Mel Bay Presents Indispensable Scales, Exercises and Etudes for the Developing Flutist PO Ta TCO oe | » Berbiguier Cita Cerra Cit Hugot & Wunderlich O(a TC TKD) Pratten Pcl et al. CaS ICME Le CLl(atem sta eMC aera au (Xe KY II Mel Bay Publications, Inc. « #4 Industrial Drive + Pacific, Missouri 63069 agMel Bay Presents Indispensable Scales, Exercises and Etudes for the Developing Flutist Including works by: Berbiguier Drouet Gariboldi Hugot & Wunderlich Kohler Nicholson Pratten Rabboni etal. Compiled, arranged, & edited by Dona Gilliam & Mizzy McCaskillFreedom of spirit and expression are not possible but with nimbleness and sureness of the fingers. Von Weber e scale exercises Why practi 1. The deliberate practice of scale exercises helps one acquire agility, and evenness in playing. A reliable technique develops when the fingers are methodically exercised in all key patterns. 2. Scale practice can facilitate the clean execution of awkward fingerings. The awareness of tonality, as well as the intonation and character of clical practice of patterns through the various keys gives one a keen ch different key. 4. Scales and arpeggios form the melodic framework for all tonal music. Practicing scales prepares one more thoroughly for ease in playing repertoire. 5. The main purpose of practicing scales is to train the fingers to “think for them- selves” and to free the mind for concentration on musical nuances and selected technical difficulties.Contents Major/Minor Seales (reference pages) 4 Major and Minor Scales (Natural, Harmonic, Melodic); Arpeggios; Scales in Thirds; Triplet, Extended, and Chromatic Scales Keys of Ca Keys of Fd Keys of Ge Keys of Bb, g Keys of D, b Keys of Eb, Keys of A, Ff Scale Cycles Major Scales (Ascending/Descending) Minor Scales (Ascending/Descending) . Major Scales (Descending/Ascending) Minor Scales (Descending/Ascending) Whole Tone Seale Exercises... Patterns. Three-Octave Scales Chromatic Scale Etudes Btude | Chromatic Etude 2 in C Major Etude 3 in a minor/A Major. Etude 4 in F Major Etude 5 in d minor Etude 6 in C Major Etude 7 in a minor .... Etude 8 in B flat Major Etude 9 in g minor Etude 10 in Etude 11 in d minor Etude 12 in G Major...... Etude 13 in e minor Etude 14 in D Major... Btude 15 in D Major Etude 16 in b minor Etude 17 in E flat Major . Etude 18 in c minor/E flat Major... Etude 19 in A flat Major Etude 20 in A flat Major 6 8 10 12 4 16 18 49 50 51 52 53 54 55 56 57 58 58 60 6 62 62 63 65 66 66 Keys of Ab, fccscssesnesnnetnne Keys of E, cf Keys of Db, bb... Keys of B, 2 ennsn Keys of Gb, e Keys of Ff, df Etude 21 in f minor... Etude 22 in E flat Major Etude 23 in A Major Etude 24 in A Major Etude 25 in f sharp minor Etude 26 in E Major... Etude 27 in c sharp minor Etude 28 in D flat Major... Bude 29 in b flat minor ide 30 in b flat minor Etude 31 in G Major Etude 32 in E flat Major Etude 33 in B flat Major Etude 34 in E Major Etude 35 in B Major... Etude 36 in g sharp minor Etude 37 in F sharp Major... Etude 38 in F sharp Major no Etude 39 in d sharp minor. Etude 40 in d minor 20 22 24 26 28 30 oo 32. 34 36 38, 40 4 49 67 67 68 68 69 70 TT 2 72 2B 74 A. 15 16 1 71 8 8 79 rt)Major/Minor Scales Order of Flats BoE A DGC F C Major wert | Genet F Maj Cee raed Bi Major minor SS ~ ———— hep t Seat 4 * | Gee = 5 Majo « minor . Ore x tof iE Ab Major f minor & Bi ct TS 7 Ge _ D> Major bbminor Sl BEES) betes ety ee st CbMajor abminor Guess > oG Major Major/Minor Scales Order of Sharps Dee Ee Gejaet D Major 4, — *, =—F ree A Major tah poppet Py Gite estat 4 E Major B Major aitie - sata F4Major Gite te C#Major Gi tet ftminor ctminor bitte gtminor dsminor Gtinte= atminorC Major Scale Arpeggio ~ AT ie aoe Scale in Thirds Ot Raa Sree eee 6S Ube ig AQAA Triplet Scale - ———= — G4 Soi See 6S Sibtntrere lg Extended Scale [ . ISInterval Exercise i Th CHT Sf PSE = eee a a Sa ae e\ ££) # PoE ¥ SSS ie tL A Natural Minor Scale ferrets Settee ‘A Minor Arpeggio A Harmonic Minor Scale fitee gases ref cf feet Efe i trtere SS A Melodic Minor Scale tele pepe EES ‘ce Fetes eget Corrie =a Chromatic Exercise Snare qa saeF Major Scale ee ft tes == FEfees. oo ot Ae Arpeggio A a eee ieee GP aes ——— a Scale in Thirds [so emma e oie ee Be ee ee erp Gea soebesoreeripereereer eee cee Ee gollt teeter tester tal Extended Scale 2 talInterval Exercise D Harmonic Minor Scale pepe tieeterers pp £ D Melodic Minor Scale tbeG Major Scale sasiagtt ee Stree Ge atte fees qiilie, | Scale in Thirds 64 Serpe ti Ee Tan pice eGo tes cities Triplet Scale bi i, reece pete EPP EEE etree. oe = 7 fneteatecte, eepe ON pr Ef Eet Ger Gee Eater Serra ty ict Ctr pepe tpeppettss et terenreter cee nae* Pep 42 EEE tren nettle obtteres peereeer | perestcele Ettore iceneeht “iterterertiie QeInterval Exercise Ge —~ SS x iff 4 it = ~ >.> Ee $2 Saha pe EALPLEE MER Ss §teSeSee: LE MS E Natural Minor Scale tee ete EE tree Pipe ee SS el E Minor won 0 womdiapmiee E Harmonic Minor Scale ts ae gis Biter eg = E Melodic Minor Scale * f tete e» by pneeee Otte Chromatic Exercise a tet a Stipes EEE gelEE ibe eest steererBb Major Scale Gerri | ee LEEEEEE t teense = Arpeggio Ges Spam oe E oF EEE PES Erte pee foe ON pel OE te tet teen Critreriges Triplet Seale ¢ oper et Cececeertre SEES Extended ScaleInterval Exercise “ye \ oe rie G Natural Minor Scale aN G Minor Arpeggio A, nahh Ae ee ar aes itt ten: S| G Harmonic Minor Scale G Melodic Minor Scale garg pierre EET tt “FS perigee ofoEf: eftf EEF Cr ers tp 5] Chromatic ExerciseD Major Scale bier eee Street po 5 == Seale in Thirds es potet ptt seer tatty fr tEee Ee fe SS GLa —— et £ fey eT ane arepeeerteeee cesT EE oe em os gi SS eet yp aA Extended Scale i AInterval Exercise ppg Oe ee SS SS SSS 7 J a, — zy oe Ss mS Sa eI 66> SS B Natural Minor Scale bhatt SL EEE trp B Minor Arpeggio oie pilltt elie, ee B Harmonic Minor Scale eee te te epee eee B Melodic Minor Scale ete ff . . t _ te f OH pee oe poe the ebe > be oo) gS tet ee SIE> Major Scale Scale in Thirds Ouse Aart ee ee ge So Seo Creer sire peel ES _ eS ne Bigaas gee ges SSE Ey tet fee aE Extended Scale es gueInterval Exercise SSS SS qa = 2 > op ee Spee SSS eR RADA AFTD getie (EEE ESE ED Eb es C Natural Minor Scale Quer Se aS C Minor Arpeggio C Harmonic Minor Scale gies Poteea C Melodic Minor Seale foe tee @ Chromatic Exercise gree = Peeps }A Major Scale ave aint + igeee = c SaaS SSeS _ =, Ze Sa ths > fe te 5 oa —™ pRh$enl EBLE SR, F# Natural Minor Scale Gite Sleppp teeth Fitter Ty Fi Arpeggio ot we) 14 Sottten ro etrte = —_ aa pails, crates — F# Harmonic Minor Scale eet eee Uitte F# Melodic Minor Scale Gite sileguete rt OEP FE eter eel a Chromatic Exercise Gig erage verte pesices We ple PEEAb Major Scale ~ eee pt i bl — Seale in Thirds Tipatetet pte tp pe Pee ova gg ine eee oe dont WER See tet rp tprerpei - iplet Seal ee Al bg coenarprrmepep re perepepteree PREREEEE LE Ot eg epee eee LE EES etee 5 + 7 Pee he Reson ie aN ter te Serr Co terterepesteree eet Extended ScaleInterval Exercise eee rene Uitte py F Arpeggio F Harmonic Minor Scale ie tiene, Gite HepeePthS | tte pay F Melodic Minor Scale Gere Feserictes OF f epee E Ettore fered ‘ees | Chromatic ExerciseE Major Scale Scale in Thirds ae anode pee Aig —— fictttel tee Se Sirti leas Triplet alae apeuet nth Extended Scale aR oie per taer ath etree gir til etree saree a eo Qe ter eth (ppeesatcaeeeet frees ae ee gular antl LE OEE LEEttee,Interval Exercise thy gp a Ges te ape SS SS Cag ne nA a (SSS ee ee (fe ih AER Me rg C# Natural Minor Scale $i ee Se C# Minor Arpeggio Soo oie a mat ity oa a C# Harmonic Minor Scale —T epte ft t —f “pie el te C# Melodic Minor Scale Gite an Ta pet Otero 4 Chromatic Exercise ue GieseDb Major Scale een ee SiS Arpeggio Grek Peete , qigetea —— — eo 2 Gea FE eee Dh foes tabi gra Se FRE try we Saye Triplet Scale Goh eer terrerrene a ED Extended Scale — TT Eee Qed Teer teree ieee tereInterval Exercise CS eee Bb Natural Minor Scale eieepettth repeeth | TP ftees Strep Bb Minor Arpeggio Bb Harmonic Minor Scale entit Etter... gems gel erste TfEters Stes Bb Melodic Minor Scale ote trebee 2effEe EEEEE bet herpes sefEEE I FEtr taser Chromatic ExerciseB Major Scale = ters | se nas —— eet eae tng Goer eee ee Ee, ———— SS Sefrtrtren =" Triplet Scale ei Ce a TE ~ GEPRRE Ettees.. nett! tte gigi pfereeer f pi ttpee enepttet £ tteInterval Exercise G# Harmonic Minor Scale eeret Etre biley fern te ee Ethernet : || wl G# Melodic Minor ScaleG)Major Scale toh eter, rs Grey iets Arpeggio ce, atria Grey qe afte —————— Scale in Thirds eeu. a. afte GPO oH riepepete ee ee iis see fete tee, oN gine SO AL oteh tpg aaa Triplet Scale Giiey Sgeg erate cree eee gop LL PEER Er Epetertere (irene Extended Scale osea sTEret trrepeeertttLtreepeneteeetch, ae.” Pee % Mise oo feees piven f ttle, ees eecel Ete 3 Se eae gist: hate ereInterval Exercise - - aS eee : ! ; res SS SS SS as >. = Gea S Sr Ss= eS 2h tpt go LE AG ADRES E> Natural Minor Scale Geter eed O tees y Eb Minor Arpeggio geoee The ities matters — 4 E> Harmonic Minor Scale eeett teen, Gee pepper ee EE bee mere E> Melodie Minor Scale poder papper etl Etre pis Chromatic Exercise Senne peers EeeF¥ Major Scale eter pen tes Utter Ts Arpeggio Scale in Thirds Oty ile i. eet | rife epee Go, E gi FOE ae reper BRET ttre oF pela ‘Triplet Scale ih ____—__, apart reeset EE Se at Seg Extended Scale Attn Siliggey tte oT) seeInterval Exercise a ~~ a Otie ite Petit i eee Aca eee Ppt ee pal pret te eft Dé Harmonic Minor Scale Gli i D# Melodic Minor Scale UU itp Figs Git pie ee OO ter pee Le Chromatic Exercise Mettoree sisMajor Scale Cycle (Ascending/Descending) bey jad pe dp Gey ==> Sot = ee Ohi LF SSS BS Gilt 7 ges et ee =aMinor Scale Cycle (Ascending/Descending)Major Scale Cycle (Descending/Ascending)Minor Scale Cycle (Descending/Ascending) < Ghee a I SS =tts, \fey Theeee ree ial 4 Set ttre, cetetete a _ [tito re Whole Tone Scale Exercise #1 fe, SSS ee ig we pace aE = eS oe LEE tte eas Te Whole Tone Scale Exercise #2Pattern 1 spa eee ear Pee oe ried (aa ett beet Mana Cieet te. Aint tie pn “ef cerreety _ epithe yt pe gh aPattern 4 = 6h. a. ee eg TL feat | fei Ts Ob pete tet “ge Tee. QPEL ie et ea GRE pte Pie APS tp op tetera ys Dy * Se LE ee re ipa perio pe a == cei eles =Pattern 5 = aS = ee (Ga Sy Ab pe A etter ——— nae Se teh ae Se é seit =e velicee PPSepr = EEE Sifters = pL Cee el a A Gs ony ESPattern 6 5 : . GuESr Tijd pe boad id heb She Td nie ee (en a fe dad FE ee Sg a Gk oe ba tp ter Pe ie be ba abet ep {alee aE ot CT ert ee Gi ee Ob Tl erie ite GET] Grrl Ene Fare rtetrcecte Hs Att Ge [re ge 6 de Ge Pleo oe 2 =ptretete-te te ete fa ty, abb = le: b ! — Cote plete SS ARG ep = Auge wipe t tet Fate ie pote ——————————— apeere? KERRY ey as epee fe he pp fe le eat Talat ieee oa ihe Reporte fet Nee te pp pepe et Eee ee Attias Cop top EEE eae SSS ie peptic t Ri yp Gory SS S Tee ALLE Bes git Cot oF IEEE eee aches? ike ks pf PEEEE Eps ftp = ——— ivi STEEL, Sarvs SSS]Three-Octave Scales ettet (ORE ey LS ee oi LE LLEE ts Se TS = SIChromatic Scale reteptezics tte ele ESSE Gilliam/McCaskill Presto = Sint» Sich risteter st be an Ame tet, ee cg ee etl Fa rT Qt: Peiepie citi e. ffs pis pagcie fF te the te of, ffict tp be whale be Ctticle iepirtebeie, - Qo ee EE Cer ities pees minis be iepttieiey iS SS et 6 a pte tbe te cizrte ion obo tebe joe | Es Ee = 4 = Pipe oho Sips 49maa ae aie 3 : pete agers tempo. Dae, hens ‘(aieAllegretto scherzando NicholsonGariboldi Poco allege gees == — oO rtenhet ifs eee Ge Oilreesrie =e ‘Cite:ah ee ‘ es iit tet ~~ by “%, a Es eet eose Pieter rag tt ie? pots Haney Hae iL) x6. fae t eee p xt eft tone z Potts oe ——— atte thera ere Fore Pole Rae Fie Foe adel tebe bap etrelre Trad = rei a ee ggebahe” iia Les ———— eee eerie tree FO tp rteet tien spss Camm, Se rgtics:s) Ss yph ke Aa 4 4 4 oo . cr Aer tga 2 teeter a ee Stee — —-s vet were Ce ena gr be Same, AEEB TEED REND APRS — OD ete ep ‘ CP LEMER ERS MERE Operas eS See TPIS EDTDrouet es river Beet (re = “efteet ee eleeterateeere = Allegro moderato ée _ feet sEtreltretee mp 6M pe Sayers One. ee, Pagid: i, fsa ah Resretl seeres <= ette y fee eee = ere tt Cor. ¢ ft Pettee Pteate = oe eee Se FEE SL Le erteenteeetee ~ fipnttnsteen bene : be Pe Peet ge ‘J £ pter tte, Pe Chretpese S55 = 5S 5 = === Ge Baits La. lade natn ie]te 4Moderato = - > ao tee eee = Ge a7 aga aa b aetna Ca eh u. a Allegretto Or ERED Waal Fea EN swe hea GRAD o ma Cetera eee —— tae Colter Se — 2 Bee Oa me=~ pep Een teetbene Gre : les B Tn fees aoe fe cota Teese a, nga ee = He a ez wit GE ty Hage ees Tempo Ae qatita| etl! aa arate te ee gna aT, oper ey = ae Steet fergeet ete tect Lee ey appa wg" Pais =Allegretto. = : Kohler 7 4 ott oot fe a == fe ey Lele = pe] Oeste ter ae te eos Epo inaredee o : te 4 ; oe a ee Pere? t& : SS eeReeser pore Figen iecne pe Bp S55 se — ——— aS 5 SS SS a = = = = — = : me te f te fet» Je fifty Ss SS ‘er che ere a bet ysis = nSRabboni Allegro moderato , o ete Phew: (teens - 4 + == —_ Guero Core mee EE 15. Nicholson Allegro con moto bie? eee pete ireeir aN aes ep eS es 2S aN Se ule tee Eee PINE tae eres, a = ft ee |eo ke oN Re ae aN fers LEE pasts setee eer * fe Eerpeer cee 4 feria torte eerie = eee = poe ‘iferteets oo oe eres Bam gem gigi ee Ta ee ae ; ; Apperes, ini Sgt ett IES 16. Drouet =~ eetets =Goan ee oo 2» fo ee = gees ee le eee tempo “tea, Ue : = ete a ae feyBerbiguier Allegro ma non troppo dodhale oat permits A Cp re taeresty Gia wou al = Se seat wplbturee get gue Sets fiip ot oer Chee pay 20. Hugot and Wunderlich ivace tke 2a Aaa eget eiepseee aime, Tsai et apeGilliam/McCaskill fer 3 (ebteh t+ GB & inthe ety SS aaa ee dere ea Ais bs Bee Gite ihe eset awe, irre a: 4 mae LE ioe hoe eee A eee SSS]Allegro tempo giusto,“uN. +1jNe 4 Aw ht oN 25. Allegro oe Hy ne sa Epes en wi Be be a TE TE uyiest tat? (Geet tee =~ = ‘eerie Peitetefs eet igaeaee feet py Spe ee fear Chee ee ze a ania aGis et = 4. att = + Go fa G ase be ream ey ed aa neues 5 Sete ae ze ioe, biplibts SEES aff ayAdagio cantabile a ee Se a nf = aa ee ph oa oy) appa FS Me epee eS <~O!U!UC~«T eager = fittest aE, th ha W 5! all i a 4 ti Fl |Pratten Allegro moderato : ee ae Gree eet ie my a, nas ut Fa Geer GPa, eee =—=— Ore cae gence Paris ZQE sre "ae efoto fat Orc EF ena a =f on Dte i Dib a = eS 29. Moa eters? lereteper., afte fie Grve eeercter eo = err e Gh copter inte fee eF at rf ree ize. oe tif bere palsies eth eedete SrAllegretto PH opwet EPs tha #4 s fei srs pheete eS ip Seeeerd SSS Sere ienitise ge OP See ae o,%3,, .¢ #.¢ *#.f ¢ Ate | PS SS (te Eet tee tt pep tate eet poole, Geese ae lef fo Senos pio E esas UL bitte ae Sa ae Se oie erties Bpatne tit 2. PN 2+? 32. Allegretto IeBR. tot tat mt, ezeezseetae S22 = =| SS SS = eye, EeeCn in | Mt he a - c il ee a were ER re a ‘a t Bar : eee a =S Bat =] 6NicholsonAllegretto Ge ig mf le ec eee a prt Ls Gieretp iret A Pe ets oer fete tet i ey a eff pf rite fort ff rat = : Jt =4 38. Allegro Nicholsor Giles (ofa a Le bie, 4 Tag = far = Beet SR. Meer Gti Reet ee ay 6 ee =Drouet 4 tye 4— - on Co es ft on pent Min Sr eee eee Ce Ee d “rmaciee be eae a ee aremem a SS Se Mae Ss Hf :40. Nicholson: are Po oe Linde Fie eth tee fle ro-Gistt Peep ciel Siete etree. SS — ,BGgeowre pages ;\HiSe Peers yin pila Geto aes Pel - iP tibet ORR m teat ee =e Ne agg NES peli Cree Lert eee =