcdefghijklmnopqrstuvwxyz
art,
ABCDEFGHIJKLMNOPQRSTUVWXYZ
and profession.
to
MONOTYPE FACES
original as
in
it
all
For, let
apprenticeship;
in
in a printing office.
abcdefghijklmnopqrstuvwxyz
is that
man be
If
is
now
going on
in his
own
trade and
made
it
to
All those
concerned
in
is
with
particularly engaged.
its
Yet
such an atmosphere,
material appurtenances, is to be found in a
abcdefghijklmnopqrstuvwxyz
ABCDEEGHIJKLMNOPQRSTUVWXYZ
ABCDEEGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 239
14 point
THE MONOTYPE:
It
It
No. 239
TWO MACHINES
Sets, Justifies,
IN
ONE
Galley, Composition
Justification
$1234567890
18 point No. 239
Its
Superiority
$1234567890
24 point No. 239
there
is
$1234567890
30 point No. 239
makes
to
Distribution Unprofitable
$1234567890
36 point No. 239
RULES ALWAYS
full
NEW
$1234567890
No. 240J.
Job Arrangement C4
Composition Matrices
6 Point No. 240J, 7 Set
8 Point
MONOTYPE FACES
The best kind of originality is that which comes after a sound apprenticeship; that which shall prove to be the blending of a firm conception
of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he cannot afford to
discard knowledge of what has gone before or what is now going on in
If the printers of today do not wish to
his own trade and profession.
be esteemed arrogant when they term this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such
laws as have made its sister arts so free. All those concerned in what
are accepted as the fine arts, the learned sciences, and professions
surround themselves with the history, literature, and concrete examples
of the work with which they are particularly engaged. Yet it is only in
rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing office. Art does not flourish in hidden places, nor under restraint, nor in ignorance of what talent and
genius have accomplished and are now accomplishing throughout the
world. For to follow precedent wisely does not mean to imitate slavishly
one great exemplar, but to study all masters faithfully, letting their great
achievements sink slowly into the mind in order that we may patiently
derive from the richness of our acquired knowledge and organized
system an attitude of our own. The sprightly minded young man, who
with his first business breath projects the new and startling, inevitably
becomes tiresome, and is driven to an early disappearance; while the
slower, more solidly endowed student will at least spend as much of
his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his contemporaries. The very best kind of originality is
that which comes after a sound apprenticeship; that which shall prove
to be the blending of a firm conception of all useful precedent and the
progressive tendencies of an able mind. For, let a man be as able and
original as he may, he cannot afford to discard knowledge of what has
gone before or what is now going on in his own trade and profession.
originality is that
sound apprenticeship;
on
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
MONOTYPE FACES
The best kind of originality is that which comes
after a sound apprenticeship; that which shall
prove to be the blending of a firm conception of
all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able
and original as he may, he cannot afford to discard knowledge of what has gone before or what
is now going on in his own trade and profession.
If the printers of today do not wish to be esteemed
arrogant when they term this calling of theirs an
art, they must be willing, and show that they are
willing, to subject it to such laws as have made its
sister arts so free. All those concerned in what
are accepted as the fine arts, the learned sciences
and professions, surround themselves with the
history, the literature and concrete examples of
the work with which they may be particularly engaged. Yet it is only in rare instances that such
an atmosphere, with its material appurtenances,
is to be found in the printing office.
Art does not
flourish in
in
MONOTYPE FACES
12 Point
No. 240 J,
12 Set
MONOTYPE PACES
The best kind of originality is that which
comes after a sound apprenticeship; that
which shall prove
to
be the blending of a
mind. Tor, let a man be as able and original as he may, he cannot afford to discard
knowledge of what has gone before or
what is now going on in his own trade and
profession. If the printers of today do not
wish to be esteemed arrogant when they
term this calling of theirs an art, they
must be willing, and show that they are
willing, to subject it to such laws as have
made its sister arts so free. All those
concerned in what are accepted as the
fine arts, the learned sciences,
fessions surround
and pro-
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEEGHIJKLMNOPQRSTUVWXYZ
ABCDEPGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No, 240
14 point
No. 240
will
Prove that
It
is
$1234567890
18 point No. 240
THE MONOTYPE
Upon the
IS
BUILT
Judge of
own Requirements
$1
234567890
24 point No. 240
MONOTYPE MATRICES
Are Quite as Perfect as the Matrices used by
The Best Type Founders
$1234567890
30 point No. 240
THE MONOTYPE
Takes
all
Machine Composition
$1234567890
36 point No. 240
No. 249 J.
Job Arrangement C2
Composition Matrices
6 Point No. 249J, 7 Set
MONOTYPE FACES
MONOTYPE FACES
The
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
best kind of originality is that which comes after
sound apprenticeship; that which shall prove to be
The
a
the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind.
For, let a man be as able and original as he may, he
cannot afford to discard knowledge of what has gone
before or what is now going on in his own trade and
If the printers of today do not wish to be
profession.
esteemed too arrogant when they term this calling of
theirs an art, they must be willing, and show that they
are willing, to subject it to such laws as have made
All those concerned in what are
its sister arts so free.
accepted as the fine arts, the learned sciences, and the
professions surround themselves with the history, the
literature, and the concrete examples of the work with
which they are particularly engaged. Yet it is only in
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
The
For, let a
MONOTYPE FACES
The
after
is
now going on
in
If the printers of
today do not wish to be esteemed arrogant when
they term this calling of theirs an art, they must be
willing, and show that they are willing, to subject
it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
all
man
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVW
$1234567890
No. 254K.
Job Arrangement C2
Composition Matrices
6 Point No. 254K, 8 Set
MONOTYPE
FACES.
POINT CAPS
MONOTYPE
FACES.
POINT CAPS
$1234567890
$1234567890
WHAT
IF
ABCDEFGHIJKLMNOPQRSTUVWXYZ
CIES
$1234567890
$1234567890
7 Point
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A SOUND APPRENTICESHIP;
THAT WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL
PRECEDENT AND OF THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR, LET A MAN
BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF
WHAT HAS GONE BEFORE OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND PROFESSION.
IF THE PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM
THIS CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND SHOW THAT THEY ARE
WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS SO FREE. ALL
THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS, THE LEARNED SCIENCES,
AND THE PROFESSIONS SURROUND THEMSELVES WITH THE HISTORY, LITERATURE, AND
THE CONCRETE EXAMPLES OF THE WORK WITH WHICH THEY ARE PARTICULARLY ENGAGED. YET IT IS ONLY IN VERY RARE INSTANCES THAT SUCH AN ATMOSPHERE, WITH
ITS MATERIAL APPURTENANCES, IS TO BE FOUND IN A PRINTING OFFICE. ART DOES NOT
ABCDEFGHIJKLMNOPQRS TUVWX YZ
$1234567890
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER
A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE
THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND OF THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND HIS
PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE
ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF THEIRS
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Note that the figures shown with
this series
cannot be composed with these fonts using standard C2 keybars. The F246 figures shown with the
K254K figures shown with the small capitals are 9 units
Display Matrices
No. 2541
14B Point No. 2541
NEW PROCESS OF
COMPOSITION IS MADE POSSIBLE
BY THE DUPLEX KEYBOARD
A
$1234567890
24 Point No. 2541
THE MONOTYPE IS
THE SIMPLEST AND FASTEST
COMPOSING MACHINE
$1234567890
30 Point No. 2541
MONOTYPE
MATRICES HELP YOU
PRINTING
No. 276
IF
Monotypes are making money for their owners all over the United States
and in nearly every civilized country in the world
$1234567890
18 Point No. 276
IF
$1234567890
24 Point No. 276
$1234567890
A Minimum
MONOTYPE PRODUCT
Is
$1234567890
36 Point No. 276
COMPLETE FLEXIBILITY
Makes Combining Faces Easy
$1234567890
No. 366J.
Job Arrangement C2
Composition Matrices
10 Point No. 366J, 10 } Set
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A SOUND
APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR, LET A MAN BE AS ABLE AND ORIGINAL AS
HE MAY, HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE
BEFORE OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND PROFESSION.
IF THE PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN
THEY TERM THIS CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND
SHOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE
ITS SISTER ARTS SO FREE. THOSE CONCERNED IN WHAT ARE ACCEPTED
AS THE FINE ARTS, THE LEARNED SCIENCES AND PROFESSIONS, SURROUND
THEMSELVES WITH THE HISTORY, LITERATURE, AND CONCRETE EXAMPLES
OF THE WORK WITH WHICH THEY ARE PARTICULARLY ENGAGED. YET IT IS
ONLY IN RARE INSTANCES THAT SUCH AN ATMOSPHERE, WITH ITS MATERIAL
APPURTENANCES, IS TO BE FOUND IN A PRINTING OFFICE. ART DOES NOT
FLOURISH IN HIDDEN PLACES, NOR UNDER RESTRAINT, NOR IN IGNORANCE
OF WHAT TALENT AND GENIUS ACCOMPLISHED AND ARE ACCOMPLISHING
THROUGHOUT THE WORLD. FOR TO FOLLOW ALL PRECEDENT WISELY DOES
NOT MEAN TO IMITATE SLAVISHLY ONE GREAT EXEMPLAR, BUT TO STUDY
ALL THE MASTERS FAITHFULLY, LETTING THEIR GREAT ACHIEVEMENTS
SINK SLOWLY INTO THE MIND IN ORDER THAT WE MAY PATIENTLY DERIVE
FROM THE RICHNESS OF OUR ACQUIRED KNOWLEDGE AND ORGANIZED SYSABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Ems A
to
Words
20.30
12 Point
No. 366 J 12
J-
to Pica .30
Set
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER
A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE
THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR, LET ANY MAN BE AS ABLE AND ORIGINAL AS HE MAY, HE
CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE
BEFORE OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND
PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE
ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF
THEIRS AN ART, THEY MUST BE WILLING AND SHOW THAT THEY
ARE WILLING TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS
SISTER ARTS SO FREE. ALL THOSE WHO ARE CONCERNED IN
WHAT ARE ACCEPTED AS THE FINE ARTS, THE LEARNED SCIENCES AND PROFESSIONS, SURROUND THEMSELVES WITH THE
HISTORY, LITERATURE, AND CONCRETE EXAMPLES OF THE WORK
WITH WHICH THEY ARE PARTICULARLY ENGAGED. YET IT IS
ONLY IN RARE INSTANCES THAT SUCH AN ATMOSPHERE, WITH
ITS MATERIAL APPURTENANCES, IS TO BE FOUND IN A PRINTING
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Words to Pica
Ems A
to
20.14
.26
Sorts Matrices
No. 366
14 Point No. 366
IN
OUR TYPE-&-RULE
NEW TYPE
IMPRESSIONS
$1234567890
The
fonts
shown on
this
page contain matrices sytnboled No. 66 and No. 366, but the entire fonts are called No. 366.
MONOTYPE
PLATE-GOTHICS
THE
'
WHEN
DESIRED.
OTHER FACES SUITABLE FOR USE IN THE PLATEGOTHIC COMBINATIONS ARE BEING CONSIDERED
AND ARE IN PREPARATION. THEIR COMPLETION
WILL BE ANNOUNCED BY THE ISSUE OF ADDITIONAL
SPECIMEN PAGES WHICH WILL BE SENT TO ALL
MONOTYPE USERS.
34OJ
SERIES
COMPOSITION MATRICES
Plate-Gothics are so arranged that
THE
all
justified lines
Both
six-point
when
its
standard
line,
line
setting
by placing four points above and two points below the six-point type. ElectroDisplay Matrices of the No. 187 series, shown on page four, are the same type design and are an extension of
this 340J series and justify with twelve-point by point justification. To justify together the twelve-,
fourteen-, eighteen-, and twenty-four-point sizes, place all the spacing at the top. This makes all sizes
line. The comma, semi-colon, and tail of the Cap Q of the eighteen- and twenty-four-point sizes will overhang the body slightly, and there will be a slight overhang at the top of the 18H4 and 24H4 sizes.
This plan for point line justifying all sizes of the Plate-Gothic for hand composition applies to all series of
Plate-Gothics now ready and those that may be added in the future. The line standards for casting type
for hand composition for Plate-Gothics according to the above plan will be as follows:
Six-point
Twelve-point
.0697
.1250 (Standard)
Twenty-four-point
to suit the
.1527
.2080
Fourteen-point
Eighteen-point
.2910
line justification.
SKETCH CLUB
AT THE
CLUB HOUSE
DEAR MADAM:
THIS WILL INFORM
BEAUTIFUL COLORS AND FINE
FEBRUARY
4, 5,
EIGHT THIRTY
IN
AND
7,
1920
THE EVENING
10
JAQUIN GARDENS
BOULEVARD
STY SHADES OF
VARIETY ONLY
OUR CALL YOUR
CORPORATION
FEBRUARY.
1920
JAQUIN, CALIFORNIA
123
Page one
No. 340J.
Arrangement P-G
Composition Matrices
No.
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
No.
No.
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
No.
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
J 1234567890
No. 3
No. 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND
THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY. HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS
NOW GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO
BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART, THEY MUST BE WILLING. AND SHOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER
ARTS SO FREE. ALL THOSE CONCERNED IN WHAT
ARE ACCEPTED AS THE FINE ARTS. THE LEARNED
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
No. 4
No. 4
ABCDEFGHUKLMNOPQRSTUVWXYZ
$1234567890
ELECTRO-DISPLAY MATRICES
ART.
WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE
ITS SISTER ARTS SO FREE.
ALL THOSE CONCERNED IN
WHAT ARE ACCEPTED AS THE FINE ARTS. THE LEARNED
SCIENCES. AND PROFESSIONS SURROUND THEMSELVES WITH
ABCDEFGHIJKLMNOPORSTUVWXYZ
$1234567890
No.
shown on page four, are the same type design and are an extension of the
340J Series shown on this page
187,
No. 340J.
Arrangement P-G
Composition Matrices
Nos.
and
Nos.
Nos.
and 3
Nos.
and 4
Nos.
Nos.
and 4
Nos. 2 and 4
PROFESSION.
IF
TO BE ESTEEMED ARROGANT
IN
Nos. 3 and 4
Nos. 3 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP: THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR. LET A MAN BE AS ABLE
AND ORIGINAL AS HE MAY. HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT is Now GOING ON IN His OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE
ELECTRO-DISPLAY MATRICES
and 3
Now GOING ON
is
and 4
OR WHAT
CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR, LET
and 3
Nos. 2 and 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
Nos.
Nos.
and
No.
187.
Page
three
No.
-187
14 Point No. 187
NON-DISTRIBUTION
THE COMPOSITOR'S
DAILY TOIL WILL BE A PLEASURE
WITH NEW TYPE
23456789O
24 Point No. 187
SPECIAL COMBINATIONS
OF FACES MAY BE HAD FOR
INTRICATE JOBS
23456789O
24H4 Point No. 187
THE MONOTYPE
ELIMINATES THE COST
OF DISTRIBUTION
23456789O
ELECTRO-DISPLAY MATRICES
Pa%e four
No. 187, shown on this page, are the same type design and are an extension of the
340J Series shown on pages two and three
THE
left
are required,
Wedge SI 08 is required.
of both sixand
before the
size of the 341 J series.
The twelve-point
standard
line, .1250,
all
This plan for point line justifying all sizes of the PlateGothic for hand composition applies to all series of
Plate-Gothics now ready and those that may be added
in the future. The line standards for casting type for
hand composition for Plate-Gothics according to the
above plan will be as follows:
.0697
Twelve-point .1250 (Standard)
Six-point
CTER OF FACILITIES
OR DEPARTMENT OF
ORATION
COULD NOT BE
ICH
ERATIVE MATERIAL
IF
IN
AUTHENTIC
IT
REPRO-
HE SALE OF MANY
N
ROOMS OF MANY
PAPERS,
ARE
HANGINGS
CONSTANTLY
R MAKING SPECIAL
UNIQUE THINGS TO
UE VITAL TOUCH OF
KED INDIVIDUALITY
CORATIVE
SECTION
ALLERIES
STREET
Fourteen-point .1527
Eighteen-point .2080
Twenty-four-point .2910
The Draw Rod should be readjusted to suit the movement of the Centering Pin when running on special line
adjustment
in order to
line justifi-
cation.
RETURN
IN
TEN DAYS TO
AVENUE
CLEVELAND
AT HOME
STREET.
458 72D
N. E.
D.
BURDINE
Arrangement P-G
No. 341J.
Composition Matrices
No.
No.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 3
No. 3
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
11234567890
No. 4
IS
No. 4
FOR, LET A
ABCDEFGHIJKLMNOPQRSTUVWXYZ
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A SOUND APPRENTICE
SHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY. HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS NOW GOING ON IN HIS
OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE
ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF THEIRS AN ART. THEY
MUST BE WILLING. AND SHOW THAT THEY ARE WILLING. TO SUBJECT IT TO SUCH
LAWS AS HAVE MADE ITS SISTER ARTS SO FREE. ALL THOSE CONCERNED IN WHAT
ARE ACCEPTED AS THE FINE ARTS. THE LEARNED SCIENCES. AND THE PROFESSIONS
SURROUND THEMSELVES WITH THE HISTORY. LITERATURE. AND THE CONCRETE EXAMPLES OF THE WORK WITH WHICH THEY ARE PARTICULARLY ENGAGED. YET IT IS
ONLY IN VERY RARE INSTANCES THAT SUCH AN ATMOSPHERE. WITH ITS MATERIAL
APPURTENANCES. IS TO BE FOUND IN A PRINTING OFFICE. ART DOES NOT FLOURISH
IN HIDDEN PLACES. NOR UNDER RESTRAINT. NOR IN IGNORANCE OF WHAT TALENT
ABCDEFGHIJKLMNOPORSTUVWXYZ
$1234567890
ELECTRO-DISPLAY MATRICES
Page two
HMBM
No. 197, shown on page
four, arc the same type design and are an extension of the
34 1J Series shown on this page
No. 341J.
Arrangement P-G
Composition Matrices
Nos.
and
12 Point
Nos.
and 3
Nos.
and 4
and
Nos.
and 3
Nos.
Nos.
and 4
Nos. 2 and 3
Nos.
and 3
Nos. 2 and 4
Nos. 2 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM
CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES
OF AN ABLE MIND. FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY.
HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT is Now GOING ON IN His OWN TRADE AND PROFESSION. IFTHE PRINTERS
OF TODAY DO Nor WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART. THEY MUST BE WILLING. AND SHOW THAT THEY
ARE WILLING. TO SUBJECT rr TO SUCH LAWS AS HAVE MADE rrs SISTER ARTS
so FREE. ALL THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS.
MAN
BE AS
FOR, LET A
Nos. 3 and 4
Nos. 3 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND. FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY. HE CANNOT
AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT is Now
GOING ON m His OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO
NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF
THEIRS AN ART. THEY MUST BE WILLING. AND SHOW THAT THEY ARE WILLING.
TO SUBJECT rr TO SUCH LAWS AS HAVE MADE rrs SISTER ARTS so FREE. ALL
THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS. THE LEARNED
BLECTRO-DISPLAY MATRICES
is
is
MAN
FOR, LET A
CANNOT AFFORD TO
Dis-
No. 197, shown on page four, are the same type design and are an extension of the
341J Series shown on this page.
Page
three
No. 197
Electro-Display Matrices
14 Point No. 197
IT
IS
QUALITY PAYS
THE ONLY SOLID FOUNDATION ON
WHICH TO BUILD A BUSINESS
$1234567890
24 Point No. 197
NO SLOW SPOTS
ON THE MONOTYPE THE ACTION OF
EVERY KEY IS IDENTICAL
$1234567890
24H4 Point No. 197
IN
EACH LETTER
MONOTYPE COMPOSITION
CAST SEPARATELY
234567890
ELECTRO-DISPLAY MATRICES
Page four
No. 197, shown on this page, are the same type design and are an extension of the
34 1J Series shown on pages two and three
IS
PLATE-GOTHIC No.
342J
COMPOSITION MATRICES
SERIES
No. 342J.
Arrangement P-G
Composition Matrices
No.
No.
$1234567890
$1234567890
No.
No.
$1234567890
$1234567890
No. 3
No. 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND
THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY. HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS
NOW GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO
BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND SHOW THAT THEY ARE WILLING. TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER
ARTS SO FREE. ALL THOSE CONCERNED IN WHAT
ARE ACCEPTED AS THE FINE ARTS, THE LEARNED
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 4
No. 4
Wh
SCIENCES. AND PROFESSIONS SURROUND THEMSELVES WITH
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
ELECTRO-DISPLAY MATRICES
Page
tu'O
$1234567890
four, are the same type design and are an extension of the
34 2 J Series shown on this page
No. 342J.
Arrangement P-G
Composition Matrices
Nos.
and
Nos.
Nos.
and 3
Nos.
and 4
Nos.
Nos.
Nos. 2 and 4
Nos.
IN
His
Nos. 3 and 4
Dis-
PRO-
FESSION.
ELECTRO-DISPLAY MATRICES
No.
and 4
Nos. 3 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL
Now GOING ON
is
and 3
WHAT
and 4
NOW GOING ON
IF
WHICH
and 3
Nos. 2 and 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
PROFESSION.
WHAT
and
Nos.
168,
shown on page
No. 168
Electro-Display Matrices
14 Point No. 168
THE MONOTYPE
CONTINUOUSLY RENEWS ALL THE PERISHABLE
MATERIAL USED BY COMPOSITORS
$1234567890
18 Point No. 168
EVERY HOUR OF
EVERY COMPOSITOR PRODUCTIVE WITH
NON-DISTRIBUTION
$1234567890
18H4 Point No. 168
MERITS OF
A MONOTYPE NON-DISTRIBUTION
SYSTEM ARE IN EVIDENCE
$1234567890
24 Point No. 168
LEADS, SLUGS,
FOR QUALITY
ALWAYS USE MONOTYPE
COMPOSITION
$1234567890
ELECTRO-DISPLAY MATRICES
No. 168, shown on this page, are the same type design and are an extension of the
342J Series shown on pages two and three
PLATE-GOTHIC No.
343J
SERIES
COMPOSITION MATRICES
THIS NEW IDEA OF SETTING PLATE-GOTHICS ON THE MONOTYPE
ARE NEVER
MADE BY A PRINTER
PROFITS
WHO IS STRUGGLING TO
GET PRODUCTION FROM
POOR EQUIPMENT
LETTER HEADS
BUSINESS CARDS
ENVELOPES
BILL
DEPOSIT SLIPS
PROMISSORY NOTES
CHECKS
CIRCULARS
HEADS
STATEMENTS
BOOKLETS
MENUS
PROGRAMS
RECEIPTS
ORDER BLANKS
BLANK FORMS
DANCE CARDS
ADVERTISEMENTS
ANNOUNCEMENTS
THE MONOTYPE
LABELS
TAGS
all four sizes of six-point are carried in one Matrix Case and, similarly, all four sizes of twelve-point
Thus, four sizes may be composed at one operation on the Style D Keyboard, or eight sizes on the Duplex
Keyboard, and cast in justified lines on the Casting Machine. At the Keyboard the right and left Keybars and Keybanks P-G and the Stopand
of
bars S108 are required, and at the Casting Machine the Normal Wedge S108 is required. A five-unit high space is required before the
both six- and twelve-point No. 1 size of the 343J series.
Both six-point and twelve-point fonts will line when cast in composition on the same Mold, but to justify the six-point with the twelve-point,
when setting by hand, the following plan has been adopted: The twelve-point remains on its standard line, .1250, but the six-point is cast to .0697
line.
The six-point is then justified to the twelve-point by placing four points above and two points below the six-point type. Electro- Display
Matrices of the No. 169 series, shown on page four, are the same type design and are an extension of this 343J series and justify with twelve-point by
point justification. To justify together the twelve-, fourteen-, eighteen-, and twenty-four-point sizes, place all the spacing at the top. This makes
THE
The comma, semi-colon, and tail of the Cap Q of the eighteen- and twenty-four-point sizes will overhang the body slightly, and there
be a slight overhang at the top of the 18H4 and 24H4 sizes.
This plan for point line justifying all sizes of the Plate-Gothic for hand composition applies to all series of Plate-Gothics now ready and those that
may be added in the future. The line standards for casting type for hand composition for Plate-Gothics according to the above plan will be as follows:
will
Six-point
Twelve-point
Twenty-four-point
to suit the
Fourteen-point
Eighteen -point
.0697
.1250 (Standard)
.1527
.2080
.2910
special line
Page one
Arrangement P-G
No. 343 J.
Composition Matrices
No.
No.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No.
No.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
No. 3
No. 3
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 4
IS
No. 4
TENDENCIES
OP*
AN ABLE MIND.
FOR, LET A
IF
IS
NOW GOING ON
IN HIS
OWN
ABCDEFGHIJKLMNOPQRSTUVWXYZ
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A SOUND APPRENTICEFIRM CONCEPTION OF
SHIP; THAT WHICH SHALL PROVE TO BE THE BLENDING OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENC S OF AN ABLE MIND.
NNOT AFFORD TO DISFOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY. HE
NOW GOING ON IN HI
CARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT
DO NOT WISH TO B
OWN TRADE AND PROFESSION. IF THE PRINTERS OF TOD
HEIRS AN ART. THE
ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING
SUBJECT IT TO SUC
MUST BE WILLING. AND SHOW THAT THEY ARE WILLING.
LAWS AS HAVE MADE ITS SISTER ARTS SO FREE. ALL THO CONCERNED IN WHA
ARE ACCEPTED AS THE FINE ARTS. THE LEARNED SCIENCES ND THE PROFESSION
SURROUND THE
ENGAGED. YET IT IS
AMPLES OF THE WORK WITH WHICH THEY ARE PARTICULAR
WITH ITS MATERIAL
ONLY IN VERY RARE INSTANCES THAT SUCH AN ATMOSPHE
T DOES NOT FLOURISH
APPURTENANCES. IS TO BE FOUND IN A PRINTING OFFICE.
IN HIDDEN PLACES. NOR UNDER RESTRAINT. NOR IN IGNORANCE OF WHAT TALENT
ABCDEFGHIJKLMNOPORSTUVWXYZ
$1234567890
ELECTRO-DISPLAY MATRICES
Page two
HMOM
No. 169, shown on page four, are the same type design and are an extension of the
343J Series shown on this page
No. 343 J.
Arrangement P-G
Specimens of
that can be
6 Point No. 343J, 5 Set
Nos.
and
Nos.
Nos.
Nos.
Nos.
and 3
Nos.
and 4
and 3
Nos.
Nos.
is
Nos.
and
and 4
and 3
Composition Matrices
all
Nos.
Nos. 3 and 4
and 4
is
SOUND APPRENTICESHIP:
MAN
Nos. 3 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES AFTER A SOUND APPREN.
FIRM CONCEPTKESHIP. THAT WHICH SHALL PROVE TO BE THE BLENDING OF
TION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND
FOR. LET A MAN IE AS ABLE AND ORIGINAL AS HE MAY. HE CANNOT
AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT is Now
GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO
Nor WISH TO IE ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF
THEIRS AN ART. THEY MUST IE WILLING. AND SHOW THAT THEY ARE WILLING.
TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS so FREE. ALL
THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS. THE LEARNED
ELECTRO-DISPLAY MATRICES
and 3
and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES AFTER A SOUND APPRENTICESHIP. THAT WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM
CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES
OF AN ABLE MIND. FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY.
HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT is Now GOING ON IN His OWN TRADE AND PROFESSION. IF THE PRINTERS
OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART. THEY MUST BE WILLING. AND SHOW THAT THEY
ARE WILLING. TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS
so FREE. ALL THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS.
No. 169, shown on page four, arc the same type design and are an extension of the
343J Series shown on this page
Page
three
No. 169
14 Point No. 169
IS
A NON-DISTRIBUTION SYSTEM
POSSIBLE ONLY WITH THE MONOTYPE TYPE AND
RULE CASTER. SAVES TIME HUNTING SORTS
$1234567890
18H4 Point No. 169
$1234567890
24 Point No. 169
NEW AND
UP-TO-DATE
PLATE-GOTHICS
ECONOMICALLY COMPOSED ON
THE MONOTYPE
234567890
ELECTRO-DISPLAY MATRICES
Pate four
No. 169, shown on this page, are the same type design and are an extension of the
343J Series shown on pages two and three
PLATE-GOTHIC No.
ARRANGEMENT P-G
Specimens of the four
sizes
shown separately
No.
Set
COMPOSITION MATRICES
Specimens of all the possible cap and small cap combinations that can be
made with the four sizes in the matrix case
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No.
344J SERIES
No. 3
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 4
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER
A SOUND APPRENTICESHIP; THAT WHICH SHALL. PROVE TO BE
THE BLENDING OF A FIRM CONCEPTION OF ALL. USEFUL PRECEDENT AND OF THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND.
FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY, HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF
WHAT HAS GONE BEFORE OR WHAT IS NOW GOING ON IN HIS
OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY
DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM
THIS CALLING OF THEIRS AND ART, THEY MUST BE WILLING
SUCH
LAWS AS HAVE MADE ITS SISTER ARTS SO FREE. ALL THOSE
CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS, THE
ABCDEFGHIJ KLM NOPQRSTUVWXYZ
Nos.
and
Set
and 3
and 4
and 3
and 4
Nos. 3 and 4
THE VERY BEST KIND OF ORIGINALITY IB THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENFOR. LET A MAN BE AS ABLE AND
CIES OF AN ABLE MIND.
ORIGINAL AS HE MAY. HE CANNOT AFFORD TO DISCARD
KNOWLEDGE or WHAT HAS GONE BEFORE OR WHAT is Now
GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE
PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT
$1234867890
of six-point are carried in one Matrix Case. Thus, four sizes may be composed at one operation
the Casting Machine. At the Keyboard the right and left Keybars and Keybanks P-G and the
and
Stopbars S108 are required, and at the Casting Machine the Normal Wedge S108 is required. A five-unit high space is required before the
of the six-point No. 1 size of the 344J series.
When setting by hand, the following plan has been adopted. The six-point is cast to .0697 line. The sizes above six-point are Electro-Display
Matrices designated as the No. 166 series and are a continuation of the 344J series, shown on reverse of this sheet. The twelve-point is cast on its
standard line .1250; to justify the six- with the twelve-point place four points above and two points below the six-point type. The eight- and the
ten-point will be cast on twelve-point body with the standard twelve-point line.
To justify together the twelve-, fourteen-, and eighteen-point sizes, place all the spacing at the top. This makes all sizes line. The comma, semicolon, and tail of the Cap Q of the eighteen-point size will overhang the body slightly, and there will be a slight overhang at the top of the 18H4 Size.
The line standards for casting type for hand composition for Plate-Gothics according to the above plan will be as follows: Six-point .0697; eightand ten-point on twelve-point body .1250; twelve-point .1250 (Standard); fourteen-point .1527; eighteen-point .2080.
The Draw Rod should be readjusted to suit the movement of the Centering Pin when running on special line adjustment in order to produce the
No. 166
*
Electro-Display Matrices
8 Point No. 166
MONOTYPE FACES
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER
A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE
THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND OF THE PROGRESSIVE TENDENCIES OF AN ABLE
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234867890
*
MONOTYPE FACES
THE VERY BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A FIRM
CONCEPTION OF ALL USEFUL PRECEDENT AND THE
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
14 Point No. 166
WILL.
MONOTYPE WORK
MEANS MAXIMUM QUALITY
AT MINIMUM COST
123456T89O
The
and 10 point
ELECTRO-DISPLAY MATRICES
on the
No. 166, shown on this page, are the same type design and are an extension of the
344J Series shown on the reverse side of this sheet
SET
YOUR
ADVERTISEMENTS
ECONOMICALLY
THE
sizes
may be composed
at one operation
SET THEM
ON THE MONOTYPE
KEYBOARD
on the Style
HA1RDRESS1NG
MARIE"
THE BELVIEU
*
9
A.M.
TO
P.M.
FRANK SMITH
FURNISHINGS
N.52D STREET
YOUR
ACCOUNT
2o AND 4TH AVENUE
MCDONALD'S
FANCY
GROCERIES
MEATS
is required.
before the
and
W of both
PRINT FROM
NEW TYPE
is
SHOP
required
when
by hand, the following plan has been adopted:
The twelve-point remains on its standard line,
.1250, but the six-point is cast to .0697 line. The
six-point is then justified to the twelve-point by
placing four points above and two points below the
setting
six-point type.
PHOTO
SUPPLIES
and twelve-point
No. 345 series, shown on page four, are the same type
design and are an extension of this 345J series and
justify with twelve-point by point justification. To
justify together the twelve-, fourteen-, eighteen-,
*
747
PINE STREET
H.
J.
GREENE
210
AL.
WHITE
HATTER
ON THE AVENUE
BRONSON'S
may
The
line
Twelve-point
Fourteen-point
Eighteen-point
Twenty-four-point
.0697
.1250 (Standard)
.1527
.2080
.2910
adjustment
in order to
SPRING STYLES
NOW READY
***
<r
standards for
Six-point
MAIN STREET
six-
JAMIESON'S
*
THE BELVIEU
DISCARD
DISTRIBUTION
line justification.
THE DEMAND FOR ALL KINDS OF COMMERCIAL WORK IN THE PLATE-GOTHIC FAMILIES IS CONSTANTLY INCREASING, AND THE PRINTER WITH THESE NEW MONOTYPE
COMBINATIONS, ARRANGED TO QUICKEN AND SIMPLIFY EVERY FACTOR OF PRODUCTION, HAS THE ADVANTAGE OF IMPROVING HIS PRESENT QUALITY AT A LOWER
COST, AND OF ATTRACTING A BIGGER VOLUME OF NEW BUSINESS TO THE SHOP
Page one
No. 345J.
Arrangement P-G
Composition Matrices
No.
No.
$1234567890
$1234567890
No.
No.
$1234567890
$1234567890
No. 3
No. 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND
THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY, HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS
NOW GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO
BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND SHOW THAT THEY ARE WILLING, TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER
ARTS SO FREE. ALL THOSE CONCERNED IN WHAT
ARE ACCEPTED AS THE FINE ARTS, THE LEARNED
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 4
IS
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
ELECTRO-DISPLAY MATRICES
Page two
J1 234567890
No. 345, shown on page four, are the same type design and are an extension of the
345J Series shown on this page
No. 345J.
Arrangement P-G
Composition Matrices
Nos.
and
12 Point
Nos.
and 3
Nos.
and 4
is
Nos. 2 and 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT
AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND. FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO DISCARD
A KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT IS NOW GOING ON IN HIS OWN TRADE AND
PROFESSION. IF THE PRINTERS OF TODAY DO NOT
Nos.
and 4
and 3
and 4
TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND
THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
Nos.
and 3
and
Nos.
Nos.
and 4
Nos. 3 and 4
Nos. 3 and 4
WHAT
is
Now GOING ON
IN
His
PRO-
ELECTRO-DISPLAY MATRICES
No. 345, shown on page four, are the same type design and are an extension of the
34SJ Series shown on this page
Page
three
No. 345
Electro-Display Matrices
14 Point No. 345
LINE
51234567890
18 Point No. 345
THE MONOTYPE
CAN FURNISH MORE TYPE FACES THAN
ANY OTHER MACHINE
$1234567890
18H4 Point No. 345
AS YOUR BUSINESS
GROWS YOU ADD JUST THE TYPE
FACES YOU REQUIRE
$1234567890
24 Point No. 345
HAND COMPOSITION
ENTIRELY INDEPENDENT OF
COMPOSING MACHINE
$1234567890
24H4 Point No. 345
YOUR CUSTOMERS
WILL WANT MONOTYPE
PLATE-GOTHICS
$1234567890
Page four
No. 346K.
Arrangement P-G
Composition Matrices
No.
No.
$1234567890
$1234567890
IS
No.
No.
$1234567890
No. 3
No. 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND
THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY. HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR WHAT IS
NOW GOING ON IN HIS OWN TRADE AND PROFESSION. IF THE PRINTERS OF TODA Y DO NOT WISH TO
BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND SHOW THAT THEY ARE WILLING. TO SUBJECT IT TO SUCH LAWS AS HAVE MADE ITS SISTER
ARTS SO FREE. ALL THOSE CONCERNED IN WHAT
ARE ACCEPTED AS THE FINE ARTS, THE LEARNED
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
No. 4
No. 4
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
ELECTRO-DISPLAY MATRICES
fUMMNM
No. 346, shown on page
346K
Page two
Series
shown on
this
page
No. 346K.
Arrangement P-G
Composition Matrices
Nos.
and
12 Point
Nos.
Nos.
and
and 3
and 4
Nos.
and 3
Nos.
Nos.
and 4
and 3
Nos. 2 and 3
THE BEST KIND OF ORIGINALITY IS THAT WHICH
COMES AFTER A SOUND APPRENTICESHIP; THAT
WHICH SHALL PROVE TO BE THE BLENDING OF A
FIRM CONCEPTION OF ALL USEFUL PRECEDENT
AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND. FOR. LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY. HE CANNOT AFFORD TO DISCARD
A KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT IS NOW GOING ON IN HIS OWN TRADE AND
PROFESSION. IF THE PRINTERS OF TODA Y DO NOT
Nos. 2 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP: THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR, LET A MAN BE AS
ABLE AND ORIGINAL AS HE MAY. HE CANNOT AFFORD
TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE
OR WHAT is Now GOING ON IN His OWN TRADE AND
PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH
TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS
Nos. 3 and 4
THE BEST KIND OF ORIGINALITY is THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP: THAT WHICH SHALL
PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF
ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR. LET A MAN BE AS ABLE
AND ORIGINAL AS HE MAY. HE CANNOT AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHA
vo PROFESSION. IF THE PRINTERS OF TODAY DO NOT WISH TO BE
ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF
ELECTRO-DISPLAY MATRICES
Nos.
and 4
Nos. 3 and 4
346K
Series
shown on
Page
three
No. 3461
Electro-Display Matrices
14 Point No. 3461
IS
THE MONOTYPE
USED ALL AROUND THE WORLD FOR
ALL-ROUND WORK
$1234567890
18H4 Point No. 3461
THE KEYBOARD
OPERATOR
IS
ALWAYS BUSY ON
NEW COMPOSITION
$1234567890
24 Point No. 3461
GOOD PRINTERS
ARE ARTISTS SINGLE TYPES
ARE THEIR MEDIUM
:
$1234567890
24H4 Point No. 3461
THE MONOTYPE
IS FAMOUS FOR QUALITY
ELECTRO-DISPLAY MATRICES
Page Four
No. 3461, shown on this page, are the same type design and are an extension of the
346 K Series shown on pages two and three
TITLE
[PLATE -GOTHIC]
[ARRANGEMENT]
ARRANGEMENT
Specimens of the four
shown separately
No. 34 7 J SERIES
size
Specimens of all the possible cap and small cap combinations that can
be made with the four sizes in the matrix case
No.
Nos.
and
$1234567890
SHALL PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCHSS OF AN ABLE MIND. FOR, LET A MAN
BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT
AFFORD TO DISCARD KNOWLEDGE OF WHAT HAS GONE
BEFORE OR WHAT is Now GOING ON IN HIS OWN TRADE
AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT
WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM
No.
No. 3
No. 4
THE BEST KIND OF ORIGINALITY IS THAT WHICH COMES AFTER
A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE TO BE
THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND OF THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
POR, LET A MAN BE AS ABLE AND ORIGINAL AS HE MAY, HE CANNOT
AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE
OR WHAT IS NOW GOING ON IN HIS OWN TRADE AND PROFESSION.
IF THE PRINTERS OF TODAY DO NOT WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS CALLING OF THEIRS AN ART, THEY
MUST BE WILLING, AND SHOW THAT THEY ARE WILLING, TO SUBJECT
IT TO SUCH LAWS AS HAVE MADE ITS SISTER ARTS SO FREE. ALL,
THOSE CONCERNED IN WHAT ARE ACCEPTED AS THE FINE ARTS,
THE LEARNED SCIENCES, AND THE PROFESSIONS SURROUND TIII.MABCDEFOHIJKLMNOPQR8TUVWXYZ
*1
BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE MIND.
LET ANY MAN
BE AS ABLE AND ORIGINAL ASFOR,
HE MAY, HE CANNOT AFFORD TO DISCARD A KNOWLEDGE
OF
WHAT HAS GONE BEFORE OR WHAT is Now
GOING ON IN HIS OWN TRADE AND PROFESSION.
Nos.
and
Nos. 1 and 4
OF ORIGINALITY is THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE
TO BE THE BLENDING OF A FIRM CONCEPTION OF ALL, USEFUL
PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND. FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY, HE CANNOT AFFORD TO DISCARD KNOWLEDGE OF WHAT
HAS GONE BEFORE OR WHAT is Now GOING ON IN ins OWN
TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT
WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART, THEY MUST BE WILLING, AND
Nos.
and
and 4
is
234567890
'"THE 34 7J Series is
so arranged that all four sizes of six-point are carried in one Matrix Case. Thus, four sizes may be composed at one operation
on the Keyboard, and cast in justified lines on the Casting Machine. At the Keyboard the right and left Keybars and Keybanks P-G and the
and
S108
are required, and at the Casting Machine the Normal Wedge S108 is required. A five-unit high space is required before the
Stopbars
of the six-point No. 1 size of the 34 7 J Series.
When setting by hand, the following plan has been adopted. The six-point is cast to .0697 line. The sizes above six-point are Electro-Display
Matrices designated as the No. 223 Series and are a continuation of the 347J Series, shown on reverse of this sheet. The twelve-point is cast on
its standard line
.1250; to justify the six- with the twelve-point place four points above and two points below the six-point type. The eight- and
the ten-point will be cast on twelve-point body with the standard twelve-point line.
To justify together the twelve-, eighteen-, and twenty-four-point sizes, place all the spacing at the top. This makes all sizes line. The comma,
semicolon, and tail of the Cap Q of the eighteen- and twenty-four-point size will overhang the body slightly.
The line standards for casting type for hand composition for Plate-Gothics according to the above plan will be as follows: Six-point .0697; eightand ten-point on twelve-point body .1250: twelve-point .1250 (Standard); eighteen-point .2080; twenty-four-point .2910.
The Draw Rod should be readjusted to suit the movement of the Centering Pin when running on special line adjustment in order to produce the
*
No. 223
PRACTICE NON-DISTRIBUTION
ATTAIN
THE VERY BEST RESULTS
TO
IN YOUR PRESS ROOMS
$1234567890
18 Point No. 223
IS
NON-DISTRIBUTION
MORE ECONOMICAL THAN
SPOTTING UP
$1234567890
24 Point No. 223
MONOTYPE TYPE
SAVES MORE THAN
COSTS
IT
$1234567890
*The
8. 10.
and 12 point
223,
on the
shown on
TITLE
[PLATE-GOTHIC!
[ARRANGEMENT 1
ARRANGEMENT
shown separately
Specimens of all the possible cap and small cap combinations that can be
made with the four sizes in the matrix case
No.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1234567890
Nos.
Nos.
and 3
Nos. 1 and 4
OF ORIGINALITY is THAT WHICH COMES
AFTER A SOUND APPRENTICESHIP; THAT WHICH SHALL PROVE
TO BE THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL
PRECEDENT AND THE PROGRESSIVE TENDENCIES OF AN ABLE
MIND. FOR, LET A MAN BE AS ABLE AND ORIGINAL AS HE
MAY, HE CANNOT AFFORD TO DISCARD KNOWLEDGE .OF WHAT
HAS GONE BEFORE OH WHAT is Now GOING ON IN HIS OWN
TRADE AND PROFESSION. IF THE PRINTERS OF TODAY DO NOT
WISH TO BE ESTEEMED ARROGANT WHEN THEY TERM THIS
CALLING OF THEIRS AN ART, THEY MUST BE WILLING. AND
and 3
SHALL PROVE TO BE THE BLENDING OF A FIRM CONCEPTION OF ALL USEFUL PRECEDENT AND THE PROGRESSIVE
TENDENCIES OF AN ABLE MIND. FOR. LET A MAN BE AS
ABLE AND ORIGINAL AS HE MAY, HE CANNOT AFFORD TO
DISCARD KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT IS NOW GOING ON IN HIS OWN TRADE AND PROIF THE PRINTERS OF TODAY DO NOT WISH TO
BE ESTEEMED ARROGANT WHEN THEY TERM THIS
FESSION.
<
Nos.
and 4
ABCDEFGHIJKLMNOPQRSTUVWXYZ
S12345B7890
No. 4
THE in - KIND OF ORIGINALITY IS THAT WHICH COMES AFTER A
SOUND APPRENTICESHIP; THAT WHICH SHALL, PROVE TO BE THE
BLENDING OF A FIRM CONCEPTION OF ALL, USEFUL PRECEDENT
AND OF THE PROGRESSIVE TENDENCIES OF AN ABLE MIND. FOR.
Ill A MAN BE AS ABLE AND ORIGINAL AS RE MAY, HE CANNOT
AFFORD TO DISCARD A KNOWLEDGE OF WHAT HAS GONE BEFORE OR
WHAT IS NOW GOING ON IN HIS OWN TRADE AND PROFESSION. IF
TIIK I-KINTERS OK TODAY DO NOT WISH TO BE ESTEEMED ARROGANT
I
WIIE>
ABCDEFGHIJKLMNOPQRSTUVWXYZ
MMNOM
Nos.
and
No. 3
is
so arranged that all four sizes of six-point are carried in one Matrix Case. Thus, four sizes may be composed at one operation
A on the Keyboard, and
cast in justified lines on the Casting Machine. At the Keyboard the right and left Keybars and Keybanks P-G and the
and
Stopbars S108 are required, and at the Casting Machine the Normal Wedge S108 is required. A five-unit high space is required before the
of the six-point No. 1 size of the 348J Series.
When setting by hand, the following plan has been adopted. The six-point is cast to .0697 line. The sizes above six-point are Electro-Display
Matrices designated as the No. 323 Series, shown on reverse of this sheet, and are a continuation of the 348J Series.
The twelve-point is cast on
its standard line .1250; to justify the six- with the twelve-point place four points above and two points below the six-point type.
The nine-point
will be cast on twelve-point body with the standard twelve-point line.
To justify together the twelve-, fourteen-, eighteen-, and twenty-four-point sizes, place all the spacing at the top. This makes all sizes line. The
comma, semicolon, and tail of the Cap Q of the eighteen- and twenty-four-point size will overhang the body slightly.
The line standards for casting type for hand composition for Plate-Gothics according to the above plan will be as follows: Six-point .0697; ninepoint on twelve-point body .1250; fourteen point .1527; eighteen -point .2080; twenty-four-point .2910.
The Draw Rod should be readjusted to suit the movement of the Centering Pin when running on special line adjustment in order to produce the
No. 323
9 Point No. 323
323
INSURE SATISFACTION
BY USING NEW MONOTYPE TITLE FACES AND
ELIMINATE DISTRIBUTION
S1S3456T89O
14 Point No. 323
IN
IS
No. 323
BOUGHT TYPE
AN EXPENSIVE LUXURY FOR
ANY PRINTING OFFICE
S123456T89O
24 Point No. 323
START NOW
TO MAKE ALL YOUR OWN
TYPE MATERIAL
S1S3456T89O
The
this page, are the same type design and are an extension of the 348J Series
nine-point size of this series is cast on the T-mold, using the twelve-point mold blade.
shown on the
THE FOUR
SIZES.
TO
36 PT\
AND ORNAMENTS
'.
r&
No OTHER MACHINE
So COMPLETELY COVERS
EVERY NEED
OF THE
COMPOSING ROOM
No. 23K.
Job Arrangement C2
Composition Matrices
6 Point No. 23K,
Set
MONOTYPE FACES
The best kind of originality is that which comes after a. sound
apprenticeship; that which shall prove to be the blending of
a firm conception of all useful precedent and the
progressive
tendencies of an able mind. For, let a man be as able and
he
original as
may, he cannot afford to discard knowledge of
what has gone before or what is now going on in his own trade
and his profession. If the printers of today do not wish to be
esteemed too arrogant when they term this calling of theirs
an art, they must be willing, and show that they are willing,
to subject it to such laws as have made its sister arts so free.
All those concerned in what are accepted as the fine
arts, the
learned sciences and the professions, surround themselves with
the history, the literature, and concrete examples of the work
with which they are particularly engaged. Yet it is only in very
rare instances that such an atmosphere, with all its material
appurtenances, is to be found in a printing office. Art does
not flourish in hidden places, nor under restraint, nor in ignorance of what talent and genius have accomplished and are now
accomplishing throughout the world. For to follow precedent
wisely does not mean to imitate slavishly one great exemplar,
but to study all the masters faithfully, letting their great
achievements sink slowly into the mind in order that we may
patiently derive from the richness of our acquired knowledge
and organized system an attitude of our own. The sprightly
minded young man, who with his first business breath projects
the new and startling, inevitably becomes tiresome, and he
is driven to an early disappearance; while the slower and
more
solidly endowed student will at least spend as much of his time
in avoiding mistakes as in evolving the brilliant schemes wherewith to dazzle his contemporaries. The best kind of originality
IS that which comes after a sound
apprenticeship; that which
abcdefghijklmnopqrstuvwxyz
Set
MONOTYPE FACES
The best kind of originality is that which comes after
a sound apprenticeship; that which shall prove to
be the blending of a firm conception of all useful
precedent and of the progressive tendencies of an
able mind. For, let any man be as able and as
original as he may, he cannot afford to discard
knowledge of what has gone before or what is now
going on in his own trade and profession. If the
printers of today do not wish to be esteemed arrogant when they term this calling of theirs an art,
they must be willing, and show that they are willing,
to subject it to such laws as have made its sister arts
so free. All those concerned in what are
accepted
as the fine arts, the learned sciences and professions,
surround themselves with the history, the literature,
and concrete examples of the work with which they
are particularly engaged.
Yet it is only in rare instances that such an atmosphere, with its material
appurtenances, is to be found in a printing office.
Art does not flourish in hidden places, nor under restraint, nor in ignorance of what talent and genius
have accomplished and are accomplishing throughout the world. For to follow precedent wisely does
not mean to imitate slavishly one great exemplar,
a bcdefgh ijklm nopqrstuv wxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
$1234567890
12 Point
MONOTYPE FACES
MONOTYPE FACES
itself to
he the blending
mind. For, let a man be as able and as original as he may, he cannot afford to discard
all knowledge of what has gone before or of
what is now going on in his own trade and
profession. If the printers of today do not
wish to be esteemed arrogant when they
term this calling of theirs an art, they must
be willing, and show that they are willing,
to subject it to such laws as have made its
sister arts so free.
All those concerned in
what are accepted as the fine arts, the learned
and
with
its
material appurtenances,
is
to be
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWX
$1234567890
$1234567890
No. 115C.
Job Arrangement C2
Composition Matrices
8 Point No. 115C, 8 Set
MONOTYPE FACES
MONOTYPE FACES
the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind.
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRS TUVWX YZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
MONOTYPE FACES
MONOTYPE FACES
must be
may, he cannot
afford to dis-
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
$1234567890
Job Arrangement C2
No. 12J.
Composition Matrices
10 Point No. 12J, 10i Set
Th
fesft kin
aiFftir
a suaiad
prov
ft
ujsffMl
pirdinift amid
am afol
as
5a
Msmdiifiig
all
ff
ftiradifiieis
if
inraiKi
innayj
slhiw
willimig, airad
to
snaclhi
ths
sftmd
fe
ft
All
iEurm cira<pftiira
pirgrssi'y
ftlhi
ff
which
ftlhaft
appsrsiraftiesslhiipi
fth
Ib
IF
laws as have
mad
ciracinnid im whaft
!amrad
airfts, fth
williirag,
ssftir
ifts
Yft
stacJa aim
ftlhaft
OTWirteiniainiceSs us
ds
is oiraly
ift
aftmsp!h!r
ft
rommidl
lb>
accpftd as
air
crete
stances
nira
aB5ldl
wjg|1
i&ini
SMiriroMinid
m ^K-y
with
a
ffir.
fth
iraff
to
^ Mtmd to
4ffm
ka
to
tLabjeft n4
maftrnal
ifts
to
SUflcIhl
laws
offiee.
piruraftninig
ffE^E
*
11o
ft
airfts
amd psffssiiras
sciiracs,
wlhira
airirgainift
aim air
ft!hiiirs
ff
as
ft
ft
12 Point
No.
12J, 12 Set
MONOTYPE FACES
MONOTYPE FACES
Tlh
Ib@tb Mirad
whidb eimi@s
iragnifiiallnfty
aiFtsir
mraaira
fin
b@ as
mamdo
amid
afeE
psr=
fth
ogniraall
gini
IF
wim
finns
ponnftirs
IT
wfinaft
ftirad
off
ns
airad
ftday d
<Bsftmrnd ainrgamift
ftfinas
muasft
are
calfiaung
fe
ff
aim
ft
sualbj]cft
..
aft ft
as
fin
I@ft
a maim
Ib
as
airad
albH
Ik
inraays,
ES
wirn ftsrad
nirn
oiF
Eff ftfin
imft wasfin
ftfinsair
irn
Ib
ft
.,,.
wnllllninig,
irnw going
piriFssEnno
F3r
dns=
ft
fin
Mora
ftlkaft
<sairnnnt aMjrd
may,
card a kniw]ldg
wlhaft has
-
as
originality ns
IF
ftjnidini(sns
slbaM prove to
fe@st kairad
/p/&
a fern cmie F ih m
.
,.~Y.i
blending
girsssnv
Tlh
ns
Mini
wMdb
fclkaft
ticeslbip;
bxg
IF
ftfinsy
ftfinas
sufldhi
Eaws
,,
ftlhi
caflflairng
cmnuisft Ib
ftlhis
ff
wnflfianng,
waEIaimg,
ftfinaft ftfinsy
,,
?f
A
HIT
pirirssEinio
primtelpl
@ S itinnid airirganiift wfiaini ftfiay
aff>
airft,
anndl
ft
who
ftlhairs
smilbjsft
air
ami
aimd sfinw
aft
ft
fe@
fteirinin
airft,
ftfiny
ftfinaft
ftlhy
siuncfia
Eaws
concerned
aim wlinaft
Display Matrices
No. 12
14 Point No. 12
yM
a Soosa a
^7i
inirach
jfl
IF5
rfl
y^ P^ (TO/f^v/f^
234567890
1<^>
24 Point No. 12
Tl
L
n
30 Point No. 12
PLAY TYP
LT
JLi/nV.
ii
M,
ii
IT
TT
J
VP r^si
iff
36 Point No. 12
:r
<e^@
os
15)
//
No. 40
18 Point No. 40
1u
t<<
no
DD si
ODjy
HDD
QDm
Gib
20 Point No. 40
24 Point No. 40
LOW
36 Point No. 40
BD
Composition Matrices
12 Point
Ems
a to z 14.34
Job Arrangement C2
Words
to Pica .28
No. 42 J.
Job Arrangement C2
Composition Matrices
8 Point No. 42J, 8
10 Point
Set
The
MONOTYPE FACES
MONOTYPE FACES
is
The
their,
crete examples off the work with which they are
particularly engaged- Yet it is only in very rare 5n=
t,
is
that which
ttt blng
have
made
its sister
ow
.and
it
arts so
to
smell-
ffree,,
AH
,,.
$1234567890
12 Point
No. 42 J, 12 Set
MONOTYPE FACES
MONOTYPE FACES
The
.0
..
a firm conception
of all nflsefyl precedeirat and the pro=
gressive tendencies of an able mindo
For, let a man be as able and original
be the
blerndnirag of
of
The
which comes
after a
that
is
sound appren=
as
lie
may, he cannot
D
own
afford to dis=
f the
trade and profession,,
w5h
to
b@
off
noi
today
priiniter
esteemed arrogant when they term
hns
II
ABCDEFQHIJKLMNOPQRSTUVWXYZ
No
42
14 Point No. 42
Realize.
It
Applies to Caster,
$0345678
18 Point No. 42
EVERY MATRIX
IS
A UNIT
amid
24 Point No. 42
c/
$i:
36 Point No. 42
It
Mo:
to
No. 44
14 Point No. 44
Y
Became ih Typog
18 Point No. 44
24 Point No. 44
^^T^TK
>niririrT
30 Point No. 44
T
n>e
ca
No. 59
30 Point No. 59
LANG'
36 Point No. 59
TH
No. 73
S?READY
oT8
Sorts Matrices
No. 123
18 Point No. 123
rei
I!
IT
IT BiiP^
IT!
"Ira
LET US TELL
MffllDL9 Hill
iQJKPffTlfM
fTfFTlfD
B78fl
No. 193
12 Point
Electro Display
Matrices
No. 193
&^W
"
T^
r\
No. 194
Class
Matrices.
Not Included
in
12 Point
IF
"ou
Electro Display
Matrices
No. 194
know
all
expensive
Where
Jt
J>
m.
DO NOT
a
uise
the
LIMIT THE
WORK
si
new type
24 Point No. 194
full
UiL
TTTTC^Tr
JlJT
OMF
todate
list;
ALL
TYP:
imito
4S67J
New
fount!
No. 202
Class
Matrices.
Not Included
in
Display
Matrices
Pall
S1234567890
COST HP NOI
YOU OKT AN
ARN THE COST
liter
mw
Rut
Gives
It
is
roduoiwn
>ntittuou
$12
No. 203
Class
Matrices.
Not Included
in
Display
Matrices
LOOK AT THE
THE
IN THI
No
figures
made
No. 218
Class
Matrices.
Not Included
Sorts Matrices
in Library
MONOTYPE SHADED
Cast brand
new
FACES
appearance
$'1234bS7890
14 Point No. 218
make
their
own
in up-to-date offices
$1234567890
18 Point No. 218
HANDSOME AND
ECO1S
IICAL
at the command of
Printer who uses the
MONO'
Always
$133456789
30 Point No. 218
'I
'i
.no
er
*~
wants w
"
Ivo
ri
ONO'l
Wo w
6Y390
Wan.i;3
(l;
No. 246
Electro-Display Matrices
Class
Matrices.
Not Included
in
Fonts shown on
this
page
ARE
IIV
No. 246
AND USE
WITH
FRESH IVE>V TYPE FOR EVERY JOB
$1234=567890
18 Point No. 246
CLASSIC CAPITALS
Electro-Display Matrices
No. 75
18 Point No. 75
no machine
is
all
Run
the Time
it
as an Hctual
Job Arrangement C3
No. 95J.
Composition Matrices
8 Point No. 95J, 9 Set
jHonotppe Jf aces
lias
anb profession.
an
to
as babe mabe
its
it
art, thep
such latos
rounb themselbes
Clif best
of originality is that
fetnti
fae
3if
subject
it
to
abcbefghij&lmnopqrstubtoxp?
Jfacesf
routes after
cebent anb
toJjtcl)
to
biscarb fenotolebge of
tofaat
gone before or
trabe
sboto
tfaat
Che
cannot afforb
arts so free.
lias
its sister
311 those concerneb in tohat are accepteb as the fine arts, the
fir
progrfssiur
as able anb
to fae
illonotppe Jfaces
map,
fae
$1234567890
tljat luljictj
ttjc
$1234567890
minb.
abcbefghijblmnopqrstubtoxp?
CTlir
tofjici)
apprenticeship:
as habe mabe
stfmN probe
to
tfjat
apprentices!!) tp;
be
tfje
tfjat
folenoing of
Jfor, let
as
fje
UnoUilcbgr of
is
noto going on in
3f
fession.
be
toisfj
to
term
tfjis
fae
liaG
tulnit
Ijts
it
esteemeb arrogant
anb
to
intuit
printers of tobap
calling of tfjetrs
toilling,
to
tfje
gone before or
an
suet) latos
subject
sister arts so free.
811
as
tofjen
art, tfjep
are toilling,
fjabe
tfjose
tfjep
must
mabe
its
concerneb in
tofjat
rounb tfjemsetoes
literature,
afacbefghijfelmnopqrstubtoxp?
abcbefgfjij^lmnopqrstutitox^
$1234567890
$1234567890
No. 95
14 Point No. 95
tfjc
Urill tell
pou
tfjat
tfjat tt totll
no job
i-Han
toljo
ftanble
too$lam
>
Urns'
all of tfje
a fflonotrpe
OTorfe
tfje
Composing &oom;
JHafemg
$1234567890
18 Point No. 95
tf
pounb
$1234567890
24 Point No. 95
Mill
tije
$1234567890
30 Point No. 95
$1234567890
36 Point No. 95
of
$1234567890
ts;
Job Arrangement C3
No. 102J.
Composition Matrices
Obe
3ttonotype Tfaces
Jttonotype Taces
best kind of originality is that which comes after a sound
apprentices-hip; that which shall prove to be the blending of a
ship; that
arrogant
$M
wisely does not mean to imitate slavishly one great exemplar, but to
study all masters faithfully, letting their great achievements sink slowly
into the mind in order that we may patiently derive from the richness
of our acquired knowledge and organized system an attitude of our own.
ohe sprightly minded young man, who with bis first business breath
projects the new and startling, inevitably becomes tiresome, and is driven
to an early disappearance; while the slower, more solidly endowed student
will at least spend as much time in avoiding mistakes as in evolving
oho best kind
brilliant schemes wherewith to dazzle his contemporaries,
of originality is that which comes after a sound apprenticeship; that which
shall prove to be the blending of a firm conception of all useful precedent
and of tbe progressive tendencies of an able mind. 7or, let a man be as
able and original as he may, he cannot afford to discard knowledge of what
bas gone before or what is now going on in bis own trade and profession.
3f the printers of today do not wish to be esteemed arrogant when they term
all
$1234567890
tl)at
3tlonot?pe
comes
which shall
discard
3f
$1234567890
fession.
abcdefghijklmnopqrstuvwxyz
abcdefgbijklmnopa.rstuvwxyz
Jttonotype Taces
best kind of originality is that which
prove
oho
wish
when
must
tfyat
wl)icl)
sl)all
prove
to
be
tl)e
that
blending of a
to
Taces
edge of wt)at
t)as
now going on
in
is
own
abcdefghiiklmnopqrstuvwxyz
abcdefgbijKlmnopqrstuvwxyz
$1234567890
$1234567890
No. 102
14 Point No. 102
(Baineo a
friend
in
$1234567890
18 Point No. 102
Otl)r
to
$1234567890
24 Point No. 102
S1234567S90
30 Point No. 102
Stands
tfye
v Tltself
5ltac^ine Suited to t^e Ver?
(Tlass of
$1234567690
36 Point No. 102
Cntire
(Tovere6 b? tl^
$1234567890
No. 188J.
Job Arrangement C2
Composition Matrices
6 Point No. 188J, 7| Set
iHninitin.n-
F.-triti
ifiomttypr Ifarrs
abcdefghifklmnopqrstuvwxyz
abcdefghifkltnnopqrstuuwxyz
CT
$1234507830
$1234587890
Ems
Words
a to z 17.92
10 Point
to Pica .45
mork
uiitlj
particularly engaged,
^et
liinnntijpr
be
tlje
blendmQ
thrirs
anb
flrttt
concep-
an
art, tljeg
mnst be
willing,
are willing, to
ect
it
to
laws
as Ijaue made
snbf
snclj
its sister arts so free.
All tljose wljo
sluiui tljat tljeg
abcdefgljlfhlmnopqrstnuwxyz
$1234587830
a to z 15.77
of a
abcdefgtjiiklmnopqrstuutuxyz
Ems
to Pica .38
tlje
lii',
Words
a to z 16.12
ples of tlje
Ems
$1234567830
Words
to Pica .31
Ems
a to z 14.93
Words
to Pica .27
No. 188
Sorts Matrices
18 Point No. 188
our
Comp00mg ?R00m
ttj
^al^0 iB^pa
$1234567390
Ja
$1234567890
Slight Hani*
11 Point
Mr.
Progressive Printer,
Everywhere
.
Dear Sir:
This is a sample of our 11 point No. 17L, a typewriter face designed to overcome printing through a
ribbon in order to obtain the rough, fuzzy effect of
The face of the type is slightly
typewriter work.
thicker, and the outer edges of the letters more uneven
than typewriter characters designed for use with a
ribbon.
The regular
The set
.100 or 10
any Keyboard arrangement, but must be used on a Keyboard equipped with the typewriter stop.
10 Point
size,
.0830"
Everywhere.
Bear Sir:
This 10 point No. -70L Elite Typewriter face is designed to
fill the demand for a letter which may be used in cases where
space must "be saved or where it is required to match exactly the
It is a hair line face
typewriter used to fill in the address.
copying ink,
"but
that
There is no limit to the possibilities on fac-simile typewriter work in a printing office supplied with the Monotype
faces.
Standing matter cost, which would be a considerable item
with foundry type, is reduced to the minimum, and, while Monotype type wears, like foundry type, long runs are profitable in
3 Monotype shop because
it is cheaper to recast than disi.bute.
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnopqrstuvwxyz
67890$
on any Keyboard arrangement, but must be used on a Keyboard equipment with the typewriter stop.
Mr.
Progressive Printer.
Everywhere
.
Dear Sir;
This 12 point No. 170L Smith Premier Typewriter faoe is
designed to fill the demand for a letter which may be used
on the average Glass of typewriter work, or where it is required to match exactly the typewriter used to fill in the
address.. It is a hair line face which is frequently used
in printing direct from the type with copying ink, "but in
fac-simile work tha "best results are obtained by printing
through a ribbon, with an ordinary purple or any kind of
copying ink.
that
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghi jklmnopqrstuvwxyz
67890-$
Everywhere.
Dear Sir:
This 8 point No. 72L Reproducing Typewriter face is designed to fill
the demand for a letter which may be used in cases where space must be
saved or where it is not required to match exactly the typewriter used to
fill in the address.
It is used in printing direct from the type with
copying ink, but in fac-simile work the best results are obtained by
As there are 14 characters to the inch, the saving in space is considerable to the line as well as the saving in point size.
(The paragraphs above are printed through a ribbon, that below direct
many forms may be printed at one impression as the press capacity will
admit.
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abode fghijklmnopqrstuvwxyz
..-:;'!?'
"HttHHiff r_+=
67890$
Child Edward T
Box 222
16 06
Henderson J B
15 Delaware Ave
Madison Wis
Benson
OS
18 06
Morristown Del
Globe Motor Company
Ex
Hartford Conn
24 07
Enterprise Bank
14 Exchange St
Danville Miss
Corbett G A
Rosemont Pa
16 07
Hayes Francis A
60 Park Place
Geneva N Y
Bowditch Charles P
14 07
28 State Street
Boston Mass
17 09
McElroy John E
93 State Street
Albany N Y
Gest William P
20 06
327 Chestnut St
Philadelphia Pa
Lincoln Theodore M
19 97
86 Wethersfield Ave
Hartford Conn
Ellis John W
10 08
19 Oakland Road
Brookline Mass
26 09
24 07
Enterprise Bank
14 Exchange St
Danville Miss
14 06
28 Meadow St
Kimball David P
Box 2133
Hackensack N J
28 05
Boston Mass
Corbett G A
16 06
Burkart Eugene
168 Jerome Street
Dallas Tex
$12345
ABCDEFGHIJKLMNOPQRSTDVWXYZ
Hackensack N J
67890
abcdefghijklmnopqrstuvwxyz' .,;:-"
14 06
28 Meadow St
i i I I I
Henderson J B
16 06
15 Delaware Ave
Madison Wis
Hamilton W A
28 07
27 Rochell Ave
Port Chester N Y
Ellis John W
19 Oakland Road
Brookline Mass
Benson OS
18 06
224 Sedwich Ave
Morristown Del
Burkart Eugene
16 06
168 Jerome Street
Dallas Tex
Kimball David P
19 06
Box 2133
Boston Mass
Child Edward T
Greer David S
17 09
1523 S Broad St
Philadelphia Pa
Ex
16 06
Hartford Conn
Rosemont Pa
24 07
Enterprise Bank
14 Exchange St
Danville Miss
Bowditch Charles P 17 10
28 State Street
Boston Mass
$12345
Lincoln Theodore M 25 08
Hartford Conn
67890
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abcdefghijklmnopqrstuvwxyz
In the stencil system a complete new stencil is required for any correction or alteration. You pride yourself on the appearance of your paper; why use a label like
Monotype Mailing
body.
This gives
FIRST:
it
no justification required.
SECOND:
case, using
Changes
Monotype
THIRD:
in address
may
FOURTH: A
new
this:
type.
S.
BENJAMIN
603 BROOME ST.
WILM NG TON DEL
I
WAR
9-07 S
I.
YR
Keyboard arrangement, but must be used on a Keyboard equipped with the typewriter
Everywhere.
Dear Sir:
This 10 point No. 270L Underwood Typewriter face is designed to
fill the demand for a letter which may be used in cases where
space must be saved or where it is required to match exactly the
It is a hair line face
typewriter used to fill in the address.
that
By running;
'.e,
..
'-'Oard
33 capacity wil]
-"ing
t]
in extra composit'
'
contains Qf
-ludes
signs in genera
12345
ABCDEFGHIJKLMNOPQRSTUVWXYZ&
abode fghijklmnopqrstuvwxyz
67890$
t]
stop.
T boowisb
>VI
nohtieoqmoD
H
no boeu ad Jv
"080.
,9si8 >
n-..j/n.',rtB
{naocf^a^i
^IM no run ad
Keyboard arrangement, but must be used on a Keyboard equipped with the typewriter
Everywhere.
Dear Sir:
This 10 point No. 272L Royal Typewriter faoe is designed to
fill the demand for a letter which may be used in oases where
space must be saved or where it is required to match exactly the
It is a hair line faoe
typewriter used to fill in the address.
the?
saving in space
that
There is no limit to the possibilities on fac-simile typeLter work in a printing office supplied with the Monotype
faces.
Standing matter cost, which would be a considerable item
with foundry type, is reduced to the minimum, and, while Monotype type wears, like foundry type, long runs are profitable in
the Monotype shop because it is cheaper to recast than dist
Mbute
cornmor'
ter w r
ABCDEFGHIJKLMNOPQRSTDVWXYZ4
abcdef ghi j klmnopqrs tuvwxy z
'
67890$
stop.
the No
270L series
3L1
frequently
jis.
used tn printing direct from the type with copying ink, but in
any.
is ojonside rabl e
(
be_s t
to.
the .line
as.
in,
p^oint size
,
that
There is np_ limit to the possibilities on fac-simile typev/riter work in a printing office supplied with the Monotype
faces
Standing matter cost which woulji be a considerable item
with foundry type is reduced to_ the minimum, and, while Monolike foundry type lp_ng ruH-s are profitable in
type type wears
the Monotype shop because it is cheaper to recast than dis.
tribute
more
bj3
typewriter work.
The regular font contains 101 characters and include^ the
common fractions and commercial signs in general use L These
trices are sold at Class D prices
1
12545
ABCDEFGHIJKLMNOPQ,RSTUVW:XYZ&
abode fghi.lklmnopqrstuvwyyz
67890$
stop.
Sorts Matrices
No. 475
18 Point No. 475
Heine Iflascbine
No. 95M.
Special
Arrangement
Composition Matrices
8 Point No. 95
M,
10 Point No.
9 Set
bcfte
tft
Vermifdjung
betf
ftdj
bte
folriic.
ntitjltdjen
unb
befte
fidj
miiffcn
fie
cm, unb
riginalitat
ift
biejenige, toeldje
Dntn
bon allem
friiljer
IHenn
8rt bon
firf)
n.irii
unb pro=
mag
11 Set
JJlonotppe ibihriftarten
g>cfjrtftarten
Dir
95M,
unb
Cage
iijr
fie
$1234567890
aoiiffftfi^didjffflft
$1234567890
a
Ems
Words
a to z 12.50
Ems
to Pica .57
12 Point No.
95M,
it ff ft fi
| $
ch
&
fl ff fi
Words
a to z 12.23
to Pica .46
Set
12
^djrtftarten
&rt bon
befte
toeldje
fttfjlbar
fief)
riginalitat
madjt, eine
mtfdjung
tics
folcfje,
nod)
ailed,
$eruf
originell fein,
toad
in
fid)
ate
^Jer=
mufc er ben-
feinem <&etoerbe
ober
gcfdjictit.
bod)
frijiifccn.
nidit
ate
bon <0riginalitat
ift
biejenige,
toeldje
einefi felaren
Benn mag
ftanbes ertoeift.
unb
bie
befte ^irt
biejenige,
H'.cgnffcs
fo tiicfjtig
ift
fid)
mifdmng bed
ailed,
toad
in
Peruf
anma^enb angefeben
eine
Hunft
barftellen,
fo
muffen
fie
infolge
abcbef gbijfelmnopgrftftubtoxp?
$1234567890
o
Ems
a to z 11.57
ti
f(ft fi
d) cU
fl
ff fi
Words
to Pica .41
This series, designated as No. 95M, is made up of our No. 95J series, shown under the classification of Text letters,
together with the additional characters necessary to complete the German font. In ordering, specify the proper point
size and the series number as above, No. 95M.
You will receive characters which are marked 95J, so far as they conform
exactly to the No. 95J series, and other characters symboled H9-95J, which represent the extra characters to complete
the German. As this face is on a special arrangement, it requires a special right keybar.
No. 495
Sorts Matrices
14 Point No. 495
feetne
$1234567890
18 Point
jllan
man
geijt
No. 495
tft
Verluft
unbermeibltcj)
$1234567890
24 Point No. 495
tne
Arbeit
alle
unb
^ufrtebenftellentien profit
$1234567890
30 Point No. 495
$1234567890
36 Point No. 495
orten
befrtebtgen
$1234567890
Xo. 495.
is
made up
Geman
of our
No. 95
series,
***** number
together with the additional characters necessary to complete the German font.
You will receive characters which are all marked 95, including
ve, No 49S
M ab
German Arrangement C
No. 99M.
Composition Matrices
6 Point No.
99M,
SJJonotooe
J)ie befte
allem nlifclidjen
!Tenn
mag
Me
unb orogreffioen
treben
unb
ftaren
eine
cr
bennod)
Don atlem
flaren
SkrftanbeS
mujj
originett fein, fo
ju unterroerfen, butd)
rourben.
befdiaftigen
pflegen,
feffionen
mit
fid)
efdbicbte,
unb
unb
Siteratur
in
tt>a8
^Sro=
unb origineH
ober
efterbe
feinem
food)
gegentriirtig gefd)ie^t,
3)enn
ertueift.
fetn, fo
93eruf
gefdjat)
frittjer
bie
mag
ein
atteg,
ober nod)
Beutigen 93ud)=
hjolten,
tljr
S3er=-
muf? er bennod)
SBenn
fd)ai?en.
al
fid)
unb progreffiDen
niitjlidjen
brurfer nid)t al
roirflidjen
eine8
treben
roeldje
ift
efefcen
cfjrtftarten
Don SDriginalttat
erroeift.
befte Slrt
SSerftanbeS
bod; fdjatjen.
flefd)iebt,
99M, 8j Set
2ttonott)pe
)te
SegriffeS Don
SBermifdjung be
fid) al
in feinem
atleS, roa
djriftorten
tit
tfebrjeit
8 Point No.
Set
fie
inbem
fie
infolge beffen
biefe
bereit fein,
felten.
>inberniffen ober in
SBirflidw Sunft fann nie in bunfeln SBinfeln obet unter
@inem
latent unb @enie errungen baben, bluben.
Unroiffenbeit beffen roa
ooraugegangenen gat! rid)tig folgen beif5t nid)t eine ober ba anbere SBeifoiel
ffloDifd) nad)abmen, fonbern bie berUbmten Weifter griinblid) forfdjen unb
fteren grofjen
rrungenftbaften rourbtgen, burd) meldje roir in unferem SOSiffen
nur ben grb'fjten 5BorteiI
ielbftbenfenb unb felbftberrfdjenb roerben unb barau
35er junge eifrige ?lnfangcr, ber fid) fofort mit
unb 3Jut5en jieben fonnen.
neuen fait unmoglidjen 3bcen abgeben roid, finbet fid) gar ju oft in feinen
efdjaft8leben,
flnfiditen getaufifit unb oerfdjroinbet balb ganj unb gar Bom
efdjaftSmann
roabrenb ber bebad)tigere unb mit grbfjeren fi'enntniffen begabte
nxnigftenS ebenfo oiel 3it in ber 9?ermeibung Don Seblern cerroenben roirb
Die
al
in ber auSfubrung Don grofsartigen unb eoodjemacbenben 'Proieften.
einer grUnblidjen
beite 3lrt Don Originalitat ift biejenige, meldje fid) nad)
Don
Sebrjeit ftlblbar mad)t, eine fold)c. Me fid) al8 95ermifd)ung be8 S3egriffe
flarcn SBerftanbe* erroeift.
treben eine
allem ntlfclidjen unb Drogreffioen
Xenn mag ein 9J?enfd) nod) fo tudjtig unb originell fein, fo mufe er btnnod)
fold)en
frei
unb aud)
efeljen
nwrben.
?tteratur
Slrbeit.
man
Umgebung mit
btefe
(Stnem
Dorau^gegangenen
eine^ ober baS anbere 33eifpiel
blufjen.
nid)t
bie berill)mten
tljren
SBirflirfje S'unft
enie
gall
ober in
haben,
folgen h,eif3t
fflaDifd) nadjafjmen, fonbern
forfdjen unb beren grofsen
grunblid)
TOeifter
efd)id)te,
Uegenben
all
^inberniffen
errungen
unb
Jalent
ttiaS
beffen
Unttiffenljett
legen, baSfelbe
unb ^rofefftonen
unb rtirflidien
bennod) finbet
fd^aften
lage
93erettnn'IUgfeit gu
ifjre
ridjttg
abcbefgf)iiflmnopqrf3tuDn)rl)j
abcbefabiiflmnopqrfStuBttirnj
$1234567890
81234567890
)
Ems
ti
a 8 u
&
ff ft fi II
1} (f
d)
ff fl fi
tOUa
K.
Words
a to z 12.51
Ems
to Pica .58
10 Point No.
9ftonott)pe
Die
einer
nad)
griinbUdjen
in
nod)
fo
fein,
gegentooartig
mufj er bennod)
ober
@en)erbe
feinem
53mif
ober
2Benn
aud)
efeljen
.Uiinfte
feinen
fo
frei
f unfte,
befdjciftigen
lidjen
Jage
legen,
foldjen
Uiinfte
2lUe
biejenigen,
fid)
finbet
mit
ber
in
man
lid)en
tfyrem
bicfe
gad)
all
fid)
mit
^roben ber
in
it'-'9
I
ifjrem
Ems
a to z 10.73
s
'n
gad)
ff ft fi II
'
Slrbeit.
man
$1234567890
U
unb
ba^felbe
finbet
biefe Umgebung mit all il)ren
SSirf=
(Sigenfd)aften in ber 53ud)bruderei t)5d)ft felten.
Udje ilunft fann nie in bunfeln SBinfeln ober unter
iljren
legen,
efd)trf)te,
abcbefgljiiflmnopqrfgtutorort)^
tt
Xage
ju
)ennod)
3lrbeit.
Uegenben
Umgebung mit
anmaf3enb angefeben
eine ^unft
eroerbe al
il)r
fo
befd)ciftigen
bie
roeld)e
fie
aU
nirf)t
33erettroilligfeit
il)re
ba^felbe
SSiffenfdjaften
^roben
Xennod)
gu
erftteift.
unb
aud)
unb
SBereitnndigfett
it)re
fo(d)en
fie
rfiriftarten
Originalitat
Beutigen 33ud)brucfer
roerben roollen, inbem
bie
barfteden, fo miiffen
to Pica .47
mag
alleS,
gefd)at)
fdia^en.
f)od)
gefd)ie()t,
fritter
cf d) ff fl ft
ftanbe^
mag
einer
cine
marf)t,
3)enn
unb origined
tig
9ftonotl)pe
torogreffitoen
ftnnbe^ erraeift.
f]
Words
?et)rjeit
ff ft fi II
99M, 10 Set
unb
niikUdjen
i(t
a to z 11.38
cfyrtftarten
Originalitat
"
W
)
fe cf rf) ff fl ft
ic.
Words
to Pica .40
beffen roaS
Jalent
German Arrangement C
No. 99M.
Composition Matrices
11 Point
<Sd)riftarten
Don Criginalitat
befte 2lrt
fid)
cine
Don attem
nitfeltdjen
unb
nod) afte3,
fjer
unb progreffiden
)enn
ober nodj
gefdjaf)
SSenn
fdja^en.
mag
aU
eine
ober
ifjr
er bennodi
ober 33eruf fritter
gegentoa'rtig
gefd)ief)t,
Ijod)
ein 9Wcnfd)
mufe
fein, fo
ert3erbe
unb
ibr
fie
miiffen
fo
fie
Jage
Jage
treben ctnc<
mag
nidt al3
fie
nod)
SSenn
fc^a^en.
)enn
in feinem @en)erbe
ttiaS
Ijod)
gefd)ief)t,
unb origtneE
fo tiidjtig
mad)t,
fiifylbar
gegentoartig
biejenige,
tft
mufe er ben=
ein SJftenfd)
c^rtftarten
bon Originalitat
fid)
madjt,
treben etneS
origineft fein, fo
in feinem
tt>a3
fitfylbar
nod) fo tiidjtig
Stftonottype
bie{enige, toelcfye
ift
efe^en ju unterttjerfen,
abcbefgfniflmnopqrfStudtnrtyj
$1234567890
OUa6
21
it ff ft fi II jj fc cf
.,;:!?'=")(
Ems
(^ ff ft
fi
Words
a to z 10.47
12 Point No.
:c.
99M,
to Pica .37
11 J Set
Sdjriftarten
lucfdje fid)
Don Criginalitat
?(rt
befte
madjt, eine
foldje, bie
(Sdjriftarten
bieienige,
ift
ef)rgeit fliftfbar
ate
$ermifd)ung beS
unb progreffiDen
fidj
mag
fein,
fo
mufe
etoerbe
ober
er
gefefjen
titdjtig
53eruf fritter
f)od^
gefdjat)
bereit
fc^a^en.
merben
rootten,
inbem
fie
fein,
unb aud)
i^re
burc^
njelcfc
mad)t, eine
infolge beffen
gu
.fiitnfte
fo
frei
fold^e, bie
gefd)iel)t,
, ;
f)oc^
fd^tit^en.
53ud^brucfer nic^t
gefefjen
bereit
fein,
Jage
legen,
unb aud)
fie ifjr
.fliinfte,
Sllte
raeld^e
fidt)
mit
Words
to Pica .35
fie
efterbe at^
infolge beffen
jn
efe^en ju unter^
aljnlid^e
Hunfte
fo
frei
bie
feinen
unb ^rofeffionen
pftegen,
biejenigen,
2Biffenfdt)aften
bie
SBerettroilligfeit
baSfelbe fold)en
burd^
raerfen,
rourben.
ifjre
SSenn
anmafeenb an^
at^
$1234567890
.
fiit)Ibar
mag
abcbefgfnjffmnopqrfStiiDrorDj
a to z 10.27
fi($
befc^aftigen
Ems
biejenige,
ift
53egriffe^
2Benn
bte
Don Originatitat
t)euttgen
efe^en ju unter=
a^nti^e
roelc^e fic^
gegenmartig
crtcrbc ol
i^r
fie
2lrt
befte
ober nod)
53ereitraittigfeit
merfen,
originett
Xage
unb
gegenmarttg gefc^ie^t,
fjeuttgen
fo
S)enn
ertoeift.
!Dtc
rael($e
efd^id^te,
^iteratur unb
German Arrangement C
No. 100M.
Composition Matrices
6 Point No.
'.I'iuiiotiive
tit
befte flrt
oon DriginalitSt
100M,
Scliriftiutcn
niiiilirtu-ii
enn
timeift.
mag
gegentoartig
vronrcffiucn Streben
HUB
nei'riiiclir,
feinem
liurti
lage
legen, ba^felbe
fo frei
flaren SBerftanbeS
eiiu-o
unb ortgineH
inbem
ilir
fie
HUT
fte
mufe er
fein, fo
(Beroerbe
tlin-n
(viiu'itfrtuutcit
in
bet
^urtibntrferei
van Crighmtttat
.'(rt
einer griinbHdjen
L'i lir',cit
icitcn.
SiMrf lirfie *f mift fann nie in bunfeln SBinfeln ober unter ^inberniffen
oBcr in Hntoiffenlicit beffen maz Xalent unb Q)enie errungen luUicii. bliifjen.
(vincm oorau<gegangenen mill ririitici folgen licifit itirlit eine^ ober bad
anberc iBeifuicl fflaoifd) iindmhincn, fonbern bie DcriilinitcH A'Jdftcr griinblitti forfdjen unb beren grofjcn (Jrrungenfdiaften toiirbigen, buref) toelrfje Wir
in unicrcm Wiffcit fclbftbcnfcnb unb felbftticrrfdienb rocrbcn unb baraud nur
T cr junge eifrige $(nfiinger,
ben grbfjten ^ortcil unb "Ji uuen yclicii fbnnen.
ber fid) fofort mit neuen faft unmbg(id)cn 3been abgebcn ttiitt, finbet ftcf( gar
,u oft in feinen Slnfirtiten getaufdit unb uerfdirainbet ba(b ijan-, unb gar uom
(rtcirtioftx-lcDcn, loalimiti ber beb8d)tigere unb mit grBf;eren Aicinituifieii
begabtc (^cfrtmftvinaitii roenigften^ ebenfo Die! Sett in ber SBermeibung nun
At'iilcni oerraenben tpirb al-; in ber Jtu^futirung uyn grofiartigen unb
Xiie befte 9(rt Don CriginaHtd't ift biejcnige,
epodicmadienbcn ^rojeften.
raeldie fid) nad) ciner griinb(id|en ili-lir u'ii fiiliUmr ninrlii, eine fuldie, bie fid)
a!0 i^ermifd)ung Bev iBegriffed Uon aUem uiinlidicit unb tirogreffioen <Btre>
olrtic,
nad)
fid)
bie fid) al v
Iiiirtift
biejenige, nu-lriic
ift
fttten
-,11
Umgebung mit ad
bcftc
eine
SBereitttriHigfeit
Tic
nulii
nl-.-
rourben.
Set
2JJonott)pe St^riftortcn
ift
Dan nllcm
7 Set
unb origineQ
tiidjtig
93ud)bruder
inbem
uirtit
fie if)r
al
iiod) frliiiiu-it.
SBenn
bcnnod)
bie l)euttgen
tnerben
anma^enb angefe^en
umlicn,
unb aud)
fein, fo nuifj er
in feinem
efe^en
il)rc
jit
N
fie
age
93ereitroidigfeit ju
,'llic
befd)fiftigen
fid)
inem
errungen ftaben, bliiften.
rid)tig folgen Itciiu ntd)t einej^ ober
bie
bcriilun ICH
ff lattifd) itadiaiiincn, fonbern
enie
ooraudgegangenen ^all
tiao
anbere S3eifpiel
$1234567890
$1234567890
ufTftfiu'fjMd>fffl
!?'"'][)(* 1 8
(*t
12 Point
Scfyriftorten
Xic
bcftc 5trt
nacfy
bie fi^
niifeUt^cn
Scrftanbc^
tiidjtig
djrtftarten
btcjcnigc,
unb
crttjcift.
unb originctt
tto^ in feinem
^cnn mag
fein, fo
bie fyeutigen
Harcn
mufe er benno^)
gefcf)ief)t, ^orf>
i^udibrutfor mrtjt al
fc^a^en.
anma^enb
SSenn
aiuic
tt>elrf)e
Qiefe^en
fotrfjen
a^nlid)e
ftu'nfte
fo
ju
unterroerfen,
frei rourben.
Me
burd)
Me*
unb
(?igenfd)aften
in
26irflirf)e ftunft
$1^34567890
ber
ift
bicjcmgc,
fii^l=
firfj
toon aflcm
trcbcn
^enn mag
basfelbe
ftrfi
ftocn
ftimft barftetten, fo
fein,
rtjclc^e
feljen
ift
foltfjc,
adem
oon Originolttat
cinc;
ein SJlenfrf)
nod) fo
bcnno^
tiicfytig
unb
affe3,
in
2Senn
bie
^eutigen
anma^enb angefe^en
^ertjerbe
a(^
Sud)brurfer
luerben njotten, inbem
eine
fie
$unft barftetten, fo
miiffen fie infolge beffen bereit fein, unb ifyre
25ereitnjiHigfeit su ^age legen, baSfelbe folcften
su untertoerfen, burd) njeidje
if)r
S3urf)-
fann nie in
$1234567890
No. 100
ift
em
ttnterfdjteb
bem, ttw
$1234567890
toerben Slc^tunbbrei^ig an
Shwben auf
SefteHungen
tierfauft
$1234567890
2Bmfe mit
8ic fcinc
eincn
ftt^ttiarctt
Stfafdjitte, bic
$otrat t^rer
eigcnen aRatrigcn
$1234567890
@ief?t
Shrift
$1234567890
Shrift
511
No. 102M.
Special
Arrangement
Composition Matrices
6 Point No. 102M, 1\ Set
8 Point
38onotvpe Sduiftartcn
Jttonotype
wcUbo MI nad) einer griindlu+icu ^Lebrzeit fiililbar madit. cine fold)?, die licli als Vermifd)ung des
Begrlffes von allem uuhUdiou und progreffiven Streben eincs klaren Ver(tjndes erweifl, 2)enn nuuj ein JZlcuf.-h nod) fo tud)tig und originell (Vni.
Die
f."
belle
was
ift
diejenige,
in fciuom
friihor qofciuili
Die
bc(tc 2\rt
Sc
von Originalitat
i(t
6ujnigc, wcld>e
(id)
nad)
mag
Me beutigen ^udidrucker nid)t als anmafcen& angefel)en werden wollen, indent fie. ibr (Oewerbe als eine Kunft darflellen,
abcdefgbtklmnopqrrstuvwxvi
abcdefgbiklmnopqrfstuvwxvz
oder nod)
un6
fo miiffen (le infolge deffen bereit fein, und aud) ibre !ftereUwilligkeit zu Oao,o legen, dasfelbe fold)en (iicfcUcn zu unter2\lle
wcrfen, durd) wcld)e iibnlklio Kiinfte fo frei wurden.
diejenigen, weldje die feinen Kiinfte, Wiffenfd>aflen und
profeffionen pflegen, befdjaftigen fid) mil <Befd)id)te, Xiteratur und wirklid>en proben der in ibrem 3^ad) liegenden
Dennod)
2\rbeil.
man
findet
diefe
Kmgebung
lic-clift
mil
felten.
all
ibren
\2Hrklid)e
$1234567890
$1234567890
12 Point
Sdjrtftarten
Die
von Originalitdt
befte 2\rl
ifl
Me jcniac,
wclclx
befle 2\rt
von Ori^inalitat
fid)
von
allem
niihlidicu
was
6ennod) alles,
un6
Moicuigc,
Ver-
ein
ift
cncr
in feinem
2)enn
mag
abc6efgr)ijKlmnopqrfstuvwx^z
fo tud)tig
nod)
und
alles,
&eruf
Denn mag
ftandes erweift.
gegenwartig
^enn
die beutigen
gcfcbioht.
bod) f^a^en.
anma^end angefeben
abc6efgbiiKlmnopqrfstuvwx^2
$1234567890
$1234567890
aoiiffftfi&McHflfffi
a o u
ff ft fi
*?
cb ck
fl
|T
fi
This series, designated as No. 102M, is made up of our No. 102J series, shown under the classification of Text letters,
together with the additional characters necessary to complete the German font. In ordering, specify the proper point
size and the series number as above, No. 102M.
You will receive characters which are marked 102J, so far as they conform
exactly to the 102J series, and other characters symboled H9-102J, which represent the extra characters to complete the
German. As this face is on a special arrangement, it requires a special right keybar.
No. 4102
14 Point No. 4102
TDa
ift
cin Interfcl)ie6
*wifcl)cn 6em, was elne 3tlonot?pc verricfytct, uu6 6em, was an6ere Mlafdjinen
IKcine an6ere ^ltafcl)ine macl)t
verricl)ten Konn.cn.
von 6em, was diefe ^Uafd)ine verrid)tet
$1234567S90
18 Point No. 4102
Von
$1234567890
24 Point No. 4102
von 5 "punkt
bis
un6 Oua6raten
36 Jp un ^ wer6en auf 6er
S1234567S90
30 Point No. 4102
Scljrift
zu
$1234567890
36 Point No. 4102
Was
$1234567890
This series, designated as No. 4102, is made up of our No. 102 series,
together with the additional characters necessary
to complete the German font.
In ordering, specify the proper point size and the series number as above, No. 4102. You
will receive characters which are all marked
102, including the extra characters to complete the German.
German Arrangement C
No. 199M.
Composition Matrices
6 Point No. 199M, 7f Set
Sftonotboe
T>ie Befte
bon allem
SSegriffed
ift
macbt, eine
niitjlidjen
diriftarten
bieienige, n>eld)e fid) nadj einer
foldje,
bie
aid
fid)
unb orogreffiben
grunb=
SJermifdwng bed
Sage
fie
mit
efd)id)te,
ben Slrbeit.
gtteratur
unb
3)ennod) finbet
SSud^ruderei
fdjaften in ber
bereit fein,
unb
unb aud)
ifire
efefeen ju unterroerfen,
Sllle bieienigen, roeldje bie
fid)
roirflid)en
man
Umgebung mit
btefe
all iforen
SBirflidje J?unft
fipd)ft felten.
<igen=
fann nie in
lalent unb
(Sinem boraudgegangenen
Set
SD'Jonotppe @cf)rtftarten
gall rid)tig folgen betfet nirf)t eined ober bad anbere SBeifpiel fflaoifd) nad)=
admen, fonbern bie beriiftmten 2#eifter grilnblid) forfd)en unb beren grofjen
(5rrungenfd)aften roiirbigen, burd) roeld)e roic in unferem Stiffen fetbft=
benfenb unb felbftberrfdjenb roerben unb baraud nur ben grbfeten SBorteil
unb 9iutjen jieben fbnnen. J)er junge eifrtge Slnfttnger, ber fid) fofort mit
neuen faft unmbglid)en 3been qbgeben roill, finbet fid) gar ju oft in feinen
Snfidjten getdufd)t unb berfd)roinbet balb ganj unb gar bom
efd)iiftdleben
rottfjrenb ber bebaditigere unb mit grofeeren ^enntniffen begabte
efd)ttftd=
mann roeniaftend ebenfo biel 3eit in ber Sermeibung bon Seblern ber=
roenben roirb aid in ber Sludfu&rung bon grofsartigen unb epod)emadenben
5)ie befte art bon Ortginalitat ift biejenige, roeld)e fid) nad)
^rojeften.
einer griinblid)en gebrjeit fiiftlbar mad)t, eine fold)e, bie fid) aid
ift
biejenige, melc^e
nadj
fic
oon allem
nnb
beutigen
merben
SSudjbruder
raollen,
ftellen, fo
inbem
miiffen
fie
SSereitftnUigfeit ju
fie
nidjt
ate
SBenn
anma&enb angefeben
ibr
Sage
)enn
fid)
unb pro=
grefftoen
mag
niiJjUdjen
unb aud)
ibre
efeljen su
fo frei tt)urben.
abcbefgfiiiflmnopqrfdtubrojbj
abu
$1234567890
6 te a di f f
f f ft ft
.,:;!?'*".
..
$1234567890
fi
tt
B u
f f ft ft
Srtiriftnrteu
Tie befte
x'lrt
Cnqiiiniitnt
toon
ift
inbem
fiiti
alo
crmifm
ba^felbe
fie iftr
iiuftc
Wefefeen ju unterloerfen, tiurm tucidic ii on lime
fo frei tourben.
vine biejenigen, mclrnc bie feinen Ajiiintr, iMffcn
fdinfteii
oittieu
unb
toflegen, Hcfrtiaitiqrn
iirti
mit
(rfrtiirtitc.
ie
befte \Hrt
fid)
roill,
unrii
fttft
T cnii mag
ein
".'.'
cufrii
frtialu-u.
SBenn
bie
\v<\*
nod)
hrntiacit
foldjen
ftiinfte
abcbefgbiiflmnooarfdtuDroict)^
C1234567890
firii
M<roicfiioiini
Set
3dirtf tnrtcn
biejentge, wriiDr
unq bed iBegriffed toon altem niiuiieDm unb torogreffitoen = trcticn eineS
flaren eerftanbed erttieift.
1)enn mag-ein Wcnfm uocii fo tiiditin unb
onqiiicii fein, fo inuff er bcnuorti alleS, toad in feinem
etoeroe ober
Seruf frfiSer qcfmnD ober noefc gegentofirtig qcfdur in. norii fmiiurn
tBenn bie iicutiqcn WurtiDniffcr nidit alS numnficiib angefeben toerben
looiicn,
cf d) ff fl fi
German Arrangement C
No. 200M.
qriiiiDitrticii iictir^cit
fe fe
--
$1234567890
afliiffftfttHrfdtffflfi
No. 101
Ief trotypicren
(Erfpart 2lusgaben fur
Die 2TTonotype tmr6 nod] (5eI6 in 3fyre eigenen Cafdjcn bringen,
!
aufer
tr>as
neue
erfparen
$123^567890
Scfyrift
2(Ile
t)on
5 Punft
bis
56 Punft
iperben auf
$1234567890
30 Point No. 101
60
ms
pica!
X>ic unrergldcfylicfye
bcfd^aftigtcn
unb
Sdjrtft!
bau! JIurncuo
Sc^rift
fiir j
No. 178M.
Composition Matrices
14 Point No.
13 Set
ift
fid)
aller
178M,
9Wann
(Mfte3
ertoeift
f unft
k^eic^nen,
geigen,
fie
foldjen
gemadjt ^aben*
feine
fic
Mnfte,
gelten topllen,
^egeln
5lIIe
fie
unb
inbem
fie
i^ren S3eruf al
eine
auc^
gele^rte 28iffenfd)aften
efc^ic^te, ber Siteratur
mit ber
in melc^em
anma^enb
$1234567890
18 Point No. 178M, 16 Set
9^onot^e
S)te
befte
2ltt
Don Drtginalitat
23tlber
ift
bieiemge^
)t)elc^e
nad) enter
bie
griinblt^en Se^rgeit errt)orben ttirb, eine folcf)e, bie fid^ al
img einer ftar!en 2lnffaffnng aller t)or^ergegangenen
nnb ber fortfc^rittli^en
enbengen eine fafiigen @etfte
9Kann
gelten tuoUen,
fo
miiffen
fie
inbem
geftrillt
fie
fein
nnb
i^re
tnnft begeic^nen,
23ereitttrilligfeit
bafiir
$1234567890
Class B Matrices. Fonts shown on this page not included in Library and will not be leased.
use these faces for composing matter in justified lines S500 stop bars are required. Use
left key bars 1113 for the Lightface; use right keybars 1114 for the Blackface; use keybanks
GC. The 18 point attachment and S500 wedges are required for casting.
To
German Arrangement
No. 179M.
SI 3 50
Composition Matrices
14 Point No.
J)ie
13 Set
179M,
Slonottjpe SUDer
i|t Mejeniae, roeldje nadi einer grnnMidjen gelj^eit
fidj al0 Me Perfdjmel^nng einer Jtarken ^nffaffnng
tier
fortfdjrittlidjen
eine0
fUentten^en
fallen (Ieifte0 erroeift ienn wenn ein Stann and? nodi fa faljig nnti origtnell
Me (frfaljrung Darin beifette legen, ma0 in feinem (Se=
i|t, fo tiarf er t)od| ntdjt
otier
in
0^0 ^^^ l^t nor fidj aeljt. Jienn Me
feinem lernfe tior
fdjtift
fit
aemillt fein
nnD
ijire
iljren
fit
Pereitwil=
iljre $d|ttie|ter=
^efdjidjte,
tier
befontier0 tfjatig
fit
finti,
ienno^
trifft
$1234567890
18 Point No. 179M, 16 Set
pe
befle
^rt
OriinMtdjen
tion
rt0tnalitat
f eljt^ett ermorben
t|t
n>tr^ eine
tier
fortf^rittlicljen
Ienn roenn
ein
in feinem
foldje,
Me
pd) al0
Me
aller t>or()er0e0an<jenen
Sen&en^en eine0
fii|)iaen
ei|le0
Pann
Me
efd^aft otier in
fid)
0in0
otier je^t
Kidjnen, fo miiffen
ft*
flemillt
fein,
nnt)
il)re
lereitmilliaheit
$1234567890
Class B Matrices. Fonts shown on this page not included in Library and will not be leased.
use these faces for composing matter in justified lines S500 stop bars are required. Use
left keybars 1113 for the Lightface; use right keybars 1114 for the Blackface; use keybanks
GC. The 18 point attachment and S500 wedges are required for casting.
To
Sorts Matrices
No. 209
18 Point No. 209
|>ie ^Slonofype
jlrfieif
tfi
memafe
ntiifjuj,
bemt roenn Me
^$1234567890
30 Point No. 209
$1234567890
Sort Matrices
No. 311
14 Point No. 311
CHM,
mo
mo
MHIII!
FIociflaioHH
$1234567890
24 Point No. 311
JliniUE
MATH MAUJMHY,
MOHOTAMFI
o^MHOKa MaiiiMHa,
noSin CBOGI SBM
npaq'i BMpa6ji^c nepeHKM
$1234567890
ce
designated as No. 311, is made up of our No. 11 series, together with the additional characters necessary
In ordering, specify the proper point size and the series number as above, No. 311. You
marked No. 11, so far as they exactly conform to the No. 11 series, and other characters
symboled No. 311, which represent the extra characters to complete the Ruthenian. The Ruthenian arrangement differs
from the Russian arrangement in only six characters. In order to set
Russian, the necessary characters would be added
to a Ruthenian font.
This
series,
Ruthenian Arrangement
No. 318J.
Composition Matrices
8 Point
No. 318J, 8
set
KOJIH
ro,
uiuiaiui'tio.
Bee
:i>iiini.ion..
lloui.ii.iii
npacu
pyuiii
,il)>
i;apci.i;i.
Ha
:II:HX
-vionaia fiy.io
npecn, T.
THCH4 npHMipHHKlB
n iiaiiiioi:iiiiiii
3. poxaniiini.
til'.wr
nocnimni
aid flpyicyiOTb 8
HH KHHHCOK Ha
o,UIHV
10
TO BJK6
KHHCKa TU
uie,
raiu-ra rra.ia
nocjii'AHHX
j^o
i:\Mi.-viinauiiiHoi
JJauHiHiiii
TI HeapyiHo BHpoGjiem nepeHKH sacrynnjiH MOKpo'i HepeHOK TII THCHI! ixuiit BCIJIHKIIX irptucpac.
lu'pimii
,iepni
npo.i\i;niio. KHHHCKa ra
KO>I:,IOH>. IIlo oi.n,-
,i. 1:1
B TenepiuiHHx nacax
>iaii.i;c
^iSne
ffo
poo.H-Hi nepeHKH 3acTynnjiH rao^epni icpoi qepenoK xa Tucji'ii po.iin BCIJIHKHX npHKpac. IIoni.ii.ni py'iiii npacH ,ipyKupci.i;i, na HKHX MOV Una
ov 10 BH^pyKyBaxn na PO.UIHV irpn IKVIMKJM iiaKJia^i
pa m naHBHcuie 50 iipiiMipjuiuiij, sacxyIIH in HaiiiioiiUiiiiy nocnimni ,ip\Kapci.id
npecn,
T. s. poTafiiiiiii. HK! ^pyKyiOTb 8^10 THCHH npnmipHHKiB ra JOT MM KHHVKOI; na ro,uiiiy i TO
1
TOTOBHX,
:{.iovicenii\.
Pynny upamo
KHHHCOK
AEBrtUEJK3HHIIKJIMHOIIPCT
\7^fTfcVTTTJIIlT" tii ii^r> ji
</^f
<y *vj\.iMi
ivJO
12345678905
1234567890
Ems
Words
a to z 13.45
to Pica .50
12 Point
Ems
No. 318J, 12
HOBijibHi
ui
pymi
npacu
BHcme 50
HOBiiiiiii
3.
iiociiiiiuii
porauiiini
npiiM punhi
i
ra.u- r
P.
npecn, T.
10 THCHH
HH KHHHCOK na o.uiny
.ipycapci.Ki
HKI flpyKyiOTb 8
pa no CK.
i
HaconHCH
3JIOXC6HHX.
la.ia'iii',.
i
PyHHy
noBijibni
pyniii
na HKHX Mo/Kna
i
npacn
6yjio BHjjpyKyBaTH
na
TO B5K6 TOTOBHX,
set
ni
apyKapci.ici,
to Pica .42
Words
a to z 12.66
1234567890
Ems
a toz 12.66
Words
to Pica .35
MONOTYPE
INITIALS
36 Point
OR
HE
machine
The
color.
Matrices shown on this page are extra price, class B for either
Matrices for the initials are syrnboled No. 126; for the color blocks
They are not included in the Library and Will Not be Leased.
Initial
No. 126a.
No.
Sorts Matrices
.127
Q R
to
the
It usually leads
HE
petition
is
the
man who
uses the
W HEREVER
you
cessful printer,
its
first
ness in the proper way, the Monotype stands in a class all its own.
is
the machine
"booster"
and its superiority over every other
kind.
Let us furnish you with the
toexperience of other printers
of
and
with
facts
just
figures
gether
for
turning out
Sa
because it is the only kind of printing that pays and keeps on paying.
the beaten.
will
do
for you.
Monotype Figures
Composition Matrices
'
3i Point
made
number.
Thus, under
6H9F
12
is
shown a
They
are always
from the
3KF 94
3XF
(Class G)
Set Factor 63
Type Line .0448
95 (Class G)
Set Factor 63
Type Line .0448
123456*890
10 Characters
12 Characters
4i Point
Figures of different designs have been made for certain series.
They are always shown below the specimen of the same
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above,
4>/2F8A
Set Factor 54
12345678
90123456
78901234
56789012
34567890
12345678
$1234567890
11 Characters
4V2F8C
4>/2 F21E
4V2F 21G
Set Factor 54
ltS4S678
90123466
78901tS4
68789012
S4667890
12S45678
tlS3466789O
11 Characters
12345678
56789012
901234567
456789012
$1234567890
78901234
12345678
11 Characters
4'/2 G21E
Set Factor 49.5
12345678
67890123
90123456
34567890
11234567890
12345678
56789012
90123456
34567890
$1234567890
11 Characters
4/2 G21G
Set Factor 49.5
89012345
34567899
12345678
56789012
11 Characters
90123456
34567890
tI234567890
78901234
12345678
11 Characters
Set Factor
is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8
80).
Knowing the
factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE:
Given the
factor of a matrix, to determine for any set, the unit row of the matrix case in uhich to carry this matrix: divide the set factor by the set to be used, the
result it the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-7-9 = 8.8, therefore
matrix in 9 unit row.
;t
iet
put
Type Line:
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
[of
the
mold size expressed decimally with five added to the right hand figure, thus, the line for a 5
.005"= .060"), the
point mold is .060" (.055"
**
i
of the
"
body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .01 1 lower than that produced by standard
matrices used with them (.071' .060" = .01 1 ")
Prices: The figure matrices shown on this page are Class B, except those which have the classification noted in parentheses after the scries
line
number.
Monotype
Composition Matrices
Figures.
'
Point
234567 89012
56789012345
$1234567890
12345678901
40673331234
34567890123
67890123456
11 Characters
5H9F
5G
Set Factor 45
5F 66J
Set Factor 54
123456789 012345678 901234567
890123456 789012345 678901234
$1234567890
11 Characters
012345678
789012345
$1234567890
123456789
890123456
3 Characters
SF 3
901234567
678901234
Set Factor 42
S1234567890
11 Characters
SF 12
SF 71
5G
Set Factor 45
.061
23456789012
56789312345
$1234567890
12345678901
45678901234
78901234
90123456
12345678
34567890
$1234567890
11 Characters
34567890123
67890123456
11 Characters
25J
Set Factor 58.5
78901234
90123456
12345678
12345678
34567890
56789012
$1234567890
Set Factor 45
23456789012
56789012345
$1234567890
12345678901
45678901234
34567890123
67890123456
11 Characters
11 Characters
SF 17
SF 4
SF 72
Set Factor 45
Type Line
.061
23456789012
56789012345
$1234567890
12345678901
45678901234
SF 5
Set Factor 71.5
Set Factor 45
SF26J
123456739
890123456
23456789012
56789012345
$1234567890
12345678901
45678901234
Set Factor 54
34567890123
67890123456
11 Characters
123456
901234
SF 66B
5F 25J
11 Characters
Type Line
11J
Set Factor 54
12345678
56789012
5G 21G
Set Factor 58.5
78901234
90123456
12345678
12345678
34567890
56789012
$1234567890
11 Characters
5F 8C
Set Factor 45
901234567
012345678
678901234
789012345
$1234567890
31567890123
67890123456
11 Characters
11 Characters
SF 76J
SF 18
5F 29
78901234
12345678
90123456
34567890
$1234567890
12345678
56789012
Set Factor 84
12345
6789O
12345
6789O
12345
6789O
$1234567890 c
11 Characters
12 Characters
SF 79J
SF 6
SF 10
Set Factor 90
Type Line
SF
Set Factor 78
7R9O13
.-,;7-!o
-:;!
901234567
123456789 012345678
678901234
890123456 789012345
$1234567890
345678
I
:i:t
11 Characters
l.l;
SF 86J
Set Factor 54
2 IE
901234567
012345678
678901234
789012345
$1234567890
123456789
890123456
SF 51
.056
to
Set Factor 54
14 Characters
SF 7
I-.MI.-.I;
12345
6789O
$123456789Oc..
11 Characters
Type Line
SF 48J
.064
67890
12345
12345
6789O
Set Factor 90
11 Characters
14 Characters
SF 88J
Set Factor 45
23456789012
56789012345
$1234567890.
12.145678901
45678901234
Set Factor 45
5G 21E
SF 8
34567890123
67890123450
12 Characters
99 Characters
SF 56J
SF 96
SF 21G
Set Factor 45
SF 8A
$1234567890
11 Characters
23456789012
56789012345
$1234567890
12345678901
45678901234
Type
12345678
56789012
11
Characters
Type Line
Line .060
78901234
90123456
12345678
34567890
$1234567890
11 Characters
.056
23456789012
56789012345
$1234567890
12345678901
45678901234
11
34567890123
67890123456
34567890123
67890123456
Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
RULE: Given the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this remit contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80 -=-9 = 8.8, therefore put matrix in 9 unit row.
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
The type line
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
"
"
"
"
Type Line:
size of
line
Prices:
cries
The
number.
them
(.071"
figure matrices
.060"
shown on
this
produce type
.01
1 ")
.01
"
1
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
Composition Matrices
5 Point
Figures of different designs have been
series
Thus, under
number.
SF 102
Set Factor 72
Type Line .065
123456
90 234
345678
789012
23456
567890
234567890
1
6H9F
made
12
shown a
is
They
are always
5F 162J
Set Factor 58.5
90123456 78901234
12345678
3156785)0
12315678
50789012
$1234567890
11 Characters
from the
SF 169B
5F 187
Set Factor 72
Type Line .060
Set Factor 35
345678901234
901234567890
123456
$1234567890
11
789012
345678
567890
123456
1234567890
901234
Characters
10 Characters
10 Characters
SF 165J
5F 106
Set Factor 49.5
7S901Z34
90123456
1234567S
34567890
11234567890
11 Characters
1Z34567S
56789013
SF 175
Set Factor 54
Type Line
Set Factor 72
.060
901234567
678901 234
012345678
123456789
8901 23456
78901 234 5
345678
789012
123456
567890
1234567890.
123456
901234
11 Characters
$1234567890
11 Characters
SF 187J
Set Factor 58.5
123456
789012
345678
901234
567890
123456
$1234567890
11 Characters
SF 176
1234S6789
890123456
5F 107J
5F 165B
Set Factor 54
Set Factor 42
Type Line .060
012345678 901234567
789012345 678901234
$1234567890
11 Characters
Set Factor 72
34567890123
67890123456
23456789012
56789012345
$1234567890
12345678901
45678901234
Set Factor 72
123456
9O1234
1
345678
789O12
123456
56789O
23456789O
10 Characters
5F 139
Set Factor 67.5
11
SF 168J
Set Factor 58.5
78901234
90123456
12345678
12345678
34567890
56789012
$1 234567890
11 Characters
34567890123
67890 1 23456
11 Characters
SF 156J
Set Factor 58.5
78901234
90123456
12345678
12345678
34567890
56789012
1234567890
11 Characters
SF 169J
Set Factor 45
23456789012
56789012345
$1234567890
012345678
789012345
123456789
890123456
901234567
678901234
1234567890.
11 Characters
Type Line
.062
012345678
789012345
123456789
890123456
901234567
678901234
1234567890.
11 Characters
12345678901
45678901234
34567890123
67890123456
11 Characters
1 1
SF 200
Set Factor 127.5
5678 9O2342
234 789O
3456
S 23456789O
1
11 Characters
Characters
SF 186J
Set Factor 54
123456789 012345678 901234567
890123456 789012345 678901234
$1234567890
11 Characters
Characters
SF 196
Set Factor 75
SF 185
Set Factor 54
1234
5678
7890 9O12
234
9 23456789O
3456
SF 184
Set Factor 54
Type Line .062
SF 168B
12345678901
4567890 1 234
Characters
SF 194
Set Factor 105
11
11 Characters
5F 113
345678
789O12
123456
567890
1234567890.
123456
901234
5F 206
Set Factor 84
1
234S
e-raao
6-7890
1
234S
SI 23.4S67B9O
11 Characters
SF 95
SF 146
SF 147
Set Factor 90
Set Factor 90
Type Line .0645
Set Factor 90
Set Factor 90
Type Line
.0645
678GO
12345
12345
67890
1234567890
12345
67890
10 Characters
9g
__lJJX5
T234 567 89~0
61 8
12 Characters
Type Line
.0651
Type Line
.0651
12345
67890
12345
12345
67890
67890
1234567890
T7 890'
10 Characters
10 Characters
Knowing the
Set Factor is the set multiplied by unit width thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10 8 = 80)
RULE: Given the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
be used, the
sH
to
set
the
determine
the
unit
row
the
matrix
case
in
which
to
this
matrix:
divide
the
set factor of a matrix, to
carry
factor by
for any set,
of
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-s-9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
The type 1m
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
"
.005"= .060"), the
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a Sy* point mold is .060" (.055
type line for 5 2 point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 Yi point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071"
.060* =.011").
all
Prices: The figure matrices shown on this page are
Class B matrices, except those which have the classification noted in parentheses after the
series number.
Monotype Figures.
Composition Matrices
5i Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
5V2 F SA
5y2 F 22
5y2F 89
5y2 F 143
Set Factor 91
5678901
8901234
6789012
9012345
$1234567890
1234567
2345678
11
Characters
Type Line
123456789
890123456
Characters
1 1
.0615
901234567
678901234
012345678
789012345
012345678
789012345
$1234567890
123456789
890123456
$1234567890
901234567
678901234
Characters
1 1
11 Characters
>/2
5/2 F 28J
F 5C
$l!.Uf o67890
1 1 Characters
5>/2 F 7A
Set Factor 42
Set Factor 72
lM<,.->67
!
>.!
5y2 F 144
8901234
:>r>7S901
90123'i.~>
6789012
5i/2 F
90
Set Factor 66
8901234
5678901
1234567
2345678
9012345
6789012
234567890
10 Characters
Set Factor 63
Type Line
901234567
678901234
012345678
789012345
$1234567890
123456789
890123456
1 1
123456
901234
345678
789012
123456
567890
$1234567890
Characters
5V2 F 30A
5>/2 F 8
Set Factor 49.5
012345678
789012345
11234567890
123456789
890123456
1 1
Set Factor 63
901234567
678901234
5678901
8901234
9012345
6789012
$1234567890
1234567
2345678
Characters
Characters
1 1
5/2 F 30C
5y2 F 10
Set Factor 70
123456
901234
Characters
1 1
5y2 F 21E
12345678
56789012
90123456
78901234
12345678
34567890
$1234567890
11 Characters
5'/2
$1234567890
11 Characters
54
Type Line
.067
1
Characters
5>/2 F
12343678
36780012
Set Factor 91
12345
12345 6789O
6789O 12345 6789O
S123456789O
5>/2 F 149J
Set Factor 54
901234567
123456789 012345678
890123456 789012345 678901234
$1234567890
11 Characters
1234567
2345678
5678901
8901234
6789012
9012345
$1234567890
11 Characters
5>/2 F
178
Set Factor 72
333333
333333
333333
333333
3333333333
333333
333333
Character
11 Characters
5y2 H9F
178
Set Factor 72
21G
78901234
00123456
34567800
12345678
$1234567800
11 Characters
Characters
11
10 Characters
5V2 F 55J
5>/2 F 56J
5678901
8901234
9012345
6789012
$1234567890
1234567
2345678
789012
345678
123456
567890
1234567890
123456
901234
5678 90 2
789O 1234$1234567890
123434-56
1 1
145
5 /2 F 156
5y2 F 122
Set Factor 72
Type Line .0630
G 2 IE
5>/2 F 118J
Set Factor 58.5
90123456
78901234
12345678
12345678
34567890
56789012
11 Characters
5>/2 F
Characters
901234567
678901234
012345678
789012345
$1234567890
123456789
890123456
14 Characters
Set Factor 49
1 1
5>/2 F
5/2 F 92J
.0650
8901234
5678901
6789012
9012345
$1234567890
1234567
2345678
5>/2 F 134
Set Factor 43.5
Set Factor 63
23456789012
12345678901
45678901234
56789012345
34567890123
67890123456
$1234567890
1 1
Character
Characters
5y2 F 184
5V2 G 21 G
Set Factor 58.5
12345678
90123456
78901234
56789012
34567890
12345678
$1234567890
11 Characters
St Factor
5>/2 F
5/2F 82
Set Factor 58.5
12345678
56789012
90123456
3-J567890
$1234567890
11 Characters
78901234
12345678
142J
Set Factor 65.3
1234567
2315678
8901234
5678901
9012345
6789012
$1234567890
1 1
Characters
Set Factor 54
Type Line
.0670
012345678
789012345
123456789
890123456
901234567
678901234
1234567890.
1 1
Characters
the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
carry this matrix: divide the set factor by the set to be used, the
EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-^9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5 Yi point mold is .060" (.055 "+.005" = .060"), the
tvpc liii" for 5J4 point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type ca.st from spi-Hal line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 Yi point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 Yi point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071*
.060"= .011").
Prices: The figure matrices shown on this page are Class B, except those which have the classification noted in parentheses after the series
number.
set factor
is
and the
set factor of a matrix, to determine for any set, the unit rmv of the matrix case in which to
result is the unit rmo required.
If this result contains a fraction use next larger unit rmv.
Monotype
Figures.
Composition Matrices
Si Point
Figures of different designs have been
series
number.
Thus, under
6H9F
made
12
is
5 y2 F 185
Type Line
.0670
012345678
789012345
901234567
678901234
5>/2 F
123456
5V2 F 198
Set Factor 60
901234567
678901234
Type Line
.0645
90123456 78901234
34567890 12345678
1234567890
10 Characters
12345678
56789012
10 Characters
5>/2 F 201
Set Factor 99
12345
67890
$
67890 12345
12345 67890
234567890
1 1
Characters
H9F
198
5V2
Set Factor 60
187
789012
345678
567890
123456
1234567890
are always
Characters
Sy2H9F
Set Factor 72
Type Line .0650
901234
012345678
789012345
1234567890
123456789
890123456
1234567890.
11
They
5>/2 F 186
Set Factor 54
Set Factor 54
123456789
890123456
shown a
186
Set Factor 54
333333333
333333333
10 Characters
333333333
333333333
333333333 333333333
333333333333
1
Character
Type Line
35835835
58358358
.0645
83583583 58358358
35835835 83583583
3583583583
3 Characters
5/2F 25SJ
Set Factor 65.3
1234567
2345678
8901334
5678901
9012345
6789O12
81234567890
11 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
RULE: Given the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
faf tor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-=-9 = 8.8, therefore put matrix in 9 unit row.
set
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
The type line
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
"
the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5>i point mold is .060" (.055 + .005"= .060"), the
line
and
line
for
lower
matrix
consequently when used
type
5^ point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a
in combination with standard line matrices the line of the type cast from special line matrices is lower than the typecast from standard line man !<;.
l
For all such exceptions the type line is given; for example 5 /i_
.071"
distance from the top
line
is
as
F10
for
which
the
(the
given
figures
point
type
of the body to the bottom of these figures when cast on 5 \4 point body) thus these matrices produce type .01 1" lower than that produced by standard
line matrices used with them (.071"
.060"= .011").
Type Line:
size of
is
Prices:
number.
The
figure matrices
shown on
this
classification
series
Monotype Figures.
Composition Matrices
6 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
6F
90123456
34567890
$1234567390
12345673
56739012
73901234
12345673
1234567
2345678
11 Characters
6G 16E
Set Factor 63
5678901
8901234
6789012
9012345
91234567890
11 Characters
6F
1234567
2345678
8901234
9012345
$1234567890
11 Characters
369369
369369
90123456
34567890
$1234567890
1 2345678
56789012
11
6H91F
333333
333333
333333333333
333333
332333
333333
333333
Character
78901234
12345678
12345678
56789012
Characters
8901234
5678901
6789012
9012345
$1234567890
1 1 Characters
6F2
6F 12
Set Factor 54
78901234
90123456
12345678
56789012
1234567
2345678
5678901
8901234
6789012
9012345
$1234567890
1 1 Characters
Set Factor 54
17
12345678
56789012
Set Factor 54
Type Line
.076
33333333
33333333
333333333333
33333333
33333333
33333333
33333333
90123456
34567800
11234567890
1 1
78901234
12345678
Characters
6H9YF 2 IE
Character
Set Factor 54
Set Factor 63
12
Set Factor 54
33333333
33333333
Characters
33333333
33333333
333333333333
1
13
90123456
34567890
12345678
56789012
6G21E
1234567
2345678
5678
1234
3456
78901H34
12345678
8901234
5678901
9012345
6789012
$1234567890
1 1
Set Factor 54
14 Characters
Characters
6H2F 21G
9012
[8$0_.J234
i123<4r
'890c.,
12345678
36780012
11 Characters
Characters
69696969
69696969
96969696
96969696
696969696969
2 Characters
Set Factor 63
6F 19
Set Factor 108
Type Line .0785
Set Factor 54
789012
345678
567890
123456
$1234567890
.5678901
8901234
6789012
9012345
$1234567890
1 1 Characters
33333333
33333333
Character
6F
6F5C
Set Factor 69.7
69696969
96969696
6F 18
14 Characters
6H9F
345678
789012
123456
567890
$1234567890
1 1
90123456
78901234
12345678
34567890
SI 234567890.,
13 Characters
34567890
12345678
$1234567890..,
6F 5A
123456
901234
Set Factor 63
"
11
17
6H9F
1234567
2345678
123456
901234
5678901
8901234
6789012
9012345
$1234567890
11 Characters
6H2F 21E
Set Factor 54
78901234
90123456
12345678
34567890
$1234567890. .
13 Characters
12345678
56789012
1234567
2345678
12S4567
2345678
6F21E
6F
Set Factor 54
6G 11J
Set Factor 63
Set Factor 54
Set Factor 63
5678901
6789012
11
Set Factor 54
369369
369369
6F 20C
6F 8C
Set Factor 63
Set Factor 54
90123436
34367800
$1234567800
1 1
78901234
12345678
Characters
6F 19A
6H2F 1SE
OF 8
Set Factor 54
12345678
56789012
90123456
34567890
$1234567890
11
78901234
12345678
oooooooo
oooooooo
Characters
oooooooo
oooooooo
8901234
5678901
9012345
0789012
$1234567890
11 Characters
1234567
2345678
123456
901234
789012
345678
567890
123456
$1234567890
8901234
5678901
9012345
6789012
1234567890
10 Characters
6789O
12345
12345
12345
H7K90
O78UO
$ 123456 7 89Ov.,
15 Characters
6F 16E
6F20A
Set Factor 63
Character
St
1234567
2345678
8901234
5678901
6789012
9012345
$1234567890
11 Characters
6G21G
Set Factor 63
1234567
2345678
8901234
5678901
9012345
678V012
$1234567890
11
Set Factor 63
$$$$$$$
$$$$$$$
8901234
5678901
9012345
6789012
$1234567890
1 1 Characters
6F20
Set Factor 84
6H9F 8A
$$$$$$$
$$$$$$$
1234567
2345678
11 Characters
Set Factor 63
$$$$$$$
$$$$$$$
Set Factor 63
Character
6F 16
Set Factor 63
6F8A
Set Factor 63
1234567
2345B78
oooooooo
oooooooo
oooooooooooo
6F21G
Set Factor 54
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
1 1 Characters
Characters
6H2G
2 IE
Set Factor 54
12345678
90123456
78901234
56789012
34567890
12345678
$1234567890
1 1
Characters
Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Know ing the
et factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-5-9
8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5K point mold is .060" (.055 " + .00.5*= .060"), the
type line for 5tf point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5% point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 % point body) thus these matrices produce type .01 1" lower than that produced by standard
line matrices used with them (.071*
.060"= .01 1").
Prices: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
series
number.
Monotype Figures.
Composition Matrices
6 Point
made
number.
series
Thus, under
6H9F
12
is
shown a
6F22E
6F26
6F 31G
6F 36
Set Factor 98
Set Factor 88
5678901
8901234
6789012
9012945
$1234567890
11 Characters
1234567
2345678
Type Line
.0785
1234
9012
5678
3456
7890
1234
S1234567890G..
1234567
2345678
8901234
5678901
6789013
0012345
$1234567890
11 Characters
Type Line
12346
67890
12345
67890
$1234567890c.,
14 Characters
14 Characters
6F22G
8901234
90123.15
6G31G
6F 28
1234567
3345678
.0695
67890
12345
6F36A
5678901
6789012
Set Factor 54
90123456
12345678
78901234
56789012
34567890
12345678
$1234567890
11 Characters
6F28J
6F32
6F36C
5678901
6789012
Set Factor 63
$1234567890
11 Characters
1234567
2345678
6G24
Set Factor 54
8901234
9012345
$1234567890
1234567
2345678
1234567
2346678
11 Characters
1234
3456
32
Set Factor 108
Type Line .0785
6F 31
Set Factor 98
5678901
8901234
9012345
6789012
$1234567890
1234
3156
1234567
2345678
5678
9O12
14 Characters
Set Factor 63
1234567
2345678
6G25K
6H91F 31E
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
11 Characters
9999999
9999999
12 Characters
8901234
5678901
9013345
6789012
$1234567890
1 1 Characters
9999999
9999999
9999999
9999999
999999999999
1 Character
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
6F37G
Set Factor 58.5
1234567
2345678
6F34A
Set Factor 58.5
1234567
8901234
5678901
2345078
901234.5
6789012
$1234567890
11 Characters
6F34C
1334567
234?>V78
5678901
8901234
678U012
9012341
SI 23 4567 890
11 Characters
8901234
5678901
6780012
9012345
$1234567890
11 Characters
6G 37G
Set Factor 58.5
1234567
8901234
5678901
2345678
9012345
6789012
$1234567890
11 Characters
6G31E
6F26J
8901234
5678901
9012345
6789012
1234567890
11 Characters
.0785
7967967
9679679
7967967
9679679
679679679679
3 Characters
Set Factor 93
Type Line
6F31E
25J
1234567
2345678
6F34
8001234
5678901
6789012
0012345
$1234567890
1 1 Characters
6G37E
10 Characters
7890
1234
$123456789Oc.,
11 Characters
1234567
2345678
9O12
1234
6H9F
14 Characters
6G25J
1234567
2345678
5678
7890
$123456789Oc.,
Set Factor 63
6796796
6796796
5678901
8901S34
6789012
9012345
$1234567890
11 Characters
6F37E
Set Factor 98
Characters
6H9G
1234567
345678
6F29
8001234
5678901
1234567
6789012
2345678
0012345
$1234567890
1234567
2345678
34
$1234~56789C
11 Characters
6F2SJ
Set Factor 63
1 1
8901294
5678901
9012345
6789012
$1234567890
11 Characters
6G38E
Set Factor 63
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
11 Characters
6F35
6H2F 26J
6H9G 31E
Set Factor 54
90123456
34567890
12345678
56789012
78901234
12345678
6969696
9696969
$1234567890c.,
14 Characters
6F38E
9696969
6969696
6969696
9696969
696969696969
2 Characters
12345
67890
12345
67890
12345
67890
$1234567890
11 Characters
Set Factor 63
1134567
3456789
8901114
5789011
7890113
0113456
$1134567890
11 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 80). Knowing the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE:
Given the
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required,
this
result
contains
a
use
next
unit
row.
EXAMPLE:
Set
factor
in
which
to carry
80. Find unit row
if
fraction
larger
this matrix in matrix case used with 9 set normal wedge; 80-7-9
8.8, therefore put matrix in 9 unit row.
AH
matrices for composition when used in the, same matrix case produce type on the same line regardless of any difference in point
Type Line:
size of the matrices, and the Hne standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5}4 point mold is .060* (.055*
the
. 005"= .060"),
type line for
point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 J4 point F10 figures for \vhich the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on S'/4 point body) thus these matrices produce type .011* lower than that produced by standard
line matrices used with them (.071"
.060"=. Oil").
5K
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
Composition Matrices
6 Point
series.
They are always shown below the specimen of the same
Figures of different designs have been made for certain
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
series number.
6G38G
6F49J
6F52J
6F 63J
Set Factor 63
Set Factor 54
90123456
78901234
12345678
92345678
67890123
45678901
$1234567890
11 Characters
Set Factor 63
5678901
8901234
6789012
9012345
$1234567890
11 Characters
1234567
2345678
6F 38G
Set Factor 63
8901234
901234;
1234567
2345678
f 67890
6789012
i
$ i 234567890
6F39J
315678
789012
123456
567890
$1234567890
123456
901234
Characters
11
11 Characters
6F50
6F55
6G64J
Set Factor 54
90123456
78901234
12345678
12345678
34567890
56789012
11
1234567
2345678
Characters
Central on
8901234 5678901
9012345 6789012
$1234567890
11
6F 51
Set Factor 108
345678
7890 2
123456
567890
$1234567890
23456
901234
345678
123456
789012
123456
901234
567890
812344567890
11 Characters
5678901
8901234
9012345
6789012
$1234567890
11 Characters
1234567
2345678
Body
@@@@@()
$1234567890
Characters
11 Characters
6F56
6G64K
Set Factor 54
Type Line .070
Set Factor 54
78901234
90123456
12345678
34567890
12345678
56789012
$1234567690
11 Characters
90123456
34567890
$1234567890
12345678
56789012
11
6F43
78901234
12345678
Characters
6F65
Set Factor 56
Type Line
.0725
78901234
90123456
90123456
12345678
$1234567890,
12 Characters
12345678
34567890
6F56J
@@@<>@
1234567
2345678
99 Characters
6F45
6F 51 (Class B)
6H9F 45
Set Factor 72.5
Type Line
Set Factor 84
67800
12345
12345
12345
67890
67890
*1234567890
)
t>
12 Characters
Character
Set Factor 90
12345
6789O 12345
6789O 12345 6789O
S123456789O
(m)
567890 J
8901234
90 J 2345
6789012
$1234567890
1234567
2345678
100 Characters
6F52
12 Characters
1 1
Set Factor 91
6F48J
11
Type Line
8901234
5678901
6789012
9012345
$1234567890
11 Characters
6F 68K
Set Factor 63
123456
901234
14 Characters
11
Characters
52
6F60K
Set Factor 67.5
789012
345678
123456
567890
$1234567890
line .0675
6H9F
Type
Characters
6H9F 48J
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
11 Characters
6F69
6F60J
.0675
Characters
Set Factor 63
11111111
11111111
11111111
11111111
11111111
11111111
111111111111
1 Character
1234567
2345678
6F58J
.0695
8901234
5678901
8901234
5678901
SI 234567890
6F68J
Set Factor 63
Set Factor 63
5678901
8901234
9012345
6789012
$1234567890
11 Characters
11 Characters
Set Factor 63
6F66J
Set Factor 63
1234567
2345678
6F58
.078
6F 47
1234567
1234567
14 Characters
12 Characters
@@
illlii
!!!!!!
11111111111
Type Line
$1234567S9Oc.,
6F57
34E
456
789012
!2c
567890
iff \
$1234567890.
11 Characters
I!!!!!
8901234 5678901
9012345 6789012
$1234567890
Character
123456
901234
789012
345678
567890
123456
f!234567990
11 Characters
236
4567
I
5679 O 23
89O
2345
234567890
I
10 Characters
6F69J
Set Factor 54
12345678
56789012
90123456
34567890
$1234567890
78901234
12345678
11 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 80). Knowing the
et factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
this
result
contains
a
next
row.
EXAMPLE:
Set
80.
Find
row
in which to carry
use
unit
factor
unit
If
larger
fraction
this matrix in matrix case used with 9 set normal wedge; 80-*-9 = 8.8, therefore put matrix in 9 unit row.
set
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
the mold size expressed decimally with five added to the right hand figure, thus, the line for a Stf point mold is .060" (.055 "
.005"= .060"), the
type line for 5 >f point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5
point F10 figures for which the type line is given as .071* (the distance from the top
of the body to the bottom of these figures when cast on 5 t point body) thus these matrices produce type .01 1 * lower than that produced by standard
line matrices used with them (.071"
.060"
.01 1 ") .
is
Prices:
series
number.
shown on
this
page are
all C'lass
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
Composition Matrices
6 Point
Figures of different designs have been
number.
series
Thus, under
6H9F
made
12
6G71E
8901234
5678901
9012345
6789012
$1234567890
1234S67
2345678
11 Characters
8901234
S678901
9012345
6789012
$1234567890
1234567
2345678
Characters
11
6G71G
6G Q8K
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
11
Set Factor 63
5678901
89012)4
9012)45
6789012
$12)4567890
11 Characters
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
1 1 Characters
Characters
6F89K
6F99
Set Factor 72.5
8901234
5678901
6789012
9012345
$1234567890
1234567
2345678
11 Characters
1234567
2345678
Set Factor 63
6F81J
1234567
2)45678
6F89J
Set Factor 63
6F 79K
Set Factor 63
1234567
2345678
shown a
is
1 1
Characters
6F72
6F86
6F90
Set Factor 54
90123456
78901234
12345678
34567890
12345678
56789012
$1234567890
11 Characters
Set Factor 54
12345678
90123456
78901234
56789012
34567890
12345678
Set Factor 72
11 Characters
10 Characters
6F76J
6F 86J
6F91
789012
345678
123456
567890
1234567890
123456
901234
$1234567890
6F 102J
Set Factor 67.5
1234567
2345678
8901234 5678901
9012345 6789012
$1234567890
1 1
Set Factor 63
Set Factor 54
78901234
90123456
34567890
12345678
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
1
12345678
5678OI2
1234567890
10 Characters
Characters
Characters
Characters
6F 103
Set Factor 54
12345678
90123456
78901234
56789012
34567890
12345678
$1234567890
11 Characters
6H3F
6F77
Set Factor 76.5
123456
901234
345678
789012
567890 123456
91234567890
1 1
6F92J
86J
Set Factor 84
12345
6789O
67890
12345
12345
6789O
$1234567890
Characters
1 1
Set Factor 63
8901234
1234567
5678001
2345678
9012345
6789012
$1234567890
Characters
Characters
6F 105
Set Factor 70
123456
901234
1 1
789012
345678
567890
123450
$1234567890
1 1
90123456
34567890
1234567
234S678
78901234
12345678
$1234567890
1 1
Set Factor 54
Set Factor 63
Set Factor 45
12345671
56789012
Characters
8901234
5678901
9012345
6789012
$1234567890
1 1 Characters
Type Line
1 1
123456
901234
8901234
5678901
9012345
6789012
$1234567890
1 1 Characters
6F79
12345678
56789012
1234567
2345678
789012
345678
567890
123456
$1234567890
1 1
1234567
2345678
Characters
5678901
6789012
5678901
8901234
6789012
9012345
$1234567890
1 1 Characters
1234567
2345678
6F79J
6F88K
6G98J
90123456
34SS7890
$12345S7890
78901234
1234SS7S
11 Characters
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
1 1
Characters
Character
6G
Set Factor 63
78901234
12345679
11 Characters
1234Sf7S
S6789012
6F97K
90123456
34567890
$1234567890
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
1 1 Characters
6H9F 107J
Set Factor 63
9999999
9999999
9999999
9999999
9999999
9999999
9999999999
Characters
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
Characters
8901234
9012345
$1234567890
1
78901234
12345678
Set Factor 63
6F 88J
Set Factor 54
90123456
78901234
34567890
12345678
$1234567890
11 Characters
.066
6F97J
Set Factor 72
Set Factor 63
1234S67
2345678
6F 107J
90123456
34567890
$1234567890
12345678
56789012
6F 87
6G78J
Characters
6F 96
6F 86K
6F77J
111J
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
1 1
Characters
6F 113J
Set Factor 54
12345678
56789012
90123456
34567890
$1234567890
78901234
12345678
11 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Civen the
of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80 -f- 9 = 8. 8, therefore put matrix in 9 unit row.
set factor
set factor
type line for 5 YJ point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5
point F10 figures for which the type line is given as .071" (the distance from the top
*
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .01 1 lower than that produced by standard
line matrices used with them (.071*
.060* = .01 1 ") .
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
Composition Matrices
6 Point
made
Thus, under
number.
series
6H9F
12 is
6F 115
6F
Set Factor 84
Type Line
12345
67890
.066
789012
345678
123456
567890
$1234567890
123456
901234
6F 132K
Set Factor 63
123456
5678901
8901234
6789012
9012345
$1234567890
11 Characters
901234
Set Factor 63
S67890J
8901234
6789012
9012345
$1234567890
11 Characters
6F 134E
6F 145J
Set Factor 63
(Class
78901234
12345678
6789O
2345
2345
6789O
1
6F
Showing use of
6F 152, and 6F 153
151
(7720413)
6H3F
152 (Class D)
Set Factor 63
*
2345
6789O
1
$ 234567890
1
11
Character
Characters
10 Characters
6H33F
153 (Class
Set Factor 54
11 Characters
6F 118J
Set Factor 63
8901234
9012345
$1234567890
1234567
2345678
5678901
6789012
123456
901234
6F 136
6F 149
Set Factor 78
789012 345678
123456
567890
1234567890
Type Line
D)
10 Characters
.079
5678
1234
S7S012
I2J4S780
6F 147J
Set Factor 91
D)
5555555
5555555
5555555
5555555 __5555555__ 5555555
55555555555
1
3(',7S901231
10 Characters
8901234
5678901
6789012
9012345
$1234567890
11 Characters
1234567
2345678
11UM78M13
Characters
Set Factor 54
1234S678
90123456
78901234
56789012
34567890
12345678
$1234567890
11 Characters
Set Factor 63
Set Factor 54
90123456
34567890
$1234567890
11
(Class B)
Set Factor 36
8901234
5678901
6789012
9012345
$1234567890
1234567
2345678
11 Characters
6F 135
6F 153
6F 143J
345678
789012
1234S6
S67890
91234567890
6F 118
12345678
56789012
mm&
*#*
10 Characters
Set Factor 63
6F 117K
1234567
2345678
mm&
11 Characters
Characters
6F 117J
1234567
2345678
'
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
6F 152 (Class B)
Set Factor 54
6F 142J
131
Set Factor 63
12345
67890
12345
6789O
$1234567890
11
shown a
9012
10 Characters
11 Characters'
6F 138
6F 118K
Set Factor 63
8901234
5678901
1234567
6789012
9012345
2345678
$1234567890
1 1 Characters
(Class
D)
6F 149J
Set Factor 63
1234567
2345678
8961234
9612345
1234567896
5678961
6789612
6F 153J
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
10 Characters
Set Factor 63
1234567
2345678
8901234
5678901
90 1 2345
67890 1 2
$1234567890
1 1
6F 139J
6F 119J
Set Factor 54
90123456
78901234
12345678
34567890
$1234567890
12345678
66789012
1 1
1234567
2345678
Characters
6H9F
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
11 Characters
11 Characters
6F 140J
6F 150C
Set Factor 45
Set Factor 91
12346
67890
12345 6789O
$1234567890
12345
6789O
12345678
56789012
90123456
34567890
$1234567890
3333333
3333333
3333333
3333333
3333333
3333333
3333333333
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
11 Characters
11 Characters
11 Characters
6F 128J
6F 141J
6F 151 (Class B)
Set Factor 45
Set Factor 54
193456
901234
789O12
345678
507890
123450
81234567890
11 Characters
12345678
56789012
90123456
34567890
$1234567890
11 Characters
123456
901234
9 Characters
789012
345678
123456
567890
$1234567890
11 Characters
6F 157
Set Factor 63
1234567
2345678
78901234
12345678
Character
6F 156J
Set Factor 67.5
Type line .0670
153J
Set Factor 63
6F 123
Characters
6F 150A
8901234
5678901
9012345
6789012
1234567890
10 Characters
is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80).
Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
factor of a natrtx, to determine for any set, the unit row of the matrix cane in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-4-9 = 8.8, therefore put matrix in 9 unit row.
Set Factor
set factor
set
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
the mold size expressed decimally with five added to the right hand figure, thus, the line for a. 5)4 point mold is .060" (.055 "+.005"= .060"), the
l
EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
type line for S /i
point faces.
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 ]/i point F10 figures for which the type line is given as .071* (the distance from the top
of the body to the bottom of these figures when cast on 5 yi point body) thus these matrices produce type .01 1 " lower than that produced by standard
line matrices used with them (.071"
.060" = .01 1 ")
Price*: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
Typ Line:
size of
is
series
number.
Monotype
Figures.
Composition Matrices
6 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
6G 157E
6F 164K
6G 172G
Set Factor 63
Set Factor 63
Set Factor 63
5678901
8901234
6789012
9012345
$1234567890
1234567
2345678
8901234
5678901
6789012
9012345
$1234567890
11 Characters
1234567
2345678
11 Characters
6G 157G
5678901
8901234
6789012
9012345
$1234567890
1234567
2345678
6F 158J
Set Factor 67.5
8901234 5678901
9012345 6789012
$1234567890
11 Characters
6F 1S9J
Set Factor 63
8901234
5678901
6789012
9012345
$1234567890
11 Characters
1234567
2345678
5678901
8901234
6789012
9012345
$1234567890
11 Characters
6F 175A
8ooia34
5678901
6789012
9012845
$1284567890
1284567
2845678
11 Characters
6F 168B
6G 175A
Set Factor 63
789012345 678901234
$1234567890
1234557
2345B78
169J
Set Factor 54
6F 193
1234567
2345678
5678901
8901234
9012345
6789012
$1234567890
11 Characters
1234567
2345678
11 Characters
6F 194
Set Factor 127.5
1
6F 161K
5618901
8901234
6789012
9012345
fl23456T890
11 Characters
1234567890
1234567890
1234567890
1234567890
1234567890
1234567890
Set Factor 54
90123456
78901234
34567890
12345678
$1234567890
11 Characters
Set Factor 42
Set Factor 63
1234567
2345678
789
456
678
345
23456789O
2.3
O1 2
6F 176J
6F 169B
12345678
56789012
Jl 234567890
11 Characters
8901234
5678901
9012345
6789012
1234567890
10 Characters
Set Factor 63
78901234
12345678
8901234 5678301
9012345 6789012
$1234567890
Set Factor 63
6G 175C
<JF
12390456
34567890
$1234567890
6F 188J
Set Factor 67.5
11 Characters
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
11 Characters
12345678
56789012
Set Factor 63
6F 161J
6F 187B
5678901
8901234
9012345
6789012
$1234567890
11 Characters
1234567
2345678
11 Characters
Set Factor 63
1234567
2345678
6F 173E
8901234 5678901
9012345 6789012
$1234567890
690123456
8901234 5678901
9012345 6789012
$1234567890
11 Characters
11 Characters
6F 168J
Set Factor 67.5
1234567
2345678
1234567
2345678
Set Factor 63
8901234
5678901
9012345
6789012
$1234567890
11 Characters
1234567
2345678
11 Characters
1234567
2315678
5678901
8901234
9012345
6789012
$1234567890
1234567
2345678
6F 165J
Set Factor 63
Set Factor 63
6F 187J
Set Factor 67.5
11 Characters
'6F 196
Set Factor 90
6F 162J
6F 172E
Set Factor 63
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
11 Characters
11 Characters
6F 163J
6G 172E
6F 177
Set Factor 79.8
789OI2
56789O
123456
9OI234
345678
6789O 12345
12345
6789O 12345 6789O
$1234567890
11 Characters
123456
$ 234567890
1
11 Characters
6F 200
8901234
5678901
9012345
6789012
$1234567890
11 Characters
6F 164J
Set Factor 63
8901234
1234567
5678901
9012345
6789012
2345678
$1234567890
11 Characters
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
III!
I
I
I
I
I
11 Characters
1234567
2345678
II
I
I
I
I
I
I
456
678
345 789
234567S9O
2.3
1
1
2.
11 Characters
6F 186J
Set Factor 63
11 Characters
Characters
6F 172G
1234567
2345678
Set Factor 63
8901234
5678001
6780012
0012345
$1234567800
177
Set Factor 79.8
Set Factor 63
Set Factor 63
1234567
2345678
6H2F
8901234
5678901
9012345
6789012
$1234567890
11 Characters
6F 204J
Set Factor 54
12345678
56789012
90123456
34567890
$1234567890
78901234
12345678
11 Characters
Knowing the
Set Factor is the set multiplied by unit width thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X 8 = 80)
RULE: Given the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit rmo required.
If this result contains a fraction use next larger unit rmu. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-:-9 = 8.8, therefore put matrix in 9 unit row.
.
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
the mold size expressed decimally with five added to the right hand figure, thus, the line for a.5}4 point mold is .060" (.055" .005" = .060"), the
type line for 5 Yi point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
as .071" (the distance from the top
For all such exceptions the type line is given; for example 5
point F10 figures for which the type line is given
"
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .01 1 lower than that produced by standard
line matrices used with them (.071"
.060" = . Oil").
Prices: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
Type Line:
is
series
number.
Monotype Figures.
Composition Matrices
6 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
6F 207 (Class D)
6F 228J
6F 249J
6F 275J
Set Factor 54
12l2l2l2
I212l2l2
I2121212
21212121
2l212l21
212I2I2I
I2l2l2l2l2l
Set Factor 84
Set Factor 63
Set Factor 63
67890
12345
12345
67890
$1234567890
13345
67890
2 Characters
1234567
2345678
11 Characters
11 Characters
8901234
5678901
6789012
9012345
$1234567890
11 Characters
6F220
6F249
6F 256J
6F 275K
Set Factor 70
Set Factor 54
Set Factor 72
Set Factor 63
789012
345678
567890
123456
$1234567980
123456
901234
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
12345678
56789012
11 Characters
90123456
34567890
$1234567890
78901234
12345678
123456
9O1234
789O12
345678
56789O
123456
$1234567890
1234567
2345678
11 Characters
11 Characters
8901234
5678901
9012345
6789012
$1234567890
11 Characters
6F 94
Type Line
1234567
2345678
1234
3456
Type Line
.0785
9012
1234
5678
7890
1234567890
.040
WWKW
HW&WW
BHHWW
6F 191
Set Factor 72
WWWN
WWWW9
JWWWH
10 Characters
6F 81
6F 95
Set Factor 108
6F 111
Set Factor 35
Type Line .0696
8WT234
56~789T5T
56J5345
1234567890
6~789"0"T2
10 Characters
1234
3456
.0785
5678
7890
1234567890
12 Characters
9012
1234
i4444MW4
WM4444W
789012 345678
567890 123456
1234567890
10 Characters
10 Characters
Type Line
1234S6
901234
HHWJWWWH!
10 Characters
T2343S7
5345B78
Type Line
.076
8901234 5678901
9012345 6789012
1234567890
6F 110
Set Factor 35
ttittttttttf
4M4M44444
4M4444ttito
iiiiSttttiii
WIHtMiHtHttk
10 Characters
<*
Set Factor 72
123456
345678
711234
567812
123456
78T234
12345678
8 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
et factor and the set to be used, o determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
factor of a matrix, to determine for any set, the unit rmo of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case Uoed with 9 set normal wedge; 80-5-9 = 8.8, therefore put matrix in 9 unit row.
set
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
"
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5
.005"= .060"), the
point mold is .060" (.05 5
type line for 5>i point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the
type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 1 point F10 figures for which the type line is given as .071 * (the distance from the top
bottom of these figures when cast on 5 YI point body) thus these matrices produce type .01 1 " lower than that produced by standard
with them (.071" .060" = .01 1 ")
Prices: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
All Piece Fractions are Class B.
series number.
of the body to the
line matrices used
Composition Matrices
Monotype Figures.
7
Point
7F 18
7F26J
7G 31G
Set Factor 72
Set Factor 72
345678
123456 789012
123456
901234 567890
$1234567890
345678
789012
123456
567890
$1234567890
123456
901234
7F 21E
7F 28
Set Factor 72
Set Factor 63
789012
345678
567890
123456
$1234567890
123456
901234
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
11 Characters
7F8A
7G21E
Set Factor 72
Set Factor 72
345678
789012
123456
567890
$1234567890
123456
901234
345678
789012
123456
567890
$1234567890
7F 8C
7F21G
Set Factor 72
Set Factor 72
789012
346678
123456
567890
123456
901234
91234567890
789012
345678
123456
123456
001234
567890
$1234567800
11 Characters
11 Characters
Set Factor 65
1234567
2345678
7G37E
7F28J
Set Factor 72
123456
901234
789012
345678
123456
567890
$1234567890
7F 13
7G21G
Set Factor 72
345678
789012
123456
567890
$1234567890
123456
901234
6789012
8012345
7890123
0123456
91234567890
12S4567
S456789
11 Characters
11 Characters
7H3F 28J
7F37G
Set Factor 90
1234.567
2345678
123456
901234
7F 16E
7F2SJ
Set Factor 72
123456
901234
789012
345678
567890
123456
$1234567890
11
11 Characters
123456
901234
345678
789012
123456
567890
$1234567890
7F38E
7F31E
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
11
Set Factor 72
123456
901234
Characters
789012
345678
567890
123456
$1234567890
11
Characters
7G 31E
7G38E
Set Factor 65 .3
Set Factor 72
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
Characters
1 1
123456
901234
Characters
789012
345678
567890
123456
$1234567890
11 Characters
7G 16E
7G25J
7H9G 31E
7F38G
Set Factor 72
Set Factor 72
123456
901234
789012
345678
567890
123456
$1234567890
345678
789012
567890
123456
$1234567890
6969696
9696969
6969696
9696969
696969696969
6969696
9696969
11 Characters
7G 16G
7G25K
Set Factor 72
123456
901234
789012
345678
567890
123456
$1234567890
789012
345678
567890
123456
$1234567890
11 Characters
11 Characters
123456
301234
2 Characters
11 Characters
123456
901234
8901234
5678901
9012345
6789012
$1234567890
11 Characters
Set Factor 65 .3
11 Characters
11 Characters
8901234
5678901
9012345
6789012
31234567890
1234567
2345678
11 Characters
Set Factor 63
.3
8901234
5678901
9012345
6789012
$1234567890
11 Characters
11 Characters
11 Characters
11 Characters
11 Chaiacters
7F37E
7F8
5678901
8901234
6789012
9012345
$1234567890
8901234
5678901
9012345
6789012
$1234567890
1234567
2345678
Characters
1 1
Set Factor 63
11 Characters
123456
901234
345678
789012
123456
567890
$1234567890
11 Characters
11 Characters
1234567
2345678
123456
901234
789012
34.5678
567830
123456
$1234567830
1
7G38G
7F31G
Set Factor 72
1234567
2345678
8901234
5678901
9012345
6789012
$1234567890
1 1
Characters
Characters
123456
901234
789012
345678
567890
123456
$1234567890
11
Characters
For
line
Prices:
number.
The
them
(.071*
figure matrices
.060"= .bit*)."
this page are Class A, except those which have the
shown on
classification
series
Monotype Figures.
7
Figures of different designs have been
number.
series
Thus, under
6H9F
made
12
is
7F48J
789012
345678
567890
123456
$1234567890
1234567
2345678
11 Characters
shown a
are always
789012
345678
567890
123456
$1234567890
11 Characters
7F62
7F 107J
Set Factor 72
123456
901234
5678 9012
7890 1234
789012
345678
123456
567890
$1234567890
$1234567890
11 Characters
1 1
7G 172G
Set Factor 72
123456
901234
Characters
789012
34567H
567890
123456
$1234567890
1 1
7F 164J
Set Factor 72
789012
345678
567890
123456
$1234567890
123456
901234
789012
567890
7G 175A
Characters
Set Factor 72
.080
3451234
4512345
12345
5123451
1234512
123456
901234
789012
345678
567890
123456
$1234567890
1 1
5 Characters
123456
901234
7F76J
7F 118J
Set Factor 72
Set Factor 72
789012
345678
567890
123456
$1234567890
1 1
789012
345678
234567
578901
$1234567890
123456
901234
Characters
1 1
Characters
.080
8901234
5678901
2345678
6789012
9012345
01234567890
1234567
Characters
7G 175C
7F 166
Set Size .0592
Type Line
123456
11 Characters
7F 165
1234512
2345123
34r>6 7 ,S
$12.34567890
11 Characters'
Type Line
Characters
7F 175A
Set Factor 72
123456
901234
Characters
7F 161J
Set Factor 72
1 1
7F92J
123456
901234
from the
789012
345678
567890
123456
$1234567890
123456
901234
Set Factor 72
789012
345678
567890
123456
$1234567890
1334
3456
They
8901234
5678901
9012345
6789012
1234567890
10 Characters
7F56J
Set Factor 69.7
123456
901234
Point
7F 91
Set Factor 63
123456
901234
Composition Matrices
Set Factor 72
123456
901234
789012
345678
567890
123456
$1234567890
1 1
Characters
10 Characters
123456
901234
7F78
7F 124 (Class D)
Set Factor 72
789012
345678
567890
123456
$1234567890
p34567
2345678
11 Characters
8901234
567890!
9012345
6789612
1234567896
1 1
Characters
Type Line
5050505
0505050
7F 148
Set Factor 72
7F79J
Set Factor 72
789012
345678
567890
123456
$1234567890
1 1
123456
901234
Characters
789012
345678
567890
123456
1234567890
123456
901234
Set Factor 72
789012
345678
567890
123456
$1234567890
11 Characters
123456
901234
789012
345678
123456
567890
$1234568790
123456
901234
789012
345678
123456
567890
$1234567890
7F 150C
10 Characters
1 1
Characters
123456
001234
5555555
5555555
5555555
5555555
55555555555
1 Character
Characters
7F 195
Set Factor 72
Set Factor 72
67890
2345
2345
67890
1234567890
Characters
5555555
5555555
7G 172E
1 1
2345
67890
1 1
Characters
Set Factor 72
11 Characters
7F 90
Set Factor 84
789012
345678
567890
123456
$1234567890
7F 188 (Class D)
1 1
7F 150A
123456
901234
7F 172E
10 Characters
7F86J
.080
0505050
5050505
5050505
0505050
505050505050
2
123456
901234
7F 186J
Set Factor 72
7F 167
Set Size .0592
123456
901234
345678
789012
567890
123456
1234567890
10 Characters
Characters
7F 172G
7F 249J
Set Factor 72
Set Factor 72
789012
345678
123456
567800
$1234567890
1 1
Characters
123456
901234
789012
345678
123456
567890
$1234567890
1 1
Characters
wvuj rcywtreu.
r,XAMPI.K; oet I;
2j **o result cuniuiTi* u jruttiun u^e next larger untl rcnv.
matrix case used with 9 set normal wedge; 80-^9 = 8.8, therefore put matrix in 9 unit row.
;
this matrix in
line matrices
Prices:
number.
The
figure matrices
.060"= .011").
this page are Class A, except those whic.h have
shown on
th.->
classification
scries
Composition Matrices
Monotype Figures.
7
Point
1234567
2345678
7F 337E
7F 337G
Set Factor 65 .3
5678901
8901234
6789012
9012345
$1234567890
11 Characters
1234567
2345678
8901234
5678901
6780012
9012345
$1234567890
11 Characters
7F 110
7F 111
Set Factor 40
Set Factor 40
10 Characters
10 Characters
is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80).
Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
fmlnr of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit raw. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-5-9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5> point mold is .060" (.055" + .005"= .060"), the
type line for Stf point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from spedal line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 > point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071"
.060" = .01 1 ")
Set Factor
set factor
set
Price*:
number.
The
figure matrices
shown on
this
page are Class A, except those which have the classification noted in parentheses after the
series
Monotype Figures.
Composition Matrices
8 Point
Figures of different designs have been
series
number.
8F
Thus, under
6H9F
made
12
is
345678
739012
123456
567890
1234567890
123456
901234
8F 8C
8G 16G
8F 21G
Set Factor 72
Set Factor 72
8F
8F 1A
5678901
6789012
$1234567890
11 Characters
1234567
2345678
8F 18
8G 21E
Set Factor 76.5
123456 789012
345678
901234 567890
123456
$1234567890
123456
789012
345678
901234 567890
123456
$1234567890
11 Characters
11 Characters
Characters
8G 11J
Set Factor 76.5
8F 1C
Set Factor 63
8901234 6678901
9012345 6789012
$1234567890
123456
901234
789012
345678
567890
123456
$1234567890
11
11 Characters
11 Characters
11
789012
S45678
567890
123456
$1234567890
123456
901234
11 Characters
Set Factor 72
Set Factor 63
8901234
9012345
789012
345678
567890
123456
$1234567890
123456
901234
11 Characters
10 Characters
1234567
2345678
shown a
Characters
8F 19
8H2G 21E
Set Factor 72
Type Line
.1005
456
345
123
789
678
789012
345678
567890
123456
$1234567890
123456
901234
O1 2
$123456c.,
11 Characters
14 Characters
8H9F 21E
8F 12 J
Set Factor 76.5
8F 3A
Set Factor 72
8F 20
345678
789012
123456
567890
$1234567890
123456
901234
Set Factor 72
$123456789Oc.,
11 Characters
11 Characters
9O12
1234
5678
789O
1234
3456
Character
15 Characters
8F
8F 5A
13
123456
901234
789012
345678
567890
123456
$1234567890
11 Characters
11 Characters
8F 16
Set Factor 76.5
345678
789012
123456
567890
$1234567890
123456
901234
11
123456
789012 345678
901234 567890 123456
$1234567890
.
11
Characters
11 Characters
11
Characters
8FA 21E
8F 20C
(Class
888888
888888
Characters
8F 8A
8F 16E
8F21
8F 22E
Set Factor 5 1
Set Factor 72
789012
123456
345678
123456
901234 567890
$1234567890
11 Characters
11 Characters
8H9F 8A
8G 16E
Set Factor 72
$$$$$$
$$$$$$
$$$$$$
123456
901234
Character
012345678
901234567
789012345
678901234
123456
901234
$1234567890
11 Characters
8F
8F22G
2 IE
123456
789012
345678
901234 567890
123456
$1234567890
11 Characters
Characters
789012
345678
567890
123456
$1234567890
11 Characters
789012
345678
567890
123456
$1234567890
11
128456789
888888
Character
890123456
D)
Characters
11
8F 8
Set Factor 72
8G 21G
8F 20A
Set Factor 72
Set Factor 81
Set Factor 72
901214
789012
345678
567890
123456
$12)4567890
11 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
et factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result >s the unit row required.
EXAMPLE: Set factor 80. Find unit row in which to carry
If this result contains a fraction use next larger unit row.
this matrix in matrix case used with 9 set normal wedge; 80-3-9 = 8.8, therefore put matrix in 9 unit row.
let
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
the mold size expressed decimally with five added to the right hand figure, thus, the line for a
.0()5" = .060"), the
point mold is .060" (.055"
type line for 5>4 point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5
point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 t point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071*
.060*= .01 1").
Type Line:
ize of
5^
is
Price*:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype Figures.
8
Figures of different designs have been
number.
series
Thus, under
6H9F
made
12
is
8F 26J
Set Factor 76.5
123456 789012
345678
901234 567890
123456
$1234567890
11 Characters
11 Characters
25
123456
901234
789012
345678
123456
567890
$1234567890
123456
901234
11 Characters
555555
555555
345678
123456 789012
123456
901234 567890
$1234567890
11 Characters
123456
901234
555555
555555
555555
555555
555555555555
1
Set Factor 72
123456
901234
Character
8F 31E
123456
901234
789012
345678
567890
123466
$1234567890
11
Characters
8F 35
Set Factor 117
Set Factor 72
789012
345678
567890
123456
$1234567890
11 Characters
8F 27
8H9F 3 IE
8F 36A
Set Factor 72
Set Factor 72
Set Factor 72
789012
345678
567890
123456
1234567890
696969
696969
696969
696969
696969
696969
6969696969
123456
901234
789012
345678
567890
123456
$1234567890
11 Characters
2 Characters
10 Characters
8F 25J
8F 34C
31 (Class D)
Set Factor 72
10 Characters
Set Factor 72
8H9F
11 Characters
8G
are always
8H3F 26J
Set Factor 81
789012 345678
567890 123456
$1234567890
They
8F 23
123456
901234
Point
shown a
Set Factor 81
8F23K
Composition Matrices
8F28
8F 31G
8F-36C
Set Factor 72
Set Factor 72
Set Factor 72
345678
789012
567890
123456
$1234567890
123456
901234
7^9012
345678
567890
123456
$1234567890
123456
901234
11 Characters
11 Characters
11 Characters
789012
346678
567890
123466
$1234567890
8G 25J
Set Factor 76.5
8F 28J
8G 31E
8F 37
123456 789012
345678
123456
901234 567890
$1234567890
Set Factor 72
Set Factor 72
11 Characters
123456 789012
345678
901234 567890 123456
$1234567890
123456
901234
11 Characters
789012
345678
567890
123456
$1234567890
123456
901234
11 Characters
789012
345678
567890
123456
$1234567890
11 Characters
8H9G
25
Set Factor 72
696969
969696
696969
696969
969696
969696
6969696969
2 Characters
8F29
8G 31G
8F 37E
Set Factor 72
Set Factor 72
123456
901234
12 Characters
789012
345678
567890
123456
$1234567890
11
123456
901234
789012
345678
567890
123456
$1234567890
11 Characters
Characters
8G25K
Set Factor 76.5
8F 30 (Class D)
8F 33
8F 37G
Set Factor 72
Set Factor 72
11 Characters
1834
901234 __5678?0__ I234S5
1234567890
3456
5678
7890
9018
1834
123456
901234
$1834567890c.,
10 Characters
14 Characters
789012
34567S
123456
567890
$1234567890
11 Characters
8F 26
Set Factor 119
Type Line
.093
8F31
8F 34A
8G 37E
Set Factor 72
Set Factor 72
$1234567890c.,
$123456789Oc.,
14 Characters
14 Characters
line matrices
Prices:
eries
The
number.
all
Class
123456
901234
789012
345678
567890
123456
$1234567890
11 Characters
123456
901234
789012
345678
123456
567890
1234567890
11 Characters
matrices, except those which have the classification noted in parentheses after
tho-
Monotype Figures.
Composition Matrices
8 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
8G 37G
Set Factor 72
345678
789012
123456
567890
$1234567890
123456
901234
8F 39
Set Factor 110.5
5678 9012
7890 1234
$12345678900.,
1234
3456
8F 48J
8F52J
345678
123456 789012
123456
901234 567890
$1234567890
789012 345678
123456
567890
$1234567890
11 Characters
14 Characters
11 Characters
123456
901234
11 Characters
8F 49J
8H9F 39
Set Factor 110.5
345678
789012
123456
567890
$1234567890.
123456
901234
Set Factor 72
8F 38
Set Factor 72
12 Characters
8F 38E
8G42J
Set Factor 76.5
113456
901234
345678
789012
123456
567890
$1234567890
789012
8F 38G
8F 44
Set Factor 76.5
789012
345678
123456
567890
$1234567890
1 1
789012
345678
123456
567890
$1234567890
8F 56J
Set Factor 76.5
345678
123456 789012
123456
901234 567890
$1234567890
123456
11 Characters
123456
go 1 234
123456
901234
11 Characters
345678
11 Characters
11 Characters
Set Factor 72
8F 51
Set Factor 144
Character
123456
8F 56
345678
789012
123456
567890
$1234567890
123456
901234
11 Characters
123456
901234
345678
789012
123456
567890
$1234567890
8F57
99 Characters
8F
51 (Class B)
Set Factor 216
9012
1234
$1234567890
11 Characters
Characters
5678
7890
1234
3456
12 Characters
8G 38E
Set Factor 76.5
789012
345678
123456
123456
901234
567890
$1234567890
8F45J
Set Factor 76.5
8F 58J
789012
345678
567890
123456
$1234567890
123456
90 \ 234
11 Characters
11 Characters
11 Characters
8H7F 46
8G 38G
Set Factor 76.5
789012
123456
345678
901234 567890
123456
$1234567890
8F60J
Type Line
Set Factor 81
.098
1234 5678 9O 1 2
3456 789O 1234
S123456789Oc..
14 Characters
11 Characters
Set Factor 81
8F 47
Set Factor 93. 5
Set Factor 81
11 Characters
11 Characters
1 1
Characters
8F39J
8F 60K
11 Characters
200 Characters
123466
901234
8F 40
8F 47J
8F51J
Set Factor 72
Set Factor 54
789012
346678
667890
123456
$1234667890
11
Characters
123456
901234
789012
345678
123456
567890
1234567890
10 Characters
8F 63
Set Factor 102
$1234567890
11 Characters
11 Characters
12345678
90123456
78901234
56789012
34567890
12345678
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80) . Knowing the
RULE: Given the
et factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
mult is the unit row required. If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-:-9 = 8.8, therefore put matrix in 9 unit row.
AH matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
.005" = .060"), the
the mold size expressed decimally with five added to the right hand figure, thus, the line for a
point mold is .060* (.055"
'
type line for 5>2 point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example Syi point F10 figures for which the type line is given as .071* (the distance from the top
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .01 1" lower than that produced by standard
line matrices used with them (.071"
.060"= .01 1").
Price*: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
Type Line:
ize of
5%
is
series
number.
Monotype
Figures.
Composition Matrices
8 Point
Figures of different designs have been
series
Thus, under
number.
6H9F
made
12
is
8F 68J
8F77J
8F 86J
8F63J
Set Factor 81
shown a
123456
901234
11 Characters
789012
345678
567890
123456
$1234567890
1234567
2345678
8901234
9012345
5678901
6789012
$1234567890
Characters
11 Characters
11
8G 64J
8F68K
8G 78J
8H3F 86J
8901234
9012345
$1234567890
11 Characters
11 Characters
1234567
2345678
8H9G
5678901
6789012
5555555
5555555
5555555
5555555
5355555555
5555555
5555555
8F 79
Set Factor 72
$1234567890
789012
345678
567890
123456
$1234567890
11 Characters
11 Characters
8901234
9012345
5678
1234
9012
7890 1234
3456
$1234557890
11 Characters
8F69J
1234567
2345678
Character
789012
345678
567890
123456
$1234567890
Set Factor 63
64J ($1.00)
123456
901234
5678901
6789012
123456
901234
11 Characters
8H2BF 86JF
Set Factor 72
789012
345678
567890
123456
1234567890
123456
901234
10 Characters
8G 64K
8G 71E
8F 79J
8F 86K
123456 789012
345678
901234 567890
123456
$1234567890
11 Characters
11 Characters
7234567
2345678
8901234 5678901
9012345 6789012
$1234567890
11 Characters
8F65
Set Factor 153
Type Line
.095
11 Characters
8G 71G
8H9F 79J
8F 88
HUH
mm iiiiiimi iimi
111111
11 Characters
14 Characters
789012 345678
567890
123456
$1234567890
123456
901234
111111
111111
1234 5678 90 2
3456 789O 1234
$1234567890
1
11
Character
Characters
8F66J
8F 74L
8F 79K
8F 88J
Set Factor 63
123456
901234
789012
345678
567890
123456
$1234567890
1234567
2345678
8901234
9012345
$1234567890
11 Characters
11 Characters
11 Characters
8F 67
Set Factor 90
8F76
8F81J
8F 88K
Set Factor 72
Set Factor 63
123456
901234
11 Characters
11 Characters
789012
345678
567890
123456
$1234567890
11 Characters
11 Characters
1234557
2345678
8901234
9012345
$1234567890
8F68
8F76J
8F86
8F89J
Set Factor 72
5678 90
2345 6789 O12
$1234567890
1
11 Characters
11
Characters
123456
901234
789012
345678
567890
123456
$1234567890
11 Characters
5678901
6789012
11 Characters
1234
5678901
6789012
Set Factor is the set multiplied by unit width thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit rcnv required.
If this result contains a fraction use. next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80 -=-9 = 8.8, therefore put matrix in 9 unit row.
;
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line fora SyZ point mold is .060" (.055"
005" .060"), the
type line for Stf point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 Yi point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 YI point body) thus these matrices produce type .01 1 " lower than that produced by standard
line matrices used with them (.071"
.060" =.011").
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after
tlie
Monotype
Figures.
Composition Matrices
8 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
8F 89K
8G 98J
345678
123456 789012
123456
901234 567890
$1234567890
11 Characters
11
8F 113J
Set Factor 72
123456
901234
345678
789012
123456
567890
$1234567890
Characters
11 Characters
8F 119
Set Factor 76.5
8F90
8G 98K
8F 115C
Set Factor 72
10 Characters
11 Characters
8F91
8F 102J
Set Factor 81
Set Factor 72
345678
789012
123456
567890
1234567890
123456
901234
8F 117J
789012 345678
567890 123456
$1234567890
11 Characters
11 Characters
10 Characters
8G
8F 97J
8F97K
789012 345678
567890 123456
$1234567890
5678
9012
1234
1234
7890
3456
$1234567890
11 Characters
11 Characters
1234567
2345678
789012
345678
567890
123456
$1234567890
123456
901234
11 Characters
8901234
9012345
1234567890.,
8F 127
Set Factor 90
12345
67890
67890
12345
12 Characters
8F 128J
Set Factor 90
789012 345678
567890
123456
$1234567890
11
Characters
12345
67890
1234567890.,
8F 118J
123456
901234
5678901
6789012
12 Characters
Set Factor 72
345678
789012
123456
567890
$1234567890
Characters
8F 126
Set Factor 63
8F 118
111J
8F 112
Set Factor 102
11
11 Characters
11 Characters
11 Characters
123456
901234
Set Factor 72
123456
901234
Characters
.088
10 Characters
8F 117K
Type Line
.088
67890 12345
12345 67890
1234567890
1 1
8F95J
789012
345678
567890
123456
$1234567890
Type Line
12345
67890
123456 789012
345678
123456
901234 567890
$1234567890
8F 109
123456
901234
8F 122
Set Factor 88
8F 123
Set Factor 110.5
Characters
Set Factor 81
Characters
123456
901234
8901234 5678901
9012345 6789012
$1234567890
11
13 Characters
8F 92J
11
1234567
2345678
Set Factor 96
8F 107J
345678
123456 789012
123456
901234 567890
$1234567890
8F 119J
Set Factor 65.3
8F 117
Characters
14 Characters
11 Characters
8F 104
Set Factor 87.8
8F92
789012 345678
123456
901234
567890 123456
$1234567890c.,
8F 116
Set Factor 119
11 Characters
Set Factor 72
123456
901234
789012
345678
567890
123456
$1234567890
11 Characters
10 Characters
11 Characters
Set Factor 96
123456
901234
8F 118K
Set Factor 76.5
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
RULE: Given the
et factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 804-9 = 8.8, therefore put matrix in 9 unit row.
set
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
"
.005" = .060"), the
the mold size expressed decimally with five added to the right hand figure, thus, the line for a Stf point mold is .060" (.05 5
type line for 5>i point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5
as .071* (the distance from the top
point F10 figures for which the type line is given
"
of the body to the bottom of these figures when cast on 5 y* point body) thus these matrices produce type .01 1
lower than that produced by standard
line matrices used with them (.071"
.060" = .01 1 ") .
Type Line:
size of
is
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
8
made
Thus, under
number.
series
6H9F
12
Type Line
56789012
.080
90123456
78901234
34567890
12345678
123456
901234
789012 345678
567890 123456
$1234567890
from the
8F 151 (Class B)
8G 157E
Set Factor 72
$$<$
(I(2(3<S<5(6
(4<5(6<7(8(9
<i(2<3<4(5(6$<8(9
9 Characters
11
Characters
Characters
8G 157G
8F 146J
Set Factor 76.5
8F 132K
Set Factor 81
12345
67890
67890
12345
91234567890
12345
67890
11
are always
11 Characters
51234567890
11
They
8F 145J
Set Factor 76.5
8F 130
Set Factor 5 1
12345678
Point
shown a
is
Composition Matrices
8F 152
(Class B)
Set Factor 72
1)|)3)4)5)6)
9)0)1)2)3)4)
7)8)9)5)1)2)
$5)6)7)8)
|)6)7))5)g)
1)2)3)4)5)5)
l)2)3)4)5)6)7)g)9)g)
11 Characters
Characters
10 Characters
Characters
8F 158
8F 149 J
Set Factor 76.5
8F 134E
Set Factor 72
345678
789012
123456
567890
$1234567890
123456
901234
345678
123456 789012
123456
901234 567890
$1234567890
?1?345678
789012345
890123458
I23T53
I23T23
I23I23
T23T23
T23T23T23
901234567
678901234
3 Characters
10 Characters
8F 158J
Set Factor 83.3
8F 150 A
Set Factor 81
789012
345678
567890
123456
$1234567890
11 Characters
D)
1234567890
11 Characters
Set Factor 72
123456
901234
T23T23
I23T23
Set Factor 48
123456789
11 Characters
8F 139J
(Class
Set Factor 72
8F 153 (Class B)
8F
Showing use of
8F 152 and 8F 153
151,
12345 67890
12345
67890 12345
67890
$1234567890
11
Characters
(780)
(2673)
(60458)
Characters
(479500)
8F 159
8F 140J
8F 150C
Set Factor 81
Set Factor 72
$1214567890
11 Characters
11 Characters
12145171
56789012
M121456
78901234
14567890
12145678
123456
901234
55Z5521 2.
?i-> 67 ??2
1??15?15
T234567890
10 Characters
10 Characters
8F 153J
Set Factor 76.5
8F 141 J
Set Factor 54
$1234567890
11 Characters
11 Characters
90123456
34567890
12345678
56789012
78901234
12345678
11 Characters
()
(323g)
(82536)
8F 159J
Set Factor 76.5
123456
901234
(2673SO)
1 1
8H33F
153 (Class
Set Factor 72
123456
901234
Character
8F 154 (Class D)
8F 161
67890
12345
11345
67890
12345
67890
12341567890
11 Characters
Characters
Set Factor 72
D)
10 Characters
8F 143J
Set Factor 76.5
789012 345678
567890 123456
$1234567890
8F 160
142 J
@ @
@
(S75)
8H9F 153J
Set Factor 76.5
8F
Showing use of
8F 151, 8F 152 and 8F3F 153
10 Characters
8F
151,
Showing use of
8F 152 and 8H33F 153
@ @ @ @
@
(693)
(3654)
()
(965J47) (J756Tij)
1234567
2345678
5678901
8901234
6789012
9012345
1234567990
10 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-5-9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5'/, point mold is .060" (.055"+. 005* = .060"), the
type line for
EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
point faces.
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5'^ point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on S}4 point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071"
.060" = .011").
is
5^
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those-which have the classification noted in parentheses after the
Monotype Figures.
Composition Matrices
8 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
number. Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
series
8F 161 J
Set Factor 76.5
8F 168J
8F 173E
Set Factor 81
789012 345678
123456
123456
567890
901234
$1234567890
11 Characters
11 Characters
8F 161K
8F 169J
Set Factor 65.3
345678
123456 789012
123456
901234 567890
$1234567890
11
8901234
9012345
1234567
2345678
12345
67890
12345
12345
67890
67890
$1234567890
789012
345678
123456
567890
$1234567890
11
5678901
6789012
Characters
345678
789012
123456
567890
$1234567890
123456
901234
8F 171 (Class D)
8F 175A
123451
234512
345123
2 345
__ 1 2 345 1
1234512345
789012 3456 7 8
667890 123456
$1234567890
123/156
90 i 234
11 Characters
5 Characters
8F 163J
Set Factor 76.5
8F 172E
8G 175A
123456
901234
789012 345678
567890 123456
$1234567890
123456
901234
789012 345678
567890
123456
$1234567890
123456
901234
789012 345678
567890 123456
$1234567890
11 Characters
8F 164J
Set Factor 76.5
8G 172E
8G 17SC
11 Characters
123456
901234
789012 345678
567890 123456
$1234567890
8F 172G
Set Factor 76.5
11
Characters
11 Characters
8F 187J
Set Factor 81
8F 188J
Set Factor 81
8F 189
Set Factor 127.5
Type Line
.087
456 789
O12 345
678
1234567890
123
10 Characters
8F 164K
789012 345678
567890 123456
$1234567890
11 Characters
11 Characters
723456
901234
8F 186J
Set Factor 76.5
11 Characters
11 Characters
123456
789012 345678
901234 567890
123456
$1234567890
10 Characters
11 Characters
11 Characters
45 1 2 34 __5
789012 345678
567890 123456
1234567890
123456
901234
8F 174
Set Factor 72
$1234567890
Characters
8F 162J
Set Factor 83.3
123456
901234
8F 182
Set Factor 76.5
8F 176J
Set Factor 63
1234567
2345678
5678901
8901234
9012345
6789012
$1234567890
1 1
Characters
8F 165J
8G 172G
8F 180 (Class D)
Set Factor 72
8F 190J
Set Factor 108
8F 194
Set Factor 165
1 23456
789012 345678
901234 567890 123456
$1234567890
nnn unn
mm
mm mm
mm mmnw
11 Characters
11 Characters
10 Characters
11 Characters
8F 168
Set Factor 108
8F 173
Set Factor 93.5
8F 181
Set Factor 72
8F 196
Set Factor 120
10 Characters
11 Characters
123456
901234
789012 345678
567890 123456
$1234567890
23 456 789
345 67S
9 234567
O1 2
11 Characters
is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80).
Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
factor of a matrix, to determine for any set, the unit raw of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
EXAMPLE: Set factor 80. Find unit row in which to carry
If this result contains a fraction use next larger unit row.
this matrix in matrix case used with 9 set normal wedge; 80-7-9 = 8.8. therefore put matrix in 9 unit row.
Set Factor
set factor
set
Type Line:
size of
For
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
bottom of these
Monotype Figures.
Composition Matrices
8 Point
Figures of different designs have been
number.
series
Thus, under
6H9F
made
12
is
shown a
They
are always
from the
8F204J
8F 218 (Class D)
8F220
8F 275J
Set Factor 63
Set Factor 85
12345 67890
12345
67890 12345
67890
$1234567890
1234567
2345678
8901234 5678901
9012345 6789012
$1234567890
11 Characters
1 1
|M)
8F 205
(Class
D)
Set Factor 72
6| [87]
m (n
MM & MM
@ @
Characters
11
Characters
[57]
ggg
|95J
123456
901234
99 Characters
10 Characters
8F 249
8H3F 275J
Set Factor 72
789012
345678
567890
123456
$1234567890
11 Characters
11 Characters
8F 216A
8F 249J
8F 275K
{1234567890
11 Characters
11 Characters
11 Characters
BMR8S
012345678
901234567
8J6123456
789012345
678901234
8F 110
Set Factor 42.5
mtm
mm mm
mm
mm
10 Characters
8F 111
8DF 125
Set Factor 87.5
10 Characters
8DF 133
Set Factor 144
16326418
32641632
64163232
64 16 32 64
16 32 64
32 64 16 32
1632 64
1632 64
1632 64
1632 64
163264
163264
16 32 64
1632 64
3 Characters
3 Characters
Monotype
Figures.
Composition Matrices
9 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
number. Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
series
9F 8A
9F 21G
9G 25J
9F 34A
Set Factor 81
Set Factor 81
12345
67890
12345
67890
12345
67890
$1234567890
12345
67890
12345
67890
12345
67890
$1234567890
11 Characters
11 Characters
11
Characters
11
Characters
9F 8C
9G 21E
9G25K
9F 34C
Set Factor 81
Set Factor 81
Set Factor 81
789012
567890
67890
18S4S
12345
67890
67890
12345
$1234567890
11 Characters
11 Characters
11 Characters
11 Characters
345678
123456
$1234567890
183456
901 284
9F 16E
9G21G
9F 26J
9F 36A
Set Factor 81
Set Factor 81
Set Factor 81
Set Factor 81
11 Characters
11 Characters
11 Characters
11 Characters
9F 18
9F22E
9F31
9F 36C
Set Factor 81
Set Factor 81
Set Factor 81
11
Characters
11
Characters
14 Characters
11 Characters
9F20A
9F22G
9F 31E
9F 37E
Set Factor 81
Set Factor 81
12345 67890
12345
67890
67890 12345
$1234567890
11 Characters
11 Characters
11 Characters
11
Characters
9F20C
9F24J
9H9F 3 IE
9G 37E
Set Factor 81
Set Factor 81
11 Characters
10 Characters
Character
11 Characters
9F 21E
9F 25J
9F 31G
9F 37G
Set Factor 81
Set Factor 81
12345
67890
12345
67890
12345
67890
$1234567890
11 Characters
11 Characters
11
Characters
11
Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
EXAMPLE: Set factor 80. Find unit row in which to carry
If this result contains a fraction use next larger unit row.
this matrix in matrix case used with 9 set normal wedge; 80 + 9
8.8, therefore put matrix in 9 unit row.
Line:
All
matrices
for
when
used in the same matrix case produce type on the same line regardless of any difference in point
Type
composition
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5J4 point mold is .060* (.055* + .005*
.060*), the
type line for 5 Yi point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 % point F10 figures for which the type line is given as .071* (the distance from the top
of the body to the bottom of these figures when cast on 5 % point body) thus these matrices produce type .01 1* lower than that produced by standard
.060*- .011*).
line matrices used with them (.071*
Prices: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
series number.
set factor
set factor
Composition Matrices
Monotype Figures.
9 Point
Figures of different designs have been
series
Thus, under
number.
6H9F
made
12
is
shown a
They
are always
from the
OF 76 J
Set Factor 81
9F 150A
9F 175A
Set Factor 90
Set Factor 81
$1234567890
12345
12345 67890
67890 12345 67890
$1234567890
11 Characters
11 Characters
9G 37G
Set Factor 81
789012
567890
123456
901234
345678
123456
11
Characters
11 Characters
9F38E
9F 79J
9F 150C
Set Factor 81
Set Factor 81
Set Factor 90
9G 175 A
Set Factor 81
11 Characters
11 Characters
11 Characters
11 Characters
9G38E
9F 86 J
Set Factor 81
9F 165J
Set Factor 85.5
Set Factor 81
Set Factor 81
789012 345678
567S90 123456
$1234567890
123456
901234
11 Characters
11 Characters
9F38G
9H3F
11
9G 175C
Characters
11 Characters
9F 172E
9F 186J
Set Factor 81
Set Factor 81
Set Factor 81
11 Characters
11 Characters
9G38G
9G
Set Factor 81
86J
1 1
11 Characters
9G 172E
9F 337E
Set Factor 81
Set Factor 81
Set Factor 81
789012
567890
11 Characters
11 Characters
123456
901234
98J
345678
123456
$1234567890
11 Characters
Characters
789012
567890 123456
$ 1 234567890
123456
90I23 4
11
Characters
9F 48 J
9G 98K
9F 172G
9F 337G
Set Factor 81
Set Factor 81
Set Factor 81
123456
901234
789012 345678
567890 123456
$1234567890
Character*
11 Characters
11 Characters
9F 118J
9G 172G
Set Factor 81
Set Factor 81
123456
901234
789012 345678
567890 123456
$1234567890
11
11
Characters
Characters
11 Characters
Wldt h thus> the 8et factor of a character made for the 1 unit row of 8 set is 80 1 X 8 Knowing the
(
80) .
i,
he
proper unit row for any character divide the set factor by the set to be used. RULE: Given the
unlt r
malrix case in which to carr y tnis matrix: divide the set factor bv the set to be used, the
j "f theuse
result contatns a fraction
next larger unit row.
EXAMPLE Set factor 80. Find unit Vow in which to carry
normal wedge; 80*9-8.8. therefore put matrix in 9 unit row.
sition when used in the same matrix case
produce type on the same line regardless of any difference in point
mh a matrix case depends upon
the point size of the mold used with the matrices. The type line
) the
right hand figure, thus, the line for a 5J4 point mold is .060" (.055* + .005"= .060"). the
ill characters are of
necessity, driven to a lower matrix line and consequently when used
ast from special line matrices is lower than the type cast from standard line matrices.
!><
..point I- 10 figures for which the type line is given as .071* (the distance from the top
U
t' "* these matrices produce
iued with them f-07l--!o60"- 01
type .011 'lower than that produced by standard
r>
i Jrf^n!&
Z,?
<
-.
MUfcc*
'
sie
nurabrr.
** hown on
thi
have the
classification
Monotype
Figures.
Composition Matrices
10 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
10F
10F 14
10G 16E
10F 21
Set Factor 90
Set Factor 60
Set Factor 90
1234
3456
9012
1234
5678
7890
$1234567890c.,
12345
12345 67890
67890 12345 67890
$1234567890
14 Characters
11 Characters
10 Characters
10F 8A
10F 15E
10G 16G
Set Factor 90
Set Factor 90
Set Factor 90
67890 12345
12345 67890
$1234567890
12345
67890
12345
67890
67890 12345 67890
$1234567890
12345
10H9F 8A
10G 15E
Set Factor 90
Set Factor 90
67890 12345
12345 67890
$1234567890
12345
67890
1
Character
11 Characters
90123456
78901234
34567890
12345678
$1234567890
11 Characters
10F 21E
5^ Factor
92.3
67890 12345
12345 67890
$1234567890
I2345
6? s 9 o
11 Characters
11 Characters
11 Characters
12345678
56789012
characters
67890
12345
12345
$1234567890
11 Characters
g. g
$1234567890
1 1
Characters
10F 19
10F 8C
10F 15G
Set Factor 90
Set Factor 90
12345
12345 67890
67890 12345 67890
$1234567890
11 Characters
11 Characters
10G 21E
Type Line
1234
9O12
.124
5678
3456
$12345c.,
14 Characters
10F 11
10G 15G
10F 20
10G 21G
Set Factor 90
Set Factor 90
12345
12345 67890
67890
12345 67890
$1234567890
11 Characters
11 Characters
15 Characters
$1234567890c.,
Characters
10G 11J
10F 16
10F 20A
10F 22E
Set Factor 90
Set Factor 90
Set Factor 90
67890
12345
67890
$ 1 234567890
12345
67890
12345
1 1
Characters
10F 12J
Set Factor 92 3
11
Characters
10 Characters
11
Characters
10F 16E
10F 20C
10F 22G
Set Factor 90
Set Factor 90
67890 12345
12345
67890
67890
12345
$1234567890
11 Characters
11
Characters
11
Characters
the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
RULE: Given the
set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor _by the set lobe used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-^9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
The type line
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
005"= .060"), the
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5j4 point mold is .060" (.055"
type line for S'/i point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices (slower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 1 point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071*
.060"=. Oil").
Prices: The figure matrices shown on this paxe are all Class A matrices, except those which have the classification noted in parentheses after the
Set Factor
set factor
is
and the
series
number.
Monotype Figures.
Composition Matrices
10 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
number. Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
series
10F 23K
10F28
10G 31G
Set Factor 90
Set Factor 90
12345
67890
12345
67890
67890
12345
$1234567890
11 Characters
11 Characters
11 Characters
10F 25 J
Set Factor 90
10F 28J
10F 34A
12345
67890
12345
67890
12345
67890
$1234567890
II
Characters
1 1
10G 25J
1 1
Characters
1 1
Characters
Characters
11 Characters
10F 29
10F 34C
10F 38E
Set Factor 90
67890
12345
12345
67890
67890
12345
$1234567890
12345 67890
12345
67890 12345 67890
$1234567890
Set Factor 90
Characters
1 1
12 Characters
1 1
Characters
11
Characters
10G25K
10F 31
10F 36A
10G 38E
Set Factor 00
Set Factor 90
12345 67890
12345
67890 12345 67890
$1234567890
12345 67890
12345
67890 12345 67890
$1234567890
Set Factor 90
Characters
456
345
123
O12
789
678
$12345678c.,
14 Characters
1 1
Characters
1 1
Characters
10F 26
Set Factor 140
K)F 31E
10F 36C
Set Factor 90
$12345678c.,
12345
67890
12345
67890
12345
67890
$1234567890
14 Characters
11 Characters
1 23
012
456
345
789
678
1 1
Characters
10F 38G
Set Factor 90
12345 67890
12345
67890 12345 67890
$1234567890
11 Characters
10F 26J
10F 31G
10F 37E
Set Factor 9O
10G 38G
Set Factor 90
Set Factor 90
I 2 345
67890
12345
6^800
12^45
67800
$1234567890
I234S
67890
12345
67890 12345
67890
$1234567890
1 1
10F 27
Set Factor 85. 5
12345
67890
67800
12345
12345
67890
1234567890
10 Character*
Characters
1 1
Characters
10G 31E
10F 37G
Set Factor 90
12345
67890
67890
12345
12345
67890
SI 234567890
1
Characters
12345 67890
12345
67890 12345 67890
$1234567890
1 1
Characters
1 1
Characters
10F 39 J
Set Factor 99
Characters
Monotype Figures.
Composition Matrices
10 Point
Figures of different designs have been
number.
series
Thus, under
6H9F
10G 42J
11
shown a
@@
10F60K
Set Factor 99
10F 68 J
Set Factor 92.3
10F 51
67890
2345
is
Set Factor 90
1
made
12
D234S
Characters
11
f28)f29)(80)(8l)C32)(3^C34)(33)f86)
10F 45J
10F 63J
@@(48)(49)(50)(5l)(52)(53)(54)
Set Factor 90
12345
12345 67890
67890 12345 67890
$1234567890
@@@
@@@^@@@
10 p 68
Set Factor 99
Set Factor 90
12345 6 7890
12345
67890 12345 67890
$1234567890
@@(^(^(59)(60)(6l)(6?,(63)
@tf&&ffi&$^
11 Characters
Characters
11 Characters
()(g)()(g)(g)(97)(99)
11
Characters
99 Characters
"
rl
S etF
TypeLine.110
^^^m
e*i
456 789
345 678
123
012
-,
,~
26 Characters
10H7F46
456 789
012 345 678
123
.
,
S12345678C..
14 Characters
67890
10G 64K
67890
,2345
12345
12345
67890
$1234567890
* 70L
,2345
jggL^
$1234567890
CharaCterS
10F 48J
10F 57
Set Factor 123
12345
67890 12345
67890
12345 67890
$1234567890
Characters
123456789012
$1234567890c.,
15
Characters
$123456c.,
14 Characters
12345 67890
12345
67890 12345 67890
$1234567890
Characters
11
10F 51 J
Set Factor 63
1234567
8901234
5678901
2345678
9012345
6789012
this
Characters
123456789
O12345678
!0 F 66
Set Factor 99
Characters
^ll
10F 58 J
Set Factor 90
$1234567890
$1234567890
10F 65
Set Factor 180
Type Line .1150
10F 49 J
Set Factor 90
11
^^f^OlS
3456
890 1^4
11 Characters
Set Factor 90
11
11 Characters
Set Factor 81
^'^
23 5
6 7890
,
345678
123456
$1234567890
Characters
/c^s/T7S\/C^\/rr^^>\
789012
56789
123456
901234
1 j
F 69J
?r
Set Factor 76.5
.
<
^ ti2Sfton
\^y\iioj\ii\y)\ii_ij\iis)\iiyj^\i)
14 Characters
11
,.-,-,<-
$1234567890
$ 1 234567c.,
.
_*-
>
Set'ScS/Sl
10F 51 (Class B)
Characters
10F 60J
10F 66J
Set Factor 99
11 Characters
11
Characters
10G 71E
1 1
Characters
10G 71G
Set Factor 92.3
10F 72L
Set Size .0830
Characters
M unit rutv rajuireu. ij inu retail coniains a jrafiion u^e next larger unn row. liXAMPLE: set I
matrix in matrix case used with 9 set normal wedge; 80 -=-9 = 8.8, therefore put matrix in 9 unit row
line matrices
Prices:
series
The
number.
all
Class
matrices, except those which have the classification noted in parentheses after the
Thus, under
number.
series
6H9F
12
made
is
shown a
They
are always
from the
10F 74L
10F 81J
10F 89K
10F 97K
Set Factor 90
Set Factor 90
Set Factor 90
12345
12345 67890
12345 67890
67890
$1234567890
12345
12345 67890
67890 12345 67890
$1234567890
12345
12345 67890
67890 12345 67890
$1234567890
11 Characters
Characters
11
1 1
Characters
Characters
1 1
10G 98J
10F75
10F 86J
10F 90
Set Factor 81
11 Characters
11 Characters
10 Characters
1 1
Characters
10H3F 86J
10F91
10G 98K
Set Factor 90
Set Factor 90
Set Factor 90
11 Characters
11 Characters
10F 76J
12345
10 Characters
11 Characters
10F 101
Set Factor 70
67890
12345
67890
12345
67890
1234567890
10F77J
10F 86K
10F 92J
Set Factor 72
$1234567890
11 Characters
11 Characters
11 Characters
123456
789012
345678
901234
567890
123456
10F 88J
Set Factor 76.5
1 1
789012
345678
567890
123456
$1234567890
11 Characters
10F 102J
10F 93
10G 78J
Set Factor 94.5
123456
901234
Set Factor
Set Factor 99
19
$1234567890
11 Characters
14 Characters
11 Characters
Characters
345678
123456
789012
567890
123456
901234
10F 79 J
10F 88K
10F 9SJ
10F 107J
Set Factor 92 .3
Set Factor 99
Set Factor 90
Characters
345678
123456
789012
567890
123455
901234
$1234567890
1 1
Characters
1 1
11 Characters
Characters
10F 79K
10F 89J
10F 97J
10G 111J
Set Factor 90
Set Factor 90
12345
12345 67890
67890 12345 67890
$1234567890
11 Characters
11 Characters
It Characters
1 1
Characters
St Factor is the
et multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80)
Knowing the
set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
a
matrix, to determine jur any set. Ike unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
of
he untt rim- required. If this result contains a
EXAMPLE: Set factor 80. Find unit row in which to carry
fraction use next larger unit row.
i rase used with 9 set normal
wedge; 80-5-9 = 8.8. therefore put matrix in 9 unit row.
Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
the line standard to use with a matrix case depends upon the point size of the mold used with the matrices. The type line
.
ctorand the
\>l'X
Type
tk
tvwi
.
'
Bgurw when
cast on 5
'
with them*n*Jf
.060*
(.07 1
.01 1 *) .
1* **'*** raatrice
l*>wn on this pae are
ued
X point body)
all
Class
.01
'
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
Composition Matrices
10 Point
Figures of different designs have been
series
Thus, under
number.
6H9F
made
12
is
shown a
They
are always
10F 113J
Set Factor 85.5
10F 119
Set Factor 90
10F 146J
Set Factor 90
12345
67890
12345
67890
12345
67890
$1234567890
11 Characters
14 Characters
10 Characters
11 Characters
10F 114
Set Factor 90
10F 119J
Set Factor 81
10F 139J
10F 149J
Set Factor 90
12345
6T890
12345
12345
6T890
6T890
$1234567890
11 Characters
11 Characters
11 Characters
Type Line
.124
12345
12345 67890
67890
67890 12345
1234567890.
11 Characters
10F 115C
Set Factor 90
67890
12345
12345
67890
11
10F 123
10F 140J
10F 1SOA
Set Factor 72
Set Factor 99
Type Line
12345
67890
Characters
.088
456 789
345 678
$1234567890
23
012
1
10F 117J
10F 128J
Set Factor 108
11 Characters
11 Characters
67890
11 Characters
11 Characters
10F 141J
Set Factor 63
Set Factor 99
789012
345678
901234
567890
123456
11 Characters
Set Factor 90
12345
$1234567890
123456
12345
10F 150C
1234567
8901234
5678901
2345678
9012345
6789012
$1234567890
11
Characters
10F 117K
10F 132K
10F 142J
10F 151A
Set Factor 90
Set Factor 99
Set Factor 99
12345
12345
67890
12345
67890
67890
$1234567890
11 Characters
11 Characters
10F 118J
Set Factor 90
10F 134E
Set Factor 85.5
12345
12345 67890
67890 12345 67890
$1234567890
12345
12345
67890
67890
67890
12345
$1234567890
11 Characters
11 Characters
10F 118K
Set Factor 90
11 Characters
10F 143J
Set Factor 90
11
Characters
10 Characters
10F 145J
Set Factor 90
67890___1_2_3_4J5___67890
1234567890
10 Characters
11 Characters
13 Characters
11
10F 155
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
of a matrix, to determine for uny set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result in the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-^9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5 A point mold is .060" (.055* + .005"= .060"), the
type line for 5y2 point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the typecast from standard line matrices.
For all such exceptions the type line is given; for example 5 y* point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 % point body) thus these matrices produce type .01 1 " lower than that produced by standard
line matrices used with them (.071"
.060"- .01 1").
Prices: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
series number.
et factor
set faitor
Monotype
Composition Matrices
Figures.
10 Point
Figures of different designs have been
series
number.
Thus, under
6H9F
made
12
is
shown a
They
are always
from the
10F 173E
10G 157E
10F 163J
Set Factor 90
10F 169J
Set Factor 81
Set Factor 90
67890 12345
12345
12345 67890
67890
$1234567890
11 Characters
11 Characters
11 Characters
11 Characters
10G 157G
10F 164
10F 170
Set Factor 90
Set Factor 90
6789
8923
8923 6789
236789
2367
2367
6 Characters
Characters
11
Type Line
10F 174E
.122
J.23.45
67890
12345.
67890
123.45.
67890
$12345.67820
Characters
1 1
10 Characters
10F 175A
10F 164J
10F 158J
Set Factor 99
Set Factor 90
12345
12345 67890
67890 12345 67890
$1234567890
Characters
1 1
11 Characters
1234!
23412
34J23
4 i 2 34__^34J _?34 ! 2
1234123412
Set Factor 90
12345
67890 12345
12345 67890
67890
$1284567890
Characters
1 1
4 Characters
10G 175A
10F 164K
10F 159J
Set Factor 94.5
Set Factor 90
10F 172E
Set Factor 90
Characters
11 Characters
Set Factor 90
12345
67890
12345
12345
67890 12345
12345 67890
67890
$1234567890
11 Characters
11 Characters
10G 175C
10F 165J
10F 161J
Set Factor 90
11 Characters
Characters
10G 172E
Set Factor 90
Set Factor 90
67890 12345
12345
67890 12345 67890
$1234567890
67890 12345
67890 12345 67890
$1234567890
12345
10F 168J
10F 161K
Set Factor 90
Set Factor 99
Characters
10F 172G
Set Factor 90
67890 12345
12345
12345 67890
67890
$1234567890
,
10F 169
10F 162J
10G 172G
Set Factor 90
Set Factor 99
Type Line
Set Factor 90
.122
11 Characters
10 Characters
10F 176J
Set Factor 76.5
345678
789012
123456
123456
567890
901234
$1234567890
1 1
Characters
Characters
11
Characters
11
Characters
1 1
11 Characters
Characters
10F 179
Set Factor 54
Type Line .112
123456789
012345678
901234567
1234567890
10 Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
RULE: Given the
set factor and the get lobe used, to determine the proper unit row for any character divide the set factor by the set to be used.
ret factor of a matrix, to determine far any set. the unit rmv of the matrix case in which to carry this matrix, divide the set factor by the set to be used, the
mult
the unit row required.
EXAMPLE: Set factor 80. Find unit row in which to carry
IJ this result contain:, a fraction use next larger unit row.
this matrix in matrix cast- used with 9 set normal wedge; 80-^-9 = 8.8, therefore put matrix in 9 unit row.
i :
Type Line:
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
The type line
size of the matrices, and the- line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
the mold <nze expressed decimally with five added to the right hand figure, thus, the line for a S</2 point mold is .060" (.055 "
.005"= .060"), the
line
for Sy, point fates.
type
EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with Mandard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all uch exceptions the type line is given; for example 5 /i
l
point F10 figures for which the type line is given as .071" (the distance from the top
"
I the body to the bottom of these figures when cast on 5
lower than that produced by standard
yi point body) thus these matrices produce type .01 1
line matrices used with them (-071'
.060* - .01 1 .
it
")
*ene
The
number.
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Composition Matrices
Monotype Figures.
10 Point
Figures of different designs have been
series
number.
Thus, under
6H9F
made
12
is
shown a
10F 190J
mm
OF 211 (Class D)
10F 249 J
Set Factor 90
Set Factor 90
14 Characters
1 1
4 Characters
10F 183
10F 194
Type Line
.115
$1234567
34 56
2
9O
$1 23456V
2
"78
Characters
10F 275J
Set Factor 90
12345 12345
12345
12345 12345
12345
1234512345
11 Characters
Characters
1 1
Characters
11 Characters
10F 186J
Set Factor 90
10F 196
Set Factor 150
2 3
2 3
2 3 i
2 3
2 3
2 3
2 3
(Class
57575
75757
(Class
D)
57575
75757
13567
J3567
'
5757575757
Characters
D)
13567
13567
'
M m
w
'135(5713567'
5
Characters
Characters
10F 337E
Set Factor 90
Set Factor 90
13567
13567
75757
57575
2
Characters
OF 210
2 3
Set Factor 90
IlM
Characters
10F 275K
23123
10
Set Factor 90
Characters
10D 215
'.356735673567"
Set Factor 90
10 Characters
D)
'
OF 190 (Class D)
'
2 3
3567___J567__ \S567
Characters
Characters
3S 3M
(Class
Set Factor 90
10F 188J
10D 214
345678
123456
789012
567890
1 1
45671
56712
8 Characters
$1234567890
Characters
Set Factor 99
Characters
10F 204 J
Set Factor 76.5
123456
901234
Set Factor
12345
67123
23456 _7_1234_
1234567
Characters
10F 187J
1 1
789
678
012 345
$1 23456789O
1 1
10H3F 275J
Set Factor 90
123 456
Set Factor 99
1 1
Character
Characters
10F 337G
Set Factor 90
10F 110
Set Factor 50
Type Line .1196
Set Factor 50
Type Line
108.4
mm/777
10 Characters
10 Characters
thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80).
Knowing the
proper unit row for any character divide the set factor by the set fo be used. RULE: Given the
unit rma of the matrix case in which to carry this matrix: divide the set factor by the set to he used, the
remit is the unit rmy required. If this result contains n fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-5-9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
1 he type line
is the mold size expressed decimally with f.ve added to the right hand figure, thus, the line for a 5 ^i point mold is .060" (.055 "+.005"= .060"), the
K.X(
fares.
MTIONS:
tall
characters
are
for
of
driven
to
a
lower
matrix
line
line
and
Abnormally
.5,', point
necessity,
consequently when used
typz
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5'/< point F10 figures for which the type line is given as .071" (the distance from the top
"
of the body to the bottom of these figures when cast on 5 tf point body) thus these matrices produce type .01 1 lower than that produced by standard
.060" = .01 1 ")
line matrices used with them (.071"
an:
all
Class
matrices, except those which have the classification noted in parentheses after
Monotype Figures.
Composition Matrices
12 Point
Figures of different designs have been
Thus, under
number.
series
6H9F
12
made
is
shown a
They
are always
from the
12F 8A
12F 20A
12F 22G
11 Characters
10 Characters
Characters
5678 9012
7890 1234
$1234567890
1234
11 Characters
12H9F 8A
12F 16E
12F 20C
12F 23K
11 Characters
11 Characters
11 Characters
12F 8C
12G 16E
12F 21E
Set Factor 108
11 Characters
11 Characters
Character
5678 9012
7890 1234
$1234567890
1284
3456
Characters
11
11 Characters
12F 25J
12G 21E
12G 25J
12F 18
Set Factor 108
12G 11J
11 Characters
11 Characters
11
12F 19
12F 12J
Set Factor 108
11234
11 Characters
12F 14A
9012
5678
7890
1234
$1234567890
1234
3456
Characters
12F 21G
12G 25K
12 34 56
78 9O 12
$12345c.,
1 1
14 Characters
Characters
1 1
Characters
12G 21G
12F 26
12H2F
Set Factor 99
1 1
Type Line
9012
Characters
19
11 Characters
14 Characters
11 Characters
12F 14C
12F 20
12F 22E
12F 26J
Set Factor 99
5678
9012
1234
7890
3456
1234
$1234567890
11 Characters
15 Characters
11 Characters
this
Prices:
series
The
number.
fiKiire
8. 8, therefore
1 1
Characters
all
Class
matrices, except those which have the classification noted in parentheses after the
Thus, under
number.
6H9F
made
shown a
12 is
12F 28J
12F 36A
12G 38E
12F 45J
Set Factor 99
9012
5678
1234
1234
7890
3456
$1234567890
5678 9012
7890 1234
$1234567890
1234
3456
11 Characters
Characters
11
11 Characters
11 Characters
12F 29
12F 36C
12F 38G
12F 46
123456789
5678 9012
3466 7890 1234
$1234567890
12 Characters
11 Characters
12F 31
12F 37E
12G 38G
$1234567c.,
14 Characters
11 Characters
11 Characters
12F 3 IE
12G 37E
12F 39 J
1234.
5678 9012
7Sgo 1234
$1234567890
1234
11 Characters
14 Characters
012345678
9012
5678
1234
1234
"
7890
3456
$1234567890
5678 9012
7890 1234
31234567890
1234
3456
'
11 Characters
11 Characters
12F 31G
12F 37G
Set Factor 99
tt
"^ "A 4i
"I
456
345
12
12F 41
Set Factor 108
14 Characters
11 Characters
Characters
5578
7399
,234
3456
$ 2
I
12F 34A
12G 37G
12G 42J
Set Factor 99
1234
5078
9012
3450
7800
1234
Sl2:aiG7890
5678
7890
1234
3456
12P 34C
12F 38E
12F 44
Set Factor 99
9012
5678
7890
1234
345^
1234
$1234567890
11 Character*
11
1 1
1234
Characters
9012
|234
Characters
9012
11 Characters
11 Characters
789
678
Characters
5078
0012
7890
3456
1234
$1234567890
^ l-Jr"
14 Characters
9012
5678
1234
7890
1234
3456
$1234567890
11
123456789
Q 1 2 345 678
Set Factor 99
12H7F 46
f 51
set Factor 216
15 Characters
rcjwtfr ixvnKivnj
i^jtAmric.. 0Cfc u
MJ in
jruillun M3C 7ie.lt lur get unit tuuj
case used with 9 set normal wedge; 80-5-9 = 8.8, therefore put matrix in 9 unit row.
't<4M*rcu.
***.
m-**.*. i/vilSBia
'
>
wen
^ric-al
series
16
-T*
number.
fi
ure matrices
shown on
cas
.01
this
*)
<
.
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype
Figures.
Composition Matrices
12 Point
Figures of different designs have been
number.
series
Thus, under
6H9F
made
12
is
shown
12F 51J
12F 58J
12F 66J
12SJ 70C
Set Factor 72
Set Factor 72
123456
789012
345678
901234
567890
123456
$1234567890
11 Characters
1 1
Characters
1 1
123456
789012
345678
901234
567890
123456
1234567890
10 Characters
Characters
12F 52J
12F 60J
12F 68J
12G 71E
11 Characters
1 1
$1234567890
5551234567890
Characters
11
Characters
12F 68K
12G 71G
Set Factor 108
$1234567890
12 Characters
1 1
Characters
1 1
Characters
1 1
Characters
12F 59 (Class D)
12F 63J
12F 69J
12F72
Set Factor 90
12345678
1 1
10 Characters
12345
1 1
12345
67890
12345
67890
12345
67890
$1234567890
1.2.3.4.5.6.7.8.
1 1
10 Characters
12345
67890
$1234567890
Characters
Characters
10 Characters
12F70
12F 72L
Set Size IS 2. 2
67890
12345
67890
12G 64J
12F 60 (Class D)
9012
1234
456 789
345 678
1 1
5678
7890
12F 60K
Set Factor 112.5
12F 57
123
012
Characters
1234
3456
1234
3456
5678
7890
9012
1234
1234567890
Characters
10 Characters
1 1
Characters
12G 64K
12F 61 (Class D)
12F 70L
12F 76J
123
456
789
345
678
012
$1234567890
67890 12345
12345 67890
$1234567890
72345
67890
1,2,3,4,5,6,7,8,
11 Characters
10 Characters
1 1
Characters
1 1
Characters
12F65
12F 97 (Class D)
Set Size 152.2
.0.1.2.3.4.5 .6.7.8
.1.2.3.4.5.6.7.8.9
12H9F 70L
12 34 56
78 9O 12
$12345c.,
10 Characters
12F 77J
Set Factor 85.5
14 Characters
892
923
23^56789
23M-
567
678
12345
67890
12345
67890
12345
67890
$1234567890
8 Characters
1 1
Characters
Set Factor is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit roiv required.
If this result contains a fraction use next larger unit rcnv.
EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80^9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
ze of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5% point mold is .060* (.055 " + .005" =
.060"). the
et factor
set
on 5
K point body)
.01
*
1
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
have the
classification
Composition Matrices
Monotype Figures.
12 Point
They are always shown below the specimen of the same
Figures of different designs have been made for certain series.
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
12G 78J
12F 86K
12F 95 J
Set Factor 112.5
11
11 Characters
Characters
12F 107J
11 Characters
11
Characters
12F 79J
12F 88J
12F 97J
12F 108
Set Factor 90
5678 9012
7890 1234
$1234567890
67890
12345
12345
1234
3456
67890
1234
3456
67890
$1234567890
11 Characters
1 1
Type Line
5678 9012
7890 1234
$1234567890
12345
Characters
11
.1595
Characters
13 Characters
12F 79K
12F 88K
Set Factor 90
12345
12F 97K
Set Factor 108
67890
12345
67890
67890
$1234567890
Characters
1 1
12G 111J
Set Factor 108
12345
Characters
11
Characters
11 Characters
12F 89J
12F 81J
Set Factor 108
12F 98
Set Factor 132
Set Factor 99
123 456
789
012 345 678
$1234567890
1234
5678
9012
3456
7890
1234
$1234567890
11 Characters
11
12F84
Characters
11 Characters
12F 89K
Set Factor 108
10 Characters
11
12F 113J
11 Characters
12G 98J
12F 115C
Characters
1 1
Characters
11 Characters
12F 86 J
12F 92 J
12G 98K
12F 117J
11 Characters
11 Characters
'.
Characters
11
12F 93
12F 102J
12F 117K
$123456c.,
14 Characters
11 Characters
11 Characters
456 789
345 678
$1234567890
123
012
123 456
012 345
11 Characters
789
678
thus> thc
do Hrmin^h 6 Pr0
Cr Unit
to b
:n fc
,
Characters
12H3F 86 J
Sh
-,L
T
S^'orn^
dtttfmi'nlf?*
f
T,"'r%u?r?d
id
If
Un '''/
fc
?,Jl t
,
W for
any characte
? malrtx f ase
the
in
"/
<
same matrix case produce type on the same line regardless of any difference in point
StSrd^T^J}??
nth a matrix case depends upon the point size of the mold used
with the matrices. The type line
1
in th e
5^
right
V'
'
'
'
'
trie*
number.
>U
I"/.
W* are
a11
clas3
have the
classification
Monotype Figures.
Composition Matrices
12 Point
Figures of different designs have been made for certain series.
They are always shown below the specimen of the same
series number.
Thus, under 6H9F 12 is shown a figure 3 of different design from the figure 3 under 6F 12, just above.
12F 118J
12F 132
Set Factor 216
5678 9012
7890 1234
$1234567890
Type Line
1234
3456
11 Characters
13 4
.163
71
5678
12F 119
11 Characters
12F 142J
26 Characters
12F 132K
12F 155
Set Factor 168
Type Line .141
5678 9012
3456 7890 1234
$1234567890
1234
14 Characters
11 Characters
1234
5678 9012
3456
7890
1234
$1234567890
12F 119J
Set Factor 94.5
12F 137
5678 9012
7890 1234
$1234567890
1234
3456
11 Characters
11 Characters
12G 157E
Set Factor 108
12F 145J
Set Factor 108
11 Characters
$123456c.
13 Characters
12F 134E
12F 143J
11 Characters
10 Characters
12F 118K
11 Characters
91011
13141516
17181920$ XO
12F 150C
12F 142
Set Factor 156
11 Characters
12G 157G
Set Factor 108
14 Characters
12F 121
Set Factor 130.5
12F 139J
Set Factor 99
12F 146J
Set Factor 108
5678
T890
9012
1234
$1234567890
1234
3456
11 Characters
1 1
12F 140 J
12345
67890
12345
67890
12345
67890
$1234567890
11 Characters
1 1
12F 129J
5678 9012
7890 1234
$1234567890
901234
11 Characters
Characters
11
Characters
$1234567890
11 Characters
11 Characters
11 Characters
Set Factor 72
123456
12F 159J
12F 150A
Set Factor 112.5
12F 141J
1234
3456
12F 149J
1 1
Characters
Characters
12F 123
Set Factor 162.5
12F 158J
Set Factor 112.5
789012
345678
567890
123456
12F 161J
is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80).
Knowing the
set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
unit row required. If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-r-9 = 8.8, therefore put matrix in 9 unit row.
Line:
All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
Type
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5K point mold is .060" (.055"
.005"= .060"), the
type line for 5 Yi point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5 ]/i point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5yZ point body) thus these matrices produce type .011" lower than that produced by standard
line matrices used with them (.071"
.060* = .011").
Set Factor
Bet factor
and the
set factor of
result is the
Prices:
series
The
number.
figure matrices
shown on
this
page are
all
Class
matrices, except those which have the classification noted in parentheses after the
Monotype Figures.
Compositions Matrices
12 Point
made
number.
series
Thus, under
6H9F
12
shown a
is
12G 172E
12F 165J
Set Factor 112.5
9012
1234 5678
3456 7890 1234
$1234567890
11 Characters
11 Characters
11 Characters
12F 168J
12F 172G
Set Factor 108
12F 161K
11
Characters
12F 162J
Set Factor 112.5
5678 9012
3456 7890 1234
$1234567890
1234
2?4
567
6?8
545
892
92?
25456789
67890
12345
Character!
Characters
123
012
456
345
11
Characters
789
678
1 1
Characters
12F 186J
Set Factor 108
1284
6678 9OI2
7890 1284
$128^567890
3/i56
1 1
Characters
12F 187J
Set Factor 112.5
Characters
11 Characters
12F 172
Set Factor 1 56
12F 188J
Set Factor 112.5
10 Characters
9012
108
12F 175A
$1234567890
11
Factr
10 Characters
12F 164J
JlZf
Set
12F 170L
Characters
r*o
12F 173E
5678 9012
7890 1234
$1234567890
11
5678 9012
7890 1234
$1234567890
ITU
Characters
1 1
1 1
Characters
1234
3456
2F 163J
1 1
12345
67890
12H4F 169J
1234
3456
WVl
7$00
$1234567890
4 Characters
5678 9012
7890
1234
$1234567890
1234
3456
12F 163
724-
67890
$1234567890
12G 172G
1 1
672
12345
11 Characters
8 Characters
7242M-6
67890
12345
12F 169J
12345
67890
12345
67890
11 Characters
12F 162
Set Size .1000
12F 176J
Set Factor 90
12G 175A
11
Characters
11 Characters
12F 172E
Set Factor 108
12F 189J
Set Factor 112.5
1 1
Characters
12G 175C
11 Characters
1 1
Characters
Monotype
Figures.
Composition Matrices
12 Point
made
number.
Thus, under
12
is
shown a
They
are always
23 456 789
345 678
$12345678
O1 2
34 56
90 12
12345678
12
fg
figure 3
under 6F
12F 214A
12F 275J
Set Factor 99
9012
5678
1234
1234
7890
3456
$1234567890
11 Characters
11 Characters
10 Characters
11 Characters
from the
12F 196
Set Factor 180
1
6H9F
12F 204J
12F 210J
12F 249J
12F 275K
Set Factor 90
12345
67890
67890
12345
12345
67890
901234 567890
123456
$1234567890
$1234567890
11 Characters
11 Characters
11
Characters
11 Characters
12H3F 275J
Set Factor 132
no
12F
Set Factor 60
Type Line .0718
1234567
///////
2345678
///////
8901234
///////
9012345
///////
1234567890
//////////
10 Characters
5678901
///////
6789012
///////
in
Set Factor 60
Type Line
.1437
///////
///////
8901234
///////
///////
9012345
2345678
//////////
1234567890
10 Characters
123456*7
///////
5678901
///////
6789012
Set Factor is the set multiplied by unit width thus, the set factor of a character made for the 1 unit row of 8 set is 80 ( 1 X 8 = 80)
Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
a matrix, to determine for any set, the unit rmv of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
unit raw required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-^9 = 8.8, therefore put matrix in 9 unit row.
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5 /4 point mold is .060" (.05 5 " + .005" = .060"), the
type line for 5J-i point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5% point F10 figures for which the type line is given as .071* (the distance from the top
of the body to the bottom of these figures when cast on 5 /i point body) thus these matrices produce type .01 1 " lower than that produced by standard
line matrices used with them (.071"
.060" = .01 1").
Prices: The figure matrices shown on this page are all Class A matrices, except those which have the classification noted in parentheses after the
series number.
All piece fractions are Class B.
.
et factor
stl factor of
result is the
Composition Matrices
14 Point
14H2F 86J
14FH7 46
Set Factor 216
$1234567c.,
123 456
O12
$ 1 2345c.,
14 Characters
14 Characters
11 Characters
14G 25J
14F 58 J
Set Factor 144
14F 11 J
Set Factor 144
456
345
123
012
789
678
789
456
345
123
012
789
678
456
345
123
OJ2
14F 118J
Set Factor 144
123
012
456
345
789
678
$1234567c.,
14 Characters
14F 119J
Set Factor 126
789
678
123
012
456
345
789
678
$12345678c.,
$J234567c.,
$12345678c.,
14 Characters
14 Characters
14 Characters
14F 88K
14F 37G
14F 77J
456
345
Set Factor
$12345670.,
789
456
123
678
345
012
$12345678c.,
14 Characters
14 Characters
123
012
678
456
789
345
678
$1 234567890 c..
123
012
14H2F 142J
Set Factor 126
14F 85J
14F 97J
456
345
789
678
456
345
123
012
789
678
$12345c.,
14 Characters
14G 37E
123
1234 5678
9012 3456
14 Characters
012
14F 142J
Set Factor 184.5
19
123
012
456
345
789
678
$12345678c.,
$1234567c.,
$123456c.,
$12345678c.,
14 Characters
14 Characters
14 Characters
14 Characters
14F 39 J
Set Factor 153
14F 163J
Set Factor 180
14F86J
5678
3456
1234
9O12
123
012
789
678
456
345
5678
3456
1234
9012
$12345c.,
$12345678c..
S12345C.,
14 Characters
14 Characters
14 Characters
14G 42J
Set Factor 144
456
123
$I234567c.,
14 Characters
Set Factor is the set multiplied by unit width thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X 8 = 80)
Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit rcnv required.
EXAMPLE: Set factor 80. Find unit row in which to carry
If this result contains a fraction use next larger unit rmv.
this matrix in matrix case used with 9 set normal wedge; 80-7-9 = 8.8, therefore put matrix in 9 unit row.
Line:
All
matrices
for
when
used
in
the
same
matrix case produce type on the same line regardless of any difference in point
Type
composition
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
is the mold size expressed
with
five added to the right hand figure, thus, the line for a 5 /Z point mold is .060" (.055" + .005" = .060"), the
decimajly
type line for 5tf point faces. EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5tf point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 y* point body) thus these matrices produce type .01 1 " lower than that produced by standard
.
set factor
set
line matrices
Prices:
The
all
Class
matrices.
Composition Matrices
18 Point
Where two
18F
styles of dollar
HJ
1234
9012
5678
3456
123
789
$12*34c.,
$S23456c.,
15 Characters
14 Characters
18H2F 97J
18F 86J
Set Factor 216
456
O12
$1234c.,
$1234567
Characters
15
11
Characters
18G 25J
18F58J
18F 86K
$123456c.,
sj23456c.,
$1234c.,
14 Characters
14 Characters
14 Characters
15 Characters
18H2F 1 18J
Set Factor 153
456
012
123
789
18F 118J
Set Factor 162
18G 37E
18F 64K
18F 88J
1234 5678
9012 3456
$123456c.,
$12345c.,
14 Characters
14 Characters
15 Characters
14 Characters
$123456c.,
18F37G
18F77J
18F 88K
18F 119J
$123450.,
$123456cc.,
$123$456c.,
$123$456c.,
14 Characters
15 Characters
15 Characters
15 Characters
18F 39J
18F 83 J
Set Factor 180
18F 97 J
18F 120
1234
po/^
5678
3456
1234 5678
9012 3456
$12 $34c.,
15 Characters
1234
9012
5678
3456
$12345e..
14 Characters
1234
9012
$12
5678
3456
*34c.,
15 Characters
123
456
789
012
345
678
$!2345678c.
13 Characters
is the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8 = 80).
Knowing the
and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
EXAMPLE: Set factor 80. Find unit row in which to carry
If this result contains a fraction use next larger unit row.
this matrix in matrix case used with 9 set normal wedge; 80-=-9 = 8.8, therefore put matrix in 9 unit row.
Set Factor
set factor
set
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
"
the mold size expressed decimally with five added to the right hand figure, thus, the line for a
.005"= .060"), the
point mold is .060" (.055
l
EXCEPTIONS: Abnormally tall characters are of necessity, driven to a lower matrix line and consequently when used
type line for 5 /j
point faces.
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example 5
point F10 figures for which the type line is given as .071" (the distance from the top
*
of the body to the bottom of these figures when cast on 5
point body) thus these matrices produce type .01 1 lower than that produced by standard
line matrices used with them (.071*
.060* = .01 1 ") .
5K
is
all
Composition Matrices
18 Point
Where two
styles of dollar
18F137
034 5678
2345c,
18F141J
18F142J
Set Factor 216
12 Characters
figuTt
123 4567
890 1234
$1234c.,
14 Characters
14 Characters
<
all
Claw C.
18H2F 142J
Set Factor 153
Th*
789
678
012 345
$12345678.
123 456
14 Characters
lta
Composition Matrices
24 Point
Where two
styles of dollar
24F 58J
24F 88J
12345678
90123456
2345678
90 I 23456
$12*34c.,
$!2*34c.,
24F
HJ
1234
9012
5678
3456
24H2F 118J
Set Factor 180
5678
3456
1234
9012
$123456c.,
Characters
14
15 Characters
15 Characters
24G 25J
24G 71E
24F 88K
24F 119J
12345678
90123456
1234 5678
9012 3456
$12 *34c.,
15 Characters
5678
3456
1234
9012
$123456c.,
Characters
$1234c.,
1234
9012
5678
3456
$
$12 34^
15 Characters
15 Characters
24G 37E
24F 77J
24F97J
24F 141J
Set Factor 187.5
12345678
90123456
123456789
012345678
12345678
90123456
1234 5678
9012 3456
$1234c.,
$123456c.,
Characters
14
14 Characters
14 Characters
14
15 Characters
24H2F 97J
24GH2 37E
24F 80 J
12345678
90123456
$123456c.,
$1234c.,
1234 5678
9012 3456
$1234567
24F39J
24F 86K
24F 118J
12345678
90123456
12345678
90123456
12345678
90123456
$1234c.,
$12*34c.,
5678
3456
1234
9012
14 Characters
14 Characters
14 Characters
14 Characters
11
Characters
$123456.
12 Characters
24H2F 142J
Set Factor 180
1234 5678
9012 3456
$123456c.
14 Characters
15 Characters
the set multiplied by unit width; thus, the set factor of a character made for the 10 unit row of 8 set is 80 (10X8-80). Knowing the
set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used.
RULE: Given the
set factrv of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
EXAMPLE: Set factor 80. Find unit row in which to carry
If this result contains a fraction use next larger unit row.
this matrix in matrix case used with 9 set normal wedge; 80-5-9
8.8, therefore put matrix in 9 unit row.
Set Factor
is
Type Line: All matrices for composition when used in the same matrix case produce type on the same line regardless of any difference in point
size of the matrices, and the line standard to use with a matrix case depends upon the point size of the mold used with the matrices.
The type line
the mold size expressed decimally with five added to the right hand figure, thus, the line for a 5.K point mold is .060" (.055 " .005*= .060"), the
line
for
faces.
matrix
line
F.XCEPTIONS:
to
a
lower
and
type
5tf point
consequently when used
Abnormally tall characters are of necessity, driven
in combination with standard line matrices the line of the type cast from special line matrices is lower than the type cast from standard line matrices.
For all such exceptions the type line is given; for example SyZ point F10 figures for which the type line is given as .071" (the distance from the top
of the body to the bottom of these figures when cast on 5 } point body) thus these matrices produce type .011" lower than that produced by standard
is
Price:
The
figure matrices
all
Composition
Monotype Fractions
Electro Display Matrices
14 Point
14-1 IS
14-11
14-37
14-80
14-81
14-50
1 3 1
/4 /2 /4 /8%
/8 /8 '/3 /3
14-86
14-82
14-88
Htttttttt
18 Point
18-37
18-11
18-42
18-80
1
/4 /2 /4 /8 /8
5
/8 /8'/3 /3
18-82
18-50
18-81
/4 /2 /4
18-88
18-86
/8%
11111
42488
11111
88336
The
shown on
this
is
Monotype Fractions
24 Point
24-81
24-37
24-11
/4 /2 /4
/8%
24-42
24-80
/4 /2 /4 /8 /8
24-82
.1
24-88
24-86
111111112.1
4248888336
30 Point
/4 /2 /4 /8 /8
30-37
30-80
I7 3
8
/8 /8 /8
/8
'/3 /3
30-86
llllllllll
4248888336
DUpUy
30-66
11313573 5 7
4248888 161616
is
Monotype Fractions
36 Point
36-11
36-81
3
/4 /2 /4 /8 /8
1111
4243
36-37
36-80
/4 /2 /4 /8 /8
/Q O/Q
I/O
/I
/o/o/o/o/j
v)/O
/8 /8'/3 /3
36-86
llllllllll
4248888336
36-42
The
shown on
this
is
II
Ife
Hfr
W
rt#
(Composition Matrices]
(>>/
Complete Showing of
MATHEMATICAL
COMMERCIAL
REFERENCE
TIMETABLE
&
TARIFF
SIGNS
J^anston ^Conotype
^Cachine (Company
Philadelphia, U. S.
A.
Mathematical
Commercial
Signs
Composition <J&atrices
For convenience in ordering, and for reference purposes, all signs have been classified and each individual
character in the different groups numbered. In ordering, select the character of the point size and unit value
Z
Y
V
U
T
indicates 5-set
indicates 6-set
indicates 7-set
indicates 8-set
indicates 9-set
indicates 10-set
indicates 11-set
a indicates
b indicates
4 units
indicates
indicates 13 units
k indicates 14 units
I
indicates 15 units
units
units
units
units
units
units
indicates 16
n indicates 17
indicates 18
p indicates 19
20
indicates
q
r
12 inits
indicates 21
S indicates 22 units
indicates
indicates
indicates
h indicates
indicates
indicates 12-set
indicates 13-set
indicates 14-set
indicates 1 5-set
indicates 1 6-set
indicates 1 7-set
indicates 1 8-set
5 units
6 units
7 units
8 units
9 units
10 units
11 units
d indicates
number
These cap
by lower case
letters to
shown
All Signs
Four
Mathematical
1
+ 4Z-10PO
-4Z-10PO
X 4Z-10PO
3
4
-!-
Matrices
'Point
Commercial
Mathematical
* 4Z-10Po
33
35
Reference
% 4Z-20Po
4 tb4Z-20PI
5
4Z-20Pi
'47,-101'b
4Z-10P<i
l4Z-40Pi
*4Z-40Pe
S t4Z-40Pe
4Z-10Po
:4Z-40Pe
3
4
3
+ 4HY-10Po
X 4HY-10Po
--
% 4^Y-20Po
@ 4HY-20Po
Reference
1
1
5
6
6
7
4HZb-10Pd
4HY-10Pd
4HY-10Pe
4 tb
4KY -20PI
4HY-20Pi
4HY-40Pe
t4HZb-40Pe
J4KZb-40Pe
4HY -23Pi
8
6
/4MY-20Pf
Reference
l4HZb-40Pi
14MY-40PJ
4HY-10Po
'4HZb-10Pb
3 '4HY-10Pb
3 '4HY-10Pc
36
Commercial
Five Point
||4HZb-40Pe
||4KY-40Pe
"4J^Y-40Pf
4HY-40Pf
11
12
MHY-20Pc
J4MY-40Pe
>4J^Y-40Pf
"4^Y-40Pf
4HY-40PO
14
14 "
Tariff
SignS
Composition ^Matrices
SignS
Composition Matrices
Six Toint
Commercial
SignJ*
Composition tJxCatrices
Seven 'Point
Mathematical
Class
dlPtlS
tyXiOnotVPe
&
Jf
Composition Beatrices
Class
zJXCoHOtype SignS
*
Nine
Composition ^Matrices
(jliiss
T'otnt
SignS
Composition ^Matrices
SigHS
Ten
Commercial
Commercial
9
9
#
jff
10H91U-20P
10U-23Pe
10U-25Pe
10U-20Pf
10U-20P
Reference
H 10V-40P1
# 10U-25P
10
10
11
11
10U-20Pb
10H3-8Af
10U-20P
10U-27P
Reference
Composition <JWatrices
Class
'Point
Commercial
12% 10U-20P
13%10U-20P
14%10U-20P
15% 10U-20P
16 9i
10U-20P
Commercial
17*% 10U-20P
19
<
20
>
10U-20Pf
10U-20Pf
SignS
Composition Matrices
Eleven 'Point
zjtflOnOtypC SlgnS
Composition ^Matrices
SignS
Composition <JvCatrices
Class
Tive/ve 'Point
Commercial
Commercial
6/
6
12S-20P
12S-25Pf
6/12S-1301X
12S-20P
12S-20Pe
t 12H9S-20PI
i 12H91-20Pe
7
8
8
8
8
8
8
t
i
<|j
9 #
9 #
9 %
9 #
f 12Tb-46Pg
40Pf
4
4
4
4
4
12T-40Pe
12S-40Pe
12S-42P
12Ub-45Pe
12S-45Pe
12S-40Pe
12Tb-46Pg
12Y-40Pf
12S-40Pb
12S-40Pc
12S-40Pg
40Pi
C
C*
1
1
12Ub -41Pi
128- 41Pi
12S- 42P
12S- 43P
12T- 40Pe
12S- 40Pe
*
12Ub -45Pe
*
12S- 45Pe
12Tb
*
-46Pg
12T--49P
f 12T--40Pe
f 12S- 40Pe
12S- 42P
12Ub
-45Pe
f
12S45Pe
t
[
Tariff
12S -60Pf
12S -60Pf
12S -60P
12S - 1585X
2
2
2
12S -60Pf
3
12S -60P
3
4
12S -60Pf
5 * 12S -60Pf
6 * 12S -60Pf
7 * 12S -60Pf
*12S -1126X
8
9
* 12S -60Pf
D 12S -60Pf
9D
10
11
Reference
12T- 40Pi
1128-
12H3-8Af
11% 12S-20P
12% 12S-20P
14% 12S-20P
15% 12S-20P
16% 12S-20P
17*% 12S-20P
10
Reference
Reference
1f
Commercial
12S-23Pe
12S-25Pe
12H9S-25Pg
12S-20Pf
12S-20P
12S-25Pf
12S-25P
12- 18N
12S -60Pf
12S -60Pf
5
5
6
6
6
6
6
6
6
7
7
7
t
\
$
J
12S-40Pf
|
||
"
"
"
12S-40P
12H9S-40Pf
12Va-45P
12T-40Pd
12S-40Pd
12
13
14
15
16
16
17
18
19
*
*
*
T
TA
12S
12S
12S
12S
12S
12S
Tariff
60Pf
60Pf
60Pf
60Pf
60Pf
60P
60Pf
60Pf
60Pf
20 e 12S 60Pf
21 ( 12S 60Pf
22 ) 12S- 60Pf
23 4 12S 60Pf
24 [g 12S' 60P
25
12S 60P
26 ^ 12S 60Pf
12So 12SA 12S
7 "
7
7 "
7
9
10
11
12
13
14
14
14
15
15
16
16
17
"
12S-40Pf
12H7S-40Pf
12S-40P
12H7S-40P
12S-40Pe
12S-40Pf
12S-40Pf
12S-40Pf
12S-40Pf
12S-40Pf
12S-40Pd
12S-40Pf
12H7-40Pf
12T-40Pc
12S-40Pc
12T-40Pc
12S-40Pc
12S-40Pf
27
28
29
[E
I
<*>
290
30
31
32
33
34
35
36
Tariff
12S-60Pf
12S-60Pf
12S-60Pf
12S-10P,No.36
12S
60Pf
60Pf
12S-
12S-60Pf
60Pf
60Pf
v 12S' 60Pf
12S
12S
Q 12S-60P
Arrows
Dictionary defines "Arrow" as follows: "A slender, generally pointed, missile weapon made to be shot
But we, of the twentieth century, make use of the arrow to direct attention to some point in advertising or other reading matter which we think should be emphasized. When used in connection with some particular
phrase or paragraph, they rivet the attention in a manner that is prompt and forceful. Many stunts can be quickly
formed with the different combinations, to be used in a variety of ways, both as borders and pointers, and the shrewd
/"T^HE Century
^
1
from a bow."
numerous instances
Five Point
IinilHHJlI
5Yb-476X
....*.
>
Six Point
-V
5',U-1379X
SPECIMENS
of
MONOTYPE RULE
and
CORNER PIECE
MATRICES
The Rule Matrices shown on the following pages are made for use with
the Continuous Strip Lead and Rule
Molds. The Corner Pieces to match
the Rule Matrices are made to be
cast on the regular Monotype Molds
COPYRIGHT,
1917
BY
LANSTON MONOTYPE
MACHINE COMPANY
TRADE MARK
MONOTYPE
Reg. U. S. Pat. Off.
HYPHEN LEADERS
Two Hyphens to Em No. 70R
in 18 units
only
5 Set
6 Set
7
10
12
"
"
"
"
9
10
Two Dots
Em
to
No.
OR
12
5 Set
6
7
8
9
10
11
12
11
"
"
"
"
Four Hyphens to
"
6 Set
"
"
Em No. 30R
10
11
6 Set
12
"
"
11
"
"
"
"
Three Dots to
"
12
"
Em No.
90R
"
"
"
"
"
"
"
"
"
Six
Not
Hyphens
to
Em No. 60R
9 Set
Em
Four Dots to
No. 40R
10
6 Set
11
7
8
9
10
11
12
"
12
"
"
"
"
Six Dots to
Em No.
for less
10 Set
12
"
"
Not furnished
11
"
"
6 Set
7
"
10
"
12
Note:
The same
Sort* Matrices.
are
"
"
"
"
Monotype leaders are made on standard line and may be used in composition with any font regardless of its point size. For example:
leader matrix could be used with 12 point No. 34A or 10 point No. l.SOA. both being 11 set faces, as the set only need be considered.
run in the 8, 9, 10 and 18 unit rows, which allows of perfect justification of leader lines. In ordering leaders always
They
50R
than 10 set
made
to
We
match
wanted.
also furnish leaders in 24, 30 and 36 point strips for sorts casting for use
the different styles of composition leaders shown above.
when
setting 6, 8, 10 or 12 point
by hand.
M
No. 11R
M
No. 12R
No. 19R
M
No. 15R
No. 39R
I
No. 18R
Illlllllllllll
No. 13R
No. 14R
No. 41R
M
No. 42R
No. 45R
No. 60R
M
No. 61R
No. 62R
No. 65R
Illlllllll
M
No. 89R
No. 69R
I
No. 40R
II
No. 49R
=M=
No. 17R
iimiimiiii
11111111111111
Monotype Dashes
Composition Matrices
HORIZONTAL DASHES shown on this page are for use in composition with any of our
standard fonts. The matrices for most of the point sizes, set sizes, and various unit widths
are in stock. Those not in stock will be made upon request. Composition Horizontal Dash
THE
Matrices are Class A, except 14-point and 18-point Composition, which are Class B. When
ordering dashes be sure to specify point size, set size, and unit row, in addition to the number of
the character.
Hair-Line Dash
Number
Position
-10R
Centered on Body
Bottom
12R
Top
15R
Bottom
Quarter-Point Dash
Position
Number
20R
Centered on Body
50R51R,
52R,
25 R,
55 Ix,
Half-Point Dash
Number
-30 R
31R,
Centered on Body
of
weight,
Top
weight,
Bottom
of
Body
Body
of
Three-Quarter-Point Dash
Number
300R30 1R,
302 R,
305 R,
Position
Centered on Body
41 R, same
42 R, same
45 R, same
Centered on Body
weight,
Bottom
weight,
Top
weight,
Bottom
of
= 18R=
of
Body
Body
of
13R, same
14R, same
17R, same
Position
=
weight,
weight,
~^
Position
61R,
Top
of
Centered on Body
62 R, same
65 R, same
Two and
Top
weight,
Bottom
Body
Body
of
Position
70 R^^^^^^
75 R,
of
One-Half-Point Dash
Number
71R,
72R,
of
weight,
Centered on Body
Number
Position
^"80 R^^^^^^^
81 R, same
82 R, same
85 R, same
of
Body
Body
weight, Bottom of
Centered on Body
weight,
Bottom
weight,
Top
weight,
Bottom
of
of
Body
Body
of
Four-Point Dash
Number
Position
Centered on Body
Bottom
Position
Centered on Body
-60R- ^^^^~"~
Three-Point Dash
Position
40R-
of
Number
One-Point Dash
Number
Body
Body
Two-Point Dash
Position
32 R, same
35 R, same
of
Number
21R,
22R,
of
Centered on Body
91R,
92 R, same
95 R, same
of
weight,
Top
weight,
Bottom
of
Body
Body
of
M
No. 11R
M
No. 12R
No. 19R
M
No. 15R
II
No. 39R
M
No. 18R
II
No. 49R
=M=
MM
No. 13R
|M||
No. 69R
M
No. 14R
M
No. 17R
=M=
No. 40R
M
No. 41R
M
No. 42R
No. 45R
No. 60R
M
No. 61R
No. 62R
No. 65R
No. 89R
I
Illlllllllllll
Illlllllllllll
Monotype Dashes
Composition Matrices
HORIZONTAL DASHES shown on this page are for use in composition with any of our
standard fonts. The matrices for most of the point sizes, set sizes, and various unit widths
are in stock. Those not in stock will be made upon request. Composition Horizontal Dash
THE
Matrices are Class A, except 14-point and 18-point Composition, which are Class B. When
ordering dashes be sure to specify point size, set size, and unit row, in addition to the number of
the character.
Hair-Line Dash
Number
Position
10R-
-Centered on
_15R.
_Bottom of
Top of
Bottom
Quarter-Point Dash
Position
Number
20R
Centered on Body
50R-
21R,
22R,
31R,
32R,
35 R,
Number
Centered on Body
-60R-
Three-Quarter-Point Dash
61R,
Position
^^^^~
weight,
Bottom
of
weight,
Top
weight,
Bottom
of
Two and
Body
Body
of
Top
weight,
Bottom
41 R, same
42 R, same
45 R, same
Bottom
weight,
Top
weight,
Bottom
of
of
Body
Body
of
Position
= 18R
13R, same
14R, same
17R, same
of
Position
71R,
72R,
Number
Position
Centered on Body
81 R, same
weight,
Bottom
82 R, same
85 R, same
weight,
Top
weight,
Bottom
Body
One-Half-Point Dash
Centered on Body
weight,
of
Body
Three-Point Dash
Position
40R-
of
weight,
Centered on Body
One-Point Dash
Number
Centered on Body
62 R, same
65 R, same
Centered on Body
301 R, same
302 R, same
305 R, same
Centered on Body
Number
Position
-300R
Position
"~~
Two-Point Dash
Position
Number
Half-Point Dash
-30R
of
Number
Number
Body
Body
Body
of
of
Body
Body
of
Four-Point Dash
Number
Position
Centered on Body
weight,
Bottom
weight,
Top
weight,
Bottom
of
of
Body
Body
of
91 R, same
92 R, same
95 R, same
weight,
Bottom
weight,
Top
weight,
Bottom
of
of
Body
Body
of
BRACES
PIECE
No.
are
No.
No.
No.
[;
6,
f;
7,
\;
8,
No.
/;
9,
\.
with an 8 point face on 10 point body, 10 point Piece Braces should be ordered.
Point
4V2Y
41Sf
Set Factor 54
123456789
)
>
5
SZ
123456789
123456789
41 Sf
/ <
<
Point
5Yb
Set Factor 45
5Yb
41Sf
Set Factor 58.5
5Yb
41 So
<
123456789
1
42So
Dash
match 5Yb
to
lORo
Point
5>/2 Zb
5/2Y
41 So
S'/2 Yb
Set Factor 99
41Sf
Set Factor 54
123456789
123456789
123456789
(1/1
41 Sf
5'
Xa
41 So
123456789
1
Set Factor is the set multiplied by unit width; thus, the set factor for a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing
the set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-7-9 = 8.8; therefore put matrix in 9 unit row.
Price*: All Matrices shown on this page are Class A, unless a different classification
is
Number.
Composition Matrices
6 Point
6Y
6X
30Sf
<
Dash
6X
42So
123456789
6Y
41 Sf
Set Factor 63
Set Factor 54
match 6Y
to
lORo
30Sf
Set Factor 63
6X
42So
6X
41So
3
123456789
1
6Y
Dash
to
match 6X
lORo
41 Sf
Set Factor 54
123456789
1
<
6Xa
42So
6Wb
41Sf
Set Factor 76.5
6Y
Dash
to
OX
41So
(I
lORo
44Sf
123456789
H KM
match 6Xa
6Wb
123456789
41 So
H MM
i
7 Point
7X
7X
41Sf
Set Factor
63
123456789
II
'(II
7X
41So
44Sf
123456789
n M
11)1'
Set Factor is the set multiplied by unit width; thus, the set factor for a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing
the set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given tht
the
factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used,
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
=
this matrix in matrix case used with 9 set normal wedge; 80-5-9
8.8; therefore put matrix in 9 unit row.
set
Prices: All Matrices shown on this page are Class A, unless a different classification
is
Composition Matrices
8 Point
8W
8H9W
30Sf
Set Factor 72
8W
41SRo
41 Sf
8W
Set Factor 63
8WH9
123456789
Gl
2356
1478
8X
43SRf
rx/'i
43SLf
4lSLo
1478
f
/ \
8WH9
8V
41So
8W41Sf
Set Factor 72
123456789
i
43SRf
123456789
n H
n u n
\
8WH9
43SLf
1478
8W
42So
8H9W
41SRf
1478
}
8H9W
Dash
match
to
8W
lORo
123456789
H u inn
\ I
41SLf
8Wb
'I!
42So
1478
ri/\
Dash
8W
to
match
8Wb
lORo
8W
41So
44So
m inn
123456789
123456789
8W
43Sf
Set Factor is the set multiplied by unit width; thus, the set factor for a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing
the set factor and the set to be used, to Hrtcnninc the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
of a matrix, lo determine for any set, the unit row of the matrix cafe in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
// this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; RO-i-9
8.8; therefore put matrix in 9 unit row.
set factor
Price*: All Matrices shown on this page are Class A, unless a different classification
is
Number.
Composition Matrices
9 Point
9V
9V
30Sf
Set Factor 81
9V
41 Sf
Set Factor 81
123456789
1
41So
123456789
10 Point
10U
10U
30Sf
Set Factor 90
10U
point face.
Set Factor 180 (Class B)
1
Dash
10U
46So
Two
123456789
41 So
to
match 10U
60Ro
41 Sf
Set Factor 90
123456789
U
H
H
I
10U 47So
One point face.
Set Factor 180 (Class G2)
10TJ
42So
Dash
Dash
to
match 10U
to
match 10U
40Ro
lORo
Set Factor is the set multiplied by unit width; thus, the set factor for a character made for the 10 unit row of 8 set is 80 (10X8 = 80). Knowing
the set factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
set factor of a matrix, to determine for any set, the unit row of the matrix case in which to carry this matrix: divide the set factor by the set to be used, the
result is the unit row required.
If this result contains a fraction use next larger unit row. EXAMPLE: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80-5-9 = 8.8; therefore put matrix in 9 unit row.
Prices: All Matrices shown on this page are Class A, unless a different classification
is
Composition Matrices
11 Point
11T
11T
30Sf
Set Factor 99
41Sf
11T
Set Factor 99
41So
123456789
123456789
12 Point
12Y
128
30Sf
12S
44Sf
123456789
123456789
U Tin
I
12S
4lSo
Set Factor 54
vim n/<
30Sf
12S
41Sf
123456789
12S
42So
134
Dash
to
match 12S
lORo
Set Factor is the get multiplied by unit width; thus, the set factor for a character made for the 10 unit row of 8 set is 80 (10X8-80). Knowing
thf frt factor and the set to be used, to determine the proper unit row for any character divide the set factor by the set to be used. RULE: Given the
of a matrix, to determine for any set. the unit row of the matrix case in which to carry this matrix: divide the net factor by the set to be used, the
result is the unit rrnv required.
If this result contains a fraction use next larger unit row. KXAMPI.E: Set factor 80. Find unit row in which to carry
this matrix in matrix case used with 9 set normal wedge; 80 + 9 = 8.8; therefore put matrix in 9 unit row.
set factor
Price*: All Matrices shown on this page are Class A, unless a different classification
is
Number.
Monotype Rules
Matrices for Continuous Lead and Rule Molds
2 -Point
2-10RL
2-31RL
2-11RL.
2-350RL.
2-18RL =
2-35RL.
2-20RL_
2-38RL=
2-21RL_
2-40RL.
2-30RL.
2-41RL.
2-50RL.
3 -Point
3-10RL-
3-3428RL:
18RL
3-40RL.
20RL
3-41RL-
21RL
3-410RL
248RL
3-5 1RL.
30RL
3 61RL.
31RL
65RL.
Page one
4 90RT,
fi
90PT
Monotype Rules
Matrices for Continuous Lead and Rule Molds
6-Point
6-4281RL s
6-448RL:
6-620RL-
6-44 11RL;
6-633RL=
6-448 1RL:
6-648RL;
6-46 URL;
6-6468RLI
6-47RLE
6-68RL!
6-517RL-
6-758RL-
6-51RL-
6-80RLi
6-5418RL-
6-8 1R1
6-56 ISRL;
6-844RLi
6-581RL:
6-91RLI
6-60RL-
6-92 IRLi
6-6 1RL.
6-938RLI
6-62 1RL.
6-95RLI
Note: These Rule Matrices are not interchangeable for different point-size Molds; for example, any two-point Rule Matrix can be used with
any two-point Rule Mold, but a two-point Matrix cannot be used with the six-point Rule Mold.
Page four
Monotype Rules
Matrices for Continuous Lead and Rule Molds
6 -Point
6-53 18R1
6-388RLI
6-533 1RL-
6-3562RI
8-Point
8-10RL-
10-Point
10-10RL
10-20RL-
10-18RL=
10-30RL-
10-870RL
Note: These Rule Matrices are not interchangeable for different point-size Molds; for example, any two-point Rule Matrix can be used with
any two-point Rule Mold, but a two-point Matrix cannot be used with the six-point Rule Mold.
Page five
Monotype Rules
Matrices for Continuous Lead and Rule Molds
12 -Point
12-40RL_
2-1 RRT,
12-144RL;
12-3525RL=
12-164RL:
12-3556RL:
1 2-427
1RL=
1RL=
12-657RLI
12-42 51 RLE
12-961RLI
12-424RL:
1 2-426
2-943 7RL*
Note: These Rule Matrices are not interchangeable for different point-size Molds; for example, any two-point Rule Matrix can be used with
any two-point Rule Mold, but a two-point Matrix cannot be used with the six-point Rule Mold.
Page
six
Monotype Rules
Matrices for Continuous Lead and Rule Molds
12 -Point
2-9676RL
12-536RLI
12-61 1RLT
12-740R
12-4471RL
12-4781RL
12-446RL:
12-4441RL
12-6551RI
12-4481RL
12-4588RL
12-9504RLI
12-6471RL
12-626R
~-
_____ __ _
Note: These Rule Matrices are not interchangeable for different point-size Molds; for example, any two-point Rule Matrix can be used with
any two-point Rule Mold, but a two-point Matrix cannot be used with the six-point Rule Mold.
Page seven
Monotype Rules
Matrices for Continuous Lead and Rule Molds
12 -Point
12-827RI
12-881R
Note: These Rule Matrices are not interchangeable for different point-size Molds; for example, any two- point Rule Matrix can be used with
any two-point Rule Mold, but a two-point Matrix cannot be used with the six-point Rule Mold.
Page
eight
12LR-10N
12LS-10N
to
match 6-10RL
|~~ to
match 6-10RL
s
'
12LR-11N
to
match 6-11RL
12LS-11N
to
match 6-11RL
to
match 6-18RL
12LR-18N (
Match
12LS-348N IP
f
^
12LR-3481N (
12LR-1441N fT
12LS-1441N
12LR-1571N
12LR-147N
12LR-357N
12LS-357N
12LS-3531N
r
r
match 6-357RL
to
match 6-3531RL
to
match 6-1441RL
match 6-1441RL
to
12LS-3537N ffp
to
match 6-3537RL
to
match
to
match 6-41RL
to
match
to
match 6-41RL
to
match 6-48RL
12LR-40N
6-1571RL
match 6-1571RL
12LS-41N
% /
12LD-41N
match 6-147RL
12LR-48N
12LR-1458N
to
match 1458RL
12LS-48N
12LR-1618N (
to
match 6-1618RL
12LD-48N f/
P to match 1618RL
12LR-181N (
to
match 6-181 RL
12LR-31N
to
match 6-31RL
12LR-35N (
to
match 6-35RL
to
match 6-35RL
|P to match
6-181RL
6^URL
s to match 6-48RL
T r
S r
12LS-35N
to
f to match 3537RL
to
12LS-181N
6-357RL
match 6-147RL
12LS-1618N
match 6-3481RL
((F to match
to
12LS-147N ||p
(r
to
to match
12LS-1571N I
to
(tr
12LR-3537N
match 348RL
r to match 6-1421RL
12LS-1421N
(r
to
p to match 6-3481RL
12LS-3481N
f to match 6-1421RL
12LR-1421N
12LR^7N (
to
match 6-47RL
12LS-47N
to
match 6-47RL
12LR-411N
to
12LS-411N
|P to
12LR^28N (
n=
12LS-428N |P
to
match 6-428RL
to
match 6-428RL
Page nine
12LR-4225N
to
match 4225RL
12LR-60N
to
match 6-60RL
12LR-4245N
to
match 4245RL
12LS-60N
to
match 6-60RL
12LR^281N
to
match 6-4281RL
12LR-61N
to
match 6-61RL
12LS-4281N
n= to
match 6^281RL
12LS-61N
to
match 6-61RL
12LD-61N
to
12LR-4411N
match 6-61RL
to
match 6-4411RL
to
match 6-68RL
|p
to
match 6-68RL
(I
/
12LS-4411N
12LR-68N
12LR^48N
match 6-^48RL
12LS-448N
to
match 6-448RL
12LR-610N
12LR-4481N
to
match 6^481RL
12LS-610N
12LS-4481N
|P to
match 6-4481RL
12LR-51N
to
match 6-51RL
to
match 6-5418RL
12LR-6468N
to
match 6-6468RL
r to match 6-5418RL
12LS-6468N
to
match 6-6468RL
12LR-80N
to
match 6-80RL
12LS-80N f"
to
match 6-80RL
12LR-81N
to
match 6-81RL
6-5618RL
12LS-81N
to
match 6-5618RL
12LD-81N
to
match 6-81RL
fr
12LS-68N
to
Tl
f to match 6-610RL
fP to match
12LR-648N /
to
6-610RL
match 6-648RL
>\
12LS-648N
r to match 6-648RL
tr
12LR-5418N
12LS-5418N
(r
12LR-581N
to
match 6-581RL
lr=
12LS-581N |~
to match 6-581RL
12LR-5618N
12LS-5618N
to
r to match
12LD-5618N //
Page
ten
match 6-5618RL
to
12LR-41N3
12LD-41N3
12LR-248N3
to
match 3-41RL
to
match 3-41RL
(T to
match 3-248RL
f to match
12LS-40N
"
3 -Point
If
to
match 3-3428RL
12LS-3428N3
to
match 3-3428RL
12LR-410N3
to
match 3-410RL
to
match 3-61RL
12LR-65N3
to
match 3-65RL
12LD-65N3
to
match 3-65RL
12LR-60N4
Match
to
12LR-3428N3
12LR-61N3
12LR-40N
"
'
Match
4 -Point
match 4-60RL
Match
12 -Point
12-40RL
12LS-4251N
to
match 12-40RL
12LR-424N
12LR-4271N fiT
to
match 12-4271RL
12LS-424N
12LS-4271N f|P
to
match 12-4271RL
12LR-536N /j
to
match 12-4261RL
12LS-536N
to
match 12-4251RL
(Ofi
to
match 12-424RL
Hfis
to
match 12-424RL
to
match 12-536RL
to
match 12-536RL
to
match 12-961RL
to
match 12-961RL
err.
12LR-4261N
Page
twelve
12LS-4261N
fi=
to
match 12-4261RL
12LR-961N
12LR-4251N
/^
to
match 12-4251RL
12LS-961N
Ifi-
12LR-10-2
'
12LS-10-2
Match
2 -Point
to
match 2-10RL
12LR-41-2
1-2 (
to
12LS-41-2
-2
12LR-11-2
to
12LR-20-2
to
match 2-20RL
12LR-35-2
to
match 2-35RL
12LS-50-2
to
12LD-50-2
to
match 2-40RL
12LS-35-2
5-2
'
12LR-40-2
12LD-41-2
'
12LR-10-3 f
to
12LR-10
12LS-10
r
(r
f
r
X"
12LR-50-2 f
12LT-50-2
match 2-41RL
to
match 2-41RL
to
to
match 2-50RL
to
match 2-50RL
to
match 2-50RL
to
match 2-50RL
Match
to
12LR-357
[~~ to
match 6-10RL
to
(T
12LR-11
f to match 6-357RL
12LR-3531
to
match 6-3531RL
12LS-3531
to
match 6-3531RL
12LR-41
to
match 6-41RL
12LD-41
to
match 6-41RL
to
match
12LR-147 (fT
Match
to
12LR-1571
to
to
match 6-147RL
match 6-1571RL
^
12LR-47
12LR-181 (
to
match 6-181RL
12LR-35
to
match 6-35RL
12LR-4225
to
match 6-4225RL
to
match 6-35RL
12LS-4225
to
match 6-4225RL
12LS-35
Page
thirteen
/r
match 6-4281RL
to
match 6-4281RL
12LR-448
to
match 6-448RL
12LR-51
to
match 6-51RL
to
12LS-4281
tr
to
12LR-4281
||
|
12LR-5418 IT
^
l
Match
fr
12LR-610
fr
to
match 6-610RL
12LR-6468
(T
to
match 6-6468RL
12LR -80
tO
match 6-80RL
12LR-81
to
match 6-81RL
12LD-81
to
match 6-81RL
18LR-18
(f
to
match 6-18RL
18LR-41
to
match 6-41RL
Match
I8LR-61 j
I
to
match 6-61RL
18LD-61
to
match 6-61RL
18LR-68
II
to
match 6-68RL
to
to
match 6-81RL
to
match 6-610RL
to
match 6-610RL
to
match 6-648RL
to
match 6-91RL
t
18LR-1421
x- to match
((
6-1421RL
18LR-81 f
18LS-1421
II
to
match 6-1421RL
18LD-81
18LR-1441
to
18LS-1441
to
match 6-1441RL
(r
/
X
18LR-610 ((
(
match 6-1441RL
lr
18LS-610
18LR-47
18LS-47
(F
18LR-48
18LR-4281
(If
IP
to
match 6-47RL
match 6-47RL
18LR-648 ((
(
HI
to
to
match 6-48RL
18LR-95
to
match 6-95RL
((
(
to
match 6-4281RL
18LD-95
to
match 6-95RL
18LR-91
18LS-740-12
18LD-40-12
Match
12 -Point
to
match 12-740RL
to
match 12-40RL
Match
to match
24LT-50
24LD-41
to
match 6-41RL
24LD-81
to
match 6-81RL
Match
2-50RL
24LR-61
2 -Point
24LR-95
to
match 6-95RL
24LD-95
to
match 6-95RL
match 6-61RL
to
Match
12 -Point
24LD-740
Match
to
30LT-50
36LT-50
36LD-41
36LD-81
Page
sixteen
to
match 6-41RL
to
match 6-81RL
Match
to
Match
2 -Point
match 12-740RL
to
match 2-50RL
2 -Point
match 2-50RL
s~7
36LD-95 ^f
to
match 6-95RL
36LR-61 f
to
match 6-61RL
Match
2 -Point
to
match 2-10RL
6 x
36LR-50 No.
to
6 x 36LS-10 No. 1
to
6 x
36LD-50 No.
to
match 2-50RL
6 x
36LR-10 No.
12 x
36LD-50 No.
to
36LR-65 No.
to
Match
12 x
Match
36LT-50 No.
to
match 3-65RL
6 x 36LS-65 No.
Match
to
match 3-65RL
36LR-10 No.
to
6 x
to
match 6-181RL
36LS-10 No.
to
match 6-10RL
6 x 36LR-181 No. 2
to
6 x
36LR-11 No.
to
to
match 6-1441RL
6 x
36LR-11 No.
to
6 x 36LS-1441 No. 1
to
match 6-1441RL
6 x
36LR-18 No.
to
match 6-18RL
6 x 36LR-147 No.
to
match 6-147RL
6 x
36LR-18 No.
to
match 6-18RL
6 x
36LR-147 No.
to
match 6-147RL
6 x 36LR-1618 No.
to
match 6-1618RL
6 x 36LS-147 No.
to
match 6-147RL
to
match 6-1618RL
6 x
36LR-1571 No.
to
match 6-1571RL
to
6 x 36LS-1571 No.
to
to
match 6-1618RL
36LR-20 No.
to
match 6-20RL
to
match 6-1751RL
6 x 36LS-20 No.
to
match 6-20RL
6 x
6 x
6 x 36LR-1618 No. 2
6 x 36LS-1618 No.
?,
6 x 36LS-1618 No. 2
6 x 36LR-1751 No. 2
r=
36LR-181 No.
6 x 36LR-1441 No.
6 x
Page seventeen
to
6 x 36LS-3481 No. 1
to
match 6-3481RL
6 x 36LR-3481 No.
6 x 36LR-3531 No.
6 x 36LS-3531 No.
to
to
Match
6 x 36LR-4245 No.
to
match 6-4245RL
6 x 36LR-4281 No.
to
match 6-4281RL
6 x 36LR-4281 No. 2
to
to
match 6-4281RL
6 x 36LS-4281 No. 2
to
match 6-4281RL
to
match 6-448RL
6 x 36LR-448 No. 2
to
match 6-448RL
6 x 36LS-448 No.
to
match 6-448RL
6x36LR-4411 No.
to
6x36LR-4411 No.
to
6x36LS-4411 No.
to
6 x36LS-4411 No. 2
to
6 x 36LR-4481 No.
to
36LR-4481 No.
to
6 x 36LS-4481 No.
to
match 6-3531RL
6 x 36LR-3537 No.
6 x 36LR-3537 No. 2
to
match 6-3537RL
6 x 36LR-448 No.
6 x 36LR-357 No.
to
match 6-357RL
6 x 36LS-357 No.
to
match 6-357RL
6 x 36LS-357 No. 2
to
36LR-367 No.
to
match 6-367RL
6 x 36LS-367 No.
to
match 6-367RL
6 x 36LR-41 No.
to
6 x
6 x 36LR-41 No.
to
to
6 x 36LS-41 No. 2
to
6 x 36LS-41 No.
6 x 36LR-4225 No.
to
6 x 36LS-4225 No.
to
Page eighteen
6 x
Match
6 x
36LR-47 No.
to
6 x 36LR-610 No.
to
match 6-610RL
6 x
36LR-47 No.
to
6 x 36LR-610 No.
to
match 6-610RL
6 x 36LS-47 No.
to
match
6 x 36LS-610 No.
to
match 6-610RL
6 x 36LS-47 No. 2
to
match 6-47RL
6 x 36LS-610 No. 2
to
match 6-610RL
to
to
match 6-5418RL
6 x 36LR-51 No.
36LR-5418 No.
6 x
6 x 36LS-5418 No. 1
6 x 36LR-5618 No.
6 x 36LR-5618 No. 2
6 x 36LS-5618 No.
6 x 36LS-5618 No. 2
to
to
to
match 6-5418RL
match 6-5618RL
match 6-5618RL
to
to
6 x 36LR-633 No.
to
match 6-633RL
6 x 36LS-633 No.
to
match 6-633RL
36LR-648 No.
to
match 6-648RL
6 x 36LS-648 No.
to
match 6-648RL
6 x 36LR-6468 No.
to
match 6-6468RL
6 x 36LR-6468 No. 2
to
match 6-6468RL
to
match 6-6468RL
6 x
6 x 36LS-6468 No.
6 x 36LR-581 No.
to
match 6-581RL
6 x 36LS-6468 No. 2
6 x 36LR-61 No.
to
to
to
6 x 36LS-61 No. 2
to
to
6 x 36LS-61 No.
6 x
36LD-61 No.
6-6468RL
36LR-68 No.
to
match 6-68RL
6 x 36LS-68 No.
to
match 6-68RL
6 x 36 LR-758 No.
to
match 6-758RL
6 x 36LR-758 No. 2
to
match 6-758RL
6 x
6 x 36LR-61 No. 2
to match
Pane nineteen
6 x 36LR-81 No.
to
6 x 36LR-81 No.
to
6 x 36LS-81 No.
6 x 36LS-81 No. 2
Match
6 -Point
36LR-938 No.
to
match 6-938RL
6 x 36LS-938 No.
to
match 6-938RL
to
6 x 36LS-938 No. 2
to
match 6-938RL
to
6 x 36LR-95 No.
6 x
36LR-95 No.
to
6 x
6 x 36LR-91 No.
to
36LR-91 No.
to
match 6-91RL
6 x 36LS-95 No. 1
to
6 x 36LR-938 No.
to
match 6-938RL
6 x 36LS-95 No. 2
to
match 6-95RL
6 x
12 x
36LD-10 No.
to
match 6-10RL
12 x
36LD-41 No.
to
match 6-41RL
12 x
36LD-41 No.
to
match 6-41RL
36LR-5618 No.
to
36LS-5618 No.
to
12 x
36LR-61 No.
12 x
36LR-61 No.
to
match 6-61RL
12 x 36LS-61 No.
to
Match
6 -Point
36LS-61 No.
to
match 6-61RL
12 x
36LD-61 No.
to
match 6-61RL
12 x
36LD-61 No.
to
match 6-61RL
12 x
36LR-610 No.
to
match 6-610RL
12 x
36LR-610 No.
to
match 6-610RL
12 x
36LS-610 No.
to
match 6-610RL
12 x
36LS-610 No.
to
match 6-610RL
36LS-6468 No.
to
match 6-6468RL
12 x
fr
12 x
il
12 x
Page twenty
^\ to match 6-61RL
fr
r=
12 x
^
12 x
36LR-81 No.
12 x
36LR-81 No.
12 x 36LS-81 No. 1
36LS-81 No.
36LR-938 No.
12 x
ir
^\ to match 6-81RL
^^
36LR-938 No.
36LR-95 No.
36LR-95 No.
36LS-95 No.
to
match 6-95RL
12 x 36LS-95 No. 2
to
match 6-95RL
12 x
to
match 6-81RL
12 x
to
12 x
to
match 6-81RL
12 x
to
match 6-938RL
to
match 6-95RL
m to match
6-95RL
ir
12 x
^k to match 6-938RL
12 x
36LD-95 No.
-^^^
Match
36LR-424 No.
iSft
to
match 12-424RL
12 x
36LS-424 No.
.ill
to
match 12-424RL
12 x
36LR-536 No.
= ~ E5\\
to
match 12-536RL
36LS-536 No.
to
match 12-536RL
12 x
to
ma tch 6-95RL
36LR-9437 No.
12 x 36LS-9437 No.
12 x
36LR-740 No.
12 x
36LR-740 No.
12 x
^^S
^1
I
to
match 12-9437RL
to
match 12-9437RL
to
match 12-740RL
to
match 12-740RL
ill
12 x
=T1I
12 x
36LS-740 No.
to
match 12-740RL
Page twenty-one
<r
Match Combinations
rules
rules
jf
to
12-521N
//
to
rules
12-522N
/*
to
rules
%S
12-520N
Monotype Rule
fi
^\
of
fl
!r'
12-425N
H~
18-407
jf
to
to
match 6-648RL
Match Combinations
\
18-406
to
(*
18-440
rules
to
Monotype Rule
t^~
rules
18-441
of
to
rules
rules
Match Combinations
of
Monotype Rule
/
24-411
to
6-4 1RL
rules
24-413
If
f to match 6-68RL
1RL
6-4
24-412 Iff
to
fc
3-41RL
match 6-95RL
3-41RL
V\
?
24-414
Match Combinations
of
mf
Monotype Rule
m
36-409 |
Twenty-two
If
to
to
6-95RL
match 6-10RL
6-95RL
rules
MONOTYPE
BORDERS
and
ORNAMENTS
;<
>;
many new
COPYRIGHT,
1917
BY
LANSTON MONOTYPE
MACHINE COMPANY
TRADE MARK
MONOTYPE
tteg.
U. S. Pat. Off.
Monotype Borders
Border Matrices are rated as Class A,
All
''W^'iW^'M^frM^'tftl v-
-:
-'-2
-'-I
s.
:> v
-2
-2
v -: .yl\&fr.
KaHKaKwnra
^^^^^^
Lixv^
nxxi cixv>
cwi
nxvi
nxv
01
_^v_ ^P^_
^^_ v^_*
->^
^
V,
Border Specimen Page
Monotype Borders
All Border Matrices are rated as Class A, except those
\3 G5D G23G5DG23 G5
m m m
otherwise specified
Monotype Borders
All
f-
<s
\n/
\o/
w^w-^^
jSSiSS-SSSSFijjKii
\n/
Monotype Borders
All
6 Point Strip
No 178
8 Point
No. 178
A
int
No. 175
30
nt
NO
178
ffl
Monotype Borders
All
jYi' jYi
jX^
'
<X
-Xt
'X'
<>
Monotype Borders
All
S(M
m mm
^"*
SI
fc^~*+
WMWm
0*^5^-*+
ffi
Q$l
rzdzu
w
mt
18 Point
No. 173
14 Point
No. 173
12 Point
No. 173
10 Point
No. 173
12 Point
No. 255
18 Point
No. 255
(t
Monotype Borders
All Border Matrices are rated as Class A,7
B
1
iris
V3
><5
58
SS
gg SB
S^^^'
SB
{*
&3
*$
r-8
>^
6 Point Strip
No. 174
SB
S-3
_ _
6 Point
No. 174
>A<
.3
*$U
&3
8 Point Strip
^
_^
No. 174
SU
.3
*$U
.3
8 Point
*<>
KX 24 Point No. 174
.3
*?i*
E'-'S
SB
SB
1
II
IB
g
fig
J^k
SS
Pv/I
1%
W*
xPi
&n
*%*
*i^
No. 174
I
roa
IPP*^
mm
$3
feS
36 Point No. 174
2
12 Point No. 174
.)
8 Point
o 176
)
12 Point
No. 176
)^T)
'S
KS2S8jas2S2sasasa8sa
.)^)^>
Border Specimen Page 9
Ua U =U= UaU
FUFUFUFLIFIji
IJ=fll=ll=ll=ll=jgj
Monotype Borders
All Border Matrices are rated as Class A,
Sj OiOISIrSJiSlrOI
ID!
12!
nu^u^U^u^u^U^U^U^U^U^U^U^U^U^U^u^U^U^u^U^U^U^U^U^U^U^U
ncncncncncncHciicncncncncncncncncncncncncncncncncncncnc
=>U
ioi
12 Point
14 Point
12 Point
No. 270
No. 270
No. 271
14 Point
No. 271
E!
ii!
=1 12 Point
gii
He No 272
?U
nc
14 Point
No. 272
=11
18 Point No. 270
"
14 Point
No. 273
No. 273
=|
3E
n
?U
nc
BJBJ
il!
J -"
12 Point
n
nc
?u
nc
u
?
nc
n
nc
n U
nc
ni
=11
;:
::
=iy
Hi
u
n
24 Point No. 271
^
^^
^^
^^
^
^^
K
K
j auauauau
= n = n = llc n
j=yn
ririnriririririririniMi;j;j;i;j;i;i;i;j?j?i?i
J
i
i
UlL:i^l^li:-:
^
Sp
PS!
^
U
&&1&1&1 S1 S!
^^
m
w
^
^m
^
^T
^
^T
^te i
ft><^
i
^ti
^-^
4*5
^
12 Point
14 Point
No. 251
No. 251
12 Point
14 Point
12 Point
14 Point
No. 250
No. 250
No. 259
No. 259
^
w
,t,
stU
\f/ 2tSS&
^*
^BB
\WA
*i
ti^te
/^
A
*^*
3lf)f
steS
*
*
*
***
ra
E&
mf/
4^
r^ra
*%
"^
24
p o>nt No.
251
14 Point
No. 252
^
.^
W1
i
ttt
^1
-^B^L.
AJi
JK
j
....,...
S*2S*2S*2
12
int
'-
267
**
PfiiPSIM
^ ^^ ^
fj^
.^-^
t8
\^F
r
12 Point
No. 252
L^j
ri
^^
^
>V1
Monotype Borders
All
6 Point Strip
No. 180
6 Pt.
No. 180
6 Pt,
No. 181
8 Pt.
No. 181
No. 179
12 Pt.
18 Pt.
No. 180
12 Pt.
No. 181
11
ffi
Monotype Borders
All
&
ffi
ffi
ffiffiffiffiffiffi
ffi
tfi
tfi
UUU
LCLCICICICLCLCLCLCLCLCLCLCLCLCLELCLCLCICIC
J
I J IJ IJU
I J J IJ I J
IJ I J Jl JI!J
I
I
UU
W
8 Point No. 80
6 Point No. 81
Point No. 81
18 Point No. 80
18 Point No. 81
8 Point Strip
No. 80
24 Point No. 80
6 Point 3
em
Strip
8 Point Strip
No. 81
Strip
10 Point No. 81
No. 81
ffi
10 Point No. 80
6 Point 6
em
24 Point No. 81
No. 81
*
10 Point Strip
No. 80
6 Point
SnWfil
No. 60
10 Point Strip
No. 81
30 Point No. 80
30 Point No, 81
12 Point
No. 80
6 Point 3
em
Strip
12 Point No. 81
No. 80
Sfi
******
ffi
36 Point No. 80
12 Point Strip
No. 80
6 Point 6
tfilfiififfitfiifiififfiifiifi
Border Specimen Page 12
em Strip
No. 80
aneneni
12 Point Strip
No. 81
36 Point No. 81
All
oooooo
o
o
o
Cy
^
O
G>
12 Point
No. 166
QQQQQQ
o
o
o
Monotype Borders
All
QQQQQQQQQQQQQQQQQQQQQQ
36 Point
No. 166
Q
o
o
oooooo
oooooooooooo o o oooooooooooo
OOOOGOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOG OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
ooooooooooooooooooooooooo
OOOOOOOOOOOOOOOOOOOOO
eeeeeeeeeeeeeeeeeeeeoooooooooooooooooooo
e>
O
OOOOOO
5 Point
6 Point
"
8 Point
No. 24
10 Point
No. 24
18
.^T. T
Pomt
No
24
GOO
(0)<WO)
\7
CQ
CO
>><>
Monotype Borders
Border Matrices are rated as Class A,
except those otherwise specified
t-^i^
y&tst
18 Point No. Ill
fc^
No. 159
12 Point
^^w
36 Point No. 110
\_^U
HBf
18 Point
12 Point
12 Point
18 Point
No. 155
No. 155
No. 156
No. 156
36 Point No. 156
m^mr^^m
^Kf^9
18 Point
12 Point
12 Point
No. 153
No. 153
No. 154
18 Point
No. 154
Monotype Borders
All
A
A
A
A
Point No. 97
Poin
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
Monotype Borders
All
Monotype Borders
All Border Matrices are rated as Class A,
18 Point
18 Point
18 Point
18 Point
No. 219A
No. 219B
No. 219C
No. 219D
24 Point
24 Point
24 Point
24 Point
No. 219A
No. 219B
No. 219C
No. 219D
30 Point
30 Point
30 Point
30 Point
No. 219A
No. 219B
No. 219C
No. 219D
Monotype Borders
Border Matrices are rated as Class A,
All
4 ******
^
No. 41
8 Point
No. 41
10 Point
No. 41
if*
5J Point
No. 35
^ *
6 Point
****** 4
8 Point
No. 35
6 Point
6 Point Strip
No. 399
No. 399
8 Point Strip
4 4
^
4 ****** No 35 ******
6 Point
No. 35
*
4
I ******
'
10 Point
No. 35
J
*
*
6 Point Strip
No.35
*
^
4
I
18 Point No. 35
4444444444444444444444
5
Point No. 36
8 Point
No. 36
*
*
444
12 Point No. 36
8 Pt. Strip
t
4
No. 36
Point No. 37
6 Point
4444444444444444444444
*
5
No. 37
8 Point
No. 37
8 Pt. Strip
No. 37
44444444444444444444444444444444
444444444444444444
4**+*********++*+***+++*****
V
Point
8 Point
8 Point Strip
No. 38
No. 38
No. 38
V
12 Point
18 Point
No. 38
No. 38
36 Point No. 38
Af
TTT
r
T
TTTTTTTTTTTTTTTTTTTTTTTTTT
?
?
MTTTTT
^f ^k^^ ^^^ft
^^^ft
TT T
Border Specimen Page
l!
Monotype Borders
All Border Matrices are rated as Class A,
18 Point No. 47
18 Point No. 39
18 Point
No. 228
WWW*
u>
o>
<s>
EBiiffiffillfflSfflllllUS
Monotype Borders
All Border Matrices are rated as Class A,
LJ
1*1
3>3><><j><5><S><><S><S><S><j><e><3><$><^<3><j>3><><S>
v ^X ^X ^^ ^X ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^
<8><e>3><$><j>3><e><$><$
<$>
XXXXXXX*
^^
^WS-A_0A_A^>
>C
<8>
<^>
^
^
-V
^^^^^
>W^,A, v V
^ ~
^ ^ XXX
iY A
f | ^^ If
4>^^><$><>4>^^> ^
^
^
<^
.
^.^
<5>
<$>
**
>
V'
4^4,
e^ttttip
No 11
8 Point
42
No.
int
No. 13
6 Point
6^X2t?Hp
No. 13
-
^^^^^^^^^
Point No. 20
^>
/.
No. 20
6 Point
42
<$>
12 Point No. 42
.^
fflfflfflfflBffl
8 Point No. 13
6 Pt. 6
em Strip
em
Strip
No. 19
p oint No
19
<*
Point No. 44
,,
10
.;
8 Point
No
20
8 Point No. 14
8 Point No. 52
^A^^.^^^.^
^>
12 Point No. 87
xN
^^^^^^x^^^^^xSx^^^x^^'Cex^x^^^^^^^
$ &
>s.
6 Point No. 14
11
<>
f*^^^*^^*
,,,,,,,,
>?
/\
No. 20
ffi
6 Pt. 3
<&
<><><&>&<&<><&<>
0-
Strip
10
cb
,v
>'V V"V'V"V'V
em
p oint No
No. 11
4,
No. 19
p,ftnTstrip
6 Point No. 19
6 Pt. 6
No. 11
6 Point
>
>
Point No. 19
<
o-
">
<>
*
4
f #
^^^^^^^r^^^^r^^^^:^^^
asasaa
6 Point Strip No. 5
10 Point Strip
No. 10
(i^
m
m
ig
^
MMMi)!^^
I
i
|
12 Point
No. 6
12 Point
No. 12
12 Point
No. 199
12 Point
No. 10
12 Point Strip
No. 10
&
ft
&
21
Wi
31
Monotype Borders
6 Point
8 Point
6 Point
No. 8 Strip No. 8 No. 8
12 Point
No. 8
a
a
a
nannnn
a
6
a
a
n
D
a
Point No. 18
6 Point Strip
No. 18
12 Point Strip
No. 8
OOOOOOOOOOOOOOOOOOOOOOOO
o
6 Point
No. 17
>ooooooooooooooooooooooooo
oooooo
6 Point Strip
No 17
6 Point No. 51
DDnnnnnnDnnnnnnnnnnDnnnnnn
OOOOOOOOOOOOOOOOOOOOOOOO
OOOOOOOOOOOOOOOOOOOOOOOOOO
nDnnnnnnnnnnnnnnnnn
D
D
ODD
D
o
o
oooooooooooooooooo
ooooooooooooooooooo
8 Point
No. 18
8 Point Strip
8 Point No. 17
No. 18
nnnannnnnnnnnnnnnnD
nnnnnnnnnnnnann
a
10 Point No. 18
o
o
X
o
annnnnnnnnnnnnn
oooooooooooooooooo
No.
o. 51
OOOOOOOOOOOOOOO
O
O
O
O
o
O
O
ooooooooooooooo
o
o
ont
8 Point
ooooooooooooooooooo
oooooooooooooo
o
o
O
O
10 Point No. 51
10 Point No. 17
oooooooooooooo
No. 18
12 Point
00
No. 17
12 Point
<^>
No. 51
>0000000000000000<
m
v
No. 167
6 Point
6 Point
No. 168
6 Point
No. 169
No. 170
6 Point
S?
<I>
oooooooooooooooooo
oooooooooooooo
<>
*
A
8 Point No. 167
8 Point
No. 168
&
V
8 Point
No. 169
rih
8 Point
No. 170
s?
no
ooooooooooooo
00000000000
>
o
10 Point No. 167
00000000000
s?
s?
y
V
s?
s?
S?
000000000
$
\)
o
12 Point
No. 167
$
Q
000000000
Border Specimen Page 22
12 Point
No. 168
12 Point
12 Point
No. 169
s?
No. 170
Monotype Borders
All
-:"-
--:::-
-:;:-
C-
-:::-
# O # # O O # # *-
^;>
-:lt
v> -*
-:v-
-^
.;:-
,;,
Monotype Borders
All Border Matrices are rated as Class A,
18 Point No. 370
36 Point
No
369
r
*6 Point
No. 204
6 Point
No. 378
I2point
No
>>>>
36 Point
No. 141
6 Point
No. 137
fr
12
6 Point
nt
No. 133
^ff^ff^ff
to
141
f
T 24 Point No. 141
10 Point
12 Point
No. 206
No. 206
I
I
I
I
I
S+S+0+ f
Kl
I
|f
x
6 Point
No. 217
8 Point
12 Point
No. 217
No. 217
VIf
ta ,
6 Point
No; 183
**
;\
'
*
^Hlfc
Poin?No.l83
N o.
w. -..^,c..
..
f..
I
I
|
->
->
Monotype Borders
All Border Matrices are rated as Class A,
Monotype Borders
All
'I'M'M'M'
" I! '"i
*
*
*
*
*I* *f* *t* *t*
*******
*
*
*
*
*
*
*
T ************
************************
H-H-
6 Point
No. 23
6 Point Strip
No. 23
*********************
,JL
8 Point
No. 164
********************
*****************
.4
Point No. 40
Point No. 66
5^
Point No. 40
6 Point
6 Point No. 66
8 Point No. 66
8 Point
No. 40
Point No. 40
No. 40
*
10 Point
No. 66
Point No. 66
10 Point No. 40
12 Point
* **********
3,
No. 40
***************
18 Point No. 66
18 Point No. 40
24 Point No. 66
24 Point No. 40
30 Point No. 66
30 Point No. 40
36 Point No. 66
36 Point No. 40
***** J
*****
* ****
*
*******
Monotype Borders
All Border Matrices are rated as Class A,
tiiiiiiira^
No. 60
18 Point No. 95
24 Point No. 95
12 Point
30 Point No. 95
36 Point No. 95
24 Point No. 60
#7S
18 Point No. 99
24 Point No. 99
36 Point No. 60
30 Point No. 99
36 Point No. 99
JJJ
MK
:r
gg
I-SiSiSKttliftiSISIfi^iiSISIS^iSK:^
Monotype Borders
6 Point
No. 94
era
24 Point No. 266
g>
,24 Point
No. 244
12 Point
12 Point
No. 254
No. 253
12 Point
No. 256
14 Point
No. 253
No. 256
18 Point No. 254
18 Point
No. 253
18 Point
No. 256
24 Point No. 256
12 Point No. 94
Monotype Borders
All Border Matrices are rated as Class A, except those otherwise specified
<sp
12 Point No. 323
Monotype Borders
[ j
[ j
[ j
I j
[ j
[ j
[ j
[ j
^ j
Q^I
4*
4 ^4^
Q-* Q^* Q^ Q^ '^
44iit*444t4ttiitti44t
Q^
fyfyfyfyfyfyfyfyfyfyfyfyfyfyfy
[ ]
nnnnnnnnnnnnnnn
n
n
nnnnnnnnnnnnnnn
nnnnnnnnnnnn
nnnnnnnnnnnn n
<
<
Q^ 4* 4*
<
No. 9
6 Point
<$>
No. 9
12 Point
n
n
n
-^
36 Point No. SI
10 Point No. 45
10 Point
No. 62
12 Point
No. 62
No. 9
$
No. 45
<>
8 Point
<fxtKf>
12 Point Strip No. 9
i
8 Point
s1
12 Point No. 45
18 Point No. 62
Un
nnnnnnn g
nnnnnnnnnnnnn
|
&
*4-*
*^
$
jfa
Sheets of
Specimen
J
L
New ^Conotvpe
borders
J
V->
Borders shown on this and succeeding eleven pages are for casting on Composition or Display Molds. Where "strip" is mentioned
in any point size, it indicates that the matrix is made to cast a combination of three or more characters, not over 36 points long
00000000000000000000000000000000000000000
00
Six 'Point
00000O0000O0000000000
6 Point No.
44SN
6 Point No.
000000000000000000000
6 Point No. 4&2N
6 Point No.
&Wa&&#i &
WNNI&^&&&&&&&
6
No. n6N
j<5
o/jo
30 and 36
***
jo and
Point
6 Point No.
Point No. 66
also 18,
SH
i!
"
&
o
ooooooooooooooooooooo
6 Point No. 426N
Q
o
O
GCOOGGOOOCCOGQCGCCGGG
6 Point No. 427N
...,,..
&
444N
403N
38N
6 Point No. 41 sN
H
6 Point No.
4iN
30 and 36
ietttstsietneteteteietetgietetgietstiiet!
6 Point No. 252N
If
jg
strip
te
6 Point No. 43 1 N
24
Seven 'Pomf
7 Point No.
4JN
Point No.
and
IN
6. 12
|<
Point strip
>,
********N
7 Point
alu
S,
}X,
Eight "Point
99999999999
3oN
t Point No.
gj
JO
S Point No.
sN
olio 6, 10, 11
8 Point No.
3S7N
also 6
m
8 Point No. is.iN
o/io 11.
lit.
t4,
JO
Nine Point
9 Point No.
9 Point No. 67 1 N
TSN
CO.. PHILADELPHIA.
NEW rOK.
BOJTON. CHICAGO. ilRMINCHAM. TORONTO. CANADA; MONOTYPE COMPANY OF CALIFORNIA. SAN FRANCISCO
JO
Ten Toint
looN
10 Point No.
36
KK5H5E5H5H5E5H5H
10 Point No.
i S
52
?N
also 6. 8
10 Point No. I2 4
i"
10 Point No.
444444444444 4
4
4
272N
36N
10 Point No.
also i. 6, i. 12, 18
and 8 Point
Point No. i 5 8N
also 6. 8
strip
I********** *
37N
10 Point No.
also s, 6, 8, 12, 18
also S. 12. 18
Tive/ve 'Point
12 Point
cp cpcpcpcpcpcpcpcpcp cp
Point No. nN
CD
also
CD
No. 536N
13 Point
6, 8.
12 Point
No. S4iN
24
No. S42N
sN
jo
also 6, 8. 10
also 18,
12 Point
Point No.
No. 266N
12 Point
No.
5 2N
also 6. 8. 14, 18
$$$$$$$$$$ % ********** *
12 Point No.
uN
12 Point No.
496N
also 6, 8,
12 Point
12 Point
12 Point No.
I72N
No. 47 1 N
12 Point No.
12 Point
I24N
63N
also 18
3BHHSSaHHa H
Point No. S38N
also 24
12 Point
also 5.
No. I23N
12 Point No.
No. 3SN
5'A, 6, 8. 10. ,8
12 Point No.
also 18,
No. 447N
24
loiN
36
~C
&
12 Point
No. 425N
12 Point No.
also 6. ,8
'
i.SS
and 6 Point
strip
OOOOOOOOOO O
12 Point No. 134N
and 6 Point strip
also 6, 18
Twelve 'Pomf
12 Point No.
io8N
also 6, S. to
Point No.
12 Point
48gN
Point No.
12 Point
No. 491 N
aaaaaaaaaa
a
yV
a
6ooN
No. 47oN
12 Point
*W
No. 5o6N
12 Point No.
o/jo
2.,.
S49N
36
nr
Point No. 492 N
12 Point
No. 6o8N
12 Point
No. 224N
36
alto 24,
ft
12 Point
No. 493N
12 Point
No. 33sN
aha IS
.....*.* ^
^^'cy^^cy^^^cy^'t?
12 Point
*?),
No. 68oN
*ty
12 Point
No. I03N
14
also 18,
a
12 Point No.
tS, 34, jo.
36 and
12 Point No. 68 jN
w>N
Point strip
Fourteen 'Point
14 Point
No. 52
14 Point No. 10
a/>
*. 10, 12
and
6, 8, to.
a/w
tf.
2.
Point ilrip
/->.
/.t.
24,
36 ana
8. to.
.in,
A. ro, 72.
JO.
o. *. io.
14 Point
Point ilrip
No. 8
36 ami
.4 Point
1/10
6. K, 12 I'oixt strip
No. 100
;.V.
24, jo.
14 Point No. 78
.to,
Point strip
,1/1..
;.Vi (.1
36 and 6. 8. to, 12
14 Point No. 41
also 6, 8, to, 11, lit, 14, 30, )6
Eighteen 'Point
Eighteen *Point
8 Point
No. 704
18 Point
No. 703
8 Point
18 Point
No. 707
No. 706
*"^S2
^92
>
~^a2'~ !aZ
>
92 r^a2'~^a2'^92'~><3Z
t
Jr^C
J^C JfiC JrX J
^a2'~
t/^<t^c^^^_^<^^^_^< ^S<w^S<t^S<^S
C JC jC JC jC
jC
18x36 Point
\'o.
oriihinntion 18 Point
675
18 Point
No. 134
also 6. 12
Twenty-four Point
24 Point No. 585
24 Point No. 586
Comer
IB
_JL
No
18 Point
and 6 Point
strip
No. 135
Twenty-four
'Point
Corner 6 Point
g[H
H II
>1JI
H H II II H H 3JL>IJL>I
H l H
No
427.N
mmn
and
6.
,?.
to, 12
Point strip
24 Point No. 14
also 6, 8. 12
44MMHMMF
<f
<f
30
24 Point No. 476
Corners 24 Point No. 519 and 477
36
24 Point No.
also 8, 12, 18.
S3
36
also
YYYYYYYYYYYYY
24x14 Point No. 676
3HHHHHH H
24 Point No. 538
24 Point No. 41
also 8. 10, 12, 14, IS.
36
'
36
[-
Thirty "Point
Thirty-six 'Point
TMTTTTTTlllllllllllllIll
mM
36 Point No.
ii
ii
36 Point No. 16
3ft
24
36 Point No. 4
also 6. S. 10, 12
and
stript
36 Point No. 34
alto 12, 18, 24 and 12 Point strip
SfSfH
Jnllnilni
36 Point No. 33
24 and 6, 12 Point
strip
olio 6,
009399
36x6 Point No. 32 itrip
V
Corner 6 Point No. 35*N
al,o
14
Civ^
Suggestions
268
24 Point 490
Suggestions
for
Head
IS Point
No. 707
18
18
Suggestions
for
Head
TSands
continued
>3^>>a^>*?^>>^^
36 Point No. 482, Continuous Rule
8 Point
3428RL
IIIIIIBIIIBIIIIHIIIIIIIIBIIIIII
III
Continuous Border 66iLN and 30 Point Braces Nos. 4oR and 4oL
and
and 6
No. i8iKL
Quaint Qharatterf
Matrices for the following Quaint Characters, in common ufe
when the Gallon Series was made by WILLIAM CASLON in 1720, may
be fecured in the various point fizes, both Roman and Italic. Thefe
Matrices are not included in regular fonts but are fold as extra Matrices
and are made to align with our No. 337 Series.
Compofition Matrices
Claff
Gi
Sfill'fflflftJbJkJb
7H9-337G
7HQI-337G
flft
8H9-337G
8H9I-337G
iJift
9H9-337G
9H9I-337G
IOH9-337G
ioH9i-337G
fi
HH9I-337G
ft
ffi
I I*
fl ft ft>
HH9-337G
ffl fl ft ft>
JfilJJiJJlJlftJhJkJb
I2H9I-337G
Jk jb
Jk Jb
fi
ft
I2H9I-337G
I2HO-337G
7H9-337E
8H9-337E
ffiffffifflflftfhfklb^a
ffiffffifflflftfll
9H9-337E
IOH9-337E
ffifTffifflflftfhflcibsia
I2H9-337E
IIH9-337E
// Iffi Jfl ft ft fl jk
ClajJ
Gi
14-3378
14-33718
ft
ft
ffiiTffifflnftfhfkibaci
ft
18-3378
18-33718
ft El
ffiffffifflnftflifkfbfta
24-3378
30-33718
ffiffffifflflftfiftfi
30-3378
36-33718
ffiffffifflflfiflfifl
f
fi
ff
fk fb
&
Strip J^eaders
and borders
6xs6-i8DL
6x 3 6-l2DL
6X36-24DL
6x36-1 2HL
6x 3 6-6HL
6X36-I8HL
6x36-2 4 HL
6x 3 6-6DL
These leaders made
mmmlmam
,,,.,
um,,
Mm,,,
,n>
,u,um
to
,m,mmm.,..
ui'iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiii
IIIIIIIIIIIINI
|III!IUIIII!IIII!IIIIIII!IIIIIIIIIII!IIIIIIII
Illlllllllllllllllllllllllllllllllllllllllll
Illlllllllllllllllllllllllllll
illllllllllllllllllHIIIIHIIIIIIIIIIIIIIII
!HUI
6E-589LN
6E-590LN
iiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiii
Illlllllllllllllllllllllllllll
6E-6I2LN
6-6I2LN
"'T640LN'""
6E-S88LN
6E-587LN
eaSHStssi'Sie^
6-579LN
6E-I38LN
6-652LN
6-4SILN
6-4SOLN
-
e'B'o"o"<rv g g o c a o o o o
oironroir^nryr?nryoTnnr
6-634LN
gSS
6-S94LN
6-I57LN
o==8ra
6-S97LN
b't-'bt-'b'
6-I32LN
6-I42LN
f****!
It-Wlr-*-*
6-I77LN
6-I86LN
^$^^
jcccce
6-642LN
6-69LN
'.
6-s8oLN
6-369LN
(!..>
6-I39LN
6-S82LN
>:::<
6-I9OLN
Illllllllllllllllllllllllllllllllllllllllllllllllllllllllllltlllllllllllllllllllllllllllllllllllllllll
6-64 1 LN
6-I37LN
6-592 LN
OOOOQOOOOGOOOOOCOOOOOC<
6-63SLN
6-S9ILN
CX3O-D-BCX
miaiimiiiiiiiaiiiiiiiiiiiiDiiiiiiiiiiiiDiiiiiiimiiniiiiiiiiiiiiDiiit
6-I40LN
6-S96LN
IHIHIIlllBlilllBIIIIl IIIIIHII!IHI!II
6-78LN
6-66iLN
J^ong 'Descenders
for
Old fyslon
of the
Series
{No. 337E}
keyboard, the
book composition,
to
compose at the
booklets, and fine
etc.
this circular with the Specimen Book you will note that the
12-point with
descenders
is
almost
the
as
the
same
size
long
exactly
14-point display. Therefore, our
customer who has this special equipment for composing i2-point No. 337E would use it for
By comparing
everything
The
now
set
by hand
in 14-point.
is a list of the
equipment required for composition:
Font 12-point No. 337EFG in matrix case, arrangement 84725,
following
$i 15.00
(209 characters)
Keybars: Left,
$32.50
.
.*
Fourteen-point EA Mold
each special side sorts, not carried in matrix case:
.
One
65.00
185.00
I2H9 No. 337E lowercase ft; 121191 No. 337E cap Q; 12*191 No. 337?
small cap Q; 12119 No. 3370 italic cap 2", T, lowercase b
$.60
3.60
$368.60
Note that
this special
If, however, the customer has occasion to d6 composition with the standard 12-point
he
would only require the standard characters to replace the sixteen special characters
font,
included in this arrangement. The standard characters would occupy the same positions in
the matrix case, and the special keybars would be used for the standard composition.
The customer who buys this special equipment will, at the same time, have the facility for
setting any of his regular composition matrices on a 14-point body, since the style EA mold
can be used with any cellular matrices, thus giving a leaded body.
The No. 337E is today the most popular type face in America. It is used by practically all
national advertising agencies and in large measure for automobile and other high-grade
catalogs, as well as all kinds of books and booklets. The printer with this special equipment
is almost in a class
by himself in his ability to furnish his customer with machine composition
on what has heretofore always been hand composition. Certainly, the price of this special
equipment can be saved on even one big job bandied at the keyboard instead of at tbe case.
This is the first announcement of the release of this special equipment. We expect orders
weeks after tbe issuing of this circular, which means that we
not
less than
for
fifty sets within two
cannot promise immediate deliveries, but will make shipment in the order in which the orders
reach Philadelphia. This is the best Christmas present any plant can give to its foreman.
body.
PHILADELPHIA
Thanksgiving
36-226
24-226
24-225
36-225
Christmas
-zr
6-145N
36-145
30-219b
30-219a
18-219b
18-219a
30-219c
18-219d
18-219c
30-219d
24-2195
24-219a
24-332
18-332
24-2 19c
12-97N
5-97N
30-332
24-219d
36-162
24-162
12-161N
IB
XW
18-33a
18-33b
24-161
18-161
IB
18-33c
MB
24-327
36-163
24-163
36-161
*
12-328N
36-327
18-328
24-329
36-329
24-330
36-330
36-222
24-222
36-110
18-243
18-116
30-243
18-115
18-234
18-111
24-234
36-325
36-111
18-333
1K-242
24-325
30-333
24-242
24-326
36-222a
24-222a
30-242
36-326
14-331
18-331
24-331
..
X-**********************^^
Holiday Matrices
Monotype representatives are often called upon to suggest matrices which can be
used on various seasons and holidays. The Typographic Department has made a
selection of suitable ornaments and designs for these occasions and a large enough
stock has been prepared so that orders
are as follows:
may
be
filled
promptly.
Hallowe'en
12-2S5N
24-255
18-255
12-64N
30-255
36-64
24-64
18-64
m
24-112
24-229
36-112
24-230
30-228
24-228
18-228
24-231
36-285
36-221
30-221
24-221
24-237
24-236
flf
36-223
36-224
24-224
24-223
Election
-1285X
18-1285X
24-909X
,24-9l2X
regressive
Socialist
18-1422X
24-913X
Socialist Labor
24-910X
Independence
League
24-911X
24-1734X
24-1735X
YES
NO
30-1734X
30-173SX
24-1736X
24-1358X
24-908X
24-1013X
Republican
Republican
D O
24-1737X
n m
3O-1285X
30-1892X
REP
30-1736X
24-1732X
24-1231X
24-1285X
Prohibition
NO
24-1733X
20-1892X
20-1416X
18-1892X
30-1737X
36-1285X
18-1837X
30-1732X
DEM
18-1838X
Matrices
PAY TO THE
pAYn TO THE:
ORDER OF
to
pAyTO
'
ORD
THE:
EROF
24-I085X
PAY T
PAY
THE
O^ D E R
OF
36-I325X
I2-I326X
24-I086X
ORDER OF
ODrJter
tlj
to
36-I3I2X
TO THE
PAY
ORDER OF
tfye
rJter
36-I3I3X
36-I3I4X
36-I3I8X
ORDER
OF
36-i3igX
I2-I32OX
ORDER OF
THE
R OF
PAY TO
THE ORD
ER OF
I8-I322X
36-I3I5X
36-I3I6X
24-I3I7X
ORDE
36-I32IX
o THE
Indices
A
Class
14-giR
8xi6-i6R
14-giL
IOX20-I6R
IOX20-I6L
i8x30-i6R
8xi6-i6L
24-QlR
9xi8-i6R
i8-giL
24-OlL
i8-6oX
i8x36-i6L
Matrices
I2X24-I6R
36-9 1
2O-oiR
9xi8-i6L
I2X24-I6L
30-91
2o-giL
30-01
3O-i?X
i8-iyX
36-9iL
traces
Class
14-41
14-41
14-41
14-41
i-J-.Ji
No.
No.
No. 3
No.
No. 4
12X6
13X6-30
15x3
'>-'
14-41
14-41
No.
No. 3
No. 4
Reversed Reversed Reversed
I
16x8
16x4
A Matrices
18-39
24x4
27x3
28x4
24x0
24-39
30x6
i<>-
vvt
3o-4oR
36-40!.
US
A.
tKx6
No.
18x38
14-41
14x6
No. 8
20x4
21X3
No. g
24-40K
24x12
24x8
yi
18x6-41
.
Ml
In
30- jnl.
In
combination
combination
In combination
2.j-.ini.
32x6
32x4
30x4
Composition Matrices
G4
8 Point
Class
Matrices
No.
111
G4 Matrices
I2F-I32 Cellular
Stencil* 1 to
Class
Matrices
G4 Matrices
Stencil*
to
Matrices
El
Class
18 Point
Stencil*
to
Class
Class G4 Matrices
G4 Matrices
OBB0B0BS BEIB
14 Point No. 248
Matrices
No. 1328
G4
012
j
24 Point No. 2O2C
Class
G4
Matrices
Class
18
G4 Matrices
Class
G4 Matrices
Class
G4 Matrices
Class
Class
G4 Matrices
Class
EEBEEB
36 Point No. 2026
G4 Matrices
Class
18
G4 Matrices
G4
Matrices
$98I
2911
14
56S
87
ZZ~~=~ZZ
$494
TTr-
0035
Q98
c/ =
$1234567890.
== == === = = =:
$5g2
SQQSO
$1134567890.
30 Point
Po
No. 239S, with No. 86 Figures
982
ii
$1234567890
17M
5I2
$1000
A v/==
VAiZS
$1234567890.
$1234567890.
1011
$3QM
*QiL, *!
$1234567890
36H4, No. 245
$1234567890
36H4, No. 113
$1234567890c.
36H4, No. 88
$1234567890c.
36H4, No. 86
1234567890
36H4, No. 79
$1 23456 7890c.
36H4, No. 140
$1234567890c.
48H4, No. 140
$1234567890
36H4, No. 107
1 234567890
In order to potition fhr,r Matrtcft In proper place on
It
required
4.
Matrices
DDDDS>D?>DD!>
14 Point No. 28 1 S
14 Point
in
No. 2828
combination
in
combination
DDDDDDDDDD
in
combination
U2)3)4) 5)6)7)8)9)0
in
in
combination
combination
Monotype Scotch
With <ong descenders
and Swash
(Characters
tf
The
For casting Swash Characters in display sizes 14, 18, 24, 30 and 36 point,
necessary to have the mold and type pusher guide altered. The mold must
be sent to the factory, and the charge is $3.00. The type pusher guide may be
altered in the customer's plant. Molds and type pusher guides that already
have been altered for our New Old Caslon (3371) Swash Characters may be
used also for Scotch (361) Swash Characters without further alterations.)
it
is
i
LAaaSQasfflS^^
Swash Characters
A
Class
*D /C
9Hg-36C
for
No. 36 Series
Matrices
3^
<D%MnC'P
ioHg-36C
P
DJ(,JlM3{
nHo-36C
DI( J(iM3^'
e
iaHo-36C
14-3618
18-3618
24-3618
30-3618
36-3618
Swash G,
now
in process of
manufacture
of
-furriers
t/
Price <ist
EIGHTEEN
QALVERT STREET
HARRY HOBBIES
GEO. E.
Border 18 Point No*. 610 and 611 with Rule* 6-3ORL and 6-41 RL
Vases
and
<iArt
T>.S.
Qhina
Q[ Preliminary
hand cutting of an
W Goudy.
original
In this
now
in preparation.
You seem
to be surprised that
now
have some of
my
set
words
hand composition
instance:
in
When
measure
it
harmonizes better
of the page.
On
with a single
series of type
casting it on the wide or standard body for the
wide page and on a narrow body for the narrow one. The alteration quite changes the appearance of the type itself, giving
it in one case the look of a bold, round face, and in the other
almost a condensed effect. I have two or three times found this
flexibility of great assistance in making fac-simile reprints of
old books; with a few trials the set can be gauged so as to make
line-for-line reproduction in a given measure a matter of comparative ease, without resorting to excessive variations in the
spacing, flflt won't do, however, to change the set arbitrarily
or on all the varieties of type. I am -speaking in general of the
more frequently used book faces, with the new Caslon particuthe
the flexibility in casting conies into play here too, and this size
can be cast on the English set or even closer if desired. In this
respect
fore,
it
size that
am
acquainted
with. If they ever make a i6-point it might well be a still furor else a slight reduction of
ther enlargement of this design
the i8-point face. Of As you know, however, I am not a great
enthusiast over Caslon. It is at most a safe type for general use
and moderately picturesque; but there are so many other old
models that are nobler in proportion and finer in drawing that
it seems a pity one or more of them are not reproduced with
the same fidelity that has been devoted to the Caslon and the
Scotch.
A process that gives you sharp, crisp type for every new
One
composition quite as
advantage than hand
giving credit to the
whenever it has been
"good" and
in
some
respects of greater
have no hesitation in
composition, and I
machine in the imprints on
employed.
my
books
A NOTE
ON
"ITALIAN
OLD
STYLE"
The
While
different
face
drawn by me
{or, in fact,
it is
am
the past. In
making
the drawings,
is
is
it
the
W Goudy,
Monotype.
Art Director
GARAMONT
This exquisite Garamont face was suggested by the Company's Art Director, MR. FREDERIC W. GOUDY. MR. GOUDY
based his model on a type attributed to Garamont. He has
faithfully interpreted all the characteristics of the original
Garamont design, among which are the relatively large
roman capitals, the small upper loop of the roman lowercase
"e" and the narrow contracted appearance of the roman
lowercase "a" the peculiarities of alignment, the extreme
length of the roman capital ceriphs, the long descenders, the
close fitting, and the various slopes of the italic letters. The
roman fonts are wonderfully legible and open, and the italics
have a freedom of movement that delight the eye.
GEOFROY TORY of Bourges was the remarkable genius whose
work definitely established the excellence of French Typography and brought it to the fore-front early in the fifteenth
century. CLAUDE GARAMONT was a pupil and apprentice of
TORY and under his influence and teaching very quickly
established an enviable reputation for himself.
Like TORY he perfected the letter we know as Old Style
Roman and Italic. These types very rapidly replaced the
Gothic fonts that had been extensively used up to that time.
Some authorities state that he based his roman letter on a
model of NICOLAS JENSON. As JENSON'S roman types were
famous just prior to Garamont it would seem natural that he
should choose them as his source of inspiration, but there is a
certain lightness, beauty, and elegance of design about Garamont's types that is lacking in the rather simple letter of
JENSON. His Italic undoubtedly was based on that of ALDUS
MANUTIUS who produced it in the year isoi.
^*++v*'4V4*T+T+^^yyy^^
THE
$31. 50
31. 50
2.0.00
Wedge,
Wedge,
Wedge,
Wedge,
for
6 Point
for
8 Point
for 10 Point
for iz Point
9.50
9. 50
9. 50
9.50
x.yj
NOTE Standard Right and Left Keybanks, arrangement C, are used. Cellular matrices in
matrix case at regular price ($115.00). Small Capitals furnished only in 10 and
point sizes.
Composition matrices in fonts (not in matrix cases) Roman 90 characters, 50 cents each; Italic
81 characters, 50 cents each; Small Capitals 10 and 12.
point 2,9 characters, 50 cents each.
Display matrices in 84-charactcr fonts (Italic has 83 characters) capitals, lowercase, points,
at regular font price, 40 cents each. Small
f-ligaturcs and diphthongs
Capital fonts, 19 characters each in 14 and 18 point only, at 40 cents each.
Swash characters (13 to each point size, 14 to 36 point) 50 cents each. Additional Swash
characters and ligatures are in preparation for all
point sizes.
Garamont may
^^
Set in
strip
Borders Nog.
6E 587LN and
584LN
No. 248E.
Composition Matrices
6 Point No. 248E, 5 Hi Set
MONOTYPE FACES
MONOTYPE FACES
The best kind of originality
is
man
which
cannot afford to discard knowledge of what has gone before or what is now going on in
his own trade and profession. If the printers of today do not wish to be esteemed arrogant
what
cerned in
an
art,
are accepted as the fine arts, the learned sciences, and professions surround
themselves with the history, literature, and concrete examples of work with which they
are particularly engaged. Yet it is only in very rare instances that such an atmosphere,
with
its
material appurtenances,
is
what
talent
and genius
have accomplished and are accomplishing throughout the world. For to follow precedent
wisely does not mean to imitate slavishly one great exemplar, but to study all masters
achievements sink slowly into the mind in order that we
patiently derive from the richness of our acquired knowledge and organized system
an attitude of our own. The sprightly-minded young man, who with his first business
breath projects the new and startling, inevitably becomes tiresome, and is driven to an
early disappearance, while the slower and more solidly endowed student will at least
spend as much of his time in avoiding mistakes as in evolving brilliant schemes wherewith to dazzle his contemporaries. The best kind of originality is that which comes after
a sound apprenticeship; that which shall prove itself to be the blending of a firm conception of all useful precedent and the progressive tendencies of an able mind. For, let a man
be as able and original as he may, he cannot afford to discard knowledge of what has
gone before or what is now going on in his trade and profession. If the printers of today
do not wish to be esteemed arrogant when they tc"rm this calling of theirs an art, they
must be willing, and show that they are willing, to subject it to such laws as have made
its sister arts so free. All those concerned in what arc accepted as the fine arts, the learned
sciences, and professions surround themselves with the history, literature, and concrete
ixamflu of work with which tbij in particularly ittf^a^td. Ytt it is only in very ran instaaca that
luck an atnutpkm, with its matmal appurtmancts, is to hi found in tbi printing offici. Art don
faithfully, letting their great
may
The
made
67890$
abcdefghijklmnopqrstuvwxyz
% Set
MONOTYPE FACES
The
comes
which
67890$
12.34
ABCDEFGHIJKLMNOPQRSTUVWXYZ
567$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
67890$
Art
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
after a
12)4 /
are ac-
ABCDEFGHIJKLMNOPQRSTUVWXYZ
9^ Set
abcdefghijklmnopqrstuvwxyz
what
abcdefghijklmnopqrstuvwxyz
11345
MONOTYPE FACES
1x345
cepted as the fine arts, the learned sciences, and the professions
surround themselves with the history, the literature, and concrete examples of the work with which they are particularly
engaged. Yet it is only in very rare instances that such an atmosphere, with its material appurtenances, is to be found in a printing
office. Art does not flourish in hidden places, nor under restraint,
nor in ignorance of what talent and genius have accomplished
and are now accomplishing throughout the world. For to
follow precedent wisely does not mean to imitate slavishly
one great exemplar, but to study all masters faithfully, letting
their great achievements sink slowly into the mind in order that
we may patiently derive from the richness of our acquired knowledge and
organised system an attitude of our own. The sprightly-minded young man
12)4}
If
The
man
ABCDEKHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
11345
is
67890$
abcdefghijklmnopqrstuvwxyz
11345
7^ Set
12^4 /
abcdefghijklmnopqrstuvwxyz
67890$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
No. 248
Display Matrices
$1134567890
18 Point No. 248
Famous Fonts
$1x34567890
24 Point No. 248
THIS FACE
IS
BASED
ON THE TYPES
Attributed to
$12.34567890
30 Point No. 248
IN PARIS
HE
Type
$1x34567890
36 Point No. 248
FOR MAKING
and casting his
own designs
$1x34567890
No. 2481
Display Matrices
GARAMONT'S ITALIC
IS
BASED ON A LETTER
$1234367890
18 Point No. 2481
CLOSELY FITTED
AND
$12345 678go
36 Point No. 2481
No. 248
Display Matrices
No. 248
No. 248
T>
ft
36 Point No. 2481S
is
to desk
DUE on
SCHOOL LIBRARY
MAY 4
1956