Você está na página 1de 30
Ellen dscns) (1995) a PART TWO ‘Tending the Fire: Towards a Theory of Creativity in Therapy Introduction In his par of he Rook, Tam eres unensoeing the trove t we do a ita terpenes oF Ubveoning an sppcopriatetbeoreteal cont forthe werk Keeping the pag onal embled eto beg tees tonlam mom expec ot cae ee se ‘fat mene forme ina nore sam | au Ike move fom ap wa expense, sng Kas» bake," ‘murda refeston on cet fom wider ste lose per pete. Mogh of oar mod la sheexpeive ad rev Se mich ote ere, Farle uray oan tes vo osiment a ‘seb he wrk in conc tat thers Asa hs Pins, conceptulig ey ol come tatu 10 Some of Semay arly be oslo sbtacions ere say ate ieee heen x i ine ‘Geb fom enpernce an we aie 0 mach to be com echinauceametene My sens is that we ave undeled the oe of cone Jn ur profession and toa npc to nat 3d to con tana with eer poesicsl and wh hoe who do ek nom of cur more has safer secon. We put much 6. AVE-2 ‘age Senin A Ty an rat empha pon being and doing but aely do we ty to unde Stand and to fest open our whe prot tems of brig Ing together te niin of hears wh he woe of cage ‘ort lnepate our deng aarti snd thre wth the impo ad escotal sti of electan Isa chaage for (nif we can embroce ther a tncthet frm of expe (Sean tn ar wae wil eyo depo ome more pounded Finding ew ways to tink abot std to ake see ofthe work my even provide a new sense of ‘echement for gues nd forthe werk sl. ‘Thi bok a out he oes of cea s..valing and eng fre incur enct, The ssn theme ‘ofthe book connec th alveness ty to after ‘kpeienee eo ove wish Sorcerer ‘tof explores ceately and whch dcumanted ne oar a. Tamang the meaporofe t undetnd tg» theo. ‘seal sense, se Inport 0 test ncn. se Suh conection been tenance. the fa eae {ity dhe leanoe faves nese T wart Undentd te way in Which cestyenerges fom the ex ‘St cxpeencer of he lft ond the ater and Se ose ‘tno susanedtroaghot ob es. Uke afi, kag Sd creaty must tbe Balt Up and thea igalted vil ‘own ts par of he Bock hw ray emerges and ho ‘he symbole dimers of expeence bt py om the ery Deglninge of hun ie, “Once cent efxmed, mast Als be tended to and mace Wht haggens it ges Bae Ing on of cont, or le ot compete? Cl ty Undead de ay ia which dhe allveness ad dhe iy of {heel undentoo a pray create eke sane oe ‘shed by proceso ding ther see an sei fneton ote therpy proce a tend Ing toads tending oe tre fslvenee ithe si Tis alles does nee neces presume oy ot een. en. ‘onpases the whole of ut Fk of Ined experince” Jy and fla comy ond eat The acti of ending ca cen ood ia te cote f elon. At times, ao can be ‘doe aloe. When we sy eltonslp ad py ateton to “9. re Tg ay sy Teer our cone, we become aware of the whole range of mn Felng When we soy by curls btn conneton Yo out tenes we bee sete nd mare slaw Tene ete etee ee ee gusibe sto icrctae spent. Tew de ‘Be Erp th as te potential fo une the aterson ‘he puma alveness ofthe sl with the exoatin of te s te fou otha ik a at ‘The wot of beams the ‘rede ofthe ne sel! ocur form bas been go ‘ed fom ceatve,alve avy. The work of art lp ads ‘aie ows ad cin enven ad multe ote 98 thoy she wor tod ge denen ten proved or ved by ‘Building the Fire: Phantasy and the Formation of the Seif ‘Before the re cam be yet he bul: Ha doe Saeed Gee Sone er ors hana bingy, we wl tn ‘ot hn ar Ben Sine in pensar thary o the le sent inhe fon te let have beer ‘Secs tn nthe wy ht ey and Sea Son me ner ed far rs pytmea ers fart Meee sand. meat tae rd Saw be ang to ave pene gun the vert a have one wih cheese he ea She wan tn soompi to ond he eit Sigteakar ue Eady ein oe to undead SRatroe cee knen khmmay ore {ie Der pn fein fred “Boh Klan aod the “ont sew dies he wok of ed oper Jere wok wre he wad enema he remot be {vem pany a eatin tam eo esa ‘Stop eeveenthe wo wor, Whe wt pase bee 1 dices houses pj wl Nghlgh etn tes 2 “kg Sas Tiny nt rs ‘ch ots on the eof hs book, nie thes of ‘arene lita be easly wh ne have pet ‘cemented nb oy ge Ponte, rdw tess ee come afte Shel pep ‘toll of muna uncon song ih honor be. {ev cmna stkes ota el ol, and SE ae oey of eancving moral ie col free fot ‘Stan vcs wae gee pts semed ob he ep ‘lone nl pctteny roth ss tome ness ‘Sh chasers peach abe compton topes are Geol goltusvhon tc av toerne Rectal gs pea cpa poe tthe Rane pce, The Ste cm fe deed fs Sage ote ap Sore mastery yes sina ich Be ego Teo Beep ‘owned le pec, nt ay ace oc {pri ns fen elt be Ti tron of ee Since cclipeernon yah compte fe ‘res nsaes by seer move shay te ely. ent pony torent ke ac ob or aed ee Inccaton a apy. tte oa pews. {2 deine! epee ets son ea ‘ie ren ee pov sb fee ‘ete remo Hau By voenng te Spence [ST baag pis be treme ee and eee store a ‘tee Gemig tough ng eo sso ove Ins en, rea tet mos aco whee ob seved ntl yor tt hl sae ad amy. pay pee pune othe wosder ta hi eas {nt wate el aes sss spat and chapoea ‘Spec ht edie sag cpl el oma ‘Seton Te cd weld row fel ete a hs Shandinduteckup apie puewegencicl ee et ibe te CaM ew fata, hemody "ose! whch Soined Ske rt goed ed cad me Be aca ka oe eels Ch) top nase ed mete Uae gnoe te pat fs nol derlopacnel pes 2 ein eT The of ry Tens sinby te akg oy tengo sengten old pa iss exorence e pam eam font nts» pce ‘Rtas cal fee me beset of i suena SEP cdg of spl rng othe sme ie, Ts sei ee ah el at ene he pr sey dn ee he clan be soe ean te "Semi ene yo cal fs he ne pgs of ee Bee Det eer be sane of ays ces empl f the pega hacen of een "he dcusin ofthe of pa aed epettion fe fo ant go nd eon ey ee ed to spe eset feore ncn Mea «wile The com ta a arson tt ike be once eof ‘So, ce ee pean orn fn So ag nce) ese wae becmng co i eee nye etic mt ests dnt rt cne See py mn of sconce ein wih oe cer jon tr Pecnre Pcp rsd pomses a Be eae pay face oo eC en ene pmer fer y he We hace Ss tet toed er ete of sean Fae SSSSE lento fan eee: bern hee re ee de ean ad be rome fe Beets heros pact by es os fe i ee panatonl fam same ef he il 2 eee te prs of saniog the ae erecta! wet Ty the et tet ia ita eee fled fer Fr Ted, wh Piel fo ane concep oe ncn of any sree ong conte man pet fo erect “ache att sie al go Deyo shanty eno TeetaTecuteg wingers eter gop on eal. The fo cet Ean cane cs somal deme poses Meee dite cosmo lyin aes ce Som cnlomton te eee mbt acy ‘Dest Pre Sad et Thr ay och of the work of the Bets btelaons phan Ips, Mane Key came Ot of ths ner inking of Feuts thre be do ndesond the re of pansy ae sao Ting acy inthe nuttin of te salt hae found ats wo o be esvemely important is consideration of ‘he fondant bss of on eubest expen nse = thy. Her nos In etng beease pues ugh i new and frie ies, nding Insight to the question of where the fe of erations ia sn exponen. Kise wie {ng self as an Ural qu to She not afl be (ding ad to te tilt tery fo these of 9 ‘anc ou undestandog, Her werk of imi feel I= ‘de of tenant ial cent 9 (ne drence between len and Feu which pon ‘an fom the ous i te fac hy alough she woe ah ‘tks as wel Ken developed ber tees meet arly out of he wok wh chen Whe the emp in Forclownae had bec fe nls of eno expe: hes fat ual sen tone, Bat fom the an tage poat of adbood. Sine Kleth thought the ehl’s ‘niaer were ec ete fonder uneoecous ony, se war able to come to her ow conlsos abet these conf on he basis of enn tt very young chen nthe ana ston, ‘ALG Kea was hese about seig ery young cidten la oats twas widely seed tthe Une Ut ly fe ‘Caoyaged cen wie tbe fr analy: Howey Scugh fer own experimentation, Hei ccovered tat even (Wo ct thes yearlds could have inp into the werkingt of thee ‘in ed ou undead nepremtons ey were coached the cs own Inguoe. Hla consid teepeaons {Sfnve the power to reseh down it he deepest layer af ie ‘As Hanah Seal noes, Kia took er ae ion Reus (asa eboratons ofthe els play wh vel” Seal, 1575, 12. The cite phan and ply scies povided a source communion mac he fee sodaton nad analy. oo aunt tn Fe vad he of rest They ‘The pychosmtts play tetinu, which Kn inet ee inode ber tight eo “acu developmen no Urconslows procs, ad i th re of tetas by stich the unconios canbe apne.” en, 1975 PrizD, in ems ofthe queen of tterprction len was ‘ep clear on te connection bowen Fee denn espe= ‘ns dt een fy commun gh lie Py gives ve acres 0 the enconcious for Kis in ‘Dc Hay a rece ae the “oye ae othe uoconsious ferric. ay, the te ram, volves an aca mode Of taprenion bectae Ils bound p wah tbe cls phases, Sterol aes expences he dens of Be eo, The one of py have my diferent mening, and "ae ‘Si ony ine sd tet ir mesg wen ve consider ‘iwi connclona the wl an kaon ech ty arse nen, 1975 8, Chil nays ifr tom slant fr len becuse the eis encore ssesble to he aay he Sahat the comestors between eascous ad uncasious Se clout in young chen than als, ad Ine reese Noose es power. ‘eh ply, the cd "so what ‘Snot be expe in wad pope cing the develop fren ofthe geycoanaly py tecbiq, Koen nes tht he bce more ered nthe ton fhe smb ge play freed to each eas parla onfigurdon of Stetis and eons, Puring ths te of heugt, she was [et wo cera thers nig about te esanecon of ty, the pacns of symbol foros, aod the development pec Pky aoa id shown that spol enabled the to ne tly ners, tao pants, {inser plo objec to han people ns igen dee ele experienced ply and i ‘ie th fotos that aes so ese ote ch Gln, 9753 9 19D, “Thus oly the irre of uncootous cone ‘igs bt teat lying Hl ans, which eo ‘Hs weiet Por the eed boing be Yo py soo express “8. nog os San A Ty Cain sf symbolically is a erat pact of the developmental owes I, lla ean tt eigen the oe ack form and use symbol, aed 2 1 develop pansy le sgn of sus aioe” Gen, 1995 hp. 13. ‘She found ths ia to symbolize athe coon of cho. Pens, for exe or Kiki, phanasy foes the bass faye ie rom the ‘egoning. Wat dveling i oo me del on Hsin pee eet abou psyctolgel sre, tis export o ote Some ofthe bse fstres Klein wi pinay Ineesed fn he ype eye ny tf a ot 1, wich, ner lew, frm he ess fal ae develope tne In ber woh che, Hei fet she ws ae {deere presence a ey et developmen cof een hough the cron wee ler ané uly fad pone beyond these ites" She found te presence of pe oda, pre genta sss ad pve defence sch 9 sping et Po Freon ust deal wih the ane over hese peeve onl, se ao fund Out very young chen were age Bing wth ues at a lays een sted to er Seve ‘pmenal ctr Ley caren a young a wo an hal Years daplaying panties and arte abut these Forel images and excessively punting and sage supe ome In order tty t expla hse buenas, Klein pot Ine the entner ofan oa fram te very bee Of post fal exten reson wih thers tec gst ath ting fondomensly conzeced to be eng svaton Tis lest epi of couse gate ruseantay an hough ick “obereoce, peo the fenclon of defending aga the imordal aly generated by the death isin. "The ego, ‘hen, ust det ‘wh he staple beeen thee std death Instn tn there Klein eee sly Pru er eer the uly of the ints by tang the eg> much free ack ia development. ‘Ihe eg, 98 represent the Ie ‘inl, mit preseve Isl agus the deat inset a pe ‘moral ane doer 9 bythe proce of pling Zan wten! Po ng re Tutt Ty ef Canny ay Splsing acai he ver fa experene of he ee nd ‘sword Reise fhe nbs eles experience ir ne of exree hlpleies aed dependency. Ths conan ge nes Ke and death sale where the main bet of a {acini is the est Forth nat the east hada ood. ‘es then doesnot appear, its expeenced a bad aed prnshing” By sping te rest i good and tate oe Fin begins to big ine ace the good aspects oft Treat Repested expences of graieton a the beet ie ‘eo the experienc of eoymentand grade, ot the ocho ofthe ent andi oas own goodness athe ste tine Te eli of tong depined ee due oan anhapry Feeding station othe ints om excessive ere of deste: thems ad xn cng nd eset. ‘whut i trening for our purposes hee the inporance “that Klein aces upan te roe of pyaar fom he very beginning of He ti god an bud test pa seme che ate ae alsa ‘Woesvens hebltsnes anf he emiey of peseaiee nich ‘seemed ate ot cpr The Iocan Kae rite: Cao imp tones hr tha th on bese or Kn, ieee he oes of ces sy. she sae the best in good tpt) te roo pe of mares! anodes inetntstble pees nd pee yaa wel an of ceatvenet en 19758, p15. ese good expences bent euteigh the bad the ego oF sell ‘Sine tobe coeawced oof nese alive an ces: {re lament inte eaten clo hs pe of develop ‘non the paravoischivld postin” ard lens la te Bs thee mone oe. ‘As developer pocend afte the fit dee mot, dee ‘ma st seen ke plc he nf able fo expen Ire than the ceased wl of he boat a Yrs ‘Specs or pars The ns en beps to emerge ino a e+ Aoehip wh the Whole of te oars bya io the be (Ghnng: of rebtonsip whe meper wee. The lang ty in he thi oo pat whole objec lo ah om 2 ‘hen Sn hs San inet Tig nd ety perscatry ans ofa of he los of he loved bjs, 081 kpetinced a a whole and alencompasing word fo te fine “he eee of i fe of ow i hat the cls vn ‘dsve ed nie pls wl vee loved cect ‘Song thea the “Sepresive positon” as Ken eal poses of keeping th deat sate inpoles under “eo by using th testy fect erween ove {ec agresion The task or the fant ud up the ood je in bie ‘Wht siting was the dfemive manoeuee employed it te corr -putiosceane pst” he nt now wes ee ‘ao bor Sees sia he ty os in the = fess potion Reparation the process by which the © {eso meres fora ne sue aks ts the (eae Re 975 A, p 25, al expences of he “oevce of mtr and pally of weaning snl dest ‘tthe fos ofthe inten ct Dread of he los of the ob Jer then i cy keto arty wich cate em bv Tis the oft nn pans te the deprive postion the iS to bugga ol thew pa ogee eo the experience ha whole which encmpates tnd ia old Bot good and bad ‘The ocumenc the dese pasion cea in ems of vacetanding the tol of sya fomaton and ret onecon with development Inthe Wodkng though of the {Epestve potion, epcton ah akg of thes ebjet tomes timp rene Sprig the objet seas t= igang ty reacing one eerges on to oer subse Gymboeebecs. The concept of panty peorms 2 ning funtion for ep Because he pals che exes oan ep fom, ot le is ht the et phunizes os weed fe the very begling ce the ego he source oF patsy. Daven by te inns and ast over 8 Hepes, the bla i aemtebetween phates aboot the good best (Good, sustying leg) aod e bad text Cy, emp, WTiteing. Tee epee expertences wih the bat va [re te to father pansies kere int il ny the Pe Yen es Tuna olay Ta brett and experince pleasure and gratmde ors fase ‘i end to pessoon flog and wil ose 10 wa fo Urs the bene to acoop tad vou Phanney cn then be sen 2 mation been he ine fants experece of he decane omnes ee flence of ow the demands ste responced of te extra (fer The net panies bina presets are Thos of ngng one to nie ad nie to ote The Thtiog ef good an bad bea im pha eens ms one dened fo rte the infin fom being verilne by the itl experence felons and sir om nse ad ‘tte ule Phanasy, mK view Isnt eet Goat fly but by ees, he bie to realy foe tre The Keo paysite ete lft ego develops Inthe ‘depressive aston, hen the eo & capable of preng & ‘ate beet aa and at mere 2 prt bjt res the Planer ape concerned wh ambivalence about separsion From the she loved objec. Omnipotent paras and paleo detucion lead so gut ad te dese to ake {pf denture wth. In span he loved abs he te le oe ool ae dah ts pues ts this pace ofthe depressive poston ta symbol fnmtons cn ai, My pol bere to Show tha the cps w phate pve he way for farther developments sich a8 ceive ex ssn and rte sty by sean ge betwen ne (lal demmnde aed expeencs andthe demands td expe (hee ol he ote ord Phaesy pases te infant trad (he best ord in the ake mands of He, according Kein ele seri of ltr and exerral expences 1 frosted bythe infin plas. These ct of pte Fen pave te wy for ote Rip developed apes con ‘ty abou the werd spr eotemt the aby o ea, (ete td voce eng tae A Tread ry Huston, Transitional Space and D.Sc wodk bls upon ts nsion ofthe ces tion of ilion a8 precondition of iaagrative acy. "Wniut was concerned wih sndetnding the develoment ‘te nae nso ein between ott and the bu ‘ig pof sof and worl. His work doves wah Klee’ nd ‘lect he uence opon him Between 1935 and 190, she ‘ia he supers Wut’ tre i psjchouals gue Suet hs work a paelaretn an at he moved aa fn the praca of pacts, he feed aay on thempeate ‘onion wt cade Whe Soy 20a pate 5 Wel ‘What ed Winnie fo we Klis tert awa at 1 tachtone washer eas upon the moter mat inthe cong ofthe ef a the wed Ia adion to ths Tout upon the moter relatos, Wat as ‘Speclyimpesied ah Ke dcuson ofthe depressive Doslon lems of te plas in oral, hea development Swell asi fle Inthe Sveti of the well in te Aegresive poston tht the int experiences him or heel {Sie ond the ether whole an suring Thi po- ‘late te pron for 2 uber of earching Jeelpeceal Inores be ably flee agressive fectgs toward tie ‘other the aby to expesene land the dese to make ptothe wether partion). ‘Weaning i geneallyasocted wih the Nowecng ofthe deprive pion The ster’ sance dls fom he act toting of theif ot Wisi cals the moter hel {hg shonin eC, 975, p26. re che mother sans lel by wie the baby excelyexperinens Sd tases een the consequences What Winco calls ‘ead enough moter ad gy ego fatitng e- ‘one pcvidethe seers tat whatever happens, te ‘Rother a the wo wl sine Good enosgh maherng Sd good ennigh nxn ae repent cesponsie wo ie ¢ Pen ng es Yad ny fry eed fhe not, fering in Be Inn ase of ing el ‘ed eapanded onal el “The gootenough moter realy success a adap Ing tthe ne’ uses and neds This comes aot ng ‘ore te aby oem wen rogancy Ui nates pe tmnly prone ad cate of Seng ientiiction wth Ferbane ‘is esr matesnal acto ees the mates 0 ‘np abut hr nes eaietexpostrs and needs, hd makes Fer peony nso tear iSacee rt beens of hs sevateton wah he: Tt tat se knows ow to ols Ber ifn 2 Dat the Infante Dy exiting sod not by reacting (inmean, 8857 145, ‘The god enough oer poids the ft with ie prens of felng of emeipetece That se allows he Faby et hed sper eo hat eo she alo find ad ome to ems i cet presel ye mae, This pres the bby the fing of ving crested ese cect. A {ior boing the mother fees the Mslon at er bes [Spe ofthe dav and unde the ft ail coro the baa eevee by he out of so ex eps foveal nents he meters best, hen 9 ste (pence of te ile “hehe pies the acl east js her the nt ‘Bren tens, an athe night manent Cnn, iors. ‘he ina hen has the aso ths the enteral wort oF realty coesponds to his he own cap fo eee ee onset aces festering of ls, he goed enough toe avo dilator te inf. Tis process a clusion. Men resto mevable pecs of sepunton ond moments of Fatatnn whith sre sald Uwoophoat the infin expe Ghee h mapa wert he Hones When meter and na Se outoenne seh hat the baby moray may fed et ‘Sown F dropped byte tbe a. “fing i dn et har aig ings go wel in ths grata! dstsonment ross, the stage rset forthe fostestons that ener {Spee under the word weaning but shold be ‘enoniccl dut whe we alk ab the phenomena fat cuser sound weaning we ate sssming the ‘aden posse: epee y which oppo for ili and gradoa! doilusoomest proved (aict, 971, P13) ‘Out of ths mathe of hon and dslson comes th no sion ofthe puma bean, nore penealy ofrtionel “ce The on of «tina ea of expen vblch ers ow ie ines i 2 majreoasuton to cr Ute acing of human Gveloprent especialy fete the ‘ine of uve, imaginal expetence. ts impta’fr our ‘tps nom 9 explore hs concep oe depth ‘Wisc detved the eoncept ofthe eanstioal bjt ron his concise Stusstione of een atl he pater which he Siceted stouod he te of wt led tho it "ot fe poses” The newborn if’ fstlnmouth ies (Ea oretaly wo sachmento obj ouside ofthe sl Yet These objecs aay beat, banker, dalal cay a parr ‘ering othe ch: "The bts which the hha th he nina ‘hes ccc ean Ivemedate ate Where the cad ‘in evercne contol The chil a igs eve he ‘shjss rua nove change or be langed: and ms ‘Seve loving 2 deced owied ty Oe ‘hid Goin 97H P.O ny, th hi deals th th expen fos and the dling pocest by esting thereon othe her Inthe form ofthe tantonal eject tnstonal jet [ronson Sereda aren of cxpasece” i estes te Lot of eipotence of eoeness ih he oes, by mas cal conse 1m ation the lf begining to ecognine the din tion benveen eral and exetrl wos abd cet De uae ‘Sloe ejer a cota or be ttn, nbeveen the a. eg Fe a Tia sty Tey to wos stands inbetween ffi and mer an sands (Dei nerconcton between them he te ie: ‘te object repress the Inns anion em aa tbl meres eth the tbe to a ate of beg feat tothe me something oie Sepa (rien, 197, 1D. wait moves fom he rte payed bythe taniton sti bing the ston Deveen lf ad wel oo {liny oa beaderexasnation of the wastoal oj 2 po gh et eppanunty for he experience of symbsli ae- {Dips Tae tanstonal ele adtariena phenoncrs ae ‘Shri to Walon reste space whe Is he petal = ‘Shot ny, cst, sd cokralexpazncen pee: ‘This temadiane ata of expeience, unchallenged i ‘Ses ce Sango er eta Card ‘aig, Conmtres the greater pat of the Sant’ ‘iperncandtrohot ie ened ne nese ‘rpeenig atone tthe ae ant vlgon aa {eumpisnte ving snd to rete Scie work ‘Gennsoe, 1971, p18) “Te tations! objec eis ts avers and symbol ae aces becun pape ls cous Dow bares the Sheree and ie need presence ofthe object The wane tinal oe emposly fs up the absences. is an bent. pense anda sich cin He 2 Bld o eonane fra id EFimagintive sit fic In oder to be of valve mst ‘erusd Imagine. Fute to use or ke up ths tase ‘ona space dap fe formaton ad ean hve sero com ‘Squeaan, One sich connquence woul be the prod ‘Scop vt Want cae Ge “ae sll" te ths ope of Salton, a peson wuld be ovencompln, elute fea or empty and beled with 2 ses of ft. In exer ‘Stes tere euch 3 sl Ltveen We Gea ete ate ‘ene se sel at Intend of cau prsts one cbaenes ln sich pases ‘em reeset a by Yo conc ad eos cle niger fom extra aly 0 at (Re ttagtine Ot the ndivadval ean be Med by ‘nn Sts et Tp a ey, rejtions to these lnpingeoens (Winco, 1965. p 530) ‘Te sense of alvenes and its ton to reat an tan sional space is cil hee Winlcot is speaking about frig ‘ary creatoty which emerges fom the mot/nant ed bt whic to fe crest bom frm body experience. Ins “session ofthe fi appearance of pay as His fundamentally onnesed to cra, We gts sense ofthe connecton of ‘et, plays the boy. Winnicon spas of a sequence of alaoship ented 6 the developments anon of he ‘ply pay. He divides is sequence i Four ages or ‘moments. Tee iby and mother are eed and mater o> Ser the ihasop tet needs aye eet atthe moment when the aby enc to ave them met (eet body stificton,ime ‘medi ptiieaion) Then there omeges what Winict cls 2 “phygrond Deven mather and baby. Inthe playground, there relent sense of motay o back ad Fr sharing of mae, The by experience beth agi omni tence inthe potent space of rlatonsip and ihe expedence /# ‘of seal beg able vo consol of maple jes inthe ‘ute word son af ving an pa on te wate. Py Ing ow ocr and Is encing ba eal hae be- ‘ute of dhe precousness ofthe nepay of pana psy |eie realty andthe expences of contd of aetalobjeas™ ‘caine, 1974, p. 5. “This second stage ves over to a hid whi inves the ‘apscy wo be alone lathe presence ofthe rote, Here wha is required some ably co the inf’ pat to hol themes 4 Imi as ate and interes when she is present bu. 4 ot deal peyng atenton tote ci. The image of good ‘objet ood engh mothe: inside of he bby hs age able ae tuted, (becomes evailble when needed. The final cage iovles th ability of baby. and mesher to tly play togetherin the ovetap of tg play ats, ere tf met tert fn wth the bb's pay al alo Late, she Io ‘duces py af et onn A seas f now formed in whieh both baby and moter saz, bringing hee own partly ‘vith them nto the "play-oud ate Peo hey fe Tt ryt rn Tay ‘hes, Winicot shows at play ences ally fa the sense of ion based upon bodily nest ad ead ston, ‘wtin the context of rebtionship, ‘Beene play an realy se interconnected he leates the eign of ere in ie al exptince thi is payed out italy i the etl teo- Yonah of fe. The cid omnes into the word wth son of allveness, a asenve/aggressive“pmary sey” whch ‘san cones i, ery existence Ifthe enrtonmeat can “hol this pinay cteaiy, thea te eles spare for ees ‘eee Inthe well have Deen eof “This concp fp cet cisinguties Wiens view fom Heh Secu af her adherence Pec, pt ofthe death ins, Kn sees gps a ests ‘Sth upon the motes by. ety, fre fe ae esos deters ses the pescey sy wh te ‘ogres cis for. “Theeore shough Meadows hy the _oundnor or unde te vl pansy the de Sclpment ofthe ele neve eve cee ae iene mocwe For Wins eer an od es te word with fennel rion fo igh be sve, tobe is This selon ct ow exience has ~auzcsve component, ba ths very aggreseness bp item ng, Ta or Wis, ey nas Sense (ans ay bt he wey een of exten et ‘ett os em! an of expen vast on he pd oh prinay cess asics Im ene he nee mr tn es ‘np atone tha he is eect ‘heh he lt be peo ge sae ‘tee, "wots atom of tanto! see poner ey (ders ocean fan exec Bra tf be ees btw nc ee nev ee teu compe empha ano epee tne it fe draping it» ber Cane oe Irion in twig Nw hs epee ts as Ui a ete ett sl al pr as Iie wht ae of anton fe a ee thee at te ‘tte Pie nn et Taya rst ‘Tondling the Fh Peychotherapy and the Arts ‘We hve explored ths far the wy fn which pansy is dye ‘analy nteeonnected wth the ball up of» primary sense Steseatay emerging out of the enlist bocly experiences of the moteresnias. We have also seen ow i the extly ‘experiences ofthe infin’ a nstonal space is but wp which ‘depend upon an ils of absence presence. ‘The es fret f the tenia apace makes the capaci fer pay and, ‘Mhnequenty, stealing posse. © nee rent hasbeen bul wp and Kinde In the p> heft mus also be tended of attended to. This tends ‘scent for centay fo conus to bea fore In developer, ‘Tending the fe means 3 Med of curtakiog ofthis sense. of ‘ndplayreaivy iin eaneonal pace, being the hi fein a seme of avenest. Unfrately, 26 a CuRUe, we ave ot Dee sucess intending the eeay of chen, pate Cia a hey ener the educational process. Many chen bogin to ve # connection to hn creatively on Cea far cures schon srvece. Wi is phasis upon samen Jeteing a aciererent mgs gaps the fostering of eres thy. Allowing, cide to ply ass only unl de Beginning ‘St pionry schol even in Keown there is 4 groin en Bais upon aequlig kl such ss eadag and rather, otto any teachers sre terested leting crn “ool Argun or exons ialy colupang the boundaries between Sitject arest--Le ung tama to explore rstinships, sing a to len athena! concep, teaching reaing by ll ing ft grr to ee and tell stones in thet own way, This (pps often requis tne and le not fen gt (Urchee ining ‘Ofen teasers ae under pres to teach {he curealun and get dough cerain atti. Paents also fave expecions ofthis chen in tera of tte caret And copes asa rexl, yi shaped ro into Wis gene ‘nt ment. bly gelled to the Schoo! yard at reves tie: eve there chitdren say pay ges which ae goa ‘edie and Ite aes an colar or phantsy-based. “6. Pe eT he ord Thro ase Tare T te nf we develop pesforming as soos or cu, thay sem to emphasiae the pevfomnee aspect of the at "hae kind of erhooencourae emerging idles rss 0 epee gana each giher fr" sars ther han to eve inand 1 exjoy bo ther ova creative proces andthe proc. sof cosseaing wih others who have cenve fe. IC We “nage ta ain connected to th asa als, ve ae afen preacespild ith waking asa and Somesines, of ne ess, with slg our cent isin the marker ce where the predic i taored for consumption, Mos hs who ae tas seam to have fost the spas ciel. 1 fave worked wth may people overtime who say that hey Gana do ta hey ae ot ood at They ae tenfied eo ty anything fr fear of flues See of ing, Fodged sects wo vor tage pat from bed expences ff nse in schoo! where the teicher was eon te of the prthcte "The does ook he a house Do i over the righty Messages Hee hs lately a wt abandon nent fit oto vaewing someting space reseed For 3 let fee This ade lo fea the sense ht sos thing tsa, on to be experienced in the coment of muse tums galls, and perfortanees in which people ave spec tow ata dtnce Geni tay are not pcp. hice ina rode cule conte the emergence of he | ceapresive ae terpies cin be feen 38a ater ene (Ger the whole ace of cet Im our expen. Ts de ‘rehome ends sa nace to e Fores of ear which hive damped down eestve energy and made cxinary Ind dials fe! uncomorable wit tus aspect of themseies. A Tor pres of the ve of the ant io therapy ha al us ‘Sn cannes ih the ces Be. What Ihave been ting 0 ‘Sow tns fa is hi we ca ll connect ati eet preci [bxause terms of developmen, cea Nas a seri Source of exe exit experiences and helped to bua sense ‘frees to el ane word, "Thus, theory of expres | fie therapy ea sone Jeph by dawlog upon the: way in ‘wick pochoncalyi rots developmen ina base connetion {0 catty a erering fom the east edly rltonships a Mi i “inh es Stn et Tarp a ey fsa ee cement nde and ~ ‘they can Be seen a one way In which hee of ren thy fs ended, pacar therapy wich hs the arts a ts fo and uses the as 362 ming force forthe therapete poe th my view. expesive ans thenpy fete upon a dot ‘Be foundation, Oa the on han (este ats tray which hs ts bsp atte pacee needs (ove developed Me will make ap effort in tis decor ih the tes pat ofthe econ The ote: fundatlonal aspect of iny werk let Inthe paychoanalyte tadton. (have been de- eli thee concept in ener to show The way in which ret Avy, the fooaeofexpresive ats teapy, can be Understood tobe a ciel bulding lock of the wall -As we have sen, “rete energy fs fndentalt rebtonshp and Ine to fins in out eae toy experiences. The feof ereativiy is Fit sry, a aon ae eter the Wold ‘and mis iat oon as We bein to rele to others. IIs fed by eal expe nce ip which ete respond to os alienes, The act of tend Ing the fe Is exc to Feplg te erative free alive ia the ‘ele ‘the einen pace am ate of ty whee creivty fin its home. To the extent tha they promote cteatviy and vii, he tas of the ats therapies 9 encourage the Non ‘ing of eal ae of expen, Petaps we coud call fhe re the "epee A tbtery of exprstve a heey peed account forthe way ch cis ie-place I formed, ‘Shaping, Giving Form and the Holding Environment / pxpresive ane ceapy Ws the epne of thea Jie paren shape and for 10 experience. This shaping of Expererce inno an aise form provides the contsines, boing envi orn space ofthe drape reasons as ic deties mich of spe tut Ho the dip of the ans, The en ofa theory fe Yao Teng he Pes Tv Thy of rent Tear, ‘hs the vu ages in painting hold tbe itera wad of the ati but in a exten form The coreegraphy of the 1) ine sapes space and ol in concrete frm the Inner ex pence ofthe dant The tne of temas gives frm 10 the experience ofthe musica. Poeie speech ges shupe 10 thc whch cannot be expe ough beat our. The Creat ef he sg ata rie aound lor experience petuates the outer dame tn oper fr shape an form 9 gather tees ino # pe \ seu arse contin, expance must eg in formless. Before the dance can emerge, thee bs ply ard. cxperinenia Tn wi ey sifeoh sets. eto, etre te poe tikes ape onthe pe, many oes nee oe ted md (Tne slo the vey Unpvistons i exeatng de a felp ote up the pres nd low te al for 8 ene. Torey pay a te slg ani Yo ge up any Rese of Ta ies of wat wl bappen a of knowing anything befone an ‘This tude of etn yo st be practiced snd elt fate, rennes more cay ta Some than to thes, Enters The clos of folesenes dnd lng po eae fining Drder, suet or form for experinee ths needs to emerge ‘nally out of pyfl experimentation, Began to shape (Berek pes no tome teeny anal ater vy wo aren he Image “the exesie at tetas thus Rep oe spac in whic ies are led and which they ae served Tis ‘erules an undeindng on sen level an understanding ‘tte arate process ale teeque a wel 3 15) lethenpeuts pracies ens pletion onc, rons, Sh eommuntign, The pric way in whic this complex of Sindecunding i ie rio the pacce of expressive a therapy mus be sue fo kee ages athe fons of ater, \ ages eter fiem al at SA, le, cama ox po sete cote which a cry he wo orn iy Exgigng inthe alisipine ofthe ar Hepingcestion of die mage is retnenent aod elaboration at eTocs ofthe Hes: _ pele ame; thereat tlt cen be pod -@- (The process of engaging with mages and entering the tnaginal fame by means ofthe deine othe as eso tl fo understanding the thrspete acon of expresve ars ‘herpy. te combine his perspective wh the naton of wan 4° | sitions! space and the holng environment com ror °° winnieot, we 2d an nparsnt mension so our wok Ee sz o Winco conept ste creative proces at ote "In bodily experence—the ea relaonshp of the into the ethers body. tn oter for tp havea elect the thea "pel elatonship mts mas a sence ef vay ad enor Age the emergence of vty Inthe patient. Thais preceely the proces of ending the fre. I done by atu the a le process ating I 6 coment the tenis =P we do this by eeogniing the ole ofthe ae Seating ea sonal rea of expedence. Being Moved Play andthe ws ofthe body ate essential to expressive as therapy These ae element wel inthe early buling : blocks of estiy embed inthe mothe/infant inert 4 Meter and nfint move ln responce to eachother In his || teeacion, each one moves ad owed The seo f blog ‘moved i ths essetol fo. expesive ais teapy- Creating $Siling ast moving comes cto lay tthe bos il, Bart, and Fuchs, ote ok, Mintel of Sou G99, spe about he sesh spon and aeathete si iy 85 key to the undesstancng of the ation of expentive theapy. We hae i haves sense awe hat fakes cur eth Jay 2s we wines date wok that coe rome te deepest asp ofthe sl, This old be lene othe morn foc io inthe mothe dyad whee vil fs Bowing back ad forth tis ae bound yp with an asthe that ene er heapeuie work with the wwe a fo fake tgs ‘that are beau and tat mae ust + new emia pace hen oes ary 49 gue an eo ae apr, ith ‘Bed rasp cecoence me napration fo. fat a ce the pepo na Wore en ihe tesponse specu suing, we Seo its mong or “rest akng Cobo, Dur angage sigs» Senses wh the ge wht ln deers rveing il the qe len or mp we mat expen shen he presen of ena lt 1995, » ‘Action and Expression though we ave weked though payehcaalye tery to fled the rct of ereatve ston i the work we cannot \ cm payehoaninie practice as an dequte fooniton for | presve ars tetapy. This price wes metaphocal speech {and he shaping ofthe rlooship between gales and ame Inst by men of the wor, whe expen ieee ders stings is dnd age enol een ty cca fom hs perspective st ope among ahr expressive ne an not neces the deelant one. Arama the contest of expressive ans they 2ay-or may ot tke place through psech une thé purpose of the speech or tex i 0 ‘hanes the jal speta of e-wonk Pou speech aod ‘sonfelng are te prefered forms of the word, As mich 5, posible, ay along abou wich ugh tnd to dean he pce is couraged. What we encourge is acy which expres [and ehaboates ough lnagesmang. In ths way, tbe wouk Tocsmes more aunts ana has 3 dep uly. Playing with Images ‘Thos expressive an therapy reas the non that we |, need to get oot of the way and allo the lage to come \ though. "the arse dscplines provide us wh meted, el ne efi Suen Ae, Temp ae Cty rigues and a way of seeing which, Intra athe pathoays forthe tnges Yo flow. tn He put teens, for exe ple, where the eaphais is upon fetaaton ad spontney, of ‘en staling and vd ages come forvard. These is «senee of suis and wonder How old 1 do tha. Where did tht {some ton? To work with oF rates play wth the Inge in (ower to bing them foreaed and o understand the messes! lt ha they are eying cet to oot wk, Talking about Images can tend to lates them or make thet less avtable ‘eset. Pshaps its because we rove from the Imag rooted in the body up ints the concept whch ean become ‘deached fro the bey. We need fo play wih the mages 9, ‘hat they rman fesh and ave, comin fom the sources of lay creat oe in he oy. ‘One techolgte designed to work wth ings to sin thir ‘ene ha dopa e he ings, playing wah he {nan imaginative vay. Heve the sage i peo ic nota thing outchere bu taken tbe ving ing whch his 1 Independent existence, In 4 sense imagen arth Con ‘ced of #4 chéren we ve bith to thn but we do at own them. They Ive ouside of ue and are ot relleton of ‘urls laying withthe Images howe means speaking de jHesiy fo Was "you." We then shit pespecive and sak as the ge, sdesng the one wio Was tbe creator The bit of forus cn fen bean ingen actor cresting he une | dersanding emerging fom the pesipectve ofthe ise. Th fn of isl, the tetolgue Is iagial an tetfore ing and pay" experenentl sd explratne ‘Shun MEM ha ed the way for us athe development of this approach tn his book, art A sine (7992) be tks stout becoming 2 Ustene 6 what the plating ho say. | Wea I perceive the pting tit ake, othe ean | tt ets an ee ag fr flog "The ping might have Sy | Beat and bho Sle fares mtr hn ‘exper A sites place in an they whe people | lee th eg poston and the fags Tn pings speak top them Presh and iniging eres -n oan arava Ter fon Taney oT axe ade, The person speak i en by supe ‘sense of vinily emerges fom these spantanceus ‘pressions, unreseained by habitual cxplanations. Galtg out ofthe epo voice and expctencing other perspectives ste fandamenil to conf! resoaton, Enavaion, tnd pod (MEH, 192, p19). agi eege fom he tensor space of pay voted) inbodly ites, to ply with these apes sits cut their via oe Distaneing. Diseguing th the tage pins to anaes essential fe cae In work eth he ate fe therspy—dtancng. What an Inuke wok nih the ate more iereing sd ving I the {act thatthe ar/patet Ino talking detly about the self ‘oa, rater, encountering aspects of the sel though a med | Ing proces whic lon fora space conning ots Sl 3 | putea Detancing aows forthe capac to repamte and | teraizg net to detach but to gaat» connection. without ‘ison. the yea nage, for ena, abe seen 282.05 tulleion of elngs nth fm ofthe at work, nat the al Feelige hemssiven In tie wy, the smage can be encour tered as # sumindependet really, Thee sofen a confor In this kind of dlatancng Kean be mach less overwbalig, “Thus cee apace win the peyche for undersanding and ‘eincrporatin (aking kbc oo the oy). ‘one might think tat diac migntes agains he tend Ing othe sat the proces of meng kgs by means ofthe at work dens i lst. Ja fact, Dede Tune leno the work of a serves the Image by allowing, for mre explore 5 plying wih the aor, cn ean create {aie neato relelonelp fo. Thete 3 atm of endo. Jn mking a that one dacs not secs fel when spy ‘expressing felings del. The fom tht begin oak shape ‘utthere i na longer Jo an exesion ofthe sella mos ‘One has the opportunity to refine he ge over ap aver ut 2 movies tha arnt tities cosalzaton of yh esence of the feeling Besse i ol can also speak othe ve Yale, est prowake & ‘ny ute ofthe an In therapy provides a dstaneing fun tion de ote resin of transom space satan ame ter, there gre crainveciniques which exptly make use af the aetincing functon. Roleplay, ia addon to dowsing ‘wit ises 2 good extnpe of suc 2 technique. Her, Through words ony, or axveneny 4rd spe spective takes ple in which soles a reversed ad severed "gals, Pacing he pit of view af the cher ad Fein at this Ie eaves ew inferaon sd, on a deeper lve, Siew body experience ole ply ao bring he vlan flvew otemess previ an oppor fr pal peend- tng and Inaginatve elaboration by cealog a ap stuaton In play, thee ste posit for explrulan and, 26 ala ‘tepris. Thre tet pillent fl farce Boorse (ang bot ies cof onshin with an eer per Son exp ofthe sel and being the exer fra decree prio! ‘Oftime-tlking, walking, and feeling the experience of Intermodialty asthe Creation of Pathways Tespresive atthe tecbnigue ft ts foudton the scton of he itornadal nate of ite Salve ter or been moda Theron ental our ‘Stang wl poe of eres ss temp Noone gle se ora cn enpalise eve) el eco ich Ji itr ene i tg Inspection ofthe that expression cago eee be Aeomlag 9 ve suheee preset ofthe sn ers ‘te athe eration of 2 morerent phrase. ‘Then the soup thoved over Cranfered to paling wih big betes in one sot on lage pees of papel. An tempt was mide to aa the feasts of the movement pase ahd taste thi nto ft Then, aera tine of ee pag using many colo, {he ew lage which rested were eancoported by tan ening thet bac toa ew moveien: pate ora of phases Inte end group memes explored fa pals what happens ‘when to mrement pleases encounter eich cher. The move- Ineo imeracion proce ye antes image wich yas the yn ‘hess ef ado elenents of the separate pases. In peor Sheet atthe end, one was able 0 sere ths process and to ccc in an ste eae dance. The inert trans ths enhanced the ages whe theinscires became picts of the ance constuction, ‘This constuction ented Sut personel expesson coming toguhe o create a whole thngesactue pth he eft of movi and teehing cers, ‘ling an aestheteresponse ‘tutoring fom one at today to another or beeen votes Heep the tage fom iatening od seyeals more Ins tne wafers proceed. Tate perpetuates ta Lyi. The age be consreted ad then decorstrced over “inks eytil fashion Playing wih the images by com Tin Hain them adel sects the ere 1: Pe oo “a ea Thay of ny Thr _usly of plying ae Rapes ae thers, tha, kes lace ‘Se he playground her all crestive work osc. "tha tansfr isso form of inquiry, an uncovering of seanings which kes pce as we go aren andl around fon lage. As goes round ts changed. When a tene=nt ve tated in paling, smething pew ences ‘rien nken back i movers hag yt agi Tere 2a of tention ht oc st es ene cn 1 the cuenta the or eg ints wy Ina group compesd of adeescens, for expe, we mde clay fatny etre. Afr conteting hee gi BE, ‘ve tld stories about hem whic were then enacted y men br ofthe group The tiny cine lve ind was tafe bythe ay ofthe anlpant was nt empl 2 Heal c+ ingot ofthe tex Eschpatlpae pot hi cr er ieee tion onthe role they wee laying ad theetore ema de Inge ofthe wheke ‘The soryirs were amor atthe de recone ha ere suggewed by the imaginations af te pares Ps an at he earings whic emerge tly wien the tole wis constructed. he story thus Ie the al ofthe puteypeonal and became fn ent everyone's a, 2 cl Jecive lagna cretion. This proaes could happen Dece se Bega with he indvual enon and then more O80 2 prup frm aod because we tok the Image fates Dy Mean fet cr fa at ree ee ‘o damn Artin Relations sco lighyegalayant te wot eens enor the of vlaoneln te cess. xpress a thea ‘sec onl la sponse rigs vs back gan {© he acon of tansionl phenomena aed the ein area of experience wih which we bean. On amas ver veh there i elton aspect hs Work nino ake ‘odo es Sees Tay ad sat ll oe his. relationship to the mats whieh are Inspace outhere. One encousee the mates ae lens svat tem to proce the at work: Making rin he conte ‘ofa tclatonsip ef patent herp adds yet another ea "ona aspect. Now tein so she pisses pace win the contest of the feitonship bewoan the thei ted "en reliicishp which i 80 Inthe meted steno an- ‘sional spce—both mesh not. Paton and thera te ‘voting ogee ate eae, it ofthe beeen space ‘hey ae creating # telco Se ters ef the relay self asan a work ar laters ofthe acl orks of that Fd het place there espe sul. Not onl des the therapist ecive he lau ii en ce ad by mar of nn lena aod, she alo gives feck egponee leh Isl ake the lui ith the image-to.q new pice. Te ‘hers sees the image by erat with he pte tog the imaginal ot tarstonl veal Atlimes the fempist mB ‘ake the ead wih her own lage, a tc ties he Aint oh eatin Bom are doing so yin the fame ek the tharapy ean. In ths relay ay Ina ets peut retonship, the atamters sil exigc we al py a tention to fees Ha tanserence and counteetsnferenee, boundaries, Dat we do 29 with an atirenas tat boule ‘te not xed, that he theapetic Work tales ple te ae ‘where our boundaies meet and over. In werk th oyp, interaction i pam, ad the «dn ofeaponse/leedback I ental Ip expressive nthe ups, when conf emerges, for example, one way fa Wh the thera might work ih would 9 cl for ae exper slve estoy? each menber names what they a feaig is ‘an ante way. Then the group creates g reaponse to ese ‘mings eles asa whole orn pals. This response Rekoowh ges what members ae feel and lle en to be ep land herd Yet pug he responses ito an ats form wane 4 feos them athe ame tne. The artic shaping of con feel might provide a opportunty to disengage fom eek cies] _gth ie tora thay f Cnn hry Innere. Thoeis «proces of aldenication which aes pce ‘when dae images are extenaaed in arise fr Third ‘ene promotes cewe espanse } fn group, responses are Mappelg, ll the ts, even if they ae not expllty marie. Inher book, Gro dneatine Ant Thea 95), Diaye While dscases he coe oe. ‘nee whch, bortowed from the scence of acousti, aply fescibee what happens i 9 group when each ember begin to severbente wil events or mth wha happen some tne ele In a group where arcnahing cco, mages a el 1 people can resonate wih each ther eronanee occs when eich meiner of » grou ‘sponds ¢ tmatng lp ate a epg rp bread so tht the goup a8 2 whole Pcomes Kahl chia wh ery. ry pow eons may be evoked“ exompe 2 Were of partion fist emer so group, evling pec moponsey Ineach meeer who prodoces he or cw trl relevant sepaation or avadanee of iT the Inember ‘sont o the grup theme at or hr "tna equeney Cvs, 193, p15 Inge ceainly can tesonate wit cach other bth pos ‘ely and negatively none taining grup, there had been eat deal of ante or some ine, Filly fone session ho ‘oup was able to cree pining ogee whieh seed 10 rovide them wi a sense of hasty and cseness, Ty ‘paket he printing in llogue Btn, expresing dee ea ings ef ove and apprecaon tothe igs they were ‘elencig © ped of fespte fom the normisg of the past oe member Sppoached the Image aa tre along ip of how the idl, sying tit she need to create a apace in the tage/goup for heel, that she wa ot expesencing te rep as aloo or herotlous place Some meres of te Iroup Were extenely upset and eh wed by tiesto. Oth ‘seoul allow for ths expression. There was mich dius sn about the ees af the staion aid she have x gt ‘seach 0 the ings i the way wihost aking pesmi? Ile ti, some group members reped the nage fer ad “7. ‘ln es: Sule et The an rr took bts and pieces of for thei owe Journal perhaps wane tng to presere the good feng fom the image as whole “These bi, a8 deconstuctons, were then sythesnd ino new lnages an pen new meanings. Ts experience of vesonance Tettaces inthe group for some doe aerwards and gave to many new aad interesting although plu mages ‘the telatonship which develops in therapeutic wook wth the diene ofthe arte sare of eu hana nae one. Resonance nie a bac ae Foch movement. odcing lay tio the eltoehip necestaes clealy pay is ct gon Adreced bemoun, Pant and thenpis are loki topeter, {euvchingtopster fr forme whlch emerge out of 20 expe nes of ayingatound, They are astually paying to- Sete nen uta ngury: What cas happen Here? What fem ‘ike? Maegt Poche Conpublied materia fr 0 he ‘rapes seats as aie researching ‘tow, the fing tobe Sith he not yet Forme ow the Forming tote yt Famed tnd the deoumed the formed the dem the forming the eo be foemed the no ye formed Pome ‘thon Peewee ude ro ei ee eating by ging through 8 wah In this secon, have ater o show the ways in which the price of exireve arts thempy cin be rooted In ny Chowmalyetheony. 1 ive focused here on understanding the fae of ceathy fo te development of de el and os ce {Be imap needs fo e tended eater for living 1 P= invite oe concep ich has come fem the 9~ “eta persoetve tht of tonal space. 1 this pce thar Geatvay reside aod ceatie ative fod thet ‘he. is the expeience of tanshexal space that fostered Pyexpresaie ats ery. [AC the same toe ist expensive ae Herapy connect spc ways he payee pet, we can ee was vnc depart eid diverges 38 well” When we ad at aking tothe therapticpoces, ve ad whole news of ‘oncom hat we late move ways toe the fhe, more wy to extn a eepen the experience of tse oval paces expressive ts theists, we ed 0 practce tur werk wh the Lea that 6 faesendeshepng peD- leo ened ad feconnest lb ye creat that fm Bale leant of existence inthe wer. A we fave sen, cet “reges it the eaves expenence of eeenodyosher retion. Ship for this reison, we Bod 1 pay atenton the the ic reoship aaron en which allows For cr: yf Newer ‘ur jot rege ad Feod the Fe, ming sce hat ees ot go out We do this BY mans of the ats: esi ‘Soames and play, fing shape ad form tough fe Iain connine ofan ate process, The ar-woek nds ts Nome hte vail ares of expeencethat which [both tne and note The avn, 9 dance from the sel, r= Mer beth a response inthe ef aed in ers who ae wes {oi Beco i emodal rate, expressive ans henpy aL “ng te PS nA Thc od rentri/ nakes we of ail the ats in order to ain the aliens of ‘Be tmge, ermal techinque serves the nage, Helping © ‘Stale fesing ro form. This orm can be menial a dance, rele, a pling, 2 pce of mas @ sey, 2 poem, & tamale enaermers oF combartions of al of these modes, I fs by tansfering the lage fom one modal co the oer that te nogina eerie and enhanced Perhaps cu fo Ss thers dave when those ws Whom we work are able {tenth om res recogating the inporance of creaiviy find pacing intel everyday Ties.

Você também pode gostar