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  • A Romantic Sketchbook For Piano

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    Omar Valenzuela
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    A Romantic Sketchbook for Piano

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    A Romantic Sketchbook for Piano

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    © All Rights Reserved
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    4K visualizações49 páginas

    A Romantic Sketchbook For Piano

    Enviado por

    Omar Valenzuela
    A Romantic Sketchbook for Piano

    Direitos autorais:

    © All Rights Reserved
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    Sinalizar o conteúdo como inadequado
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    woke A Romantic Sketchb for Piano BOOK Hl 28 intermediate pieces composed c. 1830 -c.1930 Selected and edited by Alan Jones ake ‘The pieces inthis album, of about Grade § in standard, have been selected to provide a variety of Keys, time signaores, temp, styles and moods Original source material has been followed, but obvious errors and minor inconsistencies in pheasing and dynamics have been coreected without specific comment, New fingering has been added, and the signs L and [ are used to indicate the right hand and left hand respectively. Editorial suggestions For pedalling and for metronome marks ae shown within square brackets but ‘should not be considered in any way authoritative. Other editorial matters are mentioned in the footnotes to the pieces. Alan Jones The Associated Board of the Royal Schools of Music Lemoine Mendelssohn Chopin Bertini Schamann Le Couppey Gade Heller Brahms Franck Gren Kirchner Lyadow H. Hofmann Fibich Karpanoy Pachalki MacDowell Maikapar Rebikow Glitre Wot Dunit! Ons Bridge Kabalevsky Reger Alwyn Contents Study in B, Op.51 Noa? Kinderstuck, Op.72.No3 ‘Mazurka in F, Op.68 No.3 Study in E minor, 0p.29 No.14 ++ Op.68 No2t Study in A, Op.22 No.22 Romanza, Op.19 No.7 Prelude in G sharp minor, Op.81 No.12 ‘Wales in B fat, Op.39 No.8 Little Piece in C sharp minor Folksong, 0p.73 Not Sonnenschein in Flar und Hain, Op.270 No.7 Prelude in D minor, Op 40 No.3 Lied, Op.85 No.2 Nilada, Op.41 No.s4 Russian Dance, Op.25 No. Prelude in € minor, Op.8 No.1 Jagalied, Op 39 No.1 Berceuse, Op.8 No.6 Récit naif, Op.8 No.1S Fsquisse, Op.47 No.1 Schlummerled Study in E, Op.74 Bk IH No.6 Build a Nest, from In the Branches Miniature Pastoral No.S Song of the Cavaley, Op.27 No.29 Frohsinn, Op.17 No.6 Midsummer Magic, from Hunter's Moon ake 2 4 1s 16 ” 18 20 a 2 2 26 28 30 2 Pn ” 38 0 2 “ 46 "7 STUDY in B LEMOINE, Op.51 No.47 Henry Lemoine (1786-1854) wat bor in Paris and sudied a the Conservatoire, He became a wellknown teacher ofthe piano and wrote an elementary ‘manual forthe instrument, as well as many educational pieces which are more than mere pedagogic studies. On his father's death in 1817, he took ove the management of the family music publishing business and ran it successfully until his own death, during which time he published most of Chopin's ‘music. The pedalling in cis study is editorial © 1996 by The Associated Board of the Royal Schools of Music AB 2346 Ped. come prima) Poco a poco rall. a & KINDERSTUCK (Children’s piece) MENDELSSOHN, Op.72 No.3 7 2 3 Born in Hamburg, Flix Mendelssohn (1809-1147) wat a leading figure ofthe Romantic movement in Germany. He composed much orchestral, choral and chamber music as well a many songs and piano pieces. On a ait to England in 1842 to attend e performance of his Scottish Symphony and to be ‘received by Queen Vitoria, he syed with relations in south Landon, where he weote eight short piano pieces for members of the family, He later revised sx of them tbe published in Leipzig as Secs Kinderstucke and in London as Six Pees .composed asa Chrismas present for his young fronds AB 2346 MAZURKA in F Allegro ma non troppo, 4= 132 2 i ii i CHOPIN, Op.68 No.3 5 P. Y “Throughout his lif, Frédéric Chopin (1810-1849) was infuenced by the folk music of his nave Poland, One ofthe greatest Romantic composers forthe piano, his many works include more than 50 mazurtst, which were based on a traditional dance of the Mazirs hp lived in the plains around Warsaw "This piece ts an early composition, written before he moved from Warsaw to Pats but not published und after his death. There is evidence that he intended Bt in bbs, 12 et, The slurs in bb 718, 15/16 et are editorial and the original slurs in bb.37-44 are a ba long AB 2346 Ped. come prima AB 2346 STUDY in E minor BERTINI, Op.29 No.14 — a 2 - Henri Bertini (1798-1876) was born in London. He wns taught the piano by his brother, pupil of Clement, and at the age of 12 was tnker by his father ona concert tour of Europe. After living for ime in England and Scotland, he seted in Paris where he became wef kndwn as a pianist and compose. rewrote a great many works forthe piano, inciiding an extensive tutonil course of studies An 2316 *y* Langsam und mit Ausdruck zu spielen, J 88 [Poco lento ed espressivo] SCHUMANN, Op.68 No.21 oe ET _ langsamer 3 — 3 ‘ettoas langsamer aT aN ‘ie JT. (One of the foremost German composers ofthe Romantic era, Robert Schumann (1810-1856) was born at Zovickau in Saxony. His considerable output Includes four symphonies three concertos, about 100 choral works, chamber musi, over 300 songs and much piano music. This piece come {rom his Albu forthe Young, composed at Dresden in. 1848 with his young family around him, His MM appears a lie fast forthe tempo indication; the pedalling {s taken from Clara Schumann posthumous instructive edition; the grace notes b.17 shouldbe plaved before the Beat. AB 2346 STUDY inA Allegretto (¢.=..0] LE COUPPEY, Op.22 No.22 e__ ac — aN _— wt ¢ Fine ‘A Parisian by birth, Fix Le Couppey (1811-1887) studied at the Concervatoce, where he became an assistant tacher of harmony atthe early age of 16. “re continued to each there for nearly 60 year, specialising in the plano for the Final 30 year. In this capacity he composed numerous sti fo his instrument as wel as an extensive qutoral coure, This piece comes from an album of attractive studies devoted hyn AB 2346 D.C. al Fine an 2346 2 ROMANZA GADE, Op.19 No.7 legato “The leading Danish composer ofthe 19th century, Niels Gade (1817-1890) was born in Copenhagen. Besides being a noble violinist and an orchestral coneictor, he was the Srv head of the Royal Danish Music Conservatory. Bot influenced by and admired by Mendelssohn and Schumann, he wrote ‘igh symphonies, some choral works and much chamber and inetrumental music. In this early piano Piece fom Aqearler (Watercolour), revisions Ihave been made to the inconsistent phrasing and dynamics, and the pedaling has been amplified. an 2346 “4 PRELUDE in G sharp minor Pas trop lent, d’une expression élégiaque, 4.- 54 [Poco lento, dolente] vetome HELLER, Op.81 No.12 pps, rete _————~ ont er |e br rR Porristement 74 p ‘orn in Hungary near Pest, Stephen Heller (1813-1888) wat a child prodigy pianist and toured Europe until he suffered a nervous breakdown, He later taught fora while in Augsburg before moving fo Pais where he tried t earn a living #88 pianist, erie and compote. Although befriended by Berlioz, ‘Chopin and Liszt, his ie was largely one of loacliness and poverty. All race of his large-scale wotks has been lot, but his shor, imaginative piano pieces continue to remain populas The pedalling in this prelude is editorial apart from bb. 16 & 26 AB 2346 WALTZ in B flat BRAHMS, Op.39 No.8 7 in (One of the greest symphonists after Beethoven and a composer of many chor, vocal, chamber and piano works, Johannes Brahms (1833-1897) was ‘bom and spent his carly year in Hamburg. In 1865 on a visit to Vienna, where he was later to sete permanently, he completed a set of 16 waltzes for piano duets more in the style of Schubert’s dances than in the waltzes of Johann Straus. They were published with two arrangemes for selo piano by Brahms himself: the one dificult and the other simplified for smaller hands. In tis example fom the later, some touches of pedalling wil help to crest a grace! effect. AB 2346 16 LITTLE PIECE in C sharp minor Poco allegro [4=2.192} FRANCK PP delicato ‘Born in Lite of Flemish descent, César Franc (1822-1890) spent most of his fein Paro, where he became distinguished church organist and profes. sor of organ at the Conservatere. Best known asa composer of orchestral and chamber monic, towards the end of his fe he wrate collection of short pieces forthe hirmonium ~ 58 out of 9] (seven for each ofthe chromatic Keys fom C10 C) were completed ~ intended for ute by chatch organsts and published posthumously As this piece shows, they are well suited to the piano: but the ved dotted minims in bb.19 & 23 could be played again. an 2336 7 FOLKSONG GRIEG, Op.73 No.4 Andante pastorale, J. i ¥ —_—=——. mepastoray de = ON, F 7 PB, dint. € poco rit. a tempo — f 6s 2 dolcissimo mana. sompre P_ an P. ‘Norway's most important Romantic composer, Bavard Grieg (1843-1907) was born in Bergen (of Scowish estacton on his athe’ side) and studied ip Leipzig and with Gade in Copenhagen. Influenced by L.M. Lindeman’ histori clleeton of Norwegian folk melodies, Grie’s music Was inspired by the ‘mutica language of his county. This i evident in his orchestral works and more particularly in his many songs and piano pieces, This peal folksong. comes fom Stimmizyan Moods’, the last collection of pizces he composed for che Piano. AB 2346 SONNENSCHEIN IN FLUR UND HAIN (Sunshine in field and grove) F. KIRCHNER, 07.270 No.7 Allegro scherzando (4~ .100] 5 ie x x 4 P | leegiero PL 1 P. P. P. _ rite Kirchner (1840-1907) was bora in Potsdam and studied the piano under Kullak at his famous Academy in Berlin, where later he himself wat ‘0 teach for 35 year, His compositions, which amount to over 1,000 opus numbers, consis mainly of songs and piano pieces, mostly writen with his pupils im mind, This piece comes from an sibum of Tata Shrcher AB 2346 1» TRIO cantabile : ; AB 2346 20 PRELUDE in D minor LYADOV, Op.40 No.3 (ee ee [Anatol Ladov (1855-1914) was boon in St Petersburg into a musical family his father being a conductor atthe Maryinsky Theatre. He studied under Rimsky-Korstkov atthe Conservatory and was temporarily expelled because of absentee. Hig idleness, coupled with severe slf-cricism, prevented him from writing any large-scale works, bu he was highl) regarded asa teacher. He wrote many short imaginative piano pieces In this prelude, the slurs in bb F-14 replace long phease marks; his MM (d= 12) has been accelerated; and the pedalling i eitril, AB 2346 a LIED (Song) H. HOFMANN, Op.85 No.2 Andante (= ¢88) — A A pA rt a v Born in Bein, Henrich Hota (1842-1002) wa eke chriser i the Cathedral chsi and ne sie he plano at KBAR’ Academy fer tac nd laying the pn for sera ers oa a ring he deoved ie ese hs eto compose tat the popularity af hs ochesoal work ‘St atthe Eonar. Tay be steer kno for hi alee ora for chase oap and Tort in tthe orn an bar of ‘Shc, tn paling ional AB 2346 P Ped. come prima Con sentimento [J=c.31 FIBICH, Op.41 No.54 PP dolcissimo } z Rp Pe. site Bohemian by birth, Zdendk Fibich (1850-1900) spent most of his life in Prague asa private teacher, conductor and choirmaster. Music forthe piano formed by fa the largest part of his composition output. The collection of 376 pieces entitled Mood, Impression: and Remnscance was the product of his lengthy relationship with a gil pupil who later became his mistress. Whenever they met, he would present her with a new piece, the Moods among things depicting her dress. In this piece, the orginal bar-length pedaling has been broken down in places. AB 2345 p “spressivo Bs 2 Pe sd. come prima An 2346 RUSSIAN DANCE Presto ide KARGANOV, 0p.25 No.8 —_ P i 5 c c r V v SS pee Génari Karganov (1858-1890) was bom in Georgia and studied under Reinecke atthe Leipzig Conservatory. In 1879 he settled in Teil, where he taught and wrote music criticism, dying a the early age of 31. Strongly inflvenced by Tehaikowsky and Rimsky-Korsakov, he compored mainly forthe Piano, and most of his works were of an instructional nature I dis piece from his Album for the Youre, one or two minor revisions have been mae to the fnatks of expression and utculation. AB 266 mf marcato i 5 Staccato ji AB 2346 6 PRELUDE in C minor PACHULSKI, Op. No.1 Andante [¢c.58) BP espressivo st A a f Polish bieth, Heneyk Pachulski (1859-1921) studied rst at the Warsaw Conservatory and subsequently at the Moscow Conservatory under [Rubinstein and Arenshy. In 1886 fe was appointed professor of plano at the Moscow Conservatory and neve feturned t0 hit ative country. Greatly influenced by Chopin and later by Tehaikowsl, he composed mostly for the piano ina well structured, highly eomantc vein In this fait eaty prelude, the original pedalling has been amplified ia deta. An 2346 Ped. simile) AB 2346 28 JAGDLIED (Hunting song) MacDOWELL, Op.39 No.1 Allegretto d= 1121 ‘poco marcato lege. poco mars £ 4 ‘poco marc. Born in New York of Irish descent, Edward MacDowell (1860-1908) studied, taught and composed in Europe for 12 years and was deeply influence by German Romantic. He returned tothe USA in T888 and was later acclaimed the greatest musical genius America has produced” Aer becoming the frst professor of music at Columbia Universi he composed litle and died atthe age of 47. Today he is mainly remembered for hs colourful plano lees; his one being the Bist of 12 Studies written shordy before leaving Europe. The pedaling suggestions are editor AB 2346 ovo rit. ra z ~ A pg Nt tempo ten CS Ped. come primal ten. Poco mare. An 2346 30 BERCEUSE (Lullaby) Allegretto doleissimo id J.-<691 MAIKAPAR, Op.8 No.6 2 3 28 Bp sempre ed una corda = —— eo ‘poco erese, =. ‘ — * P. a P P. i Sarrit Maitapar (1867-1938) was born inthe Ulrsine. Aer graduating fom law acho he atended the St Petersburg Cnsersory ad then sade ied the piano with Leschothy in Vienna, Frm 1910 to 1930 he was profesor of piano a the St Petersburg Conserwtory. His compositions are simon ene forthe piano, the most sss Deng nminiatarefrm and writen or chen Jn hs lat fom Neate gnome he gia MM (aid-=) appeats to be somewhat on the fast side AB 2346 AB 2346 2 RECIT NAIF (Simple tale) Andante semplice (4-631 REBIKOV, Op.8 No.15, Pcamabile ed espressivo ‘Vadimie Rebikow (1866-1920) was born in Siberia and studied music in varius cities. He resided for periods in Kiey, Odessa, Kishinev, Berlin, Vienna and Moscow, and died at Yalta. He was a noted writer on music, particularly on opera of which he himself composed ten works, but he is best knovin for his many shor impressionistic piano solos, written fst under the inluence of Tebikovsky bur ater turning against Romanticism as he experimented ‘with the whole-rane scale In this pve rom Reveresd'automne, the pedalling and th spread chords ae etoial. AB 2346 3 alempo Peantabile 2s ed espressivo _— a tempo ral —_—] An 2346 34 ESQUISSE (Sketch) GLIERE, Op.47 No.12 Vivace (Jc. espress, Reinhold Glitre (1875-1956) was born in Kiev and studied at the Moscow Conservatory, where he was later to become professor of compesition, Khachaturian and Prokofiev being two of his many pupils. Besides appearing on the concert platform both as conductor and pianist, he composed # number of orchestral works, inciding seven ballet scores which mark him out as one ofthe founders of Soviet ballet. He also wrote for charsber BFOUPE, for the voice and for the plano. In this sketh, sight revisions have been made tothe dynamics an 2346 38 4 camtab. express. 5 expres. BN AD 2346 37 SCHLUMMERLIED (Lallaby) Einfach, innig [Semplice ed espressivo, d= «.104] ey 2p con Ped.) 5 5 Born in the Styria (Steiermark) district of Austria, Hugo Wolf (1860-1903) leaned the piano and violin fron his father and later studied at the Vienna Conservatory but was dismissed for disciplinary reatons. His comparatively shor life was marked with bouts of acute depression, interspersed with petiods when ¥e composed feverishly. His great musical legacy isa collection of 300 songs which have become an established part ofthe Lieder repertory. He composed few pieces forthe piano, including ths lullaby writen atthe age of 18. The pedalling suggestions are editorial, and further touches may be required ro achieve a lowing legato. AB 2346 38 ritard. a tempo SS ao STUDY in E DUNHILL, Op.74 Bk Ill No.6 Allegretto animato (4.92) BP delicato assai 2S oa 4? 7¢ “Thomas Dunhill (1877-1946 mas born in London and studisd composition under Stanford at the Royal College of Musi, where he was to become a profesor after reaching for ten years at Eton College. He first made his name as a composer of chamber music and later ened his attention to the ftchera with music for two Ballets nd some ight opers, His educational output, parGculaly forthe piano, was extensive, thie study coming fram his sraded series The Wea of Progree. Copyright 1931 by The Associsted Board ofthe Royal Schools of Music ‘AB 2346 AB 2046 40 BUILD A NEST O'NEILL Allegretto con brio |¢.=¢.69) tpi yi 4 i, on schersanio ==" — BF f~ hs 8: = EE

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