r Lalit Triati mla

(Request for Triati mla sponsorship)

Adoring one's ia deity can be done in many ways, like performing a
detailed ritualistic puja, chanting the mantras, performing
sahasranmaarcanas or lakrcana, seeking protection by chanting a
particular kavaca (armor chant), or by chanting hymns. Chanting of hymns
is the most commonly seen aspect in all religions and sects.
In rvidyopsana, rLalittriati is the crown-jewel of hymns
addressed to rMtLalitmbik, which was revealed to rHayagrva by
didampatirLalit-Kmeshvara in the yore. In turn, he revealed it to
rAgastya, who beseeches him for a stotra with the inner intuition of not
being satisfied, even after hearing the Lalitrahasyanmashasra.
Agastya was having unrest in the mind, with a feeling that something more
remains to be learnt. After three years of his continuation in this state of
request, didampati appear in front of Lord Hayagrva in secret and
instruct him to reveal this crown jewel of hymn. This hymn has the most
secret mantra of rVidya called as Pacadai embedded in it, with twenty
names per syllable of the KdividyaPacadaimah mantra. On hearing
this unique hymn, Sage Agatsya's mind became tranquil and heart found
the peace he sought. Though the colophon reads this as a part of
Brahmdapura Lalitopkhyna, which was narrated at Kcpura by

Lord Hayagrva to Sage Agastya, it is not seen in current printed editions.

However, it is the most and often performed service as an arcana, after
which, by tradition we have to perform the dhpa, dpa,naivedya and
conclude the puja. The authenticity and antiquity of this hymn are seen
from the fact that, rSakarcrya has written a commentaryon
this.Some names are dedicated to description of Mother's physical form
and HER abode to enhance devotion of aspirant (sdhaka), while some
names extol the non-duality (advaita) nature of Brahman (akti) and lead
him towards spiritual enquiry (Tattvavicra).
The latter part the wish full-filling or grace chapter (phalaruti), is a
treasure trove of secrets on rVidya/rcakraupsana revealed
personally by didampati. The fifteen syllables of KdividyPacadai
mantra is sorted into ivkara (Masculine aspect), aktyakara
(Feminine aspect) and Mithunkara (Combined aspects); sorting of
ivacakra and akticakra in rcakra and their intrinsic unity;
triatibhojanrules and procedures etc are revealed here.
It is proposed by Gurmadala's blessing and grace of Goddess
Kmki, who is presiding deity of one of the mokapuri- Kcpura, to
adorn r Kmki with a Triatimla- a garland of three hundred golden
coins (10 gm each) with each name inscribed on it, during the
Kumbhbhiekam scheduled in Feb 2017. This endeavor is undertaken
as we find some names unique to Goddess Kmki in Triatisuch as '
kmakoinilay- residing in kmakoiwhich is the name of vimna of
Goddess Kmki; kmasanjvin, kandarpajanakpgavkanrejuvenating rManmatha (Cupid) with her glance and making him
victorious- one of the alternative names of this city is kmajitketra;
lagnacmara hasta rradparivjit, Lakmivnievit attended by
rLakmi and rSarasvati the utsavamrti (deity taken for procession in
Kcpura) is flanked by r Lakmi and r Sarasvati. We can sight many
more such correspondences of Trisati and KciKmki.
We entreat all upsaks and devotees to avail this unique once a life
time chance, to be in service ofKmkiamb and receive her grace, as
was showered on Sage Agastya by HER- leading to immersing in total
bliss, with a tranquil peaceful mind and total devotion to HER.