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"AFTERLIFE" AVENGED SEVENFOLD

As heard on AVENGED SEVENFOLD ( WARNER BROS.)


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker * Transcribed by Jeff Perrin

Guitars are in drop-D tuning (low to high, D A D G B E).


Bass tuning, low to high: DAD G.

05

Bb5

G5

I 4

Eb5

I I

F5

I I

Ab5

CS

Fast

05

C/E

Bb(#4)

imt,II'"

II

[Al Intro

AIC#

I 4

I 4

,,

.JI

{0 :17)

q = 220

05

Bb5

ES

AS

C/E

flt" fiW7f, fi1 di


II

II

I I

12

Bb5

(string section)
Ctr. 4 (elec. w/dist.)
~
(lpprox. 17 sec.
1 /"""\
/ ~ ,
.,,.. - - ,
~T
~ - ---'--'-----------~~s\.3 -: - - -5 -/-5.\-112
12--->-.--5- -3 - - 5
-i -- - - - - - - - - --#-6',-5 - - -6 + 6-1-113
13 --"-.--6- -5- -6

,.......--.._,.

3-- -5-1-5.\-,,.-<:13
5- - - -6+ 6+-,..--<:15

--

,i-----,.1 3~
5
,, - - - - - , .1sJ.'>...- 6

Gtr. 3 (elec. w/disl.)

~rwo guitar pt,rts t,rr. /<Jr one su,ff. G1r. 4 part orig inally pe,formed <m 8 string (2 nd string).
Gtrs. I a nd 2 (elec. w/dis1.)

..

Rlty. Fig. 1

apvrox. 17 sec.

tlt:====r:."tb&:1..~
~==1t1~~==7:::.~r:::::::j::3
- -+--+---,t---1--+--t-t--!---t---+--lt--+---t-1

ttt::l:111111111111111. . . . . . . . .

**repeat p revious cl,orcl


Bass

Bass Fig . 1

tipprt>x. I 7 set.

Eb5

G5

Y,

.,

\I,

-.. , ,,,.,.--__

~:-':---- ~=t~~

1~

.~ - - - - - - - - - 13
' ~ - - -- - - -- -15

15 Q
17

s\+15\----11
17,l.\.171 -18

end Rhy. Fig. 1

end Bass Fig. I


1-

1-

LJ
05

1- - -1 -

1~

LJ

GS

Bb5

Gtrs. 1 and 2 repeat Rhy. Fig . I (see bar I )

9-

G1r. 4

15- 17- 15

( r epem previous rwo b,1rs)

18 15

15 - 17-,-15 18

15

15- 17- 15

18

2
~

20 -22:-,
--20

20 - 22 - 20 18

LJ I

Gtr. 3

12 - 13- 12- 10- - - -12- 13,


10

12- 10- - - - 1 2 - 13- 12- 10-,-12 - 13- 12 - 10- - - -12- 13,


10
11

Bass repeat.1' Bass Fig. 1 s imile (see bar 1)

12- 10- - - -12- 13- 12- 10,


11

11- 18- 17- 15- - - -11- 18-,


15

( C) 200 7 EM I APRIL M USIC INC . ANO l)A R KNESS COATS US P UULISH I NG.
AL L RlCHTS C ONTROLLED ANO ADM IN ISTERED BY EMI AP R IL MU SIC I NC.
AL L R I GHTS R ES ERVED. IN TE RNATI O NAL COPYR IGHT S &CU RE O. USED UY P ER M ISSION.

''AFTERLIFE"
Half-time

Eb5
14

20 - 18- -20 - 22 - 20 - 18,- ,20 - 22 - 20- 18~


20

20- 22- ,20 - 18 ~

18-

II

,,,

"

->-17- 15-

P.M. ,

"'.""' Gtr.2
. 20)
"
II

J = llO

DS

s - 8- s - -s - 8- s - - o- o -o- -s - s - s - - - ; - #
6
I 1 I J b:LJo- L___]
I I I 16

I I

15

17- 18- 17- 15- ,17- 18- 17- 15-16

17- 18-y-17- 15-

- 15- 17~~
16

::
II

""

[ID Verses (0:39. 1:44)


I. Like

walking
into
2. Place of hope

a
andno

dream
pain

so
unlike what you've seen
Perfect skies with no rain

DS
Gtrs.

18 Cir. 2 P.M . ,

Can

FS

Ab5

GS

I and 2

-- ---- ----- - - ----,

P.M ...... . .,

* . . ................. . .. ..... .. .,

P.M . ............ ..,

6
*Notes are quietly doubled by Grr. 3, one ocrave ( 12 frers) higher.

Bass

Bass Fig. 2 --- - - ----- - -,

So
leave

unsure
this place

but it
seems!
but refrain

'cause we've

been

DS

waiting

for

FS

you

GS

Ab5

GS

Ab5

Gtrs. I and 2

21

................................. ...... .... ........ .,

P.M. ------ ----,

* --- .................... .. -- - .. -- - - -- - .. .... .,

P.M. .. . . .... .. ,

Bass plays Bass Fig. 2 twice (see bar 19)

Fallen

into

this

place

just

giving

you

small

05

taste

FS

c,rs. l and 2

23

* ..... .................... '

of

your aflerme here so

P.M. - - - '

stay

--- - --- - - ------------ -------.,

You'll

05

P.M. ........ ... ... .. .,

be back here soon anyway


FS
GS

Ab5

GS

C1rs. I and 2

25

P.M. --,

* ------ ---------------- ,

P.M ...... . .. .,

6-: 6- -

5 -1-5-\---3
5-+5+--3

l___..d
Bass

FS

L.J

''AFTERLIFE"
~ Pre-chorus (0:58, 2:02)

J 220
see
peace on

Original Tempo

I
This
N.C.(05)

distant
Earth's

light
right

not

(with my back

against

cs

28 G1r. 2

but
No

the wall)

girl
pain

this
or

(D5)

t------------1----------+-5
--~~-,~t------------1-----------1-3--+~---1-1--

9 - -9-10m 0 10- 12
X- -X- X
X- X- -+-- - - - - - - - - 1
7- -7- 8 8 8- 10........- 1 - - - -- - - - -- 1

Bas~

can't
sign

be
of

right
time

(I'm

33

much too

Such
So

young to fall)

cs

(D5)

Ctr. 1 plays Rlty. Fill 1 second rime (see bar 38)

Ctr.;. I and2

a
out

surreal
of

place

don't

1212- 14a 4 14- 15


X- -X- X
X- X--+- - - - - - - - - - 1 - - - - - - - - - - - l
1010- 12 1 12- 13........-1-- - - - - - - - - - 1 - - - - - - - - - - 1

1 - - - -- - - - - - - - 1 -5 - ~ '----,...._~
1 - - - - - - - - - - - - + -3- - + - - - - ! - I - -

0 - 8 - 0- 0- 1 - 8 - 1 - 5.~ -1---+--->-<1--+--+-~+---1--<--+--1--+- < - - ~,o - o- 8- o- 1 - o - o- 10

o- 8- o - o- 7- 8- 7- 5

I I I I I I I I

I I I I I I I I

see

I I I I I I I I

so
I

did
wrong

how
feel

this
and

come
that's

cs

38 Rhy. l'ill J___________________________________________ ,

Im

to
my

be
sign

Arrived
I've

made

too
up

And
Give

cs

Bb5

when
me

think
hand

your

of
but

all
the
realize

FS

DS

places
I
just

BbS

P.M. _,

P.M .... - .. ,

43

NC#

P.M. _,

just
wanna

don't
say

cs

P.M. ______ ,

belong
goodbye
C/E

P.M.,

P.M . ..

end Bass Fig. 3

Bass Fig. 3

4 - 4- 4- 4- 4- 4- 4- 4 -H-- - - - - - - - -'---1--+-1-1-+--1--1--1-~,0 - -0- 0- 0 - 0 - 0

I
I've
Please

come
to
understand

grips

with
I

--------~
3- 3- 3- -3- 3- 3---'-+---+--+--l-l--i----'-;l--+-+---+--+--t---'

U
life
have

and
to

realize
leave

FS

DS
Gu-s. I and2
P.M. _____ ____ ,

I
and

o-

o-

o-

LJLJ

this
carry

BbS

P.M. _,

P.M. _________ ,

P.M. ,

1--------------1--------- -~3
O
o - - - + - - - -3
3..-=--+-1- -1o- -o-

early
my

(1 :15,2:20)

mind

48

place to
wanna
stay

3-

3-

3- -3-

LJI

3-

3-

is

going
on

cs

too
own
C/E

P.M. _,

P.M._,

my

far
life

3- - -1-- - - - - - - - -

1- 1- 1- 1- - - + 0 -'-+----+--t--1--I--+----''-+---!--+---+--+-+---"

Jiii

Bass repeats Bass Fig. 3 (see bar44)

"AFTERLIFE"
J = 110

Half-tim e

Eb5

- -

05

I
~ "':""'" Gtr. 2
20- 22-,-20- 182()18- - 20)
II
"

~14 ,20 - 18 - -202220- 18,-,-202220


- - 18 ~
20

""
"

P.M. ,

5- B- 5 - -5- B- 5 - -o I
I I
s- o-

oo- -5 - 8- 5~ - F t : J
L Jo
I I I 16

I I

>--17 - 15 - -17- 18- 17- 15-,-17- 18- 17- 15- -17- 18 -,-17- 15- -15- 17{ 1 ~
15
16
16

[!!] V er ses
I. Like

(0:39. 1:44)

walking
into
2. Place of hope

a
andno

dream
pain

so
unlike what you've seen
Perfect skies with no rain

F5

05
Gtrs. I and 2
---- --- - -- --- -- --,

18 G1r. 2 P.M. ,

P.M .. .. . . .. . ..

..................... ... . _ ___ "'

Can

Ab5

G5

P.M . . . . .. .,

6
*Notes are quietly doubled IJy Ctr. 3. one oc:t<1ve ( /2 fre1s) higher.

Bass

Bass Fig. 2 - - --- - - ,

So
leave

unsure
this place

but it
seems
but refrain

'cause we've

been

waiting

for

F5

05

you

GS

Ab5

GS

Ab5

Gtrs. I and2

21

* ............................................... .,

P.M. ----- - ---,

6
Bass plays Bass Fig. 2 twice (see bar 19)

Fallen

into

this

-- -------- ------------------ -.

P.M . ........ . ..... ,

place

just

giving

you

small

taste

F5

05
G1rs. J and 2

23

- --- ,

of

your afterlifehere so

P.M. ,

stay

* ------ ----- ----------- -- ----"'

You'll

P.M. ........... .. .. .. ,

be back here soon anyway

F5

05

G5

Ab5

G5

F5

Gtrs. I and 2

25

. -....... ...... ... . ,

P.M.. ...... ,

_.. .. . . . .. .. . . .... .. ... . ...... ....

P.M . ............... .,

s: - 5-+5 +--3
6- -5-+5 -l--3

L__d
Bass

L__J

''AFTERLIFE"
[f] Pre-chorus

(0:58. 2:02)
Original Tempo J = 220
I
s~
a
This peace on
N.C.(05)

distant
Earth's

light
right

not

(with my back

against

but
No

the wall)

girl
pain

this
or

(05)

C5

28 Cir. 2
9
9- 10
x----xxm 0 10x- 12'"::::=1:================~
x7- -7- 8 8 8- 10"-<--+- - - - - - - - - I

1 - - - - -- - - - - - - 1 - - - - - - - - -- -1-s.- --''--- ,__~


1 - - - - - - - -- - - - 1 - - - - - - - - - --1-3- --+-----'I--I--

can't
sign

be
of

right
time

(I'm

33

much too

Such
So

young to fall)

C5

(05)

Ctr. I plays Rily. Fill I second time (see bar 38)

Gtrs. land 2

a
out

surreal
of

place

don't

place to
wanna
stay

1212- 14a414- 15
X- -X- X
X- X- - - + - - - - - - - - - - 1 - -- - -- - - - ~
1 - -- - - - - - - --1-3 - - - + ---<I-->1010- 12 1 12- 13"-s--+-- - - - - - - - - 1 - - - -- - -- - - l
l - - -- - - - - - - - - ' - l - - -- ! - --+--+-- + - - ' - 1 - - - - - - - ---'-0- 7- 8- 0- 7- 0- 0- 10
0- 8- 0- 0 - 7 - 8 - 7- 5

1 - - - - - - - - - ----+-s ---.o--- +

I I I I I I I I

see

,~1

how

so
I

did
wrong

this
and

come
that's
Bb5

C5

to
my

be
sign

Arrived
I've

I I I I I I I I

made
C5

too
up

early
my

AIC#

38 Rhy. Fill'--. - ---,

Im

(1:15, 2:20)

And
Give

mind

when
me

think
hand
F5

your

05

P.M. ,

P.M ....... ,

43

of
but

all
the
realize

just

places
I
just
Bb5

P.M. ,

wanna

don't
say
C5
P.M. ,

P.M. ...... ,

4- 4- 4- 4- 4 - 4 - 4 - 4,- l + - - - -- --

---1
- --3
-3 --3-- 3- 3 - ----13:---'-+---+---+--<l--_ _ __.__ _ _ __..._,__,_

LJ I
come
to
understand

grips

with
I

life
have

__J

LJ I

and
to

realize
leave

F5

05

P.M.,

end Bass Fig. 3

Bass Fig. 3

I've
Please

belong
goodbye
C/E

and

this
carry

Bb5

is

going
on
C5

my

too
own
C/E

far
life

Gtrs. l and 2
P.M ......... ,

48

00- -0-

0-

0-

0-

LJLJ

P.M. _"

P.M . ,

- -3- -33o01- - - <3-

LJ

3-

3-

P.M ..... - ,

P.M . ,

P.M. ,

3J -=--1- o,-.._.__ _ __,_ _,__.,.._..,__ _.._.____,,___.__ __,__,__-1-----"

1 !11

/Ja ss repear., Bass Fig. 3 (see bar 44)

'~TERLIFE"
~ Chorus

(1:24, 2:28, 4:54)

Half-time

J = 110
I

don't belong

here

F5

we gotta

move on

dear

C5

escape

from

this

afterlife

Bb5

D5

G 1rs. I aod 2

52 Rily. Fig. 2

Bass

S11bs1i1111e Bass Fig. 4 simile a11 3rd Chorr,s (see bar 6 1)

11.

110 bc,ck 10 [ill 211d Verse

211d rmd Jrd times, skip ahead 10 bar 61

'cause this time I'm right

to move

cs

F5

on
D5

and on

far

away

from here

Bb5

Bb(#4)
end Rily. Fig. 2
>

2 .. 3.

Got nothing

against

you

and surely

I'll

miss

cs

FS

you

this place

D5

full

of

peace

BbS

G1rs. I a11d 2 play Rhy. Fig. 2 (S<'C bar 52)


Ba.ss
Bass Fig. 4
* - ..... - .......... .. - .. - - . - - - - .. - - - - - - - - - - - ,

61

*Suh:'ltiture 1101e .' i in port mhesis on 3rd Chorus.

3rd Chorus, skip ahead 10 ) Owro

and light

And I'd hope

you might

take me

cs

F5

back inside

when

DS

Bb5

the time

is

right

e11d Bass Fig. 4

65

>

>

>

3-3-3-3-3-3-3-2~t~~~~~~~~~~~~~--t~~~~~~~~~~-~~~
-+~~~~~~~~~~~~~--t

1==

IIIIIIII

3-

3-

3-

3-

3-

1-

3,,...-<f-5-

5-

5- - - -s 0

5=--=i-1-

1-

1-

1-

I.

(3:05)

D5

Bb5

G5

Eb5

P.M._ ,

P.M . _,

P.M. _,

P.M . .. ,

Gtrs. I and 2

69

0- 0- 0
0- 0- 0
*repeat pretim,s bent

1-

1-

1-

1- j

I I I I I I I 11 I I ,-u I ~ I I I I I I I
[] Interlude

Bb(#4)

3-

3- 3- 3

1- 1- 1

bLJ

5- 5- 5
5- 5- 5

1-1 - 1
1- 1- 1

bU

bLJ

Ba:.s

0- 0- 0

1- 1- 1~ :l

bLJ

5 - 5- 5

bLJ

1- 1- 1

bLJ

''AFTERLIFE"
2.

IQ] Bridge (3:23)


w/half-time feel
(1.) Loved ones
(2.) Give
me
(Ooh I

BbS

AS

74 P.M. ,

back
am

DS

home all
cryin' 'cause they're already missing
me
chance to
be
that
person I wanna
be
unbroken
I'm choking

on

Bb5

BbS

GS

P.M._,

this ecstasy)

AS

Bass Fig. 5 (play simile on repeat)

end Bass Fig. 5

~ - - -~ '--- ----''--- 1----- - - - - - - - + -1- - -1- 1- 1- 1- o-- --+- - -- - - - ----11 - - - - - -- -- - ~


8- 8- 8- - -7- 7- 7- - ~~ o- - - 0- 0- 2- 2- 31-'4-----+-1---+--+---+--'-S-" - - 5- 5- 5- 3- 5
8-,410- 8- 7- 7- 7- 7

bU

bU

pray by the
Oh
Lord I'll
(Unbreak
me

D5

V I I I I

grace of
God that there's somebody listening
try so
hard but you gotta let go
of me
unchain
me
I
need another
Bb5
G5

V I I I !

LJ

[HJ Guitar Solo


chance to live)

BbS

(3:58)

J = 220

Original Tempo

A5

I I I

DS
Gtrs. I and 2 playjirst six bars
of Rhy . Fig. J (see bar 1)
Ctr. 3

79 Gtr,. I and 2

Bass repeats Bass Fig. 5 simile (see bar 75)

Bass play.< first six bars of Bass Fig.


(see bar I )

BbS

G5

P.M. ,

P.M . .,

Bb5

.-Yi

A5

G tr.3

~ 1~
- s .:..:~
8- 6- 5==i8s=: s:=
:::~:==:~;:=-------~~'i:=i3-::i:::::;;:;~ : ::::'.'.'.:::=~=;::::::~ ~~ :":::3
; :::~22:=:::;;;;;;;;;;;:::;::::::::2z::'.~:'.:~::i:
l--+-- -l--1--+--+--1--+--r--..-- -..-=::::::::- ~1-3--,1r0_ 1~1-~
13_1+-'>-1---,3~~--_-_-_-_-_-__,_5_ ~3--------,,.
_ ----,r
8"-<-_,5_--,-_.,__4_ 2_ 3, _ __ 3__4_i-H
-II

LJ

~
l --~j

J. ___=LJ

Gtr-s. I and 2

Rhy. Fill 2 .. . .. ................. . ... ...... - .. - --- . - - - -- .... ....... ,


II
I

II

>--8- - -- - - - 1 - -- +-- - + - - -- + - - - + - - - -- -+--

7- --+- - - l - - - -+----l-----+- - - l - - - - -- - ~11

,__j

'~~_.__
1 ~ 1.____,I

Bass

Bass Fill J . . .. ..... .. _. ___ .. __ . . . . .... _.... _... __ . __ . . __ . __ . _. _.. _. . . _ ,


II
II

ill

8- - - -- -8- - -8- -(8) - - -8- -8- -- - - - ' - -7- -- 7- -- 1- - -1- -- 1- -- 1- - -1- ----__,,II

L__J

(406)

D5

Bb5

Gtrs. 1 a11d 2 play first six btirs of Rhy. Fig. I (see bar I )
Ctr. 4

91

!..

...

,,,, - - .........--....

.-

~~~~~:::::(:~~~~g

1 2\ -5- -3- -5
13>--6- -5- -6

Gtr. 3
*Two g uitar parts arr. for one srub:

Bass playsjirst six bars of Bass Fig. I (see bar I J

'~TERLIFE"
GS

BbS

AS

Grrs. I and 2 pliiJ Rhy. Fill 2 simile (see bar 89)


I
Vz

~
1~

grad. bend

15 - 151 -15-+15\ -11


11::e:l~!----17-\-17!----18

Bass play., /Jass Fill/ (see bar 89)

Q] (4:15)
DS
99

Bb5

Gtr. 3

17 16 15-

18

15 16 17 16 15 -

18

15 16 17 16 13

15
12- 15

12

==bd 1 I
5

14

15

13- 16- 17- -(17) - (17)~

LL l.l
3

. . .

=u

LJ

. .

3
1

' -0

'-l.J

13 12 10 10 10 12 13 13 12 10- -10 13 10_"'i',1


11
11

' - 3 --'

G,rs. I :ind 2
Rhy. Fi;;. 3

LJ

LJ

Bass

Bass Fig. 6

..,
~

o - -0 - -0 -

- 0 - -o - -o -

1- -1- -1-

- o - -o

- 1- -1- -1- -1-

- 1~

I
GS

102
>--- 12- -12
13

10

10- 12- 13- -(13) - (13) '<,-18- 17 - 16- 15- 16- 17- 18- 17- 16- 16'13\ 10- 10

11

- 13~

UJ
LC
J
3
-

3
1

1- -1 -

l- J -'

I I I

. .

LJ

- 1- -1- -1- -1-

1-

LJ

15

LJ LL

I::...

. .

LJ

o
5- -5- -5- -5- -5- -5-

- 5 - -5

BbS
105

16

17

LJ
-

15 15 17- 18:....__(18) ~

13- 10- 10

AS

18- 17- 15- -15 - 17- 18 17 15 13- 13- 10


18
11

I
3

10- -10
12

LJ...J

11

10 T 13 =--"""23,.,._13- 12

10

-=--

9,.L-14

14- 15- 17- 18

16- 17- 187"'-i

3
end Rhy. Fig. 3

' - - -8
' - - -8

7
7

I
end Bass Fig. 6

' - - - - -8

--- 8- --

8 - - -8 - - -8

---8

8 _ _8, _ L 7 -

7 - -7 -

7 - -7 -

I...._ ___.1
' -_.....1_ _1

7 - -7 _ _7, _ _ _ J

'~TERLIFE"
GS

05
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