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Shreya Bardhan September 27, 2014 CBSE- XII, Pablo Neruda, Poets with initials P, Poets with initials P to T
Keeping quiet is a poem written by Pablo Neruda in Spanish, which has been translated in English. In this poem, the Nobel Prize winner poet aims to
appeal to the readers to take a little time out of their busy schedules and life for a little introspection and retrospection. The title, Keeping Quiet, is
symbolic to stop all the activities, keeping quiet in the mind, not doing anything, but to question and understand the purpose of the world that
humans have created around themselves. Do go through the Summary of Keeping Quiet.
Neruda became known as a poet when he was 10 years old. He wrote in a variety of styles, including surrealist poems, historical epics, overtly
political manifestos, a prose autobiography, and passionate love poems such as the ones in his collection Twenty Love Poems and a Song of
Despair (1924). He often wrote in green ink, which was his personal symbol for desire and hope. The Colombian novelist Gabriel Garca Mrquez once
called Neruda the greatest poet of the 20th century in any language.Harold Bloom included Neruda as one of the 26 writers central to the Western
Tradition in his book The Western Canon.
The poem consists of 20 lines in total. These lines are not divided into stanzas. Here they are divided into meaningful segments in order to make the
poem easy to follow and understand.
Lines 1 4:
Driving from my parents
home to Cochin last Friday
morning, I saw my mother,
beside me,
In these lines, the poet recalls a trip back to Cochin from her holiday in her parents house the previous week. It was a Friday, and that morning, she
was driving with her mother next to her on the front seat.
Lines 5 10:
doze, open mouthed, her face
ashen like that
of a corpse and realised with pain
that she was as old as she
looked but soon
put that thought away, and
In these lines, the poet says that she was observing her mother who had fallen asleep on the front seat with her mouth slightly open. Her mothers
face was pale, and it reminded her of the nearly white faces of dead bodies. It is then that she comes to realize that her mother was not young any
longer, and that her appearance had caught up with her age. This was very hard for the poet to accept, and so she was determined to focus her
attention on something else.
Lines 11 15:
looked out at Young
Trees sprinting, the merry children spilling
out of their homes, but after the airports
security check, standing a few yards
away, I looked again at her, wan, pale
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In these lines, the poet says that she turned away from her aging mother and decided to look outside the windows of the car in which she was
driving. Outside, her eyes fell on the trees that the vehicle was passing by. The car was moving so fast that by way of relative motion, it seemed to
the poet that all the trees she could see were also running at full speed past her. It seemed that those trees must have been quite youthful if they
had the energy to move at such a fast pace. The poets eyes also feel on the children who were coming out of their houses, brimming over with their
excitement to get outside. The poet passed all these sights and reached the airport. Till then, her mind was distracted by the sights. However, after
the security check, she was standing a short distance away from her mother and again she chanced to notice the old woman. Just as before, her
mother appeared very pale and insipid.
Lines 16 20:
as a late winters moon and felt that old
familiar ache, my childhoods fear,
but all I said was, see you soon, Amma,
all I did was smile and smile and
smile
In these lines, the poet compares her mothers face with the sight of the moon on a night towards the end of winter. This made her recall the thing
she had been most afraid of during her childhood the fear that her mother would die one day. This was a fear that had plagued her many times
before, and it was plaguing her again now. However, she did not let that fear show itself on her face. Instead she put up a brave face and waved
goodbye to her mother. She assured her mother that they would be seeing each other again soon, and all the while, even though she was in great
agony, the smile never left her face.
Suggested Reading: My Mother at Sixty Six Analysis by Kamala Das
The poem An Elementary School classroom in a Slum by Stephen Spender discusses the pathetic
situation of the students in the elementary classroom in the slum. The poet discusses the problems
and challenges of this situation and ends with a powerful rallying cry for equality, justice and
opportunity.
Stanza 1
Right at the beginning, the poet focuses on the sad and gloomy faces of the children in the classroom.
Gusty waves represent vitality, vigour and energy that these childrens faces are missing.
Rootless refers to a sense of uncertainty that these children face in their lives..no proper living
quarters, no social heritage or legacy that they can claim as their own, a sense of being cast adrift, a
sense of alienation and without a proper foothold in society or life.
Weeds are unwanted and considered a nuisance that need to be removed. Similarly, these slum
children are perceived as worthless things to be removed from societys garden.
Rootless weeds are also used to describe the childrens hair. The uncombed, unwashed, dry, dirty hair
around their faces are like these weeds which havent managed to spread its roots sufficiently deep or
far to seek out the nutrients to flourish.
Pallor refers to a paleness of the face. Their faces have a dry, pale and malnourished look, hence the
word is used.
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At the back of the gloomy classroom sits an unnoticed sweet young boy. He is still too young to have
realised the sad realities of his existence. He is daydreaming of playing with squirrels in his treehouse.
Stanza 2
Sour cream walls refer to the colour of the walls which are probably simply whitewashed.
Donations probably refer to a donation box which is on a shelf on the wall. A bust of William
Shakespeare also adorns the shelf on the wall.
Also on the wall is the picture of a city skyline at dawn.
Tyrol is a state in Austria which has some incredibly picturesque valleys full of flowers. A beautiful
picture of such a Tyrolese valley adorns the whitewashed walls of the school.
A world map hangs on the wall of the classroom. This map is displaying the world to these children
.But for these children, the slum outside their classroom window represents their word. Their future is
uncertain. Their lives are restricted to the narrow street where their slum is situated.
Lead sky refers to the dull grayish sky that seems to turn the street into a prison for these children.
This slum is far away literally and metaphorically from the beautiful natural landscapes around the
world.
Stanza 3
Shakespeares works deal with grand tales often set in distant lands featuring a variety of people. The
map tells the children of far of countries and create a desire for exploration. But for these slum
children such distant lands and adventures are nothing but harmful temptations that will lead them to
steal in order to get the necessary money to indulge in these far off adventures. For these children live
in tiny dwellings through the foggy days and long dark nights.
The poet refers to their slum as a slag heap. Slag is a waste by product of coal mining and when
arranged in a heap, it is referred to as a slag heap. According to the poet, this slum contains the
rejects or waste of society.
The slum children, being of poor families do not get sufficient food to eat. Hence they are nothing but
skin and bones. The outlines of the skeleton can be seen through their skin.
Their spectecles are not new, but mended with glass that remind the poet of pieces of glass bottles
stuck on the top of stone walls as an anti-theft measure.
For these slum children, ime and space consists of nothing but a slum on which sits a fog.
The poet is deeply moved by their condition and implores to the map makers to fill the world map with
enormous slums so that the slum children do not feel the sadness and pain or succumb to the
temptations that a view of the wider world may bring.
Stanza 4
Unless some steps are taken by people in authority and outsiders, such as governor, teacher,
inspector, visitor, the children will never get a taste of the beautiful wider world beyond their slum. The
world map becomes their only window to the outside world. But such windows do not allow them the
access to look within. Catacombs are underground passageways. The poet compares the
inaccessibility of the windows to being lost or trapped in such an underground maze of passages.
The poet implores the figures of authority and the readers to break down the walls and shackles hat
hold back these children and show them green fields of the world beyond. The poet invokes images of
golden sands of a beach under a blue sky facing out to an open blue sea. The poet requests the figures
of authority to allow these children to explore the world not only through the white leaves of a book,
but also the green leaves of nature.
The poet ends with a powerful evocative declaration. He states that the people who shall live with the
same energy, vim and vigour as the sun will be the ones to become great and rise above others and
create history.
He hopes that with the right kind of support and encouragement, the slum children will rise to that
greatness.