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Boy meets girl, boy loses girl. Its been done to emo death. Thats why the
sublimely smart-sexy-joyful-sad (500) Days of Summer hits you like a blast of
pure romantic oxygen. It turns the genre on its empty head and sees
relationships for what they are a bruising business. Someones heart
always gets ripped out. Meet Tom (Joseph Gordon-Levitt, letting his charm
flag fly), a would-be architect idling in L.A. as a writer of greeting cards. In
strolls his bosss new assistant, Summer (the glorious Zooey Deschanel), and
Toms a goner. For her, prizing independence, their affair is a lark. For him,
raised on sappy Brit pop and a total misreading of The Graduate (he thinks
the ending is happy), its love. So when she walks away, firmly but with
kindness, you feel the pain, the kind that evaporates quickly only on sitcoms.
Marc Webb is a debuting feature director with style to burn. With a seriously
funny and touching script by Scott Neustadter and Michael H. Weber, the
movie spins a variation on Memento, shuffling through Toms 500 days with
Summer in a random order that lets us see the fun times and the fault lines.
A gimmick? Maybe. But Deschanel and Gordon- Levitt are star-crossed lovers
to die for. They play it for real, with a grasp of subtlety and feeling that goes
beyond the call of breezy duty.
I was captivated by this painting when I first saw it, because of the beauty and
complexity of the composition, not to mention the beauty of the girl. She is every
bit the idealised English rose, from her blonde her and red cheeks and lips down to
her red shoes. She is beautifully rendered by the artist, who has a great sensitivity
towards the female physical presence.
The style is both traditional, recalling early paintings, which can also be seen in the
Walker collection, and at the same time it's modern: The couple have a
contemporary 1930's look and aura. The fashions, especially the hair styles,
wouldn't look out of place today. The statuesque forms and strong 'visionary' light
give it an idealistic, neo-classical quality, characteristic of much art and architecture
of the 1930s.
At the modern art summer school I did in Paris in 1977, I learned that paintings are
criss-crossed with invisible lines, used by artists as an aid to composition. This
painting has a complex network of these lines, some flowing in a meandering
course from top right to lower left, and others running vertically and horizontally.
At the centre of things is the flower, symbol of 'amity', which is placed on the
intersection of two very significant lines., one running horizontally from the boy's
hands to the girl's face., the other running vertically from the boy's face down into
the folds of the girl's dress, to where her fingers seems to gesture.
The lines form a cross, a potent Christian symbol. The word 'Amity' means
'friendship' or 'harmonious relations' but it comes from a word in French and Latin
meaning 'love'. Is there love here and if so, is it spiritual or carnal? The base of the
cross, a symbol of religious purity, points to the girl's lower body. Could this have
something to do with fertility?
It's a remarkable image which we as photographers can learn much from. And
unlike most photographs of the time, this picture has vibrant colours, fresh and
crisp as if the apples- now there's another element of symbolism - had only been
painted yesterday.
3. The Only Exception by Paramore (SONG)
This would be the first song that would pop into my mind whenever I think of
the famous band Paramore. I so much like their songs, but this one really
caught me. I was listening to it some time ago, when it was referred to me by
a friend of mine, and then suddenly, I just kept on singing it wherever I go,
not realizing that I was at some point attached to the song. The song tells of
a girl, who came to be Hayley in this case, the bands ever beautiful vocalist,
who at an early age, never believed already in love. She was heartbroken,
especially when reminiscing the day when her father and mother had broken
up, through divorce. Then, until she became an adult, sh would never sing of
love songs, because she believes that it was just a waste of time. Then, she
unexpectedly fell in love with a guy, thats why the title was The Only
Exception, the exception referred to was the man she loves. Still, even if she
already knows that she is in love, she cant help but be confused, if this loves
shes feeling will last, or will just vanish into thin air like a popped bubble.
Lilipad na ako,
Sabayan mo ako,
Ang sarap dito,
Sa pupuntahan ko.
But, on the contrary, an angel comes down to earth to find this refreshing
new feeling. I guess its the artists way of saying that drinking coke is
actually more masarap than heaven. Its a clever idea, to say the least. The
music beds nice too. Its a shorter, slower, more mellow version of Ang Sarap
Dito by Project One. I like that version its so.. climactic, majestic even. It
gives me the feeling of pure bliss, the illusion of heaven. What are the bad
points of this commercial? Personally, I dont see any part they could improve
on. It just hits the right spot to make you feel how its producers want you to
feel, which is most probably to make you be in a state of slight euphoria,
leaning towards the desire to buy this amazingly heaven-sent beverage.
Every time I see it, it gives me goosebumps (mostly coz the angel perzn is
really, really pretty).