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Olhares

sobre a
cibercultura
Organizao

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1 edio

Florianpolis
CCE/UFSC
2012

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O45 Olhares sobre a cibercultura / organizao Jean Segata, Maria Elisa Mximo,
Maria Jos Baldessar. 1. ed. Florianpolis : CCE/UFSC, 2012.
154 p. : il.
ISBN: 978-85-60522-78-1
Inclui Referncias
1. Cibercultura. 2. Tecnologia e civilizao. 3. Cultura e tecnologia.
4. Sociedade da informao. 5. Ciberespao Aspectos sociais. 6. Mdia
Digital. I. Segata, Jean. II. Mximo, Maria Elisa. III. Baldessar, Maria
Jos.
CDU: 007

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Olhares sobre a cibercultura

Sumrio
Entre o pblico e o privado:
Questes sobre autoria a partir da internet
L:>F5Q3>:3&F5&=56;6&@34<:>6&":1Q3

15

O BlogEbook Grtis como ferramenta


para o download de e-books

25

O fake e o Twitter: Identidade e estigma no movimento

39

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IW><:3&":1Q3&F3&I7>95:JK7

social da hashtag #ForaMicarla em Natal-RN


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Breves apontamentos e contribuies tericas de


McLuhan para o estudo de vlogs

53

A transparncia pblica na era digital

69

Comunicao e violncia silenciosa:

83

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Relaes de dominao espelhadas na produo


miditica das organizaes empresariais na cibercultura
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A Cibercultura como campo de conhecimento:


Constituio a partir do campo da Comunicao
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95

103

Um estudo sobre a interface em sites catlicos


@7:6E6&"834F517<<7

117

Jogos digitais:
Motivao para a aprendizagem contepornea
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Implicaes do status de nativos digitais para


a relao entre geraes (professor e aluno)
no contexto escolar

129

Imagens nas redes sociais mveis:

139

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Mdias locativas e memrias coletivas sobre lugares


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R384:513&F3&":1Q3&r3?7

Olhares sobre a cibercultura

Entre o pblico e o privado

15

Questes sobre autoria a partir da internet


Lindevania de Jesus Martins Silva

A".:12

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Olhares sobre a cibercultura

16
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Olhares sobre a cibercultura

18
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1
2

Disponvel em: http://www.trezentos.blog.br/?page_id=2. Acessado em: 20.07.2011.


Disponvel em: http://baixacultura.org/baixacultura/. Acessado em 20.07.2011.

21
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24

O BlogEbook Grtis como ferramenta


para download de e-books

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Gustavo Guilherme da Matta Caetano Lopes


Cntia Silva da Conceio

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Olhares sobre a cibercultura

38

O fake e o Twitter

39

Identidade e estigma no movimento social


da hashtag #ForaMicarla em Natal-RN
Raquel Souza

A".:12

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40
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1
O Twitter - www.twitter.com - uma plataforma onde os usurios podem postar mensagens de
at 140 caracteres para uma rede de seguidores (followers). Alm disso, a comunicao pode ocorrer de duas
formas: atravs dos Replies (forma pblica) e das Messages (forma privada).
2
A hashtag no Twitter este smbolo # seguido de uma palavra ou frase. usada pelos cibernautas como forma de marcar assuntos na plataforma.
3
Tendo o Twitter como uma rede social total, podemos encontrar vrios pontos em que esta rede
fica mais densa, entendida como redes parciais desta rede total. Densidade seria, dentro dos apontamentos
de Barnes (1987, p.167-174), a extenso das relaes que determinados indivduos mantm. Estas relaes
quanto mais aproximadas em torno de determinados contedos so denominadas de mais densas que outras.
No caso deste trabalho, percebemos que a interao online em torno do tema #ForaMicarla por um grupo
especfico e organizado pode ser entendido como um ponto de adensamento dentro da rede total.

41
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Olhares sobre a cibercultura

42
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4
A matria pode ser acessada em: http://www.nominuto.com/noticias/politica/protesto-contramicarla-e-um-dos-assuntos-mais-comentados-no-twitter/67615/print/.
5
http://www.tribunadonorte.com.br/noticia/estudantes-protestam-contra-aumento-de-tarifa/165495.
6
No Twitter, a ao de bloquear um usurio feita por meio do boto block. O twitteiro realiza
este ato quando ele no quer que uma pessoa leia as suas postagens. Assim, a nica forma de banir o usurio
de sua lista de seguidores bloqueando-o. Desta maneira, o ato de bloquear significa que a pessoa que recebeu o block no aparece mais na lista de contatos do usurio. Outros impedimentos: as atualizaes no
podem ser vistas pelo bloqueado e a pessoa que recebeu o block fica impedida de adicionar o twitteiro que
te bloqueou.

43
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7
No Twitter, existem os followers, usurios que recebem diariamente postagem que voc posta, e
os following, twitteiros que voc segue, e assim recebe informaes destes.
8
a ao de repassar informaes de uma pessoa que voc segue para os seus seguidores.

Olhares sobre a cibercultura

46
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Olhares sobre a cibercultura

50
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Olhares sobre a cibercultura

52

Breves apontamentos e
contribuies tericas de McLuhan
para o estudo dos vlogs

53

Fausto Amaro

A".:12

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Olhares sobre a cibercultura

54
J$(*25:<=2

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!"#$%&'()'I1=-&%&8"?1'+.8%+'?,1#`'?"0+1,1#'+'?"0+14,1#<'!1.8+)'*D"88+%'a+..
1
Entendido aqui no como a ferramenta apenas, mas como o contedo produzido e veiculado
nele.
2
Oliveira (2009), de forma similar, chama os vlogs de videobiografias.
3
Ver: <http://www.neoformix.com/Projects/TwitterVenn/view.php?q=vlog,+videolog,+videobl
og>. Acesso em: 08 jun. 2011. Em tempo, a descoberta desse site foi feita por meio da Revista Info, n. 304, p.
120, Jun. 2011.
4
Os termos videografia e videobiografia no foram includos nesse grfico por no apresentarem
nmero suficiente de menes, quando comparados aos outros trs (vlog, videolog e videoblog).
5
Em dados momentos, para evitar a repetio exaustiva do termo, optarei pelos seus sinnimos.

55
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>259:D5><7&F5&X3F4f56&>56656&X47F;<76&9;1<;43:6)P&0&X4565><5&34<:?7&56<B&F:Q:F:F7&
6
Por exemplo, os Vagazoides, onde dois adolescentes opinam sobre os mais variados temas, principalmente aqueles que afligem a juventude atual (em 2011, um dos vlogueiros deixou o canal, que passou
ento a se chamar Vagazoide); e o Nerd Office, dos mesmos criadores do site Jovem Nerd, Deive Pazos e
Alexandre Ottoni.
7
GROSSMAN, Lev. Times person of the year: you. In: Time, v.168, n.26, 25 dez. 2006.
8
Marshall McLuhan, citado no documentrio McLuhans Wake, j salientava que o truque para
entender os novos meios tecno-informacionais reconhecer o padro [desse novo meio], antes de ele estar

Olhares sobre a cibercultura

56
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D5><7&5&Q:6;31:M3JK7&F76&Q17?6e&5>H793>F7&6;3&2:6<S4:3&5&36&D7<:Q3Jf56&:>:9:3:6&F76&
94:3F7456&F5665&6:<5P&AD&65?;:F3e&5CX7>27&3&X47X76<3&F5&t817?&97D&QWF576u&F5&@34:3&
#5<2o>:3&X343&45H15<:4&65&76&Q17?6&X7F5D&<3D8ED&654&97>6:F543F76&D5:76&F5&97D;*
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&$0"^./"&'/1=$=`'+='=",:_+9<'!1.8+)'b2VK3'h"+,9+.'V.,".+
completo.
9
Fonte: <http://www.alexa.com/siteinfo/youtube.com>. Acesso em: 08 jun. 2011

57
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10
Segundo dados da Telebrasil (Associao Brasileira de Telecomunicaes), os acessos banda
larga (fixa e mvel) totalizaram 34,2 milhes em 2010 (<http://www.telebrasil.org.br/artigos/outros_artigos
.asp?m=1068>). No obstante, apenas 47% dos municpios brasileiros dispe desse servio, segundo dados
de abril de 2010 do Ipea (Instituto de Pesquisa Econmica Aplicada - <http://www.ipea.gov.br/portal/images/
stories/PDFs/comunicado/100426_comunicadoipea46.pdf>)
11
Pesquisa The World in 2010 realizada pela ITU-D.

Olhares sobre a cibercultura

58
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12
Dados extrados do prprio Youtube. Fonte: <http://www.youtube.com/t/press_timeline>. Acesso
em: 23 mar. 2011
13
Todos aqueles que no so produzidos por empresas de mdia tradicional.
14
Uma das categorias que medem a popularidade de um vdeo no Youtube.
15
Os produtores de vdeo, como ttica de divulgao, visitam os canais do Youtube de outros
usurios esperando uma retribuio dessa visita e, consequentemente, angariando mais visualizaes para o
seu prprio canal.

59
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16
GITELMAN, Lisa. Always Already New. Media, History, and the Data of Culture. Massachusetts:
The MIT Press, 2008.
17
MIRANDA, Andr; VENTURA, Mauro. O valor da cultura na internet em discusso. O Globo,
Rio de Janeiro, 20 mar. 2011. Segundo Caderno, p. 10.
18
Essa mesma notcia repercutiu tambm em outras matrias do prprio jornal O Globo, bem
como em outros jornais, sites e revistas brasileiros.
19
Fonte:<http://www.ibope.com.br/calandraWeb/servlet/CalandraRedirect?temp=6&proj=PortalIB
OPE&pub= T&nome=home_materia&db=caldb&docid=EA0526673CE1740D832578570054B23B>. Acesso
em: 05 maio 2011.

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20
Ver: < http://mediatedcultures.net/>.
21
WOLF, Gary. The Wisdom of Saint Marshall, the Holy Fool. Wired, Jan. 1996. Disponvel em:
<http://www.wired.com/wired/archive//4.01/saint.marshal.html?person=marshall_McLuhan&topic_
set=wiredpeople>. Acesso em: 06 maio 2011.
22
MACHADO, Andr. a tecnologia, estpido! O Globo, Rio de Janeiro, 23 maio 2011. Caderno
Digital & Mdia, p. 19.

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23
AFFARO, Victor. Supercomputadores. As mquinas comeam a pensar. Revista Galileu, So
Paulo, n. 238, p. 42-51, maio 2011.
24
Estes autores tm isto de particular: no so apenas os autores de suas obras, dos seus livros.
Produziram alguma coisa mais: a possibilidade e a regra de formao de outros textos (FOUCAULT, 1992,
p.58).

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25
WOODS, Richard. The next step in brain evolution. In: The Sunday Times. Londres: 9 jul. 2006.
26
Segundo Willians (1977, p.133), The idea of a structure of feeling can be specificaly related to the
evidence of forms and conventions - semantic figures - which, in art and literature, are often among the very
first indications that such a new structure is forming.
27
MERIGO, Carlos. H 35 anos, Sam Menkle comeou o primeiro videolog do mundo. Brainstorm9, maio 2011. Disponvel em: <http://www.brainstorm9.com.br/web-video/ha-35-anos-sam-menklecomecou-o-primeiro-videolog-do-mundo/>. Acesso em: 16 maio 2011.
28
Disponvel em: <http://www.youtube.com/watch?feature=player_embedded&v=K2xTBHyfOks>.
Acesso em: 16 maio 2011.

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29
Eleito pela revista Times 2011.
30
POLONI, Gustavo; MAIA, Felipe; CAPUTO, Victor. O Imprio Nerd contra ataca. Revista Info,
n. 303, p.46-55, maio 2011.
31
No Youtube, o primeiro vdeo do canal foi subido ao site em 23 de dezembro de 2006.
32
Entendido aqui como a palavra, o gesto, a expresso, o tom da voz.

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33
Existem, claro, casos de vlogs, criados e apresentados por mais de uma pessoa. Entretanto, o
vlog de carter autobiogrfico pressupe a presena de apenas uma pessoa.
34
Para um histrico dos dirios ntimos, de sua origem at os blogs atuais, ver: SCHITTINE, Denise. Blog: comunicao e escrita ntima na internet. Rio de Janeiro: Civilizao Brasileira, 2004.
35
Em 2010, Simone Pereira de S e Ariane Holzbach produziram um artigo que tem como objeto
um evento transmitido ao vivo pelo Youtube e com cobertura simultnea pelo Twitter.

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A transparncia pblica
na era digital

69

Luis Eduardo Tavares


Natasha Bachini Pereira

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1
Long Live the Web: A Call for Open Standards and Neutrality: http://bit.ly/aUB28Z Acesso em
01/03/2011.
2
Baseado em OReilly, Tim (2005), O que Web 2.0: Padres de design e modelos de negcios
para a nova gerao de software: http://bit.ly/ih2GKW. Acesso em 02/03/2011.

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3
Da Wikipdia: Um mashup um website ou uma aplicao web que usa contedo de mais de
uma fonte para criar um novo servio completo. Acesso em 02/03/2011.
4
The Rise of Crowdsourcing. Wired Magazine, junho de 2006: http://bit.ly/BHpY. Acesso em
29/04/2011.
5
A Inteligncia Est na Rede. Revista Veja, 13/04/2011: http://bit.ly/gUIVpT. Acesso em
01/05/2011.

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8
9
10

Open Government Directive: http://1.usa.gov/arNG2A. Acesso em 04/04/2011.


http://www.transparency.org
Estatuto da ONG: http://www.transparencia.org.br/index.html Acesso em: 05/07/2011

Olhares sobre a cibercultura

78
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XY81:936&5&X513&:DX45>63&67845&76&>76676&X71W<:976P&A6<36&:>H74D3Jf56&6K7&F:6X7>:*
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11

http://www.transparencia.org

79
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Olhares sobre a cibercultura

80
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L-#'#1"$(2.K&>X&c<:1:M3>F7&F3F76&F7&IRA&"\&l&I5><47&F5&R545>9:3D5><7&F5&
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313?3D5><76&5D&"K7&\3;17&X343&97><4:8;:4&97D&7&5><5>F:D5><7&67845&7&<5D3&5&X343&
3&97>69:5><:M3JK7&F3&:DX74<o>9:3&F3&<43>6X34Z>9:3&F5&F3F76&XY81:976P
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D3:6&97DX455>6:Q76&X513&97D;>:F3F5&5D&?5431e&97D&8365&>76&F3F76&F:6X7>WQ5:6&>3&
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?5D&];4WF:93&D3:6&39566WQ51&37&9:F3FK7e&X74&D5:7&F3&t<43F;JK7u&97138743<:Q3&F5&F7*
9;D5><76&F3&15?:613JK7&8436:15:43&X343&;D&Q7938;1B4:7&D3:6&X4SC:D7&37&F3&97D;>:*
93JK7&97<:F:3>3P&N&:F5:3&E&t15:?31:M34u&7&97>259:D5><7&];4WF:97P
12
http://eleicoes.mamulti.com/. Acesso em 03/03/2011.
13
Ver http://blog.esfera.mobi/moderacao-colaborativa-para-o-clone-do-blog-do-planalto/. Acesso
em 03/03/2011.
14
http://eleicoes.mamulti.com/

81
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Relaes de dominao espelhadas na


produo miditica das
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1
Para Castoriadis, as instituies sociais so arranjos econmico-funcionais e simblicos
necessrios para organizar e dar sentido existncia do humano em uma determinada sociedade. A instituio, nessas condies, uma rede simblica, socialmente sancionada, onde se combinam em propores e
em relaes variveis um componente funcional e um componente imaginrio (ibid., p. 159).

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95

Constituio a partir do
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Maria Cristina Palhares Valencia

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1
Bourdieu, 1983.
2
O termo Cibercultura aparece em maior parte do artigo com a inicial em caixa-alta para diferenci-lo como campo do conhecimento e no como disciplina.

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3

http://www.capes.gov.br/servicos/banco-de-teses

Olhares sobre a cibercultura

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4
http://www.compos.org.br/
http://www.portalintercom.org.br/
http://abciber.org/index1024.html

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O termo segue as consideraes apontadas por alguns tericos de que o campo da Comunicao
de carter transdisciplinar, multidisciplinar e interdisciplinar. O que demonstra a complexidade tericoepistemolgica deste campo do conhecimento. Neste contexto, aparece como uma sugesto para tentativa de
mesclar os trs conceitos.

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Um estudo sobre interface
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1
Por sagrado, entendemos aquilo que costuma se chamar por Deus, a dimenso da transcendncia, o totalmente Outro, enfim, o mistrio divino.
2
Conforme Martelli (1995, ), a experincia religiosa pode ser definida como uma relao interior
com a realidade transcendente. Boff (2002, p.39) afirma que experincia a cincia ou o conhecimento que
o ser humano adquire quando sai de si mesmo (ex) e procura compreender um objeto por todos os lados
(peri), objeto que, na experincia religiosa, o sagrado, Deus ou a prpria religio.
3
Entendemos por sistema um complexo de elementos em interao (BERTALANFFY, 1977,
p.84). Aqui, ao usar o conceito, referimo-nos ao sistema comunicacional dos sites catlicos analisados,
ou seja, ao conjunto de elementos comunicacionais e religiosos que interagem no interior das pginas
eletrnicas das instituies, elementos esses que, como afirma o autor, diferem em nmero, em espcie e em
relaes.

105
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4
Disponvel em www.a12.com. O site A12 a pgina oficial do Santurio Nacional de Nossa
Senhora da Conceio Aparecida, localizado na cidade de Aparecida, So Paulo. Segundo dados oficiais
disponveis no site, o portal A12 possui mais de mais de 3 milhes de pageviews por ms e recebe 21.530
visitantes nicos por dia.
5
Disponvel em www.catolicanet.com. O CatolicaNet uma associao privada de fiis de direito
diocesano da Diocese de Santo Amaro, em So Paulo, presente na internet desde 1999. Segundo o prprio
site, como o maior portal catlico de lngua portuguesa do mundo, com mais de cinco milhes de visitantes
anuais.
6
Disponvel em www.apostolas-pr.org.br. O site da Provncia do Paran do Instituto das Apstolas
do Sagrado Corao de Jesus rene contedos sobre a congregao religiosa fundada em 1894. A Provncia
do Paran abrange os estados do Sul do Brasil e o Mato Grosso do Sul, alm de quatro pases da Amrica
Latina.
7
Disponvel em www.padrereginaldomanzotti.org.br. O Pe. Reginaldo Manzotti o fundador da
Associao Evangelizar Preciso. Tambm diretor da Rdio Evangelizar AM 1060 de Curitiba. Seu portal
na Internet, segundo dados de sua prpria pgina, recebe 400 mil acessos mensalmente.

Olhares sobre a cibercultura

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8
9
10
11

Disponvel em http://www.a12.com/santuario/multimidia/peregrinacao_virtual.asp.
Disponvel em http://www.apostolas-pr.org.br/capela/capela.htm.
Pequeno armrio em que so conservadas as hstias consagradas.
Objeto sacro em que a hstia consagrada exposta.

Olhares sobre a cibercultura

108

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Olhares sobre a cibercultura

116

117

Jogos digitais

Motivao para a
aprendizagem contepornea
Onol Neves de Oliveira
Kamila Regina de Souza

A".:12

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1
A SBC faz parte da Sociedade Brasileira para o Progresso da Cincia (SBPC) e da International
Federation for Information Processing (IFIP), scia do Centro Latino-americano de Estudios en Informatica (CLEI) e afiliada IEEE Computer Society. Informaes disponveis em: <http://www.sbc.org.br/> Acesso
em jul/2011.
2
Informaes disponveis em: <http://www.ccae.ufpb.br/sbie2010/> Acesso em jul/2011.
3
Artigos completos do SBIE 2009 disponveis em <http://wwwexe.inf.ufsc.br/~sbie2009/anais/
artcompletos.html>Acesso em jul/2011.
4
Autores: Leila Cristina Vasconcelos de Andrade, Josefino Cabral Melo Lima, Lus Alfredo Vidal
de Carvalho, Carlo Emmanoel Tolla de Oliveira, Adriano Joaquim de Oliveira Cruz, Paulo Mattos, Luciane
de Souza Velasque, Bruno Grieco, Angela Bastos e Fbio Santos da Escola de Informtica Aplicada e Programa de Ps-Graduao em Informtica da Universidade Federal do Estado do Rio de Janeiro UNIRIO.

121
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5
Artigos completos do SBIE 2010 disponveis em <http://www.ccae.ufpb.br/sbie2010/anais/Artigos_Completos.html> Acesso em jul/2011.
6
Autores: Eveline de Jesus V. S, Jeane Silva F. Teixeira e Clovis Torres Fernandes, do Instituto
Tecnolgico de Aeronutica (ITA) e do Instituto Federal de Educao, Cincia e Tecnologia do Maranho
(IFMA).
7
Autores: Rmulo Csar Silva, Ricardo Luis Binsfeld, Izaura Maria Carelli e Rodrigo Watanabe;
do Centro de Engenharia e Cincias Exatas (CECE), Universidade Estadual do Oeste do Paran (Unioeste),
Instituto de Informtica Universidade Federal do Rio Grande do Sul (UFRGS).
8
Autores: Ayla Dbora Dantas S. Rebouas, Diego Lopes Marques, Lus Feliphe Silva Costa e Max
Andr de Azevedo Silva; do Departamento de Cincias Exatas Universidade Federal da Paraba (UFPB).

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9
Autores: Elieser A. de Jesus, Andr L. A, da Universidade do Vale do Itaja UNIVALI.
10
Autores: Maria Cristina Kessler; Claudio Gilberto de Paula; Maria Helena Alb; Neiva Manzini;
Claudia Barcellos; Renato Carlson; Daniel Marcon e Cristiano Kehl; Universidade do Vale do Rio dos Sinos UNISINOS.

123
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11
Autores: Andr Calisto, David Barbosa e Carla Silva; Departamento de Cincias Exatas, Centro
de Cincias Aplicadas e Educao, Universidade Federal da Paraba (UFPB).
12
Autores: Rafael Wild, Pedro Cuba, Rui Prada e Maria Cristina Biazus; Universidade Federal do
Rio Grande do Sul (UFRGS), Instituto de Engenharias de Sistemas e Computadores Investigao e Desenvolvimento em Lisboa (INESC-ID), Instituto Superior Tcnico Portugal.
13
Autores: Marcello Thiry, Alessandra Zoucas e Rafael Queiroz Gonalves; Laboratrio de Qualidade e Produtividade de Software (LQPS)/ Universidade do Vale do Itaja (UNIVALI).
14
Autores: Mariane M. Souza, Rodolfo F. Resende, Lucas S. Prado, Edgar F. Fonseca, Flavio A. Carvalho e Alexsander D. Rodrigues; Universidade Federal de Alfenas (UNIFAL MG), Universidade Federal
de Minas Gerais (UFMG).

Olhares sobre a cibercultura

124
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129

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digitais para a relao entre
geraes (professor e aluno)
no contexto escolar
Luciana Silva dos Santos

A".:12

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1
Pesquisa realizada em 2009, sob a coordenao de Roslia Duarte, com pesquisadores e estudantes (de ps-graduao e de graduao) de trs grupos de pesquisa: Grupo de Pesquisa em Educao
e Mdia e Laboratrio de Avaliao da Educao, ambos da PUC-Rio, e a Coordenao de Educao em
Cincias do MAST (Museu de Astronomia e Cincias Afins).

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138
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139

Imagens nas redes sociais mveis

Mdias locativas e
memrias coletivas sobre lugares
Ana Lcia Migowski da Silva
Gabriela da Silva Zago

A".:12

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1
Respectivamente http://instagr.am/, https://foursquare.com/ e http://twitter.com
2
Quando foi idealizado por seus criadores, o Twitter foi pensado como um software social que poderia ser atualizado por meio de mensagens de textos a partir de celulares. No uma mera coincidncia que
140 caracteres seja o limite mximo permitido para a postagem de tweets e de mensagens SMS de diversos
celulares.

141
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3
Rede social mvel criada em 2000. Em 2005, foi adquirida pelo Google. Em 2009, o servio foi
descontinuado e substitudo pelo Google Latitude.

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4
Traduo das autoras para: The sharing of social information through MSNS should be able to
transform users experiences of the public spaces they inhabit.

Olhares sobre a cibercultura

146
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!1.8+)'n>91=19</1=

5
6
7
8

Conforme informado em https://foursquare.com/about em 18 jul. 2011.


http://cnnmoneytech.tumblr.com/post/5806027102/instagrams-instant-growth
http://g1.globo.com/tecnologia/noticia/2012/04/facebook-anuncia-compra-do-instagram.html
http://techcrunch.com/2010/10/31/twitter-users/

147
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9

http://blog.sysomos.com/2011/06/02/how-people-currently-share-pictures-on-twitter/

Olhares sobre a cibercultura

148
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10
Venue a forma como so chamados os locais fsicos cadastrados na ferramenta, em que os
usurios podem fazer check-in (registrar que esto naquele local). No caso de nosso exemplo, a Fundao
Iber Camargo pode ser considerada uma venue.
11
Acessvel em https://foursquare.com/venue/991030. ltimo acesso em 26 de agosto de 2011.
12
Embora apaream 15 resultados de busca, havia uma fotografia repetida, por isso contabilizamos
14 fotografias.
13
Destacamos que h uma duplicao de registros do local em questo na base de dados do
Instagram. Isto algo comum em ferramentas que no apresentam um sistema de busca muito estruturado.
Sendo assim, possvel encontrar outro registro para a Fundao Iber Camargo que apresente somente trs
fotografias. Optamos por ilustrar o trabalho com o registro que apresenta o maior nmero de fotografias.
14
possvel realizar a postagem tanto do computador com acesso web quanto por dispositivos
mveis.
15
Existem diversas ferramentas que podem ser utilizadas para disponibilizar imagens no Twitter,
como Twitpic, Yfrog, o prprio Instagram entre outras.

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16
possvel realizar pesquisas pelo aplicativo para smartphones ou pelo sistema de busca da Web,
disponvel em http://search.twitter.com.

Olhares sobre a cibercultura

150
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152
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