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SMARTlab Newsletter
3 ways/cce project (funded by the Arts Council & CCE)
The first project has been underway at
the Threeways Special School in Bath,
with collaboration from Futurelab, Queen
Mary University, and independent artists
from many genres. The project includes
three strands of work: visual/fashion
E work on the theme of camoflauge;
H E C A M O U F L AG
S E C O N D PA RT O F T storytelling, and music enabled by
T Y O F B AT H .
P RO J E C T I N T H E C I assistive technologies for all.
The first two project threads have been achieved, and are due for London installation soon:
Camouflaged Bath city centre and a local woodland) with the ‘invisible’
students hidden in the images.
(including SMARTlab artists Tara Mooney, Vanessa
Weigand, Lizbeth Goodman et al with a full list of Digital Story Telling
participants included on the web site):
Students engaged with storyteller Michael Loader and
In the current socio-political climate, inclusive values digital performance artist and SMARTlab intern Keir
supposedly permeate every walk of our lives. The reality Williams (a graduate student from Queen Mary,
of this situation is that for many young people and adults University of London, working on an internship basis with
with special needs it is the margins of society in which our team) on a range of off site visits to generate stories
they seem more likely to find themselves. A number of based on stimuli found in a number of man-made and
our young people feel ignored by mainstream society natural spaces. Students were empowered to use their
and lack popular cultural representation. It seems to own voice to express preference in terms of story
many that they become invisible elements in a society content and the materials used to support the retelling of
which purports to welcome them with open arms, whilst their tales. Students gathered multisensory resources
their eyes remain shut to who they really are and what ranging from digital sound and visual recordings to
they can contribute. Yasmeen Al Awadi, an artist whose natural and man made objects. Parents were then
work covers marginalised groups who are often ‘socially invited to a digital storytelling festival run by the students
invisible’, worked alongside fashion designer Tara in the Sensory Theatre at Three Ways School. The third
Mooney to document a project whereby students project thread of interactive music enabled by assistive
designed and made their own camouflage. Students technology and eye control is currently in development:
were photographed by Gigapan artist Ben Thomson who watch this space.
produced interactive images of three settings (school,
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The Indian folknest project
This Artist exchange programme will involve 15 European artists from a large spectrum of disciplines leading
to the creation of the Hindustan nomadic art installation which aims to bring to the Western audience a
centuries old West Bengali tradition in a contemporary form, combining folk arts with interactivity.
The SMARTlab team has been entrusted with the realisation of the Shadow Interactive Dance piece, for
workshops in London in July and October, live interaction in India in August, editing in November and final
presentation in interactive form in London in December this year.
In this work, commonalities of the Chhouu and Jhumur folk dances and contemporary western dance will be
featured using real time interactive video, sound and graphic technology to amplify and extend the
expressive potential of this virtual collaborative, interdisciplinary performance.
Some of the team (Tara Mooney - SMARTfashion and textiles expert, Seanan Brennan - world music expert,
and Bobby Byrne - dance/choreography expert) will travel to Bengal in August to work on preproduction
for the piece. The full team includes Lizbeth Goodman (Director/Mixed media artist), Sher Doruff (live and
online music expert), Cathy O’Kennedy (Choreographer), Vesna Milosevic (Dancer / Choreographer),
Vanessa Weigand (videographer / editor) and Taey Kim (media / web artist).
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New Masters in Interactive Digital Media Recent Viva
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The July PhD seminar is nearly upon us (this time with a big live
Music Jam!)
The seminars cater to the wide range of subject areas, fields of research and specialities of our students.
The current session aims to get back to basics and explore the nature of a practice-based PhD and the aim
for an original contribution to knowledge in cross-disciplinary fields. Furthermore, the week-long programme
includes practical and academic advice on theory, writing and funding, as well as discussion, debate, and
special events.
Additionally as a celebration of the arrival of the summer, SMARTlab's music crew, Steve Cooney and others
with musical experience, will present a communal synthesis of individual talents.
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Phase 1 of the project had three distinctive programs: - teaching and exploring renewable energy sources at
Bow Boy School with an assistance of the Geezers - the installation of a self-illuminating wind turbine on the
roof of the "Age Concern" building off Roman Road, Bow. The wind turbine uses a persistence of vision
effect to create a moving circular light display. - testing of several water turbine prototypes in the
Hydrodynamics department flume tank in the University of East London. Phase 2 will see the creation of
several small-scale water turbines situated in the river Thames, with an illuminated display of the energy
being generated. The project is not so much to power the Houses of Parliament, as to engage the
participants and public in the practical design considerations of inshore, marine and tidal power.
Tobyʼs hard work has this year, as for the past 4 years, also supported many of the AVA (School of
Architecture and Visual Arts) fashion and product design students, with major shows including London
Fashion Week informed by materials and garments made in our labs!
Dr Leslie Hill
Dr Mick Donegan
SMARTlab featured under the Government sponsored “Emerging Technologies Initiative”. Following link
shows two young people using eye gaze control to create music by playing real instruments using gaze
control at Three Ways School, Bath.
http://emergingtechnologies.becta.org.uk/ (Click on the down arrow under the picture on the left and you'll
see an eye - then click on the video next to it.)
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SMARTlab's Interfaces work on Eye Gaze
Control featured on BBC2 and BBC HD.
Dr Esther MacCallum-Stewart
Publications in the last six months have included a special edition on The Imaginary in the Journal of
Gaming and Virtual Worlds (co-editor with Denise Doyle, also SMARTlab and the University of
Wolverhampton), chapters in the first of the MIT Press (E)Mergencies series on Virtual Learning, The
Edinburgh Guide to Contemporary War Literature (on games and warfare), and a paper for Games and
Culture on the growing convergence between television drama and gaming strategies. Work submitted
involves a chapter on social communities in online games for The Online Games Reader (in press).
Esther is currently preparing her book on Social communities in Online Games for publication.
Dr Ryya Bread
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and a unique installation of archival and contemporary works around the role of St. Ives in WWII. Dr. Bread
joined the team early in 2010 to help get the gallery and the arts programme operational for the first season
and to begin outlining more long term curatorial objectives for the future of Kestle Barton. The aim is for the
converted farm to be a self-sustaining venture that integrates arts, conservation and the farming history of
the site into an inclusive model of community and artistic engagement.
Bruce Damer
Taey Kim
Taey Kim, SMARTlab core team member and PhD student, has been
invited as a panellist to present her work at the American Literature
Association 21st Annual Conference, Hyatt Regency San Francisco on 28th
of May 2010. Her paper, ‘Translation in Transit: The Artistic Intervention of
Theresa Hak Kyung Cha’ is part of her PhD research project. The paper
examines the relationship between the physicality of writing, the physicality
of embodied diasporic experiences and their transition into language,
language being subjected to severe pressure from both migratory experience
and the artist.
She also has been invited as a visiting artist to contribute to the Expanded Media programme at Kansas
University in the US to present her artwork and lecture from April 5- 7, 2010. She gave a lecture titled,
‘Unwriting Narrative Space’ and creative workshop in the Community-Based Art class and work with
graduate students in the Visual Art Department. She will have a major solo exhibition in upcoming December
in Seoul funded by Korean Arts Council.
Will Pearson
SMARTlab researcher and PhD student, Will Pearson is taking part as an Urban Ideas Baker with the
British Council Creative Cities programme in Pilsen in the Czech Republic, 12 -15 June 2010, to engage
with the 2015 City of Culture plans and opening up public space within the city. He is also participating in a
programming sprint at University of Wales Institute of Art and Design, Cardiff, supported by the Touch Trust
to develop new computational resources for pupils with autism.
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In addition, he is continuing work with Personal Updates
Sound and Music and Tuke School from the team:
Peckham to create and install new
creative computational tools with a
group of interaction designers. In
addition to all of this, he is working on
a number of iPhone projects. The
interactive installation he has been
working on in Newcastle at Seven
Stories, through Culture Lab at Newcastle University opens mid-July.
It's a face-capture, projection system using video clips to create an
interactive wall, based around the classic children's story, The
Professor Lizbeth Goodman is
Borrowers.
delighted to introduce her
young son Lucas Alan, who
was born on 19 March 2010
and is already gearing up to
perform with the team at our
July event!